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╔═════════ October 1993 ════════════════════════ volume 1, number 6 ═════════╗
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║ Editor: Klaus J. Gerken ║
║ Associate Editor: Paul Lauda ║
║ Production Editor: Igal Koshevoy ║
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INTRODUCTION...................................Klaus J. Gerken
not nor........................................Jari Winter
AWAKE..........................................Gerald DeJong
åk'trïs........................................Igal Koshevoy
FADED PICTURES.................................Igal Koshevoy
Happy Poem.....................................Joe Hope
RAIN...........................................Joe Hope
The Cubist Circle..............................Shawn Tribe
Cubist Vision..................................Shawn Tribe
No. 16.........................................Shawn Tribe
home is Where the Hell is......................David Hickey
Shadows........................................Heather James
Reasons........................................Heather James
Come Dance With Me.............................Heather James
October 1990...................................Pedro Sena
December 16, 1987..............................Pedro Sena
January 4, 1988 .............................Pedro Sena
"Tis Vain to expect"...........................Vince Otten
Homecoming.....................................Vince Otten
Regenerative...................................Andrew Blevins
Common Rivers..................................Andrew Blevins
IMAGE..........................................Franz Zorn
"I love".......................................David Parton
"I FEEL GOOD..."...............................David Parton
"Were even the skies...".......................David Parton
SO MANY DAYS...................................Klaus J. Gerken
POST SCRIPTUM..................................David Parton
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Ok. This issue is late, mainly because of the editor's own inability
to come down from from the attic and clean up his own basement. So now
that the old papers have been discarded, the floor swept and the dust is
slowly beginning to settle (mostly in the editor's dislocated Id), I
think this edition can finally be brought forth from the shadows. And I
think, like the previous editions, that it is a good one, with many of
the poets this journal was meant to accommodate, reappearing, with new
and more challenging works.
I must say that the month of October has been rather difficult;
although the poems were chosen quite a while ago, the editor could not
cope with a valid full length Introduction to the issue - mainly because
of other commitments, but also because what is commonly called a
"writer's block". I believe anyone who is serious about writing can
understand the devastation this can bring. Trying to write a simple
sentence becomes a deep and angry chasm which, the longer it takes,
becomes ever more wide. Finally one either sits there despairing or
forces something out. I was jostled out of this by a poem which appeared
on the Centipede PoetryForum, in French, all the way from France. It
was a poem about war and the screaming that goes on within the mind
wanting it to stop, and yet also the apathy felt while watching it on TV.
I would have liked to include the poem in this issue, but have not yet
finalized the translation, nor gotten the author's permission - hopefully
it will appear next month ... but such is the power of poetry.
One more thing I wanted to say: a few words about my Production Editor.
In the beginning when Ygdrasil was just a jumble of mad pages without
form or substance. Igal Koshevoy undertook the shaping of what was then
just a long strung out roll of poems, it was he who made the logo, built
the graphics, and made sure my fifty thousand spelling errors were
corrected. The magazine that you see today, is his visual work, and
without him would probably never gotten to where it is today. Thanks
Igal, although you might not think so, this journal is as much your
creation as mine.
╥ ╓─ ─╥─ ╓─── ╖
── ╟─╨╖ ║ ║ ╓╖ ╓╖ ╓╖ ║/ ╓╖ ╓╖
╨ ╨ ╙─╜ ╙──╜ ╙─ ╙ ╙╙ ╙─ ╙╙
not nor
~~~~~~~
I wish you were
coming to save me
from destruction's sweetest lure.
Born a whore
beg and plead for the air I breath
that's what I'm for.
Just as the sparrow crests the wind
The eagle's claws
gather and 'rind.
Maybe like the Phoenix
I'll burn then return
like a thousand flickering candle wicks.
No hero's gonna come
and possess my space
nor fill my heart, nor my play drum
not nor take my name, not nor use my face.
no, no hero's gonna come
and take my place
I'll fight my fights
and I'll live my life
and I'll live my life!!!!
