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OCR: CHAMBER ECA USR THE FRENCH HORN notori iously difficult T4 play compo sers have written only few solo pieces for Instead they have introduced its mellow sonority to their chamber music Its sound has none of the edgy rasp of other brass instruments, so itis well sui ted w00 dwinds and strings. The horn is also ef fective in short solo passage: because its rich, round tone color projects across the other instruments without overwhelming them. Carl Maria Von Weber (1786-1 -1826): Adagio and Rondo for two clarinets, two bassoons and two horns, J. Adagio. PLOS ECAUSE notorioushy instr ruments sand instrument hout Mari