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- I'm in the standing-room-only crowd on the floor at the
- Jethro Tull concert in Frankfurt, West Germany, April 27, 1982.
- The crowd is constantly shifting; a single organism trying to
- make itself comfortable on the concrete floor of the arena. The
- air is thick with the smells of beer, wine, and smoke (cigars,
- cigarettes, pipe tobacco, and hash). Voices of the hawkers can
- be made out above the noise of the crowd advertising (in German
- and English) their wine, beer, posters, and T-shirts. Canned
- music is piped in over speakers in the rafters.
- The roadies are playing games with the crowd while doing the
- sound system checks. Frisbees and funny little glowing things
- fly at random through the air.
- I'm standing at the center of the stage, about 30 feet back
- into the crowd. After the concert my ears will be ringing for
- three days. I can live with that...
- The lights begin to dim and the crowd settles down as the
- drummer for the warm-up band sets the beat on his high-hat. The
- curtains open, the spots blaze to life, and the crowd goes nuts
- as the warm-up band hits the stage with a hard-driving rhythm and
- screaming guitars.
- I've never heard (or heard of) the band before. Probably a
- local hired to warm up the crowd for Tull. They're good at it -
- warming the crowd up, that is - but I don't think they'll make it
- on their own.
- The crowd is getting into it. The energy that bands live on
- - in their symbiotic way - starts flowing. People are pumping
- their fists into the air - the air which is rapidly getting
- thicker with the smell of hashish as the pipes are passed around.
- The folks are getting fired up!
- Surveying the people around me, my eyes come to a screeching
- halt on a small cluster of young ladies who are definitely
- getting into the rhythm of the thing. They're dancing and
- screaming and bouncing around as if it were the last night of
- their lives.
- One of the gals - a sweet young lady with waist-length,
- chestnut tresses in a yellow, knit mini-dress - is also surveying
- the crowd. Our eyes meet. Hers are the gray of early-morning
- fog on the Rhine. I smile. She returns a knowing half-smile
- that sends a shiver up my spine, before turning back to the band
- on stage.
- The warm-up band finishes its sixth set with a flourish and
- runs off stage. The spots die and are replaced by the house
- lights as the curtains are closed for the intermission. The
- canned music begins to play.
- Once again, the crowd shifts as parts head for the restrooms
- to unburden themselves of the beer, wine, and soda consumed
- before (and during) the warm-up act. More beverages are bought,
- along with albums, posters, T-shirts, and popcorn. Only the most
- brazen are firing up their bowls with the house lights up.
- I look around for the clump of young women I noted earlier,
- but they have faded into the mob. Probably in line for the
- restroom, think I, as I turn back to the stage.
- The roadies can be heard moving equipment around on the
- stage. An occasional glimpse of a roadie with a guitar or an amp
- can be seen through the small gap in the curtain.
- We wait for about half an hour as the stage is reset for
- Jethro Tull. The tension of anticipation is like a physical
- thing filling the arena; I feel as if I could float on it.
- Then the house lights dim, and the tension boils away in the
- roar of the crowd.
- The arena is black as pitch, and the crowd has settled into
- its final configuration, when the first notes of the piano intro
- to "Locomotive Breath" push their way through the crowd noise. A
- few of us recognize the song from the first few notes and cry out
- in joy and appreciation. Others don't realize what they are
- listening to until the first whining guitar riffs have faded into
- reverberating feedback.
- Then the stage is ablaze with light as the lead guitar is
- banging out the opening bar of the song proper. Ian Anderson is
- dancing around the stage, twirling his silver flute as if it were
- a baton. The drums and bass are hammering out the beat as the
- rhythm guitar is doing that rhythm thing.
- The crowd has sprouted a forest of pumping arms and the
- amplified sounds of the band are nearly drowned out by its
- triumphant bellow.
- And even as Ian sidles up to the microphone to sing "In the
- shuffling madness/Of locomotive breath," I look down to see a
- head of chestnut hair bouncing and bobbing before me. The young
- lady with the misty-gray eyes looks over her shoulder at me. Her
- crazy half-smile laughs at me when she turns back to the stage.
