txtCommentary1=The remarkable {\uldb secondary area}{\v 95388} of the same slow {\uldb movement}{\v 151907} provides a more extended example of tension and {\uldb resolution}{\v 94075}. It opens with a murmuring {\uldb figure}{\v 149462} in the {\uldb cello}{\v 76489}, on top of which Mozart overlays alternating {\uldb tonic}{\v 101048} and {\uldb dominant}{\v 151034} {\uldb harmonies}{\v 84040} intensified by a series of {\uldb appoggiaturas}{\v 110378}. With each successive appoggiatura\'97played in order by the {\uldb first violin}{\v 126742}, {\uldb viola}{\v 105422}, {\uldb second violin}{\v 140221}, and first
txtCommentary2= \par\par violin\'97the tension builds. Even though the {\uldb dynamic}{\v 81139} is soft, there is a considerable difference when the {\uldb passage}{\v 90954} is played with or without the appoggiaturas. {\fs24\uldb\'80}{\v next}
