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-
- | (((((((( | Z*Net International Atari Online Magazine
- | (( | -----------------------------------------
- | (( | Decmeber 20, 1991 Issue #91-53
- | (( | -----------------------------------------
- | (((((((( | Copyright (c)1991, Rovac Industries, Inc.
- | | Post Office Box 59, Middlesex, NJ 08846
- | (( |
- | (((((( | CONTENTS
- | (( |
- | | * The Editors Desk............................Ron Kovacs
- | ((( (( | * Atari Makes Bold Push In US Market.............Seybold
- | (((( (( | * Codehead Announces TOS Extention Card....Press Release
- | (( (( (( | * Year In Review: CompuServe....................Ron Luks
- | (( (((( | * Year In Review: AtariArts Top 100...........Ron Kovacs
- | (( ((( | * Codehead To Take Over QuickST Support....Press Release
- | | * Multisync Myths and The Atari ST........Gregg Anderson
- | ((((((( | * Year In Review: End User Perspective.........Ed Krimen
- | (( | * ATM Safety Tips.......................................
- | ((((( |
- | (( |
- | ((((((( | ~ Publisher/Editor............................Ron Kovacs
- | | ~ Editor.......................................John Nagy
- | (((((((( | ~ Z*Net Newswire Ltd..........................Jon Clarke
- | (( | ~ Contributing Editor.....................Bruce Hansford
- | (( | ~ PD Software Reviews.....................Ron Berinstein
- | (( | ~ Reporter....................................Mike Brown
- | (( | ~ Assistant News Editor.......................Mike Davis
- | |
- |----------| $ GEnie Address....................................Z-NET
- | ONLINE | $ CompuServe Address..........................75300,1642
- | AREAS | $ Delphi Address....................................ZNET
- | | $ Internet Address.............75300,1642@compuserve.com
- | | $ America Online Address........................ZNET1991
- |----------|
- | Z*NET | * Z*Net:USA New Jersey...(FNET 593).......(908) 968-8148
- | SUPPORT | * Z*Net:Golden Gate......(FNET 706).......(510) 373-6792
- | SYSTEMS | * Z*Net:South Pacific....(FNET 693).NZ....(644) 4762-852
- | | * Z*Net:South Jersey.....(FNET 168).CCBBS.(609) 451-7475
- | | * Z*Net:Illinois (Garage)(FNET 621).......(618) 344-8466
- | | * Z*Net:Florida (Twilight Zone)(FNET 304).(407) 831-1613
- | | Fido Address 1:363/112
- =======================================================================
- * THE EDITORS DESK by Ron Kovacs
- =======================================================================
-
-
- This year in about to close and another Christmas is approaching. There
- are plenty of things to say and little space to print it, however,
- before we get into this week's edition, I want to thank the following
- for their assistance this year.
-
- John Nagy, Bob Brodie, Bruce Hansford, Terry Schreiber, Geoff LaCasse,
- Mike Brown, Jon Clarke, Steve Rider, Ron Berinstein, Bill Scull, Mike
- Austin, Stan Lowell, Mike Davis, Mike Mezaros, Darlah Potechin, John
- King Tarpinian, Ed Krimen, Dr. Paul Keith, Ron Luks, Tom Byron, Steve
- Lesh, Doug Hodson, Dorothy Brumleve, Bruce Kennedy, Tony Komski, Bob
- Smith, and my family Lisa, Jessica and Adam for tolerating all the ups
- and downs of publishing in this community and those infamous "yelling"
- phone calls from the south.
-
- If I have left anyone off the list, you know who you are and forgive my
- absence of memory. I want to personally wish everyone a very safe and
- heathly Christmas and an exciting 1992.
-
-
- GENIE TOP 100 UTILITIES UPDATE
-
- Two weeks ago we compiled a listing of the Top 100 downloads of
- utilities on GEnie. However, we faailed to include the following file
- in the list. So, we are renaming the list the Top 101 files and add
- this file to the appropriate place on the list. Mistakes happen and
- perhaps a glitch entered our capture buffer. Please add:
-
- Number: 21208 Name: STARSAVE.LZH
- Address: JLS Date: 911010
- Approximate # of bytes: 20224
- Number of Accesses: 441 Library: 2
- Description: STarSaver ver. 0.50: First public release of this new
- screen saver. This file contains the screen saver program, a doc file,
- and a program to temporarily adjust the speed of the stars and the
- timeout period. (defaults: speed 2, timeout 3 minutes) STarSaver works
- on any ST, Mega, STe, or TT screen in any rez (doesn't work with add-on
- cards). It does NOT use-up any ACC slots and it works in any TTP, TOS,
- or PRG programs. It supports "hot corners" for instant-on and temp-
- disable operations. STarSaver is memorial-ware in memory of my father
- who would have been 100 years old today (Oct. 8, 91) if he were still
- around. Read the doc file for further details. Use latest version of
- UNLZH.PRG or other .LZH extractor
-
-
- FSMGDOS BEZIER CURVES
-
- It seems that there was a news item in ZNET a few weeks ago that
- indicated that Bezier Curve support was taken out of FSMGDOS. THIS IS
- NOT TRUE! FSMGDOS DOES BEZIER CURVES! It always has, and taking out
- this support was never considered. There was some exchange with certain
- developers over how things were supposed to work, so this is probably
- where the news item started from, and somewhere there was evidentally
- some incorrect information. But FSMGDOS _does_ support GEM/3 style
- Bezier Curve calls.
-
-
-
-
- =======================================================================
- * ATARI MAKES BOLD PUSH IN US MARKET (Z*Net Exclusive)
- =======================================================================
-
- This article Copyright (c)1991 Seybold Publications, All Rights
- Reserved. May NOT be re-printed in any publication without the written
- permission of Seybold Publications. Information about Seybold and
- subscription information is listed at the end of this article.
-
-
-
- Atari used the Seybold Exposition to mark a new effort to penetrate the
- U.S. publishing system market. It did so by taking a large booth and
- demonstrating a varied assortment of products including page
- composition, color image manipulation, font editing, direct output
- drivers, graphics and a few other things. These products were
- characterized by the same capabilities as the Atari products we have
- known in the past--the ability to hold their own against all comers in
- nearly any feature war we could devise.
-
- One notable change in some of these products is an acceptance of
- industry standards. They are accommodating TIFF and EPS files and
- outputting PostScript--a sigificant addition if these companies are
- serious about the U.S. market.
-
- On display also, of course, was the latest Atari platform, which
- provides exceptional speed, especially for its competitive price.
-
- Atari's Professional Systems Group, which is responsible for these
- products, specializes in bringing high-end desktop publishing software
- from Germany. The programs on display in San Jose were picked for their
- relevance to trade shops.
-
- Unfortunately, the Professional Systems Group has dubbed its new
- publishing product lineup ``Direct to Press.'' That name is unfortunate
- because it bears no relation to the conventional connotation of going
- direct to a printing press, a technology that is now coming to reality.
- From what we can gather, ``direct to film'' is more what these Atari
- products are doing--as is everyone else in the industry.
-
- Some of the software on display was developed in Germany--using
- expertise that came in part from veterans of Hell GmbH--and still showed
- signs of its native language, but we were assured that it would be fully
- Americanized soon. We hope so. It would be a disappointment to see
- sophisticated products such as these fail here because they still looked
- foreign.
-
- We had seen a few of the products before in earlier versions--e.g.,
- Calamus and PageStream--so they have already tried to crack the U.S.
- market with little success. But they have been successful in other
- parts of the world, and we were impressed enough with some of them to
- think they warrant a good look. We'll provide a quick trip through the
- booth here, with a hope that we'll get some of the software into our lab
- soon to take a better look at it.
-
- Sherlock Professional. A product we didn't see but would like to cover
- later is Sherlock Professional, an OCR program that is claimed to read
- up to 200 characters per second. It reportedly recognizes multiple
- languages, fonts and sizes on the same page and can be taught to
- recognize special characters. It comes with a built-in spelling
- checker.
-
- PageStream 2. When we last saw Soft-Logik's PageStream at a Seybold
- Exposition several years ago, we quickly came to the conclusion that no
- other page layout product at any level had more features. We didn't
- spend any time with it this year, but we don't think its general
- character has changed very much. It supports documents consisting of up
- to 1,000 pages and page sizes up to 400 feet by 400 feet. (If our
- calculation is right, it would take about one-half million reams of
- paper to tile a 1,000-page document consisting of 400x400-foot pages.
