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- From: david@roth-music.com (David A. Roth)
- Newsgroups: rec.music.makers.trumpet,news.answers,rec.answers
- Subject: [rec.music.makers.trumpet] Hosaphone(tm) - FAQ
- Followup-To: poster
- Organization: DAVID A. ROTH MUSIC
- Approved: news-answers-request@MIT.EDU
- Summary: This article is a description and primer on Frequently
- Asked Questions (FAQ) about the low-cost musical valveless
- trumpet-like brass wind instrument called the Hosaphone(tm).
- Originator: faqserv@penguin-lust.MIT.EDU
- Date: 27 Apr 2004 11:11:56 GMT
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- Archive-name: music/brass/hosaphone-faq
- Rec-music-makers-trumpet-archive-name: hosaphone-faq
- Version: 3.72
- Posting-Frequency: monthly
- Last-modified: April 24, 2001
- URL: http://www.roth-music.com/hosaphone/hosaphone-faq.html
-
- Hosaphone(tm) FAQ
- Version 3.72
- By Ellis L. Workman and David A. Roth
- Copyright (c) 1996-2001 by Ellis L. Workman and David A. Roth, all
- rights
- reserved.
- Date of first publication: April 1, 1996
-
- The latest (HTML) edition of this FAQ can be retrieved from:
- http://www.roth-music.com/hosaphone/hosaphone-faq.html
-
- The latest (ASCII text) edition of this FAQ can be retrieved from:
- ftp://rtfm.mit.edu/pub/usenet/news.answers/music/brass/hosaphone-faq
- (text
- only)
-
- Hosaphone(tm) Headquarters:
- http://www.roth-music.com/hosaphone
-
- This article is a description and primer on Frequently Asked Questions
- (FAQ)
- about the low-cost musical valveless trumpet-like brass wind instrument
- called the Hosaphone(tm).
-
- The following topics are addressed:
-
- 1) A DIALOGUE WITH THE MASTER
-
- 2) HISTORY OF THE HOSAPHONE(TM)
-
- 2.1) What is a Hosaphone(tm)?
- 2.2) Why is there a need for a Hosaphone(tm) FAQ?
- 2.3) What's with the "(tm)"?
- 2.4) Who invented the Hosaphone(tm)?
- 2.5) Why was there a need for the Hosaphone(tm)?
- 2.6) Where and when was the Hosaphone(tm) invented?
- 2.7) What was the first Hosaphone(tm) like?
- 2.8) How is the word "Hosaphone(tm)" pronounced?
- 2.9) What is the proper reference to one who plays the
- Hosaphone(tm)?
- 2.10) What is the verb form of the word Hosaphone(tm)?
-
- 3) HOSAPHONE(TM) PERFORMANCE PRACTICES
-
- 3.1) What is the difference between the Hosaphone(tm) and the
- so-called Natural Trumpet?
- 3.2) Does being a trumpet player help with the Hosaphone(tm)?
- 3.3) What's the best mouthpiece for the Hosaphone(tm)?
- 3.4) What is the proper way to execute the Doppler effect on the
- Hosaphone(tm)?
- 3.5) Can the sound of the Hosaphone(tm) be improved?
- 3.6) What can I do to fix the missed or out-of-tune tones I play
- on the Hosaphone(tm)?
- 3.7) Where to put the bell?
- 3.8) Does adding tassels improve the sound?
- 3.9) What about the "out-of-tune" partials?
- 3.10) My Hosaphone(tm) doesn't center and slot pitches. What can I
- do?
-
- 4) HOSAPHONE(TM) ENSEMBLE APPLICATIONS
-
- 4.1) Can I mix Hosaphones(tm) and so-called Natural Trumpets in
- ensembles?
- 4.2) Can I mix Hosaphones(tm) and modern full chromatic valved
- trumpets in an ensemble?
-
- 5) HOSAPHONE(TM) CONSTRUCTION
-
- 5.1) Where can I get my very own Hosaphone(tm)?
- 5.2) Can I build my own Hosaphone(tm) without special training and
- knowledge of engineering and/or metal- working?
- 5.3) Can I build a Hosaphone(tm) even though I am unable to
- telepathically communicate with animals?
- 5.4) OK, how do I build my own Hosaphone(tm)?
- 5.5) The construction of the Hosaphone(tm) sounds pretty general;
- can you provide a table of correct hose lengths to use for each
- key?
- 5.6) Could you send me Hosaphone(tm) specifications? I MUST have
- them.
- 5.7) What type of material (neoprene, nylon, etc.) should I use?
- 5.8) How do I add tassels?
- 5.9) How can I make sure that my Hosaphone(tm) is an official one
- and not some shop-class knock-off?
- 5.91) What is a UHID?
-
- 6) HOSAPHONE(TM) DESIGN AND THEORY
-
- 6.1) What are the physics behind the Hosaphone(tm)?
- 6.2) What about tube curvature/bend radius (maximum/minimum)
- information?
- 6.3) Can I weld my mouthpiece into the tubing permanently?
- 6.4) What about bell size/flare specifications?
- 6.5) What is the maximum size of a Hosaphone(tm)?
-
- 7) HOSAPHONE(TM) CARE
-
- 7.1) Where can I get a gig bag for my Hosaphone(tm)?
- 7.2) Where do I go to get my Hosaphone(tm) repaired?
- 7.3) Why the need for labeling of the Hosaphone(tm)?
- 7.4) What kind of valve oil should I use on my Hosaphone(tm)?
- 7.5) Where can I get heavy valve caps for my Hosaphone(tm)?
- 7.6) Can I get a reverse lead pipe for my Hosaphone(tm)?
- 7.7) How do I use crooks?
- 7.8) Why freeze a Hosaphone(tm)?
- 7.9) Is it OK to give my Hosaphone(tm) a name?
- 7.10) What are some good Hosaphone(tm) names?
-
- 8) HOSAPHONE(TM) INSTRUMENTAL WORKS
-
- 8.1) What can be performed on the Hosaphone(tm)?
- 8.2) Are there any original compositions composed specifically for
- the beloved Hosaphone(tm)? I abhor transcriptions!
