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MusicPrinter Plus version 3.2 DEMO 1 PREFACE MusicPrinter Plus is a software program designed to make notation and performance of a musical composition quick and easy. It is available from Temporal Acuity Products, Inc. 300 - 120th Ave. NE, Bldg 1 Bellevue, Washington 98005 (206)462-1007 or (800)426-2673 (except WA) A detailed 370-page instruction manual accompanies the program. MPDEMO is a fully-functioning version of MusicPrinter Plus, with some exceptions: - The score and its associated MIDI data cannot be saved to disk. - Part Extraction is not included. - The score in memory is cleared every 30 minutes. - The UNDO feature for Score Reformat and MIDI Real-time Input is provided only if sufficient memory is available. The use of disk files for UNDO has been disabled. - For the Score Reformat function, handling of document overflow to disk is disabled. - Scores that you create cannot be printed. Instead, you should execute the MPPRINT command to recreate one of our sample printouts. The purpose of this demo is to allow you to discover for yourself how quickly and easily you can prepare score copy and play back what you have written, and to show an example of the exquisite laser and dot-matrix printed output. While MusicPrinter Plus may superficially resemble other MIDI-based printing and performing programs, it has several powerful features that make it unique: 1. SPEED AND FRIENDLINESS IN CREATING SCORES. If you have struggled with the many problems inherent in MIDI-based entry systems, you will appreciate the word-processor environment emulated by MusicPrinter Plus. A unique character-key selection system allows you to call any musical symbol into the cursor by striking only a single key. With the mouse or cursor keys, you can move that character to any point in the score. You can then enter the character directly into the score by clicking the mouse, or by pressing the space bar or Enter key. Characters can be removed from the score in similar fashion. The character-key selection system treats each key as a "stack," in which several characters having similar function are located. Keys are generally assigned mnemonically by category. For example, clefs are stacked on the "C" key. Pressing "C" the first time creates G-clef as the cursor. Pressing "C" a second time creates a bass clef as the cursor. Pressing "C" a third time creates a movable C-clef as the cursor. Next is a percussion clef. A fifth press returns the cursor to the G-clef. All the clefs can thus be accessed quickly through a single key. (Character key assignments can be determined at any time by accessing MusicPrinter Plus's extensive Help screens. Press the F1 key to bring up the Help screens.) MusicPrinter Plus v3.2 DEMO 2 Since the character-key selection system requires only one hand on the computer keyboard, the other hand is free to control the mouse, cursor keys or MIDI keyboard to position the cursor itself. This gives you fast, accurate control of all aspects of the notation process. For text entry, MusicPrinter Plus easily switches into true word-processing mode, which allows you to use the computer keyboard as a typewriter -- with four available text styles that may be freely intermixed. There is also a lead sheet/chord symbol mode for quick entry of jazz and guitar symbols. During score entry and editing, the computer screen acts as a direct window into the score. MusicPrinter Plus does not depend on elaborate menus, icon selection or any other process that clutters the screen with non-score information, or removes the user from direct visual command of the score. The principle of "what-you-see-is-what-you-get" is basic to MusicPrinter Plus, and ensures maximum freedom in score design. By opting for direct visual control of score entry and editing, MusicPrinter Plus avoids the many problems inherent in sequencer entry -- quantizing, strict time non-rubato performance (a problem for many fine artists), horizontal approach to the score, and inflexible notation decisions made by the computer, rather than by the user. Since score entry and editing are the same in MusicPrinter Plus, making changes is as simple as first-time entry. This means that you can develop the score, both vertically and horizontally, as you go along, experimenting with different combinations of pitch, rhythm and instruments at will, while correcting false entries as they occur. More important, you do not have to approach MusicPrinter Plus with a previously-completed handwritten score. You can do all your score development, from sketch to final printed copy, entirely within MusicPrinter Plus. This means tremendous time saving in overall score preparation. 