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- Path: sparky!uunet!dziuxsolim.rutgers.edu!pilot.njin.net!csc
- From: csc@pilot.njin.net (Sean Casey)
- Newsgroups: comp.sys.ibm.pc.soundcard
- Subject: Re: GUS - 32 channel STEREO!
- Message-ID: <Dec.31.12.09.25.1992.13840@pilot.njin.net>
- Date: 31 Dec 92 17:09:25 GMT
- References: <gate.uVuyVB1w164w@bowker.com> <1992Dec22.145009.14303@magnus.acs.ohio-state.edu> <PJA.92Dec29104803@lk-hp-12.hut.fi> <4123@randvax.rand.org> <PJA.92Dec30180404@lk-hp-11.hut.fi>
- Organization: The Leaning Tower of Patterson Office @ The Univ. of KY
- Lines: 14
-
- pja@snakemail.hut.fi (Petri Juhani Jarre) writes:
-
- | Of course, you can argue that "channel" can mean anything Gravis wants
- | it to mean. But the meaning I'm using here has been in use more than
- | half a century in the world of electronic sound.
-
- |Like "wavetable synthesis", which has been around for a long time. It
- |is called sample playback.
-
- It's not just sample playback. It's using samples as input to a
- frobnicator that makes things really interesting. Ensoniq
- "synthesizers" have been doing this for a while with great success.
-
- Sean
-