-
- 9) HOSAPHONE(TM) EDUCATION
-
- 9.1) Can you describe a Hosaphone(tm) lesson with the inventor of
- the Hosaphone(tm)?
- 9.2) Are there student models as well as pro-model Hosaphones(tm)
- available?
- 9.3) Are there any celebrities who play and endorse the
- Hosaphone(tm)?
- 9.4) What colleges offer applied Hosaphone(tm) performance
- degrees?
- 9.5) What method books are available for the Hosaphone(tm)?
- 9.6) Are there any Hosaphone(tm) play-along recordings?
-
- 10) HOSAPHONE(TM) MULTIMEDIA COLLECTIONS AND RECORDING
-
- 10.1) What kind of microphone best captures the sound of the
- Hosaphone(tm)?
- 10.2) Where can I get a picture of a Hosaphone(tm)?
- 10.3) Where can I get a sound file recording of the Hosaphone(tm)?
- 10.4) What is the web site for the official Hosaphone(tm) Page?
-
- 11) TRUTHS AND THE FUTURE
-
- 11.1) Come on now. Isn't this Hosaphone(tm) thing just a big joke?
- 11.2) What are some future directions for Hosaphone(tm)
- development?
- 11.3) What is the patent status of the Hosaphone(tm)?
- 11.4) What is the required compensation for the use of a
- Hosaphone(tm)?
- 11.5) How do I list my Hosaphone(tm) on my insurance policy?
- 11.6) How much will a signature edition Hosaphone(tm) built by the
- inventor cost?
- 11.7) What's the major design difference between the Hosaphone(tm)
- and the so-called Natural Trumpet?
-
- 12) DICTIONARY OF TERMS
-
- 13) ACKNOWLEDGMENTS
-
- 1) A DIALOGUE WITH THE MASTER
-
- Workman: It is with my pleasure that a fine student such as
- yourself would seek the advice of my years of experience. I offer
- to you my wisdom and without contempt I dispense this knowledge to
- you. I know that the quest for such a knowledge in itself is a
- never-ending quest and I freely pass it along to you and others
- who have come to cross my path and will do so in the future.
-
- Roth: I consider myself honored to hear such words and that you,
- without a jealous bone in your body, offer this knowledge to me. I
- will use it wisely.
-
- Workman: Do you seek the knowledge for fame and riches, or do you
- possess a burning within your spirit for the truth of knowledge
- such as I to pursue this enlightenment for the dawning of a new
- post-modern age?
-
- Roth: I have come to you to seek the truth and the enlightenment.
- The ultimate of ultimate of truths, our sense of being, our sense
- of life, our sense of ourselves. Like the desert camel that needs
- to satisfy a thirst, I petition you for your guidance. There is no
- turning back, for this is my destiny. The mashed potatoes are a
- little on the dry side, do you have any gravy? My doctor told me
- to lay off the butter.
-
- Workman: Yes, of course. It is on the dry sink behind you.
-
- Roth: Thank goodness! I was in fear that I might need a plunger to
- get the rest of this meal down.
-
- Workman: I prefer it natural and in its original form. If the
- potatoes needed anything more they would cease to be a potato. See
- this grape here before you?
-
- Roth: Very tasty, and seedless!
-
- Workman: Easy...I wasn't offering this to you to eat, it was for
- study, to make an illustration.
-
- Roth: I apologize. I misunderstood.
-
- Workman: You are like this grape. Lost without a connection to
- your vine of truth. You seek moisture, but it cannot be derived
- from any other means than from within your own resources. The
- moisture, like the truth you seek, is within yourself, not from
- the vine. Do not spend time looking for it.
-
- Roth: Gosh, you are making me thirsty. A glass of root beer about
- now should take care of it.
-
- Workman: About your quest. You seek enlightenment?
-
- Roth: Yes. I desire to...
-
- Workman: ...no! You must rid yourself of desire. It is not until
- then that...
-
- Roth: Cheesecake! Oh, please say it is cherry. It must be cherry
- with the crust ever so light and tender. This will rid me of the
- desire that the master has spoken of.
-
- Mrs. Workman: Cherry it is, David! (In a whisper to the master:
- After the cheesecake and the root beer, he's outta here!)
-
- Workman: Thank you, my wife. It is your inspiration that led me in
- search of an answer many years ago, which led to my invention of
- that beloved and revered spiritual musical instrument, the
- Hosaphone(tm).
-
- Roth: This Hosaphone(tm) you speak of, as the way raindrops
- cascade off a fresh morning spring flower and trickles on a
- descent to the sweet mother earth. Yes, I am sure of what my clear
- path must be. It is the Hosaphone(tm). I like the sound of it. I
- will chant its name a thousand times when I pause to reflect on
- what I have learned here today on my journey. Or at least until
- the light changes to green.
-
- Workman: I am pleased to find such a dedicated and deep thinking
- student as when I began. I do not do this for a grasp at a great
- fortune. I learned this when I was a graduate assistant in my
- great scholarly pea-soup of higher learning.
-
- Roth: Don't you mean pursuit of higher learning?
-
- Workman: Of course I did. The turkey stuffing was stuck to the
- roof of my mouth. One day when my professor was at an important
- meeting of minds with the faculty, I entered his vacant office to
- perform my assistantship duties. I was but a humble servant of my
- professor as you will remain here and do for me...
-
- Roth (gazing out the window): I just noticed I left my lights on.
- Guess I better get my coat and go take care of that right now
- before the battery...
-
- Workman: ...my duties which included sweeping the floor, answering
- the phone, teaching classes and squeezing packages of ketchup into
- family-size Heinz bottles. These condiments were acquired in great
- quantities by my professor as he served himself from many a
- brown-bag lunch at local fast- food chains. There he extracted
- what seemed like bushels of paper napkins which I prepared in
- paper sacks to be placed in the trunk of his car.
-
- Roth: Why are you telling me this, master? To feed the soul and
- wipe the face is not a crime against man or beast that I know of.
-
- Workman: It was that afternoon when I returned to my professor's
- office that enlightenment came upon me like a bolt of lightning
- from almighty Zeus himself. This knowledge shot through me, which
- would have brought Hercules to his knees. I had wondered for a
- long time, but it was clear to me that I was my professor's chosen
- one. Through his generous gifts of wisdom and knowledge, I was
- permitted to get a glimpse at what so few in their youth got to
- sense.
