home
***
CD-ROM
|
disk
|
FTP
|
other
***
search
/
The World of Computer Software
/
World_Of_Computer_Software-02-387-Vol-3of3.iso
/
b
/
bl262.zip
/
BL262.TXT
next >
Wrap
Text File
|
1993-03-10
|
14KB
|
303 lines
/ \
/ / -
_--__| / | | / \
________--__- O --- ____ | | \ \ / \
=======/-/=======| |) O --- ___ \ | / /
======/-/=====================| |) O--- ___ | /
=====/-/===================================| |) O--- ___
====/-/================================================| |) -__
___/_/ _|_ | _ ___ ___ __|__ _ \__ __ \
___\_\\-_ | |_ / \ | ) __ | | | | / \ | | \ \\
\\\\\\\\\-_ \_/ | \ |-- |--< / \ | \_/ \_/ _ |\
\ | | \__ | \ \__/ | ____ \ o \/\ |_\ /\|
\_ |___/ ____---\\\\\\| \ \ \ \ \_ /\|
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\--- \_ \ \ \ _/\/
\\\\\\\\\\\\\\\\\\\------ \_ \ __-\\\/
---\\\\\\\-
Issue #262
November 30, 1992
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
To post: Subscriptions, deletions, requests:
bass@uwplatt.edu bass-request@uwplatt.edu
(Bitnet: bass@uwplatt.bitnet) (Bitnet: bass-request@uwplatt.bitnet)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Today's topics:
Transcription: Quahogs II (The bass player strikes back)
----------------------------------------------------------
Date: Mon, 30 Nov 92 12:43:13 +0000 (GMT)
From: I Stephenson <ian@ohm.york.ac.uk>
Subject: Quahogs II (The bass player strikes back)
Now available on a mailing list near you!
In a rush of enthusiasm, (Now that work and home have settled down again)
I've returned to my transcription of Quahogs. Somehow Count Zero just
fell under the fingers(ish), Flow My Tears was a breeze, and I learn't
(the easy bit of) Country Music Years ago, so before I knew where I was I
was ready to realease the second installment on an unsuspection network.
I've recycled Webb's Linus and Lucy tab (rather than typing it in again),
so he should get credit for that section. I've made one or two minor
changes to make it more accurate to the recorded version, but basicaly
its his work.
So without further a do:
QuaHogs Anyone Part II
======================
(Linus & Lucy, Count Zero, Flow My Tears, Country Music)
A(1:56)
+------------------|----------------|-------------------|---------------+
|-----5-----5------|----------------|o----5-----5-------|---------------|
|---5-----5--------|---5-7---5-7----|o--5-----5---------|---5-7---5-7---|
+-3-----3--------3-|-3-----3------3-|-3-----3---------3-|-3-----3-----3-+
--' `---' `---' `---'
`---
+-121416--161412-14|14-----12-----12|-121416--16--------|---------------+
|-----5-----5------|----------------|-----5-----5-------|---------------|
|---5-----5--------|---5-7---5-7----|---5-----5---------|---5-7---5-7---|
+-3-----3--------3-|-3-----3------3-|-3-----3---------3-|-3-----3-----3-+
--' `---' `---' `---'
`---
+-121416--161412-14|14-----12-----12|-12----1414--------|---------------+
|-----5-----5------|----------------|-----8-----8-------|---------------|
|---5-----5--------|---5-7---5-7----|---8-----8---------|---8-10--8-10--|
+-3-----3--------3-|-3-----3------6-|-6-----6---------6-|-6-----6-----3-+
--' `---' `---' `---'
`---
+-12----1414-------|----------------|
|-----5-----5------|---------------o|
|---5-----5--------|---5-7---5-7---o|
+-3-----3--------3-|-3-----3------3-|
--' `---' Slap:
|--5-5-5-7-----|-12---------12---------12-------12----|
|o-5-5-5-7-----|-12/14-14---12/14-14---12/14-14-12---o|
|o-3-3-3-5-----|-------------------------------------o|
|--------------|-----------------------------------3--|
|--7-7-7---9---|-14---------14---------14-------14----|
|o-7-7-7---9---|-14/16-16---14/16-16---14/16-16-14---o|
|o-5-5-5---7---|-------------------------------------o|
|--------------|--------------------------------------|
|--7-7-7-|--9---------------------------7--7--7--|-9--------------x--|
|--7-7-7-|--9---------------------------7--7--7--|-9----------?--?-x-|
|--5-5-5-|--7------------7----(5)7-5----5--5--5--|-7-----------x----x|
|--------|-----0-0-0---0---0---------------------|----0-0-0--?---x---|
|--7-7-7-|--9-------14-16-21-16-14-21-16-14-16-21-16-14-16-21--7-7-7-|
|--7-7-7-|--9--------------------------------------------------7-7-7-|
|--5-5-5-|--7--------------------------------------------------5-5-5-|
|--------|----0-0-0--------------------------------------------------|
