\paperw19995 \margr0\margl0 \plain \fs20 \fi15 \f1 Italian painter.\par
\fi0 Scholars now agree that the names of three artists mentioned in the sources and documents û
Raffaellino deÆ Carli, Raffaellino deÆ Capponi and Raffaellino del Garbo û actually refer to a single person. The altarpiece in the Uffizi, depicting the \i Madonna and Child with Saints and Donors\i0 that comes from Santa Maria Nuova in Florence, dates
from 1500 and is a work that offers an old-fashioned interpretation of the style of Pinturicchio and Filippino Lippi. Raffaellino del Garbo û according to what Giorgio Vasari says in the \i Lives\i0 û was a promising pupil of the latter, but later prov
ed to be a disappointment to his master. The fresco in the refectory of Santa Maria Maddalena dei Pazzi dates from 1503. The \i Resurrection\i0 in the Accademia in Florence must have been painted later, for the Capponi Chapel in San Bartolomeo at Monte
oliveto, and is unanimously considered the artistÆs masterpiece.