-
- Roth: What was this truth? What was this enlightenment? Please
- tell me so, I beg you!
-
- Workman: There it was, lying on my professor's desk, open to the
- world to see but only I could see it. I was the chosen one amongst
- all my fellow students to learn of this. Although it seems like a
- simple truth, it was communicated to me through the power of my
- own senses. A feeling of intense sickness fell upon me like a dam
- of despair had broken loose. I felt my temples start to pound as I
- became light-headed.
-
- Roth: Do you have jumper cables? The car lights are starting to
- dim. It may take the auto club hours to find this place.
-
- Workman: I saw...I saw...
-
- Roth: What!? What did you see?
-
- Workman: What I saw then bestowed to me the knowledge that I was
- doing what I was doing for the pure truth behind it all, not for
- riches or fame, but for a higher purpose. This became my
- enlightenment; my sense of purpose started that day.
-
- Roth: He had his completed tax-returns left open on his desk?
-
- Workman: Bingo! A sadness over took me like no other in my hour of
- discontentment as it laid there before me.
-
- Roth: Did you then seek the teachings from a greater master?
-
- Workman: No. I got a Computer Science degree and a job in
- software. There I learned of a wonderful thing called Internet
- where I continue my teachings through e-mail, mailing lists and
- newsgroups.
-
- Roth: It sounds like a happy ending for all. I am honored to have
- learned your truth. Is there anything I can do to better the cause
- of this enlightenment that you strive to do through your
- teachings? I feel compelled to spread the word. Whatever you ask
- of me, I will go forth with my best efforts. Tell me, wise master,
- is there anything such a humble one as myself can do to encourage
- others? Anything you ask, anything at all...
-
- Workman (raising his hand): Give it a rest! My anticipation grew
- as I waited for you to take a breath. Yes. I wish for you to
- compose an original work for Hosaphone(tm) and piano, such that it
- can be performed on many trumpet recitals such that players and
- listeners alike do not forget the simple truth of making music and
- look deeply within themselves for the answer to many problems.
-
- Roth: I feel a commission coming on!
-
- Workman: As you should. It will not be a difficult work to perform
- and will be a short one at that. Like something to be placed at
- the end of the recital so that others may leave with the knowledge
- of this enlightenment.
-
- Roth: I thank you here today, master. I not only thank you, but I
- thank myself for making these travels to your village, to break
- bread with such a fine example of the enlightenment. It is your
- kind and gentle wisdom that you spoke from the placidity of the
- face of a simple child engaged in a wonderment. I feel too that I
- have absorbed these qualities, a quality that I will carry with me
- on my long and important journey. If you could toss me that roll
- of plastic wrap I could take the rest of that cheesecake off your
- hands for you.
-
- Mrs. Workman: (looks at the master and sighs.)
-
- 2) HISTORY OF THE HOSAPHONE(TM)
-
- 2.1) What is a Hosaphone(tm)?
-
- What is art? What is beauty? It is almost beyond the scope of human
- understanding to answer these questions within the span of a lifetime.
- At
- what point does the craftsman become artist and in so making that art,
- become part of that art him- or herself? With this monumental task
- before
- us, we strive to forge ahead as we embark on a journey together to learn
-
- about the Hosaphone(tm) through a process of self-discovery. To learn
- about
- the Hosaphone(tm) is to learn about our selves. They come with tassels
- too.
-
- 2.2) Why is there a need for a Hosaphone(tm) FAQ?
-
- There has been so much interest in the Hosaphone(tm) on the TPIN and as
- a
- result of the Trumpet Player Online Web pages, Mr. Roth encouraged Mr.
- Workman to make his invention available to the world.
-
- 2.3) What's with the "(tm)"?
-
- There have been many similar devices created by brass players from hose
- horns to hose pipes. The (tm) is simply part of the name of the device
- invented by Mr. Workman and is intended to help differentiate the
- Hosaphone(tm) from other similar instruments. When you refer to the
- Hosaphone(tm), you are referring to the brand name of Mr. Workman's
- invention and all of its pre-apocalyptic philosophies. As the United
- States
- Patent and Trademark Office states in their publication, Basic Facts
- About
- Registering A Trademark, a most exciting read, a real page-turner in
- fact
- that puts the federal tax code to shame, Anyone who claims rights in a
- mark
- may use the TM (trademark) or SM (service mark) designation with the
- mark to
- alert the public to the claim. It is not necessary to have a
- registration,
- or even a pending application, to use these designations. Mr. Workman
- decided to append a '(TM)' since he didn't want to confuse the public
- with
- the possible perverse connotations of '(SM)'.
-
- 2.4) Who invented the Hosaphone(tm)?
-
- Ellis Workman
-
- 2.5) Why was there a need for the Hosaphone(tm)?
-
- In 1976, the inventor's bride complained about carrying his quad trumpet
-
- cases on the long portages on their BWCAW (Boundary Waters Canoe Area
- Wilderness) camping trips in northern Minnesota. He then vowed to
- lighten
- her load. Later in graduate school the inventor was compelled to study
- the
- so-called Natural Trumpet. It became immediately obvious that the
- Hosaphone(tm) was in every way the functional equivalent of the
- so-called
- Natural Trumpet.
-
- 2.6) Where and when was the Hosaphone(tm) invented?
-
- In Rochester, Minnesota on July 4, 1976. Petitions to the mayor's office
- to
- declare that date Hosaphone(tm) Day have been met with less than a
- fanfare.
-
- 2.7) What was the first Hosaphone(tm) like?
-
- The picture from the web site shows the first Hosaphone(tm). Because of
- the
- simple and elegant design of the Hosaphone(tm), numerous cycles of
- development and testing were unnecessary.
-
- 2.8) How is the word "Hosaphone(tm)" pronounced?
-
- Hoz'-a-fone-tee-em.
-
- 2.9) What is the proper reference to one who plays the Hosaphone(tm)?
