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- THE WEEK, Page 22ARTS & ENTERTAINMENTHoney, I Sent the Kids to Oxford
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- The Disney-Merchant Ivory alliance blends highbrow with no-brow
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- The fax lines were rattling, the tabloids were tattling, the
- gossips were thrown for a loop. Not since Arthur Miller wed
- Marilyn Monroe had Hollywood seen so unlikely a marriage of high
- and low popular art. This time the betrothed were two companies
- recognized as the best in their very different lines of
- moviemaking: Merchant Ivory Productions, the independent team
- responsible for such stately dramas as A Room with a View and
- Howards End, and the Walt Disney Studios, ace hucksters of
- no-brow cinema. Disney agreed to co-finance and distribute
- Merchant Ivory's films for the next three years.
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- Studio boss Jeffrey Katzenberg has promised his new
- producers total artistic freedom. In Hollywood, though, where
- Disney is notorious for tinkering with every aspect of
- production, cynics wondered when the honeymoon would sour. And
- what films might the Merchant Ivory team make for Disney? The
- Importance of Being Ernest Scared Stupid? Three Men and a
- Portrait of a Lady? Howard the Duck's End?
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- Yet the deal made sense from two angles: quality and
- quantity. Katzenberg, who thinks today's movies are worse than
- ever, was truly touched by the art and heart of Howards End. He
- also knows that Disney, like any big studio, needs product, and
- Merchant Ivory is the most prolific of boutique moviemakers,
- producing over 30 films during their 30-year partnership.
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- Their first Disney venture, Jefferson in Paris, will be
- out next year. If the role of Thomas Jefferson is given to,
- say, Merchant Ivory veteran Christopher Reeve and not, say,
- Pauly Shore, even Hollywood insiders will agree that this
- dangerous liaison could also be the beginning of a beautiful
- marriage.
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