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- Path: sparky!uunet!comp.vuw.ac.nz!actrix!basso!dgold
- From: dgold@basso.actrix.gen.nz (Dale Gold)
- Newsgroups: comp.sys.amiga.audio
- Subject: Re: BPPro is terrible...whats KCS like ?
- References: <1993Jan25.161032.25183@tpl68k0.tplrd.tpl.oz.au>
- <1k15v6INNbh9@lns596.TN.CORNELL.EDU>
- Message-ID: <dgold.0xm2@basso.actrix.gen.nz>
- Date: 28 Jan 93 23:36:58 PST
- Organization: New Zealand Symphony Orchestra
- Lines: 24
-
- Quoted from <1k15v6INNbh9@lns596.TN.CORNELL.EDU> by dsr@lns598.tn.cornell.edu (Daniel S. Riley):
- >
- > In article <1993Jan25.161032.25183@tpl68k0.tplrd.tpl.oz.au>,
- > markb@tplrd.tpl.oz.au (Mark Bower) writes:
- > [ ...lots of Bars&Pipes gripes... ]
- >
- > Bars&Pipes has its own highly idiosyncratic view of how MIDI should
- > work. If your view of MIDI happens to fit well with B&P's, then it
- > can be an incredibly powerful sequencing environment. If your view
- > disagrees, it can be hell. If you need a full MIDI thru in your
- > sequencer, then it's a good bet that your view of MIDI disagrees with
- > B&P's.
-
- A full MIDI through sounds like a very basic requirement for a sequencer.
- Since MIDI is meant to be a Universal standard for all computers, any
- software which doesn't meet these standards doesn't work properly, does
- it?
-
- Cheers,
- Dale
-
- --
- - dgold@basso.actrix.gen.nz
- - Korokoro, New Zealand
-