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- Documentation for BOUNDRY.
-
- One of the most difficult problems faced by the audiophile/music lover is
- the placement of the loudspeakers within the listening environment. Even
- professional room equalization, done by some retailers for the benifit of
- customers who spend a bundle, does not guarantee proper positioning. Indeed,
- equalization should not be performed until AFTER the speakers are properly
- placed, if at all.
-
- The effects of the room boundries on loudspeaker performance have been known
- for many years. Although the multitude of peaks and dips due to room
- reflections cannot be avoided, irregular response in the EARLY ARRIVING SIGNALS
- can be minimized with proper speaker placement. BOUNDRY provides a graphical
- display showing the effects of the room boundries on the response curve. This
- curve represents the low and mid-frequency response of a theoretically flat
- loudspeaker when adjusted for the effects of four nearby room boundries; the
- floor, ceiling, side wall and rear wall. A small shift in speaker positioning
- can often provide a dramatic improvement.
-
- When using the program, note that no amount of adjustment will have an effect
- on the rising response at the lowest frequencies for an average listening room.
- Also, it would be difficult, if not impossible, to remove dips and peaks whose
- amplitudes are less than +5 or -5 from the 0 db line. The default variables
- for Speaker-to-floor, Speaker-to-side-wall and Speaker-to-rear-wall provide
- a curve which should be considered acceptable. Wide, deep dips should be your
- prime targets.
-
- Naturally, there are other considerations when placing your speakers and these
- will provide a starting point from which you can make adjustments with this
- software.
-
- All prompts are self explanatory and you should have no problems running this
- program without a "manual".
-
- REGISTRATION of this shareware progam is not necessary nor expected. However,
- there are a number of benefits in doing so. The most important of these is
- the receipt of LISTENING ROOM, a program which will allow you to adjust your
- loudspeakers/listening position in order to minimize the effects of STANDING
- WAVES in the listening environment. Of the two problems, boundry reflections
- and standing waves, standing waves can have the most detrimental effects on
- your listening pleasure. Not only do standing waves alter the perceived
- frequency response of your system, they can increase it's TRANSIENT DECAY TIME.
- Listening locations which are in standing wave "hot spots" can completely ruin
- the enjoyment of an otherwise excellent and well thought out sound system.
-
- Not only does registration provide you with the LISTENING ROOM program, you
- also receive a version of BOUNDRY which you can run from a batch file. When
- run from a batch file and by passing listening room variables to the program
- on the command line, you can sequentially display (or print) the many curves
- which result from ANY range of parameters. Also included is a small editor
- designed specifically for writing batch files. This little editor, called
- Ed-A-Bat, is what the DOS EDLIN program should have been and, even if you never
- use EDLIN, you will want to rename Ed-A-Bat to EDLIN and place it in your
- utility or DOS directory. After this, you will find plenty of uses for EDLIN.
-
- LISTENING ROOM used in concert with BOUNDRY, will provide audiophiles and non-
- audiophiles alike, with the tools necessary to fine tune their systems and
- experience increased listening pleasure.
-
- To register BOUNDRY and receive LISTENING ROOM, the batch file version of
- BOUNDRY and Ed-A-Bat, send $45 to:
-
- Bill Fitzpatrick
- POBox 282
- Veneta, OR 97487
- (503) 935-3982
-
-
-