Transcription: Filmmakers have very different styles doing it. I mean, you have someone like Fredrik Wiseman who goes and just basically follows people around with his camera and shoots hours and hours and hours and hours of footage and then puts together something that really kind of makes its own life and kind of makes its own story but is completely, completely filled with very banal moments and that's kind of what makes it real. And then you've got someone like on the other end of the spectrum, like Errol Morris, who is much, much more premeditated in what he does and yet still gets just a very different ...
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