Microsoft Bookshelf 1991/msbookshelf91.7z/BOOKS/BFQ.DB

Text File | 1991-05-07 | 7MB | 235,343 lines

%@1@%%@AB@%Bartlett's Familiar Quotations%@AE@%%@EH@%



%@1@%%@AB@%The Song of the Harper%@AE@%%@EH@%
%@AB@%c. 2650-2600  B.C. %@AE@%
%@FN@%
Ancient Egyptian quotations from The Song of the Harper, Ptahhotpe, The
Teaching for Merikare, The Man Who Was Tired of Life, and Love Songs of the
New Kingdom are from William Kelly Simpson, ed., The Literature of Ancient
Egypt [1973]. Those from The Book of the Dead, Queen Hatshepsut, Suti and
Hor, The Great Hymn to the Aten, and Amenemope are from Miriam Lichtheim,
Ancient Egyptian Literature, vol. II, The New Kingdom [1976].  %@EF@%
%@FN@%
From the tomb of King Inyotef.  Translated by William Kelly Simpson.  %@EF@%
%@NL@%%@NL@%

%@QR:The Song of the Harper@%%@CR:B2650SONG10     @%%@2@%There is no one who can return from there, 1  2 %@NL@%%@EH@%
To describe their nature, to describe their dissolution,%@NL@%
That he may still our desires,%@NL@%
Until we reach the place where they have gone.%@NL@%

%@NL@%The Song of the Harper
%@NL@%St. 5

%@NL@%%@AI@%1 See Catullus%@BO:           cd336@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          1c0f39@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Song of the Harper@%%@CR:B2650SONG20     @%%@2@%Remember: it is not given to man to take his goods with him. 1  2  3  4 %@NL@%%@EH@%
No one goes away and then comes back.%@NL@%

%@NL@%The Song of the Harper
%@NL@%St. 10

%@NL@%%@AI@%1 See Ecclesiastes 5:15%@BO:           357a7@%%@AE@%
%@AI@%2 See I Timothy 6:7%@BO:           71f6e@%%@AE@%
%@AI@%3 See Theognis%@BO:           90abd@%%@AE@%
%@AI@%4 See Kaufman and Hart%@BO:          5df8fb@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Ptahhotpe%@AE@%%@EH@%
%@NL@%
%@AB@%Twenty-fourth century  B.C. %@AE@%
%@FN@%
Also spelled Ptahhotep. He was city governor and vizier under King Izezi.  %@EF@%
%@NL@%%@NL@%

%@QR:Ptahhotpe@%%@CR:B2400PTAH10     @%%@2@%   Teach him what has been said in the past; then he will set a good example%@EH@%
to the children of the magistrates, and judgment and all exactitude shall
enter into him. Speak to him, for there is none born wise.%@NL@%
%@NL@%
Ptahhotpe
%@NL@%%@FN@%
Translated from the earliest manuscript of the Maxims (the Prisse Papyrus in
Paris) by R. O. Faulkner.  %@EF@%
The Maxims of Ptahhotpe [c. 2350 b.c.],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ptahhotpe@%%@CR:B2400PTAH20     @%%@2@%   Do not be arrogant because of your knowledge, but confer with the%@EH@%
ignorant man as with the learned. . . . Good speech is more hidden than
malachite, yet it is found in the possession of women slaves at the
millstones.%@NL@%
%@NL@%
Ptahhotpe
%@NL@%The Maxims of Ptahhotpe [c. 2350 b.c.],maxim no.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ptahhotpe@%%@CR:B2400PTAH30     @%%@2@%   Truth is great and its effectiveness endures. 1 %@NL@%%@EH@%
%@NL@%
Ptahhotpe
%@NL@%The Maxims of Ptahhotpe [c. 2350 b.c.],maxim no.5

%@NL@%%@AI@%1 See I Esdras 4:41%@BO:           46ab1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ptahhotpe@%%@CR:B2400PTAH40     @%%@2@%   Follow your desire as long as you live and do not perform more than is%@EH@%
ordered; do not lessen the time of following desire, for the wasting of time
is an abomination to the spirit. . . . When riches are gained, follow
desire, for riches will not profit if one is sluggish.%@NL@%
%@NL@%
Ptahhotpe
%@NL@%The Maxims of Ptahhotpe [c. 2350 b.c.],maxim no.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ptahhotpe@%%@CR:B2400PTAH50     @%%@2@%   Beware an act of avarice; it is a bad and incurable disease.%@NL@%%@EH@%
%@NL@%
Ptahhotpe
%@NL@%The Maxims of Ptahhotpe [c. 2350 b.c.],maxim no.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ptahhotpe@%%@CR:B2400PTAH60     @%%@2@%   If you are well-to-do and can maintain your household, love your wife in%@EH@%
your home according to good custom. . . . Make her happy while you are
alive, for she is land profitable to her lord.%@NL@%
%@NL@%
Ptahhotpe
%@NL@%The Maxims of Ptahhotpe [c. 2350 b.c.],maxim no.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ptahhotpe@%%@CR:B2400PTAH70     @%%@2@%   Do not repeat slander; you should not hear it, for it is the result of%@EH@%
hot temper.%@NL@%
%@NL@%
Ptahhotpe
%@NL@%The Maxims of Ptahhotpe [c. 2350 b.c.],maxim no.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ptahhotpe@%%@CR:B2400PTAH80     @%%@2@%   One who is serious all day will never have a good time, while one who is%@EH@%
frivolous all day will never establish a household. 1  2  3 %@NL@%
%@NL@%
Ptahhotpe
%@NL@%The Maxims of Ptahhotpe [c. 2350 b.c.],maxim no.25

%@NL@%%@AI@%1 See Herodotus%@BO:           a4b75@%%@AE@%
%@AI@%2 See Cervantes%@BO:          14e4be@%%@AE@%
%@AI@%3 See Howell%@BO:          2289de@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ptahhotpe@%%@CR:B2400PTAH90     @%%@2@%   Be cheerful while you are alive.%@NL@%%@EH@%
%@NL@%
Ptahhotpe
%@NL@%The Maxims of Ptahhotpe [c. 2350 b.c.],maxim no.34

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Teaching for Merikare%@AE@%%@EH@%
%@AB@%c. 2135-2040  B.C. %@AE@%
%@FN@%
A treatise on kingship addressed by a king of Heracleopolis, whose name is
lost, to his son and successor Merikare.  Translated by R. O. Faulkner.  %@EF@%
%@NL@%%@NL@%

%@FN@%
Three bracketed dots represent an unfilled gap in the original; unbracketed
dots represent our own omission from the text.  %@EF@%
%@QR:The Teaching for Merikare@%%@CR:B2135TEAF10     @%%@2@%   Be skillful in speech, that you may be strong; [ . . . ] it is the%@EH@%
strength of [ . . . ] the tongue, and words are braver than all fighting 1
2  3  . . . a wise man is a school for the magnates, and those who are aware
of his knowledge do not attack him.%@NL@%
%@NL@%
The Teaching for Merikare
%@NL@%Par. 4

%@NL@%%@AI@%1 See Cervantes%@BO:          14e26a@%%@AE@%
%@AI@%2 See Burton%@BO:          210d65@%%@AE@%
%@AI@%3 See BulwerLytton%@BO:          3b8b8c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Teaching for Merikare@%%@CR:B2135TEAF20     @%%@2@%   Copy your forefathers, 1  for work is carried out through knowledge; see,%@EH@%
their words endure in writing. . . . Do not be evil, for pa-tience is good;
make your lasting monument in the love of you.%@NL@%
%@NL@%
The Teaching for Merikare
%@NL@%Par. 5

%@NL@%%@AI@%1 See Tacitus%@BO:           f87a3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Teaching for Merikare@%%@CR:B2135TEAF30     @%%@2@%   Wretched is he who has bound the land to himself [ . . . ]; a fool is he%@EH@%
who is greedy when others possess. Life on earth passes away, it is not
long; 1  2  3  he is fortunate who has a good remembrance in it.%@NL@%
%@NL@%
The Teaching for Merikare
%@NL@%Par. 6

%@NL@%%@AI@%1 See Homer%@BO:           8123b@%%@AE@%
%@AI@%2 See Pindar%@BO:           9989d@%%@AE@%
%@AI@%3 See Aristophanes%@BO:           ab4c4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Teaching for Merikare@%%@CR:B2135TEAF40     @%%@2@%   Do justice, that you may live long upon earth. Calm the weeper, do not%@EH@%
oppress the widow, do not oust a man from his father's property, do not
degrade magnates from their seats. Beware of punishing wrongfully; do not
kill, for it will not profit you.%@NL@%
%@NL@%
The Teaching for Merikare
%@NL@%Par. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Teaching for Merikare@%%@CR:B2135TEAF50     @%%@2@%   More acceptable is the character of the straightforward man than the ox%@EH@%
of the wrongdoer. Serve God, that He may do the like for you . . . Provide
for men, the cattle of God, for He made heaven and earth 1  at their desire.
He suppressed the greed of the waters, He gave the breath of life to their
noses, for they are likenesses of Him which issued from His flesh. 2 %@NL@%
%@NL@%
The Teaching for Merikare
%@NL@%Par. 22

%@NL@%%@AI@%1 See Psalm 121:2%@BO:           2a512@%%@AE@%
%@AI@%2 See Genesis 1:26%@BO:            5a41@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Teaching for Merikare@%%@CR:B2135TEAF60     @%%@2@%   Instill the love of you into all the world, for a good character is what%@EH@%
is remembered.%@NL@%
%@NL@%
The Teaching for Merikare
%@NL@%Par. 24

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Man Who Was Tired of Life%@AE@%%@EH@%
%@AB@%c. 1990  B.C. %@AE@%
%@FN@%
Translated by R. O. Faulkner.  %@EF@%
%@NL@%%@NL@%

%@QR:The Man Who Was Tired of Life@%%@CR:B1990MANW10     @%%@2@%To whom can I speak today?%@NL@%%@EH@%
Brothers are evil%@NL@%
And the friends of today unlovable.%@NL@%

%@NL@%The Man Who Was Tired of Life
%@NL@%Song,st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Man Who Was Tired of Life@%%@CR:B1990MANW20     @%%@2@%To whom can I speak today?%@NL@%%@EH@%
Gentleness has perished%@NL@%
And the violent man has come down on everyone.%@NL@%

%@NL@%The Man Who Was Tired of Life
%@NL@%Song,st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Man Who Was Tired of Life@%%@CR:B1990MANW30     @%%@2@%To whom can I speak today?%@NL@%%@EH@%
I am heavy-laden with trouble%@NL@%
Through lack of an intimate friend.To whom can I speak today?%@NL@%
The wrong which roams the earth,%@NL@%
There is no end to it.%@NL@%

%@NL@%The Man Who Was Tired of Life
%@NL@%Song,st. 23, 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Man Who Was Tired of Life@%%@CR:B1990MANW40     @%%@2@%Death is in my sight today%@NL@%%@EH@%
As when a man desires to see home%@NL@%
When he has spent many years in captivity.%@NL@%

%@NL@%The Man Who Was Tired of Life
%@NL@%Song,st. 30

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Book of the Dead%@AE@%%@EH@%
%@AB@%c. 1700-1000  B.C. %@AE@%
%@FN@%
Translated by Miriam Lichtheim.  "The coming forth by day" . . . the
Egyptians called it.-Miriam Lichtheim, Ancient Egyptian Literature, vol. II,
The New Kingdom [1976], pt. III, introduction  %@EF@%
%@NL@%%@NL@%

%@QR:The Book of the Dead@%%@CR:B1700BOOK10     @%%@2@%Hail to you gods . . . %@NL@%%@EH@%
On that day of the great reckoning.%@NL@%
Behold me, I have come to you,%@NL@%
Without sin, without guilt, without evil,%@NL@%
Without a witness against me,%@NL@%
Without one whom I have wronged. . . . %@NL@%
Rescue me, protect me,%@NL@%
Do not accuse me before the great god!I am one pure of mouth, pure of hands.%@NL@%

%@NL@%The Book of the Dead
%@NL@%The Address to the Gods

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Love Songs of the New Kingdom%@AE@%%@EH@%
%@AB@%c. 1550-1080  B.C. %@AE@%
%@FN@%
Translated by William Kelly Simpson.  %@EF@%
%@NL@%%@NL@%

%@QR:Love Songs of the New Kingdom@%%@CR:B1550LOVS10     @%%@2@%My love for you is mixed throughout my body . . . So hurry to see your lady,%@NL@%%@EH@%
like a stallion on the track,%@NL@%
or like a falcon swooping down to its papyrus marsh.Heaven sends down the
love of her%@NL@%
as a flame falls in the hay.%@NL@%

%@NL@%Love Songs of the New Kingdom
%@NL@%Song no.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Love Songs of the New Kingdom@%%@CR:B1550LOVS20     @%%@2@%The voice of the wild goose,%@NL@%%@EH@%
caught by the bait, cries out.%@NL@%
Love of you holds me back,%@NL@%
and I can't loosen it at all. . . . I did not set my traps today;%@NL@%
love of you has thus entrapped me.%@NL@%

%@NL@%Love Songs of the New Kingdom
%@NL@%Song no.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Love Songs of the New Kingdom@%%@CR:B1550LOVS30     @%%@2@%Now must I depart from the brother . . . %@NL@%%@EH@%
and as I long for your love,%@NL@%
my heart stands still inside me. . . . Sweet pomegranate wine in my mouth%@NL@%
is bitter as the gall of birds.But your embraces%@NL@%
alone give life to my heart;%@NL@%
may Amun give me what I have found%@NL@%
for all eternity.%@NL@%

%@NL@%Love Songs of the New Kingdom
%@NL@%Song no.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Love Songs of the New Kingdom@%%@CR:B1550LOVS40     @%%@2@%The voice of the turtledove speaks out. 1  It says:%@NL@%%@EH@%
Day breaks, which way are you going?%@NL@%
Lay off, little bird,%@NL@%
must you so scold me?I found my lover on his bed,%@NL@%
and my heart was sweet to excess.%@NL@%

%@NL@%Love Songs of the New Kingdom
%@NL@%Song no.14

%@NL@%%@AI@%1 See Song of Solomon 2:12%@BO:           38180@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Queen Hatshepsut%@AE@%%@EH@%
%@NL@%
%@AB@% d. 1468  B.C. %@AE@%
%@FN@%
Translated by Miriam Lichtheim.  %@EF@%
%@NL@%%@NL@%

%@FN@%
Queen Hatshepsut erected four obelisks in the temple of Amun at Karnak, two
of which have disappeared entirely. . . . The obelisks are of pink Assuan
granite.-Miriam Lichtheim, Ancient Egyptian Literature, vol. II, The New
Kingdom [1976], pt. I, sec. 2  %@EF@%
%@FN@%
"Electrum," or "fine gold," designated the gold with a high silver content
which was especially prized.-Ib. note to Speech of the Queen  %@EF@%
%@QR:Queen Hatshepsut@%%@CR:B1468HATS10     @%%@2@%So as regards these two great obelisks,%@NL@%%@EH@%
Wrought with electrum by my majesty for my father Amun,%@NL@%
In order that my name may endure in this temple,%@NL@%
For eternity and everlastingness,%@NL@%
They are each of one block of hard granite,%@NL@%
Without seam, without joining together!%@NL@%

%@NL@%Queen Hatshepsut
%@NL@%Speech of the Queen

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Suti and Hor%@AE@%%@EH@%
%@AB@%Fifteenth-fourteenth centuries  B.C. %@AE@%
%@FN@%
Architects to Amenhotep III (reigned c. 1411-1375  B.C. ).  Translated by
Miriam Lichtheim.  %@EF@%
%@NL@%%@NL@%

%@QR:Suti and Hor@%%@CR:B1400SUTI10     @%%@2@%Creator uncreated.%@NL@%%@EH@%
Sole one, unique one, who traverses eternity,%@NL@%
Remote one, with millions under his care;%@NL@%
Your splendor is like heaven's splendor.%@NL@%

%@NL@%Suti and Hor
%@NL@%First Hymn to the Sun God

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Suti and Hor@%%@CR:B1400SUTI20     @%%@2@%Beneficent mother 1  2  3  of gods and men . . . %@NL@%%@EH@%
Valiant shepherd who drives his flock,%@NL@%
Their refuge, made to sustain them. . . . %@NL@%
He makes the seasons with the months,%@NL@%
Heat as he wishes, cold as he wishes. . . . %@NL@%
Every land rejoices at his rising,%@NL@%
Every day gives praise to him.%@NL@%

%@NL@%Suti and Hor
%@NL@%Second Hymn to the Sun God

%@NL@%%@AI@%1 See Eddy%@BO:          45e4f7@%%@AE@%
%@AI@%2 See O'Neill%@BO:          5db3ce@%%@AE@%
%@AI@%3 See John Paul I%@BO:          64aeb3@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%The Great Hymn to the Aten%@AE@%%@EH@%
%@AB@%c. 1350  B.C. %@AE@%
%@FN@%
From the reign [1365-1349  B.C. ] of Amenhotep IV Akhenaten.  Translated by
Miriam Lichtheim.  Amenhotep IV . . . converted the supreme god [Aten, the
sun disk] into the sole god by denying the reality of all the other
gods.-Lichtheim, Ib. pt. II  %@EF@%
%@NL@%%@NL@%

%@QR:The Great Hymn to the Aten@%%@CR:B1350GREH10     @%%@2@%Splendid you rise in heaven's lightland,%@NL@%%@EH@%
O living Aten, creator of life!%@NL@%

%@NL@%The Great Hymn to the Aten
%@NL@%St. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Psalm 104:20  The resemblances [between the Great Hymn to the Aten and
Psalm 104] are . . . likely to be the result of the generic similarity
between Egyptian hymns and Biblical psalms. A specific literary
interdependence is not probable.-Lichtheim, Ib. note to The Great Hymn to
the Aten  %@EF@%
%@QR:The Great Hymn to the Aten@%%@CR:B1350GREH20     @%%@2@%When you set in western lightland,%@NL@%%@EH@%
Earth is in darkness as if in death.%@NL@%

%@NL@%The Great Hymn to the Aten
%@NL@%St. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Great Hymn to the Aten@%%@CR:B1350GREH30     @%%@2@%Every lion comes from its den,%@NL@%%@EH@%
All the serpents bite;%@NL@%
Darkness hovers, earth is silent,%@NL@%
As their maker rests in lightland. 1 Earth brightens when you dawn in
lightland,%@NL@%
When you shine as Aten of daytime;%@NL@%
As you dispel the dark,%@NL@%
As you cast your rays,%@NL@%
The Two Lands are in festivity.%@NL@%
Awake they stand on their feet,%@NL@%
You have roused them. 2 %@NL@%

%@NL@%The Great Hymn to the Aten
%@NL@%St. 2, 3

%@NL@%%@AI@%1 See Psalm 104:21%@BO:           28c80@%%@AE@%
%@AI@%2 See Psalm 104:22, 23%@BO:           28c80@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Great Hymn to the Aten@%%@CR:B1350GREH40     @%%@2@%The entire land sets out to work,%@NL@%%@EH@%
All beasts browse on their herbs;%@NL@%
Trees, herbs are sprouting,%@NL@%
Birds fly from their nests . . . %@NL@%
Ships fare north, fare south as well,%@NL@%
Roads lie open when you rise;%@NL@%
The fish in the river dart before you,%@NL@%
Your rays are in the midst of the sea. 1 %@NL@%

%@NL@%The Great Hymn to the Aten
%@NL@%St. 3

%@NL@%%@AI@%1 See Psalm 104:22, 23%@BO:           28c80@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Great Hymn to the Aten@%%@CR:B1350GREH50     @%%@2@%How many are your deeds,%@NL@%%@EH@%
Though hidden from sight,%@NL@%
O Sole God beside whom there is none!%@NL@%
You made the earth as you wished, you alone. 1 %@NL@%

%@NL@%The Great Hymn to the Aten
%@NL@%St. 5

%@NL@%%@AI@%1 See Psalm 104:24%@BO:           28c80@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%I Ching%@AE@%%@EH@%
%@AB@%c. Twelfth century  B.C. %@AE@%
%@FN@%
Translated from Chinese into German by Richard Wilhelm, and into English by
Cary F. Baynes.  %@EF@%
%@FN@%
Traditional date of the present collection of sixty-four hexagrams (some of
which reach into legendary antiquity) credited to Wen Wang, whose son Wu
Wang was the first ruler of the Chou dynasty [c. 1027-256  B.C. ].  %@EF@%
%@NL@%%@NL@%

%@QR:I Ching@%%@CR:B1300CHII10     @%%@2@%   Fire in the lake: the image of revolution.%@NL@%%@EH@%
%@NL@%
I Ching, The Book of Changes
%@NL@%Book I, ch.49, Ko/Revolution (Molting)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:I Ching@%%@CR:B1300CHII20     @%%@2@%   Wind over lake: the image of inner truth.%@NL@%%@EH@%
%@NL@%
I Ching, The Book of Changes
%@NL@%Book I, ch.61, Chung Fu/Inner Truth

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Amenemope%@AE@%%@EH@%
%@NL@%
%@AB@%c. Eleventh century  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Amenemope@%%@CR:B1050AMEN10     @%%@2@%Beginning of the teaching for life,%@NL@%%@EH@%
The instructions for well-being . . . %@NL@%
Knowing how to answer one who speaks,%@NL@%
To reply to one who sends a message. 1 %@NL@%

%@NL@%Amenemope
%@NL@%%@FN@%
Translated by Miriam Lichtheim.  %@EF@%
The Instruction of Amenemopeprologue

%@NL@%%@AI@%1 See Proverbs 22:20-1%@BO:           3114b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Amenemope@%%@CR:B1050AMEN20     @%%@2@%Give your ears, hear the sayings,%@NL@%%@EH@%
Give your heart to understand them;%@NL@%
It profits to put them in your heart. 1 %@NL@%

%@NL@%Amenemope
%@NL@%The Instruction of Amenemopech.1

%@NL@%%@AI@%1 See Proverbs 22:17-8%@BO:           30cd2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Amenemope@%%@CR:B1050AMEN30     @%%@2@%Beware of robbing a wretch,%@NL@%%@EH@%
Of attacking a cripple. 1  2 %@NL@%

%@NL@%Amenemope
%@NL@%The Instruction of Amenemopech.2

%@NL@%%@AI@%1 See Proverbs 22:22%@CF:B1000BIBL5295   @%%@AE@%
%@AI@%2 See Ecclesiasticus 4:1%@BO:           48862@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Amenemope@%%@CR:B1050AMEN40     @%%@2@%The truly silent, who keep apart,%@NL@%%@EH@%
He is like a tree grown in a meadow.%@NL@%
It greens, it doubles its yield,%@NL@%
It stands in front of its lord.%@NL@%
Its fruit is sweet, its shade delightful,%@NL@%
Its end comes in the garden. 1  2 %@NL@%

%@NL@%Amenemope
%@NL@%The Instruction of Amenemopech.4

%@NL@%%@AI@%1 See Psalm 1:1-%@BO:           202ed@%%@AE@%
%@AI@%2 See Jeremiah 17:8%@BO:           4213b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Amenemope@%%@CR:B1050AMEN50     @%%@2@%Do not move the markers on the border of the fields. 1 %@NL@%%@EH@%

%@NL@%Amenemope
%@NL@%The Instruction of Amenemopech.6

%@NL@%%@AI@%1 See Proverbs 22:28%@BO:           3148a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Amenemope@%%@CR:B1050AMEN60     @%%@2@%Better is poverty in the hand of the god,%@NL@%%@EH@%
Than wealth in the storehouse;%@NL@%
Better is bread with a happy heart%@NL@%
Than wealth with vexation. 1  2 %@NL@%

%@NL@%Amenemope
%@NL@%The Instruction of Amenemopech.6

%@NL@%%@AI@%1 See Proverbs 15:16-7%@BO:           2ed79@%%@AE@%
%@AI@%2 See Confucius%@BO:           934e4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Amenemope@%%@CR:B1050AMEN70     @%%@2@%Do not set your heart on wealth . . . %@NL@%%@EH@%
Do not strain to seek increases,%@NL@%
What you have, let it suffice you. 1 %@NL@%
If riches come to you by theft,%@NL@%
They will not stay the night with you. . . . %@NL@%
They made themselves wings like geese,%@NL@%
And flew away to the sky. 2 %@NL@%

%@NL@%Amenemope
%@NL@%The Instruction of Amenemopech.7

%@NL@%%@AI@%1 See Proverbs 23:4%@BO:           31783@%%@AE@%
%@AI@%2 See Proverbs 23:5%@BO:           3189f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Amenemope@%%@CR:B1050AMEN80     @%%@2@%Look to these thirty chapters,%@NL@%%@EH@%
They inform, they educate. 1 %@NL@%

%@NL@%Amenemope
%@NL@%The Instruction of Amenemopech.30

%@NL@%%@AI@%1 See Proverbs 22:20%@BO:           3114b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Amenemope@%%@CR:B1050AMEN90     @%%@2@%The scribe who is skilled in his office,%@NL@%%@EH@%
He is found worthy to be a courtier. 1 %@NL@%

%@NL@%Amenemope
%@NL@%The Instruction of Amenemopech.30

%@NL@%%@AI@%1 See Proverbs 22:29%@BO:           3155f@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%The Holy Bible%@AE@%%@EH@%%@FN@%
The oldest part of the Bible, Song of the Sea (see Exodus 15:1-18) dates
from the tenth century  B.C. , the era of Solomon, but the material used by
the author (called J, or the Yahwist) was much older. Next oldest is the
Song of Deborah (Judges 5:1-12).  Bible quotations are from the Authorized
(King James) Version [1611], which was "translated out of the original
tongues: and with the former translations diligently compared and revised."
Among all our joys, there was no one that more filled our hearts, than the
blessed continuance of the preaching of God's sacred Word among us; which is
that inestimable treasure, which excelleth all the riches of the
earth.-Epistle Dedicatory from the Translators to James I  %@EF@%
%@FN@%
The Hebrew Scriptures. The first five books (the Pentateuch, or the five
books of Moses) are the Jewish Torah, embodying the Law revealed to Moses on
Mt. Sinai.  %@EF@%
%@NL@%%@NL@%

%@FN@%
Fiat lux.-The Vulgate  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL10     @%%@2@%   In the beginning God created the heaven and the earth.%@NL@%%@EH@%
And the earth was without form, and void; and darkness was upon the face of
the deep. And the Spirit of God moved upon the face of the waters.%@NL@%
And God said, Let there be light: and there was light.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%%@FN@%
First of the five books of the Pentateuch.  %@EF@%
%@FN@%
Numbers in Bible citations represent chapter and verse.  %@EF@%
The First Book of Moses, Called Genesis Chapter 1, Verse 1-3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL20     @%%@2@%   And the evening and the morning were the first day.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 1, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL30     @%%@2@%   And God saw that it was good.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 1, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL40     @%%@2@%   And God said, Let us make man in our image, after our likeness. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 1, Verse 26

%@NL@%%@AI@%1 See The Teaching for Merikare%@BO:            1bfa@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL50     @%%@2@%   Male and female created he them.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 1, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL60     @%%@2@%   Be fruitful, and multiply, and replenish the earth, and subdue it: and%@EH@%
have dominion over the fish of the sea, and over the fowl of the air, and
over every living thing that moveth upon the earth.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 1, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL70     @%%@2@%   And on the seventh day God ended his work which he had made.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 2, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL80     @%%@2@%   And the Lord God formed man of the dust of the ground, and breathed into%@EH@%
his nostrils the breath of life; and man became a living soul.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 2, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL90     @%%@2@%   And the Lord God planted a garden eastward in Eden.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 2, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL100    @%%@2@%   The tree of life also in the midst of the garden.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 2, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL110    @%%@2@%   But of the tree of the knowledge of good and evil, thou shalt not eat of%@EH@%
it: for in the day that thou eatest thereof thou shalt surely die.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 2, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL120    @%%@2@%   It is not good that the man should be alone; I will make him an help meet%@EH@%
for him.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 2, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL130    @%%@2@%   And the Lord God caused a deep sleep to fall upon Adam, and he slept: and%@EH@%
he took one of his ribs, and closed up the flesh instead thereof.%@NL@%
And the rib, which the Lord God had taken from man, made he a woman.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 2, Verse 21-22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL140    @%%@2@%   Bone of my bones, and flesh of my flesh.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 2, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL150    @%%@2@%   Therefore shall a man leave his father and his mother, and shall cleave%@EH@%
unto his wife: and they shall be one flesh.%@NL@%
And they were both naked, the man and his wife, and were not ashamed.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 2, Verse 24-25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL160    @%%@2@%   Now the serpent was more subtile than any beast of the field.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 3, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL170    @%%@2@%   Your eyes shall be opened, and ye shall be as gods, knowing good and%@EH@%
evil.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 3, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Geneva Bible [1560] was known sometimes as the Breeches Bible because in
this passage "aprons" is rendered as "breeches."  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL180    @%%@2@%   And they sewed fig leaves together, and made themselves aprons.%@NL@%%@EH@%
And they heard the voice of the Lord God walking in the garden in the cool
of the day.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 3, Verse 7-8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL190    @%%@2@%   The woman whom thou gavest to be with me, she gave me of the tree, and I%@EH@%
did eat.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 3, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL200    @%%@2@%   What is this that thou hast done? And the woman said, The serpent%@EH@%
beguiled me, and I did eat.%@NL@%
And the Lord God said unto the serpent, Because thou hast done this, thou
art cursed above all cattle, and above every beast of the field; upon thy
belly shalt thou go, and dust shalt thou eat all the days of thy life.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 3, Verse 13-14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL210    @%%@2@%   And I will put enmity between thee and the woman, and between thy seed%@EH@%
and her seed; it shall bruise thy head, and thou shalt bruise his heel.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 3, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL220    @%%@2@%   In sorrow thou shalt bring forth children.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 3, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL230    @%%@2@%   In the sweat of thy face shalt thou eat bread, till thou return unto the%@EH@%
ground; for out of it wast thou taken: for dust thou art, and unto dust
shalt thou return.%@NL@%
And Adam called his wife's name Eve; because she was the mother of all
living.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 3, Verse 19-20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL240    @%%@2@%   So he drove out the man: and he placed at the east of the garden of Eden%@EH@%
cherubims, and a flaming sword which turned every way, to keep the way of
the tree of life.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 3, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL250    @%%@2@%   And Abel was a keeper of sheep, but Cain was a tiller of the ground.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 4, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL260    @%%@2@%   Am I my brother's keeper?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 4, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL270    @%%@2@%   The voice of thy brother's blood crieth unto me from the ground.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 4, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL280    @%%@2@%   A fugitive and a vagabond shalt thou be in the earth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 4, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL290    @%%@2@%   My punishment is greater than I can bear.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 4, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL300    @%%@2@%   And the Lord set a mark upon Cain.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 4, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL310    @%%@2@%   And Cain went out from the presence of the Lord, and dwelt in the land of%@EH@%
Nod.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 4, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL320    @%%@2@%   Jabal: he was the father of such as dwell in tents.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 4, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL330    @%%@2@%   Jubal: he was the father of all such as handle the harp and organ.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 4, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL335    @%%@2@%   Tubal-cain, an instructor of every artificer in brass and iron.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 4, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL340    @%%@2@%   And Enoch walked with God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 5, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL350    @%%@2@%   And all the days of Methuselah were nine hundred sixty and nine years.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 5, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL360    @%%@2@%   And Noah begat Shem, Ham, and Japheth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 5, Verse 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL370    @%%@2@%   There were giants in the earth in those days . . . mighty men which were%@EH@%
of old, men of renown.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 6, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL380    @%%@2@%   Make thee an ark of gopher wood.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 6, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL390    @%%@2@%   And of every living thing of all flesh, two of every sort shalt thou%@EH@%
bring into the ark.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 6, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL400    @%%@2@%   And the rain was upon the earth forty days and forty nights.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 7, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL410    @%%@2@%   But the dove found no rest for the sole of her foot.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 8, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL420    @%%@2@%   And, lo, in her mouth was an olive leaf pluckt off.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 8, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL430    @%%@2@%   For the imagination of man's heart is evil from his youth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 8, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL440    @%%@2@%   While the earth remaineth, seedtime and harvest, and cold and heat, and%@EH@%
summer and winter, and day and night shall not cease.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 8, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL450    @%%@2@%   Whoso sheddeth man's blood, by man shall his blood be shed: for in the%@EH@%
image of God made he man.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 9, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL460    @%%@2@%   I do set my bow in the cloud, and it shall be for a token of a covenant%@EH@%
between me and the earth.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 9, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL470    @%%@2@%   Even as Nimrod the mighty hunter before the Lord.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 10, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL480    @%%@2@%   Therefore is the name of it called Babel; because the Lord did there%@EH@%
confound the language of all the earth.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 11, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL490    @%%@2@%   Let there be no strife, I pray thee, between me and thee . . . for we be%@EH@%
brethren.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 13, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL500    @%%@2@%   Abram dwelled in the land of Canaan, and Lot dwelled in the cities of the%@EH@%
plain, and pitched his tent toward Sodom.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 13, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL510    @%%@2@%   In a good old age.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 15, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL520    @%%@2@%   His [Ishmael's] hand will be against every man, and every man's hand%@EH@%
against him.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 16, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL530    @%%@2@%   Thy name shall be Abraham; for a father of many nations have I made thee.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 17, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL540    @%%@2@%   My Lord, if now I have found favor in thy sight, pass not away, I pray%@EH@%
thee, from thy servant.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 18, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL550    @%%@2@%   But his [Lot's] wife looked back from behind him, and she became a pillar%@EH@%
of salt.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 19, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL560    @%%@2@%   My son, God will provide himself a lamb for a burnt offering.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 22, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL570    @%%@2@%   Behold behind him a ram caught in a thicket by his horns.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 22, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL580    @%%@2@%   Esau was a cunning hunter, a man of the field; and Jacob was a plain man,%@EH@%
dwelling in tents.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 25, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL590    @%%@2@%   And he [Esau] sold his birthright unto Jacob.%@NL@%%@EH@%
Then Jacob gave Esau bread and pottage of lentils.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 25, Verse 33-34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL600    @%%@2@%   The voice is Jacob's voice, but the hands are the hands of Esau.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 27, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL610    @%%@2@%   Thy brother came with subtilty, and hath taken away thy blessing.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 27, Verse 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL620    @%%@2@%   He [Jacob] dreamed, and behold a ladder set up on the earth, and the top%@EH@%
of it reached to heaven: and behold the angels of God ascending and
descending on it.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 28, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL630    @%%@2@%   Surely the Lord is in this place; and I knew it not.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 28, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL640    @%%@2@%   This is none other but the house of God, and this is the gate of heaven.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 28, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL650    @%%@2@%   Jacob served seven years for Rachel; and they seemed unto him but a few%@EH@%
days, for the love he had to her.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 29, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL660    @%%@2@%   And Laban said, This heap [of stones] is a witness between me and thee%@EH@%
this day. Therefore was the name of it called Galeed;%@NL@%
And Mizpah; for he said, The Lord watch between me and thee, when we are
absent one from another.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 31, Verse 48-49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL670    @%%@2@%   And Jacob was left alone; and there wrestled a man with him until the%@EH@%
breaking of the day.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 32, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL680    @%%@2@%   I will not let thee go, except thou bless me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 32, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL690    @%%@2@%   And Jacob called the name of the place Peniel: for I have seen God face%@EH@%
to face, and my life is preserved. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 32, Verse 30

%@NL@%%@AI@%1 See I Corinthians 13:12%@BO:           6bfbe@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL700    @%%@2@%   Behold, this dreamer cometh.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 37, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL710    @%%@2@%   They stript Joseph out of his coat, his coat of many colors.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 37, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL720    @%%@2@%   The Lord made all that he did to prosper in his hand.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 39, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL730    @%%@2@%   And she [Potiphar's wife] caught him by his garment, saying, Lie with me:%@EH@%
and he left his garment in her hand, and fled, and got him out.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 39, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL740    @%%@2@%   The seven good kine are seven years; and the seven good ears are seven%@EH@%
years: the dream is one.%@NL@%
And the seven thin and ill-favored kine that came up after them are seven
years; and the seven empty ears blasted with the east wind shall be seven
years of famine.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 41, Verse 26-27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL750    @%%@2@%   Then shall ye bring down my gray hairs with sorrow to the grave.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 42, Verse 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL760    @%%@2@%   But Benjamin's mess was five times so much as any of theirs.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 43, Verse 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL770    @%%@2@%   Wherefore have ye rewarded evil for good?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 44, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL775    @%%@2@%   God forbid.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%%@FN@%
Passim in the Old Testament.  %@EF@%
The First Book of Moses, Called Genesis Chapter 44, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL780    @%%@2@%   The man in whose hand the cup is found, he shall be my servant.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 44, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL790    @%%@2@%   And he fell upon his brother Benjamin's neck, and wept; and Benjamin wept%@EH@%
upon his neck.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 45, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL800    @%%@2@%   And ye shall eat the fat of the land.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 45, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL810    @%%@2@%   And they came into the land of Goshen.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 46, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL820    @%%@2@%   But I will lie with my fathers, and thou shalt carry me out of Egypt, and%@EH@%
bury me in their buryingplace. And he said, I will do as thou hast said.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 47, Verse 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL830    @%%@2@%   Unstable as water, thou shalt not excel.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 49, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL840    @%%@2@%   I have waited for thy salvation, O Lord.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 49, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL850    @%%@2@%   Unto the utmost bound of the everlasting hills.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Moses, Called Genesis Chapter 49, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL860    @%%@2@%   Now there arose up a new king over Egypt, which knew not Joseph.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%%@FN@%
Second of the five books of the Pentateuch.  %@EF@%
The Second Book of Moses, Called Exodus Chapter 1, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL870    @%%@2@%   She took for him an ark of bulrushes, and daubed it with slime and with%@EH@%
pitch.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 2, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL880    @%%@2@%   I have been a stranger in a strange land. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 2, Verse 22

%@NL@%%@AI@%1 See Sophocles%@BO:           9f35b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL890    @%%@2@%   Behold, the bush burned with fire, and the bush was not consumed.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 3, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL900    @%%@2@%   Put off thy shoes from off thy feet, for the place whereon thou standest%@EH@%
is holy ground.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 3, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL910    @%%@2@%   And Moses hid his face; for he was afraid to look upon God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 3, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Exodus 33:3 and Jeremiah 11:5.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL920    @%%@2@%   A land flowing with milk and honey.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 3, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL930    @%%@2@%   And God said unto Moses, I AM THAT I AM.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 3, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL940    @%%@2@%   I am slow of speech, and of a slow tongue.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 4, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL950    @%%@2@%   Let my people go.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 5, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL960    @%%@2@%   Ye shall no more give the people straw to make brick.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 5, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL970    @%%@2@%   Thou shalt say unto Aaron, Take thy rod, and cast it before Pharaoh, and%@EH@%
it shall become a serpent.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 7, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL980    @%%@2@%   They [Pharaoh's wise men] cast down every man his rod, and they became%@EH@%
serpents: but Aaron's rod swallowed up their rods.%@NL@%
And he hardened Pharaoh's heart.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 7, Verse 12-13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL990    @%%@2@%   This is the finger of God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 8, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1000   @%%@2@%   Darkness which may be felt.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 10, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1010   @%%@2@%   Yet will I bring one plague more upon Pharaoh, and upon Egypt.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 11, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1020   @%%@2@%   Your lamb shall be without blemish.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 12, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The feast of the Passover. The origin of the Eucharist.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL1025   @%%@2@%   And they shall eat the flesh in that night, roast with fire, and%@EH@%
unleavened bread; and with bitter herbs they shall eat it.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 12, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1030   @%%@2@%   And thus shall ye eat it; with your loins girded, your shoes on your%@EH@%
feet, and your staff in your hand; and ye shall eat it in haste: it is the
Lord's passover.%@NL@%
For I will pass through the land of Egypt this night, and will smite all the
firstborn in the land of Egypt, both man and beast; and against all the gods
of Egypt I will execute judgment: I am the Lord.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 12, Verse 11-12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1040   @%%@2@%   This day [Passover] shall be unto you for a memorial; and ye shall keep%@EH@%
it a feast to the Lord throughout your generations. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 12, Verse 14

%@NL@%%@AI@%1 See I Corinthians 5:7%@BO:           6ac13@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1050   @%%@2@%   Seven days shall ye eat unleavened bread.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 12, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1060   @%%@2@%   There was a great cry in Egypt; for there was not a house where there was%@EH@%
not one dead.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 12, Verse 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1070   @%%@2@%   Remember this day, in which ye came out from Egypt, out of the house of%@EH@%
bondage.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 13, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1080   @%%@2@%   And the Lord went before them by day in a pillar of a cloud, to lead them%@EH@%
the way; and by night in a pillar of fire, to give them light.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 13, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1090   @%%@2@%   And the children of Israel went into the midst of the sea upon the dry%@EH@%
ground: and the waters were a wall unto them on their right hand, and on
their left.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 14, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1100   @%%@2@%   I will sing unto the Lord, for he hath triumphed gloriously: the horse%@EH@%
and his rider hath he thrown into the sea.%@NL@%
The Lord is my strength and song, and he is become my salvation.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 15, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1110   @%%@2@%   The Lord is a man of war.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 15, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1120   @%%@2@%   Thy right hand, O Lord, is become glorious in power: thy right hand, O%@EH@%
Lord, hath dashed in pieces the enemy.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 15, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1130   @%%@2@%   Thou sentest forth thy wrath, which consumed them as stubble.%@NL@%%@EH@%
And with the blast of thy nostrils the waters were gathered together, the
floods stood upright as an heap, and the depths were congealed in the heart
of the sea.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 15, Verse 7-8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1140   @%%@2@%   Would to God we had died by the hand of the Lord in the land of Egypt,%@EH@%
when we sat by the fleshpots, and when we did eat bread to the full.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 16, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1150   @%%@2@%   It is manna.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 16, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1155   @%%@2@%   I am the Lord thy God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%%@FN@%
Exodus 20:2-17 contains the Ten Commandments (the Decalogue), as handed down
by God to Moses on Mt. Sinai. Also in Deuteronomy 5:6-21.  %@EF@%
The Second Book of Moses, Called Exodus Chapter 20, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1160   @%%@2@%   Thou shalt have no other gods before me.%@NL@%%@EH@%
Thou shalt not make unto thee any graven image.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 20, Verse 3-4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1170   @%%@2@%   For I the Lord thy God am a jealous God, visiting the iniquity of the%@EH@%
fathers upon the children unto the third and fourth generation of them that
hate me; 1 %@NL@%
And showing mercy unto thousands of them that love me, and keep my
commandments.%@NL@%
Thou shalt not take the name of the Lord thy God in vain.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 20, Verse 5-7

%@NL@%%@AI@%1 See Euripides%@BO:           a3f8d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1190   @%%@2@%   Remember the sabbath day, to keep it holy.%@NL@%%@EH@%
Six days shalt thou labor, and do all thy work:%@NL@%
But the seventh day . . . thou shalt not do any work.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 20, Verse 8-10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1200   @%%@2@%   Honor thy father and thy mother: that thy days may be long upon the land%@EH@%
which the Lord thy God giveth thee. 1 %@NL@%
Thou shalt not kill.%@NL@%
Thou shalt not commit adultery.%@NL@%
Thou shalt not steal.%@NL@%
Thou shalt not bear false witness against thy neighbor.%@NL@%
Thou shalt not covet thy neighbor's house, thou shalt not covet thy
neighbor's wife, nor his manservant, nor his maidservant, nor his ox, nor
his ass, nor any thing that is thy neighbor's.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 20, Verse 12-17

%@NL@%%@AI@%1 See Aeschylus%@BO:           975f7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1210   @%%@2@%   But let not God speak with us, lest we die.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 20, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1220   @%%@2@%   He that smiteth a man, so that he die, shall be surely put to death.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 21, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Matthew 5:38.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL1230   @%%@2@%   Eye for eye, tooth for tooth, hand for hand, foot for foot.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 21, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1240   @%%@2@%   Behold, I send an Angel before thee, to keep thee in the way.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 23, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1250   @%%@2@%   A stiffnecked people.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 32, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1260   @%%@2@%   Who is on the Lord's side? let him come unto me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 32, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1270   @%%@2@%   Thou canst not see my face: for there shall no man see me, and live.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 33, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1280   @%%@2@%   And he [Moses] was there with the Lord forty days and forty nights; he%@EH@%
did neither eat bread, nor drink water. And he wrote upon the tables the
words of the covenant, the ten commandments.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Moses, Called Exodus Chapter 34, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1290   @%%@2@%   Whatsoever parteth the hoof, and is clovenfooted, and cheweth the cud,%@EH@%
among the beasts, that shall ye eat.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%%@FN@%
Third of the five books of the Pentateuch.  %@EF@%
The Third Book of Moses, Called Leviticus Chapter 11, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1300   @%%@2@%   And the swine . . . is unclean to you.%@NL@%%@EH@%
Of their flesh shall ye not eat.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Third Book of Moses, Called Leviticus Chapter 11, Verse 7-8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1310   @%%@2@%   Let him go for a scapegoat into the wilderness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Third Book of Moses, Called Leviticus Chapter 16, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1320   @%%@2@%   And when ye reap the harvest of your land, thou shalt not wholly reap the%@EH@%
corners of thy field, neither shalt thou gather the gleanings of thy
harvest.%@NL@%
And thou shalt not glean thy vineyard, neither shalt thou gather every grape
of thy vineyard; thou shalt leave them for the poor and stranger.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Third Book of Moses, Called Leviticus Chapter 19, Verse 9-10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1330   @%%@2@%   Thou shalt not go up and down as a talebearer among thy people.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Third Book of Moses, Called Leviticus Chapter 19, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Matthew 19:19 and 22:39, Mark 12:31 and 33, Romans 13:9, Galatians
5:14, James 2:8.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL1340   @%%@2@%   Thou shalt love thy neighbor as thyself.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Third Book of Moses, Called Leviticus Chapter 19, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
From "proclaim" through "thereof: inscription on the Liberty Bell,
Philadelphia [1751].  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL1345   @%%@2@%   Ye shall hallow the fiftieth year, and proclaim liberty throughout all%@EH@%
the land unto all the inhabitants thereof: it shall be a jubilee unto you.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Third Book of Moses, Called Leviticus Chapter 25, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1350   @%%@2@%   The Lord bless thee, and keep thee:%@NL@%%@EH@%
The Lord make his face shine upon thee, and be gracious unto thee:%@NL@%
The Lord lift up his countenance upon thee, and give thee peace.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%%@FN@%
Fourth of the five books of the Pentateuch.  %@EF@%
The Fourth Book of Moses, Called Numbers Chapter 6, Verse 24-26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1360   @%%@2@%   Sent to spy out the land.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fourth Book of Moses, Called Numbers Chapter 13, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1370   @%%@2@%   And your children shall wander in the wilderness forty years.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fourth Book of Moses, Called Numbers Chapter 14, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1375   @%%@2@%   Moses lifted up his hand, and with his rod he smote the rock twice: and%@EH@%
the water came out abundantly.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fourth Book of Moses, Called Numbers Chapter 20, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1380   @%%@2@%   He whom thou blessest is blessed.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fourth Book of Moses, Called Numbers Chapter 22, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1390   @%%@2@%   The Lord opened the mouth of the ass, and she said unto Balaam, What have%@EH@%
I done unto thee?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fourth Book of Moses, Called Numbers Chapter 22, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1400   @%%@2@%   Let me die the death of the righteous, and let my last end be like his!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fourth Book of Moses, Called Numbers Chapter 23, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1410   @%%@2@%   God is not a man, that he should lie. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fourth Book of Moses, Called Numbers Chapter 23, Verse 19

%@NL@%%@AI@%1 See Aeschylus%@BO:           97a32@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quoted by Samuel F. B. Morse in the first telegraph message he sent to his
partner, Alfred Vail, from Washington to Baltimore [May 24, 1844].  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL1420   @%%@2@%   What hath God wrought!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fourth Book of Moses, Called Numbers Chapter 23, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1430   @%%@2@%   How goodly are thy tents, O Jacob, and thy tabernacles, O Israel!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fourth Book of Moses, Called Numbers Chapter 24, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1440   @%%@2@%   Be sure your sin will find you out.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fourth Book of Moses, Called Numbers Chapter 32, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1445   @%%@2@%   I call heaven and earth to witness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%%@FN@%
Last of the five books of the Pentateuch.  %@EF@%
The Fifth Book of Moses, Called Deuteronomy Chapter 4, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1450   @%%@2@%   Thou shalt love the Lord thy God with all thine heart, and with all thy%@EH@%
soul, and with all thy might. 1 %@NL@%
And these words, which I command thee this day, shall be in thine heart:%@NL@%
And thou shalt teach them diligently unto thy children.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 6, Verse 5-7

%@NL@%%@AI@%1 See Matthew 22:37%@BO:           561f5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Matthew 4:7.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL1460   @%%@2@%   Ye shall not tempt the Lord your God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 6, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1470   @%%@2@%   The Lord thy God hath chosen thee to be a special people unto himself.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 7, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Man shall not live by bread alone.-Matthew 4:4  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL1480   @%%@2@%   Man doth not live by bread only, but by every word that proceedeth out of%@EH@%
the mouth of the Lord doth man live.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 8, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1490   @%%@2@%   For the Lord thy God bringeth thee into a good land.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 8, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1500   @%%@2@%   A land of wheat, and barley, and vines, and fig trees, and pomegranates;%@EH@%
a land of oil olive, and honey;%@NL@%
A land wherein thou shalt eat bread without scarceness, thou shalt not lack
any thing in it; a land whose stones are iron, and out of whose hills thou
mayest dig brass.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 8, Verse 8-9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1510   @%%@2@%   A dreamer of dreams.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 13, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1520   @%%@2@%   The wife of thy bosom.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 13, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1530   @%%@2@%   The poor shall never cease out of the land. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 15, Verse 11

%@NL@%%@AI@%1 See Matthew 26:11%@BO:           57c7d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1535   @%%@2@%   Thou shalt not move a sickle unto thy neighbor's standing corn.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 23, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1540   @%%@2@%   And thou shalt become an astonishment, a proverb, and a byword, among all%@EH@%
nations.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 28, Verse 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1550   @%%@2@%   In the morning thou shalt say, Would God it were even! and at even thou%@EH@%
shalt say, Would God it were morning!%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 28, Verse 67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1560   @%%@2@%   The secret things belong unto the Lord our God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 29, Verse 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1570   @%%@2@%   I have set before you life and death, blessing and cursing: therefore%@EH@%
choose life, that both thou and thy seed may live.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 30, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1580   @%%@2@%   He is the Rock, his work is perfect: for all his ways are judgment: a God%@EH@%
of truth.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 32, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1600   @%%@2@%   Jeshurun waxed fat, and kicked.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 32, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1610   @%%@2@%   As thy days, so shall thy strength be.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 33, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1620   @%%@2@%   The eternal God is thy refuge, and underneath are the everlasting arms.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 33, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1630   @%%@2@%   No man knoweth of his [Moses'] sepulcher unto this day.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Fifth Book of Moses, Called Deuteronomy Chapter 34, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Deuteronomy 31:6, 7, 23.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL1640   @%%@2@%   Be strong and of a good courage; be not afraid, neither be thou dismayed:%@EH@%
for the Lord thy God is with thee whithersoever thou goest.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Joshua Chapter 1, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1650   @%%@2@%   And the priests that bare the ark of the covenant of the Lord stood firm%@EH@%
on dry ground in the midst of Jordan, and all the Israelites passed over on
dry ground, until all the people were passed clean over Jordan.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Joshua Chapter 3, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1660   @%%@2@%   Mighty men of valor.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Joshua Chapter 6, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1670   @%%@2@%   And it came to pass, when the people heard the sound of the trumpet, and%@EH@%
the people shouted with a great shout, that the wall fell down flat, so that
the people went up into the city [Jericho].%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Joshua Chapter 6, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1680   @%%@2@%   His fame was noised throughout all the country.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Joshua Chapter 6, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1690   @%%@2@%   Hewers of wood and drawers of water.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Joshua Chapter 9, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1700   @%%@2@%   Sun, stand thou still upon Gibeon; and thou, Moon, in the valley of%@EH@%
Ajalon.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Joshua Chapter 10, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in I Kings 1:1.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL1710   @%%@2@%   Old and stricken in years.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Joshua Chapter 13, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1720   @%%@2@%   I am going the way of all the earth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Joshua Chapter 23, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1730   @%%@2@%   They shall be as thorns in your sides. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 2, Verse 3

%@NL@%%@AI@%1 See II Corinthians 12:7%@BO:           6e1fb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1740   @%%@2@%   Then Jael, Heber's wife, took a nail of the tent, and took an hammer in%@EH@%
her hand, and went softly unto him [Sisera], and smote the nail into his
temples, and fastened it into the ground; for he was fast asleep, and weary:
so he died.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 4, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Song of Deborah; see 6:n12.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL1750   @%%@2@%   I Deborah arose . . . I arose a mother in Israel.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 5, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1755   @%%@2@%   Awake, awake, Deborah: awake, awake, utter a song: arise, Barak, and lead%@EH@%
thy captivity captive.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 5, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1760   @%%@2@%   The stars in their courses fought against Sisera.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 5, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1770   @%%@2@%   She [Jael] brought forth butter in a lordly dish.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 5, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1780   @%%@2@%   At her feet he bowed, he fell, he lay down: at her feet he bowed, he%@EH@%
fell: where he bowed, there he fell down dead.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 5, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1790   @%%@2@%   The mother of Sisera looked out at a window, and cried through the%@EH@%
lattice, Why is his chariot so long in coming? why tarry the wheels of his
chariots?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 5, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1800   @%%@2@%   Have they not divided the prey; to every man a damsel or two?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 5, Verse 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1810   @%%@2@%   The sword of the Lord, and of Gideon.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 7, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1820   @%%@2@%   Is not the gleaning of the grapes of Ephraim better than the vintage of%@EH@%
Abiezer?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 8, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1830   @%%@2@%   Say now Shibboleth: and he said Sibboleth: for he could not frame to%@EH@%
pronounce it right.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 12, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1840   @%%@2@%   There was a swarm of bees and honey in the carcase of the lion.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 14, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1850   @%%@2@%   Out of the eater came forth meat, and out of the strong came forth%@EH@%
sweetness.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 14, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1860   @%%@2@%   If ye had not plowed with my heifer, ye had not found out my riddle.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 14, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1870   @%%@2@%   He smote them hip and thigh.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 15, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1880   @%%@2@%   With the jawbone of an ass . . . have I slain a thousand men.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 15, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1890   @%%@2@%   The Philistines be upon thee, Samson.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 16, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1895   @%%@2@%   The Philistines took him [Samson], and put out his eyes, and brought him%@EH@%
down to Gaza, and bound him with fetters of brass; and he did grind in the
prison house.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 16, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1900   @%%@2@%   Strengthen me, I pray thee, only this once, O God, that I may be . . .%@EH@%
avenged of the Philistines for my two eyes.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 16, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1910   @%%@2@%   So the dead which he slew at his death were more than they which he slew%@EH@%
in his life.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 16, Verse 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1920   @%%@2@%   From Dan even to Beersheba.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 20, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1930   @%%@2@%   All the people arose as one man.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 20, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1940   @%%@2@%   In those days there was no king in Israel: every man did that which was%@EH@%
right in his own eyes.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Judges Chapter 21, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1950   @%%@2@%   Whither thou goest, I will go; and where thou lodgest, I will lodge: thy%@EH@%
people shall be my people, and thy God my God.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Ruth Chapter 1, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1960   @%%@2@%   Let me glean and gather after the reapers among the sheaves.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Ruth Chapter 2, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1970   @%%@2@%   Go not empty unto thy mother in law.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Ruth Chapter 3, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1980   @%%@2@%   In the flower of their age.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 2, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL1990   @%%@2@%   The Lord called Samuel: and he answered, Here am I.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 3, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2000   @%%@2@%   Speak, Lord; for thy servant heareth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 3, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2010   @%%@2@%   Be strong, and quit yourselves like men. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 4, Verse 9

%@NL@%%@AI@%1 See I Corinthians 16:13%@BO:           6d34d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2015   @%%@2@%   And she named the child Ichabod, saying, The glory is departed from%@EH@%
Israel: because the ark of God was taken.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 4, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2020   @%%@2@%   Is Saul also among the prophets?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 10, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2030   @%%@2@%   God save the king.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 10, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2040   @%%@2@%   A man after his own heart.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 13, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2050   @%%@2@%   Every man's sword was against his fellow.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 14, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2060   @%%@2@%   But Jonathan heard not when his father charged the people with the oath:%@EH@%
wherefore he put forth the end of the rod that was in his hand, and dipped
it in an honeycomb, and put his hand to his mouth; and his eyes were
enlightened.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 14, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2070   @%%@2@%   For the Lord seeth not as man seeth; for man looketh on the outward%@EH@%
appearance, but the Lord looketh on the heart.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 16, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2080   @%%@2@%   I know thy pride, and the naughtiness of thine heart.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 17, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2090   @%%@2@%   Let no man's heart fail because of him [Goliath].%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 17, Verse 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2100   @%%@2@%   Go, and the Lord be with thee.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 17, Verse 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2110   @%%@2@%   And he [David] . . . chose him five smooth stones out of the brook.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 17, Verse 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2120   @%%@2@%   So David prevailed over the Philistine with a sling and with a stone.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 17, Verse 50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2130   @%%@2@%   Saul hath slain his thousands, and David his ten thousands.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 18, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2140   @%%@2@%   And Jonathan . . . loved him [David] as he loved his own soul.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 20, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2150   @%%@2@%   Wickedness proceedeth from the wicked.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 24, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2160   @%%@2@%   I have played the fool.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of Samuel Chapter 26, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2170   @%%@2@%   Tell it not in Gath, publish it not in the streets of Askelon.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 1, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2180   @%%@2@%   Saul and Jonathan were lovely and pleasant in their lives, and in their%@EH@%
death they were not divided: they were swifter than eagles, they were
stronger than lions.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 1, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2190   @%%@2@%   How are the mighty fallen in the midst of the battle!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 1, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2200   @%%@2@%   Thy love to me was wonderful, passing the love of women.%@NL@%%@EH@%
How are the mighty fallen, and the weapons of war perished!%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 1, Verse 26-27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2210   @%%@2@%   Abner . . . smote him under the fifth rib.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 2, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2220   @%%@2@%   Know ye not that there is a prince and a great man [Abner] fallen this%@EH@%
day in Israel?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 3, Verse 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2230   @%%@2@%   And David and all the house of Israel played before the Lord on all%@EH@%
manner of instruments made of fir wood, even on harps, and on psalteries,
and on timbrels, and on cornets, and on cymbals. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 6, Verse 5

%@NL@%%@AI@%1 See Psalm 150:3-%@BO:           2c099@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2235   @%%@2@%   Uzzah put forth his hand to the ark of God, and took hold of it . . . and%@EH@%
the anger of the Lord was kindled against Uzzah.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 6, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2240   @%%@2@%   David danced before the Lord.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 6, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in I Chronicles 19:5.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL2250   @%%@2@%   Tarry at Jericho until your beards be grown.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 10, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2260   @%%@2@%   Set ye Uriah in the forefront of the hottest battle.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 11, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2270   @%%@2@%   The poor man had nothing, save one little ewe lamb.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 12, Verse 3

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%@QR:The Holy Bible@%%@CR:B1000BIBL2280   @%%@2@%   Thou art the man.%@NL@%%@EH@%
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The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 12, Verse 7

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%@QR:The Holy Bible@%%@CR:B1000BIBL2290   @%%@2@%   Now he is dead, wherefore should I fast? Can I bring him back again? I%@EH@%
shall go to him, but he shall not return to me.%@NL@%
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The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 12, Verse 23

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%@QR:The Holy Bible@%%@CR:B1000BIBL2300   @%%@2@%   For we must needs die, and are as water spilt on the ground, which cannot%@EH@%
be gathered up again.%@NL@%
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The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 14, Verse 14

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%@QR:The Holy Bible@%%@CR:B1000BIBL2310   @%%@2@%   Would God I had died for thee, O Absalom, my son, my son!%@NL@%%@EH@%
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The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 18, Verse 33

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%@QR:The Holy Bible@%%@CR:B1000BIBL2320   @%%@2@%   The Lord is my rock, and my fortress, and my deliverer.%@NL@%%@EH@%
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The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 22, Verse 2

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%@QR:The Holy Bible@%%@CR:B1000BIBL2330   @%%@2@%   David the son of Jesse . . . the sweet psalmist of Israel.%@NL@%%@EH@%
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The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 23, Verse 1

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%@QR:The Holy Bible@%%@CR:B1000BIBL2340   @%%@2@%   Went in jeopardy of their lives.%@NL@%%@EH@%
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The Holy Bible, The Old Testament
%@NL@%The Second Book of Samuel Chapter 23, Verse 17

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL2350   @%%@2@%   A wise and an understanding heart.%@NL@%%@EH@%
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The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 3, Verse 12

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%@QR:The Holy Bible@%%@CR:B1000BIBL2360   @%%@2@%   Many, as the sand which is by the sea in multitude.%@NL@%%@EH@%
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The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 4, Verse 20

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%@QR:The Holy Bible@%%@CR:B1000BIBL2370   @%%@2@%   Judah and Israel dwelt safely, every man under his vine and under his fig%@EH@%
tree.%@NL@%
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The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 4, Verse 25

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%@QR:The Holy Bible@%%@CR:B1000BIBL2380   @%%@2@%   He [Solomon] spake three thousand proverbs: and his songs were a thousand%@EH@%
and five.%@NL@%
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The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 4, Verse 32

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%@QR:The Holy Bible@%%@CR:B1000BIBL2390   @%%@2@%   The wisdom of Solomon.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 4, Verse 34

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%@FN@%
Solomon's temple (the house of the Lord).  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL2395   @%%@2@%   So that there was neither hammer nor axe nor any tool of iron heard in%@EH@%
the house, while it was in building.%@NL@%
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The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 6, Verse 7

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%@QR:The Holy Bible@%%@CR:B1000BIBL2400   @%%@2@%   A proverb and a byword among all people.%@NL@%%@EH@%
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The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 9, Verse 7

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%@QR:The Holy Bible@%%@CR:B1000BIBL2410   @%%@2@%   When the queen of Sheba heard of the fame of Solomon . . . she came to%@EH@%
prove him with hard questions.%@NL@%
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The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 10, Verse 1

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%@QR:The Holy Bible@%%@CR:B1000BIBL2420   @%%@2@%   The half was not told me: thy wisdom and prosperity exceedeth the fame%@EH@%
which I heard.%@NL@%
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The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 10, Verse 7

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%@QR:The Holy Bible@%%@CR:B1000BIBL2430   @%%@2@%   Once in three years came the navy of Tharshish, bringing gold, and%@EH@%
silver, ivory, and apes, and peacocks.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 10, Verse 22

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%@QR:The Holy Bible@%%@CR:B1000BIBL2440   @%%@2@%   King Solomon loved many strange women.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 11, Verse 1

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%@QR:The Holy Bible@%%@CR:B1000BIBL2450   @%%@2@%   My father hath chastised you with whips, but I will chastise you with%@EH@%
scorpions.%@NL@%
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The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 12, Verse 11

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%@QR:The Holy Bible@%%@CR:B1000BIBL2460   @%%@2@%   To your tents, O Israel.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 12, Verse 16

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%@QR:The Holy Bible@%%@CR:B1000BIBL2470   @%%@2@%   He [Elijah] went and dwelt by the brook Cherith, that is before Jordan.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 17, Verse 5

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%@QR:The Holy Bible@%%@CR:B1000BIBL2480   @%%@2@%   And the ravens brought him bread and flesh in the morning, and bread and%@EH@%
flesh in the evening; and he drank of the brook.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 17, Verse 6

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%@QR:The Holy Bible@%%@CR:B1000BIBL2490   @%%@2@%   An handful of meal in a barrel, and a little oil in a cruse.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 17, Verse 12

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%@QR:The Holy Bible@%%@CR:B1000BIBL2500   @%%@2@%   And the barrel of meal wasted not, neither did the cruse of oil fail.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 17, Verse 16

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%@QR:The Holy Bible@%%@CR:B1000BIBL2510   @%%@2@%   How long halt ye between two opinions?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 18, Verse 21

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%@QR:The Holy Bible@%%@CR:B1000BIBL2520   @%%@2@%   Either he [Baal] is talking, or he is pursuing, or he is in a journey, or%@EH@%
peradventure he sleepeth, and must be awaked.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 18, Verse 27

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%@QR:The Holy Bible@%%@CR:B1000BIBL2530   @%%@2@%   There ariseth a little cloud out of the sea, like a man's hand.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 18, Verse 44

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%@QR:The Holy Bible@%%@CR:B1000BIBL2540   @%%@2@%   And he girded up his loins, and ran before Ahab.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 18, Verse 46

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%@QR:The Holy Bible@%%@CR:B1000BIBL2550   @%%@2@%   But the Lord was not in the wind: and after the wind an earthquake; but%@EH@%
the Lord was not in the earthquake:%@NL@%
And after the earthquake a fire; but the Lord was not in the fire: and after
the fire a still small voice.%@NL@%
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The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 19, Verse 11-12

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%@QR:The Holy Bible@%%@CR:B1000BIBL2560   @%%@2@%   Let not him that girdeth on his harness boast himself as he that putteth%@EH@%
it off.%@NL@%
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The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 20, Verse 11

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%@QR:The Holy Bible@%%@CR:B1000BIBL2570   @%%@2@%   Hast thou found me, O mine enemy?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 21, Verse 20

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%@QR:The Holy Bible@%%@CR:B1000BIBL2580   @%%@2@%   The dogs shall eat Jezebel by the wall of Jezreel.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 21, Verse 23

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%@QR:The Holy Bible@%%@CR:B1000BIBL2590   @%%@2@%   But there was none like unto Ahab, which did sell himself to work%@EH@%
wickedness in the sight of the Lord, whom Jezebel his wife stirred up.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 21, Verse 25

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%@QR:The Holy Bible@%%@CR:B1000BIBL2600   @%%@2@%   I saw all Israel scattered upon the hills, as sheep that have not a%@EH@%
shepherd.%@NL@%
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The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 22, Verse 17

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%@QR:The Holy Bible@%%@CR:B1000BIBL2610   @%%@2@%   Feed him [Micajah] with bread of affliction, and with water of%@EH@%
affliction, until I come in peace.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Kings Chapter 22, Verse 27

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%@QR:The Holy Bible@%%@CR:B1000BIBL2620   @%%@2@%   There appeared a chariot of fire, and horses of fire, and parted them%@EH@%
both asunder; and Elijah went up by a whirlwind into heaven.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of the Kings Chapter 2, Verse 11

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL2630   @%%@2@%   The chariot of Israel, and the horsemen thereof. And he saw him no more.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of the Kings Chapter 2, Verse 12

%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL2635   @%%@2@%   He [Elisha] took up also the mantle of Elijah.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of the Kings Chapter 2, Verse 13

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL2640   @%%@2@%   There is death in the pot.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of the Kings Chapter 4, Verse 40

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL2650   @%%@2@%   Is thy servant a dog, that he should do this great thing?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of the Kings Chapter 8, Verse 13

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL2660   @%%@2@%   What hast thou to do with peace? turn thee behind me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of the Kings Chapter 9, Verse 18

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%@QR:The Holy Bible@%%@CR:B1000BIBL2670   @%%@2@%   The driving is like the driving of Jehu the son of Nimshi; for he driveth%@EH@%
furiously.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of the Kings Chapter 9, Verse 20

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%@QR:The Holy Bible@%%@CR:B1000BIBL2680   @%%@2@%   Jezebel heard of it; and she painted her face, and tired her head, and%@EH@%
looked out at a window.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of the Kings Chapter 9, Verse 30

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%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL2685   @%%@2@%   The angel of the Lord went out, and smote in the camp of the Assyrians an%@EH@%
hundred fourscore and five thousand: and when they arose early in the
morning, behold, they were all dead corpses.%@NL@%
So Sennacherib king of Assyria departed.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of the Kings Chapter 19, Verse 35-36

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%@QR:The Holy Bible@%%@CR:B1000BIBL2690   @%%@2@%   Set thine house in order.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of the Kings Chapter 20, Verse 1

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%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL2700   @%%@2@%   I will wipe Jerusalem as a man wipeth a dish, wiping it, and turning it%@EH@%
upside down.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Second Book of the Kings Chapter 21, Verse 13

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%@QR:The Holy Bible@%%@CR:B1000BIBL2710   @%%@2@%   His mercy endureth for ever.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Chronicles Chapter 16, Verse 41

%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL2720   @%%@2@%   The Lord searcheth all hearts, and understandeth all the imaginations of%@EH@%
the thoughts.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Chronicles Chapter 28, Verse 9

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%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL2725   @%%@2@%   Thine, O Lord, is the greatness, and the power, and the glory, and the%@EH@%
victory, and the majesty: for all that is in the heaven and in the earth is
thine; thine is the kingdom, O Lord, and thou art exalted as head above all.
1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Chronicles Chapter 29, Verse 11

%@NL@%%@AI@%1 See Matthew 6:13%@BO:           4f61a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2730   @%%@2@%   For all things come of thee, and of thine own have we given thee. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Chronicles Chapter 29, Verse 14

%@NL@%%@AI@%1 See Marcus Aurelius%@BO:           fb3d5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2740   @%%@2@%   Our days on the earth are as a shadow.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Chronicles Chapter 29, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2750   @%%@2@%   He [David] died in a good old age, full of days, riches, and honor.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The First Book of the Chronicles Chapter 29, Verse 28

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL2755   @%%@2@%   They which builded on the wall, and they that bare burdens, with those%@EH@%
that laded, every one with one of his hands wrought in the work, and with
the other hand held a weapon.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Nehemiah Chapter 4, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2757   @%%@2@%   And he [Ezra] read therein before the street that was before the water%@EH@%
gate from the morning until midday, before the men and the women, and those
that could understand; and the ears of all the people were attentive unto
the book of the law.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Nehemiah Chapter 8, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2760   @%%@2@%   Thou art a God ready to pardon, gracious and merciful, slow to anger, and%@EH@%
of great kindness.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Nehemiah Chapter 9, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2770   @%%@2@%   Mordecai rent his clothes, and put on sackcloth with ashes.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Esther Chapter 4, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2780   @%%@2@%   The man whom the king delighteth to honor.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Esther Chapter 6, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2790   @%%@2@%   They hanged Haman on the gallows.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Esther Chapter 7, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2800   @%%@2@%   One that feared God, and eschewed evil.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 1, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2810   @%%@2@%   Satan came also.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 1, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2820   @%%@2@%   And the Lord said unto Satan, Whence comest thou? Then Satan answered the%@EH@%
Lord, and said, From going to and fro in the earth, and from walking up and
down in it.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 1, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2830   @%%@2@%   Doth Job fear God for nought?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 1, Verse 9

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL2840   @%%@2@%   Naked came I out of my mother's womb, and naked shall I return thither: 1%@EH@%
the Lord gave, and the Lord hath taken away; blessed be the name of the
Lord.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 1, Verse 21

%@NL@%%@AI@%1 See Ecclesiastes 5:15%@BO:           357a7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2850   @%%@2@%   Skin for skin, yea, all that a man hath will he give for his life.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 2, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2860   @%%@2@%   Curse God, and die.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 2, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2870   @%%@2@%   Let the day perish wherein I was born, and the night in which it was%@EH@%
said, There is a man child conceived. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 3, Verse 3

%@NL@%%@AI@%1 See Euripides%@BO:           a1058@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2880   @%%@2@%   For now should I have lain still and been quiet, I should have slept:%@EH@%
then had I been at rest,%@NL@%
With kings and counsellors of the earth, which built desolate places for
themselves.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 3, Verse 13-14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2890   @%%@2@%   There the wicked cease from troubling; and there the weary be at rest.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 3, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2900   @%%@2@%   Who ever perished, being innocent? or where were the righteous cut off?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 4, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2910   @%%@2@%   Fear came upon me, and trembling.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 4, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2920   @%%@2@%   Then a spirit passed before my face; the hair of my flesh stood up.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 4, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2930   @%%@2@%   Shall mortal man be more just than God? shall a man be more pure than his%@EH@%
maker?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 4, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2940   @%%@2@%   Wrath killeth the foolish man, and envy slayeth the silly one.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 5, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2950   @%%@2@%   Man is born unto trouble, as the sparks fly upward.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 5, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2960   @%%@2@%   He taketh the wise in their own craftiness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 5, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2970   @%%@2@%   For thou shalt be in league with the stones of the field: and the beasts%@EH@%
of the field shall be at peace with thee.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 5, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2980   @%%@2@%   Thou shalt come to thy grave in a full age, like as a shock of corn%@EH@%
cometh in in his season.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 5, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL2990   @%%@2@%   How forcible are right words!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 6, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3000   @%%@2@%   My days are swifter than a weaver's shuttle, and are spent without hope.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 7, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
When a few years are come, then I shall go the way whence I shall not
return.-Job 16:22  The place thereof shall know it no more.-Psalm 103:16  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL3010   @%%@2@%   He shall return no more to his house, neither shall his place know him%@EH@%
any more.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 7, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3020   @%%@2@%   I would not live alway: let me alone: for my days are vanity.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 7, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3030   @%%@2@%   But how should man be just with God?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 9, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3040   @%%@2@%   The land of darkness and the shadow of death.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 10, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3050   @%%@2@%   Canst thou by searching find out God?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 11, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3060   @%%@2@%   And thine age shall be clearer than the noonday.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 11, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3070   @%%@2@%   No doubt but ye are the people, and wisdom shall die with you.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 12, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3080   @%%@2@%   The just upright man is laughed to scorn.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 12, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3090   @%%@2@%   But ask now the beasts, and they shall teach thee; and the fowls of the%@EH@%
air, and they shall tell thee:%@NL@%
Or speak to the earth, and it shall teach thee; and the fishes of the sea
shall declare unto thee.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 12, Verse 7-8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3100   @%%@2@%   With the ancient is wisdom; and in length of days understanding.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 12, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3110   @%%@2@%   He discovereth deep things out of darkness, and bringeth out to light the%@EH@%
shadow of death.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 12, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3115   @%%@2@%   Though he slay me, yet will I trust in him.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 13, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3120   @%%@2@%   Man that is born of a woman is of few days, and full of trouble.%@NL@%%@EH@%
He cometh forth like a flower, and is cut down: he fleeth also as a shadow,
and continueth not.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 14, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3130   @%%@2@%   But man dieth, and wasteth away: yea, man giveth up the ghost, and where%@EH@%
is he?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 14, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3140   @%%@2@%   If a man die, shall he live again?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 14, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3150   @%%@2@%   Should a wise man utter vain knowledge, and fill his belly with the east%@EH@%
wind?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 15, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3160   @%%@2@%   Miserable comforters are ye all.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 16, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3170   @%%@2@%   My days are past.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 17, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3180   @%%@2@%   I have said to corruption, Thou art my father: to the worm, Thou art my%@EH@%
mother, and my sister.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 17, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3190   @%%@2@%   The king of terrors.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 18, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3200   @%%@2@%   I am escaped with the skin of my teeth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 19, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3210   @%%@2@%   Oh that my words were now written! oh that they were printed in a book!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 19, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Book of Common Prayer, Burial of the Dead.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL3220   @%%@2@%   I know that my redeemer liveth, and that he shall stand at the latter day%@EH@%
upon the earth:%@NL@%
And though, after my skin, worms destroy this body, yet in my flesh shall I
see God.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 19, Verse 25-26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3230   @%%@2@%   Seeing the root of the matter is found in me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 19, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3240   @%%@2@%   Though wickedness be sweet in his mouth, though he hide it under his%@EH@%
tongue.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 20, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3250   @%%@2@%   Suffer me that I may speak; and after that I have spoken, mock on.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 21, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3260   @%%@2@%   Shall any teach God knowledge?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 21, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3270   @%%@2@%   They are of those that rebel against the light.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 24, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3280   @%%@2@%   The womb shall forget him; the worm shall feed sweetly on him; he shall%@EH@%
be no more remembered.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 24, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3290   @%%@2@%   Yea, the stars are not pure in his sight.%@NL@%%@EH@%
How much less man, that is a worm? and the son of man, which is a worm?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 25, Verse 5-6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3300   @%%@2@%   But where shall wisdom be found? and where is the place of understanding?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 28, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3310   @%%@2@%   The land of the living.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 28, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
[Wisdom] is more precious than rubies.-Proverbs 3:15  See Sophocles  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL3320   @%%@2@%   The price of wisdom is above rubies.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 28, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3330   @%%@2@%   Behold, the fear of the Lord, that is wisdom; and to depart from evil is%@EH@%
understanding.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 28, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3340   @%%@2@%   I caused the widow's heart to sing for joy.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 29, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3350   @%%@2@%   I was eyes to the blind, and feet was I to the lame.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 29, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3360   @%%@2@%   I know that thou wilt bring me to death, and to the house appointed for%@EH@%
all living.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 30, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3370   @%%@2@%   I am a brother to dragons, and a companion to owls.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 30, Verse 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3380   @%%@2@%   My desire is, that the Almighty would answer me, and that mine adversary%@EH@%
had written a book.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 31, Verse 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3390   @%%@2@%   Great men are not always wise.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 32, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3400   @%%@2@%   For I am full of matter, the spirit within me constraineth me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 32, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3410   @%%@2@%   One among a thousand.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 33, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3420   @%%@2@%   Far be it from God, that he should do wickedness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 34, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3430   @%%@2@%   He multiplieth words without knowledge.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 35, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3440   @%%@2@%   Fair weather cometh out of the north.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 37, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3450   @%%@2@%   Then the Lord answered Job out of the whirlwind, and said,%@NL@%%@EH@%
Who is this that darkeneth counsel by words without knowledge?%@NL@%
Gird up now thy loins like a man.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 38, Verse 1-3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3460   @%%@2@%   Where wast thou when I laid the foundations of the earth? declare, if%@EH@%
thou hast understanding.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 38, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3470   @%%@2@%   The morning stars sang together, and all the sons of God shouted for joy.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 38, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3480   @%%@2@%   Hitherto shalt thou come, but no further: and here shall thy proud waves%@EH@%
be stayed.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 38, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3490   @%%@2@%   Hast thou entered into the springs of the sea? or hast thou walked in the%@EH@%
search of the depth?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 38, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3500   @%%@2@%   Hath the rain a father? or who hath begotten the drops of dew?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 38, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3510   @%%@2@%   Canst thou bind the sweet influences of Pleiades, or loose the bands of%@EH@%
Orion?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 38, Verse 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3520   @%%@2@%   Canst thou guide Arcturus with his sons?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 38, Verse 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3530   @%%@2@%   Who can number the clouds in wisdom? or who can stay the bottles of%@EH@%
heaven.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 38, Verse 37

%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3540   @%%@2@%   Hast thou given the horse strength? hast thou clothed his neck with%@EH@%
thunder?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 39, Verse 19

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%@QR:The Holy Bible@%%@CR:B1000BIBL3560   @%%@2@%   He paweth in the valley, and rejoiceth in his strength: he goeth on to%@EH@%
meet the armed men.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 39, Verse 21

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%@QR:The Holy Bible@%%@CR:B1000BIBL3570   @%%@2@%   He swalloweth the ground with fierceness and rage; neither believeth he%@EH@%
that it is the sound of the trumpet.%@NL@%
He saith among the trumpets, Ha, ha; and he smelleth the battle afar off,
the thunder of the captains, and the shouting.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 39, Verse 24-25

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3575   @%%@2@%   Doth the eagle mount up at thy command, and make her nest on high?%@NL@%%@EH@%
She dwelleth and abideth on the rock, upon the crag of the rock, and the
strong place.%@NL@%
From thence she seeketh the prey, and her eyes behold afar off.%@NL@%
Her young ones also suck up blood: and where the slain are, there is she.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 39, Verse 27-30

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%@QR:The Holy Bible@%%@CR:B1000BIBL3580   @%%@2@%   Behold, I am vile; what shall I answer thee?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 40, Verse 4

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3590   @%%@2@%   Behold now behemoth, which I made with thee; he eateth grass as an ox.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 40, Verse 15

%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3600   @%%@2@%   Canst thou draw out leviathan with a hook?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 41, Verse 1

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%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3605   @%%@2@%   Who can open the doors of his face? his teeth are terrible round about.%@NL@%%@EH@%
His scales are his pride, shut up together as with a close seal.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 41, Verse 14-15

%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3610   @%%@2@%   His heart is as firm as a stone; yea as hard as a piece of the nether%@EH@%
millstone.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 41, Verse 24

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%@QR:The Holy Bible@%%@CR:B1000BIBL3620   @%%@2@%   He maketh the deep to boil like a pot.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 41, Verse 31

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%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3630   @%%@2@%   Upon earth there is not his like, who is made without fear.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 41, Verse 33

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3640   @%%@2@%   He is a king over all the children of pride.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 41, Verse 34

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3650   @%%@2@%   I have heard of thee by the hearing of the ear: but now mine eye seeth%@EH@%
thee.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 42, Verse 5

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%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3660   @%%@2@%   So the Lord blessed the latter end of Job more than his beginning.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Job Chapter 42, Verse 12

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%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3670   @%%@2@%   Blessed is the man that walketh not in the counsel of the ungodly, nor%@EH@%
standeth in the way of sinners, nor sitteth in the seat of the scornful.%@NL@%
But his delight is in the law of the Lord; and in his law doth he meditate
day and night.%@NL@%
And he shall be like a tree planted by the rivers of water, that bringeth
forth his fruit in his season; his leaf also shall not wither; and
whatsoever he doeth shall prosper.%@NL@%
The ungodly are not so: but are like the chaff which the wind driveth away.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%%@FN@%
See Amenemope 6:4 and Jeremiah 17:5-8  %@EF@%
The Book of Psalms Chapter 1, Verse 1-4

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%@QR:The Holy Bible@%%@CR:B1000BIBL3680   @%%@2@%   Why do the heathen rage, and the people imagine a vain thing?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 2, Verse 1

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3690   @%%@2@%   Blessed are all they that put their trust in him.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 2, Verse 12

%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3700   @%%@2@%   Lord, lift thou up the light of thy countenance upon us.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 4, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I will lay me down in peace, and take my rest.-Book of Common Prayer, Psalm
4:9  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL3710   @%%@2@%   I will both lay me down in peace, and sleep.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 4, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3720   @%%@2@%   Out of the mouth of babes and sucklings hast thou ordained strength,%@EH@%
because of thine enemies; that thou mightest still the enemy and the
avenger.%@NL@%
When I consider thy heavens, the work of thy fingers, the moon and the
stars, which thou hast ordained;%@NL@%
What is man, that thou art mindful of him? and the son of man, that thou
visitest him?%@NL@%
For thou hast made him a little lower than the angels.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 8, Verse 2-5

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3750   @%%@2@%   How excellent is thy name in all the earth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 8, Verse 9

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3760   @%%@2@%   Flee as a bird to your mountain.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 11, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3770   @%%@2@%   How long wilt thou forget me, O Lord?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 13, Verse 1

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3780   @%%@2@%   The fool hath said in his heart, There is no God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 14, Verse 1 Chapter 53, Verse 1

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3790   @%%@2@%   Lord, who shall abide in thy tabernacle? who shall dwell in thy holy%@EH@%
hill?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 15, Verse 1

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3800   @%%@2@%   He that sweareth to his own hurt, and changeth not.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 15, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The lot is fallen unto me in a fair ground.-Book of Common Prayer, Psalm
16:7  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL3810   @%%@2@%   The lines are fallen unto me in pleasant places; yea, I have a goodly%@EH@%
heritage.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 16, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Deuteronomy 32:10 and Proverbs 7:2.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL3820   @%%@2@%   Keep me as the apple of the eye, hide me under the shadow of thy wings.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 17, Verse 8

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3830   @%%@2@%   He rode upon a cherub, and did fly: yea, he did fly upon the wings of the%@EH@%
wind.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 18, Verse 10

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%@QR:The Holy Bible@%%@CR:B1000BIBL3840   @%%@2@%   The heavens declare the glory of God; and the firmament showeth his%@EH@%
handiwork.%@NL@%
Day unto day uttereth speech, and night unto night showeth knowledge.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 19, Verse 1-2

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%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3860   @%%@2@%   Their line is gone out through all the earth, and their words to the end%@EH@%
of the world. In them hath he set a tabernacle for the sun,%@NL@%
Which is as a bridegroom coming out of his chamber, and rejoiceth as a
strong man to run a race.%@NL@%
His going forth is from the end of the heaven, and his circuit unto the ends
of it: and there is nothing hid from the heat thereof.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 19, Verse 4-6

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%@QR:The Holy Bible@%%@CR:B1000BIBL3870   @%%@2@%   The judgments of the Lord are true and righteous altogether.%@NL@%%@EH@%
More to be desired are they than gold, yea, than much fine gold: sweeter
also than honey and the honeycomb.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 19, Verse 9-10

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3880   @%%@2@%   Cleanse thou me from secret faults.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 19, Verse 12

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3890   @%%@2@%   Let the words of my mouth, and the meditation of my heart, be acceptable%@EH@%
in thy sight, O Lord, my strength, and my redeemer.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 19, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3900   @%%@2@%   Thou hast given him his heart's desire.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 21, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This was the psalm Christ recited on the cross. See Matthew 27:46  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL3910   @%%@2@%   My God, my God, why hast thou forsaken me? why art thou so far from%@EH@%
helping me, and from the words of my roaring?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 22, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3920   @%%@2@%   They part my garments among them, and cast lots upon my vesture.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 22, Verse 18

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3930   @%%@2@%   The Lord is my shepherd; I shall not want.%@NL@%%@EH@%
He maketh me to lie down in green pastures: he leadeth me beside the still
waters.%@NL@%
He restoreth my soul: he leadeth me in the paths of righteousness for his
name's sake.%@NL@%
Yea, though I walk through the valley of the shadow of death, I will fear no
evil: for thou art with me; thy rod and thy staff they comfort me.%@NL@%
Thou preparest a table before me in the presence of mine enemies: thou
anointest my head with oil; my cup runneth over.%@NL@%
Surely goodness and mercy shall follow me all the days of my life: and I
will dwell in the house of the Lord for ever.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 23, Verse 1

%@NL@%
%@NL@%
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%@QR:The Holy Bible@%%@CR:B1000BIBL3940   @%%@2@%   The earth is the Lord's, and the fullness thereof; the world, and they%@EH@%
that dwell therein. 1 %@NL@%
For he hath founded it upon the seas, and established it upon the floods.%@NL@%
Who shall ascend into the hill of the Lord? or who shall stand in his holy
place?%@NL@%
He that hath clean hands, and a pure heart; who hath not lifted up his soul
unto vanity, nor sworn deceitfully.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 24, Verse 1-4

%@NL@%%@AI@%1 See I Corinthians 10:26%@BO:           6b4a0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3950   @%%@2@%   Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors;%@EH@%
and the King of glory shall come in.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 24, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3960   @%%@2@%   Who is this King of glory? The Lord of hosts, he is the King of glory.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 24, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dominus illuminatio mea.-The Vulgate. Motto of Oxford University.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL3970   @%%@2@%   The Lord is my light and my salvation; whom shall I fear? the Lord is the%@EH@%
strength of my life; of whom shall I be afraid?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 27, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3980   @%%@2@%   Though an host should encamp against me, my heart shall not fear: though%@EH@%
war should rise against me, in this will I be confident.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 27, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL3990   @%%@2@%   The Lord is my strength and my shield.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 28, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4000   @%%@2@%   Worship the Lord in the beauty of holiness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 29, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4010   @%%@2@%   Weeping may endure for a night, but joy cometh in the morning.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 30, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4020   @%%@2@%   I am forgotten as a dead man out of mind: I am like a broken vessel.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 31, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4030   @%%@2@%   My times are in thy hand.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 31, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4040   @%%@2@%   From the strife of tongues.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 31, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4050   @%%@2@%   Sing unto him a new song; play skillfully with a loud noise.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 33, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4060   @%%@2@%   O taste and see that the Lord is good.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 34, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4070   @%%@2@%   Keep thy tongue from evil, and thy lips from speaking guile.%@NL@%%@EH@%
Depart from evil, and do good; seek peace, and pursue it.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 34, Verse 13-14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4080   @%%@2@%   Rescue my soul from their destructions, my darling from the lions.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 35, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4090   @%%@2@%   How excellent is thy lovingkindness, O God!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 36, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4100   @%%@2@%   The meek shall inherit the earth. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 37, Verse 11

%@NL@%%@AI@%1 See Matthew 5:5%@BO:           4e2b2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4110   @%%@2@%   I have been young, and now am old; yet have I not seen the righteous%@EH@%
forsaken, nor his seed begging bread.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 37, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Flourishing.-Book of Common Prayer, Psalm 37:36  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL4120   @%%@2@%   I have seen the wicked in great power, and spreading himself like a green%@EH@%
bay tree.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 37, Verse 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
For that shall bring a man peace at the last.-Book of Common Prayer, Psalm
37:38  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL4130   @%%@2@%   Mark the perfect man, and behold the upright: for the end of that man is%@EH@%
peace.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 37, Verse 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4140   @%%@2@%   For thine arrows stick fast in me, and thy hand presseth me sore.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 38, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4150   @%%@2@%   I said, I will take heed to my ways, that I sin not with my tongue.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 39, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4160   @%%@2@%   My heart was hot within me, while I was musing the fire burned.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 39, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4170   @%%@2@%   Lord, make me to know mine end, and the measure of my days, what it is;%@EH@%
that I may know how frail I am.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 39, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4180   @%%@2@%   Every man at his best state is altogether vanity.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 39, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4190   @%%@2@%   Surely every man walketh in a vain show: surely they are disquieted in%@EH@%
vain: he heapeth up riches, and knoweth not who shall gather them.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 39, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4200   @%%@2@%   For I am a stranger with thee, and a sojourner, as all my fathers were.%@NL@%%@EH@%
O spare me, that I may recover strength, before I go hence, and be no more.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 39, Verse 12-13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4210   @%%@2@%   As the hart panteth after the water brooks, so panteth my soul after%@EH@%
thee, O God.%@NL@%
My soul thirsteth for God, for the living God.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 42, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4220   @%%@2@%   Why art thou cast down, O my soul? and why art thou disquieted in me?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%%@FN@%
Also in Psalms 42:11 and 43:5.  %@EF@%
The Book of Psalms Chapter 42, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4230   @%%@2@%   Deep calleth unto deep.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 42, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4240   @%%@2@%   My tongue is the pen of a ready writer.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 45, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4250   @%%@2@%   The king's daughter is all glorious within.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 45, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4260   @%%@2@%   God is our refuge and strength, a very present help in trouble.%@NL@%%@EH@%
Therefore will we not fear, though the earth be removed, and though the
mountains be carried into the midst of the sea.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 46, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4265   @%%@2@%   There is a river, the streams whereof shall make glad the city of God,%@EH@%
the holy place of the tabernacles of the most High.%@NL@%
God is in the midst of her; she shall not be moved: God shall help her, and
that right early.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 46, Verse 4-5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4270   @%%@2@%   Be still, and know that I am God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 46, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4280   @%%@2@%   Every beast of the forest is mine, and the cattle upon a thousand hills.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 50, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4290   @%%@2@%   I was shapen in iniquity; and in sin did my mother conceive me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%%@FN@%
This psalm is known as the Miserere from its opening word in the Vulgate.
The first line is: Have mercy upon me, O God.  %@EF@%
The Book of Psalms Chapter 51, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4300   @%%@2@%   Purge me with hyssop, and I shall be clean: wash me, and I shall be%@EH@%
whiter than snow.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 51, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4310   @%%@2@%   Create in me a clean heart, O God; and renew a right spirit within me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 51, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4320   @%%@2@%   And take not thy holy spirit from me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 51, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4330   @%%@2@%   Open thou my lips; and my mouth shall show forth thy praise.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 51, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4340   @%%@2@%   A broken and a contrite heart, O God, thou wilt not despise.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 51, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4350   @%%@2@%   Oh that I had wings like a dove! for then would I fly away, and be at%@EH@%
rest. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 55, Verse 6

%@NL@%%@AI@%1 See Euripides%@BO:           a1f8b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4360   @%%@2@%   We took sweet counsel together.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 55, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The words of his mouth were softer than butter, having war in his
heart.-Book of Common Prayer, Psalm 50:22  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL4370   @%%@2@%   The words of his mouth were smoother than butter, but war was in his%@EH@%
heart: his words were softer than oil, yet were they drawn swords.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 55, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4380   @%%@2@%   They are like the deaf adder that stoppeth her ear;%@NL@%%@EH@%
Which will not hearken to the voice of charmers, charming never so wisely.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 58, Verse 4-5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4385   @%%@2@%   Thou hast showed thy people hard things: thou hast made us to drink the%@EH@%
wine of astonishment.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 60, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4390   @%%@2@%   Moab is my washpot; over Edom will I cast out my shoe: Philistia, triumph%@EH@%
thou because of me.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 60, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4400   @%%@2@%   Lead me to the rock that is higher than I.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 61, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4410   @%%@2@%   He only is my rock and my salvation: he is my defense; I shall not be%@EH@%
moved.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 62, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4420   @%%@2@%   Thou renderest to every man according to his work.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 62, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4430   @%%@2@%   My soul thirsteth for thee, my flesh longeth for thee in a dry and%@EH@%
thirsty land, where no water is.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 63, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4440   @%%@2@%   Thou crownest the year with thy goodness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 65, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4450   @%%@2@%   Make a joyful noise unto God, all ye lands.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 66, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4460   @%%@2@%   We went through fire and through water.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 66, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4470   @%%@2@%   God setteth the solitary in families.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 68, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4480   @%%@2@%   Cast me not off in the time of old age; forsake me not when my strength%@EH@%
faileth.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 71, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4490   @%%@2@%   He shall come down like rain upon the mown grass: as showers that water%@EH@%
the earth.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 72, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4500   @%%@2@%   His enemies shall lick the dust.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 72, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4510   @%%@2@%   His name shall endure for ever.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 72, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4520   @%%@2@%   A stubborn and rebellious generation.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 78, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4525   @%%@2@%   Man did eat angels' food.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 78, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4530   @%%@2@%   But ye shall die like men, and fall like one of the princes.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 82, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4540   @%%@2@%   How amiable are thy tabernacles, O Lord of hosts!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 84, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4550   @%%@2@%   They go from strength to strength.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 84, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4560   @%%@2@%   A day in thy courts is better than a thousand. I had rather be a%@EH@%
doorkeeper in the house of my God, than to dwell in the tents of wickedness.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 84, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4570   @%%@2@%   Mercy and truth are met together; righteousness and peace have kissed%@EH@%
each other.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 85, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4580   @%%@2@%   Lord, why castest thou off my soul? why hidest thou thy face from me?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 88, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4590   @%%@2@%   Lord, thou hast been our dwelling place in all generations.%@NL@%%@EH@%
Before the mountains were brought forth, or ever thou hadst formed the earth
and the world, even from everlasting to everlasting, thou art God.%@NL@%
Thou turnest man to destruction; and sayest, Return, ye children of men.%@NL@%
For a thousand years in thy sight are but as yesterday when it is past, and
as a watch in the night.%@NL@%
Thou carriest them away as with a flood; they are as a sleep: in the morning
they are like grass which groweth up.%@NL@%
In the morning it flourisheth, and groweth up; in the evening it is cut
down, and withereth. 1  2 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 90, Verse 1-6

%@NL@%%@AI@%1 See Isaiah 40:6 and 40:8%@BO:           3e840@%%@AE@%
%@AI@%2 See I Peter 1:24%@BO:           74fbc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
We bring our years to an end, as it were a tale that is told.-Book of Common
Prayer, Psalm 90:9  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL4600   @%%@2@%   We spend our years as a tale that is told.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 90, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The days of our age are threescore and ten; and though men be so strong that
they come to fourscore years, yet is their strength then but labor and
sorrow; so soon passeth it away, and we are gone.-Book of Common Prayer,
Psalm 90:10  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL4610   @%%@2@%   The days of our years are threescore years and ten; and if by reason of%@EH@%
strength they be fourscore years, yet is their strength labor and sorrow;
for it is soon cut off, and we fly away.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 90, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4620   @%%@2@%   So teach us to number our days, that we may apply our hearts unto wisdom.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 90, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4630   @%%@2@%   Establish thou the work of our hands upon us; yea, the work of our hands%@EH@%
establish thou it.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 90, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4640   @%%@2@%   He that dwelleth in the secret place of the most High shall abide under%@EH@%
the shadow of the Almighty.%@NL@%
I will say of the Lord, He is my refuge and my fortress: my God; in him will
I trust.%@NL@%
Surely he shall deliver thee from the snare of the fowler, and from the
noisome pestilence.%@NL@%
He shall cover thee with his feathers, and under his wings shalt thou trust:
his truth shall be thy shield and buckler.%@NL@%
Thou shalt not be afraid for the terror by night; nor for the arrow that
flieth by day.%@NL@%
Nor for the pestilence that walketh in darkness; nor for the destruction
that wasteth at noonday.%@NL@%
A thousand shall fall at thy side, and ten thousand at thy right hand; but
it shall not come nigh thee.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 91, Verse 1-7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Luke 4:10-1 Also in Matthew 4:6.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL4650   @%%@2@%   He shall give his angels charge over thee, to keep thee in all thy ways.%@NL@%%@EH@%
They shall bear thee up in their hands, lest thou dash thy foot against a
stone.%@NL@%
Thou shalt tread upon the lion and adder: the young lion and the dragon
shalt thou trample under feet.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 91, Verse 11-13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4660   @%%@2@%   The righteous shall flourish like the palm tree: he shall grow like a%@EH@%
cedar in Lebanon.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 92, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4670   @%%@2@%   Mightier than the noise of many waters. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 93, Verse 4

%@NL@%%@AI@%1 See Revelation 14:2%@BO:           785a5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4680   @%%@2@%   O come, let us sing unto the Lord: let us make a joyful noise to the rock%@EH@%
of our salvation.%@NL@%
Let us come before his presence with thanksgiving, and make a joyful noise
unto him with psalms.%@NL@%
For the Lord is a great God, and a great King above all gods.%@NL@%
In his hand are the deep places of the earth: the strength of the hills is
his also.%@NL@%
The sea is his, and he made it: and his hands formed the dry land.%@NL@%
O come, let us worship and bow down: let us kneel before the Lord our maker.%@NL@%
For he is our God; and we are the people of his pasture, and the sheep of
his hand. 1  2 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 95, Verse 1-7

%@NL@%%@AI@%1 See Ephesians 5:19%@BO:           6f2fa@%%@AE@%
%@AI@%2 See Book of Common Prayer, Morning Prayer (Venite)%@BO:           7b3cb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4700   @%%@2@%   O sing unto the Lord a new song.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 96, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4710   @%%@2@%   The Lord reigneth; let the earth rejoice.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 97, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4720   @%%@2@%   Make a joyful noise unto the Lord, all ye lands.%@NL@%%@EH@%
Serve the Lord with gladness: come before his presence with singing.%@NL@%
Know ye that the Lord he is God: it is he that hath made us, and not we
ourselves; we are his people, and the sheep of his pasture.%@NL@%
Enter into his gates with thanksgiving, and into his courts with praise: be
thankful unto him, and bless his name.%@NL@%
For the Lord is good; his mercy is everlasting; and his truth endureth to
all generations.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 100, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4730   @%%@2@%   My days are consumed like smoke.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 102, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4740   @%%@2@%   I watch, and am as a sparrow alone upon the house top.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 102, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4750   @%%@2@%   As the heaven is high above the earth, so great is his mercy toward them%@EH@%
that fear him.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 103, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4760   @%%@2@%   As for man, his days are as grass: as a flower of the field, so he%@EH@%
flourisheth.%@NL@%
For the wind passeth over it, and it is gone; and the place thereof shall
know it no more. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 103, Verse 15-16

%@NL@%%@AI@%1 See Homer%@BO:           86c09@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4770   @%%@2@%   Who layeth the beams of his chambers in the waters: who maketh the clouds%@EH@%
his chariot: who walketh upon the wings of the wind.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 104, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4780   @%%@2@%   Wine that maketh glad the heart of man.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 104, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4790   @%%@2@%   The cedars of Lebanon.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 104, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4800   @%%@2@%   He appointed the moon for seasons: the sun knoweth his going down.%@NL@%%@EH@%
Thou makest darkness, and it is night: wherein all the beasts of the forest
do creep forth. 1 %@NL@%
The young lions roar after their prey, and seek their meat from God. 2 %@NL@%
The sun ariseth, they gather themselves together, and lay them down in their
dens.%@NL@%
Man goeth forth unto his work and to his labor until the evening. 3 %@NL@%
O Lord, how manifold are thy works! in wisdom hast thou made them all: the
earth is full of thy riches. 4 %@NL@%
So is this great and wide sea, wherein are things creeping innumerable, both
small and great beasts.%@NL@%
There go the ships: there is that leviathan, whom thou hast made to play
therein.%@NL@%
These wait all upon thee; that thou mayest give them their meat in due
season.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 104, Verse 19-27

%@NL@%%@AI@%1 See The Great Hymn to the Aten%@BO:            3a6e@%%@AE@%
%@AI@%2 See The Great Hymn to the Aten%@BO:            3b56@%%@AE@%
%@AI@%3 See The Great Hymn to the Aten%@BO:            3ded@%%@AE@%
%@AI@%4 See The Great Hymn to the Aten%@BO:            4002@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4805   @%%@2@%   The people asked, and he brought quails, and satisfied them with the%@EH@%
bread of heaven. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 105, Verse 40

%@NL@%%@AI@%1 See John 6:35%@BO:           61fa5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4810   @%%@2@%   Such as sit in darkness and in the shadow of death. 1  2 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 107, Verse 10

%@NL@%%@AI@%1 See Matthew 4:16%@BO:           4e04e@%%@AE@%
%@AI@%2 See Luke 1:79%@BO:           5bd76@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4820   @%%@2@%   They that go down to the sea in ships, that do business in great waters.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 107, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4830   @%%@2@%   They mount up to the heaven, they go down again to the depths.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 107, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4840   @%%@2@%   They reel to and fro, and stagger like a drunken man, and are at their%@EH@%
wit's end.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 107, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4850   @%%@2@%   For I am poor and needy, and my heart is wounded within me.%@NL@%%@EH@%
I am gone like the shadow when it declineth: I am tossed up and down as the
locust.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 109, Verse 22-23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4860   @%%@2@%   Thou hast the dew of thy youth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 110, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4870   @%%@2@%   The fear of the Lord is the beginning of wisdom.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 111, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4880   @%%@2@%   From the rising of the sun unto the going down of the same the Lord's%@EH@%
name is to be praised.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 113, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4890   @%%@2@%   The mountains skipped like rams, and the little hills like lambs.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 114, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Psalm 135:16-17.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL4900   @%%@2@%   They have mouths, but they speak not: eyes have they, but they see not.%@NL@%%@EH@%
They have ears, but they hear not.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 115, Verse 5-6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4910   @%%@2@%   I said in my haste, All men are liars.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 116, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4920   @%%@2@%   Precious in the sight of the Lord is the death of his saints.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 116, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Matthew 21:42.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL4930   @%%@2@%   The stone which the builders refused is become the head stone of the%@EH@%
corner.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 118, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4940   @%%@2@%   This is the day which the Lord hath made.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 118, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Matthew 21:9, 23:39, Mark 11:9, and Luke 13:35.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL4950   @%%@2@%   Blessed be he that cometh in the name of the Lord.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 118, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4960   @%%@2@%   Thy word is a lamp unto my feet, and a light unto my path.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 119, Verse 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4970   @%%@2@%   I am for peace: but when I speak, they are for war.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 120, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I lift up my eyes to the hills. From whence does my help come?-Revised
Standard Version  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL4980   @%%@2@%   I will lift up mine eyes unto the hills, from whence cometh my help.%@NL@%%@EH@%
My help cometh from the Lord, which made heaven and earth. 1 %@NL@%
He will not suffer thy foot to be moved: he that keepeth thee will not
slumber.%@NL@%
Behold, he that keepeth Israel shall neither slumber nor sleep.%@NL@%
The Lord is thy keeper: the Lord is thy shade upon thy right hand.%@NL@%
The sun shall not smite thee by day, nor the moon by night.%@NL@%
The Lord shall preserve thee from all evil: he shall preserve thy soul.%@NL@%
The Lord shall preserve thy going out and thy coming in from this time
forth, and even for evermore.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 121, Verse 1

%@NL@%%@AI@%1 See The Teaching for Merikare%@BO:            1bfa@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL4990   @%%@2@%   I was glad when they said unto me, Let us go into the house of the Lord.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 122, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5000   @%%@2@%   Peace be within thy walls, and prosperity within thy palaces.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 122, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5010   @%%@2@%   They that sow in tears shall reap in joy.%@NL@%%@EH@%
He that goeth forth and weepeth, bearing precious seed, shall doubtless come
again with rejoicing, bringing his sheaves with him.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 126, Verse 5-6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5020   @%%@2@%   Except the Lord build the house, they labor in vain that build it: except%@EH@%
the Lord keep the city, the watchman waketh but in vain.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 127, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5030   @%%@2@%   He giveth his beloved sleep.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 127, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5040   @%%@2@%   As arrows are in the hand of a mighty man; so are children of the youth.%@NL@%%@EH@%
Happy is the man that hath his quiver full of them.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 127, Verse 4-5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5050   @%%@2@%   Out of the depths have I cried unto thee, O Lord.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 130, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5060   @%%@2@%   My soul waiteth for the Lord more than they that watch for the morning.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 130, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Proverbs 6:4.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL5070   @%%@2@%   I will not give sleep to mine eyes, or slumber to mine eyelids.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 132, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5080   @%%@2@%   Behold, how good and how pleasant it is for brethren to dwell together in%@EH@%
unity!%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 133, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
By the waters of Babylon we sat down and wept, when we remembered thee, O
Sion.-Book of Common Prayer, Psalm 137:1  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL5090   @%%@2@%   By the rivers of Babylon, there we sat down, yea, we wept, when we%@EH@%
remembered Zion.%@NL@%
We hanged our harps upon the willows in the midst thereof.%@NL@%
For there they that carried us away captive required of us a song; and they
that wasted us required of us mirth, saying, Sing us one of the songs of
Zion.%@NL@%
How shall we sing the Lord's song in a strange land?%@NL@%
If I forget thee, O Jerusalem, let my right hand forget her cunning.%@NL@%
If I do not remember thee, let my tongue cleave to the roof of my mouth.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 137, Verse 1-6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5100   @%%@2@%   O Lord, thou hast searched me, and known me.%@NL@%%@EH@%
Thou knowest my downsitting and mine uprising; thou understandest my thought
afar off.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 139, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5110   @%%@2@%   Whither shall I go from thy Spirit? or whither shall I flee from thy%@EH@%
presence?%@NL@%
If I ascend up into heaven, thou art there: if I make my bed in hell,
behold, thou art there.%@NL@%
If I take the wings of the morning, and dwell in the uttermost parts of the
sea;%@NL@%
Even there shall thy hand lead me, and thy right hand shall hold me.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 139, Verse 7-10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5120   @%%@2@%   The darkness and the light are both alike to thee.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 139, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5130   @%%@2@%   I am fearfully and wonderfully made.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 139, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5140   @%%@2@%   They have sharpened their tongues like a serpent.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 140, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5150   @%%@2@%   Thou openest thine hand, and satisfiest the desire of every living thing.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 145, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5160   @%%@2@%   The Lord is nigh unto all them that call upon him, to all that call upon%@EH@%
him in truth.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 145, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5170   @%%@2@%   Put not your trust in princes.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 146, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5180   @%%@2@%   He telleth the number of the stars; he calleth them all by their names.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 147, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5190   @%%@2@%   Praise him with the sound of the trumpet: praise him with the psaltery%@EH@%
and harp.%@NL@%
Praise him with the timbrel and dance: praise him with stringed instruments
and organs.%@NL@%
Praise him upon the loud cymbals: praise him upon the high sounding cymbals.
1 %@NL@%
Let every thing that hath breath praise the Lord.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Psalms Chapter 150, Verse 3-6

