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- REVIEWS, Page 59TELEVISIONLabor and Other Pains
-
-
- By RICHARD ZOGLIN
-
- SHOW: Murphy Brown
- TIME: Mondays, 9 P.M. EDT, CBS
-
- THE BOTTOM LINE: This popular sitcom has good things going
- for it, but wit, style and subtlety are not among them.
-
-
- The doorbell rings, and one by one, an all-star guest list
- of TV celebrities troop into the house: Katie Couric, Joan
- Lunden, Paula Zahn, Faith Daniels, Mary Alice Williams. The
- scene plays like one of those old I Love Lucy episodes, with the
- Ricardos in Hollywood. (Look -- it's William Holden! And Harpo
- Marx!) Actually, it is the most star-studded baby shower in TV
- history. All these real-life TV newswomen have come to pay
- tribute to their most famous fictional colleague: Murphy Brown.
-
- Ranked No. 3 in the Nielsens, but No. 1 in the hearts of
- the upscale "I rarely watch network TV" crowd, Murphy Brown is
- about to hit the climax of its four-year run. A year ago, Murphy
- -- 42, unmarried star reporter for a TV magazine show called
- FYI -- got pregnant and (after a brief flurry of interest in
- the father's identity) decided to have her baby alone. Now,
- with her due date approaching, the series is gearing up for a
- season-ending double whammy: next week's celebrity shower and
- then, on the season finale, the baby's arrival. Get ready for
- a barrage of promotional fanfare, a jump in the ratings and
- another round of critical cheers.
-
- Minus one.
-
- Let's be fair: Murphy Brown has some good things going for
- it. One of the few comedies on TV that stay abreast of current
- events, it has the smarts and the moxie to take pokes at
- everything from gossip-mongering tabloids to the Anita Hill
- hearings. Its main character is a successful and independent
- career woman who isn't bitchy, ditsy or man crazy -- in other
- words, a feminist role model. It features some good '60s music.
-
- But mostly the show is pretentious and annoying. TV
- sitcoms are rarely models of subtlety, but few are acted and
- directed with such in-your-face coarseness. Candice Bergen, a
- two-time Emmy winner (in years when the Golden Girls were
- apparently snoozing), has anything but a light comic touch.
- Listening to her labored, overemphatic line readings is like
- watching someone slog through a swamp in combat boots. Faith
- Ford, as dippy anchorwoman Corky Sherwood-Forrest (a character
- married off just to create a funny name!), shrieks her way
- through scenes as if she were trying to be heard above a
- hurricane. Grant Shaud, as frenetic executive producer Miles
- Silverberg, needs sedation more than his character does.
-
- Created by the wife-husband team of Diane English and Joel
- Shukovsky (who have parlayed the show's success into a
- four-series development deal with cbs), Murphy Brown is cleverly
- written, but in a smug, soulless, metallic way. The characters
- are all Johnny one-notes, the satire of TV news obvious and
- unoriginal. Pompous anchorman, shallow news bimbo,
- ratings-obsessed station executives -- once it all might have
- been daring, but such TV navel gazing is now painfully
- commonplace.
-
- Too often what passes for wit is merely the insertion of
- brand names or pop-culture references designed to get a rise out
- of the baby-boomer audience. "For a guy who knows all the words
- to In-A-Gadda-Da-Vida, you're starting to sound an awful lot
- like Pat Boone," says Murphy. Or: "I've been carrying this kid
- for longer than Bonanza was on the air." At Phil's, the
- wateringhole where Washington's movers and shakers supposedly
- mingle, the running gags about famous patrons ("I keep telling
- Koppel to stop bringing in that garbage") amount to little more
- than idle name dropping.
-
- The show's habit of mingling real-life references (and
- occasional guest appearances) with its fictional TV news crew
- is carried to a new level in the baby-shower episode. The
- visiting TV newswomen do surprisingly well in their cameo
- appearances, delivering quips about such things as balancing
- career and motherhood. (Says Williams: "I once asked Garrick
- Utley if he had to make a boom-boom.") But the encounter simply
- lends a bogus aura of credibility to a show that seems phony at
- its soul. And why do all the guests at the shower come from the
- soft-news world of morning TV? Apparently, the hard-news
- reporters whom Murphy is really modeled after -- Diane Sawyer,
- Lesley Stahl -- were too busy doing real work.
-
- Murphy's single motherhood is being hailed as a milestone
- for prime-time TV, but the plot twist smacks of gimmickery. The
- trouble is that the show tries to have it both ways: Murphy, the
- unsentimental career woman, has spent most of the season making
- cynical jokes about motherhood ("Oh, right, the unforgettable
- thrill of passing a bowling ball"). Yet when the baby finally
- arrives, there's our new mother, misty-eyed, crooning (You Make
- Me Feel Like) A Natural Woman to the newborn. For a gal who
- knows the words to In-A-Gadda-Da-Vida, she's starting to sound
- an awful lot like Debby Boone.
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