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- SHOW BUSINESS, Page 65Out of the Celluloid Closet
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- Gay activists are on a rampage against negative stereotyping and
- other acts of homophobia in Hollywood
-
- By JANICE C. SIMPSON -- Reported by Patrick E. Cole/Los Angeles
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- The villainous stereotype may be an endangered species in
- Hollywood. African Americans have already made it quite clear
- that they are fed up with appearing in movies as muggers, pimps
- and other disreputable characters. Arab Americans say they are
- sick of being typecast as terrorists. And Native Americans have
- had it with being portrayed as brutish scalp-craving savages.
- Now gay activists are taking to the streets to decry the
- growing number of movies that, they say, are stereotyping them
- as psychopathic killers.
-
- Protests have been aimed specifically at some of
- Hollywood's biggest and most prestigious films, including The
- Silence of the Lambs, which features a crazed transvestite who
- kills and flays women, and JFK, which has a scene in which gays
- alleged to be conspirators in the Kennedy assassination cavort
- in sadomasochistic fun and games. No movie, however, has
- provoked more outrage in the gay community than Basic Instinct,
- the box-office hit in which Michael Douglas plays a troubled
- detective who falls in love with a mystery writer (Sharon Stone)
- who is one of three bisexual or lesbian women suspected of
- stabbing a man to death with an ice pick.
-
- Demonstrations protesting the portrayal of homosexual
- women as man-hating murderers started when Basic Instinct began
- filming in San Francisco last year and resumed when the film
- opened. "Every lesbian and bisexual character in these films is
- accused of being a psychotic killer," says Kate Sorensen, a
- member of Queer Nation, which helped organize the protests. "And
- the girl never gets the girl. I'm tired of that." Gay activists
- across the country tried to dissuade moviegoers from seeing it
- by telling them who the killer is as they lined up for tickets.
-
- The tactic did not work well: the killer's identity is not
- clear, and the movie easily led the box-office sweepstakes in
- its first weekend with a $15 million take. But more protests
- were planned for the Oscar ceremony. Activists have successfully
- forced their concerns about gay images in the movies out into
- the open. They argue that all the onscreen mayhem is inciting
- real-life violence against members of their community. A
- five-city survey conducted by the National Gay and Lesbian Task
- Force Policy Institute reports a 31% increase in gay-bashing
- incidents last year, including a jump in the number of anti-gay
- murders to eight, from three in 1990.
-
- No doubt some of these attacks reflect a perverse fear of
- AIDS or the rising intolerance that has caused an increase in
- hate crimes of all kinds. Still, Hollywood's treatment of gays
- hasn't helped. With few exceptions, the homosexual characters
- in movies are creepy misfits or campy caricatures like the
- ultra-fey wedding consultant played by Martin Short in Father
- of the Bride. Their antics perpetuate the perception that gays
- are marginal, dubious people.
-
- Movies that deal with homosexuality in a more honest
- fashion are still largely taboo. Many moviegoers may have
- assumed that the young women in the surprise hit Fried Green
- Tomatoes were lovers (as is more clear in Fannie Flagg's novel),
- but their relationship was muted in the film. Despite the
- inherent drama in the AIDS crisis, only one U.S. feature film
- about the disease, the independently produced Longtime
- Companion, has been released. Gay activists say all this reserve
- reflects a strong undercurrent of homophobia in the movie
- community that has also caused many homosexual executives to
- remain in the closet and actors of both sexual orientations to
- shun overtly gay roles for fear of hurting their careers.
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- Some small films are being made and released
- independently. Among them is My Own Private Idaho, a story about
- young male hustlers by Gus Van Sant, the director of Drugstore
- Cowboy. But industry insiders attribute the dearth of mainstream
- gay films to the fact that movies with gay themes don't do well
- commercially. "If Longtime Companion had made as much money as
- Home Alone, the studios would have 10 times the projects with
- gay characters or stories in development," says Joel
- Schumacher, director of Flat liners and Dying Young. "The
- business doesn't care what you do in bed, but it does care what
- you do at the box office."
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- Awareness of the need for a different kind of sensitivity
- is growing, however. The Gay and Lesbian Alliance Against
- Defamation has conducted seminars for staff members at Columbia
- Pictures and Carolco. Meanwhile, departing Fox chief Barry
- Diller and MCA president Sidney Sheinberg recently founded
- Hollywood Supports, a service organization whose mission is to
- combat "AIDS phobia and homophobia" in the entire entertainment
- industry.
-
- But the activists have begun to alienate other studios and
- powerful filmmakers who could help their cause but are turned
- off by threats to "out" actors who refuse to cooperate with the
- activists and by demands to vet scripts that deal with gay
- subject matter. Oliver Stone was slated to produce and direct
- The Mayor of Castro Street, a potential breakthrough film about
- the life of San Francisco city supervisor Harvey Milk, a gay
- activist who was assassinated by a former city supervisor. But
- Stone decided not to direct after Queer Nation members
- threatened to disrupt his set because they objected to the way
- he handled gays in some of his past films. "I'm tired of having
- my neck in the guillotine," Stone told the Advocate, a national
- gay publication. "The gay community is extremely outspoken, and
- everyone in it is a movie critic. I don't need that." What is
- needed is an open attitude and more good movies about gays.
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