- How many trees would that be? Or, maybe we should ask, how many
- forests?) PageStream sets type in sizes from to 183,000 points. (That
- 183,000-point size is a more manageable number--only 231 sheets of 11"
- paper in the vertical dimension.)
-
- Besides those astounding--but not necessarily meaningful--figures,
- PageStream supports 24-bit color, rotating and twisting text and
- graphics, full bleeds, drawing and editing Bezier curves, flowing text
- around irregularly shaped graphics, Agfa Intellifont and PostScript Type
- 1 fonts, and a whole slew of layout and other features.
-
- We'll return to PageStream when we get a system running in our lab.
-
- Didot Professional for page layout
- ----------------------------------
- In one section of the booth, Goldleaf Publishing set up a composition
- program called Didot Professional with a color image manipulation
- program called Retouche Professional to demonstrate how they can be used
- together to produce sophisticated documents with color. Both of these
- programs were developed by 3K-Computerbild in Germany, where they have
- been very successful. They are being marketed in North America by
- Goldleaf.
-
- Didot Professional was developed to handle design-intensive pages, but
- it has the capability of accommodating long documents--up to 100 pages,
- all of which can be displayed at a time. It produces registration and
- crop marks, color control bars, etc. It supports grids with a snap
- feature and construction lines for alignment.
-
- The display is very fast. One disadvantage with the display is that
- displaying color requires a second screen. Goldleaf calls that an
- advantage, though, becaus it enables the operator to focus one screen on
- commands and the other one on the display.
-
- Text flows into page areas, where it is treated as objects (such as
- columns), based on user specifications for those objects, rather than
- using the container concept. When a column is created, the screen can
- display dummy text for use by a designer in visualizing the layout. A
- column can be picked up and moved to a different page. Text can be
- flowed around irregular shapes (objects) through an auto-trace feature
- or by drawing a thread to create a bounding area.
-
- A tagging scheme and style sheets control typographic parameters.
- Styles are assigned to pages as the operator moves from page to page.
-
- Text can be typed around circles or on curved paths. Elements can be
- rotated with respect to any selected point in -mm increments (with the
- screen displaying the rotated objects almost instantly).
-
- Typography. Didot has some interesting h&j features, such as an option
- to expand or condense type automatically to make it fit better. This is
- a feature that must be used with extreme discretion, but used properly,
- it could be a nice aid. The key issue is how much condensing or
- expanding can be done without being noticed by the reader. This
- sentence is being rendered at 99% of the actual width of its characters.
- Will the adjustment be noticeable? This sentence will be output at
- 101%. These differences are substantial enough to aid the h&j program.
- Whether they will be tolerable to the typographer is another question.
- The maximum permissible change will depend to some extent on the design
- of particular fonts.
-
- To determine line breaks, the h&j program starts by calculating the line
- based on the optimum value and then looks to either side for the closest
- break point--a good start. It also permits adjustments to character
- spacing. The most troublesome part of the routine is that it is based
- on a TeX algorithm and hyphenates very infrequently.
-
- Didot supports kerning based on the shape of each character, rather than
- on values for specific pairs, although it also can use kerning pairs
- created for PostScript Type 1 fonts, which can be read in as .AFM files.
- These values then can be edited using the Didot font editor. It is
- possible to indicate in style tags whether the system is to use shape
- kerning or pair kerning when that particular style is in effect. (We
- would like to see pair kerning used in conjunction with shape kerning so
- that exception pairs can counter any problems arising when the shape
- algorithm produces unwanted results.)
-
- Kerning can be suppressed on numbers, as is useful in producing columns
- of numbers.
-
- Ragged type is formed by a simple algorithm that targets line endings to
- be within a specified percentage of the full measure, with no
- consideration for how one line looks with respect to surrounding ones.
-
- Text handling. Text appears in WYSIWYG format on the page, but it can
- be displayed in monospaced format with hyphenation decisions marked.
- Functions available within the monospaced mode include defining and
- moving blocks, changing type specifications, etc.
-
- 3K-ComputerBild has worked hard to optimize productivity. Not only is
- the hardware fast, but aspects of the program have been optimized.
- Keyboard shortcuts are available for nearly all operations. When the
- screen is recomposing a job, if the operator moves the cursor up, the
- screen quickly follows, rather than waiting for composition to be
- completed.
-
- Fonts. Didot supports fonts in Type 1 and Atari formats. A full font
- editor is available for redesigning font characters or for changing
- kerning pair values or shape information.
-
- Graphics. Graphics can be created from primitives or imported.
- Gradient fill options are comprehensive, including concentric gradients,
- diagonal gradients, etc. Scanned or imported bitmaps can be edited
- using a pixel editor.
-
- Graphics can be stored in a library and inserted.
-
- Using the system's graphics capabilities, a block of text such as a
- headline can be projected onto a grid and distorted in a variety of
- ways, after which individual characters can be modified.
-
- Color. Color images from Retouche Professional can be imported and
- manipulated, but most image manipulation is done in Retouche
- Professional, which has more complete facilities. Up to eight spot
- colors can be assigned, each with a different screen value. Trapping
- currently is not supported, but we were told that it is expected to be
- added in February.
-
- Output. For high-resolution output, Didot Professional packages its
- system in a tower called the Image Speeder. It includes a hardware
- screening board that functions something like Hell's RT screening, we
- were told, plus a direct driver for Ultre recorders. The developers had
- previous experience working with the Hell Chromacom system. It is
- possible to specify different angles and frequencies. More information
- about the screening capabilities is included under Retouche
- Professional.
-
- Direct drivers for other imagesetters in the Linotype-Hell family (the
- 230, 300, 330, etc.) are under development; they are expected to begin
- arriving in the first quarter of 1992, Goldleaf says. Both Didot
- Professional and Retouche Professional also output PostScript files.
-
- Retouche Professional CD
- ------------------------
- Retouche Professional CD is an impressive 24-bit color manipulation
- program for creating, retouching, correcting, separating and reproducing
- color photos. It works closely with Didot Professional to produce four-
- color documents. It was released in Europe 18 months ago as a
- monochrome system, but is now available in color.
-
- Retouche always works in 24-bit color, although it currently uses
- dithering to display 24-bit color on an 8-bit screen. By the end of the
- year, Goldleaf says, a 24-bit display board is expected to be completed.
- Like Didot, Retouche uses two monitors--one for the tool box, menus,
- dialogs, etc., and one for displaying color images being manipulated.
-
- Image repainting on the screen is extremely fast, in part because it is
- done directly through the color board, not through the operating system.
- A hardware zoom function also is fast, enlarging up to 1,600%.
-
- For image creation, Retouche has an 8-bit palette mode where the user
- works with 256 colors from a total of 16.7 million. When retouching an
- existing image, the complete 24-bit color spectrum is available,
- accessed either through a color picker or by selecting the color from
- any pixel in the image.
-
- Two of the tools that are available are sharpening (in which case the
- user can specify how great a difference there must be between nearby
- pixels for sharpening to be applied) and gradation adjustments
- (brightness, contrast and gray levels via a gray curve).
-
- Retouching. Creative retouching features are comprehensive. There are
- a variety of pens and brushes. Chalk can be rubbed on pictures to
- darken them, to varying degrees of pressure. It is possible to draw
- only on parts of an image that are darker than a selected value. Also
- available are a spray can, smearing and blurring. There is an undo
- feature, which stores in RAM or in virtual memory the last level of
- modification. The undo function can be restricted to a single photo.
-
- Pixels can be copied on a point-to-point basis within an image or from
- one image to another.
-
- Other features. Retouche also offers an on-screen color measuring tool,
- a densitometer, a directory display of 10 thumbnails at a time and a
- status report telling the percentage of the job completed at any given
- time.
-
- For package design, an image can be projected and stretched with
- respect to the grid using 3D tools.
-
- Drawing features include drawing lines using points, lines or bezier
- curves.
-
- Masks can be created manually by drawing the desired shape, generated
- automatically based on color or gradation values, or defined by matching
- any vector path. They can be edited by grabbing the edges and moving
- them. Masks can be imported into Didot Professional and applied to
- documents.
-
- For calibration, the system scans a test print of CMYK strips from a
- press or output device and automatically creates a gradation correction
- file that adjusts for the color reproduction profile of the press.
-
- Output. Retouche uses TIFF as its internal format. It can output EPS
- format. When separating an image, it handles gray-component replacement
- and undercolor removal, giving the user complete control over the
- parameters.
-
- Output devices supported are color proof printers and Ultre recorders,
- which Retouche and Didot drive directly through the Image Speeder tower.
