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Downloaded from http://www.post-gazette.com/ae/20021129deadp2.asp
Music Preview: Biographer recounts a life with the Dead
Friday, November 29, 2002
By Scott Mervis, Post-Gazette Weekend Editor
It seems strange that the Grateful Dead's publicist would
turn around and write the band's biography, considering
that it didn't happen in that order.
Dennis McNally, a Ph.D in
history who had written an
acclaimed biography of Jack
Kerouac, originally signed
on in the early '80s as the
band biographer. Little by
little, because of his media
savvy, he was pulled into
the daily business of the
Dead.
He put the book aside in
1984 and did PR duties up
until the day Jerry Garcia
died, and beyond, now
working with Grateful Dead
offshoot, the Other Ones
(see story below). But the Dead's ultimate demise in 1995
did give McNally a chance to write and publish "Long
Strange Trip: The Inside History of the Grateful Dead," a
historical treatment that not only follows the band's
adventures but the interesting times in which they lived.
While some have been critical of the idea of
publicist-biographer, McNally swears that in true Grateful
Dead fashion, nothing was held back. Here's what he had to
say in a recent interview by cell phone from a Starbucks
in Boston.
First off, how have the band members reacted to the book?
Not to pat myself on the back, but they loved it. They all
vetted it first for fact and corrected fact and not one of
them said, 'It's embarrassing, take it out.' 'Cause
there's a lot that's embarrassing; they're not saints.
It must have been unnerving to
have them read it.
I've been doing this for 20
years. I had my facts pretty
accurately. I wasn't smart enough
to be nervous. The whole point of
Grateful Dead music was that it
was honest, it was what was on
their minds each night. There was
no theater, no costumes, no funny
stuff. That extends to them. They
have solid egos about who they
are. I mean, they're all crazy as
bedbugs, 'cause they're
musicians, of course.
You were drawn into the magic the
way everyone else was. Did it
last for you seeing them night
after night?
I couldn't lock into the magic, because for the first hour
and a half of every night, I was working my [behind] off.
I was able to suspend being an employee and become a
Deadhead most second sets. I was always one of those
critical Deadheads. They're not all there just standing
there dancing. A lot of them are standing there saying,
'This sucks. This isn't good enough tonight.' I was
certainly bowled over in the earliest days and then it
would be a matter of moments when I would just say 'Wow.'
They're all strong personalities. Were they frank with
each other?
Up to a point they were. Unfortunately, toward the end,
the only time they talked to each other was on stage. The
business was pretty much on automatic pilot. It was kind
of like a marriage that was going on for 30 years.
What were some of the points of contention? If Jerry had a
weak night, would they ever get on him?
No, people would grumble a little. Billy [Kreutzmann]
would complain to Mickey [Hart] or they'd roll their eyes.
They were not confrontational. That was one way you could
go on for 30 years. It happened. I remember one night
Bobby [Weir] was so mad at the drummers, he drew up a
petition that he wanted the rest of the band to sign. They
sort of looked at him, like, 'Yeah, right.' The first
lesson you learned is you never ever complimented them
after the show. If you said, 'Oh great show,' they looked
at you like you were dim. Because they were always
critical of themselves.
How hard was it watching Garcia struggle with his
addictions?
It was agony. You say 'addictions' because it more than
just drugs, like watching him cheat on his diet and
pretend to exercise and not. He had a self-esteem problem.
He did not take care of himself. Remember, he died of a
heart attack. He was a textbook, slightly overweight guy,
still smoking, eating badly.
What do you mean he had a self-esteem problem? How could
that be?
Hey, man, it doesn't matter what other people tell you. If
you ultimately have doubts about yourself, and he clearly
did. ... What person who respects himself would
systematically destroy his own health? Why do you think he
did drugs? He self-medicated for depression and anxiety.
This is fancy talk but it's the truth. He was in emotional
pain. As he got older the pressures of being Jerry Garcia
made it worse.
Were the band's days winding down even without him dying?
It was very peculiar that at the same time his health
troughed that our last tour should be such a horrible one
in terms of logistics. ... At any rate, the answer is, it
needed to stop for a time. I think if Jerry had made a
full and whole-hearted recovery and he was trying, [it
would have gone on]. Remember, he was sober when he died.
He'd made his commitment. He'd made his stand. He could
have died in some hotel room, but he died fighting, he
died making a stand for the light.
Was Three Rivers Stadium one of the last great shows?
For my money. It had that certain aura, because it was so
goofy with the rain shower. It was very odd and sweetly
odd. Pittsburgh had a sense of humor. If you're going to
have to stand around in the rain, you might as well keep
smiling.
What was the period after his death like for the band? I
hate to say it, but was there almost a sense of relief?
We had spent a lot of years worrying about Jerry and
wondering what was going to happen. And now we knew. God
knows nobody liked it, but for anyone who has ever had an
family member ill for a long time and then die, there's a
sense of resolution. Billy said, 'I can't tour anymore,
I'm going to Hawaii.' Everybody said, 'Look. Let's take
some space.' They each took some space.
What about the Other Ones. Is it a living, breathing
thing?
Somebody said 'museum piece' and I understand the impulse
to call it that. But that's not fair. You make your own
judgment after you hear it. Here's why I don't think that:
This band has rehearsed way more in one year more than the
Grateful Dead did in five years. Last summer they played
two shows. They got together in Alpine. They rehearsed
Friday night -- hard. Saturday they played a very good
show. They played 'Dark Star' and 'St. Stephen.' The
audience was going bananas. Just on the one day, I could
hear a progression. I kept thinking, 'My God, what's going
to be happening after four, five nights on the road?'
-----------------------------------------------------------
Scott Mervis can be reached at smervis@post-gazette.com or
412-263-2576.
Copyright 1997-2002 PG Publishing Co., Inc. All Rights Reserved.