Power CD-ROM!! 7/POWERCD7.ISO/sndtools/news/sound20.txt

Text File | 1994-08-01 | 96KB | 2,126 lines

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|                  The Sound Site Newsletter                        |
|                                                                   |
| Issue #20             March-July 1994                             |
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|     Copyright (C) 1994 by David Komatsu  All Rights Reserved.     |
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|  This may be distributed to bulletin boards, FTP sites or other   |
|  media as long as there is no charge to receive the newsletter    |
|    o Submissions for next issue accepted until Sept 25            |
---------------------------------------------------------------------


Note from the Editor
--------------------

Welcome to the 20th and special double issue of the Sound Newsletter!
Wow we've come a long way.  For our newer readers let me take a moment
to reflect on how this all came to be.  In 1990 a program was released
that would change the face of the PC sound industry.  REmac and REplay
would begin the revolution by playing MAC sound files and then
ScreamTracker and ModPlay would bring the STM and MOD formats into
the PC world.  From the beginning the Sound Newsletter has covered many
of these achievements.  Today the future looks to be in Wavetable
cards.  The Gravis Ultrasound card and the Roland cards were to become
the first wavetable cards out and today dozens of companies have
products in the market.  MIDI files are quickly becoming the file of
choice and we are seeing more multimedia formats like JPEG and AVI.
As CD-ROMs, high end graphics cards and of course a new generation of
soundcards are released we should stop and remember where it all
started and look ahead to what is to come.

Once again I would like to extend my thanks our faithfull readers and
to those of you who have contributed an article and of course to those
wonderfull programmers out there who have released these programs
that take advantage of soundcards and provide many hours of enjoyment.

As many new CD-ROMs hit the market the Sound Site CD-ROM continues to
fare well.  Containing near 1400 MODs and 500 MIDIs it remains one of
the most complete collections of MOD files and is still available at
the price of $15.  That price includes shipping and handling to
ANYWHERE in the world.  See CD-ROM.INF for details.  If you are a
software author or a writer of MOD/MIDI/669/etc files please contact
us on how to have your work appear on our CD-ROM.  Our purpose is to
provide a huge collection of files for the enjoyment of everybody
thus unlike other CD-ROMs priced in the $30-50 we are prices well
below that at $15.

Would you like to see a new column, write a column, answer questions...
The Sound Newsletter is always looking for additional help.  We are
also looking for ASCII artists.

Please use the address below to send comments and/or submission to the
Sound Newsletter: [e-mail]

FTP: oak.oakland.edu (misc/sound)
     garbo.uwasa.fi  (pc/sound)
     sound.usach.cl  (pub/sound/newsletters) [Home Base]

Various bulletin boards listed at the bottom of this newsletter.

-----> Dave

In Issue #20
-------------
o Special Thanks
o Do you want to announce a new product?
o News
  o ANNOUNCE: Mediatrix Audiotrix Pro
  o ANNOUNCE: Media Vision Press Notes
  o ANNOUNCE: Gravis Ultrasound Sites
  o MOD Charts (April)
o Features
  o The Sound Newsletter in review by Dave Komatsu
  o Wave Table Soundcards
  o Clan Analogue Frequently Asked Questions by Scott Art
  o Modplayers by Randall Abel (double issue!)
o Sound Bits
  o Inertia Player
  o Goldwave
  o 2 Pat
o Anonymous FTP sound Sites
o Bulletin Board Listing
o Extra Files
  o Sound Authors List (author.txt)
  o Sound BBS list (sound.bbs)
  o Index of sound Newsletters (index.txt)
  o Sound Site CD-ROM (cd-rom.inf)
  o Mod Players Compared FULL July issue (MOD0708.txt)

Special thanks to the following for supporting the Sound Newsletter #20
------------------------------------------------------------------------
Randall Abel                            : Modplayers Compared
 ([e-mail])
Scott Art                : Clan Analogue
 ([e-mail])
Stefan Danes                : Inertia Player
 ([e-mail])
F. Markus J.                : 2PAT
 ([e-mail])
Francois Menard                : Audiotrix Pro
 ([e-mail])
Ken Nicholson                : Media Vision
 [75300,2772]
Juan Pablo Jadue Jadue                  : Sound-Site FTP Admin
 ([e-mail])
Oliver (HITMAN on IRC, #modcharts)      : Modcharts
 ([e-mail])
Chrons Otto                             : Author DMP
 ([e-mail])
Duane Takamine                          : Sound FTP Site support staff
 ([e-mail])
Thomas Wong                : Gravis Ultrasound Sites
 ([e-mail])


And to all the FTP sites and bulletin boards carrying the Sound
Newsletter and of course all the dedicated readers who make it worth
the effort.

************************************************************************
**                Announce a new product for FREE                     **
************************************************************************

If you have written a freely distributable program or demo (shareware,
freeware, public domain, demo etc) that is designed to play, edit or
show off sound files please email me at [e-mail].
We can feature your program in the Sound Newsletter as well as trickle
it to various FTP sites.  If you want your program featured please
include a brief description of the program.

The Sound Newsletter is now accepting announcements for COMMERCIAL
programs and will also review COMMERCIAL programs.  Please contact
me for more info.

Alternatively you can mail all sound programs to me on a 3.5" disk Low
or High Density to:

David Komatsu
Sound Program Submission
4826 Likini Street
Honolulu, HI  96818

Feature Articles & News
-----------------------

***************
**   NEWS    **
***************

*******************************************************************
**  MediaTriX Announces The Availability Of The AUDIOTRIX PRO !  **
*******************************************************************
From: [e-mail] (FRANCOIS MENARD)

Hello everybody, it seems like MediaTriX is finally able to ship its
AUDIOTRIX PRO, the first soundcard based on the OPL4 chip from Yamaha.

Here is a copy of the press release !


                  MEDIATRIX INTRODUCES THE AUDIOTRIX PRO!

SHERBROOKE, Quebec,  Canada,  March  11  1994, Mediatrix  Peripherals,
Inc.  announces the availability of  the  Audiotrix  Pro  PC  sound
board.  The Audiotrix  Pro  is  a  high level sound board based on
the brand-new Yamaha OPL4 sound chip and provides  an  amazing  44
voices of polyphony through a full General MIDI onboard synthesizer.
The  card  also  features  16-bit, 48KHz  CD  quality sampling and
playback, as well as Sound Blaster, Ad Lib, Roland MPU-401/MT32 and
Microsoft Sound System hardware compatibility.

The Audiotrix Pro also provides several optional daughterboards: an
Effects Processor  daughterboard  to  provide echo, reverb, flange,
distortion, panning, chorus, pitch and surround sound processing;  a
Karaoke daughterboard to provide professional voice processing an
additional RAM daughterboard to download special sounds for custom
sound processing;  SCSI and other proprietary CD-ROM interface
daughterboards are also available.

The Audiotrix Pro includes an  exceptional selection of software.
Windows titles include Tune 1000's  Soft  Karaoke, The Blue Ribbon
SoundWorks' SuperJAM! Jr., Midisoft MusicMagic, Midisoft Sound
Impression, Mediatrix Windows Jukebox, Mediatrix DOS Jukebox and DOS
playback  utilities (including the DMP module player).

The Audiotrix Pro is fully compatible  with all major PC operating
systems: DOS, Windows 3.1+ (WME), OS/2 2.1+ (MMPM/2), and Windows NT.

The Audiotrix Pro has a suggested retail price of $295 US. However,
until June 1, 1994, the  Audiotrix  Pro  will  be  available directly
from the manufacturer at an introductory promotional price of $195
US/$245 CDN.

Mediatrix Peripherals, Inc. is a  leading developer of PC multimedia
sound adapter boards. Its product line  features  three  PC  sound
boards:  the Audiotrix Basic, the  Audiotrix  Gold and the Audiotrix
Pro.  Both headquarters and manufacturing facilities  are  located
in Sherbrooke, Quebec, Canada.  The company  markets  its  products to
business, industry, original equipment manufacturers (OEM's) and to
end-users.

Please refer all inquiries to Mediatrix Peripherals, Inc. at (819)
829-TRIX. All trademarks or registered trademarks are the property of
their respective owners.

MEDIATRIX PERIPHERALS INC. 4229 GARLOCK STREET, SHERBROOKE, QUEBEC,
CANADA J1L 2C8 TEL.: (819) 829-TRIX FAX: [phone]
BBS: [phone]


***********************
** Media Vision News **
***********************
From:  Ken Nicholson,Media Vision [75300,2772]

FREMONT, CALIF. (MARCH 31) BUSINESS WIRE - March 31, 1994--Media Vision
(NASDAQ: MVIS), a leader in multimedia for personal computers, has
today launched a family of sound boards which are the first to bring
three-dimensional sound, without the need for any software reprogramming,
tothe mainstream personal computer market.
   These new 16-bit (or CD-quality) sound boards for PC-compatible
computers enhance existing multimedia software by adding the 3-D effect.
In addition, the boards offer a variety of advanced options, including
wave table sound synthesis.
   "Our new sound boards are designed to offer the highest level of
sound and entertainment quality at prices that mainstream computer users
can afford," said Paul Jain, president and chief executive officer of
Media Vision.  "3-D technology makes even an ordinary PC sound richer,
clearer, and more realistic."
   Media Vision is able to offer this three-dimensional sound because
it has combined SRS (Sound Retrieval System) technology with Media
Vision's 16-bit sound.  SRS technology is the same process used by
Sony and RCA in high-end television sets.  When combined with Media
Vision's 16-bit sound technology, it enables any multimedia software
program to play back with a three-dimensional sound effect, without
special programming.
   "We have become accustomed to sound being a tremendous addition to
the entertainment experience," explained Jain.  "These new cards bring
the experience of a music sound track closer to the listener, and
creates the illusion for the game player that the action is coming
from many directions."
   According to Stephen V. Sedmak, president of SRS Labs Inc.:  "Media
Vision's history of innovation in PC multimedia is well known: beginning
with first introduction of MPC (multimedia personal computer) upgrade
kits, continued by its early entry into the market with 16-bit sound
for the mainstream personal computer market.  We are pleased that Media
Vision, an ongoing innovator in multimedia audio, is expected to be the
first to market with this advanced audio technology."
   New Sound Cards are Wave Table Upgradeable and are First to be VESA
Compatible
   Media Vision's 3-D sound card introductions include the Media Vision
Pro 3-D, the Media Vision Premium 3-D SCSI 2, the Premium 3-D MCD, and
the Professional Wave Table Upgrade.  The Premium 3-D SCSI 2 is wave
table upgradeable and comes with a 2.5 MB/sec SCSI 2 adapter, which
handles burst rates up to 5 MB/sec.  The Premium 3-D MCD is wave table
upgradeable and offers interfaces for Sony, Panasonic, and Mitsumi
CD-ROM drives.  The Pro 3D consists of a Premium 3-D SCSI 2 sound card
with the Professional Wave Table upgrade already installed.
   In addition to featuring the SRS three-dimensional sound, all of
Media Vision's new 3-D sound cards include 16-bit stereo sound, 20-voice
FM-synthesis, compatible with all of the key audio standards, including
Sound Blaster, AdLib, MPC level 1 and 2, VESA (Video Electronics
Standards Association).
   The Professional Wave Table Upgrade uses the sound engine used by
Korg in its professional synthesizers, such as the new Korg X-3, i2,
and i3.  The Korg sound engine provides 32-note polyphony, 16-part
multitimbral, and reverb and chorus effects standard.  The 4 MB of
sample sounds includes 128 general MIDI sounds and four drum kits.
The Media Vision Professional Wave Table Upgrade works with all of the
new Media Vision sound cards and with other sound cards which support
the Wave Blaster connector.
   The VESA sound standard is a hardware-independent sound interface
specification for personal computers. It was adopted by VESA in February
of this year in order to combat the difficulties arising from dif-
ferences in PC-compatible sound hardware.  By providing a VESA-compatible
driver, Media Vision has simplified the task for multimedia software
developers of developing their programs, and consequently helps assure
users that whatever software they use will run on their sound card.
   The new Media Vision sound cards are expected to be the first to
include VESA sound standard compatibility.
   All of Media Vision's new sound cards are bundled with several pieces
of software, including MidiSoft Recording Session MIDI sequencer,
MidiSoft Sound Impression sound editor, Dragon Systems Talk-to Plus
voice recognition software, and Monologue for Windows text-to-speech
software.  Price and Availability
   Media Vision's new 3-D sound boards are expected to be available in
April, both as stand-alone products and included in several Media Vision
multimedia kits.  The Media Vision Pro 3-D sound card will have a
suggested retail price of $379; both versions of the Media Vision Premium
3-D sound card will have a suggested retail price of $199. Media Vision's
Wave table upgrade is expected to be available during the second quarter
of this year for $199 (suggested retail price).
   Media Vision's mission is to popularize multimedia by offering
solutions at affordable prices.  Headquartered in Fremont, the company
is a leader in multimedia for personal computers, including hardware
products ranging from systems and add-in cards to chips based on emerging
multimedia standards for mainstream personal computers, and software
titles developed specifically to take advantage of the power of
multimedia computers.
   The company sells its products through computer retail and mass
merchandising channels and to original equipment manufacturers.  Media
Vision's European subsidiary, Media Vision Technology GmbH, is located
in Munich, Germany.

