home *** CD-ROM | disk | FTP | other *** search
- REVIEWS, Page 70TELEVISIONGame Shows Get Gamier
-
-
- By RICHARD ZOGLIN
-
- SHOWS: LOVE PROGRAMS
- TIME: Daytime and late night
-
- THE BOTTOM LINE: Need a nationwide audience for your
- relationship problems? TV is here to help.
-
-
- "If you're infatuated with someone," urges host Bob
- Eubanks at the end of the new game show Infatuation, "don't call
- them. Call us." A perfect appeal for the '90s. Why pursue your
- romance in private when you can confide your feelings to
- millions of TV viewers? In the process, you can get coached by
- the very same sensitive guy who used to goad feuding couples on
- The Newlywed Game. You might even score.
-
- The walls of privacy continue to be bulldozed by
- television. Video cameras are nosing their way into courtrooms
- and police patrol cars. The victims of child abuse and incest
- disclose their darkest secrets to Oprah, Phil and Geraldo. Now
- a spate of game shows -- half a dozen currently on the air, with
- several more in the works -- are eavesdropping on the few
- private areas left for ordinary people: love, romance and -- in
- leering if not explicit terms -- sex.
-
- Though the granddaddy of the genre is the venerable Love
- Connection, the current trailblazer is Studs, the syndicated
- show that has drawn top ratings by reaching new depths of bad
- taste. The premise: two hunks are sent on dates successively
- with the same three women, then appear on the show to guess
- which ones made various comments about them. The remarks are
- suggestive sound bites like "He gasped in amazement when I
- slurped down that beef" or "A few sparks, a big thrust and his
- mighty rocket started to rise." The real meaning, however, is
- usually banal; the comments, no matter how innocent (the beef
- was filet mignon; the rocket, fireworks on the beach), have been
- reprocessed by the show's writers for maximum double-entendre
- effect.
-
- If Studs shows how eager people are to reduce their
- romantic lives to salacious gag lines, the syndicated That's
- Amore demonstrates how adept some folks are at turning marriage
- into sitcom material. Under the guiding hand of a dapper Italian
- host named Luca, couples restage their marital spats as if they
- were auditioning for a spinoff of Married . . . with Children
- ("You are the boss of nothing!" "Where were your brains -- your
- rear end?"). At the end of each episode, the audience selects
- a victor. But it matters little: the prize in either case is a
- "second honeymoon," so the couple can make up -- or, more
- likely, share a good laugh.
-
- The scramble to find further variations on the love-show
- formula has strained producers' ingenuity. In A Perfect Score,
- on CBS's late-night schedule, a contestant is presented with
- three prospective dates. The twist is that the candidates are
- interrogated by three of his or her friends. Their questions are
- relatively serious and to the point: "Jackie has two children.
- How do you feel about an instant family?" The problem is that
- Jackie is onstage listening to everything; why doesn't she just
- choose the guy herself?
-
- Personals, another CBS late-night entry, is just as
- nonsensical. The main contestant is again presented with three
- possible dates, culled from video personal ads. A former Playboy
- model, for instance, is looking for "the Marlboro Man" (one
- candidate describes himself as "a sleek, blue-eyed stallion, 21
- hands high, with a passion for horses"). The winner is
- determined by which of the three can best divine the
- contestant's likes and dislikes. Example: Who is his personal
- hero -- Michelangelo or Arnold Schwarzenegger? Somebody has
- confused The Dating Game with The Newlywed Game: the
- how-well-do-you-know-your-mate gimmick doesn't work for people
- who have never met.
-
- The syndicated Infatuation at least plays fair by its own
- voyeuristic rules. The show brings on people who have a secret
- crush. First they tell their story; then, after the object of
- their affection is brought out, they make a romantic pitch on
- camera. The nosy Eubanks chimes in with sappy comments like "You
- know what she's saying -- she loves you." But Infatuation rings
- truer than most of this sorry ilk: the upshot of the romantic
- overture is just as likely to be a turndown as an embrace.
- "She's so tempting," hedged one man. "In my own way I have a
- love for her. Still, there are certain things that make it
- difficult for me . . ." Saying no to a hot date on national TV;
- now there's a stud.
-
-
-
-
-
-
-
-
-
-
-
-
-
-