- Sorry, Ian, I think as my eyes drop to watch the sway of her
- hips and the play of her ass under the thin fabric of her yellow
- mini-dress. I'm delighted to notice that - by the way the clingy
- fabric gathers in the cleft of her ass - either she's not wearing
- any panties, or she's wearing a G-string. Fine by me! And,
- believe me, "fine" is the active word here!
- I feel my cock coming to life, its girth and length growing
- rapidly. By the end of the song, I'm throbbing to my own beat!
- The crowd goes wild as the song crashes to its end.
- "Guten abend, Frankfurt!" cries Ian to a crowd which proves
- that is CAN get louder! "That's the extent of my German," he
- adds. Laughter. "The next song we'd like to play for you is
- something off our new album..." Dramatic pause. "...A little
- something called `Beastie.'"
- The spotlights die, leaving the arena in darkness again. I
- feel the gal in the mini-dress back slowly into me. And with the
- first synthesized strains of "Beastie," my throbbing member
- thrills to the sensation of slow shift of her firm ass through
- the thick denim of my jeans.
- Does this woman know what she's DOING to me? I ask myself.
- As if in answer, I feel her hands reach behind her to grab my
- hips. She then pulls me tightly against her and moves her sweet
- ass in a slow, grinding roll against my crotch.
- Any other stupid fucking questions?
- As I slide my hands around her waist, she turns in my arms.
- The spotlights come up on stage as she loops her arms around my
- neck and drags my face down to hers. My lips find her mouth
- open. Her tongue like a hot, wet, fleshy spear drives into my
- mouth before my mind has time to catch up! Her firm, toned body
- melts against me as our tongues start to dance.
- Though my eyes are probably wide with surprise, the vision
- centers of my brain are closed for business. The other
- sensations easily override any sights my eyes are trying to bring
- me. The warm, sweet smell of her. The sound of my moan drowning
- out her smaller one. The hot, wet, clean taste of her mouth
- grinding hungrily against mine. I feel her hardened nipples
- pressing through her dress and my T-shirt into my chest. The
- feel of her smooth belly pressing firmly against my crotch. The
- play of her back muscles beneath my fingers.
- Who the hell needs eyes?!
- When our lips part, vision comes flooding back. Her face is
- only a couple inches away from mine, and she is smiling that
- damned smile again! I start to say something, but she kisses me
- quickly again to shut me up. (Hey! I'm dense, but I'm not THAT
- dense!)
- Smiling, she turns her back to me, once again, to applaud
- the end of the song.
- Ian smiled, "I hope everyone's having a good time."
- Yeah, buddy!
- "Our next tune," he goes on, "is something else off our
- latest record. It's an odd little ditty called `Watching'!"
- The synthesizer starts turning out a bewildering combination of
- notes. The drummer soon picks up an odd, jerky beat which neatly
- compliments the synth. It was a tune to which I had thought it
- was impossible to dance. My lovely, chestnut-haired lady seemed
- only too happy to prove me wrong.
- As her hips start moving in time with the drums, she takes
- my hands from their resting place at her waist and slides them up
- her wonderfully smooth torso to the mounds of her breasts. She
- then reaches one hand over my head, grabs a handful of my hair,
- and pulls my face into the curve of her neck. Her other hand is
- caressing the back of one of mine as I stroke her breasts with my
- palms, brushing her nipples with the balls of my fingers.
- My mouth works its way - kissing, licking, nibbling -
- gradually from the outside of her shoulder, up her neck to her
- ear. As my hands are lifting and kneading her tits, my tongue is
- darting into her ear. She continues to press her lovely ass into
- my cock as I, pausing for a bit to nibble on the lobe of her ear,
- work my way down to where her shoulder meets her neck.
- All the while I've been enjoying the taste and feel of her
- neck and breasts (respectively), I've been paying careful
- attention to the song. When the song comes to its sudden end, I
- pinch her nipples and bite her neck - not TOO hard, mind you, but
- hard enough for her to know I'm still here!
- Her gasp perfectly coincides with the last beat of the song.
- She whirls around and stares at me with a look of mock-
- indignation. Her misty gray eyes sparkle mischievously and her
- half-smile replaces the pettish pout. Slipping her arms around
- my neck, she lifts herself off the floor and presses her lips
- roughly against mine. The brunette's pelvis grinds against mine
- as our tongues slip and slide upon each other. Her breathing has
- become quite rapid - my own is none to steady!