   Note to Editors:  All trademarks and registered trademarks are those
of their respective companies.
   Photos, slides, data sheet, are available upon request.  Please phone
510/252-4453.
   Customer Contact Phone Number:  Contact phone number for customers or
sales inquiries:  800/845-5870.  On-line contacts:  Internet:
sales-at-mediavis.com, techsupp-at-mediavis.com, CompuServe Forum:
go mediavision; Media Vision BBS: 510-770-0527-8,N,1.

   CONTACT:  Media Vision, Fremont
     Elizabeth Fairchild, 510/252-4472
     Internet:  eliz-at-mediavis.com
    Roeder-Johnson
     Abigail Johnson/Barbara Holtz, 415/802-1851
     MCI Mail:  ajohnson

***************************
** Gravis Internet Sites **
***************************

From: [e-mail] (Thomas Wong)
Subject: Ultrasound Internet Archive Services News - New services

                   GRAVIS ULTRASOUND INTERNET ARCHIVES NEWS
========================================================================
                       FTP Sites                Archive Directories
                       ---------                -------------------
Main N.American Site:  archive.orst.edu         pub/packages/gravis
                       wuarchive.wustl.edu      systems/ibmpc/ultrasound
Main Asian Site:       nctuccca.edu.tw          PC/ultrasound
Main European Site:    src.doc.ic.ac.uk         computing/audio/
                            ultrasound
Submissions:           archive.epas.utoronto.ca pub/pc/ultrasound/submit
Newly Validated Files: archive.epas.utoronto.ca pub/pc/ultrasound
Mirrors:               garbo.uwasa.fi           mirror/ultrasound

                       Gopher Sites            Menu directory
                       ------------            --------------
Main Site:             src.doc.ic.ac.uk        computing/audio/ultrasound

                      WWW Page
                      --------
Main Site:            http://src.doc.ic.ac.uk/computing/audio/ultrasound/

MailServer For Archive: Email to <[e-mail]>
                        Email to <[e-mail]>

New Submit Files Mailing List: Email <[e-mail]>
-------------------------------------------------------------------------

Hello everyone. Notice the much bigger header above? Yes, we are on the
grow again! Thank you for the support of everyone!

Please look at the header above for details. But I'm more than happy
to annouce the availability of the following new services:

- a New European FTP site (one of the biggest in Europe)
- New gopher service
- New WWW service
- a New Mailserver/Ftpmail service

A great big thanks to Lee for putting all this together!
Thanks for all the support for GUS by everyone!
We now have more services and in fact more different types of
services than I'd ever imagine. And don't forget the digests
which isn't listed above. With digests, ftpmails, ftp sites
all over the world, gopher, WWW.... what more can we ask for?
..... don't worry, I'll think up more and more stuff to add
to our list of services. To keep us forever on the grow! :)


Happy GUSing!

Thomas.


***************************************
**      MOD Charts : April 1994      **
***************************************
by Oliver Bellmann ([e-mail])

Subject: MODCHARTS APRIL 1994

 Hello Friends!
 Welcome to the MODCHARTS, edition APRIL 1994.

 Review:
 Three of the four newcomers reached the TopTen. "1989 - a number" fell
 off. "Space Debris" and "Das Boot" failed to re-entry, because they just
 got 42% and 29% of your votes instead of the necessary 50%.
 The two songs can be found in the Top50 again.

 The Top Ten:

 place  last                     number of months  percent of  filesize
    month                    in the charts     all votes   (Bytes)
 1)     ( 0)  Defloration           1                11.36%    408.034
 2)    ( 3)  Tribal Dance        2             10.10%    734.224
 3)    ( 6)  What is love          3                 9.89%    723.886
 4)    ( 2)  Guitar Slinger        4              9.49%    406.354
 5)    ( 5)  Space Debris          6 ***             8.28%    347.582
 6)    ( 4)  Beyond Music          1              6.76%    402.166
 7)    ( 7)  Don't you want me     1                 6.76%     99.768
 8)    ( 0)  Digital Innovation 2  new               6.46%    137.124
 9)    ( 0)  No Limit              new               5.55%    268.222
10)    (10)  Das Boot              6 ***             5.05%    351.546

The newcomers:
 a) Enigma           (enigma.mod)   187.012 Bytes
 b) DJ-Bobo (new version!) (dj-bobo.mod)  376.352   "
 c) Poseidon           (poseidon.mod) 140.650   "
 d) 1989 - a number       (1989.mod)     210.304   "

DO NOT VOTE FOR THE FOLLOWING MODS, PROPOSE THEM!!!:
11) 1989 - a number       (1989.mod)     210.304 Bytes
12) Klisje paa klisje      (klisje.mod)   224.288   "
13) Space Debris       (spdebris.mod) 347.582   "
14) Ethnomagic             (ethnomag.mod) 414.864   "
15) Das Boot           (dasboot.mod)  351.546   "
16) No Limit           (nolimit.mod)  268.222   "
17) I feel much better     (ifeelmuc.mod) 346.174   "
18) Exterminate            (xtermin8.mod) 329.648   "
19) Boom! And she cums     (boom.mod)      284.004   "
20) Bombastic Jazz         (bjazz.mod)    158.478   "
21) Power of American N.   (power_of.mod) 580.062   "
22) Mama                   (mama.mod)     171.738   "
23) Rhythm is a dancer     (rhythm.mod)   417.010   "
24) Tranzseven             (tranzsev.mod) 218.388   "
25) Open Sesame            (opensesa.mod) 392.490   "
26) All that she wants     (a-t-s-w.mod)  359.182   "
27) Boesendorfer p.s.s.    (boesendo.mod) 216.890   "
28) That old magic         (oldmagic.mod) 210.516   "
29) I wanna c u dance      (iwannacu.mod) 201.908   "
30) Heaven & Hell          (heavhell.mod) 164.020   "
31) Sad Song               (sadsong.mod)  141.289   "
32) Jammin' in the night   (jamminin.mod) 352.796   "
33) Through the time       (through.mod)  199.970   "
34) Sundance               (sundance.mod) 309.020   "
35) Technomedley           (techno.mod)   138.658   "
36) Cold                   (cold.mod)     200.556   "
37) Free from guitar       (freeguit.mod) 190.698   "
38) Beatbox online         (beatbox.mod)  386.200   "
39) Megabass Megamix       (megabass.mod) 364.450   "
40) Now what 3             (nowwhat3.mod) 199.998   "
41) Macrocosmos            (macrocos.mod) 166.682   "
42) Smoke on the water     (smoke.mod)     91.034   "
43) Appeareances           (appearea.mod) 128.078   "
44) Harleymusic            (harleymu.mod)  85.834   "
45) Chinese Dream          (chinese.mod)   97.010   "
46)
...  still free
50)

--cut here---cut here---cut here---cut here---cut here---cut here---
My vote for the MODCHARTS:
____________________________________ (Name, alias, login, email-address)
 1) ________________
 2) ________________
 3) ________________
 4) ________________
 5) ________________
 6) ________________
 7) ________________
 8) ________________
 9) ________________
10) ________________

MODs that I'd like to hear next month:
a) _________________ (please give me server and path as well)
b) _________________
c) _________________
...

From where did you get this chartfile (NewsNet, ftp-server, BBS,...)?

From where did you get the MODs (site, BBS)?

Do you want to get the textfiles via email next month? (yes/no)
(cancelled for BBS/FIDO-user)

That's all folks. Please respond quickly or your vote will be rejected
party on!

Please send this vote back to [e-mail] or your BBS.

Seeya on the boards,
Oliver ([e-mail])
       ([e-mail])
       ([e-mail])
       (a.k.a. HITMAN on IRC, #modcharts)


Modcharts can be found via anonymous ftp:
ftp.informatik.uni-rostock.de  (pub/amiga/mods/charts)

That's all folks. Party on...
Oliver  ([e-mail])

Selected Sites: [Full list available from Oliver]

Germany   ftp.cs.tu-berlin.de    130.149.17.7    /pub/aminet/mods/chart
USA       ftp.etsu.edu           192.43.199.20   /pub/aminet/mods/chart
USA       ftp.wustl.edu          128.252.135.4   /pub/aminet/mods/chart

Selected BBS'es:
The Abyss       (Stuttgart, Germany)    /Gallery/Modcharts
                ++49-(0)711-617291      9600-19200/ZyXEL   MNP5/V42.bis
                ++49-(0)711-6159399     2400-14400/V32.bis MNP5/V42.bis

Tup-Off-Box     (Goeppingen, Germany)   all newcomer-mods download-free
                ++49-(0)7161-57382
                ++49-(0)7161-57869
                ++49-(0)7161-57960      2400 bps

Visitor         (Muenster, Germany)     /modcharts, all chartfiles
                                        download-free
                ++49-(0)251-295014      300-16800/V42.bis

To all BBS-Admins: If you want to distribute the charts or already doing
                   so, please contact me.