%@NL@%%@AI@%1 See II Samuel 6:5%@BO:           16206@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5200   @%%@2@%   To give subtilty to the simple, to the young man knowledge and%@EH@%
discretion.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 1, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5210   @%%@2@%   My son, if sinners entice thee, consent thou not.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 1, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5220   @%%@2@%   Wisdom crieth without; she uttereth her voice in the streets.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 1, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5230   @%%@2@%   Length of days is in her right hand; and in her left hand riches and%@EH@%
honor.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 3, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5240   @%%@2@%   Her ways are ways of pleasantness, and all her paths are peace.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 3, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5250   @%%@2@%   Be not afraid of sudden fear.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 3, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5260   @%%@2@%   Wisdom is the principal thing; therefore get wisdom: and with all thy%@EH@%
getting get understanding.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 4, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5270   @%%@2@%   The path of the just is as the shining light, that shineth more and more%@EH@%
unto the perfect day.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 4, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5280   @%%@2@%   Keep thy heart with all diligence; for out of it are the issues of life.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 4, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5290   @%%@2@%   The lips of a strange woman drop as a honeycomb, and her mouth is%@EH@%
smoother than oil:%@NL@%
But her end is bitter as wormwood, sharp as a two-edged sword.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 5, Verse 3-4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5300   @%%@2@%   Go to the ant, thou sluggard; consider her ways, and be wise:%@NL@%%@EH@%
Which having no guide, overseer, or ruler,%@NL@%
Provideth her meat in the summer, and gathereth her food in the harvest.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 6, Verse 6-8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Proverbs 24:33.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL5310   @%%@2@%   Yet a little sleep, a little slumber, a little folding of the hands to%@EH@%
sleep:%@NL@%
So shall thy poverty come as one that traveleth, and thy want as an armed
man.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 6, Verse 10-11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5320   @%%@2@%   Lust not after her beauty in thine heart; neither let her take thee with%@EH@%
her eyelids.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 6, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5330   @%%@2@%   Can a man take fire in his bosom, and his clothes not be burned?%@NL@%%@EH@%
Can one go upon hot coals, and his feet not be burned?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 6, Verse 27-28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5340   @%%@2@%   Jealousy is the rage of a man: therefore he will not spare in the day of%@EH@%
vengeance.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 6, Verse 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5350   @%%@2@%   He goeth after her straightway, as an ox goeth to the slaughter.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 7, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5360   @%%@2@%   I love them that love me; and those that seek me early shall find me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 8, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5370   @%%@2@%   Wisdom hath builded her house, she hath hewn out her seven pillars.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 9, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5380   @%%@2@%   Reprove not a scorner, lest he hate thee: rebuke a wise man, and he will%@EH@%
love thee.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 9, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5390   @%%@2@%   Stolen waters are sweet, and bread eaten in secret is pleasant.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 9, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5400   @%%@2@%   A wise son maketh a glad father: but a foolish son is the heaviness of%@EH@%
his mother.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 10, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5410   @%%@2@%   Blessings are upon the head of the just: but violence covereth the mouth%@EH@%
of the wicked.%@NL@%
The memory of the just is blessed: but the name of the wicked shall rot.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 10, Verse 6-7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5420   @%%@2@%   Hatred stirreth up strifes: but love covereth all sins.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 10, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Proverbs 24:6.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL5430   @%%@2@%   In the multitude of counsellors there is safety.%@NL@%%@EH@%
He that is surety for a stranger shall smart for it.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 11, Verse 14-15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5440   @%%@2@%   As a jewel of gold in a swine's snout, so is a fair woman which is%@EH@%
without discretion.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 11, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5450   @%%@2@%   He that trusteth in his riches shall fall.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 11, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5452   @%%@2@%   He that troubleth his own house shall inherit the wind.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 11, Verse 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5460   @%%@2@%   A virtuous woman is a crown to her husband.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 12, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5470   @%%@2@%   A righteous man regardeth the life of his beast: but the tender mercies%@EH@%
of the wicked are cruel.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 12, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5480   @%%@2@%   The way of a fool is right in his own eyes.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 12, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5490   @%%@2@%   Hope deferred maketh the heart sick.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 13, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5500   @%%@2@%   The way of transgressors is hard.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 13, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5510   @%%@2@%   The desire accomplished is sweet to the soul.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 13, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5520   @%%@2@%   He that spareth his rod hateth his son: but he that loveth him chasteneth%@EH@%
him betimes. 1  2 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 13, Verse 24

%@NL@%%@AI@%1 See Menander%@BO:           ba54d@%%@AE@%
%@AI@%2 See Butler%@BO:          24dd94@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5530   @%%@2@%   Fools make a mock at sin.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 14, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5540   @%%@2@%   The heart knoweth his own bitterness; and a stranger doth not intermeddle%@EH@%
with his joy.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 14, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5550   @%%@2@%   Even in laughter the heart is sorrowful.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 14, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5560   @%%@2@%   The prudent man looketh well to his going.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 14, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5570   @%%@2@%   In all labor there is profit: but the talk of the lips tendeth only to%@EH@%
penury.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 14, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5580   @%%@2@%   Righteousness exalteth a nation.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 14, Verse 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5590   @%%@2@%   A soft answer turneth away wrath.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 15, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5600   @%%@2@%   A merry heart maketh a cheerful countenance: but by sorrow of the heart%@EH@%
the spirit is broken.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 15, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5610   @%%@2@%   He that is of a merry heart hath a continual feast.%@NL@%%@EH@%
Better is little with the fear of the Lord, than great treasure, and trouble
therewith.%@NL@%
Better is a dinner of herbs where love is, than a stalled ox and hatred
therewith. 1  2 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 15, Verse 15-17

%@NL@%%@AI@%1 See The Teaching for Merikare%@BO:            1bfa@%%@AE@%
%@AI@%2 See Amenemope%@BO:            4c2d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5620   @%%@2@%   A wrathful man stirreth up strife: but he that is slow to anger appeaseth%@EH@%
strife.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 15, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5630   @%%@2@%   A word spoken in due season, how good is it!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 15, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5640   @%%@2@%   Before honor is humility.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 15, Verse 33 Chapter 18, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5650   @%%@2@%   A man's heart deviseth his way: but the Lord directeth his steps.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 16, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5660   @%%@2@%   Pride goeth before destruction, and an haughty spirit before a fall. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 16, Verse 18

%@NL@%%@AI@%1 See Sophocles%@BO:           9ed88@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5670   @%%@2@%   The hoary head is a crown of glory, if it be found in the way of%@EH@%
righteousness.%@NL@%
He that is slow to anger is better than the mighty; and he that ruleth his
spirit than he that taketh a city.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 16, Verse 31-32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5680   @%%@2@%   Whoso mocketh the poor reproacheth his Maker.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 17, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5690   @%%@2@%   He that repeateth a matter separateth very friends.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 17, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5700   @%%@2@%   Whoso rewardeth evil for good, evil shall not depart from his house.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 17, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5710   @%%@2@%   A merry heart doeth good like a medicine.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 17, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5720   @%%@2@%   He that hath knowledge spareth his words: and a man of understanding is%@EH@%
of an excellent spirit.%@NL@%
Even a fool, when he holdeth his peace, is counted wise.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 17, Verse 27-28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5730   @%%@2@%   A fool's mouth is his destruction.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 18, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5740   @%%@2@%   A wounded spirit who can bear?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 18, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5750   @%%@2@%   A brother offended is harder to be won than a strong city: and their%@EH@%
contentions are like the bars of a castle.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 18, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5760   @%%@2@%   Whoso findeth a wife findeth a good thing.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 18, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5770   @%%@2@%   A man that hath friends must show himself friendly: and there is a friend%@EH@%
that sticketh closer than a brother.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 18, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5780   @%%@2@%   Wealth maketh many friends.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 19, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5790   @%%@2@%   A foolish son is the calamity of his father: and the contentions of a%@EH@%
wife are a continual dropping.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 19, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5800   @%%@2@%   He that hath pity upon the poor lendeth unto the Lord.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 19, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5810   @%%@2@%   Wine is a mocker, strong drink is raging.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 20, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5820   @%%@2@%   It is an honor for a man to cease from strife: but every fool will be%@EH@%
meddling.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 20, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5830   @%%@2@%   Even a child is known by his doings, whether his work be pure, and%@EH@%
whether it be right.%@NL@%
The hearing ear, and the seeing eye, the Lord hath made even both of them.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 20, Verse 11-12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5840   @%%@2@%   It is naught, it is naught, saith the buyer: but when he is gone his way,%@EH@%
then he boasteth.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 20, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5850   @%%@2@%   Bread of deceit is sweet to a man; but afterwards his mouth shall be%@EH@%
filled with gravel.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 20, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5860   @%%@2@%   Meddle not with him that flattereth with his lips.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 20, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5870   @%%@2@%   It is better to dwell in a corner of the housetop, than with a brawling%@EH@%
woman in a wide house.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 21, Verse 9 Chapter 25, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5880   @%%@2@%   A good name is rather to be chosen than great riches.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 22, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5890   @%%@2@%   Train up a child in the way he should go; and when he is old, he will not%@EH@%
depart from it.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 22, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5900   @%%@2@%   The borrower is servant to the lender.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 22, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5910   @%%@2@%   Bow down thine ear, and hear the words of the wise, and apply thine heart%@EH@%
unto my knowledge.%@NL@%
For it is a pleasant thing if thou keep them within thee; they shall withal
be fitted in thy lips. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 22, Verse 17-18

%@NL@%%@AI@%1 See Amenemope%@BO:            46aa@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Here I have written out for you thirty sayings,/full of knowledge and wise
advice,/to impart to you a knowledge of the truth,/that you may take back a
true report to him who sent you.-The New English Bible with the Apocrypha:
Oxford Study Edition [1976], Proverbs 22:20-21  Thirty wise sayings
[Proverbs 22:17-24:22]. This section is dependent on the Egyptian work by
Amenemope, from which ten sayings have been derived and adapted to the
Israelite setting. . . . The Masoretic Text reading . . . formerly rendered
"excellent things" [22:20] has been corrected to "thirty sayings"-a very
minor change in the Hebrew-on the basis of the Amenemope.-Ib., note to
Proverbs 22:17-24:22  See Amenemope  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL5920   @%%@2@%   Have I not written to thee excellent things in counsels and knowledge,%@NL@%%@EH@%
That I might make thee know the certainty of the words of truth; that thou
mightest answer the words of truth to them that send unto thee?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 22, Verse 20-21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5925   @%%@2@%   Rob not the poor, because he is poor: neither oppress the afflicted in%@EH@%
the gate. 1  2 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 22, Verse 22

%@NL@%%@AI@%1 See Amenemope%@BO:            47f2@%%@AE@%
%@AI@%2 See Ecclesiasticus 4:1%@BO:           48862@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Proverbs 23:10.  See Amenemope  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL5930   @%%@2@%   Remove not the ancient landmark.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 22, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5940   @%%@2@%   Seest thou a man diligent in his business? He shall stand before kings. 1%@EH@%
%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 22, Verse 29

%@NL@%%@AI@%1 See Amenemope%@BO:            5100@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5950   @%%@2@%   Put a knife to thy throat, if thou be a man given to appetite.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 23, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5960   @%%@2@%   Labor not to be rich: cease from thine own wisdom. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 23, Verse 4

%@NL@%%@AI@%1 See Amenemope%@BO:            4dcc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5970   @%%@2@%   Riches certainly make themselves wings; they fly away as an eagle toward%@EH@%
heaven. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 23, Verse 5

%@NL@%%@AI@%1 See Amenemope%@BO:            4dcc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5980   @%%@2@%   As he thinketh in his heart, so is he.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 23, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL5990   @%%@2@%   The drunkard and the glutton shall come to poverty: and drowsiness shall%@EH@%
clothe a man with rags.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 23, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6000   @%%@2@%   Despise not thy mother when she is old.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 23, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6010   @%%@2@%   Look not thou upon the wine when it is red, when it giveth his color in%@EH@%
the cup, when it moveth itself aright.%@NL@%
At the last it biteth like a serpent, and stingeth like an adder.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 23, Verse 31-32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6020   @%%@2@%   A wise man is strong; yea, a man of knowledge increaseth strength.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 24, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6030   @%%@2@%   If thou faint in the day of adversity, thy strength is small.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 24, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6040   @%%@2@%   A word fitly spoken is like apples of gold in pictures of silver.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 25, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Romans 12:20.  See Marcus Aurelius  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL6050   @%%@2@%   If thine enemy be hungry, give him bread to eat; and if he be thirsty,%@EH@%
give him water to drink:%@NL@%
For thou shalt heap coals of fire upon his head.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 25, Verse 21-22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6060   @%%@2@%   As cold waters to a thirsty soul, so is good news from a far country.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 25, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6070   @%%@2@%   For men to search their own glory is not glory.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 25, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6080   @%%@2@%   Answer a fool according to his folly.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 26, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6090   @%%@2@%   As a dog returneth to his vomit, so a fool returneth to his folly.%@NL@%%@EH@%
Seest thou a man wise in his own conceit? There is more hope of a fool than
of him.%@NL@%
The slothful man saith, There is a lion in the way; a lion is in the
streets.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 26, Verse 11-13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6100   @%%@2@%   Whoso diggeth a pit shall fall therein: and he that rolleth a stone, it%@EH@%
will return upon him.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 26, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6110   @%%@2@%   Boast not thyself of tomorrow; for thou knowest not what a day may bring%@EH@%
forth. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 27, Verse 1

%@NL@%%@AI@%1 See Sophocles%@BO:           9f120@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6120   @%%@2@%   Let another man praise thee, and not thine own mouth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 27, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6130   @%%@2@%   Open rebuke is better than secret love.%@NL@%%@EH@%
Faithful are the wounds of a friend; but the kisses of an enemy are
deceitful.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 27, Verse 5-6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6140   @%%@2@%   To the hungry soul every bitter thing is sweet.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 27, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6150   @%%@2@%   Better is a neighbor that is near than a brother far off.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 27, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6160   @%%@2@%   Iron sharpeneth iron; so a man sharpeneth the countenance of his friend.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 27, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6170   @%%@2@%   The wicked flee when no man pursueth: but the righteous are bold as a%@EH@%
lion.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 28, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6180   @%%@2@%   He that maketh haste to be rich shall not be innocent.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 28, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6190   @%%@2@%   He that trusteth in his own heart is a fool.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 28, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6200   @%%@2@%   He that giveth unto the poor shall not lack.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 28, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6210   @%%@2@%   A fool uttereth all his mind.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 29, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6220   @%%@2@%   Where there is no vision, the people perish.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 29, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6230   @%%@2@%   A man's pride shall bring him low: but honor shall uphold the humble in%@EH@%
spirit.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 29, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6240   @%%@2@%   Give me neither poverty nor riches.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 30, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6250   @%%@2@%   Accuse not a servant unto his master.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 30, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6260   @%%@2@%   The horseleach hath two daughters, crying, Give, give.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 30, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6270   @%%@2@%   There be three things which are too wonderful for me, yea, four which I%@EH@%
know not:%@NL@%
The way of an eagle in the air; the way of a serpent upon a rock; the way of
a ship in the midst of the sea; and the way of a man with a maid.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 30, Verse 18-19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6280   @%%@2@%   Give strong drink unto him that is ready to perish, and wine unto those%@EH@%
that be of heavy hearts.%@NL@%
Let him drink, and forget his poverty, and remember his misery no more.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 31, Verse 6-7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6290   @%%@2@%   Who can find a virtuous woman? for her price is far above rubies.%@NL@%%@EH@%
The heart of her husband doth safely trust in her.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 31, Verse 10-11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6300   @%%@2@%   Her husband is known in the gates, when he sitteth among the elders of%@EH@%
the land.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 31, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6310   @%%@2@%   Strength and honor are her clothing.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 31, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6320   @%%@2@%   In her tongue is the law of kindness.%@NL@%%@EH@%
She looketh well to the ways of her household, and eateth not the bread of
idleness.%@NL@%
Her children arise up, and call her blessed.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 31, Verse 26-28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6330   @%%@2@%   Many daughters have done virtuously, but thou excellest them all.%@NL@%%@EH@%
Favor is deceitful, and beauty is vain: but a woman that feareth the Lord,
she shall be praised.%@NL@%
Give her of the fruit of her hands; and let her own works praise her in the
gates.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Proverbs Chapter 31, Verse 29-31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6340   @%%@2@%   Vanity of vanities, saith the Preacher, vanity of vanities; all is%@EH@%
vanity.%@NL@%
What profit hath a man of all his labor which he taketh under the sun?%@NL@%
One generation passeth away, and another generation cometh: but the earth
abideth for ever.%@NL@%
The sun also ariseth.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 1, Verse 2-5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6350   @%%@2@%   All the rivers run into the sea; yet the sea is not full.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 1, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6360   @%%@2@%   The eye is not satisfied with seeing, nor the ear filled with hearing.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 1, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6370   @%%@2@%   The thing that hath been, it is that which shall be; and that which is%@EH@%
done is that which shall be done: and there is no new thing under the sun.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 1, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6380   @%%@2@%   There is no remembrance of former things; neither shall there be any%@EH@%
remembrance of things that are to come with those that shall come after.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 1, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6390   @%%@2@%   I have seen all the works that are done under the sun; and, behold, all%@EH@%
is vanity and vexation of spirit.%@NL@%
That which is crooked cannot be made straight: and that which is wanting
cannot be numbered.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 1, Verse 14-15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6400   @%%@2@%   In much wisdom is much grief: and he that increaseth knowledge increaseth%@EH@%
sorrow.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 1, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6410   @%%@2@%   Wisdom excelleth folly, as far as light excelleth darkness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 2, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6420   @%%@2@%   One event happeneth to them all.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 2, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6430   @%%@2@%   How dieth the wise man? as the fool.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 2, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6440   @%%@2@%   To every thing there is a season, and a time to every purpose under the%@EH@%
heaven.%@NL@%
A time to be born, and a time to die; a time to plant, and a time to pluck
up that which is planted;%@NL@%
A time to kill, and a time to heal; a time to break down, and a time to
build up;%@NL@%
A time to weep, and a time to laugh; a time to mourn, and a time to dance;%@NL@%
A time to cast away stones, and a time to gather stones together; a time to
embrace, and a time to refrain from embracing;%@NL@%
A time to get, and a time to lose; a time to keep, and a time to cast away;%@NL@%
A time to rend, and a time to sew; a time to keep silence, and a time to
speak; 1 %@NL@%
A time to love, and a time to hate; a time of war, and a time of peace.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 3, Verse 1-8

%@NL@%%@AI@%1 See Homer%@BO:           8591e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6460   @%%@2@%   Wherefore I praised the dead which are already dead more than the living%@EH@%
which are yet alive.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 4, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6470   @%%@2@%   Better is a handful with quietness, than both the hands full with travail%@EH@%
and vexation of spirit.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 4, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6480   @%%@2@%   A threefold cord is not quickly broken.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 4, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6490   @%%@2@%   Better is a poor and a wise child than an old and foolish king.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 4, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6500   @%%@2@%   God is in heaven, and thou upon earth: therefore let thy words be few.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 5, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6510   @%%@2@%   Better is it that thou shouldest not vow, than that thou shouldest vow%@EH@%
and not pay.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 5, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6520   @%%@2@%   The sleep of a laboring man is sweet . . . but the abundance of the rich%@EH@%
will not suffer him to sleep.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 5, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6530   @%%@2@%   As he came forth of his mother's womb, naked shall he return to go as he%@EH@%
came, 1  and shall take nothing of his labor, which he may carry away in his
hand. 2  3 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 5, Verse 15

%@NL@%%@AI@%1 See Job 1:21%@BO:           1ab8f@%%@AE@%
%@AI@%2 See The Song of the Harper%@BO:             482@%%@AE@%
%@AI@%3 See I Timothy 6:7%@BO:           71f6e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6540   @%%@2@%   A good name is better than precious ointment; and the day of death than%@EH@%
the day of one's birth. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 7, Verse 1

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e04da@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6550   @%%@2@%   It is better to go to the house of mourning, than to go to the house of%@EH@%
feasting.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 7, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6560   @%%@2@%   As the crackling of thorns under a pot, so is the laughter of the fool.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 7, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6570   @%%@2@%   Better is the end of a thing than the beginning thereof.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 7, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6580   @%%@2@%   In the day of prosperity be joyful, but in the day of adversity consider.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 7, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6590   @%%@2@%   Be not righteous over much.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 7, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6600   @%%@2@%   There is not a just man upon earth, that doeth good, and sinneth not.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 7, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6610   @%%@2@%   And I find more bitter than death the woman, whose heart is snares and%@EH@%
nets, and her hands as bands.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 7, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6620   @%%@2@%   One man among a thousand have I found; but a woman among all those have I%@EH@%
not found.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 7, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6630   @%%@2@%   God hath made man upright; but they have sought out many inventions.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 7, Verse 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6640   @%%@2@%   There is no discharge in that war.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 8, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6650   @%%@2@%   A man hath no better thing under the sun, than to eat, and to drink, and%@EH@%
to be merry. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 8, Verse 15

%@NL@%%@AI@%1 See Luke 12:19%@BO:           5dc7c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6660   @%%@2@%   A living dog is better than a dead lion.%@NL@%%@EH@%
For the living know that they shall die: but the dead know not any thing,
neither have they any more a reward; for the memory of them is forgotten.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 9, Verse 4-5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6670   @%%@2@%   Whatsoever thy hand findeth to do, do it with thy might; for there is no%@EH@%
work, nor device, nor knowledge, nor wisdom, in the grave, whither thou
goest.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 9, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6680   @%%@2@%   I returned, and saw under the sun, that the race is not to the swift, nor%@EH@%
the battle to the strong, neither yet bread to the wise, nor yet riches to
men of understanding, nor yet favor to men of skill; but time and chance
happeneth to them all.%@NL@%
For man also knoweth not his time: as the fishes that are taken in an evil
net, and as the birds that are caught in the snare; so are the sons of men
snared in an evil time, when it falleth suddenly upon them.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 9, Verse 11-12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6690   @%%@2@%   A feast is made for laughter, and wine maketh merry: but money answereth%@EH@%
all things.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 10, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6700   @%%@2@%   A bird of the air shall carry the voice, and that which hath wings shall%@EH@%
tell the matter.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 10, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6710   @%%@2@%   Cast thy bread upon the waters: for thou shalt find it after many days.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 11, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6720   @%%@2@%   He that observeth the wind shall not sow; and he that regardeth the%@EH@%
clouds shall not reap.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 11, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6730   @%%@2@%   In the morning sow thy seed, and in the evening withhold not thine hand.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 11, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6740   @%%@2@%   Rejoice, O young man, in thy youth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 11, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6750   @%%@2@%   Remember now thy Creator in the days of thy youth, while the evil days%@EH@%
come not, nor the years draw nigh, when thou shalt say, I have no pleasure
in them;%@NL@%
While the sun, or the light, or the moon, or the stars, be not darkened, nor
the clouds return after the rain:%@NL@%
In the day when the keepers of the house shall tremble, and the strong men
shall bow themselves, and the grinders cease because they are few, and those
that look out of the windows be darkened,  %@NL@%
And the doors shall be shut in the streets, when the sound of the grinding
is low, and he shall rise up at the voice of the bird, and all the daughters
of music shall be brought low.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 12, Verse 1-4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6760   @%%@2@%   The almond tree shall flourish, and the grasshopper shall be a burden,%@EH@%
and desire shall fail; because man goeth to his long home, and the mourners
go about the streets:%@NL@%
Or ever the silver cord be loosed, or the golden bowl be broken, or the
pitcher be broken at the fountain, or the wheel broken at the cistern.%@NL@%
Then shall the dust return to the earth as it was: and the spirit shall
return unto God who gave it.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 12, Verse 5-7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6770   @%%@2@%   The words of the wise are as goads, and as nails fastened by the masters%@EH@%
of assemblies.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 12, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6780   @%%@2@%   Of making many books there is no end; and much study is a weariness of%@EH@%
the flesh.%@NL@%
Let us hear the conclusion of the whole matter: Fear God, and keep his
commandments: for this is the whole duty of man.%@NL@%
For God shall bring every work into judgment, with every secret thing,
whether it be good, or whether it be evil.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Ecclesiastes; or, The Preacher Chapter 12, Verse 12-14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6790   @%%@2@%   The song of songs, which is Solomon's.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 1, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6800   @%%@2@%   I am black, but comely, O ye daughters of Jerusalem, as the tents of%@EH@%
Kedar, as the curtains of Solomon.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 1, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6810   @%%@2@%   O thou fairest among women.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 1, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6820   @%%@2@%   I am the rose of Sharon, and the lily of the valleys.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 2, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6830   @%%@2@%   As the apple tree among the trees of the wood, so is my beloved among the%@EH@%
sons.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 2, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6840   @%%@2@%   His banner over me was love.%@NL@%%@EH@%
Stay me with flagons, comfort me with apples: for I am sick of love.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 2, Verse 4-5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6850   @%%@2@%   Rise up, my love, my fair one, and come away.%@NL@%%@EH@%
For, lo, the winter is past, the rain is over and gone;%@NL@%
The flowers appear on the earth; the time of the singing of birds is come,
and the voice of the turtle is heard in our land. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 2, Verse 10-12

%@NL@%%@AI@%1 See Love Songs of the New Kingdom%@BO:            2d0d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6860   @%%@2@%   The little foxes, that spoil the vines.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 2, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6870   @%%@2@%   Until the day break, and the shadows flee away.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 2, Verse 17 Chapter 4, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6880   @%%@2@%   By night on my bed I sought him whom my soul loveth: I sought him, but I%@EH@%
found him not.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 3, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6890   @%%@2@%   Thy two breasts are like two young roes that are twins, which feed among%@EH@%
the lilies.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 4, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6900   @%%@2@%   Thou art all fair, my love; there is no spot in thee.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 4, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6910   @%%@2@%   How much better is thy love than wine!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 4, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6920   @%%@2@%   Awake, O north wind; and come, thou south; blow upon my garden, that the%@EH@%
spices thereof may flow out. Let my beloved come into his garden, and eat
his pleasant fruits.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 4, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6930   @%%@2@%   My beloved put in his hand by the hole of the door, and my bowels were%@EH@%
moved for him.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 5, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6940   @%%@2@%   His mouth is most sweet: yea, he is altogether lovely. This is my%@EH@%
beloved, and this is my friend, O daughters of Jerusalem.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 5, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6950   @%%@2@%   Who is she that looketh forth as the morning, fair as the moon, clear as%@EH@%
the sun, and terrible as an army with banners?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 6, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6960   @%%@2@%   Return, return, O Shulamite.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 6, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6970   @%%@2@%   Thy belly is like a heap of wheat set about with lilies.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 7, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6980   @%%@2@%   Thy neck is as a tower of ivory.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 7, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL6990   @%%@2@%   Like the best wine . . . that goeth down sweetly, causing the lips of%@EH@%
those that are asleep to speak.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 7, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7000   @%%@2@%   I am my beloved's, and his desire is toward me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 7, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7010   @%%@2@%   Set me as a seal upon thine heart, as a seal upon thine arm: for love is%@EH@%
strong as death; jealousy is cruel as the grave.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 8, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7020   @%%@2@%   Many waters cannot quench love, neither can the floods drown it.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 8, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7030   @%%@2@%   Make haste, my beloved, and be thou like to a roe or to a young hart upon%@EH@%
the mountains of spices.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Song of Solomon Chapter 8, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7040   @%%@2@%   The ox knoweth his owner, and the ass his master's crib.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 1, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7050   @%%@2@%   The whole head is sick, and the whole heart faint.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 1, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7060   @%%@2@%   As a lodge in a garden of cucumbers.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 1, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7070   @%%@2@%   Bring no more vain oblations.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 1, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7080   @%%@2@%   Learn to do well; seek judgment, relieve the oppressed, judge the%@EH@%
fatherless, plead for the widow.%@NL@%
Come now, and let us reason together . . . though your sins be as scarlet,
they shall be as white as snow.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 1, Verse 17-18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Joel 3:10 and Micah 4:3.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL7090   @%%@2@%   They shall beat their swords into plowshares, and their spears into%@EH@%
pruninghooks: nation shall not lift up sword against nation, neither shall
they learn war any more.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 2, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7100   @%%@2@%   In that day a man shall cast his idols . . . to the moles and to the%@EH@%
bats.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 2, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7110   @%%@2@%   Cease ye from man, whose breath is in his nostrils.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 2, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7120   @%%@2@%   The stay and the staff, the whole stay of bread, and the whole stay of%@EH@%
water.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 3, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7130   @%%@2@%   What mean ye that ye beat my people to pieces and grind the faces of the%@EH@%
poor?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 3, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7140   @%%@2@%   Walk with stretched forth necks and wanton eyes, walking and mincing as%@EH@%
they go, and making a tinkling with their feet.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 3, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7150   @%%@2@%   In that day seven women shall take hold of one man.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 4, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7160   @%%@2@%   My wellbeloved hath a vineyard in a very fruitful hill.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 5, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7170   @%%@2@%   And he looked for judgment, but behold oppression; for righteousness, but%@EH@%
behold a cry.%@NL@%
Woe unto them that join house to house, that lay field to field, till there
be no place, that they may be placed alone in the midst of the earth!%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 5, Verse 7-8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7180   @%%@2@%   Woe unto them that rise up early in the morning, that they may follow%@EH@%
strong drink.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 5, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7190   @%%@2@%   Woe unto them that draw iniquity with cords of vanity, and sin as it were%@EH@%
with a cart rope.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 5, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7200   @%%@2@%   Woe unto them that call evil good, and good evil.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 5, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7210   @%%@2@%   I saw also the Lord sitting upon a throne, high and lifted up, and his%@EH@%
train filled the temple.%@NL@%
Above it stood the seraphims: each one had six wings; with twain he covered
his face, and with twain he covered his feet, and with twain he did fly.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 6, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7220   @%%@2@%   Holy, holy, holy, is the Lord of hosts: the whole earth is full of his%@EH@%
glory.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 6, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7230   @%%@2@%   Woe is me! for I am undone; because I am a man of unclean lips, and I%@EH@%
dwell in the midst of a people of unclean lips: for mine eyes have seen the
King, the Lord of hosts.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 6, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7240   @%%@2@%   I heard the voice of the Lord, saying, Whom shall I send, and who will go%@EH@%
for us? Then said I, Here am I; send me.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 6, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7250   @%%@2@%   Then said I, Lord, how long?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 6, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7260   @%%@2@%   Behold, a virgin shall conceive, and bear a son, and shall call his name%@EH@%
Immanuel. 1 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 7, Verse 14

%@NL@%%@AI@%1 See Matthew 1:23%@BO:           4ceca@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7270   @%%@2@%   For a stone of stumbling and for a rock of offense.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 8, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7280   @%%@2@%   The people that walked in darkness have seen a great light: they that%@EH@%
dwell in the land of the shadow of death, upon them hath the light shined.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 9, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7290   @%%@2@%   For unto us a child is born, unto us a son is given: and the government%@EH@%
shall be upon his shoulder: and his name shall be called Wonderful,
Counsellor, The mighty God, The everlasting Father, The Prince of Peace.%@NL@%
Of the increase of his government and peace there shall be no end.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 9, Verse 6-7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7300   @%%@2@%   The ancient and honorable, he is the head.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 9, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7310   @%%@2@%   And there shall come forth a rod out of the stem of Jesse, and a Branch%@EH@%
shall grow out of his roots:%@NL@%
And the Spirit of the Lord shall rest upon him, the spirit of wisdom and
understanding, the spirit of counsel and might, the spirit of knowledge and
of the fear of the Lord.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 11, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7320   @%%@2@%   The wolf also shall dwell with the lamb, and the leopard shall lie down%@EH@%
with the kid; and the calf and the young lion and the fatling together; and
a little child shall lead them.%@NL@%
And the cow and the bear shall feed; their young ones shall lie down
together: and the lion shall eat straw like the ox.%@NL@%
And the suckling child shall play on the hole of the asp, and the weaned
child shall put his hand on the cockatrice' den.%@NL@%
They shall not hurt nor destroy in all my holy mountain: for the earth shall
be full of the knowledge of the Lord, as the waters cover the sea.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 11, Verse 6-9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7330   @%%@2@%   For the Lord JEHOVAH is my strength and my song; he also is become my%@EH@%
salvation.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 12, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7340   @%%@2@%   And I will punish the world for their evil, and the wicked for their%@EH@%
iniquity; and I will cause the arrogancy of the proud to cease, and will lay
low the haughtiness of the terrible.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 13, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7350   @%%@2@%   How art thou fallen from heaven, O Lucifer, son of the morning!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 14, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7360   @%%@2@%   Is this the man that made the earth to tremble, that did shake kingdoms.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 14, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7370   @%%@2@%   The nations shall rush like the rushing of many waters.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 17, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7380   @%%@2@%   And they shall fight every one against his brother.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 19, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7390   @%%@2@%   The burden of the desert of the sea. As whirlwinds in the south pass%@EH@%
through; so it cometh from the desert, from a terrible land.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 21, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7400   @%%@2@%   Babylon is fallen, is fallen; 1  and all the graven images of her gods he%@EH@%
hath broken unto the ground.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 21, Verse 9

%@NL@%%@AI@%1 See Revelation 14:8%@BO:           786c2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7410   @%%@2@%   Watchman, what of the night?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 21, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7420   @%%@2@%   Let us eat and drink; for tomorrow we shall die.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 22, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7430   @%%@2@%   I will fasten him as a nail in a sure place.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 22, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7440   @%%@2@%   Whose merchants are princes.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 23, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7450   @%%@2@%   As with the maid, so with her mistress.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 24, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7460   @%%@2@%   For thou hast been a strength to the poor, a strength to the needy in his%@EH@%
distress.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 25, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7470   @%%@2@%   A feast of fat things, a feast of wines on the lees.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 25, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7480   @%%@2@%   He will swallow up death in victory; 1  2  and the Lord God will wipe%@EH@%
away tears from off all faces. 3 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 25, Verse 8

%@NL@%%@AI@%1 See Hosea 13:14%@BO:           44d92@%%@AE@%
%@AI@%2 See I Corinthians 15:54%@BO:           6d196@%%@AE@%
%@AI@%3 See Revelation 21:4%@BO:           78f8b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7490   @%%@2@%   Open ye the gates, that the righteous nation which keepeth the truth may%@EH@%
enter in.%@NL@%
Thou wilt keep him in perfect peace, whose mind is stayed on thee.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 26, Verse 2-3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7500   @%%@2@%   Awake and sing.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 26, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7510   @%%@2@%   Hide thyself as it were for a little moment, until the indignation be%@EH@%
overpast.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 26, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7520   @%%@2@%   Leviathan that crooked serpent . . . the dragon that is in the sea.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 27, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7530   @%%@2@%   For precept must be upon precept, precept upon precept; line upon line,%@EH@%
line upon line; here a little, and there a little.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 28, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7540   @%%@2@%   We have made a covenant with death, and with hell are we at agreement.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 28, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7550   @%%@2@%   It shall be a vexation only to understand the report.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 28, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7560   @%%@2@%   They are drunken, but not with wine; they stagger, but not with strong%@EH@%
drink.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 29, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7570   @%%@2@%   Their strength is to sit still.%@NL@%%@EH@%
Now go, write it before them in a table, and note it in a book, that it may
be for the time to come for ever and ever.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 30, Verse 7-8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7580   @%%@2@%   The bread of adversity, and the water of affliction.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 30, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7590   @%%@2@%   This is the way, walk ye in it.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 30, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7600   @%%@2@%   Behold, a king shall reign in righteousness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 32, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7610   @%%@2@%   And a man shall be as an hiding place from the wind, and a covert from%@EH@%
the tempest; as rivers of water in a dry place, as the shadows of a great
rock in a weary land.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 32, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7620   @%%@2@%   An habitation of dragons, and a court for owls.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 34, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7630   @%%@2@%   The desert shall rejoice, and blossom as the rose.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 35, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7640   @%%@2@%   Then the eyes of the blind shall be opened, and the ears of the deaf%@EH@%
shall be unstopped.%@NL@%
Then shall the lame man leap as an hart, and the tongue of the dumb sing.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 35, Verse 5-6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7650   @%%@2@%   Sorrow and sighing shall flee away.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 35, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7660   @%%@2@%   Thou trustest in the staff of this broken reed.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 36, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7670   @%%@2@%   Incline thine ear, O Lord, and hear.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 37, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7680   @%%@2@%   I shall go softly all my years in the bitterness of my soul.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 38, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7690   @%%@2@%   Comfort ye, comfort ye my people.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 40, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Matthew 3:3 Also in Mark 1:3, Luke 3:4, and John 1:23.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL7700   @%%@2@%   Speak ye comfortably to Jerusalem, and cry unto her, that her warfare is%@EH@%
accomplished, that her iniquity is pardoned: for she hath received of the
Lord's hand double for all her sins.%@NL@%
The voice of him that crieth in the wilderness, Prepare ye the way of the
Lord, make straight in the desert a highway for our God.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 40, Verse 2-3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7710   @%%@2@%   Every valley shall be exalted, and every mountain and hill shall be made%@EH@%
low: and the crooked shall be made straight, and the rough places plain.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 40, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7720   @%%@2@%   The voice said, Cry. And he said, what shall I cry? All flesh is grass,%@EH@%
and all the goodliness thereof is as the flower of the field.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 40, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7730   @%%@2@%   The grass withereth, the flower fadeth; 1  2  but the word of our God%@EH@%
shall stand for ever.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 40, Verse 8

%@NL@%%@AI@%1 See Psalm 90:5-%@BO:           26bdf@%%@AE@%
%@AI@%2 See I Peter 1:24%@BO:           74fbc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7740   @%%@2@%   Get thee up into the high mountain . . . say unto the cities of Judah,%@EH@%
Behold your God!%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 40, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7750   @%%@2@%   He shall feed his flock like a shepherd: he shall gather the lambs with%@EH@%
his arm, and carry them in his bosom, and shall gently lead those that are
with young.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 40, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7760   @%%@2@%   The nations are as a drop of a bucket, and are counted as the small dust%@EH@%
of the balance.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 40, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7770   @%%@2@%   Have ye not known? have ye not heard? hath it not been told you from the%@EH@%
beginning?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 40, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7780   @%%@2@%   They that wait upon the Lord shall renew their strength; they shall mount%@EH@%
up with wings as eagles; they shall run, and not be weary, and they shall
walk, and not faint.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 40, Verse 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7790   @%%@2@%   They helped every one his neighbor; and every one said to his brother, Be%@EH@%
of good courage.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 41, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7800   @%%@2@%   A bruised reed shall he not break, and the smoking flax shall he not%@EH@%
quench.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 42, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7810   @%%@2@%   Shall the clay say to him that fashioneth it, What makest thou?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 45, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7815   @%%@2@%   Behold, I have refined thee, but not with silver; I have chosen thee in%@EH@%
the furnace of affliction.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 48, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7820   @%%@2@%   O that thou hadst hearkened to my commandments! then had thy peace been%@EH@%
as a river, and thy righteousness as the waves of the sea.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 48, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7830   @%%@2@%   There is no peace, saith the Lord, unto the wicked.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 48, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7840   @%%@2@%   Therefore the redeemed of the Lord shall return, and come with singing%@EH@%
unto Zion.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 51, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7850   @%%@2@%   Thou hast drunken the dregs of the cup of trembling.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 51, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7860   @%%@2@%   Therefore hear now this.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 51, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7870   @%%@2@%   How beautiful upon the mountains are the feet of him that bringeth good%@EH@%
tidings, that publisheth peace.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 52, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7880   @%%@2@%   They shall see eye to eye.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 52, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7890   @%%@2@%   He is despised and rejected of men; a man of sorrows, and acquainted with%@EH@%
grief.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 53, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7900   @%%@2@%   Surely he hath borne our griefs, and carried our sorrows.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 53, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7910   @%%@2@%   All we like sheep have gone astray. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 53, Verse 6

%@NL@%%@AI@%1 See Book of Common Prayer, A General Confession%@BO:           7af34@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Acts 8:32.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL7920   @%%@2@%   He is brought as a lamb to the slaughter.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 53, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7930   @%%@2@%   Ho, everyone that thirsteth, come ye to the waters.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 55, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7940   @%%@2@%   Behold, I have given him for a witness to the people, a leader and%@EH@%
commander to the people.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 55, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7950   @%%@2@%   Let the wicked forsake his way, and the unrighteous man his thoughts.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 55, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7960   @%%@2@%   For my thoughts are not your thoughts, neither are your ways my ways,%@EH@%
saith the Lord.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 55, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7970   @%%@2@%   Peace to him that is far off, and to him that is near.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 57, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7980   @%%@2@%   Arise, shine; for thy light is come, and the glory of the Lord is risen%@EH@%
upon thee.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 60, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL7990   @%%@2@%   A little one shall become a thousand, and a small one a strong nation.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 60, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8000   @%%@2@%   Give unto them beauty for ashes, the oil of joy for mourning, the garment%@EH@%
of praise for the spirit of heaviness.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 61, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8010   @%%@2@%   I have trodden the winepress alone; and of the people there was none with%@EH@%
me: for I will tread them in mine anger, and trample them in my fury; and
their blood shall be sprinkled upon my garments, and I will stain all my
raiment.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 63, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8020   @%%@2@%   All our righteousnesses are as filthy rags; and we all do fade as a leaf.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 64, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8030   @%%@2@%   We all are the work of thy hand.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 64, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8040   @%%@2@%   I am holier than thou.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 65, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8050   @%%@2@%   For, behold, I create new heavens and a new earth. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 65, Verse 17

%@NL@%%@AI@%1 See Revelation 21:1%@BO:           78d86@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8060   @%%@2@%   And they shall build houses, and inhabit them; and they shall plant%@EH@%
vineyards, and eat the fruit of them.%@NL@%
They shall not build, and another inhabit; they shall not plant, and another
eat.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 65, Verse 21-22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8070   @%%@2@%   As one whom his mother comforteth, so will I comfort you.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Isaiah Chapter 66, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8080   @%%@2@%   They were as fed horses in the morning: every one neighed after his%@EH@%
neighbor's wife.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 5, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8090   @%%@2@%   Hear now this, O foolish people, and without understanding; which have%@EH@%
eyes, and see not; which have ears, and hear not.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 5, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8100   @%%@2@%   But this people hath a revolting and a rebellious heart.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 5, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8110   @%%@2@%   Saying, Peace, peace; when there is no peace.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 6, Verse 14 Chapter 8, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Stare super vias antiquas.-The Vulgate  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL8120   @%%@2@%   Stand ye in the ways, and see, and ask for the old paths, where is the%@EH@%
good way, and walk therein.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 6, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8140   @%%@2@%   Amend your ways and your doings.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 7, Verse 3 Chapter 26, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8150   @%%@2@%   The harvest is past, the summer is ended, and we are not saved.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 8, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8160   @%%@2@%   Is there no balm in Gilead?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 8, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8170   @%%@2@%   Oh that I had in the wilderness a lodging place of wayfaring men!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 9, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8195   @%%@2@%   Thus saith the Lord, Let not the wise man glory in his wisdom, neither%@EH@%
let the mighty man glory in his might, let not the rich man glory in his
riches:%@NL@%
But let him that glorieth glory in this, that he understandeth and knoweth
me.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 9, Verse 23-24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8200   @%%@2@%   Can the Ethiopian change his skin, or the leopard his spots?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 13, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8205   @%%@2@%   Our backslidings are many; we have sinned against thee.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 14, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8210   @%%@2@%   Her sun is gone down while it was yet day.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 15, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8220   @%%@2@%   A man of strife and a man of contention.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 15, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8230   @%%@2@%   The sin of Judah is written with a pen of iron, and with the point of a%@EH@%
diamond.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 17, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8240   @%%@2@%   Cursed be the man that trusteth in man, and maketh flesh his arm, and%@EH@%
whose heart departeth from the Lord.%@NL@%
For he shall be like the heath in the desert, and shall not see when good
cometh; but shall inhabit the parched places in the wilderness, in a salt
land and not inhabited.%@NL@%
Blessed is the man that trusteth in the Lord, and whose hope the Lord is.%@NL@%
For he shall be as a tree planted by the waters, and that spreadeth out her
roots by the river, and shall not see when heat cometh, but her leaf shall
be green; and shall not be careful in the year of drought, neither shall
cease from yielding fruit. 1  2 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 17, Verse 5-8

%@NL@%%@AI@%1 See Amenemope%@BO:            4939@%%@AE@%
%@AI@%2 See see also Psalm 1:1-%@BO:           202ed@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8250   @%%@2@%   The heart is deceitful above all things, and desperately wicked: who can%@EH@%
know it?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 17, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8260   @%%@2@%   As the partridge sitteth on eggs, and hatcheth them not; so he that%@EH@%
getteth riches, and not by right, shall leave them in the midst of his days,
and at his end shall be a fool.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 17, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8270   @%%@2@%   Thou art my hope in the day of evil.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 17, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8280   @%%@2@%   O earth, earth, earth, hear the word of the Lord.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 22, Verse 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8285   @%%@2@%   A curse, and an astonishment, and a hissing, and a reproach.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 29, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Ezekiel 18:2.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL8290   @%%@2@%   The fathers have eaten a sour grape, and the children's teeth are set on%@EH@%
edge.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 31, Verse 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8300   @%%@2@%   With my whole heart and with my whole soul.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 32, Verse 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8310   @%%@2@%   And seekest thou great things for thyself? seek them not.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Jeremiah Chapter 45, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8320   @%%@2@%   How doth the city sit solitary, that was full of people! how is she%@EH@%
become as a widow!%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Lamentations of Jeremiah Chapter 1, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8330   @%%@2@%   She weepeth sore in the night, and her tears are on her cheeks: among all%@EH@%
her lovers she hath none to comfort her.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Lamentations of Jeremiah Chapter 1, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8340   @%%@2@%   Is it nothing to you, all ye that pass by? behold, and see if there be%@EH@%
any sorrow like unto my sorrow.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Lamentations of Jeremiah Chapter 1, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I will feed them with wormwood, and make them drink the water of
gall.-Jeremiah 23:15 (also in Jeremiah 9:15)  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL8345   @%%@2@%   Remembering mine affliction and my misery, the wormwood and the gall.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Lamentations of Jeremiah Chapter 3, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8350   @%%@2@%   It is good for a man that he bear the yoke in his youth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Lamentations of Jeremiah Chapter 3, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Ezekiel 10:10.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL8360   @%%@2@%   As it were a wheel in the middle of a wheel.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Ezekiel Chapter 1, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8370   @%%@2@%   As is the mother, so is her daughter.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Ezekiel Chapter 16, Verse 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8380   @%%@2@%   The king of Babylon stood at the parting of the way.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Ezekiel Chapter 21, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8385   @%%@2@%   The valley . . . was full of bones . . . and lo, they were very dry.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Ezekiel Chapter 37, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8390   @%%@2@%   Can these bones live?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Ezekiel Chapter 37, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8400   @%%@2@%   O ye dry bones, hear the word of the Lord.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Ezekiel Chapter 37, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8410   @%%@2@%   Every man's sword shall be against his brother.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of the Prophet Ezekiel Chapter 38, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8420   @%%@2@%   His legs of iron, his feet part of iron and part of clay.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Daniel Chapter 2, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8430   @%%@2@%   Shadrach, Meshach, and Abednego, fell down bound into the midst of the%@EH@%
burning fiery furnace.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Daniel Chapter 3, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8440   @%%@2@%   Nebuchadnezzar . . . was driven from men, and did eat grass as oxen.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Daniel Chapter 4, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8450   @%%@2@%   Belshazzar the king made a great feast to a thousand of his lords.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Daniel Chapter 5, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8460   @%%@2@%   And this is the writing that was written, MENE, MENE, TEKEL, UPHARSIN.%@NL@%%@EH@%
This is the interpretation of the thing: MENE; God hath numbered thy
kingdom, and finished it.%@NL@%
TEKEL; Thou art weighed in the balances, and art found wanting.%@NL@%
PERES; Thy kingdom is divided, and given to the Medes and Persians.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Daniel Chapter 5, Verse 25-28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8470   @%%@2@%   According to the law of the Medes and Persians, which altereth not.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Daniel Chapter 6, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8480   @%%@2@%   They brought Daniel, and cast him into the den of lions.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Daniel Chapter 6, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8490   @%%@2@%   So Daniel was taken up out of the den, and no manner of hurt was found%@EH@%
upon him, because he believed in his God.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Daniel Chapter 6, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8500   @%%@2@%   The Ancient of days.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Daniel Chapter 7, Verse 9 Chapter 7, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8510   @%%@2@%   Many shall run to and fro, and knowledge shall be increased.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%The Book of Daniel Chapter 12, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8520   @%%@2@%   Ye are the sons of the living God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Hosea Chapter 1, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8530   @%%@2@%   Like people, like priest.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Hosea Chapter 4, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8540   @%%@2@%   After two days will he revive us: in the third day he will raise us up,%@EH@%
and we shall live in his sight.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Hosea Chapter 6, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8550   @%%@2@%   He shall come unto us as the rain, as the latter and former rain unto the%@EH@%
earth.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Hosea Chapter 6, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8560   @%%@2@%   For I desired mercy, and not sacrifice; and the knowledge of God more%@EH@%
than burnt offerings.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Hosea Chapter 6, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8570   @%%@2@%   They have sown the wind, and they shall reap the whirlwind.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Hosea Chapter 8, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8580   @%%@2@%   Ye have plowed wickedness, ye have reaped iniquity.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Hosea Chapter 10, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8590   @%%@2@%   I drew them with . . . bands of love.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Hosea Chapter 11, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8600   @%%@2@%   I have multiplied visions, and used similitudes, by the ministry of the%@EH@%
prophets.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Hosea Chapter 12, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8610   @%%@2@%   I will ransom them from the power of the grave; I will redeem them from%@EH@%
death: O death, I will be thy plagues; O grave, I will be thy destruction. 1
2 %@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Hosea Chapter 13, Verse 14

%@NL@%%@AI@%1 See Isaiah 25:8%@BO:           3cb0a@%%@AE@%
%@AI@%2 See I Corinthians 15:54%@BO:           6d196@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8620   @%%@2@%   Your old men shall dream dreams, your young men shall see visions.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Joel Chapter 2, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8630   @%%@2@%   Multitudes in the valley of decision.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Joel Chapter 3, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8640   @%%@2@%   They sold the righteous for silver, and the poor for a pair of shoes.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Amos Chapter 2, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8650   @%%@2@%   Can two walk together, except they be agreed?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Amos Chapter 3, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8655   @%%@2@%   Woe to them that are at ease in Zion.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Amos Chapter 6, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8660   @%%@2@%   And Jonah was in the belly of the fish three days and three nights.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Jonah Chapter 1, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8670   @%%@2@%   What doth the Lord require of thee, but to do justly, and to love mercy,%@EH@%
and to walk humbly with thy God?%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Micah Chapter 6, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The faces of them all are as the blackness of a kettle.-Douay Bible [1609],
Nahum 2:10. The English version of the Roman Catholic Bible was first
printed in Douay, France.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBL8680   @%%@2@%   The faces of them all gather blackness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Nahum Chapter 2, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8700   @%%@2@%   Write the vision, and make it plain upon tables, that he may run that%@EH@%
readeth it.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Habakkuk Chapter 2, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8705   @%%@2@%   The stone shall cry out of the wall, 1  and the beam out of the timber%@EH@%
shall answer it.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Habakkuk Chapter 2, Verse 11

%@NL@%%@AI@%1 See Luke 19:40%@BO:           5f4d1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8710   @%%@2@%   The Lord is in his holy temple: let all the earth keep silence before%@EH@%
him.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Habakkuk Chapter 2, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8720   @%%@2@%   Your fathers, where are they? And the prophets, do they live forever?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Zechariah Chapter 1, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8730   @%%@2@%   I have spread you abroad as the four winds of the heaven.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Zechariah Chapter 2, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8740   @%%@2@%   Not by might, nor by power, but by my spirit, saith the Lord of hosts.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Zechariah Chapter 4, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8750   @%%@2@%   For who hath despised the day of small things?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Zechariah Chapter 4, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8760   @%%@2@%   Behold, thy King cometh unto thee . . . lowly, and riding upon an ass.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Zechariah Chapter 9, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8770   @%%@2@%   Prisoners of hope.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Zechariah Chapter 9, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8780   @%%@2@%   So they weighed for my price thirty pieces of silver. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Zechariah Chapter 11, Verse 12

%@NL@%%@AI@%1 See Matthew 26:15%@BO:           57dc7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8790   @%%@2@%   What are these wounds in thine hands? . . . Those with which I was%@EH@%
wounded in the house of my friends.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Zechariah Chapter 13, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8800   @%%@2@%   Have we not all one father? hath not one God created us?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Malachi Chapter 2, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8810   @%%@2@%   Behold, I will send my messenger, and he shall prepare the way before me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Malachi Chapter 3, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8820   @%%@2@%   Behold, the day cometh, that shall burn as an oven.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Malachi Chapter 4, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8830   @%%@2@%   Unto you that fear my name shall the Sun of righteousness arise with%@EH@%
healing in his wings.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Malachi Chapter 4, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBL8840   @%%@2@%   Behold, I will send you Elijah the prophet before the coming of the great%@EH@%
and dreadful day of the Lord.%@NL@%
%@NL@%
The Holy Bible, The Old Testament
%@NL@%Malachi Chapter 4, Verse 5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Holy Bible%@AE@%%@EH@%%@FN@%
The Apocrypha (The Hidden Books) is a term used to describe the books found
in the Alexandrine Greek Scripture (the Septuagint) but absent from the
Orthodox Hebrew Scripture (the Masoretic Text). In the light of recent
archaeological discoveries it appears that this difference reflects a
conscious exclusion of the debatable books by developing Orthodox Judaism.
These books are regarded as canonical only by Roman Catholics.  %@EF@%
%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ10     @%%@2@%   And when they are in their cups, they forget their love both to friends%@EH@%
and brethren, and a little after draw out swords.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%I Esdras Chapter 3, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Magna est veritas et praevalet.-The Vulgate, Book III (uncanonical)  See
Ptahhotpe  For great is truth, and shall prevail.-Thomas Brooks, The Crown
and Glory of Christianity [1662]  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBQ20     @%%@2@%   Great is Truth, and mighty above all things.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%I Esdras Chapter 4, Verse 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ40     @%%@2@%   What is past I know, but what is for to come I know not.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%II Esdras Chapter 4, Verse 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ50     @%%@2@%   Now therefore keep thy sorrow to thyself, and bear with a good courage%@EH@%
that which hath befallen thee.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%II Esdras Chapter 10, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ60     @%%@2@%   I shall light a candle of understanding in thine heart, which shall not%@EH@%
be put out.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%II Esdras Chapter 14, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ70     @%%@2@%   If thou hast abundance, give alms accordingly: if thou have but a little,%@EH@%
be not afraid to give according to that little.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%Tobit Chapter 4, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ80     @%%@2@%   Put on her garments of gladness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%Judith Chapter 10, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ90     @%%@2@%   The ear of jealousy heareth all things.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Solomon Chapter 1, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ100    @%%@2@%   Our time is a very shadow that passeth away.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Solomon Chapter 2, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ110    @%%@2@%   Let us crown ourselves with rosebuds, before they be withered.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Solomon Chapter 2, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ120    @%%@2@%   For God created man to be immortal, and made him to be an image of his%@EH@%
own eternity.%@NL@%
Nevertheless through envy of the devil came death into the world.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Solomon Chapter 2, Verse 23-24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ130    @%%@2@%   The souls of the righteous are in the hand of God, and there shall no%@EH@%
torment touch them.%@NL@%
In the sight of the unwise they seemed to die: and their departure is taken
for misery,%@NL@%
And their going from us to be utter destruction: but they are in peace.%@NL@%
For though they be punished in the sight of men, yet is their hope full of
immortality.%@NL@%
And having been a little chastised, they shall be greatly rewarded: for God
proved them, and found them worthy for himself.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Solomon Chapter 3, Verse 1-5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ140    @%%@2@%   They that put their trust in him shall understand the truth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Solomon Chapter 3, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ150    @%%@2@%   Even so we in like manner, as soon as we were born, began to draw to our%@EH@%
end.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Solomon Chapter 5, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ160    @%%@2@%   For the hope of the ungodly is like dust that is blown away with the wind%@EH@%
. . . and passeth away as the remembrance of a guest that tarrieth but a
day.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Solomon Chapter 5, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ170    @%%@2@%   For the very true beginning of her [wisdom] is the desire of discipline;%@EH@%
and the care of discipline is love.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Solomon Chapter 6, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ180    @%%@2@%   And when I was born, I drew in the common air, and fell upon the earth,%@EH@%
which is of like nature; and the first voice which I uttered was crying, as
all others do.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Solomon Chapter 7, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ190    @%%@2@%   All men have one entrance into life, and the like going out.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Solomon Chapter 7, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ200    @%%@2@%   The light that cometh from her [wisdom] never goeth out.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Solomon Chapter 7, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ210    @%%@2@%   Who can number the sand of the sea, and the drops of rain, and the days%@EH@%
of eternity?%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 1, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ220    @%%@2@%   To whom hath the root of wisdom been revealed?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 1, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ230    @%%@2@%   For the Lord is full of compassion and mercy, longsuffering, and very%@EH@%
pitiful, and forgiveth sins, and saveth in time of affliction.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 2, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ240    @%%@2@%   The greater thou art, the more humble thyself.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 3, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ250    @%%@2@%   Many are in high place, and of renown: but mysteries are revealed unto%@EH@%
the meek.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 3, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ260    @%%@2@%   Seek not out the things that are too hard for thee, neither search the%@EH@%
things that are above thy strength.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 3, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ270    @%%@2@%   Be not curious in unnecessary matters: for more things are showed unto%@EH@%
thee than men understand.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 3, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ280    @%%@2@%   Profess not the knowledge . . . that thou hast not.%@NL@%%@EH@%
A stubborn heart shall fare evil at the last.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 3, Verse 25-26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ285    @%%@2@%   Defraud not the poor of his living, and make not the needy eyes to wait%@EH@%
long. 1  2 %@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 4, Verse 1

%@NL@%%@AI@%1 See Amenemope%@BO:            47f2@%%@AE@%
%@AI@%2 See Proverbs 22:22%@BO:           312da@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ290    @%%@2@%   Wisdom exalteth her children, and layeth hold of them that seek her.%@NL@%%@EH@%
He that loveth her loveth life.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 4, Verse 11-12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ300    @%%@2@%   Observe the opportunity.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 4, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ310    @%%@2@%   Be not as a lion in thy house, nor frantic among thy servants.%@NL@%%@EH@%
Let not thine hand be stretched out to receive, and shut when thou shouldest
repay.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 4, Verse 30-31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ320    @%%@2@%   Set not thy heart upon thy goods; and say not, I have enough for my life.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 5, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ330    @%%@2@%   Winnow not with every wind, and go not into every way.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 5, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ340    @%%@2@%   Let thy life be sincere.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 5, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ350    @%%@2@%   Be not ignorant of any thing in a great matter or a small.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 5, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ360    @%%@2@%   If thou wouldest get a friend, prove him first.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 6, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ370    @%%@2@%   A faithful friend is a strong defense: and he that hath found such an one%@EH@%
hath found a treasure.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 6, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ380    @%%@2@%   A faithful friend is the medicine of life.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 6, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ390    @%%@2@%   If thou seest a man of understanding, get thee betimes unto him, and let%@EH@%
thy foot wear the steps of his door.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 6, Verse 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ400    @%%@2@%   Whatsoever thou takest in hand, remember the end, and thou shalt never do%@EH@%
amiss.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 7, Verse 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ410    @%%@2@%   Rejoice not over thy greatest enemy being dead, but remember that we die%@EH@%
all.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 8, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ420    @%%@2@%   Miss not the discourse of the elders.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 8, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ430    @%%@2@%   Forsake not an old friend; for the new is not comparable to him: a new%@EH@%
friend is as new wine; when it is old, thou shalt drink it with pleasure.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 9, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ440    @%%@2@%   Pride is hateful before God and man.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 10, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ450    @%%@2@%   He that is today a king tomorrow shall die.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 10, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ460    @%%@2@%   Pride was not made for men, nor furious anger for them that are born of a%@EH@%
woman.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 10, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ470    @%%@2@%   Be not overwise in doing thy business.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 10, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ480    @%%@2@%   Many kings have sat down upon the ground; and one that was never thought%@EH@%
of hath worn the crown.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 11, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ490    @%%@2@%   In the day of prosperity there is a forgetfulness of affliction: and in%@EH@%
the day of affliction there is no more remembrance of prosperity.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 11, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ500    @%%@2@%   Judge none blessed before his death. 1  2  3 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 11, Verse 28

%@NL@%%@AI@%1 See Solon%@BO:           899c6@%%@AE@%
%@AI@%2 See Aeschylus%@BO:           9821f@%%@AE@%
%@AI@%3 See Sophocles%@BO:           9d6d5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ510    @%%@2@%   A friend cannot be known in prosperity: and an enemy cannot be hidden in%@EH@%
adversity.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 12, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ515    @%%@2@%   He that toucheth pitch shall be defiled therewith.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 13, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ520    @%%@2@%   How agree the kettle and the earthen pot together?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 13, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ525    @%%@2@%   All flesh consorteth according to kind, and a man will cleave to his%@EH@%
like. 1 %@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 13, Verse 16

%@NL@%%@AI@%1 See Homer%@BO:           8657c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ530    @%%@2@%   A rich man beginning to fall is held up of his friends: but a poor man%@EH@%
being down is thrust also away by his friends.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 13, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ540    @%%@2@%   The heart of a man changeth his countenance, whether it be for good or%@EH@%
evil.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 13, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ550    @%%@2@%   So is a word better than a gift.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 18, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ560    @%%@2@%   Be not made a beggar by banqueting upon borrowing.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 18, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ570    @%%@2@%   He that contemneth small things shall fall by little and little.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 19, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ580    @%%@2@%   Whether it be to friend or foe, talk not of other men's lives.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 19, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ590    @%%@2@%   A man's attire, and excessive laughter, and gait, show what he is.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 19, Verse 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ600    @%%@2@%   A tale out of season [is as] music in mourning.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 22, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ610    @%%@2@%   I will not be ashamed to defend a friend.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 22, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ620    @%%@2@%   All wickedness is but little to the wickedness of a woman.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 25, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ630    @%%@2@%   The discourse of fools is irksome.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 27, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ640    @%%@2@%   Many have fallen by the edge of the sword: but not so many as have fallen%@EH@%
by the tongue.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 28, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ650    @%%@2@%   Better is the life of a poor man in a mean cottage, than delicate fare in%@EH@%
another man's house.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 29, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ660    @%%@2@%   There is no riches above a sound body.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 30, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ670    @%%@2@%   Gladness of the heart is the life of a man, and the joyfulness of a man%@EH@%
prolongeth his days.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 30, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ680    @%%@2@%   Envy and wrath shorten the life, and carefulness bringeth age before the%@EH@%
time.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 30, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ690    @%%@2@%   Watching for riches consumeth the flesh, and the care thereof driveth%@EH@%
away sleep.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 31, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ700    @%%@2@%   Let thy speech be short, comprehending much in few words.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 32, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ710    @%%@2@%   Consider that I labored not for myself only, but for all them that seek%@EH@%
learning.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 33, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ720    @%%@2@%   Leave not a stain in thine honor.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 33, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ730    @%%@2@%   Let the counsel of thine own heart stand.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 37, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ740    @%%@2@%   Honor a physician with the honor due unto him for the uses which ye may%@EH@%
have of him: for the Lord hath created him.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 38, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ750    @%%@2@%   When the dead is at rest, let his remembrance rest; and be comforted for%@EH@%
him, when his spirit is departed from him.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 38, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ760    @%%@2@%   How can he get wisdom . . . whose talk is of bullocks?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 38, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ770    @%%@2@%   Let us now praise famous men, and our fathers that begat us.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 44, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ780    @%%@2@%   All these were honored in their generations, and were the glory of their%@EH@%
times.%@NL@%
There be of them, that have left a name behind them, that their praises
might be reported.%@NL@%
And some there be, which have no memorial; who are perished, as though they
had never been; and are become as though they had never been born; and their
children after them.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 44, Verse 7-9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ800    @%%@2@%   Their bodies are buried in peace; but their name liveth for evermore.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 44, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ810    @%%@2@%   His word burned like a lamp.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Wisdom of Jesus the Son of Sirach,
or Ecclesiasticus Chapter 48, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In the Book of Common Prayer (The Benedicite): magnify him.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBQ820    @%%@2@%   O all ye works of the Lord, bless ye the Lord: praise him and exalt him%@EH@%
above all for ever.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Song of the Three
Holy Children 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ840    @%%@2@%   Daniel had convicted them of false witness by their own mouth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The History of Susanna 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ850    @%%@2@%   It is a foolish thing to make a long prologue, and to be short in the%@EH@%
story itself.%@NL@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Second Book of the Maccabees Chapter 2, Verse 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ860    @%%@2@%   When he was at the last gasp.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Second Book of the Maccabees Chapter 7, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBQ870    @%%@2@%   Speech finely framed delighteth the ears.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The Apocrypha
%@NL@%The Second Book of the Maccabees Chapter 15, Verse 39

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Holy Bible%@AE@%%@EH@%%@FN@%
The earliest Christian writings [ A.D.  c. 50-c. 64] are the Letters
(Epistles) of Paul the Apostle. The Gospels are later, between the years 70
and 100.  %@EF@%
%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS10     @%%@2@%   Behold, a virgin shall be with child, and shall bring forth a son, and%@EH@%
they shall call his name Emmanuel, which being interpreted is, God with us.
1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 1, Verse 23

%@NL@%%@AI@%1 See Isaiah 7:14%@BO:           3afad@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS20     @%%@2@%   Now when Jesus was born in Bethlehem of Judaea in the days of Herod the%@EH@%
king, behold, there came wise men from the east to Jerusalem,%@NL@%
Saying, Where is he that is born King of the Jews? for we have seen his star
in the east, and are come to worship him.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 2, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS30     @%%@2@%   They saw the young child with Mary his mother, and fell down, and%@EH@%
worshipped him: and . . . they presented unto him gifts; gold, and
frankincense, and myrrh.%@NL@%
And being warned of God in a dream that they should not return to Herod,
they departed into their own country another way.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 2, Verse 11-12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS40     @%%@2@%   Out of Egypt have I called my son.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 2, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rachel weeping for her children refused to be comforted . . . because they
were not.-Jeremiah 31:15  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS50     @%%@2@%   Rachel weeping for her children, and would not be comforted, because they%@EH@%
are not.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 2, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS70     @%%@2@%   He shall be called a Nazarene.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 2, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS80     @%%@2@%   Repent ye: for the kingdom of heaven is at hand.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 3, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS90     @%%@2@%   The voice of one crying in the wilderness, Prepare ye the way of the%@EH@%
Lord, make his paths straight. 1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 3, Verse 3

%@NL@%%@AI@%1 See Isaiah 40:3%@BO:           3e396@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS100    @%%@2@%   And his meat was locusts and wild honey.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 3, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS110    @%%@2@%   O generation of vipers, who hath warned you to flee from the wrath to%@EH@%
come?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 3, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS120    @%%@2@%   Now also the axe is laid unto the root of the trees: therefore every tree%@EH@%
which bringeth not forth good fruit is hewn down, and cast into the fire.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 3, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS130    @%%@2@%   The Spirit of God descending like a dove.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 3, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS140    @%%@2@%   This is my beloved Son, in whom I am well pleased.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 3, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS150    @%%@2@%   And when he had fasted forty days and forty nights, he was afterward an%@EH@%
hungred.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 4, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS155    @%%@2@%   The people which sat in darkness saw great light. 1  2 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 4, Verse 16

%@NL@%%@AI@%1 See Psalm 107:10%@BO:           292b8@%%@AE@%
%@AI@%2 See Luke 1:79%@BO:           5bd76@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS160    @%%@2@%   Follow me, and I will make you fishers of men.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 4, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS180    @%%@2@%   Blessed are the poor in spirit: for theirs is the kingdom of heaven.%@NL@%%@EH@%
Blessed are they that mourn: for they shall be comforted.%@NL@%
Blessed are the meek: for they shall inherit the earth. 1 %@NL@%
Blessed are they which do hunger and thirst after righteousness: for they
shall be filled.%@NL@%
Blessed are the merciful: for they shall obtain mercy.%@NL@%
Blessed are the pure in heart: for they shall see God.%@NL@%
Blessed are the peacemakers: for they shall be called the children of God.%@NL@%
Blessed are they which are persecuted for righteousness' sake: for theirs is
the kingdom of heaven.%@NL@%
Blessed are ye, when men shall revile you, and persecute you, and shall say
all manner of evil against you falsely, for my sake.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%%@FN@%
The Beatitudes are the opening of the Sermon on the Mount, which continues
through Matthew 7.  See Lao-tzu  %@EF@%
The Gospel According to St. Matthew Chapter 5, Verse 3-11

%@NL@%%@AI@%1 See Psalm 37:11%@BO:           234b5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS190    @%%@2@%   Ye are the salt of the earth: but if the salt have lost his savor,%@EH@%
wherewith shall it be salted?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 5, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS200    @%%@2@%   Ye are the light of the world. A city that is set on an hill cannot be%@EH@%
hid.%@NL@%
Neither do men light a candle, and put it under a bushel, but on a
candlestick; and it giveth light unto all that are in the house.%@NL@%
Let your light so shine before men, that they may see your good works, and
glorify your Father which is in heaven.%@NL@%
Think not that I am come to destroy the law, or the prophets: I am not come
to destroy, but to fulfill.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 5, Verse 14-17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS210    @%%@2@%   Till heaven and earth pass, one jot or one tittle shall in no wise pass%@EH@%
from the law, till all be fulfilled.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 5, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS220    @%%@2@%   Whosoever looketh on a woman to lust after her hath committed adultery%@EH@%
with her already in his heart.%@NL@%
And if thy right eye offend thee, pluck it out, and cast it from thee: for
it is profitable for thee that one of thy members should perish, and not
that thy whole body should be cast into hell.%@NL@%
And if thy right hand offend thee, cut it off.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 5, Verse 28-30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS230    @%%@2@%   Swear not at all; neither by heaven; for it is God's throne:%@NL@%%@EH@%
Nor by the earth; for it is his footstool.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 5, Verse 34-35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS240    @%%@2@%   Resist not evil: but whosoever shall smite thee on thy right cheek, turn%@EH@%
to him the other also.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 5, Verse 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS250    @%%@2@%   Love your enemies, bless them that curse you, do good to them that hate%@EH@%
you, and pray for them which despitefully use you, and persecute you.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 5, Verse 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS260    @%%@2@%   He maketh his sun to rise on the evil and on the good, and sendeth rain%@EH@%
on the just and on the unjust.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 5, Verse 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS270    @%%@2@%   Be ye therefore perfect, even as your Father which is in heaven is%@EH@%
perfect.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 5, Verse 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS280    @%%@2@%   When thou doest alms, let not thy left hand know what thy right hand%@EH@%
doeth.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 6, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Our Father, who art in heaven.-Book of Common Prayer, Morning Prayer  %@EF@%
%@FN@%
And forgive us our trespasses, As we forgive those who trespass against
us.-Book of Common Prayer, Morning Prayer  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS290    @%%@2@%   After this manner therefore pray ye: Our Father which art in heaven,%@EH@%
Hallowed be thy name.%@NL@%
Thy kingdom come. Thy will be done in earth, as it is in heaven.%@NL@%
Give us this day our daily bread.%@NL@%
And forgive us our debts, as we forgive our debtors.%@NL@%
And lead us not into temptation, but deliver us from evil: For thine is the
kingdom, and the power, and the glory, 1  for ever. Amen.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%%@FN@%
The Lord's Prayer.  %@EF@%
The Gospel According to St. Matthew Chapter 6, Verse 9-13

%@NL@%%@AI@%1 See Chronicles 29:11%@BO:           19bc0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS320    @%%@2@%   Lay not up for yourselves treasures upon earth, where moth and rust doth%@EH@%
corrupt, and where thieves break through and steal:%@NL@%
But lay up for yourselves treasures in heaven.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 6, Verse 19-20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS330    @%%@2@%   For where your treasure is, there will your heart be also.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 6, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS340    @%%@2@%   The light of the body is the eye.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 6, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS350    @%%@2@%   If therefore the light that is in thee be darkness, how great is that%@EH@%
darkness!%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 6, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS360    @%%@2@%   No man can serve two masters: for either he will hate the one, and love%@EH@%
the other; or else he will hold to the one, and despise the other. Ye cannot
serve God and mammon.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 6, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS370    @%%@2@%   Is not the life more than meat, and the body than raiment?%@NL@%%@EH@%
Behold the fowls of the air: for they sow not, neither do they reap, nor
gather into barns.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 6, Verse 25-26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS380    @%%@2@%   Which of you by taking thought can add one cubit unto his stature?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 6, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS390    @%%@2@%   Consider the lilies of the field, how they grow; they toil not, neither%@EH@%
do they spin.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 6, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS400    @%%@2@%   Even Solomon in all his glory was not arrayed like one of these.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 6, Verse 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS405    @%%@2@%   Seek ye first the kingdom of God, and his righteousness; and all these%@EH@%
things shall be added unto you.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 6, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS410    @%%@2@%   Take therefore no thought for the morrow: for the morrow shall take%@EH@%
thought for the things of itself. Sufficient unto the day is the evil
thereof.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 6, Verse 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS420    @%%@2@%   Judge not, that ye be not judged.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS430    @%%@2@%   With what measure ye mete, it shall be measured to you again.%@NL@%%@EH@%
And why beholdest thou the mote that is in thy brother's eye, but
considerest not the beam that is in thine own eye?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 2-3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS440    @%%@2@%   Thou hypocrite, first cast out the beam out of thine own eye.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS450    @%%@2@%   Neither cast ye your pearls before swine.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS460    @%%@2@%   Ask, and it shall be given you; seek, and ye shall find; knock, and it%@EH@%
shall be opened unto you.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS470    @%%@2@%   Or what man is there of you, whom if his son ask bread, will he give him%@EH@%
a stone?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Golden Rule. Common form: Do as you would be done by.  See Confucius and
Aristotle  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS480    @%%@2@%   Therefore all things whatsoever ye would that men should do to you, do ye%@EH@%
even so to them: for this is the law and the prophets.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS500    @%%@2@%   Wide is the gate, and broad is the way, that leadeth to destruction, and%@EH@%
many there be which go in thereat:%@NL@%
Because strait is the gate, and narrow is the way, which leadeth unto life,
and few there be that find it.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@% 1 The Gospel According to St. Matthew Chapter 7, Verse 13-14

%@NL@%%@AI@%1 See Hesiod%@BO:           87c85@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS510    @%%@2@%   Beware of false prophets, which come to you in sheep's clothing, but%@EH@%
inwardly they are ravening wolves.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS515    @%%@2@%   Ye shall know them by their fruits. Do men gather grapes of thorns, or%@EH@%
figs of thistles?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS520    @%%@2@%   By their fruits ye shall know them.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS530    @%%@2@%   Not every one that saith unto me, Lord, Lord, shall enter into the%@EH@%
kingdom of heaven; but he that doeth the will of my Father which is in
heaven.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS540    @%%@2@%   [The house] fell not: for it was founded upon a rock.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS545    @%%@2@%   A foolish man, which built his house upon the sand.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 7, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS550    @%%@2@%   But the children of the kingdom shall be cast out into outer darkness:%@EH@%
there shall be weeping and gnashing of teeth.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 8, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS560    @%%@2@%   The foxes have holes, and the birds of the air have nests; but the Son of%@EH@%
man hath not where to lay his head.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 8, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS570    @%%@2@%   Follow me; and let the dead bury their dead.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 8, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS580    @%%@2@%   Why are ye fearful, O ye of little faith?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 8, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS600    @%%@2@%   He saw a man, named Matthew, sitting at the receipt of custom.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 9, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS610    @%%@2@%   They that be whole need not a physician, but they that are sick.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 9, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS620    @%%@2@%   I am not come to call the righteous, but sinners to repentance.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 9, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS630    @%%@2@%   Can the children of the bridechamber mourn, as long as the bridegroom is%@EH@%
with them?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 9, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS640    @%%@2@%   Neither do men put new wine into old bottles.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 9, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS650    @%%@2@%   The maid is not dead, but sleepeth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 9, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS660    @%%@2@%   The harvest truly is plenteous, but the laborers are few.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 9, Verse 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS670    @%%@2@%   Go rather to the lost sheep of the house of Israel.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 10, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS680    @%%@2@%   Freely ye have received, freely give.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 10, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS690    @%%@2@%   Whosoever shall not receive you, nor hear your words, when ye depart out%@EH@%
of that house or city, shake off the dust of your feet.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 10, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Often quoted as: Wise as the serpent, and harmless as the dove.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS700    @%%@2@%   Be ye therefore wise as serpents, and harmless as doves.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 10, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS710    @%%@2@%   Ye shall be hated of all men for my name's sake.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 10, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS720    @%%@2@%   The disciple is not above his master, nor the servant above his lord.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 10, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS730    @%%@2@%   Are not two sparrows sold for a farthing? and one of them shall not fall%@EH@%
on the ground without your Father.%@NL@%
But the very hairs of your head are all numbered.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 10, Verse 29-30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS740    @%%@2@%   I came not to send peace, but a sword.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 10, Verse 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS750    @%%@2@%   He that taketh not his cross, and followeth after me, is not worthy of%@EH@%
me.%@NL@%
He that findeth his life shall lose it: and he that loseth his life for my
sake shall find it. 1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 10, Verse 38-39

%@NL@%%@AI@%1 See Matthew 16:25%@BO:           54f7c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS760    @%%@2@%   He that hath ears to hear, let him hear.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 11, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS770    @%%@2@%   The Son of man came eating and drinking, and they say, Behold a man%@EH@%
gluttonous, and a winebibber, a friend of publicans and sinners. But wisdom
is justified of her children.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 11, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS780    @%%@2@%   Come unto me, all ye that labor and are heavy laden, and I will give you%@EH@%
rest.%@NL@%
Take my yoke upon you, and learn of me; for I am meek and lowly in heart:
and ye shall find rest unto your souls.%@NL@%
For my yoke is easy, and my burden is light.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 11, Verse 28-30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS790    @%%@2@%   He that is not with me is against me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 12, Verse 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS800    @%%@2@%   The tree is known by his fruit.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 12, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS810    @%%@2@%   Out of the abundance of the heart the mouth speaketh.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 12, Verse 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS820    @%%@2@%   Behold, a greater than Solomon is here.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 12, Verse 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS830    @%%@2@%   Some seeds fell by the way side.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 13, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS840    @%%@2@%   Because they had no root, they withered away.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 13, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS850    @%%@2@%   But other fell into good ground, and brought forth fruit, some an%@EH@%
hundredfold, some sixtyfold, some thirtyfold.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 13, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS860    @%%@2@%   The care of this world, and the deceitfulness of riches.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 13, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS870    @%%@2@%   The kingdom of heaven is like to a grain of mustard seed.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 13, Verse 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS880    @%%@2@%   Pearl of great price.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 13, Verse 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS885    @%%@2@%   The kingdom of heaven is like unto a net, that was cast into the sea, and%@EH@%
gathered of every kind. 1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 13, Verse 47

%@NL@%%@AI@%1 See Lao-tzu%@BO:           8d648@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS890    @%%@2@%   Is not this the carpenter's son?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 13, Verse 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS900    @%%@2@%   A prophet is not without honor, save in his own country.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 13, Verse 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS910    @%%@2@%   [Salome] the daughter of Herodias danced before them, and pleased Herod.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 14, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS920    @%%@2@%   Give me here John Baptist's head in a charger.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 14, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS930    @%%@2@%   We have here but five loaves, and two fishes.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 14, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS940    @%%@2@%   And they did all eat, and were filled: and they took up of the fragments%@EH@%
that remained twelve baskets full.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 14, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS950    @%%@2@%   And in the fourth watch of the night Jesus went unto them, walking on the%@EH@%
sea.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 14, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS960    @%%@2@%   Be of good cheer; it is I; be not afraid.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 14, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS970    @%%@2@%   O thou of little faith, wherefore didst thou doubt?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 14, Verse 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS980    @%%@2@%   Of a truth thou art the Son of God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 14, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS990    @%%@2@%   Not that which goeth into the mouth defileth a man; but that which cometh%@EH@%
out of the mouth, this defileth a man.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 15, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1000   @%%@2@%   They be blind leaders of the blind. And if the blind lead the blind, both%@EH@%
shall fall into the ditch.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 15, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1010   @%%@2@%   The dogs eat of the crumbs which fall from their masters' table.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 15, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1020   @%%@2@%   When it is evening, ye say, It will be fair weather: for the sky is red.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 16, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1030   @%%@2@%   The signs of the times.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 16, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1040   @%%@2@%   Thou art the Christ, the Son of the living God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 16, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1050   @%%@2@%   Thou art Peter, and upon this rock I will build my church; and the gates%@EH@%
of hell shall not prevail against it.%@NL@%
And I will give unto thee the keys of the kingdom of heaven.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 16, Verse 18-19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1060   @%%@2@%   Get thee behind me, Satan.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 16, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1070   @%%@2@%   Whosoever will save his life shall lose it: and whosoever will lose his%@EH@%
life for my sake shall find it. 1 %@NL@%
For what is a man profited, if he shall gain the whole world, and lose his
own soul?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 16, Verse 25-26

%@NL@%%@AI@%1 See Matthew 10:39%@BO:           52b60@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1080   @%%@2@%   Except ye be converted, and become as little children, ye shall not enter%@EH@%
into the kingdom of heaven.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 18, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1090   @%%@2@%   He rejoiceth more of that sheep, than of the ninety and nine which went%@EH@%
not astray.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 18, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1100   @%%@2@%   Where two or three are gathered together in my name, there am I in the%@EH@%
midst of them. 1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 18, Verse 20

%@NL@%%@AI@%1 See Book of Common Prayer, A Prayer of St. Chrysostom%@BO:           7c58b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1110   @%%@2@%   Until seventy times seven.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 18, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1120   @%%@2@%   What therefore God hath joined together, let not man put asunder. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 19, Verse 6

%@NL@%%@AI@%1 See Book of Common Prayer, Solemnization of Matrimony%@BO:           7e188@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1130   @%%@2@%   If thou wilt be perfect, go and sell that thou hast, and give to the%@EH@%
poor, and thou shalt have treasure in heaven.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 19, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1140   @%%@2@%   It is easier for a camel to go through the eye of a needle, than for a%@EH@%
rich man to enter into the kingdom of God.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 19, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1150   @%%@2@%   Many that are first shall be last; and the last shall be first.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 19, Verse 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1160   @%%@2@%   Borne the burden and heat of the day.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 20, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1170   @%%@2@%   Is it not lawful for me to do what I will with mine own?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 20, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1180   @%%@2@%   Overthrew the tables of the moneychangers.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 21, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1190   @%%@2@%   My house shall be called the house of prayer; but ye have made it a den%@EH@%
of thieves.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 21, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1200   @%%@2@%   They made light of it.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 22, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1210   @%%@2@%   Many are called, but few are chosen.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 22, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1220   @%%@2@%   Render therefore unto Caesar the things which are Caesar's; and unto God%@EH@%
the things that are God's.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 22, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1225   @%%@2@%   Thou shalt love the Lord thy God with all thy heart, and with all thy%@EH@%
soul, and with all thy mind. 1 %@NL@%
This is the first and great commandment.%@NL@%
And the second is like unto it, Thou shalt love thy neighbor as thyself. 2 %@NL@%
On these two commandments hang all the law and the prophets.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 22, Verse 37-40

%@NL@%%@AI@%1 See Deuteronomy 6:5%@BO:           10ab4@%%@AE@%
%@AI@%2 See Leviticus 19:18%@BO:            f9e7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1230   @%%@2@%   Whosoever shall exalt himself shall be abased; and he that shall humble%@EH@%
himself shall be exalted.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 23, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1240   @%%@2@%   Woe unto you, scribes and Pharisees, hypocrites! for ye pay tithe of mint%@EH@%
and anise and cumin.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 23, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1250   @%%@2@%   Blind guides, which strain at a gnat, and swallow a camel.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 23, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1260   @%%@2@%   Whited sepulchers, which indeed appear beautiful outward, but are within%@EH@%
full of dead men's bones.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 23, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1270   @%%@2@%   O Jerusalem, Jerusalem, thou that killest the prophets, and stonest them%@EH@%
which are sent unto thee, how often would I have gathered thy children
together, even as a hen gathereth her chickens under her wings, and ye would
not!%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 23, Verse 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1280   @%%@2@%   Ye shall hear of wars and rumors of wars: see that ye be not troubled:%@EH@%
for all these things must come to pass, but the end is not yet.%@NL@%
For nation shall rise against nation.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 24, Verse 6-7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1290   @%%@2@%   Abomination of desolation.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 24, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1300   @%%@2@%   Wheresoever the carcase is, there will the eagles be gathered together.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 24, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1305   @%%@2@%   And he shall send his angels with a great sound of a trumpet.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 24, Verse 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1310   @%%@2@%   Heaven and earth shall pass away, but my words shall not pass away.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 24, Verse 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1320   @%%@2@%   The one shall be taken, and the other left.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 24, Verse 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1330   @%%@2@%   Then shall the kingdom of heaven be likened unto ten virgins, which took%@EH@%
their lamps, and went forth to meet the bridegroom.%@NL@%
And five of them were wise, and five were foolish.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 25, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1340   @%%@2@%   Well done, thou good and faithful servant . . . enter thou into the joy%@EH@%
of thy lord.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 25, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1350   @%%@2@%   Unto every one that hath shall be given, and he shall have abundance: but%@EH@%
from him that hath not shall be taken away even that which he hath.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 25, Verse 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1355   @%%@2@%   Cast ye the unprofitable servant into outer darkness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 25, Verse 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1360   @%%@2@%   And before him shall be gathered all nations: and he shall separate them%@EH@%
one from another, as a shepherd divideth his sheep from the goats.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 25, Verse 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1370   @%%@2@%   For I was an hungred, and ye gave me meat: I was thirsty, and ye gave me%@EH@%
drink: I was a stranger, and ye took me in:%@NL@%
Naked, and ye clothed me: I was sick, and ye visited me: I was in prison,
and ye came unto me.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 25, Verse 35-36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1380   @%%@2@%   Inasmuch as ye have done it unto one of the least of these my brethren,%@EH@%
ye have done it unto me.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 25, Verse 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1390   @%%@2@%   There came unto him [Jesus] a woman having an alabaster box of very%@EH@%
precious ointment, and poured it on his head, as he sat at meat.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1400   @%%@2@%   To what purpose is this waste?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1410   @%%@2@%   For ye have the poor always with you; but me ye have not always. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 11

%@NL@%%@AI@%1 See Deuteronomy 15:11%@BO:           11527@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1420   @%%@2@%   What will ye give me, and I will deliver him unto you? And they%@EH@%
covenanted with him for thirty pieces of silver. 1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 15

%@NL@%%@AI@%1 See Zechariah 11:12%@BO:           45fd5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1430   @%%@2@%   My time is at hand.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1440   @%%@2@%   Verily I say unto you, that one of you shall betray me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1450   @%%@2@%   And they were exceeding sorrowful, and began every one of them to say%@EH@%
unto him, Lord, is it I?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1460   @%%@2@%   It had been good for that man [Judas] if he had not been born.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1470   @%%@2@%   Jesus took bread, and blessed it, and brake it, and gave it to the%@EH@%
disciples, and said, Take, eat; this is my body.%@NL@%
And he took the cup, and gave thanks, and gave it to them, saying, Drink ye
all of it;%@NL@%
For this is my blood of the new testament, which is shed for many for the
remission of sins.%@NL@%
But I say unto you, I will not drink henceforth of this fruit of the vine,
until that day when I drink it new with you in my Father's kingdom. 1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 26-29

%@NL@%%@AI@%1 See I Corinthians 11:24, 25%@BO:           6b89f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1485   @%%@2@%   My soul is exceeding sorrowful, even unto death.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1490   @%%@2@%   O my Father, if it be possible, let this cup pass from me: nevertheless,%@EH@%
not as I will, but as thou wilt.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1500   @%%@2@%   Could ye not watch with me one hour?%@NL@%%@EH@%
Watch and pray, that ye enter not into temptation: the spirit indeed is
willing, but the flesh is weak.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 40-41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1515   @%%@2@%   Behold, the hour is at hand, and the Son of man is betrayed into the%@EH@%
hands of sinners.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1520   @%%@2@%   He came to Jesus, and said, Hail, Master; and kissed him.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1530   @%%@2@%   All they that take the sword shall perish with the sword.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1540   @%%@2@%   Thy speech bewrayeth thee.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This night, before the cock crow, thou shalt deny me thrice.-Matthew 26:34  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS1550   @%%@2@%   Then began he to curse and to swear, saying, I know not the man. And%@EH@%
immediately the cock crew.%@NL@%
And Peter remembered the word of Jesus . . . Before the cock crow, thou
shalt deny me thrice. And he went out, and wept bitterly.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 26, Verse 74-75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1560   @%%@2@%   The potter's field, to bury strangers in.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 27, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1570   @%%@2@%   Have thou nothing to do with that just man.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 27, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1580   @%%@2@%   Let him be crucified.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 27, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1585   @%%@2@%   [Pilate] took water, and washed his hands before the multitude, saying, I%@EH@%
am innocent of the blood of this just person: see ye to it.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 27, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1590   @%%@2@%   His blood be on us, and on our children.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 27, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1600   @%%@2@%   A place called Golgotha, that is to say, a place of a skull.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 27, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1610   @%%@2@%   This is Jesus the King of the Jews.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 27, Verse 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1620   @%%@2@%   He saved others; himself he cannot save.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 27, Verse 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1630   @%%@2@%   Eli, Eli, lama sabachthani? that is to say, My God, my God, why hast thou%@EH@%
forsaken me? 1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 27, Verse 46

%@NL@%%@AI@%1 See Psalm 22:1%@BO:           21db1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1640   @%%@2@%   And, behold, the veil of the temple was rent in twain from the top to the%@EH@%
bottom; and the earth did quake, and the rocks rent.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 27, Verse 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1650   @%%@2@%   His countenance was like lightning, and his raiment white as snow.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 28, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1660   @%%@2@%   Go ye therefore, and teach all nations, baptizing them in the name of the%@EH@%
Father, and of the Son, and of the Holy Ghost.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 28, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1670   @%%@2@%   Lo, I am with you alway, even unto the end of the world.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Matthew Chapter 28, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
John the Baptist.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS1680   @%%@2@%   There cometh one mightier than I after me, the latchet of whose shoes I%@EH@%
am not worthy to stoop down and unloose.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 1, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1690   @%%@2@%   Arise, and take up thy bed, and walk.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 2, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1700   @%%@2@%   The sabbath was made for man, and not man for the sabbath.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 2, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1710   @%%@2@%   If a house be divided against itself, that house cannot stand.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 3, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1720   @%%@2@%   The earth bringeth forth fruit of herself; first the blade, then the ear,%@EH@%
after that the full corn in the ear.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 4, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1730   @%%@2@%   What manner of man is this?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 4, Verse 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1735   @%%@2@%   They came . . . into the country of the Gadarenes.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 5, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1740   @%%@2@%   My name is Legion: for we are many.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 5, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1745   @%%@2@%   And the unclean spirits went out, and entered the swine: and the herd ran%@EH@%
violently down a steep place into the sea . . . and were choked in the sea.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 5, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1750   @%%@2@%   Clothed, and in his right mind.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 5, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1760   @%%@2@%   My little daughter lieth at the point of death.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 5, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1770   @%%@2@%   Knowing in himself that virtue had gone out of him.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 5, Verse 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1780   @%%@2@%   I see men as trees, walking.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 8, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1790   @%%@2@%   Lord, I believe; help thou mine unbelief.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 9, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1800   @%%@2@%   Suffer the little children to come unto me, and forbid them not; for of%@EH@%
such is the kingdom of God.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 10, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1810   @%%@2@%   Which devour widows' houses, and for a pretense make long prayers.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 12, Verse 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1820   @%%@2@%   And there came a certain poor widow, and she threw in two mites.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 12, Verse 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1830   @%%@2@%   Watch ye therefore: for ye know not when the master of the house cometh,%@EH@%
at even, or at midnight, or at the cockcrowing, or in the morning:%@NL@%
Lest coming suddenly he find you sleeping.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 13, Verse 35-36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1835   @%%@2@%   He is risen. 1  2 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 16, Verse 6

%@NL@%%@AI@%1 See Luke 24:34%@BO:           604cd@%%@AE@%
%@AI@%2 See The Book of Common Prayer%@BO:           7acb8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1840   @%%@2@%   Go ye into all the world, and preach the gospel to every creature.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Mark Chapter 16, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1850   @%%@2@%   Hail, thou that art highly favored, the Lord is with thee: blessed art%@EH@%
thou among women.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 1, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1860   @%%@2@%   For with God nothing shall be impossible.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 1, Verse 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1870   @%%@2@%   Blessed is the fruit of thy womb.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 1, Verse 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1880   @%%@2@%   My soul doth magnify the Lord.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 1, Verse 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1890   @%%@2@%   For he hath regarded the low estate of his handmaiden: for, behold, from%@EH@%
henceforth all generations shall call me blessed.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 1, Verse 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1900   @%%@2@%   He hath scattered the proud in the imagination of their hearts.%@NL@%%@EH@%
He hath put down the mighty from their seats, and exalted them of low
degree.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 1, Verse 51-52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1910   @%%@2@%   He hath filled the hungry with good things; and the rich he hath sent%@EH@%
empty away.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 1, Verse 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1920   @%%@2@%   Blessed be the Lord God of Israel; for he hath visited and redeemed his%@EH@%
people.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 1, Verse 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1930   @%%@2@%   As he spake by the mouth of his holy prophets, which have been since the%@EH@%
world began:%@NL@%
That we should be saved from our enemies, and from the hand of all that hate
us.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 1, Verse 70-71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1940   @%%@2@%   Through the tender mercy of our God; whereby the dayspring from on high%@EH@%
hath visited us,%@NL@%
To give light to them that sit in darkness and in the shadow of death. 1  2 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 1, Verse 78-79

%@NL@%%@AI@%1 See Psalm 107:10%@BO:           292b8@%%@AE@%
%@AI@%2 See Matthew 4:16%@BO:           4e04e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1950   @%%@2@%   And she brought forth her firstborn son, and wrapped him in swaddling%@EH@%
clothes, and laid him in a manger; because there was no room for them in the
inn.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 2, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1960   @%%@2@%   There were in the same country shepherds abiding in the field, keeping%@EH@%
watch over their flock by night.%@NL@%
And, lo, the angel of the Lord came upon them, and the glory of the Lord
shone round about them: and they were sore afraid.%@NL@%
And the angel said unto them, Fear not: for, behold, I bring you good
tidings of great joy, which shall be to all people.%@NL@%
For unto you is born this day in the city of David a Savior, which is Christ
the Lord.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 2, Verse 8-11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Douay Bible has "peace to men of good will."  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS1970   @%%@2@%   Glory to God in the highest, and on earth peace, good will toward men.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 2, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS1990   @%%@2@%   Lord, now lettest thou thy servant depart in peace.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 2, Verse 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2000   @%%@2@%   A light to lighten the Gentiles, and the glory of thy people Israel.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 2, Verse 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2010   @%%@2@%   Wist ye not that I must be about my Father's business?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 2, Verse 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2020   @%%@2@%   Jesus increased in wisdom and stature, and in favor with God and man.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 2, Verse 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2030   @%%@2@%   [The devil] showed unto him all the kingdoms of the world in a moment of%@EH@%
time.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 4, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2035   @%%@2@%   For it is written, He shall give his angels charge over thee, to keep%@EH@%
thee:%@NL@%
And in their hands they shall bear thee up, lest at any time thou dash thy
foot against a stone.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%%@FN@%
See Psalm 91:11-2 Also in Matthew 4:6.  %@EF@%
The Gospel According to St. Luke Chapter 4, Verse 10-11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2040   @%%@2@%   Physician, heal thyself.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 4, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2050   @%%@2@%   Woe unto you, when all men shall speak well of you!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 6, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2060   @%%@2@%   Her sins, which are many, are forgiven; for she loved much.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 7, Verse 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2065   @%%@2@%   And he said to the woman, Thy faith hath saved thee; go in peace.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 7, Verse 50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2070   @%%@2@%   Nothing is secret, that shall not be made manifest.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 8, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2080   @%%@2@%   No man, having put his hand to the plow, and looking back, is fit for the%@EH@%
kingdom of God.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 9, Verse 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2090   @%%@2@%   Nor scrip, nor shoes.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 10, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2100   @%%@2@%   Peace be to this house.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 10, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2110   @%%@2@%   The laborer is worthy of his hire.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 10, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2120   @%%@2@%   I beheld Satan as lightning fall from heaven.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 10, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2130   @%%@2@%   Many prophets and kings have desired to see those things which ye see,%@EH@%
and have not seen them; and to hear those things which ye hear, and have not
heard them.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 10, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2140   @%%@2@%   A certain man went down from Jerusalem to Jericho, and fell among%@EH@%
thieves.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 10, Verse 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2150   @%%@2@%   A certain Samaritan . . . had compassion on him.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 10, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2160   @%%@2@%   Go, and do thou likewise.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 10, Verse 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2170   @%%@2@%   But Martha was cumbered about much serving.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 10, Verse 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2180   @%%@2@%   But one thing is needful: and Mary hath chosen that good part, which%@EH@%
shall not be taken away from her.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 10, Verse 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2190   @%%@2@%   This is an evil generation: they seek a sign.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 11, Verse 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2200   @%%@2@%   Soul, thou hast much goods laid up for many years; take thine ease, eat,%@EH@%
drink, and be merry. 1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 12, Verse 19

%@NL@%%@AI@%1 See Ecclesiastes 8:15%@BO:           36566@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2210   @%%@2@%   Thou fool, this night thy soul shall be required of thee.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 12, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2220   @%%@2@%   Let your loins be girded about, and your lights burning.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 12, Verse 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2230   @%%@2@%   For unto whomsoever much is given, of him shall be much required: and to%@EH@%
whom men have committed much, of him they will ask the more.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 12, Verse 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2240   @%%@2@%   The poor, and the maimed, and the halt, and the blind.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 14, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2250   @%%@2@%   Which of you, intending to build a tower, sitteth not down first, and%@EH@%
counteth the cost, whether he have sufficient to finish it?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 14, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2260   @%%@2@%   Rejoice with me; for I have found my sheep which was lost.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 15, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2270   @%%@2@%   [The prodigal son] wasted his substance with riotous living.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 15, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2280   @%%@2@%   Bring hither the fatted calf, and kill it.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 15, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2290   @%%@2@%   For this my son was dead, and is alive again; he was lost, and is found.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 15, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2300   @%%@2@%   Son, thou art ever with me, and all that I have is thine.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 15, Verse 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2305   @%%@2@%   What shall I do? . . . I cannot dig; to beg I am ashamed.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 16, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2310   @%%@2@%   The children of this world are in their generation wiser than the%@EH@%
children of light.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 16, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2320   @%%@2@%   He that is faithful in that which is least is faithful also in much: and%@EH@%
he that is unjust in the least is unjust also in much.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 16, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2330   @%%@2@%   The beggar died, and was carried by the angels into Abraham's bosom.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 16, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2340   @%%@2@%   Between us and you there is a great gulf fixed.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 16, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2350   @%%@2@%   It were better for him that a millstone were hanged about his neck, and%@EH@%
he cast into the sea.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 17, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2355   @%%@2@%   The kingdom of God is within you.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 17, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2360   @%%@2@%   Remember Lot's wife.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 17, Verse 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2365   @%%@2@%   Two men went up into the temple to pray; the one a Pharisee, and the%@EH@%
other a publican.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 18, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2370   @%%@2@%   God, I thank thee, that I am not as other men are.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 18, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2380   @%%@2@%   God be merciful to me a sinner.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 18, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2390   @%%@2@%   Out of thine own mouth will I judge thee.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 19, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2400   @%%@2@%   If these should hold their peace, the stones would immediately cry out. 1%@EH@%
%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 19, Verse 40

%@NL@%%@AI@%1 See Habakkuk 2:11%@BO:           45834@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2420   @%%@2@%   He is not a God of the dead, but of the living.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 20, Verse 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2430   @%%@2@%   In your patience possess ye your souls.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 21, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2440   @%%@2@%   The Son of man coming in a cloud with power and great glory.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 21, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2450   @%%@2@%   This do in remembrance of me. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 22, Verse 19

%@NL@%%@AI@%1 See I Corinthians 11:24%@BO:           6b6fb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2460   @%%@2@%   Not my will, but thine, be done.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 22, Verse 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2470   @%%@2@%   For if they do these things in a green tree, what shall be done in the%@EH@%
dry?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 23, Verse 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2480   @%%@2@%   The place, which is called Calvary.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 23, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2490   @%%@2@%   Father, forgive them; for they know not what they do.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 23, Verse 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2500   @%%@2@%   Lord, remember me when thou comest into thy kingdom.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 23, Verse 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2510   @%%@2@%   To day shalt thou be with me in paradise.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 23, Verse 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2520   @%%@2@%   Father, into thy hands I commend my spirit.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 23, Verse 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2530   @%%@2@%   He gave up the ghost.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. Luke Chapter 23, Verse 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2540   @%%@2@%   He was a good man, and a just.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2550   @%%@2@%   Why seek ye the living among the dead?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2560   @%%@2@%   Their words seemed to them as idle tales.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2570   @%%@2@%   Did not our heart burn within us, while he talked with us?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2575   @%%@2@%   The Lord is risen indeed. 1  2 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%

%@NL@%%@AI@%1 See Mark 16:6%@BO:           5b0f3@%%@AE@%
%@AI@%2 See The Book of Common Prayer%@BO:           7acb8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2580   @%%@2@%   In the beginning was the Word, and the Word was with God, and the Word%@EH@%
was God.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 1, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2590   @%%@2@%   And the light shineth in darkness; and the darkness comprehended it not.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 1, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2600   @%%@2@%   There was a man sent from God, whose name was John.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 1, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2610   @%%@2@%   The true Light, which lighteth every man that cometh into the world.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 1, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2620   @%%@2@%   The Word was made flesh, and dwelt among us . . . full of grace and%@EH@%
truth.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 1, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2630   @%%@2@%   No man hath seen God at any time.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 1, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Spoken by John the Baptist.  See The Missal  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS2640   @%%@2@%   Behold the Lamb of God, which taketh away the sin of the world.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 1, Verse 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2650   @%%@2@%   Can there any good thing come out of Nazareth?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 1, Verse 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2660   @%%@2@%   Hereafter ye shall see heaven open, and the angels of God ascending and%@EH@%
descending upon the Son of man.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 1, Verse 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2670   @%%@2@%   Woman, what have I to do with thee? mine hour is not yet come.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 2, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2680   @%%@2@%   The water that was made wine.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 2, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
There was a marriage in Cana of Galilee.-John 2:1  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS2685   @%%@2@%   This beginning of miracles did Jesus in Cana of Galilee, and manifested%@EH@%
forth his glory; and his disciples believed on him.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 2, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2690   @%%@2@%   When he had made a scourge of small cords, he drove them all out of the%@EH@%
temple.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 2, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2700   @%%@2@%   Make not my Father's house an house of merchandise.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 2, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2710   @%%@2@%   Except a man be born again, he cannot see the kingdom of God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 3, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2720   @%%@2@%   The wind bloweth where it listeth, and thou hearest the sound thereof,%@EH@%
but canst not tell whence it cometh, and whither it goeth: so is every one
that is born of the Spirit.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 3, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2730   @%%@2@%   How can these things be?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 3, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2740   @%%@2@%   God so loved the world, that he gave his only begotten Son, that%@EH@%
whosoever believeth in him should not perish, but have everlasting life.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 3, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2745   @%%@2@%   There cometh a woman of Samaria to draw water: Jesus saith unto her, Give%@EH@%
me to drink.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 4, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2750   @%%@2@%   The hour cometh, and now is, when the true worshippers shall worship the%@EH@%
Father in spirit and in truth.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 4, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2760   @%%@2@%   He was a burning and a shining light.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 5, Verse 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2770   @%%@2@%   Search the scriptures.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 5, Verse 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2780   @%%@2@%   What are they among so many?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 6, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2790   @%%@2@%   Gather up the fragments that remain, that nothing be lost.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 6, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2800   @%%@2@%   I am the bread of life: 1  he that cometh to me shall never hunger; and%@EH@%
he that believeth on me shall never thirst.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 6, Verse 35

%@NL@%%@AI@%1 See Psalm 105:40%@BO:           29171@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2810   @%%@2@%   It is the spirit that quickeneth; the flesh profiteth nothing.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 6, Verse 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2820   @%%@2@%   Judge not according to the appearance.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 7, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2830   @%%@2@%   Never man spake like this man.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 7, Verse 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2840   @%%@2@%   He that is without sin among you, let him first cast a stone at her.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 8, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2850   @%%@2@%   Neither do I condemn thee: go, and sin no more.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 8, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2860   @%%@2@%   I am the light of the world: he that followeth me shall not walk in%@EH@%
darkness, but shall have the light of life.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 8, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2870   @%%@2@%   The truth shall make you free.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 8, Verse 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2890   @%%@2@%   Ye are of your father the devil . . . there is no truth in him. . . . he%@EH@%
is a liar, and the father of it.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 8, Verse 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2900   @%%@2@%   I must work the works of him that sent me, while it is day: the night%@EH@%
cometh, when no man can work.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 9, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2910   @%%@2@%   Whether he be a sinner or no, I know not: one thing I know, that, whereas%@EH@%
I was blind, now I see.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 9, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2920   @%%@2@%   I am the door.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 10, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2930   @%%@2@%   I am come that they might have life, and that they might have it more%@EH@%
abundantly.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 10, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2940   @%%@2@%   I am the good shepherd: the good shepherd giveth his life for the sheep.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 10, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2950   @%%@2@%   Other sheep I have, which are not of this fold.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 10, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Book of Common Prayer, Burial of the Dead.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS2960   @%%@2@%   I am the resurrection, and the life: he that believeth in me, though he%@EH@%
were dead, yet shall he live: %@NL@%
And whosoever liveth and believeth in me shall never die.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 11, Verse 25-26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2980   @%%@2@%   Jesus wept.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 11, Verse 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2990   @%%@2@%   It is expedient for us, that one man should die for the people.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 11, Verse 50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS2995   @%%@2@%   Then saith one of his disciples, Judas Iscariot, Simon's son, which%@EH@%
should betray him,%@NL@%
Why was not this ointment sold for three hundred pence, and given to the
poor. 1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 12, Verse 4-5

%@NL@%%@AI@%1 See Matthew 26:7 and 26:8%@BO:           57b94@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3000   @%%@2@%   Yet a little while is the light with you. Walk while ye have the light,%@EH@%
lest darkness come upon you.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 12, Verse 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3010   @%%@2@%   That thou doest, do quickly.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 13, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3020   @%%@2@%   A new commandment I give unto you, That ye love one another.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 13, Verse 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3030   @%%@2@%   Let not your heart be troubled: ye believe in God, believe also in me.%@NL@%%@EH@%
In my Father's house are many mansions: if it were not so, I would have told
you. I go to prepare a place for you.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 14, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3040   @%%@2@%   I will come again, and receive you unto myself; that where I am, there ye%@EH@%
may be also.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 14, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3050   @%%@2@%   I am the way, the truth, and the life.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 14, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3060   @%%@2@%   I will not leave you comfortless.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 14, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3070   @%%@2@%   Peace I leave with you, my peace I give unto you: not as the world%@EH@%
giveth, give I unto you. Let not your heart be troubled, neither let it be
afraid.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 14, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3080   @%%@2@%   Greater love hath no man than this, that a man lay down his life for his%@EH@%
friends.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 15, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3090   @%%@2@%   Ye have not chosen me, but I have chosen you.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 15, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quo vadis?-The Vulgate  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS3100   @%%@2@%   Whither goest thou?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 16, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3120   @%%@2@%   Ask, and ye shall receive, that your joy may be full.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 16, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3130   @%%@2@%   Be of good cheer; I have overcome the world.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 16, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3140   @%%@2@%   Pilate saith unto him, What is truth?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 18, Verse 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3150   @%%@2@%   Now Barabbas was a robber.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 18, Verse 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ecce homo.-The Vulgate  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS3160   @%%@2@%   Behold the man!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 19, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3180   @%%@2@%   Woman, behold thy son!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 19, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3190   @%%@2@%   It is finished.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 19, Verse 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Noli me tangere.-The Vulgate  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS3200   @%%@2@%   Touch me not.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 20, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3220   @%%@2@%   Then saith he to Thomas . . . be not faithless, but believing.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 20, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3230   @%%@2@%   Blessed are they that have not seen, and yet have believed.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Gospel According to St. John Chapter 20, Verse 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3240   @%%@2@%   Suddenly there came a sound from heaven as of a rushing mighty wind.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 2, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3250   @%%@2@%   There appeared unto them cloven tongues like as of fire, and it sat upon%@EH@%
each of them.%@NL@%
And they were all filled with the Holy Ghost, and began to speak with other
tongues.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 2, Verse 3-4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3270   @%%@2@%   Silver and gold have I none; but such as I have give I thee.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 3, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3275   @%%@2@%   And distribution was made unto every man according as he had need.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 4, Verse 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3280   @%%@2@%   If this counsel or this work be of men, it will come to nought:%@NL@%%@EH@%
But if it be of God, ye cannot overthrow it.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 5, Verse 38-39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3290   @%%@2@%   Thy money perish with thee.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 8, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3300   @%%@2@%   In the gall of bitterness, and in the bond of iniquity.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 8, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3310   @%%@2@%   Saul, yet breathing out threatenings and slaughter against the disciples%@EH@%
of the Lord.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 9, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3320   @%%@2@%   Saul, Saul, why persecutest thou me?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 9, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3330   @%%@2@%   It is hard for thee to kick against the pricks. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 9, Verse 5

%@NL@%%@AI@%1 See Aeschylus%@BO:           9871a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3340   @%%@2@%   He is a chosen vessel unto me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 9, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3350   @%%@2@%   Immediately there fell from his eyes as it had been scales.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 9, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3360   @%%@2@%   What God hath cleansed, that call not thou common.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 10, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
For there is no respect of persons with God.-Romans 2:11  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS3370   @%%@2@%   God is no respecter of persons.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 10, Verse 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3390   @%%@2@%   The gods are come down to us in the likeness of men.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 14, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3400   @%%@2@%   We also are men of like passions with you.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 14, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3410   @%%@2@%   Come over into Macedonia, and help us.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 16, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3420   @%%@2@%   Certain lewd fellows of the baser sort.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 17, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3430   @%%@2@%   Ye men of Athens, I perceive that in all things ye are too superstitious.%@NL@%%@EH@%
For as I passed by, and beheld your devotions, I found an altar with this
inscription, TO THE UNKNOWN GOD.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 17, Verse 22-23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3440   @%%@2@%   God that made the world, and all things therein, seeing that he is Lord%@EH@%
of heaven and earth, dwelleth not in temples made with hands;%@NL@%
Neither is worshipped with men's hands, as though he needed any thing,
seeing he giveth to all life, and breath, and all things;%@NL@%
And hath made of one blood all nations of men for to dwell on all the face
of the earth.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 17, Verse 24-26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3450   @%%@2@%   For in him we live, and move, and have our being; as certain also of your%@EH@%
own poets have said, For we are also his offspring. 1  2  3 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 17, Verse 28

