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- Newsgroups: rec.music.classical
- Path: sparky!uunet!uunet.ca!canrem!dosgate!dosgate![alexander.inglis@canrem.com]
- From: "alexander inglis" <alexander.inglis@canrem.com>
- Subject: liner notes
- Message-ID: <1992Dec22.4216.25930@dosgate>
- Reply-To: "alexander inglis" <alexander.inglis@canrem.com>
- Organization: Canada Remote Systems
- Distribution: rec
- Date: 22 Dec 92 14:54:07 EST
- Lines: 59
-
- From time to time I hear complaints about the decline in "presentation"
- that CDs represent since the good ol' days of LPs. I don't go back to
- the 78 era, but in my time I collected a LOT of LPs. I'm not convinced
- that the extent of documentation we receive now is, on average, any
- worse than it used to be.
-
- I can think of one series, in fact, that is *easily* the most heavily
- documented I have ever encountered: CD or LP. That's the extraordinary
- Schubert series from Hyperion. At least a couple of dozen pages of
- densely packed notes and translations -- sorry, it's *all* in English.
-
- The most extensive LP documentation that comes to mind was the book (not
- booklet) that came with the original release on DGG of Schoenberg/
- Berg/Webern string quartets. Don't have the LPs any longer -- but I
- *still* have the book!
-
- If you don't mind putting up with a stilted performance, there's also
- that remarkable documentation accompanying Gilbert Caplan's performance
- of Mahler's Resurrection Symphony. At the price, it's almost worth it
- for the documentation alone!
-
- I've always been bothered by budget releases -- frequently aimed at the
- casual buyer -- that contain *no* documentation at all. Scandalous! This
- is the very crowd that needs something to hang their hat on. Yet another
- release of Beethoven's Fifth at full price under any famous conductor --
- well, maybe we don't need musical detail here. But the $6 CD could be
- the first (and only) recording a buyer has: it ought to have something.
-
- It's not just economics, despite the wails from the producers. Naxos
- proves that. Its line of inexpensive CDs (they sell here from C$5-7, or
- about 1/3 mainstream discs on sale) are a model. You not only get a
- couple of paragraphs talking about musical form, you get a bit of
- historical perspective and a few words on the performers. Since this
- level of information could be squeezed into a couple of pages, even
- budget disks with three languages ought to manage this.
-
- Finally, does anyone care to share their favourite "gobbledegook" liner
- notes? As much as I enjoy his music making, Giuseppe Sinopoli shouldn't
- be allowed near a typewriter! His brilliant disc of Schubert Unfinshed/
- Mendelssohn Italian has a Sinopoli note that begins:
-
- "Standing outside any typology of the emotions, Schubert's 'Unfinished'
- represents one of the most disconcerting examples in the music
- literature that may be said to belong to the funerary category, the
- music of mourning, by which I mean the cultic celebration of loss, the
- loss of some good. That good may never have existed, but the very fact
- of its having been so passionately desired yet never achieved removes it
- into a limbo zone of the consciousness where it is possessedas dream".
-
- Ghaaackkk!
-
- Glenn Gould was capable of dropping off the deep end from time to time.
- And Wagner opera box annotators, I think, are *required* to be obtuse!
-
- Alexander Inglis | InterNet: alexander.inglis@canrem.com
- Toronto, Canada | CompuServe: 70307,20 BIX: ainglis
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