- Jari Winter
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AWAKE
~~~~~
in the last part of the dream
when the walls are dripping daylight through the seams
your big black shadow disappears
and you know every atom is an eye to see you here
this is bright white awake
when you link with the thought of a union that might break
you better give energy to make it clear
cos you know it's a matter of mind to create fear
- Gerald DeJong
March 1993
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åk'trïs n. (1) A female theatrical performer. (2) One who takes part:
~~~~~~~ participant. Slang: an undesirable person.
An actress - that's what you are.
Desperately trying to play the lead role,
[...in a comedy of errors]
[...in a drama]
[...in a documentary]
[...in a horror film]
[...in a tragedy]
but you can't get away from the faceless masses,
can't break away to show your skill and talent to the world.
You're trying so hard
to show the world that you that you're so good (at the role you play).
[That no one can even tell when you're acting.]
[...or when you really are crying.]
So lost, in your spinning dervish
[...a tornado - tearing you apart]
that not even you can tell when you're acting.
To you * nothing is real.
Not the audience,
[...can't hear their cheers]
not the other actors that surround you,
[...can't hear their cries]
not even the floor you stand on is real to you.
[...fell through - no one could catch you]
Nothing is real * to you but * the stage
and the searing hot spotlight in your face.
And the spotlight that you feed off of, has burned you away,
[...like a tissue paper fairy in a furnace]
and baked you dry, as the desert sands,
dehydrated you of your feelings,
boiled you, till the salt collected at the bottom of the glass.
["...the dregs remain, bitter as salt as pain."]
maybe one day,
the drunk director will come to his wits
and give you the role
that you deserved all this time.
i wish he would,
i wish you the best of luck.
but he's too damned busy,
shooting you down.
-Igal Koshevoy; March 6, 1993
METALLIFEROUS DECADENCE 19:8
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FADED PICTURES
~~~~~~~~~~~~~~
Ghosts, ghosts, mist and fog
floating through the night.
Pretty pictures, molasses memories
flying away - leaving me behind.
In my hands, I watch them
as their chroma fades, hues dissipate,
and the resolution turns them to a grainy blotch.
Then the night's wind tears them
out from my clutching hands.
I chase them as fast as I can run,
till I drop to the ground with exhaustion,
just trying to catch their faded goodness.
The wind keeps taking my pictures,
my albums, my words, my songs, my breath.
Sucking me dry of their feelings of joy,
of exhilaration, of happiness, of beauty and of kindness.
And what fills their place?
The wind.
The cold empty wind that billows
across the empty highway I lay crumpled on.
Cold, empty wind of the night -
blowing me around.
Tearing me apart
till I'm transparent - then invisible....
"Ghosts aren't real!" someone said.
But I believe.
-Igal Koshevoy
March 6th 1993
TIN-FOIL GHOST 1:4
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Happy Poem
~~~~~~~~~~
Have you seen fear
Have you smelled its decaying breath
Have you seen the darkness of death on your shoulder
Standing in the cold breeze on a sunny day
Waiting patiently for the right person to take at the wrong time
Have you felt the anger and frustration they bring to my heart
I wish to know what they see
I wish to see the pain of the death and fear of the dark
Darkness spreads over me as I wander through life
"Fear is the mindkiller"
Suffering under the reigning god
Despots of death and destruction of society
Anarchists for christ
Beckoning for a place and wish they were here
Standing on the threshold of my kingdom
I survey all I see
I see nothing but the darkness of the blindfold
But imagine what a great place it must be
I wonder how you live with this destruction
And how you cope with yourself
Your quick and squinty glaring personality
Can see right through my disguise
and I wish I was naked once more!
- Joe Hope, 1993
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RAIN
~~~~
The rain streams down
Soaking me to the skin and deep into my soul
As the drops fall around my ankles
Tears stream from my eyes
Nobody notices
Nobody cares
Though I feel alone people are all around me
Searching for shelter
Never talking to me
Just rushing here and there
The lightning cracks the sky
Lighting my darkened view of the world
Only showing how devastated our world really is
I look around at the naturally lit world
I see poverty and hunger
Death and murder
Capital gain
And capital punishment
Kill he who kills
And all of us should die
We all pollute and turn the other cheek
The man asks for change and we walk on by
We call ourselves a civil society!
I turn in shame
And walk in the rain
And weep as I beg for change.