Oliver ([e-mail])
       (a.k.a. HITMAN on IRC, #modcharts)


*************************
**   Feature Columns   **
*************************

Please note: Columns are periodical and may not appear in every issue.
The opinions expresses are strictly those of the column writer.  Please
feel free to refer questions or comments directly to them.

*************************************************
**  Flashback: The Sound Newsletter in review  **
*************************************************
by Dave Komatsu

Flashback March 1990 Richard Zobell released REplay and REmac for the
IBM personal computers and compatibles.  This program allows the PC
to play back recorded sound files (.SND & .VOC) that the MacIntosh
computers made popular.  PC users began hunting local BBS's and
Internet FTP sites for this program and accompanying sound files
to play.

Flashback October 1990 after spending much time using REmac and
gathering sound files, plus figuring out how to conver the MAC
format to a raw sound file by stripping the MAC specific code and
in conjunction with the Thos Sumner of the University of San Francisco
the Sound Site is announced.  I release the very first issue of the
Sound Site Newsletter to announce the FTP site at ccb.ucsf.edu which
become one of 4 FTP sites and the only IBM specific site.  Hundreds
of users flock to the site and mail pours in.  Shortly thereafter Rogue
a high speed site located at Stanford enters the picture.  Run by Michael
Minakami and with the help of Dale Chun and myself Rogue starts a large
collection of sound files.

November 1990 Playmac Techologies launches PLAYMAC a user friendly
shell for REmac.  Issue #2 of the Sound Newsletter is released and
the response is just tremendous.  The Sound Site mailing list starts.

March 1991 this newsletter is in its 4th edition and the mailing list
has reached over 500 subscribers.  CCB reverts to a REmac/Playmac SND
file site and Rogue concentrates on a new breed of files STMs.
Screamtracker plays these STM files and slowly moves people from the
space consuming samples into instrument driven music modules.

Summer of 1991.  Mark J. Cox launches what at this time becomes the
most popular prorgram.  ModPlay allows IBMs to play Amiga MOD
modules through the PC speaker.  Creative Labs Soundblaster begins
its accent to an industry standard soundcard.  The 5th edition of
the newsletter is out and sadly Rogue is forced to close and a call
for a new site is made.

Fall of 1991.  Kim Heino, Arttu Kontkanen (B&J) along with Playmac
Technologies anounce the PLAYBWC package of sound players editors.
This allows you to edit sound files in an easy to use package.  Jim
Oldroyd of Boston volunteers SAFFRON and the new sound site is set
up at saffron.inset.com taking all the music files from Rogue.
Norman Lin releases MODEDIT a program that was to facilitate the
creation of MOD files on PCs and dozens of newly created MOD files
begin to appear.

Early 1992.  SAFFRON is upgraded from an Amiga to a Sun and hundreds
of users continue to download files.  Advanced Gravis introduces the
Gravis Ultrasound the first of the future wave table cards.  The
Soundnewsletter celebrates the new year with its 8th issue.

Spring 1992.  Thanks to much support the comp.sys.ibm.pc.soundcard
newsgroup is started.  Postings of the Sound Newsletter attract even
more readers.  Chris Craig announces ScopeTrax and Jeffrey Belt
launches CD-BOX a PC-jukebox of sound files.  The Sound Site mailing
list is discontinued due to both the creation of the newsgroup and
since the capacity of the list was exceeding our mailing capacity.

Winter 1992.  Gravis Ultrasound and Pro Audio Spectrum FTP sites are
announced as well as MODEDIT 3.0.

Early 1993.  Multimedia demos are the rage and Michael Sutter talks
with one of the premiere demo groups Renaissance in an exclusive
Sound Newsletter interview for our 12th issue.  Mark Kimmerly releases
Winwav and many programs begin to support the WAV format introduced
for Windows.

Summer 1993.  Randall Abels Modplayers compared showcases new MOD
players with just under 50 players.  In conjunction with the Sound
Site and the Newsletter Island CD Creations launches the Sound Site
CD-ROM for $19.95 plus shipping.  The disc contained over 1300 MOD
files and near 500 MIDI files plus numerous sound utilities, players
and the Sound Newsletter.  Today the disc is selling for $15 which
includes shipping and handling.  Saffron was retired as a machine and
the sound sites moved to sound.usach.cl.  Otto Chrons DMP is on
its way to becoming the most poplular sound file player in the
shareware/public domain market.

Fall 1993.  Turtle beach and Gravis Ultrasound columns debut in the
15th issue of the Sound Newsletter.  Soundcards and demos continue
in popularity and SECOND REALITY by the Future Crew sets a new
standard with a sound/graphics demo that takes multimedia to its
limits and wins the Assembly competition hands down.

Winter 1993.  Sound trackers continue to be released and the Sound
Newsletter announces it will begin to reprint information from
Randall Abels Modplayers Compared list.  Sound Site CD-ROM sales
continue spurred by U41A's endorsement of the disc and Jim Young
makes the Sound Site CD-ROM the only official cd-rom to contain
his works.

Early 1994.  MIDI gains in popularity and multimedia games begin
to come out on CD.  Wave table cards gain popularity.  A DMP mailing
list is created and a slew of Modplayers of every type flood the
boards.  Future Crew releases the long awaited Screamtracker 3.0
is released taking us beyond the 4-8 track modules.  Also Marc
Schallehn continues to improve Ultratracker a 32 channel player
for the Gravis Ultrasound.

Spring 1994.  That brings us to today.  A lot has happend and I
am happy to be a part of it.  I hope you have enjoyed a walk
through memory lane its just nice to see how far we have come
and how the Sound Newsletter has evolved.  The future looks
exciting too.  Island CD Creations is hard at work on new projects
and of course we all await Assembly 94 and see if Second Reality
can be topped.  CD-ROM drives are briskly selling and multimedia
machines are going for under $2000.  Additionally 64-bit graphics
and better sound are becoming more affordable as machines are
getting faster.  And of course once again thanks to all the
supporters and dedicated readers of the Sound Newsletter.  I look
forward to anybody who wishes to contribute a column, review,
product announcement or viewpoint.  Remember this newsletter is
for YOU the reader and continues thanks to YOU.

-----> Dave

*********************************
**  A Look at Wavetable cards  **
*********************************

The wavetable revolution started by the Roland Sound Canvas as well
as the Turtlbe Beach MultiSound and the Gravis Ultrasound is picking
up steam.  I have gotten numerous requests asking what is available
and the truth are all of a sudden there are many options available.
Each card has its pros and cons and since the Sound Newsletter
does not have the capability to purchase and test all of these
cards I figured at least I can give you some pointers on where
to look.  For those who are wondering the Sound Newsletter lab
used a Gravis Ultrasound, Sound Blaster and Sound Blaster 16 ASP
to run the various programs we look at.  If you're looking for
a sound card shop around and compare cards and support.  Here
are some of the major Wave Table cards on the market.

Card Name
Company Name
Phone
Price  $ (< $100) $$ ($100-200) $$$ ($200-300) $$$$($300+)

Aria 16                AudioImage 16
Prometheus            Imagimedia
[phone]            (408)-9911
$$                $$

CrystalClear            Gravis UltraSound
Ad Lib Multimedia        Advanced Gravis
[phone]            [phone]
$$$                $$

MultiSound            MultiSound Monterey
Turtle Beach            Turtle Beach
[phone]            [phone]
$$$$                $$$$

RAP-10                SonicSound
Roland                Diamond Computer
[phone] x770        [phone]
$$$$                $$$

Sound Blaster 16 ASP/Wave    Sound blaster AWE 32
Creative Labs            Creative Labs
[phone]            [phone]
$$$$                $$$$

SoundFX Wave 32            Sound Galaxy Pro 16/Wave
Reveal Computer            Aztech Labs
[phone]            [phone]
$$$                $$$

Sound Genie            SoundScape
Criterion Computers        Ensoniq
[phone]            [phone] (800)-942-0096
$$                $$

SoundWave 32            Studio Sound
Orchid Technology        Media Resources
[phone]            [phone]
$$$                $$


Please note this IS NOT a comprehensive list of all Wavetable
cards.  If anybody knows of any other cards please send them
in and we will print them in the next issue.


*******************************
** Clan Analogue Information **
*******************************
From: [e-mail]


I thought you might like to have this information: paraphrase if
you like for the next edition of SoundNews. There are still some holes
missing but these are in unimportant bits. :-)

ciao, scot


== Clan Analogue FAQ ==
   04 April 1994

There are changes to this FAQ. Read on.

Contact information is at the end of this document.
This FAQ was edited and prepared by [e-mail], if
you have any potential inclusions, please contact me.

== What is Clan Analogue?

Clan Analogue is a collective of electronic musicians, video
artists, DJs, writers, and hackers. Our members work in a
diverse range of media, styles, and interests. Clan aims to
promote and develop innovation within electronic music and art,
and facilitates interesting exchanges of thoughts, ideas, and
work. This cross-fertilisation of electronic music, video, and
other media, produces a synergy that is greater than the sum of
the parts.

Now, a few definitions of what we =aren't=.

The main misconception, it seems, is that we are a "record
label" of some sort. We ain't. We're a member-driven
organisation. Our recorded product exists for our member's
benefit. All artists that appear on our recordings are Clan
Analogue members (or have at least one Clan member in the
group).Clan Analogue is about encouraging innovation and
experimentation in the electronic arts, particularly in that
nexus where video and music meet in live performance.

However, we're certainly interested in hearing your tapes or
other material which you may care to send us. Just remember you
won't get a record deal out if it or anything like that, that's
not the role we see ourselves as fulfilling. Perhaps we can
arrange a "tape swap" whereby if you send us one of your tapes,
we'll mail you the latest compilation cassette of ours (that'll
have to go to a steering committee meeting for approval first
though!). :-)

The other negative definition: We're not =necessarily= a
net.entity. In fact, most of our members don't even own modems.
It is for that reason that our primary activities aren't
organised around net.activities like mailing lists or
newsgroups and the like. Like any other organisation, we use
the net to improve communication between people. Our net
resources are growing, and in time, of course, we expect nearly
all of our membership base to be connected. Perhaps you can
help us by offering to carry, post, organise, etc., information
for members local to you (there is a need in Canberra,
particularly).

Also, although you may notice that much of the below deals with
merchandise and how to buy it, this is not the primary aim of
Clan Analogue. Our primary aim is to increase the communication
between our members to enable them to expand artistically
beyond their current horizons. As well, we are about avoiding
established ways of going about things in the music business.
We believe that Clan Analogue should be about retaining its
artistic freedom.

== When and where was Clan Analogue started? How many members?