%@NL@%%@AI@%1 See Aeschylus%@BO:           9853a@%%@AE@%
%@AI@%2 See Cleanthes%@BO:           bbb4e@%%@AE@%
%@AI@%3 See Aratus%@BO:           bc8f3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3470   @%%@2@%   Your blood be upon your own heads.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 18, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3475   @%%@2@%   And Gallio cared for none of those things.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 18, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3480   @%%@2@%   Mighty in the Scriptures.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 18, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3490   @%%@2@%   We have not so much as heard whether there be any Holy Ghost.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 19, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3500   @%%@2@%   All with one voice about the space of two hours cried out, Great is Diana%@EH@%
of the Ephesians.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 19, Verse 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3510   @%%@2@%   It is more blessed to give than to receive.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 20, Verse 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3520   @%%@2@%   I [Paul] am . . . a Jew of Tarsus, a city in Cilicia, a citizen of no%@EH@%
mean city.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 21, Verse 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3530   @%%@2@%   Brought up in this city at the feet of Gamaliel.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 22, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3540   @%%@2@%   And the chief captain answered, With a great sum obtained I this freedom.%@EH@%
And Paul said, But I was free born.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 22, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3550   @%%@2@%   God shall smite thee, thou whited wall.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 23, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3560   @%%@2@%   Revilest thou God's high priest?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 23, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3570   @%%@2@%   I [Paul] am a Pharisee, the son of a Pharisee.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 23, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3580   @%%@2@%   A conscience void of offense toward God, and toward men.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 24, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3590   @%%@2@%   When I have a convenient season, I will call for thee.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 24, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3600   @%%@2@%   I appeal unto Caesar.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 25, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3610   @%%@2@%   Paul, thou art beside thyself; much learning doth make thee mad.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 26, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3620   @%%@2@%   I am not mad . . . but speak forth the words of truth and soberness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 26, Verse 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3630   @%%@2@%   For this thing was not done in a corner.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 26, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3640   @%%@2@%   Almost thou persuadest me to be a Christian.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Acts of the Apostles Chapter 26, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3650   @%%@2@%   Wherein thou judgest another, thou condemnest thyself.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 2, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3660   @%%@2@%   These, having not the law, are a law unto themselves.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 2, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3665   @%%@2@%   The things that are more excellent.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 2, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3670   @%%@2@%   Where no law is, there is no transgression.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 4, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3680   @%%@2@%   Who against hope believed in hope.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 4, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3690   @%%@2@%   Where sin abounded, grace did much more abound.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 5, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3700   @%%@2@%   Death hath no more dominion over him.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 6, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3710   @%%@2@%   I speak after the manner of men.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 6, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3720   @%%@2@%   The wages of sin is death; but the gift of God is eternal life.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 6, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3730   @%%@2@%   The good that I would I do not: but the evil which I would not, that I%@EH@%
do. 1  2 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 7, Verse 19

%@NL@%%@AI@%1 See Euripides%@BO:           a18bb@%%@AE@%
%@AI@%2 See Ovid%@BO:           e6b6b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3740   @%%@2@%   Who shall deliver me from the body of this death?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 7, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3750   @%%@2@%   Heirs of God, and joint-heirs with Christ.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 8, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3760   @%%@2@%   For we know that the whole creation groaneth and travaileth in pain%@EH@%
together until now.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 8, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3770   @%%@2@%   All things work together for good to them that love God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 8, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3775   @%%@2@%   For whom he did foreknow, he also did predestinate to be conformed to the%@EH@%
image of his Son, that he might be the firstborn among many brethren.%@NL@%
Moreover whom he did predestinate, them he also called: and whom he called,
them he also justified: and whom he justified, them he also glorified.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 8, Verse 29-30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3780   @%%@2@%   If God be for us, who can be against us?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 8, Verse 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3785   @%%@2@%   Who shall lay any thing to the charge of God's elect? It is God that%@EH@%
justifieth.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 8, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3790   @%%@2@%   Who shall separate us from the love of Christ?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 8, Verse 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3800   @%%@2@%   Neither death, nor life, nor angels, nor principalities, nor powers, nor%@EH@%
things present, nor things to come,%@NL@%
Nor height, nor depth, nor any other creature, shall be able to separate us
from the love of God, which is in Christ Jesus our Lord.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 8, Verse 38-39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3810   @%%@2@%   Hath not the potter power over the clay, of the same lump to make one%@EH@%
vessel unto honor, and another unto dishonor?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 9, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3820   @%%@2@%   For who hath known the mind of the Lord?%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 11, Verse 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3825   @%%@2@%   I beseech you therefore, brethren . . . that ye present your bodies a%@EH@%
living sacrifice, holy, acceptable unto God, which is your reasonable
service. 1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 12, Verse 1

%@NL@%%@AI@%1 See Book of Common Prayer%@BO:           7d418@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3830   @%%@2@%   Let love be without dissimulation.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 12, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3840   @%%@2@%   Be kindly affectioned one to another with brotherly love.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 12, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3850   @%%@2@%   Given to hospitality.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 12, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3860   @%%@2@%   Be not wise in your own conceits.%@NL@%%@EH@%
Recompense to no man evil for evil.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 12, Verse 16-17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3870   @%%@2@%   If it be possible, as much as lieth in you, live peaceably with all men.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 12, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3880   @%%@2@%   Vengeance is mine; I will repay, saith the Lord.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 12, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3890   @%%@2@%   Be not overcome of evil, but overcome evil with good.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 12, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3900   @%%@2@%   The powers that be are ordained of God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 13, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3910   @%%@2@%   Render therefore to all their dues: tribute to whom tribute is due;%@EH@%
custom to whom custom; fear to whom fear; honor to whom honor.%@NL@%
Owe no man anything, but to love one another.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 13, Verse 7-8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3920   @%%@2@%   Love is the fulfilling of the law.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 13, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See St. Augustine, and note.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS3930   @%%@2@%   The night is far spent, the day is at hand: let us therefore cast off the%@EH@%
works of darkness, and let us put on the armor of light.%@NL@%
Let us walk honestly, as in the day; not in rioting and drunkenness, not in
chambering and wantonness, not in strife and envying.%@NL@%
But put ye on the Lord Jesus Christ, and make not provision for the flesh,
to fulfil the lusts thereof.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 13, Verse 12-14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3940   @%%@2@%   Doubtful disputations.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 14, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3950   @%%@2@%   Let every man be fully persuaded in his own mind.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 14, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3960   @%%@2@%   For none of us liveth to himself, and no man dieth to himself.%@NL@%%@EH@%
For whether we live, we live unto the Lord; and whether we die, we die unto
the Lord: whether we live therefore, or die, we are the Lord's.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 14, Verse 7-8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3970   @%%@2@%   Let us therefore follow after the things which make for peace.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 14, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3980   @%%@2@%   We then that are strong ought to bear the infirmities of the weak, and%@EH@%
not to please ourselves.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Romans Chapter 15, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS3990   @%%@2@%   God hath chosen the foolish things of the world to confound the wise; and%@EH@%
God hath chosen the weak things of the world to confound the things which
are mighty.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 1, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Men have not heard, nor perceived by the ear, neither hath the eye
seen.-Isaiah 64:4  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS4000   @%%@2@%   As it is written, Eye hath not seen, nor ear heard.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 2, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4020   @%%@2@%   I have planted, Apollos watered; but God gave the increase.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 3, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4030   @%%@2@%   We are laborers together with God: ye are God's husbandry.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 3, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4040   @%%@2@%   Every man's work shall be made manifest: for the day shall declare it,%@EH@%
because it shall be revealed by fire; and the fire shall try every man's
work of what sort it is.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 3, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4050   @%%@2@%   For the temple of God is holy, which temple ye are.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 3, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4060   @%%@2@%   We are made a spectacle unto the world, and to angels, and to men.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 4, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4070   @%%@2@%   Absent in body, but present in spirit.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 5, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4080   @%%@2@%   A little leaven leaveneth the whole lump.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 5, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4085   @%%@2@%   For even Christ our Passover is sacrificed for us.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 5, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4090   @%%@2@%   It is better to marry than to burn.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 7, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4100   @%%@2@%   The fashion of this world passeth away.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 7, Verse 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4110   @%%@2@%   Knowledge puffeth up, but charity edifieth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 8, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4120   @%%@2@%   I am made all things to all men.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 9, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4130   @%%@2@%   Know ye not that they which run in a race run all, but one receiveth the%@EH@%
prize?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 9, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4140   @%%@2@%   Let him that thinketh he standeth take heed lest he fall.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 10, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4150   @%%@2@%   All things are lawful for me, but all things are not expedient.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 10, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4160   @%%@2@%   The earth is the Lord's, and the fullness thereof. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 10, Verse 26

%@NL@%%@AI@%1 See Psalm 24:1%@BO:           22302@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4170   @%%@2@%   If a woman have long hair, it is a glory to her.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 11, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4175   @%%@2@%   Take, eat: this is my body, which is broken for you: this do in%@EH@%
remembrance of me. 1  2 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 11, Verse 24

%@NL@%%@AI@%1 See Matthew 26:26%@BO:           58355@%%@AE@%
%@AI@%2 See Luke 22:19%@BO:           5f908@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4177   @%%@2@%   This cup is the new testament in my blood: this do ye, as oft as ye drink%@EH@%
it, in remembrance of me. 1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 11, Verse 25

%@NL@%%@AI@%1 See Matthew 26:27-9%@BO:           58355@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In the Revised Standard Version charity throughout this chapter is
translated as love-the love of mankind in the sense of the Greek agape and
the Latin caritas.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS4180   @%%@2@%   Though I speak with the tongues of men and of angels, and have not%@EH@%
charity, I am become as sounding brass, or a tinkling cymbal.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 13, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4200   @%%@2@%   Though I have all faith, so that I could remove mountains, and have not%@EH@%
charity, I am nothing.%@NL@%
And though I bestow all my goods to feed the poor, and though I give my body
to be burned, and have not charity, it profiteth me nothing.%@NL@%
Charity suffereth long, and is kind; charity envieth not; charity vaunteth
not itself, is not puffed up.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 13, Verse 2-4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4210   @%%@2@%   Beareth all things, believeth all things, hopeth all things, endureth all%@EH@%
things.%@NL@%
Charity never faileth.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 13, Verse 7-8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4230   @%%@2@%   We know in part, and we prophesy in part.%@NL@%%@EH@%
But when that which is perfect is come, then that which is in part shall be
done away.%@NL@%
When I was a child, I spake as a child, I understood as a child, I thought
as a child: but when I became a man, I put away childish things. 1 %@NL@%
For now we see through a glass, darkly; but then face to face: 2  now I know
in part; but then shall I know even as also I am known.%@NL@%
And now abideth faith, hope, charity, these three; but the greatest of these
is charity.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 13, Verse 9-13

%@NL@%%@AI@%1 See Homer%@BO:           840ec@%%@AE@%
%@AI@%2 See Genesis 32:30%@BO:            a770@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4240   @%%@2@%   If the trumpet give an uncertain sound, who shall prepare himself to the%@EH@%
battle?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 14, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4250   @%%@2@%   Let all things be done decently and in order.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 14, Verse 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4260   @%%@2@%   And last of all he was seen of me also, as of one born out of due time.%@NL@%%@EH@%
For I am the least of the apostles, that am not meet to be called an
apostle, because I persecuted the church of God.%@NL@%
But by the grace of God I am what I am.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 15, Verse 8-10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4290   @%%@2@%   But now is Christ risen from the dead, and become the firstfruits of them%@EH@%
that slept.%@NL@%
For since by man came death, by man came also the resurrection of the dead.%@NL@%
For as in Adam all die, even so in Christ shall all be made alive.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 15, Verse 20-22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4300   @%%@2@%   The last enemy that shall be destroyed is death.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 15, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4310   @%%@2@%   Evil communications corrupt good manners.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 15, Verse 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4320   @%%@2@%   Thou fool, that which thou sowest is not quickened, except it die.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 15, Verse 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4330   @%%@2@%   One star differeth from another star in glory.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 15, Verse 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4340   @%%@2@%   It is sown in corruption; it is raised in incorruption.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 15, Verse 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4350   @%%@2@%   The first man is of the earth, earthy.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 15, Verse 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4360   @%%@2@%   Behold, I show you a mystery; We shall not all sleep, but we shall all be%@EH@%
changed,%@NL@%
In a moment, in the twinkling of an eye, at the last trump: for the trumpet
shall sound, and the dead shall be raised incorruptible, and we shall be
changed.%@NL@%
For this corruptible must put on incorruption, and this mortal must put on
immortality.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 15, Verse 51-53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4370   @%%@2@%   Death is swallowed up in victory. 1  2 %@NL@%%@EH@%
O death, where is thy sting? O grave, where is thy victory?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 15, Verse 54-55

%@NL@%%@AI@%1 See Isaiah 25:8%@BO:           3cb0a@%%@AE@%
%@AI@%2 See Hosea 13:14%@BO:           44d92@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4380   @%%@2@%   Watch ye, stand fast in the faith, quit you like men, be strong. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 16, Verse 13

%@NL@%%@AI@%1 See I Samuel 4:9%@BO:           14a40@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4390   @%%@2@%   If any man love not the Lord Jesus Christ, let him be Anathema Maranatha.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to
the Corinthians Chapter 16, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4400   @%%@2@%   Not of the letter, but of the spirit: for the letter killeth, but the%@EH@%
spirit giveth life.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 3, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4410   @%%@2@%   Seeing then that we have such hope, we use great plainness of speech.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 3, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4420   @%%@2@%   The things which are seen are temporal; but the things which are not seen%@EH@%
are eternal.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 4, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4430   @%%@2@%   We walk by faith, not by sight.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 5, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4440   @%%@2@%   Now is the accepted time.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 6, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4450   @%%@2@%   By honor and dishonor, by evil report and good report.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 6, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4460   @%%@2@%   As having nothing, and yet possessing all things. 1  2 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 6, Verse 10

%@NL@%%@AI@%1 See Terence%@BO:           c3624@%%@AE@%
%@AI@%2 See Wotton%@BO:          20272c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4470   @%%@2@%   God loveth a cheerful giver.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 9, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4480   @%%@2@%   Though I be rude in speech.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 11, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4490   @%%@2@%   For ye suffer fools gladly, seeing ye yourselves are wise.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 11, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4500   @%%@2@%   Forty stripes save one.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 11, Verse 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4510   @%%@2@%   A thorn in the flesh. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 12, Verse 7

%@NL@%%@AI@%1 See Judges 2:3%@BO:           12b49@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4520   @%%@2@%   My strength is made perfect in weakness.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 12, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Book of Common Prayer, Morning Prayer (end).  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS4530   @%%@2@%   The grace of the Lord Jesus Christ, and the love of God, and the%@EH@%
communion of the Holy Ghost, be with you all.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the
Apostle to the Corinthians Chapter 13, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4540   @%%@2@%   The right hands of fellowship.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Galatians Chapter 2, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4550   @%%@2@%   Weak and beggarly elements.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Galatians Chapter 4, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4560   @%%@2@%   It is good to be zealously affected always in a good thing.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Galatians Chapter 4, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4570   @%%@2@%   Ye are fallen from grace.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Galatians Chapter 5, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4580   @%%@2@%   For the flesh lusteth against the Spirit, and the Spirit against the%@EH@%
flesh: and these are contrary the one to the other: so that ye cannot do the
things that ye would.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Galatians Chapter 5, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4590   @%%@2@%   The fruit of the Spirit is love, joy, peace, longsuffering, gentleness,%@EH@%
goodness, faith,%@NL@%
Meekness, temperance.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Galatians Chapter 5, Verse 22-23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4600   @%%@2@%   Every man shall bear his own burden.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Galatians Chapter 6, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4610   @%%@2@%   Be not deceived; God is not mocked: for whatsoever a man soweth, that%@EH@%
shall he also reap.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Galatians Chapter 6, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4620   @%%@2@%   Let us not be weary in well doing.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Galatians Chapter 6, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4630   @%%@2@%   To be strengthened with might by his Spirit in the inner man.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Ephesians Chapter 3, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4640   @%%@2@%   Carried about with every wind of doctrine.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Ephesians Chapter 4, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4650   @%%@2@%   We are members one of another.%@NL@%%@EH@%
Be ye angry, and sin not: let not the sun go down upon your wrath.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Ephesians Chapter 4, Verse 25-26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4660   @%%@2@%   Speaking to yourselves in psalms and hymns and spiritual songs, singing%@EH@%
and making melody in your heart to the Lord. 1  2 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Ephesians Chapter 5, Verse 19

%@NL@%%@AI@%1 See Psalm 95:1-%@BO:           27d12@%%@AE@%
%@AI@%2 See Book of Common Prayer, Morning Prayer (Venite)%@BO:           7b3cb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4670   @%%@2@%   Put on the whole armor of God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Ephesians Chapter 6, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4680   @%%@2@%   For we wrestle not against flesh and blood, but against principalities,%@EH@%
against powers, against the rulers of the darkness of this world, against
spiritual wickedness in high places.%@NL@%
Wherefore take unto you the whole armor of God, that ye may be able to
withstand in the evil day, and having done all, to stand.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Ephesians Chapter 6, Verse 12-13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4690   @%%@2@%   To live is Christ, and to die is gain.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Philippians Chapter 1, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4700   @%%@2@%   Work out your own salvation with fear and trembling.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Philippians Chapter 2, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4710   @%%@2@%   For it is God which worketh in you both to will and to do of his good%@EH@%
pleasure.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Philippians Chapter 2, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4720   @%%@2@%   This one thing I do, forgetting those things which are behind, and%@EH@%
reaching forth unto those things which are before,%@NL@%
I press toward the mark.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Philippians Chapter 3, Verse 13-14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4740   @%%@2@%   Whose end is destruction, whose God is their belly, and whose glory is in%@EH@%
their shame, who mind earthly things.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Philippians Chapter 3, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Book of Common Prayer, Holy Communion (Blessing).  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS4750   @%%@2@%   The peace of God, which passeth all understanding, shall keep your hearts%@EH@%
and minds through Christ Jesus.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Philippians Chapter 4, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4760   @%%@2@%   Whatsoever things are true, whatsoever things are honest, whatsoever%@EH@%
things are just, whatsoever things are pure, whatsoever things are lovely,
whatsoever things are of good report; if there be any virtue, and if there
be any praise, think on these things.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Philippians Chapter 4, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4770   @%%@2@%   I have learned, in whatsoever state I am, therewith to be content.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Philippians Chapter 4, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4780   @%%@2@%   By him were all things created, that are in heaven, and that are in%@EH@%
earth, visible and invisible . . . all things were created by him, and for
him:%@NL@%
And he is before all things, and by him all things consist.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Colossians Chapter 1, Verse 16-17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4790   @%%@2@%   Touch not; taste not; handle not.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Colossians Chapter 2, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4800   @%%@2@%   Set your affection on things above, not on things on the earth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Colossians Chapter 3, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4810   @%%@2@%   Where there is neither Greek nor Jew, circumcision nor uncircumcision,%@EH@%
Barbarian, Scythian, bond nor free: but Christ is all, and in all.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Colossians Chapter 3, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4820   @%%@2@%   Fathers, provoke not your children to anger, lest they be discouraged.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Colossians Chapter 3, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4830   @%%@2@%   Let your speech be alway with grace, seasoned with salt.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Colossians Chapter 4, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4840   @%%@2@%   Luke, the beloved physician.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the
Colossians Chapter 4, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4850   @%%@2@%   Labor of love.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle
to the Thessalonians Chapter 1, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4860   @%%@2@%   Study to be quiet, and to do your own business.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle
to the Thessalonians Chapter 4, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4870   @%%@2@%   The day of the Lord so cometh as a thief in the night.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle
to the Thessalonians Chapter 5, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4880   @%%@2@%   Ye are all the children of light, and the children of the day: we are not%@EH@%
of the night, nor of darkness.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle
to the Thessalonians Chapter 5, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4890   @%%@2@%   Putting on the breastplate of faith and love; and for an helmet, the hope%@EH@%
of salvation.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle
to the Thessalonians Chapter 5, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4900   @%%@2@%   Pray without ceasing.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle
to the Thessalonians Chapter 5, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4910   @%%@2@%   Prove all things; hold fast that which is good.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle
to the Thessalonians Chapter 5, Verse 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4920   @%%@2@%   The law is good, if a man use it lawfully.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 1, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4930   @%%@2@%   Christ Jesus came into the world to save sinners; of whom I am chief.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 1, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4940   @%%@2@%   For if a man know not how to rule his own house, how shall he take care%@EH@%
of the church of God? 1 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 3, Verse 5

%@NL@%%@AI@%1 See Sophocles%@BO:           9e39f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4950   @%%@2@%   Not greedy of filthy lucre.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 3, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4960   @%%@2@%   Speaking lies in hypocrisy; having their conscience seared with a hot%@EH@%
iron.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 4, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4970   @%%@2@%   Every creature of God is good, and nothing to be refused, if it be%@EH@%
received with thanksgiving.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 4, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4980   @%%@2@%   Refuse profane and old wives' fables.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 4, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4985   @%%@2@%   Let them learn first to show piety at home.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 5, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS4990   @%%@2@%   But if any provide not for his own, and specially for those of his own%@EH@%
house, he hath denied the faith, and is worse than an infidel.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 5, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5000   @%%@2@%   They learn to be idle, wandering about from house to house; and not only%@EH@%
idle, but tattlers also and busybodies, speaking things which they ought
not.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 5, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5010   @%%@2@%   Drink no longer water, but use a little wine for thy stomach's sake.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 5, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Book of Common Prayer, Burial of the Dead. See also The Song of the
Harper, and Ecclesiastes 5:15  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS5020   @%%@2@%   We brought nothing into this world, and it is certain we can carry%@EH@%
nothing out.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 6, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Sophocles, and Plato  Radix malorum est cupiditas.-Chaucer, The
Canterbury Tales [c. 1387], The Pardoner's Prologue, l. 6  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS5030   @%%@2@%   The love of money is the root of all evil.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 6, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5050   @%%@2@%   Fight the good fight of faith, lay hold on eternal life.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 6, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5060   @%%@2@%   Rich in good works.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 6, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5070   @%%@2@%   O Timothy, keep that which is committed to thy trust, avoiding profane%@EH@%
and vain babblings, and oppositions of science falsely so called.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle of Paul the Apostle to Timothy Chapter 6, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5080   @%%@2@%   For God hath not given us the spirit of fear; but of power, and of love,%@EH@%
and of a sound mind.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the Apostle to
Timothy Chapter 1, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5090   @%%@2@%   A workman that needeth not to be ashamed.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the Apostle to
Timothy Chapter 2, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5100   @%%@2@%   Be instant in season, out of season.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the Apostle to
Timothy Chapter 4, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5110   @%%@2@%   I have fought a good fight, I have finished my course, I have kept the%@EH@%
faith.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the Apostle to
Timothy Chapter 4, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5120   @%%@2@%   The Lord reward him according to his works.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle of Paul the Apostle to
Timothy Chapter 4, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5130   @%%@2@%   Unto the pure all things are pure.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul to Titus Chapter 1, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5140   @%%@2@%   Making mention of thee always in my prayers.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul to Philemon Chapter 1, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5150   @%%@2@%   Who maketh his angels spirits, and his ministers a flame of fire.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 1, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5160   @%%@2@%   The word of God is quick, and powerful, and sharper than any two-edged%@EH@%
sword, piercing even to the dividing asunder of soul and spirit, and of the
joints and marrow, and is a discerner of the thoughts and intents of the
heart.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 4, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5170   @%%@2@%   Strong meat belongeth to them that are of full age.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 5, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5180   @%%@2@%   They crucify to themselves the Son of God afresh, and put him to an open%@EH@%
shame.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 6, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5190   @%%@2@%   Without shedding of blood is no remission.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 9, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5200   @%%@2@%   Faith is the substance of things hoped for, the evidence of things not%@EH@%
seen.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 11, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5210   @%%@2@%   Wherefore seeing we also are compassed about with so great a cloud of%@EH@%
witnesses . . . let us run with patience the race that is set before us,%@NL@%
Looking unto Jesus the author and finisher of our faith.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 12, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5220   @%%@2@%   Whom the Lord loveth he chasteneth.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 12, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5230   @%%@2@%   The spirits of just men made perfect.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 12, Verse 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5240   @%%@2@%   Let brotherly love continue.%@NL@%%@EH@%
Be not forgetful to entertain strangers: for thereby some have entertained
angels unawares.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 13, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5250   @%%@2@%   The Lord is my helper, and I will not fear what man shall do unto me.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 13, Verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5260   @%%@2@%   Jesus Christ the same yesterday, and to day, and for ever.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 13, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5270   @%%@2@%   For here have we no continuing city, but we seek one to come.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 13, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5280   @%%@2@%   To do good and to communicate forget not: for with such sacrifices God is%@EH@%
well pleased.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Epistle of Paul the Apostle to the Hebrews Chapter 13, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5290   @%%@2@%   Let patience have her perfect work, that ye may be perfect and entire,%@EH@%
wanting nothing.%@NL@%
If any of you lack wisdom, let him ask of God.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 1, Verse 4-5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5300   @%%@2@%   Blessed is the man that endureth temptation: for when he is tried, he%@EH@%
shall receive the crown of life.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 1, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5310   @%%@2@%   Every good gift and every perfect gift is from above, and cometh down%@EH@%
from the Father of lights, with whom is no variableness, neither shadow of
turning.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 1, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5320   @%%@2@%   Be swift to hear, slow to speak, slow to wrath:%@NL@%%@EH@%
For the wrath of man worketh not the righteousness of God.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 1, Verse 19-20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5330   @%%@2@%   Be ye doers of the word, and not hearers only. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 1, Verse 22

%@NL@%%@AI@%1 See Homer%@BO:           81b47@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5340   @%%@2@%   Unspotted from the world.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 1, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5350   @%%@2@%   As the body without the spirit is dead, so faith without works is dead%@EH@%
also.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 2, Verse 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5360   @%%@2@%   How great a matter a little fire kindleth!%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 3, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5370   @%%@2@%   The tongue can no man tame; it is an unruly evil.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 3, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5380   @%%@2@%   This wisdom descendeth not from above, but is earthly, sensual, devilish.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 3, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5390   @%%@2@%   Resist the devil, and he will flee from you.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 4, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5400   @%%@2@%   What is your life? It is even a vapor, that appeareth for a little time,%@EH@%
and then vanisheth away.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 4, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5410   @%%@2@%   Be patient therefore, brethren, unto the coming of the Lord. Behold, the%@EH@%
husbandman waiteth for the precious fruit of the earth, and hath long
patience for it, until he receive the early and latter rain.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 5, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5420   @%%@2@%   Ye have heard of the patience of Job.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 5, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5430   @%%@2@%   The effectual fervent prayer of a righteous man availeth much.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of James Chapter 5, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5435   @%%@2@%   Hope to the end.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of Peter Chapter 1, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5437   @%%@2@%   The Father, who without respect of persons judgeth according to every%@EH@%
man's work.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of Peter Chapter 1, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5440   @%%@2@%   All flesh is as grass, and all the glory of man as the flower of grass.%@EH@%
The grass withereth, and the flower thereof falleth away:%@NL@%
But the word of the Lord endureth for ever. 1  2 %@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of Peter Chapter 1, Verse 24-25

%@NL@%%@AI@%1 See Psalm 90:5-%@BO:           26bdf@%%@AE@%
%@AI@%2 See Isaiah 40:6 and 40:8%@BO:           3e840@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5450   @%%@2@%   Abstain from fleshly lusts, which war against the soul.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of Peter Chapter 2, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5460   @%%@2@%   Honor all men. Love the brotherhood. Fear God. Honor the king.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of Peter Chapter 2, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5470   @%%@2@%   Ornament of a meek and quiet spirit.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of Peter Chapter 3, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5480   @%%@2@%   Giving honor unto the wife, as unto the weaker vessel.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of Peter Chapter 3, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5490   @%%@2@%   Charity shall cover the multitude of sins.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of Peter Chapter 4, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5500   @%%@2@%   A crown of glory that fadeth not away.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of Peter Chapter 5, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5510   @%%@2@%   Be sober, be vigilant; because your adversary the devil, as a roaring%@EH@%
lion, walketh about, seeking whom he may devour.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of Peter Chapter 5, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5520   @%%@2@%   And the day star arise in your hearts.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle General of Peter Chapter 1, Verse 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5530   @%%@2@%   The dog is turned to his own vomit again.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Second Epistle General of Peter Chapter 2, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5540   @%%@2@%   God is light, and in him is no darkness at all.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of John Chapter 1, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5550   @%%@2@%   If we say that we have no sin, we deceive ourselves, and the truth is not%@EH@%
in us.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of John Chapter 1, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quoted in The Book of Common Prayer, Holy Communion, p. 76.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS5555   @%%@2@%   If any man sin, we have an advocate with the Father, Jesus Christ the%@EH@%
righteous:%@NL@%
And he is the propitiation for our sins: and not for ours only, but also for
the sins of the whole world.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of John Chapter 2, Verse 1-2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5560   @%%@2@%   He is antichrist, that denieth the Father and the Son.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of John Chapter 2, Verse 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5570   @%%@2@%   Whoso hath this world's good, and seeth his brother have need, and%@EH@%
shutteth up his bowels of compassion from him, how dwelleth the love of God
in him?%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of John Chapter 3, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5580   @%%@2@%   He that loveth not, knoweth not God; for God is love.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of John Chapter 4, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5590   @%%@2@%   There is no fear in love; but perfect love casteth out fear.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The First Epistle General of John Chapter 4, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5600   @%%@2@%   Raging waves of the sea, foaming out their own shame; wandering stars, to%@EH@%
whom is reserved the blackness of darkness for ever.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The General Epistle of Jude 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5610   @%%@2@%   I John, who also am your brother, and companion in tribulation, and in%@EH@%
the kingdom and patience of Jesus Christ, was in the isle that is called
Patmos, for the word of God, and for the testimony of Jesus Christ.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 1, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5620   @%%@2@%   What thou seest, write in a book, and send it unto the seven churches%@EH@%
which are in Asia.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 1, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5630   @%%@2@%   And being turned, I saw seven golden candlesticks.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 1, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5640   @%%@2@%   His feet like unto fine brass, as if they burned in a furnace; and his%@EH@%
voice as the sound of many waters.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 1, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5650   @%%@2@%   When I saw him, I fell at his feet as dead.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 1, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5670   @%%@2@%   I am he that liveth, and was dead; and, behold, I am alive for evermore,%@EH@%
Amen; and have the keys of hell and of death.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 1, Verse 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5680   @%%@2@%   I have somewhat against thee, because thou hast left thy first love.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 2, Verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5690   @%%@2@%   To him that overcometh will I give to eat of the tree of life.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 2, Verse 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5700   @%%@2@%   Be thou faithful unto death, and I will give thee a crown of life.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 2, Verse 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5710   @%%@2@%   He shall rule them with a rod of iron.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 2, Verse 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5720   @%%@2@%   I will give him the morning star.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 2, Verse 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5730   @%%@2@%   I will not blot out his name out of the book of life.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 3, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5740   @%%@2@%   I know thy works, that thou art neither cold nor hot: I would thou wert%@EH@%
cold or hot.%@NL@%
So then because thou art lukewarm, and neither cold nor hot, I will spew
thee out of my mouth.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 3, Verse 15-16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5750   @%%@2@%   Behold, I stand at the door, and knock.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 3, Verse 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5760   @%%@2@%   The first beast was like a lion, and the second beast like a calf, and%@EH@%
the third beast had a face as a man, and the fourth beast was like a flying
eagle.%@NL@%
And the four beasts had each of them six wings about him; and they were full
of eyes within: and they rest not day and night, saying, Holy, holy, holy,
Lord God Almighty, which was, and is, and is to come.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 4, Verse 7-8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5770   @%%@2@%   Thou hast created all things, and for thy pleasure they are and were%@EH@%
created.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 4, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5780   @%%@2@%   A book . . . sealed with seven seals.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 5, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5790   @%%@2@%   He went forth conquering, and to conquer.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 6, Verse 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5800   @%%@2@%   Behold a pale horse: and his name that sat on him was Death, and Hell%@EH@%
followed with him.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 6, Verse 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5810   @%%@2@%   Four angels standing on the four corners of the earth, holding the four%@EH@%
winds of the earth.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 7, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5820   @%%@2@%   Hurt not the earth, neither the sea, nor the trees.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 7, Verse 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5830   @%%@2@%   All nations, and kindreds, and people, and tongues.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 7, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5840   @%%@2@%   These are they which came out of great tribulation, and have washed their%@EH@%
robes, and made them white in the blood of the lamb.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 7, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5850   @%%@2@%   They shall hunger no more, neither thirst any more; neither shall the sun%@EH@%
light on them, nor any heat.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 7, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5860   @%%@2@%   The name of the star is called Wormwood.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 8, Verse 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5870   @%%@2@%   The kingdoms of this world are become the kingdoms of our Lord and of his%@EH@%
Christ.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 11, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5880   @%%@2@%   There was war in heaven: Michael and his angels fought against the%@EH@%
dragon; and the dragon fought and his angels,%@NL@%
And prevailed not.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 12, Verse 7-8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5890   @%%@2@%   The great dragon was cast out, that old serpent, called the Devil, and%@EH@%
Satan, which deceiveth the whole world.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 12, Verse 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5900   @%%@2@%   No man might buy or sell, save he that had the mark, or the name of the%@EH@%
beast.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 13, Verse 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5905   @%%@2@%   The voice of many waters. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 14, Verse 2

%@NL@%%@AI@%1 See Psalm 93:4%@BO:           27bf5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5910   @%%@2@%   Babylon is fallen, is fallen, that great city. 1 %@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 14, Verse 8

%@NL@%%@AI@%1 See Isaiah 21:9%@BO:           3c2f6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Book of Common Prayer, Burial of the Dead.  %@EF@%
%@QR:The Holy Bible@%%@CR:B1000BIBS5920   @%%@2@%   Blessed are the dead which die in the Lord . . . that they may rest from%@EH@%
their labours.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 14, Verse 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5930   @%%@2@%   And he gathered them together into a place called in the Hebrew tongue%@EH@%
Armageddon.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 16, Verse 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5940   @%%@2@%   He is Lord of lords, and King of kings.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 17, Verse 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5945   @%%@2@%   He treadeth the winepress of the fierceness and wrath of Almighty God.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 19, Verse 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5950   @%%@2@%   Another book was opened, which is the book of life.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 20, Verse 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5960   @%%@2@%   I saw a new heaven and a new earth: 1  for the first heaven and the first%@EH@%
earth were passed away; and there was no more sea.%@NL@%
And I John saw the holy city, new Jerusalem, coming down from God out of
heaven, prepared as a bride adorned for her husband.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 21, Verse 1-2

%@NL@%%@AI@%1 See Isaiah 65:17%@BO:           40d13@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5970   @%%@2@%   God shall wipe away all tears 1  from their eyes; and there shall be no%@EH@%
more death, neither sorrow, nor crying, neither shall there be any more
pain: for the former things are passed away.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 21, Verse 4

%@NL@%%@AI@%1 See Isaiah 25:8%@BO:           3cb0a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5980   @%%@2@%   There shall be no night there.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 22, Verse 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS5990   @%%@2@%   He that is unjust, let him be unjust still: and he which is filthy, let%@EH@%
him be filthy still: and he that is righteous, let him be righteous still:
and he that is holy, let him be holy still.%@NL@%
And, behold, I come quickly.%@NL@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 22, Verse 11-12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Holy Bible@%%@CR:B1000BIBS6000   @%%@2@%   I am Alpha and Omega, the beginning and the end, the first and the last.%@NL@%%@EH@%
%@NL@%
The Holy Bible, The New Testament
%@NL@%The Revelation of St. John the Divine Chapter 22, Verse 13

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Missal%@AE@%%@EH@%%@NL@%%@NL@%

%@QR:The Missal@%%@CR:B970MISS10      @%%@2@%   Dominus vobiscum [The Lord be with you].%@NL@%%@EH@%
Et cum spiritu tuo [And with your spirit].%@NL@%
%@NL@%
The Missal
%@NL@%Antiphon

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Missal@%%@CR:B970MISS20      @%%@2@%   Mea culpa, mea culpa, mea maxima culpa [Through my fault, through my%@EH@%
fault, through my most grievous fault].%@NL@%
%@NL@%
The Missal
%@NL@%Confession of Sins

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Missal@%%@CR:B970MISS30      @%%@2@%   Kyrie, eleison [Lord, have mercy on us].%@NL@%%@EH@%
%@NL@%
The Missal
%@NL@%Kyrie

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Missal@%%@CR:B970MISS40      @%%@2@%   Gloria in excelsis Deo. Et in terra pax hominibus bonae voluntatis [Glory%@EH@%
to God in the highest. And on earth peace to men of good will]. 1 %@NL@%
%@NL@%
The Missal
%@NL@%Gloria

%@NL@%%@AI@%1 See Luke 2:14%@BO:           5c386@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Missal@%%@CR:B970MISS45      @%%@2@%   Domine Deus, Agnus Dei, Filius Patris: qui tollis peccata mundi, miserere%@EH@%
nobis [O Lord God, Lamb of God, Son of the Father: who takes away the sins
of the world, have mercy on us]. 1 %@NL@%
%@NL@%
The Missal
%@NL@%Gloria

%@NL@%%@AI@%1 See John 1:29%@BO:           60c56@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Missal@%%@CR:B970MISS52      @%%@2@%   Hoc est enim Corpus meum [For this is My Body]. 1  2 %@NL@%%@EH@%
%@NL@%
The Missal
%@NL@%The Consecration

%@NL@%%@AI@%1 See Matthew 26:26%@BO:           58355@%%@AE@%
%@AI@%2 See I Corinthians 11:24%@BO:           6b6fb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Missal@%%@CR:B970MISS55      @%%@2@%   Hic est enim Calix Sanguinis mei, novi et aeterni testamenti: mysterium%@EH@%
fidei: qui pro vobis et pro multis effundetur in remissionem peccatorum [For
this is the chalice of My Blood, of the new and eternal covenant; the
mystery of faith; which shall be shed for you and for many unto the
forgiveness of sins]. 1  2 %@NL@%
%@NL@%
The Missal
%@NL@%The Consecration

%@NL@%%@AI@%1 See Matthew 26:27-9%@BO:           58355@%%@AE@%
%@AI@%2 See I Corinthians 11:25%@BO:           6b89f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This dates from the seventh century at the latest, and may be much older. It
has been attributed to St. Augustine and St. Ambrose.  %@EF@%
%@QR:The Missal@%%@CR:B970MISS60      @%%@2@%   O felix culpa, quae talem ac tantum meruit habere Redemptorem [O happy%@EH@%
fault, which has deserved to have such and so mighty a Redeemer].%@NL@%
%@NL@%
The Missal
%@NL@%Exsultet on Holy Saturday

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Book of Common Prayer%@AE@%%@EH@%%@FN@%
Thomas Cranmer [1489-1556] gathered the western Latin rites as used in
England, notably the Sarum rite of Salisbury Cathedral, when he compiled
[1549] the English Prayer Book, known as the first Prayer Book of Edward VI.
A revised second Prayer Book of Edward VI [1552] was revised again [1559];
finally, the present English Book of Common Prayer was published [1662]. The
American Book of Common Prayer [1789], which derives from the English Prayer
Book, was revised in 1892, and last revised in 1928. It is this last
revision from which the quotations in Bartlett are taken. The proposed Book
of Common Prayer . . . will be more a new composition than a revision of the
Prayer Book of Edward VI.-G. Harris Collingwood, D.D. [1927-1978]  The
proposed book was subsequently approved by the General Convention [1979] and
is now the official Book of Common Prayer of the Episcopal Church.  It is a
most invaluable part of that blessed "liberty wherewith Christ hath made us
free," that in his worship different forms and usages may without offense be
allowed, provided the substance of the Faith be kept entire; and that, in
every Church, what cannot be clearly determined to belong to Doctrine must
be referred to Discipline; and therefore, by common consent and authority,
may be altered, abridged, enlarged, amended, or otherwise disposed of, as
may seem most convenient for the edification of the people, "according to
the various exigency of times and occasions."-Preface to the edition for the
Protestant Episcopal Church in the United States of America [1789]  See
Newman  %@EF@%
%@FN@%
Thomas Cranmer [1489-1556] gathered the western Latin rites as used in
England, notably the Sarum rite of Salisbury Cathedral, when he compiled
[1549] the English Prayer Book, known as the first Prayer Book of Edward VI.
A revised second Prayer Book of Edward VI [1552] was revised again [1559];
finally, the present English Book of Common Prayer was published [1662]. The
American Book of Common Prayer [1789], which derives from the English Prayer
Book, was revised in 1892, and last revised in 1928. It is this last
revision from which the quotations in Bartlett are taken. The proposed Book
of Common Prayer . . . will be more a new composition than a revision of the
Prayer Book of Edward VI.-G. Harris Collingwood, D.D. [1927-1978]  The
proposed book was subsequently approved by the General Convention [1979] and
is now the official Book of Common Prayer of the Episcopal Church.  It is a
most invaluable part of that blessed "liberty wherewith Christ hath made us
free," that in his worship different forms and usages may without offense be
allowed, provided the substance of the Faith be kept entire; and that, in
every Church, what cannot be clearly determined to belong to Doctrine must
be referred to Discipline; and therefore, by common consent and authority,
may be altered, abridged, enlarged, amended, or otherwise disposed of, as
may seem most convenient for the edification of the people, "according to
the various exigency of times and occasions."-Preface to the edition for the
Protestant Episcopal Church in the United States of America [1789]  See
Newman  %@EF@%
%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR10      @%%@2@%   Movable feasts.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Tables and Rules, p. xxxi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR20      @%%@2@%   He is risen. The Lord is risen indeed. 1  2 %@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,Easter, p. 5

%@NL@%%@AI@%1 See Mark 16:6%@BO:           5b0f3@%%@AE@%
%@AI@%2 See Luke 24:34%@BO:           604cd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR30      @%%@2@%   The Scripture moveth us, in sundry places, to acknowledge and confess our%@EH@%
manifold sins and wickedness.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,Minister's Opening Words, p. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR40      @%%@2@%   We have erred, and strayed from thy ways like lost sheep. 1 %@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,A General Confession, p. 6

%@NL@%%@AI@%1 See Isaiah 53:6%@BO:           3fdad@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR50      @%%@2@%   We have left undone those things which we ought to have done; And we have%@EH@%
done those things which we ought not to have done.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,A General Confession, p. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR60      @%%@2@%   Have mercy upon us, miserable offenders.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,A General Confession, p. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR70      @%%@2@%   Who desireth not the death of a sinner, but rather that he may turn from%@EH@%
his wickedness and live.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,The Declaration of Absolution, p. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR80      @%%@2@%   Let us come before his presence with thanksgiving; and show ourselves%@EH@%
glad in him with psalms. 1  2 %@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,Venite, p. 9

%@NL@%%@AI@%1 See Psalm 95:1-%@BO:           27d12@%%@AE@%
%@AI@%2 See Ephesians 5:19%@BO:           6f2fa@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR90      @%%@2@%   In his hand are all the corners of the earth; and the strength of the%@EH@%
hills is his also.%@NL@%
The sea is his, and he made it; and his hands prepared the dry land.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,Venite, p. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR100     @%%@2@%   Glory be to the Father, and to the Son, and to the Holy Ghost;%@NL@%%@EH@%
As it was in the beginning, is now, and ever shall be, world without end.
Amen.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,Gloria Patri, p. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR105     @%%@2@%   We praise thee, O God [Te deum laudamus].%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,Te Deum, p. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR110     @%%@2@%   The noble army of Martyrs.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,Te Deum, p. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR120     @%%@2@%   I believe in God the Father Almighty, Maker of heaven and earth:%@NL@%%@EH@%
And in Jesus Christ his only Son our Lord: Who was conceived by the Holy
Ghost, Born of the Virgin Mary: Suffered under Pontius Pilate, Was
crucified, dead, and buried: He descended into hell; The third day he rose
again from the dead: He ascended into heaven, And sitteth on the right hand
of God the Father Almighty: From thence he shall come to judge the quick and
the dead.%@NL@%
I believe in the Holy Ghost: The holy Catholic Church; The Communion of
Saints: The Forgiveness of sins: The Resurrection of the body: And the Life
everlasting.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,Apostles' Creed, p. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR130     @%%@2@%   Begotten of his Father before all worlds, God of God, Light of Light,%@EH@%
Very God of very God; Begotten, not made; Being of one substance with the
Father; By whom all things were made: Who for us men and for our salvation
came down from heaven, And was incarnate by the Holy Ghost of the Virgin
Mary, And was made man.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,Nicene Creed, p. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR140     @%%@2@%   O God, who art the author of peace and lover of concord, in knowledge of%@EH@%
whom standeth our eternal life, whose service is perfect freedom; Defend us
thy humble servants in all assaults of our enemies.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,A Collect for Peace, p. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR150     @%%@2@%   O God, the Creator and Preserver of all mankind, we humbly beseech thee%@EH@%
for all sorts and conditions of men; that thou wouldest be pleased to make
thy ways known unto them, thy saving health unto all nations.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,A Prayer for All Conditions of Men,p. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR160     @%%@2@%   We commend to thy fatherly goodness all those who are any ways afflicted,%@EH@%
or distressed, in mind, body, or estate.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,A Prayer for All Conditions of Men,p. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR170     @%%@2@%   We, thine unworthy servants, do give thee most humble and hearty thanks%@EH@%
for all thy goodness and loving-kindness to us, and to all men; We bless
thee for our creation, preservation, and all the blessings of this life; but
above all, for thine inestimable love in the redemption of the world by our
Lord Jesus Christ; for the means of grace, and for the hope of glory.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,A General Thanksgiving, p. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR180     @%%@2@%   Almighty God, who . . . dost promise that when two or three are gathered%@EH@%
together in thy Name 1  thou wilt grant their requests; Fulfill now, O Lord,
the desires and petitions of thy servants, as may be most expedient for
them.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Morning Prayer,A Prayer of St. Chrysostom, p. 20

%@NL@%%@AI@%1 See Matthew 18:20%@BO:           55396@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR190     @%%@2@%   Lighten our darkness, we beseech thee, O Lord; and by thy great mercy%@EH@%
defend us from all perils and dangers of this night.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Evening Prayer, A Collect for Aid against Perils, p. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR200     @%%@2@%   From all blindness of heart, from pride, vainglory, and hypocrisy; from%@EH@%
envy, hatred, and malice, and all uncharitableness,%@NL@%
Good Lord, deliver us.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%The Litany,p. 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR210     @%%@2@%   From all the deceits of the world, the flesh, and the devil.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%The Litany,p. 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR220     @%%@2@%   From battle and murder, and from sudden death.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%The Litany,p. 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR230     @%%@2@%   Give to all nations unity, peace, and concord.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%The Litany,p. 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR240     @%%@2@%   The kindly fruits of the earth.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%The Litany,p. 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR250     @%%@2@%   Almighty God, unto whom all hearts are open, all desires known, and from%@EH@%
whom no secrets are hid; Cleanse the thoughts of our hearts by the
inspiration of thy Holy Spirit, that we may perfectly love thee, and
worthily magnify thy holy Name.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Holy Communion,The Collect, p. 67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR255     @%%@2@%   Ye who do truly and earnestly repent you of your sins, and are in love%@EH@%
and charity with your neighbors, and intend to lead a new life.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Holy Communion,To those who come to receive the Holy Communion, p. 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR260     @%%@2@%   We acknowledge and bewail our manifold sins and wickedness, Which we,%@EH@%
from time to time, most grievously have committed, By thought, word, and
deed, Against thy Divine Majesty, Provoking most justly thy wrath and
indignation against us. We do earnestly repent, And are heartily sorry for
these our misdoings; The remembrance of them is grievous unto us; The burden
of them is intolerable.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Holy Communion,General Confession, p. 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR270     @%%@2@%   Therefore with Angels and Archangels, and with all the company of heaven,%@EH@%
we laud and magnify thy glorious Name; evermore praising thee.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Holy Communion,Proper Preface, p. 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR275     @%%@2@%   And here we offer and present unto thee, O Lord, our selves, our souls%@EH@%
and bodies, to be a reasonable, holy, and living sacrifice unto thee. 1 %@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Holy Communion,The Invocation, p. 81

%@NL@%%@AI@%1 See Romans 12:1%@BO:           68c55@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR277     @%%@2@%   The Peace of God, which passeth all understanding, keep your hearts and%@EH@%
minds in the knowledge and love of God, and of his Son Jesus Christ our
Lord.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Holy Communion,Blessing, p. 84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR280     @%%@2@%   Miserable sinners.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Holy Communion,The Exhortations, p. 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR290     @%%@2@%   Read, mark, learn, and inwardly digest [the Scriptures].%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%The Second Sunday in Advent. The Collect, p. 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR300     @%%@2@%   Dost thou, therefore, in the name of this Child, renounce the devil and%@EH@%
all his works, the vain pomp and glory of the world, with all covetous
desires of the same, and the sinful desires of the flesh, so that thou wilt
not follow, nor be led by them?%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Holy Baptism. To the Godfathers and Godmothers, p. 276

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR310     @%%@2@%   An outward and visible sign of an inward and spiritual grace.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Offices of Instruction, Questions on the Sacraments, p. 292

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR320     @%%@2@%   Is not by any to be entered into unadvisedly or lightly; but reverently,%@EH@%
discreetly, advisedly, soberly, and in the fear of God.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Solemnization of Matrimony,p. 300

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR330     @%%@2@%   If any man can show just cause, why they may not lawfully be joined%@EH@%
together, let him now speak, or else hereafter for ever hold his peace.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Solemnization of Matrimony,p. 300

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR340     @%%@2@%   Wilt thou . . . forsaking all others, keep thee only unto [him; her], so%@EH@%
long as ye both shall live?%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Solemnization of Matrimony,p. 301

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR350     @%%@2@%   To have and to hold from this day forward, for better for worse, for%@EH@%
richer for poorer, in sickness and in health, to love and to cherish, till
death us do part.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Solemnization of Matrimony,p. 301

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR360     @%%@2@%   With this Ring I thee wed.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Solemnization of Matrimony,p. 302

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR370     @%%@2@%   Those whom God hath joined together let no man put asunder. 1 %@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Solemnization of Matrimony,p. 303

%@NL@%%@AI@%1 See Matthew 19:6%@BO:           555fb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This is derived from a Latin antiphon, said to have been composed by Notker,
a monk of St. Gall, in 911, while watching some workmen building a bridge at
Martinsbrucke, in peril of their lives. It forms the groundwork of Luther's
antiphon De Morte.  %@EF@%
%@QR:The Book of Common Prayer@%%@CR:B950BCPR380     @%%@2@%   In the midst of life we are in death.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Burial of the Dead,p. 332

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR390     @%%@2@%   Earth to earth, ashes to ashes, dust to dust; in sure and certain hope of%@EH@%
the Resurrection unto eternal life.%@NL@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%Burial of the Dead,p. 333

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B950BCPR400     @%%@2@%   The iron entered into his soul.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, 1928
%@NL@%The Psalter, Psalm 105:18, p. 471

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Book of Common Prayer%@AE@%%@EH@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B930BCPE5       @%%@2@%   Give peace in our time, O Lord.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, English
%@NL@%Morning Prayer, Versicles

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B930BCPE10      @%%@2@%   Grant that the old Adam in this Child may be so buried, that the new man%@EH@%
may be raised up in him.%@NL@%
%@NL@%
The Book of Common Prayer, English
%@NL@%Public Baptism of Infants, Blessing on the Child

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B930BCPE20      @%%@2@%   To love, cherish, and to obey.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, English
%@NL@%Solemnization of Matrimony

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Book of Common Prayer@%%@CR:B930BCPE30      @%%@2@%   With all my worldly goods I thee endow.%@NL@%%@EH@%
%@NL@%
The Book of Common Prayer, English
%@NL@%Solemnization of Matrimony

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Upanishads%@AE@%%@EH@%
%@AB@%800-500  B.C. %@AE@%
%@FN@%
Ancient Indian literary chronology is conjectural. The dates given are
approximate.  %@EF@%
%@NL@%%@NL@%

%@FN@%
Tat tvam asi (Sanskrit). The context: That which is that subtle essence is
the self of this All; it is the true; it is the Self. "Thou art that, O
Svetaketu."  %@EF@%
%@QR:The Upanishads@%%@CR:B800UPAN10      @%%@2@%   Thou art that.%@NL@%%@EH@%
%@NL@%
The Upanishads
%@NL@%Chandogya Upanishad, 6.8.7, etc.

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by F. Max Muler.  %@EF@%
%@QR:The Upanishads@%%@CR:B800UPAN30      @%%@2@%   Lead me from the unreal to the real!%@NL@%%@EH@%
Lead me from darkness to light!%@NL@%
Lead me from death to immortality!%@NL@%
%@NL@%
The Upanishads
%@NL@%Brihadaranyaka Upanishad,1.3.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Neti neti. The only possible description of the world soul self. The
context: Not thus, not thus; for there is nothing else higher than this "not
thus."  %@EF@%
%@QR:The Upanishads@%%@CR:B800UPAN50      @%%@2@%   Not thus, not thus.%@NL@%%@EH@%
%@NL@%
The Upanishads
%@NL@%Brihadaranyaka Upanishad,2.3.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Upanishads@%%@CR:B800UPAN70      @%%@2@%   This Self is the honey of all beings, and all beings are the honey of%@EH@%
this Self.%@NL@%
%@NL@%
The Upanishads
%@NL@%Brihadaranyaka Upanishad,2.5.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by R. C. Zaehner.  %@EF@%
%@QR:The Upanishads@%%@CR:B800UPAN80      @%%@2@%   The gods love the obscure and hate the obvious.%@NL@%%@EH@%
%@NL@%
The Upanishads
%@NL@%Brihadaranyaka Upanishad,4.2.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The voice of the thunder. The full Sanskrit is: Da da da iti. Damyata datta
dayadhvamiti.  "Datta, dayadhvam, damyata" (Give, sympathize, control).-T.
S. Eliot, The Waste Land [1922], note to line 401  See T. S. Eliot  %@EF@%
%@FN@%
Translated by F. Max Muler.  %@EF@%
%@QR:The Upanishads@%%@CR:B800UPAN90      @%%@2@%   Da da da (that is) Be subdued, Give, Be merciful.%@NL@%%@EH@%
%@NL@%
The Upanishads
%@NL@%Brihadaranyaka Upanishad,5.2.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Emerson  Bhagavad-Git[amacr ] 2.19 is almost identical.  %@EF@%
%@QR:The Upanishads@%%@CR:B800UPAN107     @%%@2@%If the slayer thinks he slays,%@NL@%%@EH@%
If the slain thinks he is slain,%@NL@%
Both these do not understand:%@NL@%
He slays not, is not slain.%@NL@%

%@NL@%The Upanishads
%@NL@%Katha Upanishad, 2.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Om is a sacred syllable used especially to begin and end a scriptural
recitation.  %@EF@%
%@QR:The Upanishads@%%@CR:B800UPAN110     @%%@2@%   Om.%@NL@%%@EH@%
%@NL@%
The Upanishads
%@NL@%Passim

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Shanti means "peace." T. S. Eliot, in his note to line 434 of The Waste
Land, says, ""The Peace which passeth understanding' is our equivalent to
this word."  %@EF@%
%@QR:The Upanishads@%%@CR:B800UPAN120     @%%@2@%   Shanti.%@NL@%%@EH@%
%@NL@%
The Upanishads
%@NL@%Passim

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Homer%@AE@%%@EH@%
%@NL@%
%@AB@%c. 700  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME10      @%%@2@%   Sing, goddess, the wrath of Peleus' son Achilles, a destroying wrath%@EH@%
which brought upon the Achaeans myriad woes, and sent forth to Hades many
valiant souls of heroes.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.I,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME20      @%%@2@%   And the plan of Zeus was being accomplished.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.I,l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME25      @%%@2@%   A dream, too, is from Zeus.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.I,l. 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME30      @%%@2@%   He knew the things that were and the things that would be and the things%@EH@%
that had been before.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.I,l. 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME40      @%%@2@%   If you are very valiant, it is a god, I think, who gave you this gift.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.I,l. 178

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME50      @%%@2@%   Speaking, he addressed her winged words.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.I,l. 201

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME60      @%%@2@%   Whoever obeys the gods, to him they particularly listen.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.I,l. 218

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME70      @%%@2@%   From his tongue flowed speech sweeter than honey.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.I,l. 249

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME80      @%%@2@%   Rosy-fingered dawn appeared, the early-born. 1 %@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.I,l. 477 and elsewhere

%@NL@%%@AI@%1 See Milton%@BO:          244be9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME90      @%%@2@%   The son of Kronos [Zeus] spoke, and nodded with his darkish brows, and%@EH@%
immortal locks fell forward from the lord's deathless head, and he made
great Olympus tremble.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.I,l. 528

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME100     @%%@2@%   The Olympian is a difficult foe to oppose.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.I,l. 589

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in The Odyssey, bk. VIII, l. 326.  %@EF@%
%@QR:Homer@%%@CR:B700HOME110     @%%@2@%   Uncontrollable laughter arose among the blessed gods.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.I,l. 599

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME120     @%%@2@%   A councilor ought not to sleep the whole night through, a man to whom the%@EH@%
populace is entrusted, and who has many responsibilities.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.II,l. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME130     @%%@2@%   Proud is the spirit of Zeus-fostered kings-their honor comes from Zeus,%@EH@%
and Zeus, god of council, loves them.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.II,l. 196

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME140     @%%@2@%   A multitude of rulers is not a good thing. Let there be one ruler, one%@EH@%
king.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.II,l. 204

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME150     @%%@2@%   He [Thersites] was the ugliest man who came to Ilium.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.II,l. 216

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME155     @%%@2@%   I could not tell nor name the multitude, not even if I had ten tongues,%@EH@%
ten mouths, not if I had a voice unwearying and a heart of bronze were in
me. 1 %@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.II,l. 488

%@NL@%%@AI@%1 See Virgil%@BO:           d5974@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME160     @%%@2@%   Yet with his powers of augury he [Chromis] did not save himself from dark%@EH@%
death.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.II,l. 859

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME170     @%%@2@%   The glorious gifts of the gods are not to be cast aside.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.III,l. 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME180     @%%@2@%   Young men's minds are always changeable, but when an old man is concerned%@EH@%
in a matter, he looks both before and after.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.III,l. 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME190     @%%@2@%   Like cicadas, which sit upon a tree in the forest and pour out their%@EH@%
piping voices, so the leaders of the Trojans were sitting on the tower.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.III,l. 151

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME200     @%%@2@%   There is no reason to blame the Trojans and the well-greaved Achaeans%@EH@%
that for such a woman they long suffer woes.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.III,l. 156

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME210     @%%@2@%   Words like winter snowflakes.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.III,l. 222

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME220     @%%@2@%   The sun, which sees all things and hears all things.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.III,l. 277

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME230     @%%@2@%   Son of Atreus, what manner of speech has escaped the barrier of your%@EH@%
teeth?%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.IV,l. 350

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME240     @%%@2@%   Far away in the mountains a shepherd hears their thundering.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.IV,l. 455

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME250     @%%@2@%   He lives not long who battles with the immortals, nor do his children%@EH@%
prattle about his knees when he has come back from battle and the dread
fray. 1 %@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.V,l. 407

%@NL@%%@AI@%1 See Thomas Gray%@BO:          2d12c3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME260     @%%@2@%   Not at all similar are the race of the immortal gods and the race of men%@EH@%
who walk upon the earth. 1 %@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.V,l. 441

%@NL@%%@AI@%1 See Xenophanes%@BO:           9144c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME270     @%%@2@%   Great-hearted Stentor with brazen voice, who could shout as loud as fifty%@EH@%
other men.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.V,l. 785

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He held his seat; a friend to human race./Fast by the road, his ever-open
door/Obliged the wealthy and relieved the poor.-Alexander Pope, translation
of The Iliad [1714]  See Foss  %@EF@%
%@QR:Homer@%%@CR:B700HOME280     @%%@2@%   He was a wealthy man, and kindly to his fellow men; for dwelling in a%@EH@%
house by the side of the road, he used to entertain all comers.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.VI,l. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME290     @%%@2@%   A generation of men is like a generation of leaves: the wind scatters%@EH@%
some leaves upon the ground, while others the burgeoning wood brings
forth-and the season of spring comes on. So of men one generation springs
forth and another ceases. 1  2  3 %@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.VI,l. 146

%@NL@%%@AI@%1 See The Teaching for Merikare%@BO:            1860@%%@AE@%
%@AI@%2 See Pindar%@BO:           9989d@%%@AE@%
%@AI@%3 See Aristophanes%@BO:           ab4c4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME300     @%%@2@%   Always to be bravest and to be preeminent above others.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.VI,l. 208

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME310     @%%@2@%   Victory shifts from man to man.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.VI,l. 339

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME320     @%%@2@%   May men say, "He is far greater than his father," when he returns from%@EH@%
battle.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.VI,l. 479

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME330     @%%@2@%   Smiling through tears.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.VI,l. 484

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME340     @%%@2@%   Attach a golden chain from heaven, and all of you take hold of it, you%@EH@%
gods and goddesses, yet would you not be able to drag Zeus the most high
from heaven to earth.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.VIII,l. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME350     @%%@2@%   Hades is relentless and unyielding.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.IX,l. 158

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME360     @%%@2@%   Hateful to me as the gates of Hades is that man who hides one thing in%@EH@%
his heart and speaks another.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.IX,l. 312

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME370     @%%@2@%   Even when someone battles hard, there is an equal portion for one who%@EH@%
lingers behind, and in the same honor are held both the coward and the brave
man; the idle man and he who has done much meet death alike.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.IX,l. 318

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME380     @%%@2@%   To be both a speaker of words and a doer of deeds. 1 %@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.IX,l. 443

%@NL@%%@AI@%1 See James 1:22%@BO:           7423b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME390     @%%@2@%   Prayers are the daughters of mighty Zeus, lame and wrinkled and%@EH@%
slanting-eyed.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.IX,l. 502

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME400     @%%@2@%   A companion's words of persuasion are effective.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XI,l. 793

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME410     @%%@2@%   It was built against the will of the immortal gods, and so it did not%@EH@%
last for long.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XII,l. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME420     @%%@2@%   The single best augury is to fight for one's country.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XII,l. 243

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME430     @%%@2@%   There is a strength in the union even of very sorry men.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XIII,l. 237

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME440     @%%@2@%   There is a fullness of all things, even of sleep and of love.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XIII,l. 636

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME450     @%%@2@%   You will certainly not be able to take the lead in all things yourself,%@EH@%
for to one man a god has given deeds of war, and to another the dance, to
another the lyre and song, and in another wide-sounding Zeus puts a good
mind.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XIII,l. 729

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME460     @%%@2@%   It is not possible to fight beyond your strength, even if you strive.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XIII,l. 787

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME470     @%%@2@%   She [Aphrodite] spoke and loosened from her bosom the embroidered girdle%@EH@%
of many colors into which all her allurements were fashioned. In it was love
and in it desire and in it blandishing persuasion which steals the mind even
of the wise.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XIV,l. 214

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sleep, the brother of Death.-Hesiod [c. 700  B.C. ], The Theogony, l. 756
See Virgil, Daniel, Shakespeare, and Shelley  Sleep, Death's twin
brother.-Tennyson, In Memoriam [1850], pt. LXVIII  %@EF@%
%@QR:Homer@%%@CR:B700HOME480     @%%@2@%   There she met sleep, the brother of death.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XIV,l. 231and XVI, l. 672

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME505     @%%@2@%   Ocean, who is the source of all.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XIV,l. 246

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME510     @%%@2@%   The hearts of the noble may be turned [by entreaty].%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XV,l. 203

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME515     @%%@2@%   It is not unseemly for a man to die fighting in defense of his country. 1%@EH@%
%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XV,l. 496

%@NL@%%@AI@%1 See Horace%@BO:           da678@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME520     @%%@2@%   Of men who have a sense of honor, more come through alive than are slain,%@EH@%
but from those who flee comes neither glory nor any help.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XV,l. 563

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME530     @%%@2@%   The outcome of the war is in our hands; the outcome of words is in the%@EH@%
council.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XVI,l. 630

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME540     @%%@2@%   But he, mighty man, lay mightily in the whirl of dust, forgetful of his%@EH@%
horsemanship.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XVI,l. 775

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME550     @%%@2@%   Once harm has been done, even a fool understands it.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XVII,l. 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Aristotle  Of two evils, the least should be chosen.-Cicero [106-43
B.C. ], De Officiis, III, 1  Of harmes two, the lesse is for to
chese.-Chaucer, Troilus and Criseyde [1372-1386], bk. II, l. 470  Of two
evils the less is always to be chosen.-Thomas aKempis [1380-1471], Imitation
of Christ, bk. III, ch. 12  %@EF@%
%@QR:Homer@%%@CR:B700HOME560     @%%@2@%   The most preferable of evils.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XVII,l. 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME600     @%%@2@%   Surely there is nothing more wretched than a man, of all the things which%@EH@%
breathe and move upon the earth. 1 %@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XVII,l. 446

%@NL@%%@AI@%1 See Aristophanes%@BO:           ab4c4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME610     @%%@2@%   Sweeter it [wrath] is by far than the honeycomb dripping with sweetness,%@EH@%
and spreads through the hearts of men.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XVIII,l. 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME620     @%%@2@%   I too shall lie in the dust when I am dead, but now let me win noble%@EH@%
renown.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XVIII,l. 120

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME630     @%%@2@%   Zeus does not bring all men's plans to fulfillment.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XVIII,l. 328

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME640     @%%@2@%   The Erinyes, who exact punishment of men underground if one swears a%@EH@%
false oath.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XIX,l. 259

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME650     @%%@2@%   Not even Achilles will bring all his words to fulfillment.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XX,l. 369

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME660     @%%@2@%   Miserable mortals who, like leaves, at one moment flame with life, eating%@EH@%
the produce of the land, and at another moment weakly perish.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XXI,l. 463

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME670     @%%@2@%   It is entirely seemly for a young man killed in battle to lie mangled by%@EH@%
the bronze spear. In his death all things appear fair. But when dogs shame
the gray head and gray chin and nakedness of an old man killed, it is the
most piteous thing that happens among wretched mortals.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XXII,l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME680     @%%@2@%   Then the father held out the golden scales, and in them he placed two%@EH@%
fates of dread death.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XXII,l. 209

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME690     @%%@2@%   There are no compacts between lions and men, and wolves and lambs have no%@EH@%
concord.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XXII,l. 262

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME700     @%%@2@%   By the ships there lies a dead man, unwept, unburied: Patroclus. 1  2  3%@EH@%
4  5  6 %@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XXII,l. 386

%@NL@%%@AI@%1 See Horace%@BO:           dbc74@%%@AE@%
%@AI@%2 See Chaucer%@BO:          11dbf8@%%@AE@%
%@AI@%3 See Shakespeare%@BO:          1bd63c@%%@AE@%
%@AI@%4 See Milton%@BO:          2400f1@%%@AE@%
%@AI@%5 See Scott%@BO:          348306@%%@AE@%
%@AI@%6 See Byron%@BO:          37b671@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME710     @%%@2@%   Remembering this, he wept bitterly, lying now on his side, now on his%@EH@%
back, now on his face.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XXIV,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME720     @%%@2@%   The fates have given mankind a patient soul.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XXIV,l. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME730     @%%@2@%   Thus have the gods spun the thread for wretched mortals: that they live%@EH@%
in grief while they themselves are without cares; for two jars stand on the
floor of Zeus of the gifts which he gives, one of evils and another of
blessings.%@NL@%
%@NL@%
Homer
%@NL@%The Iliad, bk.XXIV,l. 525

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME740     @%%@2@%   Tell me, muse, of the man of many resources 1  who wandered far and wide%@EH@%
after he sacked the holy citadel of Troy, and he saw the cities and learned
the thoughts of many men, and on the sea he suffered in his heart many woes.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.I,l. 1

%@NL@%%@AI@%1 See Pope%@BO:          29c2ba@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME750     @%%@2@%   By their own follies they perished, the fools.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.I,l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME760     @%%@2@%   Look now how mortals are blaming the gods, for they say that evils come%@EH@%
from us, but in fact they themselves have woes beyond their share because of
their own follies.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.I,l. 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also familiar as: In the lap of the gods.  %@EF@%
%@QR:Homer@%%@CR:B700HOME770     @%%@2@%   Surely these things lie on the knees of the gods.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.I,l. 267

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME780     @%%@2@%   You ought not to practice childish ways, since you are no longer that%@EH@%
age. 1 %@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.I,l. 296

%@NL@%%@AI@%1 See I Corinthians 13:11%@BO:           6bfbe@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME790     @%%@2@%   For rarely are sons similar to their fathers: most are worse, and a few%@EH@%
are better than their fathers.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.II,l. 276

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME800     @%%@2@%   Gray-eyed Athena sent them a favorable breeze, a fresh west wind, singing%@EH@%
over the wine-dark sea.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.II,l. 420

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME810     @%%@2@%   A young man is embarrassed to question an older one.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.III,l. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME820     @%%@2@%   All men have need of the gods.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.III,l. 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME830     @%%@2@%   The minds of the everlasting gods are not changed suddenly.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.III,l. 147

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME840     @%%@2@%   A small rock holds back a great wave.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.III,l. 296

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME850     @%%@2@%   No mortal could vie with Zeus, for his mansions and his possessions are%@EH@%
deathless.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.IV,l. 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME860     @%%@2@%   She [Helen] threw into the wine which they were drinking a drug which%@EH@%
takes away grief and passion and brings forgetfulness of all ills.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.IV,l. 220

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME870     @%%@2@%   The immortals will send you to the Elysian plain at the ends of the%@EH@%
earth, where fair-haired Rhadamanthys is. There life is supremely easy for
men. No snow is there, nor ever heavy winter storm, nor rain, and Ocean is
ever sending gusts of the clear-blowing west wind to bring coolness to men.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.IV,l. 563

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The majesty of the gods is revealed, and their peaceful abodes, which
neither the winds shake nor clouds soak with showers, nor does the snow
congealed with biting frost besmirch them with its white fall, but an ever
cloudless sky vaults them over, and smiles with light bounteously spread
abroad.-Lucretius [95-55  B.C. ], De Rerum Natura, bk. III, l. 18  %@EF@%
%@QR:Homer@%%@CR:B700HOME880     @%%@2@%   Olympus, where they say there is an abode of the gods, ever unchanging:%@EH@%
it is neither shaken by winds nor ever wet with rain, nor does snow come
near it, but clear weather spreads cloudless about it, and a white radiance
stretches above it.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.VI,l. 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME900     @%%@2@%   May the gods grant you all things which your heart desires, and may they%@EH@%
give you a husband and a home and gracious concord, for there is nothing
greater and better than this-when a husband and wife keep a household in
oneness of mind, a great woe to their enemies and joy to their friends, and
win high renown.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.VI,l. 180

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME910     @%%@2@%   All strangers and beggars are from Zeus, and a gift, though small, is%@EH@%
precious. 1 %@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.VI,l. 207

%@NL@%%@AI@%1 See Theocritus%@BO:           bce8e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME920     @%%@2@%   Their ships are swift as a bird or a thought.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.VII,l. 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME930     @%%@2@%   We are quick to flare up, we races of men on the earth.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.VII,l. 307

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME940     @%%@2@%   So it is that the gods do not give all men gifts of grace-neither good%@EH@%
looks nor intelligence nor eloquence.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.VIII,l. 167

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME950     @%%@2@%   Evil deeds do not prosper; the slow man catches up with the swift.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.VIII,l. 329

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME960     @%%@2@%   Even if you gods, and all the goddesses too, should be looking on, yet%@EH@%
would I be glad to sleep with golden Aphrodite.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.VIII,l. 341

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME970     @%%@2@%   Among all men on the earth bards have a share of honor and reverence,%@EH@%
because the muse has taught them songs and loves the race of bards.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.VIII,l. 479

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME980     @%%@2@%   Thus she spoke; and I longed to embrace my dead mother's ghost. Thrice I%@EH@%
tried to clasp her image, and thrice it slipped through my hands, like a
shadow, like a dream. 1 %@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XI,l. 204

%@NL@%%@AI@%1 See Virgil%@BO:           d4885@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Virgil  Then the omnipotent Father with his thunder made Olympus
tremble, and from Ossa hurled Pelion.-Ovid [43  B.C. - A.D.  17],
Metamorphoses, I, l. 154  I would have you call to mind the strength of the
ancient giants, that undertook to lay the high mountain Pelion on the top of
Ossa, and set among those the shady Olympus.-Rabelais, Works, bk. IV [1548],
ch. 38  %@EF@%
%@QR:Homer@%%@CR:B700HOME990     @%%@2@%   They strove to pile Ossa on Olympus, and on Ossa Pelion with its leafy%@EH@%
forests, that they might scale the heavens.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XI,l. 315

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1020    @%%@2@%   There is a time for many words, and there is also a time for sleep. 1 %@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XI,l. 379

%@NL@%%@AI@%1 See Ecclesiastes 3:7%@BO:           34c4b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1030    @%%@2@%   There is nothing more dread and more shameless than a woman who plans%@EH@%
such deeds in her heart as the foul deed which she plotted when she
contrived her husband's murder.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XI,l. 427

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1040    @%%@2@%   In the extravagance of her evil she has brought shame both on herself and%@EH@%
on all women who will come after her, even on one who is virtuous.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XI,l. 432

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1050    @%%@2@%   Therefore don't you be gentle to your wife either. Don't tell her%@EH@%
everything you know, but tell her one thing and keep another thing hidden. 1
%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XI,l. 441

%@NL@%%@AI@%1 See Fuller%@BO:          23224a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1060    @%%@2@%   There is no more trusting in women.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XI,l. 456

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1070    @%%@2@%   I should rather labor as another's serf, in the home of a man without%@EH@%
fortune, one whose livelihood was meager, than rule over all the departed
dead.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XI,l. 489

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1080    @%%@2@%   Friends, we have not till now been unacquainted with misfortunes.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XII,l. 208

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1090    @%%@2@%   It is tedious to tell again tales already plainly told. 1 %@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XII,l. 452

%@NL@%%@AI@%1 See Shakespeare%@BO:          193116@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1100    @%%@2@%   The wine urges me on, the bewitching wine, which sets even a wise man to%@EH@%
singing and to laughing gently and rouses him up to dance and brings forth
words which were better unspoken.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XIV,l. 463

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1110    @%%@2@%   It is equally wrong to speed a guest who does not want to go, and to keep%@EH@%
one back who is eager. You ought to make welcome the present guest, and send
forth the one who wishes to go. 1 %@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XV,l. 72

%@NL@%%@AI@%1 See Pope%@BO:          2a4c2f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1120    @%%@2@%   Even his griefs are a joy long after to one that remembers all that he%@EH@%
wrought and endured. 1 %@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XV,l. 400

%@NL@%%@AI@%1 See Virgil%@BO:           d3662@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Ecclesiasticus 13:16, Heywood, and Robert Burton  Like to
like.-Aristotle, Rhetoric, bk. I, ch. 2, sec. 25  %@EF@%
%@QR:Homer@%%@CR:B700HOME1130    @%%@2@%   God always pairs off like with like.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XVII,l. 218

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1140    @%%@2@%   Bad herdsmen ruin their flocks.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XVII,l. 246

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1150    @%%@2@%   Wide-sounding Zeus takes away half a man's worth on the day when slavery%@EH@%
comes upon him.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XVII,l. 322

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1160    @%%@2@%   Then dark death seized Argus, as soon as he had seen Odysseus in the%@EH@%
twentieth year.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XVII,l. 326

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1170    @%%@2@%   The gods, likening themselves to all kinds of strangers, go in various%@EH@%
disguises from city to city, observing the wrongdoing and the righteousness
of men.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XVII,l. 485

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1180    @%%@2@%   Nothing feebler than a man does the earth raise up, of all the things%@EH@%
which breathe and move on the earth, for he believes that he will never
suffer evil in the future, as long as the gods give him success and he
flourishes in his strength; but when the blessed gods bring sorrows too to
pass, even these he bears, against his will, with steadfast spirit, for the
thoughts of earthly men are like the day which the father of gods and men
brings upon them.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XVIII,l. 130

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1190    @%%@2@%   Men flourish only for a moment. 1 %@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XIX,l. 328

%@NL@%%@AI@%1 See Psalm 103:15%@BO:           287f1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1200    @%%@2@%   Dreams surely are difficult, confusing, and not everything in them is%@EH@%
brought to pass for mankind. For fleeting dreams have two gates: one is
fashioned of horn and one of ivory. Those which pass through the one of sawn
ivory are deceptive, bringing tidings which come to nought, but those which
issue from the one of polished horn bring true results when a mortal sees
them. 1 %@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XIX,l. 560

%@NL@%%@AI@%1 See Virgil%@BO:           d6254@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1210    @%%@2@%   Endure, my heart: you once endured something even more dreadful.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XX,l. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1220    @%%@2@%   Your heart is always harder than a stone.%@NL@%%@EH@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XXIII,l. 103

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Homer@%%@CR:B700HOME1230    @%%@2@%   Therefore the fame of her excellence will never perish, and the immortals%@EH@%
will fashion among earthly men a gracious song in honor of faithful
Penelope.%@NL@%
%@NL@%
Homer
%@NL@%The Odyssey, bk.XXIV,l. 196

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Hesiod%@AE@%%@EH@%
%@NL@%
%@AB@%c. 700  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI10      @%%@2@%   With the muses of Helicon let us begin our singing.%@NL@%%@EH@%
%@NL@%
Hesiod
%@NL@%The Theogonyl. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI20      @%%@2@%   They once taught Hesiod beauteous song, when he was shepherding his sheep%@EH@%
below holy Helicon.%@NL@%
%@NL@%
Hesiod
%@NL@%The Theogonyl. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI30      @%%@2@%   We know how to speak many falsehoods which resemble real things, but we%@EH@%
know, when we will, how to speak true things.%@NL@%
%@NL@%
Hesiod
%@NL@%The Theogonyl. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI40      @%%@2@%   On his tongue they pour sweet dew, and from his mouth flow gentle words.%@EH@%
1 %@NL@%
%@NL@%
Hesiod
%@NL@%The Theogonyl. 83

%@NL@%%@AI@%1 See Coleridge%@BO:          34f170@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI50      @%%@2@%   Love, who is most beautiful among the immortal gods, the melter of limbs,%@EH@%
overwhelms in their hearts the intelligence and wise counsel of all gods and
all men.%@NL@%
%@NL@%
Hesiod
%@NL@%The Theogonyl. 120

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI60      @%%@2@%   From their eyelids as they glanced dripped love.%@NL@%%@EH@%
%@NL@%
Hesiod
%@NL@%The Theogonyl. 910

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI70      @%%@2@%   There was not after all a single kind of strife, but on the earth there%@EH@%
are two kinds: one of them a man might praise when he recognized her, but
the other is blameworthy.%@NL@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI80      @%%@2@%   Potter bears a grudge against potter, and craftsman against craftsman,%@EH@%
and beggar is envious of beggar, and bard of bard. 1  2 %@NL@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 25

%@NL@%%@AI@%1 See Gay%@BO:          296ec0@%%@AE@%
%@AI@%2 See Meredith%@BO:          47a0b5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI90      @%%@2@%   Fools, they do not even know how much more is the half than the whole. 1 %@NL@%%@EH@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 40

%@NL@%%@AI@%1 See Browning%@BO:          41444b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI100     @%%@2@%   Often an entire city has suffered because of an evil man.%@NL@%%@EH@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 240

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI110     @%%@2@%   He harms himself who does harm to another, and the evil plan is most%@EH@%
harmful to the planner.%@NL@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 265

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI120     @%%@2@%   Badness you can get easily, in quantity: the road is smooth, and it lies%@EH@%
close by. But in front of excellence the immortal gods have put sweat, and
long and steep is the way to it, and rough at first. But when you come to
the top, then it is easy, even though it is hard. 1 %@NL@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 287

%@NL@%%@AI@%1 See Matthew 7:13-4%@BO:           50e61@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI130     @%%@2@%   A bad neighbor is a misfortune, as much as a good one is a great%@EH@%
blessing.%@NL@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 346

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI140     @%%@2@%   Do not seek evil gains; evil gains are the equivalent of disaster.%@NL@%%@EH@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 352

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI150     @%%@2@%   If you should put even a little on a little, and should do this often,%@EH@%
soon this too would become big. 1  2 %@NL@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 361

%@NL@%%@AI@%1 See Chaucer%@BO:          12641c@%%@AE@%
%@AI@%2 See Cervantes%@BO:          14f657@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI160     @%%@2@%   At the beginning of a cask and at the end take your fill; in the middle%@EH@%
be sparing.%@NL@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 368

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI170     @%%@2@%   The dawn speeds a man on his journey, and speeds him too in his work.%@NL@%%@EH@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 579

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI180     @%%@2@%   Observe due measure, for right timing is in all things the most important%@EH@%
factor.%@NL@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 694

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hesiod@%%@CR:B690HESI190     @%%@2@%   Gossip is mischievous, light and easy to raise, but grievous to bear and%@EH@%
hard to get rid of. No gossip ever dies away entirely, if many people voice
it: it too is a kind of divinity.%@NL@%
%@NL@%
Hesiod
%@NL@%Works and Daysl. 761

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Archilochus%@AE@%%@EH@%
%@NL@%
%@AB@%Early seventh century  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Archilochus@%%@CR:B680ARCH10      @%%@2@%   I have saved myself-what care I for that shield? Away with it! I'll get%@EH@%
another one no worse.%@NL@%
%@NL@%
Archilochus
%@NL@%Fragment 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Archilochus@%%@CR:B680ARCH20      @%%@2@%   Old women should not seek to be perfumed.%@NL@%%@EH@%
%@NL@%
Archilochus
%@NL@%Fragment 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The fox has many tricks, and the hedgehog has only one, but that is the best
of all.-Erasmus, Adagia [1500]  %@EF@%
%@QR:Archilochus@%%@CR:B680ARCH30      @%%@2@%   The fox knows many things, but the hedgehog knows one great thing.%@NL@%%@EH@%
%@NL@%
Archilochus
%@NL@%Fragment 103

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Mimnermus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 650 - c. 590  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Mimnermus@%%@CR:B650MIMN10      @%%@2@%   What life is there, what delight, without golden Aphrodite?%@NL@%%@EH@%
%@NL@%
Mimnermus
%@NL@%Fragment 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Seven Sages%@AE@%%@EH@%
%@AB@%c. 650 - c. 550  B.C. %@AE@%
%@FN@%
Sayings throughout antiquity were variously attributed to the figures known
as the Seven Sages. The list is commonly given as Thales, Solon, Periander,
Cleobulus, Chilon, Bias, Pittacus. (See Solon, below.)  %@EF@%
%@NL@%%@NL@%

%@QR:The Seven Sages@%%@CR:B650SEVS10      @%%@2@%   Know thyself.%@NL@%%@EH@%
%@NL@%
The Seven Sages, Bias, Chilon, Cleobulus, Periander, Pittacus,
Solon, Thales
%@NL@%Inscription at the Delphic Oracle. From Plutarch, Morals

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Spare your breath to cool your porridge.-Rabelais, Works, bk. V [1552], ch.
28  %@EF@%
%@QR:The Seven Sages@%%@CR:B650SEVS20      @%%@2@%   Hesiod might as well have kept his breath to cool his pottage.%@NL@%%@EH@%
%@NL@%
The Seven Sages, Bias, Chilon, Cleobulus, Periander, Pittacus,
Solon, Thales
%@NL@%Periander.From Plutarch,
The Banquet of the Seven Wise Men, sec. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Seven Sages@%%@CR:B650SEVS40      @%%@2@%   Every one of you hath his particular plague, and my wife is mine; and he%@EH@%
is very happy who hath this only.%@NL@%
%@NL@%
The Seven Sages, Bias, Chilon, Cleobulus, Periander, Pittacus,
Solon, Thales
%@NL@%Pittacus.From Plutarch,
Morals, On the Tranquillity of the Mind

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Seven Sages@%%@CR:B650SEVS50      @%%@2@%   Nothing too much. 1  2  3  4  5 %@NL@%%@EH@%
%@NL@%
The Seven Sages, Bias, Chilon, Cleobulus, Periander, Pittacus,
Solon, Thales
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. I, sec.63

%@NL@%%@AI@%1 See Terence%@BO:           c200e@%%@AE@%
%@AI@%2 See Horace%@BO:           d9ecb@%%@AE@%
%@AI@%3 See Lucan%@BO:           efbb3@%%@AE@%
%@AI@%4 See Anonymous Latin%@BO:          10bf8f@%%@AE@%
%@AI@%5 See Voltaire%@BO:          2ae5b9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Latin form: De mortuis nil nisi bonum [Of the dead, nothing but good].
See Propertius  %@EF@%
%@QR:The Seven Sages@%%@CR:B650SEVS60      @%%@2@%   Do not speak ill of the dead.%@NL@%%@EH@%
%@NL@%
The Seven Sages, Bias, Chilon, Cleobulus, Periander, Pittacus,
Solon, Thales
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. I, sec.70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Seven Sages@%%@CR:B650SEVS80      @%%@2@%   Not even the gods fight against necessity. 1 %@NL@%%@EH@%
%@NL@%
The Seven Sages, Bias, Chilon, Cleobulus, Periander, Pittacus,
Solon, Thales
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. I, sec.77

%@NL@%%@AI@%1 See Euripides%@BO:           a3000@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Occasionem cognosce.  %@EF@%
%@QR:The Seven Sages@%%@CR:B650SEVS90      @%%@2@%   Know the right moment.%@NL@%%@EH@%
%@NL@%
The Seven Sages, Bias, Chilon, Cleobulus, Periander, Pittacus,
Solon, Thales
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. I, sec.79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Seven Sages@%%@CR:B650SEVS100     @%%@2@%   Rule will show the man.%@NL@%%@EH@%
%@NL@%
The Seven Sages, Bias, Chilon, Cleobulus, Periander, Pittacus,
Solon, Thales
%@NL@%Bias.From Aristotle,
Nicomachean Ethics, bk. V, ch. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Solon%@AE@%%@EH@%
%@NL@%
%@AB@%c. 638 - c. 559  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Solon@%%@CR:B638SOLO10      @%%@2@%   Many evil men are rich, and good men poor, but we shall not exchange with%@EH@%
them our excellence for riches.%@NL@%
%@NL@%
Solon
%@NL@%Fragment 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Solon@%%@CR:B638SOLO20      @%%@2@%   Poets tell many lies.%@NL@%%@EH@%
%@NL@%
Solon
%@NL@%Fragment 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Solon@%%@CR:B638SOLO30      @%%@2@%   I grow old ever learning many things. 1 %@NL@%%@EH@%
%@NL@%
Solon
%@NL@%Fragment 22

%@NL@%%@AI@%1 See Plato%@BO:           afb04@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Solon@%%@CR:B638SOLO40      @%%@2@%   Speech is the image of actions.%@NL@%%@EH@%
%@NL@%
Solon
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. I, sec. 58

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Solon@%%@CR:B638SOLO60      @%%@2@%   Let us sacrifice to the Muses.%@NL@%%@EH@%
%@NL@%
Solon
%@NL@%From Plutarch, The Banquet of the Seven Wise Men

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Solon@%%@CR:B638SOLO70      @%%@2@%   Until he is dead, do not yet call a man happy, but only lucky. 1  2  3 %@NL@%%@EH@%
%@NL@%
Solon
%@NL@%%@FN@%
Herodotus attributed these words to Solon.  %@EF@%
From Herodotus,
bk. I, ch. 32

%@NL@%%@AI@%1 See Ecclesiasticus 11:28%@BO:           4a21d@%%@AE@%
%@AI@%2 See Aeschylus%@BO:           9821f@%%@AE@%
%@AI@%3 See Sophocles%@BO:           9d6d5@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Stesichorus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 630 - c. 555  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Stesichorus allegedly went blind after writing an account of Helen's perfidy
to Menelaus in his Helen, but was cured after he composed a palinode,
denying that Helen ever went to Troy and blaming Homer for the story.  %@EF@%
%@QR:Stesichorus@%%@CR:B630STES10      @%%@2@%   This tale is not true: you [Helen] did not even board the well-benched%@EH@%
ships, and you did not go to the citadel of Troy.%@NL@%
%@NL@%
Stesichorus
%@NL@%Fragment 11

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alcaeus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 625 - c. 575  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Earliest references to what became the proverb In vino veritas (In wine is
truth), which was known to Plato (Symposium, 217) and to Pliny the Elder [
A.D.  23-79], Natural History, XIV, 141.  %@EF@%
%@QR:Alcaeus@%%@CR:B625ALCA10      @%%@2@%   Wine, dear boy, and truth.%@NL@%%@EH@%
%@NL@%
Alcaeus
%@NL@%Fragment 66

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Earliest references to what became the proverb In vino veritas (In wine is
truth), which was known to Plato (Symposium, 217) and to Pliny the Elder [
A.D.  23-79], Natural History, XIV, 141.  %@EF@%
%@QR:Alcaeus@%%@CR:B625ALCA30      @%%@2@%   Wine is a peep-hole on a man.%@NL@%%@EH@%
%@NL@%
Alcaeus
%@NL@%Fragment 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Part of what is probably the oldest poem using the image of the ship of
state.  See Sophocles  %@EF@%
%@QR:Alcaeus@%%@CR:B625ALCA40      @%%@2@%   Let us run into a safe harbor.%@NL@%%@EH@%
%@NL@%
Alcaeus
%@NL@%Fragment 120

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anacharsis%@AE@%%@EH@%
%@NL@%
%@AB@%fl. c. 600  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
"How thick do you judge the planks of our ship to be?" "Some two good inches
and upward," returned the pilot. "It seems, then, we are within two fingers'
breadth of damnation."-Rabelais, Works, bk. IV [1548], ch. 23  %@EF@%
%@QR:Anacharsis@%%@CR:B625ANAC10      @%%@2@%   On learning that the sides of a ship were four fingers thick] The%@EH@%
passengers are just that distance from death.%@NL@%
%@NL@%
Anacharsis
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, Anacharsis, 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anacharsis@%%@CR:B625ANAC30      @%%@2@%   Anacharsis] laughed at him [Solon] for imagining the dishonesty and%@EH@%
covetousness of his countrymen could be restrained by written laws, which
were like spiders' webs, and would catch, it is true, the weak and poor, but
easily be broken by the mighty and rich. 1  2 %@NL@%
%@NL@%
Anacharsis
%@NL@%From Plutarch, Lives, Life of Solon

%@NL@%%@AI@%1 See Zincgref%@BO:          21f7e6@%%@AE@%
%@AI@%2 See Swift%@BO:          284c39@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Literally: Anacharsis said [to Solon] that in Greece wise men spoke and
fools decided.  %@EF@%
%@QR:Anacharsis@%%@CR:B625ANAC40      @%%@2@%   In Greece wise men speak and fools decide.%@NL@%%@EH@%
%@NL@%
Anacharsis
%@NL@%From Plutarch, Lives, Life of Solon

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sappho%@AE@%%@EH@%
%@NL@%
%@AB@%c. 612  B.C. %@AE@%
%@FN@%
Some say there are nine Muses: but they're wrong./Look at Sappho of Lesbos;
she makes ten.-Plato, no. 36; translated by Peter Jay in his edition of The
Greek Anthology [1973]  %@EF@%
%@NL@%%@NL@%

%@FN@%
Or "with your intricate charms."  %@EF@%
%@QR:Sappho@%%@CR:B612SAPP10      @%%@2@%   Deathless Aphrodite on your rich-wrought throne.%@NL@%%@EH@%
%@NL@%
Sappho
%@NL@%Fragment 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sappho@%%@CR:B612SAPP30      @%%@2@%   Equal to the gods seems to me that man who sits facing you and hears you%@EH@%
nearby sweetly speaking and softly laughing. This sets my heart to
fluttering in my breast, for when I look on you a moment, then can I speak
no more, but my tongue falls silent, and at once a delicate flame courses
beneath my skin, and with my eyes I see nothing, and my ears hum, and a cold
sweat bathes me, and a trembling seizes me all over, and I am paler than
grass, and I feel that I am near to death. 1 %@NL@%
%@NL@%
Sappho
%@NL@%Fragment 2

%@NL@%%@AI@%1 See Catullus%@BO:           ce2c4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sappho@%%@CR:B612SAPP40      @%%@2@%   The stars about the lovely moon hide their shining forms when it lights%@EH@%
up the earth at its fullest.%@NL@%
%@NL@%
Sappho
%@NL@%Fragment 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sappho@%%@CR:B612SAPP50      @%%@2@%   I loved you once long ago, Athis . . . you seemed to me a small, ungainly%@EH@%
child.%@NL@%
%@NL@%
Sappho
%@NL@%Fragments 40-41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sappho@%%@CR:B612SAPP60      @%%@2@%   The moon has set, and the Pleiades; it is midnight, and time passes, and%@EH@%
I sleep alone. 1 %@NL@%
%@NL@%
Sappho
%@NL@%Fragment 94

%@NL@%%@AI@%1 See Housman%@BO:          51a318@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sappho@%%@CR:B612SAPP70      @%%@2@%   Sweet mother, I cannot ply the loom, vanquished by desire for a youth%@EH@%
through the work of soft Aphrodite.%@NL@%
%@NL@%
Sappho
%@NL@%Fragment 114

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sappho@%%@CR:B612SAPP80      @%%@2@%   As an apple reddens on the high bough; high atop the highest bough the%@EH@%
apple pickers passed it by-no, not passed it by, but they could not reach
it.%@NL@%
%@NL@%
Sappho
%@NL@%Fragment 116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Mary Barnard [1962].  See Meleager, and Housman  %@EF@%
%@QR:Sappho@%%@CR:B612SAPP100     @%%@2@%   Hesperus, you herd homeward whatever Dawn's light dispersed: you herd%@EH@%
sheep-herd goats-herd children home to their mothers.%@NL@%
%@NL@%
Sappho
%@NL@%Fragment 120

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lao-tzu%@AE@%%@EH@%
%@NL@%
%@AB@%c. 604 - c. 531  B.C. %@AE@%
%@FN@%
From The Way of Lao-tzu, translated by Wing-tsit Chan.  %@EF@%
%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT10      @%%@2@%The Tao [Way] that can be told of is not the eternal Tao;%@NL@%%@EH@%
The name that can be named is not the eternal name.%@NL@%
The Nameless is the origin of Heaven and Earth;%@NL@%
The Named is the mother of all things.%@NL@%
Therefore let there always be non-being, so we may see their subtlety,%@NL@%
And let there always be being, so we may see their outcome.%@NL@%
The two are the same,%@NL@%
But after they are produced, they have different names.%@NL@%
They both may be called deep and profound.%@NL@%
Deeper and more profound,%@NL@%
The door of all subtleties!%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT20      @%%@2@%When the people of the world all know beauty as beauty,%@NL@%%@EH@%
There arises the recognition of ugliness.%@NL@%
When they all know the good as good,%@NL@%
There arises the recognition of evil.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT30      @%%@2@%In the government of the sage,%@NL@%%@EH@%
He keeps their hearts vacuous,%@NL@%
Fills their bellies,%@NL@%
Weakens their ambitions,%@NL@%
And strengthens their bones,%@NL@%
He always causes his people to be without knowledge [cunning] or desire,%@NL@%
And the crafty to be afraid to act.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Straw dogs were used in sacrifices and then discarded.  %@EF@%
%@QR:Lao-tzu@%%@CR:B604LAOT40      @%%@2@%Heaven and Earth are not humane.%@NL@%%@EH@%
They regard all things as straw dogs.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT50      @%%@2@%The spirit of the valley never dies.%@NL@%%@EH@%
It is called the subtle and profound female.%@NL@%
The gate of the subtle and profound female%@NL@%
Is the root of Heaven and Earth.%@NL@%
It is continuous, and seems to be always existing.%@NL@%
Use it and you will never wear it out.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT60      @%%@2@%The best [man] is like water.%@NL@%%@EH@%
Water is good; it benefits all things and does not compete with them.%@NL@%
It dwells in [lowly] places that all disdain.%@NL@%
This is why it is so near to Tao.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT70      @%%@2@%To produce things and to rear them,%@NL@%%@EH@%
To produce, but not to take possession of them,%@NL@%
To act, but not to rely on one's own ability,%@NL@%
To lead them, but not to master them-%@NL@%
This is called profound and secret virtue.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT80      @%%@2@%He who loves the world as his body may be entrusted with the empire.%@NL@%%@EH@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT90      @%%@2@%We look at it [Tao] and do not see it;%@NL@%%@EH@%
Its name is The Invisible.%@NL@%
We listen to it and do not hear it;%@NL@%
Its name is The Inaudible.%@NL@%
We touch it and do not find it;%@NL@%
Its name is The Subtle [formless].%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT100     @%%@2@%It is The Vague and Elusive.%@NL@%%@EH@%
Meet it and you will not see its head.%@NL@%
Follow it and you will not see its back.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT110     @%%@2@%Manifest plainness,%@NL@%%@EH@%
Embrace simplicity,%@NL@%
Reduce selfishness,%@NL@%
Have few desires.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT120     @%%@2@%Abandon learning and there will be no sorrow.%@NL@%%@EH@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT130     @%%@2@%To yield is to be preserved whole.%@NL@%%@EH@%
To be bent is to become straight.%@NL@%
To be empty is to be full.%@NL@%
To be worn out is to be renewed.%@NL@%
To have little is to possess.%@NL@%
To have plenty is to be perplexed. 1 %@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu22

%@NL@%%@AI@%1 See the Beatitudes, Matthew 5:3-1%@BO:           4e2b2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT140     @%%@2@%He who knows others is wise;%@NL@%%@EH@%
He who knows himself is enlightened.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT150     @%%@2@%[The sage] never strives himself for the great, and thereby the great is%@EH@%
achieved.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT160     @%%@2@%Tao invariably takes no action, and yet there is nothing left undone.%@NL@%%@EH@%
Reversion is the action of Tao.%@NL@%
Weakness is the function of Tao.%@NL@%
All things in the world come from being.%@NL@%
And being comes from non-being.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT170     @%%@2@%When the highest type of men hear Tao,%@NL@%%@EH@%
They diligently practice it.%@NL@%
When the average type of men hear Tao,%@NL@%
They half believe in it.%@NL@%
When the lowest type of men hear Tao,%@NL@%
They laugh heartily at it.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT180     @%%@2@%The softest things in the world overcome the hardest things in the world.%@NL@%%@EH@%
Non-being penetrates that in which there is no space.%@NL@%
Through this I know the advantage of taking no action.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT190     @%%@2@%There is no calamity greater than lavish desires.%@NL@%%@EH@%
There is no greater guilt than discontentment.%@NL@%
And there is no greater disaster than greed.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I.e., the more one studies, the further one is from the Tao.  %@EF@%
%@QR:Lao-tzu@%%@CR:B604LAOT200     @%%@2@%One may know the world without going out of doors.%@NL@%%@EH@%
One may see the Way of Heaven without looking through the windows.%@NL@%
The further one goes, the less one knows.%@NL@%
Therefore the sage knows without going about,%@NL@%
Understands without seeing,%@NL@%
And accomplishes without any action.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT210     @%%@2@%He who possesses virtue in abundance%@NL@%%@EH@%
May be compared to an infant.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT220     @%%@2@%He who knows does not speak.%@NL@%%@EH@%
He who speaks does not know.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT230     @%%@2@%The more laws and order are made prominent,%@NL@%%@EH@%
The more thieves and robbers there will be.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I.e., too much handling will spoil it.  %@EF@%
%@QR:Lao-tzu@%%@CR:B604LAOT240     @%%@2@%Ruling a big country is like cooking a small fish.%@NL@%%@EH@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT250     @%%@2@%Tao is the storehouse of all things.%@NL@%%@EH@%
It is the good man's treasure and the bad man's refuge.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Traditional translation.  %@EF@%
%@QR:Lao-tzu@%%@CR:B604LAOT260     @%%@2@%A journey of a thousand miles must begin with a single step.%@NL@%%@EH@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT270     @%%@2@%People are difficult to govern because they have too much knowledge.%@NL@%%@EH@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT280     @%%@2@%I have three treasures. Guard and keep them:%@NL@%%@EH@%
The first is deep love,%@NL@%
The second is frugality,%@NL@%
And the third is not to dare to be ahead of the world.%@NL@%
Because of deep love, one is courageous.%@NL@%
Because of frugality, one is generous.%@NL@%
Because of not daring to be ahead of the world, one becomes the leader of
the world.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT290     @%%@2@%When armies are mobilized and issues joined,%@NL@%%@EH@%
The man who is sorry over the fact will win.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT300     @%%@2@%To know that you do not know is the best.%@NL@%%@EH@%
To pretend to know when you do not know is a disease. 1 %@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu71

%@NL@%%@AI@%1 See Confucius%@BO:           92aa5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT310     @%%@2@%Heaven's net is indeed vast.%@NL@%%@EH@%
Though its meshes are wide, it misses nothing. 1 %@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu73

%@NL@%%@AI@%1 See Matthew 13:47%@BO:           53b24@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT320     @%%@2@%To undertake executions for the master executioner [Heaven] is like hewing%@EH@%
wood for the master carpenter.%@NL@%
Whoever undertakes to hew wood for the master carpenter rarely escapes
injuring his own hands.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu74

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT330     @%%@2@%The Way of Heaven has no favorites.%@NL@%%@EH@%
It is always with the good man.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lao-tzu@%%@CR:B604LAOT340     @%%@2@%Let there be a small country with few people. . . . %@NL@%%@EH@%
Though neighboring communities overlook one another and the crowing of cocks
and barking of dogs can be heard,%@NL@%
Yet the people there may grow old and die without ever visiting one another.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu80

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I.e., they are not "fine-sounding."  %@EF@%
%@QR:Lao-tzu@%%@CR:B604LAOT350     @%%@2@%True words are not beautiful;%@NL@%%@EH@%
Beautiful words are not true.%@NL@%
A good man does not argue;%@NL@%
He who argues is not a good man.%@NL@%
A wise man has no extensive knowledge;%@NL@%
He who has extensive knowledge is not a wise man. 1  2  3  4  5  6 %@NL@%
The sage does not accumulate for himself.%@NL@%
The more he uses for others, the more he has himself.%@NL@%
The more he gives to others, the more he possesses of his own.%@NL@%
The Way of Heaven is to benefit others and not to injure.%@NL@%
The Way of the sage is to act but not to compete.%@NL@%

%@NL@%Lao-tzu
%@NL@%The Way of Lao-tzu81

%@NL@%%@AI@%1 See Confucius%@BO:           9288c@%%@AE@%
%@AI@%2 See Heraclitus%@BO:           95aa0@%%@AE@%
%@AI@%3 See Chaucer%@BO:          1233e3@%%@AE@%
%@AI@%4 See Selden%@BO:          219afd@%%@AE@%
%@AI@%5 See Penn%@BO:          27a628@%%@AE@%
%@AI@%6 See Newman%@BO:          3b4139@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Pythagoras%@AE@%%@EH@%
%@NL@%
%@AB@%c. 582-500  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Pythagoras@%%@CR:B582PYTH10      @%%@2@%   Friends share all things. 1  2 %@NL@%%@EH@%
%@NL@%
Pythagoras
%@NL@%%@FN@%
Translated by R. D. Hicks (Loeb Classical Library).  %@EF@%
From Diogenes Laertius, Lives of Eminent Philosophers,
bk. VIII, sec.10

%@NL@%%@AI@%1 See Plato%@BO:           ad585@%%@AE@%
%@AI@%2 See Sallust%@BO:           cfd1a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pythagoras@%%@CR:B582PYTH20      @%%@2@%   Don't eat your heart.%@NL@%%@EH@%
%@NL@%
Pythagoras
%@NL@%From Diogenes Laertius, Lives of Eminent Philosophers,
bk. VIII, sec.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pythagoras@%%@CR:B582PYTH30      @%%@2@%   Reason is immortal, all else mortal.%@NL@%%@EH@%
%@NL@%
Pythagoras
%@NL@%From Diogenes Laertius, Lives of Eminent Philosophers,
bk. VIII, sec.30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pythagoras@%%@CR:B582PYTH40      @%%@2@%   The most momentous thing in human life is the art of winning the soul to%@EH@%
good or to evil.%@NL@%
%@NL@%
Pythagoras
%@NL@%From Diogenes Laertius, Lives of Eminent Philosophers,
bk. VIII, sec.32

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ibycus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 580  B.C. %@AE@%
%@FN@%
Associated with Ibycus is the phrase: the cranes of Ibycus. It derives from
the legend that Ibycus was murdered at sea and his murderers were discovered
through cranes that followed the ship. Hence, "the cranes of Ibycus" became
a term for the agency of the gods in revealing crime.  %@EF@%
%@NL@%%@NL@%

%@QR:Ibycus@%%@CR:B580IBYC20      @%%@2@%   There is no medicine to be found for a life which has fled.%@NL@%%@EH@%
%@NL@%
Ibycus
%@NL@%Fragment 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ibycus@%%@CR:B580IBYC30      @%%@2@%   An argument needs no reason, nor a friendship.%@NL@%%@EH@%
%@NL@%
Ibycus
%@NL@%Fragment 40

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Aesop%@AE@%%@EH@%
%@NL@%
%@AB@%fl. c. 550  B.C. %@AE@%
%@FN@%
Animal fables from before Aesop's time and after were attributed to him. The
first collection was made two hundred years after his death. See also La
Fontaine  %@EF@%
%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO10      @%%@2@%   The lamb . . . began to follow the wolf in sheep's clothing.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Wolf in Sheep's Clothing

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO20      @%%@2@%   Appearances often are deceiving.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Wolf in Sheep's Clothing

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
To swallow gudgeons ere they're catched/And count their chickens ere they're
hatched.-Samuel Butler, Hudibras, pt. II [1664], canto 3, l. 923  %@EF@%
%@QR:Aesop@%%@CR:B575AESO30      @%%@2@%   Do not count your chickens before they are hatched.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Milkmaid and Her Pail

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The fox, when he cannot reach the grapes, says they are not ripe.-George
Herbert, Jacula Prudentum [1640]  "They are too green," he said, "and only
good for fools."-La Fontaine, Fables, bk. III [1668], fable 11, The Fox and
the Grapes  %@EF@%
%@QR:Aesop@%%@CR:B575AESO50      @%%@2@%   I am sure the grapes are sour.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Fox and the Grapes

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO70      @%%@2@%   No act of kindness, no matter how small, is ever wasted.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Lion and the Mouse

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO80      @%%@2@%   Slow and steady wins the race.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Hare and the Tortoise

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO90      @%%@2@%   Familiarity breeds contempt. 1 %@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Fox and the Lion

%@NL@%%@AI@%1 See Mark Twain%@BO:          4a8745@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO100     @%%@2@%   The boy cried "Wolf, wolf!" and the villagers came out to help him.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Shepherd Boy and the Wolf

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO110     @%%@2@%   A crust eaten in peace is better than a banquet partaken in anxiety. 1 %@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Town Mouse and the Country Mouse

%@NL@%%@AI@%1 See Proverbs 15:17%@BO:           2ed79@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO120     @%%@2@%   Borrowed plumes.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Jay and the Peacock

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO130     @%%@2@%   It is not only fine feathers that make fine birds.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Jay and the Peacock

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO140     @%%@2@%   Self-conceit may lead to self-destruction.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Frog and the Ox

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO150     @%%@2@%   People often grudge others what they cannot enjoy themselves.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Dog in the Manger

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO160     @%%@2@%   It is thrifty to prepare today for the wants of tomorrow.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Ant 1  and the Grasshopper

%@NL@%%@AI@%1 See Proverbs 6:6-%@BO:           2ccce@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO170     @%%@2@%   Be content with your lot; one cannot be first in everything.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%Juno and the Peacock
 1

%@NL@%%@AI@%1 See Sean O'Casey%@BO:          5b444d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A mountain was in labor, sending forth dreadful groans, and there was in the
region the highest expectation. After all, it brought forth a
mouse.-Phaedrus [fl c.  A.D.  8] IV, 22:1  See Horace  %@EF@%
%@QR:Aesop@%%@CR:B575AESO180     @%%@2@%   A huge gap appeared in the side of the mountain. At last a tiny mouse%@EH@%
came forth.%@NL@%
%@NL@%
Aesop
%@NL@%The Mountain in Labor

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO190     @%%@2@%   Any excuse will serve a tyrant.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Wolf and the Lamb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO200     @%%@2@%   Beware lest you lose the substance by grasping at the shadow.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Dog and the Shadow

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO210     @%%@2@%   Who shall bell the cat?%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Rats and the Cat

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO220     @%%@2@%   I will have nought to do with a man who can blow hot and cold with the%@EH@%
same breath.%@NL@%
%@NL@%
Aesop
%@NL@%The Man and the Satyr

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO230     @%%@2@%   Thinking to get at once all the gold the goose could give, he killed it%@EH@%
and opened it only to find-nothing.%@NL@%
%@NL@%
Aesop
%@NL@%The Goose with the Golden Eggs

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:B575AESO240     @%%@2@%   Put your shoulder to the wheel.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%Hercules and the Wagoner

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
God loves to help him who strives to help himself.-Aeschylus [525-456  B.C.
], Fragment 223  Heaven helps not the men who will not act.-Sophocles
[495-405  B.C. ], Fragment 288  Try first thyself, and after call in
God;/For to the worker God himself lends aid.-Euripides [485-406  B.C. ],
Hippolytus, Fragment 435  See Hippocrates  Help thyself, and God will help
thee.-George Herbert, Jacula Prudentum [1640]  God helps those who help
themselves.-Algernon Sidney, Discourses on Government [1698], sec. 23, and
Benjamin Franklin, Poor Richard's Almanac [1733-1758]  %@EF@%
%@QR:Aesop@%%@CR:B575AESO250     @%%@2@%   The gods help them that help themselves.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%Hercules and the Wagoner

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Granting our wish one of Fate's saddest jokes is!-J. R. Lowell [1819-1891],
Two Scenes from the Life of Blondel, sc. II, st. 2  Beware, my lord! Beware
lest stern Heaven hate you enough to hear your prayers!-Anatole France, The
Crime of Sylvestre Bonnard [1881], pt. II, ch. 4  When the gods wish to
punish us they answer our prayers.-Oscar Wilde, An Ideal Husband [1895], act
II  %@EF@%
%@QR:Aesop@%%@CR:-310                @%%@2@%   We would often be sorry if our wishes were gratified.%@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Old Man and Death

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:-350                @%%@2@%   Union gives strength. 1 %@NL@%%@EH@%
%@NL@%
Aesop
%@NL@%The Bundle of Sticks

%@NL@%%@AI@%1 See John Dickinson%@BO:          2eee82@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aesop@%%@CR:-360                @%%@2@%   While I see many hoof marks going in, I see none coming out. It is easier%@EH@%
to get into the enemy's toils than out again.%@NL@%
%@NL@%
Aesop
%@NL@%The Lion, the Fox, and the Beasts