- Joe Hope, 1993
Madness 01:01
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The Cubists Circle
~~~~~~~~~~~~~~~~~~
They looked into the room,
saw cubes and circles,
great cylinders.
The torment of such a cruel device
no canvas to capture.
White, more torture.
Both beauty and torment.
Blank canvas of possibility,
blank canvas of uncreativity.
Explosion in a shingle factory;
what trife.
A beautiful array a planes and
shapes.
Squares, circles, triangles, lines.
The cubists lifeline.
The dissector of the subject:
analyzing with intensity.
Why do they criticize what they
do not understand?
Why can they not open their minds?
It is our job to open the gates
of creativity to them...
or become the subject of our
geometrical massacre.
- Shawn R. Tribe
August 25, 1993; 1:38am
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Cubist Vision
~~~~~~~~~~~~~
Can you imagine what I see?
To look at an object,
not seeing its depth or mass,
merely seeing the bold lines of its
creation.
To look at a floor and see the
intricate patterns of geometrical
lines.
Tall buildings, people, trees, all
become mass components of lines,
cubes, and circles.
My world is analytical, and two
dimensional, the demented vision
of an artist?
Or merely the world of creativity?
- Shawn R. Tribe
October 16, 1993; 7:04pm
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No. 16
~~~~~~
Fools will never understand,
scholars try,
only artists know.
For the public criticizes.
How can one criticize what one does
not understand?
For they say:
"My child could do it!" or
"It is just lines!"
The newspapers hold their silly little contests,
with kids entering it unaware of their fallacy.
Perhaps I should say, blasphemy?
Editorialists poke fun of it,
while cartoonists make a mockery of it.
For those of us,
who do understand,
we certainly wonder why they cannot.
Rothko. A genius.
The etherial quality of his works astound,
as if you could see God eminating from them.
The omnipresent being, with no true form.
$1.8 million dollars?
A bargain.
- Shawn R. Tribe
August 12, 1993; 10:40pm
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home is Where the Hell is
~~~~~~~~~~~~~~~~~~~~~~~~~
home
was always
far away
warmth and love
were always
for others
parents
were always
strangers
a love taken
ungiven
unforgiven
the hand
that rocked the cradle
that held the hand
that wiped the tears
that kept the ghosts
at bay
few and far
away
so was
the hand
that raised above
that fell upon
that caused the tears
that kept the hope
at bay
another bruise
on my coat of arms
I wait
without hope
as His belt
announces
the coming
of
night
- John David Hickey
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Shadows...
~~~~~~~
She searches for something that she can give to him
As the light ahead of her begins to slowly dim
His shadow appears in front of her before her eyes
As she begins to ponder the answers to all of her why's
Does the answers lie within him or does he not know?
For he will be together with her now wherever she will go
His shadow will appear before her eyes only for her to see
As his shadow embraces her as together in the night,they flee
Fleeing away from all of their cares in the still of the night
As they travel far away together soaring together,taking flight
She ponders once again what she can give to him as she searches her
heart
For he has come to be with her and as they join in darkness,never will
they part
For she is now a part of his shadow as the two shadows now become one
As they play in the sky together dancing under the stars and the sun
She hands him her heart as a token of her love for him so true
For all the times that his shadow in the darkness comforted her and love
grew
Their heart from this day on for them will always beat together as one
As they look up in the sky together,for them they begin to see the sun
The sun for them together will always light their way wherever they go
As the wind will whisper their names together and love will always
grow
Growing each day as the two shadows joined now when the darkness falls
To be there for each other in the darkness when the other shadow calls
- Heather James
August 1993
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Reasons...
~~~~~~~
Don't worry,the candle will light our way in the darkened sky
The waves will collide against the shore as we wonder why
Some things have no answers for them to happen,they just do
We may ask ourselves too many questions our whole lives through
Sometimes it is just destiny and fate that carries us along the way
Sometimes we think back at our childhood when we watch children play
Sometimes things in life for us never make sense to us at all
We wonder in life why someone in our life has somehow broken the wall
The wall where we felt we were protected and someone breaks it down
As we feel all the emotions and feelings filling up as we feel we drown
Overwhelmed with feeling alive once again and someone touched our heart
As we all know that we have to let go of insecurities and make a new
start
Fear may stop us from getting too close though we somehow do
As we find out in life that they are the finest friend we ever knew
- Heather James
August 1993
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Come Dance With Me...