-
- Hosaphoner, although brother and sister Hosaphoners affectionately refer
- to
- one another as hosers. If you are not a Hosaphoner yourself it is poor
- form
- to use this intimate address. Hosehead is generally taken as an insult
- on a
- level with questioning the identity of a Hosaphoner's father.
-
- 2.10) What is the verb form of the word Hosaphone(tm)?
-
- Hosaphone is the verb, although "hose" has come into common usage.
-
- 3) HOSAPHONE(TM) PERFORMANCE PRACTICES
-
- 3.1) What is the difference between the Hosaphone(tm) and the so-called
- Natural Trumpet?
-
- It is impossible to effectively perform the Doppler effect with a
- so-called
- Natural Trumpet. That is, not without severe neck injuries.
-
- 3.2) Does being a trumpet player help with the Hosaphone(tm)?
-
- Yes, and playing the Hosaphone(tm) will improve your trumpet playing.
- We've
- also found being a trumpet player helps in all aspects of life too.
-
- 3.3) What's the best mouthpiece for the Hosaphone(tm)?
-
- A Bach 1, with a #18 throat. Or whatever else you have laying around.
-
- 3.4) What is the proper way to execute the Doppler effect on the
- Hosaphone(tm)?
-
- The Hosaphone(tm) is the only musical instrument capable of producing
- this
- moving and dramatic effect. To execute the Doppler effect, the
- Hosaphone(tm)
- must be untaped and the bell end swung in a circle over the hoser's head
-
- while playing a sustained note. This effect must be used judiciously
- with
- taste and proper musical sensitivity and not cheap exhibitionism.
-
- A perfect example of a work composed for the beloved Hosaphone(tm) that
- makes proper use of this feature is Codetta in C for Hosaphone(tm),
- Piano
- and Bass ( http://www.roth-music.com/hosaphone/codetta) comp(h)osed by
- Mr.
- Roth.
-
- 3.5) Can the sound of the Hosaphone(tm) be improved?
-
- The sound of the Hosaphone(tm) cannot be improved, but your sound can be
-
- improved with practice.
-
- 3.6) What can I do to fix the missed or out-of-tune tones I play on the
- Hosaphone(tm)? I wish to perform a short piece on my Hosaphone(tm) for
- my
- recital. I want to give a perfect performance.
-
- Only practice will improve your performance on the beloved
- Hosaphone(tm),
- but you don't want it perfect. If you play it perfect you will be
- missing
- the point of playing the beloved Hosaphone(tm). For this reason alone,
- if
- you find yourself coming to the end of a piece and you don't recall any
- mistakes, we feel it is best to throw a couple of minor ones in.
-
- 3.7) Where to put the bell?
-
- Anywhere but in front of your own ear. This is a simple safety
- precaution
- that should be unnecessary to state except for the fact that we did see
- a
- product warning once advising against operating a lawn mower in a
- vertical
- position to trim hedges. We have heard reports that while playing it in
- the
- car, it is best to keep the bell in the back seat. This might not work
- if
- you are car-pooling.
-
- 3.8) Does adding tassels improve the sound?
-
- No, but it gives you something to play with during the rests. And when
- not
- in use, they can be hung from your rear-view mirror.
-
- 3.9) What about the "out-of-tune" partials?
-
- What you hear is the correct pitch for that high F. One must not
- interfere
- with the laws of nature and mutilate the Hosaphone(tm) with node and
- vent
- holes to accommodate modern tastes in intonation. Besides, in a pinch if
- you
- have to drain out your fish tank, those vent holes will serve nothing
- more
- than to leave a mess on the floor.
-
- 3.10) My Hosaphone(tm) doesn't center and slot pitches, what can I do?
-
- "A poor workman always blames his tools." Quit whining and blaming
- faulty
- equipment for your problems and take a look in the mirror. Those pitches
-
- don't slot and center because you are not making them. Mastering the
- Hosaphone(tm) requires a serious commitment.
-
- 4) HOSAPHONE(TM) ENSEMBLE APPLICATIONS
-
- 4.1) Can I mix Hosaphones(tm) and so-called Natural Trumpets in
- ensembles?
-
- No, they won't blend properly and the clearly inferior sound of the
- so-called Natural Trumpet becomes painfully obvious to all but the
- hearing
- impaired.
-
- 4.2) Can I mix Hosaphones(tm) and modern full chromatic valved trumpets
- in
- an ensemble?
-
- Yes.
-
- 5) HOSAPHONE(TM) CONSTRUCTION
-
- 5.1) Where can I get my very own Hosaphone(tm)?
-
- You'll have to build it yourself or make an appointment with the
- inventor
- for a personal interview and determination of worthiness. Ask about
- group
- discounts on airfare.
-
- 5.2) Can I build my own Hosaphone(tm) without special training and
- knowledge
- of engineering and/or metal-working?
-
- Yes.
-
- 5.3) Can I build a Hosaphone(tm) even though I am unable to
- telepathically
- communicate with animals?
-
- Yes.
-
- 5.4) OK, how do I build my own Hosaphone(tm)?
-
- The inventor speaks below, in perhaps one of his longest sessions of
- speech
- without resorting to meditation:
-
- Not very resourceful, are we there, pal? If you can't work it out
- from the inventor's picture on the web site, take your mouthpiece
- to Tom at Hardware Hank in the Miracle Mile Mall in Rochester,
- Minnesota. Tell him I sent you and he'll treat you right! Tom
- doesn't do mail order. You must come there in person. Charter
- flights and buses can be made available.
-
- Find the bulk plastic tubing and try your mouthpiece in the end to
- get the right diameter. I think it's 3/8". Buy 8' long if you want
- a Hosaphone(tm) in C, less if you want a D, Eb, etc.
