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ôIf you have an imagination, let it run free.ö
- Steven King, 1963
The King of Terror
Stephen Edwin King is one of todayÆs most popular and best selling writers.
King combines the elements of psychological thrillers, science fiction, the paranormal,
and detective themes into his stories. In addition to these themes, King sticks to
using great and vivid detail that is set in a realistic everyday place. Stephen King
who is mainly known for his novels, has broadened his horizons to different types of
writings such as movie scripts, nonfiction, autobiographies, childrenÆs books, and short
stories. While Stephen King might be best known for his novels The Stand and It, some
of his best work that has been published are his short stories such as ôThe Bodyö and
ôQuitters Incö. KingÆs works are so powerful because he uses his experience and
observations from his everyday life and places them into his unique stories.
Stephen Edwin King was born in Portland, Maine, on September 21, 1947, at the
Maine General Hospital. Stephen, his mother Nellie, and his adopted brother David were
left to fend for themselves when StephenÆs father Donald, a Merchant Marine captain,
left one day, to go the store to buy a pack of cigarettes, and never returned. His
fathers leaving had a big indirect impact on KingÆs life. In the autobiographical work
Danse Macabre, Stephen King recalls how his family life was altered: ôAfter my father
took off, my mother, struggled, and then landed on her feet.ö My brother and I didnÆt
see a great deal of her over the next nine years. She worked a succession of continuous
low paying jobs.ö StephenÆs first outlooks on life were influenced by his older brother
and what he figured out on his own. While young Stephen and his family moved around the
North Eastern and Central United States. When he was seven years old, they moved to
Stratford, Connecticut. Here is where King got his first exposure to horror. One
evening he listened to the radio adaptation of Ray BradburyÆs story ôMars Is Heaven!ö
That night King recalls he ôslept in the doorway, where the real and rational light of
the bathroom bulb could shine on my faceö (Beaham 16). Stephen KingÆs exposure to
oral storytelling on the radio had a large impact on his later writings. King tells his
stories in visual terms so that the reader would be able to ôseeö what was happening in
their own mind, somewhat in the same fashion the way it was done on the radio (Beaham
17). KingÆs fascination with horror early on continued and was pushed along only a
couple weeks after BradburyÆs story. One day little Stephen was looking through his
motherÆs books and came across one named ôThe Strange Case of Dr. Jekyll and Mr. Hyde.ö
After his mother finished reading the book to him, Stephen was hooked. He immediately
asked her to read it again. King recalls ôthat summer when I was seven, [my mother]
must have read it to me half a dozen timesö(Beaham 17). Ironically that same year,
while Stephen was still seven years old, he went to go see his first horror movie, The
Creature from the Black Lagoon. This is important because Stephen says, ô Since [the
movie], I still see things cinematically. I write down everything I see. What I see,
it seems like a movie to meö(Beaham 17). During this year the biggest event that
probably had the biggest impact on Stephen KingÆs writing style was the discovery of the
author H. P. Lovecraft. King would later write of Lovecraft, ôHe struck with the most
force, and I still think, for all his shortcomings, he is the best writer of horror
fiction that America has yet producedö(Beaham 22). In many of LovecraftÆs writings he
always used his present surroundings as the back drop of his stories. King has followed
in his footsteps with the fictional town of Castle Rock, Maine. Castle Rock is a
combination of several towns that King moved to and from with his family in his
childhood. The main town that it resembles is that of Durham, Maine. It was after the
exposure to H. P. LovecraftÆs stories that King first began to write.
While growing up and moving around the way his family did, Stephen had never
been able to feel comfortable and settle down in one place and make friends they way
other kids his age did (Underwood 77). Around the age of twelve the King family
finally settled in the town of Durham, Maine. For Stephen King, Durham was the place
where his imagination began to shine. It was at this time that Stephen first began to
make friends. Along with his friends, Stephen would go the movies a lot. Stephen would
use the movies as a inspiration. Although he enjoyed going out and having fun,
whenever he would come home, Stephen would immediately write down his experiences and
observations. Frequently King would place his friends and family into childhood fantasy
tales. And one would always know how Stephen felt about them because of how long they
lived in the story. It was not until college that Stephen King received any kind of
real recognition for his writings. In the Fall of 1967, King finished his first novel,
The Long Walk, and turned it into his sophomore American Literature professor for
review. After a couple of weeks and a couple rounds around the department, the English
professors were stunned. They realized that they had a real writer on their hands.
>From then until he graduated with a bachelors degree in English from University of Maine
at Orono in the Spring of 1970, King concentrated on rounding off the edges of his
writing technique.