- The package includes more than 120 hand-optimized halftone screens aimed
- at maximizing quality. Goldleaf claims that the system can be used to
- produce good-quality 200-line screens.
-
- The Calamus SL family
- ---------------------
- We have seen the Calamus page composition program many times over the
- years, but in the past it has been characterized mostly by the extensive
- list of text-handling features available within the main program. It
- has now taken on the aura of a large family of products providing color
- manipulation, multimedia, font editing, vector graphics editing, direct
- drivers for some popular imagesetters and other capabilities.
-
- To cover these expansive programs adequately will require working with
- them in our lab, so our report here will summarize the main features
- gleaned from relatively short demonstrations at the Seybold Exposition.
-
- Calamus SL, developed in Germany and handled in North America by ISD
- Marketing of Ontario, Canada, will be released in North America on Dec.
- 15 for a price of $795, including the PKS Write word processor. Calamus
- enables having up to seven documents loaded simultaneously, with every
- object (text or graphics) taking on any of 16.7 million colors specified
- in RGB or Pantone values. Calamus separates each file into four pieces
- of film for color separation output.
-
- It uses proprietary outline font technology in the RIP to drive both the
- screen and the recorder, producing identical results. Text features are
- extensive, including font scaling in -point increments between 0.1-pt.
- and 999.9-pt., automatic and manual kerning, editing on the page or in a
- text window, search/replace based on type styles, logic/dictionary h&j,
- etc.
-
- One shortcoming of the program is that it currently doesn't support
- PostScript fonts. It uses faces from Agfa (about 200), Linotype (200)
- and URW (1,200), with a deal for Berthold Diamond faces nearly
- finalized.
-
- For page layout, Calamus supports multiple master-page layouts,
- automatic running headers and footers, an unlimited number of columns
- per page, style sheets, rulers and guides for placing elements,
- rotation, a maximum page size of 19.7"x27.6", linked containers for
- flowing text, and so on. It also supports time and dte stamping.
-
- Calamus imports TIFF graphics, with support for EPS coming soon. For
- color images, Calamus uses a program called Cranach Studio (see below).
- Although this live link wasn't demonstrated, Calamus will be able to
- launch Cranach Studio to edit an image and then return to the Calamus
- document.
-
- Output. Calamus drives printers and typesetters directly, without going
- through an external RIP. Among the direct interfaces currently
- available are those to the Linotype 100, 200, 300 and 500 machines
- (without requiring Cora, PostScript or Densy RIPs), Agfa ProSet 9000 and
- SelectSet series, and Linotype-Hell Ultre. The ``SoftRIP'' comes with a
- special version of Calamus SL.
-
- The Calamus program includes some halftone screening features that
- appear to involve sophisticated development. Screening is based on the
- use of supercells containing multiple halftone dots to reduce the
- possibility of moire interference. The system generates elliptical,
- round and square dots.
-
- A nice feature from a user interface standpoint is that when the
- operator picks either a screen angle or a screen frequency, the system
- reports back what corresponding frequency or angle will be used. If the
- operator changes the angle, the system automatically adjusts the
- frequency, reporting the new value.
-
- We haven't had a chance to evaluate the results, but the theory and
- implementation look promising.
-
- Cranach Studio. For color work, Calamus announced support for a new
- program called Cranach Studio, a 24-bit retouching tool with separation
- software. Calamus and Cranach are separate companies, but the programs
- are being tightly integrated.
-
- Among the features available in Cranach are automasking based on color
- density, color correction using a histogram and tonal curve, slider bars
- for adjusting contrast and intensity, autotracing with editable Bezier
- curves (see below), and zooming to 800%. A Draw and Paint module offers
- effects such as lacquer, watercolor, crayon and airbrush. Watercolor,
- fingerpainting and oil painting are supported within the retouching
- capabilities.
-
- The autotracing feature is enabled through an add-on module called
- VectorStudio that converts raster data to vector and vice versa.
-
- Multimedia. The multimedia capability within Calamus was so new that
- the documentation and brochure were available only in German. It was
- shown in prototype form, running within Calamus SL.
-
- In the demonstration, sample images and sound were played back within a
- text document. A video camera had been used for input. Frames were
- linked, but could be treated as individual objects. Video images were
- manipulated within Calamus and output on a laser printer.
-
- Outline Art. A supplement to Calamus SL, Outline Art is a vector
- graphics editor for lines, Bezier curves, control paths and other vector
- shapes. It also can be used to generate freely definable raster areas.
- It includes facilities for modifying text--rotate, stretch, rasterize,
- outline, compress, change to cursive and fit to circle or curved path.
- The program includes a predefined, expandable library of
- transformations.
-
- Type Art font editor. One of the new products in the Atari booth was
- Type Art, a designer's tool that can be used not only to edit fonts, but
- also to create fonts and other graphic objects in vector format. It
- works with editable Bezier curves. Built-in functions include rotation,
- mirror imaging vertically and horizontally, and condensing.
-
- Characters and graphics created or edited in this program can be loaded
- directly into Calamus in normal, outline, shadow or rotated style.
-
- PKS Write. Calamus supports an optional word processor, called PKS
- Write, which we haven't seen. Features include support for Gem,
- importing of text in Calamusformat, manipulation of text rules and style
- information, search/replace based on style or not, footnotes, index
- generation, macros for document processing, and popup menus. It runs
- within or outside of Calamus.
-
- Avant Vector. Codehead Software demonstrated a raster-to-vector
- converter called Avant Vector that traces bitmaps and converts them to
- vector data so they take less storage space and can be scaled freely.
- It supports .PI3, .PC3, .IMG, .BLD, .PIC and .PAC formats, plus .TIF,
- .IMG and .IFF.
-
- Editing facilities include functions such as changing curves to corners,
- selecting all points to skew them or fill them, rotating based on the
- center or a corner of the object, and drawing and filling objects. All
- changes are displayed nearly instantaneously.
-
- Objects can be resized, mirrored, grouped and acted on, saved on the
- clipboard for later access, and output. Alignment features include a
- crosshair cursor and a snap-to grid. The user can specify the
- tolerances when defining curves or other functions. Nine preset levels
- of precision are available.
-
- Avant Vector is viewed as a candidate in the market for logo generation
- and sign output using an optional plotter driver.
-
- Three versions of the product are available. The entry level supports
- autotracing and saving, but not editing. The middle range adds all
- editing capabilities, but no plotter output. Avant Plot includes
- everything, most notably drivers for plotters and cutters.
-
- Repro Studio. One product we didn't have time to look at is called
- Repro Studio. It is described as being similar to Adobe Photoshop, but
- working only in black and white. It scans and manipulates images to 256
- gray levels in TIFF, GIF and PICT formats.
-
- It includes a handheld gray-scale scanner that can scan large images in
- multiple passes and merge the data.
-
- Repro Studio has been available in Germany for a few months, and it will
- be coming to the U.S. soon.
-
- Hardware
- --------
- The Atari platform on display was the TT030, featuring a 32-MHz 68030
- processor with on-chip cache and memory management. Memory from 2 to 26
- MB is supported. A 48.6-MB disk is standard, an 83.9-MB one is
- optional. Atari's use of 64-bit-wide video memory and a 68882 math
- coprocessor provides extremely fast screen redrawing. Screen resolution
- options are 1,280x960 (19" monochrome), 640x480 (16 colors, 14") and
- 320x480 (256 colors, 14"). Atari doesn't offer a gray-scale monitor,
- but it will support some from other manufacturers.
-
- Atari says that a 68040 version will be available next year, as will a
- multitasking version of the Gem operating system.
-
- Product pricing
- ---------------
- The entire hardware and software product lines would be too extensive to
- list. Here is a sample.
-
- Hardware. The standard TT030 lists for $3,500. A 14" color monitor
- costs $550. A 20" Mitsubishi color monitor lists for $2,670. A 19"
- TTM 194 monochrome monitor is priced at $1,000. A TTM 195 costs $1,400.
-
- A 6-ppm, 300-dpi, 8½"x11" laser printer lists for $1,300. A 150-dpi
- Mitsubishi dye-sublimation color printer costs $14,000. A BridgIt
- (Ultre-based) recorder is priced at $28,000. An Ethernet interface can
- be added for $500.
-
- A 5,000-dpi Optotech scanner sells for $10,000-$40,000.
-
- Goldleaf puts together a package that includes a lot of customized
- hardware and software, described elsewhere.
-
- Software. List prices of some software products are:
-
- Didot Professional, $1,000.