~~~~~~~~~~~~~~~~~~
Dance with me now under the moon so bright
Take me in your arms now and hold me tight
Tighter and tighter like no other before
Take me higher and higher, where the thunder will roar
Where the streams divide into a small stream
As we are sharing this same wonderful dream
Shattered dreams as I awaken into the night
Feeling you close and holding onto me so tight
There is comfort in feeling you so close and so near
I love you and hope that wherever you are you, will hear
The stars for us will always shine as you will now sleep
But since I have met you,you are forever in my keep
Come dance with me once again in the moon,it will never burn out
Come ease my pain and let me ease in your mind, your doubt
Your doubt that I am sincere,you will see in time I am still around
Because I can never lose the friendship with you that I have found.
- Heather James
August 1993
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Dedicated to the reader Kimberley Ann Jackson,
who is truly a beautiful spirit of many sorts...
· · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·
October 1990
~~~~~~~~~~~~
The soft folds of dawn
appeared
...
in the horizon.
And I turned my face,
one more time
...
to look,
at the soft curves
which rested peacefully
...
I thought
...
and she spoke softly
and keenly
about what perception
appeared in her vision.
And I sat...
couldn't think...
much...
but...
I could see...
the soft curls...
and the clouds...
manifest themselves
into a cohesive whole
...
as she spoke
...
firmly
...
neatly
...
carefully.
As the soft lights
curled themselves
in her horizon
her words floated
musically
over the salty waters
of our hearts.
And it soothed
as if a magickal lullaby
had donated its caressing
wisdom over the bodily features
which covered this earthly soul
...
to whom she spoke.
The soft folds of dawn
appeared
and as it converged
its light into one life
it also reminded me
us, that we must live
yet again
to clarify
that which can't be
said or heard,
very well...
but felt all over,
and it's called
a special kind of love.
- Pedro Sena
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December 16, 1987
~~~~~~~~~~~~~~~~~
Forgive me not the greatest sins
if I wish to outdistance my whims
for knowledge...
for love...
for care...
beware...
Forgive me not, if I never listen
to many words that might glisten
with some color...
and meaning...
longing...
a touch...
Forgive me not, if I can never love
that light, heat, message from above
in humble spirit...
must see it...
and know it not...
can't hesitate...
Quickly the pen appears, and strikes
and paper, so glad it is here, enlights
before the feeling fades
into a spec...
of oblivion...
did it exist?...
how did it come...
Be ready, when your door also opens
and pass thru into many great oceans
in thought...
in life...
of life...
all true...
and necessary,
also unnecessary,
but I record it,
here...
beware...
for...
I am ready to write.
- Pedro Sena
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January 4, 1988
~~~~~~~~~~~~~~~
The throes of a lonely time
like grapes to a sour wine
stands at the tip of my tongue
as I hope, pray, for the wrong
I may have never done.
And as that time passes by here
I remember the things I revere
love, desire, vanity and more
all too true, here sitting before
my very own eyes.
One day passes, the second dies
the passion, the care, the gall,
willing wasteful times and thoughts
of what might have been and is not
but what is here is true, and
there is some wine left.
And some poet sits and cries
begging for mercy, new highs
for his spirit, poems and rhymes
that often taste like bitter limes
from the gardens
to our own cups.
One day I will wake up, I'm told
revitalized, weak body, but bold
with letters of care and definition
for what has been called derision
of some life
bitter taste.
And the last drop fell from the cup
running from the glass into my gut
hoping that in my body it will live
once again for hope, lest it forgive
my, your, pain
anyones.
The throes of a lonely time
like grapes to a sour wine
stood at the tip of my tongue
hoping to cease all the wrong
...
and I laughed,
and I cried,
it was good wine,
and I cried no more,
but had words galore.
- Pedro Sena
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"Tis vain to expect," he said,
Looking toward the horizon absent-mindedly.
"Everything I value is something I've lost."
