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Internet Message Format  |  1996-04-07  |  10KB
  1. Received: from salmon.maths.tcd.ie (salmon.maths.tcd.ie [134.226.81.11]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id GAA05047 for <JamesB@nevada.edu>; Fri, 25 Mar 1994 06:10:13 -0800
  2. From: Edmund Breslin <caladan@maths.tcd.ie>
  3. Date: Fri, 25 Mar 1994 14:10:06 +0000
  4. X-Mailer: Mail User's Shell (7.2.5 10/14/92)
  5. To: JamesB@nevada.edu
  6. Message-ID:  <9403251410.aa17301@salmon.maths.tcd.ie>
  7.  
  8.                     Run To The Hills
  9.               by Iron Maiden(Steve Harris)
  10.     Transcribed by Eddie Breslin(caladan@maths.tcd.ie)
  11.                      (Solo Copied)
  12.  
  13.  
  14. INTRO:
  15.  
  16. Gtr I (Adrian)
  17. |----------------------------------------------------------|
  18. |----------------------------------------------------------|
  19. |-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----|
  20. |-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----|
  21. |----------------------------------------------------------|
  22. |----------------------------------------------------------|
  23.  
  24. Gtr II (Dave)
  25.  
  26. All these notes are played using the third finger so there are
  27. also grace notes due to changing position but I've just shown
  28. the basic fingerings. Most of the bends should be "overbent" and
  29. shaken heavily.
  30.  
  31. Neck Pickup
  32. |-------------------------------------------------------------------|
  33. |-15-15b17-15b17-15~---13-13b15-13b15-15b17~---11-11b13-11b13-13b15~|
  34. |-------------------------------------------------------------------|
  35. |-------------------------------------------------------------------|
  36. |-------------------------------------------------------------------|
  37. |-------------------------------------------------------------------|
  38.  
  39.                                                            To Bridge
  40.                              LAST TIME                     pickup
  41. |-------------------------|--------------|------------------------|
  42. |-------------------------|----------3---|-----------------13b15~-|
  43. |--10-10b12-10b12-12b14~--|-x-0--0---2---|--10-10b12-10b12--------|
  44. |-------------------------|-x-0--0---0---|------------------------|
  45. |-------------------------|--------------|------------------------|
  46. |-------------------------|--------------|------------------------|
  47.  
  48. RHYTHM FOR VERSES:
  49.  
  50.     D        C      C B+5 C B+5     D        C      C B+5 C B+5
  51. |-------------------------------|---------------------------------|
  52. |-------------------------------|---------------------------------|
  53. |-------------------------------|---------------------------------|
  54. |---7--------5------5--5--5--5--|---7--------5------5--5--5--5----|
  55. |---5--------3------3--2--3--2--|---5--------3------3--2--3--2----|
  56. |-------------------------------|---------------------------------|
  57.  
  58.     A        C        F     D
  59. |---------------------------2---|
  60. |---------------------------3---|
  61. |---2--------5--------2-----2---|
  62. |---2--------5--------3-----0---|
  63. |---0--------3--------3-----0---|
  64. |---------------------1---------|
  65.  
  66. CHORUS:
  67.  
  68.     G          F         C                G    E  F  F#
  69. |---3----------1--------------------------3--------------|
  70. |---3----------1--------------------------3--------------|
  71. |---4----------2---------5----------------4----1--2--3---|
  72. |---5----------3---------5----------------5----2--3--4---|
  73. |---5----------3---------3----------------5----2--3--4---|
  74. |---3----------1--------------------------3----0--1--2---|
  75.     Run to the Hills     Run for your lives
  76.  
  77.  
  78. RHYTHM FOR SOLO:
  79.  
  80.     E(m)      F#m  G          C      
  81. |-------------(2)-(3)--------------------------------------|
  82. |-------------(2)--3---------------------------------------|
  83. |-------------(2)--4---------------------------------------|
  84. |---2---------(4)--5----------5----------------------------|
  85. |---2---------(4)--5----------3----------2-3-2-3-2-3-2-3---|
  86. |---0------------------------------------------------------|
  87.  
  88. BRIDGE:
  89.  
  90. I'm just showing the basic fingerings. Listen for the
  91. strumming and muting.
  92.  
  93.    A           B           C           D
  94. |-------------------------------------------------|
  95. |-------------------------------------------------|
  96. |--2--2--2~----4--4--4~----5--5--5~----7--7--7~---|
  97. |--2--2--2~----4--4--4~----5--5--5~----7--7--7~---|
  98. |-------------------------------------------------|
  99. |-------------------------------------------------|
  100.  
  101. ENDING:
  102.  
  103.     C let ring         B         G strum fast
  104. |--------------------------------3--------------|
  105. |--------------------------------3--------------|
  106. |---5------------------4---------4--------------|
  107. |---5------------------4---------5--------------|
  108. |---3------------------2---------5--------------|
  109. |--------------------------------3--------------|
  110.         Run    for     your      lives 
  111.  