- Retouche CD, $2,000.
- Image Speeder, $19,000.
- Sherlock Professional, $899.
- Calamus Font Editor, $100.
- PKS Write, $100.
- Avant Vector: entry level, $199.
- Mid-level, $495.
- Avant Plot, $895.
- Repro Studio, $895 (including handheld scanner).
-
-
- THE SEYBOLD REPORTS from Seybold Publications
- Subscription Rates (December 1, 1991)
-
- US CAN FORIEGN JAPAN*
- Seybold Report on Desktop Publishing
- (12 Issues) ............................ $225 $231 $243 Y45,000
-
- Seybold Report on Publishing Systems
- (22 Issues) ............................ $336 $348 $372 Y69,000
-
- Combined subscription to both Reports
- ........................................ $468 $486 $522 Y96,800
- -----------------------------------------------------------------------
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- First Pennslyvannia Bank, N.A., Philidelphia, Pennsylvannia 19101, into
- account number 0194-1750. Please be sure to identify the name of the
- subscriber and the nature of the order if funds are transferred bank-to-
- bank. You can subscribe to the following address by including your
- name, address, telephone number, city, state, country and zip code.
-
- Seybold Publications, Inc.
- Post Office Box 644
- Media, Pennsylvannia 19063 USA
- Phone (215) 565-2480
- Fax (215) 565-4659, 565-3261
- Telex 4991493
-
- Note: This article CANNOT be reprinted without permission. ANY USER
- GROUP interested in re-printing this article must contact Z*Net via
- email on GEnie: Z-NET or CompuServe: 75300,1642. We will forward the
- information you need for publishing rights.
-
- Copyright (c)1991, Seybold Publications
-
-
-
-
- =======================================================================
- * CODEHEAD ANNOUNCES THE TOS EXTENSION CARD Press Release
- =======================================================================
-
-
- How would you like to have a BRAND NEW COMPUTER, with system software
- that makes it the equal of anything else on the market ... for less than
- $140?
-
- Well, now you CAN!
-
- CodeHead Software is proud to announce the TEC -- the TOS Extension
- Card! This amazing little circuit board, developed by Germany's
- Artifex, allows you to use the very latest version of Atari TOS (2.06)
- in your existing 520ST, 1040ST, or Mega ST!
-
- That's right! Now, you can have the same excellent new system software
- that owners of Mega STes and TT030s are enjoying, without spending
- megabucks for a whole new computer system. In fact, the price for this
- upgrade, including the board, is only a little bit more than the price
- to upgrade from TOS 1.0 to TOS 1.4!
-
- The TEC is a tiny card that will fit in ANY model of ST computer,
- regardless of design. It is compatible with existing upgrades, such as
- monitor interface boards or processor cache cards. The low price
- includes the ROMs containing TOS 2.06 -- and there sure are lots and
- lots of new goodies in those little chips!
-
- What TOS 2.06 Can Do for You
- ----------------------------
- TOS 2.06 is a MAJOR upgrade to the ST's operating system; it's a vastly
- more significant upgrade than from TOS 1.0 to TOS 1.4 (Rainbow TOS). The
- most noticeable change is the new desktop, which has many of the
- features of the popular commercial alternate desktops (and some unique
- features too!), but with two BIG advantages: it does not use large
- amounts of RAM, and it does not need to be loaded from disk.
-
- Some of the features of the TOS 2.06 desktop:
-
- o Programs, files, and folders can be placed directly on the desktop and
- started with a double click.
-
- o Up to 20 programs or documents can be assigned to the ST's function
- keys and started with a single keypress.
-
- o Data files can be "dragged" and dropped on program files, which starts
- the program and automatically loads the document! Some programs even
- support multiple document files in this manner.
-
- o Each file on your disk can have its own unique icon, or you can use a
- common icon type for each type of file. New icons can be created and
- added to the system.
-
- o Keyboard commands for almost everything! And not only can you control
- the new desktop with the keyboard (as well as the mouse), you can also
- redefine any of the key commands to suit your own tastes!
-
- o A powerful file search function, that lets you find and select files
- that match your specified criteria.
-
- o Window management is considerably enhanced; scrolling has been sped
- up, and selected files can remain selected even if you scroll the
- window to a different area of the file list.
-
- o Up to seven desktop windows can be open at once, and you can open
- directory windows with simple key presses -- even change a window to
- show a different drive without closing and reopening it.
-
- o The "View" menu now has an "unsorted" option, for showing the actual
- order of files and folders in a directory.
-
- o Any character in the "upper half" of the ST's font can be typed in by
- holding the Alternate key and typing its ASCII number on the numeric
- keypad.
-
- o Many of the special functions of the desktop (like copying, renaming,
- etc.) can now operate in "batch mode", to let you quickly rename or
- show info for a group of selected files, for example.
-
- o The bootup sequence now includes a graphic display of the Atari Fuji
- logo, and a memory test, and a configurable bootup delay that allows
- hard drives time to power up. It's also possible to bypass the AUTO
- folder entirely by holding Control during bootup.
-
- o Internal changes in the TOS program code result in very noticeable
- performance improvements in many areas.
-
- o ...and of course, lots more. This list barely shows the tip of the
- iceberg, in fact.
-
- The TOS Extension Card
- ----------------------
- Because the new TOS 2.06 is located at a different address and requires
- more space in the ROMs, you can't simply pull out your old ROMs and plug
- in the new ones. This is where the TEC comes in!
-
- The TOS Extension Card can be installed in any model of ST within
- minutes. Its size is a mere 2.5" x 2.5", and its unique design allows
- it to be placed almost anywhere inside the case of the computer. This
- means that it will even work if you have a hardware accelerator, MS-DOS
- emulator, or graphic card already installed. Some simple soldering is
- required to install the base model of the TEC; any authorized dealer
- should be able to handle it easily.
-
- There are also two other configurations of the TEC that are 100% plug-in
- solutions, requiring no soldering:
-
- o The TECbridge BUS card, which plugs into the processor bus of the Mega
- ST.
-
- o The TECbridge CPU, for computers which have socketed 68000 chips. This
- option plugs into the CPU socket, and requires that there be enough
- room above the CPU within the case.
-
- The Price
- ---------
- The retail price of the TOS Extension Card is $139.00. This price
- includes the TEC board, Atari's official TOS 2.06 ROMs, a disk
- containing the official Atari system utilities (including the new
- XCONTROL Control Panel), and a manual describing the installation of the
- TEC and the new features of TOS 2.06. The TECbridge BUS and TECbridge
- CPU options are priced at $155.00.
-
- The TEC will begin shipping on January 10, 1992 (maybe even sooner,
- depending on how long it takes to translate the manual); advance orders
- are being accepted now. Of course, we won't charge your credit card or
- cash your check until your order has been shipped. To place an advance
- order for the TEC, call the CodeHead order desk at 213-386-5735.
- Mastercard, Visa, and American Express accepted.
-
- CodeHead Software
- P.O. Box 74090
- Los Angeles, CA 90004
- Tel 213-386-5735
- Fax 213-386-5789
-
-
-
- =======================================================================
- YEAR IN REVIEW: 1991
- COMPUSERVE YEAR END SUMMARY
- by Ron Luks
- =======================================================================
-
-
- In 1991, CompuServe programmers delivered a major rewrite to the LIBRARY
- software. Some of the changes were immediately visible, including the
- ability to search all available libraries in a forum from inside any
- individual library. Other changes, and new transfer protocols will be
- available in 1992. Much of the internal code was rewritten for improved
- speed and more efficient keyword searching.
-
- Special "hooks" were implemented that will be useful for terminal
- software that supports CompuServe's HMI (host-micro interface)
- protocols, such as the CompuServe Information Manager. Pressure will
- continue to be exerted on CIS to release an Atari specific version of
- this program.
-
- QuickCIS, the automatic navigator program written by Jim Ness, was
- updated frequently in 1991 to take advantage of these changes in the CIS
- software.
-
- Look for a similar rewrite and improvement in the CIS messaging software
- sometime in 1992. Details of these changes will be available in Z*net
- Online.
-
- A new sysop, John Davis, was added to the staff of the AtariArts Forum.
- John is a specialist in music systems and MIDI and has an established
- reputation as music editor for ST Informer. Dave Groves, longtime Atari
- sysop, has opened up his own forum for Diabetes and Hypoglycemia
- Support.
