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- MUSIC, Page 42BEST OF '90
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- Paul Simon: The Rhythm of the Saints (Warner Bros.).
- Intricate Brazilian rhythms; complex, inward-looking lyrics. And
- something else too: good fun.
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- Beethoven: "Diabelli" Variations, Alfred Brendel, piano
- (Philips). The publisher asked Beethoven for one variation of
- a simple little waltz tune; he wrote 33, and a masterpiece.
- Brendel performs with style and insight, verve and elan.
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- Robert Johnson: The Complete Recordings (Columbia). This
- isn't just music; it's American mythology, recorded in the
- mid-1930s and brought alive for the first time on two CDs. The
- blues found no deeper mystical expression than in Johnson's
- composing and singing.
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- Carlene Carter: I Fell in Love (Reprise). A world-beater
- album sung by a woman whose voice, with its leathery delicacy,
- can handle tunes of hard traveling and wrong-turn loving with
- equal finesse. If country music is still a man's game, Carter
- is effortlessly bending the rules.
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- The Complete Caruso (RCA Victor). The master's voice: Enrico
- Caruso's matchless discography (1902-20), now released on 12
- CDs. At home in everything from Puccini arias to George M.
- Cohan's Over There, Caruso continues to be revered, rightly, as
- the greatest Italian tenor who ever lived.
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- Frank Sinatra: The Capitol Years (Capitol); The Reprise
- Collection (Reprise). Does popular singing get any better than
- what is represented in these two editions? The first (three CDs,
- 75 songs) spans 1953-62; the second (four CDs, 81 songs),
- 1960-86.
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- Brahms: The Three Violin Sonatas, Itzhak Perlman, violin;
- Daniel Barenboim, piano (Sony Classical). There are half a dozen
- or so great sonatas for violin and piano; Brahms wrote three of
- them. Perlman and Barenboim -- the latter back at the keyboard,
- where he belongs -- give them robust yet sensitive readings.
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- Charles Mingus: Epitaph (Columbia). Composer-musicologist
- Gunther Schuller leads an all-star big band in a definitive live
- performance of the monumental suite -- raw, raucous and richly
- textured -- by a pioneer figure of modern jazz.
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- Tchaikovsky and Verdi Arias, Dmitri Hvorostovsky, baritone;
- Valery Gergiev conducting the Rotterdam Philharmonic (Philips).
- Hvorostovsky, 28, has a voice that is big, rich and -- most
- important -- silky smooth. There hasn't been a baritone with
- this force and allure since the young Hermann Prey.
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- The All-American Music of Irving Berlin, Dwight Thomas at
- the Paramount Wurlitzer Organ (Newport Classic). Even on this
- unlikely instrument, Berlin's melodic invention -- from the
- infectious Puttin' on the Ritz to the tender Always -- is
- nonpareil. The sleeper of the year.
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