- Suddenly, the young lady drops to her feet and twists around
- in my arms, once again facing the stage.
- Ian is gazing out at the audience. He starts to introduce
- the band - drummer, bass, new lead guitar, etc. - all the while
- twirling his flute like a baton.
- My companion, while looking up at the stage, is reaching
- around to the front of my jeans. With deft movements she
- unbuttons the top and pulls the zipper open. My engorged prick
- fairly leaps into her waiting hand. She feels the heft of my
- eight-inch cock, wrapping her slim fingers around, measuring its
- girth.
- Introductions over, Ian says, "This is the title cut off our
- latest album." The crowd goes nuts. I can barely hear him as he
- says, "Broadsword!" The stage lights die.
- The young lady with my dick in her hand uses her free hand
- to guide one of mine to her left breast. She then pushes my
- other hand down, down past the hem of her T-shirt dress to the
- warm, silky smoothness of her inner thigh.
- From onstage a slow, rhythmic beat - reminiscent of movie-
- style indian tom-toms - begins. Soon, it is joined by the
- moaning of a guitar. Anderson sings: "I see a dark sail/On the
- horizon..."
- The brunette's hand has moved to the head of my cock,
- feeling the mushroom shape, spreading the bead of my own moisture
- around. Her hand slides back to cup my balls and give a gentle
- squeeze. My face is buried in her neck. I moan softly as she
- begins slowly stroking me.
- My hand is kneeding the inside of her thigh as it moves
- lingeringly toward the meeting of her legs. My loving companion
- widens her stance to allow me easier access. I feel the heat of
- her pussy against the back of my thumb. My other hand continues
- to caress her left breast - stroking, rubbing, rolling the nipple
- like a marble...
- I'm a little startled when the back of my thumb slides
- across her hot, wet, *clean shaven* cunt. I let my surprise show
- somehow, as my gray-eyed lover giggles and gives my prick a
- couple of quick squeezes.
- Thus encouraged, I hike the hem of her mini-dress a bit and
- begin to slide my fingers across her slippery cunt. The hot
- wetness of her flows over my questing fingers. I hear her moan
- gently as against my ear as the middle finger slips between her
- labia. She readjusts her stance. My middle finger finds the
- opening of her vagina; my thumb, the button of her clit.
- I hear air sucking through her teeth. She releases my cock,
- bringing both of her hands around to press mine more firmly
- against her pussy.
- I pull her back into me. My dick slides up under the hem of
- her dress. For a moment, it's 50-50 as to whether my prick will
- slide down and forward between her legs, or back and up against
- her ass. The moment passes and the latter wins out. I feel my
- cock slip along the cleft of her ass as the middle finger of my
- right hand slides up to the second knuckle into her slippery
- vagina.
- The lovely young woman grips my finger with her vaginal
- muscles while she wiggles her ass. Soon, my prick is firmly
- entrenched between the lovely, round lobes of her ass. It is
- quite happy to be there. Her head falls back onto my right
- shoulder; mouth open, eyes closed.
- I begin to slide my finger in and out of her wet snatch, my
- thumb rubbing her joy-button, the fingers of my left hand rolling
- and pinching her nipple. I nibble her earlobe and watch her lick
- her lips.
- She begins to thrust her pelvis, in time with my probing
- finger. Her thrusts are doing wonderful things to my cock,
- wedged as it is between her buttocks. She moans and turns her
- face to bring her mouth to mine. We kiss as hungrily as we can
- at this awkward angle.
- Jethro Tull has jarringly blended the end of "Broadsword"
- with the beginning of "Aqualung." "Sitting on a park bench
- /Eyeing little girls with bad intent..." sings Ian as he dances
- across the stage.
- I feel a shudder run through my companion. The kiss is
- released and she draws air sharply between her teeth. She,
- again, moves her luscious buttocks, releasing my ridged member.
- She pulls my hand away from her crotch and turns in my arms to
- face me. She then kisses me thoroughly, pushing down on my
- shoulders until I'm kneeling. Widening her legs again, she grabs
- a double handful of my hair and pulls my face into her dripping
- crotch.