-
- The Atari Portfolio Forum was named an official online support site by
- Atari Corp. in 1991. With active participation by Atari Corp. and all
- major Portfolio vendors, this forum rapidly established itself as THE
- place to visit for Portfolio owners. A year end programming marathon
- led by sysop BJ GLeason, newsletter editor David Stewart, and programmer
- Don Messerli, helped push the total number of Portfolio specific files
- near the 600 mark by year end. The APORTFOLIO Forum was a beta test
- site for Atari Corp. and Spectra Publishing for PowerBASIC, the
- Portfolio BASIC programming language and compiler. Currently, testing
- continues on Hyperlist, the eagerly awaited outliner/TODO program for
- the Portfolio.
-
- Back in the ST/STe/TT world, Atari Forum staff and members helped beta
- test new programs for Double Click Software and the soon-to-be-released
- FLASH II.
-
- In 1991, CompuServe expanded 9600 bps support with over 200 new nodes
- across the USA. This growth will accelerate in 1992 with even more
- cities being added to the high-speed list.
-
- International access was given a big boost with drastic rate reductions
- for European members. Access from the United Kingdom is now available
- in some cities for as little as a $.25/hr (yes, 25 cents) surcharge over
- normal CIS connect charges. Service from Germany is as low as a
- $2.50/hr surcharge. Daytime rates are only slightly higher. These
- reduced rates have brought significant numbers of Atari users from these
- countries into the US Atari Forums. The general manager of Atari (UK)
- is now online and a special promotion will be offered in 1st Qtr 1992 to
- bring online even more UK members and exciting new software previously
- available only in Europe. Total CompuServe membership now exceeds
- 880,000 individual accounts with access from more cities worldwide than
- any other information service.
-
- You can access the Atari areas on CompuServe by typing any of the
- following commands at any ! prompt.
-
- GO ATARI8 - Atari 8-Bit Forum
- GO ATARIARTS - Atari ST Arts Forum
- GO ATARIPRO - Atari ST Productivity Forum
- GO ATARIVEN - Atari Vendor Forum
- GO APORTFOLIO - Atari Portfolio Forum
- GO ATARIFF - Atari File Finder Area
-
-
-
- =======================================================================
- YEAR IN REVIEW: 1991
- TOP 100 ATARI-ARTS DOWNLOADS ON COMPUSERVE
- Compiled by Ron Kovacs
- =======================================================================
-
- This listing has been compiled via a capture of all the files uploaded
- to the CompuServe Atari-Arts Forum. Files uploaded between December 1,
- 1990 through November 30, 1991.
-
- Rank Filename Bytes Access Date
- --------------------------------------------------------------
- 1. VGIF12.ARC/Bin Bytes: 95104, Count: 252, 16-Feb-91
- 2. GV.LZH/Bin Bytes: 70784, Count: 245, 27-May-91
- 3. Z9120.TXT/Asc Bytes: 2676, Count: 211, 15-May-91
- 4. BODPAR.LZH/Bin Bytes: 55040, Count: 169, 02-Jun-91
- 5. SEXYTR.LZH/Bin Bytes: 39296, Count: 165, 20-Jul-91
- 6. STR723.ARC/Bin Bytes: 59055, Count: 161, 07-Jun-91
- 7. STR709.ARC/Bin Bytes: 52251, Count: 152, 01-Mar-91
- 8. BIGONE.ARC/Bin Bytes: 106456, Count: 147, 28-Dec-90
- 9. DMLTNM.ARC/Bin Bytes: 17113, Count: 131, 23-Jun-91
- 10. HOT.LZH/Bin Bytes: 59904, Count: 126, 02-Aug-91
- 11. STR712.ARC/Bin Bytes: 47625, Count: 124, 22-Mar-91
- 12. STR713.ARC/Bin Bytes: 66232, Count: 123, 29-Mar-91
- 13. STR720.ARC/Bin Bytes: 47298, Count: 121, 17-May-91
- 14. ZNT549.ARC/Bin Bytes: 30464, Count: 118, 15-Dec-90
- 15. STR701.ARC/Bin Bytes: 56733, Count: 118, 04-Jan-91
- 16. SMALL.CO/Asc Bytes: 27121, Count: 117, 12-Jul-91
- 17. STR710.ARC/Bin Bytes: 56366, Count: 117, 08-Mar-91
- 18. NEWLIB.TXT/Asc Bytes: 14097, Count: 115, 09-Oct-91
- 19. STR703.ARC/Bin Bytes: 59170, Count: 114, 18-Jan-91
- 20. COLONY.ARC/Bin Bytes: 42744, Count: 113, 31-Jul-91
- 21. Z9121.ARC/Bin Bytes: 28416, Count: 112, 18-May-91
- 22. STR744.LZH/Bin Bytes: 30720, Count: 112, 08-Nov-91
- 23. TRON1M.LZH/Bin Bytes: 236032, Count: 110, 19-May-91
- 24. STR715.ARC/Bin Bytes: 49004, Count: 108, 12-Apr-91
- 25. STR705.ARC/Bin Bytes: 31568, Count: 107, 01-Feb-91
- 26. STR745.LZH/Bin Bytes: 48290, Count: 105, 15-Nov-91
- 27. ZN9109.ARC/Bin Bytes: 37376, Count: 104, 09-Mar-91
- 28. STR719.ARC/Bin Bytes: 66519, Count: 104, 10-May-91
- 29. STR739.ARC/Bin Bytes: 50157, Count: 104, 28-Sep-91
- 30. STR652.ARC/Bin Bytes: 67689, Count: 104, 28-Dec-90
- 31. STR717.ARC/Bin Bytes: 88970, Count: 103, 26-Apr-91
- 32. STR707.ARC/Bin Bytes: 41998, Count: 102, 15-Feb-91
- 33. Z9148.ARC/Bin Bytes: 33536, Count: 101, 16-Nov-91
- 34. STR716.ARC/Bin Bytes: 53276, Count: 101, 20-Apr-91
- 35. STR704.ARC/Bin Bytes: 45851, Count: 100, 25-Jan-91
- 36. STR724.ARC/Bin Bytes: 71097, Count: 100, 14-Jun-91
- 37. Z9144.TXT/Asc Bytes: 8320, Count: 99, 19-Oct-91
- 38. STR714.ARC/Bin Bytes: 58880, Count: 99, 05-Apr-91
- 39. STR722.ARC/Bin Bytes: 57548, Count: 98, 31-May-91
- 40. MONOP3.LZH/Bin Bytes: 52039, Count: 97, 02-Jul-91
- 41. SARAH.ARC/Bin Bytes: 39296, Count: 95, 24-Dec-90
- 42. REDHOT.LZH/Bin Bytes: 51840, Count: 95, 11-Aug-91
- 43. ZNT914.ARC/Bin Bytes: 33536, Count: 94, 03-Feb-91
- 44. STR735.ARC/Bin Bytes: 55007, Count: 94, 30-Aug-91
- 45. Z9111.ARC/Bin Bytes: 35328, Count: 93, 22-Mar-91
- 46. Z9140.ARC/Bin Bytes: 32384, Count: 93, 20-Sep-91
- 47. STR738.ARC/Bin Bytes: 55853, Count: 93, 20-Sep-91
- 48. HOTSEP.LZH/Bin Bytes: 33280, Count: 92, 11-Aug-91
- 49. SPR034.TXT/Asc Bytes: 10648, Count: 92, 31-Aug-91
- 50. STR726.ARC/Bin Bytes: 50795, Count: 91, 28-Jun-91
- 51. STR702.ARC/Bin Bytes: 48604, Count: 90, 11-Jan-91
- 52. STR746.LZH/Bin Bytes: 40294, Count: 90, 22-Nov-91
- 53. Z9122.ARC/Bin Bytes: 28032, Count: 89, 25-May-91
- 54. Z9105.ARC/Bin Bytes: 48384, Count: 89, 12-Feb-91
- 55. Z9117.ARC/Bin Bytes: 35200, Count: 89, 27-Apr-91
- 56. ZN9108.ARC/Bin Bytes: 22400, Count: 89, 02-Mar-91
- 57. Z9142.ARC/Bin Bytes: 35456, Count: 88, 04-Oct-91
- 56. STR721.ARC/Bin Bytes: 66415, Count: 88, 24-May-91
- 57. Z9138.ARC/Bin Bytes: 40960, Count: 87, 15-Sep-91
- 58. CEPS2.TXT/Asc Bytes: 4844, Count: 86, 13-Apr-91
- 59. STR740.ARC/Bin Bytes: 42699, Count: 84, 04-Oct-91
- 60. STBOOK.TXT/Asc Bytes: 3746, Count: 83, 25-Aug-91
- 61. Z9123.ARC/Bin Bytes: 32640, Count: 82, 01-Jun-91
- 62. Z9116.ARC/Bin Bytes: 27904, Count: 82, 20-Apr-91
- 63. STR742.ARC/Bin Bytes: 67884, Count: 82, 25-Oct-91
- 64. Z9141.ARC/Bin Bytes: 32000, Count: 81, 28-Sep-91
- 65. GRIDWA.ARC/Bin Bytes: 45824, Count: 81, 25-May-91
- 66. TRAFIC.LZH/Bin Bytes: 8902, Count: 80, 03-Jul-91
- 67. Z9125.ARC/Bin Bytes: 29440, Count: 79, 15-Jun-91
- 68. Z9149.ARC/Bin Bytes: 32128, Count: 79, 23-Nov-91
- 69. STR730.ARC/Bin Bytes: 40525, Count: 79, 26-Jul-91
- 70. STR725.ARC/Bin Bytes: 40704, Count: 78, 21-Jun-91
- 71. Z9115.ARC/Bin Bytes: 40704, Count: 77, 13-Apr-91
