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- Subject: A Friendly Brief For background info, we have forwarded
- you the Brief that was submitted to the Court by the leading
- Copyright authorities in the US. Obviously, the Judge opted not
- to believe them.
-
- UNITED STATES DISTRICT COURT
- DISTRICT OF MASSACHUSETTS
-
-
- LOTUS DEVELOPMENT CORPORATION, Plaintiff,
-
- Civil Action No. 90-11662-K -against-
-
- BORLAND INTERNATIONAL, INC. Defendant.
-
- BRIEF AMICUS CURIAE OF COPYRIGHT LAW
- PROFESSORS
-
- Ralph S. Brown
- Professor of Law, Emeritus
- Yale Law School
-
- Stephen L. Carter
- Professor of Law
- Yale Law School
-
- Rochelle C. Dreyfuss
- Professor of Law
- New York University School of Law
-
- Peter A. Jaszl
- Professor of Law
- The American University,
- Washington College of Law
-
- Dennis S. Karjala
- Professor of Law
- Arizona State University College of Law
-
- David L. Lange
- Professor of Law
- Duke University School of Law
-
- Peter S. Menell
- Acting Professor of Law
- University of California at Berkeley,
- Boalt Hall School of Law
-
- L. Ray Patterson
- Professor of Law
- University of Georgia School of Law
-
- Jerome H. Reichmann
- Professor of Law
- Vanderbilt University School of Law
-
-
- Pamela Samuelson
- Professor of Law
- University of Pittsburgh School of Law
-
- Lloyd L. Weinreb
- Professor of Law
- Harvard Law School
-
- 1. Purposes of the Brief
- This brief amicus curiae does not address the merits of the
- copyright suit between Lotus Development Corporation ("Lotus")
- and Borland International, Inc. ("Borland"). It speaks only to the
- nature of the copyright inquiry that we, as professors of law who
- teach and write about copyright law, think to be appropriate for
- addressing the issues presented by cases of this general type.
-
- We offer our views on this subject out of concern about the
- overbroad test used in assessing the copyrightability of the Lotus 1-
- 2-3 user interface and its component parts in Lotus Development
- Corporation v. Paperback Software International, 740 F. Supp. 37
- (D- Mass. 1990). We regard the test employed in that opinion to
- be inconsistent with the copyright statute, the copyright caselaw,
- and traditional principles of copyright law. Its use not only has an
- adverse effect on the development of copyright doctrine, but has
- substantial potential to have an adverse effect on software
- development and the software industry. It should not be employed
- in judging the copyright issues in the Lotus v.
- Borland dispute.
-
- This brief aims to aid the court in constructing a more
- appropriate framework for resolving the copyright issues presented
- by the Lotus v. Borland case. Before proceeding with a discussion
- of this framework, it may be helpful to the court to know that we
- agree with the view expressed in the Paperback opinion that some
- computer program user interfaces contain expressive aspects that
- can properly be protected by copyright law. Not all computer
- program user interfaces, however, have expressive aspects.
- Whether a particular user interface, or aspects of such an interface,
- is expressive enough to be protectable by copyright law should be
- judged by traditional copyright standards.
-
- We understand that the court is currently considering Lotus'
- motion for summary judgment against Borland. We understand
- Lotus to be relying heavily on the courts ruling in the Paperback
- opinion in support of this motion. By setting forth the kind of
- traditional copyright inquiry that we think should be made in a case
- of this sort, we hope to alert the court to the possibility that it
- might need to make some factual inquiries in the Lotus v. Borland
- matter of a sort that were apparently not made in the Paperback case.
-
- II. What Framework Is Appropriate For Addressing the
- Copyright Issues In a Dispute of This Sort?
-
- The principal questions posed by a dispute such as that
- currently pending in the Lotus v. Borland case are, first, whether
- the aspect of the program sought to be protected-in this dispute, the
- Lotus 1-2-3 command hierarchy--is properly regarded as a
- protectable element of expression, and second, whether there has
- been an improper appropriation of protected elements of
- expression, which is generally established by showing that there is
- substantial similarity in expressive elements between the two works.
