txtCommentary1=Mozart creates these large spans of tension and {\uldb resolution}{\v 94075} with the most rudimentary {\uldb harmonies}{\v 84040} \'97such as the alternation between {\uldb tonic}{\v 101048} (a rest or resolution {\uldb chord}{\v 76801}) and {\uldb dominant seventh}{\v 11902} (a tension chord). In the previous {\uldb passage}{\v 90954} this {\uldb progression}{\v 137749} underlies all but the last chord. A more sprightly example is this {\uldb theme- and-accompaniment}{\v 34453} passage from the {\uldb finale}{\v 82354}. The three
txtCommentary2=lower {\uldb instruments}{\v 84565} play tonic-{\uldb dominant}{\v 151034} (I-V) progressions while the {\uldb first violin}{\v 126742} scampers merrily above. It is hard to believe that so much energy and forward momentum can accrue from such elementary harmonies.{\fs24\uldb \'80}{\v next}