I replied (something trite, I'm sure),
But he missed my answer, muttering to himself,
As he stilled gazed away.
Meanwhile, happiness appealed to us both in vain.
- Vincent Otten
═════════════════════════════════════════════════════════════════════════════
Homecoming
~~~~~~~~~~
I forgot you.
They loved me --
Or at least
What I had.
Now it's gone,
And I've come
back to myself,
but to you?
How can I?
The tie's gone.
But who else
For my heart?
As friend? No.
As beloved? Ha.
With head hung
I still come.
A one-man race?
I step aside,
But you run
Right into me.
Arms 'round me,
Tears on me,
Kisses for me,
And laughing! Laughing!
- Vince Otten
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Regenerative
~~~~~~~~~~~~
You cannot ask, "are you well?"
your muffled tone, a muscle ache
and sight fogs in the low wake,
this beard, know me and pray, do
and I feel the weak drummer in my chest.
Satin white with a pillow,
oak and silver buckles & trim
the smooth skirt ruffles and
something down by my feet,
something crowns my head.
It is tight, black metal lung
for the constellation of Orion,
behind him is Cancer the triad
where hand in hand is Gemini,
Venus and Saturn so align.
The quieting parade of darkness
sad men, sad ladies, children
they take the fork in the road,
my husk to the dirt field dust
of white wooden crosses that peel.
Go on! It is over, there it is,
it is mostly over, I want dust
and where there can be no tears
for a dust-bowl martyr, be gone
to deep throated owls of brown.
The separation of church and state,
the poem on my headstone, carved
by mother nature, my father
rolling, like thunder bolts
and his bad back broken farm
I bleed across and below,
no longer from above my tears
Clock me to the anthropology--
Forgive your long gone wishing well--
Paste me in library microfiche memory--
Annunciate me over wine from the big find,
under the city that rose and fell quick
over my beaten shack strike, where someone
may ask some part of me --I hope--
anything they like...
- V.A. Blevins
March 2, 1993
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Common Rivers
~~~~~~~~~~~~~
We have come
from life out of common rivers
Where it is we find the barnacles of love,
And attach ourselves
under soft inconvenience
As not to perform those gestures in gloves,
Dripping blood into the rainbows on the ocean--
Giving our organs to the least of scarecrows--
Marking our mantelpiece with melted trophies--
Singing joyfully in the presence of moans--
And because we haggle
long against the incomplete,
There is where we compete only
in deep premonition.
But experience can tune jackass sixth sense
For nighttime dream theaters of the sinful
Recollection and desires of the holy flesh
And leave ourselves in residues of coincidence,
Where to feel is the core of a universe, alone
Spent in the morning dewdrop meadows of crying.
But there comes a peaceful wisdom in age,
Like roses that curl up in brown patches
Dumping seeds in vessels back to the river--
Flowing long into the grottos of dispair--
Leading into the outer crust of death--
And so marked by the will of the prayer.
- V.A. Blevins
June 15, 1993
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IMAGE
~~~~~
We can understand and sometimes even listen
to words so often spoken, yet seldom heard
reality astounds, even the smallest ones of us
soon...a light that somehow saw one day
appears on your window sill of dreams
as if real...some mirages seem to exist
but then, so quickly vanish again into nothingness
lost facts hidden from future generations' thoughts
cycles of falling feeling becoming so strong
in the minds of faithful following friends,
friends to the one beginning apparition of time
without any loss of hope...fear itself is gone
only love exists together.
- Franz Zorn
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I love
The day dying with a silent fall, like a rose,
Birds ringing in the dawn, welcome upon the clear air.
I love
The stars at night, like so many
Piercing thoughts in the back of my mind.
I love
So many things, this little little planet, sweetly,
The people on it, and life, the
Small creatures of God, our children.
I love
Dreams so like this waking life, that returning,
I do not know if they have passed or not,
You,
Words and sounds I hear like poems,
Time flowing around us, fast and slow,
Sifting our beloved memories into the past.
- David Parton
═════════════════════════════════════════════════════════════════════════════
I FEEL GOOD CAUSE WE ALL ARE GOOD
AN I CAN PUT YOU ANYWHERE
ANYTIME
ANYONE.