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
So in the Libyan fable it is told/That once an eagle, stricken with a
dart,/Said, when he saw the fashion of the shaft,/"With our own feathers,
not by others' hands,/Are we now smitten."-Aeschylus [525-456  B.C. ],
Fragment 135; translated [1868] by Edward Hayes Plumptre  That eagle's fate
and mine are one,/Which on the shaft that made him die/Espied a feather of
his own,/Wherewith he wont to soar so high.-Edmund Waller [1605-1687], To a
Lady Singing a Song of His Composing  See Byron  %@EF@%
%@QR:Aesop@%%@CR:-370                @%%@2@%   The haft of the arrow had been feathered with one of the eagle's own%@EH@%
plumes. We often give our enemies the means of our own destruction.%@NL@%
%@NL@%
Aesop
%@NL@%The Eagle and the Arrow

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Theognis%@AE@%%@EH@%
%@NL@%
%@AB@%fl. c. 545  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Theognis@%%@CR:B575THEO10      @%%@2@%   One finds many companions for food and drink, but in a serious business a%@EH@%
man's companions are very few.%@NL@%
%@NL@%
Theognis
%@NL@%Elegiesl. 115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theognis@%%@CR:B575THEO20      @%%@2@%   Even to a wicked man a divinity gives wealth, Cyrnus, but to few men%@EH@%
comes the gift of excellence.%@NL@%
%@NL@%
Theognis
%@NL@%Elegiesl. 149

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theognis@%%@CR:B575THEO30      @%%@2@%   Surfeit begets insolence, when prosperity comes to a bad man.%@NL@%%@EH@%
%@NL@%
Theognis
%@NL@%Elegiesl. 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theognis@%%@CR:B575THEO40      @%%@2@%   Adopt the character of the twisting octopus, which takes on the%@EH@%
appearance of the nearby rock. Now follow in this direction, now turn a
different hue.%@NL@%
%@NL@%
Theognis
%@NL@%Elegiesl. 215

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theognis@%%@CR:B575THEO50      @%%@2@%   The best of all things for earthly men is not to be born and not to see%@EH@%
the beams of the bright sun; but if born, then as quickly as possible to
pass the gates of Hades, and to lie deep buried. 1  2  3  4 %@NL@%
%@NL@%
Theognis
%@NL@%Elegiesl. 425

%@NL@%%@AI@%1 See Sophocles%@BO:           9f6dc@%%@AE@%
%@AI@%2 See Bacon%@BO:          1654a1@%%@AE@%
%@AI@%3 See Yeats%@BO:          5420b5@%%@AE@%
%@AI@%4 See Auden%@BO:          636932@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theognis@%%@CR:B575THEO60      @%%@2@%   No man takes with him to Hades all his exceeding wealth. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Theognis
%@NL@%Elegiesl. 725

%@NL@%%@AI@%1 See The Song of the Harper%@BO:             482@%%@AE@%
%@AI@%2 See Ecclesiastes 5:15%@BO:           357a7@%%@AE@%
%@AI@%3 See I Timothy 6:7%@BO:           71f6e@%%@AE@%
%@AI@%4 See Kaufman%@BO:          5df8fb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theognis@%%@CR:B575THEO70      @%%@2@%   Bright youth passes swiftly as a thought.%@NL@%%@EH@%
%@NL@%
Theognis
%@NL@%Elegiesl. 985

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anacreon%@AE@%%@EH@%
%@NL@%
%@AB@%c. 570 - c. 480  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Anacreon@%%@CR:B570ANAC10      @%%@2@%   Bring water, bring wine, boy! Bring flowering garlands to me! Yes, bring%@EH@%
them, so that I may try a bout with love.%@NL@%
%@NL@%
Anacreon
%@NL@%Fragment 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anacreon@%%@CR:B570ANAC20      @%%@2@%   I both love and do not love, and am mad and am not mad. 1 %@NL@%%@EH@%
%@NL@%
Anacreon
%@NL@%Fragment 79

%@NL@%%@AI@%1 See Catullus%@BO:           cf12c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anacreon@%%@CR:B570ANAC30      @%%@2@%   War spares not the brave, but the cowardly. 1 %@NL@%%@EH@%
%@NL@%
Anacreon
%@NL@%Fragment 101. From The Palatine Anthology, VII, 160

%@NL@%%@AI@%1 See Sophocles%@BO:           9f291@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Hipponax%@AE@%%@EH@%
%@NL@%
%@AB@%c. 570-520  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Hipponax@%%@CR:B570HIPP10      @%%@2@%   There are two days when a woman is a pleasure: the day one marries her%@EH@%
and the day one buries her.%@NL@%
%@NL@%
Hipponax
%@NL@%Fragment

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Xenophanes%@AE@%%@EH@%
%@NL@%
%@AB@%c. 570 - c. 475  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Xenophanes@%%@CR:B570XENO10      @%%@2@%   Homer and Hesiod attributed to the gods everything that is a shame and a%@EH@%
reproach among men.%@NL@%
%@NL@%
Xenophanes
%@NL@%Fragment 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Xenophanes@%%@CR:B570XENO20      @%%@2@%   If cattle and horses, or lions, had hands, or were able to draw with%@EH@%
their feet and produce the works which men do, horses would draw the forms
of gods like horses, and cattle like cattle, and they would make the gods'
bodies the same shape as their own. 1 %@NL@%
%@NL@%
Xenophanes
%@NL@%Fragment 15

%@NL@%%@AI@%1 See Montesquieu%@BO:          2a8fd2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Xenophanes@%%@CR:B570XENO30      @%%@2@%   One god, greatest among gods and men, similar to mortals neither in shape%@EH@%
nor even in thought. 1 %@NL@%
%@NL@%
Xenophanes
%@NL@%Fragment 23

%@NL@%%@AI@%1 See Homer%@BO:           80e78@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Xenophanes@%%@CR:B570XENO40      @%%@2@%   It takes a wise man to recognize a wise man.%@NL@%%@EH@%
%@NL@%
Xenophanes
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, Xenophanes, IX

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Simonides%@AE@%%@EH@%
%@NL@%
%@AB@%c. 556-468  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Simonides@%%@CR:B556SIMO10      @%%@2@%   It is hard to be truly excellent, four-square in hand and foot and mind,%@EH@%
formed without blemish.%@NL@%
%@NL@%
Simonides
%@NL@%Fragment 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Simonides@%%@CR:B556SIMO20      @%%@2@%   The city is the teacher of the man.%@NL@%%@EH@%
%@NL@%
Simonides
%@NL@%Fragment 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Simonides@%%@CR:B556SIMO30      @%%@2@%   Fighting in the forefront of the Greeks, the Athenians crushed at%@EH@%
Marathon the might of the gold-bearing Medes.%@NL@%
%@NL@%
Simonides
%@NL@%Fragment 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by W. L. Bowles.  Epitaph for the Lacedaemonian [Spartan] king
Leonidas and his small force at Thermopylae, who all died fighting to hold
the pass against the invading Persian army [480  B.C. ].  Ruskin said of
this epitaph that it was the noblest group of words uttered by man.  %@EF@%
%@QR:Simonides@%%@CR:B556SIMO40      @%%@2@%Go tell the Spartans, thou who passest by,%@NL@%%@EH@%
That here, obedient to their laws, we lie.%@NL@%

%@NL@%Simonides
%@NL@%Fragment 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Simonides@%%@CR:B556SIMO60      @%%@2@%If to die honorably is the greatest%@NL@%%@EH@%
Part of virtue, for us fate's done her best.%@NL@%
Because we fought to crown Greece with freedom%@NL@%
We lie here enjoying timeless fame. 1  2  3 %@NL@%

%@NL@%Simonides
%@NL@%%@FN@%
Translated by Peter Jay in his edition of The Greek Anthology [1973].  %@EF@%
For the Athenian Dead at Plataia

%@NL@%%@AI@%1 See Pindar%@BO:           99e12@%%@AE@%
%@AI@%2 See Thucydides%@BO:           a9a13@%%@AE@%
%@AI@%3 See Brandeis%@BO:          501241@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Simonides@%%@CR:B556SIMO65      @%%@2@%We did not flinch but gave our lives to save%@NL@%%@EH@%
Greece when her fate hung on a razor's edge.%@NL@%

%@NL@%Simonides
%@NL@%%@FN@%
Translated by Peter Jay in his edition of The Greek Anthology [1973].  %@EF@%
Cenotaph at the Isthmos

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Simonides@%%@CR:B556SIMO70      @%%@2@%   Painting is silent poetry, and poetry painting that speaks.%@NL@%%@EH@%
%@NL@%
Simonides
%@NL@%From Plutarch, De Gloria Atheniensium, III, 346

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Confucius%@AE@%%@EH@%
%@NL@%
%@AB@%551-479  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF10      @%%@2@%   Fine words and an insinuating appearance are seldom associated with true%@EH@%
virtue.%@NL@%
%@NL@%
Confucius
%@NL@%%@FN@%
Sayings attributed to Confucius and his followers; fromThe Chinese Classics
[1861-1886], vol. I, The Confucian Analects, translated by James Legge.  %@EF@%
The Confucian Analects,
bk.1:3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF20      @%%@2@%   A youth, when at home, should be filial, and, abroad, respectful to his%@EH@%
elders.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.1:6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF30      @%%@2@%   If a man withdraws his mind from the love of beauty, and applies it as%@EH@%
sincerely to the love of the virtuous; if, in serving his parents, he can
exert his utmost strength; if, in serving his prince, he can devote his
life; if, in his intercourse with his friends, his words are
sincere-although men say that he has not learned, I will certainly say that
he has.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.1:7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF40      @%%@2@%   Hold faithfulness and sincerity as first principles.%@NL@%%@EH@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.1:8, ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF50      @%%@2@%   Have no friends not equal to yourself.%@NL@%%@EH@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.1:8, iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF60      @%%@2@%   When you have faults, do not fear to abandon them.%@NL@%%@EH@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.1:8, iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF70      @%%@2@%   He who exercises government by means of his virtue may be compared to the%@EH@%
north polar star, which keeps its place and all the stars turn towards it.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.2:1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF80      @%%@2@%   [The superior man] acts before he speaks, and afterwards speaks according%@EH@%
to his actions.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.2:13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF90      @%%@2@%   Learning without thought is labor lost; thought without learning is%@EH@%
perilous. 1  2  3  4  5  6 %@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.2:15

%@NL@%%@AI@%1 See Lao-tzu%@BO:           8db29@%%@AE@%
%@AI@%2 See Heraclitus%@BO:           95aa0@%%@AE@%
%@AI@%3 See Chaucer%@BO:          1233e3@%%@AE@%
%@AI@%4 See Selden%@BO:          219afd@%%@AE@%
%@AI@%5 See Penn%@BO:          27a628@%%@AE@%
%@AI@%6 See Newman%@BO:          3b4139@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF100     @%%@2@%   When you know a thing, to hold that you know it; and when you do not know%@EH@%
a thing, to allow that you do not know it-this is knowledge. 1 %@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.2:17

%@NL@%%@AI@%1 See Lao-tzu%@BO:           8d529@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF110     @%%@2@%   Things that are done, it is needless to speak about . . . things that are%@EH@%
past, it is needless to blame.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.3:21, ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF120     @%%@2@%   I have not seen a person who loved virtue, or one who hated what was not%@EH@%
virtuous. He who loved virtue would esteem nothing above it.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.4:6, i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF130     @%%@2@%   If a man in the morning hear the right way, he may die in the evening%@EH@%
without regret.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.4:8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF140     @%%@2@%   The superior man . . . does not set his mind either for anything, or%@EH@%
against anything; what is right he will follow.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.4:10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF150     @%%@2@%   When we see men of worth, we should think of equaling them; when we see%@EH@%
men of a contrary character, we should turn inwards and examine ourselves.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.4:17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF160     @%%@2@%   The cautious seldom err.%@NL@%%@EH@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.4:23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF170     @%%@2@%   Virtue is not left to stand alone. He who practices it will have%@EH@%
neighbors.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.4:25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF180     @%%@2@%   Man is born for uprightness. If a man lose his uprightness, and yet live,%@EH@%
his escape from death is the effect of mere good fortune.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.6:16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF190     @%%@2@%   The man of virtue makes the difficulty to be overcome his first business,%@EH@%
and success only a subsequent consideration.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.6:20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF200     @%%@2@%   With coarse rice to eat, with water to drink, and my bended arm for a%@EH@%
pillow-I have still joy in the midst of these things. Riches and honors
acquired by unrighteousness are to me as a floating cloud. 1  2 %@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.7:15

%@NL@%%@AI@%1 See Amenemope%@BO:            4c2d@%%@AE@%
%@AI@%2 See Proverbs 15:16-7%@BO:           2ed79@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF210     @%%@2@%   I am not one who was born in the possession of knowledge; I am one who is%@EH@%
fond of antiquity, and earnest in seeking it there.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.7:19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF220     @%%@2@%   Is virtue a thing remote? I wish to be virtuous, and lo! virtue is at%@EH@%
hand.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.7:29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF230     @%%@2@%   The superior man is satisfied and composed; the mean man is always full%@EH@%
of distress.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.7:36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF240     @%%@2@%   The people may be made to follow a path of action, but they may not be%@EH@%
made to understand it.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.8:9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF250     @%%@2@%   While you are not able to serve men, how can you serve spirits [of the%@EH@%
dead]? . . . While you do not know life, how can you know about death?%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.11:11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF260     @%%@2@%   To go beyond is as wrong as to fall short.%@NL@%%@EH@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.11:15, iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF270     @%%@2@%   He with whom neither slander that gradually soaks into the mind, nor%@EH@%
statements that startle like a wound in the flesh, are successful may be
called intelligent indeed.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.12:6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF280     @%%@2@%   In carrying on your government, why should you use killing [the%@EH@%
unprincipled for the good of the unprincipled] at all? Let your evinced
desires be for what is good, and the people will be good. The relation
between superiors and inferiors is like that between the wind and the grass.
The grass must bend when the wind blows across it.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.12:19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF290     @%%@2@%   Good government obtains when those who are near are made happy, and those%@EH@%
who are far off are attracted.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.13:16, ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF300     @%%@2@%   The firm, the enduring, the simple, and the modest are near to virtue.%@NL@%%@EH@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.13:27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF310     @%%@2@%   The scholar who cherishes the love of comfort is not fit to be deemed a%@EH@%
scholar.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.14:3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF320     @%%@2@%   The man who in the view of gain thinks of righteousness; who in the view%@EH@%
of danger is prepared to give up his life; and who does not forget an old
agreement however far back it extends-such a man may be reckoned a complete
man.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.14:13, ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF330     @%%@2@%   He who speaks without modesty will find it difficult to make his words%@EH@%
good.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.14:21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF340     @%%@2@%   The superior man is modest in his speech, but exceeds in his actions.%@NL@%%@EH@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.14:29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF350     @%%@2@%   Recompense injury with justice, and recompense kindness with kindness.%@NL@%%@EH@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.14:36, iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF360     @%%@2@%   The determined scholar and the man of virtue will not seek to live at the%@EH@%
expense of injuring their virtue. They will even sacrifice their lives to
preserve their virtue complete.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.15:8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF370     @%%@2@%   If a man take no thought about what is distant, he will find sorrow near%@EH@%
at hand.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.15:11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF380     @%%@2@%   The superior man is distressed by his want of ability.%@NL@%%@EH@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.15:18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF390     @%%@2@%   What the superior man seeks is in himself. What the mean man seeks is in%@EH@%
others.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.15:20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF400     @%%@2@%   What you do not want done to yourself, do not do to others. 1  2 %@NL@%%@EH@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.15:23

%@NL@%%@AI@%1 See Matthew 7:12%@BO:           50d16@%%@AE@%
%@AI@%2 See Aristotle%@BO:           b3526@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF410     @%%@2@%   When a man's knowledge is sufficient to attain, and his virtue is not%@EH@%
sufficient to enable him to hold, whatever he may have gained, he will lose
again.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.15:32, i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF420     @%%@2@%   The superior man cannot be known in little matters, but he may be%@EH@%
entrusted with great concerns. The small man may not be entrusted with great
concerns, but he may be known in little matters.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.15:33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF430     @%%@2@%   Virtue is more to man than either water or fire. I have seen men die from%@EH@%
treading on water and fire, but I have never seen a man die from treading
the course of virtue.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.15:34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF440     @%%@2@%   By nature, men are nearly alike; by practice, they get to be wide apart.%@NL@%%@EH@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.17:2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF450     @%%@2@%   To be able to practice five things everywhere under heaven constitutes%@EH@%
perfect virtue. . . . [They are] gravity, generosity of soul, sincerity,
earnestness, and kindness.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.17:6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF460     @%%@2@%   There are three things which the superior man guards against. In youth .%@EH@%
. . lust. When he is strong . . . quarrelsomeness. When he is old . . .
covetousness.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.17:8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF470     @%%@2@%   Without recognizing the ordinances of Heaven, it is impossible to be a%@EH@%
superior man.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.20:3, i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF480     @%%@2@%   Without an acquaintance with the rules of propriety, it is impossible for%@EH@%
the character to be established.%@NL@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.20:3, ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Confucius@%%@CR:B551CONF490     @%%@2@%   Without knowing the force of words, it is impossible to know men.%@NL@%%@EH@%
%@NL@%
Confucius
%@NL@%The Confucian Analects,
bk.20:3, iii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Heraclitus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 540 - c. 480  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA10      @%%@2@%   All is flux, nothing stays still. 1 %@NL@%%@EH@%
%@NL@%
Heraclitus
%@NL@%From Diogenes Laertius, Lives of Eminent Philosophers,
bk. IX, sec. 8, and Plato, Cratylus, 402A

%@NL@%%@AI@%1 See Tyndall%@BO:          458eba@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA15      @%%@2@%   Nothing endures but change. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Heraclitus
%@NL@%From Diogenes Laertius, Lives of Eminent Philosophers,
bk. IX, sec. 8, and Plato, Cratylus, 402A

%@NL@%%@AI@%1 See Racan%@BO:          21c045@%%@AE@%
%@AI@%2 See Swift%@BO:          284dc4@%%@AE@%
%@AI@%3 See Shelley%@BO:          389c5f@%%@AE@%
%@AI@%4 See Wilde%@BO:          4fe818@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA21      @%%@2@%   It is wise to listen, not to me but to the Word, and to confess that all%@EH@%
things are one.%@NL@%
%@NL@%
Heraclitus
%@NL@%%@FN@%
Translated by W. H. S. Jones (Loeb Classical Library).  %@EF@%
On the Universe, fragment1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA31      @%%@2@%   Nature is wont to hide herself.%@NL@%%@EH@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA41      @%%@2@%   Much learning does not teach understanding. 1  2  3  4  5  6 %@NL@%%@EH@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment16

%@NL@%%@AI@%1 See Lao-tzu%@BO:           8db29@%%@AE@%
%@AI@%2 See Confucius%@BO:           9288c@%%@AE@%
%@AI@%3 See Chaucer%@BO:          1233e3@%%@AE@%
%@AI@%4 See Selden%@BO:          219afd@%%@AE@%
%@AI@%5 See Penn%@BO:          27a628@%%@AE@%
%@AI@%6 See Newman%@BO:          3b4139@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA51      @%%@2@%   This world . . . ever was, and is, and shall be, ever-living Fire, in%@EH@%
measures being kindled and in measures going out.%@NL@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA71      @%%@2@%   God is day and night, winter and summer, war and peace, surfeit and%@EH@%
hunger.%@NL@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Usually quoted as: river. See Kamo no Chomei  %@EF@%
%@QR:Heraclitus@%%@CR:B540HERA81      @%%@2@%   You could not step twice into the same rivers; for other waters are ever%@EH@%
flowing on to you.%@NL@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA100     @%%@2@%   The opposite is beneficial; from things that differ comes the fairest%@EH@%
attunement; all things are born through strife.%@NL@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA110     @%%@2@%   Couples are wholes and not wholes, what agrees disagrees, the concordant%@EH@%
is discordant. From all things one and from one all things.%@NL@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA120     @%%@2@%   The road up and the road down is one and the same.%@NL@%%@EH@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA130     @%%@2@%   Man, like a light in the night, is kindled and put out.%@NL@%%@EH@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA140     @%%@2@%   When is death not within ourselves? . . . Living and dead are the same,%@EH@%
and so are awake and asleep, young and old. 1  2  3  4 %@NL@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment78

%@NL@%%@AI@%1 See Euripides%@BO:           a3b98@%%@AE@%
%@AI@%2 See Aristophanes%@BO:           ac372@%%@AE@%
%@AI@%3 See Montaigne%@BO:          144bab@%%@AE@%
%@AI@%4 See Calderon de la Barca%@BO:          22b0e3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA150     @%%@2@%   The people should fight for their law as for a wall.%@NL@%%@EH@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA155     @%%@2@%   It is better to hide ignorance, but it is hard to do this when we relax%@EH@%
over wine.%@NL@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heraclitus@%%@CR:B540HERA170     @%%@2@%   A man's character is his fate.%@NL@%%@EH@%
%@NL@%
Heraclitus
%@NL@%On the Universe, fragment121

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Themistocles%@AE@%%@EH@%
%@NL@%
%@AB@%c. 528 - c. 462  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Themistocles@%%@CR:B528THEM10      @%%@2@%   Tuning the lyre and handling the harp are no accomplishments of mine, but%@EH@%
rather taking in hand a city that was small and inglorious and making it
glorious and great.%@NL@%
%@NL@%
Themistocles
%@NL@%From Plutarch, Lives, Themistocles, sec.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This was Themistocles' interpretation to the Athenians in 480  B.C.  of the
second oracle at Delphi: "Safe shall the wooden wall continue for thee and
thy children." The account appears in full in Herodotus, Histories, bk. VII,
sec. 141-143.  %@EF@%
%@QR:Themistocles@%%@CR:B528THEM20      @%%@2@%   The wooden wall is your ships.%@NL@%%@EH@%
%@NL@%
Themistocles
%@NL@%From Plutarch, Lives, Themistocles, sec.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Said in reply to Eurybiades, commander of the Spartan fleet, when he raised
his staff as though to strike.  %@EF@%
%@QR:Themistocles@%%@CR:B528THEM40      @%%@2@%   Strike, but hear me.%@NL@%%@EH@%
%@NL@%
Themistocles
%@NL@%From Plutarch, Lives, Themistocles, sec.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Themistocles@%%@CR:B528THEM50      @%%@2@%   [Of his son] The boy is the most powerful of all the Hellenes; for the%@EH@%
Hellenes are commanded by the Athenians, the Athenians by myself, myself by
the boy's mother, and the mother by her boy.%@NL@%
%@NL@%
Themistocles
%@NL@%From Plutarch, Lives, Themistocles, sec.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Themistocles@%%@CR:B528THEM60      @%%@2@%   [Of two suitors for his daughter's hand] I choose the likely man in%@EH@%
preference to the rich man; I want a man without money rather than money
without a man.%@NL@%
%@NL@%
Themistocles
%@NL@%From Plutarch, Lives, Themistocles, sec.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Said to the Andrians, when demanding money from them, to which they replied
that they already had two great gods, Penury and Powerlessness, who hindered
them from giving him money.  %@EF@%
%@QR:Themistocles@%%@CR:B528THEM70      @%%@2@%   I have with me two gods, Persuasion and Compulsion.%@NL@%%@EH@%
%@NL@%
Themistocles
%@NL@%From Plutarch, Lives, Themistocles, sec.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Themistocles@%%@CR:B528THEM80      @%%@2@%   The speech of man is like embroidered tapestries, since like them this%@EH@%
too has to be extended in order to display its patterns, but when it is
rolled up it conceals and distorts them.%@NL@%
%@NL@%
Themistocles
%@NL@%From Plutarch, Lives, Themistocles, sec.29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Themistocles@%%@CR:B528THEM90      @%%@2@%   He who commands the sea has command of everything. 1  2  3  4  5 %@NL@%%@EH@%
%@NL@%
Themistocles
%@NL@%From Cicero, Ad Atticum, X, 8

%@NL@%%@AI@%1 See Bacon%@BO:          16494e@%%@AE@%
%@AI@%2 See Waller%@BO:          230fda@%%@AE@%
%@AI@%3 See Washington%@BO:          2efdd3@%%@AE@%
%@AI@%4 See Mahan%@BO:          4c48d2@%%@AE@%
%@AI@%5 See Morison%@BO:          5ca86e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Themistocles@%%@CR:B528THEM100     @%%@2@%   [Upon being asked whether he would rather be Achilles or Homer] Which%@EH@%
would you rather be-a victor in the Olympic games, or the announcer of the
victor?%@NL@%
%@NL@%
Themistocles
%@NL@%From Plutarch, Apothegms, Themistocles

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Aeschylus%@AE@%%@EH@%
%@NL@%
%@AB@%525-456  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC10      @%%@2@%   I would far rather be ignorant than knowledgeable of evils.%@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%The Suppliants,l. 453

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC20      @%%@2@%   "Reverence for parents" stands written among the three laws of most%@EH@%
revered righteousness. 1 %@NL@%
%@NL@%
Aeschylus
%@NL@%The Suppliants,l. 707

%@NL@%%@AI@%1 See Exodus 20:12%@BO:            e731@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC30      @%%@2@%   Myriad laughter of the ocean waves.%@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%Prometheus Bound,l. 89

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC40      @%%@2@%   For somehow this is tyranny's disease, to trust no friends.%@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%Prometheus Bound,l. 224

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC50      @%%@2@%   Words are the physicians of a mind diseased. 1 %@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%Prometheus Bound,l. 378

%@NL@%%@AI@%1 See Milton%@BO:          248de5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC60      @%%@2@%   Time as he grows old teaches all things.%@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%Prometheus Bound,l. 981

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC70      @%%@2@%   God's mouth knows not how to speak falsehood, but he brings to pass every%@EH@%
word. 1 %@NL@%
%@NL@%
Aeschylus
%@NL@%Prometheus Bound,l. 1030

%@NL@%%@AI@%1 See Numbers 23:19%@BO:           104d0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Edith Hamilton.  %@EF@%
%@QR:Aeschylus@%%@CR:B525AESC80      @%%@2@%   On me the tempest falls. It does not make me tremble. O holy Mother%@EH@%
Earth, O air and sun, behold me. I am wronged.%@NL@%
%@NL@%
Aeschylus
%@NL@%Prometheus Bound,l. 1089

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC90      @%%@2@%   I pray the gods some respite from the weary task of this long year's%@EH@%
watch that lying on the Atreidae's roof on bended arm, doglike, I have kept,
marking the conclave of all the night's stars, those potentates blazing in
the heavens that bring winter and summer to mortal men, the constellations,
when they wane, when they rise.%@NL@%
%@NL@%
Aeschylus
%@NL@%Agamemnon,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A proverbial expression of uncertain origin for enforced silence.  %@EF@%
%@QR:Aeschylus@%%@CR:B525AESC100     @%%@2@%   A great ox stands on my tongue.%@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%Agamemnon,l. 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC111     @%%@2@%   He who learns must suffer. And even in our sleep pain that cannot forget%@EH@%
falls drop by drop upon the heart, and in our own despair, against our will,
comes wisdom to us by the awful grace of God.%@NL@%
%@NL@%
Aeschylus
%@NL@%Agamemnon,l. 177

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC120     @%%@2@%   She [Helen] brought to Ilium her dowry, destruction.%@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%Agamemnon,l. 406

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC130     @%%@2@%   It is in the character of very few men to honor without envy a friend who%@EH@%
has prospered.%@NL@%
%@NL@%
Aeschylus
%@NL@%Agamemnon,l. 832

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC140     @%%@2@%   Only when man's life comes to its end in prosperity can one call that man%@EH@%
happy. 1  2  3 %@NL@%
%@NL@%
Aeschylus
%@NL@%Agamemnon,l. 928

%@NL@%%@AI@%1 See Ecclesiasticus 11:28%@BO:           4a21d@%%@AE@%
%@AI@%2 See Solon%@BO:           899c6@%%@AE@%
%@AI@%3 See Sophocles%@BO:           9d6d5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC150     @%%@2@%   Alas, I am struck a deep mortal blow!%@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%Agamemnon,l. 1343

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC160     @%%@2@%   Death is better, a milder fate than tyranny. 1 %@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%Agamemnon,l. 1364

%@NL@%%@AI@%1 See Patrick Henry%@BO:          2f6416@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC170     @%%@2@%   Zeus, first cause, prime mover; for what thing without Zeus is done among%@EH@%
mortals? 1  2  3 %@NL@%
%@NL@%
Aeschylus
%@NL@%Agamemnon,l. 1485

%@NL@%%@AI@%1 See Acts 17:28%@BO:           6603f@%%@AE@%
%@AI@%2 See Cleanthes%@BO:           bbb4e@%%@AE@%
%@AI@%3 See Aratus%@BO:           bc8f3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Pindar, Pythian Odes, II, l. 174, and Euripides, Bacchae, l. 795.
See Acts 9:5  %@EF@%
%@QR:Aeschylus@%%@CR:B525AESC180     @%%@2@%   Do not kick against the pricks.%@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%Agamemnon,l. 1624

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC190     @%%@2@%   I know how men in exile feed on dreams of hope.%@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%Agamemnon,l. 1668

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC200     @%%@2@%   Good fortune is a god among men, and more than a god.%@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%The Libation Bearers,l. 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC210     @%%@2@%   Destiny waits alike for the free man as well as for him enslaved by%@EH@%
another's might.%@NL@%
%@NL@%
Aeschylus
%@NL@%The Libation Bearers,l. 103

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC220     @%%@2@%   For a deadly blow let him pay with a deadly blow: it is for him who has%@EH@%
done a deed to suffer. 1 %@NL@%
%@NL@%
Aeschylus
%@NL@%The Libation Bearers,l. 312

%@NL@%%@AI@%1 See Exodus 21:12%@BO:            eaff@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC230     @%%@2@%   What is pleasanter than the tie of host and guest?%@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%The Libation Bearers,l. 702

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aeschylus@%%@CR:B525AESC240     @%%@2@%   His resolve is not to seem, but to be, the best.%@NL@%%@EH@%
%@NL@%
Aeschylus
%@NL@%The Seven Against Thebes, l. 592

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pheidippides%@AE@%%@EH@%
%@NL@%
%@AB@%d. 490  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Pheidippides@%%@CR:B520PHEI10      @%%@2@%   Rejoice, we are victorious.%@NL@%%@EH@%
%@NL@%
Pheidippides
%@NL@%From Lucan, Pro Lapsu in Salutado, 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pindar%@AE@%%@EH@%
%@NL@%
%@AB@%c. 518 - c. 438  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND10      @%%@2@%   Water is best. But gold shines like fire blazing in the night, supreme of%@EH@%
lordly wealth.%@NL@%
%@NL@%
Pindar
%@NL@%Olympian OdesI,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND20      @%%@2@%   The days that are still to come are the wisest witnesses.%@NL@%%@EH@%
%@NL@%
Pindar
%@NL@%Olympian OdesI,l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND30      @%%@2@%   If any man hopes to do a deed without God's knowledge, he errs.%@NL@%%@EH@%
%@NL@%
Pindar
%@NL@%Olympian OdesI,l. 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Do not set your eyes on things far off.-Pythian Odes, III, l. 39  See
Euripides  %@EF@%
%@QR:Pindar@%%@CR:B518PIND40      @%%@2@%   Do not peer too far.%@NL@%%@EH@%
%@NL@%
Pindar
%@NL@%Olympian OdesI,l. 184

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND50      @%%@2@%   I have many swift arrows in my quiver which speak to the wise, but for%@EH@%
the crowd they need interpreters. The skilled poet is one who knows much
through natural gift, but those who have learned their art chatter
turbulently, vainly, against the divine bird of Zeus.%@NL@%
%@NL@%
Pindar
%@NL@%Olympian OdesII,l. 150

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Richmond Lattimore.  %@EF@%
%@QR:Pindar@%%@CR:B518PIND60      @%%@2@%   I will not steep my speech in lies; the test of any man lies in action.%@NL@%%@EH@%
%@NL@%
Pindar
%@NL@%Olympian OdesIV,l. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND70      @%%@2@%   The issue is in God's hands.%@NL@%%@EH@%
%@NL@%
Pindar
%@NL@%Olympian OdesXIII,l. 147

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Richmond Lattimore.  %@EF@%
%@QR:Pindar@%%@CR:B518PIND80      @%%@2@%   Zeus, accomplisher, to all grant grave restraint and attainment of sweet%@EH@%
delight.%@NL@%
%@NL@%
Pindar
%@NL@%Olympian OdesXIII,last line

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND90      @%%@2@%   Seek not, my soul, the life of the immortals; but enjoy to the full the%@EH@%
resources that are within thy reach. 1 %@NL@%
%@NL@%
Pindar
%@NL@%Pythian Odes,III, l. 109

%@NL@%%@AI@%1 See Euripides%@BO:           a0f73@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND100     @%%@2@%   They say that this lot is bitterest: to recognize the good but by%@EH@%
necessity to be barred from it. 1  2  3  4 %@NL@%
%@NL@%
Pindar
%@NL@%Pythian Odes,IV, l. 510

%@NL@%%@AI@%1 See Boethius%@BO:          104990@%%@AE@%
%@AI@%2 See Dante%@BO:          116a64@%%@AE@%
%@AI@%3 See Chaucer%@BO:          11e3ef@%%@AE@%
%@AI@%4 See Tennyson%@BO:          3fc3af@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND110     @%%@2@%   Creatures of a day, what is a man? What is he not? Mankind is a dream of%@EH@%
a shadow. But when a god-given brightness comes, a radiant light rests on
men, and a gentle life. 1  2  3 %@NL@%
%@NL@%
Pindar
%@NL@%Pythian Odes,VIII, l. 135

%@NL@%%@AI@%1 See The Teaching for Merikare%@BO:            1860@%%@AE@%
%@AI@%2 See Homer%@BO:           83321@%%@AE@%
%@AI@%3 See Aristophanes%@BO:           ab4c4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND120     @%%@2@%   When toilsome contests have been decided, good cheer is the best%@EH@%
physician, and songs, the sage daughters of the Muses, soothe with their
touch.%@NL@%
%@NL@%
Pindar
%@NL@%Nemean Odes,IV,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND130     @%%@2@%   Words have a longer life than deeds.%@NL@%%@EH@%
%@NL@%
Pindar
%@NL@%Nemean Odes,IV,l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND140     @%%@2@%   Not every truth is the better for showing its face undisguised; and often%@EH@%
silence is the wisest thing for a man to heed.%@NL@%
%@NL@%
Pindar
%@NL@%Nemean Odes,V,l. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND150     @%%@2@%   One race there is of men, one of gods, but from one mother we both draw%@EH@%
our breath.%@NL@%
%@NL@%
Pindar
%@NL@%Nemean Odes,VI,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND160     @%%@2@%   If one but tell a thing well, 1  it moves on with undying voice, and over%@EH@%
the fruitful earth and across the sea goes the bright gleam of noble deeds
ever unquenchable. 2  3 %@NL@%
%@NL@%
Pindar
%@NL@%Isthmian Odes, IV, l. 67

%@NL@%%@AI@%1 See Chateaubriand%@BO:          3349a4@%%@AE@%
%@AI@%2 See Simonides%@BO:           91b12@%%@AE@%
%@AI@%3 See Thucydides%@BO:           a9a13@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND170     @%%@2@%   It is not possible with mortal mind to search out the purposes of the%@EH@%
gods.%@NL@%
%@NL@%
Pindar
%@NL@%Fragment 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND180     @%%@2@%   O bright and violet-crowned and famed in song, bulwark of Greece, famous%@EH@%
Athens, divine city!%@NL@%
%@NL@%
Pindar
%@NL@%Fragment 76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND190     @%%@2@%   Unsung, the noblest deed will die. 1  2 %@NL@%%@EH@%
%@NL@%
Pindar
%@NL@%Fragment 120

%@NL@%%@AI@%1 See Horace%@BO:           dbc74@%%@AE@%
%@AI@%2 See Pope%@BO:          2a6744@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND200     @%%@2@%   What is God? Everything.%@NL@%%@EH@%
%@NL@%
Pindar
%@NL@%Fragment 140d

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND210     @%%@2@%   Convention is the ruler of all.%@NL@%%@EH@%
%@NL@%
Pindar
%@NL@%Fragment 169

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pindar@%%@CR:B518PIND220     @%%@2@%   Hope, which most of all guides the changeful mind of mortals.%@NL@%%@EH@%
%@NL@%
Pindar
%@NL@%Fragment 214

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anaxagoras%@AE@%%@EH@%
%@NL@%
%@AB@%c. 500-428  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Anaxagoras@%%@CR:B500ANAX10      @%%@2@%   The descent to Hades is the same from every place.%@NL@%%@EH@%
%@NL@%
Anaxagoras
%@NL@%From Diogenes Laertius, Lives of Eminent Philosophers,
Anaxagoras, 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Pali Canon%@AE@%%@EH@%
%@AB@%c. 500 - c. 250  B.C. %@AE@%
%@FN@%
The sacred scriptures of Theravada Buddhists.  %@EF@%
%@FN@%
Ancient Indian literary chronology is conjectural.  %@EF@%
%@NL@%%@NL@%

%@FN@%
Translated by Jan Nattier-Barbaro.  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI10      @%%@2@%   All that is comes from the mind; it is based on the mind, it is fashioned%@EH@%
by the mind.%@NL@%
%@NL@%
The Pali Canon
%@NL@%Suttapitaka.Dhammapada, Chapter 1, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Jan Nattier-Barbaro.  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI20      @%%@2@%   For hatred does not cease by hatred at any time: hatred ceases by%@EH@%
love-this is the eternal law.%@NL@%
%@NL@%
The Pali Canon
%@NL@%Suttapitaka.Dhammapada, Chapter 1, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Jan Nattier-Barbaro.  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI30      @%%@2@%   Avoid what is evil; do what is good; purify the mind-this is the teaching%@EH@%
of the Awakened One [Buddha].%@NL@%
%@NL@%
The Pali Canon
%@NL@%Suttapitaka.Dhammapada, Chapter 1, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Pali Canon@%%@CR:B500PALI40      @%%@2@%   Better to live alone; with a fool there is no companionship. With few%@EH@%
desires live alone and do no evil, like an elephant in the forest roaming at
will.%@NL@%
%@NL@%
The Pali Canon
%@NL@%Suttapitaka.Dhammapada, Chapter 1, Verse 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tathagata: Thus-come-one, an Indian term designating an enlightened being.  %@EF@%
%@FN@%
Translated by T. W. Rhys Davids.  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI50      @%%@2@%   I have preached the truth without making any distinction between exoteric%@EH@%
and esoteric doctrine: for in respect of truths, Ananda, the Tathagata has
no such thing as the closed fist of a teacher, who keeps some things back.%@NL@%
%@NL@%
The Pali Canon
%@NL@%Suttapitaka.Mahaparinibbana-sutta, Chapter 1, Verse 1 Chapter 2, Verse 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Jan Nattier-Barbaro.  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI60      @%%@2@%   Be lamps [or islands] unto yourselves. Be a refuge unto yourselves. Do%@EH@%
not turn to any external refuge. Hold fast to the teaching [dhamma] as a
lamp.%@NL@%
%@NL@%
The Pali Canon
%@NL@%Suttapitaka.Mahaparinibbana-sutta, Chapter 1, Verse 1 Chapter 2, Verse 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tathagata: Thus-come-one, an Indian term designating an enlightened being.  %@EF@%
%@FN@%
Translated by T. W. Rhys Davids.  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI70      @%%@2@%   Few and far between are the Tathagatas, the Arahat Buddhas, who appear in%@EH@%
the world.%@NL@%
%@NL@%
The Pali Canon
%@NL@%Suttapitaka.Mahaparinibbana-sutta, Chapter 1, Verse 1 Chapter 2, Verse 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by T. W. Rhys Davids.  The last words of the Buddha.  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI80      @%%@2@%   Decay is inherent in all component things! Work out your salvation with%@EH@%
diligence.%@NL@%
%@NL@%
The Pali Canon
%@NL@%Suttapitaka.Mahaparinibbana-sutta, Chapter 1, Verse 1 Chapter 2, Verse 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by William Theodore de Bary.  See the Pali Canon  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI90      @%%@2@%   This is the noble truth of sorrow. Birth is sorrow, age is sorrow,%@EH@%
disease is sorrow, death is sorrow . . . in short, all the five components
of individuality [khandas] are sorrow.%@NL@%
And this is the noble truth of the arising of sorrow. It arises from
craving, which leads to rebirth, which brings delight and passion . . . %@NL@%
And this is the noble truth of the stopping of sorrow. It is the complete
stopping of that craving . . . being emancipated from it . . . %@NL@%
And this is the noble truth of the way which leads to the stopping of
sorrow. It is the noble eightfold path.%@NL@%
%@NL@%
The Pali Canon
%@NL@%Suttapitaka.Samyutta-nikaya, Chapter 1, Verse 1 Chapter 5, Verse 421

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Jan Nattier-Barbaro.  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI110     @%%@2@%   The law that I have preached . . . and the discipline that I have%@EH@%
established, will be your master after my disappearance.%@NL@%
%@NL@%
The Pali Canon
%@NL@%Suttapitaka.Digha Nikaya, II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by T. W. Rhys Davids and H. Oldenberg.  See the Pali Canon  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI120     @%%@2@%   This noble eightfold path . . . right views, right aspirations, right%@EH@%
speech, right conduct, right livelihood, right effort, right mindfulness,
and right contemplation.%@NL@%
%@NL@%
The Pali Canon
%@NL@%Suttapitaka.Dhammacakkappavattanasutta, verse 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by William Theodore de Bary.  A text addressed-exceptionally in
the early Buddhist literature-to laity rather than monks.  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI125     @%%@2@%The wise and moral man%@NL@%%@EH@%
Shines like a fire on a hilltop,%@NL@%
Making money like the bee,%@NL@%
Who does not hurt the flower.%@NL@%

%@NL@%The Pali Canon
%@NL@%Suttapitaka.Singalavada-sutta, Digha-nikaya, Chapter 1, Verse 1 Chapter 3,
Verse 180

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by William Theodore de Bary.  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI130     @%%@2@%   It would be absurd to say of the [enlightened] monk, with his heart set%@EH@%
free, that he believes that the perfected being survives after death-or
indeed that he does not survive, or that he does and yet does not, or that
he neither does nor does not. Because the monk is free his state transcends
all expression, predication, communication, and knowledge.%@NL@%
%@NL@%
The Pali Canon
%@NL@%Suttapitaka.Digha-nikaya, Chapter 1, Verse 1 Chapter 2, Verse 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Enter the Buddhist order.  %@EF@%
%@FN@%
Translated by T. W. Rhys Davids and H. Oldenberg.  %@EF@%
%@QR:The Pali Canon@%%@CR:B500PALI135     @%%@2@%   If, Ananda, women had not received permission to go out from the%@EH@%
household life and enter the homeless state . . . then would the pure
religion, Ananda, have lasted long, the good law would have stood fast for a
thousand years. But since, Ananda, women have now received that permission,
the pure religion, Ananda, will not now last so long, the good law will now
stand fast for only five hundred years.%@NL@%
%@NL@%
The Pali Canon
%@NL@%Vinayapitaka. Cullavagga, bk. X, ch. 1, verse 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Pali Canon@%%@CR:B500PALI140     @%%@2@%   I go for refuge to the Buddha.%@NL@%%@EH@%
I go for refuge to the Doctrine.%@NL@%
I go for refuge to the Order [of monks].%@NL@%
%@NL@%
The Pali Canon
%@NL@%Traditional (liturgical), passim

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pericles%@AE@%%@EH@%
%@NL@%
%@AB@%c. 495-429  B.C. %@AE@%
%@FN@%
See Thucydides, Funeral Oration of Pericles.  %@EF@%
%@NL@%%@NL@%

%@QR:Pericles@%%@CR:B495PERI10      @%%@2@%   Wait for that wisest of all counselors, Time.%@NL@%%@EH@%
%@NL@%
Pericles
%@NL@%From Plutarch, Lives, Pericles, sec.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The lopped tree in time may grow again.-Robert Southwell [c. 1561-1595],
Times Go by Turns  %@EF@%
%@QR:Pericles@%%@CR:B495PERI20      @%%@2@%   Trees, though they are cut and lopped, grow up again quickly, but if men%@EH@%
are destroyed, it is not easy to get them again.%@NL@%
%@NL@%
Pericles
%@NL@%From Plutarch, Lives, Pericles, sec.33

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sophocles%@AE@%%@EH@%
%@NL@%
%@AB@%c. 495-406  B.C. %@AE@%
%@FN@%
Sophocles said he drew men as they ought to be, and Euripides as they
were.-Aristotle, Poetics, ch. 25  %@EF@%
%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH20      @%%@2@%Silence gives the proper grace to women.%@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Ajax,l. 293

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH30      @%%@2@%Nobly to live, or else nobly to die,%@NL@%%@EH@%
Befits proud birth. 1  2 %@NL@%

%@NL@%Sophocles
%@NL@%Ajax,l. 480

%@NL@%%@AI@%1 See Euripides%@BO:           a3603@%%@AE@%
%@AI@%2 See the Duc de Levis%@BO:          32fb07@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH40      @%%@2@%   Of all human ills, greatest is fortune's wayward tyranny.%@NL@%%@EH@%
%@NL@%
Sophocles
%@NL@%Ajax,l. 486

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH50      @%%@2@%For kindness begets kindness evermore,%@NL@%%@EH@%
But he from whose mind fades the memory%@NL@%
Of benefits, noble is he no more.%@NL@%

%@NL@%Sophocles
%@NL@%Ajax,l. 522

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH60      @%%@2@%Sleep that masters all.%@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Ajax,l. 675

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
They love as though they will someday hate and hate as though they will
someday love.-Aristotle quoting Bias [sixth century  B.C. ], Rhetoric, II,
13  See Publilius Syrus  %@EF@%
%@QR:Sophocles@%%@CR:B495SOPH70      @%%@2@%I, whom proof hath taught of late%@NL@%%@EH@%
How so far only should we hate our foes%@NL@%
As though we soon might love them, and so far%@NL@%
Do a friend service as to one most like%@NL@%
Someday to prove our foe, since oftenest men%@NL@%
In friendship but a faithless haven find.%@NL@%

%@NL@%Sophocles
%@NL@%Ajax,l. 678

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH80      @%%@2@%Men of ill judgment oft ignore the good%@NL@%%@EH@%
That lies within their hands, till they have lost it.%@NL@%

%@NL@%Sophocles
%@NL@%Ajax,l. 964

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH90      @%%@2@%It is not righteousness to outrage%@NL@%%@EH@%
A brave man dead, not even though you hate him.%@NL@%

%@NL@%Sophocles
%@NL@%Ajax,l. 1344

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH100     @%%@2@%Ships are only hulls, high walls are nothing,%@NL@%%@EH@%
When no life moves in the empty passageways. 1  2 %@NL@%

%@NL@%Sophocles
%@NL@%%@FN@%
Translated by Dudley Fitts and Robert Fitzgerald.  %@EF@%
Oedipus Rex,l. 56

%@NL@%%@AI@%1 See Thucydides%@BO:           aa1b6@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          1f1054@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH105     @%%@2@%How dreadful knowledge of the truth can be%@NL@%%@EH@%
When there's no help in truth!%@NL@%

%@NL@%Sophocles
%@NL@%Oedipus Rex,l. 316

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Proverbs 16:18  Pride will have a fall.-English proverb [c. 1509]  A
variant is: Pride goeth before a fall.  Pride goeth before, and shame cometh
behind.-Treatise of a Gallant [c. 1510]  Pride will have a fall;/For pride
goeth before and shame cometh after.-John Heywood, Proverbs [1546], pt. I,
ch. 10  %@EF@%
%@QR:Sophocles@%%@CR:B495SOPH110     @%%@2@%The tyrant is a child of Pride%@NL@%%@EH@%
Who drinks from his great sickening cup%@NL@%
Recklessness and vanity,%@NL@%
Until from his high crest headlong%@NL@%
He plummets to the dust of hope.%@NL@%

%@NL@%Sophocles
%@NL@%Oedipus Rex,l. 872

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH150     @%%@2@%The greatest griefs are those we cause ourselves.%@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Oedipus Rex,l. 1230

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH155     @%%@2@%Time eases all things. 1  2 %@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Oedipus Rex,l. 1515

%@NL@%%@AI@%1 See Terence%@BO:           c2c05@%%@AE@%
%@AI@%2 See La Fontaine%@BO:          258afa@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The riddle of the Sphinx: What creature walks in the morning on four feet,
at noon upon two, and at evening upon three? Oedipus solved it: Man, as a
baby crawling on hands and knees, then erect on his feet, and in old age
with a staff. The Sphinx, a monster with a woman's head and bust and a
lion's body with wings, waylaid passers on the road to Thebes to propound
the riddle, destroying anyone who failed to guess the answer. Oedipus solved
the riddle, the Sphinx destroyed herself, and the grateful Thebans made him
king. See Seferis  %@EF@%
%@QR:Sophocles@%%@CR:B495SOPH157     @%%@2@%Look upon Oedipus%@NL@%%@EH@%
This is the king who solved the famous riddle [of the Sphinx].%@NL@%

%@NL@%Sophocles
%@NL@%Oedipus Rex,l. 1524

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Ecclesiasticus 11:28, Solon, and Aeschylus  There is a saying among men,
put forth of old, that you cannot rightly judge whether a mortal's lot is
good or evil, until he dies.-Sophocles, Trachiniae, l. 1  %@EF@%
%@QR:Sophocles@%%@CR:B495SOPH160     @%%@2@%Let every man in mankind's frailty%@NL@%%@EH@%
Consider his last day; and let none%@NL@%
Presume on his good fortune until he find%@NL@%
Life, at his death, a memory without pain.%@NL@%

%@NL@%Sophocles
%@NL@%Oedipus Rex,l. 1529

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH180     @%%@2@%For God hates utterly%@NL@%%@EH@%
The bray of bragging tongues.%@NL@%

%@NL@%Sophocles
%@NL@%%@FN@%
Translated by Dudley Fitts and Robert Fitzgerald.  %@EF@%
Antigone
[c. 442 b.c.],l. 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH190     @%%@2@%   Our ship of state, which recent storms have threatened to destroy, has%@EH@%
come safely to harbor at last. 1 %@NL@%
%@NL@%
Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 163

%@NL@%%@AI@%1 See Alcaeus%@BO:           8a130@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH200     @%%@2@%   I have nothing but contempt for the kind of governor who is afraid, for%@EH@%
whatever reason, to follow the course that he knows is best for the State;
and as for the man who sets private friendship above the public welfare-I
have no use for him, either.%@NL@%
%@NL@%
Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 181

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH205     @%%@2@%   Nobody likes the man who brings bad news. 1 %@NL@%%@EH@%
%@NL@%
Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 277

%@NL@%%@AI@%1 See Shakespeare%@BO:          1edb27@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH210     @%%@2@%   Money: There's nothing in the world so demoralizing as money. 1  2 %@NL@%%@EH@%
%@NL@%
Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 295

%@NL@%%@AI@%1 See I Timothy 6:10%@BO:           72121@%%@AE@%
%@AI@%2 See Plato%@BO:           af17a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH220     @%%@2@%   How dreadful it is when the right judge judges wrong!%@NL@%%@EH@%
%@NL@%
Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 323

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH230     @%%@2@%Numberless are the world's wonders, but none%@NL@%%@EH@%
More wonderful than man.%@NL@%

%@NL@%Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 333 (Ode I)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH240     @%%@2@%It is a good thing%@NL@%%@EH@%
To escape from death, but it is not great pleasure%@NL@%
To bring death to a friend.%@NL@%

%@NL@%Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 437

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Creon.  %@EF@%
%@QR:Sophocles@%%@CR:B495SOPH245     @%%@2@%But all your strength is weakness itself against%@NL@%%@EH@%
The immortal unrecorded laws of God.%@NL@%
They are not merely now: they were and shall be%@NL@%
Forever, beyond man utterly.%@NL@%

%@NL@%Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 452

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH250     @%%@2@%Grief teaches the steadiest minds to waver.%@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 563

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH260     @%%@2@%All that is and shall be,%@NL@%%@EH@%
And all the past, is his [Zeus's].%@NL@%

%@NL@%Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 611 (Ode II)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH270     @%%@2@%Show me the man who keeps his house in hand,%@NL@%%@EH@%
He's fit for public authority. 1 %@NL@%

%@NL@%Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 660

%@NL@%%@AI@%1 See I Timothy 3:5%@BO:           7145e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH280     @%%@2@%Anarchy, anarchy! Show me a greater evil!%@NL@%%@EH@%
This is why cities tumble and the great houses rain down,%@NL@%
This is what scatters armies!%@NL@%

%@NL@%Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 672

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH290     @%%@2@%Reason is God's crowning gift to man.%@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 684

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH300     @%%@2@%The ideal condition%@NL@%%@EH@%
Would be, I admit, that men should be right by instinct;%@NL@%
But since we are all likely to go astray,%@NL@%
The reasonable thing is to learn from those who can teach.%@NL@%

%@NL@%Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 720

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH310     @%%@2@%Love, unconquerable, 1  2  3 %@NL@%%@EH@%
Waster of rich men, keeper%@NL@%
Of warm lights and all-night vigil%@NL@%
In the soft face of a girl:%@NL@%
Sea-wanderer, forest-visitor!%@NL@%
Even the pure immortals cannot escape you,%@NL@%
And mortal man, in his one day's dusk,%@NL@%
Trembles before your glory.%@NL@%

%@NL@%Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 781 (Ode III)

%@NL@%%@AI@%1 See Sophocles%@BO:           9eea9@%%@AE@%
%@AI@%2 See Virgil%@BO:           d1ab7@%%@AE@%
%@AI@%3 See Chaucer%@BO:          120397@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH320     @%%@2@%Wisdom outweighs any wealth. 1 %@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 1050

%@NL@%%@AI@%1 See Job 28:18%@BO:           1de06@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH330     @%%@2@%There is no happiness where there is no wisdom; 1 %@NL@%%@EH@%
No wisdom but in submission to the gods.%@NL@%
Big words are always punished,%@NL@%
And proud men in old age learn to be wise.%@NL@%

%@NL@%Sophocles
%@NL@%Antigone
[c. 442 b.c.],l. 1347, closing lines

%@NL@%%@AI@%1 See Epicurus%@BO:           bb501@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH340     @%%@2@%Death is not the worst; rather, in vain%@NL@%%@EH@%
To wish for death, and not to compass it.%@NL@%

%@NL@%Sophocles
%@NL@%Electra, l. 1008

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH360     @%%@2@%   A prudent mind can see room for misgiving, lest he who prospers should%@EH@%
one day suffer reverse. 1 %@NL@%
%@NL@%
Sophocles
%@NL@%Trachiniae,l. 296

%@NL@%%@AI@%1 See Proverbs 16:18%@BO:           2f356@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH370     @%%@2@%   They are not wise, then, who stand forth to buffet against Love; for Love%@EH@%
rules the gods as he will, and me. 1  2  3 %@NL@%
%@NL@%
Sophocles
%@NL@%Trachiniae,l. 441

%@NL@%%@AI@%1 See Sophocles%@BO:           9e7e3@%%@AE@%
%@AI@%2 See Virgil%@BO:           d1ab7@%%@AE@%
%@AI@%3 See Chaucer%@BO:          120397@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH380     @%%@2@%   Knowledge must come through action; you can have no test which is not%@EH@%
fanciful, save by trial.%@NL@%
%@NL@%
Sophocles
%@NL@%Trachiniae,l. 592

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH390     @%%@2@%   Rash indeed is he who reckons on the morrow, or haply on days beyond it;%@EH@%
for tomorrow is not, until today is past. 1 %@NL@%
%@NL@%
Sophocles
%@NL@%Trachiniae,l. 943

%@NL@%%@AI@%1 See Proverbs 27:1%@BO:           327e9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Sir George Young.  See Anacreon  %@EF@%
%@QR:Sophocles@%%@CR:B495SOPH400     @%%@2@%War never slays a bad man in its course,%@NL@%%@EH@%
But the good always!%@NL@%

%@NL@%Sophocles
%@NL@%Philoctetes, l. 436

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH410     @%%@2@%Stranger in a strange country. 1 %@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%%@FN@%
Translated by Robert Fitzgerald.  %@EF@%
Oedipus at Colonus
[406 b.c.],l. 184

%@NL@%%@AI@%1 See Exodus 2:22%@BO:            be0d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH415     @%%@2@%The good befriend themselves.%@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Oedipus at Colonus
[406 b.c.],l. 309

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH420     @%%@2@%The immortal%@NL@%%@EH@%
Gods alone have neither age nor death!%@NL@%
All other things almighty Time disquiets.%@NL@%

%@NL@%Sophocles
%@NL@%Oedipus at Colonus
[406 b.c.],l. 607

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH430     @%%@2@%Athens, nurse of men.%@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Oedipus at Colonus
[406 b.c.],l. 701

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH440     @%%@2@%Not to be born surpasses thought and speech.%@NL@%%@EH@%
The second best is to have seen the light%@NL@%
And then to go back quickly whence we came. 1  2  3  4 %@NL@%

%@NL@%Sophocles
%@NL@%Oedipus at Colonus
[406 b.c.],l. 1224

%@NL@%%@AI@%1 See Theognis%@BO:           908ae@%%@AE@%
%@AI@%2 See Bacon%@BO:          1654a1@%%@AE@%
%@AI@%3 See Yeats%@BO:          5420b5@%%@AE@%
%@AI@%4 See Auden%@BO:          636932@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH450     @%%@2@%One word%@NL@%%@EH@%
Frees us of all the weight and pain of life:%@NL@%
That word is love.%@NL@%

%@NL@%Sophocles
%@NL@%Oedipus at Colonus
[406 b.c.],l. 1616

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH460     @%%@2@%It made our hair stand up in panic fear.%@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Oedipus at Colonus
[406 b.c.],l. 1625

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH470     @%%@2@%A remedy too strong for the disease.%@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%%@FN@%
The fragments are from the Everyman edition of The Dramas of Sophocles.  %@EF@%
Tereus, fragment 514

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH480     @%%@2@%Truly, to tell lies is not honorable;%@NL@%%@EH@%
But when the truth entails tremendous ruin,%@NL@%
To speak dishonorably is pardonable.%@NL@%

%@NL@%Sophocles
%@NL@%Creusa, fragment 323

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH490     @%%@2@%Sons are the anchors of a mother's life.%@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Phaedra, fragment 612

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH500     @%%@2@%To him who is in fear everything rustles.%@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Acrisius, fragment58

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH510     @%%@2@%No falsehood lingers on into old age.%@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Acrisius, fragment59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH520     @%%@2@%No man loves life like him that's growing old. 1 %@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Acrisius, fragment64

%@NL@%%@AI@%1 See Euripides%@BO:           a0b01@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sophocles@%%@CR:B495SOPH530     @%%@2@%A woman's vows I write upon the wave. 1  2  3  4  5 %@NL@%%@EH@%

%@NL@%Sophocles
%@NL@%Unknown Dramas, fragment 694

%@NL@%%@AI@%1 See Catullus%@BO:           ceac5@%%@AE@%
%@AI@%2 See More%@BO:          132883@%%@AE@%
%@AI@%3 See Bacon%@BO:          1651c8@%%@AE@%
%@AI@%4 See Shakespeare%@BO:          2007a5@%%@AE@%
%@AI@%5 See Keats%@BO:          3a334e@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Empedocles%@AE@%%@EH@%
%@NL@%
%@AB@%c. 490 - c. 430  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Empedocles@%%@CR:B490EMPE10      @%%@2@%   At one time through love all things come together into one, at another%@EH@%
time through strife's hatred they are borne each of them apart.%@NL@%
%@NL@%
Empedocles
%@NL@%Fragment 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Empedocles@%%@CR:B490EMPE20      @%%@2@%   The blood around men's heart is their thinking.%@NL@%%@EH@%
%@NL@%
Empedocles
%@NL@%Fragment 105

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Euripides%@AE@%%@EH@%
%@NL@%
%@AB@%c. 485-406  B.C. %@AE@%
%@FN@%
All Greece is his monument, though his grave/Lies in Macedon, refuge of his
last days./Hellas of Hellas, Athens his land, who gave/so much joy by his
art, whom so many praise.-Thucydides, Euripides; translated by Peter Jay in
his edition of The Greek Anthology [1973]  Sophocles said he drew men as
they ought to be, and Euripides as they were.-Aristotle, Poetics, ch. 25  %@EF@%
%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI10      @%%@2@%Never say that marriage has more of joy than pain.%@NL@%%@EH@%

%@NL@%Euripides
%@NL@%%@FN@%
Translated by Dudley Fitts and Robert Fitzgerald.  %@EF@%
Alcestis
[438 b.c.],l. 238

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI20      @%%@2@%A second wife%@NL@%%@EH@%
is hateful to the children of the first;%@NL@%
a viper is not more hateful.%@NL@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 309

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI30      @%%@2@%A sweet thing, for whatever time,%@NL@%%@EH@%
to revisit in dreams the dear dead we have lost.%@NL@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 355

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI40      @%%@2@%Oh, if I had Orpheus' voice and poetry%@NL@%%@EH@%
with which to move the Dark Maid and her Lord,%@NL@%
I'd call you back, dear love, from the world below.%@NL@%
I'd go down there for you. Charon or the grim%@NL@%
King's dog could not prevent me then%@NL@%
from carrying you up into the fields of light.%@NL@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 358

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI50      @%%@2@%Light be the earth upon you, lightly rest. 1  2  3 %@NL@%%@EH@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 462

%@NL@%%@AI@%1 See Anonymous Latin%@BO:          10cd20@%%@AE@%
%@AI@%2 See Beaumont and Fletcher%@BO:          218dcb@%%@AE@%
%@AI@%3 See Twain%@BO:          4a6adc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI60      @%%@2@%God, these old men!%@NL@%%@EH@%
How they pray for death! How heavy%@NL@%
they find this life in the slow drag of days!%@NL@%
And yet, when Death comes near them,%@NL@%
You will not find one who will rise and walk with him, not one whose years
are still a burden to him. 1 %@NL@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 669

%@NL@%%@AI@%1 See Sophocles%@BO:           9fe98@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI70      @%%@2@%You love the daylight: do you think your%@NL@%%@EH@%
father does not?%@NL@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 691

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI80      @%%@2@%Dishonor will not trouble me, once I am dead.%@NL@%%@EH@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 726

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI90      @%%@2@%Today's today. Tomorrow, we may be%@NL@%%@EH@%
ourselves gone down the drain of Eternity. 1 %@NL@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 788

%@NL@%%@AI@%1 See Edward FitzGerald%@BO:          3e5def@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI100     @%%@2@%O mortal man, think mortal thoughts! 1 %@NL@%%@EH@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 799

%@NL@%%@AI@%1 See Pindar%@BO:           995b9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI110     @%%@2@%My mother was accursed the night she bore me,%@NL@%%@EH@%
and I am faint with envy of all the dead. 1 %@NL@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 865

%@NL@%%@AI@%1 See Job 3:3%@BO:           1aed9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI120     @%%@2@%You were a stranger to sorrow: therefore Fate%@NL@%%@EH@%
has cursed you.%@NL@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 927

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI130     @%%@2@%I have found power in the mysteries of thought,%@NL@%%@EH@%
exaltation in the chanting of the Muses;%@NL@%
I have been versed in the reasonings of men;%@NL@%
but Fate is stronger than anything I have known.%@NL@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 962

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI140     @%%@2@%Time cancels young pain.%@NL@%%@EH@%

%@NL@%Euripides
%@NL@%Alcestis
[438 b.c.],l. 1085

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI145     @%%@2@%Slight not what's near through aiming at%@NL@%%@EH@%
what's far. 1 %@NL@%

%@NL@%Euripides
%@NL@%Rhesus [c. 435 b.c.], l. 482

%@NL@%%@AI@%1 See Pindar%@BO:           990df@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI150     @%%@2@%There is no benefit in the gifts of a bad man.%@NL@%%@EH@%

%@NL@%Euripides
%@NL@%Medea [431 b.c.],l. 618

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI160     @%%@2@%When love is in excess it brings a man nor honor%@NL@%%@EH@%
nor any worthiness.%@NL@%

%@NL@%Euripides
%@NL@%Medea [431 b.c.],l. 627

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI170     @%%@2@%What greater grief than the loss of one's%@NL@%%@EH@%
native land.%@NL@%

%@NL@%Euripides
%@NL@%Medea [431 b.c.],l. 650

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI175     @%%@2@%I know indeed what evil I intend to do,%@NL@%%@EH@%
but stronger than all my afterthoughts is my fury,%@NL@%
fury that brings upon mortals the greatest evils.%@NL@%

%@NL@%Euripides
%@NL@%Medea [431 b.c.],l. 1078

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI180     @%%@2@%We know the good, we apprehend it clearly,%@NL@%%@EH@%
but we can't bring it to achievement. 1  2 %@NL@%

%@NL@%Euripides
%@NL@%%@FN@%
Translated by David Grene.  %@EF@%
Hippolytus [428 b.c.]
,l. 380

%@NL@%%@AI@%1 See Romans 7:19%@BO:           67d57@%%@AE@%
%@AI@%2 See Ovid%@BO:           e6b6b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI190     @%%@2@%There is one thing alone%@NL@%%@EH@%
that stands the brunt of life throughout its course:%@NL@%
a quiet conscience.%@NL@%

%@NL@%Euripides
%@NL@%Hippolytus [428 b.c.]
,l. 426

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Second thoughts, they say, are best.-Dryden, The Spanish Friar [1681], act
II, sc. ii  Is it so true that second thoughts are best?-Tennyson, Sea
Dreams [1864]  %@EF@%
%@QR:Euripides@%%@CR:B485EURI200     @%%@2@%In this world second thoughts, it seems, are best.%@NL@%%@EH@%

%@NL@%Euripides
%@NL@%Hippolytus [428 b.c.]
,l. 435

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI230     @%%@2@%Love distills desire upon the eyes,%@NL@%%@EH@%
love brings bewitching grace into the heart%@NL@%
of those he would destroy.%@NL@%
I pray that love may never come to me%@NL@%
with murderous intent,%@NL@%
in rhythms measureless and wild.%@NL@%
Not fire nor stars have stronger bolts%@NL@%
than those of Aphrodite sent%@NL@%
by the hand of Eros, Zeus's child.%@NL@%

%@NL@%Euripides
%@NL@%Hippolytus [428 b.c.]
,l. 525

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI240     @%%@2@%My tongue swore, but my mind was still unpledged. 1 %@NL@%%@EH@%

%@NL@%Euripides
%@NL@%Hippolytus [428 b.c.]
,l. 612

%@NL@%%@AI@%1 See Sallust%@BO:           cfa25@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI250     @%%@2@%Would that I were under the cliffs, in the secret%@NL@%%@EH@%
hiding-places of the rocks,%@NL@%
that Zeus might change me to a winged bird. 1 %@NL@%

%@NL@%Euripides
%@NL@%Hippolytus [428 b.c.]
,l. 732

%@NL@%%@AI@%1 See Psalm 55:6%@BO:           25193@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Gilbert Murray.  %@EF@%
%@QR:Euripides@%%@CR:B485EURI260     @%%@2@%I would win my way to the coast,%@NL@%%@EH@%
apple-bearing Hesperian coast%@NL@%
of which the minstrels sing,%@NL@%
where the Lord of the Ocean%@NL@%
denies the voyager further sailing,%@NL@%
and fixes the solemn limit of Heaven%@NL@%
which giant Atlas upholds.%@NL@%
There the streams flow with ambrosia%@NL@%
by Zeus's bed of love,%@NL@%
and holy Earth, the giver of life,%@NL@%
yields to the gods rich blessedness.%@NL@%

%@NL@%Euripides
%@NL@%Hippolytus [428 b.c.]
,l. 742

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI265     @%%@2@%   In a case of dissension, never dare to judge till you've heard the other%@EH@%
side. 1  2 %@NL@%
%@NL@%
Euripides
%@NL@%%@FN@%
Translated by Morris Hickey Morgan.  %@EF@%
Heraclidae
[c. 428 b.c.] (quoted by Aristophanes, The Wasps)

%@NL@%%@AI@%1 See Protagoras%@BO:           a5c3b@%%@AE@%
%@AI@%2 See St. Augustine%@BO:          1037c1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI267     @%%@2@%   Leave no stone unturned.%@NL@%%@EH@%
%@NL@%
Euripides
%@NL@%Heraclidae
[c. 428 b.c.] (quoted by Aristophanes, The Wasps)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI270     @%%@2@%I care for riches, to make gifts%@NL@%%@EH@%
To friends, or lead a sick man back to health%@NL@%
With ease and plenty. Else small aid is wealth%@NL@%
For daily gladness; once a man be done%@NL@%
With hunger, rich and poor are all as one.%@NL@%

%@NL@%Euripides
%@NL@%%@FN@%
Translated by Gilbert Murray.  %@EF@%
Electra [413 b.c.],
l. 427

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI280     @%%@2@%   A coward turns away, but a brave man's choice is danger.%@NL@%%@EH@%
%@NL@%
Euripides
%@NL@%Iphigenia in Tauris [c. 412 b.c.],l. 114

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI290     @%%@2@%   The day is for honest men, the night for thieves.%@NL@%%@EH@%
%@NL@%
Euripides
%@NL@%Iphigenia in Tauris [c. 412 b.c.],l. 1026

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by William Arrowsmith.  %@EF@%
%@QR:Euripides@%%@CR:B485EURI300     @%%@2@%   Mankind . . . possesses two supreme blessings. First of these is the%@EH@%
goddess Demeter, or Earth-whichever name you choose to call her by. It was
she who gave to man his nourishment of grain. But after her there came the
son of Semele, who matched her present by inventing liquid wine as his gift
to man. For filled with that good gift, suffering mankind forgets its grief;
from it comes sleep; with it oblivion of the troubles of the day. There is
no other medicine for misery.%@NL@%
%@NL@%
Euripides
%@NL@%The Bacchae [c. 407 b.c.],l. 274

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI310     @%%@2@%   Talk sense to a fool and he calls you foolish.%@NL@%%@EH@%
%@NL@%
Euripides
%@NL@%The Bacchae [c. 407 b.c.],l. 480

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI320     @%%@2@%   Slow but sure moves the might of the gods. 1  2 %@NL@%%@EH@%
%@NL@%
Euripides
%@NL@%The Bacchae [c. 407 b.c.],l. 882

%@NL@%%@AI@%1 See George Herbert%@BO:          225d2d@%%@AE@%
%@AI@%2 See von Logau%@BO:          22c419@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI330     @%%@2@%What is wisdom? What gift of the gods%@NL@%%@EH@%
is held in glory like this:%@NL@%
to hold your hand victorious%@NL@%
over the heads of those you hate?%@NL@%
Glory is precious forever.%@NL@%

%@NL@%Euripides
%@NL@%The Bacchae [c. 407 b.c.],l. 877

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI340     @%%@2@%Humility, a sense of reverence before the sons of heaven-%@NL@%%@EH@%
of all the prizes that a mortal man might win,%@NL@%
these, I say, are wisest; these are best.%@NL@%

%@NL@%Euripides
%@NL@%The Bacchae [c. 407 b.c.],l. 1150

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI350     @%%@2@%   Yet do I hold that mortal foolish who strives against the stress of%@EH@%
necessity. 1 %@NL@%
%@NL@%
Euripides
%@NL@%Mad Heracles, l. 281

%@NL@%%@AI@%1 See The Seven Sages%@BO:           891ff@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI360     @%%@2@%   The company of just and righteous men is better than wealth and a rich%@EH@%
estate.%@NL@%
%@NL@%
Euripides
%@NL@%%@FN@%
Translated by Morris Hickey Morgan.  %@EF@%
Aegeus, fragment 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI370     @%%@2@%   A bad beginning makes a bad ending.%@NL@%%@EH@%
%@NL@%
Euripides
%@NL@%%@FN@%
Translated by Morris Hickey Morgan.  %@EF@%
Aeolus, fragment32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI380     @%%@2@%   Time will explain it all. He is a talker, and needs no questioning before%@EH@%
he speaks.%@NL@%
%@NL@%
Euripides
%@NL@%Aeolus, fragment38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI390     @%%@2@%   Waste not fresh tears over old griefs.%@NL@%%@EH@%
%@NL@%
Euripides
%@NL@%%@FN@%
Translated by Morris Hickey Morgan.  %@EF@%
Alexander, fragment 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Sophocles and the Duc de Levis  If there be any good in nobility, I trow
it to be only this, that it imposeth a necessity upon those which are noble,
that they should not suffer their nobility to degenerate from the virtues of
their ancestors.-Boethius [470-525], De Consolatione Philosophiae, III, 6:25
%@EF@%
%@QR:Euripides@%%@CR:B485EURI400     @%%@2@%   The nobly born must nobly meet his fate.%@NL@%%@EH@%
%@NL@%
Euripides
%@NL@%%@FN@%
Translated by Morris Hickey Morgan.  %@EF@%
Alcymene, fragment 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI420     @%%@2@%   Man's best possession is a sympathetic wife.%@NL@%%@EH@%
%@NL@%
Euripides
%@NL@%%@FN@%
Translated by Morris Hickey Morgan.  %@EF@%
Antigone, fragment 164

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI430     @%%@2@%When good men die their goodness does not perish,%@NL@%%@EH@%
But lives though they are gone. As for the bad,%@NL@%
All that was theirs dies and is buried with them. 1 %@NL@%

%@NL@%Euripides
%@NL@%%@FN@%
Translated by Morris Hickey Morgan.  %@EF@%
Temenidae, fragment 734

%@NL@%%@AI@%1 See Shakespeare%@BO:          1b5c5d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI435     @%%@2@%An old man weds a tyrant, not a wife.%@NL@%%@EH@%

%@NL@%Euripides
%@NL@%Phoenix (quoted by Aristophanes,
Thesmophoriazusae), fragment413

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Morris Hickey Morgan.  Familiar form: A man is known by the
company he keeps.  %@EF@%
%@QR:Euripides@%%@CR:B485EURI440     @%%@2@%   Every man is like the company he is wont to keep.%@NL@%%@EH@%
%@NL@%
Euripides
%@NL@%Phoenix (quoted by Aristophanes,
Thesmophoriazusae), fragment809

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI450     @%%@2@%Who knows but life be that which men call death,%@NL@%%@EH@%
And death what men call life? 1  2  3 %@NL@%

%@NL@%Euripides
%@NL@%%@FN@%
Translated by Morris Hickey Morgan.  %@EF@%
Phrixus, fragment830

%@NL@%%@AI@%1 See Heraclitus%@BO:           9635b@%%@AE@%
%@AI@%2 See Aristophanes%@BO:           ac372@%%@AE@%
%@AI@%3 See Montaigne%@BO:          144bab@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI460     @%%@2@%Whoso neglects learning in his youth,%@NL@%%@EH@%
Loses the past and is dead for the future. 1  2 %@NL@%

%@NL@%Euripides
%@NL@%Phrixus, fragment927

%@NL@%%@AI@%1 See Thucydides%@BO:           a879e@%%@AE@%
%@AI@%2 See Santayana%@BO:          52c40e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Exodus 20:5  For the sins of your fathers you, though guiltless, must
suffer.-Horace, Odes, III, 6:1  The sins of the fathers are to be laid upon
the children.-Shakespeare, Merchant of Venice [1596-1597], act III, sc. v,
l. 1  %@EF@%
%@QR:Euripides@%%@CR:B485EURI470     @%%@2@%The gods%@NL@%%@EH@%
Visit the sins of the fathers upon the children.%@NL@%

%@NL@%Euripides
%@NL@%Phrixus, fragment970

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Anonymous Latin  In Boswell's Life of Johnson [1791], vol. 2, pp.
442-443 (Everyman edition), this is quoted as a saying which everybody
repeats but nobody knows where to find.  Whom Fortune wishes to destroy she
first makes mad.-Publilius Syrus [first century  B.C. ], Maxim 911  When
falls on man the anger of the gods,/First from his mind they banish
understanding.-Lycurgus [fl. 820  B.C. ]  For those whom God to ruin has
designed,/He fits for fate, and first destroys their mind.-Dryden, The Hind
and the Panther [1687], pt. III, l. 1093  Whom the Gods would destroy they
first make mad.-Longfellow, The Masque of Pandora [1875], VI  %@EF@%
%@QR:Euripides@%%@CR:B485EURI505     @%%@2@%   Those whom God wishes to destroy, he first makes mad.%@NL@%%@EH@%
%@NL@%
Euripides
%@NL@%Fragment

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Euripides@%%@CR:B485EURI560     @%%@2@%   These men won eight victories over the Syracusans when the favor of the%@EH@%
gods was equal for both sides.%@NL@%
%@NL@%
Euripides
%@NL@%Epitaph for the Athenians Slain in Sicily

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Herodotus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 485 - c. 425  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO10      @%%@2@%   Men trust their ears less than their eyes.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.I, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO20      @%%@2@%   A woman takes off her claim to respect along with her garments. 1 %@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.I, ch.8

%@NL@%%@AI@%1 See Chaucer%@BO:          124033@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO30      @%%@2@%   In peace, children inter their parents; war violates the order of nature%@EH@%
and causes parents to inter their children.%@NL@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.I, ch.87

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO40      @%%@2@%   [The Persians] are accustomed to deliberate about the most important%@EH@%
matters when they are drunk.%@NL@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.I, ch.133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Polyneices and Eteocles, sons of Oedipus and descendants of Cadmus, fought
for the possession of Thebes and killed each other. Hence, a Cadmean victory
means one where victor and vanquished suffer alike.  See also Pyrrhus
("Pyrrhic victory").  %@EF@%
%@QR:Herodotus@%%@CR:B485HERO50      @%%@2@%   It was a kind of Cadmean victory.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.I, ch.166

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO60      @%%@2@%   For great wrongdoing there are great punishments from the gods.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.II, ch.120

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO70      @%%@2@%   If a man insisted always on being serious, and never allowed himself a%@EH@%
bit of fun and relaxation, he would go mad or become unstable without
knowing it. 1  2  3 %@NL@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.II, ch.173

%@NL@%%@AI@%1 See Ptahhotpe%@BO:            1090@%%@AE@%
%@AI@%2 See Cervantes%@BO:          14e4be@%%@AE@%
%@AI@%3 See Howell%@BO:          2289de@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Pindar, Pythian Odes, I, 164.  %@EF@%
%@QR:Herodotus@%%@CR:B485HERO80      @%%@2@%   It is better to be envied than pitied.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.III, ch.52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO90      @%%@2@%   Envy is born in a man from the start.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.III, ch.80

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO100     @%%@2@%   Force has no place where there is need of skill.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.III, ch.127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ex pede, Herculem. From Aulus Gellius (Noctes Atticae, I, 1), who tells how
Pythagoras deduced the stature of Hercules from the length of his foot.  See
Anonymous Latin  %@EF@%
%@QR:Herodotus@%%@CR:B485HERO110     @%%@2@%   From the foot, Hercules.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.IV, ch.82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It is the lofty pine that by the storm/Is oftener tossed; towers fall with
heavier crash/Which higher soar.-Horace [65-8  B.C. ], Odes, II, 10:9  The
bigger they come, the harder they fall.-Boxing expression attributed to
Robert Fitzsimmons [1862-1917] and to John L. Sullivan [1858-1918]; probably
much earlier than either  %@EF@%
%@QR:Herodotus@%%@CR:B485HERO130     @%%@2@%   It is the gods' custom to bring low all things of surpassing greatness.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.VII, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO150     @%%@2@%   Haste in every business brings failures.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.VII, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO160     @%%@2@%   When life is so burdensome, death has become for man a sought-after%@EH@%
refuge.%@NL@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.VII, ch.46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO170     @%%@2@%   Circumstances rule men; men do not rule circumstances.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.VII, ch.49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO180     @%%@2@%   Great deeds are usually wrought at great risks.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.VII, ch.50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Neither snow, nor rain, nor heat, nor gloom of night stays these couriers
from the swift completion of their appointed rounds.-Inscription, New York
City Post Office, adapted from Herodotus  %@EF@%
%@QR:Herodotus@%%@CR:B485HERO190     @%%@2@%   Not snow, no, nor rain, nor heat, nor night keeps them from accomplishing%@EH@%
their appointed courses with all speed.%@NL@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.VIII, ch.98

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO210     @%%@2@%   The king's might is greater than human, and his arm is very long.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.VIII, ch.140

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO220     @%%@2@%   This is the bitterest pain among men, to have much knowledge but no%@EH@%
power.%@NL@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.IX, ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herodotus@%%@CR:B485HERO230     @%%@2@%   In soft regions are born soft men.%@NL@%%@EH@%
%@NL@%
Herodotus
%@NL@%The Histories of Herodotus, bk.IX, ch.122

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Protagoras%@AE@%%@EH@%
%@NL@%
%@AB@%c. 485 - c. 410  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Protagoras@%%@CR:B485PROT10      @%%@2@%   Man is the measure of all things.%@NL@%%@EH@%
%@NL@%
Protagoras
%@NL@%Fragment 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Protagoras@%%@CR:B485PROT20      @%%@2@%   There are two sides to every question. 1  2 %@NL@%%@EH@%
%@NL@%
Protagoras
%@NL@%From Diogenes Laertius, Lives of Eminent Philosophers, Protagoras, bk. IX,
sec. 51

%@NL@%%@AI@%1 See Euripides%@BO:           a2331@%%@AE@%
%@AI@%2 See St. Augustine%@BO:          1037c1@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Agis%@AE@%%@EH@%
%@NL@%
%@AB@%Fifth century  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Agis@%%@CR:B470AGIS10      @%%@2@%   The Lacedemonians are not wont to ask how many the enemy are, but where%@EH@%
they are.%@NL@%
%@NL@%
Agis
%@NL@%From Plutarch, Apothegms, Agis

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Socrates%@AE@%%@EH@%
%@NL@%
%@AB@%469-399  B.C. %@AE@%
%@FN@%
Much of Plato, especially in the Apology and Phaedo, is thought to be direct
quotation from Socrates. See Plato  %@EF@%
%@NL@%%@NL@%

%@QR:Socrates@%%@CR:B469SOCR20      @%%@2@%   Often when looking at a mass of things for sale, he would say to himself,%@EH@%
"How many things I have no need of!"%@NL@%
%@NL@%
Socrates
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. II, sec.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Socrates@%%@CR:B469SOCR30      @%%@2@%   Having the fewest wants, I am nearest to the gods.%@NL@%%@EH@%
%@NL@%
Socrates
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. II, sec.27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Socrates@%%@CR:B469SOCR40      @%%@2@%   There is only one good, knowledge, and one evil, ignorance.%@NL@%%@EH@%
%@NL@%
Socrates
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. II, sec.31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Socrates@%%@CR:B469SOCR50      @%%@2@%   My divine sign indicates the future to me.%@NL@%%@EH@%
%@NL@%
Socrates
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. II, sec.32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Socrates@%%@CR:B469SOCR60      @%%@2@%   I know nothing except the fact of my ignorance. 1 %@NL@%%@EH@%
%@NL@%
Socrates
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. II, sec.32

%@NL@%%@AI@%1 See Milton%@BO:          2485de@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He used to say that other men lived to eat, but that he ate to
live.-Diogenes Laertius [c. 200], Lives of Eminent Philosophers, Socrates,
sec. 14  See Moliere, and Franklin  We must eat to live and live to
eat.-Fielding [1707-1754], The Miser, act III, sc. iii  %@EF@%
%@QR:Socrates@%%@CR:B469SOCR70      @%%@2@%   Bad men live that they may eat and drink, whereas good men eat and drink%@EH@%
that they may live.%@NL@%
%@NL@%
Socrates
%@NL@%From Plutarch, How a Young Man Ought to Hear Poems, 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Bacon, Paine, Garrison, and F. D. Roosevelt  Diogenes, when asked from
what country he came, replied, "I am a citizen of the world."-Diogenes
Laertius [c. 200], Lives of Eminent Philosophers, Diogenes, sec. 6  Citizen
of the world, as I hold myself to be.-Boswell, Life of Johnson [1791], vol.
I, p. 521 (Everyman edition)  %@EF@%
%@QR:Socrates@%%@CR:B469SOCR100     @%%@2@%   I am not an Athenian or a Greek, but a citizen of the world.%@NL@%%@EH@%
%@NL@%
Socrates
%@NL@%From Plutarch, Of Banishment

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Socrates@%%@CR:B469SOCR130     @%%@2@%   Crito, I owe a cock to Asclepius; will you remember to pay the debt?%@NL@%%@EH@%
%@NL@%
Socrates
%@NL@%From Plato, Phaedo (Socrates' last words)

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Democritus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 460 - c. 400  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Apparently the earliest reference to the madness or divine inspiration of
poets.  See Robert Burton, Wordsworth, and Robert Lowell  %@EF@%
%@QR:Democritus@%%@CR:B460DEMO10      @%%@2@%   Whatever a poet writes with enthusiasm and a divine inspiration is very%@EH@%
fine.%@NL@%
%@NL@%
Democritus
%@NL@%Fragment 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Democritus@%%@CR:B460DEMO20      @%%@2@%   In truth we know nothing, for truth lies in the depth.%@NL@%%@EH@%
%@NL@%
Democritus
%@NL@%Fragment 117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Democritus@%%@CR:B460DEMO30      @%%@2@%   By convention there is color, by convention sweetness, by convention%@EH@%
bitterness, but in reality there are atoms and space.%@NL@%
%@NL@%
Democritus
%@NL@%Fragment 125

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Democritus@%%@CR:B460DEMO40      @%%@2@%   Word is a shadow of deed.%@NL@%%@EH@%
%@NL@%
Democritus
%@NL@%Fragment 145

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Hippocrates%@AE@%%@EH@%
%@NL@%
%@AB@%c. 460-400  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP10      @%%@2@%   I swear by Apollo Physician, by Asclepius, by Health, by Panacea, and by%@EH@%
all the gods and goddesses, making them my witnesses, that I will carry out,
according to my ability and judgment, this oath and this indenture. . . . I
will use treatment to help the sick according to my ability and judgment,
but never with a view to injury and wrongdoing . . . I will keep pure and
holy both my life and my art . . . In whatsoever houses I enter, I will
enter to help the sick, and I will abstain from all intentional wrongdoing
and harm, especially from abusing the bodies of man or woman, bond or free.
And whatsoever I shall see or hear in the course of my profession in my
intercourse with men, if it be what should not be published abroad, I will
never divulge, holding such things to be holy secrets. Now if I carry out
this oath, and break it not, may I gain forever reputation among all men for
my life and for my art; but if I transgress it and forswear myself, may the
opposite befall me.%@NL@%
%@NL@%
Hippocrates
%@NL@%%@FN@%
Translated by W. H. S. Jones (Loeb Classical Library).  %@EF@%
The Physician's Oath

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP20      @%%@2@%   Healing is a matter of time, but it is sometimes also a matter of%@EH@%
opportunity.%@NL@%
%@NL@%
Hippocrates
%@NL@%%@FN@%
Translated by W. H. S. Jones (Loeb Classical Library).  %@EF@%
Precepts, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP25      @%%@2@%   Time is that wherein there is opportunity, and opportunity is that%@EH@%
wherein there is no great time.%@NL@%
%@NL@%
Hippocrates
%@NL@%Precepts, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP30      @%%@2@%   Sometimes give your services for nothing, calling to mind a previous%@EH@%
benefaction or present satisfaction. And if there be an opportunity of
serving one who is a stranger in financial straits, give full assistance to
all such. For where there is love of man, there is also love of the art. For
some patients, though conscious that their condition is perilous, recover
their health simply through their contentment with the goodness of the
physician. And it is well to superintend the sick to make them well, to care
for the healthy to keep them well, also to care for one's own self, so as to
observe what is seemly. 1 %@NL@%
%@NL@%
Hippocrates
%@NL@%Precepts, ch.6

%@NL@%%@AI@%1 See Plato%@BO:           ae976@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP40      @%%@2@%   In all abundance there is lack.%@NL@%%@EH@%
%@NL@%
Hippocrates
%@NL@%Precepts, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP50      @%%@2@%   If for the sake of a crowded audience you do wish to hold a lecture, your%@EH@%
ambition is no laudable one, and at least avoid all citations from the
poets, for to quote them argues feeble industry.%@NL@%
%@NL@%
Hippocrates
%@NL@%Precepts, ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP51      @%%@2@%   Opposites are cures for opposites.%@NL@%%@EH@%
%@NL@%
Hippocrates
%@NL@%Breaths, bk. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP53      @%%@2@%   Medicine is the most distinguished of all the arts, but through the%@EH@%
ignorance of those who practice it, and of those who casually judge such
practitioners, it is now of all the arts by far the least esteemed.%@NL@%
%@NL@%
Hippocrates
%@NL@%Law, bk.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP54      @%%@2@%   There are in fact two things, science and opinion; the former begets%@EH@%
knowledge, the latter ignorance.%@NL@%
%@NL@%
Hippocrates
%@NL@%Law, bk.IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP55      @%%@2@%   Things that are holy are revealed only to men who are holy. 1 %@NL@%%@EH@%
%@NL@%
Hippocrates
%@NL@%Law, bk.V

%@NL@%%@AI@%1 See Manilius%@BO:           eb099@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP57      @%%@2@%   Idleness and lack of occupation tend-nay are dragged-towards evil.%@NL@%%@EH@%
%@NL@%
Hippocrates
%@NL@%Decorum, bk. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP59      @%%@2@%   A wise man should consider that health is the greatest of human%@EH@%
blessings, and learn how by his own thought to derive benefit from his
illnesses.%@NL@%
%@NL@%
Hippocrates
%@NL@%Regimen in Health, bk. IX

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Vita brevis est, ars longa.-Seneca, De Brevitate Vitae, I, 1  See Chaucer,
Goethe, and Longfellow  Art's long, though time is short.-Browning, The Ring
and the Book [1868-1869], pt. IX, Juris Doctor Johannes-Baptista Bottinius  %@EF@%
%@QR:Hippocrates@%%@CR:B460HIPP60      @%%@2@%   Life is short, the art long, opportunity fleeting, experience%@EH@%
treacherous, judgment difficult.%@NL@%
%@NL@%
Hippocrates
%@NL@%Aphorisms, sec. I,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP100     @%%@2@%   For extreme illnesses extreme treatments are most fitting. 1 %@NL@%%@EH@%
%@NL@%
Hippocrates
%@NL@%Aphorisms, sec. I,6

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c5778@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP110     @%%@2@%   Many admire, few know.%@NL@%%@EH@%
%@NL@%
Hippocrates
%@NL@%Regimen, bk.I, sec.24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP120     @%%@2@%   Male and female have the power to fuse into one solid, both because both%@EH@%
are nourished in both and because soul is the same thing in all living
creatures, although the body of each is different.%@NL@%
%@NL@%
Hippocrates
%@NL@%Regimen, bk.I, sec.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hippocrates@%%@CR:B460HIPP130     @%%@2@%   Prayer indeed is good, but while calling on the gods a man should himself%@EH@%
lend a hand. 1 %@NL@%
%@NL@%
Hippocrates
%@NL@%Regimen, bk.IV, sec. 87

%@NL@%%@AI@%1 See Aesop%@BO:           8fce0@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Thucydides%@AE@%%@EH@%
%@NL@%
%@AB@%c. 460-400  B.C. %@AE@%
%@FN@%
Translated by Sir Richard Livingstone.  %@EF@%
%@NL@%%@NL@%

%@QR:Thucydides@%%@CR:B460THUC10      @%%@2@%   Thucydides, an Athenian, wrote the history of the war between the%@EH@%
Peloponnesians and the Athenians; he began at the moment that it broke out,
believing that it would be a great war, and more memorable than any that had
preceded it.%@NL@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.I, sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thucydides@%%@CR:B460THUC20      @%%@2@%   With reference to the narrative of events, far from permitting myself to%@EH@%
derive it from the first source that came to hand, I did not even trust my
own impressions, but it rests partly on what I saw myself, partly on what
others saw for me, the accuracy of the report being always tried by the most
severe and detailed tests possible. My conclusions have cost me some labor
from the want of coincidence between accounts of the same occurrences by
different eyewitnesses, arising sometimes from imperfect memory, sometimes
from undue partiality for one side or the other. The absence of romance in
my history will, I fear, detract somewhat from its interest; but I shall be
content if it is judged useful by those inquirers who desire an exact
knowledge of the past as an aid to the interpretation of the future, 1  2
which in the course of human things must resemble if it does not reflect it.
My history has been composed to be an everlasting possession, not the
showpiece of an hour. 3 %@NL@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.I, sec.22

%@NL@%%@AI@%1 See Euripides%@BO:           a3d4d@%%@AE@%
%@AI@%2 See Santayana%@BO:          52c40e@%%@AE@%
%@AI@%3 See Ranke%@BO:          3a3498@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quoted by President John F. Kennedy in Frankfurt [June 25, 1963].  %@EF@%
%@QR:Thucydides@%%@CR:B460THUC30      @%%@2@%   The great wish of some is to avenge themselves on some particular enemy,%@EH@%
the great wish of others to save their own pocket. Slow in assembling, they
devote a very small fraction of the time to the consideration of any public
object, most of it to the prosecution of their own objects. Meanwhile each
fancies that no harm will come of his neglect, that it is the business of
somebody else to look after this or that for him; and so, by the same notion
being entertained by all separately, the common cause imperceptibly decays.%@NL@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.I, sec.141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thucydides@%%@CR:B460THUC40      @%%@2@%   Our constitution is named a democracy, because it is in the hands not of%@EH@%
the few but of the many. But our laws secure equal justice for all in their
private disputes, and our public opinion welcomes and honors talent in every
branch of achievement, not for any sectional reason but on grounds of
excellence alone. And as we give free play to all in our public life, so we
carry the same spirit into our daily relations with one another. . . . Open
and friendly in our private intercourse, in our public acts we keep strictly
within the control of law. We acknowledge the restraint of reverence; we are
obedient to whomsoever is set in authority, and to the laws, more especially
to those which offer protection to the oppressed and those unwritten
ordinances whose transgression brings admitted shame.%@NL@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.II (Funeral Oration of Pericles), sec.37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thucydides@%%@CR:B460THUC50      @%%@2@%   We are lovers of beauty without extravagance, and lovers of wisdom%@EH@%
without unmanliness. Wealth to us is not mere material for vainglory but an
opportunity for achievement; and poverty we think it no disgrace to
acknowledge but a real degradation to make no effort to overcome.%@NL@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.II (Funeral Oration of Pericles), sec.40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thucydides@%%@CR:B460THUC60      @%%@2@%   But the bravest are surely those who have the clearest vision of what is%@EH@%
before them, glory and danger alike, and yet notwithstanding go out to meet
it.%@NL@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.II (Funeral Oration of Pericles), sec.40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rather by conferring than by accepting favors, they [the Romans] established
friendly relations.-Sallust, The War with Catiline [c. 40  B.C. ], 6  %@EF@%
%@QR:Thucydides@%%@CR:B460THUC70      @%%@2@%   We secure our friends not by accepting favors but by doing them.%@NL@%%@EH@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.II (Funeral Oration of Pericles), sec.40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thucydides@%%@CR:B460THUC90      @%%@2@%   In a word I claim that our city as a whole is an education to Greece.%@NL@%%@EH@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.II (Funeral Oration of Pericles), sec.41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thucydides@%%@CR:B460THUC100     @%%@2@%   Fix your eyes on the greatness of Athens as you have it before you day by%@EH@%
day, fall in love with her, and when you feel her great, remember that this
greatness was won by men with courage, with knowledge of their duty, and
with a sense of honor in action . . . So they gave their bodies to the
commonwealth and received, each for his own memory, praise that will never
die, and with it the grandest of all sepulchers, not that in which their
mortal bones are laid, but a home in the minds of men, where their glory
remains fresh to stir to speech or action as the occasion comes by. For the
whole earth is the sepulcher of famous men; and their story is not graven
only on stone over their native earth, but lives on far away, without
visible symbol, woven into the stuff of other men's lives. For you now it
remains to rival what they have done and, knowing the secret of happiness to
be freedom and the secret of freedom a brave heart, not idly to stand aside
from the enemy's onset. 1  2  3 %@NL@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.II (Funeral Oration of Pericles), sec.43

%@NL@%%@AI@%1 See Simonides%@BO:           91b12@%%@AE@%
%@AI@%2 See Pindar%@BO:           99e12@%%@AE@%
%@AI@%3 See Brandeis%@BO:          501241@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thucydides@%%@CR:B460THUC110     @%%@2@%   Great is the glory of the woman who occasions the least talk among men,%@EH@%
whether of praise or of blame.%@NL@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.II (Funeral Oration of Pericles), sec.45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thucydides@%%@CR:B460THUC120     @%%@2@%   For human nature is as surely made arrogant by consideration as it is%@EH@%
awed by firmness.%@NL@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.III, sec. 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thucydides@%%@CR:B460THUC130     @%%@2@%   Men make the city, and not walls or ships without men in them. 1 %@NL@%%@EH@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.VII, sec. 77 (Address of Nicias to the Athenians at
Syracuse)

%@NL@%%@AI@%1 See Sophocles%@BO:           9cc42@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thucydides@%%@CR:B460THUC140     @%%@2@%   This or the like was the cause of the death of a man [Nicias] who, of all%@EH@%
the Greeks in my time, least deserved such a fate, for he had lived in the
practice of every virtue.%@NL@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.VIII, sec.86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thucydides@%%@CR:B460THUC150     @%%@2@%   This was the greatest event in the war, or, in my opinion, in Greek%@EH@%
history; at once most glorious to the victors and most calamitous to the
conquered. They were beaten at all points and altogether; their sufferings
in every way were great. They were totally destroyed-their fleet, their
army, everything-and few out of many returned home. So ended the Sicilian
expedition.%@NL@%
%@NL@%
Thucydides
%@NL@%The History of the Peloponnesian War
[431-413 b.c.], bk.VIII, sec.87

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Aristophanes%@AE@%%@EH@%
%@NL@%
%@AB@%c. 450-385  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by B. B. Rogers (Loeb Classical Library).  %@EF@%
%@QR:Aristophanes@%%@CR:B450ARIS10      @%%@2@%For then, in wrath, the Olympian Pericles%@NL@%%@EH@%
Thundered and lightened, and confounded Hellas%@NL@%
Enacting laws which ran like drinking songs.%@NL@%

%@NL@%Aristophanes
%@NL@%Acharnians [425 b.c.], l. 530

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS20      @%%@2@%When men drink, then they are rich and successful and win lawsuits and are%@EH@%
happy and help their friends.%@NL@%
Quickly, bring me a beaker of wine, so that I may wet my mind and say
something clever.%@NL@%

%@NL@%Aristophanes
%@NL@%Knights [424 b.c.]l. 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS30      @%%@2@%You have all the characteristics of a popular politician: a horrible voice,%@EH@%
bad breeding, and a vulgar manner.%@NL@%

%@NL@%Aristophanes
%@NL@%Knights [424 b.c.]l. 217

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS40      @%%@2@%To make the worse appear the better reason. 1 %@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Clouds [423 b.c.]l. 114 and elsewhere

%@NL@%%@AI@%1 See Milton%@BO:          23fce4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Dudley Fitts.  See Shakespeare  %@EF@%
%@QR:Aristophanes@%%@CR:B450ARIS50      @%%@2@%Haven't you sometimes seen a cloud that looked like a centaur?%@NL@%%@EH@%
Or a leopard perhaps? Or a wolf? Or a bull?%@NL@%

%@NL@%Aristophanes
%@NL@%Clouds [423 b.c.]l. 346

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS60      @%%@2@%Old men are children for a second time. 1 %@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Clouds [423 b.c.]l. 1417

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c01e2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS70      @%%@2@%This is what extremely grieves us, that a man who never fought%@NL@%%@EH@%
Should contrive our fees to pilfer, one who for his native land%@NL@%
Never to this day had oar, or lance, or blister in his hand.%@NL@%

%@NL@%Aristophanes
%@NL@%%@FN@%
Translated by B. B. Rogers (Loeb Classical Library).  %@EF@%
Wasps
[422 b.c.]l. 1117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS80      @%%@2@%Let each man exercise the art he knows.%@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Wasps
[422 b.c.]l. 1431

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS90      @%%@2@%You cannot teach a crab to walk straight.%@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Peace [421 b.c.], l. 1083

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS100     @%%@2@%On the nightingale] Lord Zeus, listen to the little bird's voice; he has%@EH@%
filled the whole thicket with honeyed song.%@NL@%

%@NL@%Aristophanes
%@NL@%Birds [414 b.c.]l. 223

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS110     @%%@2@%Bringing owls to Athens. 1 %@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Birds [414 b.c.]l. 301

%@NL@%%@AI@%1 See Horace%@BO:           d7b44@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS120     @%%@2@%The wise learn many things from their enemies.%@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Birds [414 b.c.]l. 375

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by B. B. Rogers (Loeb Classical Library).  %@EF@%
%@QR:Aristophanes@%%@CR:B450ARIS130     @%%@2@%Full of wiles, full of guile, at all times, in all ways,%@NL@%%@EH@%
Are the children of Men.%@NL@%

%@NL@%Aristophanes
%@NL@%Birds [414 b.c.]l. 451

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS140     @%%@2@%Mankind, fleet of life, like tree leaves, weak creatures of clay,%@EH@%
unsubstantial as shadows, wingless, ephemeral, wretched, mortal and
dreamlike. 1  2  3  4  5 %@NL@%

%@NL@%Aristophanes
%@NL@%Birds [414 b.c.]l. 685

%@NL@%%@AI@%1 See The Teaching for Merikare%@BO:            1860@%%@AE@%
%@AI@%2 See Homer%@BO:           8123b@%%@AE@%
%@AI@%3 See %@BO:           82dd6@%%@AE@%
%@AI@%4 See %@BO:           83321@%%@AE@%
%@AI@%5 See Pindar%@BO:           9989d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Dudley Fitts.  %@EF@%
%@QR:Aristophanes@%%@CR:B450ARIS150     @%%@2@%Somewhere, what with all these clouds, and all this air,%@NL@%%@EH@%
There must be a rare name, somewhere . . . How do you like
"Cloud-Cuckoo-Land"?%@NL@%

%@NL@%Aristophanes
%@NL@%Birds [414 b.c.]l. 817

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Shakespeare.  The appellation of Halcyon days, which was applied to a
rare and bloodless week of repose.-Gibbon, Decline and Fall of the Roman
Empire [1776-1788], ch. 48  %@EF@%
%@QR:Aristophanes@%%@CR:B450ARIS160     @%%@2@%Halcyon days.%@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Birds [414 b.c.]l. 1594

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS180     @%%@2@%A woman's time of opportunity is short, and if she doesn't seize it, no one%@EH@%
wants to marry her, and she sits watching for omens.%@NL@%

%@NL@%Aristophanes
%@NL@%Lysistrata [411 b.c.]l. 596

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS190     @%%@2@%There is no animal more invincible than a woman, nor fire either, nor any%@EH@%
wildcat so ruthless. 1  2 %@NL@%

%@NL@%Aristophanes
%@NL@%Lysistrata [411 b.c.]l. 1014

%@NL@%%@AI@%1 See Congreve%@BO:          28a387@%%@AE@%
%@AI@%2 See Nietzsche%@BO:          4de3e3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Dudley Fitts.  See Ovid and Martial  %@EF@%
%@QR:Aristophanes@%%@CR:B450ARIS200     @%%@2@%These impossible women! How they do get around us!%@NL@%%@EH@%
The poet was right: can't live with them, or without them!%@NL@%

%@NL@%Aristophanes
%@NL@%Lysistrata [411 b.c.]l. 1038

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A play on the proverb: Under every stone lurks a scorpion.  %@EF@%
%@QR:Aristophanes@%%@CR:B450ARIS210     @%%@2@%Under every stone lurks a politician.%@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Thesmophoriazusae [410 b.c.]l. 530

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS230     @%%@2@%There's nothing worse in the world than shameless woman-save some other%@EH@%
woman.%@NL@%

%@NL@%Aristophanes
%@NL@%Thesmophoriazusae [410 b.c.]l. 531

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS240     @%%@2@%Shall I crack any of those old jokes, master,%@NL@%%@EH@%
At which the audience never fail to laugh?%@NL@%

%@NL@%Aristophanes
%@NL@%%@FN@%
Translated by B. B. Rogers (Loeb Classical Library).  %@EF@%
Frogs
[405 b.c.]l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Adopted as a Yale College cheer.  %@EF@%
%@QR:Aristophanes@%%@CR:B450ARIS250     @%%@2@%Brekekekex, ko-ax, ko-ax.%@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Frogs
[405 b.c.]l. 209 and elsewhere

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Refers to Aeschylus.  %@EF@%
%@QR:Aristophanes@%%@CR:B450ARIS260     @%%@2@%A savage-creating stubborn-pulling fellow,%@NL@%%@EH@%
Uncurbed, unfettered, uncontrolled of speech,%@NL@%
Unperiphrastic, bombastiloquent.%@NL@%

%@NL@%Aristophanes
%@NL@%Frogs
[405 b.c.]l. 837

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Dudley Fitts.  %@EF@%
%@QR:Aristophanes@%%@CR:B450ARIS270     @%%@2@%High thoughts must have high language.%@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Frogs
[405 b.c.]l. 1058

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS280     @%%@2@%Who knows whether living is dying, and breathing%@NL@%%@EH@%
Is eating, and sleeping is a wool blanket? 1  2  3 %@NL@%

%@NL@%Aristophanes
%@NL@%Frogs
[405 b.c.]l. 1477

%@NL@%%@AI@%1 See Heraclitus%@BO:           9635b@%%@AE@%
%@AI@%2 See Euripides%@BO:           a3b98@%%@AE@%
%@AI@%3 See Montaigne%@BO:          144bab@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS290     @%%@2@%Blest the man who possesses a%@NL@%%@EH@%
Keen intelligent mind.%@NL@%

%@NL@%Aristophanes
%@NL@%Frogs
[405 b.c.]l. 1482

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS300     @%%@2@%I am amazed that anyone who has made a fortune should send for his friends.%@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Plutus [c. 388 b.c.]l. 340

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS310     @%%@2@%We say that poverty is the sister of beggary.%@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Plutus [c. 388 b.c.]l. 549

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS320     @%%@2@%Even if you persuade me, you won't persuade me.%@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Plutus [c. 388 b.c.]l. 600

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristophanes@%%@CR:B450ARIS330     @%%@2@%A man's homeland is wherever he prospers.%@NL@%%@EH@%

%@NL@%Aristophanes
%@NL@%Plutus [c. 388 b.c.]l. 1151

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Agathon%@AE@%%@EH@%
%@NL@%
%@AB@%c. 448-400  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Agathon@%%@CR:B448AGAT10      @%%@2@%   This only is denied to God: the power to undo the past.%@NL@%%@EH@%
%@NL@%
Agathon
%@NL@%From Aristotle, Nicomachean Ethics, bk. VI, ch. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Agesilaus%@AE@%%@EH@%
%@NL@%
%@AB@%444-400  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Agesilaus@%%@CR:B444AGES10      @%%@2@%   If all men were just, there would be no need of valor.%@NL@%%@EH@%
%@NL@%
Agesilaus
%@NL@%From Plutarch, Lives, Agesilaus, sec.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Agesilaus@%%@CR:B444AGES20      @%%@2@%   It is circumstance and proper timing that give an action its character%@EH@%
and make it either good or bad.%@NL@%
%@NL@%
Agesilaus
%@NL@%From Plutarch, Lives, Agesilaus, sec.36

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Xenophon%@AE@%%@EH@%
%@NL@%
%@AB@%c. 430 - c. 355  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Xenophon@%%@CR:B430XENO10      @%%@2@%   Apollo said that everyone's true worship was that which he found in use%@EH@%
in the place where he chanced to be.%@NL@%
%@NL@%
Xenophon
%@NL@%Recollections of Socrates, bk. I, ch. 3, sec. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Thalatta! Thalatta!/Hail to thee, O Sea, ageless and eternal!-Heinrich Heine
[1797-1856], Thalatta! Thalatta!, st. 1  %@EF@%
%@QR:Xenophon@%%@CR:B430XENO20      @%%@2@%   The sea! The sea!%@NL@%%@EH@%
%@NL@%
Xenophon
%@NL@%Anabasis, IV, 7, 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
When his son was killed in battle.  %@EF@%
%@QR:Xenophon@%%@CR:B430XENO40      @%%@2@%   I knew my son was mortal.%@NL@%%@EH@%
%@NL@%
Xenophon
%@NL@%From Diogenes Laertius, Lives of Eminent Philosophers, Xenophon, bk. II,
sec. 55

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Zeuxis%@AE@%%@EH@%
%@NL@%
%@AB@%fl. 400  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Zeuxis@%%@CR:B430ZEUX10      @%%@2@%   Criticism comes easier than craftsmanship.%@NL@%%@EH@%
%@NL@%
Zeuxis
%@NL@%From Pliny the Elder, Natural History

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Plato%@AE@%%@EH@%
%@NL@%
%@AB@%c. 428-348  B.C. %@AE@%
%@FN@%
Translated by Benjamin Jowett.  Asclepius cured the body: to make men
whole/Phoebus sent Plato, healer of the soul.-On Plato's Grave, anonymous
inscription translated by William J. Philbin in The Greek Anthology [1973],
edited by Peter Jay  %@EF@%
%@NL@%%@NL@%

%@FN@%
On the Eretrian exiles settled in Persia by Darius.  %@EF@%
%@QR:Plato@%%@CR:B428PLAT10      @%%@2@%   We who of old left the booming surge of the Aegean lie here in the%@EH@%
mid-plain of Ecbatana: farewell, renowned Eretria once our country;
farewell, Athens nigh to Euboea; farewell, dear sea.%@NL@%
%@NL@%
Plato
%@NL@%%@FN@%
Edited by J. W. Mackail.  %@EF@%
The Greek Anthology [1906],
III, 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT20      @%%@2@%   Beloved Pan, and all ye other gods who haunt this place, give me beauty%@EH@%
in the inward soul; and may the outward and inward man be at one. May I
reckon the wise to be the wealthy, and may I have such a quantity of gold as
none but the temperate can carry.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Phaedrus, sec. 279

