\paperw9990 \margr0\margl0 \plain \fs20 \f1 The monumental figures are set against a backdrop of architectural ruins, which echo and accentuate their forms. Their representation
is a mark of the influence that the artistÆs visit to Italy had on his work.\par
The group of the Virgin and Child, presented in profile and inscribed within an imaginary pyramid, is made to look larger by the sloping roof of the stable and the pillar b
ehind it. Another fragment of wall serves to emphasize the central figure and the Moorish king is framed by two heavily foreshortened arches.\par
The picture displays a new economy of color, based on a simplification of the palette and the stress placed
on contrasts: the blue of MaryÆs dress and the reds, green and slate gray of the clothing worn by the Three Kings stand out against the uniform and neutral backdrop of the ground and walls, with its shades of light brown.\par
In the background we see a
fantastic landscape, which is dominated by the fortified town on the hill and a distant view of the sea, while natural scenery is predominant in the foreground.\par
The butterfly and stag beetle on the left are undoubtedly the products of careful study
of life, but they are also symbols of the salvation of humankind through ChristÆs sacrifice.
