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- 246
- Writers and Editors
-
- (D.O.T. 131 except .262-010 and -018; and 132 except .067-030)
-
- Nature of the Work
-
- Writers and editors communicate through the written word. Writers
- develop original fiction and nonfiction for books, magazines and
- trade journals, newspapers, technical reports, company newsletters,
- radio and television broadcasts, movies, and advertisements.
- Editors select and prepare material for publication or broadcasting
- and supervise writers.
-
- Writers first select a topic or are assigned one by an editor.
- Topics may be ideas, tangible objects, events, people, or
- organizations. Writers gather information through personal
- observation, library research, and interviews. Sometimes, they
- change the focus to a more interesting related topic as they learn
- more. They select and organize the material and put it into words
- that effectively convey it to the reader. Besides reporting the
- information they gather, they may analyze and interpret it. Writers
- often revise or rewrite sections, searching for the best
- organization of the material or just the right phrasing.
- Newswriters prepare news items for newspapers or news broadcasts,
- based on information supplied by reporters or wire services.
- Columnists analyze news and write columns or commentaries, based on
- personal knowledge and experience. Editorial writers write comments
- to stimulate or mold public opinion, in accordance with their
- publication's viewpoint. Reporters and correspondents, who may also
- write articles or copy for broadcast, are described elsewhere in
- this section of the Handbook.
-
- Technical writers put scientific and technical information into
- readily understandable language. They prepare operating and
- maintenance manuals, catalogs, parts lists, assembly instructions,
- sales promotion materials, and project proposals. They also plan
- and edit technical reports and oversee preparation of illustrations,
- photographs, diagrams, and charts.
-
- Copy writers write advertising copy for use by publication or
- broadcast media to promote the sale of goods and services.
-
- Established writers may work on a freelance basis; they sell their
- work to publishers or publication units, manufacturing firms, and
- public relations and advertising departments or agencies. They
- sometimes contract to complete specific assignments such as writing
- about a new product or technique.
-
- Editors frequently write and almost always review, rewrite, and edit
- the work of writers. However, their primary duties are to plan the
- contents of books, magazines, or newspapers and to supervise their
- preparation. They decide what will appeal to readers, assign topics
- to reporters and writers, and oversee the production of the
- publications. In small organizations, a single editor may do
- everything. In larger ones, an executive editor oversees associate
- or assistant editors who have responsibility for particular
- subjects, such as fiction, local news, international news, or
- sports, or who edit one or a few publications. Editors hire
- writers, reporters, or other employees, plan budgets, and negotiate
- contracts with freelance writers. In broadcasting companies,
- program directors have similar responsibilities.
-
- Editors and program directors often have assistants, with the title
- of assistant editor, editorial assistant, copy editor, or production
- assistant. Many assistants hold entry level jobs. They review copy
- for errors in grammar, punctuation, and spelling. They check
- manuscripts for readability, style, and agreement with editorial
- policy. They add and rearrange sentences to improve clarity or
- delete incorrect and unnecessary material. Editorial assistants do
- research for writers and verify facts, dates, and statistics.
- Assistants also may arrange page layouts of articles, photographs,
- and advertising or plan the use of tapes. They also may compose
- headlines, prepare copy for printing, and proofread printer's
- galleys. Some editorial assistants read and evaluate manuscripts
- submitted by freelance writers or answer letters about published or
- broadcast material. Production assistants on small papers or in
- radio stations clip stories that come over the wire services'
- printers, answer phones, and make photocopies. Most writers and
- editors use personal computers or word processors; many use desktop
- or electronic publishing systems.
-
- Most writers and editors use personal computers or word processors.
-
- Working Conditions
-
- Some writers and editors work in comfortable, private offices;
- others work in noisy rooms filled with the sound of keyboards and
- computer printers as well as the voices of other writers tracking
- down information over the telephone. The search for information
- sometimes requires travel and visits to diverse workplaces, such as
- factories, offices, laboratories, the ballpark, or the theater, but
- many have to be content with telephone interviews and the library.
-
- The workweek usually runs 35 to 40 hours. Those who prepare morning
- or weekend publications and broadcasts work nights or weekends.
- Writers may work overtime to meet deadlines or to cover a
- late-developing story. They face deadlines and the pressure to meet
- them. On some jobs, there are deadlines every day.
-
- Employment
-
- Writers and editors held about 283,000 jobs in 1992. Nearly a third
- of salaried writers and editors work for newspapers, magazines, and
- book publishers. Substantial numbers also work in advertising
- agencies, in radio and television broadcasting, in public relations
- firms, and on journals and newsletters published by business and
- nonprofit organizations, such as professional associations, labor
- unions, and religious organizations. Others develop publications
- for government agencies or write for motion picture companies.
-
- Many technical writers work for computer software firms or
- manufacturers of aircraft, chemicals, pharmaceuticals, and computers
- and other electronic equipment.