|-9--9--7--------------------------------||
|-9--9--7--------------------------------||
|-7--7--5---4---2------------------------||
|-------------------5----3^--------------||
B(3:00) v 2nd Time
|-------4---4--2--0--2--4--|------4---4--2--0--2(6)~---|
|o-----2-------------------|-----2--------------------o|
|o-------------------------|--------------------------o|
|--0--0--0-----------------|-0--0--0-------------------|
|-------4---4--2--0--2--4--|------4---4--2--0--2--|-----2---3--2--0--2--3
|
|------2-------------------|-----2----------------|----0-----------------
|
|--------------------------|----------------------|----------------------
|
|--0--0--0-----------------|-0--0--0--------------|-3-3--3---------------
|
|-----6-6-9-13-9-13-18-13-9-6-9-13-9-13-18-13-9-6-9-13-9-13-18-13-9-6---|
|----9------------------------------------------------------------------|
|-7-7-------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-------2-2-4-------2-2-4-------2-2-4-------2-2-4----|
|o-----2-----------2-----------2-----------2---------|
|o---------------------------------------------------|
|--0--0--------0--0--------0--0--------0--0----------|
|-------2-2-3-------2-2-3-------2-2-3-------2-2-3----|
|------0-----------0-----------0-----------0--------o|
|---------------------------------------------------o|
|--3--3--------3--3--------3--3--------3--3----------|
x6
|-----2---2---2---2---2---2---|----2-2-2-2-2-2-2--|--2-2-2-2-2-2-2-2--||
|o------------------0---2----o|-------------------|-------------------||
|o--4---4---4---3------------o|-4-4-4-4-4-4-4-4---|-5-5-5-5-5-5-5-5---||
|-----------------------------|-------------------|-------------------||
------=========<
C (3:47)
|--------16---------------16---------------16---------------16---------|
|------14--14-----------14--14-----------14--14-----------14--14-------|
|----14------14-------14------14-------14------14-------14------14-----|
|-12---------------12---------------12---------------12----------------|
|--------14---------------14---------------14---------------14---------|
|------12--12-----------12--12-----------12--12-----------12--12-------|
|----12------12-------12------12-------12------12-------12------12-----|
|-12---------------12---------------12---------------12----------------|
|--------14---------------14---------------14---------------14---------|
|------12--12-----------12--12-----------12--12-----------12--12-------|
|----12------12-------12------12-------12------12-------12------12-----|
|-10---------------10---------------10---------------10----------------|
|--------12---------------12---------------12---------------12---------|
|------10--10-----------10--10-----------10--10-----------10--10-------|
|----10------10-------10------10-------10------10-------10------10-----|
|-10---------------10---------------10---------------10----------------|
|-----------------------------------|-----------------------------------|
|-----10-------10-------10-------10-|-----12-------12-------12-------12-|
|---10-------10-------10-------10---|---12-------12-------12-------12---|
|-8--------8--------8--------8------|-8--------8--------8--------8------|
|-----------------------------------|-----------------------------------|
|-----14-------14-------14-------14-|-----16-------16-------16-------16-|
|---15-------15-------15-------15---|---15-------15-------15-------15---|
|-8--------8--------8--------8------|-8--------8--------8--------8------|
|-----12-------12-------12-------12-|-----14-------14-------14-------14-|
|---12-------12-------12-------12---|---14-------14-------14-------14---|
|-----------------------------------|-----------------------------------|
|-8--------8--------8--------8------|-8--------8--------8--------8------|
|-----17-------17-------17-------17-|-----17-------17------------------||
|---17-------17-------17-------17---|---17-------17--------------------||
|-----------------------------------|----------------------------------||
|-8--------8--------8--------8------|-8--------8--------8--------------||
D(4:10)
|---------|---17---17---17---17-----|---17---17---17---17-----|
|---------|---17---17---17---17-----|---17---17---17---17-----|
|-------2-|-3---------3-------------|-3---------3-------------|
