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- BOOKS, Page 67Fantasy Island
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- By AMELIA WEISS
-
- DREAMING IN CUBAN
- By Cristina Garcia
- Knopf; 245 pages; $20
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- What most Americans know about Cuba is Fidel Castro in
- fatigues and Ricky Ricardo singing Babalu. Its geography is
- Havana, a bad movie starring Robert Redford, and -- somewhere
- on the coast -- something called the Bay of Pigs. Add memories
- of big cigars, and white su gar, which now poses a greater
- threat to American health than communism. Otherwise, Cuba has
- been a closed port 90 miles off the U.S. coast, the plague
- island of the Caribbean.
-
- For the children of gusanos (worms) -- Castro's
- vilification of the Cubans who fled the revolution -- it's a
- hard exile. First-generation Americans, they live cut off from
- a homeland their parents cannot forgive and their new country
- forbids them to visit.
-
- In her impressive first novel, Dreaming in Cuban, Cristina
- Gar cia takes back her island. A former TIME correspondent and
- Miami bureau chief, Garcia left Havana with her family when she
- was two. Her story is about three generations of Cuban women
- and their separate responses to the revolution. Her special
- feat is to tell it in a style as warm and gentle as the
- "sustaining aromas of vanilla and almond," as rhythmic as the
- music of Beny More.
-
- Dressed in her best housedress, Celia del Pino, a
- 63-year-old revolutionary, sits in a wicker swing "guarding the
- north coast of Cuba." She wears the drop pearl earrings left by
- her departed Spanish lover and dreams of being honored by Fidel
- Castro -- "El Lider himself" -- on a red velvet divan. Instead,
- before dawn, she sights her dead husband, iridescent blue and
- "taller than the palms, walking on water in his white summer
- suit and Panama hat."
-
- Celia's children live in cold countries. Her son has
- immigrated to the East bloc. Her daughter Felicia is mad. And
- her eldest daughter Lourdes -- a ferocious anticommunist who
- scans the newspapers for signs of leftist conspiracies -- owns
- the Yankee Doodle Bakery in Brooklyn and sells apple pie to
- Americans.
-
- Lourdes loves the cold. She relishes "the ritual of
- scarves and gloves, hats and zip-in coat linings. Its layers
- protect her." Raped by revolutionaries who afterward carved
- "crimson hieroglyphics" into her soft belly, she wants "no part
- of Cuba, no part of its wretched carnival floats creaking with
- lies, no part of Cuba at all." But her Americanized daughter
- Pilar, born in Cuba when the revolution was 11 days old, misses
- her abuela: "Every day Cuba fades a little more inside me, my
- grandmother fades a little more inside me. And there's only my
- imagination where our history should be."
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- Garcia's imagination is ambitious. Not only does she
- reunite Pilar with her grandmother; she also claims her own
- aesthetic identity. Like a priestess, in passages of beautiful
- island incantation, she conjures her Cuban heritage from a land
- between "death and oblivion," so that she too can fasten on
- Abuela Celia's drop pearl earrings, sit in a wicker swing by the
- sea, and watch as the radiant spirits of her fore fathers
- "stretch out a colossal hand."
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