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Euripides, Orestes, l. 735.  See Pythagoras and Sallust  %@EF@%
%@QR:Plato@%%@CR:B428PLAT30      @%%@2@%   Friends have all things in common.%@NL@%%@EH@%
%@NL@%
Plato
%@NL@%Dialogues,Phaedrus, sec. 279

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT50      @%%@2@%   And the true order of going, or being led by another, to the things of%@EH@%
love, is to begin from the beauties of earth and mount upwards for the sake
of that other beauty, using these steps only, and from one going on to two,
and from two to all fair forms to fair practices, and from fair practices to
fair notions, until from fair notions he arrives at the notion of absolute
beauty, and at last knows what the essence of beauty is.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Symposium, sec.211

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT60      @%%@2@%   Beholding beauty with the eye of the mind, he will be enabled to bring%@EH@%
forth, not images of beauty, but realities (for he has hold not of an image
but of a reality), and bringing forth and nourishing true virtue to become
the friend of God and be immortal, if mortal man may.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Symposium, sec.212

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT70      @%%@2@%   Socrates is a doer of evil, who corrupts the youth; and who does not%@EH@%
believe in the gods of the state, but has other new divinities of his own.
Such is the charge.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Apology, sec.24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT80      @%%@2@%   The life which is unexamined is not worth living.%@NL@%%@EH@%
%@NL@%
Plato
%@NL@%Dialogues,Apology, sec.38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Either the soul is immortal and we shall not die, or it perishes with the
flesh and we shall not know that we are dead. Live, then, as if you were
eternal.-Andre Maurois [1885-1967]. From Will Durant, On the Meaning of Life
[1932], p. 53.  %@EF@%
%@QR:Plato@%%@CR:B428PLAT90      @%%@2@%   Either death is a state of nothingness and utter unconsciousness, or, as%@EH@%
men say, there is a change and migration of the soul from this world to
another. . . . Now if death be of such a nature, I say that to die is to
gain; for eternity is then only a single night.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Apology, sec.40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT110     @%%@2@%   No evil can happen to a good man, either in life or after death.%@NL@%%@EH@%
%@NL@%
Plato
%@NL@%Dialogues,Apology, sec.41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT120     @%%@2@%   The hour of departure has arrived, and we go our ways-I to die, and you%@EH@%
to live. Which is better God only knows.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Apology, sec.42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT130     @%%@2@%   Man is a prisoner who has no right to open the door of his prison and run%@EH@%
away. . . . A man should wait, and not take his own life until God summons
him.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Phaedo, 1  sec.62

%@NL@%%@AI@%1 See Socrates%@CF:B469SOCR5       @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT140     @%%@2@%   Must not all things at the last be swallowed up in death?%@NL@%%@EH@%
%@NL@%
Plato
%@NL@%Dialogues,Phaedo, 1  sec.72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The jalous swan, ayens his deth that singeth.-Chaucer, The Parliament of
Fowls [1380-1386], l. 342  I will play the swan and die in
music.-Shakespeare, Othello [1604-1605], act V, sc. ii, l. 245  See
Shakespeare, Byron, and Anonymous  %@EF@%
%@QR:Plato@%%@CR:B428PLAT150     @%%@2@%   Will you not allow that I have as much of the spirit of prophecy in me as%@EH@%
the swans? For they, when they perceive that they must die, having sung all
their life long, do then sing more lustily than ever, rejoicing in the
thought that they are going to the god they serve.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Phaedo, 1  sec.85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT180     @%%@2@%   The partisan, when he is engaged in a dispute, cares nothing about the%@EH@%
rights of the question, but is anxious only to convince his hearers of his
own assertions.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Phaedo, 1  sec.91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT190     @%%@2@%   False words are not only evil in themselves, but they infect the soul%@EH@%
with evil.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Phaedo, 1  sec.91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT200     @%%@2@%   The soul takes nothing with her to the other world but her education and%@EH@%
culture; and these, it is said, are of the greatest service or of the
greatest injury to the dead man, at the very beginning of his journey
thither.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Phaedo, 1  sec.107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT210     @%%@2@%   He who is of a calm and happy nature will hardly feel the pressure of%@EH@%
age, but to him who is of an opposite disposition youth and age are equally
a burden.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.I,329-D

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT220     @%%@2@%   No physician, insofar as he is a physician, considers his own good in%@EH@%
what he prescribes, but the good of his patient; for the true physician is
also a ruler having the human body as a subject, and is not a mere
moneymaker. 1 %@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.I,342-D

%@NL@%%@AI@%1 See Hippocrates%@BO:           a74af@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT230     @%%@2@%   When there is an income tax, the just man will pay more and the unjust%@EH@%
less on the same amount of income.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.I,343-D

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT240     @%%@2@%   Mankind censure injustice fearing that they may be the victims of it, and%@EH@%
not because they shrink from committing it.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.I,344-C

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Proverbial. Also in Laws, VI, 2.  See Aristotle, Horace, and Heywood  %@EF@%
%@QR:Plato@%%@CR:B428PLAT250     @%%@2@%   The beginning is the most important part of the work.%@NL@%%@EH@%
%@NL@%
Plato
%@NL@%The Republic, bk.I,377-B

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT260     @%%@2@%   The judge should not be young; he should have learned to know evil, not%@EH@%
from his own soul, but from late and long observation of the nature of evil
in others: knowledge should be his guide, not personal experience.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.III,409-B

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT270     @%%@2@%   Everything that deceives may be said to enchant.%@NL@%%@EH@%
%@NL@%
Plato
%@NL@%The Republic, bk.III,413-C

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Paul Shorey (Loeb Classical Library).  %@EF@%
%@QR:Plato@%%@CR:B428PLAT280     @%%@2@%   How, then, might we contrive . . . one noble lie to persuade if possible%@EH@%
the rulers themselves, but failing that the rest of the city?%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.III,414-C

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT290     @%%@2@%   Wealth is the parent of luxury and indolence, and poverty of meanness and%@EH@%
viciousness, and both of discontent. 1  2 %@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.IV,422-A

%@NL@%%@AI@%1 See I Timothy 6:10%@BO:           72121@%%@AE@%
%@AI@%2 See Sophocles%@BO:           9dcc3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT300     @%%@2@%   The direction in which education starts a man will determine his future%@EH@%
life.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.IV,425-B

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT310     @%%@2@%   What is the prime of life? May it not be defined as a period of about%@EH@%
twenty years in a woman's life, and thirty in a man's?%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.V,460-E

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT320     @%%@2@%   Until philosophers are kings, or the kings and princes of this world have%@EH@%
the spirit and power of philosophy, and political greatness and wisdom meet
in one, and those commoner natures who pursue either to the exclusion of the
other are compelled to stand aside, cities will never have rest from their
evils-no, nor the human race, as I believe-and then only will this our State
have a possibility of life and behold the light of day.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.V,473-C

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT330     @%%@2@%   Let there be one man who has a city obedient to his will, and he might%@EH@%
bring into existence the ideal polity about which the world is so
incredulous.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.V,502-B

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT340     @%%@2@%   Behold! human beings living in an underground den . . . Like ourselves .%@EH@%
. . they see only their own shadows, or the shadows of one another, which
the fire throws on the opposite wall of the cave.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.VII,515-B

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT350     @%%@2@%   Astronomy compels the soul to look upwards and leads us from this world%@EH@%
to another.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.VII,529

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT360     @%%@2@%   I have hardly ever known a mathematician who was capable of reasoning.%@NL@%%@EH@%
%@NL@%
Plato
%@NL@%The Republic, bk.VII,531-E

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT370     @%%@2@%   Solon was under a delusion when he said that a man when he grows old may%@EH@%
learn many things 1 -for he can no more learn much than he can run much;
youth is the time for any extraordinary toil.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.VII,536-D

%@NL@%%@AI@%1 See Solon%@BO:           89765@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT380     @%%@2@%   Bodily exercise, when compulsory, does no harm to the body; but knowledge%@EH@%
which is acquired under compulsion obtains no hold on the mind.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.VII,536-E

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT390     @%%@2@%   Let early education be a sort of amusement; you will then be better able%@EH@%
to find out the natural bent.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.VII,537

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT400     @%%@2@%   Oligarchy: A government resting on a valuation of property, in which the%@EH@%
rich have power and the poor man is deprived of it.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.VIII,550-C

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT410     @%%@2@%   Democracy, which is a charming form of government, full of variety and%@EH@%
disorder, and dispensing a sort of equality to equals and unequals alike. 1 %@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.VIII,558-C

%@NL@%%@AI@%1 See Aristotle%@BO:           b57b1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by F. M. Cornford.  %@EF@%
%@QR:Plato@%%@CR:B428PLAT420     @%%@2@%   Democracy passes into despotism.%@NL@%%@EH@%
%@NL@%
Plato
%@NL@%The Republic, bk.VIII,562-A

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT430     @%%@2@%   The people have always some champion whom they set over them and nurse%@EH@%
into greatness. . . . This and no other is the root from which a tyrant
springs; when he first appears he is a protector.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.VIII,565-C

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT440     @%%@2@%   In the early days of his power, he is full of smiles, and he salutes%@EH@%
everyone whom he meets.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.VIII,566-D

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT450     @%%@2@%   When the tyrant has disposed of foreign enemies by conquest or treaty,%@EH@%
and there is nothing to fear from them, then he is always stirring up some
war or other, in order that the people may require a leader.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.VIII,566-E

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT460     @%%@2@%   There are three arts which are concerned with all things: one which uses,%@EH@%
another which makes, a third which imitates them.%@NL@%
%@NL@%
Plato
%@NL@%The Republic, bk.X,601-D

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT470     @%%@2@%   No human thing is of serious importance.%@NL@%%@EH@%
%@NL@%
Plato
%@NL@%The Republic, bk.X,604-C

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT480     @%%@2@%   The soul of man is immortal and imperishable.%@NL@%%@EH@%
%@NL@%
Plato
%@NL@%The Republic, bk.X,608-D

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT490     @%%@2@%   If a person shows that such things as wood, stones, and the like, being%@EH@%
many are also one, we admit that he shows the coexistence of the one and
many, but he does not show that the many are one or the one many; he is
uttering not a paradox but a truism.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Parmenides, sec.129

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT500     @%%@2@%   The absolute natures or kinds are known severally by the absolute idea of%@EH@%
knowledge.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Parmenides, sec.134

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT510     @%%@2@%   If a man, fixing his attention on these and the like difficulties, does%@EH@%
away with ideas of things and will not admit that every individual thing has
its own determinate idea which is always one and the same, he will have
nothing on which his mind can rest; and so he will utterly destroy the power
of reasoning.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Parmenides, sec.135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT520     @%%@2@%   You cannot conceive the many without the one.%@NL@%%@EH@%
%@NL@%
Plato
%@NL@%Dialogues,Parmenides, sec.166

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT530     @%%@2@%   Let us affirm what seems to be the truth, that, whether one is or is not,%@EH@%
one and the others in relation to themselves and one another, all of them,
in every way, are and are not, and appear to be and appear not to be.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Parmenides, sec.166

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT540     @%%@2@%   Well, my art of midwifery is in most respects like theirs; but differs,%@EH@%
in that I attend men and not women, and I look after their souls when they
are in labor, and not after their bodies: and the triumph of my art is in
thoroughly examining whether the thought which the mind of the young man
brings forth is a false idol or a noble and true birth.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Theaetetus, sec.150

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT550     @%%@2@%   He [the philosopher] does not hold aloof in order that he may gain a%@EH@%
reputation; but the truth is, that the outer form of him only is in the
city: his mind, disdaining the littlenesses and nothingnesses of human
beings, is "flying all abroad" as Pindar says, measuring earth and heaven
and the things which are under and on the earth and above the heaven,
interrogating the whole nature of each and all in their entirety, but not
condescending to anything which is within reach.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Theaetetus, sec.173

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT560     @%%@2@%   I would have you imagine, then, that there exists in the mind of man a%@EH@%
block of wax, which is of different sizes in different men; harder, moister,
and having more or less of purity in one than another, and in some of an
intermediate quality. . . . Let us say that this tablet is a gift of Memory,
the mother of the Muses; and that when we wish to remember anything which we
have seen, or heard, or thought in our own minds, we hold the wax to the
perceptions and thoughts, and in that material receive the impression of
them as from the seal of a ring; and that we remember and know what is
imprinted as long as the image lasts; but when the image is effaced, or
cannot be taken, then we forget and do not know.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Theaetetus, sec.191

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT570     @%%@2@%   Let us now suppose that in the mind of each man there is an aviary of all%@EH@%
sorts of birds-some flocking together apart from the rest, others in small
groups, others solitary, flying anywhere and everywhere. . . . We may
suppose that the birds are kinds of knowledge, and that when we were
children, this receptacle was empty; whenever a man has gotten and detained
in the enclosure a kind of knowledge, he may be said to have learned or
discovered the thing which is the subject of the knowledge: and this is to
know.%@NL@%
%@NL@%
Plato
%@NL@%Dialogues,Theaetetus, sec.197

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT580     @%%@2@%   The greatest penalty of evildoing-namely, to grow into the likeness of%@EH@%
bad men.%@NL@%
%@NL@%
Plato
%@NL@%Laws, sec.728

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT590     @%%@2@%   Of all the animals, the boy is the most unmanageable.%@NL@%%@EH@%
%@NL@%
Plato
%@NL@%Laws, sec.808

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT600     @%%@2@%   You are young, my son, and, as the years go by, time will change and even%@EH@%
reverse many of your present opinions. Refrain therefore awhile from setting
yourself up as a judge of the highest matters.%@NL@%
%@NL@%
Plato
%@NL@%Laws, sec.888

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT610     @%%@2@%   And this which you deem of no moment is the very highest of all: that is%@EH@%
whether you have a right idea of the gods, whereby you may live your life
well or ill.%@NL@%
%@NL@%
Plato
%@NL@%Laws, sec.888

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plato@%%@CR:B428PLAT620     @%%@2@%   Not one of them who took up in his youth with this opinion that there are%@EH@%
no gods ever continued until old age faithful to his conviction.%@NL@%
%@NL@%
Plato
%@NL@%Laws, sec.888

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Iphicrates%@AE@%%@EH@%
%@NL@%
%@AB@%419-348  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Iphicrates, a shoemaker's son who became a famous general, said this to
Harmodius of distinguished ancestry when he reviled him for his mean birth.
Curtius Rufus seems to be descended from himself.-Tiberius. From Tacitus,
Annals, XI, 21  I am my own ancestor [Moi, je suis mon anc[ecirc
]tre].-Andoche Junot [1771-1813]  %@EF@%
%@QR:Iphicrates@%%@CR:B419IPHI10      @%%@2@%   My family history begins with me, but yours ends with you.%@NL@%%@EH@%
%@NL@%
Iphicrates
%@NL@%From Plutarch, Apothegms, Iphicrates

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Phocion%@AE@%%@EH@%
%@NL@%
%@AB@%c. 402-317  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Said when an opinion he delivered pleased the people.  %@EF@%
%@QR:Phocion@%%@CR:B402PHOC10      @%%@2@%   Have I inadvertently said some evil thing?%@NL@%%@EH@%
%@NL@%
Phocion
%@NL@%From Plutarch, Apothegms, Phocion, sec. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Phocion@%%@CR:B402PHOC20      @%%@2@%   The good have no need of an advocate.%@NL@%%@EH@%
%@NL@%
Phocion
%@NL@%From Plutarch, Apothegms, Phocion, sec. 10

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Diogenes the Cynic%@AE@%%@EH@%
%@NL@%
%@AB@%c. 400 - c. 325  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Diogenes the Cynic@%%@CR:B400DIOG10      @%%@2@%   When asked by Alexander if he wanted anything] Stand a little out of my%@EH@%
sun.%@NL@%
%@NL@%
Diogenes the Cynic
%@NL@%From Plutarch, Lives, Alexander, sec. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Seeing that the human race falls into the same classification as the
feathered creatures, we must divide the biped class into featherless and
feathered.-Plato [c. 428-348  B.C. ], The Statesman, 266-E  %@EF@%
%@QR:Diogenes the Cynic@%%@CR:B400DIOG20      @%%@2@%   Plato having defined man to be a two-legged animal without feathers, 1%@EH@%
Diogenes plucked a cock and brought it into the Academy, and said, "This is
Plato's man." On which account this addition was made to the definition:
"With broad flat nails."%@NL@%
%@NL@%
Diogenes the Cynic
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, Diogenes, sec. 6

%@NL@%%@AI@%1 See Dryden%@BO:          2662b6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The rich when he is hungry, the poor when he has anything to eat.-Rabelais,
Works, bk. IV [1548], ch. 64  %@EF@%
%@QR:Diogenes the Cynic@%%@CR:B400DIOG40      @%%@2@%   When asked what was the proper time for supper] If you are a rich man,%@EH@%
whenever you please; and if you are a poor man, whenever you can.%@NL@%
%@NL@%
Diogenes the Cynic
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, Diogenes, sec. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Attributed also to Aesop.  %@EF@%
%@QR:Diogenes the Cynic@%%@CR:B400DIOG60      @%%@2@%   I am looking for an honest man.%@NL@%%@EH@%
%@NL@%
Diogenes the Cynic
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, Diogenes, sec. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The spiritual virtue of a sacrament is like light: although it passes among
the impure, it is not polluted.-St. Augustine [354-430], Tract on St. John,
ch. 5:15  The sun shineth upon the dunghill, and is not corrupted.-Lyly,
Euphues [1579]  The sun, which passeth through pollutions and itself remains
as pure as before.-Bacon, Advancement of Learning [1605], bk. II  Truth is
as impossible to be soiled by any outward touch as the sunbeam.-Milton, The
Doctrine and Discipline of Divorce [1643]  %@EF@%
%@QR:Diogenes the Cynic@%%@CR:B400DIOG70      @%%@2@%   The sun too penetrates into privies, but is not polluted by them.%@NL@%%@EH@%
%@NL@%
Diogenes the Cynic
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, Diogenes, sec. 6

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Antiphanes%@AE@%%@EH@%
%@NL@%
%@AB@%c. 388 - c. 311  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Antiphanes@%%@CR:B388ANTI10      @%%@2@%   We must have richness of soul.%@NL@%%@EH@%
%@NL@%
Antiphanes
%@NL@%Greek Comic Fragments, no. 570

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Aristotle%@AE@%%@EH@%
%@NL@%
%@AB@%384-322  B.C. %@AE@%
%@FN@%
Chiefly from The Basic Works of Aristotle, edited by Richard McKeon.  %@EF@%
%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS20      @%%@2@%   Liars when they speak the truth are not believed.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. V, sec.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS30      @%%@2@%   Hope is a waking dream.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. V, sec.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS40      @%%@2@%   What soon grows old? Gratitude.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. V, sec.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS50      @%%@2@%   Beauty is the gift of God.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. V, sec.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This used to be quoted "with great warmth" by Dr. Johnson, according to
Boswell, Life of Johnson [1791].  %@EF@%
%@QR:Aristotle@%%@CR:B384ARIS60      @%%@2@%   Educated men are as much superior to uneducated men as the living are to%@EH@%
the dead.%@NL@%
%@NL@%
Aristotle
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. V, sec.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
AndraAgathos, my soul's half.-Meleager [first century  B.C. ]. From The
Greek Anthology [1906], edited by J. W. Mackail, XII, 52  See Zeno, Cicero,
Horace, and Donne  %@EF@%
%@QR:Aristotle@%%@CR:B384ARIS70      @%%@2@%   What is a friend? A single soul dwelling in two bodies.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. V, sec.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also attributed to Xenocrates [396-314  B.C. ] by Cicero.  %@EF@%
%@QR:Aristotle@%%@CR:B384ARIS90      @%%@2@%   I have gained this by philosophy: that I do without being commanded what%@EH@%
others do only from fear of the law.%@NL@%
%@NL@%
Aristotle
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. V, sec.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS100     @%%@2@%   We should behave to our friends as we would wish our friends to behave to%@EH@%
us. 1  2  3  4 %@NL@%
%@NL@%
Aristotle
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. V, sec.21

%@NL@%%@AI@%1 See Matthew 7:12%@BO:           50d16@%%@AE@%
%@AI@%2 See Confucius%@BO:           94a5c@%%@AE@%
%@AI@%3 See Chesterfield%@BO:          2aa119@%%@AE@%
%@AI@%4 See Kingsley%@BO:          441abf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS110     @%%@2@%   Education is the best provision for old age.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. V, sec.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS115     @%%@2@%   If purpose, then, is inherent in art, so is it in Nature also. The best%@EH@%
illustration is the case of a man being his own physician, for Nature is
like that-agent and patient at once.%@NL@%
%@NL@%
Aristotle
%@NL@%%@FN@%
Translated by Philip H. Wicksteed and Francis Cornford (Loeb Classical
Library).  %@EF@%
Physics, bk.II, ch. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS121     @%%@2@%   Time crumbles things; everything grows old under the power of Time and is%@EH@%
forgotten through the lapse of Time.%@NL@%
%@NL@%
Aristotle
%@NL@%Physics, bk.IV, ch. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS130     @%%@2@%   The least initial deviation from the truth is multiplied later a%@EH@%
thousandfold.%@NL@%
%@NL@%
Aristotle
%@NL@%On the Heavens, bk. I, ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS140     @%%@2@%   In all things of nature there is something of the marvelous.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Parts of Animals, bk. I, ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS150     @%%@2@%   All men by nature desire knowledge.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Metaphysics, bk.I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS160     @%%@2@%   The final cause, then, produces motion through being loved. 1 %@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Metaphysics, bk.I, ch.7

%@NL@%%@AI@%1 See Dante%@BO:          11aa03@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS170     @%%@2@%   The actuality of thought is life.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Metaphysics, bk.XII, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS180     @%%@2@%   It is of itself that the divine thought thinks (since it is the most%@EH@%
excellent of things), and its thinking is a thinking on thinking.%@NL@%
%@NL@%
Aristotle
%@NL@%Metaphysics, bk.XII, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS190     @%%@2@%   Every science and every inquiry, and similarly every activity and%@EH@%
pursuit, is thought to aim at some good.%@NL@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Amicus Plato, sed magis amica veritas [Plato is dear to me, but dearer still
is truth]. Adapted from a medieval life of Aristotle.  %@EF@%
%@QR:Aristotle@%%@CR:B384ARIS200     @%%@2@%   While both [Plato and truth] are dear, piety requires us to honor truth%@EH@%
above our friends.%@NL@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.I, ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
One swallow maketh not summer.-John Heywood, Proverbs [1546], pt. II, ch. 5
One swallow makes a summer.-Robert Lowell, Fall, 1961  %@EF@%
%@QR:Aristotle@%%@CR:B384ARIS220     @%%@2@%   One swallow does not make a summer.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.I, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS240     @%%@2@%   For the things we have to learn before we can do them, we learn by doing%@EH@%
them.%@NL@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.II, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS250     @%%@2@%   It is possible to fail in many ways . . . while to succeed is possible%@EH@%
only in one way (for which reason also one is easy and the other
difficult-to miss the mark easy, to hit it difficult).%@NL@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.II, ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS260     @%%@2@%   We must as second best . . . take the least of the evils. 1 %@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.II, ch.9

%@NL@%%@AI@%1 See Homer%@BO:           82d31@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS270     @%%@2@%   A man is the origin of his action. 1 %@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.III, ch. 3

%@NL@%%@AI@%1 See Sallust%@BO:           d0745@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS280     @%%@2@%   Without friends no one would choose to live, though he had all other%@EH@%
goods.%@NL@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.VIII, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS285     @%%@2@%   To be conscious that we are perceiving or thinking is to be conscious of%@EH@%
our own existence. 1 %@NL@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.IX, ch. 9

%@NL@%%@AI@%1 See Descartes%@BO:          229da0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS290     @%%@2@%   To enjoy the things we ought and to hate the things we ought has the%@EH@%
greatest bearing on excellence of character.%@NL@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.X, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS300     @%%@2@%   If happiness is activity in accordance with excellence, it is reasonable%@EH@%
that it should be in accordance with the highest excellence.%@NL@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.X, ch. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS310     @%%@2@%   We make war that we may live in peace. 1  2  3  4  5 %@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.X, ch. 17

%@NL@%%@AI@%1 See Vegetius%@BO:          102d2b@%%@AE@%
%@AI@%2 See Robert Burton%@BO:          211b0d@%%@AE@%
%@AI@%3 See Fenelon%@BO:          27ddfc@%%@AE@%
%@AI@%4 See Washington%@BO:          2f0578@%%@AE@%
%@AI@%5 See Lowell%@BO:          444758@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS320     @%%@2@%   With regard to excellence, it is not enough to know, but we must try to%@EH@%
have and use it.%@NL@%
%@NL@%
Aristotle
%@NL@%Nicomachean Ethics, bk.X, ch. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS330     @%%@2@%   Man is by nature a political animal.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Politics, bk.I, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
God and nature do nothing uselessly.-On the Heavens, bk. I, ch. 4  %@EF@%
%@QR:Aristotle@%%@CR:B384ARIS340     @%%@2@%   Nature does nothing uselessly.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Politics, bk.I, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS360     @%%@2@%   He who is unable to live in society, or who has no need because he is%@EH@%
sufficient for himself, must be either a beast or a god.%@NL@%
%@NL@%
Aristotle
%@NL@%Politics, bk.I, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS370     @%%@2@%   The two qualities which chiefly inspire regard and affection [are] that a%@EH@%
thing is your own and that it is your only one.%@NL@%
%@NL@%
Aristotle
%@NL@%Politics, bk.II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS380     @%%@2@%   It is the nature of desire not to be satisfied, and most men live only%@EH@%
for the gratification of it. The beginning of reform is not so much to
equalize property as to train the noble sort of natures not to desire more,
and to prevent the lower from getting more.%@NL@%
%@NL@%
Aristotle
%@NL@%Politics, bk.II, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS390     @%%@2@%   Even when laws have been written down, they ought not always to remain%@EH@%
unaltered.%@NL@%
%@NL@%
Aristotle
%@NL@%Politics, bk.II, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS400     @%%@2@%   Again, men in general desire the good, and not merely what their fathers%@EH@%
had.%@NL@%
%@NL@%
Aristotle
%@NL@%Politics, bk.II, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS410     @%%@2@%   They should rule who are able to rule best.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Politics, bk.II, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS420     @%%@2@%   A state is not a mere society, having a common place, established for the%@EH@%
prevention of mutual crime and for the sake of exchange. . . . Political
society exists for the sake of noble actions, and not of mere companionship.%@NL@%
%@NL@%
Aristotle
%@NL@%Politics, bk.III, ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS430     @%%@2@%   If liberty and equality, as is thought by some, are chiefly to be found%@EH@%
in democracy, they will be best attained when all persons alike share in the
government to the utmost. 1 %@NL@%
%@NL@%
Aristotle
%@NL@%Politics, bk.IV, ch.4

%@NL@%%@AI@%1 See Plato%@BO:           aff80@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS440     @%%@2@%   The best political community is formed by citizens of the middle class.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Politics, bk.IV, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS450     @%%@2@%   Democracy arises out of the notion that those who are equal in any%@EH@%
respect are equal in all respects; because men are equally free, they claim
to be absolutely equal.%@NL@%
%@NL@%
Aristotle
%@NL@%Politics, bk.V, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS460     @%%@2@%   Inferiors revolt in order that they may be equal, and equals that they%@EH@%
may be superior. Such is the state of mind which creates revolutions.%@NL@%
%@NL@%
Aristotle
%@NL@%Politics, bk.V, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS470     @%%@2@%   In revolutions the occasions may be trifling but great interests are at%@EH@%
stake.%@NL@%
%@NL@%
Aristotle
%@NL@%Politics, bk.V, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Aristotle is quoting a proverb.  See Plato, Horace, and Heywood  %@EF@%
%@QR:Aristotle@%%@CR:B384ARIS480     @%%@2@%   Well begun is half done.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Politics, bk.V, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS490     @%%@2@%   The basis of a democratic state is liberty.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Politics, bk.VI, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS500     @%%@2@%   Law is order, and good law is good order.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Politics, bk.VII, ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Aristotle is quoting a proverb.  %@EF@%
%@QR:Aristotle@%%@CR:B384ARIS510     @%%@2@%   Evils draw men together.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Rhetoric, bk.I, ch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS520     @%%@2@%   It is this simplicity that makes the uneducated more effective than the%@EH@%
educated when addressing popular audiences.%@NL@%
%@NL@%
Aristotle
%@NL@%Rhetoric, bk.II, ch. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS530     @%%@2@%   A tragedy is the imitation of an action that is serious and also, as%@EH@%
having magnitude, complete in itself . . . with incidents arous-ing pity and
fear, wherewith to accomplish its catharsis of such emotions.%@NL@%
%@NL@%
Aristotle
%@NL@%Poetics, ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS540     @%%@2@%   A whole is that which has beginning, middle, and end.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Poetics, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS550     @%%@2@%   Poetry is something more philosophic and of graver import than history,%@EH@%
since its statements are of the nature of universals, whereas those of
history are singulars.%@NL@%
%@NL@%
Aristotle
%@NL@%Poetics, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aristotle@%%@CR:B384ARIS560     @%%@2@%   A likely impossibility is always preferable to an unconvincing%@EH@%
possibility.%@NL@%
%@NL@%
Aristotle
%@NL@%Poetics, ch.24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In prosperity it is very easy to find a friend, but in adversity it is the
most difficult of all things.-Epictetus, Fragment 127  See Cicero, Publilius
Syrus, Ovid, and Heywood  %@EF@%
%@QR:Aristotle@%%@CR:B384ARIS570     @%%@2@%   Misfortune shows those who are not really friends.%@NL@%%@EH@%
%@NL@%
Aristotle
%@NL@%Eudemian Ethics, bk. VII, ch. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Demosthenes%@AE@%%@EH@%
%@NL@%
%@AB@%c. 384-322  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Demosthenes@%%@CR:B384DEMO10      @%%@2@%   Every advantage in the past is judged in the light of the final issue.%@NL@%%@EH@%
%@NL@%
Demosthenes
%@NL@%First Olynthiac, sec. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Demosthenes@%%@CR:B384DEMO20      @%%@2@%   Nothing is easier than self-deceit. For what each man wishes, that he%@EH@%
also believes to be true. 1 %@NL@%
%@NL@%
Demosthenes
%@NL@%Third Olynthiac, sec.19

%@NL@%%@AI@%1 See Caesar%@BO:           c8b22@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Demosthenes@%%@CR:B384DEMO30      @%%@2@%   You cannot have a proud and chivalrous spirit if your conduct is mean and%@EH@%
paltry; for whatever a man's actions are, such must be his spirit.%@NL@%
%@NL@%
Demosthenes
%@NL@%Third Olynthiac, sec.33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In reply to the courtesan Lais.  %@EF@%
%@QR:Demosthenes@%%@CR:B384DEMO40      @%%@2@%   I decline to buy repentance at the cost of ten thousand drachmas.%@NL@%%@EH@%
%@NL@%
Demosthenes
%@NL@%From Aulus Gellius, Noctes Atticae, bk. I, ch. 8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Antigonus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 382-301  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
His pilot had told him that the enemy outnumbered him in ships.  %@EF@%
%@QR:Antigonus@%%@CR:B382ANTI10      @%%@2@%   But how many ships do you reckon my presence to be worth?%@NL@%%@EH@%
%@NL@%
Antigonus
%@NL@%From Plutarch, Apothegms, Antigonus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Montaigne  The phrase "No man is a hero to his valet" has often been
attributed to Madame de Sevigne, but on the authority of Madame Aisse
(Letters, edited by Jules Ravenal, 1853) it belongs to Madame Cornuel
[1605-1694].  %@EF@%
%@QR:Antigonus@%%@CR:B382ANTI20      @%%@2@%   [When described by Hermodotus as "Son of the Sun"] My valet is not aware%@EH@%
of this.%@NL@%
%@NL@%
Antigonus
%@NL@%From Plutarch, Apothegms, Antigonus

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Mencius%@AE@%%@EH@%
%@NL@%
%@AB@%372-289  B.C. %@AE@%
%@FN@%
From The Chinese Classics [1861-1886], vol. II, The Works of Mencius,
translated by James Legge.  %@EF@%
%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC20      @%%@2@%   When one by force subdues men, they do not submit to him in heart. They%@EH@%
submit, because their strength is not adequate to resist.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.II,1:3.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC30      @%%@2@%   There is no attribute of the superior man greater than his helping men to%@EH@%
practice virtue.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.II,1:8.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC40      @%%@2@%   The superior man will not manifest either narrow-mindedness or the want%@EH@%
of self-respect.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.II,1:9.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC50      @%%@2@%   To give the throne to another man would be easy; to find a man who shall%@EH@%
benefit the kingdom is difficult.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.III,1:4.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC60      @%%@2@%   Never has a man who has bent himself been able to make others straight.%@NL@%%@EH@%
%@NL@%
Mencius
%@NL@%Works, bk.III,2:1.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC70      @%%@2@%   If you know that [a] thing is unrighteous, then use all dispatch in%@EH@%
putting an end to it-why wait till next year?%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.III,2:8.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC80      @%%@2@%   The compass and square produce perfect circles and squares. By the sages,%@EH@%
the human relations are perfectly exhibited.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.IV,1:2.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC90      @%%@2@%   The root of the kingdom is in the state. The root of the state is in the%@EH@%
family. The root of the family is in the person of its head.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.IV,1:5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC100     @%%@2@%   The people turn to a benevolent rule as water flows downwards, and as%@EH@%
wild beasts fly to the wilderness.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.IV,1:9.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC110     @%%@2@%   Benevolence is the tranquil habitation of man, and righteousness is his%@EH@%
straight path.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.IV,1:10.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC120     @%%@2@%   The path of duty lies in what is near, and man seeks for it in what is%@EH@%
remote.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.IV,1:11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC130     @%%@2@%   Sincerity is the way of Heaven.%@NL@%%@EH@%
%@NL@%
Mencius
%@NL@%Works, bk.IV,1:12.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
To be without posterity . . . is an offense against the whole line of
ancestors, and terminates the sacrifices to them.-Mencius, Ib.  %@EF@%
%@QR:Mencius@%%@CR:B372MENC140     @%%@2@%   There are three things which are unfilial, and to have no posterity is%@EH@%
the greatest of them.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.IV,1:26.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC160     @%%@2@%   Men must be decided on what they will not do, and then they are able to%@EH@%
act with vigor in what they ought to do.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.IV,2:8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC170     @%%@2@%   The great man does not think beforehand of his words that they may be%@EH@%
sincere, nor of his actions that they may be resolute-he simply speaks and
does what is right.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.IV,2:11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"Except ye be converted, and become as little children, ye shall not enter
into the kingdom of heaven" [Matthew 18:3]. But Christ speaks of the
child's-heart as a thing to be regained; Mencius speaks of it as a thing not
to be lost.-James Legge  See Mencius  %@EF@%
%@QR:Mencius@%%@CR:B372MENC180     @%%@2@%   The great man is he who does not lose his child's-heart.%@NL@%%@EH@%
%@NL@%
Mencius
%@NL@%Works, bk.IV,2:12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC190     @%%@2@%   Friendship with a man is friendship with his virtue, and does not admit%@EH@%
of assumptions of superiority.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.IV,2:13.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC195     @%%@2@%   The tendency of man's nature to good is like the tendency of water to%@EH@%
flow downwards.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.VI,1:2.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC200     @%%@2@%   From the feelings proper to it, [man's nature] is constituted for the%@EH@%
practice of what is good.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.VI,1:6.5-6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC210     @%%@2@%   Benevolence, righteousness, propriety, and knowledge are not infused into%@EH@%
us from without.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.VI,1:6.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC220     @%%@2@%   Benevolence is man's mind, and righteousness is man's path.%@NL@%%@EH@%
%@NL@%
Mencius
%@NL@%Works, bk.VI,1:11.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Chinese sages always end with the recovery of "the old heart"; the idea
of "a new heart" is unknown to them.-James Legge  See Mencius  %@EF@%
%@QR:Mencius@%%@CR:B372MENC230     @%%@2@%   The great end of learning is nothing else but to seek for the lost mind.%@NL@%%@EH@%
%@NL@%
Mencius
%@NL@%Works, bk.VI,1:11.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC240     @%%@2@%   All men have in themselves that which is truly honorable. Only they do%@EH@%
not think of it.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.VI,1:17.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC250     @%%@2@%   If a scholar have not faith [in his principles], how shall he take a firm%@EH@%
hold of things?%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.VI,2:12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC260     @%%@2@%   When Heaven is about to confer a great office on any man, it first%@EH@%
exercises his mind with suffering, and his sinews and bones with toil.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.VI,2:15.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC270     @%%@2@%   Kindly words do not enter so deeply into men as a reputation for%@EH@%
kindness.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.VII,1:14.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC280     @%%@2@%   Is it only the mouth and belly which are injured by hunger and thirst?%@EH@%
Men's minds are also injured by them.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.VII,1:27.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mencius@%%@CR:B372MENC290     @%%@2@%   The people are the most important element in a nation; the spirits of the%@EH@%
land and grain are next; the sovereign is the lightest.%@NL@%
%@NL@%
Mencius
%@NL@%Works, bk.VII,2:14.1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Chuang-tzu%@AE@%%@EH@%
%@NL@%
%@AB@%369-286  B.C. %@AE@%
%@FN@%
From The Wisdom of China and India [1942], edited by Lin Yutang.  %@EF@%
%@NL@%%@NL@%

%@QR:Chuang-tzu@%%@CR:B369CHUT10      @%%@2@%   Great wisdom is generous; petty wisdom is contentious. Great speech is%@EH@%
impassioned, small speech cantankerous.%@NL@%
%@NL@%
Chuang-tzu
%@NL@%On Leveling All Things

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Chuang-tzu@%%@CR:B369CHUT20      @%%@2@%   Take, for instance, a twig and a pillar, or the ugly person and the great%@EH@%
beauty, and all the strange and monstrous transformations. These are all
leveled together by Tao. Division is the same as creation; creation is the
same as destruction.%@NL@%
%@NL@%
Chuang-tzu
%@NL@%On Leveling All Things

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Chuang-tzu@%%@CR:B369CHUT30      @%%@2@%   I do not know whether I was then a man dreaming I was a butterfly, or%@EH@%
whether I am now a butterfly dreaming I am a man.%@NL@%
%@NL@%
Chuang-tzu
%@NL@%On Leveling All Things

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Chuang-tzu@%%@CR:B369CHUT40      @%%@2@%   All men know the utility of useful things; but they do not know the%@EH@%
utility of futility.%@NL@%
%@NL@%
Chuang-tzu
%@NL@%This Human World

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Chuang-tzu@%%@CR:B369CHUT50      @%%@2@%   He who pursues fame at the risk of losing his self is not a scholar.%@NL@%%@EH@%
%@NL@%
Chuang-tzu
%@NL@%The Great Supreme

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Chuang-tzu@%%@CR:B369CHUT60      @%%@2@%   Those who seek to satisfy the mind of man by hampering it with ceremonies%@EH@%
and music and affecting charity and devotion have lost their original
nature.%@NL@%
%@NL@%
Chuang-tzu
%@NL@%Joined Toes

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Chuang-tzu@%%@CR:B369CHUT70      @%%@2@%   In the days of perfect nature, man lived together with birds and beasts,%@EH@%
and there was no distinction of their kind . . . they were in a state of
natural integrity. . . . When Sages appeared, crawling for charity and
limping with duty, doubt and confusion entered men's minds. . . .
Destruction of Tao and virtue in order to introduce charity and duty-this is
the error of the Sages.%@NL@%
%@NL@%
Chuang-tzu
%@NL@%Horses' Hoofs

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Chuang-tzu@%%@CR:B369CHUT80      @%%@2@%   Banish wisdom, discard knowledge, and gangsters will stop!%@NL@%%@EH@%
%@NL@%
Chuang-tzu
%@NL@%Opening Trunks; or, A Protest Against Civilization

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Chuang-tzu@%%@CR:B369CHUT90      @%%@2@%   For all men strive to grasp what they do not know, while none strive to%@EH@%
grasp what they already know; and all strive to discredit what they do not
excel in, while none strive to discredit what they do excel in. This is why
there is chaos.%@NL@%
%@NL@%
Chuang-tzu
%@NL@%Opening Trunks; or, A Protest Against Civilization

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Chuang-tzu@%%@CR:B369CHUT100     @%%@2@%   Cherish that which is within you, and shut off that which is without; for%@EH@%
much knowledge is a curse.%@NL@%
%@NL@%
Chuang-tzu
%@NL@%On Tolerance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Chuang-tzu@%%@CR:B369CHUT110     @%%@2@%   "The prince keeps [a] tortoise carefully enclosed in a chest in his%@EH@%
ancestral temple. Now would this tortoise rather be dead and have its
remains venerated, or would it rather be alive and wagging its tail in the
mud?"%@NL@%
"It would rather be alive . . . and wagging its tail in the mud."%@NL@%
"Begone!" cried Chuang-tzu. "I too will wag my tail in the mud."%@NL@%
%@NL@%
Chuang-tzu
%@NL@%Autumn Floods

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pytheas%@AE@%%@EH@%
%@NL@%
%@AB@%fl. 330  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Pytheas refers to the orations of Demosthenes, who worked in an underground
cave lighted only by a lamp.  See Cardozo  %@EF@%
%@QR:Pytheas@%%@CR:B360PYTH10      @%%@2@%   They smell of the lamp.%@NL@%%@EH@%
%@NL@%
Pytheas
%@NL@%From Plutarch, Lives, Demosthenes

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alexander the Great%@AE@%%@EH@%
%@NL@%
%@AB@%356-323  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Alexander the Great@%%@CR:B356ALEX10      @%%@2@%   [At Achilles' tomb] O fortunate youth, to have found Homer as the herald%@EH@%
of your glory! 1 %@NL@%
%@NL@%
Alexander the Great
%@NL@%From Cicero, Pro Archia, 24

%@NL@%%@AI@%1 See Chateaubriand%@BO:          3349a4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander the Great@%%@CR:B356ALEX20      @%%@2@%   If I were not Alexander, I would be Diogenes.%@NL@%%@EH@%
%@NL@%
Alexander the Great
%@NL@%From Plutarch, Lives, Alexander, 14

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Apelles%@AE@%%@EH@%
%@NL@%
%@AB@%fl. 325  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Nulla dies sine linea.  See Trollope  %@EF@%
%@QR:Apelles@%%@CR:B355APEL10      @%%@2@%   Not a day without a line.%@NL@%%@EH@%
%@NL@%
Apelles
%@NL@%Proverbial from Pliny the Elder,
Natural History, XXXV,36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ne supra crepidam sutor iudicaret.  The more common rendering is: Cobbler,
stick to your last.  %@EF@%
%@QR:Apelles@%%@CR:B355APEL30      @%%@2@%   A cobbler should not judge above his last.%@NL@%%@EH@%
%@NL@%
Apelles
%@NL@%Proverbial from Pliny the Elder,
Natural History, XXXV,85

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Menander%@AE@%%@EH@%
%@NL@%
%@AB@%c. 342-292  B.C. %@AE@%
%@FN@%
Translated by F. C. Allinson (Loeb Classical Library).  %@EF@%
%@NL@%%@NL@%

%@QR:Menander@%%@CR:B342MENA10      @%%@2@%   We live, not as we wish to, but as we can.%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%Lady of Andros, fragment 50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Menander@%%@CR:B342MENA20      @%%@2@%   Riches cover a multitude of woes.%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%The Boeotian Girl, fragment 90

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Plautus, Bacchides, IV, 7:18.  Those that God loves do not live
long.-George Herbert, Jacula Prudentum [2nd edition, 1651]  See Wordsworth
Heaven gives its favorites-early death.-Byron, Childe Harold, canto IV
[1818], st. 102  %@EF@%
%@QR:Menander@%%@CR:B342MENA30      @%%@2@%   Whom the gods love dies young.%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%The Double Deceiver, fragment 125

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Menander@%%@CR:B342MENA60      @%%@2@%   At times discretion should be thrown aside, and with the foolish we%@EH@%
should play the fool. 1  2  3  4 %@NL@%
%@NL@%
Menander
%@NL@%Those Offered for Sale, fragment 421

%@NL@%%@AI@%1 See Horace%@BO:           dbf53@%%@AE@%
%@AI@%2 See Montaigne%@BO:          146412@%%@AE@%
%@AI@%3 See Bacon%@BO:          163cf8@%%@AE@%
%@AI@%4 See Linnaeus%@BO:          2ba19e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Proverbs 13:24 and Samuel Butler  They spare the rod and spoil the
child.-Ralph Venning, Mysteries and Revelations [1649]  Also in Lucian,
Hermotimus, sec. 86.  %@EF@%
%@QR:Menander@%%@CR:B342MENA70      @%%@2@%   The man who has never been flogged has never been taught.%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%The Girl Who Gets Flogged, fragment422

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Menander@%%@CR:B342MENA80      @%%@2@%   The truth sometimes not sought for comes forth to the light.%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%The Girl Who Gets Flogged, fragment433

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Menander@%%@CR:B342MENA90      @%%@2@%   This is living, not to live unto oneself alone.%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%The Brothers in Love, fragment 508

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Menander@%%@CR:B342MENA100     @%%@2@%   Deus ex machina [A god from the machine].%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%The Woman Possessed with a Divinity, fragment 227

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also attributed to Aristophanes by Lucian, De Conscribend. Hist., 41.  The
Macedonians are a rude and clownish people that call a spade a
spade.-Plutarch, Apothegms, Philip of Macedon  I think it good plain
English, without fraud, To call a spade a spade, a bawd a bawd.-John Taylor,
The Water Poet [1580-1653], A Kicksey Winsey  %@EF@%
%@QR:Menander@%%@CR:B342MENA120     @%%@2@%   I call a fig a fig, a spade a spade.%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%Unidentified fragment545

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Menander@%%@CR:B342MENA140     @%%@2@%   Even God lends a hand to honest boldness. 1  2  3 %@NL@%%@EH@%
%@NL@%
Menander
%@NL@%Unidentified fragment572

%@NL@%%@AI@%1 See Terence%@BO:           c3f9b@%%@AE@%
%@AI@%2 See Virgil%@BO:           d6a01@%%@AE@%
%@AI@%3 See Propertius%@BO:           e4d57@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Marriage is an evil that most men welcome.-Monostikoi (Single Lines)  Motto
of The Spectator [December 29, 1711].  %@EF@%
%@QR:Menander@%%@CR:B342MENA150     @%%@2@%   Marriage, if one will face the truth, is an evil, but a necessary evil.%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%Unidentified fragment651

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Menander@%%@CR:B342MENA170     @%%@2@%   It is not white hair that engenders wisdom.%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%Unidentified fragment639

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Menander@%%@CR:B342MENA180     @%%@2@%   Health and intellect are the two blessings of life.%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%Monostikoi (Single Lines)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He who flees will fight again.-Tertullian [c. 155-225], De Fuga in
Persecutione, 10  That same man that runneth away/May again fight another
day.-Erasmus, Apothegms [1542], translated by Nicholas Udall [1505-1556]
Celuy qui fuit de bonne heure/Peut combattre derechef/[Who flies in good
time/Can fight anew].-Anonymous [1594]; translated from Varro [116-27  B.C.
], Saturae Menippeae  For he who fights and runs away/May live to fight
another day;/But he who is in battle slain/Can never rise and fight
again.-Goldsmith, The Art of Poetry on a New Plan [1761]  A version similar
to Goldsmith's appears in James Ray, History of the Rebellion [1752].  %@EF@%
%@QR:Menander@%%@CR:B342MENA190     @%%@2@%   The man who runs may fight again.%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%Monostikoi (Single Lines)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Menander@%%@CR:B342MENA230     @%%@2@%   Conscience is a God to all mortals.%@NL@%%@EH@%
%@NL@%
Menander
%@NL@%Monostikoi (Single Lines)

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Epicurus%@AE@%%@EH@%
%@NL@%
%@AB@%341-270  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Epicurus@%%@CR:B341EPIC10      @%%@2@%   Death is nothing to us, since when we are, death has not come, and when%@EH@%
death has come, we are not.%@NL@%
%@NL@%
Epicurus
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. X, sec.125

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epicurus@%%@CR:B341EPIC20      @%%@2@%   Pleasure is the beginning and the end of living happily.%@NL@%%@EH@%
%@NL@%
Epicurus
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. X, sec.128

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epicurus@%%@CR:B341EPIC30      @%%@2@%   It is impossible to live pleasurably without living wisely, well, and%@EH@%
justly, and impossible to live wisely, well, and justly without living
pleasurably. 1 %@NL@%
%@NL@%
Epicurus
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. X, sec.140

%@NL@%%@AI@%1 See Sophocles%@BO:           9eb23@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Theophrastus%@AE@%%@EH@%
%@NL@%
%@AB@%d. 278  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Nothing is so dear and precious as time.-Rabelais, Works, bk. V [1564], ch.
5  See Franklin  %@EF@%
%@QR:Theophrastus@%%@CR:B338THEO10      @%%@2@%   Time is the most valuable thing a man can spend.%@NL@%%@EH@%
%@NL@%
Theophrastus
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. V, sec. 40

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Zeno%@AE@%%@EH@%
%@NL@%
%@AB@%335-263  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
In Latin: Alter ego.  See Aristotle,Cicero,Horace, and Donne  %@EF@%
%@QR:Zeno@%%@CR:B335ZENO10      @%%@2@%   [When asked, "What is a friend?"] Another I.%@NL@%%@EH@%
%@NL@%
Zeno
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. VII, sec.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Zeno@%%@CR:B335ZENO30      @%%@2@%   The goal of life is living in agreement with nature. 1 %@NL@%%@EH@%
%@NL@%
Zeno
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. VII, sec.87

%@NL@%%@AI@%1 See Marcus Aurelius%@BO:           fb3d5@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Cleanthes%@AE@%%@EH@%
%@NL@%
%@AB@%c. 330-232  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Possibly the source of Acts 17:28. See also Aeschylus and Aratus  %@EF@%
%@QR:Cleanthes@%%@CR:B330CLEA10      @%%@2@%   For we are your offspring.%@NL@%%@EH@%
%@NL@%
Cleanthes
%@NL@%Hymn to Zeus, l. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cleanthes@%%@CR:B330CLEA20      @%%@2@%   Lead me, Zeus, and you, Fate, wherever you have assigned me. I shall%@EH@%
follow without hesitation; but even if I am disobedient and do not wish to,
I shall follow no less surely.%@NL@%
%@NL@%
Cleanthes
%@NL@%From Epictetus, Enchiridion, sec. 53

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Euclid%@AE@%%@EH@%
%@NL@%
%@AB@%fl. 300  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Euclid@%%@CR:B330EUCL10      @%%@2@%   Q.E.D. [Quod erat demonstrandum: Which was to be proved.]%@NL@%%@EH@%
%@NL@%
Euclid
%@NL@%%@FN@%
Proposition 5, too difficult for many students to pass beyond, became known
as the asses' bridge [pons asinorum].  %@EF@%
Elements, bk. I, proposition 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Often quoted as: There is no royal road to learning.  %@EF@%
%@QR:Euclid@%%@CR:B330EUCL50      @%%@2@%   [To Ptolemy I] There is no royal road to geometry.%@NL@%%@EH@%
%@NL@%
Euclid
%@NL@%From Proclus, Commentary on Euclid, Prologue

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Bion%@AE@%%@EH@%
%@NL@%
%@AB@%c. 325 - c. 255  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Bion@%%@CR:B325BION10      @%%@2@%   Old age is the harbor of all ills.%@NL@%%@EH@%
%@NL@%
Bion
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. IV, sec.47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bion@%%@CR:B325BION20      @%%@2@%   Wealth is the sinews of affairs. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Bion
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. IV, sec.48

%@NL@%%@AI@%1 See Cicero%@BO:           c8676@%%@AE@%
%@AI@%2 See Rabelais%@BO:          135c9d@%%@AE@%
%@AI@%3 See Dryden%@BO:          26968b@%%@AE@%
%@AI@%4 See Churchill%@BO:          573f7f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Matthew 7:13, 14, Virgil, Shakespeare, and Shakespeare  A passage
broad,/Smooth, easy, inoffensive, down to Hell.-Milton, Paradise Lost, bk.
II, l. 432  %@EF@%
%@QR:Bion@%%@CR:B325BION30      @%%@2@%   The road to Hades is easy to travel.%@NL@%%@EH@%
%@NL@%
Bion
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. IV, sec.49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bion@%%@CR:B325BION50      @%%@2@%   He has not acquired a fortune; the fortune has acquired him. 1  2 %@NL@%%@EH@%
%@NL@%
Bion
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, bk. IV, sec.50

%@NL@%%@AI@%1 See Robert Burton%@BO:          210314@%%@AE@%
%@AI@%2 See Ingersoll%@BO:          49375e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bion@%%@CR:B325BION60      @%%@2@%   Though boys throw stones at frogs in sport, the frogs do not die in%@EH@%
sport, but in earnest. 1 %@NL@%
%@NL@%
Bion
%@NL@%From Plutarch, Water and Land Animals, 7

%@NL@%%@AI@%1 See L'Estrange%@BO:          255760@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Pyrrhus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 318-272  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Pyrrhus, king of Epirus, refers to the dearly bought victory at Asculum, 280
B.C.  Hence the phrase: Pyrrhic victory. See also Herodotus, ("Cadmean
victory").  %@EF@%
%@QR:Pyrrhus@%%@CR:B318PYRR10      @%%@2@%   Another such victory over the Romans, and we are undone.%@NL@%%@EH@%
%@NL@%
Pyrrhus
%@NL@%From Plutarch, Lives, Pyrrhus, sec. 21

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Aratus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 315-240  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Probably the source of Acts 17:28.  See also Aeschylus and Cleanthes  %@EF@%
%@QR:Aratus@%%@CR:B315ARAT10      @%%@2@%   From Zeus let us begin, whom we mortals never leave unnamed: full of Zeus%@EH@%
are all streets and all gathering places of men, and full are the sea and
harbors. Everywhere we all have need of Zeus. For we are also his offspring.%@NL@%
%@NL@%
Aratus
%@NL@%Phaenomena, sec. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Theocritus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 310-250  B.C. %@AE@%
%@FN@%
Translated by R. C. Trevelyan.  %@EF@%
%@NL@%%@NL@%

%@QR:Theocritus@%%@CR:B310THEO5       @%%@2@%Sweet is the whispering music of yonder pine that sings. 1 %@NL@%%@EH@%

%@NL@%Theocritus
%@NL@%Idylls,I

%@NL@%%@AI@%1 See Longfellow%@BO:          3dba34@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theocritus@%%@CR:B310THEO10      @%%@2@%Our concern be peace of mind: some old crone let us seek,%@NL@%%@EH@%
To spit on us for luck and keep unlovely things afar.%@NL@%

%@NL@%Theocritus
%@NL@%Idylls,VII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theocritus@%%@CR:B310THEO20      @%%@2@%Cicala to cicala is dear, and ant to ant,%@NL@%%@EH@%
And kestrels dear to kestrels, but to me the Muse and song.%@NL@%

%@NL@%Theocritus
%@NL@%Idylls,IX

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theocritus@%%@CR:B310THEO30      @%%@2@%The frog's life is most jolly, my lads; he has no care%@NL@%%@EH@%
Who shall fill up his cup; for he has drink enough to spare.%@NL@%

%@NL@%Theocritus
%@NL@%Idylls,X

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theocritus@%%@CR:B310THEO40      @%%@2@%Verily great grace may go%@NL@%%@EH@%
With a little gift; and precious are all things that come from friends. 1 %@NL@%

%@NL@%Theocritus
%@NL@%Idylls,XXVIII

%@NL@%%@AI@%1 See Homer%@BO:           84ee7@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Callimachus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 300-240  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
In reference to the traditional epics.  %@EF@%
%@QR:Callimachus@%%@CR:B300CALL10      @%%@2@%   Big book, big bore.%@NL@%%@EH@%
%@NL@%
Callimachus
%@NL@%From The Greek Anthology [1973],Peter Jay,
ed.,introduction to Callimachus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Callimachus.  %@EF@%
%@QR:Callimachus@%%@CR:B300CALL20      @%%@2@%You're walking by the tomb of Battiades,%@NL@%%@EH@%
Who knew well how to write poetry, and enjoy%@NL@%
Laughter at the right moment, over the wine.%@NL@%

%@NL@%Callimachus
%@NL@%%@FN@%
Translated by Peter Jay.  %@EF@%
From The Greek Anthology [1973],Peter Jay,
ed.,no.150, On Himself

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Elegiac poet from Halicarnassus, author of a collection of poems,
Nightingales, and a friend of Callimachus.  %@EF@%
%@FN@%
Translated by Peter Jay.  See Cory  %@EF@%
%@QR:Callimachus@%%@CR:B300CALL30      @%%@2@%Someone spoke of your death, Heraclitus. It brought me%@NL@%%@EH@%
Tears, and I remembered how often together%@NL@%
We ran the sun down with talk . . . somewhere%@NL@%
You've long been dust, my Halicarnassian friend.%@NL@%
But your Nightingales live on. Though the Death-world%@NL@%
Claws at everything, it will not touch them.%@NL@%

%@NL@%Callimachus
%@NL@%From The Greek Anthology [1973],Peter Jay,
ed.,no.152

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Leonidas , of Tarentum%@AE@%%@EH@%
%@NL@%
%@AB@%c. 290 - c. 220  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by Fleur Adcock.  %@EF@%
%@QR:Leonidas , of Tarentum@%%@CR:B290LEON10      @%%@2@%Far from Italy, far from my native Tarentum%@NL@%%@EH@%
I lie; and this is the worst of it-worse than death.%@NL@%
An exile's life is no life. But the Muses loved me.%@NL@%
For my suffering they gave me a honeyed gift:%@NL@%
My name survives me. Thanks to the sweet Muses%@NL@%
Leonidas will echo throughout all time.%@NL@%

%@NL@%Leonidas , of Tarentum
%@NL@%From The Greek Anthology [1973],Peter Jay, ed., no.189

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Clive Sansom.  %@EF@%
%@QR:Leonidas , of Tarentum@%%@CR:B290LEON20      @%%@2@%The season of ships is here,%@NL@%%@EH@%
The west wind and the swallows;%@NL@%
Flowers in the fields appear,%@NL@%
And the ocean of hills and hollows%@NL@%
Has calmed its waves and is clear.Free that anchor and chain!%@NL@%
Set your full canvas flying,%@NL@%
O men in the harbor lane:%@NL@%
It is I, Priapus, crying.%@NL@%
Sail out on your trades again!%@NL@%

%@NL@%Leonidas , of Tarentum
%@NL@%From The Greek Anthology [1973],Peter Jay, ed., no.197

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Archimedes%@AE@%%@EH@%
%@NL@%
%@AB@%c. 287-212  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
On discovery of a method to test the purity of gold.  %@EF@%
%@QR:Archimedes@%%@CR:B287ARCH10      @%%@2@%   Eureka! [I have found it!]%@NL@%%@EH@%
%@NL@%
Archimedes
%@NL@%From Vitruvius Pollio [first century b.c.],
De Architectura, bk. IX, 215

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Said with reference to the lever.  %@EF@%
%@QR:Archimedes@%%@CR:B287ARCH20      @%%@2@%   Give me where to stand, and I will move the earth.%@NL@%%@EH@%
%@NL@%
Archimedes
%@NL@%From Pappus of Alexandria, Collectio, bk. VIII,
prop. 10, sec. 11

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Fabius Maximus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 275-203  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Fabius Maximus@%%@CR:B275FABM10      @%%@2@%   To be turned from one's course by men's opinions, by blame, and by%@EH@%
misrepresentation shows a man unfit to hold an office. 1 %@NL@%
%@NL@%
Fabius Maximus
%@NL@%From Plutarch, Lives, Fabius Maximus, sec. 5

%@NL@%%@AI@%1 See Horace%@BO:           da75f@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Lacydes%@AE@%%@EH@%
%@NL@%
%@AB@%fl. c. 241  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Lacydes@%%@CR:B271LACY10      @%%@2@%   [When asked late in life why he was studying geometry] If I should not be%@EH@%
learning now, when should I be?%@NL@%
%@NL@%
Lacydes
%@NL@%From Diogenes Laertius,
Lives of Eminent Philosophers, Lacydes, sec. 5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Titus Maccius Plautus%@AE@%%@EH@%
%@NL@%
%@AB@%254-184  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT10      @%%@2@%   What is yours is mine, and all mine is yours. 1 %@NL@%%@EH@%
%@NL@%
Titus Maccius Plautus
%@NL@%Trinummus, act II, sc. ii,l. 48

%@NL@%%@AI@%1 See Shakespeare%@BO:          1d3695@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT20      @%%@2@%   Not by age but by capacity is wisdom acquired.%@NL@%%@EH@%
%@NL@%
Titus Maccius Plautus
%@NL@%Trinummus, act II, sc. ii,l. 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A proverbial expression implying a desire to create doubts and difficulties
where there really are none. It occurs in Terence, Andria, V, 4:38; also in
Ennius, Saturae, 46.  %@EF@%
%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT30      @%%@2@%   You are seeking a knot in a bulrush.%@NL@%%@EH@%
%@NL@%
Titus Maccius Plautus
%@NL@%Menaechmi, act II, sc. i, l. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT40      @%%@2@%   In the one hand he is carrying a stone, while he shows the bread in the%@EH@%
other. 1 %@NL@%
%@NL@%
Titus Maccius Plautus
%@NL@%Aulularia, act II, sc. ii, l. 18

%@NL@%%@AI@%1 See Matthew 7:9%@BO:           50b95@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT50      @%%@2@%   There are occasions when it is undoubtedly better to incur loss than to%@EH@%
make gain.%@NL@%
%@NL@%
Titus Maccius Plautus
%@NL@%Captivi, act II, sc. ii, l. 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT60      @%%@2@%   Patience is the best remedy for every trouble.%@NL@%%@EH@%
%@NL@%
Titus Maccius Plautus
%@NL@%Rudens, act II, sc. v, l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I holde a mouses herte nat worth a leek,/That hath but oon hole for to
sterte to,/And if that faille, thanne is al y-do.-Chaucer, The Canterbury
Tales [c. 1387], The Wife of Bath's Prologue, l. 572  The mouse that hath
but one hole is quickly taken.-George Herbert, Jacula Prudentum [1640]  The
mouse that always trusts to one poor hole/Can never be a mouse of any
soul.-Pope, Paraphrase of the Prologue [1714], l. 298  %@EF@%
%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT70      @%%@2@%   Consider the little mouse, how sagacious an animal it is which never%@EH@%
entrusts its life to one hole only.%@NL@%
%@NL@%
Titus Maccius Plautus
%@NL@%Truculentus, act IV, sc. iv, l. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fish and guests in three days are stale.-John Lyly, Euphues [1579]  Fish and
visitors stink in three days.-Benjamin Franklin, Poor Richard's Almanac
[1736], January  %@EF@%
%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT110     @%%@2@%   No guest is so welcome in a friend's house that he will not become a%@EH@%
nuisance after three days.%@NL@%
%@NL@%
Titus Maccius Plautus
%@NL@%Miles Gloriosus, act III, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT140     @%%@2@%   No man is wise enough by himself.%@NL@%%@EH@%
%@NL@%
Titus Maccius Plautus
%@NL@%Miles Gloriosus, act III, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A friend in need is a friend indeed.-Hazlitt, English Proverbs  %@EF@%
%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT150     @%%@2@%   Nothing is there more friendly to a man than a friend in need.%@NL@%%@EH@%
%@NL@%
Titus Maccius Plautus
%@NL@%Epidicus, act III, sc. iii, l. 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The unexpected always happens.-Common saying  %@EF@%
%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT170     @%%@2@%   Things which you do not hope happen more frequently than things which you%@EH@%
do hope.%@NL@%
%@NL@%
Titus Maccius Plautus
%@NL@%Mostellaria, actI, sc. iii, l. 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT190     @%%@2@%   To blow and swallow at the same moment is not easy.%@NL@%%@EH@%
%@NL@%
Titus Maccius Plautus
%@NL@%Mostellaria, actIII, sc. ii, l. 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Facias ipse quod faciamus suades.  See St. Jerome  %@EF@%
%@QR:Titus Maccius Plautus@%%@QR:Plautus@%%@CR:B254PLAT200     @%%@2@%   Practice yourself what you preach.%@NL@%%@EH@%
%@NL@%
Titus Maccius Plautus
%@NL@%Asinaria, act III, sc. iii, l. 644

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Maharbal%@AE@%%@EH@%
%@NL@%Barca the Carthaginian
%@AB@%fl. 210  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Vincere scis, Hannibal, victoria uti nescis.  Maharbal was commander of
cavalry under Hannibal, who had insisted on a day's rest for the army after
the victory at Cannae [216  B.C. ], thereby enabling the enemy to recoup.
See Polybius  %@EF@%
%@QR:Maharbal@%%@QR:Barca the Carthaginian@%%@CR:B252MAHA10      @%%@2@%   You know how to win a victory, Hannibal, but not how to use it.%@NL@%%@EH@%
%@NL@%
Maharbal
%@NL@%From Livy, History, XXII, 51

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Bhagavad Gita%@AE@%%@EH@%
%@AB@%250  B.C. - A.D.  250%@AE@%
%@FN@%
Sanskrit: The Lord's Song.  %@EF@%
%@FN@%
Ancient Indian literary chronology is conjectural. The dates given are
approximate.  %@EF@%
%@NL@%%@NL@%

%@FN@%
Translated by Annie Besant.  %@EF@%
%@QR:Bhagavad Gita@%%@CR:B250BHAG10      @%%@2@%For certain is death for the born%@NL@%%@EH@%
And certain is birth for the dead;%@NL@%
Therefore over the inevitable%@NL@%
Thou shouldst not grieve.%@NL@%

%@NL@%Bhagavad Gita
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bhagavad Gita@%%@CR:B250BHAG15      @%%@2@%This embodied [soul] is eternally unslayable%@NL@%%@EH@%
In the body of everyone, son of Bharata;%@NL@%
Therefore all beings%@NL@%
Thou shouldst not mourn.Likewise having regard for thine own [caste] duty%@NL@%
Thou shouldst not tremble;%@NL@%
For another, better thing than a fight required of duty%@NL@%
Exists not for a warrior.%@NL@%

%@NL@%Bhagavad Gita
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by F. Edgerton.  At the moment which is not of action or
inaction/You can receive this: "on whatever sphere of being/The mind of a
man may be intent/At the time of death"-that is the one action/(And the time
of death is every moment)Which shall fructify in the lives of others:/And do
not think of the fruit of action,/Fare forward.-T. S. Eliot, Four Quartets
[1943], The Dry Salvages, pt. III  %@EF@%
%@QR:Bhagavad Gita@%%@CR:B250BHAG20      @%%@2@%On action alone be thy interest,%@NL@%%@EH@%
Never on its fruits.%@NL@%
Let not the fruits of action be thy motive,%@NL@%
Nor be thy attachment to inaction.%@NL@%

%@NL@%Bhagavad Gita
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by F. Edgerton.  %@EF@%
%@QR:Bhagavad Gita@%%@CR:B250BHAG40      @%%@2@%Better one's own duty, [though] imperfect,%@NL@%%@EH@%
Than another's duty well performed.%@NL@%

%@NL@%Bhagavad Gita
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by F. Edgerton.  %@EF@%
%@QR:Bhagavad Gita@%%@CR:B250BHAG50      @%%@2@%In whatsoever way any come to Me,%@NL@%%@EH@%
In that same way I grant them favor.%@NL@%

%@NL@%Bhagavad Gita
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by F. Edgerton.  %@EF@%
%@QR:Bhagavad Gita@%%@CR:B250BHAG60      @%%@2@%Who sees Me in all,%@NL@%%@EH@%
And sees all in Me,%@NL@%
For him I am not lost,%@NL@%
And he is not lost for Me.%@NL@%

%@NL@%Bhagavad Gita
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by F. Edgerton.  %@EF@%
%@QR:Bhagavad Gita@%%@CR:B250BHAG70      @%%@2@%Whatsoever state [of being] meditating upon%@NL@%%@EH@%
He leaves the body at death, 1 %@NL@%
To just that he goes, son of Kunti,%@NL@%
Always being made to be in the condition of that.%@NL@%

%@NL@%Bhagavad Gita
%@NL@%

%@NL@%%@AI@%1 See Eliot's lines from The Dry Salvages quoted in the note to Gita 2:47%@BO:           bf886@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Swami Nikhilananda.  Quoted by J. Robert Oppenheimer when the
first atomic bomb exploded [July 16, 1945, near Alamogordo, New Mexico].  %@EF@%
%@QR:Bhagavad Gita@%%@CR:B250BHAG80      @%%@2@%   If the radiance of a thousand suns were to burst forth at once in the%@EH@%
sky, that would be like the splendor of the Mighty One [Krishna].%@NL@%
%@NL@%
Bhagavad Gita
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Quintus Ennius%@AE@%%@EH@%
%@NL@%
%@AB@%239-169  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Quintus Ennius@%%@QR:Ennius@%%@CR:B239ENNQ10      @%%@2@%   No sooner said than done-so acts your man of worth.%@NL@%%@EH@%
%@NL@%
Quintus Ennius
%@NL@%Annals, bk. 9 (quoted by Priscianus)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Quintus Ennius@%%@QR:Ennius@%%@CR:B239ENNQ20      @%%@2@%I never indulge in poetics%@NL@%%@EH@%
Unless I am down with rheumatics.%@NL@%

%@NL@%Quintus Ennius
%@NL@%Fragment of a satire (quoted by Priscianus)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This refers to Quintus Fabius Maximus, "Cunctator." Hence the "Fabian
policy" of waiting.  %@EF@%
%@QR:Quintus Ennius@%%@QR:Ennius@%%@CR:B239ENNQ30      @%%@2@%   By delaying he preserved the state.%@NL@%%@EH@%
%@NL@%
Quintus Ennius
%@NL@%From Cicero, De Senectute,IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Tennyson  No funeral gloom, my dears, when I am gone,/Corpse-gazings,
tears, black raiment, graveyard grimness.-William Allingham [1828-1889],
Diary  %@EF@%
%@QR:Quintus Ennius@%%@QR:Ennius@%%@CR:B239ENNQ50      @%%@2@%   Let no one pay me honor with tears, nor celebrate my funeral rites with%@EH@%
weeping.%@NL@%
%@NL@%
Quintus Ennius
%@NL@%From Cicero, De Senectute,XX

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Simia quam similis, turpissima bestia, nobis!  %@EF@%
%@QR:Quintus Ennius@%%@QR:Ennius@%%@CR:B239ENNQ70      @%%@2@%   The ape, vilest of beasts, how like to us.%@NL@%%@EH@%
%@NL@%
Quintus Ennius
%@NL@%From Cicero, De Natura Deorum, bk. I, ch. 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Quintus Ennius@%%@QR:Ennius@%%@CR:B239ENNQ90      @%%@2@%   No one regards what is before his feet; we all gaze at the stars.%@NL@%%@EH@%
%@NL@%
Quintus Ennius
%@NL@%Iphigenia. From Cicero, De Divinatione, bk. II, ch. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Quintus Ennius@%%@QR:Ennius@%%@CR:B239ENNQ100     @%%@2@%   The idle mind knows not what it is it wants.%@NL@%%@EH@%
%@NL@%
Quintus Ennius
%@NL@%Iphigenia. From Cicero, De Divinatione, bk. II, ch. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Quintus Ennius@%%@QR:Ennius@%%@CR:B239ENNQ110     @%%@2@%   Whom they fear they hate. 1  2 %@NL@%%@EH@%
%@NL@%
Quintus Ennius
%@NL@%Thyestes. From Cicero, De Officiis, II, 7

%@NL@%%@AI@%1 See Accius%@BO:           c4c9b@%%@AE@%
%@AI@%2 See Machiavelli%@BO:          12fa4a@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Marcus Porcius Cato%@AE@%%@EH@%
%@NL@%Cato the Elder
Cato the Censor
%@AB@%234-149  B.C. %@AE@%
%@FN@%
Also known as Cato the Censor.  %@EF@%
%@FN@%
Also known as Cato the Censor.  %@EF@%
%@NL@%%@NL@%

%@QR:Marcus Porcius Cato@%%@QR:Cato@%%@QR:Cato the Elder@%%@QR:Cato the Censor@%%@CR:B234CATM5       @%%@2@%   A farm is like a man-however great the income, if there is extravagance%@EH@%
but little is left.%@NL@%
%@NL@%
Marcus Porcius Cato
%@NL@%%@FN@%
Translated by William D. Hooper, revised by Harrison Boyd Ash (Loeb
Classical Library).  %@EF@%
On Agriculture,
bk.I, sec. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Porcius Cato@%%@QR:Cato@%%@QR:Cato the Elder@%%@QR:Cato the Censor@%%@CR:B234CATM7       @%%@2@%   Even though work stops, expenses run on.%@NL@%%@EH@%
%@NL@%
Marcus Porcius Cato
%@NL@%On Agriculture,
bk.XXXIX, sec. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The belly has no ears nor is it to be filled with fair words.-Rabelais,
Works, IV [1548], 67  See La Fontaine and Adlai Stevenson  %@EF@%
%@QR:Marcus Porcius Cato@%%@QR:Cato@%%@QR:Cato the Elder@%%@QR:Cato the Censor@%%@CR:B234CATM10      @%%@2@%   It is a hard matter, my fellow citizens, to argue with the belly, since%@EH@%
it has no ears.%@NL@%
%@NL@%
Marcus Porcius Cato
%@NL@%From Plutarch, Lives, Cato, sec.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Porcius Cato@%%@QR:Cato@%%@QR:Cato the Elder@%%@QR:Cato the Censor@%%@CR:B234CATM30      @%%@2@%   Wise men profit more from fools than fools from wise men; for the wise%@EH@%
men shun the mistakes of fools, but fools do not imitate the successes of
the wise.%@NL@%
%@NL@%
Marcus Porcius Cato
%@NL@%From Plutarch, Lives, Cato, sec.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Porcius Cato@%%@QR:Cato@%%@QR:Cato the Elder@%%@QR:Cato the Censor@%%@CR:B234CATM40      @%%@2@%   I would much rather have men ask why I have no statue, than why I have%@EH@%
one.%@NL@%
%@NL@%
Marcus Porcius Cato
%@NL@%From Plutarch, Lives, Cato, sec.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Delenda est Carthago.  These words were added to every speech Cato made in
the senate, preceded by ceterum censeo [in my opinion].  %@EF@%
%@QR:Marcus Porcius Cato@%%@QR:Cato@%%@QR:Cato the Elder@%%@QR:Cato the Censor@%%@CR:B234CATM50      @%%@2@%   Carthage must be destroyed.%@NL@%%@EH@%
%@NL@%
Marcus Porcius Cato
%@NL@%From Plutarch, Lives, Cato, sec.27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rem tene; verba sequentur.  %@EF@%
%@QR:Marcus Porcius Cato@%%@QR:Cato@%%@QR:Cato the Elder@%%@QR:Cato the Censor@%%@CR:B234CATM70      @%%@2@%   Grasp the subject, the words will follow.%@NL@%%@EH@%
%@NL@%
Marcus Porcius Cato
%@NL@%From Caius Julius Victor,
Ars Rhetorica, I [4th century a.d.]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Porcius Cato@%%@QR:Cato@%%@QR:Cato the Elder@%%@QR:Cato the Censor@%%@CR:B234CATM90      @%%@2@%   An orator is a good man who is skilled in speaking.%@NL@%%@EH@%
%@NL@%
Marcus Porcius Cato
%@NL@%From Seneca the Elder [c. 45 b.c.-a.d. 40],
Controversiae, I, Preface, and elsewhere

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Caecilius Statius%@AE@%%@EH@%
%@NL@%Caecilius Statius
%@AB@%220-168  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Serit arbores quae alteri seculo prosint.  John Quincy Adams used Alteri
seculo for his seal [c. 1830].  See John Adams  He that plants trees loves
others beside himself.-Thomas Fuller, Gnomologia [1732]  A man does not
plant a tree for himself; he plants it for posterity.-Alexander Smith,
Dreamthorp [1863], ch. 11  %@EF@%
%@QR:Caecilius Statius@%%@QR:Caecilius Statius@%%@QR:Statius@%%@CR:B220CAES10      @%%@2@%   He plants trees to benefit another generation.%@NL@%%@EH@%
%@NL@%
Caecilius Statius
%@NL@%Synephebi. Quoted by Cicero in De Senectute, VII

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Polybius%@AE@%%@EH@%
%@NL@%
%@AB@%c. 208 - c. 126  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Polybius@%%@CR:B208POLY10      @%%@2@%   For peace, with justice and honor, is the fairest and most profitable of%@EH@%
possessions, but with disgrace and shameful cowardice it is the most
infamous and harmful of all.%@NL@%
%@NL@%
Polybius
%@NL@%History, bk.IV, sec. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Polybius@%%@CR:B208POLY20      @%%@2@%   Those who know how to win are much more numerous than those who know how%@EH@%
to make proper use of their victories. 1 %@NL@%
%@NL@%
Polybius
%@NL@%History, bk.X, sec. 36

%@NL@%%@AI@%1 See Maharbal%@BO:           bf22b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by S. E. Morison.  See Cicero  %@EF@%
%@QR:Polybius@%%@CR:B208POLY30      @%%@2@%   That historians should give their own country a break, I grant you; but%@EH@%
not so as to state things contrary to fact. For there are plenty of mistakes
made by writers out of ignorance, and which any man finds it difficult to
avoid. But if we knowingly write what is false, whether for the sake of our
country or our friends or just to be pleasant, what difference is there
between us and hack writers? Readers should be very attentive to and
critical of historians, and they in turn should be constantly on their
guard.%@NL@%
%@NL@%
Polybius
%@NL@%History, bk.XVI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Polybius@%%@CR:B208POLY40      @%%@2@%   There is no witness so dreadful, no accuser so terrible as the conscience%@EH@%
that dwells in the heart of every man. 1  2 %@NL@%
%@NL@%
Polybius
%@NL@%History, bk.XVIII, sec. 43

%@NL@%%@AI@%1 See Stubbs%@BO:          4e333b@%%@AE@%
%@AI@%2 See R. L. Stevenson%@BO:          4f1697@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Terence%@AE@%%@EH@%
%@NL@%Publius Terentius Afer
%@AB@%c. 190-159  B.C. %@AE@%
%@FN@%
Translated by John Sargeaunt (Loeb Classical Library), with occasional
adaptations.  %@EF@%
%@NL@%%@NL@%

%@FN@%
Ne quid nimis.  See The Seven Sages, Horace, Lucan, Anonymous Latin, and
Voltaire  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE10      @%%@2@%   Moderation in all things.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Andria (The Lady of Andros),l. 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Obsequium amicos, veritas odium parit.  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE30      @%%@2@%   Obsequiousness begets friends, truth hatred.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Andria (The Lady of Andros),l. 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Hinc illae lacrimae.  The phrase is proverbial for "That's the cause of it,"
and was often quoted, by Horace in Epistles, I, xix, 41, and by others.
Hence rage and tears [Inde irae et lacrimae].-Juvenal, Satires, bk. I, l.
168  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE50      @%%@2@%   Hence these tears.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Andria (The Lady of Andros),l. 126

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Davos sum, non Oedipus.  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE80      @%%@2@%   I am Davos, not Oedipus.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Andria (The Lady of Andros),l. 194

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Amantium irae amoris integratio est.  This was quoted by Winston Churchill
in a message to Franklin D. Roosevelt.  The anger of lovers renews the
strength of love.-Publilius Syrus [first century  B.C. ], Maxim 24  The
falling out of faithful friends renewing is of love.-Richard Edwards, The
Paradise of Dainty Devices [1576]  Let the falling out of friends be a
renewing of affection.-John Lyly, Euphues [1579]  The falling out of lovers
is the renewing of love.-Robert Burton, Anatomy of Melancholy [1621-1651],
pt. III, sec. 2  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE100     @%%@2@%   Lovers' quarrels are the renewal of love.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Andria (The Lady of Andros),l. 555

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Proxumus sum egomet mihi.  See I Timothy 5:4 and Sir Thomas Browne  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE160     @%%@2@%   Charity begins at home.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Andria (The Lady of Andros),l. 635

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Homo sum: humani nil a me alienum puto. Quoted by Cicero in De Officiis, I,
30.  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE180     @%%@2@%   I am a man: nothing human is alien to me.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Heauton Timoroumenos (The Self-Tormentor),l. 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Periclum ex aliis facito tibi quod ex usu siet. (A saying.)  Profit by the
folly of others.-Pliny the Elder [ A.D.  23-79], Natural History, bk. XVIII,
31  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE200     @%%@2@%   Draw from others the lesson that may profit yourself.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Heauton Timoroumenos (The Self-Tormentor),l. 221

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Diem adimere aegritudinem hominibus. (A saying: Time heals all wounds.)  See
Sophocles and La Fontaine  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE230     @%%@2@%   Time removes distress.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Heauton Timoroumenos (The Self-Tormentor),l. 421

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nil tam difficile est quin quaerendo investigari possiet.  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE250     @%%@2@%   Nothing is so difficult but that it may be found out by seeking.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Heauton Timoroumenos (The Self-Tormentor),l. 675

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quid si nunc caelum ruat?  Some ambassadors from the Celtae, being asked by
Alexander what in the world they dreaded most, answered, that they feared
lest the sky should fall upon them.-Arrianus [c. 100-170], bk. I, 4  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE270     @%%@2@%   Some people ask, "What if the sky were to fall?"%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Heauton Timoroumenos (The Self-Tormentor),l. 719

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ius summum saepe summa est malitia.  See Anonymous Latin  Extreme law,
extreme injustice, is now become a stale proverb in discourse.-Cicero
[106-43  B.C. ], De Officiis, I, 33  Extreme justice is often
injustice.-Racine, La Thebaide [1664], act IV, sc. iii  Mais l'extr[ecirc
]me justice est une extr[ecirc ]me injure.-Voltaire, Oedipe [1718], act III,
sc. iii  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE300     @%%@2@%   Extreme law is often extreme injustice.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Heauton Timoroumenos (The Self-Tormentor),l. 796

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE350     @%%@2@%   There is nothing so easy but that it becomes difficult when you do it%@EH@%
reluctantly.%@NL@%
%@NL@%
Terence
%@NL@%Heauton Timoroumenos (The Self-Tormentor),l. 805

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Modo liceat vivere, est spes.  See Ciceroand Goldsmith  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE360     @%%@2@%   While there's life, there's hope.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Heauton Timoroumenos (The Self-Tormentor),l. 981

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE380     @%%@2@%   In fact, nothing is said that has not been said before. 1  2  3 %@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Eunuchus,l. 41 (Prologue)

%@NL@%%@AI@%1 See Ecclesiastes 1:9%@BO:           34425@%%@AE@%
%@AI@%2 See Robert Burton%@BO:          20ef77@%%@AE@%
%@AI@%3 See La Bruyere%@BO:          27b119@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE390     @%%@2@%   I have everything, yet have nothing; and although I possess nothing,%@EH@%
still of nothing am I in want. 1  2 %@NL@%
%@NL@%
Terence
%@NL@%Eunuchus,l. 243

%@NL@%%@AI@%1 See II Corinthians 6:10%@BO:           6dc75@%%@AE@%
%@AI@%2 See Wotton%@BO:          20272c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE400     @%%@2@%   There are vicissitudes in all things. 1  2 %@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Eunuchus,l. 276

%@NL@%%@AI@%1 See Bacon%@BO:          164d8d@%%@AE@%
%@AI@%2 See Sterne%@BO:          2ccb28@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ego non flocci pendere.  Nor do they care a straw.-Cervantes, Don Quixote,
pt. I [1605], bk. III, ch. 9  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE410     @%%@2@%   I don't care one straw.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Eunuchus,l. 411

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fac animo haec praesenti dicas. Literally, "with a present mind"-equivalent
to Caesar's "praesentia animi" (De Bello Gallico, V, 43, 4).  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE440     @%%@2@%   Take care and say this with presence of mind.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Eunuchus,l. 769

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE460     @%%@2@%   He is wise who tries everything before arms.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Eunuchus,l. 789

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE470     @%%@2@%   I know the disposition of women: when you will, they won't; when you%@EH@%
won't, they set their hearts upon you of their own inclination.%@NL@%
%@NL@%
Terence
%@NL@%Eunuchus,l. 812

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE480     @%%@2@%   I took to my heels as fast as I could.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Eunuchus,l. 844

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE490     @%%@2@%   Many a time . . . from a bad beginning great friendships have sprung up.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Eunuchus,l. 873

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Menanderand Virgil  Pliny the Younger says (bk. VI, letter 16) that
Pliny the Elder said this during the eruption of Vesuvius: "Fortune favors
the brave."  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE500     @%%@2@%   Fortune helps the brave.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Phormio,l. 203

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quot homines tot sententiae: suo quoque mos.  So many heads so many
wits.-John Heywood, Proverbs [1546], pt. I, ch. 2  So many men so many
minds.-George Gascoigne, The Glass of Government [1575]  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE520     @%%@2@%   So many men, so many opinions; every one his own way.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Phormio,l. 454

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A proverbial expression which, according to Suetonius, was frequently in the
mouth of Tiberius Caesar.  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE560     @%%@2@%   As they say, I have got a wolf by the ears.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Phormio,l. 506

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE580     @%%@2@%   I bid him look into the lives of men as though into a mirror, and from%@EH@%
others to take an example for himself.%@NL@%
%@NL@%
Terence
%@NL@%Adelphoe (The Brothers),l. 415

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE590     @%%@2@%   According as the man is, so must you humor him.%@NL@%%@EH@%
%@NL@%
Terence
%@NL@%Adelphoe (The Brothers),l. 431

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cicero quotes this in Tusculan Disputations, bk. III. The maxim was a
favorite with the Stoic philosophers.  %@EF@%
%@QR:Terence@%%@QR:Publius Terentius Afer@%%@CR:B190TERE600     @%%@2@%   It is the common vice of all, in old age, to be too intent upon our%@EH@%
interests.%@NL@%
%@NL@%
Terence
%@NL@%Adelphoe (The Brothers),l. 833

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Huai-nan Tzu%@AE@%%@EH@%
%@NL@%Liu An
%@AB@%Second century  B.C. %@AE@%
%@FN@%
From Sources of Chinese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
%@NL@%%@NL@%

%@QR:Huai-nan Tzu@%%@QR:Liu An@%%@CR:B182HUAT10      @%%@2@%   Before heaven and earth had taken form all was vague and amorphous.%@EH@%
Therefore it was called the Great Beginning. The Great Beginning produced
emptiness and emptiness produced the universe. . . . The combined essences
of heaven and earth became the yin and yang, the concentrated essences of
the yin and yang became the four seasons, and the scattered essences of the
four seasons became the myriad creatures of the world.%@NL@%
%@NL@%
Huai-nan Tzu
%@NL@%Treatise

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Tung Chung-shu%@AE@%%@EH@%
%@NL@%
%@AB@%c. 179 - c. 104  B.C. %@AE@%
%@FN@%
From Sources of Chinese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
%@NL@%%@NL@%

%@QR:Tung Chung-shu@%%@CR:B179TUNC10      @%%@2@%   He who is the ruler of men takes nonaction as his way and considers%@EH@%
impartiality as his treasure. He sits upon the throne of non-action and
rides upon the perfection of his officials.%@NL@%
%@NL@%
Tung Chung-shu
%@NL@%Ch'un-ch'iu fan-lu

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lucius Accius%@AE@%%@EH@%
%@NL@%
%@AB@%170-86  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Oderint dum metuant.  From a lost tragedy. Frequently cited by Cicero and
others. Suetonius (Gaius Caligula, 30) says that the Emperor Caligula was
fond of quoting it.  See Ennius and Machiavelli  %@EF@%
%@QR:Lucius Accius@%%@QR:Accius@%%@CR:B170ACCL10      @%%@2@%   Let them hate, so long as they fear.%@NL@%%@EH@%
%@NL@%
Lucius Accius
%@NL@%Fragment

%@NL@%
%@NL@%
%@NL@%
%@1@%%@AB@%Han Wu-ti%@AE@%%@EH@%
%@NL@%
%@AB@%157-87  B.C. %@AE@%
%@FN@%
Sixth emperor of the Han dynasty.  %@EF@%
%@NL@%%@NL@%

%@QR:Han Wu-ti@%%@CR:B157WUHA10      @%%@2@%The sound of her silk skirt has stopped.%@NL@%%@EH@%
On the marble pavement dust grows.%@NL@%
Her empty room is cold and still.%@NL@%
Fallen leaves are piled against the doors.%@NL@%
Longing for that lovely lady%@NL@%
How can I bring my aching heart to rest?%@NL@%

%@NL@%Han Wu-ti
%@NL@%%@FN@%
From Chinese Poems, Arthur Waley, translator.  %@EF@%
On the death of his mistress

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Marcus Terentius Varro%@AE@%%@EH@%
%@NL@%
%@AB@%116-27  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Marcus Terentius Varro@%%@QR:Varro@%%@CR:B116VARM10      @%%@2@%   The longest part of the journey is said to be the passing of the gate.%@NL@%%@EH@%
%@NL@%
Marcus Terentius Varro
%@NL@%%@FN@%
Translated by William D. Hooper, revised by Harrison Boyd Ash (Loeb
Classical Library).  %@EF@%
On Agriculture [De Re Rustica],
bk.I, ii,2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Terentius Varro@%%@QR:Varro@%%@CR:B116VARM20      @%%@2@%   When people come to inspect . . . farmsteads, it is not to see%@EH@%
collections of pictures . . . but collections of fruit.%@NL@%
%@NL@%
Marcus Terentius Varro
%@NL@%On Agriculture [De Re Rustica],
bk.I, ii,10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Terentius Varro@%%@QR:Varro@%%@CR:B116VARM30      @%%@2@%   Not all who own a harp are harpers.%@NL@%%@EH@%
%@NL@%
Marcus Terentius Varro
%@NL@%On Agriculture [De Re Rustica],
bk.II, i, 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Divina natura dedit agros, ars humana aedificavit urbes.  %@EF@%
%@QR:Marcus Terentius Varro@%%@QR:Varro@%%@CR:B116VARM40      @%%@2@%   It was divine nature which gave us the country, and man's skill that%@EH@%
built the cities.%@NL@%
%@NL@%
Marcus Terentius Varro
%@NL@%On Agriculture [De Re Rustica],
bk.III, i, 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Marcus Licinius Crassus%@AE@%%@EH@%
%@NL@%
%@AB@%fl. 70  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Marcus Licinius Crassus@%%@QR:Crassus@%%@CR:B115CRAM10      @%%@2@%   Those who aim at great deeds must also suffer greatly.%@NL@%%@EH@%
%@NL@%
Marcus Licinius Crassus
%@NL@%From Plutarch, Lives, Crassus, ch. 26

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Meleager%@AE@%%@EH@%
%@NL@%
%@AB@%First century  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Meleager@%%@CR:B107MELE10      @%%@2@%   Farewell, Morning Star, herald of dawn, and quickly come as the Evening%@EH@%
Star, bring-ing again in secret her whom thou takest away. 1  2 %@NL@%
%@NL@%
Meleager
%@NL@%The Greek Anthology [1906],J. W. Mackail,
ed., sec. 1, no. 21

%@NL@%%@AI@%1 See Sappho%@BO:           8b0bc@%%@AE@%
%@AI@%2 See Housman%@BO:          519a08@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Marcus Tullius Cicero%@AE@%%@EH@%
%@NL@%
%@AB@%106-43  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Quo usque, Catilina, abutere patientia nostra?  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM10      @%%@2@%   How long, Catiline, will you abuse our patience?%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%In Catilinam,I, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM20      @%%@2@%   O tempora! O mores! [Oh the times! The customs!]%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%In Catilinam,I, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Abiit, excessit, evasit, erupit.  Depart-be off-excede-evade-erump!-Oliver
Wendell Holmes, The Autocrat of the Breakfast Table [1858], Aestivation, ch.
II  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM30      @%%@2@%   He has departed, withdrawn, gone away, broken out.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%In Catilinam,II, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Civis Romanus sum.  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM50      @%%@2@%   I am a Roman citizen.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%In Verrem, V, 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Silent enim leges inter arma.  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM70      @%%@2@%   Law stands mute in the midst of arms.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Pro Milone,IV, 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In full: Cui bono fuerit? [To whose advantage was it?]  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM90      @%%@2@%   Cui bono? [To whose advantage?]%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Pro Milone,XII, 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM110     @%%@2@%   These studies are a spur to the young, a delight to the old; an ornament%@EH@%
in prosperity, a consoling refuge in adversity; they are pleasure for us at
home, and no burden abroad; they stay up with us at night, they accompany us
when we travel, they are with us in our country visits.%@NL@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Pro Archia Poeta, VII, 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Otium cum dignitate.  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM120     @%%@2@%   Leisure with dignity.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Oratore,II, 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM140     @%%@2@%   History is the witness that testifies to the passing of time; it%@EH@%
illumines reality, vitalizes memory, provides guidance in daily life, and
brings us tidings of antiquity.%@NL@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Oratore,II,36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM150     @%%@2@%   The first law for the historian is that he shall never dare utter an%@EH@%
untruth. The second is that he shall suppress nothing that is true.
Moreover, there shall be no suspicion of partiality in his writing, or of
malice. 1 %@NL@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Oratore,II,62

%@NL@%%@AI@%1 See Polybius%@BO:           c1af9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Poetarum licentiae liberiora.  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM160     @%%@2@%   The freedom of poetic license.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Oratore,III, 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM180     @%%@2@%   If a man aspires to the highest place, it is no dishonor to him to halt%@EH@%
at the second, or even at the third.%@NL@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Orator ad M. Brutum,4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM190     @%%@2@%   For just as some women are said to be handsome though without adornment,%@EH@%
so this subtle manner of speech, though lacking in artificial graces,
delights us. 1  2 %@NL@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Orator ad M. Brutum,78

%@NL@%%@AI@%1 See Milton%@BO:          2437be@%%@AE@%
%@AI@%2 See Thomson%@BO:          2b1717@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM200     @%%@2@%   Nothing quite new is perfect.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Brutus, 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM210     @%%@2@%   There were poets before Homer.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Brutus, 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM220     @%%@2@%   The aim of forensic oratory is to teach, to delight, to move.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Optimo Genere Oratorum, 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In Romuli faece. That is, the lowest order of society.  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM230     @%%@2@%   The dregs of Romulus.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Ad Atticum,II, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dum anima est, spes est.  See Terence and Goldsmith  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM250     @%%@2@%   While there's life, there's hope.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Ad Atticum,IX, 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quae est domestica sede iucundior?  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM270     @%%@2@%   What is more agreeable than one's home?%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Ad Familiares, IV, 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM290     @%%@2@%   I like myself, but I won't say I'm as handsome as the bull that kidnapped%@EH@%
Europa.%@NL@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Natura Deorum, I, 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM300     @%%@2@%   It was ordained at the beginning of the world that certain signs should%@EH@%
prefigure certain events. 1  2  3  4 %@NL@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Divinatione,I, 118

%@NL@%%@AI@%1 See Shakespeare%@BO:          1cc340@%%@AE@%
%@AI@%2 See Campbell%@BO:          36169f@%%@AE@%
%@AI@%3 See Shelley%@BO:          390640@%%@AE@%
%@AI@%4 See Wells%@BO:          549774@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM310     @%%@2@%   There is nothing so ridiculous but some philosopher has said it. 1  2 %@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Divinatione,II, 119

%@NL@%%@AI@%1 See Goethe%@BO:          30ce54@%%@AE@%
%@AI@%2 See Descartes%@BO:          229c0b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM320     @%%@2@%   I would rather be wrong with Plato than right with such men as these [the%@EH@%
Pythagoreans].%@NL@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Tusculanae Disputationes,I, 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
O vitae philosophia dux.  See John Heath  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM330     @%%@2@%   O philosophy, you leader of life.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Tusculanae Disputationes,V, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM360     @%%@2@%   Socrates was the first to call philosophy down from the heavens and to%@EH@%
place it in cities, and even to introduce it into homes and compel it to
inquire about life and standards and goods and evils.%@NL@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Tusculanae Disputationes,V, 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Summum bonum.  See Lucretius  The nature of the good and the highest
good.-Horace, Satires, II, 6, 76  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM370     @%%@2@%   The highest good.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Officiis,I, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cedant arma togae, concedat laurea laudi.  He is quoting from his own poem
De suis temporibus, bk. III.  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM400     @%%@2@%   Let arms yield to the toga, the laurel crown to praise.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Officiis,I, 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM420     @%%@2@%   Never less idle than when wholly idle, nor less alone than when wholly%@EH@%
alone. 1  2 %@NL@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Officiis,III, 1

%@NL@%%@AI@%1 See Samuel Rogers%@BO:          32f4b4@%%@AE@%
%@AI@%2 See Thoreau%@BO:          4354aa@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
O fortunatam natam me consule Romam!  The verse is quoted disparagingly by
Juvenal (X, 122), Quintilian (XI, 1, 24), and others.  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM430     @%%@2@%   Rome, fortunately natal 'neath my consulship!%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Consultatu Suo

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Salus populi suprema est lex.  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM450     @%%@2@%   The people's good is the highest law.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Legibus, III,3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Excitabat enim fluctus in simpulo.  A tempest in a teapot.-Proverb  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM470     @%%@2@%   He used to raise a storm in a teapot.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Legibus, III,16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Noxiae poena par esto.  See W. S. Gilbert  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM487     @%%@2@%   Let the punishment match the offense.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Legibus, III,20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM490     @%%@2@%   The shifts of Fortune test the reliability of friends. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Amicitia,XVII

%@NL@%%@AI@%1 See Aristotle%@BO:           b660c@%%@AE@%
%@AI@%2 See Publilius Syrus%@BO:           e3d53@%%@AE@%
%@AI@%3 See Ovid%@BO:           e724d@%%@AE@%
%@AI@%4 See Heywood%@BO:          13bfcc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM500     @%%@2@%   A friend is, as it were, a second self. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Amicitia,XXI

%@NL@%%@AI@%1 See Aristotle%@BO:           b32c3@%%@AE@%
%@AI@%2 See Zeno%@BO:           bb8b6@%%@AE@%
%@AI@%3 See Horace%@BO:           d858f@%%@AE@%
%@AI@%4 See Donne%@BO:          2063be@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM510     @%%@2@%   Give me a young man in whom there is something of the old, and an old man%@EH@%
with something of the young: guided so, a man may grow old in body, but
never in mind.%@NL@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Senectute,XI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM520     @%%@2@%   Old men are garrulous by nature.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Senectute,XVI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM530     @%%@2@%   Old age: the crown of life, our play's last act.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%De Senectute,XXIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Bion, Rabelais, Dryden, and Winston Churchill  He who first called money
the sinews of affairs seems to have spoken with special reference to the
affairs of war.-Plutarch, Lives, Cleomenes 27  Neither is money the sinews
of war (as it is trivially said).-Francis Bacon, Essays [1625], Of the True
Greatness of Kingdoms  Money is the sinew of love as well as of war.-Thomas
Fuller, Gnomonologia [1732], no. 3442  %@EF@%
%@QR:Marcus Tullius Cicero@%%@QR:Cicero@%%@CR:B106CICM540     @%%@2@%   Endless money forms the sinews of war.%@NL@%%@EH@%
%@NL@%
Marcus Tullius Cicero
%@NL@%Philippics, V, 2:5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pompey%@AE@%%@EH@%
%@NL@%Gnaeus Pompeius
%@AB@%106-48  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Addressed to Sulla.  See David Garrick  %@EF@%
%@QR:Pompey@%%@QR:Gnaeus Pompeius@%%@CR:B106POMP10      @%%@2@%   More worship the rising than the setting sun.%@NL@%%@EH@%
%@NL@%
Pompey
%@NL@%From Plutarch, Lives, Pompey,14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pompey@%%@QR:Gnaeus Pompeius@%%@CR:B106POMP20      @%%@2@%   A dead man cannot bite.%@NL@%%@EH@%
%@NL@%
Pompey
%@NL@%From Plutarch, Lives, Pompey,77

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gaius Julius Caesar%@AE@%%@EH@%
%@NL@%Julius Caesar
%@AB@%100-44  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Gallia est omnis divisa in partes tres.  %@EF@%
%@QR:Gaius Julius Caesar@%%@QR:Caesar@%%@QR:Julius Caesar@%%@CR:B100CAEJ10      @%%@2@%   All Gaul is divided into three parts.%@NL@%%@EH@%
%@NL@%
Gaius Julius Caesar
%@NL@%De Bello Gallico,I, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fere libenter homines id quod volunt credunt.  See Demosthenes  %@EF@%
%@QR:Gaius Julius Caesar@%%@QR:Caesar@%%@QR:Julius Caesar@%%@CR:B100CAEJ30      @%%@2@%   Men willingly believe what they wish.%@NL@%%@EH@%
%@NL@%
Gaius Julius Caesar
%@NL@%De Bello Gallico,III, 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Princes in this case do hate the traitor, though they love the
treason.-Samuel Daniel, Tragedy of Cleopatra [1594], act IV, sc. i  This
principle is old, but true as fate,/Kings may love treason, but the traitor
hate.-Dekker, The Honest Whore[1604], pt. I, act IV, sc. iv  Though I love
the treason, I hate the traitor.-Pepys, Diary, March 7, 1667  See Dryden  %@EF@%
%@QR:Gaius Julius Caesar@%%@QR:Caesar@%%@QR:Julius Caesar@%%@CR:B100CAEJ50      @%%@2@%   I love treason but hate a traitor.%@NL@%%@EH@%
%@NL@%
Gaius Julius Caesar
%@NL@%From Plutarch, Lives,Romulus, sec. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Caesar's wife must be above suspicion.-Traditional saying  %@EF@%
%@QR:Gaius Julius Caesar@%%@QR:Caesar@%%@QR:Julius Caesar@%%@CR:B100CAEJ90      @%%@2@%   I wished my wife to be not so much as suspected.%@NL@%%@EH@%
%@NL@%
Gaius Julius Caesar
%@NL@%From Plutarch, Lives,Caesar, sec.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Julius Caesar@%%@QR:Caesar@%%@QR:Julius Caesar@%%@CR:B100CAEJ95      @%%@2@%   I had rather be the first man among these fellows than the second man in%@EH@%
Rome.%@NL@%
%@NL@%
Gaius Julius Caesar
%@NL@%From Plutarch, Lives,Caesar, sec.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Iacta alea est. Proverb quoted by Caesar as he crossed the Rubicon.  Also in
Suetonius, Lives of the Caesars, Julius.  %@EF@%
%@QR:Gaius Julius Caesar@%%@QR:Caesar@%%@QR:Julius Caesar@%%@CR:B100CAEJ110     @%%@2@%   The die is cast.%@NL@%%@EH@%
%@NL@%
Gaius Julius Caesar
%@NL@%From Plutarch, Lives,Caesar, sec.32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Julius Caesar@%%@QR:Caesar@%%@QR:Julius Caesar@%%@CR:B100CAEJ130     @%%@2@%   Go on, my friend, and fear nothing; you carry Caesar and his fortune in%@EH@%
your boat.%@NL@%
%@NL@%
Gaius Julius Caesar
%@NL@%From Plutarch, Lives,Caesar, sec.38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Julius Caesar@%%@QR:Caesar@%%@QR:Julius Caesar@%%@CR:B100CAEJ140     @%%@2@%   The Ides of March have come. 1 %@NL@%%@EH@%
%@NL@%
Gaius Julius Caesar
%@NL@%From Plutarch, Lives,Caesar, sec.63

%@NL@%%@AI@%1 See Shakespeare%@BO:          1b26d3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Julius Caesar@%%@QR:Caesar@%%@QR:Julius Caesar@%%@CR:B100CAEJ150     @%%@2@%   [In answer to a question as to what sort of death was the best] A sudden%@EH@%
death.%@NL@%
%@NL@%
Gaius Julius Caesar
%@NL@%From Plutarch, Lives,Caesar, sec.63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Veni, vidi, vici. Inscription displayed in Caesar's Pontic triumph.  Also in
Plutarch, Apothegms, Caesar.  %@EF@%
%@QR:Gaius Julius Caesar@%%@QR:Caesar@%%@QR:Julius Caesar@%%@CR:B100CAEJ160     @%%@2@%   I came, I saw, I conquered.%@NL@%%@EH@%
%@NL@%
Gaius Julius Caesar
%@NL@%From Suetonius, Lives of the Caesars, Julius, sec.37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Et tu, Brute. Suetonius reports that Caesar said this in Greek.  See
Shakespeare  %@EF@%
%@QR:Gaius Julius Caesar@%%@QR:Caesar@%%@QR:Julius Caesar@%%@CR:B100CAEJ180     @%%@2@%   You also, Brutus my son.%@NL@%%@EH@%
%@NL@%
Gaius Julius Caesar
%@NL@%From Suetonius, Lives of the Caesars, Julius, sec.82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The reference is to Brutus and Cassius.  See Shakespeare  %@EF@%
%@QR:Gaius Julius Caesar@%%@QR:Caesar@%%@QR:Julius Caesar@%%@CR:B100CAEJ200     @%%@2@%   It is not these well-fed long-haired men that I fear, but the pale and%@EH@%
the hungry-looking.%@NL@%
%@NL@%
Gaius Julius Caesar
%@NL@%From Plutarch, Lives, Antony, sec. 11

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lucretius%@AE@%%@EH@%
%@NL@%Titus Lucretius Carus
%@AB@%99-55  B.C. %@AE@%
%@FN@%
Translated by W. H. D. Rouse (Loeb Classical Library), with adaptations.  %@EF@%
%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR10       @%%@2@%   Mother of Aeneas and his race, darling of men and gods, nurturing Venus.%@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.I,l. 1 (Invocation)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR20       @%%@2@%   For thee the wonder-working earth puts forth sweet flowers.%@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.I,l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR25       @%%@2@%   The vivid force of his mind prevailed, and he fared forth far beyond the%@EH@%
flaming ramparts of the heavens and traversed the boundless universe in
thought and mind.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.I,l. 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tantum religio potuit suadere malorum.  The reference is to Agamemnon's
sacrifice of his daughter Iphigenia.  %@EF@%
%@FN@%
Translated by Cyril Bailey.  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR30       @%%@2@%   Such evil deeds could religion prompt.%@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.I,l. 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nil posse creari de nilo.  See Shakespeare  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR50       @%%@2@%   Nothing can be created from nothing.%@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.I,l. 155

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR65       @%%@2@%   The first beginnings of things cannot be distinguished by the eye.%@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.I,l. 268

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Anulus in digito subter tenuatur habendo,/Stilicidi casus lapidem cavat.
See also the concluding lines of Book IV:  Nonne vides etiam guttas in saxa
cadentis/Umoris longo in spatio pertundere saxa? [Do you not see that even
drops of water falling upon a stone in the long run beat a way through the
stone?]  Drops of water hollow out a stone, a ring is worn thin by
use.-Ovid, Ex Ponto, IV, 10:5  Also in Plutarch, Of the Training of
Children.  The drop of rain maketh a hole in the stone, not by violence, but
by oft falling.-Hugh Latimer, Seventh Sermon Before Edward VI [1549]  The
soft droppes of rain perce the hard marble.-John Lyly, Euphues [1579]  And
drizling drops that often doe redound,/The firmest flint doth in continuance
wear.-Edmund Spenser, Amoretti [1595], sonnet 18  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR70       @%%@2@%   The ring on the finger becomes thin beneath by wearing, the fall of%@EH@%
dripping water hollows the stone.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.I,l. 314

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR135      @%%@2@%   Nature works by means of bodies unseen.%@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.I,l. 328

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by R. E. Latham.  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR140      @%%@2@%   Material objects are of two kinds, atoms and compounds of atoms. The%@EH@%
atoms themselves cannot be swamped by any force, for they are preserved
indefinitely by their absolute solidity.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.I,l. 518

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Cyril Bailey.  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR150      @%%@2@%   On a dark theme I trace verses full of light, touching all the muses'%@EH@%
charm.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.I,l. 933

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR155      @%%@2@%   Truths kindle light for truths.%@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.I,l. 1117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It is a pleasure to stand upon the shore, and to see ships tost upon the
sea: a pleasure to stand in the window of a castle, and to see a battle and
the adventures thereof below: but no pleasure is comparable to the standing
upon the vantage ground of truth . . . and to see the errors, and
wanderings, and mists, and tempests, in the vale below.-Francis Bacon,
Essays [1625], Of Truth  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR160      @%%@2@%   Pleasant it is, when over a great sea the winds trouble the waters, to%@EH@%
gaze from shore upon another's tribulation: not because any man's troubles
are a delectable joy, but because to perceive from what ills you are free
yourself is pleasant.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.II,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Cyril Bailey.  %@EF@%
%@FN@%
Insensate care of mortals! Oh how false the argument which makes thee
downward beat thy wings.-Dante, Divine Comedy [c. 1300], Paradiso, canto XI,
1  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR180      @%%@2@%   O miserable minds of men! O blind hearts! In what darkness of life, in%@EH@%
what great dangers ye spend this little span of years!%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.II,l. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR195      @%%@2@%   Life is one long struggle in the dark.%@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.II,l. 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Et quasi cursores vitae lampada tradunt.  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR200      @%%@2@%   Thus the sum of things is ever being renewed, and mortals live dependent%@EH@%
one upon another. Some nations increase, others diminish, and in a short
space the generations of living creatures are changed and like runners pass
on the torch of life.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.II,l. 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR216      @%%@2@%   So far as it goes, a small thing may give analogy of great things, and%@EH@%
show the tracks of knowledge.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.II,l. 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Cyril Bailey.  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR218      @%%@2@%   All things must needs be borne on through the calm void, moving at equal%@EH@%
rate with unequal weights.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.II,l. 238

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR220      @%%@2@%   Never trust her at any time, when the calm sea shows her false alluring%@EH@%
smile.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.II,l. 558

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Cyril Bailey.  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR224      @%%@2@%   What once sprung from the earth sinks back into the earth. 1 %@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.II,l. 999