|-3--5----|------3---------3--------|------3---------3--------|
|---14---14---14---14-----|---17---17---17-17---17-----|
|---14---14---14---14-----|---17---17---17-17---17-----|
|------7---------7--------|-3---------3----------------|
|-5---------5-------------|------3------------3--------|
|---14---14---14---14-----|---17---17---17---17-----|
|---14---14---14---14-----|---17---17---17---17-----|
|------7---------7--------|-3---------3----5--------|
|-5---------5-------------|------3------------------|
|---16---16---16---16-----|-------------------------|---||
|---17---17---17---17-----|-------------------------|---||
|------5---------5--------|-----------2--3--------2-|-3-||
|-3---------3-------------|--3--3--5--------3--5----|---||
Here's part two of the Stu Hamm solo from "The Urge". Part one should
have knocked your tapping into shape. It provides a good warm up for this
second part. This jumps about a lot more, running through four major
themes from the back catalougue with a wider range of techniques. The tab
here will take you up to the pause at 4:30. This is an odd place to stop
but it's kinda fortunate - by that time Stu's realy burnin' and I'm gonna
need some time to figure the next bit out!
Notes
1. Section A is the famous Linus & Lucy theme. I've recycled Webb's
version here [hope you don't mind :-)] to save me the typing. In many
respects this is a simple theme, but it requires LOTS of coordination.
The left hand stretch is tough too (return to part one and practise those
ninths!).
2. The fill three bars before B simply defeats me! If anyone has any
ideas I'd love to hear them, but for now I've had to miss it out. I
figured it was better to post what I had than wait three years while I
get good enough to work it out. (The fill in bar 8 of section B is also
a little dodgy any comments welcome).
3. Count Zero (section B) will take a bit of work if you haven't
played what Stu calls "flamenco sweeps" before. They're not too
difficult, and form the basis of this great riff. The top two strings are
pop'ed with the index and middle fingers. Get in position for these
before slapping the bottom E, and then roll the wrist to effect the pops.
Finish of the motion by hitting the bottom E again.
4. Section C is pretty simple - The E string is played with the left
hand, while the other strings are tapped by the right.
5. Finaly we reach the closing theme - "Country Music(A _Bass_Solo_
from Hell)"(sic). This has some realy wild bits, but fortunatly there's a
break before we reach those so I can put them of to another day. What we
do have here is the basic concept. Left hand hammers on a bass line while
the right taps out chords. The only slightly tricky bit is the run which
should be slapped to get a good sound.
So there it is! Let me know how you get on with this. Any comments would
be greatly appreciated [its nice to know you care :-)]. It takes time to
type this stuff in, so the more feedback I get, the more I'm likely to
post new tab.
As I've commented previously I also think that if you use this tab (print
it out, and spend more than 10 minutes looking at it) then you should
feel obliged to post some of your own tab - it's not that difficult, it
doesn't have to be anything overly chalenging, and it'll do you good to
work stuff out for yourself!
Ian Stephenson
ian@ohm.york.ac.uk
----------------------------------------------------------
Anonymous ftp access for back issues, etc.:
kappa.rice.edu (128.42.4.7) in the /pub/bass directory
(Username is 'anonymous', password is your e-mail address.
Try typing 'help' for more info once logged in.)
_The Bottom Line_ is a digest dedicated to the art of playing
electric and acoustic bass. It is distributed on a basis that
coincides with the amount of material received, from the
University of Wisconsin - Platteville, USA;
Kevin Tipple, Erik Habbinga, editors
Copyright _The Bottom Line_, 1992
The contents of _The Bottom Line_ are solely the opinions
and comments of the individual authors, and do not necessarily
reflect the opinions of the authors' managements or the digest
management. The editors do not assume responsibility for
copyright infringement of submitted material.
***************************
End of The Bottom Line #262
***************************