Clan Analogue was started mid-1992 by a small group of 5 in
Sydney, Australia. It has since expanded to a membership of
over 60, with branches in Canberra, Wollongong, Melbourne, and
soon other major capital cities in Australia (Editor's note:
can those involved in Clan Expansion please keep me posted
about this!). There are about 250 supporters from around the
globe on the Clan Supporter's mailing list (not including those
on the e-mail list).

== How do Clan members communicate?

Members communicate regularly via their `zine, Kronic
Oscillator, at monthly meetings, and via electronic
communication networks. Clan Analogue has its own public
electronic conference, called "x.analogue" on System-X BBS,
where information about Clan and related activities are
regularly posted. Clan postings are also sent to a selection of
Usenet newsgroups and Internet mailing lists. Clan members who
are on-line also have their own mailing list.

For general e-mail communications see below.

== Does Clan play live at all?

Clan Analogue places a heavy emphasis on live performance, and
many of our musicians, DJs and video artists have performed at
numerous raves, festivals, clubs, and at self-promoted events.

If you are interested in having a Clan act at an event you are
organising, please phone Brendan Palmer on [phone]. Please
note that we are not a charity to help promoters have
interesting live performances. Our performers must eat, pay
rent, etc., and therefore expect to be paid for their efforts.

== Are there any recordings of your music?

Clan records and distributes recordings from its members. All
productions are self-financed by members. In the past year,
Clan has released three coloured vinyl 12" EPs - CA001 (blue
vinyl bliss), CA002 (green vinyl ooze), and CA003 (deEP3
purple). The EPs illustrate the diversity of background,
direction, and depth of talent within Clan's membership. Each
EP has received critical acclaim from local and international
press.

There is also a free PC demo, which at time of writing, is
about to be released and will be available from all major FTP
sites, and of course, System-X BBS.

Being released soon is the deEP 3 video, the 4th EP (very
nearly complete - I have seen and heard test pressings and it's
sounding very good indeed), a double CD set and other CD
projects, and also a range of cassettes with a wide variety of
electronic and experimental music from Clan members. Future
forays are planned into the CD-Audio and CD-ROM formats.

== How do I get hold of copies of recordings?

If you live in Sydney, you're in luck. Go to Disco City on
Crown St., Darlinghurst, Red Eye records in the city, or
Central Station or any of the other quality record shops found
around town and merely ask for Clan Analogue recordings. If
they don't have them in stock they know where to get them.

If you are in another Australian city ask around in the dance
music specialist shops. They are available in Canberra at
Impact Records (City Walk, Canberra City) and UMM Records
(Alinga St., Canberra City). You can also try Clan Analogue in
Canberra direct.

If your local shop doesn't have them tell them that the EPs are
available via MDS distribution and they can ship them to the
shop. In fact, if you know of any local stores that =should=
have our product but don't, tell `em to contact MDS
distribution, or contact us about it. :-)

Unfortunately if you're overseas the situation may be a little
different. If you are in a major centre, (i.e. New York,
London), there may be shops that stock our product. (Editor's
note: can someone advise me which ones are known to have CA
product please?). MDS is also handling international
distribution, I will have the details shortly. (Editor's note:
Nadnerb please supply me with this information).

The 2nd and 3rd EPs are currently available through mail order
for AUD$12 plus AUD$5 (AUD$7 for overseas orders) p+p. You can
also write for a catalogue of current recordings and
merchandise. Make out your cheques to "Clan Analogue".

Please note that we must have cheques drawn on Australian banks
for Australian dollars. Ask at your bank for an "international
bank cheque" - the bank will have an Australian affiliate bank
and they can draw the funds in Australian dollars. Currently
(Mar 94) A$1.00 equals about US$0.70 (70 cents) (or about one
Canadian Dollar or one German Mark), although it has gone as
low as US$0.65 and as high as US$0.74. Check out
soc.culture.australian or your local finance pages for up to
date info.

In addition to recordings, we also have a range of attractive
T-shirts, and the like. Write for a catalogue (an online one
will be available soon).

== I have a public radio / college radio show /`zine
   / exclusive contacts all over Wyoming, can I get a free EP?

Sorry at this stage we only have the funds to give promo copies
to those very few and extremely lucky DJs and radio stations
who we know will have a critical outcome on EP sales. Giving
away EPs means we lose money - member's money, as the people
who are on the recording finance it. That basically means
Sydney and Melbourne get the freebies, as well as a very few
prestigious international contacts. Everyone who is anyone in
Sydney is already covered. If you =still= really think you have
a good case for a free EP then email us and we'll consider it.
:-) In the future, promo cassettes may be considered for U.S.
radio and magazine reviews.

== Members are always sought.

We are seeking members from anywhere in the world. Why not
start up your own local Clan affiliate? Membership costs only
AUD$30 per year, which covers the production and mailing of
Kronic Oscillator.

We are especially interested in starting an English branch, for
a variety of reasons. If you want to start a local affiliate,
email us to discuss.

== How do I communicate with Clan?

To communicate generally with Clan members directly, you have
to call System-X BBS on +(61-2)361-4063, and use the conference
x.analogue found there. This is less than ideal at present, and
we are working at providing a better means of doing so.

The alternative is to e-mail [e-mail] ... your
e-mail is then echoed to a group of clan members handling e-
mail enquiries, and also posted into x.analogue. You can post
directly to x.analogue by e-mailing [e-mail].
However, you won't see any posts to this group by Clan members
or other people doing the same as you ... only if someone
directly replies to you by mail will you see a response, so if
that's what you want make sure you point it out. :-)

Members who are aware of the details of this mechanism will
make sure that if someone follows up to your query in
x.analogue it will be forwarded to you.

== Can I regularly receive Clan information?

Yes, there is a ClanInfo mailing list. This is not a chat list
but a moderated list where Clan information is posted and
copied to all our e-mail supporters. When you send us email,
please ask to be added to the "ClanInfo list" and your name
will be placed in the distribution list.

== Can I get the Kronic Oscillator via email?

Kronic Oscillator is only available to members. There is no
denying that Clan is a membership-based organisation and we
believe that Kronic is one of the "value-added" services that
only Clan members should receive (along with door price
discounts and the ability to participate in some members-only
email discussions).

Additionally, Kronic is still compiled extensively with the
"cut and paste" method (this is not just a Macintosh
keystroke!) from other sources such as local newspaper articles
and the like.

== Clan can be contacted via:
Postal:     PO Box E384
            St James NSW 2000
            Australia

Phone:      Brendan Palmer
            +(61-2)498-4988

Fax:        Attn: Scot Art
            +(61-2)247-5160

Email:      [e-mail]
            [e-mail]

Conference: x.analogue on System-X BBS
            +(61-2)361-4063 (data only to v.32)
            to post to x.analogue remotely, email:
            [e-mail]

== Clan Analogue Canberra contact

Clan Analogue Canberra
PO Box 3725
Manuka 2603

Phone:      Bo Daley
            [phone]

Email: [e-mail]

== Mushroom Distribution Services (MDS) contact

MDS records...


===
Scot Art () SysAdmin; System-X, Sydney.          () PO Box E253
System-X () voice +(61-2)361-6150; fax [phone]  () St James
Now:Zero () data  +(61-2)361-4063 to v.32; 24hrs () NSW 2000


****************
** Modplayers **
****************
by Randall Abel ([e-mail])

[Editors Note: Randall compiles the most complete MOD players features
 list available and we are pleased to be able to reprint his this
 in the Sound Newsletter]

========================================================================
New Stuff: Two Weeks of March 5, 1994 to March 18, 1994

  * New player called Dual Mod Player 32 (version 2.87)
    * First release of 32-bit protected mode version of DMP
    * Note that DMP32 doesn't automatically detect any of the SB family!
    - Samples are now downloaded into GUS using DMA
    - GUS player bugs fixed (skipped notes, inaccuracy)
    - With PAS the DMA transfer was not stopped after exit -> slow down
    * Supports SB, SB Pro, SB16, WSS, PAS, PAS+, PAS16, AudioTrix Pro,
      GUS
    - Can play HUGE modules
      Leaves lots of free DOS memory
    (available on wasp.engl.ufl.edu in /pub/msdos/demos/incoming dir)

  * New player called Superiority Mix Player (version 1.20)
    Player supports Sound Blaster & compatibles, GRAVIS ULTRASOUND,
    COVOX SOUND MASTER II, and HOMEMADE DAC support.

    Features:
    - "Realistic" (not "real" - actually, quite fake!) volume bars;
    - Sample-tracker that displays all sample names, which voices are
      playing which samples, which samples actually CAN be played, and
      which samples HAVE been played;
    - Time, memory usage, note-tracker, speed... and other displays
    - Advanced shell-to-DOS that works with "most" programs (all that we
      tested, in fact, although we didn't try very hard to find a "bad"
      one);
    - Control over MOD playing, including speed, volume, note-position..
      and other controls.
    (available on wasp.engl.ufl.edu in /pub/msdos/demos/incoming dir)


  * New version of Dual Mod Player (version 2.86 to version 2.87)
    - Samples are now downloaded into GUS using DMA
    - GUS player bugs fixed (skipped notes, inaccuracy)
    - With PAS the DMA transfer was not stopped after exit -> slow down
    * Released a 32-bit version of DMP. Check out for DMP/32
    (available on wasp.engl.ufl.edu in /pub/msdos/demos/incoming dir)

  * New version of Inertia Player (version 1.00b to version 1.10)
    + Added channelmute option
    + Added PatternLoop option [ScrollLock]
    + Added Pause option [Pause]
    - Removed ULTRACLICKS(tm)!!!
    + Added BackSpace key to return to playmode when you pressed return
    * New GUS Init code...
    - Removed lots of little bugs
    + Added fast master volume change [Shift Gray +/-]
    + Added Panning [E8] and Fine Panning [8] commands [GUS only for now]
    * Sample Name Viewer [F-4] now also displays size, volume, looppos
      etc.
    + Added FAR support [Farandole Composer]
    * New Fourier engine! [This new FastFourier engine is faster,smoother
      and more accurate compared to the old QuickFourier engine!!!]
    * Increased maximum sample size from 128KB to 1 MEGABYTE!
    * Enabled Stereo-On-1 support...
    * SB/SBPro/SB16 don't use the system timer anymore [Improves
      DOSShell]
    + Added ULT support [UltraTracker] [16 bits samples not yet
      supported]
    * Enhanced S3M Compatiblity
    + Added Extended 669 support [UNIS669]
    + Added support for SoundBlaster 2.0/Pro mixed at 44kHz [Mono]
    * Increased maximum number of patterns from 128 to 256
    + Added Pro Audio Spectrum 16 support [16bits up to 44kHz]
(available on archive.epas.utoronto.ca in /pub/pc/ultrasound/submit dir)

========================================================================
New Stuff: Two Weeks of March 19, 1994 to April 1, 1994

  * New version of Dual Mod Player (version 2.87 to version 2.88)
    - GUS DMA bugs fixed. If you had differing DMA channels for
     recording and output, DMP would lock up.
    - MTM and FAR loaders work now significantly better
    * New Internet mail address: [e-mail]
    (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

  * New version of MultiPlayer (version 3.00 to version 3.05)
    - Bugs fixed and minor corrections made.
    + /noxm option added for no extended memory checking.
    + Mouse support improved.
    + Added MPMODDIR environment variable.
    + AMFVER.EXE utility added.
    + DGSMIXER.EXE utility added.
    + Added Spanish message file.
    + Added ColorRix VGA Paint (SCI) graphic format.
    - Now Multiplayer needs less memory to run: about 1Mb free expanded
      memory.
    + Multiplayer loads read-only files correctly now.
    + Added HS2 graphic format support.
    (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

 * New version of SB Studio editor/player (version 1.50 to version 2.00)
    No revision file although there are noticable changes in the
    following:
    + Now Supports SB/SBPro/SB16/GUS and compatibles
    + Many changes in the screen format/user controls/setup system.