2. REAL-TIME SCORE PERFORMANCE CAPABILITY. MusicPrinter Plus provides complete, accurate playback of all expressive aspects of the score. Because it compiles its MIDI performance sequence directly from notation, rather than from prior MIDI entry, MusicPrinter Plus allows you to hear exactly what you have notated, including expressive dynamics, rubato and articulation, as well as trills, tremolandos, repeats and other performance directions. In addition to providing you with accurate proofreading-by-ear, MusicPrinter Plus is also a powerful tool for generating complex MIDI performances -- performances that are well beyond the technical capabilities of conventional sequencer technology. No other program on the market today begins to compare with MusicPrinter Plus's sophistication in the area of MIDI sequence generation. MusicPrinter Plus v3.2 DEMO 3 3. PROFESSIONAL-QUALITY PRINTOUT. MusicPrinter Plus offers high-resolution graphic printing from dot matrix printers, and full 300 d.p.i. resolution from laser and ink jet printers. Character resolution for 9-pin printers is 120 by 144 dots per square inch, and for 24-pin printers is 180 dots per inch. PostScript is not required for laser and ink jet printing. MusicPrinter Plus fully supports wide-carriage dot matrix and ink jet printers, and can print pages of any specified length. This means that you are not limited to letter-size paper for your music printing. ---------------------------------- MusicPrinter Plus v3.2 DEMO 4 GETTING STARTED MusicPrinter Plus will save information about your system preferences and MIDI performances on disk. To preserve the original information, you should make a copy of the demo disks before running the demo program. To start the demo program, enter the command MPDEMO. If you are running MPDEMO with an IBM Music Feature, you must first run the program "MFDRIVER.EXE" before starting MPDEMO. If you are running MPDEMO on the Yamaha C1 Music Computer, you must first run the program "C1DRIVER.EXE" before starting MPDEMO. After the initial messages appear, you should press Enter to bring up the starting screen. Before going on to the main program, you may have to specify your screen display type. Unless your computer has a Hercules-type video adapter (Monochrome Graphics), press the F7 key to choose from various screen display types. If you do not specify the correct screen display type, the program will not run correctly. MusicPrinter Plus uses program overlays for Realtime Input, Reformat, and the Help screens. The overlays are found in three files having the extension ".DMO". These overlays must be available to the program in order for you to use these functions. When running MusicPrinter Plus from a single floppy disk drive, place the program disk in that drive when accessing these functions. MusicPrinter Plus document files are stored under the user-assigned file name, plus the extension ".MP1". "MP1" files contain all the information necessary for screen display and printing of the score. When you create a playback configuration, MusicPrinter Plus stores that configuration in a file having the extension ".PRM". This file is updated every time you edit playback configurations. If you wish to make changes in the configuration of any of the example files, be sure first to save the original ".PRM" file on another disk, so that it can be preserved for the next user. MIDI sequence files are stored on disk with the extension ".ESQ". These files are in IBM/Yamaha standard "ESEQ" format. (For this demo, this file cannot be saved.) Note that the file extensions discussed above are added automatically by MusicPrinter Plus. Only the user-defined file name (up to eight ASCII characters) is used when accessing files from within MusicPrinter Plus. ---------------------------------- MusicPrinter Plus's file prompt includes the current drive and directory specification for accessing MusicPrinter Plus files. You can change drive and directory simply by backspacing and retyping. When loading, if you specify only the drive and directory (ending with a backslash character) and press RETURN, you will be shown a complete list of MusicPrinter Plus document files in that drive and directory. MusicPrinter Plus v3.2 DEMO 5 Most of MusicPrinter Plus is self-guiding. When you do not understand a menu, procedure or function, simply press the F1 key to bring up an appropriate help screen. If you are starting a new score, you will be shown two menus before entering score edit mode. The DOCUMENT DIMENSIONS menu allows you to specify document size for both printing and screen display. For dot-matrix printers, each column in MusicPrinter Plus is 1/12 inch (12 pitch), except for small size on 24-pin printers where, each column is 1/18 inch (18 pitch). Laser printers print 12.5 characters per inch, and characters on the Canon Bubble Jet printing at 360 dots per inch appear at 15 pitch. The SYSTEM DEFINITION menu allows you to specify system size, and assign names to each staff area within the system. A musical system is a score unit which contains all the staffs that are to be played simultaneously. For example, a piano solo score will call for a two-staff system (i.e., one each for right and left hand parts), while a string quartet will call for a four-staff system. ---------------------------------- MIDI PERFORMANCE MPDEMO Version 3.2 allows you to compile your own MIDI performances from notation. In order to make use of this feature, you must have an IBM Music Feature card or a Roland MPU-401 (or look-alike) MIDI interface installed, or you must be using a Yamaha C1 Music Computer. Remember that you must run "MFDRIVER.EXE" before starting MPDEMO if you are using the IBM Music Feature, and "C1DRIVER.EXE" before starting MPDEMO on a Yamaha C1 computer. The