One short story that best shows the type and technique of Stephen KingÆs writing
is ôThe Body.ö ôThe Bodyö, which has been adapted into to a Hollywood movie, was first
published in the collection of short stories called Different Seasons. The story is a
tale of four twelve year old friends who at the end of one summer go out on a journey in
into the woods to see a dead body. While on their journey they learn about life,
friendship, and are propelled from innocent to experienced. On the surface of the story
it appears to be simple journey with its occasional mishaps, but the true magnificence
is that this story has a strong autobiographical coincidence. The main character,
Gordie Lachance, is a boy growing up on his own through the memory of his dead older
brother. Growing up, Gordie, an avid story teller, dreamed of becoming a writer.
Before his brothers accidental death, all his parents would ever care about was his
brother. Since his death, GordieÆs parents have presumably shut themselves away from
Gordie. This, to a certain degree is true of King. Because of his father leaving when
Stephen was two, and his mother taking on around the clock jobs, he never really had any
parental guidance.
The story itself is written with Gordie narrating in the present time look back
at the journey. At the time of his flashback, Gordie is a best selling author who has
returned to his home town of Castle Rock to revisit his past. This is ironic because at
the time Stephen wrote the story he himself had just moved from Bolder, Colorado, back
ôhomeö to the town of Bangor. KingÆs childhood home town of Durham is used in several
different stories under the fictional town name of Castle Rock. It is also noticeable
how in the story when Gordie ôlooksö back to him and his brother, his brother is the
only person who cares for him. He noticeably goes out of his way to look out for
Gordie, and is always encouraging his and asking him about his writing, while all his
parents seem to do is ignore Gordie. This also can be related to KingÆs past because
while growing up his brother while only two years older then him, always seemed to be
there for Stephen and look out for him. Probably the deepest imagery of the story is at
the end of the novel. Gordie is shown back at home and putting the finishing touches on
his latest work. While finishing up, Gordie is interrupted by his son who is shown in
a sense to be a good-natured and caring boy. Gordie experiences a deep love for his
family at the time. This setup is presumably placed in the story as an escape for King.
In his autobiography Danse Macabre, King tells of his fear of providing for and caring
for a family (Reino 112). This shows King pushing away the fear, in a sense saying
that he is all right. That he has now embraced the idea.
One of KingÆs best work is also one that does not fit in any category of his
usual writings. For an author who usually writes horror, ôRita Hayworth and Shawshank
Redemptionö, is a story that is a refreshing sidestep. The story tells of how Andy
Dufresne, who is falsely tried, convicted, and sentenced to back to back life sentences
for the double murder of his wife and her lover, deals with being trapped within a
dreadful situation that are out of his hands. Throughout the nineteen years that he is
in Shawshank prison, Andy has to endure everything from a gang called the ôSistersö, who
go around raping and beating their prey to being forced to create and run a money
laundering scheme for the prison Warden. If this story was written without the authors
name on it, there is none of Stephen KingÆs characteristic style, except for maybe in
one place in the story. The one possible place that even hints that it is from the mind
of King is at the end of the story where Red is off to keep his promise to Andy. Andy
asks Red, that when he get out of jail to travel to a southern Maine town called Buxton
and look for something he buried in a ôhay field under a large oak field.ö The suspense
of what was buried and the description of the field in Buxton is what is typical of
Stephen King. While the story is very uncharacteristic of King it does deep down relate
to himself. The theme of hope and of how Andy overcomes the situation is one that is
tied closely to King. It runs a direct parallel with life as a child and how his life
has turned out. Just as Andy was thrown into predicament and later escapes and lives
his life on his own terms, Stephen, early on was forced to move from town to town with
mother and brother. In the end Stephen escapes and now lives on his own terms.
Stephen KingÆs works are so powerful because he uses his experiences and
observations from his life and places them into his unique works. What seems to make
Stephen KingÆs stories almost magical is that the settings of his stories are placed
into common every day places. Additionally, StephenÆs writings are true to life in
peoples mindÆs because he draws upon common fears. Just as KingÆs writing style and
genre had been influenced by movies throughout his life, he is now influencing the
same industry with his own vision and imagination. KingÆs writings are so widely
appealing that over 42 of his works have been based upon or turned into Hollywood
movies which have included stars like Jack Nicholson (The Shining), John Travolta
(Carrie), and Morgan Freeman (The Shawshank Redemption).
Works Cited
Beaham , George . Stephen King Companion , The . Kansas City : Universal Press
Syndicate Company , 1995 .
Beaham , George . Stephen King Story, The : A Literary Profile . Kansas City :
Universal Press Syndicate Company , 1992 .
King , Stephen . ôBody , Theö in Different Seasons . New York : Viking Penguin
Inc ., 1982 .
King , Stephen . ôRita Hayworth and Shawshank Redemptionö in Different Seasons
. New York : Viking Penguin Inc ., 1982 .
Reino , Joseph . Stephen King : The First Decade , Carrie to Pet Sematary .
Boston : Twayne Publishers , 1988 .
Underwood , Tom . Conversations on Terror with Stephen King . New York : Warner
Books , 1988 .