- See, e.g., P. Goldstein, Copyright Law secs. 7.1 and 7.3 (1989); 3
- M. Nimmer and D. Nimmer, Nimmer on Copyright secs. 13.01 and
- 13.03 (1991). As the court properly noted in the Paperback
- decision, a central problem in copyright infringement litigation is to
- sort out what in a work is protectable expression and what are
- unprotectable ideas.
-
- The term "idea" has a special and complex meaning in
- copyright law, one reflected in the long history of copyright
- caselaw and in the copyright statute. As both sources of authority
- demonstrate, it is not just highly abstract formulations, such as that
- of an electronic spreadsheet, that are considered "idea," and
- consequently beyond the scope of copyright protection in a
- computer program. Section 102(b) of the Copyright Act of 1976
- ("1976 Act") plainly states: "In no case does copyright protection
- for an original work of authorship extend to any ... procedure,
- process, system, [or] method of operation.... regardless of the form
- in which it is described, explained, illustrated, or embodied in such
- work," any more than it would extend to more abstract elements of
- the work, such as the ideas, concepts, discoveries, or principles. 17
- U.S.C. sec. 102(b). See discussion of this principle in P. Goldstein,
- Copyright Law sec. 8.5 (1989).
- It has become a basic tenet of copyright law that the term
- "idea" is to be used as a metaphor to refer to a number of
- unprotectable elements contained in copyrighted works, among
- them, those listed in section 102(b) (See Footnote 1). Although
- early on in the Paperback opinion the court seems to have
- recognized the metaphoric character of the term "idea," see 740 F.
- Supp. at 53, it failed to follow through with this insight in
- formulating its test for judging the copyright issues in the case and
- applying the test to the Lotus v. Paperback dispute.
-
- The exclusion of section 102(b) elements from copyright
- protection is to be respected, without regard to how original, novel,
- unique, nonobvious, or valuable they may be, or how much it might
- have cost to develop them. In some cases, innovative processes,
- systems, and methods of operation that can meet the rigorous
- standards and procedures set forth in Title 35 of the U.S. Code will
- be protectable by patent law, but their inclusion in a copyrighted
- work does not mean that copyright protection is available
- to them.
- The meaning of section 102(b) can be understood by
- examining the legislative history underlying the provision and the
- caselaw out of which the provision largely arose. There are two
- aspects of the legislative history of section 102(b) worth noting
- here. First, both the House and Senate Reports on the 1976 Act
- reflect that this provision was adopted in part to ensure that
- copyright protection for computer programs would not be
- construed too broadly. Although the Paperback opinion quotes the
- relevant language from the legislative history, we repeat it here
- because we think the court lost sight of it when formulating and
- applying its test for judging what was expressive in the Lotus
- interface. "Some concern has been expressed lest copyright in
- computer programs should extend to the methodology or processes
- adopted by the programmer, rather than merely to the 'writing'
- expressing his ideas. Section 102(b) is intended, among other
- things, to make clear that the expression adopted by the
- programmer is the copyrightable element in a computer program,
- and that the actual processes or methods embodied in the program
- are not within the scope of copyright law." H.R. Rep. No. 1476,
- 94th Cong., 2d Sess. 57 (1976), reprinted in 1976 U.S. Code Cong.
- & Admin. News 5659, 5670 and S. Rep. No. 473, 94th Cong., 2d
- Sess. 54 (1976).
-
- Secondly, the Reports indicate that section 102(b) was
- intended to reflect and be consistent with the copyright caselaw
- which has long held that constituent parts of systems, methods, and
- the like are unprotectable by copyright law (See footnote 2). It is
- to cases such as Baker v. Selden, 101 U.S. 99 (1879) and its
- progeny that courts should look in interpreting section 102(b) and
- its exclusion of systems and methods from the scope of copyright
- protection available to works of authorship.
-
- A test for copyright infringement (or a test of the
- copyrightability" of a particular element of a work) that regards
- only the general purpose or function of a computer program as the
- program's unprotectable idea, and regards all other aspects of the
- program as presumptively expressive is incompatible with the
- copyright statute, traditional principles of copyright law, and the
- caselaw properly interpreting it. Such a test is overbroad, for it
- considers more elements of a copyrighted work to be protectable
- "expression" than is appropriate. It is also unduly narrow in that it
- forecloses other inquiries that should be made to determine whether
- the plaintiff is seeking protection for things that are more properly
- considered "idea" (in the larger metaphoric sense) than
- "expression."
