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OCR: Example 20.2: Sample ostinato patterns. (Sambas are often written in using halved note values. but one is given here in 1/4 for comparison). More patterns are 11 Creative Coordination for the P erfo rming Drummer by Keith Copeland (Carl Fischer 1986). a) Samba (fast tempos) 6de Oba drane b) Bossa nova (slow ano medium tempos) Ride Cyenbal tawe strle Copel