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- <text id=93TT0284>
- <title>
- Sep. 27, 1993: Reviews:Books
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Sep. 27, 1993 Attack Of The Video Games
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- SPECTATOR, Page 93
- Can 42nd Street Be Born Again?
- </hdr><body>
- <p>Wisely, New York would preserve the honky-tonk diversity of
- 42nd Street
- </p>
- <p>By KURT ANDERSEN
- </p>
- <p> Government-sponsored urban-renewal schemes are bad almost by
- definition, since they derive from the bureaucrat's impulse
- to tidy up, to eradicate funk and chaos in favor of large-scale
- orderliness; planners fail to see the trees for the forest.
- During the past couple of decades, the relentlessly-raze-and-rebuild
- notion of progress has been overtaken by a mania for historic
- preservation, which is a great improvement. But preservationism
- can also tend toward the prissy, the anal and the monomaniacal
- and become a kind of by-the-book undertaker's approach that
- makes dead and dying downtowns prettier but not quite alive.
- </p>
- <p> At last, a post-control-freak third way seems within reach in
- New York City. Suddenly, even a skeptic can imagine that 42nd
- Street stretching west from Times Square -- America's most famous
- city block, glamorous turned squalid and now comatose -- might
- really be on the verge of revivification. Of course, there have
- been grand plans before: in 1954 LIFE magazine said a new antisleaze
- law meant that "42nd Street will probably never again" be as
- tawdry as it was then (which was considerably less tawdry than
- it became).
- </p>
- <p> This vision of renewal, however, is not only wiser, more civilized
- and pragmatic than its predecessors, but as of last week it
- was also a good deal more real. The city announced it would
- pony up $35 million to acquire the last private buildings on
- the block (since 1990, $185 million has been spent buying up
- all the others), and officials confirmed that the Walt Disney
- Co. is all but recruited to renovate and stage live performances
- in the New Amsterdam Theater, the grand Art Nouveau landmark
- where Ziegfeld had his Follies. "It is the deal that we all
- dreamed about," says one of the project's masterminds. "When
- somebody like [Disney chairman] Michael Eisner comes in, everybody
- follows."
- </p>
- <p> Essentially, if it's pop -- Sir Mix-a-Lot videos, cookie-dough
- Haagen-Dazs, Harvey Wallbangers, Beauty and the Beast trinkets,
- tickets to a Madame Tussaud's waxworks -- and doesn't involve
- pornography, switchblades or free-base pipes, the powers that
- be want it on the new 42nd Street. "We're after vulgar heterogeneity,"
- says the sly, donnish and influential architect Robert A.M.
- Stern, who drafted the new guidelines with the sly, perverse
- and influential graphic designer Tibor Kalman. Incredibly, they
- have persuaded the state and city to get behind an authentically
- populist spectacle, a potential mix of tourist traps and hip
- outlets, mom-and-pop shops and name-brand superstores. The goal
- is not a "themed" simulacrum of honky-tonk diversity but the
- real thing. Such a splendidly oxymoronic turn: a municipal code
- for discouraging tastefulness, a quarter-billion dollars spent
- to conjure a trashy Damon Runyon spirit. The Bizarro-world rules
- call for, among other things, giant loudspeakers blasting onto
- the street, commercial signs noticeably out of alignment with
- their neighbors and virtually no size limit for billboards.
- "The bigger and noisier," says Stern, "the better."
- </p>
- <p> This basic recipe isn't new: in her profoundly important The
- Death and Life of Great American Cities 32 years ago, Jane Jacobs
- declared that urban vitality depends on an eclectic mix of small
- stores. But that doesn't mean developers and bureaucrats haven't
- continued to pursue monumental, street-life-killing projects.
- Since 1981 the plan for 42nd Street envisioned four monstrous
- office towers. Lawsuits filed against that plan by neighborhood
- porno impresarios were beaten back, but they delayed the project
- for years -- enough time, fortuitously, for the real estate
- crash to kill it last year. Because the developers still dream
- of building their high-rises around the turn of the century,
- they have acceded to the new vision for 42nd Street grudgingly,
- and insist that it is only a temporary recasting. But if Disney
- and other entertainment big boys become entrenched, if cash
- flows are positive, and if Americans fall in love with a reanimated
- 42nd Street, will New York permit dreary office hives to come
- in and spoil the fun?
- </p>
-
- </body></article>
- </text>
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