IBM Music Feature or the Roland LAPC-1 can be used as a synthesizer directly. Other interfaces require MIDI connection to an external synthesizer. In order to play back properly, your score must conform to certain notational rules. All musical events that are to occur simultaneously must be in vertical alignment within the system. This means notes, chords, rests and barlines. Misaligned notes or rests will cause rhythmic inaccuracy during playback. Misplaced bar line alignment will cause insertion of an entire bar rest into the playback sequence. MusicPrinter Plus recognizes a key signature when the column following the rightmost accidental does NOT contain a note. Accidentals intended as incidental modifications to notes should NEVER have a note-free column following the rightmost accidental. Dynamic marks take effect at the note at which they occur, or at the first note to the right of the mark. Only one set of dynamics can be used for each staff, although dynamics can vary from staff to staff. The "cresc." and "dim." marks, as well as the hairpins (found on the "<" and ">" keys), take effect on the first note to the right of the mark, and extend to the next dynamic mark. Dynamics ranging from ppppp to fffff are supported (ppppp indicates silence, and can be used as the final point of a diminuendo.) MusicPrinter Plus v3.2 DEMO 6 Pedal start and stop symbols govern all channels assigned to the staff area in which they occur. Patch-change markers ("P"-shaped character found on the "0" key) can be used at any point in the score to select a new patch on the channel currently assigned to a given staff area. Simply enter the patch-change marker, followed by the number of the desired patch. If the staff area is divided into separate voices reading stems up and down, patch-change markers must be placed above the staff for the upper voice, and below the staff for the lower voice. See the section below entitled "Configuring for MIDI Performance" for further discussion of staff channel and patch assignment. Articulation marks must be placed in vertical alignment with the note to which they refer. If you are splitting the staff into "stems up" and "stems down" voices, articulation marks for the upper voice must be placed above the staff, and articulation marks for the lower voice below the staff. Otherwise, marks can be placed at the note head. Marks supported are staccatissimo (vertical wedge), staccato (.), semi-staccato (-) or (dash-with-dot), vertical wedge accent and horizontal wedge accent. In addition, trill, three-line tremolando, and one-line and two-line measured tremolando are supported. Tempo indications are given by a one-to-three digit Helvetic number following the "note-equals" character found on the "=" key. These are standard metronome indications, and apply to the entire system. The "accel." and "rit." marks take effect on the note with which they are vertically aligned, or on the next note to the right, and extend to the next tempo indication. The symbol "ten." or the dash tenuto mark (found on the SHIFT-T key) extends the note on which it occurs by the "trill value" (see TRILL VALUE below), and applies to all notes in vertical alignment with that note. Grace notes are given the "trill value," and are "robbed" from the preceding note value where feasible. Fermatas extend durations by the number of eighth notes specified by a one-to-three digit number to the right of the fermata (see NON-PRINTING NUMBERS below). Break marks (double slanted lines) insert durations equal to the number of eighths similarly specified. The breath mark (comma) is given the "trill value." Section repeat marks (:) are supported, as are first and second endings. The symbols "D. C.", "D. S.", "Fine", segno (sign) and coda can be used to create large-scale repeats, which may contain section repeats. MusicPrinter Plus v3.2 DEMO 7 NON-PRINTING NUMBERS Certain characters can be given specific numerical value by placing a one-to-three digit Helvetic number directly to the right, at the same vertical cursor position as the character. These numbers will not print out when the "suppress" option is chosen on the print menu. The characters thus supported are: Dynamic "p" or "f" - a number up to 127 will specify the actual MIDI volume or velocity command used for this dynamic mark. Tenuto ("ten." or dash) - a one-to-three digit number will determine the number of "trill value" durations added to the duration of this note. Default is one "trill value." Fermata - a one-to-three digit number will determine the number of eighth-note durations to be added to this note. There is no default. A fermata without a number following is ignored. Break mark - a one-to-three digit number will determine the number of eighth-note durations to be inserted. Default is one. Breath mark - a one-to-three digit number will determine the number of "trill value" durations to be inserted. Default is one. Section repeat - a one-to-three digit number placed after the second mark will determine the number of times the section following the first mark will be repeated. Default is one. Patch number - the "P" symbol found on the "0" key indicates patch number to be sent out over the MIDI channel assigned to the affected staff