    FEATURES:
      With SBStudio, you get up to 16 channels of 8/16 bit
      audio to play with. You get a full-featured sample
      editor with support for 8/16 bit samples.
      MIDI transmitting equipment is also supported, either
      through the Gravis UltraSound or an MPU401 compatible
      interface. SBStudio has 100% support for SoundBlaster 2.0,
      SoundBlaster PRO, SoundBlaster 16 and Gravis UltraSound.
    (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

=======================================================================
New Stuff: Two Weeks of April 2, 1994 to April 15, 1994

  * New editor/player called Extreme's Tracker (version 0.50beta)
    Extreme's Tracker - This is a GUS ONLY tracker.
    Features:
     * 32 GUS Channels * 64 MIDI Channels * 255 Samples * 65536 Patterns
     * 65536 Positions * 7 Commands on each row * 8 Octaves
     * Separate panpot for each sample * Variable C-2 frequency for each
       sample
     * More Effect Commands (including panning, backwardplay and break
       sampleloop)
     * Packed patterndata and samples
     * Configurable to support FastTracker/ScreamTracker/Protracker
       standards
     * Keys are reconfigurable to suit everybody
     * Merge modules * Use normal .MOD or other format as a sample
       library.
     * Longer samplenames/songname * PatternName/Channelname available
     * Description Editor * Sample Editor * Position Editor * And alot
       more!
    (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modeditors dir)

  * New player called UltiMod (version 2.00)
    Windows-based MOD Music file player.  8 or 16-bit configurable up to
    44.1k.  Small CD-type interface with play/stop/loop buttons.  Plays
    MOD or NST files via built-in menu.
    (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

  * New version of Dual Mod Player (version 2.88 to version 2.89)
    - New detection routines for SB family. These routines use
      the BLASTER environment variable (if available) to detect the
      presense of Sound Blaster (Pro, 16). If BLASTER is not available
      the old hardware detection routines are used instead.
    + You can now use either the old byte-by-byte transfer method or
      the new DMA transfer. Parameter '-g' enables the non-DMA
      method.
    - Fixed a bug in AudioTrix Pro (and Windows Sound System) exit
      routine that caused incorrect IRQ and DMA channel to be active
      after exit.
    * Another new Internet mail address, you can now reach me at:
      [e-mail]           ( easier to remember ;) )
      [e-mail]
      [e-mail]
    (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

  * New version of Dual Mod Player/32 (version 2.87 to version 2.89)
    - New detection routines for SB family. These routines use
      the BLASTER environment variable (if available) to detect the
      presense of Sound Blaster (Pro, 16). Note that only SB16 can
      be detected without BLASTER.
    + You can now use either the old byte-by-byte transfer method or
      the new DMA transfer. Parameter '-g' enables the non-DMA
      method.
    - Fixed a bug in AudioTrix Pro (and Windows Sound System) exit
      routine that caused incorrect IRQ and DMA channel to be active
      after exit.
    - Fixed volume bars.
    (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

  * New version of Galaxy Music Player (version 2.01 to version 2.05)
   - Fixed mixing routine to actually ROUND the sample offset instead of
     TRUNCATING it...
   - Soundblaster 2.0+ High Speed DMA is back again. For any problems
     see GLX.FAQ.
   - New faster, better SoundBlaster Series output, works ok with SBOS
     again.
   - New faster, better AdLib Gold output method, works on XT's ok again
   - At last SoundBlaster Pro Stereo support and autodetection.
   - Rewritten ProAudioSpectrum routines, still problems though, has
     something to do with the PAS Timer stuff.
   - Added sample viewer, try hitting Enter.
   - Small fix in 669 Loader.
   - New internal memory handling routines, so Upper Memory Block support
     is back. When encountering any problems try using /UMB to disable
     them. For any UMB problems see GLX.FAQ.
   - Fixed a BIG bug in the Stereo routines, it only occurred while
     using EMS.
   - A Bug in the Pre-Emptive-Ramp processor may have caused some
     clicking on the Gravis UltraSound.
   - Reduced Gravis UltraSound IRQ Rate from 500 Hz to 100 Hz.
   (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

 * New version of Metal Player (version 0.2pl4 to version 0.2pl5)
   - fixed the tone portamentos that was broken in pl4
   - fixed a slow playback bug when a lot of tracks were active
   - fixed some ULT effects problem
   - fixed sample > 64K bug (obvious with some ULTs)
(available on archive.epas.utoronto.ca in /pub/pc/ultrasound/sumbit dir)

  * New version of TakeTracker (version 0.90b to version 0.90d)
    - Finetune should work better (but still not perfect).
    - A very simple copy/paste function is made in sample editor.
    - Load of date/time loops (FastTracker samples) can be specified in
      SETUP.
    - You can increase/decrease sample-number in DISK.OP. (hi Zorgman)
    - You can turn on/off channels with BACKSPACE
      (indicated on bottom of screen)
    - A lot of small bug-fixes
    - Can load FastTracker samples (w/repeat/replen) (hi StumAce!)
    - Working moduledir and sampledir can be specified
    - 4 octaves. Use F1 and F2 to dec/inc octave.
    - Ctrl-E works better (does not affect track on following pattern
    - I finally got a new 669 mods -> tested 669MOD well. Some fixes,
      new parameter; /E=Do not convert effects (which seldom were
      correct, anyway)
    - You can specify a module to load on the command line.
    - You can read PKZip archives directly into TT (hi Iris)
    - A new "memory manager" is used. Allows UMBs m.m. Can load bigger
      mods.
    (archive.epas.utoronto.ca in /pub/pc/ultrasound/sumbit dir)

New Stuff: Two Weeks of April 16, 1994 to April 29, 1994

  * New player called Extended Mikmod (version 1.11)
    * Supports ALL documented ProTracker effects
    * Extended effects of ProTracker are implemented correctly
    * Timing is accurate
    * Supports Gravis UltraSound
    * No UltraClicks!
    * Ability to load more than one MOD into GUS's memory
    * Extremely Small
    * DoS Shell [only takes up around 70k depending on size of MOD]
    * Displays instrument names
    * Plays the following module types ─>
         [M.K.] ProTracker              [FLT4] StarTracker 4 Channel
         [FLT8] StarTracker 8 Channel   [4CHN] FastTracker 4 Channel
         [6CHN] FastTracker 6 Channel   [8CHN] FastTracker 8 Channel
    (archive.epas.utoronto.ca in /pub/pc/ultrasound/sumbit dir)


  * New version of Scream Tracker (version 2.25 to version 3.01beta)
    This really is a total rewrite of Scream Tracker but I'll place it
    in the new version area anyway.  This version is FREEWARE!

    Scream Tracker is able to handle a maximum of 16 digital channels
    and 9 FM channels. Supported fileformats are normal .MOD's,
    Fasttracker 6 and 8-channel .MOD's, Oktalyzer .OKT's, Scream Tracker
    2.* .STMs, (Multitracker .MTMs), and naturally Scream Tracker 3.0
    .S3Ms. ST3 only saves in .S3M and .MOD format, though.

    In order to run Scream Tracker 3.0, you need at least a 386SX,
    a VGA display and a soundcard. The supported soundcards are Sound
    Blaster, Sound Blaster Pro, Gravis Ultrasound and all cards that
    are 100% compatible with any of the above. The FM-options only work
    on SB and SB-Pro compatible cards, since GUS doesn't have an FM
    chip. There is no mouse support, since it wouldn't really be
    convenient in this style of tracker.

   You should also have some EMS, since Scream Tracker loads the
   sampledata into EMS (even with a GUS). The patterndata is stored in
   conventional (below 640k) memory. If you're running low on memory,
   the FreeMem display in the main screen will turn red. It would be a
   very good idea to save your work, since ST tends to turn unstable in
   low memory situations. When I have worked with Scream Tracker without
   EMS, loading a big module has often resulted in a crash warning and
   the computer hanging.
   (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

  * New version of Megaplay (version 1.00 to version 1.08)
    *  Added pattern indicator
       Can now jump pattern forward/back/begin
       Can select looped/unlooped playback
    *  When playing hit * for max. volume / for silence
    *  Added SB-DMA setup (forgot to do that ealier)
       Added module index and maximum mod counter.
    *  Changed maximum samplerate to 24000 Hertz
       Can now select 6,8,10,12,14,16,18,20,22 or 24
       Khz (different from previous versions).
    *  Can now start MEGAPLAY from any directory (PATH)
    *  Some screen improvements-Can have 2000 mods in one directory
    (available on wasp.eng.ufl.edu in /pub/msdos/demos/incoming dir)

  * New version of MultiPlayer (version 3.05 to version 3.25)
    - Bugs fixed.
    + Added 8-bit UltraTracker (ULT), Liquid Tracker (LIQ) and Farandole
      Composer (FAR) module formats.
    + A new MIDI player can be used in place of PLAYMIDI, for use with
      GUS card or standard SoundBlasters.
    + Added the MultiPlayer Script Language (MPS), for creating superb
      multimedia presentations.
    + Graph Playing Mode has changed look. See MANUAL.DOC for infor.
    + Improved sound with all devices used in Classic Mode.
    + DMP-32 Playing Mode added! - for using Multiplayer as a front-end
      for new <Protected Mode> Dual Module Player.
    + Added PICGRAB.EXE - utility for creating PIC images.
    + 'LZMOD Filter' option added - for selecting a part of a LZMOD
      archive.
    (available on wasp.eng.ufl.edu in /pub/msdos/demos/incoming dir)