- Hosaphone(tm). Then go over to the kitchen goods and try some
- funnels. Although the funnel in hosaphone.gif is plastic I think
- that tin more closely replicates the glorious sound of the beloved
- and revered Natural Trumpet. I haven't tried the copper funnels
- carried in those upscale kitchen gadget stores (usually found
- across from Victoria's Secret in your better malls) but they will
- probably work OK too. Save the trip to "Kitchen of Frederick's"
- for when you need birthday and anniversary gifts. After all, those
- who hose together stay together. Then go to the electrical
- department and get some 1/2" wide black electrical tape. You can
- also use silver duct tape to give that rich-looking silver plate
- finish. You can either coil your Hosaphone(tm) or tape it to a 36"
- long 1/4" diameter birch dowel rod (or old broom handle in a
- pinch). Mine is coiled. But if you make the straight version you
- can decorate it with some old Christmas ribbons, shoe laces, or
- kite string as tassels. Finally, being a purist I do not permit
- the mutilation of my Hosaphones(tm) with nodal vent holes. That is
- the correct pitch for F.
-
- 5.5) The construction of the Hosaphone(tm) sounds pretty general; can
- you
- provide a table of correct hose lengths to use for each key?
-
- Every player is different; tuning a Hosaphone(tm) is not like tuning an
- instrument like a piano or organ that produces the same pitch regardless
- of
- who plays it. My recommendation is to start a tad long and then hack off
-
- 1/64" segments with a Swiss Army knife or chain saw until you are in
- tune.
- Use a tuning fork (did you know the tuning fork was invented by a
- trumpet
- player?) and not one of those newfangled machines that lets you *SEE* if
- you
- are in tune. If you can't *HEAR* if you're in tune or not you have no
- business playing a Hosaphone(tm). Remember: don't cut too much off at
- once.
- You can always take some more off, but you can't put it back on! By the
- way,
- all our measurements are non-metric. (No one uses metric anyway, so why
- pretend?)
-
- If you wish to made a Hosaphone(tm) in high F, to tackle Bach's
- Brandenburg
- No. 2, start with about 6 or 7 feet. French Horn players will want to
- start
- with about 12 or 13 feet to create a Hosaphone(tm) in F.
-
- 5.6) Could you send me Hosaphone(tm) specifications? I MUST have them.
-
- There is a picture of one of my Hosaphones(tm) at the web site. There
- are
- some fine recordings made by Mr. Roth (and Mr. Workman) also there. That
-
- should be sufficient to get you started. I gotta tell you though that
- I'm
- pretty weary of all these little nit-picking details. You sound like the
-
- sort of person with no imagination at all, who colors inside the lines
- and
- whose handwriting is just as your fourth grade teacher showed you.
- Playing
- the Hosaphone(tm) requires originality, independence and a risk-taking
- personality. If you are the sort of person who always needs to be told
- what
- to do, you're probably not cut out for the Hosaphone(tm).
-
- 5.7) What type of material (neoprene, nylon, etc.) should I use? As soon
- as
- I complete the manufacture of my instrument, I will get it cryogenically
-
- treated. The cryogenic treatment might be detrimental to the wrong type
- of
- material.
-
- We do not recommend freezing of Hosaphones(tm). The material becomes
- very
- brittle. Didn't you ever take your kids to a science demo where they put
-
- flowers in liquid NO2 and then broke them like glass? Use whatever you
- can
- find at your local hardware.
-
- 5.8) How do I add tassels?
-
- This is entirely up to you. Kite string, old shoe laces, and wrapping
- ribbon
- all can be used to effectively decorate your Hosaphone(tm).
-
- 5.9) How can I make sure that my Hosaphone(tm) is an official one and
- not
- some shop-class knock-off?
-
- In order for your Hosaphone(tm) to be an official Hosaphone(tm) it needs
- to
- have the HosaLabel(tm) affixed to the bell. You can obtain your
- HosaLabel(tm) for FREE by going to the Hosaphone(tm) Online Registration
-
- System at http://www.roth-music.com/hosaphone/hors where your very own
- personalized HosaLabel(tm) will be generated with it's own UHID. Museum
- curators should be aware that any Hosaphone(tm) with an assembly date of
-
- 1976 are collector's items.
-
- 5.91) What is a UHID?
-
- UHID refers to the Unique Hose Identifier. This special number is
- generated
- by the Hosaphone(tm) Online Registration System for the HosaLabel(tm).
- The
- Hosaphone(tm) does not have a serial number. Instead it employs a UHID.
- This
- serves to avoid the inevitable snobbishness resulting from hosers with
- low
- serial numbers lording it over those with more recent numbers. Without a
-
- UHID, you have little more than some tubing and a funnel. You are
- strongly
- encouraged to register your Hosaphone(tm) or risk being shunned by other
-
- hosers. Ellis Workman, Hosaphone(tm) Inventor/Mentor has stated that
- currently no grace period exists, so it is in your own best interest to
- make
- your Hosaphone(tm) official as soon as possible. You can do this right
- now
- by going to http://www.roth-music.com/hosaphone/hors
-
- 6) HOSAPHONE(TM) DESIGN AND THEORY
-
- 6.1) What are the physics behind the Hosaphone(tm)?
-
- Well there is fire, water, air, and earth ... oops, wrong
- epistemological
- model. There is time, mass and energy. The Hosaphone(tm) like all other
- machines transforms energy from one form to another. Like other brass
- instruments, you blow in here, the music goes round and round and comes
- out
- there, but there is no first valve.
-
- 6.2) What about tube curvature/bend radius (maximum/minimum)
- information?
-
- Excessive bending could compromise tonal quality. If your bend puts a
- crimp
- in the hose it was too much.
-
- 6.3) Can I weld my mouthpiece into the tubing permanently?
-
- No, the plastic tubing will melt and catch fire. Why would you want to
- do
- this anyway? The mouthpiece is the most expensive component of a
- Hosaphone(tm) system and you will want to use your mouthpiece with
- several
- Hosaphones(tm).
-
- 6.4) What about bell size/flare specifications?
-
- The Hosaphone(tm) can be played without a bell in which case it sounds
- "muted". This is the "practice" Hosaphone(tm). Just try some different
- funnels; the Rubber Maid product line is too unstable to make a specific
-
- recommendation at this time. While civil attempts have been made to
- communicate with their design team, it has become obvious to us that we
- see
- a hostile takeover on the horizon.
-
- 6.5) What is the maximum size of a Hosaphone(tm)?
-
- Hardware Hank sells plastic hose material in 100 foot rolls. The largest
- Mr.