-
- Baker v. Selden, 101 U.S. 99 (1879) is the seminal case out
- of which developed a long line of copyright cases in which courts
- have held that a set of words and their arrangement could be a
- constituent part of a system, and hence outside the scope of
- copyright protection. Selden's claim of copyright infringement
- arose because Baker included in his own book about Selden's
- bookkeeping system some sample ledger sheets that were
- substantially similar in arrangement of columns and headings to
- those in Selden's books illustrating the same system. The principal
- issue before the Court was whether someone besides Selden could
- "make or use similar ruled lines and headings, or ruled lines and
- headings made and arranged on substantially the same system,
- without violating the copyright." Id. at 101.
-
- The Supreme Court concluded that Selden's copyright protected
- his explanation of the system, not the system itself or its constituent
- parts. Because the arrangement of words and columns on the
- ledger sheets were constituent parts of that system, the Court held
- they were unprotectable by copyright law. "[T]he mere copyright
- of Selden's book did not confer upon him the exclusive right to
- make and use account-books, ruled and arranged as designated by
- him and described and illustrated in said book." 101 U.S. at 107
- (emphasis added). The Court thought it inappropriate to give
- Selden indirectly protection for the bookkeeping system that would
- have been unavailable had Selden claimed the system directly as a
- protectable element of the work (See footnote 3). Yet, indirect
- protection of the system would have been the result if the Court
- had construed copyright's reproduction right as giving Selden the
- exclusive rights in the arrangement of words and columns
- constituting his system.
-
- As a result of the Court's ruling, the arrangement of
- columns and headings of the ledger sheets embodying Selden's
- system could be freely copied by others, even by one who included
- them in a competing work on the same system. Although the
- choice and arrangement of words in Baker's ledger sheets was
- somewhat different from Selden's, the statement quoted above
- indicates that the Supreme Court would have ruled no differently
- had Baker used exactly the same words and arrangement in his
- sample ledger sheets as Selden had used. This result too is
- consistent with traditional copyright principles and section 102(b)
- of the copyright statute. See, e.g., B. Kaplan, An unhurried View
- of Copyright Law 64 (1967).
-
- It is in the nature of a method or system to have constituent
- elements, some of which may be quite detailed in character. In the
- "shorthand cases," courts will decline to extend copyright
- protection not only to the set of abstract rules that a shorthand
- system developer might have devised for condensing words or
- phrases, but also to the vocabulary resulting from the
- implementation of these rules. Both are constituent elements of the
- system which copyright law will not protect. See, e.g., Brief
- English Systems, Inc. v. Owen, 48 F.2d 555 (2d Cir.), cert. denied,
- 283 U.S. 858 (1931). Copyright law will protect the shorthand
- system developers' explanation of the system, but not the system
- and its constituent parts.
- Thus, the fact that a particular element of a copyrighted
- work is more detailed dm the most abstract description of a
- program's general purpose or function does not automatically mean
- it is an "expressive" detail; it may instead be a constituent element
- of a system, or some other kind of unprotectable element of the
- work.
- The Nimmer treatise, in recognition of the distinctive nature of
- computer programs, recommends use of a "successive filtering
- method" for distinguishing between protectable and unprotectable
- elements of copyrighted computer programs. See 3 M. Nimmer
- and D. Nimmer, Nimmer on Copyright sec. 13.03[F] (1991). This
- method aims at excluding from copyright protection not only
- abstract ideas, but also program elements aimed at achieving
- efficiency, those dictated by logic or standard programming
- practice, other standard techniques or features for programs of that
- type, other elements constraining the design arising from external
- considerations, and other elements belonging in the public domain.
- Only after these unprotectable elements have been filtered out does
- the Nimmer treatise regard it as appropriate to conduct an analysis
- of substantial similarity in computer program copyright cases.
-
- Thus, in the Lotus v. Borland case, the court should make
- an inquiry as to whether the command hierarchy of the Lotus 1-2-3
- user interface is a constituent part of a Lotus menu or command
- system or is otherwise an unprotectable element of the program
- under a successive filtering analysis. If the command hierarchy is
- part of a system, the court should go on to inquire whether there is
- any expressiveness in the command hierarchy over and above the
- role of the commands and their arrangement as constituent elements
- of the system. Unless the court can identify such expressive
- elements, the command hierarchy should be regarded as beyond the
- scope of copyright protection the law affords to the Lotus program.
