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  1. Xref: sparky fj.meetings:814 fj.comp.music:487
  2. Path: sparky!uunet!ccut!news.u-tokyo.ac.jp!enterprise!kashino
  3. From: kashino@mtl.t.u-tokyo.ac.jp (Kunio Kashino)
  4. Newsgroups: fj.meetings,fj.comp.music
  5. Subject: JMACS meeting (Japan Music and Computer science Society)
  6. Message-ID: <KASHINO.93Jan27161654@excelion.mtl.t.u-tokyo.ac.jp>
  7. Date: 27 Jan 93 07:16:54 GMT
  8. Sender: news@enterprise.mtl.t.u-tokyo.ac.jp
  9. Followup-To: fj.meetings
  10. Distribution: fj
  11. Organization: University of Tokyo, Tokyo, Japan.
  12. Lines: 61
  13. Nntp-Posting-Host: excelion.mtl.t.u-tokyo.ac.jp
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  16. $@"#(J $@2;3Z>pJs2J3X8&5f2q(J $@Bh#4#12sNc2q(J
  17.    ( = $@>pJs=hM}3X2q2;3Z>pJs2J3X8&(J$@5f%0%k!<%W(J $@Bh#1#92s8&5f2q(J)
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  20. $@!|F|;~(J  $@J?@.(J 5$@G/(J 2$@7n(J11$@F|(J($@LZ!&=K(J)
  21.         $@8&5fH/I=(J   :  13:00$@!A(J16:30
  22.         $@%3%s%5!<%H(J :  17:00$@!A(J20:00 
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  24. $@!|2q>l(J  $@6d:B(J $@==;z20(J $@#93,%[!<%k(J
  25.         $@El5~ETCf1{6h(J$@6d:B#3CzL\#5HV#49f(J   TEL: 03-3561-5260
  26.         $@#J#R@~M-3ZD.1X2<<VELJb#5J,(J, $@1DCDCO2<E4@~6d:B1XELJb#3J,(J
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  28.     $@6d:BDL$j$+$i%(%9%+%l!<%?$G#3#F$^$G>e$,$j!"$3$3$G#9#F%[!<%k@lMQ(J
  29.     $@%(%l%Y!<%?$r$4MxMQ2<$5$$!#(J
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  31. $@!|8&5fH/I=(J  3 $@7o(J 
  32.  
  33. (1) Minimus: A Minimal Musical Programming Language
  34.                                               Ioannis Zannos $@!JElBg!K(J
  35. [$@35MW(J] MAX $@$r3HD%$7$?%*%V%8%'%/%H;X8~$N2;3Z%W%m%0%i%_%s%08@8l(J 
  36.        "Minimus" $@$rDs0F$7FCD'$r5DO@$9$k!#(J
  37.  
  38. (2)  A Four Channel Dynamic Sound Location System
  39.                                       Fernando Lopez Lezcano $@!J7DBg!K(J
  40. [$@35MW(J] $@It20$NJ*M}E*FC@-$H2;8;$N50@W$H(J$@$r;XDj$9$k$3$H$K$h$j2;>l(J
  41.        $@@)8f$N2DG=$J7W;;5!%7%9%F%`$rDs0F$9$k!#(J
  42.  
  43. (3) Audio Windows for Virtual Concerts
  44.                              Michael Cohen , Nobuo Koizumi $@!J#N#T#T!K(J
  45. [$@35MW(J] $@%M%C%H%o!<%/$r(J$@DL$8$FAU<T$dD0=0$,2>A[4D6-$r6&M-$9$k$?$a$N(J
  46.        $@2;6A$N6u4V>pJs$N@)8fA`:n7O$rDs0F$9$k!#(J
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  48. * $@F1;~4VBS$K(J$@7W;;5!2;3Z$K4X$9$k>&6H%7%9%F%`E8<($,NY<<$G9T$o$l$F$$$^$9!#(J
  49. * $@8&5fH/I=$K0z$-B3$-!"7W;;5!2;3Z%7%9%F%`$K(J$@$h$k%3%s%5!<%H!JF~>lNA(J 3000$@1_!K(J
  50.   $@$,9T$o$l$^$9!#(J
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  52. $@!|%3%s%5!<%H(J  6 $@%W%m%0%i%`(J ($@=gITF1(J)
  53.  
  54. (1) Beating Piece                       $@4dC]!!E0(J
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  56. (2) $@SG8l(J "YayaYa"                       $@>.:d(J $@D>IR(J
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  58. (3) Chaotic Grains                      $@D9Eh(J $@MN0l(J
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  60. (4) $@2;$H1GA|$N$?$a$N(JMODOKI II           $@?6DE0j9>(J
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  62. (5) $@E`$l$kD;(J                            $@>>K\F|G7=U(J
  63.  
  64. (6) Korper                              $@?9K\9@@5(J
  65.    ($@Ej9F<TCm(J: o $@$O%&%`%i%&%H(J)
  66.  
  67. $@!|(J $@$*Ld9g$;$O!"(J
  68.    ($@2;3Z>pJs2J3X8&5f2q(J $@C4Ev44;v(J)
  69.    $@>.:dD>IR(J  $@#N#T#T4pAC8&(J 0422-59-2967          osaka@siva.ntt.jp
  70.    $@GpLnK.IW(J  $@El5~Bg3X(J     03-3812-2111 ($@Fb(J7413) kashino@mtl.t.u-tokyo.ac.jp
  71.    $@$^$G!#(J
  72. --
  73. $@GpLn(J  $@K.IW(J
  74. <kashino@mtl.t.u-tokyo.ac.jp>    
  75. $@El5~Bg3XBg3X1!(J $@9)3X7O8&5f2J(J $@EE5$9)3X@l(J$@96(J($@EDCf1QI'8&5f<<(J)
  76.