CAUSE I'M OUT HERE AND WE'RE
ALL PEOPLE
AND EVERYTHING ANYONE
EVER DOES
RATTLES THIS LITTLE UNIVERSE
OR THAT ONE.
- David Parton
═════════════════════════════════════════════════════════════════════════════
Were ever the skies so clear or blue
Or air so crystalline.
Oh God, to the peak of the stars, the vault
God and Godhead
Dripping ruby-eyed goblets of pouring down Christblood.
Had we but world enough enough
had we but world & time
& time
And ringing circles mixed with mind
singing.
- David Parton
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SO MANY DAYS
~~~~~~~~~~~~
So many days
And so many tears
So many ways
Through so many fears
The flaring of anger
The tearing away
What love never conquers
Hate holds at bay
So many reasons
That fall to the side
When saying I love you
While trying to hide
The torment collected
Through suffering alone
When both must be silent
While throwing a stone
So many regrets
That shadow the fall
We see neither abyss
Or mountain at all
With nothing ahead of us
And nothing behind
We search for that limbo
That no one can find
The eyes will be opened
By blind men who see
What terror it brings us
When we are too free
With no one to guide us
And no one to care
Whatever we have
Is all on a dare
Those bountiful shadows
That some call obscene
Refuses to deter
Whatever they mean
From windows to vio⌐
lent reformations
To perfect conceptions
That help no one dream
Whatever we do
Whatever we don't
The game in perfection
Like love is a wound
That throughout the rain
Will stain with the blood
Of innocent virgins
That drag you through mud
Accepting the poison
That each of us drinks
With perfect acceptance
Refusing the link
That violates passion
And undermines doors
Where walls only anchor
What wasn't before
So many failings
And so many binds
So much rehearsal
With so little time
So much refusal
That...Well never mind
So many reasons
We never can find
So hard the distance
Between lover's eyes
So hard the solitude
They despise
But sometimes the silence
Is there for the good
Sometimes the anger
Is love's hard earned truth.
- Klaus J. Gerken
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╤══╕ ╒══╕ ╒══╕ ╒═╤═╕ ╒══╕ ╒══╕ ╤══╕ ═╤═ ╤══╕ ╒═╤═╕ ╤ ╤ ╒═╤═╕
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╧ ╘══╛ ╘══╛ ╧ ╘══╛ ╘══╛ ╧ ╧═ ═╧═ ╧ ╧ ╘══╛ ╧ ╧ ╧
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Some space ago, everything was one and together. All matter
thought distance time and spirit was resolved into a dimensionless
entity, as there was no difference to disunite, and no dimension to
seek solitude in.
Matter was the essence of existence and its manifestation. Matter
was to mold the cosmos into the vessel we now behold. Inherent in
matter were the natural forces which we were to call laws. As it came
to be, the nature of matter became these forces, and without
non-existence, except that it possessed properties by its very nature.
Do not think of nothing as being the absence of matter, but of matter
as the absence of nothing.
The universe is a vast collection of places, things and times.
Places are occupied by things at certain times. Things exist in many
forms, and do many different functions from time to time.
Some things are universes in themselves. These things turn
back on all things and themselves to encompass all things, places and
times.
The universe is a group of things. What these things are made of
is open to speculation, as their existence absolutely establish their
identity, and knowledge of other than ones own reality is pointless as
one encompasses the entire realm of existence, from either extremes of
time and space.
- David Parton
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╔═════════════════════════════════════════════════════════════════════╗
║ A New Age: The Centipede Network Of Artists, Poets, & Writers ║
╟─────────────────────────────────────────────────────────────────────╢
║ - An Informational Journey Into A Creative Echonet [9310] ║
╟─────────────────────────────────────────────────────────────────────╢
║ (C) CopyRight "I Write, Therefore, I Develop" By Paul Lauda ║
╚═════════════════════════════════════════════════════════════════════╝
Come one, come all! Welcome to Centipede. Established just for
writers, poets, artists, and anyone who is creative. A place
for anyone to participate in, to share their poems, and learn
from all. A place to share *your* dreams, and philosophies.
Even a chance to be published in a magazine.