  112. Played with Phaser: rate ~ one quarter note.
  113.  
  114.    E5                 F#5      G5
  115. |---------------------------------------12------12-----12--12-----|
  116. |--15b(17)--r15---15b(17)-r15-b(17)~------------------------------|
  117. |-------------------------------------------12------14------------|
  118. |-----------------------------------------------------------------|
  119. |-----------------------------------------------------------------|
  120. |-----------------------------------------------------------------|
  121.  
  122.                                    C5
  123. |----------12---------------------------------------------|
  124. |--15b(17)----12--15p12h15p12------12---------------------|
  125. |------------------------------14------14b(16)--14b(16)~--|
  126. |---------------------------------------------------------|
  127. |---------------------------------------------------------|
  128. |---------------------------------------------------------|
  129.  
  130.  
  131. |--------------------------------------------------------|
  132. |--------------------------------------------------------|
  133. |--14b(16)--14--12--14--12--12-----------------------12--|
  134. |------------------------------14~~~-----------12h14-----|
  135. |--------------------------------------------------------|
  136. |--------------------------------------------------------|
  137.  
  138.    E5
  139. |--------------------------------------------------------|
  140. |----------------------------------15--15-----12h14--12--|
  141. |-----------------------12--14--12---------14------------|
  142. |--14--12---------12h14----------------------------------|
  143. |----------14p12-----------------------------------------|
  144. |--------------------------------------------------------|
  145.  
  146.    F#5        G5
  147. |--------------------------------------------10h12p10----|
  148. |--12h15p12h15p12------12h15--15-s\-2-s/-12--------------|
  149. |------------------14------------------------------------|
  150. |--------------------------------------------------------|
  151. |--------------------------------------------------------|
  152. |--------------------------------------------------------|
  153.  
  154.                 C5
  155. |--10h12p10h12-----12p10h12p10--10h12p10-----10h12--12b(15)~~--|
  156. |---------------12------------------------12-------------------|
  157. |--------------------------------------------------------------|
  158. |--------------------------------------------------------------|
  159. |--------------------------------------------------------------|
  160. |--------------------------------------------------------------|
  161.  
  162.                              E5
  163. |--12b(15)-s\-1-s/-7---------12h15p12h15p12h15p12--12h15p12--|
  164. |------------------------------------------------------------|
  165. |------------------------------------------------------------|
  166. |------------------------------------------------------------|
  167. |------------------------------------------------------------|
  168. |------------------------------------------------------------|
  169.  
  170.                         F#5  G5
  171. |-----------------------------------------------------------|
  172. |--15p12h15p12h15p12h15-------------------------------------|
  173. |------------------------12h14p12h14p12h14p12h14p12---------|
  174. |----------------------------------------------------12h14--|
  175. |-----------------------------------------------------------|
  176. |-----------------------------------------------------------|
  177.  
  178.                  C5
  179. |----------------------------------------------|
  180. |--------------15--------------------------15--|
  181. |--12h14p12----14b(16)--HOLD-BEND---r(14)--14--|
  182. |----------------------------------------------|
  183. |----------------------------------------------|
  184. |----------------------------------------------|
  185.  
  186.  
  187. |-----------------------------------------------------------------|
  188. |-----------------------------------------------------------------|
  189. |--12-Tbar\-(9)-/-(12)-\-(9)-/-(12)-\-(9)-/-(12)-\-(5)-/-(12)-\---|
  190. |-----------------------------------------------------------------|
  191. |-----------------------------------------------------------------|
  192. |-----------------------------------------------------------------|
  193.  
  194.                                         E5
  195. |---------------------------15--17-Tbar-\-(16)-/-(17)-\-(16)-/----|
  196. |-----------------------------------------------------------------|
  197. |--(9)-/-(12)-\-(7)-/-(12)----------------------------------------|
  198. |-----------------------------------------------------------------|
  199. |-----------------------------------------------------------------|
  200. |-----------------------------------------------------------------|
  201.  
  202.  
  203. |--(17)-\-(16)-/-(17)---------------------------------|
  204. |-----------------------15-shake with Tbar as before--|
  205. |-----------------------------------------------------|
  206. |-----------------------------------------------------|
  207. |-----------------------------------------------------|
  208. |-----------------------------------------------------|
  209.  
  210.                     G5
  211. |-----------------------------------------------|
  212. |--17-Tbar shake---------------------------PH---|
  213. |------------------------14-Tbar shake-----16~--|
  214. |-----------------------------------------------|
  215. |-----------------------------------------------|
  216. |-----------------------------------------------|
  217.  
  218.         C5
  219. |----0----12--15b(18)--r(16)-r15--15--Tbar-\---(12)--\--(10)-s\---|
  220. |--0----12--------------------------------------------------------|
  221. |-----------------------------------------------------------------|
  222. |-----------------------------------------------------------------|
  223. |-----------------------------------------------------------------|
  224. |-----------------------------------------------------------------|
  225.  
  226.  
  227.  
  228.