area. Configuration number - the diamond-shaped symbol found on the "0" key selects the performance configuration of the same number (see "Configuring for MIDI Performance" below). NON-DUPLE RHYTHMS MusicPrinter Plus handles non-duple rhythmic subdivisions by altering its rhythmic reading mode. The non-duple reading mode indicators are found on the SHIFT-P key. The "3" symbol indicates start of triple mode (durations are accorded 2/3 their normal value); the "5" symbol indicates start of quintuple mode (durations are accorded 4/5 their normal value); the "7" symbol indicates start of septuplet mode (durations are accorded 4/7 their normal value); and the "9" symbol indicates start of nonuplet mode (durations are accorded 8/9 their normal value). The backward-curving symbol without a number is the end-non-duplet symbol. These non-duple indicators appear only on the screen, and are non-printing. MusicPrinter Plus v3.2 DEMO 8 To use these symbols, place a start mode indicator in vertical alignment with the FIRST note or rest to be read in non-duple mode. Place the end-non-duplet symbol in vertical alignment with the LAST note or rest to be read in this mode. If voices on a staff are separated by stem directions, place the mode indicators above the staff for the upper voice and below the staff for the lower voice. CONFIGURING FOR MIDI PERFORMANCE Pressing Alt-F10 brings up the MIDI PERFORMANCE MENU. Choosing item #6 allows you to create a new performance configuration. Choosing item #1 allows you to edit an existing configuration (one "default" configuration is always provided for a new document). Remember that the MIDI performance configurations are AUTOMATICALLY recorded in a disk file having the ".PRM" extension. Any changes you make to the configuration settings will replace former settings. A MIDI configuration consists of three screen "panels." Panel #1 requires that you specify the number of score voices you wish to assign to MIDI, "Trill value," crescendo/diminuendo mode, dynamic range and dynamic slope. PANEL #1: SCORE VOICES A "score voice" is an actual single-note written part. A three-note chord represents three score voices. Determine the number of score voices on each staff by counting the maximum number of notes required at any one time. Even if your synthesizer system will not support all the voices called for by your score, it is best to assign all score voices. Rhythmic problems can arise in playback if all score voices are not accounted for. You may specify more score voices than will actually be needed, however. TRILL VALUE The "trill value" is the note value chosen for trills, tremolandos, grace notes, tenuto marks and breath marks. Possible values range from eighth note to triplet 128th note. Keep in mind that the absolute duration of the "trill value" will vary with the tempo. CRESCENDO/DIMINUENDO MODE When the "At note" option is chosen, all crescendos and diminuendos will be accomplished through MIDI velocity commands, which are given only at the onset of each note. When the "Trill value" option is chosen, crescendos and diminuendos will be accomplished through MIDI volume commands, given at the rate of the "trill value." This latter option allows dynamic changes within note durations. MusicPrinter Plus v3.2 DEMO 9 DYNAMIC RANGE A setting of 12 provides widest dynamic contrast between loud and soft. Lower settings decrease the dynamic contrast. DYNAMIC SLOPE When "linear" is selected, MIDI volume numbers are evenly distributed between ppppp and fffff. "Soft weighted" slope spreads the MIDI numbers at the high end, with a greater distance between f and ff than between p and pp. The opposite is true of "loud weighted" slope. PANEL #2: In Panel #2 you assign each score voice to a specific MIDI channel. Score voices are numbered consecutively down the left side of the screen. You must assign performance information for each voice. Use the arrow keys to move the cursor to the desired items. STAFF NUMBER This is the number of the staff within the system, with the top staff being staff #1. For example, if three voices are to be found in the top staff, score voices 1-3 should all be assigned to staff #1. STEM DIRECTION You may assign a voice to read stems up only, stems down only, or stems up/down. In this way, you can separate staffs into two separate musical lines -- stems up and stems down -- and assign each to a separate MIDI channel. CHANNEL ASSIGNMENT This is the MIDI channel (1-16) to which the score voice is to be sent. You must be sure that one of your synthesizers is configured to read this particular channel in order for this score voice to be played. DYNAMIC BALANCE This sets the relative dynamic setting for the score voice, in comparison with the other score voices. If you selected the "At note" option on Panel #1, balance will be achieved through the MIDI volume command, given by channel. This means that all voices using the same channel must be set to the same relative volume. If you selected the "Trill value" option, balance will be achieved through the MIDI velocity command, which can be set separately for each note. (Note: your synthesizers must be capable of responding to both MIDI velocity and MIDI volume commands in order for this feature to