%@NL@%%@AI@%1 See The Book of Common Prayer%@BO:           7e49d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR230      @%%@2@%   That fear of Acheron be sent packing which troubles the life of man from%@EH@%
its deepest depths, suffuses all with the blackness of death, and leaves no
delight clean and pure.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.III,l. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR235      @%%@2@%   So it is more useful to watch a man in times of peril, and in adversity%@EH@%
to discern what kind of man he is; for then at last words of truth are drawn
from the depths of his heart, and the mask is torn off, reality remains.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.III,l. 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR240      @%%@2@%   For as children tremble and fear everything in the blind darkness, so we%@EH@%
in the light sometimes fear what is no more to be feared than the things
children in the dark hold in terror and imagine will come true. 1 %@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.III,l. 87

%@NL@%%@AI@%1 See Bacon%@BO:          161bd3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR245      @%%@2@%   A tree cannot grow in the sky, nor clouds be in the deep sea, nor fish%@EH@%
live in the fields, nor can blood be in sticks nor sap in rocks.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.III,l. 784

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nil igitur mors est ad nos neque pertinet hilum,/Quandoquidem natura animi
mortalis habetur.  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR250      @%%@2@%   Therefore death is nothing to us, it matters not one jot, since the%@EH@%
nature of the mind is understood to be mortal.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.III,l. 831

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Cyril Bailey.  Mortalem vitam mors cum immortalis ademit.  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR270      @%%@2@%   When immortal Death has taken mortal life.%@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.III,l. 869

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Cyril Bailey.  See Horace and Bryant  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR290      @%%@2@%   Why dost thou not retire like a guest sated with the banquet of life, and%@EH@%
with calm mind embrace, thou fool, a rest that knows no care?%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.III,l. 938

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR292      @%%@2@%   By protracting life, we do not deduct one jot from the duration of death.%@EH@%
1 %@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.III,l. 1087

%@NL@%%@AI@%1 See Montaigne%@BO:          142d1e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ut quod ali cibus est aliis fuat acre venenum.  What's one man's poison,
signor,/Is another's meat or drink.-Beaumont and Fletcher, Love's Cure
[1647], act III, sc. ii  One man's meat is another man's poison.-Oswald
Dykes, English Proverbs [1709]  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR300      @%%@2@%   What is food to one, is to others bitter poison.%@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.IV,l. 637

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Cyril Bailey.  See Byron  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR320      @%%@2@%   From the heart of this fountain of delights wells up some bitter taste to%@EH@%
choke them even amid the flowers.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.IV,l. 1133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR330      @%%@2@%   But if one should guide his life by true principles, man's greatest%@EH@%
wealth is to live on a little with contented mind; for a little is never
lacking.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.V,l. 1117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR333      @%%@2@%   Men are eager to tread underfoot what they have once too much feared.%@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.V,l. 1140

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR337      @%%@2@%   Violence and injury enclose in their net all that do such things, and%@EH@%
generally return upon him who began. 1 %@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.V,l. 1152

%@NL@%%@AI@%1 See Matthew 26:52%@BO:           58be9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Cyril Bailey.  The highest good [summum bonum]. See Cicero  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR340      @%%@2@%   [Epicurus] set forth what is the highest good, towards which we all%@EH@%
strive, and pointed out the past, whereby along a narrow track we may strain
on towards it in a straight course.%@NL@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.VI,l. 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The devastating Athenian plague [430  B.C. ] described by Thucydides.  %@EF@%
%@QR:Lucretius@%%@QR:Titus Lucretius Carus@%%@CR:B99LUCR360      @%%@2@%   [The people] were given over in troops to disease and death.%@NL@%%@EH@%
%@NL@%
Lucretius
%@NL@%De Rerum Natura (On the Nature of Things),
bk.VI,l. 1144

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gaius Valerius Catullus%@AE@%%@EH@%
%@NL@%
%@AB@%87 - c. 54  B.C. %@AE@%
%@FN@%
Translated by F. W. Cornford (Loeb Classical Library).  %@EF@%
%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG10       @%%@2@%   To whom am I to present my pretty new book, freshly smoothed off with dry%@EH@%
pumice stone? To you, Cornelius: for you used to think that my trifles were
worth something, long ago.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,I,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG20       @%%@2@%   May it live and last for more than one century.%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,I,l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Passer, deliciae meae puellae.  This is also the opening line of Carmina,
II.  See Gogarty  %@EF@%
%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG30       @%%@2@%   Mourn, ye Graces and Loves, and all you whom the Graces love. My lady's%@EH@%
sparrow is dead, the sparrow, my lady's pet.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,III,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG50       @%%@2@%   Now he goes along the dark road, thither whence they say no one returns.%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,III,l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sed haec prius fuere.  %@EF@%
%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG60       @%%@2@%   But these things are past and gone.%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,IV, l. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Vivamus, mea Lesbia, atque amemus . . . /Soles occidere et redire
possunt:/Nobis cum semel occidit brevis lux/Nox est perpetua una
dormienda./Da mi basia mille.  See Herrick  %@EF@%
%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG80       @%%@2@%   Let us live and love, my Lesbia, and value at a penny all the talk of%@EH@%
crabbed old men. Suns may set and rise again: for us, when our brief light
has set, there's the sleep of perpetual night. 1  2  3  4  5  Give me a
thousand kisses.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,V, l. 1

%@NL@%%@AI@%1 See Shakespeare%@BO:          170ad1@%%@AE@%
%@AI@%2 See Campion%@BO:          20143f@%%@AE@%
%@AI@%3 See Jonson%@BO:          20aa02@%%@AE@%
%@AI@%4 See Herrick%@BO:          21f162@%%@AE@%
%@AI@%5 See Fouche%@BO:          32f060@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG100      @%%@2@%   Poor Catullus, you should cease your folly.%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,VIII,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG110      @%%@2@%   But you, Catullus, be resolved and firm.%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,VIII,l. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG120      @%%@2@%   And let her not look to find my love, as before; my love, which by her%@EH@%
fault has dropped like a flower on the meadow's edge, when it has been
touched by the plow passing by.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,XI, l. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Per caputque pedesque.  %@EF@%
%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG130      @%%@2@%   Over head and heels.%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,XX, l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG150      @%%@2@%   Ah, what is more blessed than to put cares away!%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,XXXI, l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG160      @%%@2@%   Whatever it is, wherever he is, whatever he is doing, he smiles: it is a%@EH@%
malady he has, neither an elegant one as I think, nor in good taste.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,XXXIX,l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG170      @%%@2@%   There is nothing more silly than a silly laugh.%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,XXXIX,l. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG180      @%%@2@%   Oh this age! How tasteless and ill-bred it is!%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,XLIII, l. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Iam ver egelidos refert tepores.  %@EF@%
%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG190      @%%@2@%   Now spring brings back balmy warmth.%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,XLVI, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG210      @%%@2@%   Catullus, the worst of all poets, gives you [Marcus Tullius] his warmest%@EH@%
thanks; he being as much the worst of all poets as you are the best of all
patrons.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,XLIX, l. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG220      @%%@2@%   He seems to me to be equal to a god, he, if it may be, seems to surpass%@EH@%
the very gods, who sitting opposite you again gazes at you and hears you
sweetly laughing. 1 %@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LI, l. 1

%@NL@%%@AI@%1 See Sappho%@BO:           8a931@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Salaputtium disertum!  %@EF@%
%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG230      @%%@2@%   What an eloquent manikin!%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LIII, l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG250      @%%@2@%   I would see a little Torquatus, stretching his baby hands from his%@EH@%
mother's lap, smile a sweet smile at his father with lips half parted.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LXI, l. 209

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG260      @%%@2@%   The evening is come; rise up, ye youths. Vesper from Olympus now at last%@EH@%
is just raising his long-looked-for light.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LXII,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quid datur a divis felici optatius hora?  %@EF@%
%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG270      @%%@2@%   What is given by the gods more desirable than the fortunate hour?%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LXII,l. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG290      @%%@2@%   Not unknown am I to the goddess [Venus] who mingles with her cares a%@EH@%
sweet bitterness.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LXVIII,l. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG300      @%%@2@%   It is not fit that men should be compared with gods.%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LXVIII,l. 141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG310      @%%@2@%   What a woman says to her ardent lover should be written in wind and%@EH@%
running water. 1  2  3  4  5 %@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LXX

%@NL@%%@AI@%1 See Sophocles%@BO:           9ff84@%%@AE@%
%@AI@%2 See More%@BO:          132883@%%@AE@%
%@AI@%3 See Bacon%@BO:          1651c8@%%@AE@%
%@AI@%4 See Shakespeare%@BO:          2007a5@%%@AE@%
%@AI@%5 See Keats%@BO:          3a334e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG320      @%%@2@%   Leave off wishing to deserve any thanks from anyone, or thinking that%@EH@%
anyone can ever become grateful.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LXXIII, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG330      @%%@2@%   If a man can take any pleasure in recalling the thought of kindnesses%@EH@%
done.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LXXVI,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG340      @%%@2@%   It is difficult suddenly to lay aside a long-cherished love.%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LXXVI,l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG350      @%%@2@%   O ye gods, grant me this in return for my piety.%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LXXVI,l. 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Odi et amo. Quare id faciam, fortasse requiris./Nescio, sed fieri sentio et
excrucior.  See Anacreon  %@EF@%
%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG360      @%%@2@%   I hate and I love. Why I do so, perhaps you ask. I know not, but I feel%@EH@%
it and I am in torment.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,LXXXV, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG380      @%%@2@%   Wandering through many countries and over many seas, I come, my brother,%@EH@%
to these sorrowful obsequies, to present you with the last guerdon of death,
and speak, though in vain, to your silent ashes.%@NL@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,CI,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Atque in perpetuum, frater, ave atque vale.  %@EF@%
%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG390      @%%@2@%   And forever, O my brother, hail and farewell!%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Carmina,CI,l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
At non effugies meos iambos.  %@EF@%
%@QR:Gaius Valerius Catullus@%%@QR:Catullus@%%@CR:B87CATG410      @%%@2@%   But you shall not escape my iambics.%@NL@%%@EH@%
%@NL@%
Gaius Valerius Catullus
%@NL@%Fragment

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sallust%@AE@%%@EH@%
%@NL@%Gaius Sallustius Crispus
%@AB@%86-34  B.C. %@AE@%
%@FN@%
Translated by J. C. Rolfe (Loeb Classical Library).  %@EF@%
%@NL@%%@NL@%

%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL10       @%%@2@%   All our power lies in both mind and body; we employ the mind to rule, the%@EH@%
body rather to serve; the one we have in common with the Gods, the other
with the brutes.%@NL@%
%@NL@%
Sallust
%@NL@%The War with Catiline [c. 40 b.c.], sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL20       @%%@2@%   The renown which riches or beauty confer is fleeting and frail; mental%@EH@%
excellence is a splendid and lasting possession.%@NL@%
%@NL@%
Sallust
%@NL@%The War with Catiline [c. 40 b.c.], sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Alieni appetens, sui profusus.  %@EF@%
%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL30       @%%@2@%   Covetous of others' possessions, he [Catiline] was prodigal of his own.%@NL@%%@EH@%
%@NL@%
Sallust
%@NL@%The War with Catiline [c. 40 b.c.], sec.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL50       @%%@2@%   Ambition drove many men to become false; to have one thought locked in%@EH@%
the breast, another ready on the tongue. 1 %@NL@%
%@NL@%
Sallust
%@NL@%The War with Catiline [c. 40 b.c.], sec.10

%@NL@%%@AI@%1 See Euripides%@BO:           a1e95@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quippe secundae res sapientium animos fatigant.  %@EF@%
%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL60       @%%@2@%   In truth, prosperity tries the souls even of the wise.%@NL@%%@EH@%
%@NL@%
Sallust
%@NL@%The War with Catiline [c. 40 b.c.], sec.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Idem velle atque idem nolle, ea demum firma amicitia est.  See Pythagoras
and Plato  %@EF@%
%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL80       @%%@2@%   To like and dislike the same things, that is indeed true friendship.%@NL@%%@EH@%
%@NL@%
Sallust
%@NL@%The War with Catiline [c. 40 b.c.], sec.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ita in maxima fortuna minima licentia est.  %@EF@%
%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL100      @%%@2@%   Thus in the highest position there is the least freedom of action.%@NL@%%@EH@%
%@NL@%
Sallust
%@NL@%The War with Catiline [c. 40 b.c.], sec.51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pro patria, pro liberis, pro aris atque focis suis.  %@EF@%
%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL120      @%%@2@%   On behalf of their country, their children, their altars, and their%@EH@%
hearths.%@NL@%
%@NL@%
Sallust
%@NL@%The War with Catiline [c. 40 b.c.], sec.59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dux atque imperator vitae mortalium animus est.  See Sallust, Bacon,
Shakespeare, Tennyson, Henley, and Nehru  Be the proud captain still of
thine own fate.-J. B. Kenyon [1858-1924], The Black Camel  %@EF@%
%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL140      @%%@2@%   The soul is the captain and ruler of the life of mortals.%@NL@%%@EH@%
%@NL@%
Sallust
%@NL@%The War with Jugurtha [c. 41 b.c.], sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL170      @%%@2@%   The splendid achievements of the intellect, like the soul, are%@EH@%
everlasting.%@NL@%
%@NL@%
Sallust
%@NL@%The War with Jugurtha [c. 41 b.c.], sec.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Jugurtha's remark as he looked back at Rome upon being ordered by the senate
to leave Italy.  %@EF@%
%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL180      @%%@2@%   A city for sale and soon to perish if it finds a buyer!%@NL@%%@EH@%
%@NL@%
Sallust
%@NL@%The War with Jugurtha [c. 41 b.c.], sec.35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Punica fide (treachery).  %@EF@%
%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL190      @%%@2@%   Punic faith.%@NL@%%@EH@%
%@NL@%
Sallust
%@NL@%The War with Jugurtha [c. 41 b.c.], sec.108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Appius Claudius Caecus, consul in 307  B.C. , the earliest Roman writer
known to us.  %@EF@%
%@FN@%
See Aristotle and Sallust  His own character is the arbiter of everyone's
fortune.-Publilius Syrus [first century  B.C. ], Maxim 283  The brave man
carves out his fortune, and every man is the son of his own
works.-Cervantes, Don Quixote, pt. I [1605], bk. I, ch. 4  See Bacon  %@EF@%
%@QR:Sallust@%%@QR:Gaius Sallustius Crispus@%%@CR:B86SALL210      @%%@2@%   Experience has shown that to be true which Appius says in his verses,%@EH@%
that every man is the architect of his own fortune.%@NL@%
%@NL@%
Sallust
%@NL@%Speech to Caesar on the State, sec. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Virgil%@AE@%%@EH@%
%@NL@%Publius Vergilius Maro
%@AB@%70-19  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG10       @%%@2@%   A god has brought us this peace.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,I,l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG20       @%%@2@%   To compare great things with small.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,I,l. 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fortunate senex!  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG30       @%%@2@%   Happy old man!%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,I,l. 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG50       @%%@2@%   Ah Corydon, Corydon, what madness has caught you?%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,II,l. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ab Iove principium.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG60       @%%@2@%   With Jove I begin.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,III,l. 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG80       @%%@2@%   A sad thing is a wolf in the fold, rain on ripe corn, wind in the trees,%@EH@%
the anger of Amaryllis.%@NL@%
%@NL@%
Virgil
%@NL@%Eclogues,III,l. 80

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Latet anguis in herba.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG90       @%%@2@%   A snake lurks in the grass.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,III,l. 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Paulo maiora canamus!  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG100      @%%@2@%   Let us raise a somewhat loftier strain!%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,IV,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Magnus ab integro saeclorum nascitur ordo./Iam redit et Virgo, redeunt
Saturnia regna;/Iam nova progenies caelo demittitur alto.  Interpreted by
the Middle Ages as a prophecy of the birth of Christ. Dante cites the lines
in Purgatorio, canto XXII, l. 70.  A phrase altered from the first line
(Novus ordo seclorum) appears on the reverse of the Great Seal of the United
States of America (first used on the silver dollar certificates, series of
1935). Virgil supplied the Latin for other phrases of the Great Seal.  See
Virgil, and Shelley  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG120      @%%@2@%   The great cycle of the ages is renewed. Now Justice returns, returns the%@EH@%
Golden Age; a new generation now descends from on high.%@NL@%
%@NL@%
Virgil
%@NL@%Eclogues,IV,l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG150      @%%@2@%   We have made you [Priapus] of marble for the time being.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,VII,l. 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Non omnia possumus omnes.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG160      @%%@2@%   We are not all capable of everything.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,VIII,l. 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG180      @%%@2@%   Draw Daphnis from the town, my songs, draw Daphnis home.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,VIII,l. 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG190      @%%@2@%   Hylax barks in the doorway.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,VIII,l. 107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Carpent tua poma nepotes.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG200      @%%@2@%   Your descendants shall gather your fruits.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,IX,l. 50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG220      @%%@2@%   Time bears away all things, even our minds.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,IX,l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG230      @%%@2@%   Let us go singing as far as we go: the road will be less tedious.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,IX,l. 64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG240      @%%@2@%   This last labor grant me, O Arethusa.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,X,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG250      @%%@2@%   What if Amyntas is dark? Violets are dark, too, and hyacinths.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,X,l. 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Omnia vincit amor: et nos cedamus amori.  See Sophocles, and Chaucer  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG260      @%%@2@%   Love conquers all things; let us too surrender to Love.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Eclogues,X,l. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ultima Thule.  The phrase, designating a far-off land, has been in use since
the Greek mariner Pytheas discovered in the fourth century  B.C.  an island
he named Thule six days north of England, thought to be Iceland.  See Seneca
and Thomson  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG280      @%%@2@%   Utmost [farthest] Thule.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,I,l. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Audacibus annue coeptis.  This phrase also (see note 10, above) was adapted
for use on the reverse of the Great Seal of the United States of America:
Annuit coeptis. See Virgil, for the Latin on the face of the Great Seal.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG300      @%%@2@%   Look with favor upon a bold beginning.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,I,l. 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG330      @%%@2@%   O farmers, pray that your summers be wet and your winters clear.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,I,l. 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG340      @%%@2@%   Practice and thought might gradually forge many an art.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,I,l. 133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG350      @%%@2@%   Thrice they tried to pile Ossa on Pelion, yes, and roll up leafy Olympus%@EH@%
upon Ossa; thrice the Father of Heaven split the mountains apart with his
thunderbolt. 1 %@NL@%
%@NL@%
Virgil
%@NL@%Georgics,I,l. 281

%@NL@%%@AI@%1 See Homer%@BO:           85824@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG360      @%%@2@%   Frogs in the marsh mud drone their old lament.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,I,l. 378

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG370      @%%@2@%   Not every soil can bear all things.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,II,l. 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG380      @%%@2@%   Ah too fortunate farmers, if they knew their own good fortune!%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,II,l. 458

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG390      @%%@2@%   May the countryside and the gliding valley streams content me. Lost to%@EH@%
fame, let me love river and woodland.%@NL@%
%@NL@%
Virgil
%@NL@%Georgics,II,l. 485

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Felix qui potuit rerum cognoscere causas.  The reference is apparently to
the scientist-philosopher-poet Lucretius.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG400      @%%@2@%   Happy the man who could search out the causes of things.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,II,l. 490

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fortunatus et ille deos qui novit agrestis.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG420      @%%@2@%   And no less happy he who knows the rural gods.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,II,l. 493

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG430      @%%@2@%   This life the old Sabines knew long ago; Remus knew it, and his brother.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,II,l. 532

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Optima . . . dies . . . prima fugit.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG435      @%%@2@%   The best day . . . is the first to flee.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,III,l. 66

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG440      @%%@2@%   Years grow cold to love.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,III,l. 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fugit inreparabile tempus.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG450      @%%@2@%   Time is flying never to return.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,III,l. 284

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fervet opus.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG470      @%%@2@%   All aglow is the work.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,IV,l. 169

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG490      @%%@2@%   A sudden madness came down upon the unwary lover [Orpheus]-forgivable,%@EH@%
surely, if Death knew how to forgive.%@NL@%
%@NL@%
Virgil
%@NL@%Georgics,IV,l. 488

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Me . . . dulcis alebat/Parthenope, studiis florentem ignobilis otii.
Parthenope: ancient name of Naples.  See Milton and T. R. Roosevelt  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG495      @%%@2@%   Sweet Parthenope nourished me, flourishing in studies of ignoble ease.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Georgics,IV,l. 563

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tityrus is also referred to in Eclogues I, 1.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG500      @%%@2@%   I who once played shepherds' songs and in my brash youth sang of you, O%@EH@%
Tityrus, beneath the spreading beech.%@NL@%
%@NL@%
Virgil
%@NL@%Georgics,IV,l. 565

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Arma virumque cano.  See Dryden  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG510      @%%@2@%   Arms and the man I sing.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG530      @%%@2@%   Can heavenly minds yield to such rage?%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG540      @%%@2@%   So vast was the struggle to found the Roman state.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG550      @%%@2@%   Night, pitch-black, lies upon the deep. 1 %@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 89

%@NL@%%@AI@%1 See Genesis 1:2%@BO:            55fb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
O terque quaterque beati!  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG560      @%%@2@%   O thrice and four times blessed!%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 94

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG580      @%%@2@%   Fury provides arms.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 150

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG590      @%%@2@%   You have suffered worse things; God will put an end to these also.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 199

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Forsan et haec olim meminisse iuvabit.  See Homer  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG600      @%%@2@%   Perhaps someday it will be pleasant to remember even this.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 203

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dux femina facti.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG620      @%%@2@%   The organizer a woman.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 364

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG640      @%%@2@%   Her walk revealed her as a true goddess.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 405

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG650      @%%@2@%   How happy those whose walls already rise!%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 437

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sunt lacrimae rerum et mentem mortalia tangunt.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG660      @%%@2@%   Here are the tears of things; mortality touches the heart.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 462

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG680      @%%@2@%   I make no distinction between Trojan and Tyrian.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 574

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The mind, conscious of rectitude, laughed to scorn the falsehood of
report.-Ovid [43  B.C. - A.D.  18], Fasti, bk. IV, l. 311  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG690      @%%@2@%   A mind aware of its own rectitude.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 604

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG710      @%%@2@%   As long as rivers shall run down to the sea, or shadows touch the%@EH@%
mountain slopes, or stars graze in the vault of heaven, so long shall your
honor, your name, your praises endure.%@NL@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 607

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG720      @%%@2@%   I have known sorrow and learned to aid the wretched.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.I,l. 630

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG730      @%%@2@%   Unspeakable, O Queen, is the sorrow you bid me renew.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.II,l. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quidquid id est, timeo Danaos et dona ferentis.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG740      @%%@2@%   Whatever it is, I fear Greeks even when they bring gifts.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.II,l. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG760      @%%@2@%   From a single crime know the nation.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.II,l. 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Horresco referens.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG770      @%%@2@%   I shudder to say it.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.II,l. 204

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG790      @%%@2@%   O fatherland, O Ilium home of the gods, O Troy walls famed in battle!%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.II,l. 241

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Iam proximus ardet/Ucalegon.  Ucalegon was one of the ancient counselors who
sat with Priam on the wall. His house was next to that of Anchises, father
of Aeneas.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG800      @%%@2@%   Ucalegon's afire next door.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.II,l. 311

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG820      @%%@2@%   We have been Trojans; Troy has been.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.II,l. 325

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG830      @%%@2@%   There is but one safety to the vanquished-to hope not safety.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.II,l. 354

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG840      @%%@2@%   Our foes will provide us with arms.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.II,l. 391

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dis aliter visum.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG850      @%%@2@%   The gods thought otherwise.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.II,l. 428

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Virgil here translates Homer, Odyssey, bk. XI, l. 204. See Homer  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG870      @%%@2@%   Thrice would I have thrown my arms about her neck, and thrice the ghost%@EH@%
embraced fled from my grasp: like a fluttering breeze, like a fleeting
dream.%@NL@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.II,l. 793

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG880      @%%@2@%   O accurst craving for gold!%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.III,l. 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fama volat.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG890      @%%@2@%   Rumor flies.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.III,l. 121

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Agnosco veteris vestigia flammae.  See Dante  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG910      @%%@2@%   I feel again a spark of that ancient flame.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.IV,l. 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG930      @%%@2@%   Deep in her breast lives the silent wound.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.IV,l. 67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Varium et mutabile semper femina.  Woman often changes; foolish the man who
trusts her.-Francis I of France [1494-1547], written by him with his ring on
a window of the ch[acirc ]teau of Chambord (Brant[ocirc ]e, Oeuvres, VII,
395)  La donna e mobile.-Francesco Maria Piave [18101879], libretto
ofVerdi's Rigoletto, Duke's song  See Scott  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG940      @%%@2@%   A woman is always a fickle, unstable thing.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.IV,l. 569

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG980      @%%@2@%   Arise from my bones, avenger of these wrongs!%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.IV,l. 625

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sic, sic, iuvat ire sub umbras.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG990      @%%@2@%   Thus, thus, it is joy to pass to the world below.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.IV,l. 660

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1010     @%%@2@%   Naked in death upon an unknown shore.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.V,l. 871

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1020     @%%@2@%   Yield not to evils, but attack all the more boldly.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Facilis descensus Averni:/Noctes atque dies patet atri ianua Ditis;/Sed
revocare gradum superasque evadere ad auras,/Hoc opus, hic labor est.  See
Matthew 7:13-4, Bion, Shakespeare, and Milton  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1030     @%%@2@%   It is easy to go down into Hell; night and day, the gates of dark Death%@EH@%
stand wide; but to climb back again, to retrace one's steps to the upper
air-there's the rub, the task.%@NL@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 126

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fidus Achates. Proverbial for a trusty friend; Achates was the faithful
comrade of Aeneas.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1045     @%%@2@%   Faithful Achates.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 158 and elsewhere

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1060     @%%@2@%   Death's brother, Sleep. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 278

%@NL@%%@AI@%1 See Homer%@BO:           82552@%%@AE@%
%@AI@%2 See Daniel%@BO:          165e04@%%@AE@%
%@AI@%3 See Shakespeare%@BO:          1e6e57@%%@AE@%
%@AI@%4 See Shelley%@BO:          38946d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1080     @%%@2@%   The swamp of Styx, by which the gods take oath.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 323

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Aeneas to the ghost of Dido, who had killed herself when he left her.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1090     @%%@2@%   Unwillingly I left your land, O Queen.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 460

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1095     @%%@2@%   Had I a hundred tongues, a hundred mouths, a voice of iron and a chest of%@EH@%
brass, I could not tell all the forms of crime, could not name all the types
of punishment. 1 %@NL@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 625

%@NL@%%@AI@%1 See Homer%@BO:           8044b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1100     @%%@2@%   That happy place, the green groves of the dwelling of the blest.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 638

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1110     @%%@2@%   The spirit within nourishes, and the mind, diffused through all the%@EH@%
members, sways the mass and mingles with the whole frame.%@NL@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 726

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1120     @%%@2@%   Each of us bears his own Hell. 1  2  3  4  5  6 %@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 743

%@NL@%%@AI@%1 See Marlowe%@BO:          1693bb@%%@AE@%
%@AI@%2 See Browne%@BO:          22d85f@%%@AE@%
%@AI@%3 See Milton%@BO:          242184@%%@AE@%
%@AI@%4 See Eliot%@BO:          5d87c1@%%@AE@%
%@AI@%5 See Sartre%@BO:          6322c5@%%@AE@%
%@AI@%6 See Lowell%@BO:          65e2fd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1130     @%%@2@%   Others, I take it, will work better with breathing bronze and draw living%@EH@%
faces from marble; others will plead at law with greater eloquence, or
measure the pathways of the sky, or forecast the rising stars. Be it your
concern, Roman, to rule the nations under law (this is your proper skill)
and establish the way of peace; to spare the conquered and put down the
mighty from their seat. 1 %@NL@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 847

%@NL@%%@AI@%1 See Milton%@BO:          23aec8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quoted by Dante in The Divine Comedy, Purgatorio, canto XXX, l. 21.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1140     @%%@2@%   Give me handfuls of lilies to scatter.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 883

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1150     @%%@2@%   There are two gates of Sleep. One is of horn, easy of passage for the%@EH@%
shades of truth; the other, of gleaming white ivory, permits false dreams to
ascend to the upper air. 1 %@NL@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VI,l. 893

%@NL@%%@AI@%1 See Homer%@BO:           86cea@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1160     @%%@2@%   Prayed to the Genius of the place.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VII,l. 136

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1170     @%%@2@%   We descend from Jove; in ancestral Jove Troy's sons rejoice.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VII,l. 219

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1180     @%%@2@%   If I cannot bend Heaven, I shall move Hell.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.VII,l. 312

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1190     @%%@2@%   An old story, but the glory of it is forever.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.IX,l. 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1200     @%%@2@%   To have died once is enough.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.IX,l. 140

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1210     @%%@2@%   I cannot bear a mother's tears.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.IX,l. 289

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Macte nova virtute, puer, sic itur ad astra.  See Dante  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1220     @%%@2@%   Good speed to your youthful valor, boy! So shall you scale the stars!%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.IX,l. 641

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Audentes fortuna iuvat.  See Menander and Terence  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1240     @%%@2@%   Fortune favors the brave.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.X,l. 284

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dulces moriens reminiscitur Argos.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1260     @%%@2@%   Dying dreams of his sweet Argos.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.X,l. 782

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Experto credite.  Believe an expert; believe one who has had experience.-St.
Bernard, Epistle 106  Believe the experienced Robert. Believe Robert, who
has tried it.-Robert Burton, Anatomy of Melancholy [1621-1651], Introduction
%@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1280     @%%@2@%   Believe one who has proved it. Believe an expert.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.XI, l. 283

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1320     @%%@2@%   His limbs were cold in death; his spirit fled with a groan, indignant, to%@EH@%
the shades below.%@NL@%
%@NL@%
Virgil
%@NL@%Aeneid, bk.XII, l. 951

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
E pluribus unus.  Adapted (E pluribus unum) for the motto on the face of the
Great Seal of the United States, adopted June 20, 1782. For the Latin on the
reverse of the Great Seal, see Virgil and Virgil.  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1330     @%%@2@%   One composed of many.%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Minor Poems.Moretum, l. 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quoted by Justice Oliver Wendell Holmes in a radio address on his ninetieth
birthday [March 8, 1931].  %@EF@%
%@QR:Virgil@%%@QR:Publius Vergilius Maro@%%@CR:B70VIRG1360     @%%@2@%   Death twitches my ear. "Live," he says; "I am coming."%@NL@%%@EH@%
%@NL@%
Virgil
%@NL@%Minor Poems.Copa, l. 38

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Horace%@AE@%%@EH@%
%@NL@%Quintus Horatius Flaccus
%@AB@%65-8  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA10       @%%@2@%   How comes it, Maecenas, that no man living is content with the lot that%@EH@%
either his choice has given him, or chance has thrown in his way, but each
has praise for those who follow other paths?%@NL@%
%@NL@%
Horace
%@NL@%Satires, bk.I [35 b.c.], satirei,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
De te fabula.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA15       @%%@2@%   The story's about you.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Satires, bk.I [35 b.c.], satirei,l. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Est modus in rebus.  See The Seven Sages, Terence, Horace, Lucan, Anonymous
Latin, and Voltaire  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA30       @%%@2@%   There is measure in all things.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Satires, bk.I [35 b.c.], satirei,l. 106

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA50       @%%@2@%   We rarely find anyone who can say he has lived a happy life, and who,%@EH@%
content with his life, can retire from the world like a satisfied guest. 1
2 %@NL@%
%@NL@%
Horace
%@NL@%Satires, bk.I [35 b.c.], satirei,l. 117

%@NL@%%@AI@%1 See Lucretius%@BO:           cc1b6@%%@AE@%
%@AI@%2 See Bryant%@BO:          3924a1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Hoc genus omne.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA60       @%%@2@%   And all that tribe.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Satires, bk.I [35 b.c.], satireii, l. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Disiecti membra poetae.  The reference is to Orpheus torn apart by the
Maenads.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA80       @%%@2@%   The limbs of a dismembered poet.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Satires, bk.I [35 b.c.], satireiv, l. 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ad unguem factus homo.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA100      @%%@2@%   A man without a flaw.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Satires, bk.I [35 b.c.], satirev, l. 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA120      @%%@2@%   Life grants nothing to us mortals without hard work.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Satires, bk.I [35 b.c.], satireix, l. 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Carrying coals to Newcastle.-Proverb  See Aristophanes  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA130      @%%@2@%   As crazy as hauling timber into the woods.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Satires, bk.I [35 b.c.], satirex,l. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Molle atque facetum. This refers to Virgil's poetry.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA160      @%%@2@%   Simplicity and charm.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Satires, bk.I [35 b.c.], satirex,l. 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Hoc erat in votis.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA180      @%%@2@%   This used to be among my prayers-a piece of land not so very large, which%@EH@%
would contain a garden, and near the house a spring of ever-flowing water,
and beyond these a bit of wood. 1 %@NL@%
%@NL@%
Horace
%@NL@%Satires, bk.II [30 b.c.], satirevi,l. 1

%@NL@%%@AI@%1 See Pope%@BO:          2a4db0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
O noctes cenaeque deum!  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA200      @%%@2@%   O nights and feasts of the gods!%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Satires, bk.II [30 b.c.], satirevi,l. 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA220      @%%@2@%   In Rome you long for the country; in the country-oh inconstant!-you%@EH@%
praise the distant city to the stars.%@NL@%
%@NL@%
Horace
%@NL@%Satires, bk.II [30 b.c.], satirevii, l. 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA230      @%%@2@%   Happy the man who far from schemes of business, like the early%@EH@%
generations of mankind, works his ancestral acres with oxen of his own
breeding, from all usury free. 1 %@NL@%
%@NL@%
Horace
%@NL@%Epodes [c. 29 b.c.],II, st. 1

%@NL@%%@AI@%1 See Pope%@BO:          297ed9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA240      @%%@2@%   You ask me why a soft numbness diffuses all my inmost senses with deep%@EH@%
oblivion, as though with thirsty throat I'd drained the cup that brings the
sleep of Lethe. 1 %@NL@%
%@NL@%
Horace
%@NL@%Epodes [c. 29 b.c.],XIV, st. 1

%@NL@%%@AI@%1 See Keats%@BO:          39c670@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA250      @%%@2@%   But if you name me among the lyric bards, I shall strike the stars with%@EH@%
my exalted head.%@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odei, last lines

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Animae dimidium meae.  The reference is to Virgil.  See Aristotle, Zeno,
Cicero, and Donne  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA260      @%%@2@%   The half of my own soul.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odeiii,l. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA280      @%%@2@%   No ascent is too steep for mortals. Heaven itself we seek in our folly.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odeiii,l. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA290      @%%@2@%   Pale Death with impartial tread beats at the poor man's cottage door and%@EH@%
at the palaces of kings. 1  2 %@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odeiv,l. 13

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           dfea2@%%@AE@%
%@AI@%2 See Shirley%@BO:          22a31f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Vitae summa brevis spem nos vetat incohare longam.  See Dowson  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA300      @%%@2@%   Life's brief span forbids us to enter on far-reaching hopes.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odeiv,l. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by John Milton.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA320      @%%@2@%What slender youth, bedewed with liquid odors,%@NL@%%@EH@%
Courts thee on roses in some pleasant cave,%@NL@%
Pyrrha? For whom bind'st thou%@NL@%
In wreaths thy golden hair,%@NL@%
Plain in thy neatness?%@NL@%

%@NL@%Horace
%@NL@%Odes, bk.I [23 b.c.], odev, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nil desperandum.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA330      @%%@2@%   Never despair.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odevii,l. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cras ingens iterabimus aequor.  Translated by S. E. Morison.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA350      @%%@2@%   Tomorrow once again we sail the Ocean Sea.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odevii,last line

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Permitte divis cetera.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA370      @%%@2@%   Leave all else to the gods.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odeix,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA390      @%%@2@%   Cease to ask what the morrow will bring forth, and set down as gain each%@EH@%
day that Fortune grants. 1  2 %@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odeix,l. 13

%@NL@%%@AI@%1 See Matthew 6:34%@BO:           504a5@%%@AE@%
%@AI@%2 See Publilius Syrus%@BO:           e3085@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Carpe diem, quam minimum credula postero.  See The Wisdom of Solomon 2:8,
Ronsard, Spenser, and Herrick  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA400      @%%@2@%   Seize the day, put no trust in the morrow!%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odexi, last line

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA420      @%%@2@%   Happy, thrice happy and more, are they whom an unbroken bond unites and%@EH@%
whose love shall know no sundering quarrels so long as they shall live.%@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odexiii, l. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
O matre pulchra filia pulchrior.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA430      @%%@2@%   O fairer daughter of a fair mother!%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odexvi, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Integer vitae scelerisque purus.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA450      @%%@2@%   The pure in life and free from sin.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odexxii, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA470      @%%@2@%   What restraint or limit should there be to grief for one so dear?%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odexxiv, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Not to be tuneless in old age!-Austin Dobson [1840-1921], Henry Wadsworth
Longfellow  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA480      @%%@2@%   Grant me, sound of body and of mind, to pass an old age lacking neither%@EH@%
honor nor the lyre.%@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odexxxi, last lines

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Parcus deorum cultor et infrequens.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA500      @%%@2@%   A grudging and infrequent worshipper of the gods.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odexxxiv, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nunc est bibendum, nunc pede libero pulsanda tellus.  Ode on the death of
Cleopatra.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA520      @%%@2@%   Now is the time for drinking, now the time to beat the earth with%@EH@%
unfettered foot.%@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odexxxvii, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Persicos odi, puer, apparatus.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA540      @%%@2@%   Persian luxury, boy, I hate.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odexxxviii,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Mitte sectari, rosa quo locorum/Sera moretur.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA560      @%%@2@%   Cease your efforts to find where the last rose lingers.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.I [23 b.c.], odexxxviii,l. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Aequam memento rebus in arduis/Servare mentem.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA580      @%%@2@%   In adversity remember to keep an even mind.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.II [23 b.c.], odeiii,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Omnes eodem cogimur.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA600      @%%@2@%   We are all driven into the same fold.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.II [23 b.c.], odeiii,l. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Auream quisquis mediocritatem/Diliget.  Keep the golden mean.-Publilius
Syrus [first century  B.C. ], Maxim 1072  See The Seven Sages, Terence,
Horace, Lucan, Anonymous Latin, and Voltaire  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA620      @%%@2@%   Whoever cultivates the golden mean avoids both the poverty of a hovel and%@EH@%
the envy of a palace.%@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.II [23 b.c.], odex,l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA650      @%%@2@%   It is the mountaintop that the lightning strikes.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.II [23 b.c.], odex,l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Neque semper arcum/Tendit Apollo.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA660      @%%@2@%   Nor does Apollo always stretch the bow.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.II [23 b.c.], odex,l. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Eheu fugaces, Postume, Postume,/Labuntur anni.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA680      @%%@2@%   Alas, Postumus, Postumus, the fleeting years slip by.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.II [23 b.c.], odexiv, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nihil est ab omni/Parte beatum.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA700      @%%@2@%   No lot is altogether happy.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.II [23 b.c.], odexvi, l. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA720      @%%@2@%   I hate the common herd of men and keep them afar. Let there be sacred%@EH@%
silence: I, the Muses' priest, sing for girls and boys songs not heard
before.%@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odei,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Post equitem sedet atra cura.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA730      @%%@2@%   Dark Care sits enthroned behind the Knight.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odei,l. 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dulce et decorum est pro patria mori.  See Homer  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA750      @%%@2@%   It is sweet and honorable to die for one's country.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odeii, l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA770      @%%@2@%   The man who is tenacious of purpose in a rightful cause is not shaken%@EH@%
from his firm resolve by the frenzy of his fellow citizens clamoring for
what is wrong, or by the tyrant's threatening countenance. 1  2 %@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odeiii, l. 1

%@NL@%%@AI@%1 See Fabius Maximus%@BO:           bdcbd@%%@AE@%
%@AI@%2 See Addison%@BO:          28c382@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA780      @%%@2@%   Force without wisdom falls of its own weight.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odeiv, l. 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA790      @%%@2@%   Our sires' age was worse than our grandsires'. We their sons are more%@EH@%
worthless than they: so in our turn we shall give the world a progeny yet
more corrupt.%@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odevi, l. 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA800      @%%@2@%   Skilled in the works of both languages.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odeviii, l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tecum vivere amem, tecum obeam libens.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA810      @%%@2@%   With you I should love to live, with you be ready to die.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odeix, last line

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Splendide mendax.  Chosen by Swift as Gulliver's motto.  %@EF@%
%@FN@%
Hypermnestra.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA830      @%%@2@%   Gloriously perjured, a maiden famous to all time.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odexi, l. 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
O fons Bandusiae splendidior vitro.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA850      @%%@2@%   O fount Bandusian, more sparkling than glass.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odexiii, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In my hot youth, when George the Third was king.-Byron, Don Juan
[1819-1824], canto 1, st. 212  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA870      @%%@2@%   I would not have borne this in my hot youth when Plancus was consul.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odexiv, l. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Magnus inter opes inops.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA890      @%%@2@%   A pauper in the midst of wealth.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odexvi, l. 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ille potens sui/Laetusque deget, cui licet in diem/Dixisse "Vixi: cras vel
atra/Nube polum pater occupato/Vel sole puro."  Tomorrow let my sun his
beams display/Or in clouds hide them; I have lived my day.-Cowley, Discourse
XI, Of Myself [1661], st. 11  See Dryden and Sydney Smith  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA910      @%%@2@%   He will through life be master of himself and a happy man who from day to%@EH@%
day can have said, "I have lived: tomorrow the Father may fill the sky with
black clouds or with cloudless sunshine."%@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odexxix, l. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA940      @%%@2@%   I have built a monument more lasting than bronze.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odexxx,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Non omnis moriar.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA950      @%%@2@%   I shall not wholly die.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.III [23 b.c.], odexxx,l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Non sum qualis eram bonae/Sub regno Cinarae. Desine, dulcium/Mater saeva
Cupidinum.  Mater saeva Cupidinum.-Odes, bk. I, xix, l. 1  See Dowson  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA970      @%%@2@%   I am not what I was in the reign of the good Cinara. Forbear, cruel%@EH@%
mother of sweet loves.%@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.IV [13 b.c.], odei, l. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Milton and Macaulay  The golden age, which a blind tradition has
hitherto placed in the past, is before us.-C. H. Saint-Simon [1760-1825],
quoted by Carlyle in Sartor Resartus [1833-1834], bk. III, ch. 5  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1000     @%%@2@%   The centuries roll back to the ancient age of gold.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.IV [13 b.c.], odeii, l. 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1015     @%%@2@%   We are but dust and shadow.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.IV [13 b.c.], odevii, l. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
How many, famous while they lived, are utterly forgotten for want of
writers!-Boethius [c. 480-524], De Consolatione Philosophiae, II, 7  See
Pindar and Pope  Brave men were living before Agamemnon/And since, exceeding
valorous and sage,/A good deal like him too, but quite the same none;/But
then they shone not on the poet's page.-Byron, Don Juan [1819-1824], canto
I, st. 5  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1020     @%%@2@%   Many brave men lived before Agamemnon; but all are overwhelmed in eternal%@EH@%
night, unwept, unknown, because they lack a sacred poet.%@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.IV [13 b.c.], odeix,l. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1050     @%%@2@%   It is not the rich man you should properly call happy, but him who knows%@EH@%
how to use with wisdom the blessings of the gods, to endure hard poverty,
and who fears dishonor worse than death, and is not afraid to die for
cherished friends or fatherland.%@NL@%
%@NL@%
Horace
%@NL@%Odes, bk.IV [13 b.c.], odeix,l. 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1060     @%%@2@%   It is sweet to let the mind unbend on occasion. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Odes, bk.IV [13 b.c.], odexii, l. 27

%@NL@%%@AI@%1 See Menander%@BO:           ba2d8@%%@AE@%
%@AI@%2 See Montaigne%@BO:          146412@%%@AE@%
%@AI@%3 See Bacon%@BO:          163cf8@%%@AE@%
%@AI@%4 See Linnaeus%@BO:          2ba19e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1065     @%%@2@%   I am not bound over to swear allegiance to any master; where the storm%@EH@%
drives me I turn in for shelter.%@NL@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlei,l. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1070     @%%@2@%   To flee vice is the beginning of virtue, and to have got rid of folly is%@EH@%
the beginning of wisdom.%@NL@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlei,l. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Get money; still get money, boy, no matter by what means.-Ben Jonson, Every
Man in His Humour [1598], act II, sc. iii  See Pope  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1075     @%%@2@%   Make money, money by fair means if you can, if not, by any means money.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlei,l. 66

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Belua multorum es capitum.  Plato [c. 429-347  B.C. ] describes the
multitude as a "great strong beast."-The Republic, bk. VI, 493-B  The
multitude of the gross people, being a beast of many heads.-Erasmus
[1465-1536], Adagia, no. 122  O weak trust of the many-headed multitude.-Sir
Philip Sidney, Arcadia [1590], bk. II  See Machiavelli, Shakespeare, and
Pope  The beast of many heads, the staggering multitude.-Marston and
Webster, The Malcontent [1604], act III, sc. iii  If there be any among
those common objects of hatred I do contemn and laugh at, it is that great
enemy of reason, virtue, and religion, the multitude . . . one great beast
and a monstrosity more prodigious than Hydra.-Sir Thomas Browne, Religio
Medici [1643], pt. II, sec. 1  Sir, your people is a great beast.-Attributed
to Alexander Hamilton [1755-1804]  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1090     @%%@2@%   The people are a many-headed beast.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlei,l. 76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1180     @%%@2@%   He who has begun has half done. Dare to be wise; begin! 1  2  3 %@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistleii,l. 40

%@NL@%%@AI@%1 See Plato%@BO:           aed54@%%@AE@%
%@AI@%2 See Aristotle%@BO:           b5d61@%%@AE@%
%@AI@%3 See Heywood%@BO:          13a643@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1190     @%%@2@%   The covetous man is ever in want.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistleii,l. 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1200     @%%@2@%   Anger is a short madness.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistleii,l. 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1210     @%%@2@%   Think to yourself that every day is your last; the hour to which you do%@EH@%
not look forward will come as a welcome surprise. As for me, when you want a
good laugh, you will find me, in a fine state, fat and sleek, a true hog of
Epicurus' herd. 1 %@NL@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistleiv,l. 13

%@NL@%%@AI@%1 See Chaucer%@BO:          120eb5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1220     @%%@2@%   You may drive out Nature with a pitchfork, yet she still will hurry back.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistleiv,l. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1230     @%%@2@%   They change their clime, not their disposition, who run across the sea. 1%@EH@%
%@NL@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlexi,l. 27

%@NL@%%@AI@%1 See Kipling%@BO:          5362e9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1240     @%%@2@%   He is not poor who has enough of things to use. If it is well with your%@EH@%
belly, chest and feet, the wealth of kings can give you nothing more.%@NL@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlexii,l. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Concordia discors.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1250     @%%@2@%   Harmony in discord.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlexii,l. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1270     @%%@2@%   For joys fall not to the rich alone, nor has he lived ill, who from birth%@EH@%
to death has passed unknown.%@NL@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlexvii,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A rendering of a Greek proverb, "It's not everyone that can make the voyage
to Corinth," which referred to the expense of the life there.  There is but
one road that leads to Corinth.-Walter Pater, Marius the Epicurean [1885],
ch. 24  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1280     @%%@2@%   It is not everyone that can get to Corinth.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlexvii,l. 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Semel emissum volat irrevocabile verbum.  The written word, unpublished, can
be destroyed, but the spoken word can never be recalled.-Horace, Ars Poetica
[c. 8  B.C. ], l. 389  It is as easy to recall a stone thrown violently from
the hand as a word which has left your tongue.-Menander [c. 342-292  B.C. ],
Fragment 1092K  Four things come not back: the spoken word; the sped arrow;
time past; the neglected opportunity.-Omar ibn al-Halif, Aphorism  See
Chaucer  A word once spoken revoked cannot be.-Alexander Barclay, Shyp of
Folys [1509]  Thoughts unexpressed may sometimes fall back dead;/But God
Himself can't kill them when they're said.-Will Carleton [1845-1912], The
First Settler's Story, st. 21  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1310     @%%@2@%   Once a word has been allowed to escape, it cannot be recalled.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlexviii,l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1380     @%%@2@%   It is your concern when your neighbor's wall is on fire.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlexviii,l. 84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1390     @%%@2@%   No poems can please for long or live that are written by water-drinkers.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlexix,l. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1400     @%%@2@%   O imitators, you slavish herd!%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.I, epistlexix,l. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Atque inter silvas Academi quaerere verum.  See Milton  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1410     @%%@2@%   And seek for truth in the groves of Academe.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.II [14 b.c.], epistleii,l. 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1430     @%%@2@%   Barefaced poverty drove me to writing verses.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.II [14 b.c.], epistleii,l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1440     @%%@2@%   The years as they pass plunder us of one thing after another.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.II [14 b.c.], epistleii,l. 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Genus irritabile vatum.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1450     @%%@2@%   I have to submit to much in order to pacify the touchy tribe of poets.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.II [14 b.c.], epistleii,l. 102

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1470     @%%@2@%   "Painters and poets," you say, "have always had an equal license in bold%@EH@%
invention." We know; we claim the liberty for ourselves and in turn we give
it to others.%@NL@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1480     @%%@2@%   It was a wine jar when the molding began: as the wheel runs round why%@EH@%
does it turn out a water pitcher?%@NL@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1490     @%%@2@%   It is when I struggle to be brief that I become obscure.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Grammatici certant et adhuc sub iudice lis est.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1500     @%%@2@%   Scholars dispute and the case is still before the courts.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sesquipedalia verba.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1520     @%%@2@%   Foot-and-a-half-long words.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Si vis me flere, dolendum est/Primum ipsi tibi.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1535     @%%@2@%If you wish me to weep, you yourself%@NL@%%@EH@%
Must first feel grief.%@NL@%

%@NL@%Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 102

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1540     @%%@2@%   Taught or untaught, we all scribble poetry.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Parturient montes, nascetur ridiculus mus.  See Aesop  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1550     @%%@2@%   The mountains will be in labor, and a ridiculous mouse will be brought%@EH@%
forth.%@NL@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 139

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ab ovo.  Helen, the cause of the Trojan War, sprang from an egg engendered
by Leda and the Swan (Zeus).  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1570     @%%@2@%   From the egg.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 147

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In medias res.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1590     @%%@2@%   In the midst of things.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 148

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Laudator temporis acti.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1610     @%%@2@%   A praiser of past time.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 173

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1630     @%%@2@%   Let a play have five acts, neither more nor less.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 189

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Hsieh Ho and Fujiwara no Teika  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1640     @%%@2@%   Turn the pages of your Greek models night and day.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 268

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1650     @%%@2@%   He wins every hand who mingles profit with pleasure, by delighting and%@EH@%
instructing the reader at the same time.%@NL@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 343

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quandoque bonus dormitat Homerus.  Homer himself, in a long work, may
sleep.-Robert Herrick, Hesperides [1648], no. 95  See Pope  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1660     @%%@2@%   Sometimes even good old Homer nods.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 359

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ut pictura poesis.  %@EF@%
%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1690     @%%@2@%   As in painting, so in poetry.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 361

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace@%%@QR:Quintus Horatius Flaccus@%%@CR:B65HORA1710     @%%@2@%   He has defiled his father's grave.%@NL@%%@EH@%
%@NL@%
Horace
%@NL@%Epistles, bk.III (Ars Poetica) [c. 8 b.c.],l. 471

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Augustus Caesar%@AE@%%@EH@%
%@NL@%Augustus Caesar
%@AB@%63  B.C. - A.D.  14%@AE@%
%@NL@%%@NL@%

%@FN@%
Quintili Vare, legiones redde!  %@EF@%
%@QR:Augustus Caesar@%%@QR:Augustus Caesar@%%@QR:Caesar@%%@CR:B63AUGU10       @%%@2@%   Quintilius Varus, give me back my legions!%@NL@%%@EH@%
%@NL@%
Augustus Caesar
%@NL@%From Suetonius, Augustus, sec.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A Greek proverb, a familiar rendering of which is: Festina lente.  %@EF@%
%@QR:Augustus Caesar@%%@QR:Augustus Caesar@%%@QR:Caesar@%%@CR:B63AUGU30       @%%@2@%   More haste, less speed.%@NL@%%@EH@%
%@NL@%
Augustus Caesar
%@NL@%From Suetonius, Augustus, sec.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A Latin proverb: Sat celeriter fieri quidquid fiat satis bene.  See
Publilius Syrus and Anonymous Latin  %@EF@%
%@QR:Augustus Caesar@%%@QR:Augustus Caesar@%%@QR:Caesar@%%@CR:B63AUGU50       @%%@2@%   Well done is quickly done.%@NL@%%@EH@%
%@NL@%
Augustus Caesar
%@NL@%From Suetonius, Augustus, sec.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Augustus Caesar@%%@QR:Augustus Caesar@%%@QR:Caesar@%%@CR:B63AUGU70       @%%@2@%   I found Rome a city of bricks and left it a city of marble.%@NL@%%@EH@%
%@NL@%
Augustus Caesar
%@NL@%From Suetonius, Augustus, sec.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Augustus Caesar@%%@QR:Augustus Caesar@%%@QR:Caesar@%%@CR:B63AUGU80       @%%@2@%   After this time I surpassed all others in authority, but I had no more%@EH@%
power than the others who were also my colleagues in office.%@NL@%
%@NL@%
Augustus Caesar
%@NL@%Res Gestae, 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Augustus Caesar@%%@QR:Augustus Caesar@%%@QR:Caesar@%%@CR:B63AUGU90       @%%@2@%   Young men, hear an old man to whom old men hearkened when he was young.%@NL@%%@EH@%
%@NL@%
Augustus Caesar
%@NL@%From Plutarch, Apothegms, Caesar Augustus

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Livy%@AE@%%@EH@%
%@NL@%Titus Livius
%@AB@%59  B.C. - A.D.  17%@AE@%
%@NL@%%@NL@%

%@FN@%
The two reasons for writing a history.  %@EF@%
%@QR:Livy@%%@QR:Titus Livius@%%@CR:B59LIVY10       @%%@2@%   We can endure neither our evils nor their cures.%@NL@%%@EH@%
%@NL@%
Livy
%@NL@%History,Prologue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Potius sero quam numquam.  It is better to learn late than never.-Publilius
Syrus [first century  B.C. ], Maxim 864  %@EF@%
%@QR:Livy@%%@QR:Titus Livius@%%@CR:B59LIVY20       @%%@2@%   Better late than never.%@NL@%%@EH@%
%@NL@%
Livy
%@NL@%History,bk.IV, sec. 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In conspectu Alpes habeant, quarum alterum latus Italiae sit.  Au-dela des
Alpes est l'Italie.-Napoleon [1797]  %@EF@%
%@QR:Livy@%%@QR:Titus Livius@%%@CR:B59LIVY50       @%%@2@%   Beyond the Alps lies Italy.%@NL@%%@EH@%
%@NL@%
Livy
%@NL@%History,bk.XXI, sec. 30

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Publilius Syrus%@AE@%%@EH@%
%@NL@%Publilius Syrus
%@AB@%First century  B.C. %@AE@%
%@FN@%
Commonly called Publius, but spelled Publilius by Pliny in his Natural
History, 35, sec. 199. Translated mainly by Darius Lyman. The numbers are
those of the translator.  %@EF@%
%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS10       @%%@2@%   As men, we are all equal in the presence of death. 1  2 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 1

%@NL@%%@AI@%1 See Horace%@BO:           d8751@%%@AE@%
%@AI@%2 See Shirley%@BO:          22a31f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS20       @%%@2@%   He doubly benefits the needy who gives quickly. 1  2 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 6

%@NL@%%@AI@%1 See Augustus Caesar%@BO:           df5b8@%%@AE@%
%@AI@%2 See Anonymous Latin%@BO:          10a32a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS30       @%%@2@%   To do two things at once is to do neither.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It is impossible to love and be wise.-Francis Bacon, Essays [1597-1625], Of
Love  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS40       @%%@2@%   A god could hardly love and be wise.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS60       @%%@2@%   The loss which is unknown is no loss at all. 1 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 38

%@NL@%%@AI@%1 See Shakespeare%@BO:          1d852b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Ecclesiastes 7:1 and Bacon  A good name is better than
riches.-Cervantes, Don Quixote, pt. II [1615], bk. II, ch. 33  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS70       @%%@2@%   A good reputation is more valuable than money.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS90       @%%@2@%   It is well to moor your bark with two anchors.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 119

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS100      @%%@2@%   Many receive advice, few profit by it.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 149

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS110      @%%@2@%   While we stop to think, we often miss our opportunity.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 185

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS120      @%%@2@%   Whatever you can lose, you should reckon of no account.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 191

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Honesta turpitudo est pro causa bona.  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS130      @%%@2@%   For a good cause, wrongdoing is virtuous.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 244

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
When the iron is hot, strike.-John Heywood, Proverbs [1546], pt. I, ch. 2
Strike while the iron is hot.-Rabelais, bk. II [1534], ch. 31  Nothing like
striking while the iron is hot.-Cervantes, Don Quixote, pt. II [1615], bk.
IV, ch. 71  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS150      @%%@2@%   You should hammer your iron when it is glowing hot.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 262

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS190      @%%@2@%   What is left when honor is lost?%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 265

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS200      @%%@2@%   A fair exterior is a silent recommendation.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 267

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS210      @%%@2@%   Fortune is not satisfied with inflicting one calamity.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 274

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS220      @%%@2@%   When Fortune is on our side, popular favor bears her company.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 275

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS230      @%%@2@%   When Fortune flatters, she does it to betray. 1 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 277

%@NL@%%@AI@%1 See Shakespeare%@BO:          193269@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS240      @%%@2@%   Fortune is like glass-the brighter the glitter, the more easily broken.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 280

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS250      @%%@2@%   It is more easy to get a favor from Fortune than to keep it.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 282

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Marius said, "I see the cure is not worth the pain."-Plutarch [ A.D.
46-120], Lives, Caius Marius  The remedy is worse than the disease.-Francis
Bacon, Essays [1597-1625], Of Seditions  I find the medicine worse than the
malady.-Beaumont and Fletcher, Love's Cure [1647], act III, sc. ii  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS260      @%%@2@%   There are some remedies worse than the disease.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 301

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Every cock is proud on his own dunghill.-John Heywood, Proverbs [1546], pt.
I, ch. 2  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS300      @%%@2@%   A cock has great influence on his own dunghill.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 357

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS320      @%%@2@%   Anyone can hold the helm when the sea is calm. 1 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 358

%@NL@%%@AI@%1 See Shakespeare%@BO:          1cb98c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS330      @%%@2@%   The bow too tensely strung is easily broken.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 388

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Treat your friend as if he will one day be your enemy, and your enemy as if
he will one day be your friend.-Laberius [105-43  B.C. ], Fragment  See
Sophocles  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS340      @%%@2@%   Treat your friend as if he might become an enemy.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 402

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS360      @%%@2@%   No pleasure endures unseasoned by variety. 1  2 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 406

%@NL@%%@AI@%1 See Johnson%@BO:          2be07e@%%@AE@%
%@AI@%2 See Cowper%@BO:          2eb7df@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Iudex damnatur ubi nocens absolvitur.-Motto adopted for the Edinburgh Review
%@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS370      @%%@2@%   The judge is condemned when the criminal is absolved.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 407

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Practice makes perfect.-Proverb  The saying "Practice is everything" is
Periander's.-Diogenes Laertius [c. 200], Lives of Eminent Philosophers,
Periander, 6  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS390      @%%@2@%   Practice is the best of all instructors.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 439

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS420      @%%@2@%   He who is bent on doing evil can never want occasion.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 459

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS430      @%%@2@%   Never find your delight in another's misfortune.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 467

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS440      @%%@2@%   It is a bad plan that admits of no modification.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 469

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS450      @%%@2@%   It is an unhappy lot which finds no enemies.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 499

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS460      @%%@2@%   The fear of death is more to be dreaded than death itself. 1 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 511

%@NL@%%@AI@%1 See Shakespeare%@BO:          1d1ae6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The rolling stone never gathereth mosse.-John Heywood, Proverbs [1546], pt.
I, ch. 2  The stone that is rolling can gather no moss.-Thomas Tusser, A
Hundred Good Points of Husbandry [1557]  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS470      @%%@2@%   A rolling stone gathers no moss.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 524

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS500      @%%@2@%   Never promise more than you can perform.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 528

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It is not permitted to the most equitable of men to be a judge in his own
cause.-Pascal, Pensees [1670], ch. 4, 1  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS510      @%%@2@%   No one should be judge in his own case.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 545

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Proverbial; attributed to Syrus.  Necessity gives the law and does not
itself receive it.-Maxim 399  See St. Augustine, Cromwell, Milton, and
William Pitt  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS530      @%%@2@%   Necessity knows no law except to prevail.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 553

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS560      @%%@2@%   Nothing can be done at once hastily and prudently. 1  2 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 557

%@NL@%%@AI@%1 See Chaucer%@BO:          124f3a@%%@AE@%
%@AI@%2 See Heywood%@BO:          138014@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS570      @%%@2@%   We desire nothing so much as what we ought not to have.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 559

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS580      @%%@2@%   It is only the ignorant who despise education.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 571

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
When men are arrived at the goal, they should not turn back.-Plutarch [ A.D.
46-120], Of the Training of Children  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS590      @%%@2@%   Do not turn back when you are just at the goal.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 580

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS610      @%%@2@%   It is not every question that deserves an answer.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 581

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
No man can enjoy happiness without thinking that he enjoys it.-Samuel
Johnson, The Rambler [1750-1752]  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS620      @%%@2@%   No man is happy who does not think himself so.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 584

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Deuteronomy 23:25  Did thrust as now in others' corn his
sickle.-Seigneur Du Bartas, Divine Weeks and Works [1578], pt. II, Second
Week  Not presuming to put my sickle in another man's corn.-Nicholas Yonge,
Musica Transalpina, Epistle Dedicatory [1588]  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS640      @%%@2@%   Never thrust your own sickle into another's corn.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 593

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS670      @%%@2@%   You cannot put the same shoe on every foot.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 596

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS680      @%%@2@%   Every day should be passed as if it were to be our last. 1  2 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 633

%@NL@%%@AI@%1 See Horace%@BO:           d8ea5@%%@AE@%
%@AI@%2 See Marcus Aurelius%@BO:           fa57a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS690      @%%@2@%   Money alone sets all the world in motion.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 656

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
You may as well expect pears from an elm.-Cervantes, Don Quixote, pt. II
[1615], bk. IV, ch. 40  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS700      @%%@2@%   You should go to a pear tree for pears, not to an elm.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 674

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS720      @%%@2@%   It is a very hard undertaking to seek to please everybody.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 675

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS730      @%%@2@%   Look for a tough wedge for a tough log.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 723

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS740      @%%@2@%   Pardon one offense, and you encourage the commission of many.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 750

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In every affair, consider what precedes and what follows and then undertake
it.-Epictetus [c. 50-120], That Everything Is to Be Undertaken with
Circumspection, ch. 15  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS750      @%%@2@%   In every enterprise consider where you would come out.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 777

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS770      @%%@2@%   It takes a long time to bring excellence to maturity.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 780

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS780      @%%@2@%   No one knows what he can do till he tries.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 786

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS790      @%%@2@%   It is vain to look for a defense against lightning.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 835

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
What is worth in anything/But so much money as 'twill bring?-Butler,
Hudibras, pt. I [1663], canto I, l. 465  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS800      @%%@2@%   Everything is worth what its purchaser will pay for it.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 847

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS820      @%%@2@%   Better be ignorant of a matter than half know it. 1 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 865

%@NL@%%@AI@%1 See Pope%@BO:          298acc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS830      @%%@2@%   Prosperity makes friends, adversity tries them. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 872

%@NL@%%@AI@%1 See Aristotle%@BO:           b660c@%%@AE@%
%@AI@%2 See Cicero%@BO:           c7e7c@%%@AE@%
%@AI@%3 See Ovid%@BO:           e724d@%%@AE@%
%@AI@%4 See Heywood%@BO:          13bfcc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS840      @%%@2@%   Let a fool hold his tongue and he will pass for a sage.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 914

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Good wine needs no bush.-Shakespeare, As You Like It [1598-1600], Epilogue,
l. 4  Good wine needs neither bush nor preface/To make it welcome.-Sir
Walter Scott, Peveril of the Peak [1822], ch. 4  Bush . . . archaic: a bunch
or branch of ivy, formerly hung outside a tavern to indicate wine for
sale.-Webster's Third New International Dictionary [1966]  I.e., good wine
needs no advertising.  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS850      @%%@2@%   You need not hang up the ivy branch over the wine that will sell.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 968

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS890      @%%@2@%   It is a consolation to the wretched to have companions in misery. 1 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 995

%@NL@%%@AI@%1 See John Ray%@BO:          26204b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS900      @%%@2@%   Unless degree is preserved, the first place is safe for no one. 1 %@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 1042

%@NL@%%@AI@%1 See Shakespeare%@BO:          1cbc9b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS910      @%%@2@%   Confession of our faults is the next thing to innocence.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 1060

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Simonides said that "he never repented that he held his tongue, but often
that he had spoken."-Plutarch [ A.D.  46-120], Rules for the Preservation of
Health  See Plutarch  %@EF@%
%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS920      @%%@2@%   I have often regretted my speech, never my silence.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 1070

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Publilius Syrus@%%@QR:Publilius Syrus@%%@QR:Syrus@%%@CR:B58PUBS940      @%%@2@%   Speech is a mirror of the soul: as a man speaks, so is he.%@NL@%%@EH@%
%@NL@%
Publilius Syrus
%@NL@%Maxim 1073

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Dionysius , of Halicarnassus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 54 - c. 7  B.C. %@AE@%
%@NL@%%@NL@%

%@QR:Dionysius , of Halicarnassus@%%@CR:B54DION10       @%%@2@%   The contact with manners then is education; and this Thucydides appears%@EH@%
to assert when he says history is philosophy learned from examples.%@NL@%
%@NL@%
Dionysius , of Halicarnassus
%@NL@%Ars Rhetorica, XI, 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sextus Propertius%@AE@%%@EH@%
%@NL@%
%@AB@%54  B.C. - A.D.  2%@AE@%
%@NL@%%@NL@%

%@QR:Sextus Propertius@%%@QR:Propertius@%%@CR:B54PROS10       @%%@2@%   Never change when love has found its home.%@NL@%%@EH@%
%@NL@%
Sextus Propertius
%@NL@%Elegies,I, i, 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sextus Propertius@%%@QR:Propertius@%%@CR:B54PROS20       @%%@2@%   The seaman's story is of tempest, the plowman's of his team of bulls; the%@EH@%
soldier tells his wounds, the shepherd his tale of sheep.%@NL@%
%@NL@%
Sextus Propertius
%@NL@%Elegies,II,i,43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sextus Propertius@%%@QR:Propertius@%%@CR:B54PROS30       @%%@2@%   Let each man pass his days in that wherein his skill is greatest.%@NL@%%@EH@%
%@NL@%
Sextus Propertius
%@NL@%Elegies,II,i,46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quod si deficiant vires, audacia certe/Laus erit: in magnis et voluisse sat
est.  See Menander  %@EF@%
%@QR:Sextus Propertius@%%@QR:Propertius@%%@CR:B54PROS40       @%%@2@%   What though strength fails? Boldness is certain to win praise. In mighty%@EH@%
enterprises, it is enough to have had the determination.%@NL@%
%@NL@%
Sextus Propertius
%@NL@%Elegies,II,x, 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Absenti nemo non nocuisse velit.  See   %@EF@%
%@QR:Sextus Propertius@%%@QR:Propertius@%%@CR:B54PROS60       @%%@2@%   Let no one be willing to speak ill of the absent.%@NL@%%@EH@%
%@NL@%
Sextus Propertius
%@NL@%Elegies,II,xix, 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Paddle your own canoe.-Anonymous, Harper's Monthly [May 1854]  %@EF@%
%@QR:Sextus Propertius@%%@QR:Propertius@%%@CR:B54PROS80       @%%@2@%   Let each man have the wit to go his own way.%@NL@%%@EH@%
%@NL@%
Sextus Propertius
%@NL@%Elegies,II,xxv, 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Semper in absentes felicior aestus amantes.  %@EF@%
%@QR:Sextus Propertius@%%@QR:Propertius@%%@CR:B54PROS100      @%%@2@%   Absence makes the heart grow fonder.%@NL@%%@EH@%
%@NL@%
Sextus Propertius
%@NL@%Elegies,II,xxxiii, 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Our souls survive this death.-Ovid, Metamorphoses, XV, l. 158  %@EF@%
%@QR:Sextus Propertius@%%@QR:Propertius@%%@CR:B54PROS120      @%%@2@%   There is something beyond the grave; death does not end all, and the pale%@EH@%
ghost escapes from the vanquished pyre.%@NL@%
%@NL@%
Sextus Propertius
%@NL@%Elegies,IV, vii, 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Albius Tibullus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 54 - c. 19  B.C. %@AE@%
%@NL@%%@NL@%

%@FN@%
Te spectem, suprema mihi cum venerit hora./Te teneam moriens deficiente
manu.  %@EF@%
%@QR:Albius Tibullus@%%@QR:Tibullus@%%@CR:B54TIBA10       @%%@2@%   May I look on you when my last hour comes; may I hold you, as I sink,%@EH@%
with my failing hand.%@NL@%
%@NL@%
Albius Tibullus
%@NL@%Elegies,I, i, 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Periuria ridet amantum Iupiter.  Also in Ovid, Ars Amatoria, I, 633  See
Shakespeare  And Jove but laughs at lovers' perjury.-Dryden, Palamon and
Arcite [1680], bk. II, l. 758, and Amphitryon [1690], act I, sc. ii  %@EF@%
%@QR:Albius Tibullus@%%@QR:Tibullus@%%@CR:B54TIBA30       @%%@2@%   Jupiter laughs at the perjuries of lovers.%@NL@%%@EH@%
%@NL@%
Albius Tibullus
%@NL@%Elegies,III,vi, 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Albius Tibullus@%%@QR:Tibullus@%%@CR:B54TIBA60       @%%@2@%   Jove the Rain-giver.%@NL@%%@EH@%
%@NL@%
Albius Tibullus
%@NL@%Elegies,III,vii, 26

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ovid%@AE@%%@EH@%
%@NL@%Publius Ovidius Naso
%@AB@%43  B.C. - A.D.  c. 18%@AE@%
%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID10       @%%@2@%   I have faith that yields to none, and ways without reproach, and%@EH@%
unadorned simplicity, and blushing modesty.%@NL@%
%@NL@%
Ovid
%@NL@%Amores,I,iii, 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cetera quis nescit?  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID20       @%%@2@%   The rest who does not know?%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Amores,I,v, 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Love is a kind of warfare.-Ovid, Ars Amatoria, II, 233  A batallas de amor
campo de pluma [A field of feathers for the strife of love].-Luis de Gogora
y Argote [1561-1627], Soledad, I  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID40       @%%@2@%   Every lover is a warrior, and Cupid has his camps.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Amores,I,ix, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
At si, quem malis, Cephalum complexa teneres,/Clamares "lente currite noctis
equi."  See Marlowe  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID65       @%%@2@%   Run slowly, horses of the night.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Amores,I,xiii, 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Procul hinc, procul este, severi!  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID70       @%%@2@%   Stay far hence, far hence, you prudes!%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Amores,II, i, 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sic ego nec sine te nec tecum vivere possum.  See Aristophanes and Martial  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID85       @%%@2@%   So I can't live either without you or with you.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Amores,III, xi, 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Spectatum veniunt, veniunt spectentur ut ipsae.  And for to se, and eek for
to be seye.-Chaucer, The Canterbury Tales [c. 1387], The Wife of Bath's
Prologue, l. 552  To see and to be seen.-Ben Jonson [1572-1637],
Epithalamion, III, 4  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID90       @%%@2@%   They come to see; they come that they themselves may be seen.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Ars Amatoria,I,99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID130      @%%@2@%   It is convenient that there be gods, and, as it is convenient, let us%@EH@%
believe there are. 1  2 %@NL@%
%@NL@%
Ovid
%@NL@%Ars Amatoria,I,637

%@NL@%%@AI@%1 See Tillotson%@BO:          264613@%%@AE@%
%@AI@%2 See Voltaire%@BO:          2aebc8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID140      @%%@2@%   To be loved, be lovable.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Ars Amatoria,II,107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID150      @%%@2@%   Nothing is stronger than habit.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Ars Amatoria,II,345

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Forsitan et nostrum nomen miscebitur istis.  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID160      @%%@2@%   Perhaps too my name will be joined to theirs [the names of famous poets].%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Ars Amatoria,III, 339

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID180      @%%@2@%   Now there are fields of corn where Troy once was.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Heroides, I, i, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rudis indigestaque moles.  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID190      @%%@2@%   Chaos] A rough, unordered mass of things.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Metamorphoses,I, 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID210      @%%@2@%   Your lot is mortal: not mortal is what you desire.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Metamorphoses,II,56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Medio tutissimus ibis.  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID220      @%%@2@%   You will be safest in the middle.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Metamorphoses,II,137

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Actaeon ego sum, dominum cognoscite vestrum!  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID240      @%%@2@%   I am Actaeon: recognize your master!%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Metamorphoses,III, 230

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Causa latet, vis est notissima.  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID260      @%%@2@%   The cause is hidden, but the result is well known.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Metamorphoses,IV,287

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fas est et ab hoste doceri. Imitated from Aristophanes, The Birds, l. 370:
People before this have learned from their enemies.  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID280      @%%@2@%   We can learn even from our enemies.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Metamorphoses,IV,428

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Video meliora, proboque, deteriora sequor.  See Romans 7:19 and Euripides  I
know and love the good, yet, ah! the worst pursue.-Petrarch, Sonnet 225,
Canzone 21, To Laura in Life [c. 1327]  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID300      @%%@2@%   I see and approve better things, but follow worse.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Metamorphoses,VII, 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sunt superis sua iura.  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID330      @%%@2@%   The gods have their own rules.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Metamorphoses,IX, 500

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tempus edax rerum.  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID350      @%%@2@%   Time the devourer of all things.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Metamorphoses,XV,234

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID370      @%%@2@%   And now I have finished a work that neither the wrath of love, nor fire,%@EH@%
nor the sword, nor devouring age shall be able to destroy.%@NL@%
%@NL@%
Ovid
%@NL@%Metamorphoses,XV,871

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID380      @%%@2@%   Resist beginnings; the prescription comes too late when the disease has%@EH@%
gained strength by long delays. 1 %@NL@%
%@NL@%
Ovid
%@NL@%Remedia Amoris,91

%@NL@%%@AI@%1 See Persius%@BO:           ee1b2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Qui finem quaeris amoris/Cedit amor rebus; res age, tutus eris.  %@EF@%
%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID390      @%%@2@%   Love yields to business. If you seek a way out of love, be busy; you'll%@EH@%
be safe then.%@NL@%
%@NL@%
Ovid
%@NL@%Remedia Amoris,143

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID410      @%%@2@%   Poetry comes fine-spun from a mind at peace.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Tristia,I,i, 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID420      @%%@2@%   So long as you are secure you will count many friends; if your life%@EH@%
becomes clouded you will be alone. 1  2  3  4 %@NL@%
%@NL@%
Ovid
%@NL@%Tristia,I,ix, 5

%@NL@%%@AI@%1 See Aristotle%@BO:           b660c@%%@AE@%
%@AI@%2 See Cicero%@BO:           c7e7c@%%@AE@%
%@AI@%3 See Publilius Syrus%@BO:           e3d53@%%@AE@%
%@AI@%4 See Heywood%@BO:          13bfcc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID430      @%%@2@%   Whatever I tried to write was verse.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Tristia,IV, x, 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID440      @%%@2@%   It is annoying to be honest to no purpose.%@NL@%%@EH@%
%@NL@%
Ovid
%@NL@%Ex Ponto, II,iii, 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ovid@%%@QR:Publius Ovidius Naso@%%@CR:B43OVID450      @%%@2@%   Note too that a faithful study of the liberal arts humanizes character%@EH@%
and permits it not to be cruel.%@NL@%
%@NL@%
Ovid
%@NL@%Ex Ponto, II,ix, 47

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Phaedrus%@AE@%%@EH@%
%@NL@%
%@AB@%fl. c.  A.D.  8%@AE@%
%@FN@%
Translated by Henry Thomas Riley [1816-1878].  %@EF@%
%@NL@%%@NL@%

%@QR:Phaedrus@%%@CR:B22PHAE10       @%%@2@%   Submit to the present evil, lest a greater one befall you.%@NL@%%@EH@%
%@NL@%
Phaedrus
%@NL@%Fables, bk.I, fable2, l. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Phaedrus@%%@CR:B22PHAE20       @%%@2@%   He was the author, our hand finished it.%@NL@%%@EH@%
%@NL@%
Phaedrus
%@NL@%Fables, bk.I, fable6, l. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Phaedrus@%%@CR:B22PHAE30       @%%@2@%   That it is unwise to be heedless ourselves while we are giving advice to%@EH@%
others, I will show in a few lines.%@NL@%
%@NL@%
Phaedrus
%@NL@%Fables, bk.I, fable9, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Phaedrus@%%@CR:B22PHAE40       @%%@2@%   No one returns with good will to the place which has done him a mischief.%@NL@%%@EH@%
%@NL@%
Phaedrus
%@NL@%Fables, bk.I, fable18, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pliny the Elder in his Natural History (bk. VIII, sec. 148) and Aelian in
his Various Histories relate the same fact as to the dogs drinking from the
Nile. "To treat a thing as the dogs do the Nile" was a common proverb,
signifying superficial treatment.  %@EF@%
%@QR:Phaedrus@%%@CR:B22PHAE50       @%%@2@%   It has been related that dogs drink at the river Nile running along, that%@EH@%
they may not be seized by the crocodiles.%@NL@%
%@NL@%
Phaedrus
%@NL@%Fables, bk.I, fable25, l. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Phaedrus@%%@CR:B22PHAE70       @%%@2@%   Everyone is bound to bear patiently the results of his own example.%@NL@%%@EH@%
%@NL@%
Phaedrus
%@NL@%Fables, bk.I, fable26, l. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Phaedrus@%%@CR:B22PHAE80       @%%@2@%   Come of it what may, as Sinon said.%@NL@%%@EH@%
%@NL@%
Phaedrus
%@NL@%Fables, bk.III, prologue, l. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Non semper ea sunt quae videntur.  See Longfellow and Gilbert  %@EF@%
%@QR:Phaedrus@%%@CR:B22PHAE90       @%%@2@%   Things are not always what they seem.%@NL@%%@EH@%
%@NL@%
Phaedrus
%@NL@%Fables, bk.IV, 2, l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Phaedrus@%%@CR:B22PHAE110      @%%@2@%   To add insult to injury.%@NL@%%@EH@%
%@NL@%
Phaedrus
%@NL@%Fables, bk.V, l. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Opportunity knocks only once.-Proverb  %@EF@%
%@QR:Phaedrus@%%@CR:B22PHAE120      @%%@2@%   Once lost, Jupiter himself cannot bring back opportunity.%@NL@%%@EH@%
%@NL@%
Phaedrus
%@NL@%Fables, bk.VII, l. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lucius Annaeus Seneca%@AE@%%@EH@%
%@NL@%
%@AB@%c. 4  B.C. - A.D.  65%@AE@%
%@FN@%
Translated by R. M. Gummere, J. W. Basore, W. H. D. Rouse, and F. J. Miller
(Loeb Classical Library).  %@EF@%
%@NL@%%@NL@%

%@FN@%
Tanta stultitia mortalium est.  See Shakespeare  %@EF@%
%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL10        @%%@2@%   What fools these mortals be.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,1, 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL30        @%%@2@%   It is not the man who has too little, but the man who craves more, that%@EH@%
is poor.%@NL@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,2, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL40        @%%@2@%   Love of bustle is not industry.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,3, 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL50        @%%@2@%   Live among men as if God beheld you; speak to God as if men were%@EH@%
listening.%@NL@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,10, 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL60        @%%@2@%   The best ideas are common property.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,12, 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL70        @%%@2@%   Men do not care how nobly they live, but only how long, although it is%@EH@%
within the reach of every man to live nobly, but within no man's power to
live long.%@NL@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,22, 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL80        @%%@2@%   A great pilot can sail even when his canvas is rent.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,30, 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL90        @%%@2@%   Man is a reasoning animal.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,41, 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL100       @%%@2@%   That most knowing of persons-gossip.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,43, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL110       @%%@2@%   It is quality rather than quantity that matters. 1 %@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,45, 1

%@NL@%%@AI@%1 See Anonymous Latin%@BO:          10c06e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL120       @%%@2@%   You can tell the character of every man when you see how he receives%@EH@%
praise.%@NL@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,52, 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL130       @%%@2@%   Nothing is so certain as that the evils of idleness can be shaken off by%@EH@%
hard work.%@NL@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,56, 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Non amittuntur, sed praemittuntur.  Not dead, but gone before.-Samuel
Rogers, Human Life [1819]  %@EF@%
%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL140       @%%@2@%   Not lost, but gone before.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,63, 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL170       @%%@2@%   All art is but imitation of nature.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,65, 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL180       @%%@2@%   It is a rough road that leads to the heights of greatness.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,84, 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The mariner of old said thus to Neptune in a great tempest, "O God! thou
mayest save me if thou wilt, and if thou wilt, thou mayest destroy me; but
whether or no, I will steer my rudder true."-Montaigne, Essays [1580-1595],
bk. II, ch. 16  %@EF@%
%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL190       @%%@2@%   The pilot . . . who has been able to say, "Neptune, you shall never sink%@EH@%
this ship except on an even keel," has fulfilled the requirements of his
art.%@NL@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,85, 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL210       @%%@2@%   I was shipwrecked before I got aboard.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,87, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL220       @%%@2@%   It is better, of course, to know useless things than to know nothing.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,88, 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL230       @%%@2@%   Do not ask for what you will wish you had not got.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,95, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL240       @%%@2@%   We are mad, not only individually, but nationally. We check manslaughter%@EH@%
and isolated murders; but what of war and the much vaunted crime of
slaughtering whole peoples? 1  2  3 %@NL@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,95, 30

%@NL@%%@AI@%1 See Edward Young%@BO:          293b0f@%%@AE@%
%@AI@%2 See Porteus%@BO:          2ee3cb@%%@AE@%
%@AI@%3 See J. R. Lowell%@BO:          44394a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL250       @%%@2@%   A great step towards independence is a good-humored stomach, one that is%@EH@%
willing to endure rough treatment.%@NL@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Epistles,123, 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL260       @%%@2@%   Fire is the test of gold; adversity, of strong men. 1 %@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Moral Essays.On Providence, 5, 9

%@NL@%%@AI@%1 See Beaumont and Fletcher%@BO:          219113@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Veritatem dies aperit. Omnia tempus revelat [Time reveals all].-Tertullian [
A.D.  c. 155-c. 225], Apologeticus, 7  Time reveals all things.-Erasmus
[1465-1536], Adagia  %@EF@%
%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL270       @%%@2@%   Time discovers truth.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Moral Essays.On Anger, 2,22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It is human nature to hate those whom you have injured.-Tacitus [c. 55-c.
117], Agricola, 42, 15  Chi fa ingiuria non perdona mai [He never pardons
those he injures].-Italian proverb  The offender never pardons.-George
Herbert, Jacula Prudentum [1640]  Forgiveness to the injured does
belong;/But they ne'er pardon who have done the wrong.-Dryden, The Conquest
of Granada [1670], pt. II, act I, sc. ii  %@EF@%
%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL300       @%%@2@%   Whom they have injured they also hate.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Moral Essays.On Anger, 2,33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL350       @%%@2@%   I do not distinguish by the eye, but by the mind, which is the proper%@EH@%
judge of the man.%@NL@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Moral Essays.On the Happy Life, 2, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
An ancient commonplace, which Seneca says he quotes from Aristotle,
Problemata, 30, 1: "No excellent soul is exempt from a mixture of madness."
It is also in Plato, Phaedrus, 245-A.  Good sense travels on the well-worn
paths; genius, never. And that is why the crowd, not altogether without
reason, is so ready to treat great men as lunatics.-Cesare Lombroso
[1836-1909], The Man of Genius, preface  See Dryden  %@EF@%
%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL360       @%%@2@%   There is no great genius without some touch of madness.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Moral Essays.On Tranquillity of the Mind, 17, 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL390       @%%@2@%   A great fortune is a great slavery.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Moral Essays.To Polybius on Consolation, 6, 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL400       @%%@2@%   Wherever the Roman conquers, there he dwells.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Moral Essays.To Helvia on Consolation, 7, 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL410       @%%@2@%   He who receives a benefit with gratitude repays the first installment on%@EH@%
his debt.%@NL@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%On Benefits, bk. II, 22, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL420       @%%@2@%   You roll my log, and I will roll yours.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Apocolocyntosis, sec. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
And but herself admits no parallel.-Massinger [1583-1640], Duke of Milan,
act IV, sc. iii  None but himself can be his parallel.-Lewis Theobald
[1688-1744], The Double Falsehood  %@EF@%
%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL430       @%%@2@%   Do you seek Alcides' equal? None is, except himself.%@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Hercules Furens, 1, 1,84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL460       @%%@2@%   Successful and fortunate crime is called virtue. 1 %@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Hercules Furens, 1, 1,255

%@NL@%%@AI@%1 See Harington%@BO:          1656c1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Jason's pilot.  %@EF@%
%@FN@%
Venient annis/Saecula seris, quibus Oceanus/Vincula rerum laxet, et
ingens/Pateat tellus, Tiphysque novos/Detegat orbes nec sit terris/Ultima
Thule.  Translated by S. E. Morison.  As one much addicted to prophecies,
and who had already voyaged beyond Thule (Iceland), Columbus was much
impressed by the passage in Seneca's Medea.-S. E. Morison, Admiral of the
Ocean Sea [1942], vol. I, ch. 6  Next to these lines from Medea in an early
edition of Seneca's tragedies that belonged to Columbus's son Ferdinand,
there is this annotation in the son's hand: Haec profetia impleta est per
patrem meum . . . almirantem anno 1492 [The prophecy was fulfilled by my
father the Admiral in the year 1492].-Ib. 5  %@EF@%
%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL470       @%%@2@%   An age will come after many years when the Ocean will loose the chains of%@EH@%
things, and a huge land lie revealed; when Tiphys will disclose new worlds
and Thule 1  2  no more be the ultimate.%@NL@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Medea, l. 374

%@NL@%%@AI@%1 See Virgil%@BO:           d1c8d@%%@AE@%
%@AI@%2 See Thomson%@BO:          2b1890@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL490       @%%@2@%   A good mind possesses a kingdom. 1 %@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Thyestes, 380

%@NL@%%@AI@%1 See Dyer%@BO:          1482c0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucius Annaeus Seneca@%%@QR:Seneca@%%@CR:B4SENL500       @%%@2@%   Light griefs are loquacious, but the great are dumb. 1 %@NL@%%@EH@%
%@NL@%
Lucius Annaeus Seneca
%@NL@%Hippolytus, II, 3, 607

%@NL@%%@AI@%1 See Ralegh%@BO:          154a6a@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Marcus Manilius%@AE@%%@EH@%
%@NL@%
%@AB@%First century  A.D. %@AE@%
%@NL@%%@NL@%

%@FN@%
Cur imbres ruerent, ventosque causa moveret pervidit, solvitque animis
miracula rerum eripuitque Jovi fulmen viresque tonandi et sonitum ventis
concessit, nubibus ignem.  See Shakespeare and Franklin  %@EF@%
%@QR:Marcus Manilius@%%@QR:Manilius@%%@CR:N5MANI11        @%%@2@%   [Human reason] freed men's minds from wondering at portents by wresting%@EH@%
from Jupiter his bolts and power of thunder, and ascribing to the winds the
noise and to the clouds the flame.%@NL@%
%@NL@%
Marcus Manilius
%@NL@%%@FN@%
Translated by G. P. Gould (Loeb Classical Library).  %@EF@%
Astronomica, bk.I, l. 102

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Manilius@%%@QR:Manilius@%%@CR:N5MANI25        @%%@2@%   Who could know heaven save by heaven's gift and discover God save one who%@EH@%
shares himself in the divine? 1 %@NL@%
%@NL@%
Marcus Manilius
%@NL@%Astronomica, bk.II, l. 115

%@NL@%%@AI@%1 See Hippocrates%@BO:           a7cad@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Manilius@%%@QR:Manilius@%%@CR:N5MANI31        @%%@2@%   At birth our death is sealed, and our end is consequent upon our%@EH@%
beginning. 1 %@NL@%
%@NL@%
Marcus Manilius
%@NL@%Astronomica, bk.IV,l. 16

%@NL@%%@AI@%1 See The Wisdom of Solomon 5:13%@BO:           47812@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Manilius@%%@QR:Manilius@%%@CR:N5MANI40        @%%@2@%   Scorn not your powers as if proportionate to the smallness of the mind:%@EH@%
its power has no bounds.%@NL@%
%@NL@%
Marcus Manilius
%@NL@%Astronomica, bk.IV,l. 923

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Caligula%@AE@%%@EH@%
%@NL@%Gaius Caesar
Gaius Caesar
%@AB@% A.D.  12-41%@AE@%
%@NL@%%@NL@%

%@QR:Caligula@%%@QR:Gaius Caesar@%%@QR:Gaius Caesar@%%@QR:Caesar@%%@CR:N12CALI10       @%%@2@%   Would that the Roman people had a single neck [to cut off their head].%@NL@%%@EH@%
%@NL@%
Caligula
%@NL@%From Suetonius, Gaius Caligula, sec. 30

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Onasander%@AE@%%@EH@%
%@NL@%
%@AB@%fl.  A.D.  49%@AE@%
%@NL@%%@NL@%

%@QR:Onasander@%%@CR:N19ONAS10       @%%@2@%   Vigor is found in the man who has not yet grown old, and discretion in%@EH@%
the man who is not too young.%@NL@%
%@NL@%
Onasander
%@NL@%The General,ch. 1, sec. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Onasander@%%@CR:N19ONAS20       @%%@2@%   Envy is a pain of mind that successful men cause their neighbors.%@NL@%%@EH@%
%@NL@%
Onasander
%@NL@%The General,ch. 42, par. 25

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pliny the Elder%@AE@%%@EH@%
%@NL@%Gaius Plinius Secundus
%@AB@% A.D.  23-79%@AE@%
%@FN@%
With some alterations, translated by John Bostock [1773-1846] and Henry
Thomas Riley [1816-1878].  See also Pliny the Younger  %@EF@%
%@FN@%
With some alterations, translated by John Bostock [1773-1846] and Henry
Thomas Riley [1816-1878].  See also Pliny the Younger  %@EF@%
%@NL@%%@NL@%

%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN10       @%%@2@%   In comparing various authors with one another, I have discovered that%@EH@%
some of the gravest and latest writers have transcribed, word for word, from
former works, without making acknowledgment.%@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.I, dedication, sec. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Why does pouring oil on the sea make it clear and calm? Is it for that the
winds, slipping the smooth oil, have no force, nor cause any waves?-Plutarch
[ A.D.  46-120], Natural Questions, IX  Bishop Adain [651] gave to a company
about to take a journey by sea "some holy oil, saying, "I know that when you
go abroad you will meet with a storm and contrary wind; but do you remember
to cast this oil I give you into the sea, and the wind shall cease
immediately.'"-Bede [c. 672-c. 735], Ecclesiastical History, bk. III, ch. 14
In Jared Sparks's edition of Benjamin Franklin's Works, vol. VI, p. 354,
there are letters between Franklin, Brownrigg, and Parish on the stilling of
waves by means of oil.  %@EF@%
%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN20       @%%@2@%   Everything is soothed by oil, and this is the reason why divers send out%@EH@%
small quantities of it from their mouths, because it smooths every part
which is rough.%@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.II, sec. 234

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
To man the earth seems altogether/No more a mother, but a stepdame
rather.-Seigneur Du Bartas, Divine Weeks and Works [1578], First Week, Third
Day  %@EF@%
%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN50       @%%@2@%   It is far from easy to determine whether she [Nature] has proved to man a%@EH@%
kind parent or a merciless stepmother.%@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.VII, sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See The Wisdom of Solomon 7:3  He is born naked, and falls a-whining at the
first.-Robert Burton, Anatomy of Melancholy [1621-1651], pt. I, sec. 2,
member 3, subsec. 10  %@EF@%
%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN70       @%%@2@%   Man alone at the very moment of his birth, cast naked upon the naked%@EH@%
earth, does she abandon to cries and lamentations.%@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.VII, sec.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This term of forty days is mentioned by Aristotle in his Natural History.  %@EF@%
%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN90       @%%@2@%   To laugh, if but for an instant only, has never been granted to man%@EH@%
before the fortieth day from his birth, and then it is looked upon as a
miracle of precocity.%@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.VII, sec.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN100      @%%@2@%   Man is the only one that knows nothing, that can learn nothing without%@EH@%
being taught. He can neither speak nor walk nor eat, and in short he can do
nothing at the prompting of nature only, but weep. 1 %@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.VII, sec.4

%@NL@%%@AI@%1 See Tennyson%@BO:          400f63@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN110      @%%@2@%   With man, most of his misfortunes are occasioned by man. 1  2 %@NL@%%@EH@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.VII, sec.5

%@NL@%%@AI@%1 See Burns%@BO:          321cce@%%@AE@%
%@AI@%2 See Wordsworth%@BO:          33b0a3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN120      @%%@2@%   Indeed, what is there that does not appear marvelous when it comes to our%@EH@%
knowledge for the first time? 1  How many things, too, are looked upon as
quite impossible until they have been actually effected?%@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.VII, sec.6

%@NL@%%@AI@%1 See Tacitus%@BO:           f84f8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It is the common wonder of all men, how among so many millions of faces
there should be none alike.-Sir Thomas Browne, Religio Medici [1642], pt.
II, sec. 2  Of a thousand shavers, two do not shave so much alike as not to
be distinguished.-Samuel Johnson [1777]; from Boswell, Life of Johnson
[1791], vol. II, p. 120 (Everyman edition)  %@EF@%
%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN130      @%%@2@%   The human features and countenance, although composed of but some ten%@EH@%
parts or little more, are so fashioned that among so many thousands of men
there are no two in existence who cannot be distinguished from one another.%@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.VII, sec.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Madame D'Abrantes relates that when Bonaparte was in Cairo he sent for a
serpent-detector (Psylli) to remove two serpents that had been seen in his
house. He, having enticed one of them from his hiding place, caught it in
one hand, just below the jawbone, in such a manner as to oblige the mouth to
open, when, spitting into it, the effect was like magic: the reptile
appeared struck with instant death.-Memoirs, vol. I, ch. 59  %@EF@%
%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN160      @%%@2@%   All men possess in their bodies a poison which acts upon serpents; and%@EH@%
the human saliva, it is said, makes them take to flight, as though they had
been touched with boiling water. The same substance, it is said, destroys
them the moment it enters their throat.%@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.VII, sec.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN170      @%%@2@%   It has been observed that the height of a man from the crown of the head%@EH@%
to the sole of the foot is equal to the distance between the tips of the
middle fingers of the two hands when extended in a straight line.%@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.VII, sec.77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ex Africa semper aliquid novi.  Quoted as a Greek proverb.  %@EF@%
%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN180      @%%@2@%   There is always something new out of Africa.%@NL@%%@EH@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.VIII, sec.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This is alluded to by Cicero in his letters to Atticus, and is mentioned by
Aelian (Animated Nature, bk. VI, ch. 41). Compare the modern proverb: Rats
desert a sinking ship.  %@EF@%
%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN200      @%%@2@%   When a building is about to fall down, all the mice desert it.%@NL@%%@EH@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.VIII, sec.103

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Not unlike the bear which bringeth forth/In the end of thirty days a
shapeless birth;/But after licking, it in shape she draws,/And by degrees
she fashions out the paws,/The head, and neck, and finally doth bring/To a
perfect beast that first deformed thing.-Seigneur Du Bartas, Divine Weeks
and Works [1578], First Week, First Day  I had not time to lick it into
form, as a bear doth her young ones.-Robert Burton, Anatomy of Melancholy
[1621-1651], Democritus to the Reader  %@EF@%
%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN220      @%%@2@%   Bears when first born are shapeless masses of white flesh a little larger%@EH@%
than mice, their claws alone being prominent. The mother then licks them
gradually into proper shape.%@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.VIII, sec.126

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN250      @%%@2@%   The agricultural population, says Cato, produces the bravest men, the%@EH@%
most valiant soldiers, and a class of citizens the least given of all to
evil designs.%@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.XVIII, sec.26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN260      @%%@2@%   The best plan is to profit by the folly of others.%@NL@%%@EH@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.XVIII, sec.31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cum grano salis.  Pompey's antidote against poison was "to be taken fasting,
a grain of salt being added."  %@EF@%
%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN270      @%%@2@%   With a grain of salt.%@NL@%%@EH@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.XXIII, sec. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The god delights in an odd number.-Virgil [70-19  B.C. ], Eclogues, VIII, 75
See Shakespeare and Samuel Lover  %@EF@%
%@QR:Pliny the Elder@%%@QR:Gaius Plinius Secundus@%%@CR:N23PLIN300      @%%@2@%   Why is it that we entertain the belief that for every purpose odd numbers%@EH@%
are the most effectual?%@NL@%
%@NL@%
Pliny the Elder
%@NL@%Natural History, bk.XXVIII, sec. 23

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Persius%@AE@%%@EH@%
%@NL@%Aulus Persius Flaccus
%@AB@% A.D.  34-62%@AE@%
%@NL@%%@NL@%

%@FN@%
Magister artis ingenique largitor venter.  See Anonymous Latin  Necessity,
mother of invention.-Wycherley, Love in a Wood [1671], act III, sc. iii  Art
imitates Nature, and necessity is the mother of invention.-Richard Franck,
Northern Memoirs [written 1658, published 1694]  Sheer necessity-the proper
parent of an art so nearly allied to invention.-Sheridan, The Critic [1779],
act I, sc. ii  %@EF@%
%@QR:Persius@%%@QR:Aulus Persius Flaccus@%%@CR:N34PERS10       @%%@2@%   The stomach is the teacher of the arts and the dispenser of invention.%@NL@%%@EH@%
%@NL@%
Persius
%@NL@%Satires,prologue, l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Persius@%%@QR:Aulus Persius Flaccus@%%@CR:N34PERS60       @%%@2@%   Tell, priests, what is gold doing in a holy place?%@NL@%%@EH@%
%@NL@%
Persius
%@NL@%Satires,II, l. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Persius@%%@QR:Aulus Persius Flaccus@%%@CR:N34PERS70       @%%@2@%   Let them look upon virtue and pine because they have lost her.%@NL@%%@EH@%
%@NL@%
Persius
%@NL@%Satires,III,l. 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Venienti occurrite morbo.  A stitch in time saves nine.-Proverb  See Ovid
Also in Publilius Syrus, Maxim 866.  %@EF@%
%@QR:Persius@%%@QR:Aulus Persius Flaccus@%%@CR:N34PERS80       @%%@2@%   Meet the disease at its first stage.%@NL@%%@EH@%
%@NL@%
Persius
%@NL@%Satires,III,l. 64

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gaius Petronius%@AE@%%@EH@%
%@NL@%Petronius Arbiter
%@AB@%died  A.D.  c. 66%@AE@%
%@FN@%
Pliny calls Petronius Titus in Natural History, XXXVII, 8.  See Tacitus  %@EF@%
%@NL@%%@NL@%

%@FN@%
Abiit ad plures.  %@EF@%
%@QR:Gaius Petronius@%%@QR:Petronius@%%@QR:Petronius Arbiter@%%@CR:N35PETG10       @%%@2@%   He has joined the great majority.%@NL@%%@EH@%
%@NL@%
Gaius Petronius
%@NL@%Satyricon, sec.42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Petronius@%%@QR:Petronius@%%@QR:Petronius Arbiter@%%@CR:N35PETG30       @%%@2@%   A man who is always ready to believe what is told him will never do well.%@NL@%%@EH@%
%@NL@%
Gaius Petronius
%@NL@%Satyricon, sec.43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Petronius@%%@QR:Petronius@%%@QR:Petronius Arbiter@%%@CR:N35PETG40       @%%@2@%   One good turn deserves another.%@NL@%%@EH@%
%@NL@%
Gaius Petronius
%@NL@%Satyricon, sec.45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Petronius@%%@QR:Petronius@%%@QR:Petronius Arbiter@%%@CR:N35PETG50       @%%@2@%   A man must have his faults.%@NL@%%@EH@%
%@NL@%
Gaius Petronius
%@NL@%Satyricon, sec.45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Petronius@%%@QR:Petronius@%%@QR:Petronius Arbiter@%%@CR:N35PETG60       @%%@2@%   Not worth his salt.%@NL@%%@EH@%
%@NL@%
Gaius Petronius
%@NL@%Satyricon, sec.57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Petronius@%%@QR:Petronius@%%@QR:Petronius Arbiter@%%@CR:N35PETG70       @%%@2@%   My heart was in my mouth.%@NL@%%@EH@%
%@NL@%
Gaius Petronius
%@NL@%Satyricon, sec.62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gaius Petronius@%%@QR:Petronius@%%@QR:Petronius Arbiter@%%@CR:N35PETG80       @%%@2@%   Beauty and wisdom are rarely conjoined. 1 %@NL@%%@EH@%
%@NL@%
Gaius Petronius
%@NL@%Satyricon, sec.94

%@NL@%%@AI@%1 See Petrarch%@BO:          11b5f6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Horatii curiosa felicitas.  %@EF@%
%@QR:Gaius Petronius@%%@QR:Petronius@%%@QR:Petronius Arbiter@%%@CR:N35PETG90       @%%@2@%   The studied spontaneity of Horace.%@NL@%%@EH@%
%@NL@%
Gaius Petronius
%@NL@%Satyricon, sec.118

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Crines ingenio suo flexi.  %@EF@%
%@QR:Gaius Petronius@%%@QR:Petronius@%%@QR:Petronius Arbiter@%%@CR:N35PETG110      @%%@2@%   Natural curls.%@NL@%%@EH@%
%@NL@%
Gaius Petronius
%@NL@%Satyricon, sec.126

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Quintilian%@AE@%%@EH@%
%@NL@%Marcus Fabius Quintilianus
%@AB@%born  A.D.  c. 35%@AE@%
%@NL@%%@NL@%

%@FN@%
In the additions of Hadrianus Julius to the Adages of Erasmus he remarks
under the head of Necessitatem edere that a very familiar proverb was
current among his countrymen: Necessitatem in virtutem commutare [To make
necessity a virtue].  Thus maketh vertue of necessitee.-Chaucer, Troilus and
Criseyde [1372-1386], bk. IV, l. 1586  See Shakespeare  Make a virtue of
necessity.-Robert Burton, Anatomy of Melancholy [1621-1651], pt. III, sec.
3, member 4, subsec. I  %@EF@%
%@QR:Quintilian@%%@QR:Marcus Fabius Quintilianus@%%@CR:N35QUIN10       @%%@2@%   We give to necessity the praise of virtue.%@NL@%%@EH@%
%@NL@%
Quintilian
%@NL@%De Institutione Oratoria, bk.I, 8, 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He who has not a good memory should never take upon him the trade of
lying.-Montaigne, Essays [1580-1595], bk. I, ch. 9, Of Liars  Il faut bonne
memoire, apres qu'on a menti [You must have a good memory after you have
lied].-Corneille, Le Menteur [1642], act IV, sc. v  Liars ought to have good
memories.-Algernon Sidney, Discourses on Government [1698], ch. 2, sec. 15  %@EF@%
%@QR:Quintilian@%%@QR:Marcus Fabius Quintilianus@%%@CR:N35QUIN50       @%%@2@%   A liar should have a good memory.%@NL@%%@EH@%
%@NL@%
Quintilian
%@NL@%De Institutione Oratoria, bk.IV, 2, 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Quintilian@%%@QR:Marcus Fabius Quintilianus@%%@CR:N35QUIN90       @%%@2@%   Vain hopes are often like the dreams of those who wake.%@NL@%%@EH@%
%@NL@%
Quintilian
%@NL@%De Institutione Oratoria, bk.VI, 2, 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pectus est enim, quod disertos facit.  %@EF@%
%@QR:Quintilian@%%@QR:Marcus Fabius Quintilianus@%%@CR:N35QUIN100      @%%@2@%   For it is feeling and force of imagination that makes us eloquent.%@NL@%%@EH@%
%@NL@%
Quintilian
%@NL@%De Institutione Oratoria, bk.X,7, 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Pope  A fool with judges, amongst fools a judge.-Cowper, Conversation
[1782], l. 298  This man [Chesterfield], I thought, had been a lord among
wits; but I find he is only a wit among lords.-Samuel Johnson; from Boswell,
Life of Johnson [1791], vol. II, p. 159 (Everyman edition)  %@EF@%
%@QR:Quintilian@%%@QR:Marcus Fabius Quintilianus@%%@CR:N35QUIN120      @%%@2@%   Those who wish to appear wise among fools, among the wise seem foolish.%@NL@%%@EH@%
%@NL@%
Quintilian
%@NL@%De Institutione Oratoria, bk.X,21

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Nero Lucius Domitius Ahenobarbus%@AE@%%@EH@%
%@NL@%
%@AB@% A.D.  37-68%@AE@%
%@NL@%%@NL@%

%@FN@%
Qualis artifex pereo!  %@EF@%
%@QR:Nero Lucius Domitius Ahenobarbus@%%@CR:N37NERO10       @%%@2@%   What an artist dies with me!%@NL@%%@EH@%
%@NL@%
Nero Lucius Domitius Ahenobarbus
%@NL@%From Suetonius, Nero, sec. 49

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lucan%@AE@%%@EH@%
%@NL@%Marcus Annaeus Lucanus
%@AB@% A.D.  39-65%@AE@%
%@NL@%%@NL@%

%@FN@%
Victrix causa deis placuit, sed victa Catoni.  %@EF@%
%@QR:Lucan@%%@QR:Marcus Annaeus Lucanus@%%@CR:N39LUCA10       @%%@2@%   If the victor had the gods on his side, the vanquished had Cato.%@NL@%%@EH@%
%@NL@%
Lucan
%@NL@%The Civil War, bk.I,128

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Stat magni nominis umbra.  %@EF@%
%@QR:Lucan@%%@QR:Marcus Annaeus Lucanus@%%@CR:N39LUCA30       @%%@2@%   There stands the shadow of a glorious name.%@NL@%%@EH@%
%@NL@%
Lucan
%@NL@%The Civil War, bk.I,135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pigmei gigantum humeris impositi plusquam ipsi gigantes vident.  See Robert
Burton and Sir Isaac Newton  The dwarf sees farther than the giant, when he
has the giant's shoulder to mount on.-Coleridge, The Friend [1828]  %@EF@%
%@QR:Lucan@%%@QR:Marcus Annaeus Lucanus@%%@CR:N39LUCA50       @%%@2@%   Pigmies placed on the shoulders of giants see more than the giants%@EH@%
themselves.%@NL@%
%@NL@%
Lucan
%@NL@%The Civil War, bk.II,10 (Didacus Stella)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Servare modum, finemque tenere,/Naturamque sequi.  See The Seven Sages,
Terence, Horace, Anonymous Latin, and Voltaire  %@EF@%
%@QR:Lucan@%%@QR:Marcus Annaeus Lucanus@%%@CR:N39LUCA75       @%%@2@%   Keep to moderation, keep the end in view, follow nature.%@NL@%%@EH@%
%@NL@%
Lucan
%@NL@%The Civil War, bk.II,381

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The reference is to Caesar.  %@EF@%
%@QR:Lucan@%%@QR:Marcus Annaeus Lucanus@%%@CR:N39LUCA80       @%%@2@%   Thinking nothing done while anything remained to be done.%@NL@%%@EH@%
%@NL@%
Lucan
%@NL@%The Civil War, bk.II,657

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Plus est quam vita salusque/Quod perit.  %@EF@%
%@QR:Lucan@%%@QR:Marcus Annaeus Lucanus@%%@CR:N39LUCA90       @%%@2@%   More was lost than mere life and existence.%@NL@%%@EH@%
%@NL@%
Lucan
%@NL@%The Civil War, bk.VII, 639

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"Dat poenas laudata fides, dum sustinet," inquit,"Quos fortuna premit"/[A
praised faith/Is her own scourge, when it sustains their states/Whom fortune
hath depressed].-Ben Jonson, Anglia, 39, 247  And faith though praised, is
punished, that supportsSuch as good fate forsakes.-Fletcher, The False One
[1647], act I, sc. i, l. 303  %@EF@%
%@QR:Lucan@%%@QR:Marcus Annaeus Lucanus@%%@CR:N39LUCA110      @%%@2@%   We all praise fidelity; but the true friend pays the penalty when he%@EH@%
supports those whom Fortune crushes.%@NL@%
%@NL@%
Lucan
%@NL@%The Civil War, bk.VIII, 485

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Clarum et venerabile nomen/Gentibus.  Cato's tribute to the fallen Pompey.  %@EF@%
%@QR:Lucan@%%@QR:Marcus Annaeus Lucanus@%%@CR:N39LUCA130      @%%@2@%   A name illustrious and revered by nations.%@NL@%%@EH@%
%@NL@%
Lucan
%@NL@%The Civil War, bk.IX,203

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lucan@%%@QR:Marcus Annaeus Lucanus@%%@CR:N39LUCA150      @%%@2@%   Is the dwelling place of God anywhere but in the earth and sea, the air%@EH@%
and sky, and virtue? Why seek we further for deities? Whatever you see,
whatever you touch, that is Jupiter.%@NL@%
%@NL@%
Lucan
%@NL@%The Civil War, bk.IX,578

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Etiam periere ruinae.  The reference is to Troy.  %@EF@%
%@QR:Lucan@%%@QR:Marcus Annaeus Lucanus@%%@CR:N39LUCA160      @%%@2@%   The very ruins have been destroyed.%@NL@%%@EH@%
%@NL@%
Lucan
%@NL@%The Civil War, bk.IX,969

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Longinus%@AE@%%@EH@%
%@NL@%
%@AB@%First century%@AE@%
%@NL@%%@NL@%

