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- From: edente@pearl.tufts.edu
- Newsgroups: rec.music.classical
- Subject: Re: Music <<NOT>> killed by movies
- Message-ID: <1993Jan27.145449.1@pearl.tufts.edu>
- Date: 27 Jan 93 19:54:49 GMT
- References: <1993Jan27.001756.1@pearl.tufts.edu> <terjer-270193113952@majestix.ifi.unit.no>
- Sender: news@news.tufts.edu (USENET News System)
- Followup-To: rec.music.classical
- Organization: Tufts University - Medford, MA
- Lines: 22
-
- I hadn't thouIn article <terjer-270193113952@majestix.ifi.unit.no>, terjer@ifi.unit.no (Terje Rydland) writes:
- > In article <1993Jan27.001756.1@pearl.tufts.edu>, edente@pearl.tufts.edu
- > wrote:
- >>
- >> A real rarity: A movie that is very nicely enhanced by the classical
- >> music used in it, music that is integral to the movie and not window
- >> dressing. TRULY MADLY DEEPLY, a "small" British film about a pianist
- >> getting along in life after her lover, a cellist, has died.
- >
- > Is this a film about Barenboim and du Pre?
- >
- >
-
- > Terje Rydland
-
- I hadn't thought of that parallel - it's an interesting one, but I don't
- think it is meant to be. For one thing the genders are reversed, for
- another it is in a way a "lighter" kind of film. In a way like the
- movie "Ghost", the cellist returns after death to try to help the pianist
- get over her mourning for him.
- Ed Dente
- e
-