- Workman has made is an 8' C Hosaphone(tm). The rule of thumb here is
- that
- the longer the Hosaphone(tm) the more notes possible and the more
- difficult
- to control.
-
- 7) HOSAPHONE(TM) CARE
-
- 7.1) Where can I get a gig bag for my Hosaphone(tm)?
-
- La dee dah ... A gig bag you say? The inventor uses a brown grocery bag
- and
- you want a gig bag? Maybe if you can manage to interrupt your nanny from
-
- trimming the crusts off your cheese sandwich, she can go out and get a
- Gucci
- leather gig bag for you.
-
- 7.2) Where do I go to get my Hosaphone(tm) repaired?
-
- Your local Ace Hardware Store. See your local Yellow Pages.
-
- 7.3) Why the need for labeling of the Hosaphone(tm)?
-
- To distinguish it from other similar instruments and the contents of
- your
- car trunk.
-
- 7.4) What kind of valve oil should I use on my Hosaphone(tm)?
-
- The Hosaphone(tm) has no valves nor any other moving parts and therefore
-
- requires no oil.
-
- 7.5) Where can I get heavy valve caps for my Hosaphone(tm)?
-
- The Hosaphone(tm) has no valves and therefore no need for heavy valve
- caps.
- But if you find you are gaining altitude while playing the
- Hosaphone(tm),
- keep a few rocks in your pocket to center your gravity.
-
- 7.6) Can I get a reverse lead pipe for my Hosaphone(tm)?
-
- Certainly, just swap the funnel and mouthpiece on your Hosaphone(tm).
-
- 7.7) How do I use crooks?
-
- There is no need for crooks on the Hosaphone(tm). Considering the low
- cost
- of the Hosaphone(tm), just build one for each key needed.
-
- 7.8) Why freeze a Hosaphone(tm)?
-
- The Hosaphone(tm) has no perishable components, therefore freezing is
- unnecessary.
-
- 7.9) Is it OK to give my Hosaphone(tm) a name?
-
- Yes.
-
- 7.10) What are some good Hosaphone(tm) names?
-
- Hank, Harold, Harvey, Hazel, Henrietta, Henry, Holly, Horace, Hortense,
- Howard, and of course, Hosey, a personal favorite of Mr. Roth's.
-
- 8) HOSAPHONE(TM) INSTRUMENTAL WORKS
-
- 8.1) What can be performed on the Hosaphone(tm)?
-
- Any music written to be played on the beloved and revered Natural
- Trumpet
- sounds even more glorious on a Hosaphone(tm).
-
- 8.2) Are there any original compositions composed specifically for the
- beloved Hosaphone(tm)? I abhor transcriptions!
-
- Mr. Roth has been commissioned by Hosaphone(tm) Headquarters'
- philanthropic
- foundation to compose a single-movement work for Hosaphone(tm) and
- piano,
- making it an excellent work to boldly demonstrate the Hosaphone(tm) as a
-
- unique instrument in music history. It is strongly recommended that this
-
- important work be placed at the end of your recital. This original
- Hosaphone(tm) composition, Codetta in C for Hosaphone(tm), Piano and
- Bass
- can be found at http://www.roth-music.com/hosaphone/codetta the official
- web
- site for Hosaphone(tm) Headquarters. This work performed by Mr. Roth was
-
- featured on the syndicated radio show Dr. Demento on August 31, 1997 as
- an
- "extra" on the Funny Five.
-
- For those without access to a high quality printer and sound capability
- on
- their computer, an order form can be found at Hosaphone(tm) Headquarters
- at
- http://www.roth-music.com/hosaphone/codetta/orderform.html with
- instructions
- on how you can get your very own autographed limited edition of the
- music
- score. Also available is a stereo cassette containing the artist
- performance
- and an additional play a-long practice version without the Hosaphone(tm)
-
- track -- all just for a nominal cost.
-
- Music history textbook authors should take notice that the first UK
- performance of Codetta in C for Hosaphone(tm), Piano and Bass,
- comp(h)osed
- by David A. Roth, took place at the bandhall of Wantage Silver Band, in
- Wantage, Oxfordshire, on Sunday 13th April 1997. The Hosaphone(tm)
- soloist
- for this historic occasion was Graham Cross, a 17-year-old trumpeter and
-
- cornettist. He was accompanied at the piano by David Taylor, and on the
- tuba
- (covering the bass part) by Martin Taylor. The performance was awarded
- "best
- in class" in the Entertainment class of Wantage Band's annual band
- contest
- by adjudicator Helen Wright, solo cornet of the National Youth Brass
- Band of
- Great Britain. You can get the full eye-witness reported by Martin
- Taylor,
- Bb Tuba player & UK HosaReporter(tm) on special assignment at
- http://www.roth-music.com/hosaphone/codetta/uk-performance
-
- You will also find the Hosaphone(tm) Warm-Up, also known as The Miracle
- Seven, at http://www.roth-music.com/hosaphone/warm-up
-
- 9) HOSAPHONE(TM) EDUCATION
-
- 9.1) Can you describe a Hosaphone(tm) lesson with the inventor of the
- Hosaphone(tm)?
-
- You have to understand that someone who can come up with such an unusual
- yet
- simple design also can be a bit of a mystic at times too. Mr. Roth
- recalls
- an event in his own words:
-
- In the early days when I was beta testing the Hosaphone(tm)
- prototypes, mostly for tassel placement, I had problems with
- pitch. I spoke in great detail with Mr. Workman about my problems
- and he was very encouraging. As I recall, he said that it wasn't
- that the Hosaphone(tm) was having a pitch problem, but it was that
- I was not in tune with the rest of the world and that it was my
- soul that needed adjusting! This was a most profound thing to say
- and I was told -- not only should I learn to play the
- Hosaphone(tm), but I needed to *be* the Hosaphone(tm). Then what
- proceeded was the longest moment of silence I have ever endured.
- It must have been not more than 30 seconds, according to my long
- distance phone bill, but it felt like hours. Then Mr. Workman
- added, "If that doesn't work, I'd cut about an eighth of an inch
- off the thing, it sounds a little flat to me over the phone."
-
- 9.2) Are there student models as well as pro-model Hosaphones(tm)
- available?