- 72. STR734.ARC/Bin Bytes: 47779, Count: 77, 23-Aug-91
- 73. Z9133.ARC/Bin Bytes: 29952, Count: 75, 10-Aug-91
- 74. Z9118.ARC/Bin Bytes: 39424, Count: 75, 04-May-91
- 75. NOIDS.ARC/Bin Bytes: 43904, Count: 75, 22-Aug-91
- 76. Z9112.ARC/Bin Bytes: 35456, Count: 74, 29-Mar-91
- 77. Z9119.ARC/Bin Bytes: 30080, Count: 74, 11-May-91
- 78. STR718.ARC/Bin Bytes: 51188, Count: 74, 03-May-91
- 79. Z9113.ARC/Bin Bytes: 36096, Count: 72, 06-Apr-91
- 80. STR736.ARC/Bin Bytes: 49952, Count: 71, 06-Sep-91
- 81. STR747.LZH/Bin Bytes: 64981, Count: 71, 29-Nov-91
- 82. STR737.ARC/Bin Bytes: 63777, Count: 71, 13-Sep-91
- 83. QRT.LZH/Bin Bytes: 80631, Count: 70, 07-Aug-91
- 84. CEPS1.TXT/Asc Bytes: 3192, Count: 70, 08-Apr-91
- 85. STR727.ARC/Bin Bytes: 61717, Count: 70, 05-Jul-91
- 86. STR743.ARC/Bin Bytes: 47406, Count: 70, 01-Nov-91
- 87. Z9146.LZH/Bin Bytes: 24704, Count: 69, 03-Nov-91
- 88. Z9143.ARC/Bin Bytes: 42752, Count: 69, 19-Oct-91
- 89. STR732.ARC/Bin Bytes: 51956, Count: 69, 09-Aug-91
- 90. STR729.ARC/Bin Bytes: 34944, Count: 69, 19-Jul-91
- 91. STR741.ARC/Bin Bytes: 87842, Count: 69, 18-Oct-91
- 92. EXPLDI.TXT/Asc Bytes: 2688, Count: 68, 20-Aug-91
- 93. AIMOFR.TXT/Asc Bytes: 3301, Count: 68, 18-May-91
- 94. Z9136.ARC/Bin Bytes: 37632, Count: 67, 31-Aug-91
- 95. STR731.ARC/Bin Bytes: 62957, Count: 67, 02-Aug-91
- 96. BOING.LZH/Bin Bytes: 37643, Count: 67, 08-Sep-91
- 97. WAACE.TXT/Asc Bytes: 9630, Count: 67, 12-Oct-91
- 98. ROBOTZ.LZH/Bin Bytes: 82688, Count: 65, 18-Jan-91
- 99. STR733.ARC/Bin Bytes: 37052, Count: 65, 16-Aug-91
- 100. Z9145.ARC/Bin Bytes: 39168, Count: 61, 26-Oct-91
-
-
-
- =======================================================================
- * CODEHEAD TO TAKE OVER QUICK ST SUPPORT Press Release
- =======================================================================
-
-
- NEWSFLASH! As of January 1, 1992, CodeHead Software will be taking over
- worldwide development and distribution of the popular Quick ST 3.0
- software accelerator!
-
- Darek Mihocka, the original creator of Quick ST, is selling the flagship
- product of Branch Always Software in order to spend more time developing
- a PC based Atari ST emulator.
-
- According to Darek, "The response to my emulator demo at the Chicago
- Atarifest was very positive. In order to bring the emulator to market
- in a timely fashion, it became clear that I couldn't do that while at
- the same time trying to develop new versions of Quick ST. Both products
- would ultimately suffer. In the capable hands of CodeHead Software,
- Quick ST will continue to exist and be improved upon, and ST and TT
- users can look forward to a long life for the product that speeds up
- their machines. It's a win-win situation for everyone."
-
- Quick ST 3 is a program that intercepts GEM's screen output routines,
- and replaces them with highly optimized assembly language code that is
- much faster. Windows pop open, graphics appear instantly, text zaps
- onto the screen at high speed, and everything you do with your computer
- takes less time. It's an indispensable utility for all owners of Atari
- computers, since the built-in screen output routines are written in
- slow, inefficient C code.
-
- CodeHead Software is well-known for their line of utility and
- productivity solutions (and now graphics software as well), and Quick ST
- is a logical extension of that line. Charles F. Johnson, co-owner of
- CodeHead, said, "We're quite excited about Quick ST, and are looking
- forward to supporting this excellent product; and since we've purchased
- the source code, you can also look forward to further development of the
- program." Quick ST is now the only US-made screen accelerator that is
- still being actively supported.
-
- CodeHead will also be handling updates from older versions of Quick ST.
- You can upgrade to the latest version by returning your original Quick
- ST 2.x master disk to CodeHead Software along with a check or money
- order for $20. Owners of Softrek's Turbo ST (any version) may also
- upgrade to Quick ST 3 by sending in your Turbo ST master disk and
- $20.00.
-
- The retail price of Quick ST 3 is $34.95; to order, contact your local
- dealer or call the CodeHead order desk at 213-386-5735. Mastercard,
- Visa, and American Express accepted.
-
- CodeHead Software
- P.O. Box 74090
- Los Angeles, CA 90004
- Tel 213-386-5735
- Fax 213-386-5789
-
-
-
- =======================================================================
- * MULTISYNC MYTHS AND THE ATARI ST by Gregg Anderson
- =======================================================================
-
-
- The following article is reprinted in Z*Net by permission of AtariUser
- magazine and Quill Publishing. It MAY NOT be further reprinted without
- specific permission of Quill. AtariUser is a monthly Atari magazine,
- available by subscription for $18 a year. For more information on
- AtariUser, call 800-333-3567.
-
-
- Most St owners know the ST uses different video signals for its color
- and monochrome modes. You may have read about the monochrome SM124's 70
- cycle vertical refresh rate (how often per second the screen redraws
- itself from top to bottom) and its sharp, flicker-free display. Less
- publicized is the RGB (color) SC1224's 60 cycle refresh rate. What's
- NOT common knowledge is that the ST also uses two different HORIZONTAL
- scan frequencies (the rate at which screen data is drawn left to right).
-
- So what? It's not a problem--unless you want to use a multiscan monitor
- instead of two Atari monitors. Lets face it, having a single monitor
- that handles all three resolutions and provides a larger screen to boot
- has its attractions. Another attraction is Atari TT, add-on ST/TT
- graphics card, and even MS-DOS compatibility.
-
- The Atari monochrome display is close to one of the standard VGA modes,
- and thus fairly VGA compatible. Most multiscans will handle it just
- fine. Unfortunately, the color display is based on IBM's old CGA video
- mode and few VGA or multiscan monitors bother to support it anymore. So
- why not just use an old CGA or EGA monitor? Don't even think of it! If
- you do you'll likely damage your monitor, your computer, or both. Those
- old units were designed for a TTL (digital) signal and the ST uses an
- ANALOG video signal, and the two are just not compatible in any way,
- shape, or form.
-
- So while the advantages of a single 'all-res' monitor are fairly
- obvious, there are some disadvantages to using a multiscan with your ST.
- Multiscans tend to be rather expensive, with retail costs up to and over
- $1,000, though most can be found in the $400 to $600 range via mail
- order. You'll also need a video adapter (switchbox) to use a multiscan
- with your ST, and this will add another $100h and you'll fill the entire
- screen.