- Without hesitation, I begin lapping at her cunt. Using my
- thumbs to spread her labia, I bury my face in her wet, hairless
- pussy. The hot, musky sweetness of her rolls across my tongue as
- my mustache brushes her clitoris.
- "Jesus Fuckin' Christ," I'm thinking. "I'm on my knees,
- eating this lovely wench right here in the middle of a huge
- concert crowd!" Then thoughts are wiped from my mind as I
- concentrate on trying to make the woman scream!
- I can't see her face because of the poor lighting and the
- fabric of the T-shirt dress piled up in front of my eyes, but my
- companion's fingers are clenching the hair at the back of my
- head; grinding my face in her cunt. I can feel her breathing. I
- can feel her knee against my ribs quaking.
- Presently, I focus my attention on her clit. I begin
- planting tiny, sucking kisses upon her joy-button. Her fingers
- stop pulling at my hair, but she holds my head, as if she can't
- decide to pull me in or push me away. Shortly, I feel quivers
- race through her legs with each kiss I plant.
- I slip my right hand between her thighs in such a way that I
- can insert my thumb in her pussy and press my middle finger
- against the rosebud of her anus. My thumb slides all the way
- into her lust-slick love tunnel, and I begin to wiggle the tip in
- time with the music.
- Now, the girl's fingers begin to claw at the back of my
- head. Her nails slowly dig into my flesh, as she starts to
- shudder uncontrollably. I feel her breath coming in gasps. Her
- knees are shaking so that I fear that she might fall.
- I push the tip of my middle finger into her anus. That
- little ring of muscle slams shut upon my finger like a jail-cell
- door!
- Of a sudden, her entire body goes stiff. I clamp my lips
- down around her clit and suck; my tongue flicking the tip of the
- tiny cone of ridged flesh. She is trying to pull my whole head
- into her cunt!
- My face is washed in the juices flowing from her pussy. The
- tangy sweetness sends chills up my spine as my lovely companion
- is wracked with shudders. I'm almost forced to hold her up while
- she rides the waves of her orgasm!
- By the end of "The Teacher," the song which follows "Aqua-
- lung," the luscious brunnette has recovered enough to return the
- favor. She gives my that half-smile of hers before dropping to
- her knees.
- For a moment she seems hypnotized by my throbbing prick as
- it bobs in front of her face. But she recovers quickly. She
- wraps her delicate hand around the base of my shaft and presses
- her lips to its head. Her tongue flicks across the tiny slit in
- the end, catching up the bead of preseminal moisture which clung
- there like a tiny pearl.
- I look down on her as she swirls her tongue around the head
- of my cock. My fingers are caught up in her hair; not pulling
- toward me, but holding her head for lack of anything else to do.
- Presently, she engulfs the mushroom-like head of my dick with
- her mouth. She begins to suck on only the head as the hand she
- had wrapped around the base of the shaft shifts to capture my
- balls. The sweet mouth of the young lady then begins to pull me
- in. Slowly, inch by inch, she draws my throbbing member into her
- mouth and down her throat. Eventually, I feel her nose press
- into my pubic hair as my entire eight-inch prod vanishes between
- her lovely, sweet lips.
- She begins to slowly move her head up and down the length of
- my cock, never releasing the suction she has built. I can see
- her cheeks dimpling with the suction of her mouth. She begins to
- bob and weave, rolling the head around with her tongue at the top
- of every stroke.
- Faster and faster, she pulls me in and releases me.
- I'm soon gritting my teeth. The fabulous sensation of her
- mouth and throat upon my cock is driving me crazy. I can feel
- that old, familiar pressure beginning to build in my balls.
- Just as I begin to think I can't stand it anymore, the brunnette
- backs her had away until only the head of my prick is in her
- mouth. Then she begins humming along with the song being played
- by Tull - "Cross-Eyed Mary," I believe.
- My balls explode! When my cock jumps, I swear I must loosen
- her front teeth! I pump streams of slippery cream into her mouth
- and, try as she might, she cannot keep a thin trickle from
- running from the corner of her mouth. The feeling of her swal-
- lowing my cum only prolongs the jolts of my orgasm.
