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- Path: sparky!uunet!pipex!warwick!warwick!not-for-mail
- From: esuyn@csv.warwick.ac.uk (Mr J Currid)
- Newsgroups: alt.music.rush
- Subject: Re: RTB: Neurotica
- Date: 25 Jan 1993 15:56:44 -0000
- Organization: Computing Services, University of Warwick, UK
- Lines: 52
- Sender: esuyn@csv.warwick.ac.uk
- Message-ID: <1k12jsINNohn@clover.csv.warwick.ac.uk>
- References: <C1CHHz.9no@unix.portal.com>
- NNTP-Posting-Host: clover.csv.warwick.ac.uk
-
- In article <C1CHHz.9no@unix.portal.com> rivit@shell.portal.com (Russell Michael VanTassell) writes:
- >
- >Just a rather curious thing I noticed while listening to my copy of Roll
- >the Bones -- right at the very end of Neurotica, there is another scream
- >apparently from Geddy (at least it sure sounds like this). It sounds
- >like "Stop!" or something...
- >
- >Can anyone confirm this?
-
-
- Yes.
-
- I can also add two other things to the 'things to look out for on RTB' list:
-
- Firstly, the keyboards that are left to face up on 'Fade Out' :-) do in
- fact continue into the mix of Where's My Thing?, if you listen closely.
-
- Secondly, I can hear the static/noise on Dreamline that occurs in, I think,
- the second verse (don't ask me for a time on the CD). Can you?
-
- Right!!! I want to start a new thread!!! Along this line. What strange things
- or peculiarities have any of you heard on Rush songs? Here's a few to be
- going on with.
-
- In the Cygnus section of Hemispheres, where you hear the part of Cygnus X1
- coming out of the background twice, just for a couple of bars, it isn't
- actually Cygnus X1, because as far as I'm aware, the parts played here do
- not appear anywhere on Cygnus X1 AFTK.
-
- On Cygnus X1 itself, if you listen right at the end to the bit where Alex
- is just playing chords to fade out, you can hear this really muffled thumping
- in the background. Is it Neil?
-
- If you listen right at the end of the vinyl version of ATWAS, just after what
- you're doing, as the crowd disappears off hearing, you can hear Geddy, Alex
- and Neil coming off stage, saying 'wow what a show man o man' or some phrase
- like that :-)
-
- If you listen right to the end of Between The Wheels and Mystic Rhythms, you'll
- find that they're not actually fade outs on the album - the keyboard parts do
- come to a conclusion, only very quietly. Why has that been done? Why didn't
- Peter Henderson and Peter Collins resp. leave the mix high if the song was
- going to actually finish?
-
- Next week, on the wonderful world of Disney........
-
- And so on, and so on.
- Just thought you may be interested.
-
- John
- Warwick
-
-