-
- Atari ST Video Display Frequencies & Monitor Data
-
- Vertical Horizontal Claimed Actual Dot
- Monitor Refresh(Hz) Scan(Khz) Screen Display Pitch
- ------------------------------------------------------------------
- SM124 Mono (hi res) 70 35.1 12.0" 9.5" .?
- SC1224 Color 60 15.7 12.0" 10.0" .385
- Multiscan (desired) 50-90 15.7-38.0 14.0" 13.0" .28
-
- Your first and most obvious choice is using two Atari Monitors. The
- SM124 offers a superb monochrome display that's unmatched by ANY multi-
- scan monitor and is reasonably priced. The SC1224, while no barn
- burner, is a good monitor for the money and can handle simple word
- processing or data-base/spreadsheet work with few problems.
- Unfortunately, its .38" dot pitch is just not up to handling anything
- requiring detailed displays such as drafting, cad/cam, and so on.
-
- Your second choice is one of the 'Pre-Packaged' multiscan systems for
- the Atari ST such as those from Omnimon Peripherals (OPI, formerly
- WuzTek) or Talon. Both are solid units that combine excellent color and
- high resolution displays with a reasonable price and should satisfy any
- users' needs. Best of all, both come as simple, pre-tested 'plug-and-
- play' units that eliminate the chance of incompatibility.
-
- If you already have a multiscan or want the 'very best' display possible
- and don't really care about cost (are there really such people?), you'll
- need an interface to connect it to your ST. Even more importantly,
- you'll need a way of switching between color and monochrome modes. Of
- several available, I've tested OPI's OMNIX-2 and Talon's Omniswitch.
- Each provides the identical display.
-
- OPI's interface is a small 'solid state' box smaller than a deck of
- cards that connects out of sight between your ST and its monitor. To
- change resolutions, OPI supplied a thin 'wafer-switch' that you can put
- almost anywhere. This switch also provides the ability to force a 're-
- sync' if the monitor loses the video sync signal. OPI also supplies
- software to let you change resolutions without having to re-boot, but it
- requires a lot of RAM and the commercial program "Revolver" to use it.
- The OPI includes interface, cables, and software.
-
- Talon, on the other hand, seemed more interested in flexibility and
- expansion. Their interface is a large (11 X 3.5 X 2") unit with two
- mechanical push buttons that has to sit within reach of the user. To
- compensate for its size, the Talon comes with built-in DB-9 and DB-15
- connectors and can act as a switch box for dual Atari monitors. Talon
- also includes a built-in a switch box for two secondary disk drives (B &
- C) and also includes RCA connectors for audio and B&W Composite Video.
- Optional is Talon's unique GEM patching program to allow 'on the fly'
- resolution switching with a custom external switchbox. It lacks the
- PI's re-sync capabilities, and some users report having to try several
- units to get a stable one. The product is more expensive than the OPI
- and does not include cables.
-
- Other interfaces are available from IB COMPUTERS, RIO, TOAD, and JOPPA,
- several of which advertise in AtariUser magazine.
-
- MONITOR TEST RESULTS
-
- Though I tested a number of multiscan monitors for ST compatibility, I
- couldn't test all of them. The '*' indicates that I didn't personally
- test this unit and the compatible/not compatible call is based on the
- manufacturer statements or owner reports.
-
- OPI Omnimon Rainbow/ACER 7015/MAG COMPTRONIC PMV14C Plus: This monitor
- provides excellent compatibility with the ST and does so at a VERY
- reasonable price. The color mode is at least as good if not better than
- Atari's SC1224. The monochrome mode, on the other hand isn't quite as
- sharp as the SM124's. Despite this, the PMV14C's display is more than
- adequate for CAD/CAM, DTP, Drafting, or any other high-resolution use.
- The positioning controls, unfortunately, are behind the monitor.
-
- PRINCTON ULTRA-12*: A friend who built his own interface described the
- Ultra-12 as 'perfect'. This is understandable since the Ultra-12's 12"
- screen is almost identical the Atari monitors' and, as a rule, the
- smaller the screen the sharper the display.
-
- PRINCTON ULTRA-14: Works and syncs nicely. While the color modes were
- excellent, the unit I tested suffered a background 'waver' in monochrome
- mode. I'd estimate the Princton Ultra-14 to be slightly superior to the
- Mag Computronic PMV14C.
-
- Sony CPD-1302: This unit rolled uncontrollably with both interfaces.
- This is because Sony uses a custom DP-9 pin-out that requires a special
- adapter for their sync signal. Generally speaking the 1302 should have
- a good to outstanding display in all video modes due to its .26 dot
- pitch.
-
- NEC 3D: Though it's color mode wasn't as sharp as the OPI's, the NEC
- had the best monochrome display I saw during this test. The best
- feature of the NEC is it's built-in ability to remember video display
- modes and screen positions. This eliminates having to re-center or re-
- size the ST's screen display when changing modes (after an initial
- setting). Also nice is that ALL controls are conveniently located in
- front of the monitor. Along with Sony, the NEC is one of the most
- expensive 14" multiscans on the market today.
-
- Mitsubishi FA3415ATK*: This one should work and has received VERY high
- reviews in several IBM specific magazines for brightness and clarity.
-
- Mitsubishi Diamond Scan 1381*: Talon Technologies has tested this unit
- and found that it works with the ST. However the Diamond Scan has
- received less than glowing reviews for clarity and crispness in several
- MS-DOS related magazines.
-
- Samsung Model CN 4551*: Another unit tested and approved by Talon.
-
- Panasonic PanaSync C1391*: This one has gotten raves both for picture
- and price, as it is apparently being sold out at a major discount as low
- as $329 in mail order ads.
-
- The following lists are based on manufacturer's published
- specifications, but NOT confirmed by testing.
-
- These monitors 'should' work with the ST.
-
- Relisys RE-5155* Cordata CMC-141M*
- AOC CM324* Mircovitec 1019/SP*
- Electrohome ECM-1310U* AOC CM326*
- Nanao FlexScan 9060S* Idek Multiflat Digiana MF-5015*
- Acer 710VH*
-
- These monitors are NOT compatible with the ST.
-
- Seiko 1440/1450 ViewSonic 4
- Samtron SC-428V* Sony CPD 1304*
- NEC 4D/5D* Samtron SC-431V*
- Mitsuba 710VH* Dell Super VGA*
- AOC CM325* Goldstar 1450*
- Amdek AM/738* NEC-2A* Tatung CM-1496X*
- All Packard Bells* All EGA/CGA monitors*
-
- What to look for in a Multiscan:
-
- 1) Make sure the monitor is a true multiscan and NOT a Tri-Sync or
- "mulitsync", limited to standard VGA modes. Some multiscans
- advertise CGA/EGA compatibility based on using a VGA card that
- converts EGA/CGA to VGA frequencies. That won't work on your ST.
-
- 2) Be POSITIVE that the unit handles not only 60 and 70 Hz vertical
- refresh rates but the 15.7 and 35.1 KHz horizontal sweep frequencies
- as well. This is where most multiscans and VGA monitors fall flat on
- their faces.
-
- 3) Look for a dot pitch of .28 or smaller, and a medium to short
- phospor. The smaller the dot pitch the sharper the image should be,
- and a long persistence phosphor is useful only if you're into
- interlacing, something that ST doesn't normally do.
-
- 4) Unless you pick the NEC, you'll have to get used to the display
- shifting some to the right when going from color to monochrome (and
- visa-versa when going the other direction). That or spend some time
- adjusting the size and horizontal position controls to keep things
- centered each time you change resolutions. Try before you buy!
-
- Both the OPI and Talon fit all four requirements. As a result, it's
- pretty hard to justify spending lots of hard to find cash on a build-it-
- yourself system unless you already have access to a multiscan or, like
- me, are a pathological perfectionist. Yes, you can get a better display
- than the pre-packaged units, but doing so may cost you some major
- dollars.
-
- As I said, I'm a pathological perfectionist, so I picked the NEC 3D.
- Available at $600 and up via mail order, its display was outstanding and
- its ability to remember the ST's display modes was just too tempting for
- me to resist, even at the price.
-
- Still want to 'roll your own'? Test the monitor you want BEFORE buying
- it. Make NO exceptions unless you can afford another doorstop.