work.) MusicPrinter Plus v3.2 DEMO 10 STEREO POSITION This sets right, left or middle stereo position by channel, for synthesizers which respond to the MIDI stereo placement command. Note that only one selection can be made per channel. SYNTHESIZER VOICE This is the voice, patch, tone, timbre, program, or other designation which your synthesizer uses to indicate the particular sound which is to be assigned to a given channel. Only one such sound can be used per channel, but several score voices can be assigned to the same channel, depending on the synthesizer's capabilities. A mono-timbral synthesizer can select only one channel at a time, assigning the same sound to all notes. A multi-timbral synthesizer can read several channels at the same time, assigning a different sound to each channel. Synthesizer voice numbers range between 1 and 128. Refer to your synthesizer manual for a listing of voice, patch, tone, timbre or program numbers. (Note: Some synthesizers number patches from 0 to 127. In such cases, indicate the next higher number to that of the desired patch in MusicPrinter Plus.) M-F BANK This is the bank number used by the IBM Music Feature or the Yamaha FB-01 to access different groups of synthesizer voices. It will be ignored by other synthesizers. PANEL #3. Panel #3 allows you to transpose all the voices of any given staff up or down by a specified number of half steps. Use this for parts written "in Bb," for example, or for synthesizer sounds that are programmed to sound at the wrong octave. NUMBERING CONFIGURATIONS You can call for more than one configuration within the score, by inserting the diamond-shaped marker found on the SHIFT-0 key, followed by the number of the desired configuration. Choose option #6 on the MIDI PERFORMANCE MENU to create new configurations. CONFIGURING SYNTHESIZER INTERFACES Item #7 on the MIDI PERFORMANCE MENU allows you to set playback configuration for the IBM Music Feature or Yamaha FB-01. "Mono-8" sets the card to play a single voice on each of eight consecutive channels, beginning with designated channel "N". "Dual" sets the card to play four voices on each of two consecutive channels, beginning with designated channel "N". "Single" sets the card to play eight voices on a single channel "N". MusicPrinter Plus v3.2 DEMO 11 Item #8 on the MIDI PERFORMANCE MENU allows you to assign the sound-producing "parts" of the Roland MT-32 and LAPC-1 to desired channels, or to turn individual "parts" off. In addition, you can set overall output volume and reverb parameters. You can send these settings directly to the MT-32 or LAPC-1 by pressing F2. To record these settings and include them as system-exclusive messages in the playback file, press F10. COMPILING FOR PERFORMANCE Once the score is ready for playback, and the configuration menus have been completed, select item #2 on the MIDI Performance Menu. The menu allows you to choose the starting and stopping systems, and to inhibit all system exclusive messages if desired. (Certain synthesizers may require inhibition of system-exclusive messages in order to respond properly.) Once you have compiled the score, it is ready for performance. MIDI PERFORMANCE Option #3 on the MIDI Performance Menu initiates MIDI performance. During performance the music will scroll to show the current system. You can end performance at any time by pressing ESC. Pressing SPACE BAR initiates step-time mode, in which you can step through the performance event-by- event. In step-time mode, you can also step backward by pressing the backspace key, or repeat an event by pressing "R". (Forward and backward stepping can also be controlled by the mouse right and left buttons, respectively.) Press F1 at any time during performance for help on these and other control keys. MusicPrinter Plus v3.2 DEMO 12 MIDI REAL-TIME ENTRY Pressing ALT-F9 from music edit mode allows you to initiate realtime music entry from your synthesizer keyboard or other MIDI pitch control device. Two menu panels allow you to set parameters for realtime entry. You should always check these panels before starting realtime entry, to verify that all settings are as desired. If you wish to establish the current settings as program defaults, press F5. Items on MIDI REALTIME ENTRY, PANEL ONE: (1) Number of beats in bar For MIDI real-time purposes, a 'beat' is the note value represented by the bottom number of a time signature. For example, in a meter of 6/8, the 'beat' is an eighth note. For 6/8 meter, therefore, you should enter '6' as the number of beats in a bar. To specify a number, simply place the cursor at this item, type in the desired number, and press Enter or an arrow key, or press "+" or "-" to increment or decrement the current number. Up to 15 beats per bar can be selected. (2) Note value of beat This item sets the note value for a beat, as defined above. In a meter of 6/8, the note value chosen should be 'eighth.' Select the note value by pressing the SPACE BAR to toggle through the possible choices. (Note: the beat value and number of beats in a bar need not correspond to the time signature notated in the score. For example, you may specify four quarter notes for real-time entry, while notating a signature of 8/8). Note values range from whole to 