ocr: Quartet Listening Anatomy. Third Movement In - the second half this cadence is extended by four second-halt return of the bars in one ofMozart's most theme in the cello) again glorious flights of inspiration. recalls the larkness of the Trios were traditonalty introduction. Analogously to lighter in character than the first movement, the their mruets, but ozart's gloom is quicky iispelled highy charged, mnor- by the da capo of the mode trio (inchuding the playiul miruet. I