-
- Omnimon Peripherals Inc (Formerly WuzTek), 1 Technology Drive, E-301,
- Irvine CA, 92718, (714)-753-9253
-
- Talon Technologies Inc., 243 N. Highway 101, STE. 11, Solona Beach CA,
- 92075, (619)-792-6511
-
- (And more monitor companies than space allows us to list here, see your
- dealer for details.)
-
- Gregg Anderson
-
- BIO: Gregg Anderson is a member of the Far East Atari ST Club, Yokota
- AFB Japan. A long time Atari supporter and registered developer, he has
- had over 25 articles printed in various Atari-related magazines over the
- past four years.
-
-
-
- =======================================================================
- YEAR IN REVIEW: 1991
- AN END USER'S PERSPECTIVE
- by Ed Krimen
- =======================================================================
-
-
- Looking upon 1991, I don't remember a whole lot of revolutionary Atari
- events taking place. I think most of the development for the market,
- not just from Atari itself, but from developers and dealers, was mainly
- rebuilding and redeveloping a strategy for the future. End-users
- wouldn't have noticed it because closed-door development is just that
- -- private; the public isn't supposed to know about it.
-
- At this point, many Atari doom-sayers will be thinking, "What is this
- guy smoking? I want a pair of his rose-colored glasses. Atari's not
- going to survive past next week. Their stock is down; dealers are
- closing; user groups are losing members; developers are leaving the
- market; and users are dumping their STs and buying clones. Jump ship
- before you go down like the Coleco Adam."
-
- We all know that Atari in the past hasn't necessarily been on top of the
- list in terms of customer, dealer, and developer support. In fact, in
- most people's minds, they're not even on the list! People "buy Atari"
- because they love the computers, not because of the "high" price of its
- stock.
-
- When judging from past performance, one would think that the lack of
- support from Atari and consequently the departure of users, dealers, and
- developers from the ST market will continue until Atari's and the ST's
- death.
-
- But with my wearing those funky rose-colored glasses and smoking
- whatever it is I'm smoking, there are a few things I can point out that
- happened in the past year which show development. In no particular
- order and off the top of my head, the Dusseldorf fair in Germany had a
- particularly good impact on the North American market. A few software
- companies, such as Codehead, Goldleaf Publishing, and Gribnif, are now
- importing software packages from Europe. Codehead's bringing in Avant
- Vector and MegaPaint, and Gribnif has Arabesque and X-boot. Goldleaf
- has Didot Line Art and Retouche. And that's just software. Codehead
- gets the TOS Extension Card from Artifex in Germany (to help upgrade the
- ST and Mega to TOS 2.06) and Goldleaf gets their souped up tower TT
- Image Speeder from Germany as well. Note that most of these products
- are desktop publishing-oriented, suggesting that Atari wants to go after
- this market much like it has gone after the MIDI market.
-
- But everything isn't just imported. Double Click had their Program of
- the Week in 1991. They wrote a small, freeware utility program once a
- week for a year. I think it spanned from October 1990 to October 1991.
- The Codeheads came out with MultiDesk Deluxe and just recently, MIDI
- Spy. Before the last few weeks of the year are over, we find that they
- have taken over development of Quick ST 3.0 (which was also released
- this year) from Darek Mihocka, who now wants to concentrate more of his
- efforts on Gemulator, an ST emulator for PC clones.
-
- Jim Allen of Fast Technology has developed and is now shipping the
- Turbo20 20Mhz and the Turbo25 25Mhz 68000 upgrades. His Turbo030 68030
- accelerator and David Small's (of Gadgets by Small) SST 68030
- accelerator have yet to materialize in customer's hands, however. I
- think I heard something about delays with obtaining TOS from Atari.
-
- The long-awaited STalker 3.0 telecommunications program and STeno 2.0
- text editor were released. In many ways, STalker 3.0 has more features
- and is more powerful than anyone had anticipated. Double Click Software
- also released Data Diet, its real-time data compression program.
- Lexicor Software released their suite of sophisticated animation and
- graphics programs.
-
- Nonetheless, I could go on and on and on, but then I'd have to do more
- research than just looking through the December issue of ST Informer for
- reminders. Oh, by the way, speaking of ST magazines, Atari User
- magazine, the very informative, widely-distributed, inexpensive magazine
- sought its debut in 1991. And Atari Explorer was resurrected this past
- year, with each issue looking better than the previous. On a somber
- note however, STart died early in 1991, but not due to the ST market per
- se, but by the publisher's mismanagement.
-
- Perhaps one of the best signs of development in 1991 was the Aegis
- Dealer Symposium held in Sunnyvale. Arranged by Atari, this conference
- demonstrated that Atari knows that there's more to selling and
- supporting a computer than just developing and manufacturing them. Many
- dealers and developers took part in the Aegis Symposium to get together
- and learn what must be needed to sell Atari computers and third-party
- products and software in the years to come.
-
- Under the Atari roof, there have also been some exciting hardware and
- software developments. The Mega STE is shipping. The street price for
- the 520STE is around $350. The ST bundles are shipping. Atari's
- Extensible Control Panel has been available for several months now. FSM
- GDOS is available to owners of WordFlair II and others who really,
- really, really need it. From what we've been told on GEnie, the
- slowdown to wider distribution is the packaging. Atari didn't like the
- cover design from one company, so they contracted another and are
- getting it re-done. The new model Lynx is shipping, as well as a ton of
- games, which seem to have been coming out about one to two a week for a
- few months.
-
- Atari's starting to push their name around a lot more than they used to.
- The result to all of this will most likely be seen next year, if at all.
- For a couple of months, they've been having full-page ads in Keyboard
- magazine. Publish magazine ran a Goldleaf Publishing ad recently, and
- we're supposed to be seeing more Atari-related ads in that magazine.
- According to Bob Brodie at Atari, the Seybold Publishing Report
- newsletter has a big write-up on Atari and its Professional Systems
- Group presence at the show. In addition, the Lynx is once again being
- aggressively marketed, this time in Southern California.
-
- I guess a lot of stuff did happen in 1991. But there's also things that
- didn't happen that a lot of people would like to happen very, very soon
- -- like yesterday. For example, FCC Class B-certified TT030s are still
- not shipping! On the other hand, I understand that TTs with 1.44meg
- drives and TOS 3.06 are. Replacement floppy controllers for 1.44meg
- drives for current Mega STE and TT owners aren't available yet either.
- The deal with General Electric Service Centers hasn't been finalized and
- STs aren't in any mass merchandising stores, like Circuit City.
-
- Looking ahead to next year should prove to be a do-or-die year for the
- ST market in the U.S. I really don't think the current, emaciated ST
- market can hold out for another year, unless Atari makes a substantial
- push in the computer industry. Production and distribution of machines
- with advertising and general press coverage to let people know what's
- out there are the key elements here. Atari plans to show several "WOW!"
- computers at the CeBit fair in Germany in March. That's all dandy and
- good, but these computers will still be in development for the following
- year after they're shown. We just hope that they'll be available in
- LARGE quantities when that year of development is over.
-
- Atari must attract new computer users and users of non-Atari computers
- to their platform. This must and can definitely be done with their
- existing line of the STE, Mega STE, TT030, and soon the ST Book. Atari
- is fortunate to have a good number of devoted and informed followers who
- love their computers, but this following can't keep Atari above water
- forever. Atari must attract new users to the platform, and 1992 will
- demonstrate if Atari is willing to do this.
-
-
-
-
- =======================================================================
- * ATM SAFETY TIPS
- =======================================================================
-
-
- People who use automatic teller machines to withdraw cash are becoming
- targets for thieves, particularly during the rush of holiday shopping.
- But a manufacturer of ATMs recently said the risk can be lessened by
- taking several precautions.
-
- o Be aware of your surroundings when you approach an ATM. If you
- notice anything out of the ordinary, visit the ATM later or use
- another ATM.
-
- o Always look inside an enclosed site before entering.
-
- o Ask a friend to come along with you if you need to visit an ATM at
- night.
-
- o Have your card ready and in hand, along with other transaction
- materials, before you approach an ATM.
-
- o Stand close to the ATM when entering your personal identification
- number. Do not allow anyone to watch.
-
- o Wait until you leave the vicinity of the ATM to count your money.
-
- For people who use a drive-up ATM machine...
-
- o Pull up close to the ATM.
-
- o Remain in the car while conducting your transaction. For added
- security, keep car doors locked and windows rolled up before and
- after making the transaction.
-
- o Keep the car running while operating the ATM.
-
- o Drive around the machine first if it is in a kiosk, or drive by it,
- checking between parked cars, if it is a wall-mounted unit.
-
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