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- From: napier@cs.ucsd.edu (Jim Napier)
- Newsgroups: alt.guitar
- Subject: Improvisational focus (WAS: Re: Blues Soloing [help!])
- Message-ID: <2258@deadmin.ucsd.edu>
- Date: 16 Nov 92 21:12:29 GMT
- References: <1992Nov12.163455.1@cubldr.colorado.edu> <1992Nov13.143029.22263@cbfsb.cb.att.com>
- Sender: news@deadmin.ucsd.edu
- Distribution: usa
- Organization: AMES Dept., UC San Diego
- Lines: 26
-
-
- This is a tangent to the discussion of blues playing that goes more into the
- psychological side of improvisation. One of the followup posters said that the
- thing to do was to get away from jamming to records and start playing with
- other people. One problem I have always had is that as soon as I'm with others
- or playing in front of people my mind goes blank. I'm so focused on where I
- am that any creative improvisational ability is washed away and I find myself
- repeating stiff phrases and groping for the right notes (or any notes that
- sound like anything related to the song). I've never mastered the art of
- centering myself on the instrument while improvising with other musicians.
- I have no problem when I play by myself or to albums and quite enjoy the freedom
- of expression that improvisation provides. I guess for me the main problem is
- that the freedom of thought necessary to improvise properly is at odds with
- the fact that I'm completely aware that others are observing me. How do others
- deal with such distractions? Is this just a case of plain old stage fright?
-
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- Jim Napier
- Systems Administration
- Applied Mechanics & Engineering Sciences Dept.
- UC San Diego
- (619)534-5414
- napier@ames.ucsd.edu
-
- "Shut up before I have to tell you to shut up."
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