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-
- Editorial - Long Night's Journey Into Day
- by Dave Bealer
-
- I am not a morning person...never have been. Ever since childhood I
- have most unwillingly answered those early morning alarm calls. On
- certain Saturday mornings in the Spring and Summer my grandfather,
- father and I would go fishing. These outings were most enjoyable, at
- least after I really woke up, which usually happened just before it
- was time to head home.
-
- Last October I finally found my dream job. I was promoted into
- supervision on night shift. I now have to be at work by 3 PM, which
- means I don't have to get up in the morning unless I want to. As a
- result I'm happier, more alert, and more productive than on day
- shift. This also leaves the late night hours (when I'm at my best)
- for writing. I can go to bed at 4 or 5 AM and sleep as long as
- needed.
-
- The only real problem is when I need to attend a training class,
- seminar or conference. These are all held on day shift, which means
- I actually have to set an alarm (horror of horrors!). It's bad
- enough when the interruption of my routine lasts an entire week. At
- least this gives me time to adjust my schedule to day shift over the
- first weekend and adjust it back to night shift on the second
- weekend. The real headache is when the interruption only lasts a day
- or two, and occurs in the middle of the week.
-
- It used to puzzle me why shift workers I knew universally despised
- swing shift. I thought it would be "interesting" to have a varied
- schedule. Silly boy. This past month has provided me with working
- examples of both kinds of interruption. An entire week on day shift
- followed by the next Wednesday on day shift. I'm still trying to
- recover.
-
- As a result of this catastrophic disruption of my neatly balanced
- creative equilibrium I have been unable to complete much in the way
- of articles for RAH this month. Fortunately the other contributors
- came through with flying colors. All three contributing editors have
- come up with at least one article, and RAH's Ace Reporter, Muffy
- Mandel, is ready with a story on Vaporware executive Dorian Debacle.
-
- Found in Yonkers
- ================
- After my complaints last month about the lack of new contributors, it
- was inevitable that at least a few folks would respond. John Downey
- of Yonkers, New York is the newest member of the RAH writing team.
- John makes his debut with a scathing indictment of the Windows
- conspiracy. As a long time DOS command-line cowboy, I am trying to
- get John into a treatment program for his GUI addiction.
-
- The Write Stuff
- ===============
- It has come to my attention that there may be new writers out there
- who do not submit their material to RAH because "it isn't good
- enough." If you fall into that category, read on. The following
- tale was related by Patricia C. Wrede, an established fantasy author.
-
- There is a story about a wannabe writer who ran into John Campbell,
- then editor of _Analog Magazine_, at a convention. The writer
- mentioned that he wrote SF short fiction. Campbell asked if he had
- ever sent any to _Analog_. The writer said no, because they weren't
- good enough. Whereupon Campbell drew himself up and said in a
- terrible voice, "How dare you reject stories for MY MAGAZINE?"
-
- Get it, people? If you have written something you think may be
- appropriate for RAH (or any other magazine), SEND IT IN! The worst
- that can happen is that it will be rejected. That's not the end of
- the world. I have tons of rejection slips; every real writer does.
-
- This is not to say you should send academic articles on electrical
- engineering to RAH or erotic fiction to Guideposts. Use a little
- common sense. The point is, once you have determined that your piece
- fits the general category of material published by a given magazine,
- let the editor decide if it is exactly right for his magazine or not.
- That's his job! Your job is to write the best story/article you can.
- {RAH}
- ---------------------------------------------------------------------
- Seen on a hall wall at NASA's Jet Propulsion Labs:
- (each letter appears to have been cut out of a magazine
- and pasted on the paper )
-
- we have your
- satellite if you
- want it back
- send 20 billion
- in martian
- money. No funny
- business or
- you will never
- see it again
-
-