-
- Jobs with major book publishers, magazines, broadcasting companies,
- advertising agencies and public relations firms, and the Federal
- Government are concentrated in New York, Chicago, Los Angeles,
- Boston, Philadelphia, San Francisco, and Washington, D.C. More
- widely dispersed throughout the country are jobs with newspapers;
- and professional, religious, business, technical, and trade union
- magazines or journals. Technical writers are employed throughout
- the country but the largest concentrations are in the Northeast,
- Texas, and California.
-
- Thousands of other persons work as freelancers earning some income
- from their articles, books, and, less commonly, television and movie
- scripts. Most support themselves primarily with income from other
- sources.
-
- Training, Other Qualifications, and Advancement
-
- A college degree generally is required. Although some employers
- look for a broad liberal arts background, most prefer to hire people
- with degrees in communications, journalism, or English.
-
- Technical writing requires a degree in or some knowledge about a
- specialized field engineering, business, or one of the sciences, for
- example. In many cases, people with good writing skills can pick up
- specialized knowledge on the job. Some transfer from jobs as
- technicians, scientists, or engineers. Some begin as research
- assistants, editorial assistants, or trainees in a technical
- information department, develop technical communication skills, and
- then assume writing duties.
-
- Writers and editors must be able to express ideas clearly and
- logically and should love to write. Creativity, curiosity, a broad
- range of knowledge, self-motivation, and perseverance are also
- valuable. For some jobs, the ability to concentrate amid confusion
- and to produce under pressure is essential. Familiarity with
- electronic publishing, graphics, and video production equipment is
- increasingly needed. Editors must have good judgment in deciding
- what material to accept and what to reject. They need tact and the
- ability to guide and encourage others in their work.
-
- High school and college newspapers, literary magazines, and
- community newspapers and radio and television stations all provide
- valuable but sometimes unpaid practical writing experience. Many
- magazines, newspapers, and broadcast stations have internships for
- students. Interns write short pieces, conduct research and
- interviews, and learn about the publishing or broadcasting business.
-
- In small firms, beginning writers and editors may not only work as
- editorial or production assistants but also write or edit material
- right away. They often advance by moving to other firms. In larger
- firms, jobs usually are structured more formally. Beginners
- generally do research, fact checking, or copy editing. They take on
- full-scale writing or editing duties less rapidly than do the
- employees of small companies. Advancement comes as they are
- assigned more important articles.
-
- Job Outlook
-
- Employment of writers and editors is expected to increase about as
- fast as the average for all occupations through the year 2005.
- Employment of salaried writers and editors by newspapers,
- periodicals, book publishers, and nonprofit organizations is
- expected to increase with growing demand for their publications.
- Growth of advertising and public relations agencies should also be a
- source of new jobs. Demand for technical writers is expected to
- increase because of the continuing expansion of scientific and
- technical information and the continued need to communicate it.
- Many job openings will also occur as experienced workers transfer to
- other occupations or leave the labor force. Turnover is relatively
- high in this occupation many freelancers leave because they can not
- earn enough.
-
- Through the year 2005, the outlook for most writing and editing jobs
- is expected to continue to be keenly competitive primarily because
- so many people are attracted to the field. However, opportunities
- will be good for technical writers because of the more limited
- number of writers who can handle technical material. Opportunities
- should be better on small dailies and weekly newspapers and in small
- radio and television stations, where the pay is low. Persons
- preparing to be writers and editors should also have academic
- preparation in another field as well, either to qualify them as
- writers specializing in that field or to enter that field if they
- are unable to get a writing job.
-
- Earnings
-
- In 1992, beginning salaries for writers and editorial assistants
- averaged $20,000 annually, according to the Dow Jones Newspaper
- Fund. Those who had at least 5 years experience averaged more than
- $30,000 and senior editors at the largest newspapers earned over
- $60,000 a year.
-
- According to the 1992 Technical Communicator's Salary Survey, median
- annual salaries for technical writers were as follows:
-
-
- Entry level..................................................$26,700
- Mid-level nonmanagement...................................... 35,000
- Mid-level management......................................... 40,000
- Senior management............................................ 45,400
-
- The average annual salary for technical writers and editors in the
- Federal Government in nonsupervisory, supervisory, and managerial
- positions was $40,669; other writers and editors averaged $39,077.
-
- Related Occupations
-
- Writers and editors communicate ideas and information. Other
- communications occupations include newspaper reporters and
- correspondents, radio and television announcers, advertising and
- public relations workers, and teachers.
-
- Sources of Additional Information
-
- For a guide to journalism careers and scholarships, contact:
-
- The Dow Jones Newspaper Fund, P.O. Box 300, Princeton, NJ 08540.
-
- For information on college internships in magazine editing, contact:
-
- American Society of Magazine Editors, 575 Lexington Ave., New York,
- NY 10022.
-
- For information on careers in technical writing, contact:
-
- Society for Technical Communication, Inc., 901 N. Stuart St., Suite
- 304, Arlington, VA 22203.
-
-
- Visual Arts Occupations
-