%@QR:Longinus@%%@CR:N39LUXI10       @%%@2@%   It frequently happens that where the second line is sublime, the third,%@EH@%
in which he [Lucan] meant to rise still higher, is perfect bombast.%@NL@%
%@NL@%
Longinus
%@NL@%On the Sublime, sec.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Longinus@%%@CR:N39LUXI20       @%%@2@%   Sublimity is the echo of a noble mind.%@NL@%%@EH@%
%@NL@%
Longinus
%@NL@%On the Sublime, sec.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Longinus@%%@CR:N39LUXI30       @%%@2@%   In the Odyssey one may liken Homer to the setting sun, of which the%@EH@%
grandeur remains without the intensity.%@NL@%
%@NL@%
Longinus
%@NL@%On the Sublime, sec.9

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Dio Chrysostom%@AE@%%@EH@%
%@NL@%Dio Cocceianus
%@AB@% A.D.  c. 40 - c. 120%@AE@%
%@FN@%
Translated by J. W. Cohoon (Loeb Classical Library).  %@EF@%
%@NL@%%@NL@%

%@QR:Dio Chrysostom@%%@QR:Dio Cocceianus@%%@CR:N40DIOC10       @%%@2@%   Diogenes: The man I know not, for I am not acquainted with his mind.%@NL@%%@EH@%
%@NL@%
Dio Chrysostom
%@NL@%Fourth Discourse, On Kingship, ch. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dio Chrysostom@%%@QR:Dio Cocceianus@%%@CR:N40DIOC20       @%%@2@%   Idleness and lack of occupation are the best things in the world to ruin%@EH@%
the foolish.%@NL@%
%@NL@%
Dio Chrysostom
%@NL@%Tenth Discourse, On Servants, ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dio Chrysostom@%%@QR:Dio Cocceianus@%%@CR:N40DIOC30       @%%@2@%   Most men are so completely corrupted by opinion that they would rather be%@EH@%
notorious for the greatest calamities than suffer no ill and be unknown.%@NL@%
%@NL@%
Dio Chrysostom
%@NL@%Eleventh, or Trojan, Discourse, ch. 6

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Martial%@AE@%%@EH@%
%@NL@%Marcus Valerius Martialis
%@AB@% A.D.  c. 40 - c. 104%@AE@%
%@FN@%
Translated by Dudley Fitts.  %@EF@%
%@NL@%%@NL@%

%@FN@%
Lasciva est nobis pagina, vita proba.  %@EF@%
%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART10       @%%@2@%   My poems are naughty, but my life is pure.%@NL@%%@EH@%
%@NL@%
Martial
%@NL@%Epigrams,I,4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART25       @%%@2@%   Tomorrow's life is too late. Live today.%@NL@%%@EH@%
%@NL@%
Martial
%@NL@%Epigrams,I,15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART30       @%%@2@%   Some good, some so-so, and lots plain bad: that's how a book of poems is%@EH@%
made, my friend.%@NL@%
%@NL@%
Martial
%@NL@%Epigrams,I,16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART40       @%%@2@%   I don't like you, Sabidius, I can't say why; But I can say this: I don't%@EH@%
like you, Sabidius. 1 %@NL@%
%@NL@%
Martial
%@NL@%Epigrams,I,32

%@NL@%%@AI@%1 See Tom Brown%@BO:          282970@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART50       @%%@2@%   Stop abusing my verses, or publish some of your own.%@NL@%%@EH@%
%@NL@%
Martial
%@NL@%Epigrams,I,91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART60       @%%@2@%   You complain, friend Swift, of the length of my epigrams, but you%@EH@%
yourself write nothing. Yours are shorter.%@NL@%
%@NL@%
Martial
%@NL@%Epigrams,I,110

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART70       @%%@2@%   Conceal a flaw, and the world will imagine the worst.%@NL@%%@EH@%
%@NL@%
Martial
%@NL@%Epigrams,III,42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Whence we see spiders, flies, or ants entombed preserved forever in amber, a
more than royal tomb.-Francis Bacon, Historia Vitae et Mortis [1623], Sylva
Sylvarum, cent. I, exper. 100  I saw a fly within a bead/Of amber cleanly
buried.-Herrick [1591-1674], On a Fly Buried in Amber  See Pope  %@EF@%
%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART80       @%%@2@%   The bee is enclosed, and shines preserved in amber, so that it seems%@EH@%
enshrined in its own nectar.%@NL@%
%@NL@%
Martial
%@NL@%Epigrams,IV,32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART110      @%%@2@%   They praise those verses, yes, but read something else.%@NL@%%@EH@%
%@NL@%
Martial
%@NL@%Epigrams,IV,49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART120      @%%@2@%   You ask what a nice girl will do? She won't give an inch, but she won't%@EH@%
say no.%@NL@%
%@NL@%
Martial
%@NL@%Epigrams,IV,71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nobis pereunt et imputantur.  %@EF@%
%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART130      @%%@2@%   Our days pass by, and are scored against us.%@NL@%%@EH@%
%@NL@%
Martial
%@NL@%Epigrams,V,20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART150      @%%@2@%   What's a wretched man? A man whom no man pleases.%@NL@%%@EH@%
%@NL@%
Martial
%@NL@%Epigrams,V,28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART160      @%%@2@%   A man who lives everywhere lives nowhere.%@NL@%%@EH@%
%@NL@%
Martial
%@NL@%Epigrams,V,73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART170      @%%@2@%You puff the poets of other days,%@NL@%%@EH@%
The living you deplore.%@NL@%
Spare me the accolade: your praise%@NL@%
Is not worth dying for. 1  2 %@NL@%

%@NL@%Martial
%@NL@%Epigrams,VIII,69

%@NL@%%@AI@%1 See Hazlitt%@BO:          36429c@%%@AE@%
%@AI@%2 See Louis Edwin Thayer%@BO:          58c11b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Thus would I double my life's fading space;/For he that runs it well, runs
twice his race.-Cowley [1618-1667], Discourse XI, Of Myself, st. 11  For he
lives twice who can at once employ/The present well, and ev'n the past
enjoy.-Pope [1688-1744], Imitation of Martial  %@EF@%
%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART180      @%%@2@%   Virtue extends our days: he lives two lives who relives his past with%@EH@%
pleasure.%@NL@%
%@NL@%
Martial
%@NL@%Epigrams,X,23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART220      @%%@2@%   Neither fear your death's day nor long for it. 1 %@NL@%%@EH@%
%@NL@%
Martial
%@NL@%Epigrams,X,47

%@NL@%%@AI@%1 See Milton%@BO:          24730e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART230      @%%@2@%   You'll get no laurel crown for outrunning a burro.%@NL@%%@EH@%
%@NL@%
Martial
%@NL@%Epigrams,XII,36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Difficilis facilis fucundus acerbus es idem:/Nec tecum possum vivere nec
sine te.  Aristophanes and Ovid  %@EF@%
%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART240      @%%@2@%   You're obstinate, pliant, merry, morose, all at once. For me there's no%@EH@%
living with you, or without you.%@NL@%
%@NL@%
Martial
%@NL@%Epigrams,XII,47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rus in urbe.  %@EF@%
%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART260      @%%@2@%   The country in town.%@NL@%%@EH@%
%@NL@%
Martial
%@NL@%Epigrams,XII,57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nos haec novimus esse nihil.  Said of his own poems. The phrase was used by
John Gay as an epigraph for The Beggar's Opera [1728].  %@EF@%
%@QR:Martial@%%@QR:Marcus Valerius Martialis@%%@CR:N40MART280      @%%@2@%   I know these are nothing.%@NL@%%@EH@%
%@NL@%
Martial
%@NL@%Epigrams,XIII, 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Titus Vespasianus%@AE@%%@EH@%
%@NL@%
%@AB@% A.D.  c. 41-81%@AE@%
%@NL@%%@NL@%

%@FN@%
Amici, diem perdidi.  %@EF@%
%@QR:Titus Vespasianus@%%@CR:N41TITV10       @%%@2@%   Friends, I have lost a day.%@NL@%%@EH@%
%@NL@%
Titus Vespasianus
%@NL@%From Suetonius, Titus, sec. 8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Plutarch%@AE@%%@EH@%
%@NL@%
%@AB@% A.D.  46-120%@AE@%
%@NL@%%@NL@%

%@FN@%
So geographers, in Afric maps,/With savage pictures fill their gaps,/And
o'er unhabitable downs/Place elephants for want of towns.-Swift, On Poetry,
A Rhapsody [1733]  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT10       @%%@2@%   As geographers, Sosius, crowd into the edges of their maps parts of the%@EH@%
world which they do not know about, adding notes in the margin to the effect
that beyond this lies nothing but sandy deserts full of wild beasts, and
unapproachable bogs.%@NL@%
%@NL@%
Plutarch
%@NL@%Lives,Aemilius Paulus, sec.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT30       @%%@2@%   About Theseus began the saying, "He is a second Hercules."%@NL@%%@EH@%
%@NL@%
Plutarch
%@NL@%Lives,Aemilius Paulus, sec.29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The wearer knows where the shoe wrings.-George Herbert, Jacula
Prudentum[1640]  I can tell where my own shoe pinches me.-Cervantes, Don
Quixote, pt. I [1605], bk. IV, ch. 5  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT40       @%%@2@%   A Roman divorced from his wife, being highly blamed by his friends, who%@EH@%
demanded, "Was she not chaste? Was she not fair? Was she not fruitful?"
holding out his shoe, asked them whether it was not new and well made.
"Yet," added he, "none of you can tell where it pinches me."%@NL@%
%@NL@%
Plutarch
%@NL@%Lives,Aemilius Paulus, sec.29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The prince must be a lion, but he must also know how to play the
fox.-NiccoloMachiavelli, The Prince [1532]  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT70       @%%@2@%   Where the lion's skin will not reach, you must patch it out with the%@EH@%
fox's.%@NL@%
%@NL@%
Plutarch
%@NL@%Lives,Lysander, sec.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT90       @%%@2@%   Moral habits, induced by public practices, are far quicker in making%@EH@%
their way into men's private lives, than the failings and faults of
individuals are in infecting the city at large.%@NL@%
%@NL@%
Plutarch
%@NL@%Lives,Lysander, sec.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cheat against cheat. (The Cretans were considered notorious liars.)  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT100      @%%@2@%   As it is in the proverb, played Cretan against Cretan.%@NL@%%@EH@%
%@NL@%
Plutarch
%@NL@%Lives,Lysander, sec.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT120      @%%@2@%   Perseverance is more prevailing than violence; and many things which%@EH@%
cannot be overcome when they are together, yield themselves up when taken
little by little.%@NL@%
%@NL@%
Plutarch
%@NL@%Lives,Sertorius, sec. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT130      @%%@2@%   Good fortune will elevate even petty minds, and give them the appearance%@EH@%
of a certain greatness and stateliness, as from their high place they look
down upon the world; but the truly noble and resolved spirit raises itself,
and becomes more conspicuous in times of disaster and ill fortune.%@NL@%
%@NL@%
Plutarch
%@NL@%Lives,Eumenes, sec. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT140      @%%@2@%   Authority and place demonstrate and try the tempers of men, by moving%@EH@%
every passion and discovering every frailty.%@NL@%
%@NL@%
Plutarch
%@NL@%Lives,Demosthenes and Cicero, sec. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT150      @%%@2@%   Medicine, to produce health, has to examine disease; and music, to create%@EH@%
harmony, must investigate discord.%@NL@%
%@NL@%
Plutarch
%@NL@%Lives,Demetrius, sec. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT160      @%%@2@%   It is a true proverb, that if you live with a lame man you will learn to%@EH@%
limp.%@NL@%
%@NL@%
Plutarch
%@NL@%Morals.Of the Training of Children

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT170      @%%@2@%   The very spring and root of honesty and virtue lie in good education.%@NL@%%@EH@%
%@NL@%
Plutarch
%@NL@%Morals.Of the Training of Children

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT180      @%%@2@%   It is indeed desirable to be well descended, but the glory belongs to our%@EH@%
ancestors.%@NL@%
%@NL@%
Plutarch
%@NL@%Morals.Of the Training of Children

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT190      @%%@2@%   Nothing made the horse so fat as the king's eye.%@NL@%%@EH@%
%@NL@%
Plutarch
%@NL@%Morals.Of the Training of Children

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Closed lips hurt no one, speaking may.-Cato the Censor [234-149  B.C. ], bk.
I, distich 12  See Publilius Syrus  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT200      @%%@2@%   It is wise to be silent when occasion requires, and better than to speak,%@EH@%
though never so well.%@NL@%
%@NL@%
Plutarch
%@NL@%Morals.Of the Training of Children

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT220      @%%@2@%   An old doting fool, with one foot already in the grave.%@NL@%%@EH@%
%@NL@%
Plutarch
%@NL@%Morals.Of the Training of Children

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Better one bird in hand than ten in the wood.-John Heywood, Proverbs [1546],
pt. I, ch. 2  One bird in the hand is worth two in the wood.-Thomas Lodge,
Rosalyne [1590]  A bird in hand is worth two in the bush.-Cervantes, Don
Quixote, pt. I [1605], bk. IV, ch. 4  A feather in hand is better than a
bird in the air.-George Herbert, Jacula Prudentum [1640]  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT230      @%%@2@%   He is a fool who leaves things close at hand to follow what is out of%@EH@%
reach.%@NL@%
%@NL@%
Plutarch
%@NL@%Morals.Of Garrulity

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A saying attributed to Heraclitus.  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT280      @%%@2@%   All men whilst they are awake are in one common world; but each of them,%@EH@%
when he is asleep, is in a world of his own.%@NL@%
%@NL@%
Plutarch
%@NL@%Morals.Of Superstition

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Evil news fly faster still than good.-Thomas Kyd, Spanish Tragedy [1594],
act I  See Milton  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT290      @%%@2@%   That proverbial saying, "Bad news travels fast and far."%@NL@%%@EH@%
%@NL@%
Plutarch
%@NL@%Morals.Of Inquisitiveness

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT310      @%%@2@%   Spintharus, speaking in commendation of Epaminondas, says he scarce ever%@EH@%
met with any man who knew more and spoke less.%@NL@%
%@NL@%
Plutarch
%@NL@%Morals.Of Hearing, sec. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rabelais gives a somewhat similar account, referring to Antiphanes, in
Works, bk. IV [1548], chs. 55-56.  See Raspe (Baron Munchausen)  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT320      @%%@2@%   Antiphanes said merrily that in a certain city the cold was so intense%@EH@%
that words were congealed as soon as spoken, but that after some time they
thawed and became audible; so that the words spoken in winter were
articulated next summer.%@NL@%
%@NL@%
Plutarch
%@NL@%Morals.Of Man's Progress in Virtue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
When all candles be out, all cats be gray.-John Heywood, Proverbs [1546],
pt. I, ch. 5  See Herrick  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT330      @%%@2@%   When the candles are out all women are fair.%@NL@%%@EH@%
%@NL@%
Plutarch
%@NL@%Morals.Conjugal Precepts

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Like rowers, who advance backward.-Montaigne, Essays [1580-1595], Of Profit
and Honor, bk. III, ch. 1  Like the watermen that row one way and look
another.-Robert Burton, Anatomy of Melancholy [1621-1651], Democritus to the
Reader  See Bunyan  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT345      @%%@2@%   Like watermen, who look astern while they row the boat ahead.%@NL@%%@EH@%
%@NL@%
Plutarch
%@NL@%Morals.Whether 'Twas Rightfully Said, Live Concealed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Plutarch says in Of Isis and Osiris that a ship well laden with passengers
drove with the tide near the Isles of Paxi, when a loud voice was heard by
most of the passengers calling one Thanus. The voice then said aloud to him,
"When you are arrived at Palodes, take care to make it known that the great
god Pan is dead."  Great Pan is dead.-Elizabeth Barrett Browning
[1806-1861], The Dead Pan, st. 26  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT370      @%%@2@%   The great god Pan is dead.%@NL@%%@EH@%
%@NL@%
Plutarch
%@NL@%Morals.Why the Oracles Cease to Give Answers

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I am the things that are, and those that are to be, and those that have
been. No one ever lifted my skirts; the fruit which I bore was the
sun.-Proclus [c. 411-485], On Plato's Timaeus (inscription in the temple of
Neith at Sais, in Egypt)  %@EF@%
%@QR:Plutarch@%%@CR:N46PLUT400      @%%@2@%   I am whatever was, or is, or will be; and my veil no mortal ever took up.%@NL@%%@EH@%
%@NL@%
Plutarch
%@NL@%Morals.Of Isis and Osiris

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT420      @%%@2@%   For to err in opinion, though it be not the part of wise men, is at least%@EH@%
human. 1  2  3 %@NL@%
%@NL@%
Plutarch
%@NL@%Morals.Against Colotes

%@NL@%%@AI@%1 See Anonymous Latin%@BO:          10ae25@%%@AE@%
%@AI@%2 See Shirley%@BO:          229ffb@%%@AE@%
%@AI@%3 See Pope%@BO:          299f61@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plutarch@%%@CR:N46PLUT430      @%%@2@%   Pythagoras, when he was asked what time was, answered that it was the%@EH@%
soul of this world.%@NL@%
%@NL@%
Plutarch
%@NL@%Morals.Platonic Questions

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Epictetus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 50-120%@AE@%
%@FN@%
Translated by W. A. Oldfather (Loeb Classical Library).  %@EF@%
%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC10       @%%@2@%   To the rational being only the irrational is unendurable, but the%@EH@%
rational is endurable.%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Though in a wilderness, a man is never alone.-Sir Thomas Browne, Religio
Medici [1642], p. 82 (Everyman edition)  %@EF@%
%@QR:Epictetus@%%@CR:N50EPIC20       @%%@2@%   When you close your doors, and make darkness within, remember never to%@EH@%
say that you are alone, for you are not alone; nay, God is within, and your
genius is within. And what need have they of light to see what you are
doing?%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.I, ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC40       @%%@2@%   No thing great is created suddenly, any more than a bunch of grapes or a%@EH@%
fig. If you tell me that you desire a fig, I answer you that there must be
time. Let it first blossom, then bear fruit, then ripen.%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.I, ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC50       @%%@2@%   Any one thing in the creation is sufficient to demonstrate a Providence%@EH@%
to a humble and grateful mind.%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.I, ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC60       @%%@2@%   Were I a nightingale, I would sing like a nightingale; were I a swan,%@EH@%
like a swan. But as it is, I am a rational being, therefore I must sing
hymns of praise to God.%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.I, ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC70       @%%@2@%   Practice yourself, for heaven's sake, in little things; and thence%@EH@%
proceed to greater.%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.I, ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC80       @%%@2@%   It is difficulties that show what men are.%@NL@%%@EH@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.I, ch.24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC90       @%%@2@%   The good or ill of man lies within his own will.%@NL@%%@EH@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.I, ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC100      @%%@2@%   In theory there is nothing to hinder our following what we are taught;%@EH@%
but in life there are many things to draw us aside.%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.I, ch.26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC110      @%%@2@%   Appearances to the mind are of four kinds. Things either are what they%@EH@%
appear to be; or they neither are, nor appear to be; or they are, and do not
appear to be; or they are not, and yet appear to be. Rightly to aim in all
these cases is the wise man's task.%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.I, ch.27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC115      @%%@2@%   Only the educated are free.%@NL@%%@EH@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.II, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC120      @%%@2@%   The materials are indifferent, but the use we make of them is not a%@EH@%
matter of indifference.%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.II, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC130      @%%@2@%   Shall I show you the sinews of a philosopher? "What sinews are those?"-A%@EH@%
will undisappointed; evils avoided; powers daily exercised; careful
resolutions; unerring decisions.%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.II, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC140      @%%@2@%   What is the first business of one who practices philosophy? To get rid of%@EH@%
self-conceit. For it is impossible for anyone to begin to learn that which
he thinks he already knows.%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.II, ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC150      @%%@2@%   Whatever you would make habitual, practice it; and if you would not make%@EH@%
a thing habitual, do not practice it, but accustom yourself to something
else.%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.II, ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC160      @%%@2@%   Be not swept off your feet by the vividness of the impression, but say,%@EH@%
"Impression, wait for me a little. Let me see what you are and what you
represent. Let me try you."%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.II, ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC170      @%%@2@%   There are some faults which men readily admit, but others not so readily.%@NL@%%@EH@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.II, ch.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC180      @%%@2@%   Two principles we should always have ready-that there is nothing good or%@EH@%
evil save in the will; and that we are not to lead events, but to follow
them.%@NL@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.III, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC190      @%%@2@%   First say to yourself what you would be; and then do what you have to do.%@NL@%%@EH@%
%@NL@%
Epictetus
%@NL@%Discourses, bk.III, ch.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC200      @%%@2@%   Remember that you ought to behave in life as you would at a banquet. As%@EH@%
something is being passed around it comes to you; stretch out your hand,
take a portion of it politely. It passes on; do not detain it. Or it has not
come to you yet; do not project your desire to meet it, but wait until it
comes in front of you. So act toward children, so toward a wife, so toward
office, so toward wealth.%@NL@%
%@NL@%
Epictetus
%@NL@%The Encheiridion,15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Epictetus@%%@CR:N50EPIC210      @%%@2@%   Where do you suppose he got that high brow?%@NL@%%@EH@%
%@NL@%
Epictetus
%@NL@%The Encheiridion,22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
There is a right and wrong handle to everything.-Raspe, Travels of Baron
Munchausen [1785], ch. 30  %@EF@%
%@QR:Epictetus@%%@CR:N50EPIC220      @%%@2@%   Everything has two handles-by one of which it ought to be carried and by%@EH@%
the other not.%@NL@%
%@NL@%
Epictetus
%@NL@%The Encheiridion,43

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Juvenal%@AE@%%@EH@%
%@NL@%Decimus Junius Juvenalis
%@AB@%c. 50 - c. 130%@AE@%
%@NL@%%@NL@%

%@FN@%
Probitas laudatur et alget.  A favorite quotation of Linnaeus.  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE10       @%%@2@%   Honesty is praised and starves.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,I,l. 74

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Si natura negat, facit indignatio versum.  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE30       @%%@2@%   If nature refuses, indignation will produce verses.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,I,l. 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE50       @%%@2@%   All the doings of mankind, their wishes, fears, anger, pleasures, joys,%@EH@%
and varied pursuits, form the motley subject of my book.%@NL@%
%@NL@%
Juvenal
%@NL@%Satires,I,l. 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dat veniam corvis, vexat censura columbas.  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE60       @%%@2@%   Censure pardons the raven, but is visited upon the dove.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,II,l. 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nemo repente fuit turpissimus.  Translated by Gilbert Highet.  See Beaumont
and Fletcher and Racine  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE80       @%%@2@%   No one becomes depraved in a moment.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,II,l. 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE100      @%%@2@%   Grammarian, rhetorician, geometrician, painter, trainer, soothsayer,%@EH@%
ropedancer, physician, magician-he knows everything. Tell the hungry little
Greek to go to heaven; he'll go. 1 %@NL@%
%@NL@%
Juvenal
%@NL@%Satires,III,l. 76

%@NL@%%@AI@%1 See Dryden%@BO:          266ac4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nil habet infelix paupertas durius in se, quam quod ridiculos homines facit.
%@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE110      @%%@2@%   Bitter poverty has no harder pang than that it makes men ridiculous.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,III,l. 152

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE130      @%%@2@%   It is not easy for men to rise whose qualities are thwarted by poverty.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,III,l. 164

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE140      @%%@2@%   We all live in a state of ambitious poverty.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,III,l. 182

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rara avis in terris nigroque simillima cycno.  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE150      @%%@2@%   A rare bird on earth, comparable to a black swan.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,VI,l. 165

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Hoc volo, sic iubeo, sit pro ratione voluntas.  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE170      @%%@2@%   I wish it, I command it. Let my will take the place of reason.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,VI,l. 223

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nunc patimur longae pacis mala, saevior armis/Luxuria incubuit victumque
ulciscitur orbem.  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE190      @%%@2@%   We are now suffering the evils of a long peace. Luxury, more deadly than%@EH@%
war, broods over the city, and avenges a conquered world.%@NL@%
%@NL@%
Juvenal
%@NL@%Satires,VI,l. 292

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sed quis custodiet ipsos Custodes?  What an absurd idea-a guardian to need a
guardian!-Plato [c. 428-348  B.C. ], The Republic, bk. III, 403-E  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE210      @%%@2@%   But who is to guard the guards themselves?%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,VI,l. 347

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE240      @%%@2@%   An inveterate and incurable itch for writing besets many, and grows old%@EH@%
in their sick hearts.%@NL@%
%@NL@%
Juvenal
%@NL@%Satires,VII,l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nobilitas sola est atque unica virtus.  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE250      @%%@2@%   Nobility is the one and only virtue.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,VIII,l. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Summum crede nefas animam praeferre pudori,/Et propter vitam vivendi perdere
causas.  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE270      @%%@2@%   Count it the greatest sin to prefer life to honor, and for the sake of%@EH@%
living to lose what makes life worth having.%@NL@%
%@NL@%
Juvenal
%@NL@%Satires,VIII,l. 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Panem et circenses.  See Bellamy  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE290      @%%@2@%   The people that once bestowed commands, consulships, legions, and all%@EH@%
else, now concerns itself no more, and longs eagerly for just two
things-bread and circuses!%@NL@%
%@NL@%
Juvenal
%@NL@%Satires,X,l. 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Expende Hannibalem.  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE310      @%%@2@%   Put Hannibal in the scales.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,X,l. 147

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Mens sana in corpore sano.  See John Locke  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE330      @%%@2@%   You should pray for a sound mind in a sound body.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,X,l. 356

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE350      @%%@2@%   For revenge is always the delight of a mean spirit, of a weak and petty%@EH@%
mind! You may immediately draw proof of this-that no one rejoices more in
revenge than a woman.%@NL@%
%@NL@%
Juvenal
%@NL@%Satires,XIII, l. 189

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Maxima debetur puero reverentia.  See Locke  %@EF@%
%@QR:Juvenal@%%@QR:Decimus Junius Juvenalis@%%@CR:N50JUVE360      @%%@2@%   The greatest reverence is due the young.%@NL@%%@EH@%
%@NL@%
Juvenal
%@NL@%Satires,XIV, 47

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Cornelius Tacitus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 55 - c. 117%@AE@%
%@NL@%%@NL@%

%@QR:Cornelius Tacitus@%%@QR:Tacitus@%%@CR:N55TACC10       @%%@2@%   The images of the most illustrious families . . . were carried before it%@EH@%
[the bier of Julia]. Those of Brutus and Cassius were not displayed; but for
that reason they shone with preeminent luster. 1 %@NL@%
%@NL@%
Cornelius Tacitus
%@NL@%Annals, bk.III, 76

%@NL@%%@AI@%1 See Lord John Russell%@BO:          38913a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cornelius Tacitus@%%@QR:Tacitus@%%@CR:N55TACC20       @%%@2@%   He had talents equal to business, and aspired no higher.%@NL@%%@EH@%
%@NL@%
Cornelius Tacitus
%@NL@%Annals, bk.VI, 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
One precedent creates another. They soon accumulate and become law.-The
Letters of Junius [1769-1771],dedication  %@EF@%
%@QR:Cornelius Tacitus@%%@QR:Tacitus@%%@CR:N55TACC30       @%%@2@%   What is today supported by precedents will hereafter become a precedent.%@NL@%%@EH@%
%@NL@%
Cornelius Tacitus
%@NL@%Annals, bk.XI, 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Elegantiae arbiter.  See Petronius  %@EF@%
%@QR:Cornelius Tacitus@%%@QR:Tacitus@%%@CR:N55TACC50       @%%@2@%   Of Petronius] Arbiter of taste.%@NL@%%@EH@%
%@NL@%
Cornelius Tacitus
%@NL@%Annals, bk.XVI, 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cornelius Tacitus@%%@QR:Tacitus@%%@CR:N55TACC70       @%%@2@%   It is the rare fortune of these days that one may think what one likes%@EH@%
and say what one thinks.%@NL@%
%@NL@%
Cornelius Tacitus
%@NL@%Histories, bk.I,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cornelius Tacitus@%%@QR:Tacitus@%%@CR:N55TACC80       @%%@2@%   Of Servius Galba] He seemed more important than a private citizen while%@EH@%
he was a private citizen, and in the opinion of all he was capable of
rule-if he had not ruled.%@NL@%
%@NL@%
Cornelius Tacitus
%@NL@%Histories, bk.I,49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cornelius Tacitus@%%@QR:Tacitus@%%@CR:N55TACC90       @%%@2@%   The desire for glory clings even to the best men longer than any other%@EH@%
passion. 1 %@NL@%
%@NL@%
Cornelius Tacitus
%@NL@%Histories, bk.IV,6

%@NL@%%@AI@%1 See Milton%@BO:          239057@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Deos fortioribus adesse.  See Bussy-Rabutin, Boileau, Frederick the Great,
and Gibbon  %@EF@%
%@QR:Cornelius Tacitus@%%@QR:Tacitus@%%@CR:N55TACC100      @%%@2@%   The gods are on the side of the stronger.%@NL@%%@EH@%
%@NL@%
Cornelius Tacitus
%@NL@%Histories, bk.IV,17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Omne ignotum pro magnifico est.  See Pliny the Elder  %@EF@%
%@QR:Cornelius Tacitus@%%@QR:Tacitus@%%@CR:N55TACC120      @%%@2@%   Whatever is unknown is taken for marvelous; but now the limits of Britain%@EH@%
are laid bare.%@NL@%
%@NL@%
Cornelius Tacitus
%@NL@%Agricola, sec.30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Calgacus, addressing the Britons at the battle of the Grampians, referring
to the Romans.  See Byron  %@EF@%
%@QR:Cornelius Tacitus@%%@QR:Tacitus@%%@CR:N55TACC140      @%%@2@%   Where they make a desert, they call it peace.%@NL@%%@EH@%
%@NL@%
Cornelius Tacitus
%@NL@%Agricola, sec.30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Et maiores vestros et posteros cogitate.  See The Teaching for Merikare and
Samuel Adams  %@EF@%
%@QR:Cornelius Tacitus@%%@QR:Tacitus@%%@CR:N55TACC145      @%%@2@%   Think of your forefathers and posterity.%@NL@%%@EH@%
%@NL@%
Cornelius Tacitus
%@NL@%Agricola, sec.32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cornelius Tacitus@%%@QR:Tacitus@%%@CR:N55TACC150      @%%@2@%   Fortune favored him . . . in the opportune moment of his death.%@NL@%%@EH@%
%@NL@%
Cornelius Tacitus
%@NL@%Agricola, sec.45

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pliny the Younger%@AE@%%@EH@%
%@NL@%Gaius Plinius Caecilius Secundus
%@AB@%c. 61 - c. 112%@AE@%
%@NL@%%@NL@%

%@QR:Pliny the Younger@%%@QR:Gaius Plinius Caecilius Secundus@%%@CR:N61PLIN10       @%%@2@%   Modestus said of Regulus that he was "the biggest rascal that walks upon%@EH@%
two legs."%@NL@%
%@NL@%
Pliny the Younger
%@NL@%%@FN@%
Book VI, letter 16, contains the description of the eruption of Vesuvius
[79], as witnessed by Pliny the Elder.  %@EF@%
Letters, bk.I, letter5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This comes to inform you that I am in a perfect state of health, hoping you
are in the same. Ay, that's the old beginning.-George Colman the Younger,
The Heir at Law [1797], act III, sc. ii  %@EF@%
%@QR:Pliny the Younger@%%@QR:Gaius Plinius Caecilius Secundus@%%@CR:N61PLIN20       @%%@2@%   There is nothing to write about, you say. Well then, write and let me%@EH@%
know just this-that there is nothing to write about; or tell me in the good
old style if you are well. That's right. I am quite well.%@NL@%
%@NL@%
Pliny the Younger
%@NL@%Letters, bk.I, letter11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It has been a thousand times observed, and I must observe it once more, that
the hours we pass with happy prospects in view are more pleasing than those
crowned with fruition.-Goldsmith, The Vicar of Wakefield [1766], ch. 10  %@EF@%
%@QR:Pliny the Younger@%%@QR:Gaius Plinius Caecilius Secundus@%%@CR:N61PLIN40       @%%@2@%   An object in possession seldom retains the same charm that it had in%@EH@%
pursuit.%@NL@%
%@NL@%
Pliny the Younger
%@NL@%Letters, bk.II, letter 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"There is no book so bad," said the bachelor, "but something good may be
found in it."-Cervantes, Don Quixote, pt. II [1615], ch. 3  %@EF@%
%@QR:Pliny the Younger@%%@QR:Gaius Plinius Caecilius Secundus@%%@CR:N61PLIN60       @%%@2@%   He [Pliny the Elder] used to say that "no book was so bad but some good%@EH@%
might be got out of it."%@NL@%
%@NL@%
Pliny the Younger
%@NL@%Letters, bk.III, letter 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Paterfamilias.  %@EF@%
%@QR:Pliny the Younger@%%@QR:Gaius Plinius Caecilius Secundus@%%@CR:N61PLIN80       @%%@2@%   This expression of ours, "Father of a family."%@NL@%%@EH@%
%@NL@%
Pliny the Younger
%@NL@%Letters, bk.V, letter 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dolce far niente [Sweet doing-nothing].-Italian proverb  %@EF@%
%@QR:Pliny the Younger@%%@QR:Gaius Plinius Caecilius Secundus@%%@CR:N61PLIN90       @%%@2@%   That indolent but agreeable condition of doing nothing.%@NL@%%@EH@%
%@NL@%
Pliny the Younger
%@NL@%Letters, bk.VIII, letter9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pliny the Younger@%%@QR:Gaius Plinius Caecilius Secundus@%%@CR:N61PLIN110      @%%@2@%   Objects which are usually the motives of our travels by land and by sea%@EH@%
are often overlooked and neglected if they lie under our eye. . . . We put
off from time to time going and seeing what we know we have an opportunity
of seeing when we please.%@NL@%
%@NL@%
Pliny the Younger
%@NL@%Letters, bk.VIII, letter20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The greatest of faults, I should say, is to be conscious of none.-Carlyle,
Heroes and Hero Worship [1841], The Hero as Prophet  %@EF@%
%@QR:Pliny the Younger@%%@QR:Gaius Plinius Caecilius Secundus@%%@CR:N61PLIN120      @%%@2@%   His only fault is that he has no fault.%@NL@%%@EH@%
%@NL@%
Pliny the Younger
%@NL@%Letters, bk.IX, letter 26

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Suetonius%@AE@%%@EH@%
%@NL@%Gaius Suetonius Tranquillus
%@AB@%c. 70 - c. 140%@AE@%
%@NL@%%@NL@%

%@FN@%
Ave, Caesar, morituri te salutamus.  Also rendered "te salutant": those
about to die salute you.  %@EF@%
%@QR:Suetonius@%%@QR:Gaius Suetonius Tranquillus@%%@CR:N70SUET10       @%%@2@%   Hail, Emperor, we who are about to die salute you.%@NL@%%@EH@%
%@NL@%
Suetonius
%@NL@%Life of Claudius, 21

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Hadrian%@AE@%%@EH@%
%@NL@%Publius Aelius Hadrianus
%@AB@%76-138%@AE@%
%@NL@%%@NL@%

%@FN@%
Animula vagula blandula,/Hospes comesque corporis,/Quae nunc abibis in
loca/Pallidula rigida nudula,Nec ut soles dabis iocosi.  Amelette
Ronsardelette,/mignonelette doucelette,/tres chere hostesse de mon corps,/tu
descens la bas foibelette,/pasle, maigrelette, seulette,/dans le froid
Royaulme des mors.-Ronsard, A son [acirc ]me [dictated on his deathbed,
December 27, 1585]  See Pope  %@EF@%
%@QR:Hadrian@%%@QR:Publius Aelius Hadrianus@%%@CR:N76HADR10       @%%@2@%   Little soul, wandering, gentle guest and companion of the body, into what%@EH@%
places will you now go, pale, stiff, and naked, no longer sporting as you
did!%@NL@%
%@NL@%
Hadrian
%@NL@%Ad Animam Suam

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Chang Heng%@AE@%%@EH@%
%@NL@%
%@AB@%78-139%@AE@%
%@FN@%
From Sources of Chinese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
%@NL@%%@NL@%

%@QR:Chang Heng@%%@CR:N78CHAH10       @%%@2@%   Heaven is like an egg, and the earth is like the yolk of the egg.%@NL@%%@EH@%
%@NL@%
Chang Heng
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lucius Annaeus Florus%@AE@%%@EH@%
%@NL@%
%@AB@%fl. 125%@AE@%
%@NL@%%@NL@%

%@FN@%
From this derived the proverb: Poeta nascitur, non fit (The poet is born,
not made).  See Ben Jonson  %@EF@%
%@QR:Lucius Annaeus Florus@%%@QR:Florus@%%@CR:N95FLOL10       @%%@2@%   Each year new consuls and proconsuls are made; but not every year is a%@EH@%
king or a poet born.%@NL@%
%@NL@%
Lucius Annaeus Florus
%@NL@%De Qualitate Vitae, fragment 8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ptolemy%@AE@%%@EH@%
%@NL@%Claudius Ptolemaeus
%@AB@%c. 100-178%@AE@%
%@NL@%%@NL@%

%@QR:Ptolemy@%%@QR:Claudius Ptolemaeus@%%@CR:N100PTOL10      @%%@2@%   Everything that is hard to attain is easily assailed by the generality of%@EH@%
men.%@NL@%
%@NL@%
Ptolemy
%@NL@%%@FN@%
Translated by F. E. Robbins (Loeb Classical Library).  %@EF@%
Tetrabiblos, bk.I, sec. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ptolemy@%%@QR:Claudius Ptolemaeus@%%@CR:N100PTOL20      @%%@2@%   The length of life takes the leading place among inquiries about events%@EH@%
following birth.%@NL@%
%@NL@%
Ptolemy
%@NL@%Tetrabiblos, bk.III, sec. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ptolemy@%%@QR:Claudius Ptolemaeus@%%@CR:N100PTOL30      @%%@2@%   As material fortune is associated with the properties of the body, so%@EH@%
honor belongs to those of the soul.%@NL@%
%@NL@%
Ptolemy
%@NL@%Tetrabiblos, bk.IV, sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ptolemy@%%@QR:Claudius Ptolemaeus@%%@CR:N100PTOL40      @%%@2@%   There are three classes of friendship and enmity, since men are so%@EH@%
disposed to one another either by preference or by need or through pleasure
and pain.%@NL@%
%@NL@%
Ptolemy
%@NL@%Tetrabiblos, bk.IV, sec.7

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Marcus Aurelius Antoninus%@AE@%%@EH@%
%@NL@%
%@AB@%121-180%@AE@%
%@FN@%
Translated by Morris Hickey Morgan, with some adaptations.  %@EF@%
%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA10      @%%@2@%   This Being of mine, whatever it really is, consists of a little flesh, a%@EH@%
little breath, and the part which governs.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,II,2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA20      @%%@2@%   You will find rest from vain fancies if you perform every act in life as%@EH@%
though it were your last. 1  2  3 %@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,II,5

%@NL@%%@AI@%1 See Matthew 6:34%@BO:           504a5@%%@AE@%
%@AI@%2 See Horace%@BO:           d8ea5@%%@AE@%
%@AI@%3 See Publilius Syrus%@BO:           e3085@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA30      @%%@2@%   Remember that no man loses other life than that which he lives, nor lives%@EH@%
other than that which he loses.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,II,14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA40      @%%@2@%   Each thing is of like form from everlasting and comes round again in its%@EH@%
cycle.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,II,14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA50      @%%@2@%   The longest-lived and the shortest-lived man, when they come to die, lose%@EH@%
one and the same thing.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,II,14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA60      @%%@2@%   As for life, it is a battle and a sojourning in a strange land; but the%@EH@%
fame that comes after is oblivion.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,II,17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA70      @%%@2@%   A man should be upright, not be kept upright.%@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,III,5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA80      @%%@2@%   Never esteem anything as of advantage to you that will make you break%@EH@%
your word or lose your self-respect.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,III,7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA90      @%%@2@%   By a tranquil mind I mean nothing else than a mind well ordered.%@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA100     @%%@2@%   The universe is change; our life is what our thoughts make it.%@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA110     @%%@2@%   Death, like birth, is a secret of Nature.%@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA120     @%%@2@%   Whatever happens at all happens as it should; you will find this true, if%@EH@%
you watch narrowly. 1  2 %@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,10

%@NL@%%@AI@%1 See Dryden%@BO:          2655a1@%%@AE@%
%@AI@%2 See Pope%@BO:          2a08ee@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA130     @%%@2@%   How much time he gains who does not look to see what his neighbor says or%@EH@%
does or thinks, but only at what he does himself, to make it just and holy.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA140     @%%@2@%   Whatever is in any way beautiful hath its source of beauty in itself, and%@EH@%
is complete in itself; praise forms no part of it. So it is none the worse
nor the better for being praised.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA150     @%%@2@%   All that is harmony for you, my Universe, is in harmony with me as well.%@EH@%
1  Nothing that comes at the right time for you is too early or too late for
me. Everything is fruit to me that your seasons bring, Nature. All things
come of you, have their being in you, and return to you. 2 %@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,23

%@NL@%%@AI@%1 See Zeno%@BO:           bb995@%%@AE@%
%@AI@%2 See I Chronicles 29:14%@BO:           19da1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Democritus [c. 460 - c. 400  B.C. ], Fragment 3; also quoted by Seneca [8
B.C. - A.D.  65] in On Anger, III, 6, and On the Happy Life, 13.  %@EF@%
%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA160     @%%@2@%   "Let your occupations be few," says the sage, "if you would lead a%@EH@%
tranquil life."%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA170     @%%@2@%   Love the little trade which you have learned, and be content with it.%@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA180     @%%@2@%   There is a proper dignity and proportion to be observed in the%@EH@%
performance of every act of life.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA190     @%%@2@%   All is ephemeral-fame and the famous as well.%@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA200     @%%@2@%   Search men's governing principles, and consider the wise, what they shun%@EH@%
and what they cleave to.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA210     @%%@2@%   Time is a sort of river of passing events, and strong is its current; no%@EH@%
sooner is a thing brought to sight than it is swept by and another takes its
place, and this too will be swept away. 1  2 %@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,43

%@NL@%%@AI@%1 See Isaac Watts%@BO:          2912a0@%%@AE@%
%@AI@%2 See Anonymous%@BO:          68e759@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA220     @%%@2@%   All that happens is as usual and familiar as the rose in spring and the%@EH@%
crop in summer.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA230     @%%@2@%   Mark how fleeting and paltry is the estate of man-yesterday in embryo,%@EH@%
tomorrow a mummy or ashes. So for the hairsbreadth of time assigned to thee,
live rationally, and part with life cheerfully, as drops the ripe olive,
extolling the season that bore it and the tree that matured it.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IV,48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA240     @%%@2@%   In the morning, when you are sluggish about getting up, let this thought%@EH@%
be present: "I am rising to a man's work."%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,V,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA250     @%%@2@%   A man makes no noise over a good deed, but passes on to another as a vine%@EH@%
to bear grapes again in season. 1 %@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,V,6

%@NL@%%@AI@%1 See Matthew 6:3%@BO:           4f430@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA260     @%%@2@%   Nothing happens to anybody which he is not fitted by nature to bear.%@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,V,18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA270     @%%@2@%   Live with the gods.%@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,V,27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA280     @%%@2@%   Look beneath the surface; let not the several quality of a thing nor its%@EH@%
worth escape thee.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,VI,3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA290     @%%@2@%   The controlling intelligence understands its own nature, and what it%@EH@%
does, and whereon it works.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,VI,5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA300     @%%@2@%   Do not think that what is hard for you to master is humanly impossible;%@EH@%
but if a thing is humanly possible, consider it to be within your reach.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,VI,19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA310     @%%@2@%   What is not good for the swarm is not good for the bee.%@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,VI,54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA320     @%%@2@%   One universe made up of all that is; and one God in it all, and one%@EH@%
principle of being, and one law, the reason, shared by all thinking
creatures, and one truth.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,VII,9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA330     @%%@2@%   It is man's peculiar duty to love even those who wrong him. 1 %@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,VII,22

%@NL@%%@AI@%1 See Proverbs 25:21%@BO:           3212a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA340     @%%@2@%   Very little is needed to make a happy life.%@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,VII,67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA350     @%%@2@%   To change your mind and to follow him who sets you right is to be%@EH@%
nonetheless the free agent that you were before.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,VIII,16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA360     @%%@2@%   Look to the essence of a thing, whether it be a point of doctrine, of%@EH@%
practice, or of interpretation.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,VIII,22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA370     @%%@2@%   Be not careless in deeds, nor confused in words, nor rambling in thought.%@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,VIII,51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA380     @%%@2@%   Think not disdainfully of death, but look on it with favor; for even%@EH@%
death is one of the things that Nature wills.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IX,3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA390     @%%@2@%   A wrongdoer is often a man who has left something undone, not always one%@EH@%
who has done something. 1 %@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IX,5

%@NL@%%@AI@%1 See Book of Common Prayer%@BO:           7b06b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA400     @%%@2@%   Blot out vain pomp; check impulse; quench appetite; keep reason under its%@EH@%
own control.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IX,7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA410     @%%@2@%   All things are the same-familiar in enterprise, momentary in endurance,%@EH@%
coarse in substance. All things now are as they were in the day of those
whom we have buried.%@NL@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,IX,14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marcus Aurelius Antoninus@%%@CR:N121MARA420     @%%@2@%   Whatever may befall you, it was preordained for you from everlasting.%@NL@%%@EH@%
%@NL@%
Marcus Aurelius Antoninus
%@NL@%Meditations,X, 5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Galen%@AE@%%@EH@%
%@NL@%
%@AB@%129-199%@AE@%
%@NL@%%@NL@%

%@QR:Galen@%%@CR:N129GALE10      @%%@2@%   The chief merit of language is clearness, and we know that nothing%@EH@%
detracts so much from this as do unfamiliar terms.%@NL@%
%@NL@%
Galen
%@NL@%%@FN@%
Translated by Arthur J. Brock (Loeb Classical Library).  %@EF@%
On the Natural Faculties,
bk.I, sec.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Galen@%%@CR:N129GALE20      @%%@2@%   Those who are enslaved to their sects are not merely devoid of all sound%@EH@%
knowledge, but they will not even stop to learn!%@NL@%
%@NL@%
Galen
%@NL@%On the Natural Faculties,
bk.I, sec.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Galen@%%@CR:N129GALE30      @%%@2@%   Nature's artistic skill.%@NL@%%@EH@%
%@NL@%
Galen
%@NL@%On the Natural Faculties,
bk.I, sec.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Galen@%%@CR:N129GALE40      @%%@2@%   It was, of course, a grand and impressive thing to do, to mistrust the%@EH@%
obvious, and to pin one's faith in things which could not be seen!%@NL@%
%@NL@%
Galen
%@NL@%On the Natural Faculties,
bk.I, sec.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Galen@%%@CR:N129GALE50      @%%@2@%   Praxiteles and Phidias . . . were unable to . . . reach and handle all%@EH@%
portions of the material. It is not so, however, with nature. Every part of
a bone she makes bone, every part of the flesh she makes flesh, and so with
fat and all the rest; there is no part she has not touched, elaborated, and
embellished.%@NL@%
%@NL@%
Galen
%@NL@%On the Natural Faculties,
bk.II, sec. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Galen@%%@CR:N129GALE60      @%%@2@%   That which is grows, while that which is not becomes.%@NL@%%@EH@%
%@NL@%
Galen
%@NL@%On the Natural Faculties,
bk.II, sec. 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Diogenes Laertius%@AE@%%@EH@%
%@NL@%
%@AB@%fl. c. 200%@AE@%
%@NL@%%@NL@%

%@QR:Diogenes Laertius@%%@CR:N153DIOL10      @%%@2@%   Ignorance plays the chief part among men, and the multitude of words.%@NL@%%@EH@%
%@NL@%
Diogenes Laertius
%@NL@%Cleobulus, 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Diogenes Laertius@%%@CR:N153DIOL20      @%%@2@%   Time is the image of eternity.%@NL@%%@EH@%
%@NL@%
Diogenes Laertius
%@NL@%Plato,41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Diogenes Laertius@%%@CR:N153DIOL30      @%%@2@%   There is a written and an unwritten law. The one by which we regulate our%@EH@%
constitutions in our cities is the written law; that which arises from
custom is the unwritten law.%@NL@%
%@NL@%
Diogenes Laertius
%@NL@%Plato,51

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Tertullian%@AE@%%@EH@%
%@NL@%Quintus Septimius Tertullianus
%@AB@%c. 160-240%@AE@%
%@NL@%%@NL@%

%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT10      @%%@2@%   O witness of the soul naturally Christian.%@NL@%%@EH@%
%@NL@%
Tertullian
%@NL@%Apologeticus,17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tertullian is sarcastically repeating what the enemies of Christianity are
saying.  %@EF@%
%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT20      @%%@2@%   See how these Christians love one another.%@NL@%%@EH@%
%@NL@%
Tertullian
%@NL@%Apologeticus,39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Plures efficimur, quoties metimur a vobis; semen est sanguis christianorum.
This is often rendered as: The blood of the martyrs is the seed of the
Church.  The Church of Christ has been founded by shedding its own blood,
not that of others; by enduring outrage, not by inflicting it. Persecutions
have made it grow; martyrdoms have crowned it.-St. Jerome [c. 342-420],
letter 82  The blood of martyrs is the seed of Christians.-Beyerlinck,
Magnum Theatrum Vitae Humanorum [1665]  The seed of the Church, I mean the
blood of primitive martyrs.-Thomas Fuller, Church History of Britain [1665],
pt. IV, bk. I  See Jefferson, Barere, and Unamuno  %@EF@%
%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT30      @%%@2@%   We multiply whenever we are mown down by you; the blood of Christians is%@EH@%
seed.%@NL@%
%@NL@%
Tertullian
%@NL@%Apologeticus,50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT90      @%%@2@%   Man is one name belonging to every nation upon earth. In them all is one%@EH@%
soul though many tongues. Every country has its own language, yet the
subjects of which the untutored soul speaks are the same everywhere.%@NL@%
%@NL@%
Tertullian
%@NL@%Testimony of the Soul

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Domina mater ecclesia.  See St. Cyprian  %@EF@%
%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT100     @%%@2@%   Mother Church.%@NL@%%@EH@%
%@NL@%
Tertullian
%@NL@%Ad Martyras, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT120     @%%@2@%   Truth persuades by teaching, but does not teach by persuading.%@NL@%%@EH@%
%@NL@%
Tertullian
%@NL@%Adversus Valentinianos,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Veritas non erubescit.  %@EF@%
%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT130     @%%@2@%   Truth does not blush.%@NL@%%@EH@%
%@NL@%
Tertullian
%@NL@%Adversus Valentinianos,3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Prorsus credibile est, quia ineptum est.  %@EF@%
%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT160     @%%@2@%   It is to be believed because it is absurd.%@NL@%%@EH@%
%@NL@%
Tertullian
%@NL@%De Carne Christi,5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Certum est, quia impossible est.  This is called Tertullian's rule of faith.
It is sometimes rendered as: Credo quia impossible [I believe because it is
impossible]. St. Augustine expresses the same idea in Confessions, VI, 5, 7.
%@EF@%
%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT180     @%%@2@%   It is certain because it is impossible.%@NL@%%@EH@%
%@NL@%
Tertullian
%@NL@%De Carne Christi,5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
De calcaria in carbonarium.  Leap out of the frying pan into the fire.-John
Heywood, Proverbs [1546], pt. II, ch. 5  %@EF@%
%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT210     @%%@2@%   Out of the frying pan into the fire.%@NL@%%@EH@%
%@NL@%
Tertullian
%@NL@%De Carne Christi,6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT240     @%%@2@%   One man's religion neither harms nor helps another man.%@NL@%%@EH@%
%@NL@%
Tertullian
%@NL@%Ad Scapulam, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT250     @%%@2@%   It is certainly no part of religion to compel religion.%@NL@%%@EH@%
%@NL@%
Tertullian
%@NL@%Ad Scapulam, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Tertullian@%%@QR:Quintus Septimius Tertullianus@%%@CR:N160TERT260     @%%@2@%   I must dispel vanity with vanity.%@NL@%%@EH@%
%@NL@%
Tertullian
%@NL@%Adversus Marcionem, IV, 30

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Sayings of Jesus%@AE@%%@EH@%
%@AB@%Third century%@AE@%
%@NL@%%@NL@%

%@QR:The Sayings of Jesus@%%@CR:N170JESS10      @%%@2@%   Jesus saith, Wherever there are two, they are not without God, and%@EH@%
wherever there is one alone, I say, I am with him. 1  Raise the stone, and
there thou shalt find Me, cleave the wood and there am I. 2 %@NL@%
%@NL@%
The Sayings of Jesus
%@NL@%%@FN@%
Translated and edited by Bernard P. Grenfell and Arthur H. Hunt, who also
discovered the papyri. The Logia were first published [1897] as [Lgr   ][Ogr
][Ggr   ][Igr   ][Agr   ] IHCOY: Sayings of Our Lord.  %@EF@%
The Oxyrhynchus Papyri,
PartI [1898], no. 1, [Lgr ][Ogr ][Ggr ][Igr ][Agr ] [Igr ][EEgr ][Sgr ][Ogr
][Ugr ] [Logia
Iesou], logion 5

%@NL@%%@AI@%1 See Matthew 18:20%@BO:           55396@%%@AE@%
%@AI@%2 See Van Dyke%@BO:          4f559a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Sayings of Jesus@%%@CR:N170JESS20      @%%@2@%   Jesus saith, Ye ask who are those that draw us to the kingdom, if the%@EH@%
kingdom is in Heaven? . . . The fowls of the air, and all beasts that are
under the earth or upon the earth, and the fishes of the sea, these are they
which draw you, and the kingdom of Heaven is within you. 1 %@NL@%
%@NL@%
The Sayings of Jesus
%@NL@%The Oxyrhynchus Papyri,
PartIV [1904], no. 654, New Sayings of Jesus, second saying

%@NL@%%@AI@%1 See Luke 17:21%@BO:           5ef16@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%St. Cyprian%@AE@%%@EH@%
%@NL@%
%@AB@%d. 258%@AE@%
%@NL@%%@NL@%

%@FN@%
Habere non potest deum patrem qui ecclesiam non habet matrem.  See
Tertullian  %@EF@%
%@QR:St. Cyprian@%%@CR:N198CYPR10      @%%@2@%   He cannot have God for his father who has not the Church for his Mother.%@NL@%%@EH@%
%@NL@%
St. Cyprian
%@NL@%De Unitate Ecclesiae [251], ch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Salus extra ecclesiam non est.  Quoted by St. Augustine in De Baptismo,
hence sometimes attributed to him.  %@EF@%
%@QR:St. Cyprian@%%@CR:N198CYPR30      @%%@2@%   There is no salvation outside the Church.%@NL@%%@EH@%
%@NL@%
St. Cyprian
%@NL@%Letter 73 [c. 256]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Plotinus%@AE@%%@EH@%
%@NL@%
%@AB@%205-270%@AE@%
%@NL@%%@NL@%

%@QR:Plotinus@%%@CR:N205PLOT10      @%%@2@%   All things are filled full of signs, and it is a wise man who can learn%@EH@%
about one thing from another.%@NL@%
%@NL@%
Plotinus
%@NL@%%@FN@%
Translated by A. H. Armstrong (Loeb Classical Library).  %@EF@%
Enneads,
bk. II, treatise iii, sec.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Plotinus@%%@CR:N205PLOT20      @%%@2@%   One principle must make the universe a single complex living creature,%@EH@%
one from all.%@NL@%
%@NL@%
Plotinus
%@NL@%Enneads,
bk. II, treatise iii, sec.8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Longus%@AE@%%@EH@%
%@NL@%
%@AB@%Third century%@AE@%
%@NL@%%@NL@%

%@QR:Longus@%%@CR:N230LONG10      @%%@2@%   There was never any yet that wholly could escape love, and never shall%@EH@%
there be any, never so long as beauty shall be, never so long as eyes can
see.%@NL@%
%@NL@%
Longus
%@NL@%Daphnis and Chloe, proem, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Longus@%%@CR:N230LONG20      @%%@2@%   He is so poor that he could not keep a dog.%@NL@%%@EH@%
%@NL@%
Longus
%@NL@%Daphnis and Chloe, proem, ch.15

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Constantine%@AE@%%@EH@%
%@NL@%Flavius Valerius Aurelius Constantinus
%@AB@%c. 288-337%@AE@%
%@FN@%
Flavius Valerius Aurelius Constantinus.  %@EF@%
%@NL@%%@NL@%

%@FN@%
In hoc signo vinces.  The alleged words of Constantine's vision before his
battle with Maxentius at Saxa Rubra, near Rome [312].  %@EF@%
%@QR:Constantine@%%@QR:Flavius Valerius Aurelius Constantinus@%%@CR:N288CONS10      @%%@2@%   In this sign shalt thou conquer.%@NL@%%@EH@%
%@NL@%
Constantine
%@NL@%From Eusebius, Life of Constantine, I, 28

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ammianus Marcellinus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 330-395%@AE@%
%@NL@%%@NL@%

%@QR:Ammianus Marcellinus@%%@CR:N330AMMM10      @%%@2@%   Rose among thorns.%@NL@%%@EH@%
%@NL@%
Ammianus Marcellinus
%@NL@%History, bk. XVI, ch. 17

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Julian The Apostate%@AE@%%@EH@%
%@NL@%Flavius Claudius Julianus
%@AB@%332-363%@AE@%
%@FN@%
Known as Julian the Apostate.  %@EF@%
%@FN@%
Known as Julian the Apostate.  %@EF@%
%@NL@%%@NL@%

%@FN@%
Vicisti, Galilaee.  The Latin translation of the alleged dying words of the
emperor.  See Swinburne  %@EF@%
%@QR:Julian The Apostate@%%@QR:Flavius Claudius Julianus@%%@CR:N332JULI10      @%%@2@%   You have conquered, Galilean.%@NL@%%@EH@%
%@NL@%
Julian The Apostate
%@NL@%From Theodoret, Church History, III, 20

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%St. Ambrose%@AE@%%@EH@%
%@NL@%
%@AB@%c. 340-397%@AE@%
%@NL@%%@NL@%

%@FN@%
Si fueris Romae, Romano vivito more;/Si fueris alibi, vivito sicut ibi.  My
mother, having joined me at Milan, found that the church there did not fast
on Saturdays as at Rome, and was at a loss what to do. I consulted St.
Ambrose, of holy memory, who replied, "When I am at Rome, I fast on a
Saturday; when I am at Milan, I do not. Follow the custom of the church
where you are."-St. Augustine [354-430], Epistle to Januarius (Epistle 2),
sec. 18. Also Epistle to Casualanus (Epistle 36), sec. 32  When in Rome, do
as the Romans do.-Proverb  %@EF@%
%@QR:St. Ambrose@%%@CR:N340AMBR10      @%%@2@%   When you are at Rome live in the Roman style; when you are elsewhere live%@EH@%
as they live elsewhere.%@NL@%
%@NL@%
St. Ambrose
%@NL@%Advice to St. Augustine. From Jeremy Taylor,
Ductor Dubitantium [1660], I, 1, 5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%St. Jerome%@AE@%%@EH@%
%@NL@%
%@AB@%c. 342-420%@AE@%
%@FN@%
Translated by W. H. Fremantle.  %@EF@%
%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO10      @%%@2@%   A friend is long sought, hardly found, and with difficulty kept.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO20      @%%@2@%   Love is not to be purchased, and affection has no price.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO30      @%%@2@%   The friendship that can cease has never been real.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO40      @%%@2@%   It is easier to mend neglect than to quicken love.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO50      @%%@2@%   Love knows nothing of order.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO60      @%%@2@%   The fact is that my native land is a prey to barbarism, that in it men's%@EH@%
only God is their belly, 1  that they live only for the present, and that
the richer a man is the holier he is held to be.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 7

%@NL@%%@AI@%1 See Philippians 3:19%@BO:           6fc8f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO70      @%%@2@%   An unstable pilot steers a leaking ship, and the blind is leading the%@EH@%
blind straight to the pit. 1  The ruler is like the ruled.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 7

%@NL@%%@AI@%1 See Matthew 15:14%@BO:           547ea@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO80      @%%@2@%   No athlete is crowned but in the sweat of his brow.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO90      @%%@2@%   If there is but little water in the stream, it is the fault, not of the%@EH@%
channel, but of the source.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This was addressed to Jerome in a dream by Christ the Judge, censuring him
for loving the classics more than the Fathers.  %@EF@%
%@QR:St. Jerome@%%@CR:N342JERO100     @%%@2@%   You are a Ciceronian, not a Christian.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A Greek proverb frequently quoted by Jerome.  %@EF@%
%@QR:St. Jerome@%%@CR:N342JERO110     @%%@2@%   It is idle to play the lyre for an ass.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO120     @%%@2@%   Everything must have in it a sharp seasoning of truth.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO130     @%%@2@%   While truth is always bitter, pleasantness waits upon evildoing.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO140     @%%@2@%   The line, often adopted by strong men in controversy, of justifying the%@EH@%
means by the end. 1 %@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 48

%@NL@%%@AI@%1 See Matthew Prior%@CF:N1664PRIM50     @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cur ergo haec ipse non facis?  See Plautus  %@EF@%
%@QR:St. Jerome@%%@CR:N342JERO150     @%%@2@%   Do not let your deeds belie your words, lest when you speak in church%@EH@%
someone may say to himself, "Why do you not practice what you preach?"%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by F. A. Wright (Loeb Classical Library).  %@EF@%
%@QR:St. Jerome@%%@CR:N342JERO170     @%%@2@%   Avoid, as you would the plague, a clergyman who is also a man of%@EH@%
business.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This is a Greek proverb.  Fat paunches have lean pates, and dainty bits/Make
rich the ribs, but bankrupt quite the wits.-Shakespeare, Love's Labour's
Lost, act I, sc. i, l. 26  %@EF@%
%@QR:St. Jerome@%%@CR:N342JERO180     @%%@2@%   A fat paunch never breeds fine thoughts.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO200     @%%@2@%   No one cares to speak to an unwilling listener. An arrow never lodges in%@EH@%
a stone: often it recoils upon the sender of it.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO210     @%%@2@%   That clergyman soon becomes an object of contempt who being often asked%@EH@%
out to dinner never refuses to go.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO220     @%%@2@%   The best almoner is he who keeps back nothing for himself.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO230     @%%@2@%   It is worse still to be ignorant of your ignorance.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by F. A. Wright (Loeb Classical Library).  %@EF@%
%@QR:St. Jerome@%%@CR:N342JERO240     @%%@2@%   Even brute beasts and wandering birds do not fall into the same traps or%@EH@%
nets twice.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO250     @%%@2@%   Sometimes the character of the mistress is inferred from the dress of her%@EH@%
maids.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO260     @%%@2@%   The face is the mirror of the mind, and eyes without speaking confess the%@EH@%
secrets of the heart.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO270     @%%@2@%   The scars of others should teach us caution.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO280     @%%@2@%   When the stomach is full, it is easy to talk of fasting.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 58

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by W. J. Courtenay.  %@EF@%
%@QR:St. Jerome@%%@CR:N342JERO290     @%%@2@%   Small minds can never handle great themes.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Romanus orbis ruit.  %@EF@%
%@QR:St. Jerome@%%@CR:N342JERO300     @%%@2@%   The Roman world is falling, yet we hold our heads erect instead of bowing%@EH@%
our necks.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO310     @%%@2@%   Every day we are changing, every day we are dying, and yet we fancy%@EH@%
ourselves eternal.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO320     @%%@2@%   Early impressions are hard to eradicate from the mind. When once wool has%@EH@%
been dyed purple, who can restore it to its previous whiteness?%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
An old Roman proverb quoted by St. Jerome to St. Augustine after the latter
criticized the elder Jerome.  %@EF@%
%@QR:St. Jerome@%%@CR:N342JERO330     @%%@2@%   The tired ox treads with a firmer step.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO340     @%%@2@%   Athletes as a rule are stronger than their backers; yet the weaker%@EH@%
presses the stronger to put forth all his efforts.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 118

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO350     @%%@2@%   For they wished to fill the winepress of eloquence not with the tendrils%@EH@%
of mere words but with the rich grape juice of good sense.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 125

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO360     @%%@2@%   It is no fault of Christianity that a hypocrite falls into sin.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Letter 125

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Jerome@%%@CR:N342JERO370     @%%@2@%   The charges we bring against others often come home to ourselves; we%@EH@%
inveigh against faults which are as much ours as theirs; and so our
eloquence ends by telling against ourselves.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 125

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by F. A. Wright (Loeb Classical Library).  %@EF@%
%@QR:St. Jerome@%%@CR:N342JERO380     @%%@2@%   Preferring to store her money in the stomachs of the needy rather than%@EH@%
hide it in a purse.%@NL@%
%@NL@%
St. Jerome
%@NL@%Letter 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Privilegia paucorum non faciunt legem.  The exception proves the rule.  %@EF@%
%@QR:St. Jerome@%%@CR:N342JERO390     @%%@2@%   The privileges of a few do not make common law.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%Exposition on Jona

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Noli equi dentes inspicere donati.  %@EF@%
%@QR:St. Jerome@%%@CR:N342JERO420     @%%@2@%   Never look a gift horse in the mouth.%@NL@%%@EH@%
%@NL@%
St. Jerome
%@NL@%On the Epistle to the Ephesians

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%St. John Chrysostom%@AE@%%@EH@%
%@NL@%St. John Chrysostom
%@AB@%c. 345-407%@AE@%
%@NL@%%@NL@%

%@QR:St. John Chrysostom@%%@QR:Chrysostom@%%@QR:St. John Chrysostom@%%@CR:N345CHRJ10      @%%@2@%   Hell is paved with priests' skulls.%@NL@%%@EH@%
%@NL@%
St. John Chrysostom
%@NL@%De Sacerdotio [c. 390]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
No one is injured save by himself.-Erasmus [1465-1536], Adagia  %@EF@%
%@QR:St. John Chrysostom@%%@QR:Chrysostom@%%@QR:St. John Chrysostom@%%@CR:N345CHRJ20      @%%@2@%   No one can harm the man who does himself no wrong.%@NL@%%@EH@%
%@NL@%
St. John Chrysostom
%@NL@%Letter to Olympia

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Vegetius%@AE@%%@EH@%
%@NL@%Flavius Vegetius Renatus
%@AB@%fl. c. 375%@AE@%
%@NL@%%@NL@%

%@FN@%
Qui desiderat pacem, praeparet bellum.  See Aristotle, Robert Burton,
Fenelon, Washington, and Lowell  In peace, like a wise man, he has provided
for the needs of war.-Horace, Satires, bk. II [30  B.C. ], ii, 111  We
should provide in peace what we need in war.-Publilius Syrus [first century
B.C. ], Maxim 709  %@EF@%
%@QR:Vegetius@%%@QR:Flavius Vegetius Renatus@%%@CR:N345VEGE10      @%%@2@%   Let him who desires peace prepare for war.%@NL@%%@EH@%
%@NL@%
Vegetius
%@NL@%De Rei Militari, III, prologue

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%St. Augustine%@AE@%%@EH@%
%@NL@%
%@AB@%354-430%@AE@%
%@NL@%%@NL@%

%@FN@%
This is considered the most important definition of the relation of grace to
free will in the Middle Ages.  %@EF@%
%@QR:St. Augustine@%%@CR:N354AUGU10      @%%@2@%   Will is to grace as the horse is to the rider.%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%De Libero Arbitrio [388-395]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU20      @%%@2@%   The weakness of little children's limbs is innocent, not their souls.%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%Confessions [397-401],I, 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
To Carthage then I came.-T. S. Eliot, The Waste Land [1922], III, l. 307 and
note  %@EF@%
%@QR:St. Augustine@%%@CR:N354AUGU30      @%%@2@%   To Carthage I came, where all about me resounded a caldron of dissolute%@EH@%
loves.%@NL@%
%@NL@%
St. Augustine
%@NL@%Confessions [397-401],III,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU50      @%%@2@%   I was in love with loving.%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%Confessions [397-401],III,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU60      @%%@2@%   In the usual course of study I had come to a book of a certain Cicero.%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%Confessions [397-401],III,4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU70      @%%@2@%   Give me chastity and continence, but not just now.%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%Confessions [397-401],VIII,7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tolle lege, tolle lege.  What the bell seemed to say to Augustine at the
moment of his conversion. When he opened the Bible, his eyes fell on Romans
13:12-14.  %@EF@%
%@QR:St. Augustine@%%@CR:N354AUGU80      @%%@2@%   Take up, read! Take up, read!%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%Confessions [397-401],VIII,12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU100     @%%@2@%   Too late I loved you, O Beauty ever ancient and ever new! Too late I%@EH@%
loved you! And, behold, you were within me, and I out of myself, and there I
searched for you.%@NL@%
%@NL@%
St. Augustine
%@NL@%Confessions [397-401],X,27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU110     @%%@2@%   Give what you command, and command what you will.%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%Confessions [397-401],X,29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Audi partem alteram.  See Euripides and Protagoras  %@EF@%
%@QR:St. Augustine@%%@CR:N354AUGU120     @%%@2@%   Hear the other side.%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%De Duabus Animabus, XIV, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU140     @%%@2@%   I would not have believed the gospel had not the authority of the Church%@EH@%
moved me.%@NL@%
%@NL@%
St. Augustine
%@NL@%Contra Epistulam Fundamenti[c. 410], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU150     @%%@2@%   Necessity has no law. 1  2 %@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%Soliloquiorum. Animae ad Deum [c. 410], 2

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e264e@%%@AE@%
%@AI@%2 See Oliver Cromwell%@BO:          22aa00@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU160     @%%@2@%   We make a ladder of our vices, if we trample those same vices underfoot.%@EH@%
1  2 %@NL@%
%@NL@%
St. Augustine
%@NL@%Sermons,3

%@NL@%%@AI@%1 See Longfellow%@BO:          3dd570@%%@AE@%
%@AI@%2 See Tennyson%@BO:          3fffa4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU170     @%%@2@%   Anger is a weed; hate is the tree.%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%Sermons,58

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU180     @%%@2@%   The dove loves when it quarrels; the wolf hates when it flatters.%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%Sermons,64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Roma locuta est; causa finita est.  %@EF@%
%@QR:St. Augustine@%%@CR:N354AUGU190     @%%@2@%   Rome has spoken; the case is closed.%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%Sermons,131

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU210     @%%@2@%   He who created you without you will not justify you without you.%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%Sermons,169

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Augustine@%%@CR:N354AUGU220     @%%@2@%   The most glorious city of God.%@NL@%%@EH@%
%@NL@%
St. Augustine
%@NL@%City of God [415], I, preface

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%St. Vincent , of Lerins%@AE@%%@EH@%
%@NL@%
%@AB@%died c. 450%@AE@%
%@NL@%%@NL@%

%@FN@%
Quod semper, quod ubique, quod ab omnibus creditum est.  The definition of
the traditional articles of faith.  %@EF@%
%@QR:St. Vincent , of Lerins@%%@CR:N390VINC10      @%%@2@%   That faith is catholic] which has been believed always, everywhere, and%@EH@%
by all.%@NL@%
%@NL@%
St. Vincent , of Lerins
%@NL@%Commonitorium, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Vincent , of Lerins@%%@CR:N390VINC30      @%%@2@%   Every word [of Tertullian] almost was a sentence; every sentence a%@EH@%
victory.%@NL@%
%@NL@%
St. Vincent , of Lerins
%@NL@%Commonitorium, ch.18

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%St. Remy Remigius%@AE@%%@EH@%
%@NL@%
%@AB@%c. 438 - c. 533%@AE@%
%@NL@%%@NL@%

%@QR:St. Remy Remigius@%%@CR:N438REMY10      @%%@2@%   Henceforward burn what thou hast worshipped, and worship what thou hast%@EH@%
burned. 1 %@NL@%
%@NL@%
St. Remy Remigius
%@NL@%Said to Clovis at his baptism [496]

%@NL@%%@AI@%1 See Clovis%@BO:          1044dd@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Clovis%@AE@%%@EH@%
%@NL@%
%@AB@%466-511%@AE@%
%@NL@%%@NL@%

%@FN@%
St. Clotilda, wife of Clovis.  %@EF@%
%@FN@%
Clovis defeated the Alemanni in 496, and following his vow was baptized with
three thousand followers by St. Remy at Rheims.  See St. Remy  %@EF@%
%@QR:Clovis@%%@CR:N466CLOV10      @%%@2@%   God of Clotilda, if you grant me victory I shall become a Christian.%@NL@%%@EH@%
%@NL@%
Clovis
%@NL@%Legendary vow before battle

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Hsieh Ho%@AE@%%@EH@%
%@NL@%
%@AB@%fl. 500%@AE@%
%@FN@%
From The Spirit of the Brush, translated by Shio Sakanishi [Wisdom of the
East Series, 1957].  %@EF@%
%@NL@%%@NL@%

%@QR:Hsieh Ho@%%@CR:N470HSIH10      @%%@2@%   By copying, the ancient models should be perpetuated. 1  2 %@NL@%%@EH@%
%@NL@%
Hsieh Ho
%@NL@%Notes Concerning the Classification of Old Paintings,
Sixth Principle

%@NL@%%@AI@%1 See Horace%@BO:           ded1e@%%@AE@%
%@AI@%2 See Fujiwara no Teika%@BO:          111c69@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%St. Benedict%@AE@%%@EH@%
%@NL@%
%@AB@%480-543%@AE@%
%@FN@%
Founder of Western monasticism.  %@EF@%
%@NL@%%@NL@%

%@QR:St. Benedict@%%@CR:N480BENE10      @%%@2@%   We are therefore about to establish a school of the Lord's service in%@EH@%
which we hope to introduce nothing harsh or burdensome.%@NL@%
%@NL@%
St. Benedict
%@NL@%Rule of St. Benedict, prologue

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Boethius Anicius Manlius Severinus%@AE@%%@EH@%
%@NL@%
%@AB@%480-524%@AE@%
%@NL@%%@NL@%

%@QR:Boethius Anicius Manlius Severinus@%%@CR:N480BOET10      @%%@2@%   In every adversity of fortune, to have been happy is the most unhappy%@EH@%
kind of misfortune. 1  2  3  4 %@NL@%
%@NL@%
Boethius Anicius Manlius Severinus
%@NL@%De Consolatione Philosophiae, bk.II, 4,4

%@NL@%%@AI@%1 See Pindar%@BO:           996e4@%%@AE@%
%@AI@%2 See Dante%@BO:          116a64@%%@AE@%
%@AI@%3 See Chaucer%@BO:          11e3ef@%%@AE@%
%@AI@%4 See Tennyson%@BO:          3fc3af@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Boethius Anicius Manlius Severinus@%%@CR:N480BOET20      @%%@2@%   Who hath so entire happiness that he is not in some part offended with%@EH@%
the condition of his estate?%@NL@%
%@NL@%
Boethius Anicius Manlius Severinus
%@NL@%De Consolatione Philosophiae, bk.II, 4,41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Boethius Anicius Manlius Severinus@%%@CR:N480BOET30      @%%@2@%   Nothing is miserable but what is thought so, and contrariwise, every%@EH@%
estate is happy if he that bears it be content.%@NL@%
%@NL@%
Boethius Anicius Manlius Severinus
%@NL@%De Consolatione Philosophiae, bk.II, 4,64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Samuel Johnson, and used as motto to The Rambler, no. 7
[1750].  %@EF@%
%@QR:Boethius Anicius Manlius Severinus@%%@CR:N480BOET40      @%%@2@%From thee, great God, we spring, to thee we tend-%@NL@%%@EH@%
Path, motive, guide, original and end.%@NL@%

%@NL@%Boethius Anicius Manlius Severinus
%@NL@%De Consolatione Philosophiae, bk.III,9, 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Boethius Anicius Manlius Severinus@%%@CR:N480BOET50      @%%@2@%   Who can give law to lovers? Love is a greater law to itself.%@NL@%%@EH@%
%@NL@%
Boethius Anicius Manlius Severinus
%@NL@%De Consolatione Philosophiae, bk.III,12, 47

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Flavius Magnus Aurelius Cassiodorus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 490 - c. 583%@AE@%
%@NL@%%@NL@%

%@QR:Flavius Magnus Aurelius Cassiodorus@%%@QR:Cassiodorus@%%@CR:N490CASF10      @%%@2@%   He receives hope in future benefits who recognizes a benefit that has%@EH@%
already taken place.%@NL@%
%@NL@%
Flavius Magnus Aurelius Cassiodorus
%@NL@%Institutiones

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Flavius Magnus Aurelius Cassiodorus@%%@QR:Cassiodorus@%%@CR:N490CASF20      @%%@2@%   He is invited to great things who receives small things greatly.%@NL@%%@EH@%
%@NL@%
Flavius Magnus Aurelius Cassiodorus
%@NL@%Institutiones

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pope Gregory I%@AE@%%@EH@%
%@NL@%
%@AB@%540-604%@AE@%
%@NL@%%@NL@%

%@FN@%
Traditionally quoted "Non Angli sed angeli" (Not Angles but angels), these
were the words of Pope Gregory when he beheld two English slaves in a Roman
slave market.  %@EF@%
%@QR:Pope Gregory I@%%@CR:N540GREG10      @%%@2@%   They answered that they were called Angles.] It is well, for they have%@EH@%
the faces of angels, and such should be the co-heirs of the angels in
heaven.%@NL@%
%@NL@%
Pope Gregory I
%@NL@%From Bede,
Ecclesiastical History of the English People, II, 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ali ibn-Abi-Talib%@AE@%%@EH@%
%@NL@%
%@AB@%c. 602-661%@AE@%
%@FN@%
Ali ibn-abi-Talib, son-in-law of Muhammad and fourth caliph, who was called
the Lion of God, was murdered in 661.  %@EF@%
%@NL@%%@NL@%

%@FN@%
Quoted by Ralph Waldo Emerson in The Conduct of Life [1860], Considerations
by the Way.  See George Herbert  %@EF@%
%@QR:Ali ibn-Abi-Talib@%%@CR:N602ALII10      @%%@2@%He who has a thousand friends has not a friend to spare,%@NL@%%@EH@%
And he who has one enemy will meet him everywhere.%@NL@%

%@NL@%Ali ibn-Abi-Talib
%@NL@%A Hundred Sayings

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Koran%@AE@%%@EH@%%@FN@%
Also spelled Qur'an; Quran. Muslims believe that the Koran is of divine
origin, revealed by God to the prophet Muhammad [c. 570-632].  The word
Koran, derived from the verb karaa, to read, signifies properly in Arabic
"the reading," or rather, "that which ought to be read." . . . The Koran is
divided into 114 larger portions of very unequal length, which we call
chapters, but the Arabians sowar, in the singular sura, a word rarely used
on any other occasion.-George Sale, The Koran [1734], The Preliminary
Discourse, sec. III  Translations by George Sale [1734], E. H. Palmer
[1900], J. M. Rodwell [1909], Richard Bell [1927], M. M. Pickthall [1953],
and A. J. Arberry [1955], edited and adapted by Sari Nuseibah.  %@EF@%
%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA10      @%%@2@%   In the name of the most merciful God: Praise be to God, the Lord of all%@EH@%
Being; the most merciful, the Master of the day of judgment. Thee do we
worship, and of Thee do we beg assistance. Direct us in the right path, in
the path of those to whom Thou hast been gracious; not of those against whom
Thou art incensed, nor of those who go astray.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA20      @%%@2@%   Do not veil the truth with falsehood, nor conceal the truth knowingly.%@NL@%%@EH@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"Surrender" is the literal translation of the word Islam.  %@EF@%
%@QR:The Koran@%%@CR:N610KORA30      @%%@2@%   We believe in God, and in that which has been sent down on us and sent%@EH@%
down on Abraham, Ishmael, Isaac and Jacob, and the Tribes, and that which
was given to Moses and Jesus and the Prophets, of their Lord; we make no
division between any of them, and to Him we surrender.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA40      @%%@2@%   A believing slave is better than an idolater, even though ye admire him.%@NL@%%@EH@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA50      @%%@2@%   God will not take you to task for vain words in your oaths, but He will%@EH@%
take you to task for what your hearts have amassed.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA60      @%%@2@%   I [Muhammad] have no power over benefit or hurt to myself except as God%@EH@%
willeth . . . I am only a warner, and a bringer of good tidings to a people
who believe.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA70      @%%@2@%   God sufficeth me: there is no God but He. In Him I put my trust.%@NL@%%@EH@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA80      @%%@2@%   In the alternation of night and day, and what God has created in the%@EH@%
heavens and the earth-surely there are signs for a god-fearing people.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA90      @%%@2@%   Surely God wrongs not men, but themselves men wrong.%@NL@%%@EH@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA100     @%%@2@%   Not so much as the weight of an ant in earth or heaven escapes from the%@EH@%
Lord, neither is aught smaller than that, or greater, but is clearly written
in God's book.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA110     @%%@2@%   God changes not what is in a people, until they change what is in%@EH@%
themselves.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Throughout the Koran, parentheses indicate additions to the Arabic.  %@EF@%
%@QR:The Koran@%%@CR:N610KORA120     @%%@2@%   We [God] never sent a messenger save with the language of his folk, that%@EH@%
he might make (the message) clear for them.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA130     @%%@2@%   Seest thou not how God hath coined a parable? A good word is like a good%@EH@%
tree whose root is firmly fixed, and whose top is in the sky. And it
produces its edible fruit every season, by the permission of its Lord. . . .
And a corrupt word is like a corrupt tree which has been torn off the
ground, and has no fixity. God makes those who believe stand firm in this
life and the next by His firm Word.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA140     @%%@2@%   Our [God's] word to a thing when We will it, is but to say, "Be," and it%@EH@%
is.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA150     @%%@2@%   Glory be to Him who carried His servant by night from the sacred temple%@EH@%
of Mecca to the temple of Jerusalem that is more remote, whose precinct We
have blessed, that We might show him of Our tokens.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA160     @%%@2@%   Thy Lord hath decreed that ye worship none save Him, and (that ye show)%@EH@%
kindness to parents. . . . Lower unto them the wing of submission through
mercy, and say, "My Lord, have mercy on them both as they took care of me
when I was little."%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA170     @%%@2@%   Walk not on the earth exultantly, for thou canst not cleave the earth,%@EH@%
neither shalt thou reach to the mountains in height.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA180     @%%@2@%   They will question thee concerning the soul. Say: "The soul is the%@EH@%
concern of my Lord, and you have been given of knowledge but a little."%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA190     @%%@2@%   They say: "We will not believe thee till thou makest a spring to gush%@EH@%
forth from the earth for us, or . . . bringest God and the angels as a
surety" . . . And naught prevented men from believing when the guidance came
to them, but that they said, "Has God sent forth a mortal as messenger?"
Say: "Had there been in the earth angels walking at peace, We would have
sent down upon them out of heaven an angel as messenger."%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In Arabic: Inshallah.  %@EF@%
%@QR:The Koran@%%@CR:N610KORA200     @%%@2@%   And do not say, regarding anything, "I am going to do that tomorrow," but%@EH@%
only, "if God will."%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA210     @%%@2@%   Wealth and children are the adornment of this present life: but good%@EH@%
works, which are lasting, are better in the sight of thy Lord as to
recompense, and better as to hope.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA220     @%%@2@%   Man says: "How is it possible, when I am dead, that I shall then be%@EH@%
brought forth alive?" Does he not remember that We have created him once,
and that he was nothing then?%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA230     @%%@2@%   Do not the unbelievers see that the skies and the earth were both a solid%@EH@%
mass, and that We clave them asunder, and that by means of water We give
life to everything? Will they not then believe?%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA240     @%%@2@%   O men, if you are in doubt as to the Resurrection, surely We created you%@EH@%
of dust, then of a sperm drop, then of a blood clot, then of a lump of flesh
. . . And thou beholdest the earth blackened; then, when We send down water
upon it, it quivers, and swells, and puts forth herbs of every joyous kind.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA250     @%%@2@%   We [God] charge not any soul save to its ability.%@NL@%%@EH@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA260     @%%@2@%   God is the light of the heavens and of the earth. His light is like a%@EH@%
niche in which is a lamp-the lamp encased in glass-the glass, as it were, a
glistening star. From a blessed tree it is lighted, the olive neither from
the East nor of the West, whose oil would well nigh shine out, even though
fire touched it not. It is light upon light. God guideth whom He will to His
light, and God setteth forth parables to men.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA270     @%%@2@%   As for the unbelievers, their works are as a mirage in a spacious plain%@EH@%
which the man athirst supposes to be water, till, when he comes to it, he
finds it is nothing; there indeed he finds God, and He pays him his account
in full; and God is swift at the reckoning.%@NL@%
Or they are as shadows upon a sea obscure, covered by a billow above which
is a billow, above which are clouds, shadows piled upon one another; when he
puts forth his hand, wellnigh he cannot see it. And to whomsoever God
assigns no light, no light has he.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA280     @%%@2@%   Thou seest the mountains and thou deemest them affixed, (verily) they are%@EH@%
as fleeting as the clouds.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA290     @%%@2@%   Thou truly canst not guide whom thou lovest; but God guideth whom He%@EH@%
will; and He best knoweth those who yield to guidance.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA300     @%%@2@%   The present life is naught but a diversion and a sport; surely the Last%@EH@%
Abode is Life, did they but know.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA310     @%%@2@%   Whosoever surrenders his face to God and performs good deeds, he verily%@EH@%
has grapsed the surest handle, and unto God is the sequel of all things.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA320     @%%@2@%   If whatever trees are in the earth were pens, and He should after that%@EH@%
swell the seas into seven seas of ink, the Words of God would not be
exhausted.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The message conveyed in the Koran.  %@EF@%
%@QR:The Koran@%%@CR:N610KORA330     @%%@2@%   We offered this trust to the heavens and the earth and the mountains, but%@EH@%
they were humbled by it, and shrank from bearing it. Yet, man bore it. Truly
he is ever in the darkness of injustice, and of ignorance.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA340     @%%@2@%   He makes the night seep into the day, and makes the day seep into the%@EH@%
night; He has subordinated the sun and the moon, making each of them journey
towards a preordained time.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA350     @%%@2@%   And on that day no soul shall be wronged at all, nor shall ye be rewarded%@EH@%
for aught but that which ye have done.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA360     @%%@2@%   They say: "We only have the life of this world. We die and we live, and%@EH@%
nothing destroys us but time." Yet, not true knowledge have they of this;
only belief.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA370     @%%@2@%   O true believers, let not men laugh other men to scorn, who peradventure%@EH@%
may be better than themselves. . . . Neither let the one of you speak ill of
another in his absence.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA375     @%%@2@%   The Arabs of the desert say, We believe. Answer, Ye do by no means%@EH@%
believe; but say, We have embraced Islam: for the faith hath not yet entered
into your hearts.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA380     @%%@2@%   We [God] created Man, and We know what his soul whispereth within him;%@EH@%
and We are nearer unto him than his jugular vein.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA390     @%%@2@%   The heart of Muhammad did not falsely represent that which he saw. Will%@EH@%
you therefore dispute with him concerning that which he saw?%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA400     @%%@2@%   O tribe of spirits and of men, if you are able to slip through the%@EH@%
parameters of the skies and the earth, then do so. You shall not pass
through them save with My [the Lord's] authority.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA410     @%%@2@%   He is the first and the last, the manifest and the hidden: and He knoweth%@EH@%
all things.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA420     @%%@2@%   Let every soul look upon the morrow for the deed it has performed.%@NL@%%@EH@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA430     @%%@2@%   Is he, therefore, who goeth groveling upon his face, better directed than%@EH@%
he who walketh upright in a straight way?%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA440     @%%@2@%   Man is a witness unto his deeds.%@NL@%%@EH@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA450     @%%@2@%Recite: In the name of thy Lord who created,%@NL@%%@EH@%
Created Man of a blood clot.%@NL@%
Recite: And thy Lord is the most%@NL@%
Generous, who taught by the Pen,%@NL@%
Taught Man that he knew not.%@NL@%

%@NL@%The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA460     @%%@2@%   Whoso has done an atom's weight of good shall see it; and whoso has done%@EH@%
an atom's weight of evil shall see it.%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Koran@%%@CR:N610KORA470     @%%@2@%   Say: "He is God, One God, the Everlasting Refuge, who has not begotten,%@EH@%
and has not been begotten, and equal to Him is not anyone."%@NL@%
%@NL@%
The Koran
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anonymous%@AE@%%@EH@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N620ANME10      @%%@2@%   Whatever kind of word thou speakest the like shalt thou hear.%@NL@%%@EH@%
%@NL@%
Anonymous, Miscellaneous Early
%@NL@%%@FN@%
Translated by W. R. Paton (Loeb Classical Library).  %@EF@%
The Greek Anthology,
bk.IX, 382

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N620ANME20      @%%@2@%   Envy slays itself by its own arrows.%@NL@%%@EH@%
%@NL@%
Anonymous, Miscellaneous Early
%@NL@%The Greek Anthology,
bk.X, 111

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N620ANME25      @%%@2@%   Give a sop to Cerberus.%@NL@%%@EH@%
%@NL@%
Anonymous, Miscellaneous Early
%@NL@%Greek and Roman saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N620ANME30      @%%@2@%   Give me today, and take tomorrow.%@NL@%%@EH@%
%@NL@%
Anonymous, Miscellaneous Early
%@NL@%Quoted, and condemned, by St. Chrysostom

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N620ANME40      @%%@2@%   One picture is worth more than a thousand words. 1 %@NL@%%@EH@%
%@NL@%
Anonymous, Miscellaneous Early
%@NL@%Chinese proverb

%@NL@%%@AI@%1 See Turgenev%@BO:          43cc6f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N620ANME45      @%%@2@%   Keep a green tree in your heart and perhaps the singing bird will come.%@NL@%%@EH@%
%@NL@%
Anonymous, Miscellaneous Early
%@NL@%Chinese proverb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N620ANME50      @%%@2@%   On the day of victory no one is tired.%@NL@%%@EH@%
%@NL@%
Anonymous, Miscellaneous Early
%@NL@%Arab proverb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N620ANME60      @%%@2@%   Death is afraid of him because he has the heart of a lion.%@NL@%%@EH@%
%@NL@%
Anonymous, Miscellaneous Early
%@NL@%Arab proverb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N620ANME70      @%%@2@%   I came to the place of my birth, and cried, "The friends of my youth,%@EH@%
where are they?" And echo answered, "Where are they?"%@NL@%
%@NL@%
Anonymous, Miscellaneous Early
%@NL@%Arab saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N620ANME75      @%%@2@%   If you have two loaves of bread, sell one and buy a hyacinth.%@NL@%%@EH@%
%@NL@%
Anonymous, Miscellaneous Early
%@NL@%%@FN@%
Quoted also as a Chinese or Greek saying, and in various versions,
including: If you have two pieces of silver, take one and buy a lily.  If
thou of fortune be bereft,/And in thy store there be but left/Two
loaves-sell one, and with the dole/Buy hyacinths to feed thy soul.-James
Terry White [1845-1920], Not by Bread Alone [1907]  %@EF@%
Persian saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N620ANME80      @%%@2@%If only, when one heard%@NL@%%@EH@%
That Old Age was coming%@NL@%
One could bolt the door,%@NL@%
Answer "Not at home"%@NL@%
And refuse to meet him!%@NL@%

%@NL@%Anonymous, Miscellaneous Early
%@NL@%%@FN@%
Translated by Arthur Waley in Anthology of Japanese Literature [1955],
edited by Donald Keene.  %@EF@%
Kokinshu (Collection of Ancient and Modern Poems) [905]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anonymous%@AE@%%@EH@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA10      @%%@2@%   Ab urbe condita [Since the founding of the city (Rome)].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA20      @%%@2@%   Absit omen [May it not be an omen].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA30      @%%@2@%   Acta est fabula [The play is over].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Said at ancient dramatic performances and quoted by Augustus
on his deathbed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA40      @%%@2@%   Actus non facit reum, nisi mens sit rea [The act is not criminal unless%@EH@%
the intent is criminal].%@NL@%
%@NL@%
Anonymous, Latin
%@NL@%Legal maxim

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA50      @%%@2@%   Ad astra per aspera [To the stars through hardships].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Proverb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA60      @%%@2@%Adeste, fideles,%@NL@%%@EH@%
Laeti triumphantes;%@NL@%
Venite, venite in Bethlehem.[O come, all ye faithful,%@NL@%
Joyful and triumphant,%@NL@%
O come ye, O come ye to Bethlehem.]%@NL@%

%@NL@%Anonymous, Latin
%@NL@%Hymn, eighteenth century

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA70      @%%@2@%   Anno aetatis suae . . . [In the year of his age . . . ].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Phrase

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA80      @%%@2@%   Bis dat qui cito dat [He gives twice who gives promptly]. 1  2 %@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%%@AI@%1 See Augustus Caesar%@BO:           df5b8@%%@AE@%
%@AI@%2 See Publilius Syrus%@BO:           dffe7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA85      @%%@2@%   Cave ab homine unius libri [Beware the man of one book]. 1 %@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Quoted by Isaac D'Israel
in Curiosities of Literature [1791-1793]

%@NL@%%@AI@%1 See Sydney Smith%@BO:          34dac2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA90      @%%@2@%   Cave canem [Beware of the dog].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Proverb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA100     @%%@2@%   Caveat emptor [Let the buyer beware].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Proverb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA110     @%%@2@%   Cras amet qui nunquam amavit quique amavit cras amet [Tomorrow let him%@EH@%
love who has never loved and tomorrow let him who has loved love]. 1 %@NL@%
%@NL@%
Anonymous, Latin
%@NL@%Pervigilium Veneris [c. 350], refrain

%@NL@%%@AI@%1 See Parnell%@BO:          2931c8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It takes more than a hood and sad eyes to make a monk.-Albanian proverb  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA120     @%%@2@%   Cucullus non facit monachum [The cowl does not make a monk].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Medieval proverb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA140     @%%@2@%   Cuius regio eius religio [He who controls the area controls the%@EH@%
religion].%@NL@%
%@NL@%
Anonymous, Latin
%@NL@%Proverb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA150     @%%@2@%   De gustibus non disputandum [There is no accounting for tastes].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Proverb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA160     @%%@2@%   De minimis non curat lex [The law is not concerned with trifles].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Legal maxim

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA170     @%%@2@%   Deus vult [God wills it].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Motto of the Crusades [1095]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Abbreviated DMS.  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA180     @%%@2@%   Dis manibus sacrum [Sacred to the departed spirit(s)].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Tombstone inscription

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA190     @%%@2@%   Divide et impera [Divide and rule].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Ancient political maxim cited by Machiavelli

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA200     @%%@2@%   Errare humanum est [To err is human]. 1  2  3 %@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%%@AI@%1 See Plutarch%@BO:           f467f@%%@AE@%
%@AI@%2 See Shirley%@BO:          229ffb@%%@AE@%
%@AI@%3 See Pope%@BO:          299f61@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
That is, Even in Arcadia there am I [Death].  Bartolommeo Schidoni
[1560-1616] wrote: Et ego in Arcadia vixi [I too have lived in Arcadia].
Poussin, Reynolds, and others used this phrase in their paintings. E.
Panofsky discusses the phrase in Philosophy and History: Essays Presented to
E. Cassirer [1936].  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA210     @%%@2@%   Et in Arcadia ego [I too am in Arcadia].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Inscription on a tomb in a painting [c. 1623] byGuercino
[1591-1666]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Literally: From the claw a lion.  See Herodotus  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA240     @%%@2@%   Ex ungue leonem [From his claw one can tell a lion].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also familiar as: Fiat justitia et ruant coeli [Let justice be done though
the heavens fall].  And as: Fiat justitia et pereat mundus [Let justice be
done though the world perish].  See J. Q. Adams  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA243     @%%@2@%   Fiat justitia ruat coelum [Let justice be done though heaven should%@EH@%
fall].%@NL@%
%@NL@%
Anonymous, Latin
%@NL@%Proverb, sometimes attributed toLucius Calpurnius Piso Caesoninus
[d. 43 b.c.]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA250     @%%@2@%   Finis coronat opus [The end crowns the work]. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%%@AI@%1 See Heywood%@BO:          13a4de@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          1cf4d5@%%@AE@%
%@AI@%3 See Herrick%@BO:          21dad1@%%@AE@%
%@AI@%4 See Quarles%@BO:          220b52@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA260     @%%@2@%   Flagrante delicto ["Red-handed"].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA270     @%%@2@%   Fluctuat nec mergitur [It tosses but doesn't sink].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA280     @%%@2@%Gaudeamus igitur,%@NL@%%@EH@%
Iuvenes dum sumus.[Let us live then and be glad%@NL@%
While young life is before us.]%@NL@%

%@NL@%Anonymous, Latin
%@NL@%Students' song [c. 1267]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The person of the accused.  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA290     @%%@2@%   Habeas corpus [You are to produce the person].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Legal phrase

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA300     @%%@2@%   Hannibal ad portas! [Hannibal is at the gates!]%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA310     @%%@2@%   In vino veritas [In wine is truth]. 1 %@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Proverb quoted by Plato, Symposium 217

%@NL@%%@AI@%1 See Alcaeus%@BO:           89ec1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA320     @%%@2@%   Ipse dixit [He himself said it]. 1 %@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Phrase of "proof"

%@NL@%%@AI@%1 See W. S. Gilbert%@BO:          4aa7d5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA330     @%%@2@%   Ius est ars boni et aequi [Legal justice is the art of the good and the%@EH@%
fair].%@NL@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA340     @%%@2@%   Mater artium necessitas [Necessity is the mother of invention]. 1 %@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%%@AI@%1 See Persius%@BO:           ede99@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA350     @%%@2@%   Mors ultima ratio [Death is the final accounting].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA360     @%%@2@%   Nemo me impune lacessit [No one provokes me with impunity].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Motto of the Crown of Scotland

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also quoted as: Ne quid nimis.  See The Seven Sages, Terence, Horace, Lucan,
and Voltaire  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA370     @%%@2@%   Nihil nimis [Nothing in excess].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I.e., Not quantity but quality.  See Seneca  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA380     @%%@2@%   Non multa sed multum [Not many but much].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Proverb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA390     @%%@2@%   Orare est laborare, laborare est orare [To pray is to work, to work is to%@EH@%
pray].%@NL@%
%@NL@%
Anonymous, Latin
%@NL@%Ancient motto of the Benedictine order

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA400     @%%@2@%   Parvis e glandibus quercus [Tall oaks from little acorns grow].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA410     @%%@2@%   Pereant qui nostra ante nos dixerunt [May they perish who have used our%@EH@%
words before us].%@NL@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA415     @%%@2@%   Piscem natare doces [You're teaching a fish to swim].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA420     @%%@2@%   Post hoc, ergo propter hoc [After this, therefore because of this].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Definition of fallacy in logic

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA430     @%%@2@%   Primus inter pares [First among equals].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA440     @%%@2@%   Pro bono publico [For the public good].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA445     @%%@2@%   Quos [or Quem] deus vult perdere prius dementat [Those whom God wishes to%@EH@%
destroy, he first makes mad.] 1 %@NL@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%%@AI@%1 See Euripides%@BO:           a42e6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Abbreviated RIP.  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA450     @%%@2@%   Requiescat in pace [May he rest in peace; May she rest in peace].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA460     @%%@2@%   Res iudicata pro veritate habetur [A matter which has been legally%@EH@%
decided is considered true].%@NL@%
%@NL@%
Anonymous, Latin
%@NL@%Legal maxim

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA465     @%%@2@%   Ruat coelum, fiat voluntas tua [Though heaven should fall, let thy will%@EH@%
be done].%@NL@%
%@NL@%
Anonymous, Latin
%@NL@%Proverb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA470     @%%@2@%   Salus populi suprema lex [The people's safety is the highest law].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Legal and political maxim

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA480     @%%@2@%   Semper fidelis [Ever faithful].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA490     @%%@2@%   Sic semper tyrannis 1  [Thus always to tyrants].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%%@AI@%1 See John Wilkes Booth%@BO:          4b9856@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Abbreviated STTL.  See Euripides, Beaumont and Fletcher, and Twain  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA500     @%%@2@%   Sit tibi terra levis [May the earth rest lightly on you].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Tombstone inscription

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I.e., Extreme legal justice.  See Terence  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA510     @%%@2@%   Summum ius summa iniuria [Extreme justice is extreme injustice].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Legal maxim cited by Cicero in De Officiis, I, 10, 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by John Owen in Epigrams [1615]. Also quoted by Raphael Holinshed
in Chronicles of England [1578].  See Spencer  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA515     @%%@2@%   Tempora mutantur, nos et mutamur in illis [Times change, and we change%@EH@%
with them too].%@NL@%
%@NL@%
Anonymous, Latin
%@NL@%From Owen's Epigrammata [1615]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA520     @%%@2@%   Testis unus testis nullus [A single witness is no witness].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Legal maxim

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA530     @%%@2@%   Ubi bene ibi patria [Where one is happy, there's one's homeland].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rome.  %@EF@%
%@QR:Anonymous@%%@CR:N625ANLA540     @%%@2@%   Urbi et orbi [To the city and to the world].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Apostolic blessing

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA550     @%%@2@%   Vade in pace [Go in peace].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%End of confessional absolution

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA560     @%%@2@%   Vae victis! [Woe to the conquered!]%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%From Livy, History, bk. V, sec. 48,
as said by Brennus to the Romans

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anonymous@%%@CR:N625ANLA570     @%%@2@%   Volenti non fit iniuria [To a person who consents no injustice is done].%@NL@%%@EH@%
%@NL@%
Anonymous, Latin
%@NL@%Legal maxim

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Caedmon%@AE@%%@EH@%
%@NL@%
%@AB@%fl. 670%@AE@%
%@NL@%%@NL@%

%@QR:Caedmon@%%@CR:N630CAED10      @%%@2@%Light was first%@NL@%%@EH@%
Through the Lord's word%@NL@%
Named day:%@NL@%
Beauteous, bright creation!%@NL@%

%@NL@%Caedmon
%@NL@%%@FN@%
From the text of Benjamin Thorpe [1782-1870].  %@EF@%
Creation.The First Day

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Caedmon@%%@CR:N630CAED20      @%%@2@%The fiend with all his comrades%@NL@%%@EH@%
Fell then from heaven above,%@NL@%
Through as long as three nights and days,%@NL@%
The angels from heaven into hell;%@NL@%
And them all the Lord transformed to devils,%@NL@%
Because they his deed and word%@NL@%
Would not revere.%@NL@%

%@NL@%Caedmon
%@NL@%Creation.The Fall of the Rebel Angels

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Bede%@AE@%%@EH@%
%@NL@%Venerable Bede
%@AB@%c. 672 - c. 735%@AE@%
%@NL@%%@NL@%

%@QR:Bede@%%@QR:Venerable Bede@%%@CR:N672BEDE10      @%%@2@%   It is better never to begin a good work than, having begun it, to stop.%@NL@%%@EH@%
%@NL@%
Bede
%@NL@%Ecclesiastical History of the English People, bk. I, ch. 23

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%St. John , of Damascus%@AE@%%@EH@%
%@NL@%
%@AB@%c. 700 - c. 760%@AE@%
%@NL@%%@NL@%

%@FN@%
This is the most frequently quoted definition of God in the Middle Ages. It
is based on St. Gregory of Nazianzus [c. 330-390], Oration 38.  %@EF@%
%@QR:St. John , of Damascus@%%@CR:N700JOHD10      @%%@2@%   God is a sea of infinite substance.%@NL@%%@EH@%
%@NL@%
St. John , of Damascus
%@NL@%De Fide Orthodoxa, bk. I, ch. 9

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alcuin%@AE@%%@EH@%
%@NL@%
%@AB@%735-804%@AE@%
%@NL@%%@NL@%

%@QR:Alcuin@%%@CR:N735ALCU10      @%%@2@%   The voice of the people is the voice of God [Vox populi vox Dei]. 1 %@NL@%%@EH@%
%@NL@%
Alcuin
%@NL@%Letter to Charlemagne [a.d. 800]

%@NL@%%@AI@%1 See Pope%@BO:          2a5a43@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alcuin@%%@CR:N735ALCU30      @%%@2@%Here halt, I pray you, make a little stay,%@NL@%%@EH@%
O wayfarer, to read what I have writ,%@NL@%
And know by my fate what thy fate shall be.%@NL@%
What thou art now, wayfarer, world renowned,%@NL@%
I was: what I am now, so shall thou be.%@NL@%
The world's delight I followed with a heart%@NL@%
Unsatisfied: ashes am I, and dust.%@NL@%

%@NL@%Alcuin
%@NL@%%@FN@%
Translated by Helen Waddell.  %@EF@%
His Own Epitaph

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alcuin@%%@CR:N735ALCU40      @%%@2@%   Alcuin was my name: learning I loved.%@NL@%%@EH@%
%@NL@%
Alcuin
%@NL@%His Own Epitaph

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ono no Komachi%@AE@%%@EH@%
%@NL@%
%@AB@%Ninth century%@AE@%
%@NL@%%@NL@%

%@QR:Ono no Komachi@%%@CR:N810ONON10      @%%@2@%The flowers withered,%@NL@%%@EH@%
Their color faded away,%@NL@%
While meaninglessly%@NL@%
I spent my days in the world%@NL@%
And the long rains were falling.%@NL@%

%@NL@%Ono no Komachi
%@NL@%%@FN@%
Translated by Donald Keene in his Anthology of Japanese Literature [1955].  %@EF@%
Kokinshu [905]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ono no Komachi@%%@CR:N810ONON20      @%%@2@%This night of no moon%@NL@%%@EH@%
There is no way to meet him.%@NL@%
I rise in longing-%@NL@%
My breast pounds, a leaping flame,%@NL@%
My heart is consumed in fire.%@NL@%

%@NL@%Ono no Komachi
%@NL@%Kokinshu [905]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ching Hao%@AE@%%@EH@%
%@NL@%
%@AB@%fl. 925%@AE@%
%@NL@%%@NL@%

%@QR:Ching Hao@%%@CR:N895CHIH10      @%%@2@%   There are Six Essentials in painting. The first is called spirit; the%@EH@%
second, rhythm; the third, thought; the fourth, scenery; the fifth, the
brush; and the last is the ink.%@NL@%
%@NL@%
Ching Hao
%@NL@%%@FN@%
From The Spirit of the Brush, translated by Shio Sakanishi [Wisdom of the
East Series, 1957].  %@EF@%
Notes on Brushwork

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ching Hao@%%@CR:N895CHIH20      @%%@2@%   Resemblance reproduces the formal aspect of objects, but neglects their%@EH@%
spirit; truth shows the spirit and substance in like perfection.%@NL@%
%@NL@%
Ching Hao
%@NL@%Notes on Brushwork

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sei Shonagon%@AE@%%@EH@%
%@NL@%
%@AB@%b. 966%@AE@%
%@NL@%%@NL@%

%@QR:Sei Shonagon@%%@CR:N966SEIS10      @%%@2@%   If someone with whom one is having an affair keeps on mentioning some%@EH@%
woman whom he knew in the past, however long ago it is since they separated,
one is always irritated.%@NL@%
%@NL@%
Sei Shonagon
%@NL@%%@FN@%
Translated by Donald Keene in his Anthology of Japanese Literature [1955].  %@EF@%
Makura no Soshi [c. 1002]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Shikibu Murasaki%@AE@%%@EH@%
%@NL@%
%@AB@%c. 978-1031%@AE@%
%@NL@%%@NL@%

%@QR:Shikibu Murasaki@%%@QR:Murasaki@%%@CR:N978MURS10      @%%@2@%   The art of the novel] happens because the storyteller's own experience of%@EH@%
men and things, whether for good or ill-not only what he has passed through
himself, but even events which he has only witnessed or been told of-has
moved him to an emotion so pas-sionate that he can no longer keep it shut up
in his heart.%@NL@%
%@NL@%
Shikibu Murasaki
%@NL@%%@FN@%
Translated by Arthur Waley.  See Motoori  %@EF@%
The Tale of Genji [c. 1000]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Shikibu Murasaki@%%@QR:Murasaki@%%@CR:N978MURS20      @%%@2@%   Anything whatsoever may become the subject of a novel, provided only that%@EH@%
it happens in this mundane life and not in some fairyland beyond our human
ken.%@NL@%
%@NL@%
Shikibu Murasaki
%@NL@%%@FN@%
Translated by Arthur Waley.  See Motoori  %@EF@%
The Tale of Genji [c. 1000]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Primary Chronicle%@AE@%%@EH@%
%@AB@%1040-1118%@AE@%
%@FN@%
The earliest of the Russian chronicles or annals, begun in 1040 and
continued through 1118 by various annalists, gives the record of Russian
history since 852. It was copied several times and incorporated into later
chronicles as the beginning. These quotations are from the Laurentian
version, copied in 1377, translated by Samuel Cross.  %@EF@%
%@NL@%%@NL@%

%@QR:The Primary Chronicle@%%@CR:N1000PRIC10     @%%@2@%   The Chuds, the Slavs and the Krivchians then said to the peoples of Rus:%@EH@%
"Our whole land is great and rich, but there is no order in it. Come to rule
and reign over us."%@NL@%
%@NL@%
The Primary Chronicle
%@NL@%Annal for the years 860-862:
Invitation of the Varangians to Novgorod

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Primary Chronicle@%%@CR:N1000PRIC20     @%%@2@%   Then we went to Greece, and the Greeks led us to the edifices where they%@EH@%
worship their God, and we knew not whether we were in heaven or on earth.
For on earth there is no such splendor or such beauty, and we are at a loss
how to describe it. We only know that God dwells there among men, and their
service is fairer than the ceremonies of other nations.%@NL@%
%@NL@%
The Primary Chronicle
%@NL@%Annal for the year 987: Vladimir's Christianization of Russia

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Primary Chronicle@%%@CR:N1000PRIC30     @%%@2@%   It is the Russians' joy to drink; we cannot do without it.%@NL@%%@EH@%
%@NL@%
The Primary Chronicle
%@NL@%Annal for the year 987: Vladimir's Christianization of Russia

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%St. Anselm%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1033-1109%@AE@%
%@NL@%%@NL@%

