home *** CD-ROM | disk | FTP | other *** search
- Path: sparky!uunet!zaphod.mps.ohio-state.edu!usc!usc!not-for-mail
- From: adolphso@mizar.usc.edu (adolphson)
- Newsgroups: rec.music.classical
- Subject: Re: male alti, counter-tenors, castrati, and so on
- Date: 27 Dec 1992 01:33:22 -0800
- Organization: University of Southern California, Los Angeles, CA
- Lines: 29
- Message-ID: <1hjt92INN8c8@mizar.usc.edu>
- References: <1992Dec23.150355.24969@jhunix.hcf.jhu.edu> <1hbsk5INNdb4@mizar.usc.edu> <2B39E6C2.912@news.service.uci.edu>
- NNTP-Posting-Host: mizar.usc.edu
-
- In article <2B39E6C2.912@news.service.uci.edu>
- jdooley@maemaster.eng.uci.edu (John R. Dooley) writes:
- > In article <1hbsk5INNdb4@mizar.usc.edu>
- > adolphso@mizar.usc.edu (adolphson) writes:
- > >Neither. They sounded like boy sopranos, but the voices were
- > >powered by adult lungs. [ ... ]
- >
- > I suspect some castratos also sounded like boy altos.
-
- Oh yes, I was imprecise there. Castrati had various ranges,
- corresponding roughly to the vocal types among female singers
- today. The most famous castrato of all time, Farinelli, was
- an alto.
-
- > For instance, I recall in Handel's Flavio, he composed parts for
- > a male soprano and male alto (both castratos), and a countertenor,
- > among other male and female vocalists.
-
- Which should go far to disabuse people of the notion that
- castratos and countertenors are interchangeable.
-
- > A question I would have is that it seems fairly common
- > for the roles kings and emperors and such to have been set
- > for castrato soprano. Is there a known reason for this?
-
- Perhaps because the soprano castrati possessed heroically
- ringing voices? A brighter, more trumpet-like sound?
-
- Arne
-