- She licks my cock clean and uses her fingers to catch the
- trickle running down her chin. My sweet lover makes a show of
- licking this last dab of my cream from her fingers.
- I pull her up from the floor and our mouths meet in a
- lingering kiss. I can taste my jism mingling with the sweetness
- of her mouth. It only serves to turn me on further.
- Her cool fingers encircle my still ridged member and, using
- it as a handle, she pulls me down into a kneeling position once
- more. This time, though, she is down here with me. She pushes
- my back until I am sitting on my heels.
- As I watch in the dim light which filters between the people
- of the crowd, she releases my cock and grabs the neckline of her
- dress. With a jerk, she tears the neck apart. With another, the
- front of her dress splits down to her navel. She pulls the flaps
- of fabric away from her lovely breasts. They are creamy smooth
- and no larger than baseballs. Her breasts stand out proudly from
- her chest with puckered, pink nipples screaming for attention.
- Grasping a handful of my hair, she pushes my face into her
- left breast. I pull most of her tit into my mouth, rolling her
- nipple around on my tongue. Her moan is lost in the crowd noise,
- but I feel it through my mouth.
- Moving carefully so as not to dislodge my sucking lips, the
- brunette squats down upon my lap. Slowly, she impales herself
- upon my throbbing cock. As she eases herself down, I can no
- longer reach her tits with my mouth. I cup her right breast in
- my left hand while my right arm circles her waist. With a flex
- of my thighs, I thrust my prod into her to the hilt. The grip of
- her silken pussy upon my cock is sheerest bliss.
- For a moment we stay like this, my cock in her wet pussy as
- far as it will go, my fingers pinching and rolling her nipple.
- Then, she eases herself up and I lower myself back to the floor.
- As she lets gravity pull her down onto my prick, I use my thighs
- to meet her halfway.
- Slowly at first, we continue in this manner, but soon our
- rhythm is increasing in speed. She comes down on me, I move up
- to meet her. As we slide apart, her clutching vaginal muscles
- show their reluctance in losing my cock.
- Faster and still faster we thrust ourselves into/onto each
- other until we are each gasping for breath. Her head is thrown
- back, mouth open as, presently, I feel her body begin to shudder
- in the forewarnings of her orgasm. I, too, can feel the boiling
- surge building in my testicles. I grit my teeth to hold the
- inevitable at bay as long as I can.
- When, finally, she can no longer hold out against the
- rushing tide of her release, the brunette drops down upon my pole
- one last time. She hooks her legs around my back. She buries
- her face in my neck, biting my shoulder through the material of
- my T-shirt. I feel her nails bite into my back.
- As for myself, I can but hold on. Both of my hands now hold
- her arching back as I feel her entire body tense. She is
- screaming into my shoulder!
- I can stave off my own orgasm no longer. I hear myself gasp
- as my cock fires the first salvo off into her hungry vagina.
- Stream after stream of my viscous cum are thrust from my prick,
- only to be gobbled up by her clutching pussy.
- After an eternal minute, we are holding on to each other to
- keep from slumping to the floor. We kiss tenderly. I stroke her
- back and she plays with my hair.
- A few minutes longer and we recover enough to climb to our
- feet. We are still each leaning upon the other, but we are
- feeling stable enough to stand that way for a time.
- We watch the rest of the show holding each other. There are
- only a few more songs before Ian Anderson calls his final "Good
- Night!" to the crowd and vanishes from the stage. A few moments
- after that, the house lights come up.
- As the crowd begins to slowly filter out, my lovely brunette
- lover takes my hand. She licks the length of my index finger
- before drawing it into her mouth. The wonderful sensation of her
- tongue sliding my finger as she sucks on it rapidly brings my
- resting prick to full attention.
- Smiling up at me for the merest moment, she takes my finger
- from her mouth and pulls me along through the crowd by the hand.
- Holding the front of her dress closed with her free hand, she
- pulls me out into the cool night air. Our breath becomes thin
- plumes of mist in the chill April night.
- The young woman pulls me along until we reach her apartment,
- only a few blocks from the concert hall. We make love about five
- more times that night and into the morning.
-
-
- [Note: This is one of my favorite, most detailed fantasies. I
- hope you have enjoyed reading it nearly as much as I have writing
- it.]
-
- --