32nd. (3) Subdivision mode You may subdivide the beat into duplets, triplets or a combination of duplets and triplets. A change in this mode may result in a change in lowest note-value [see (4) below]. Press SPACE BAR to toggle among the modes. (4) Lowest note value to be entered MusicPrinter Plus automatically positions notes, rests and bar lines in accordance with the lowest note value to be entered. For example, in a 6/8 bar in which the sixteenth note is the lowest note value, the maximum number of rhythmic positions will be twelve. If the lowest note value is a 32nd note, however, the maximum number of rhythmic positions will be twenty-four, necessitating a bar nearly twice as wide. Since note and bar positions must be the same for all staffs within a system, be sure to account for the lowest note value that will be entered in any staff within the system, not just the current staff. MusicPrinter Plus v3.2 DEMO 13 While you are playing, MusicPrinter Plus will notate each note to the nearest lowest-note value. This allows MusicPrinter Plus to compensate to some degree for rhythmic inaccuracies in performance. The shorter the lowest note value, the less compensation possible. It is best, therefore, to use the longest possible duration for the lowest note value. For bars with 8 or fewer beats, Musicprinter Plus allows you to subdivide each beat into 2, 4 or 8 when using duple subdivision, or 3, 6 or 12 when using triple subdivision. For bars with more than 8 beats, only subdivision into 2 or 4 is allowed in duple, and 3 or 6 in triple. (5) Tempo This is the number of beats per minute. Tempo can also be modified while the metronome is running, prior to beginning real-time entry. (6) Beaming pattern (beats per beam) This item selects the number of beats to be included within a beamed group of eighths, 16ths, 32nds and/or 64ths. For example, in a 6/8 meter, a choice of '3-3' indicates beaming by groups of three eighths, starting on beats 1 and 4. If you specify '2-2-2,' however, beams will be in groups of 2 beats, starting on 1, 3 and 5. You can specify beat groups of 1, 2, 3 or 4 in any order, so long as the total number of beats is equal to the number entered in item (1) above. You can move the cursor to the right or left by using the arrow keys. Type the desired numbers, then press Enter or an up or down arrow key. (7) Number of bars to enter (0=unlimited) You can specify the exact number of bars for real-time entry. If you type '0,' the number of bars will be unlimited. To change the number, simply place the cursor at this item and type a new number. Then press ENTER or an arrow key to record the number. (8) Stem direction for notes This item specifies the stem direction for the current real-time entry. You can select "up," "down" or "up or down" by pressing the SPACE BAR. These selections will result in all stems up, all stems down, or "floating" stems, respectively. ("Floating" stems will follow standard rules of stem direction, based on note head position.) (9) Staff entry mode Two entry modes are possible -- single staff and double staff. Single-staff entry mode places notes only in one staff area within the system. Prior to pressing Alt-F9 to start real-time entry, you must indicate the desired staff area by placing the cursor within that staff area. MusicPrinter Plus v3.2 DEMO 14 Double-staff entry mode places notes in two adjacent staff areas, with the choice of staff depending on the pitch played. All pitches from the splitpoint to the top of the keyboard will be placed in the upper staff; all pitches below the splitpoint will be placed in the lower staff. Prior to pressing Alt-F9 to start real-time entry, you must indicate the staffs to be notated by placing the cursor within the UPPER of the two staff areas desired. Press the SPACE BAR to select single or double modes. (10) Splitpoint (use MIDI keyboard) During double-staff real-time entry all keyboard notes from this key to the highest note on the keyboard will be notated in the upper (right hand) of the two staffs. All notes below (to the left of) this key will be notated in the lower (left hand) staff. To set the cutoff pitch, place the cursor at this item and play the desired note on the synthesizer keyboard, or use the "+" or "-" keys to increment or decrement the pitch number. (11) Hand placement (RH if double-staff) In double-staff entry mode, you can choose to have the upper (right hand) staff part notated an octave lower than it is played on the keyboard, by setting this item to "octave above." When selecting this option, be sure that the splitpoint selected in item (9) above is an octave above the lowest note you wish to see notated in the upper staff. Octave offset allows a common notated area of almost an octave between the two staffs. Press SPACE BAR to choose options. In single-staff entry mode, you can choose to enter notes at pitch, or from an octave above or an octave below notated pitch. Press SPACE BAR to choose options. (12) Automatic or user-controlled metronome In automatic metronome mode, the computer will generate metronome pulses at a consistent tempo during real-time entry. In user-controlled metronome mode, you control the metronome pulses manually by pressing the CTRL, SHIFT or ALT key. Each