-
- No, Hosaphones(tm) Inc. does not engage in flattering the egos of
- dilettante
- customers. All Hosaphones(tm) are created equal.
-
- 9.3) Are there any celebrities who play and endorse the Hosaphone(tm)?
-
- If there were, what difference should it make? We are talking about a
- musical instrument here, not designer jeans and overpriced cars.
-
- 9.4) What colleges offer applied Hosaphone(tm) performance degrees?
-
- None yet that we are aware of, but it is only a matter of time before
- the
- etude checkers come to jump on the hose wagon, and bottom feeders begin
- historical studies on the evolution of 2nd Hosaphone(tm) parts in
- Kurdish
- chamber music.
-
- 9.5) What method books are available for the Hosaphone(tm)?
-
- There are no method books (with etudes ready to check off on) written
- specifically for the Hosaphone(tm); however the following etude
- materials
- are recommended: Bugling Merit Badge Book, published by the Boy Scouts
- of
- America (Secular Edition); Marcel Bitsch: Vingt Etudes; and H.L. Clarke
- Technical Studies.
-
- 9.6) Are there any Hosaphone(tm) play-along recordings?
-
- Just pick your favorite recording and play-along.
-
- 10) HOSAPHONE(TM) MULTIMEDIA COLLECTIONS AND RECORDING
-
- 10.1) What kind of microphone best captures the sound of the
- Hosaphone(tm)?
-
- Carbon microphones as found in telephones.
-
- 10.2) Where can I get a picture of a Hosaphone(tm)?
-
- http://www.roth-music.com/hosaphone/pix/hosaphone-rgb.jpg
-
- 10.3) Where can I get sound file recordings of the Hosaphone(tm)?
-
- http://www.roth-music.com/hosaphone/sounds
-
- 10.4) What is the official web site for Hosaphone(tm) Headquarters?
-
- http://www.roth-music.com/hosaphone
-
- An announcement fan mailing list for Hosaphone(tm) Headquarters is also
- available free. To subscribe, send a message to
- hosaphone-fans-subscribe@egroups.com
- or go to the e-groups's home page at
- http://www.egroups.com/group/hosaphone-fans/
-
- 11) TRUTHS AND THE FUTURE
-
- 11.1) Come on now. Isn't this Hosaphone(tm) thing just a big joke?
-
- You think THIS is a joke??? At our alma mater trumpet students are now
- required to wrap their instruments in duct tape to deaden the sound,
- mouthpieces designed by a feline cost hundreds of dollars, every day
- trumpets are being frozen to improve their ballistic properties, and
- heavy
- valve caps are minutely adjusted for optimum resonance. To cope with all
-
- this they are encouraged to take prescription drugs in order to make it
- through a performance.
-
- In playing a Hosaphone(tm) you can come to terms with the real essence
- of
- the brass instrument. A Hosaphone(tm) is so close to a trumpet with bits
- of
- plumbing added you can begin to see that it is the equipment that is
- between
- your ears that is what you seek to improve in this journey. The ultimate
-
- instrument is within you and the search to seek out the perfect one has
- to
- be done internally, not externally. We turn to one of the great
- philosophers
- of the 20th century, Cher, who boldly stated in a shampoo commercial
- aired
- on national TV in the US, "If it came in a bottle, everyone would have
- one."
-
- 11.2) What are some future directions for Hosaphone(tm) development?
-
- In 1994 or '95, Henry Charles Smith (former principal trombonist with
- the
- Philadelphia Orchestra) demonstrated a Hosaphone(tm)-like instrument to
- high-school students at a clinic in Rochester, Minnesota. This
- instrument
- was made from flexible surgical rubber. Mr. Smith required an assistant
- to
- stretch the hose to various lengths, filling in "missing" notes between
- overtones as a trombone does. While this instrument is not a "true"
- Hosaphone(tm) we consider it worthy of mention in this FAQ and of future
-
- research and development.
-
- 11.3) What is the patent status of the Hosaphone(tm)?
-
- In litigation as numerous others' claims have recently surfaced. Contact
- the
- authors of this FAQ to learn how you can contribute to the Hosaphone(tm)
-
- Legal Defense Fund.
-
- 11.4) What is the required compensation for the use of a Hosaphone(tm)?
-
- Mr. Workman has released the Hosaphone(tm) to the world as shareware. If
- you
- build one and continue to use it after thirty days, then you are morally
-
- obligated to pay royalty fees to Hosaphones(tm) Inc. of 1/3 of all
- future
- earnings playing your Hosaphone(tm). In place of that, send us a group
- photo
- of you and your chums, classmates or board members posing with their
- Hosaphone(tm) and we will place it on the Hosaphone(tm) web page.
-
- 11.5) How do I list my Hosaphone(tm) on my insurance policy?
-
- List it as a rider under personal property, and then submit video tapes
- of
- the contents of your home as well as of you playing your Hosaphone(tm)
- collection to your insurance company and to the authors of this FAQ who
- will
- store it in Iron Mountain for a nominal charge.
-
- 11.6) How much will a signature edition Hosaphone(tm) built by the
- inventor
- cost?
-
- $15,000.00 (no mouthpiece or case). Half up front on acceptance of order
- and
- the remainder on delivery. Worthiness to be determined at the discretion
- of
- the inventor. Price subject to fluctuate due to the current trading
- price of
- raw materials.
-
- 11.7) What's the major design difference between the Hosaphone(tm) and
- the
- so-called Natural Trumpet?
-
- The Hosaphone(tm), excluding the cost of the mouthpiece costs about
- US$8.00
- to build for yourself using new parts. A so-called Natural Trumpet is
- designed to cost about US$3,000.00.
-
- 12) DICTIONARY OF TERMS
-
- Etude-checker: (1) A charlatan posing as a trumpet instructor who offers
- no
- educational benefit to the student. (2) One who assigns etudes without
- offering help of how to play them. (3) One who checks off etudes each
- lesson
- regardless of the student's progress.
-
- TPIN: (1) Trumpet Players International Network, an exciting forum to
- which
- those with an interest in the trumpet exchange ideas and information.
