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- From: bhayden@teal.csn.org (Bruce Hayden)
- Subject: Re: Out of print material and copyright law
- Message-ID: <bhayden.727594697@teal>
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- Organization: Colorado SuperNet, Inc.
- References: <1ikgsaINNnbu@shelley.u.washington.edu> <2dOp02HI31EB01@JUTS.ccc.amdahl.com> <1993Jan11.065525.17032@qiclab.scn.rain.com> <C0p4zs.5uE@panix.com> <1993Jan20.104218.20760@qiclab.scn.rain.com>
- Date: Thu, 21 Jan 1993 05:38:17 GMT
- Lines: 56
-
- leonard@qiclab.scn.rain.com (Leonard Erickson) writes:
-
- >sbarber@panix.com (Steve Barber) writes:
-
- >You missed my point *completely*. The original 6502 program *is* copy-
- >righted. No argument there. But what I'm saying is that a port of it
- >to another architecture would be "derivative work" only to the extent
- >that "West Side Story" is derived from "Romeo and Juliet".
-
- Well, first of all, West Side Story is not a good model, since
- Romeo and Juliet would have gone into the public domain hundreds
- of years ago, if they had had copyright back then.
-
- But more fundamentally, you have to look at the level of abstraction
- you need to go to for the "copying" before you can determine whether
- or not it is a derivitive work. West Side Story is a very high level
- of abstraction. Translating the algorigthms of one program would be
- much lower. Unfortunately, the courts haven't been able to draw a
- bright line to determine the proper level of abstration.
-
- >The *only* way you are going to make that work is if you buy into the
- >"look and feel" argument.
-
- Only if 1) you haven't copied the arrangement of the algorithms
- of the original, and 2) if the work was registered as
- a literary work, and not an audio-visual work.
-
- However, I could also argue even if the work is pre-Berne, it is still
- protected as such an audio-visual work, regardless of registration,
- since under the 1976 Act, protection is by operation of law (automatic)
- It is just that prior to Berne one could lose protection by failure
- to mark.
-
- >What I was saying is that *no* part of the Aplle II "expression" is *usable*
- >on another machine. Only the *idea*, and the *idea* is not copyrightable!
-
- What do you mean by the "idea"? Agreed, a program that does the same
- essential thing doesn't by that alone infringe. (The one idea problem
- of Whalen). But - is youridea" more specific. If so, I don't think
- the law is as clear as you indicate.
-
- >What winds up being kept would be along the lines of the similarity
- >between "space Invaders" and the hundreds of knock-offs that were
- >done for game machines and home computers. The *code* is not at all
- >similar until you get to the algorithmic level. And at *that* level,
- >it is *not* the program but a *description* of the program. Thus my
- >"plot line" analogy.
-
- Again, what do you mean by algorithmic level? Sure, a single simple
- algorithm is not protected. But - the combination of what algorithms
- actually used, and in what order, etc. very well could be protected.
-
- Bruce E. Hayden
- (303) 758-8400
- bhayden@csn.org
-
-