Centipede offers ten echo areas, such as a general chat area,
an echo of poetry and literature, and also on dreams and
speculated history & publishing. In all of the ten conferences,
anyone is allowed to post their thoughts, and make new friends.
For that is what CentNet is here for: for you. Ever wonder how
to accent a poem at the right meter? Well, come join our
PoetryForum, and everyone would be willing to help you out.
Have any problems in deciphering your dreams? Select The Dreams
echo, and you're questions shall be solved.
The Network was created on May 16, 1993. I created this because
there were no other networks dedicated to such an audience.
And with the help of Klaus Gerken, Centipede soon started to
grow, and become active on Bulletin Board Systems.
I consider Centipede to be a Public Network; however, its a
specialized network, dealing with any type of creative thinking.
Therefore, that makes us something quite exotic, since most
nets are very general and have various topics, not of interest
to a writer--which is where Centipede steps in! No more fuss.
A writer can now download the whole network, without phasing
out any more conferences, since the whole net pertains to
the writer's interests. This means that Centipede has all
the active topics that any creative user seeks. And if we
don't, then one shall be created.
If you want to find out more about Centipede, give us a call
at +609-896-3256, and join one of our conferences. You'll
not be disappointed! Or, check out the latest info packet
being distributed in the format: CENTyymm.[ARCHIVE].
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THE AFFLICTED, a poem by KJ Gerken
FRAGMENTS OF A BRIEF ENCOUNTER, poems by KJ Gerken
THE BREAKING OF DESIRE (1986), poems by KJ Gerken
DIAMOND DOGS (1992), poems by KJ Gerken
FULL BLACK Q (1975), a poem by KJ Gerken
KILLING FIELDS (1992), a poem by KJ Gerken
ONE NEW FLASH OF LIGHT (1976), a play by KJ Gerken
FURTHER SONGS 1986, songs by KJ Gerken
THE WIZARD EXPLODED SONGBOOK (1969), songs by KJ Gerken
POEMS OF DESTRUCTION (1988), poems by KJ Gerken
POEMS (1970), poems by Franz Zorn
THE BLACKED-OUT MIRROR (1979) a poem by Klaus J. Gerken
STEEL REIGNS & STILL RAINS, poems by Igal Koshevoy
BLATANT VANITY, poems by Igal Koshevoy
ALIENATION OF AFFECTION, poems by Igal Koshevoy
LIVING LIFE AT FACE VALUE, poems by Igal Koshevoy
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All books are on disk and cost $10.00 each, and may be ordered from:
┌────────────────────────────┐
│ YGDRASIL PRESS ███ │
│ 1001-257 LISGAR ST. │
│ OTTAWA, ONTARIO │
│ CANADA, K2P 0C7 │
└────────────────────────────┘
YGDRASIL MAGAZINE may also be ordered from the same address: $2.50 an
issue (To cover disk and mailing costs), specify computer type (IBM or Mac),
operating system and version, disk size and density and allow 2 weeks for
delivery.
Note that YGDRASIL MAGAZINE is free when downloaded from Revision Systems
BBS (1-609-896-3256).
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║ ║ │ ╟──┘ ╙──┤ ╟─┬┘ ║ ║ ┌┐ ╟──┤ ║
╙──┘ ╙──┘ ╨ ╙──┘ ╨ ┴─ ─╨─ ╙──┘ ╨ ┴ ╨
─╥─ ╓─╖ ┬ ╥──┐ ╓──┐ ╥──┐ ╓─╥─┐ ╓──┐ ╓─╥─┐ ─╥─ ╓──┐ ╓─╖ ┬
║ ║ ║ │ ╟─ ║ │ ╟─┬┘ ║ ║ │ ╟──┤ ║ ║ ║ │ ║ ║ │
─╨─ ╨ ╙─┘ ╨ ╙──┘ ╨ ┴─ ╨ ╨ ┴ ╨ ┴ ╨ ─╨─ ╙──┘ ╨ ╙─┘
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All poems copyrighted by their respective authors. Any reproduction of
these poems, without the express written permission of the authors, is
prohibited.
YGDRASIL A Journal of the Poetic Arts: Copyright (c) 1993 by KJ Gerken
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No other version shall be deemed "authorized" unless downloaded from
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