  * New version of TakeTracker (version 0.90d to version 0.90e)
    - Alternative edit mode. Toggle in SETUP. (a'la 669/Farandole/
      MultiTracker)
    - If mouse was moved in disk.op while loading, TT would load a new
      mod.
      Fixed
    - Finetune should now work almost perfectly!
    - A (very) simple filter function is added in sample-editor.
    - Should auto-detect GUS or SB, and selected base-adresses, dma,
      irq's.
    - New upload system, uses DMA. But I've added a delay (register to
      avoid)
    - You can click on right or left side of note-sheet to shift channels
    - TAB can shift channels, specify in setup (TABSHIFT : YES)
    - The graphic keyboard (F11) now also inserts notes.
    - DELETE in disk.op should work. Press again to disable delete mode.
    - Arpeggio effect is fixed. (GUS)
    - Copy/paste patterns with Ctrl-F4/Ctrl-F5
    - Fixed volume tab, not so much noise.
    - New buttons in disk.op: All (files), T(op), B(ottom), Up & Down.
    - A new 5 octave system included. Now with octave 0. (total octaves
      0-4)
    (archive.epas.utoronto.ca in /pub/pc/ultrasound/sumbit dir)

=======================================================================
New Stuff: Two Weeks of April 30, 1994 to May 13, 1994

  * New editor/player called T.R.I.A.L Sound Studio (version 1.0)
    A new Gravis Ultrasound only MOD file editor.
    Requirements:
    - A 386 (the faster the better)
    - A GUS
    - An SVGA Display adapter
    - A Mouse
available on archive.epas.utoronto.ca in /pub/pc/ultrasound/sound/submit

  * New player called Triple-S (version 1.0)
    TRIPLE-S offers all  functions you have probably missed, like
    shuffle play title introduction play,inbuilt file door with file
    tagging, mute playing, DOS shell and many, many more !
    The current version supports GUS card and .MOD format only. Be
    patient for further improvements. It's still a BETA (gell
    D-lusion ;) ) !
    We are planning to implement all known sound formats, like MTM,FAR..
    and the whole others known to mankind. Further versions will also
    include sample editing, saving and  modifying. We're always
    searching for nice ideas, so, if you think you  might have  nice
    improvement suggestions, don't hesitate, contact us. Ways  to do so
    are described at the end of the document.
    (available on wasp.eng.ufl.edu in /pub/msdos/demos/incoming dir)


  * New version of Digital Player Pro (version 2.55b to version 2.60)
    + Layout changed
    + SA 10 times faster than before
    - Spectrum Analyzer and scope should work now with
      16-bit cards properly
    - Panning fixed
    - Some minor bug fixed
    (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

  * New version of Dual Mod Player (version 2.89 to version 2.90)
    - GUS player now uses PC timer instead of GUS' own timer. This
      will cure some problems users have had with DMP.
    - Also new technique for GUS DMA download.
    + Better S3M loader.
    + FAR loader can now handle >64 row patterns
    - Fixed the SB Pro detection bug
    (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

  * New version of DMP/32 (version 2.89 to version 2.90)
    - GUS player now uses PC timer instead of GUS' own timer. This
      will cure some problems users have had with DMP.
    - Also new technique for GUS DMA download.
    + Better S3M loader.
    + FAR loader can now handle >64 row patterns
    - Fixed the SB Pro detection bug
    (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

  * New version of Farandole (version 0.93 to version 0.96)
    - FINALLY fixed the bug where retrigger still sounded when channel was
      turned off
    - Added CUSTOM MODE 255 or FF - use this mode if it doesn't work on
      your SVGA or you don't have an SVGA. See ADDENDUM.DOC for more info
    - JsNO's volume ramper was slowing down the music with one of the
      de-ultraclickers so I tried removing part of it. CLICKS LIKE HELL!
      I'm just informing you of the problem.. Ideas for fixes please?
      No preemptive ramping won't work.. Look in ADDENDUM.DOC for the
      'bandaid' info.
      Try it with _1PALFST.FAR (Undoubtably one of the best FAR's I've
      heard!!:)
    - Fixed the DELETE key on the sample editing box (infinite save)
      (lockup!!)
    - Added support for 669 export for reg users (CTRL-ALT-F12)
    - Now included the new F2R format specs in FORMATS.DOC.
    - Fixed another click (optimization in the GF1 causes it)
    - Added block command keys
    - Changed the handling of song looping
    - Changed bar routine..now it ought to look a little smoother.
    - Made the "BLUE" scheme the default color scheme. I don't know how
      all you guys lived with that nasty green. Well if you still like
      it, it's still included so you can use the palette import function
      on the CFG screen.
    - Included the "single-shot" sample loading feature
    - Changed songtext import code so it doesn't accidently junk your
      scrolltext with a copy of the FAR main screen
    - Added some new effects (0x).. check ADDENDUM.DOC.
    (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

  * New version of MikMod (version 0.42 to version 0.43)
    - Fixed a bug that caused the first sample not to be unloaded
    - Added a check to see if the loop end point exceeds the sample size
      (some modfiles seem to have this problem)
    - Added wildcard filename matching to the modplayer
    - Added the M!K! module id.
    - Removed the check for the number of bytes loaded from a sample,
      because a lot of modules don't have the last sample complete, so
      mikmod would refuse to play them.
    - Changed the loader so it can load 15-instrument modules
    - Extended protracker speeds can be disabled
    - Improved commandline parsing
    - Added master volume
    - Added functions to skip to the next or previous song position
    (available on wasp.eng.ufl.edu in /pub/msdos/demos/incoming dir)

========================================================================
New Stuff: Two Weeks of May 14, 1994 to May 27, 1994

  * New player called GMP (version 0.2)
    GMP - Gif (picture displayer) & Module Player
    Use : GMP <module filename>. It plays the amiga module on the
    desired device (speaker, SoundBlaster, etc). GMP uses GOLDPLAY
    by Code Blasters to play module. The picture PICCY.GIF MUST be in
    the current directory (I don't know where I got this piccy from
    - anyway, if you don't like it, change it freely but remember
    - the new PICCY.GIF must be in 320x200 in 256 colors, otherwise
    you'll get garbage on the screen). Enjoy!
    (available on wasp.eng.ufl.edu in /pub/msdos/demos/incoming dir)

  * New editor called Modimod (version 2.14)
    Mod File Editor/Sample Player - Voice and Sequence editors.
    NOTE: Doesn't allow for direct MOD playback.
    * CPU 80286 or higher
    * MS-DOS 3.3 or higher
    * MODiMOD will also work (with some restrictions) in a DOS-shell
      or OS/2 or MS-Windows.
    * Hercules, EGA or VGA graphics adapter
    * 640K base memory w/500k available.
    * SoundBlaster 2.0 (or compatible) at I/O 220h or 240h.
    * You need a real-MOD-player (e.g. MODPLAY PRO or TrakBlaster),
      especially if you want to create new MOD-files.
    (available on wasp.eng.ufl.edu in /pub/msdos/demos/incoming dir)


  * New version of Dual Mod Player (version 2.90 to version 2.92)
    + New! Quality mode for 16-bit cards. With the new quality mode
      you can get much better dynamics with multi channel modules.
      This method uses a 32-bit intermediate mixing buffer and clips
      the data into 16-bit output format. Using too high volumes
      will cause more clipping which degrades sound quality a bit.
    * Maintenance release, lot's of bugs fixed.
    (available on ftp.wustl.edu in /pub/MSDOS_UPLOADS/modplayers dir)

  * New version of HSC-Tracker (version 1.30 to version 1.40)
    - cleaned up the autodetect code and added a port override
      (and object gots 10% smaller)
    - renamed function call to _HscPlayer as this gives less problems
      in C
    - added a function to get playing/equalizer information and removed
      the global vars as they caused some major problems in C and Pascal
    - added some examples how to use HSC
    - fixed division overflow bug in the replay routine
      (it was a stupid bug! doing a good act for intro coders
      by removing thefrequency table and then this...)
    - added example for TP7.0 by Ray/Radical Rhythms
    (available on wasp.eng.ufl.edu in /pub/msdos/demos/incoming dir)

  * New version of Extended MikMod (version 1.11 to version 1.20)
    ─ Implemented MikMod Version 0.43 source - This was not fun. :)
       -  Added a check to see if the loop end point exceeds the sample
          size (some modfiles seem to have this problem)
       -  Added wildcard filename matching to the modplayer
       -  Added the M!K! module id.
       -  Changed the loader so it can load 15-instrument modules
       -  Extended protracker speeds can be disabled
       -  Improved commandline parsing
       -  Added master volume
       -  Added functions to skip to the next or previous song position
    - Lots of bug fixes.
    ─ Fast Forward [PageUp] / Rewind [PageDown] Controls Added
    ─ New KeyBoard Structure - Hit `SpaCe' to load next MoD and `EsC'
      to abort everything
    ─ Added EXTREMELY COMPLEX routine to attempt and find the author of
      the module being played.
    ─ Compacted and cleaned up code
    ─ Help screen added ... Nail `H' or `?' to see it.
    (available on wasp.eng.ufl.edu in /pub/msdos/demos/incoming dir)

New Stuff: Four Weeks of May 28, 1994 to June 24, 1994

  * New player called Capamod (version 1.14)
    - A 4,6,8-Chn MOD-player for GUS
    - All PT1.1b effects supported (except E0 and EF)
    - Supports VBlank timing
    - Very advanced sound quality
    - Useful and handy environment
    - Original Capacala rubberware
    - Recommended by many pros
    - Lousy TSR
    - Screen saver
    - Chiptune indicator
    - Assembly '94 countdown
    (available on ftp.eng.ufl.edu in /pub/msdos/demos/incoming dir)


  * New version of Dual Mod Player (version 2.92 to version 3.00)
    + DMP now has reverb/echo and filter effects to give you even
      better quality music. These effects are user definable
      (in DMP.INI) and are available for all sound system except
      GUS. See DMP.DOC for deeper discussion on these effects.
    - Fixed an initialization bug in GUS player.
    + New help screens for keys and command line parameters.
    + Autogain setting for 16-bit quality mode. This feature changes
      the default volume settings according to the number of channels
      in the module.
    - Fixed tremolo effect
    - Less UltraClicks
    - New DMA loading method for GUS
    + Optional GUS timer based playing (-gt to disable GUS timer)
    + Checks for GUS memory allocation
    - Less memory fragmentation -> more free memory in DOS shell
    + Solo track mode (press 'S' to solo/unsolo)
    - Fixed panning bug with 16-bit quality mode
    - Due to a small bug in the player, retrig, notecut, delaynote
      and some other commands were not executed corrected.
    - SB/SB Pro and SB16 now use autoinit mode if possible. This
      gives better sound quality with less clicks.
    - Bugs fixed in S3M loader (vol+tone and vol+vibr were reversed)
    - A tiny, tiny bug in 669 loader caused erronous memory allocations..
    - SB Pro (and clones) should now play left and right correctly
    (available on ftp.eng.ufl.edu in /pub/msdos/demos/incoming dir)

