txtCommentary1=The {\uldb fugue}{\v 136089} then unfolds in a series of successive entries of the {\uldb subject}{\v 135660}.\par\par\par\par\par The second entry ({\uldb first violin}{\v 126742}) echoes the subject at a different {\uldb pitch}{\v 92779}. The third and fourth entries ({\uldb cello}{\v 76489} and {\uldb viola}{\v 105422}) differ little in character from earlier statements. Indeed, when the {\uldb second violin}{\v 140221} restates
txtCommentary2=\par\par\par\par the subject in the fifth entry, it is on identical pitches. There is a stiffness in this formal exchange among {\uldb voices}{\v 105907} (much as we might imagine the stylized posing in a conversation among eighteenth-century aristocrats) that does not suggest a genuine democracy.{\fs24\uldb \'80}{\v next}