- (2) An
- ultra-modern form of communications expected to overtake cable news by
- the
- year 2000. (3) An activity that allows its list administrator to duck
- out of
- faculty meetings in order to maintain the list. (4) A pin in the shape
- of
- the letter "T", possibly worn by Toastmasters.
-
- Bottom-Feeder: (1) One who spends an inordinate amount of time in a
- tightly
- narrow focus of music history in order to become an expert in it almost
- by
- default since no one else has interest in that area, including the
- scholar
- doing the research. (2) One who has, at a minimum, six bachelor's
- degrees,
- four masters, three doctorates, from thirteen different colleges, all in
-
- music history and doesn't own a copy of Arban's.
-
- Cherry Cheesecake: (1) A dessert cake. (2) A favorite of Mr. Roth.
-
- Valve Oil: (1) A lubricant used to allow valved instruments such as a
- trumpet to shorten and lengthen tubing within passages quickly. (2) A
- highly
- overpriced oil used on trumpet valves. (3) Olive Oil's younger sister.
-
- Trumpet: (1) A fully chromatic brass wind instrument used in orchestras
- and
- dance bands. (2) The lead brass instrument in any ensemble. (3) The lead
-
- instrument in any ensemble. (4) The lead instrument, period!
-
- Graduate Assistant: (1) A scholarly pupil entrusted with teaching
- courses
- and engaging in research under the supervision of a full-time professor.
- (2)
- One who makes a grab for young co-eds when the professors aren't
- looking.
- (3) One who demands to be addressed as Mr. or Ms., while full-time
- tenure
- faculty are on a first-name basis with students. (4) One who has a tiny
- desk
- in an office on campus that used to either be a practice room or a
- janitor's
- closet.
-
- Kurdish chamber music: (1) Non-sequitur reference.
-
- 13) ACKNOWLEDGMENTS
-
- We would like to thank the following individuals and organizations who
- have
- helped and contributed to this document:
-
- Russ Hersch (author of FAQ on FAQs)
-
- for his brilliant FAQ on how to write your own FAQ.
-
- Michael Anderson (college music professor)
-
- for his efforts in creating and keeping the TPIN
- running.
-
- Mark Van Cleave (creator of Trumpet Players Online)
-
- for his valuable contributions and continuing support
- for trumpet playing.
-
- The subscribers to the TPIN
-
- who from time to time provide valuable insight and who
- are always there when help is needed.
-
- International Trumpet Guild
-
- for planting the seed to networking trumpet players long
- before there was the Internet.
-
- Bill Adam (trumpet teacher)
-
- whose common sense follows us daily as we practice.
- http://www.roth-music.com/Bill-Adam
-
- Louis Davidson (trumpet teacher)
-
- whose book Trumpet Profiles has served to remind us of
- the greats.
-
- Indiana University School of Music third floor practice rooms
-
- formerly known to us in the 1970s as Trumpet Row. A
- place we fondly remember, as you could hear 110 trumpet
- players practicing day or night.
- http://www.roth-music.com/Bill-Adam/TrpRowIU.ram
-
- Wayne Tanabe (The Brass Bow)
-
- who in addition to doing fine musical instrument repair
- and restoration, as well as sales, was consulted on
- Hosaphone(tm) lengths. The Brass Bow
- (http://www.thebrassbow.com) is located at 101 North
- Hickory Avenue, Arlington Heights, IL 60004, Phone:
- 847-253-7552, Fax: 847-253-0792. Wayne can also be
- reached via E-mail: info@thebrassbow.com
-
- Dr. David Stacey, PhD (college English professor)
-
- Associate Professor of English at Missouri Western State
- College, for his brilliant research, on The New Rhetoric
- of Email: Participatory Quotation on an Electronic
- Discussion List: The Trumpet Player's International
- Network
- (http://www.mwsc.edu/~nash/Nash.htm.htm). Presented at
- the PALA (Poetics and Linguistics Association)
- conference, Summer 1997 in Nottingham, England. A must
- read for those seeking a PhD in Rhetoric and
- Composition.
-
- Hinkle's Hamburgers
-
- across the street from the music building at IU in
- Bloomington, Indiana for making the best burgers in the
- world.
-
- You, our readers
-
- for your support and encouragement, we are proud to be
- part of the global trumpet playing community.
-
- __________________________________________________________
- We disclaim everything. The contents of this article might be totally
- inaccurate, inappropriate, misguided, or otherwise perverse -- except
- our
- names (you can probably trust us on that). Not responsible for any and
- all
- harm which may result in injuries inflicted, but not limited to those at
- the
- hand of a conductor or from the result of you addressing the conductor
- as
- "Maestro Schmuck".
-
- The authors make no representation or warranties with respect to the
- accuracy or completeness of the contents of this FAQ, and specifically
- disclaim any implied warranties of merchantability or fitness for any
- particular purpose, and shall in no event be liable for any loss of
- profit
- or any other commercial damage, including but not limited to special,
- incidental, consequential, or other damages.
-
- Copyright (c) 1996-2001 by Ellis L. Workman and David A. Roth, all
- rights
- reserved. This FAQ may be posted to any USENET newsgroup, on-line
- service,
- BBS, internet mailing lists, music professor's studio bulletin board or
- shellacked to the mirror of music practice rooms everywhere as long as
- it is
- posted in its entirety and includes this copyright statement.
-
- No part of this FAQ (including but not limited to its accompanying audio
-
- sound file recordings, graphic images (motion and still), music
- compositions
- or data) may be published, including in commercial collections or
- compilations, in any form, by any means, (electronic, photocopying,
- recording, broadcast, or otherwise) without the prior written permission
- of
- the authors.
-
- All brand names and product names used in this FAQ are trademarks,
- registered trademarks, or trade names of their respective holders.
-
- ------------------------------------------------------------------------
-
- Ellis L. Workman - hoseguru@yahoo.com
- 1300 Mayowood Road SW
- Rochester, MN 55902, USA
- ARS K0ELW GRID EN-33 Olmsted County
-
- David A. Roth - david@roth-music.com
- P. O. Box 266
- Berkeley Heights, NJ 07922-0266, USA
-
- Visit Hosaphone(tm) Headquarters at:
- http://www.roth-music.com/hosaphone
-
-
-