  * New version of DMP/32 (version 2.90 to version 2.95)
    - Fixed tremolo effect
    - Less UltraClicks
    - New DMA loading method for GUS
    + Optional GUS timer based playing (-gt to disable GUS timer)
    + Checks for GUS memory allocation
    - Less memory fragmentation -> more free memory in DOS shell
    + Solo track mode (press 'S' to solo/unsolo)
    - Fixed panning bug with 16-bit quality mode
    - Due to a small bug in the player, retrig, notecut, delaynote
      and some other commands were not executed corrected.
    - SB/SB Pro and SB16 now use autoinit mode if possible. This
      gives better sound quality with less clicks.
    - Bugs fixed in S3M loader (vol+tone and vol+vibr were reversed)
    - A tiny, tiny bug in 669 loader caused erronous memory allocations..
    - SB Pro (and clones) should now play left and right correctly
    + New! Quality mode for 16-bit cards.
    (available on ftp.wustl.edu in /pub/msdos_uploads/modplayers dir)

  * New version of Liquid Tracker (version 0.50b to version 0.69b)
    - BPM is now calculated with better precision
    - MIDI IN support in the pattern editor (Sound Blaster's MIDI,
      not MPU-401)
    - "Reset panning" command (resets pan positions to default) - H70
    - Faster loading
    - Fixed lots of bugs
    - Now you can enter notes into disabled channels while playing
      and the sound will not stop
    - S3M Loader in distribution version
    - Global Volume (Command Fxx)
    - Channel Panning (Command Hxx, 0 = Left, 32 = Middle, 64 = Right)
    - ALT-P (set effect to channel) implemented
    - Arpeggio effect (Gxx) now supported
    - Better volume handling routines
    - MODs now playing at correct panning
    - Real volume bars
    - Now you can define the memory reserved for pattern data. it was
      set to 256K (of DOS memory) before, and was usually too much.
      it you'll decrease it too much, some modules may refuse to load.
    - Tracer is running a bar! (not centered for now though)
    - Implemented Pattern Delay effect
    - Enhanced Break Pattern effect, now supports where-to-start value
    - Implemented "clear patterns" for ripping samples :)
    - Now liquid will try extensions LIQ, MOD, STM at commandline
    - Implemented ALT-A and ALT-Q to inc/dec halftone in marked
    - Added 'Auto screen' feature. change to screen mode according to
      channels number (usable only for Trident SVGA for now)
    - STM loader enhanced.
    - Now Liquid runs approximately 30% faster with normal sound cards,
      and about 50% faster with SB16.
    - Now the module name can be supplied from the command line
      (e.g. LIQ AXELF.MOD)
    - Better sound quality on 8 BIT cards.
    - Added SoundTracker support (15 instruments modules)
    - Added STM support
    - Added WOW support
    - Now you can test samples from the Samples Editor. just step on a
      number field and hit the keyboard (useful for quick loop-testing!)
    - Enhanced XMS routines
    - Most of ProTracker's effects are now implemented (and correctly,
      unlike some other trackers around)
    (available on ftp.uwp.edu in /pub/incoming/modplayers dir)

  * New version of Music Disk Player (version 1.00 to version 1.10)
    + Unknown changes - no revision file.
    (available on ftp.eng.ufl.edu in /pub/msdos/demos/incoming dir)
     Note: Player is embedded within the firestrm.zip archive!



=======================================================================
  CD-Box, ModEdit, ModPlayer, JMPlayer, Power Player & Scream Tracker
  are available on SimTel (in sound or music directories).
  Try oak.oakland.edu or other SimTel mirror site.

  Other players can be found on:
  archive.epas.utoronto.ca [128.100.160.1] (pub/pc/ultrasound/sound)
  ftp.brad.ac.uk (misc/mods) Great place for MOD files.
  ftp.sun.ac.za [146.232.213.2] (pub/msdos/audio directory)
  ftp.wustl.edu [128.252.135.4] (pub/msdos_uploads/modplayers directory
                                 pub/msdos_uploads/modeditors directory)
  ftp.uwp.edu [131.210.1.4] (pub/msdos/modplayers or
                             pub/incoming/modplayers areas)
  picasso.ocis.temple.edu (pub/sound/players)
  garbo.uwasa.fi (pc/sound directory) wasp.eng.ufl.edu (pub/msdos/demos)

=======================================================================
If you find any errors, omissions or new versions of the above
players please send me a note.

Thanks again to all who sent me suggestions & additional information!
Randall Abel ([e-mail])

****************
** Sound Bits **
****************

********************** Note to software authors ************************
Your program description could appear here for FREE.  See the top of the
Newsletter for details.
********************** Note to software authors ************************

DISCLAIMER: The Sound Newsletter provides no guarantee on the
performance of the software or products mentioned in this newsletter.
The information is provided to give the reader an idea on how the
products operate.


*************************
** Inertia Player V1.1 **
*************************
From: [e-mail] (Stefan Danes)

Features:
---------

+ Text-mode or high-resolution graphical shell
+ Supports Gravis UltraSound, Pro Audio Spectrum 16, SoundBlaster
  16/16ASP, SoundBlaster Pro, SoundBlaster, PC Speaker, Adlib
  SoundCard, Covox [Mono], Stereo-On-1 and MIDI [Experimental]
+ Player is 100% assembler!!!, setup and editor are written in Turbo
  Pascal
+ 386+ and Pentium code for speed optimalisation
+ Allows up to 32 channels
+ Samples up to 1024KB [Yeah! Breaking the 64KB limit!]
+ Uses 32 bits mixing routines for speed and quantization noise
  reduction
+ EMS support [Requires LIM EMS V4.0 or above]
+ Support for Upper Memory Blocks [UMBs]
+ Supports ProTracker 2.x commands
+ Supports wildcards
+ Supports list-files [PLAY @LISTFILE.EXT]
+ Menu system
+ Help [F-1]
+ Realtime Graphical Scopes [F-2]
+ Realtime VU meters [F-3]
+ Samplename viewer [F-4]
+ 2 * 100 Channels Realtime Frequency analysis (FastFourier) [F-5]
+ DOS Shell [F-8]
+ Easy to use setup program
+ Autodetect I/O-Port, IRQ and DMA
+ Supports following modules:
  * 4 Channel, 15 Samples NoiseTracker
  * 4 Channel, 31 Samples NoiseTracker, ProTracker, SoundTracker etc.
  * 4 and 8 Channel StarTrekker
  * 4,6,8,16 and 32 Channel FastTracker
  * 4,6,8,10,12,14,16 and 32 Channel TakeTracker
  * 669 Modules from Composer 669 v1.x
  * Extended 669 Modules from UNIS669
  * STM Modules from Scream Tracker 2.x
  * S3M Modules from Scream Tracker 3.x
  * MTM Modules from MultiTracker 1.x
  * PSM Modules from ProTracker Studio 16 [Not 100% operative due to the
                                          many changes in the fileformat]
  * WOW Modules from Mod's Grave
  * FAR Modules from Farandole Composer
  * INR Modules from Inertia Tracker
  * ULT Modules from UltraTracker


Filename: IPLAY11.ZIP/ARJ, Size is approx 75KB


FTP Site:
---------
archive.epas.utoronto.ca

Support Sites: IPLAY is free download at any support site!
--------------
Mailers: FileRequest magic name IPLAY

[All boards are 14k4 v32bis, unless otherwise stated]

Netherlands
===========
Enigma                  [phone]/91373 [USR HST/DS 14k4]
Fuzzy Logic             [phone]
Hires BBS 2             [phone]/44185
Magic Land              [phone] [14k4]/420529 [USR HST/DS 16k8]
Maniax Dream            [phone]/83175
The Northern Light      [phone]
The Pentagon            +IT-(I)S-PRiVATE [2 Nodes HST/DS 14k4, 1 Node
                                         Zyx 19k2]
Sledge Hammer           [phone]
The Sound Zone          [phone]

Canada
======
Wave of Weirdness       [phone]

USA
===
The Sound Barrier       [phone] [14k4]/9406 [2400-9600]
The Underworld          [phone] [USR HST/DS 21k6]
Absolute Zero           [phone] [Zyxel 16k8]

Denmark
=======
P.B.                    [phone]

France
======
Day of Rebellion        [phone]

Sweden
======
Mostly Harmless         [phone] [Zyxel 16k8]

Finland
=======
Soul Asylum             [phone] [USR HST/DS 16k8]

Israel
======
The Loan Shark          [phone] [14k4]/9300971 [2400]

Brazil
======
WarmBoot BBS            [phone]
Advanced BBS            [phone]

U.K.
====
Guru-Ten                [phone]/9935 [16k8]


What's new in v1.1?
-------------------

  * Fixed numerous minor bugs
  + Added channelmute option
  + Added PatternLoop option [ScrollLock]
  + Added Pause option [Pause]
  - Removed ULTRACLICKS(tm)!!!
  + Added BackSpace key to return to playmode when you pressed return
  * Fixed a bug that caused incorrect loops
  * New GUS Init code...
  + Added the PatternDelay command [EE], which wasn't implemented yet
  * Fixed the bug that could hang the machine if the module ended
    in a DOS shell
  * Fixed a few bugs in the MTM loader
  * Fixed a bug in the 669 loader
  * Several minor visual changes
  + Added fast master volume change [Shift Gray +/-]
  + Added Panning [E8] and Fine Panning [8] commands [GUS only for now]
  * Sample Name Viewer [F-4] now also displays size, volume, looppos etc.
  + Added FAR support [Farandole Composer]
  * New Fourier engine! [This new FastFourier engine is faster, smoother
    and more accurate compared to the old QuickFourier engine!!!]
  * Increased maximum sample size from 128KB to 1 MEGABYTE!
    [Guess 1024KB should be enough for now :-]
  * Cursor right/up for fast/faster forward
  + Cursor left/down for fast/faster rewind
  * Enabled Stereo-On-1 support...
  * SB/SBPro/SB16 don't use the system timer anymore [Improves DOSShell]
  + Added ULT support [UltraTracker] [16 bits samples not yet supported]
  * Enhanced S3M Compatiblity
  + Added Extended 669 support [UNIS669]
  + Added support for SoundBlaster 2.0/Pro mixed at 44kHz [Mono]
  * Increased maximum number of patterns from 128 to 256
  + Added Pro Audio Spectrum 16 support [16bits up to 44kHz]


+----------------------------------------------------------------------+
|E-Mail : [e-mail]  Stefan Danes a.k.a. Prime/Inertia |
|FidoNet: 2:284/5.23   For updates, bugreports etc.: Inertia Mail List |
|DemoNet: 94:410/724   E-Mail:  [e-mail]           |
|**Inertia Player**    Subject: subscribe Inertia-List                 |
+----------------------------------------------------------------------+

**************************
** Gold Wave version 21 **  ** Update **
**************************
Wave editor/player/recorder with dual oscilloscopes
by Chris Craig <[e-mail]>

GoldWave is a multi-file digital sound editor/player for Windows.
It can read several standard sound formats such as WAV, VOC,
IFF, AU, SND, and headerless 'raw' files.  GoldWave features
a separate controls window that displays oscilloscopes
while playing or recording sounds.  GoldWave includes an
equation interpreter for generating a variety of waveforms and
standard editing functions such as Cut, Copy, Paste, Mix, and Trim.
You can view and edit left and right channels independently.
Many effects are also included.


