txtCommentary1=Wye Jamison Allenbrook\'92s {\i {\uldb Rhythmic}{\v 94537}Gesture in Mozart} (Chicago, 1983) maintains that Mozart\'92s audience understood these gestures in his {\uldb operas}{\v 133191} as symbols with clear external meanings. Using a network of symbols she interprets {\i Figaro,}for example, as a pastoral romance rather than a political protest. Allenbrook has also delivered a provocative talk, \'93 \'91To
txtHeading=Mozart's Music
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txtCommentary2=\par\par\par\par\par Serve the Private Pleasure\'92: Expression and Form in Mozart\'92s {\uldb String Quartets}{\v 154839},\'94 in which she argues that the {\uldb \'93Haydn\'94 Quartets}{\v 136342} teem with \'93topical references.\'94 (It was to be published by the Royal Music Association in 1992.){\fs24\uldb \'80}{\v next}