press of one of these keys generates one lowest-note-value pulse. Press the SPACE BAR to select automatic or user-controlled modes. MusicPrinter Plus v3.2 DEMO 15 (13) Notation mode Three notation modes are available: (a) user-imposed rests: no overlapping notes Single notes or chords can be entered in staccato fashion from the MIDI keyboard. Whenever a new note, chord or rest is begun, the full intervening duration will be assigned to the previous note or chord, and it will appear on screen. Rests are begun by pressing the SPACE BAR or the left mouse button. A note or chord held into a new note or chord will not be tied into the new note or chord. (b) user-imposed rests: overlapping notes. Similar to (a) above, except that a note or chord held into the beginning of a new note or chord will be tied into the new note or chord. (c) notes and rests as played. Note durations are determined by attack and release of each individual note. Rests are automatically inserted when no notes are sounding. Notes played shorter than the lowest note value (i.e., staccato notes) will be notated at the lowest note value. (14) Automatic playback You can choose to hear any previously-entered music while playing a new part in by setting this item to "enabled." Press SPACE BAR to choose between "enabled" and "disabled." (15) Automatic beaming Beaming can be accomplished during entry, after entry is completed, or not at all. Use SPACE BAR to toggle through these choices. When fast music is entered on slow computers, automatic beaming during realtime entry may lag behind the beat. Press PG DN to go to MIDI REAL-TIME ENTRY, PANEL TWO Items on MIDI REAL-TIME ENTRY, PANEL TWO: (1) Scale mode selection This item can be toggled among "major," "minor," "upward ascending" and "downward ascending" by pressing the SPACE BAR. As each choice is made, the spellings in the Pitch identification chart to the right will change, to indicate the default spellings of the keyboard keys within the current key signature. (2) Pitch identification Individual spellings within this chart can be changed by placing the cursor at the desired item, using the right or left arrow keys, and pressing the SPACE BAR. The spellings in the pitch identification chart will be the ones used for notation during real-time entry. To restore standard scale spelling as default, press F2. MusicPrinter Plus v3.2 DEMO 16 (3) Leftmost columns to copy to new staff MusicPrinter Plus assumes that you will want to copy all material left of the first clef, plus the clef itself and any key signature to the immediate right of the clef, to each new system during real-time entry. The number shown in this item corresponds to the rightmost column number to be copied, allowing for different-sized signatures within the system. You will not normally need to edit this item. (4) Starting column (after current staff) This is the column in which the first note or rest will be written in every system except the starting system. This number is usually 3 larger than the number given in item (3) above. You will not normally need to edit this item. (5) Channel for MIDI playback during entry This is the MIDI channel over which automatic playback (see item 14 on panel one above) will be sent. (6) Patch number for MIDI playback This is the patch number which will be sent to your synthesizer over the channel specified in (5) above, prior to MIDI playback during entry. If you are using the IBM Music Feature, the patch number will be assumed to be in the current bank. NOTE: When the cursor is placed on item 5 or item 6, notes played from the MIDI keyboard will be sent out over the specified channel, using the specified patch number. You can use this option to test and explore synthesizer patches directly. MusicPrinter Plus v3.2 DEMO 17 (7) Echo MIDI-IN to MIDI-OUT When enabled, this item allows incoming MIDI signals to be forwarded to MIDI OUT. (8) Metronome Definition These items allow you to initialize your synthesizer and/or computer speaker as metronome during real-time entry. (a) MIDI synth metronome: If "status" is set to "on," the metronome pulses will be sent out via MIDI. Press SPACE BAR to toggle between "on" and "off." MIDI synth metronome channel This is the MIDI channel over which metronome pulses will be sent if status is set to "on." This channel need not be the same as the MIDI playback channel [item (5) above]. (Note: you can use items 5 and 6 to set the desired patch on the MIDI metronome channel.) MIDI synth metronome pitches: You can set the actual MIDI pitch for downbeat, accented beats and unaccented beats, by playing the desired pitch directly on the MIDI keyboard, or by pressing "+" or "-" to increment or decrement the current pitch. Decrementing the pitch number to "0" turns the metronome off for that pulse. To hear a given pitch, set the cursor at the desired pitch item and press the SPACE BAR. Note that the synthesizer must be capable of playing the indicated pitch number on its current patch, in order for you to hear the sound. (b) Computer speaker metronome: If "status" is set to "on," the metronome pulses will be sent out through the computer speaker. Press SPACE BAR to toggle between "on" and "off." Speaker metronome frequencies in Hertz: You