******************************************
**  2PAT v1.0,  UPL v0.2  & MPF v0.82   **
******************************************
From: [e-mail]


FMJ-Software presents:

=======================================================================
2PAT v1.0    [2PAT10.ZIP upon ...epas..submit and mirrors]
-----------------------------------------------------------------------
          :2 U l t r a S o u n d  P a t c h  C o n v e r t e r:

                      - THIS IS A MAJOR UPDATE! -

                - Converts                            -
                - AIF, AU,  EFE, FSM, IFF, INS, KRZ,  -
                - MOD, MTM, PAT, RAW, SDK, SDS, SDX,  -
                - SMP, SND, STM, S3M, SYW, TXW, 669,  -
                - ULT, UWF, VOC, WAV,                 -
                - into UltraSound instrument patches! -
                - (or Ms .Wav files if you prefer it) -

News in version 1.0 (since v0.9):
 ----------------------------------------------------------------------
* Now also able to write WAV files in addition to PATches.
  Typing in an extension of '.wav' instead of '.pat' in the Save
  dialog box, will save a .DES text file with into about loop points
  and such, as well as .WAV files with the samples in the patch.

* Converted the manual into WinHelp Hypertext format.

* Reads INS and EFE files (Ensoniq EPS instrument files).
  These can extracted from GKH files  with a utility called EPSDISK.

* Reads SDS files (raw Midi Sample Dump Standard files).

* Reads SDX files ('compacted' Sds file + sample name, as saved by
  the program SDX).

* Reads TXW (Yamaha TX16W wave files). Really named .W??.

* Reads SYW (Yamaha SY-series wave files). Really named .W??.
  Has not been tested (Please send me some files!)
  Note! The much more common all-data format, .T?? are not supported
  (yet).

* Reads SDK (Roland S-550, S-50, S-330 disk images).

* Reads AIF files (Audio Interchange File Format).

* Reads IFF: 8SVX files (Interchange File Format).

* Reads UWF files (UltraTracker Wave files).

* Reads PAT files (Ultrasound patch files).

* Reads SMP files (Samplevision).

* Reads VOC (Creative labs) files.

* Reads AU files (Sun/NeXT); only uncompressed mono files supported.

* Reads RAW signed data files; assumed 8bit, 11KHz.

* KRZ files now get their loop point. Now also supports split files
  (KR1 + KR2). No longer throws out samples if the instrument is too
  big but rather lets you do it yourself in the patch editor of your
  choice.

* Correctly reads 16bit WAV files now.

* Correctly reads ULT's with 16bit samples now.

* Looped samples with the end loop point at or near the sample end now
  get the sample at the loop start point duplicated at the loop end
  point + 1, in order to keep the GUS interpolation happy (can cause
  clicks otherwise).

* The envelopes now corresponds to the ones Patchmaker  use for looped
  and unlooped waves, except that looped samples have a quite long decay
  but not at all as long as the long decay setting in Patchmaker.

* Now using FMJULTRA.DLL to provide ULTRASND.INI manipulation for
  loading custom patches; email me if you'd like to use it in your own
  programs and I'll send you FMJULTRA.H.

* Renamed MIDITHRU.DLL into FMJMTHRU.DLL. In order to avoid possible
  conflicts with other programs.

*  Various minor changes and improvements.


======================================================================
UPL v0.1        [UPL01.ZIP upon ...epas..submit and mirrors]
----------------------------------------------------------------------
          :U l t r a S o u n d  P a t c h  L i b r a r i a n:

First beta release:
-------------------
Let's you load an arbitrary set of patches from disk to GUS memory
without    having to fiddle with ULTRASND.INI; allows you to save and
load patch lists. Attempts to be what the Patch Manager never was...
This version can't handle the drum channel but that'll be fixed in
the next one!

======================================================================
MPB version 0.82    [MPB082.ZIP upon ...epas..submit and mirrors]
----------------------------------------------------------------------
                  :M i d i  P a t c h  B r o w s e r:


Minor bugfix since v0.8:
------------------------
* Fixed midithru bug with midi in devices that uses note_on:vel 0 as
  note_off; those are now recogniced and even translated into real
  note_off messages rather than just passing them on.

* Now using FMJULTRA.DLL to provide ULTRASND.INI manipulation for
  loading custom patches; email me if you'd like to use it in your
  own programs and I'll send you FMJULTRA.H.

* Renamed MIDITHRU.DLL into FMJMTHRU.DLL in order to avoid possible
  conflicts with other programs.


=======================================================================
That's 'all' for now!

/ F. Markus J.
\ [e-mail]


------------------------------
| Anonymous Sound FTP SITES  |
------------------------------

To connect to an anonymous FTP site do the following (we are using the
sound-site as an example)

ftp sound.usach.cl        or    ftp 158.170.34.4
name: anonymous
password: <email-address>

If you know of any other Sound ftp sites please forward the information
this way.  If you know the administrators of the below sound sites or
you are in charge of one of the below sound sites please e-mail me so
we can join efforts.  Your input to this sound-list would be greatly
appreciated. (*) denotes sites carrying Sound Newsletter & back issues.


Sound FTP sites

Name                    IP#             What
------------------------------------------------------------------------
garbo.uwasa.fi          128.214.87.1   (.stm), players (*)
ems.media.mit.edu       18.85.0.104     csound
archive.epas.utoronto.ca               pub/pc/ultrasound
                       128.100.160.26  (The Gravis Ultrasound FTP site)
ftp.brad.ac.uk          143.53.2.5     misc/mods  incoming/mods
ftp.comlab.ox.ac.uk     192.76.52.2    Documents/sound (au files)
ftp.cs.ruu.nl           131.211.80.17  Midi (/pub/MIDI)
ftp.ee.lbl.gov          128.3.112.20   sounds (au files)
                                       directory: sound/*.au
ftp.luth.se             130.240.18.2   pub/amiga/mods
ftp.uwp.edu             131.210.1.4    pub/msdos/proaudio
                                       (Pro Audio Spectrum FTP site)
nic.funet.fi            128.214.6.100  pub/amiga/audio/modules
oak.oakland.edu         141.210.10.117 pub/msdos/sound/ (*)
snake.mcs.kent.edu      131.123.2.222  SoundBlaster & Adlib stuff
                                       directory: pub/SB-Adlib
sounds.sdsu.edu         130.191.224.2  .au files (songs, cartns, snipits)
************************************************************************
sounds.usach.cl                        Sound Newletter HOMEBASE
                                       MOD, STM, MIDI, players, demos
                                       sound card support, news.. more
                                       pub/Sound/*
************************************************************************
sumex-aim.stanford.edu  36.44.0.6      (.snd) files
sunny.hawcc.hawaii.edu  128.171.143.7  Gus Gallery files
                                       (pub/msdos/soundsite)
terminator.cc.umich.edu 141.211.164.8  sounds and misc archive site
ucsd.edu                128.54.16.1    sounds for sparc
uop.uop.edu             138.9.200.1    Modplay
wuarchive.wustl.edu     128.252.135.4  Modfiles
 or ftp.wustl.edu                      /systems/amiga/audio/music/st-nt
xanth.cs.odu.edu        128.82.8.1     startrek sounds
                                       dir: pub/star-trek/stsounds.


Multimedia Demo FTP sites

Name                    IP#             What
------------------------------------------------------------------------
ftp.sun.ac.za                          pub/msdos/demos
ftp.uwp.edu        : pub/msdos/demos
wasp.eng.ufl.edu   : pub/msdos/demos
wuarchive.wustl.edu                    Modfiles
                                       /systems/amiga/audio/music/st-nt


Attention Bulletin Board owners and FTP site administrators
-----------------------------------------------------------

You can carry the sound newsletter on your site FREE of charge.  For
FTP sites please contact me at: [e-mail]. You can
either obtain it from one of our sites or we can mail it to you on
Fido Net, CompuServe or Internet.

The following Bulletin board systems carry the Sound Newsletter and
Back Issues.  The (*) boards also specialize in multimedia.  If you
call these boards please tell them you heard about their board from
THE SOUND NEWSLETTER!

United States


Board                       Speed         Phone           Sysop
----------------------------------------------------------------------
Absolute Zero (*)           16.8K        [phone]   Erik Berry
Digital Oxygene (*)         14.4K        [phone]   Mike Phillips
                                                          Chris Tompsett
The Dungeon II            14.4K      [phone]   Lawrence Manuel
The Fogotten Realm          38.4K        [phone]   Richard Chun
Graphics Plus               38.4K        [phone]   Eric Lui
Midnight Run BBS (*)        2400         [phone]   Luis R. Garcia
  (Fido 1:367/27)
The Music Connection (*)    21.6K (Dual) [phone]   Rob Butler
                14.4K (Dual) [phone]
The Ninth Bit (*)           14.4K        [phone]   Scott Wilkins
The Patchbay (*)            38.4K (Dual) [phone]   Daniel Bise
Piracetam (*)            14.4K        [phone]   Burning Chrome
Quantum BBS                 14.4K        [phone]   Wildcat
                                         [phone]
Round Table BBS             2400         [phone]   Kevin Keyser
Snarf's Music Studio BBS    14.4K (HST)  [phone]   Colin Crisanti
The Cool Doctor's Place     12-14.4K     [phone]   Rob Zee (Doctor)
Ultrasound Connection (*)   14.4K        [phone]   Dave Redford


Abroad (All contain sound programs also)


Board                        Speed   Phone            Sysop
------------------------------------------------------------------------
BCG-Box                      9600    [phone]   Kim Heino
  V32/42/42bis, MNP2-5
  (FidoNet: 2:222/151.0)
Einstein BBS                 2400    [phone]    Kjetil Krag
Greyhawk BBS (UK)            9600    [phone]    Alan Coates
  (Fido: 2:250/404)
KompLEKSpresS            14.4K    [phone]    Alar Pardla
  (2 Nodes) (Estonia)
MultiMedia GS (Singapore)   19.2K    [phone]      Lee Teck Chee
  ZyXEL 19.2K/16.8k  (*)
  V32bis/v42bis
  (Fido: 6:600/408)
The Old Frog's Almanac       9600    604 245-3205      Ken McVay
  (4 lines)                  2400    604 245-4366      Ken McVay
Sound & Vision BBS          14.4K    [phone] Rob Barth
  (4 lines Fido = 2:254/14)
  Future Crew Dist site(UK)
System - X (*)              14.4K    [phone]    Scot Art
  Multimedia/music/sound


------------------------------------------------------------------------
| sound.usach.cl IS the NEW sound site.  Try it out today ! ! !        |
|-----------------------------------------------------------------------
| [e-mail]      |  Editor of the Sound Newsletter  |
| -----> Dave                       |  Spreading the word about the    |
|                                   |  latest in sound technology      |
------------------------------------------------------------------------