A Champion in the Making

Life-size Phoenix Bronze
Photo by Mike Davis ⌐
The Creation of the Phoenix Bronze


Part I

ArmaturePatricia begins each life-size portrait bronze with an in-depth study of the individual subject's particular anatomy, proportion, way of moving and individual personality. Once a pose has been selected a weight-bearing armature is engineered and constructed.

Clay ModelAfter many months of labor the armature is not only totally covered and hidden by the sculpted clay, the completed soft clay also becomes a successful portrait of The Phoenix. This fragile clay is the original sculpture and stands eight feet tall.

Now that the clay sculpture is completed, the first in a series First Moldof three molds is begun. This first mold is called a "waste mold". The life-size clay horse is divided into sections and a mixture of plaster is slowly built up several inches thick and covers each section. A framework of pipe is embedded into the plaster for strength. Once the plaster has hardened, each section of plaster mold is pulled away from the clay. During this separation the clay horse, being soft, becomes damaged goods! But the inside of the hard plaster bears a perfect impression of the clay horse.

Plaster moldThe sections of waste mold are placed back together and liquid plaster is poured into the hard plaster waste mold. When the interior plaster hardens it is of course in the shape of the horse. To reach the plaster horse inside however, the exterior plaster mold must be "wasted" by chipping it carefully away until it no longer exists.

We began with an eight foot soft clay horse and through use of the waste mold we now have a hard plaster horse in separate sections: thePouring head and neck, the torso in two halves, four legs and one tail.

A latex and rubber mold is now made of each plaster horse section. The above image shows the rubber mold of the horse's head (upside down with the nose pointed at the viewer). The rubber mold is red and is kept from being able to move or sag by a plaster outer layer. The plaster outer layer, or "mother mold" is clamped tightly shut while hot liquid, red colored wax is poured inside.

Continue to A Champion in the Making: Part II


Return to Patricia Crane Home Page

Return to Art Gallery

Return to Museum Home Page

Return to Horse Park Home Page

Coming Soon

The Patricia Crane Sculpture Gallery


Kentucky Horse Park E-mail Boxes

General Park Information
The International Museum of the Horse
The International Museum of the Horse; Curatorial Services
Office of the KHP Exec. Director
Horse Shows and Special Events
Education Programs, Workshops, and Seminars
Equine Operations
Business and Personnel Offices
Grounds and Maintenance Dept.


* Photos are by CRANE unless otherwise noted.
⌐All Photos and Sculpture Copyright 1996, Patricia Crane.

Site Design: Bill Cooke
⌐ International Museum of the Horse, 1997