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- From: allyn@milton.u.washington.edu (Allyn Weaks)
- Newsgroups: rec.music.early
- Subject: Re: Copyright (Was: standard representation of music)
- Date: 2 Jan 1993 09:08:44 GMT
- Organization: University of Washington, Seattle
- Lines: 29
- Message-ID: <1i3m2sINN7r@shelley.u.washington.edu>
- References: <01010064.m9uelj@titipu.resun.com>
- NNTP-Posting-Host: milton.u.washington.edu
-
- ed@titipu.resun.com (Edward Reid) writes:
- >allyn@milton.u.washington.edu (Allyn Weaks) writes:
- >> The easiest rule of thumb is that if you have actual paper/media that came
- >> out before 1917 (75 years ago) it is safely in the public domain ...
- >> ... So if you can find an original Liber Usualis from 1914,
- >> you can photocopy it and put it back in print (I very much hope that Dover
- >> will do this), but if you have a copy dating from 1936, you probably
- can't.
-
- >Until recently, a copyright (at least in the US) lasted 56 years, including
- >a renewal at 28 years. So anything from before 1936 is now in the public
- >domain. Current protection lasts for the author's lifetime plus 50 years,
- >or a flat 75 years for corporate or joint works. That only went into effect
- >in the last five years or so, so you needn't worry about the change for a
- >little while.
-
- The problem being that so much music, especially early music, is only
- available in European editions. It's generally the 75 year corporate
- copyright that needs to be thought about for publications. If you copy a
- non-US edition that's public domain in the US, but not in Europe, then make
- it available for distribution on an ftp site accessible from outside of the
- US, you could still get in trouble...so the safe, easy rule of thumb is to
- follow the Berne Convention rules, or be very careful who you give the copy
- to. Dover has scads of codes in their catalog for what can be sold where for
- this reason.
-
- Allyn Weaks
- allyn@milton.u.washington.edu
-
-