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  1. Xref: sparky rec.music.makers.percussion:371 rec.audio.pro:2678
  2. Path: sparky!uunet!zaphod.mps.ohio-state.edu!swrinde!emory!gatech!rutgers!news.cs.indiana.edu!nstn.ns.ca!ac.dal.ca!cullen
  3. From: cullen@ac.dal.ca
  4. Newsgroups: rec.music.makers.percussion,rec.audio.pro
  5. Subject: Re: miking bodhrans
  6. Message-ID: <1993Jan1.214359.9824@ac.dal.ca>
  7. Date: 2 Jan 93 01:43:59 GMT
  8. References: <1992Dec28.082050.7026@cs.yale.edu> <C03zrA.1IA@chinet.chi.il.us>
  9. Organization: Dalhousie University, Halifax, Nova Scotia, Canada
  10. Lines: 14
  11.  
  12. Bill Roper writes:
  13. > By the way, my suspicion is that in the live applications discussed
  14. > elsewhere the fellow on the board eq'd that low end away.
  15.  
  16. No, actually, the request of the player was to have a pantleg-moving
  17. type of low end to the drum. In other words, extreme proximity effect,
  18. with boosted LF EQ on top of that, and reverb as well. 
  19.  
  20. Like I said, I don't listen to this type of music, and therefore
  21. I have to go by what the musicians and possibly the band manager 
  22. request.
  23.                     Mur
  24.                     Cullen@ac.dal.ca
  25.                     Cullen@ug.cs.dal.ca
  26.