home *** CD-ROM | disk | FTP | other *** search
- Newsgroups: rec.music.gdead
- Path: sparky!uunet!charon.amdahl.com!pacbell.com!decwrl!adobe!maca517.mv.us.adobe.com!user
- From: lstein@adobe.com (Larry Stein)
- Subject: Re: Miserable netheads {)=+)
- Message-ID: <lstein-161192125130@maca517.mv.us.adobe.com>
- Followup-To: rec.music.gdead
- Sender: usenet@adobe.com (USENET NEWS)
- Organization: Adobe Systems
- References: <1992Nov16.155309.7344@athena.mit.edu>
- Date: Mon, 16 Nov 1992 20:56:04 GMT
- Lines: 31
-
- In article <1992Nov16.155309.7344@athena.mit.edu>, tjdalton@athena.mit.edu
- (Transitive NightFall of Diamonds) wrote:
- >
- > In article <1992Nov14.220856.3915@news.Hawaii.Edu>
- > barnes@galileo.ifa.hawaii.edu (Joshua Edward Barnes) writes:
- >
- > > I also liked the comparison to being backstage. I've been back a
- > >couple of times, but I gotta say I didn't find it too interesting --
- > >and *of course*, I didn't spend a second back there when the music was
- > >playing!
- >
- > All you get out of backstage is a free can of soda, and a clean
- > bathroom with no line.
-
- Actually, there is a real advantage to having a backstage pass
- at the Oakland Coliseum. It's the only place that one can buy
- beer!!
-
- >
- > Now, an 'on-stage' pass is where its at! That is a blast.
-
- I don't know about the Grateful Dead, but having an
- 'on-stage' pass for Santana is sure a lot of fun!
-
- --larry
- >
- > Tim
- >
- > ----
- > Timothy J. Dalton tjdalton@mit.edu
- > MIT, Dept. of Chemical Engineering, Materials Etching Technology Lab
-