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- <text id=89TT1877>
- <title>
- July 17, 1989: Deep Currents
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- July 17, 1989 Death By Gun
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 84
- Deep Currents
- </hdr><body>
- <p>By Paul Gray
- </p>
- <qt> <l>SPARTINA</l>
- <l>by John Casey</l>
- <l>Knopf; 375 pages; $18.95</l>
- </qt>
- <p> Stories about seafaring inevitably carry a ballast of
- symbolism. Shimmering significance goes with the territory:
- people casting off in the little world of a ship, adrift on a
- journey at the mercies of the elements and fate. In his second
- novel -- twelve years after his critically praised An American
- Romance -- John Casey makes it plain on the opening page that
- some large issues are going to be entertained. He introduces his
- hero, Dick Pierce, in a skiff, floating among the creeks and
- inlets of coastal Rhode Island. In paragraph two, Pierce ponders
- the marsh grass around him and has an insight: "Only the
- spartinas thrived in the salt flood, shut themselves against the
- salt but drank the water. Smart grass. If he ever got his big
- boat built he might just call her Spartina, though he ought to
- call her after his wife."
- </p>
- <p> These sentences foreshadow nearly everything to come in
- Spartina, although just how cleverly Casey tips his hand does
- not become clear until much later. Pierce's family once mattered
- in this region of Rhode Island, but not any longer. A succession
- of bad breaks has "squeezed him up Pierce Creek to an acre of
- scrub," where he lives in a ramshackle house with his wife May
- and two teenage sons and scrabbles a living as a fisherman.
- "He'd had a plan: by age 40 he would be master of a ship. Here
- he was at age 40-plus in an 18-foot skiff."
- </p>
- <p> Pierce's bitterness over his lot in life helps make him its
- prisoner. His quick temper has got him fired from jobs that
- might have enabled him to buy his boat and independence. Banks
- will not lend him money. He has no telephone at home because he
- ripped it out of the wall during a fit of anger. He poaches
- clams at a neighboring bird sanctuary, more out of orneriness
- than hope of profit. And, to complicate his existence still
- further, he has fallen into a love affair with Elsie Buttrick,
- the local game and fish warden.
- </p>
- <p> It would seem difficult to root for the success of such an
- unpleasant character, but Casey artfully provides good reasons
- for doing so. Pierce's "swamp Yankee" pride is based on a
- fierce, if sometimes obnoxious, integrity. He does not ask for
- anything except the chance to make a decent living at what he
- knows best. The world needs seafood, and Pierce has learned
- through long experience how to find and catch it. He is, in
- fact, an archetypal figure in American literature, the little
- guy at odds with big institutions, battling the triumph of
- newfangled shoddiness over old traditions. In addition, he
- possesses enough self-awareness to recognize and regret his
- bursts of bad behavior.
- </p>
- <p> Can Pierce raise the $10,000 or so required to finish his
- boat and get it launched before the whole project sinks under
- debt and futility? How will he manage his passionate connection
- with Elsie while maintaining his marriage and giving no pain to
- his patient, long-suffering wife? Answers eventually arrive, but
- not before some spirited narrative interludes: vivid scenes of
- hunting and "sticking" swordfish on the high seas, a sexual
- encounter that turns into an extended bout of mud wrestling, a
- hair-raising attempt to outsail a major hurricane.
- </p>
- <p> Beneath this busy, engrossing surface, though, Casey traces
- deep moral currents. Pierce must try to free his soul from the
- hoard of resentments it has accumulated. If the spartina grass
- can filter out the salt and be nourished by the water, perhaps
- Pierce can accept what he has been given and forget about what
- he has lost. This matter remains in doubt almost to the end of
- the book. The resolution is worth waiting for, and so are the
- pleasures along the way. Here is old-fashioned, full-bodied
- fiction with a vengeance: remarkable characters meet and clash
- on fields of social class, money and sex. They do not make
- novels like this very much anymore; John Casey deserves
- gratitude for being stubborn and talented enough to do so and
- succeed.
- </p>
-
- </body></article>
- </text>
-
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