can set the actual frequencies in Hertz (cycles per second) for downbeat, accented beats and unaccented beats, by entering new numbers for each of these items, or by pressing "+" or "-" to increment or decrement the number. Entering a "0" turns the metronome off for that pulse. To hear a given frequency, set the cursor at the desired frequency number item and press the SPACE BAR. Pressing ESC from menu page 2 will return you to menu page 1. Pressing ESC from menu page 1 returns you to music edit mode without beginning real-time entry. MusicPrinter Plus v3.2 DEMO 18 Press F10 from either of the two menu pages to continue. If using Automatic Metronome, you will hear the metronome clicking (always at the first subdivision level of the beat -- i.e., eighths or triplet eighths if the beat is a quarter note). In addition, you can see the current beat position on the status line at the bottom of the screen. You can raise or lower the tempo by pressing the "<" or ">" keys, the "+" or "-" keys, or by holding down the right mouse button while moving the mouse toward or away from you. (For fast tempo change, hold down the SHIFT key while pressing either the "<" or ">" key.) To begin real-time entry, press the SPACEBAR or left mouse button. The metronome will then begin a full bar countdown, and the word "COUNTING" will appear in the lower right hand corner of the screen. At the next downbeat, the word "RECORDING" will appear, and entry will commence. If using user controlled metronome, you will be in "RECORDING" mode immediately after pressing F10. Each press of the CTRL, SHIFT or ALT key will advance the recorder by one low-note value. Any notes played while the key is depressed will be assigned to that particular rhythmic position in the score. If you have specified the number of bars to enter, real-time entry will stop after that number of bars. To exit manually, press ESC. If while playing, you realize that you have erred so badly that you want to give up and start over, press "R". The erroneous music you have just entered will be cleared. If you are in Automatic Metronome mode, the metronome will continue clicking. You may change the tempo with the + or - keys, then press the SPACE BAR to begin the one measure countdown. If you are using the User-controlled Metronome, you begin entry immediately. Notes or rests will appear on the screen as soon as their length has been defined -- usually at the beginning of the next note or bar. Beams are added only at the end of a full bar. Upon pressing ESC, you have the option to review the newly entered notation, then to accept or discard the input by restoring the score to its state before the last real-time recording. Press ENTER to accept, Esc to undo, or press R to undo and restart the metronome for an immediate retry. UNDO is provided only if enough memory is available. UNDO from disk is disabled for this demo program. During real-time entry, notes and accidentals are allowed only one column each for chords, resulting in compressed notation. The automatic REFORMAT function will correct accidental and note-head placement, as well as compress all notation within a section to optimal width, while justifying to the nearest full bar. MusicPrinter Plus v3.2 DEMO 19 SCORE REFORMAT After you have finished recording in real-time, or at any time during the editing process, press the Alt-F7 function key combination to access the REFORMAT feature. Reformatting starts with the system in which the cursor is located and continues through the last system in the score. All systems above the starting system will be left intact. The last system in the score may not be fully justified to fill the entire page width. This is to avoid ridiculously stretched out music. Before you begin the reformatting procedure, check your score for the following: 1) Slurs, trill extensions, first and second endings, text underlines, title lines and 8va extensions are not supported by the reformat function in the current version. Add these characters after executing REFORMAT. 2) Clef and key signature changes must be placed in the body of the score, not just in the header. 3) The header of the system where you begin reformatting is examined for piano brackets, clefs and key signatures. Be sure this header is complete regarding these characters. All characters in each column of the header will be copied to all the systems that follow. Be sure that any tempo marks or expressive indications are placed after the rightmost clef or longest key signature in the first header. To reformat an entire score, place the cursor in any staff of the first system. After pressing Alt-F7, you will be prompted to confirm the current score width in columns or to enter a new width. If you want to maintain the current width, press ENTER. Otherwise, type the new width in columns or use the ten-key pad plus or minus keys to modify the value shown. Press ENTER to start REFORMAT, or press Esc to cancel. Upon completion of REFORMAT, you have the option to review the score, then to accept it or undo the reformatted material by restoring the score to its state before REFORMAT was started. UNDO is provided only if enough memory is available. UNDO from disk is disabled for this demo program. (End of document.)