-
- There are some statements in the Paperback opinion
- suggesting that the arrangement of commands in the Lotus interface
- was a part of a system. One statement in particular from that
- opinion suggests that it may have been a constituent part of the
- Lotus command system. The opinion describes how the Lotus
- commands (and some other interface features, such as the function
- keys) could be combined to form "macros" constituting sequences
- of functions that a user might wish to perform so that the user
- would not have to repeat the fill sequence but only direct execution
- of the macro.
- Following this description, the court states: "Because
- macros may contain many menu choices, the exact hierarchy-or
- structure, sequence, and organization--of the menu system is a
- fundamental part of the functionality of the macros." 740 F. Supp.
- at 65 (emphasis added). The court should reflect further on this
- statement as part of its inquiry in the Borland case to determine
- whether, under section 102(b) and caselaw it reflects, the aspect of
- the Lotus program sought to be protected in the litigation with
- Borland is a constituent part of a system which would put it beyond
- the scope of copyright protection.
- Only if and to the extent a defendant has copied expressive
- aspects of a user interface beyond those that are constituent parts of
- a system can copyright infringement potentially be found (See
- footnote 4). Because elements of user interfaces may well be
- constituent elements of a system or method, we believe that courts
- should be very careful in cases involving user interface similarities,
- to make sure that there is something truly "expressive" in a
- copyright sense about the aspects of the interface at issue in the
- case. Additionally, the court should find infringement only if the
- defendant's work is substantially similar to the plaintiff s work as to
- protected expressive elements which the defendant copied from the
- plaintiff. See, e.g., P. Goldstein, Copyright Law sec. 7.1 (1989).
- Even when some aspects of a user interface are expressive enough
- to be protected against copying, the same may not be true for all
- aspects of the interface. Traditional copyright standards should be
- used to determine if a particular aspect that has been copied is
- expressive.
- Although the fact that words or symbols can be arranged differently
- may be relevant to an inquiry as to whether that aspect of a work is
- "expressive," this factor alone will not suffice to establish the kind
- of expressiveness required for copyright protection, as the blank
- form cases rightly hold. See, e.g., Bibbero Systems, Inc. v. Colwell
- Systems, Inc., 893 F.2d 1104 (9th Cir. 1990). Thus, the fact that a
- set of commands can be arranged differently does not, of itself,
- establish that any particular arrangement is "expressive" in a
- copyright sense. Arranging commands in the order of the
- frequency with which they will be invoked is an example of an
- arrangement of commands that would be for functional, rather dm
- expressive purposes.
- We therefore believe that care must be taken in computer
- program user interface cases, just as in the blank form cases, to
- identify precisely what, if anything, is expressive about a particular
- arrangement and whether that arrangement is distinguishable from
- an underlying system of which it may be a part.
- The blank form cases also indicate that expressiveness is not
- to be found when words on a form merely communicate to a user
- the type of information to be filled in. Thus, the fact that command
- terms "communicate" the choices of functions available in the
- program does not mean that they are "expressive" for copyright
- purposes.
-
- III. Some Reflections on the Policies Underlying Copyright Law
- Copyright law is not, and was never meant to be, a general
- misappropriation statute for all products of the human intellect.
- Copyright excludes many functional works, such as machines and
- useful articles, from its domain. Even when described or otherwise
- embodied in a properly copyrighted work, functional elements of
- the work-whether they exist at a highly abstract or highly detailed
- level--are still not protectable by copyright law. Section 102(b)
- codifies this rule in its exclusion of such things as processes,
- procedures, systems, and methods of operation from the scope of
- protection available to protected works from copyright law.
- The very fact that ideas are so valuable explains why copyright law,
- with its low standards for obtaining protection, will not protect
- them and remits them to patent law with its more rigorous
- standards, or as in the case of the most fundamental ideas, such as
- concepts, principles, and discoveries, to the public domain.
- As Professor Goldstein has observed:
-
- Functional works [such as architectural plans, legal forms,
- and computer programs] depend for their value primarily on
- the ingenuity, accuracy, and efficiency--the utility-of their
- underlying system, concept or method.
