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- MUSIC, Page 56THE BEST OF 1992
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- 1. Cecilia Bartoli
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- Rossini Heroines (London). She's 26, she's magic, she's
- one of the phenoms who bubble up every few years to keep
- excitement alive in vocal music. A Roman with natural dramatic
- flair, Bartoli skipped over the usual apprenticeship because
- leading maestros like James Levine and Daniel Barenboim fell in
- love at first hearing. By 1995 she will be starring in most of
- the world's great opera houses, but for now she is making her
- mark in recordings. Of three incandescent solo discs released
- in 1992, this is the gem, showing off her brilliant mezzo
- coloratura, sublime musicianship and infectious good humor.
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- 2. Billie Holiday
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- The Complete Billie Holiday on Verve 1945-1959 (Verve).
- Speaking of Lady Day and her colleague Lester Young, the
- arranger-conductor Bobby Scott noted that both had "a frailty
- of spirit" and were "too fragile to live." This is a beautiful
- compilation of Holiday's waning years, great American music with
- frays aplenty and frailty to spare but no hint of weakness.
- Splendid and eternal.
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- 3. Bohuslav Martinu
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- Complete Symphonies (Chandos). The Czechoslovak-born
- Martinu was an orphan of 20th century political storms; all six
- of his brilliant, idiosyncratic symphonies were composed in
- America. Conductor Bryden Thomson and the Royal Scottish
- National Orchestra perform with passion and purpose in this, the
- find of the year.
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- 4. Mary-Chapin Carpenter
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- Come On Come On (Columbia). Country meets the suburbs, and
- old careless love hooks up with genteel angst, at the Chapin
- Cafe. In this mature, play-it-till-it-wears-out album, she sings
- love laments to an elder sibling, a North Carolina town, an
- imprisoned housewife. Her melodies are resilient; her lyrics
- bear a trace of Ivy League irony and of paying attention in
- poetry class -- and these days, isn't that nice? But nice
- doesn't get in the way of Carpenter's ingratiating artistry.
- She's a good girl gone better.
-
- 5. Anthony Davis
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- X, The Life and Times of Malcolm X (Gramavision). Move
- over, Spike: this penetrating musical portrait of the
- controversial black leader is at once a dazzling first opera and
- a powerful evocation of a man, his milieu and, ultimately, his
- place in history. The splendid, idiomatic cast includes Eugene
- Perry as Malcolm and Thomas J. Young as Elijah Muhammad.
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- 6. Charlie Haden
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- Haunted Heart (Verve). Intrepid bassist Haden has
- fashioned an autobiographical musical journey that re-creates
- in jazz the film-noir genre. The tunes on which Haden and the
- superb Quartet West spin their magic are part original, part
- period. Like the movies, the songs are full of long shadows,
- late streets and a phantom promise of love.
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- 7. Tony Bennett
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- Perfectly Frank (Columbia). It takes a top talent to do so
- right by itself while paying homage to another. This is a
- tribute to Sinatra cut to the Bennett mold: just the Ralph
- Sharon Trio and Bennett, cruising easily over Time After Time,
- lighting up Angel Eyes. Moral: there are no definitive versions
- of great songs, only definitive singers.
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- 8. Arrested Development
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- 3 Years, 5 Months and 2 Days in the Life of . . .
- (EMI/Chrysalis). Weary of the rage and misogyny of macho
- rappers? This debut album offers some refreshing variations. For
- one thing, two of the six band members are female. For another,
- the group's jazz-, funk- and reggae-laced tracks espouse --
- without profanity -- radical values like love and respect,
- reverence for nature and God (catch the album's hit single
- Tennessee, for example). These rappers get angry too, but theirs
- is a worthy cause: righteous revolution.
-
- 9. Henryk Gorecki
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- Symphony No. 3 (Nonesuch). Say it loud -- Go-ret-ski --
- and say it proud: the Third Symphony, composed in 1976, is one
- of the greatest and most mysterious works of our time. In three
- very slow movements, this crypto-Minimalist, radiantly
- spiritual essay on suffering and redemption could only have come
- from the deepest recesses of communist Poland. Conductor David
- Zinman, the London Sinfonietta and soprano Dawn Upshaw let it
- speak its peace, beautifully.
-
- 10. Eric Clapton
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- Unplugged (Reprise). A lyrical heartbreaker. The smash
- single is Tears in Heaven, written about the death of Clapton's
- young son, but what makes this collection a triumph is the sense
- of strength and spiritual assurance that Clapton brings to his
- playing and singing. It's the record of someone who, after
- incalculable pain, is renewing himself as we listen.
-
-
- ...AND THE WORST
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- Billy Ray Cyrus
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- Some Gave All (Mercury). Cyrus took his choreography from
- Chippendale's and his musical standards from the Chipmunks. But
- Achy Breaky Heart, his sing-along smash, held the pop charts
- hostage. Cyrus helped turn country music into beef jerky: short
- on funk, low on nutrition and punishing to the digestion.
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