-
- As a result, enforcement of copyright in these works
- inevitably threatens the fundamental precept that copyright
- protection shall not extend to any "idea, procedure, process,
- system, method of operation, concept, principle, or
- discovery." Copyright in functional works is in this respect
- like copyright in fact works, which poses the similar danger
- of monopolizing elements that should be available for free
- use by all. The important difference is that in protecting
- works that are essentially functional in nature, copyright
- may contradict the principle that protection for these
- utilitarian elements is better left to the more exacting
- standards of patent and trade secret law.
-
- P. Goldstein, Copyright Law sec. 8.5 at 116-117 (1989).
- The Paperback opinion, in our view, is insufficiently
- attentive to the functional nature of computer programs and some
- user interface components, as well as to the implications of this
- functionality for the scope of copyright protection available t o such
- works. The opinion further reflects a distressing inclination to
- justify copyright protection of the Lotus user interface based on
- such factors as the creativity of concepts in the Lotus interface, the
- value of the interface, and concerns about whether there would be
- sufficient incentives to invest in creation of such works if copyright
- protection did not extend to all valuable aspects of the interface.
- We realize that the court did not have the benefit of the Supreme
- Court's opinion in Feist Publications, Inc. v. Rural Telephone
- Service, Inc., -U.S.-, I I I S.Ct. 1282 (1991) when it issued the
- Paperback opinion, but in the aftermath of this decision, it is clear
- that labor and investment alone do not signify the presence of
- copyrightable expression.
-
- It is well to remember that copyright law is part of a larger
- intellectual property system Congress has created to provide
- intellectual property protection to certain kinds of creative works to
- provide incentives to invest in their creation and dissemination. All
- intellectual property laws aim to balance the interests of innovators,
- competitors, and consumers. Their principal purpose is not to
- provide maximum rewards to innovators, but to promote the public
- interest through the careful balancing process each intellectual
- property law reflects.
-
- Stretching copyright law beyond the bounds Congress intended
- for it to have creates the potential for upsetting the balance of
- interests reflected in Congress' larger scheme for granting
- intellectual property rights. This, in turn, can hinder innovation by
- overprotecting through copyright something that either should be
- left to free copying or to the rigors of other forms of intellectual
- property rights.
-
-
- FOOTNOTES:
-
- Footnote 1: So basic to copyright law is section 102(b)'s exclusion
- from protection of a number of potentially valuable elements of
- copyrighted works that the courts have construed it as though it
- created a penumbra of unprotectable elements. Thus, while such
- things as facts and fictions are not expressly listed in section 102(b),
- it is clear from the copyright caselaw that these aspects of
- copyrighted works too are beyond the scope of protection available
- from this law. See, e.g., Feist Publications, Inc. v. Rural Telephone
- Service, Inc., - U.S. -, I I I S.Ct. 1282 (199 1) (facts regarded as
- "discoveries" under section 102(b)) and P. Goldstein, Copyright
- Law sec. 8.5 (1989) (the unprotectability of functions said to be
- reflected in section 102(b)'s exclusion of processes, procedures,
- systems, and methods of operation).
-
- Footnote 2: It is also worth observing that the Final Report of the
- National Commission on New Technological Uses of Copyrighted
- Works (1978) ("CONTU Final Report") also makes reference to
- section 102(b), Baker v. Selden, and such cases as Continental
- Casualty Co. v. Beardsley, 253 F.2d 702 (2d Cir. 1958) as among
- the sources of guidance the Commission expected courts to utilize
- in judging copyright infringement claims involving computer
- programs. See CONTU Final Report at 18-22.
-
- Footnote 3: The Court pointed out that in most instances, useful
- arts were embodied in wood, metal, or stone, and what had given
- plausibility to Selden's claim was that his useful art was embodied in
- a writing. Nevertheless, the Court stated "the principle is the same
- in all. The description of the art in a book, though entitled to the
- benefit of copyright, lays no foundation for an exclusive claim to
- the art itself." 101 U.S. at 105.
-
- Footnote 4: A defendant must not only have copied something
- from the plaintiff s work, but the defendant's work must also be
- substantially similar as to protected elements of expression of the
- plaintiff's work. In addition, other defenses, such as fair use or
- estoppel, may be available to the defendant in an appropriate case.
-
-