%@FN@%
This is commonly referred to as the ontological argument for the existence
of God, and derives from St. Augustine, De Doctrina Christiana, bk. I, ch.
7. It is also to be found in Descartes, Third Meditation.  %@EF@%
%@QR:St. Anselm@%%@CR:N1033ANSE10     @%%@2@%   God is that, the greater than which cannot be conceived.%@NL@%%@EH@%
%@NL@%
St. Anselm
%@NL@%Proslogion, ch. 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Abu Muhammad al-Kasim al- Hariri%@AE@%%@EH@%
%@NL@%Abu Muhammad al-Kasim al-Hariri
%@AB@%1054-1122%@AE@%
%@NL@%%@NL@%

%@QR:Abu Muhammad al-Kasim al- Hariri@%%@QR:Hariri@%%@QR:Abu Muhammad al-Kasim al-Hariri@%%@CR:N1054HARA10     @%%@2@%We praise Thee, O God,%@NL@%%@EH@%
For whatever perspicuity of language Thou hast taught us%@NL@%
And whatever eloquence Thou hast inspired us with.%@NL@%

%@NL@%Abu Muhammad al-Kasim al- Hariri
%@NL@%Makamat. Prayer

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Peter Abelard%@AE@%%@EH@%
%@NL@%
%@AB@%1079-1142%@AE@%
%@NL@%%@NL@%

%@FN@%
O quanta qualia sunt illa sabbata,/Quae semper celebrat superna curia.
Translated by John Mason Neale [1884].  %@EF@%
%@QR:Peter Abelard@%%@QR:Abelard@%%@CR:N1079ABEP10     @%%@2@%O what their joy and their glory must be,%@NL@%%@EH@%
Those endless sabbaths the blessed ones see!%@NL@%

%@NL@%Peter Abelard
%@NL@%Hymnus Paraclitensis

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Abelard@%%@QR:Abelard@%%@CR:N1079ABEP30     @%%@2@%   Against the disease of writing one must take special precautions, since%@EH@%
it is a dangerous and contagious disease.%@NL@%
%@NL@%
Peter Abelard
%@NL@%Letter 8, Abelard to Heloise
 1

%@NL@%%@AI@%1 See Heloise%@CF:N1101HELO       @%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%St. Bernard%@AE@%%@EH@%
%@NL@%
%@AB@%1091-1153%@AE@%
%@NL@%%@NL@%

%@QR:St. Bernard@%%@CR:N1091BERN10     @%%@2@%   You will find something more in woods than in books. Trees and stones%@EH@%
will teach you that which you can never learn from masters. 1  2 %@NL@%
%@NL@%
St. Bernard
%@NL@%Epistle106

%@NL@%%@AI@%1 See Shakespeare%@BO:          1ab0c1@%%@AE@%
%@AI@%2 See Wordsworth%@BO:          33b453@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Liberavi animam meam.  %@EF@%
%@QR:St. Bernard@%%@CR:N1091BERN20     @%%@2@%   I have liberated my soul.%@NL@%%@EH@%
%@NL@%
St. Bernard
%@NL@%Epistle371

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Hell is full of good meanings and wishings.-George Herbert, Jacula Prudentum
[1651], no. 170  Hell is paved with good intentions.-John Ray, English
Proverbs [1670]  Quoted by Samuel Johnson [1775]; from Boswell, Life of
Johnson [1791], vol. I, p. 555 (Everyman edition)  Hell is paved with good
intentions, not with bad ones.-George Bernard Shaw [1856-1950], Maxims for
Revolutionists  %@EF@%
%@QR:St. Bernard@%%@CR:N1091BERN40     @%%@2@%   Hell is full of good intentions or desires.%@NL@%%@EH@%
%@NL@%
St. Bernard
%@NL@%Attributed. From St. Francis de Sales, Letter 74

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Song of Roland%@AE@%%@EH@%
%@AB@%Eleventh century%@AE@%
%@NL@%%@NL@%

%@FN@%
Compagnon Roland sonnez de votre oliphant.  %@EF@%
%@QR:Song of Roland@%%@CR:N1095ROLS10     @%%@2@%   Friend Roland, sound your horn.%@NL@%%@EH@%
%@NL@%
Song of Roland
%@NL@%La Chanson de Roland,l. 1070

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Roland est preux et Oliver est sage.  A Roland for an Oliver. I.e., a blow
for a blow, tit for tat, referring to the drawn combat between Roland and
Oliver.  %@EF@%
%@QR:Song of Roland@%%@CR:N1095ROLS30     @%%@2@%   Roland is valorous and Oliver is wise.%@NL@%%@EH@%
%@NL@%
Song of Roland
%@NL@%La Chanson de Roland,l. 1093

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Heloise%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1101 - c. 1164%@AE@%
%@NL@%%@NL@%

%@QR:Heloise@%%@CR:N1101HELO10     @%%@2@%   Riches and power are but gifts of blind fate, whereas goodness is the%@EH@%
result of one's own merits.%@NL@%
%@NL@%
Heloise
%@NL@%Letter 2, Heloise to Abelard

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Archpoet%@AE@%%@EH@%
%@NL@%
%@AB@%Twelfth century%@AE@%
%@NL@%%@NL@%

%@FN@%
In taberna mori/ut sint vina proxima/morientis ori.  See Walter Map and
Johnson  %@EF@%
%@QR:The Archpoet@%%@CR:N1110ARCH10     @%%@2@%   Let me die in a tavern so that the wine may be near my dying mouth.%@NL@%%@EH@%
%@NL@%
The Archpoet
%@NL@%Confessio

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gratian%@AE@%%@EH@%
%@NL@%Franciscus Gratianus
%@AB@%Twelfth century%@AE@%
%@NL@%%@NL@%

%@FN@%
Also attributed to Gregory Sereno, bishop of Massilia (Marseilles), Letter
9.  %@EF@%
%@QR:Gratian@%%@QR:Franciscus Gratianus@%%@CR:N1110GRAT10     @%%@2@%   Paintings are the Bible of the laity.%@NL@%%@EH@%
%@NL@%
Gratian
%@NL@%Decretum, pt. III

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Poem of the Cid%@AE@%%@EH@%
%@AB@%Twelfth century%@AE@%
%@FN@%
Translated by W. S. Merwin.  %@EF@%
%@NL@%%@NL@%

%@QR:Poem of the Cid@%%@CR:N1112CIDP10     @%%@2@%   Were his lord but worthy, God, how fine a vassal.%@NL@%%@EH@%
%@NL@%
Poem of the Cid
%@NL@%l. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Poem of the Cid@%%@CR:N1112CIDP20     @%%@2@%   Thus parted the one from the others as the nail from the flesh.%@NL@%%@EH@%
%@NL@%
Poem of the Cid
%@NL@%l. 375

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Poem of the Cid@%%@CR:N1112CIDP30     @%%@2@%   Who serves a good lord lives always in luxury.%@NL@%%@EH@%
%@NL@%
Poem of the Cid
%@NL@%l. 850

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Poem of the Cid@%%@CR:N1112CIDP40     @%%@2@%   One would grow poor staying in one place always.%@NL@%%@EH@%
%@NL@%
Poem of the Cid
%@NL@%l. 948

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Frederick I%@AE@%%@EH@%
%@NL@%Barbarossa
%@AB@%1122-1190%@AE@%
%@NL@%%@NL@%

%@QR:Frederick I@%%@QR:Barbarossa@%%@CR:N1122FRED10     @%%@2@%   An emperor is subject to no one but God and Justice.%@NL@%%@EH@%
%@NL@%
Frederick I
%@NL@%From Julius Wilhelm Zincgref,
Apophthegmata, bk. I [1626]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Averroes%@AE@%%@EH@%
%@NL@%
%@AB@%1126-1198%@AE@%
%@NL@%%@NL@%

%@FN@%
The classic definition of epistemology, still commented on today and used by
the Neo-Thomists.  %@EF@%
%@QR:Averroes@%%@CR:N1126AVER10     @%%@2@%   Knowledge is the conformity of the object and the intellect.%@NL@%%@EH@%
%@NL@%
Averroes
%@NL@%Destructio Destructionum

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry II%@AE@%%@EH@%
%@NL@%
%@AB@%1133-1189%@AE@%
%@NL@%%@NL@%

%@FN@%
Thomas a Becket.  %@EF@%
%@QR:Henry II@%%@CR:N1133HENR10     @%%@2@%   Who will free me from this turbulent priest?%@NL@%%@EH@%
%@NL@%
Henry II
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Maimonides%@AE@%%@EH@%
%@NL@%Moses ben Maimon
%@AB@%1135-1204%@AE@%
%@NL@%%@NL@%

%@QR:Maimonides@%%@QR:Moses ben Maimon@%%@CR:N1135MAIM10     @%%@2@%   Anticipate charity by preventing poverty; assist the reduced fellowman,%@EH@%
either by a considerable gift, or a sum of money, or by teaching him a
trade, or by putting him in the way of business, so that he may earn an
honest livelihood, and not be forced to the dreadful alternative of holding
out his hand for charity. This is the highest step and the summit of
charity's golden ladder. 1  2  3 %@NL@%
%@NL@%
Maimonides
%@NL@%Charity's Eight Degrees

%@NL@%%@AI@%1 See Spinoza%@BO:          26fc8c@%%@AE@%
%@AI@%2 See Johnson%@BO:          2c3029@%%@AE@%
%@AI@%3 See Andrew Carnegie%@BO:          49d857@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Walter Map%@AE@%%@EH@%
%@NL@%Mapes
%@AB@%c. 1140 - c. 1210%@AE@%
%@NL@%%@NL@%

%@FN@%
Meum est propositum in taberna mori;/Vinum sit appositum morientis ori.  See
the Archpoet  %@EF@%
%@QR:Walter Map@%%@QR:Map@%%@QR:Mapes@%%@QR:Mapes@%%@CR:N1140MAPW10     @%%@2@%   I intend to die in a tavern; let the wine be placed near my dying mouth,%@EH@%
so that when the choirs of angels come, they may say, "God be merciful to
this drinker!"%@NL@%
%@NL@%
Walter Map
%@NL@%De Nugis Curialium

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alain de Lille%@AE@%%@EH@%
%@NL@%Alanus de Insulis
%@AB@%d. 1202%@AE@%
%@NL@%%@NL@%

%@FN@%
Non teneas aurum totum quod splendet ut aurum [All that glitters is not
gold].  This was considered a common proverb which had its roots in a Latin
translation from Aristotle: Yellow-colored objects appear to be
gold.-Elenchi, bk. I, ch. 1  Hyt is not al gold that glareth.-Chaucer, The
House of Fame [1374-1385], bk. I, l. 272  But al thyng which that shineth as
the gold/Nis nat gold, as that I have herd it told.-The Canterbury Tales [c.
1387], The Canon's Yeoman's Tale, l. 962  All is not gold that outward
showeth bright.-Lydgate [c. 1370-c. 1451], On the Mutability of Human
Affairs  Non omne quod fulget est aurum.-Gabriel Biel [d. 1495], Expositio
Canonis Messe, lecture 77, derived from William of Auvergne [d. 1249]. This
is the Latin version closest to the proverb as commonly known.  All that
glisters is not gold-/Often have you heard that told.-Shakespeare, Merchant
of Venice [15961597], act II, sc. vii, l. 65  %@EF@%
%@QR:Alain de Lille@%%@QR:Alanus de Insulis@%%@CR:N1142ALAI10     @%%@2@%   Do not hold as gold all that shines as gold.%@NL@%%@EH@%
%@NL@%
Alain de Lille
%@NL@%Parabolae

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Kamo no Chomei%@AE@%%@EH@%
%@NL@%
%@AB@%1153-1216%@AE@%
%@NL@%%@NL@%

%@QR:Kamo no Chomei@%%@CR:N1153KAMC10     @%%@2@%   The flow of the river is ceaseless and its water is never the same. 1%@EH@%
The bubbles that float in the pools, now vanishing, now forming, are not of
long duration: so in the world are man and his dwellings. . . . [People] die
in the morning, they are born in the evening, like foam on the water.%@NL@%
%@NL@%
Kamo no Chomei
%@NL@%%@FN@%
Translated by Donald Keene in his Anthology of Japanese Literature [1955].  %@EF@%
Hojoki (An Account of My Hut) [1212]

%@NL@%%@AI@%1 See Heraclitus%@BO:           95eba@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Kamo no Chomei@%%@CR:N1153KAMC20     @%%@2@%   He who complies with the ways of the world may be impoverished thereby;%@EH@%
he who does not, appears deranged. Wherever one may live, whatever work one
may do, is it possible even for a moment to find a haven for the body or
peace for the mind?%@NL@%
%@NL@%
Kamo no Chomei
%@NL@%Hojoki (An Account of My Hut) [1212]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Kamo no Chomei@%%@CR:N1153KAMC30     @%%@2@%   Only in a hut built for the moment can one live without fears.%@NL@%%@EH@%
%@NL@%
Kamo no Chomei
%@NL@%Hojoki (An Account of My Hut) [1212]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Kamo no Chomei@%%@CR:N1153KAMC40     @%%@2@%   My body is like a drifting cloud-I ask for nothing, I want nothing.%@NL@%%@EH@%
%@NL@%
Kamo no Chomei
%@NL@%Hojoki (An Account of My Hut) [1212]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Fujiwara no Teika%@AE@%%@EH@%
%@NL@%
%@AB@%1162-1241%@AE@%
%@NL@%%@NL@%

%@QR:Fujiwara no Teika@%%@CR:N1162FUJT10     @%%@2@%   In the expression of the emotions originality merits the first%@EH@%
consideration. . . . The words used, however, should be old ones.%@NL@%
%@NL@%
Fujiwara no Teika
%@NL@%%@FN@%
From Sources of Japanese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
Guide to the Composition of Poetry

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fujiwara no Teika@%%@CR:N1162FUJT20     @%%@2@%   There are no teachers of Japanese poetry. But they who take the old poems%@EH@%
as their teachers, steep their minds in the old style, and learn their words
from the masters of former time-who of them will fail to write poetry? 1  2 %@NL@%
%@NL@%
Fujiwara no Teika
%@NL@%Guide to the Composition of Poetry

%@NL@%%@AI@%1 See Horace%@BO:           ded1e@%%@AE@%
%@AI@%2 See Hsieh Ho%@BO:          104655@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Hartmann von Aue%@AE@%%@EH@%
%@NL@%Hartmann von Aue
%@AB@%c. 1170 - c. 1215%@AE@%
%@NL@%%@NL@%

%@QR:Hartmann von Aue@%%@QR:Hartmann von Aue@%%@QR:Aue@%%@CR:N1170HART10     @%%@2@%He who helps in the saving of others,%@NL@%%@EH@%
Saves himself as well.%@NL@%

%@NL@%Hartmann von Aue
%@NL@%Poor Henry

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Walther von der Vogelweide%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1170 - c. 1230%@AE@%
%@NL@%%@NL@%

%@FN@%
D[ocirc ] der sumer komen was,/Und die blumen dur daz gras/Wunnecl[acirc
]chen sprungen,/Aed[acirc ] die vogele sungen.  %@EF@%
%@QR:Walther von der Vogelweide@%%@CR:N1170WALV10     @%%@2@%Now the summer came to pass%@NL@%%@EH@%
And flowers through the grass%@NL@%
Joyously sprang,%@NL@%
While all the tribes of birds sang.%@NL@%

%@NL@%Walther von der Vogelweide
%@NL@%Dream Song, st. 1
 1  2

%@NL@%%@AI@%1 See Anonymous%@BO:          681459@%%@AE@%
%@AI@%2 See Pound%@BO:          5bd746@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Margaret F. Richey.  %@EF@%
%@QR:Walther von der Vogelweide@%%@CR:N1170WALV30     @%%@2@%This was ever the world's distempered will:%@NL@%%@EH@%
Fools have always mocked and spurned the wise.%@NL@%
These shall be judged according to their lies.%@NL@%

%@NL@%Walther von der Vogelweide
%@NL@%Lament, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Jethro Bithell.  %@EF@%
%@QR:Walther von der Vogelweide@%%@CR:N1170WALV40     @%%@2@%The sun no longer shows%@NL@%%@EH@%
His face; and treason sows%@NL@%
His secret seeds that no man can detect;%@NL@%
Fathers by their children are undone;%@NL@%
The brother would the brother cheat;%@NL@%
And the cowled monk is a deceit . . . %@NL@%
Might is right, and justice there is none.%@NL@%

%@NL@%Walther von der Vogelweide
%@NL@%Millennium

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Herbort von Fritzlar%@AE@%%@EH@%
%@NL@%
%@AB@%fl. c. 1210%@AE@%
%@NL@%%@NL@%

%@QR:Herbort von Fritzlar@%%@CR:N1180HERB10     @%%@2@%   The cart has no place where a fifth wheel could be used.%@NL@%%@EH@%
%@NL@%
Herbort von Fritzlar
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%
%@1@%%@AB@%Eike von Repkow%@AE@%%@EH@%
%@NL@%Eike von Repkow
%@AB@%fl. c. 1220%@AE@%
%@NL@%%@NL@%

%@FN@%
Familiar as: First come first served.  %@EF@%
%@QR:Eike von Repkow@%%@QR:Eike von Repkow@%%@QR:Repkow@%%@CR:N1181EIKE10     @%%@2@%   He who comes first, eats first.%@NL@%%@EH@%
%@NL@%
Eike von Repkow
%@NL@%Sachsenspiegel [1219-1233]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%St. Francis , of Assisi%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1181-1226%@AE@%
%@FN@%
Translated by Leo Sherley-Price.  %@EF@%
%@NL@%%@NL@%

%@QR:St. Francis , of Assisi@%%@CR:N1181FRAN10     @%%@2@%Praise to thee, my Lord, for all thy creatures,%@NL@%%@EH@%
Above all Brother Sun%@NL@%
Who brings us the day and lends us his light.%@NL@%

%@NL@%St. Francis , of Assisi
%@NL@%The Song of Brother Sun and of All His Creatures [1225]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Francis , of Assisi@%%@CR:N1181FRAN20     @%%@2@%Love is he, radiant with great splendor,%@NL@%%@EH@%
And speaks to us of Thee, O Most High.%@NL@%

%@NL@%St. Francis , of Assisi
%@NL@%The Song of Brother Sun and of All His Creatures [1225]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Francis , of Assisi@%%@CR:N1181FRAN30     @%%@2@%   Where there is charity and wisdom, there is neither fear nor ignorance.%@EH@%
Where there is patience and humility, there is neither anger nor vexation.
Where there is poverty and joy, there is neither greed nor avarice. Where
there is peace and meditation, there is neither anxiety nor doubt.%@NL@%
%@NL@%
St. Francis , of Assisi
%@NL@%The Counsels of the Holy Father St. Francis. Admonition 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Francis , of Assisi@%%@CR:N1181FRAN40     @%%@2@%   Lord, make me an instrument of Your peace. Where there is hatred let me%@EH@%
sow love; where there is injury, pardon; where there is doubt, faith; where
there is despair, hope; where there is darkness, light; and where there is
sadness, joy.%@NL@%
O divine Master, grant that I may not so much seek to be consoled as to
console; to be understood as to understand; to be loved as to love. For it
is in giving that we receive; it is in pardoning that we are pardoned; and
it is in dying that we are born to eternal life.%@NL@%
%@NL@%
St. Francis , of Assisi
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Francis , of Assisi@%%@CR:N1181FRAN50     @%%@2@%   I have sinned against my brother the ass.%@NL@%%@EH@%
%@NL@%
St. Francis , of Assisi
%@NL@%Dying words

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Magna Carta%@AE@%%@EH@%
%@AB@%1215%@AE@%
%@NL@%%@NL@%

%@QR:Magna Carta@%%@CR:N1183MAGC10     @%%@2@%   No freeman shall be taken, or imprisoned, or outlawed, or exiled, or in%@EH@%
any way harmed, nor will we go upon him nor will we send upon him, except by
the legal judgment of his peers or by the law of the land.%@NL@%
%@NL@%
Magna Carta
%@NL@%Clause 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Magna Carta@%%@CR:N1183MAGC20     @%%@2@%   To none will we sell, to none deny or delay, right or justice.%@NL@%%@EH@%
%@NL@%
Magna Carta
%@NL@%Clause 40

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Tommaso di Celano%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1185 - c. 1255%@AE@%
%@NL@%%@NL@%

%@FN@%
Dies irae, dies illa/Solvet saeclum in favilla,/Teste David cum Sibylla.
Translated by W. J. Irons [1849]. This has been attributed also to St.
Gregory and St. Bernard.  See Roscommon, and Scott  %@EF@%
%@QR:Tommaso di Celano@%%@CR:N1185TOMC10     @%%@2@%Day of wrath! O day of mourning!%@NL@%%@EH@%
See fulfilled the prophets' warning,%@NL@%
Heaven and earth in ashes burning!%@NL@%

%@NL@%Tommaso di Celano
%@NL@%Dies Irae

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Roger Bacon%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1214 - c. 1294%@AE@%
%@NL@%%@NL@%

%@QR:Roger Bacon@%%@QR:Bacon@%%@CR:N1214BACR10     @%%@2@%   If in other sciences we should arrive at certainty without doubt and%@EH@%
truth without error, it behooves us to place the foundations of knowledge in
mathematics. 1 %@NL@%
%@NL@%
Roger Bacon
%@NL@%%@FN@%
Translated by Robert Burke.  %@EF@%
Opus Majus, bk. I, ch. 4

%@NL@%%@AI@%1 See Galileo%@BO:          1670e8@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Alfonso X%@AE@%%@EH@%
%@NL@%Alfonso the Wise
%@AB@%1221-1284%@AE@%
%@NL@%%@NL@%

%@FN@%
Carlyle says, in his History of Frederick the Great, bk. II, ch. 7, that
this saying of Alfonso about Ptolemy's astronomy, "that it seemed a crank
machine; that it was pity the Creator had not taken advice," is still
remembered by mankind-this and no other of his many sayings.  %@EF@%
%@QR:Alfonso X@%%@QR:Alfonso the Wise@%%@CR:N1221ALFO10     @%%@2@%   Had I been present at the creation, I would have given some useful hints%@EH@%
for the better ordering of the universe.%@NL@%
%@NL@%
Alfonso X
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Rutebeuf%@AE@%%@EH@%
%@NL@%
%@AB@%d. 1285%@AE@%
%@NL@%%@NL@%

%@QR:Rutebeuf@%%@CR:N1223RUTE10     @%%@2@%What became of the friends I had%@NL@%%@EH@%
With whom I was always so close%@NL@%
And loved so dearly?%@NL@%

%@NL@%Rutebeuf
%@NL@%La Complainte Rutebeuf

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Rutebeuf@%%@CR:N1223RUTE20     @%%@2@%Friendship is dead:%@NL@%%@EH@%
They were friends who go with the wind, 1 %@NL@%
And the wind was blowing at my door.%@NL@%

%@NL@%Rutebeuf
%@NL@%La Complainte Rutebeuf

%@NL@%%@AI@%1 See Dowson%@BO:          54b13a@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%St. Thomas Aquinas%@AE@%%@EH@%
%@NL@%St. Thomas Aquinas
%@AB@%c. 1225-1274%@AE@%
%@NL@%%@NL@%

%@FN@%
Pange, lingua, gloriosi/Corporis mysterium/Sanguinisque pretiosi,/Quem in
mundi pretium/Fructus ventris generosi/Rex effudit gentium.  Translated by
Edward Caswall.  Now, my tongue, the mystery telling/Of the glorious Body
sing.-Hymnal of the Protestant Episcopal Church  Pange, lingua, gloriosi
proelium certaAminis [Sing, my tongue, the glorious battle].-St. Venantius
Fortunatus [c. 530-c. 610], bishop of Poitiers  %@EF@%
%@QR:St. Thomas Aquinas@%%@QR:Aquinas@%%@QR:St. Thomas Aquinas@%%@CR:N1225AQUI10     @%%@2@%Sing, my tongue, the Savior's glory,%@NL@%%@EH@%
Of His Flesh the mystery sing;%@NL@%
Of the Blood, all price exceeding,%@NL@%
Shed by our immortal King.%@NL@%

%@NL@%St. Thomas Aquinas
%@NL@%Pange, Lingua
(hymn for Vespers on the Feast of Corpus Christi),st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Thomas Aquinas@%%@QR:Aquinas@%%@QR:St. Thomas Aquinas@%%@CR:N1225AQUI50     @%%@2@%Down in adoration falling,%@NL@%%@EH@%
Lo! the sacred Host we hail;%@NL@%
Lo! o'er ancient forms departing,%@NL@%
Newer rites of grace prevail;%@NL@%
Faith for all defects supplying,%@NL@%
Where the feeble senses fail.%@NL@%

%@NL@%St. Thomas Aquinas
%@NL@%Pange, Lingua
(hymn for Vespers on the Feast of Corpus Christi),st. 5 (Tantum Ergo)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by J. D. Chambers.  See Psalm 78:25  %@EF@%
%@QR:St. Thomas Aquinas@%%@QR:Aquinas@%%@QR:St. Thomas Aquinas@%%@CR:N1225AQUI60     @%%@2@%Thus Angels' Bread is made%@NL@%%@EH@%
The Bread of man today:%@NL@%
The Living Bread from Heaven%@NL@%
With figures doth away:%@NL@%
O wondrous gift indeed!%@NL@%
The poor and lowly may%@NL@%
Upon their Lord and Master feed.%@NL@%

%@NL@%St. Thomas Aquinas
%@NL@%Sacris Solemniis Juncta Sint Gaudia
(Matins hymn for Corpus Christi), st. 6 (Panis Angelicus)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Edward Caswall.  %@EF@%
%@QR:St. Thomas Aquinas@%%@QR:Aquinas@%%@QR:St. Thomas Aquinas@%%@CR:N1225AQUI70     @%%@2@%O saving Victim, opening wide%@NL@%%@EH@%
The gate of of heaven to man below,%@NL@%
Our foes press on from every side,%@NL@%
Thine aid supply, Thy strength bestow.%@NL@%

%@NL@%St. Thomas Aquinas
%@NL@%Verbum Supernum Prodiens (hymn for Lauds on Corpus Christi),
st. 5 (O Salutaris Hostia)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Thomas Aquinas@%%@QR:Aquinas@%%@QR:St. Thomas Aquinas@%%@CR:N1225AQUI80     @%%@2@%Lord Jesu, blessed Pelican.%@NL@%%@EH@%

%@NL@%St. Thomas Aquinas
%@NL@%Adoro Te Devote (hymn appointed for the Thanksgiving after Mass),
st. 6 (Pie Pellicane Jesu Domine)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Thomas Aquinas@%%@QR:Aquinas@%%@QR:St. Thomas Aquinas@%%@CR:N1225AQUI90     @%%@2@%   Three things are necessary for the salvation of man: to know what he%@EH@%
ought to believe; to know what he ought to desire; and to know what he ought
to do.%@NL@%
%@NL@%
St. Thomas Aquinas
%@NL@%Two Precepts of Charity [1273]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Thomas Aquinas@%%@QR:Aquinas@%%@QR:St. Thomas Aquinas@%%@CR:N1225AQUI100    @%%@2@%   Law: an ordinance of reason for the common good, made by him who has care%@EH@%
of the community.%@NL@%
%@NL@%
St. Thomas Aquinas
%@NL@%Summa Theologica [1273]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Probably the origin of the phrase: beatific vision.  %@EF@%
%@QR:St. Thomas Aquinas@%%@QR:Aquinas@%%@QR:St. Thomas Aquinas@%%@CR:N1225AQUI110    @%%@2@%   Concerning perfect blessedness which consists in a vision of God.%@NL@%%@EH@%
%@NL@%
St. Thomas Aquinas
%@NL@%Summa Theologica [1273]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:St. Thomas Aquinas@%%@QR:Aquinas@%%@QR:St. Thomas Aquinas@%%@CR:N1225AQUI130    @%%@2@%   Reason in man is rather like God in the world.%@NL@%%@EH@%
%@NL@%
St. Thomas Aquinas
%@NL@%Opuscule 11, De Regno

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Meister Eckhart%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1260 - c. 1327%@AE@%
%@NL@%%@NL@%

%@QR:Meister Eckhart@%%@QR:Eckhart@%%@CR:N1260ECKM10     @%%@2@%   In silence man can most readily preserve his integrity.%@NL@%%@EH@%
%@NL@%
Meister Eckhart
%@NL@%Directions for the Contemplative Life

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Meister Eckhart@%%@QR:Eckhart@%%@CR:N1260ECKM20     @%%@2@%   The more wise and powerful a master, the more directly is his work%@EH@%
created, and the simpler it is.%@NL@%
%@NL@%
Meister Eckhart
%@NL@%Of the Eternal Birth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Meister Eckhart@%%@QR:Eckhart@%%@CR:N1260ECKM30     @%%@2@%   One must not always think so much about what one should do, but rather%@EH@%
what one should be. Our works do not ennoble us; but we must ennoble our
works.%@NL@%
%@NL@%
Meister Eckhart
%@NL@%Work and Being

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Dante Alighieri%@AE@%%@EH@%
%@NL@%Dante Alighieri
%@AB@%1265-1321%@AE@%
%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT10     @%%@2@%   In that part of the book of my memory before which is little that can be%@EH@%
read, there is a rubric, saying, "Incipit Vita Nova [The new life begins]."%@NL@%
%@NL@%
Dante Alighieri
%@NL@%%@FN@%
Translated by Dante Gabriel Rossetti.  %@EF@%
La Vita Nuova [1293]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT20     @%%@2@%Love hath so long possessed me for his own%@NL@%%@EH@%
And made his lordship so familiar.%@NL@%

%@NL@%Dante Alighieri
%@NL@%La Vita Nuova [1293]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT25     @%%@2@%Love with delight discourses in my mind%@NL@%%@EH@%
Upon my lady's admirable gifts . . . %@NL@%
Beyond the range of human intellect.%@NL@%

%@NL@%Dante Alighieri
%@NL@%%@FN@%
Translated by Charles Lyell.  The first line is also in The Divine Comedy,
Purgatorio, canto II, l. 112.  %@EF@%
Il Convito.
Trattato Terzo, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nel mezzo del cammin di nostra vita/Mi ritrovai per una selva oscura,/Che la
diritta via era smarrita.  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT30     @%%@2@%   In the middle of the journey of our life I came to myself within a dark%@EH@%
wood where the straight way was lost.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%%@FN@%
Translated by John D. Sinclair unless otherwise noted.  %@EF@%
The Divine Comedy [c. 1310-1320].Inferno,
cantoI,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT50     @%%@2@%   And as he, who with laboring breath has escaped from the deep to the%@EH@%
shore, turns to the perilous waters and gazes.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoI,l. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT60     @%%@2@%   Thou [Virgil] art my master and my author, thou art he from whom alone I%@EH@%
took the style whose beauty has done me honor.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoI,l. 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Lasciate ogni speranza, voi ch'entrate.  Traditional translation.  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT70     @%%@2@%   All hope abandon, ye who enter here!%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoIII,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT90     @%%@2@%   Here must all distrust be left behind; all cowardice must be ended.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoIII,l. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT100    @%%@2@%   There sighs, lamentations and loud wailings resounded through the%@EH@%
starless air, so that at first it made me weep; strange tongues, horrible
language, words of pain, tones of anger, voices loud and hoarse, and with
these the sound of hands, made a tumult which is whirling through that air
forever dark, as sand eddies in a whirlwind.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoIII,l. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT110    @%%@2@%   This miserable state is borne by the wretched souls of those who lived%@EH@%
without disgrace and without praise.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoIII,l. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by John Aitken Carlyle, The Temple Classics [1900].  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT120    @%%@2@%   Let us not speak of them; but look, and pass on.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoIII,l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT130    @%%@2@%   These wretches, who never were alive.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoIII,l. 64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by John Aitken Carlyle, The Temple Classics [1900].  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT140    @%%@2@%   Into the eternal darkness, into fire and into ice. 1  2 %@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoIII,l. 87

%@NL@%%@AI@%1 See Housman%@BO:          517f7d@%%@AE@%
%@AI@%2 See Frost%@BO:          5767b6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT150    @%%@2@%   Without hope we live in desire.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoIV,l. 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by John Aitken Carlyle, The Temple Classics [1900].  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT160    @%%@2@%   I came into a place void of all light, which bellows like the sea in%@EH@%
tempest, when it is combated by warring winds.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoV,l. 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Di qua, di la, di gi[ugrave], di su li mena.  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT170    @%%@2@%   As in the cold season their wings bear the starlings along in a broad,%@EH@%
dense flock, so does that blast the wicked spirits. Hither, thither,
downward, upward, it drives them.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoV,l. 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Francesca of Rimini tells of the love she and Paolo, her brother-in-law,
bore one another and of its tragic end when her husband surprised and
stabbed them.  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT190    @%%@2@%   Love, which is quickly kindled in the gentle heart, seized this man for%@EH@%
the fair form that was taken from me, and the manner still hurts me. Love,
which absolves no beloved one from loving, seized me so strongly with his
charm that, as thou seest, it does not leave me yet.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoV,l. 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by John Aitken Carlyle, The Temple Classics [1900].  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT200    @%%@2@%   What sweet thoughts, what longing led them to the woeful pass.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoV,l. 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Longfellow.  Nessun maggior dolore/Che ricordarsi del tempo
felice/Nella miseria.  See Pindar, Boethius, Chaucer, and Tennyson  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT210    @%%@2@%There is no greater sorrow%@NL@%%@EH@%
Than to be mindful of the happy time%@NL@%
In misery.%@NL@%

%@NL@%Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoV,l. 121

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Galeotto fu il libro e chi lo scrisse:/Quel giorno pi[ugrave] non vi
leggemmo avante.  See Hunt  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT230    @%%@2@%   Galeotto was the book and he that wrote it; that day we read in it no%@EH@%
farther.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoV,l. 137

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT250    @%%@2@%   I fell as a dead body falls.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoV,Last line

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT260    @%%@2@%   Pride, Envy, and Avarice are the three sparks that have set these hearts%@EH@%
on fire.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoVI,l. 74

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ciacco (Hog), noted for his gluttony, entreats Dante.  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT270    @%%@2@%   But when thou shalt be in the sweet world, I pray thee bring me to men's%@EH@%
memory.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoVI,l. 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT280    @%%@2@%   Ye that are of good understanding, note the doctrine that is hidden under%@EH@%
the veil of the strange verses!%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoIX, l. 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by John Aitken Carlyle, The Temple Classics [1900].  Dante speaks
of Farinata, head of the Uberti family, leaders of the Ghibelline faction in
Florence.  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT290    @%%@2@%   Already I had fixed my look on his; and he rose upright with breast and%@EH@%
countenance, as if he entertained great scorn of Hell.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoX, l. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT300    @%%@2@%   Necessity brings him [Dante] here, not pleasure.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoXII, l. 87

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT310    @%%@2@%   If thou follow thy star, thou canst not fail of a glorious haven.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoXV,l. 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT320    @%%@2@%   So my conscience chide me not, I am ready for Fortune as she wills.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoXV,l. 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT330    @%%@2@%   He listens well who takes notes.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoXV,l. 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT340    @%%@2@%   A fair request should be followed by the deed in silence.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoXXIV, l. 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT350    @%%@2@%   Consider your origin; you were not born to live like brutes, but to%@EH@%
follow virtue and knowledge.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoXXVI, l. 118

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Count Guido da Montefeltro, the famous Ghibelline warrior, addresses Dante.
This passage in Italian is the epigraph for T. S. Eliot, The Love Song of J.
Alfred Prufrock [1917].  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT360    @%%@2@%   If I thought my answer were to one who would ever return to the world,%@EH@%
this flame should stay without another movement; but since none ever
returned alive from this depth, if what I hear is true, I answer thee
without fear of infamy.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoXXVII, l. 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
E quindi uscimmo a riveder le stelle.  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT370    @%%@2@%   And thence we came forth, to see again the stars.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Inferno,
cantoXXXIV, l. 139

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT390    @%%@2@%   To run over better waters the little vessel of my genius now hoists her%@EH@%
sails, as she leaves behind her a sea so cruel. 1 %@NL@%
%@NL@%
Dante Alighieri
%@NL@%%@FN@%
Translated [1902] by Charles Eliot Norton unless otherwise noted.  %@EF@%
The Divine Comedy [c. 1310-1320].Purgatorio, cantoI,l. 1

%@NL@%%@AI@%1 See Pope%@BO:          2a26d8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT400    @%%@2@%   He goes seeking liberty, which is so dear, as he knows who for it%@EH@%
renounces life.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoI,l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT410    @%%@2@%   O conscience, upright and stainless, how bitter a sting to thee is a%@EH@%
little fault!%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoIII,l. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT420    @%%@2@%   For to lose time is most displeasing to him who knows most.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoIII,l. 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT430    @%%@2@%   The Infinite Goodness has such wide arms that it takes whatever turns to%@EH@%
it.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoIII,l. 121

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT440    @%%@2@%   Unless, before then, the prayer assist me which rises from a heart that%@EH@%
lives in grace: what avails the other, which is not heard in heaven?%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoIV, l. 133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT450    @%%@2@%   "Why is thy mind so entangled," said the Master [Virgil], "that thou%@EH@%
slackenest thy pace? What is it to thee what they whisper there? Come after
me and let the people talk. Stand like a firm tower that never shakes its
top for blast of wind."%@NL@%
%@NL@%
Dante Alighieri
%@NL@%%@FN@%
Translated by John D. Sinclair.  %@EF@%
The Divine Comedy [c. 1310-1320].Purgatorio, cantoV,l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT460    @%%@2@%   Go right on and listen as thou goest.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoV,l. 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT470    @%%@2@%   [Beatrice] who shall be a light between truth and intellect.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoVI, l. 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by John D. Sinclair.  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT480    @%%@2@%   It was now the hour that turns back the longing of seafarers and melts%@EH@%
their hearts, the day they have bidden dear friends farewell, and pierces
the new traveler with love if he hears in the distance the bell that seems
to mourn the dying day.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoVIII, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT490    @%%@2@%   Give us this day the daily manna, 1  without which, in this rough desert,%@EH@%
he backward goes, who toils most to go on.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoXI,l. 13

%@NL@%%@AI@%1 See Matthew, 6:11%@BO:           4f61a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT500    @%%@2@%   Worldly renown is naught but a breath of wind, which now comes this way%@EH@%
and now comes that, and changes name because it changes quarter.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoXI,l. 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT510    @%%@2@%   O human race, born to fly upward, wherefore at a little wind dost thou so%@EH@%
fall?%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoXII, l. 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT520    @%%@2@%   To a greater force, and to a better nature, you, free, are subject, and%@EH@%
that creates the mind in you, which the heavens have not in their charge.
Therefore if the present world go astray, the cause is in you, in you it is
to be sought.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoXVI, l. 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT530    @%%@2@%   Everyone confusedly conceives of a good in which the mind may be at rest,%@EH@%
and desires it; wherefore everyone strives to attain to it.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoXVII, l. 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT540    @%%@2@%   Love kindled by virtue always kindles another, provided that its flame%@EH@%
appear outwardly.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoXXII, l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Men che dramma/Di sangue m'e rimaso, che no tremi;/Conosco i segni dell'
antica fiamma.  See Virgil  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT550    @%%@2@%   Less than a drop of blood remains in me that does not tremble; I%@EH@%
recognize the signals of the ancient flame.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoXXX,l. 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT570    @%%@2@%   But so much the more malign and wild does the ground become with bad seed%@EH@%
and untilled, as it has the more of good earthly vigor.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoXXX,l. 118

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Puro e disposto a salire alle stelle.  See Virgil  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT580    @%%@2@%   Pure and disposed to mount unto the stars.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Purgatorio, cantoXXXIII, l. 145

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT600    @%%@2@%   The glory of Him who moves everything penetrates through the universe,%@EH@%
and is resplendent in one part more and in another less.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%%@FN@%
Translated by John D. Sinclair.  %@EF@%
The Divine Comedy [c. 1310-1320].Paradiso, cantoI,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT610    @%%@2@%   A great flame follows a little spark.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Paradiso, cantoI,l. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
E'n la sua volontade e nostra pace.  See T. S. Eliot  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT620    @%%@2@%   And in His will is our peace.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Paradiso, cantoIII, l. 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT640    @%%@2@%   The greatest gift that God in His bounty made in creation, and the most%@EH@%
conformable to His goodness, and that which He prizes the most, was the
freedom of the will, with which the creatures with intelligence, they all
and they alone, were and are endowed.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Paradiso, cantoV, l. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT650    @%%@2@%   Thou shalt prove how salt is the taste of another's bread and how hard is%@EH@%
the way up and down another man's stairs.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Paradiso, cantoXVII, l. 58

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT660    @%%@2@%   Overcoming me with the light of a smile, she [Beatrice] said to me: "Turn%@EH@%
and listen, for not only in my eyes is Paradise." 1 %@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Paradiso, cantoXVIII, l. 19

%@NL@%%@AI@%1 See Chaucer%@BO:          11ec91@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT670    @%%@2@%   Therefore the sight that is granted to your world penetrates within the%@EH@%
Eternal Justice as the eye into the sea; for though from the shore it sees
the bottom, in the open sea it does not, and yet the bottom is there but the
depth conceals it.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Paradiso, cantoXIX, l. 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'esperienza di questa dolce vita.  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT680    @%%@2@%   The experience of this sweet life.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Paradiso, cantoXX,l. 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT700    @%%@2@%   Like the lark that soars in the air, first singing, then silent, content%@EH@%
with the last sweetness that satiates it, such seemed to me that image, the
imprint of the Eternal Pleasure.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Paradiso, cantoXX,l. 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT710    @%%@2@%   The night that hides things from us.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Paradiso, cantoXXIII, l. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT720    @%%@2@%   With the color that paints the morning and evening clouds that face the%@EH@%
sun I saw then the whole heaven suffused.%@NL@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Paradiso, cantoXXVII, l. 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'amor che muove il sole e l'altre stelle.  See Aristotle  %@EF@%
%@QR:Dante Alighieri@%%@QR:Dante Alighieri@%%@QR:Alighieri@%%@CR:N1265DANT730    @%%@2@%   The Love that moves the sun and the other stars.%@NL@%%@EH@%
%@NL@%
Dante Alighieri
%@NL@%The Divine Comedy [c. 1310-1320].Paradiso, cantoXXXIII, l. 145

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Kenko Yoshida%@AE@%%@EH@%
%@NL@%
%@AB@%1283-1350%@AE@%
%@NL@%%@NL@%

%@QR:Kenko Yoshida@%%@QR:Yoshida@%%@CR:N1283YOSK10     @%%@2@%   One should write not unskillfully in the running hand, be able to sing in%@EH@%
a pleasing voice and keep good time to music; and, lastly, a man should not
refuse a little wine when it is pressed upon him.%@NL@%
%@NL@%
Kenko Yoshida
%@NL@%%@FN@%
Translated by Donald Keene in his Anthology of Japanese Literature [1955].  %@EF@%
Tsurezure-Gusa (Essays in Idleness) [c. 1340]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Kenko Yoshida@%%@QR:Yoshida@%%@CR:N1283YOSK20     @%%@2@%   To sit alone in the lamplight with a book spread out before you, and hold%@EH@%
intimate converse with men of unseen generations-such is a pleasure beyond
compare.%@NL@%
%@NL@%
Kenko Yoshida
%@NL@%Tsurezure-Gusa (Essays in Idleness) [c. 1340]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Kenko Yoshida@%%@QR:Yoshida@%%@CR:N1283YOSK30     @%%@2@%   A certain recluse, I know not who, once said that no bonds attached him%@EH@%
to this life, and the only thing he would regret leaving was the sky.%@NL@%
%@NL@%
Kenko Yoshida
%@NL@%Tsurezure-Gusa (Essays in Idleness) [c. 1340]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Philip VI , Philip of Valois%@AE@%%@EH@%
%@NL@%
%@AB@%1293-1350%@AE@%
%@NL@%%@NL@%

%@FN@%
Qui m'aime me suive.  %@EF@%
%@QR:Philip VI , Philip of Valois@%%@CR:N1293PHIL10     @%%@2@%   He who loves me, let him follow me.%@NL@%%@EH@%
%@NL@%
Philip VI , Philip of Valois
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William , of Occam%@AE@%%@EH@%
%@NL@%, Ockham
%@AB@%c. 1300 - c. 1348%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated [seventeenth century] by John Ponce of Cork.  The original
statement of "Occam's Razor."  %@EF@%
%@QR:William , of Occam@%%@QR:, Ockham@%%@CR:N1300OCKW10     @%%@2@%   Entities should not be multiplied unnecessarily.%@NL@%%@EH@%
%@NL@%
William , of Occam
%@NL@%Quodlibeta Septem [c. 1320]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Petrarch%@AE@%%@EH@%
%@NL@%Francesco Petrarca
%@AB@%1304-1374%@AE@%
%@FN@%
Chaucer translated Sonnet 88 (In Vita), S'amor non e.See Chaucer  %@EF@%
%@NL@%%@NL@%

%@QR:Petrarch@%%@QR:Francesco Petrarca@%%@CR:N1304PETR10     @%%@2@%   Who overrefines his argument brings himself to grief.%@NL@%%@EH@%
%@NL@%
Petrarch
%@NL@%To Laura in Life, canzone 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Petrarch@%%@QR:Francesco Petrarca@%%@CR:N1304PETR20     @%%@2@%   A good death does honor to a whole life.%@NL@%%@EH@%
%@NL@%
Petrarch
%@NL@%To Laura in Death, canzone16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Petrarch@%%@QR:Francesco Petrarca@%%@CR:N1304PETR30     @%%@2@%   To be able to say how much you love is to love but little.%@NL@%%@EH@%
%@NL@%
Petrarch
%@NL@%To Laura in Death, canzone137

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Petrarch@%%@QR:Francesco Petrarca@%%@CR:N1304PETR40     @%%@2@%   Rarely do great beauty and great virtue dwell together. 1 %@NL@%%@EH@%
%@NL@%
Petrarch
%@NL@%De Remedies, bk. II

%@NL@%%@AI@%1 See Petronius%@BO:           ee882@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Edward III%@AE@%%@EH@%
%@NL@%
%@AB@%1312-1377%@AE@%
%@NL@%%@NL@%

%@QR:Edward III@%%@CR:N1312EDWA10     @%%@2@%   Honi soit qui mal y pense. [Evil to him who evil thinks].%@NL@%%@EH@%
%@NL@%
Edward III
%@NL@%Motto of the Order of the Garter [1349]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward III@%%@CR:N1312EDWA30     @%%@2@%   Let the boy win his spurs.%@NL@%%@EH@%
%@NL@%
Edward III
%@NL@%Said of the Black Prince at the battle of Crecy [1345]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Barbour%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1316-1395%@AE@%
%@NL@%%@NL@%

%@QR:John Barbour@%%@QR:Barbour@%%@CR:N1316BARJ10     @%%@2@%Freedom all solace to man gives;%@NL@%%@EH@%
He lives at ease that freely lives.%@NL@%

%@NL@%John Barbour
%@NL@%The Bruce [c. 1375], l. 227

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Wycliffe%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1320-1384%@AE@%
%@NL@%%@NL@%

%@QR:John Wycliffe@%%@QR:Wycliffe@%%@CR:N1320WYCJ10     @%%@2@%   I believe that in the end the truth will conquer.%@NL@%%@EH@%
%@NL@%
John Wycliffe
%@NL@%To the Duke of Lancaster [1381]. From J. R. Green,
A Short History of the English People [1874], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The phrase has been said to derive from the custom of some manors where
tenants were authorized to take firebote by hook or by crook; that is, so
much of the underwood as may be cut with a crook, and so much of the loose
timber as may be collected from the boughs by a hook. Quoted by Skelton,
Heywood, Spenser, and others.  %@EF@%
%@QR:John Wycliffe@%%@QR:Wycliffe@%%@CR:N1320WYCJ20     @%%@2@%   By hook or by crook.%@NL@%%@EH@%
%@NL@%
John Wycliffe
%@NL@%Controversial Tracts [c. 1380]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Supposedly, Wycliffe used this phrase in the general prologue of his
translation of the Bible [1382]. However, this editor could not find it in
the 1850 edition collated from all the Wycliffe MSS. by Josiah Forshall and
Sir Frederick Madden. The closest sentence is: If this book be wel
understanden, it is profitable bothe to goostly governours and bodily
lordis, and iustisis and comyns also.  See Webster, Disraeli, Garrison,
Lincoln, and Parker  %@EF@%
%@QR:John Wycliffe@%%@QR:Wycliffe@%%@CR:N1320WYCJ30     @%%@2@%   This Bible is for the government of the People, by the People, and for%@EH@%
the People.%@NL@%
%@NL@%
John Wycliffe
%@NL@%Attributed [1382]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William , of Wykeham%@AE@%%@EH@%
%@NL@%
%@AB@%1324-1404%@AE@%
%@NL@%%@NL@%

%@QR:William , of Wykeham@%%@CR:N1324WYKW10     @%%@2@%   Manners maketh man. 1 %@NL@%%@EH@%
%@NL@%
William , of Wykeham
%@NL@%Motto of his two foundations, Winchester College and
New College, Oxford

%@NL@%%@AI@%1 See Goethe%@BO:          30e057@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%William Langland%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1330 - c. 1400%@AE@%
%@NL@%%@NL@%

%@QR:William Langland@%%@QR:Langland@%%@CR:N1330LANW10     @%%@2@%   In a summer season when soft was the sun. 1 %@NL@%%@EH@%
%@NL@%
William Langland
%@NL@%The Vision of Piers Plowman [1362-1390]

%@NL@%%@AI@%1 See Chaucer%@BO:          11d5b3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Eustache Deschamps [c. 1345-c. 1406].  %@EF@%
%@QR:William Langland@%%@QR:Langland@%%@CR:N1330LANW20     @%%@2@%   Who will bell the cat?%@NL@%%@EH@%
%@NL@%
William Langland
%@NL@%The Vision of Piers Plowman [1362-1390]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles V%@AE@%%@EH@%
%@NL@%Charles the Wise
%@AB@%1337-1380%@AE@%
%@NL@%%@NL@%

%@FN@%
Je parle espagnol a Dieu, italien aux femmes, francais aux hommes, et
allemand a mon cheval.  %@EF@%
%@QR:Charles V@%%@QR:Charles the Wise@%%@CR:N1337CHAR10     @%%@2@%   I speak Spanish to God, Italian to women, French to men, and German to my%@EH@%
horse.%@NL@%
%@NL@%
Charles V
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Geoffrey Chaucer%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1343-1400%@AE@%
%@FN@%
From the text of F. N. Robinson, The Works of Geoffrey Chaucer, 2nd edition
[1957].  %@EF@%
%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG10     @%%@2@%To rede, and drive the night away.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Book of the Duchess [1369], l. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG20     @%%@2@%Soun ys noght but eyr ybroken,%@NL@%%@EH@%
And every speche that ys spoken,%@NL@%
Lowd or pryvee, foul or fair,%@NL@%
In his substaunce ys but air.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The House of Fame [1374-1385], bk.II, l. 765

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG30     @%%@2@%Venus clerk, Ovide,%@NL@%%@EH@%
That hath ysowen wonder wide%@NL@%
The grete god of Loves name.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The House of Fame [1374-1385], bk.III, l. 1487

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG40     @%%@2@%Hard is the herte that loveth nought%@NL@%%@EH@%
In May.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%%@FN@%
Chaucer, and probably others, translated the French Roman de la Rose by
Guillaume de Lorris [begun 1237] and Jean de Meun [continued c. 1277].  %@EF@%
The Romaunt of the Rose [c. 1380],l. 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG50     @%%@2@%The tyme, that may not sojourne,%@NL@%%@EH@%
But goth, and may never retourne,%@NL@%
As watir that doun renneth ay,%@NL@%
But never drope retourne may.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Romaunt of the Rose [c. 1380],l. 381

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG60     @%%@2@%Nakid as a worm was she.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Romaunt of the Rose [c. 1380],l. 454

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG70     @%%@2@%As round as appil was his face.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Romaunt of the Rose [c. 1380],l. 819

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG80     @%%@2@%So that the more she yaf awey,%@NL@%%@EH@%
The more, ywis, she hadde alwey.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Romaunt of the Rose [c. 1380],l. 1159

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG90     @%%@2@%A ful gret fool is he, ywis,%@NL@%%@EH@%
That bothe riche and nygard is.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Romaunt of the Rose [c. 1380],l. 1171

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG100    @%%@2@%The lyf so short, the craft so long to lerne, 1  2  3 %@NL@%%@EH@%
Th' assay so hard, so sharp the conqueryinge.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Parliament of Fowls [1380-1386],l. 1

%@NL@%%@AI@%1 See Hippocrates%@BO:           a8083@%%@AE@%
%@AI@%2 See Goethe%@BO:          309d72@%%@AE@%
%@AI@%3 See Longfellow%@BO:          3d973b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
John Bartlett quoted this line at the head of his preface to the ninth
edition of Familiar Quotations [1891].  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG110    @%%@2@%For out of olde feldes, as men seyth,%@NL@%%@EH@%
Cometh al this newe corn fro yer to yere;%@NL@%
And out of olde bokes, in good feyth,%@NL@%
Cometh al this newe science that men lere.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Parliament of Fowls [1380-1386],l. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG120    @%%@2@%Nature, the vicaire of the almyghty lorde.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Parliament of Fowls [1380-1386],l. 379

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG130    @%%@2@%A fol can not be stille. 1 %@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Parliament of Fowls [1380-1386],l. 574

%@NL@%%@AI@%1 See Proverbs 29:11%@BO:           331b7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG140    @%%@2@%Now welcome, somer, with thy sonne softe, 1 %@NL@%%@EH@%
That hast this wintres weders overshake.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Parliament of Fowls [1380-1386],l. 680

%@NL@%%@AI@%1 See Langland%@BO:          11c205@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG160    @%%@2@%But the Troian gestes, as they felle,%@NL@%%@EH@%
In Omer, or in Dares, or in Dite,%@NL@%
Whoso that kan may rede hem as they write.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.I,l. 145

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Canticus Troili (Song of Troilus) is a fairly close rendering of
Petrarch's Sonnet 88 (In Vita), S'amor non e.  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG170    @%%@2@%If no love is, O God, what fele I so?%@NL@%%@EH@%
And if love is, what thing and which is he?%@NL@%
If love be good, from whennes cometh my woo?%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.I,l. 400 (Canticus Troili)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG180    @%%@2@%A fool may ek a wys-man ofte gide.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.I,l. 630

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG190    @%%@2@%Ek som tyme it is craft to seme fle%@NL@%%@EH@%
Fro thyng whych in effect men hunte faste.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.I,l. 747

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG200    @%%@2@%Unknowe, unkist, and lost, that is unsought. 1  2  3  4  5  6 %@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.I,l. 809

%@NL@%%@AI@%1 See Homer%@BO:           83788@%%@AE@%
%@AI@%2 See Horace%@BO:           dbc74@%%@AE@%
%@AI@%3 See Shakespeare%@BO:          1bd63c@%%@AE@%
%@AI@%4 See Milton%@BO:          2400f1@%%@AE@%
%@AI@%5 See Scott%@BO:          348306@%%@AE@%
%@AI@%6 See Byron%@BO:          37b671@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG210    @%%@2@%O wynd, o wynd, the weder gynneth clere.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.II,l. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG220    @%%@2@%Til crowes feet be growen under youre ye.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.II,l. 403

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG230    @%%@2@%Lord, this is an huge rayn!%@NL@%%@EH@%
This were a weder for to slepen inne!%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.III,l. 656

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG240    @%%@2@%It is nought good a slepyng hound to wake. 1 %@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.III,l. 764

%@NL@%%@AI@%1 See Dickens%@BO:          421a91@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG250    @%%@2@%For I have seyn, of a ful misty morwe%@NL@%%@EH@%
Folowen ful often a myrie someris day.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.III,l. 1060

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG260    @%%@2@%Right as an aspes leef she gan to quake.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.III,l. 1200

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG270    @%%@2@%For of fortunes sharpe adversitee%@NL@%%@EH@%
The worste kynde of infortune is this,%@NL@%
A man to han ben in prosperitee,%@NL@%
And it remembren, whan it passed is. 1  2  3  4 %@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.III,l. 1625

%@NL@%%@AI@%1 See Pindar%@BO:           996e4@%%@AE@%
%@AI@%2 See Boethius%@BO:          104990@%%@AE@%
%@AI@%3 See Dante%@BO:          116a64@%%@AE@%
%@AI@%4 See Tennyson%@BO:          3fc3af@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Commonly quoted: In one ear and out the other.  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG280    @%%@2@%Oon ere it herde, at tothir out it wente.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.IV,l. 434

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
All is uneven,/And everything is left at six and seven.-Shakespeare, Richard
II [1595-1596], act II, sc. ii, l. 120  Things going on at sixes and
sevens.-Goldsmith, The Good-Natured Man [1768], act I  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG310    @%%@2@%But manly sette the world on six and sevene;%@NL@%%@EH@%
And if thow deye a martyr, go to hevene!%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.IV,l. 622

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG340    @%%@2@%For tyme ylost may nought recovered be.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.IV,l. 1283

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The proverb is: Fair and softly goes far.  See Shakespeare  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG350    @%%@2@%They take it wisly, faire, and softe.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.V,l. 347

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG370    @%%@2@%For he that naught n' assaieth, naught n' acheveth. 1  2 %@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.V,l. 784

%@NL@%%@AI@%1 See Heywood%@BO:          13b7f3@%%@AE@%
%@AI@%2 See Gilbert%@BO:          4acf51@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG380    @%%@2@%Paradis stood formed in her yen. 1 %@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.V,l. 817

%@NL@%%@AI@%1 See Dante%@BO:          11a128@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG390    @%%@2@%Trewe as stiel.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.V,l. 831

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG400    @%%@2@%This sodeyn Diomede.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.V,l. 1024

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG410    @%%@2@%Ye, fare wel al the snow of ferne yere! 1 %@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.V,l. 1176

%@NL@%%@AI@%1 See Villon%@BO:          129c30@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG420    @%%@2@%Ek gret effect men write in place lite;%@NL@%%@EH@%
Th' entente is al, and nat the lettres space.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.V,l. 1629

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Off with you down where you want to go.-Horace [65-8  B.C. ], Epistles, I,
xx, 5  Little book, you will go without me-I don't mind-to the city.-Ovid
[43  B.C. - A.D.  18], Tristia, I, i, 1  Vade salutatem pro me, liber [Go
forth, my book, to bear my greetings].-Martial [ A.D.  c. 40-c. 104],
Epigrams, I, 70  Go now, my little book, to every place/Where my first
pilgrim has but shown his face.-John Bunyan, Pilgrim's Progress [1678],
Apology  Go, little Book! From this my solitude/I cast thee on the Waters-go
thy ways.-Robert Southey, Lay of the Laureate [1815], L'Envoi  These lines
of Southey's and the next two were quoted by Byron in Don Juan [1818], canto
I, stanza 222, which ends: The four first rhymes are Southey's, every
line:/For God's sake, reader! take them not for mine!  Go, little book, and
wish to all/Flowers in the garden, meat in the hall.-R. L. Stevenson,
Underwoods [1887], Envoy  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG430    @%%@2@%Go, litel bok, go, litel myn tragedye.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.V,l. 1786

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG510    @%%@2@%O yonge, fresshe folkes, he or she,%@NL@%%@EH@%
In which that love up groweth with youre age,%@NL@%
Repeyreth hom fro worldly vanyte.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.V,l. 1835

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG520    @%%@2@%O moral Gower, this book I directe%@NL@%%@EH@%
To the.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%Troilus and Criseyde [c. 1385], bk.V,l. 1856

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG530    @%%@2@%Whan that the month of May%@NL@%%@EH@%
Is comen, and that I here the foules synge,%@NL@%
And that the floures gynnen for to sprynge,%@NL@%
Farewel my bok, and my devocioun!%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Legend of Good Women [c. 1386],l. 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG540    @%%@2@%That, of al the floures in the mede,%@NL@%%@EH@%
Thanne love I most thise floures white and rede,%@NL@%
Swiche as men callen daysyes in our toun.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Legend of Good Women [c. 1386],l. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG550    @%%@2@%Whan that Aprill with his shoures soote%@NL@%%@EH@%
The droghte of March hath perced to the roote.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG570    @%%@2@%And smale foweles maken melodye,%@NL@%%@EH@%
That slepen al the nyght with open ye,%@NL@%
(So priketh hem nature in hir corages);%@NL@%
Thanne longen folk to goon on pilgrimages.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG590    @%%@2@%He was a verray, parfit gentil knight.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG600    @%%@2@%He was as fressh as is the month of May.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG610    @%%@2@%He koude songes make, and wel endyte.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG620    @%%@2@%Curteis he was, lowely, and servysable,%@NL@%%@EH@%
And carf beforn his fader at the table.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG630    @%%@2@%Ful weel she soong the service dyvyne,%@NL@%%@EH@%
Entuned in hir nose ful semely;%@NL@%
And Frenssh she spak ful faire and fetisly,%@NL@%
After the scole of Stratford atte Bowe%@NL@%
For Frenssh of Parys was to hir unknowe.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 122

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG640    @%%@2@%She wolde wepe, if that she saugh a mous%@NL@%%@EH@%
Kaught in a trappe, if it were deed or bledde.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 144

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG650    @%%@2@%And theron heng a brooch of gold ful sheene,%@NL@%%@EH@%
On which ther was first write a crowned A,%@NL@%
And after Amor vincit omnia. 1  2 %@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 160

%@NL@%%@AI@%1 See Sophocles%@BO:           9eea9@%%@AE@%
%@AI@%2 See Virgil%@BO:           d1ab7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG660    @%%@2@%His palfrey was as broun as is a berye.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 207

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG670    @%%@2@%A Frere ther was, a wantowne and a merye.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 208

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG680    @%%@2@%He knew the tavernes wel in every toun.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 240

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG690    @%%@2@%Somwhat he lipsed, for his wantownesse,%@NL@%%@EH@%
To make his Englissh sweete upon his tonge.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 264

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG700    @%%@2@%A Clerk ther was of Oxenford also.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 285

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG710    @%%@2@%As leene was his hors as is a rake.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 287

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG720    @%%@2@%For hym was levere have at his beddes heed%@NL@%%@EH@%
Twenty bookes, clad in blak or reed,%@NL@%
Of Aristotle and his philosophie,%@NL@%
Than robes riche, or fithele, or gay sautrie,%@NL@%
But al be that he was a philosophre,%@NL@%
Yet hadde he but litel gold in cofre.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 293

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG730    @%%@2@%And gladly wolde he lerne, and gladly teche. 1 %@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 308

%@NL@%%@AI@%1 See Pope%@BO:          29a5ea@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG740    @%%@2@%Nowher so bisy a man as he ther nas,%@NL@%%@EH@%
And yet he semed bisier than he was.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 321

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG750    @%%@2@%For he was Epicurus owene sone. 1 %@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 336

%@NL@%%@AI@%1 See Horace%@BO:           dcbe9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG760    @%%@2@%It snewed in his hous of mete and drynke.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 345

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
If he be not fellow with the best king, thou shalt find him the best king of
good fellows.-Shakespeare, King Henry V [1598-1600], act V, sc. ii, l. 259  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG770    @%%@2@%He was a good felawe.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 395

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG790    @%%@2@%His studie was but litel on the Bible.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 438

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG800    @%%@2@%For gold in phisik is a cordial,%@NL@%%@EH@%
Therefore he lovede gold in special.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 443

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG810    @%%@2@%She was a worthy womman al hir lyve,%@NL@%%@EH@%
Housbondes at chirche dore she hadde fyve.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 459

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG820    @%%@2@%This noble ensample to his sheep he yaf,%@NL@%%@EH@%
That first he wroghte, and afterward he taughte.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 496

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG840    @%%@2@%If gold ruste, what shal iren do?%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 500

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG850    @%%@2@%But Cristes loore and his apostles twelve%@NL@%%@EH@%
He taughte, but first he folwed it hymselve.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 527

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In allusion to the proverb: An honest miller hath a golden thumb.  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG870    @%%@2@%And yet he hadde a thombe of gold.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 563

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG880    @%%@2@%That hadde a fyr-reed cherubynnes face.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 624

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG890    @%%@2@%Wel loved he garleek, oynons, and eek lekes,%@NL@%%@EH@%
And for to drynken strong wyn, reed as blood.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 634

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG900    @%%@2@%And whan that he wel dronken hadde the wyn,%@NL@%%@EH@%
Than wolde he speke no word but Latyn.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 637

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG910    @%%@2@%Whoso shal telle a tale after a man,%@NL@%%@EH@%
He moot reherce as ny as evere he kan%@NL@%
Everich a word, if it be in his charge,%@NL@%
Al speke he never so rudeliche and large,%@NL@%
Or ellis he moot telle his tale untrewe,%@NL@%
Or feyne thyng, or fynde wordes new.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Prologue,l. 731

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG920    @%%@2@%For May wol have no slogardie anyght.%@NL@%%@EH@%
The sesoun priketh every gentil herte,%@NL@%
And maketh hym out of his slep to sterte. 1 %@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 1042

%@NL@%%@AI@%1 See Malory%@BO:          128823@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG930    @%%@2@%Ech man for hymself.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 1182

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG940    @%%@2@%The bisy larke, messager of day.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 1491

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG950    @%%@2@%May, with alle thy floures and thy grene,%@NL@%%@EH@%
Welcome be thou, faire, fresshe May.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 1510

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The proverb also occurs in the Latin form: Campus habet lumen, et habet
nemus auris acumen [The field has sight, and the wood a sharp ear].  Fields
have eyes and woods have ears.-John Heywood, Proverbs [1546], pt. II, ch. 5
Wode has erys, felde has sigt.-King Edward and the Shepherd, MS [c. 1300]
Walls have ears.-Cervantes, Don Quixote, pt. II [1615], ch. 48  Woods have
tongues/As walls have ears.-Tennyson, Idylls of the King, Balin and Balan
[1885], l. 522  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG960    @%%@2@%That "feeld hath eyen, and the wode hath eres."%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 1522

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1010   @%%@2@%Now up, now doun, as boket in a welle.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 1533

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1020   @%%@2@%For pitee renneth soone in gentil herte.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 1761

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1030   @%%@2@%Cupido,%@NL@%%@EH@%
Upon his shuldres wynges hadde he two;%@NL@%
And blynd he was, as it is often seene;%@NL@%
A bowe he bar and arwes brighte and kene.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 1963

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1040   @%%@2@%The smylere with the knyf under the cloke.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 1999

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1050   @%%@2@%Up roos the sonne, and up roose Emelye.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 2273

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1060   @%%@2@%Myn be the travaille, and thyn be the glorie!%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 2406

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1070   @%%@2@%And was al his chiere, as in his herte.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 2683

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1080   @%%@2@%What is this world? what asketh men to have?%@NL@%%@EH@%
Now with his love, now in his colde grave%@NL@%
Allone, withouten any compaignye.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 2777

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1090   @%%@2@%This world nys but a thurghfare ful of wo,%@NL@%%@EH@%
And we been pilgrymes, passing to and fro.%@NL@%
Deeth is an ende of every worldly soore.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Knight's Tale,l. 2847

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1100   @%%@2@%Jhesu Crist, and seiynte Benedight,%@NL@%%@EH@%
Blesse this hous from every wikked wight.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Miller's Tale,l. 3483

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1110   @%%@2@%And broghte of myghty ale a large quart.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Miller's Tale,l. 3497

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1120   @%%@2@%"Tehee!" quod she, and clapte the wyndow to.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Miller's Tale,l. 3740

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1130   @%%@2@%Yet in our asshen olde is fyr yreke. 1 %@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Reeve's Prologue,l. 3882

%@NL@%%@AI@%1 See Thomas Gray%@BO:          2d2655@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Lao-tzu, Confucius, Heraclitus, Selden, Penn, and Newman  The greatest
clerks be not the wisest men.-John Heywood, Proverbs [1546], pt. II, ch. 5  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1140   @%%@2@%The gretteste clerkes been noght the wisest men.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Reeve's Tale,l. 4054

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Through thick and thin.-Seigneur Du Bartas, Divine Weeks and Works [1578],
Second Week, Fourth Day  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1160   @%%@2@%Thurgh thikke and thurgh thenne.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Reeve's Tale,l. 4066

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1180   @%%@2@%So was hir joly whistle wel ywet.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Reeve's Tale,l. 4155

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Call him bounteous Buckingham,/The mirror of all courtesy.-Shakespeare,
Henry VIII [1613], act II, sc. i, l. 53  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1190   @%%@2@%She is mirour of alle curteisye.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Man of Law's Tale,l. 166

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1210   @%%@2@%For in the sterres, clerer than is glas,%@NL@%%@EH@%
Is writen, God woot, whoso koude it rede,%@NL@%
The deeth of every man.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Man of Law's Tale,l. 194

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1215   @%%@2@%Sathan, that evere us waiteth to bigile.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Man of Law's Tale,l. 582

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Proverbial.  Fryeth in her own grease.-John Heywood, Proverbs [1546], pt. I,
ch. 11  The best way were to entertain him with hope, till the wicked fire
of lust have melted him in his own grease.-Shakespeare, Merry Wives of
Windsor [1601], act II, sc. i, l. 60  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1220   @%%@2@%In his owene grece I made hym frye.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Wife of Bath's Prologue,l. 487

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1250   @%%@2@%What thyng we may nat lightly have,%@NL@%%@EH@%
Thereafter wol we crie alday and crave.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Wife of Bath's Prologue,l. 517

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1260   @%%@2@%Greet prees at market maketh deere ware,%@NL@%%@EH@%
And to greet cheep is holde at litel prys.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Wife of Bath's Prologue,l. 522

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1280   @%%@2@%But yet I hadde alwey a coltes tooth.%@NL@%%@EH@%
Gat-toothed I was, and that bicam me weel.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Wife of Bath's Prologue,l. 601

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1290   @%%@2@%A womman cast hir shame away,%@NL@%%@EH@%
Whan she cast of hir smok. 1 %@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Wife of Bath's Prologue,l. 782

%@NL@%%@AI@%1 See Herodotus%@BO:           a45b2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1300   @%%@2@%As thikke as motes in the sonne-beem.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Wife of Bath's Tale,l. 868

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1310   @%%@2@%"My lige lady, generally," quod he,%@NL@%%@EH@%
"Wommen desiren have sovereynetee%@NL@%
As well over hir housbond as hir love."%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Wife of Bath's Tale,l. 1037

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1320   @%%@2@%Looke who that is moost vertuous alway,%@NL@%%@EH@%
Pryvee and apert, and most entendeth ay%@NL@%
To do the gentil dedes that he kan;%@NL@%
Taak hym for the grettest gentil man.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Wife of Bath's Tale,l. 1113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1330   @%%@2@%That he is gentil that dooth gentil dedis. 1 %@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Wife of Bath's Tale,l. 1170

%@NL@%%@AI@%1 See Goldsmith%@BO:          2dd09a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1340   @%%@2@%For thogh we slepe or wake, or rome, or ryde,%@NL@%%@EH@%
Ay fleeth the tyme, it nyl no man abyde. 1 %@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Clerk's Tale,l. 118

%@NL@%%@AI@%1 See John Heywood%@BO:          138854@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1350   @%%@2@%Love is noght oold as whan that it is newe.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Clerk's Tale,l. 857

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1360   @%%@2@%This flour of wyfly pacience.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Clerk's Tale,l. 919

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1370   @%%@2@%O stormy peple! unsad and evere untrewe!%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Clerk's Tale,l. 995

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1380   @%%@2@%No wedded man so hardy be t'assaille%@NL@%%@EH@%
His wyves pacience, in trust to fynde%@NL@%
Grisildis, for in certein he shal faille!%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Clerk's Tale,l. 1180

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1390   @%%@2@%It is no childes pley%@NL@%%@EH@%
To take a wyf withoute avysement.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Merchant's Tale,l. 1530

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Proverbial.  See Shakespeare  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1400   @%%@2@%Love is blynd.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Merchant's Tale,l. 1598

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1410   @%%@2@%My wit is thynne.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Merchant's Tale,l. 1682

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ease and speed in doing a thing do not give the work lasting solidity or
exactness of beauty.-Plutarch [ A.D.  46-120], Life of Pericles  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1420   @%%@2@%Ther nys no werkman, whatsoevere he be,%@NL@%%@EH@%
That may bothe werke wel and hastily; 1  2 %@NL@%
This wol be doon at leyser parfitly.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Merchant's Tale,l. 1832

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e2725@%%@AE@%
%@AI@%2 See John Heywood%@BO:          138014@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Proverbial.  He must have a long spoon that must eat with the
devil.-Shakespeare, Comedy of Errors [1592-1593], act IV, sc. iii, l. 64  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1440   @%%@2@%Therfore bihoveth hire a ful long spoon%@NL@%%@EH@%
That shal ete with a feend.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Squire's Tale,l. 602

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1460   @%%@2@%Men loven of propre kynde newefangelnesse.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Squire's Tale,l. 610

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1470   @%%@2@%Fy on possessioun%@NL@%%@EH@%
But if a man be vertuous withal.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Squire's Tale,l. 686

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1480   @%%@2@%Pacience is an heigh vertu, certeyn.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Franklin's Tale,l. 773

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1490   @%%@2@%Servant in love, and lord in marriage.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Franklin's Tale,l. 793

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1500   @%%@2@%It is agayns the proces of nature.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Franklin's Tale,l. 1345

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1510   @%%@2@%Trouthe is the hyeste thyng that men may kepe.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Franklin's Tale,l. 1479

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1520   @%%@2@%For dronkenesse is verray sepulture%@NL@%%@EH@%
Of mannes wit and his discrecioun.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Pardoner's Tale, l. 558

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Proverbial.  Also in The Nun's Priest's Tale, ll. 4242 and 4247.  How easily
murder is discovered!-Shakespeare, Titus Andronicus [1593-1594], act II, sc.
iii, l. 28  Truth will come to light; murder cannot be hid
long.-Shakespeare, The Merchant of Venice [1596-1597], act II, sc. ii, l. 86
Murder, though it have no tongue, will speak/With most miraculous
organ.-Shakespeare, Hamlet [1600-1601], act II, sc. ii, l. 630  Murder will
out.-Cervantes, Don Quixote, pt. I [1605], bk. III, ch. 8  Carcasses bleed
at the sight of the murderer.-Robert Burton, Anatomy of Melancholy
[1621-1651], pt. I, sec. I member 2, subsec. 5  Other sins only speak;
murder shrieks out.-John Webster, Duchess of Malfi [1623], act IV, sc. ii  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1530   @%%@2@%Mordre wol out, certeyn, it wol nat faille.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Prioress's Tale, l. 1776

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1600   @%%@2@%This may wel be rym dogerel.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].Chaucer's Tale of Sir Thopas, l. 2115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1610   @%%@2@%Ful wys is he that kan hymselven knowe! 1 %@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Monk's Tale,l. 3329

%@NL@%%@AI@%1 See The Seven Sages%@BO:           88a49@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1620   @%%@2@%He was of knyghthod and of fredom flour.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Monk's Tale,l. 3832

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1630   @%%@2@%For whan a man hath over-greet a wit,%@NL@%%@EH@%
Ful oft hym happeth to mysusen it.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Canon Yeoman's Prologue, l. 648

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1640   @%%@2@%My sone, keep wel thy tonge, and keep thy freend.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Manciple's Tale,l. 319

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1650   @%%@2@%Thing that is seyd, is seyd; and forth it gooth. 1 %@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Manciple's Tale,l. 355

%@NL@%%@AI@%1 See Horace%@BO:           dd7bb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The proverb goes back to St. Augustine.  See Hesiod and Cervantes  Many
small make a great.-John Heywood, Proverbs [1546], pt. I, ch. II  %@EF@%
%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1660   @%%@2@%For the proverbe seith that "manye smale maken a greet."%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%The Canterbury Tales [c. 1387].The Parson's Tale, l. 361

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1670   @%%@2@%Reule wel thyself, that other folk canst rede.%@NL@%%@EH@%
And trouthe thee shal delivere, it is no drede.%@NL@%

%@NL@%Geoffrey Chaucer
%@NL@%Truth [c. 1390],l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Geoffrey Chaucer@%%@QR:Chaucer@%%@CR:N1343CHAG1680   @%%@2@%The wrastling for this world axeth a fal.%@NL@%%@EH@%

%@NL@%Geoffrey Chaucer
%@NL@%Truth [c. 1390],l. 16

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Huss%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1370-1415%@AE@%
%@NL@%%@NL@%

%@FN@%
O sancta simplicitas!  %@EF@%
%@QR:John Huss@%%@QR:Huss@%%@CR:N1370HUSJ10     @%%@2@%   O holy simplicity!%@NL@%%@EH@%
%@NL@%
John Huss
%@NL@%Last words, at the stake

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas a Kempis%@AE@%%@EH@%
%@NL@%
%@AB@%1380-1471%@AE@%
%@NL@%%@NL@%

%@FN@%
These words are used in the crowning of the pope.  %@EF@%
%@QR:Thomas a Kempis@%%@CR:N1380THOK10     @%%@2@%   Sic transit gloria mundi [So passes away the glory of this world].%@NL@%%@EH@%
%@NL@%
Thomas a Kempis
%@NL@%Imitation of Christ [c. 1420], bk.I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas a Kempis@%%@CR:N1380THOK30     @%%@2@%   Be not angry that you cannot make others as you wish them to be, since%@EH@%
you cannot make yourself as you wish to be.%@NL@%
%@NL@%
Thomas a Kempis
%@NL@%Imitation of Christ [c. 1420], bk.I, ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Homo proponet et Deus disponit.-William Langland [c. 1330-c. 1400], The
Vision of Piers Plowman, l. 13,994 [1550 edition]  Man appoints, and God
disappoints.-Cervantes, Don Quixote, pt. II [1615], bk. IV, ch. 55  See
Proverbs 16:9  %@EF@%
%@QR:Thomas a Kempis@%%@CR:N1380THOK40     @%%@2@%   Man proposes, but God disposes.%@NL@%%@EH@%
%@NL@%
Thomas a Kempis
%@NL@%Imitation of Christ [c. 1420], bk.I, ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas a Kempis@%%@CR:N1380THOK60     @%%@2@%   What canst thou see elsewhere which thou canst not see here? Behold the%@EH@%
heaven and the earth and all the elements; for of these are all things
created.%@NL@%
%@NL@%
Thomas a Kempis
%@NL@%Imitation of Christ [c. 1420], bk.I, ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas a Kempis@%%@CR:N1380THOK70     @%%@2@%   No man ruleth safely but he that is willingly ruled.%@NL@%%@EH@%
%@NL@%
Thomas a Kempis
%@NL@%Imitation of Christ [c. 1420], bk.I, ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Out of sight, out of mind.-Barnabe Googe, Eglogs [1563]  And out of mind as
soon as out of sight.-Fulke Greville [1554-1628], Sonnet 56  Fer from eze,
fer from herte,/Quoth Hendyng.-Hendyng [1272-1307], Proverbs, MS  I do
perceive that the old proverbs be not always true, for I do find that the
absence of my Nath. doth breed in me the more continual remembrance of
him.-Lady Ann Bacon [1528-1610], letter to Lady Jane Cornwallis  %@EF@%
%@QR:Thomas a Kempis@%%@CR:N1380THOK80     @%%@2@%   And when he is out of sight, quickly also is he out of mind.%@NL@%%@EH@%
%@NL@%
Thomas a Kempis
%@NL@%Imitation of Christ [c. 1420], bk.I, ch.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas a Kempis@%%@CR:N1380THOK130    @%%@2@%   First keep the peace within yourself, then you can also bring peace to%@EH@%
others.%@NL@%
%@NL@%
Thomas a Kempis
%@NL@%Imitation of Christ [c. 1420], bk.II, ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas a Kempis@%%@CR:N1380THOK140    @%%@2@%   Love is swift, sincere, pious, pleasant, gentle, strong, patient,%@EH@%
faithful, prudent, long-suffering, manly and never seeking her own; for
wheresoever a man seeketh his own, there he falleth from love. 1 %@NL@%
%@NL@%
Thomas a Kempis
%@NL@%Imitation of Christ [c. 1420], bk.III, ch. 5

%@NL@%%@AI@%1 See I Corinthians 13:4 and 13:7%@BO:           6be6e@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Charles d' Orleans%@AE@%%@EH@%
%@NL@%Charles d'Orleans
%@AB@%1391-1465%@AE@%
%@NL@%%@NL@%

%@FN@%
Je meurs de soif en couste la fontaine.  See Wilbur  %@EF@%
%@QR:Charles d' Orleans@%%@QR:Orleans@%%@QR:Charles d'Orleans@%%@CR:N1391ORLC10     @%%@2@%   I am dying of thirst by the side of the fountain.%@NL@%%@EH@%
%@NL@%
Charles d' Orleans
%@NL@%Ballades, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le temps a laisse son manteau/De vent, de froidure et de pluie.  %@EF@%
%@QR:Charles d' Orleans@%%@QR:Orleans@%%@QR:Charles d'Orleans@%%@CR:N1391ORLC30     @%%@2@%   The season has shed its mantle of wind and chill and rain.%@NL@%%@EH@%
%@NL@%
Charles d' Orleans
%@NL@%Rondeaux,63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Norbert Guterman.  Thou shalt make castels thanne in
Spayne,/And dreme of joye, all but in vayne.-Jean de Meun, The Romaunt of
the Rose [c. 1277], fragment B, l. 2573, translated by Chaucer  %@EF@%
%@QR:Charles d' Orleans@%%@QR:Orleans@%%@QR:Charles d'Orleans@%%@CR:N1391ORLC50     @%%@2@%All by myself, wrapped in my thoughts,%@NL@%%@EH@%
And building castles in Spain and in France.%@NL@%

%@NL@%Charles d' Orleans
%@NL@%Rondeaux,109

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Fortescue%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1395 - c. 1476%@AE@%
%@NL@%%@NL@%

%@FN@%
A great cry, but little wool.-Cervantes, Don Quixote, pt. II [1615], bk.
III, ch. 13  All cry and no wool.-Samuel Butler, Hudibras, pt. I [1663],
canto 1, l. 852  %@EF@%
%@QR:John Fortescue@%%@QR:Fortescue@%%@CR:N1395FORJ10     @%%@2@%   Much cry and no wool.%@NL@%%@EH@%
%@NL@%
John Fortescue
%@NL@%De Laudibus Legum Angliae [1471], ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This was a well-known phrase in the fourteenth century, and has been
repeated by many, including Lydgate, Shakespeare, and Swift.  See Donne  %@EF@%
%@QR:John Fortescue@%%@QR:Fortescue@%%@CR:N1395FORJ40     @%%@2@%   Comparisons are odious.%@NL@%%@EH@%
%@NL@%
John Fortescue
%@NL@%De Laudibus Legum Angliae [1471], ch.19

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Thomas Malory%@AE@%%@EH@%
%@NL@%
%@AB@%d. 1471%@AE@%
%@NL@%%@NL@%

%@FN@%
The Holy Grail.  %@EF@%
%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT10     @%%@2@%   The noble history of the Sangreal, and of the most renowned Christian%@EH@%
king . . . King Arthur.%@NL@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].Preface by William Caxton
[c. 1422-1491], the first English printer

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT20     @%%@2@%   For herein may be seen noble chivalry, courtesy, humanity, friendliness,%@EH@%
hardiness, love, friendship, cowardice, murder, hate, virtue, and sin. Do
after the good and leave the evil, and it shall bring you to good fame and
renown.%@NL@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].Preface by William Caxton
[c. 1422-1491], the first English printer

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT30     @%%@2@%   Whoso pulleth out this sword of this stone and anvil, is rightwise king%@EH@%
born of all England.%@NL@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].bk. I, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT40     @%%@2@%   And with that the king saw coming toward him the strangest beast that%@EH@%
ever he saw or heard of; so the beast went to the well and drank, and the
noise was in the beast's belly like unto the questing of thirty couple
hounds; but all the while the beast drank there was no noise in the beast's
belly: and therewith the beast departed with a great noise . . . Pellinore,
that time king, followed the questing beast.%@NL@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].bk. I, ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT50     @%%@2@%   In the midst of the lake Arthur was ware of an arm clothed in white%@EH@%
samite, that held a fair sword in that hand.%@NL@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].bk. I, ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT60     @%%@2@%   Always Sir Arthur lost so much blood that it was marvel he stood on his%@EH@%
feet, but he was so full of knighthood that knightly he endured the pain.%@NL@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].IV, ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT70     @%%@2@%   What, nephew, said the king, is the wind in that door? 1 %@NL@%%@EH@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].VII, ch. 34

%@NL@%%@AI@%1 See Shakespeare%@BO:          1a574c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT80     @%%@2@%   The joy of love is too short, and the sorrow thereof, and what cometh%@EH@%
thereof, dureth over long.%@NL@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].X, ch.56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT90     @%%@2@%   It is his day.%@NL@%%@EH@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].X, ch.70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT100    @%%@2@%   The month of May was come, when every lusty heart beginneth to blossom,%@EH@%
and to bring forth fruit; for like as herbs and trees bring forth fruit and
flourish in May, in likewise every lusty heart that is in any manner a
lover, springeth and flourisheth in lusty deeds. For it giveth unto all
lovers courage, that lusty month of May. 1 %@NL@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].XVIII, ch. 25

%@NL@%%@AI@%1 See Chaucer%@BO:          121e4c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT110    @%%@2@%   All ye that be lovers call unto your remembrance the month of May, like%@EH@%
as did Queen Guenever, for whom I make here a little mention, that while she
lived she was a true lover, and therefore she had a good end.%@NL@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].XVIII, ch. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT120    @%%@2@%   Such a fellowship of good knights shall never be together in no company.%@NL@%%@EH@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].XX, ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The reference is to the ceremony of excommunication, current since the
eighth century, performed with bell, book, and candle.  See Shakespeare  %@EF@%
%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT130    @%%@2@%   I shall curse you with book and bell and candle.%@NL@%%@EH@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].XXI, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT140    @%%@2@%   Through this man [Launcelot] and me [Guenever] hath all this war been%@EH@%
wrought, and the death of the most noblest knights of the world; for through
our love that we have loved together is my most noble lord slain.%@NL@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].XXI, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT150    @%%@2@%   For as well as I have loved thee, mine heart will not serve me to see%@EH@%
thee, for through thee and me is the flower of kings and knights destroyed.%@NL@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].XXI, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT160    @%%@2@%   Then Sir Launcelot saw her visage, but he wept not greatly, but sighed.%@NL@%%@EH@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].XXI, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Malory@%%@QR:Malory@%%@CR:N1416MALT170    @%%@2@%   Thou Sir Launcelot, there thou liest, that thou were never matched of%@EH@%
earthly knight's hand. And thou were the courteoust knight that ever bare
shield. And thou were the truest friend to thy lover that ever bestrad
horse. And thou were the truest lover of a sinful man that ever loved woman.
And thou were the kindest man that ever struck with sword. And thou were the
goodliest person that ever came among press of knights. And thou were the
meekest man and the gentlest that ever ate in hall among ladies. And thou
were the sternest knight to thy mortal foe that ever put spear in the rest.%@NL@%
%@NL@%
Sir Thomas Malory
%@NL@%Le Morte d'Arthur [1485].XXI, ch.13

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry VI%@AE@%%@EH@%
%@NL@%
%@AB@%1421-1471%@AE@%
%@NL@%%@NL@%

%@QR:Henry VI@%%@CR:N1421HENR10     @%%@2@%Kingdoms are but cares,%@NL@%%@EH@%
State is devoid of stay;%@NL@%
Riches are ready snares,%@NL@%
And hasten to decay.%@NL@%

%@NL@%Henry VI
%@NL@%From Sir John Harington, Nugae Antiquae [1769]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gabriel Biel%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1425-1495%@AE@%
%@NL@%%@NL@%

%@QR:Gabriel Biel@%%@QR:Biel@%%@CR:N1425BIEG10     @%%@2@%   To be crushed in the winepress of passion.%@NL@%%@EH@%
%@NL@%
Gabriel Biel
%@NL@%Expositio Canonis Missae, lectio52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gabriel Biel@%%@QR:Biel@%%@CR:N1425BIEG20     @%%@2@%   Always in these matters desiring rather to be taught than to teach.%@NL@%%@EH@%
%@NL@%
Gabriel Biel
%@NL@%Expositio Canonis Missae, lectio53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gabriel Biel@%%@QR:Biel@%%@CR:N1425BIEG30     @%%@2@%   No one conquers who doesn't fight.%@NL@%%@EH@%
%@NL@%
Gabriel Biel
%@NL@%Expositio Canonis Missae, lectio78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pro tali numismate tales merces.  %@EF@%
%@QR:Gabriel Biel@%%@QR:Biel@%%@CR:N1425BIEG40     @%%@2@%   You get what you pay for.%@NL@%%@EH@%
%@NL@%
Gabriel Biel
%@NL@%Expositio Canonis Missae, lectio86

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francois Villon%@AE@%%@EH@%
%@NL@%
%@AB@%1431 - c. 1465%@AE@%
%@NL@%%@NL@%

%@FN@%
He Dieu! si j'eusse etudie/Au temps de ma jeunesse folle.  %@EF@%
%@QR:Francois Villon@%%@QR:Villon@%%@CR:N1431VILF10     @%%@2@%Ah God! Had I but studied%@NL@%%@EH@%
In the days of my foolish youth.%@NL@%

%@NL@%Francois Villon
%@NL@%Le Grand Testament,26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Mais o[ugrave] sont les neiges d'antan?  Translated by Dante Gabriel
Rossetti.  See Chaucer  %@EF@%
%@QR:Francois Villon@%%@QR:Villon@%%@CR:N1431VILF30     @%%@2@%But where are the snows of yesteryear?%@NL@%%@EH@%

%@NL@%Francois Villon
%@NL@%Le Grand Testament,Ballade des Dames du Temps Jadis

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois Villon@%%@QR:Villon@%%@CR:N1431VILF50     @%%@2@%In this faith I will to live and die.%@NL@%%@EH@%

%@NL@%Francois Villon
%@NL@%Le Grand Testament,Ballade de l'Homage a Notre Dame

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il n'est bon bec que de Paris.  %@EF@%
%@QR:Francois Villon@%%@QR:Villon@%%@CR:N1431VILF60     @%%@2@%There's no good speech save in Paris.%@NL@%%@EH@%

%@NL@%Francois Villon
%@NL@%Le Grand Testament,Ballade des Femmes de Paris

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Mais priez Dieu que tous nous veuille absoudre.  %@EF@%
%@QR:Francois Villon@%%@QR:Villon@%%@CR:N1431VILF80     @%%@2@%But pray God that he absolve us all!%@NL@%%@EH@%

%@NL@%Francois Villon
%@NL@%Codicile

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Je connais tout, fors moi-m[ecirc ]me.  %@EF@%
%@QR:Francois Villon@%%@QR:Villon@%%@CR:N1431VILF100    @%%@2@%I know all except myself.%@NL@%%@EH@%

%@NL@%Francois Villon
%@NL@%Ballade des Menus Propres

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Aldus Manutius%@AE@%%@EH@%
%@NL@%Aldus Manutius
%@AB@%1450-1515%@AE@%
%@NL@%%@NL@%

%@QR:Aldus Manutius@%%@QR:Manutius@%%@QR:Aldus Manutius@%%@CR:N1450MANA10     @%%@2@%   Talk of nothing but business, and dispatch that business quickly.%@NL@%%@EH@%
%@NL@%
Aldus Manutius
%@NL@%%@FN@%
Quoted by Thomas Frognall Dibdin in Introduction to the Knowledge of Rare
and Valuable Editions of the Greek and Latin Classics[1802], vol. I, p. 436.
%@EF@%
Placard on the door of the Aldine Press, Venice,
established about 1490

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Christopher Columbus%@AE@%%@EH@%
%@NL@%
%@AB@%1451-1506%@AE@%
%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC10     @%%@2@%   "Thanks be to God," says the Admiral; "the air is soft as in April in%@EH@%
Seville, and it is a pleasure to be in it, so fragrant it is."%@NL@%
%@NL@%
Christopher Columbus
%@NL@%%@FN@%
Bartolome de Las Casas [1474-1566] made an abstract of Columbus's Journal of
the First Voyage (El Libro de la Primera Navegacion), which is the nearest
thing to an original journal that we have.  Translated by Samuel Eliot
Morison.  %@EF@%
Journal of the First Voyage,October 8, 1492

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC20     @%%@2@%   Here the people could stand it no longer and complained of the long%@EH@%
voyage; but the Admiral cheered them as best he could, holding out good hope
of the advantages they would have. He added that it was useless to complain,
he had come [to go] to the Indies, and so had to continue it until he found
them, with the help of Our Lord.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Journal of the First Voyage,October 10, 1492

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC30     @%%@2@%   At two hours after midnight appeared the land, at a distance of 2%@EH@%
leagues. They handed all sails and set the treo, which is the mainsail
without bonnets, and lay-to waiting for daylight Friday, when they arrived
at an island of the Bahamas that was called in the Indians' tongue Guanahani
[San Salvador].%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Journal of the First Voyage,October 12, 1492

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC40     @%%@2@%   The Admiral says that he never beheld so fair a thing: trees all along%@EH@%
the river, beautiful and green, and different from ours, with flowers and
fruits each according to their kind, many birds and little birds which sing
very sweetly.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Journal of the First Voyage,October 28, 1492

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The first certain reference in history to smoking tobacco.  %@EF@%
%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC50     @%%@2@%   The two Christians met on the way many people who were going to their%@EH@%
towns, women and men, with a firebrand in the hand, [and] herbs to drink the
smoke thereof, as they are accustomed.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Journal of the First Voyage,November 6, 1492

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC60     @%%@2@%   When there are such lands there should be profitable things without%@EH@%
number.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Journal of the First Voyage,November 27, 1492

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Here may be found the first suggestion of the exclusive colonial policy that
Spain and other nations followed.-Samuel Eliot Morison, Journals and Other
Documents on the Life and Voyages of Christopher Columbus [1963]  %@EF@%
%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC70     @%%@2@%   And I say that Your Highnesses ought not to consent that any foreigner%@EH@%
does business or sets foot here, except Christian Catholics, since this was
the end and the beginning of the enterprise, that it should be for the
enhancement and glory of the Christian religion, nor should anyone who is
not a good Christian come to these parts.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Journal of the First Voyage,November 27, 1492

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC80     @%%@2@%   The Admiral ordered the lord to be given some things, and he and all his%@EH@%
folk rested in great contentment, believing truly that they had come from
the sky, and to see the Christians they held themselves very fortunate.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Journal of the First Voyage,December 22, 1492

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC90     @%%@2@%   "Of this voyage, I observe," says the Admiral, "that it has miraculously%@EH@%
been shown, as may be understood by this writing, by the many signal
miracles that He has shown on the voyage, and for me, who for so great a
time was in the court of Your Highnesses with the opposition and against the
opinion of so many high personages of your household, who were all against
me, alleging this undertaking to be folly, which I hope in Our Lord will be
to the greater glory of Christianity, which to some slight extent already
has happened."%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Journal of the First Voyage,March 15, 1493

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC110    @%%@2@%   It is true that after they have been reassured and have lost this fear,%@EH@%
they are so artless and so free with all they possess, that no one would
believe it without having seen it. Of anything they have, if you ask them
for it, they never say no; rather they invite the person to share it, and
show as much love as if they were giving their hearts.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%%@FN@%
This letter, the first and rarest of all printed Americana, describes the
scenery and the natives of Hispaniola.  %@EF@%
Letter to the Sovereigns on the First Voyage,
February 15-March 4, 1493

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC120    @%%@2@%   And they know neither sect nor idolatry, with the exception that all%@EH@%
believe that the source of all power and goodness is in the sky, and they
believe very firmly that I, with these ships and people, came from the sky,
and in this belief they everywhere received me, after they had overcome
their fear.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Letter to the Sovereigns on the First Voyage,
February 15-March 4, 1493

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC130    @%%@2@%   I have come to believe that this is a mighty continent which was hitherto%@EH@%
unknown. I am greatly supported in this view by reason of this great river
[Ozama], and by this sea which is fresh.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%%@FN@%
Translated by Samuel Eliot Morison and Milton Anastos.  %@EF@%
Journal of the Third Voyage, May 30-August 31, 1498

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC140    @%%@2@%   I have always read that the world, both land and water, was spherical, as%@EH@%
the authority and researches of Ptolemy and all the others who have written
on this subject demonstrate and prove, as do the eclipses of the moon and
other experiments that are made from east to west, and the elevation of the
North Star from north to south.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Letter to the Sovereigns on the Third Voyage, October 18, 1498

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC150    @%%@2@%   Your Highnesses have an Other World here, by which our holy faith can be%@EH@%
so greatly advanced and from which such great wealth can be drawn.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Letter to the Sovereigns on the Third Voyage, October 18, 1498

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC160    @%%@2@%   I should be judged as a captain who went from Spain to the Indies to%@EH@%
conquer a people numerous and warlike, whose manners and religion are very
different from ours, who live in sierras and mountains, without fixed
settlements, and where by divine will I have placed under the sovereignty of
the King and Queen our Lords, an Other World, whereby Spain, which was
reckoned poor, is become the richest of countries.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%%@FN@%
Columbus is coming from the Indies as a prisoner to Cadiz.  %@EF@%
Letter to Dona Juana de Torres, October 1500

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC170    @%%@2@%   The tempest was terrible and separated me from my [other] vessels that%@EH@%
night, putting every one of them in desperate straits, with nothing to look
forward to but death. Each was certain the others had been destroyed. What
man ever born, not excepting Job, who would not have died of despair, when
in such weather seeking safety for my son, my brother, shipmates, and
myself, we were forbidden [access to] the land and the harbors which I, by
God's will and sweating blood, had won for Spain?%@NL@%
%@NL@%
Christopher Columbus
%@NL@%%@FN@%
Translated by Milton Anastos.  %@EF@%
Lettera Rarissima to the Sovereigns, July 7, 1503 (Fourth Voyage)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC180    @%%@2@%   I came to serve you at the age of 28 and now I have not a hair on me that%@EH@%
is not white, and my body is infirm and exhausted. All that was left to me
and my brothers has been taken away and sold, even to the cloak that I wore,
without hearing or trial, to my great dishonor.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Lettera Rarissima to the Sovereigns, July 7, 1503 (Fourth Voyage)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Columbus@%%@QR:Columbus@%%@CR:N1451COLC190    @%%@2@%   Weep for me, whoever has charity, truth and justice! I did not come on%@EH@%
this voyage for gain, honor or wealth, that is certain; for then the hope of
all such things was dead. I came to Your Highnesses with honest purpose and
sincere zeal; and I do not lie. I humbly beseech Your Highnesses that, if it
please God to remove me hence, you will help me to go to Rome and on other
pilgrimages.%@NL@%
%@NL@%
Christopher Columbus
%@NL@%Lettera Rarissima to the Sovereigns, July 7, 1503 (Fourth Voyage)

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Leonardo da Vinci%@AE@%%@EH@%
%@NL@%Leonardo da Vinci
%@AB@%1452-1519%@AE@%
%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL11     @%%@2@%   Man and the animals are merely a passage and channel for food, a tomb for%@EH@%
other animals, a haven for the dead, giving life by the death of others, a
coffer full of corruption.%@NL@%
%@NL@%
Leonardo da Vinci
%@NL@%%@FN@%
Translated by Edward MacCurdy.  %@EF@%
The Notebooks [1508-1518],
vol.I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL21     @%%@2@%   Intellectual passion drives out sensuality.%@NL@%%@EH@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL31     @%%@2@%   As a well-spent day brings happy sleep, so life well used brings happy%@EH@%
death.%@NL@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL41     @%%@2@%   Life well spent is long.%@NL@%%@EH@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL51     @%%@2@%   Shun those studies in which the work that results dies with the worker.%@NL@%%@EH@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL61     @%%@2@%   Whoever in discussion adduces authority uses not intellect but rather%@EH@%
memory.%@NL@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL70     @%%@2@%   Iron rusts from disuse; stagnant water loses its purity and in cold%@EH@%
weather becomes frozen; even so does inaction sap the vigor of the mind.%@NL@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL80     @%%@2@%   Savage is he who saves himself.%@NL@%%@EH@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL85     @%%@2@%   It is easier to resist at the beginning than at the end.%@NL@%%@EH@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL90     @%%@2@%   Necessity is the mistress and guardian of Nature. 1 %@NL@%%@EH@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.I, ch.2

%@NL@%%@AI@%1 See Shakespeare%@BO:          1b7706@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL100    @%%@2@%   Human subtlety . . . will never devise an invention more beautiful, more%@EH@%
simple or more direct than does nature, because in her inventions nothing is
lacking, and nothing is superfluous.%@NL@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL110    @%%@2@%   Mechanics is the paradise of the mathematical sciences because by means%@EH@%
of it one comes to the fruits of mathematics.%@NL@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.I, ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL120    @%%@2@%   O speculators about perpetual motion, how many vain chimeras have you%@EH@%
created in the like quest? Go and take your place with the seekers after
gold.%@NL@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.II, ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL130    @%%@2@%   O neglectful Nature, wherefore art thou thus partial, becoming to some of%@EH@%
thy children a tender and benignant mother, to others a most cruel and
ruthless stepmother? I see thy children given into slavery to others without
ever receiving any benefit, and in lieu of any reward for the services they
have done for them they are repaid by the severest punishments.%@NL@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.II, ch.45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leonardo da Vinci@%%@QR:Vinci@%%@QR:Leonardo da Vinci@%%@QR:da Vinci@%%@CR:N1452VINL140    @%%@2@%   The Medici created and destroyed me.%@NL@%%@EH@%
%@NL@%
Leonardo da Vinci
%@NL@%The Notebooks [1508-1518],
vol.II, ch.46

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Amerigo Vespucci%@AE@%%@EH@%
%@NL@%
%@AB@%1454-1512%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by G. T. Northup, Vespucci Reprints and Studies [1916], and S. E.
Morison, The European Discovery of America: The Southern Voyages [1974].
This, and a letter of Vespucci to his friend Pier Soderini [1504], led
geography professor Martin Waldseemuller to credit Vespucci with discovering
"a fourth part of the world" and to issue a map [1507] with a bold america
on the continent now called South America. Vespucci had invented a voyage of
1497, a year before Columbus's Third Voyage to the mainland of South
America.  %@EF@%
%@QR:Amerigo Vespucci@%%@QR:Vespucci@%%@CR:N1454VESA10     @%%@2@%   Those new regions [America] which we found and explored with the fleet .%@EH@%
. . we may rightly call a New World . . . a continent more densely peopled
and abounding in animals than our Europe or Asia or Africa; and, in
addition, a climate milder than in any other region known to us.%@NL@%
%@NL@%
Amerigo Vespucci
%@NL@%Letter called Mundus Novus [1503] to
Lorenzo Pier Francesco de'Medici

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sebastian Brant%@AE@%%@EH@%
%@NL@%
%@AB@%1457-1521%@AE@%
%@NL@%%@NL@%

%@QR:Sebastian Brant@%%@QR:Brant@%%@CR:N1457BRAS10     @%%@2@%   The world wants to be deceived.%@NL@%%@EH@%
%@NL@%
Sebastian Brant
%@NL@%The Ship of Fools (Das Narrenschiff) [1494]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Skelton%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1460-1529%@AE@%
%@NL@%%@NL@%

%@FN@%
Mad as a March hare.-John Heywood, Proverbs [1546], pt. II, ch. 5  %@EF@%
%@QR:John Skelton@%%@QR:Skelton@%%@CR:N1460SKEJ10     @%%@2@%I say, thou mad March hare.%@NL@%%@EH@%

%@NL@%John Skelton
%@NL@%Replication Against Certain Young Scholars

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rule the rost.-John Heywood, Proverbs [1546], pt. I, ch. 5  Her that ruled
the rost.-Thomas Heywood, History of Women [ed. 1624]  Rules the
roast.-Jonson, Chapman, Marston, Eastward Ho [1605], act II, sc. ii  %@EF@%
%@QR:John Skelton@%%@QR:Skelton@%%@CR:N1460SKEJ30     @%%@2@%He ruleth all the roost.%@NL@%%@EH@%

%@NL@%John Skelton
%@NL@%Why Come Ye Not to Court,l. 198

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
To keep the wolf from the door.-John Heywood, Proverbs [1546], pt. II, ch. 7
%@EF@%
%@QR:John Skelton@%%@QR:Skelton@%%@CR:N1460SKEJ70     @%%@2@%The wolf from the door.%@NL@%%@EH@%

%@NL@%John Skelton
%@NL@%Why Come Ye Not to Court,l. 1531

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It is a foul bird that filleth his own nest.-John Heywood, Proverbs [1546],
pt. II, ch. 5  %@EF@%
%@QR:John Skelton@%%@QR:Skelton@%%@CR:N1460SKEJ90     @%%@2@%Old proverb says,%@NL@%%@EH@%
That bird is not honest%@NL@%
That filleth his own nest.%@NL@%

%@NL@%John Skelton
%@NL@%Poems Against Garnesche

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Skelton@%%@QR:Skelton@%%@CR:N1460SKEJ110    @%%@2@%Maid, widow, or wife.%@NL@%%@EH@%

%@NL@%John Skelton
%@NL@%Philip Sparrow

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Dunbar%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1465 - c. 1530%@AE@%
%@NL@%%@NL@%

%@QR:William Dunbar@%%@QR:Dunbar@%%@CR:N1465DUNW10     @%%@2@%London, thou art the flower of Cities all.%@NL@%%@EH@%

%@NL@%William Dunbar
%@NL@%London,refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Dunbar@%%@QR:Dunbar@%%@CR:N1465DUNW20     @%%@2@%Gem of all joy, jasper of jocundity.%@NL@%%@EH@%

%@NL@%William Dunbar
%@NL@%London,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fear of Death troubles me.  %@EF@%
%@QR:William Dunbar@%%@QR:Dunbar@%%@CR:N1465DUNW30     @%%@2@%I that in heill wes and gladnes%@NL@%%@EH@%
Am trublit now with gret seiknes%@NL@%
And feblit with infermite:%@NL@%
Timor Mortis conturbat me.%@NL@%

%@NL@%William Dunbar
%@NL@%%@FN@%
Makers: poets.  %@EF@%
Lament for the Makers (Makaris)
[c. 1508],refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Dunbar@%%@QR:Dunbar@%%@CR:N1465DUNW50     @%%@2@%Our plesance here is all vain glory,%@NL@%%@EH@%
This false world is but transitory.%@NL@%

%@NL@%William Dunbar
%@NL@%Lament for the Makers (Makaris)
[c. 1508],st. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Desiderius Erasmus%@AE@%%@EH@%
%@NL@%
%@AB@%1465-1536%@AE@%
%@NL@%%@NL@%

%@QR:Desiderius Erasmus@%%@QR:Erasmus@%%@CR:N1465ERAD10     @%%@2@%   It is folly alone that stays the fugue of Youth and beats off louring Old%@EH@%
Age.%@NL@%
%@NL@%
Desiderius Erasmus
%@NL@%The Praise of Folly [1509]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Desiderius Erasmus@%%@QR:Erasmus@%%@CR:N1465ERAD20     @%%@2@%   They may attack me with an army of six hundred syllogisms; and if I do%@EH@%
not recant, they will proclaim me a heretic.%@NL@%
%@NL@%
Desiderius Erasmus
%@NL@%The Praise of Folly [1509]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Desiderius Erasmus@%%@QR:Erasmus@%%@CR:N1465ERAD30     @%%@2@%   A peck of troubles.%@NL@%%@EH@%
%@NL@%
Desiderius Erasmus
%@NL@%Apothegms [1542]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Fernando de Rojas%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1465 - c. 1538%@AE@%
%@NL@%%@NL@%

%@QR:Fernando de Rojas@%%@QR:Rojas@%%@CR:N1465ROJF10     @%%@2@%   Goods which are not shared are not goods.%@NL@%%@EH@%
%@NL@%
Fernando de Rojas
%@NL@%La Celestina, actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fernando de Rojas@%%@QR:Rojas@%%@CR:N1465ROJF20     @%%@2@%   The use of riches is better than their possession.%@NL@%%@EH@%
%@NL@%
Fernando de Rojas
%@NL@%La Celestina, actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fernando de Rojas@%%@QR:Rojas@%%@CR:N1465ROJF30     @%%@2@%   The first step towards madness is to think oneself wise.%@NL@%%@EH@%
%@NL@%
Fernando de Rojas
%@NL@%La Celestina, actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fernando de Rojas@%%@QR:Rojas@%%@CR:N1465ROJF40     @%%@2@%   Riches do not make one rich but busy.%@NL@%%@EH@%
%@NL@%
Fernando de Rojas
%@NL@%La Celestina, actIV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fernando de Rojas@%%@QR:Rojas@%%@CR:N1465ROJF50     @%%@2@%   No one is so old that he cannot live yet another year, nor so young that%@EH@%
he cannot die today.%@NL@%
%@NL@%
Fernando de Rojas
%@NL@%La Celestina, actIV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fernando de Rojas@%%@QR:Rojas@%%@CR:N1465ROJF60     @%%@2@%   When God wounds from on high he will follow with the remedy.%@NL@%%@EH@%
%@NL@%
Fernando de Rojas
%@NL@%La Celestina, actX

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fernando de Rojas@%%@QR:Rojas@%%@CR:N1465ROJF70     @%%@2@%   When one door closes, fortune will usually open another.%@NL@%%@EH@%
%@NL@%
Fernando de Rojas
%@NL@%La Celestina, actXV

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Niccolo Machiavelli%@AE@%%@EH@%
%@NL@%
%@AB@%1469-1527%@AE@%
%@FN@%
Every Country hath its Machiavel.-Sir Thomas Browne, Religio Medici [1642],
p. 24 (Everyman edition)  Out of his surname they have coined an epithet for
a knave, and out of his Christian name a synonym for the Devil.-Macaulay,
Machiavelli [1827]  See Butler  %@EF@%
%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN30     @%%@2@%   There is nothing more difficult to take in hand, more perilous to%@EH@%
conduct, or more uncertain in its success, than to take the lead in the
introduction of a new order of things.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%%@FN@%
Translated by W. K. Marriott.  %@EF@%
The Prince [1532], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN40     @%%@2@%   From this arises the question whether it is better to be loved rather%@EH@%
than feared, or feared rather than loved. It might perhaps be answered that
we should wish to be both: but since love and fear can hardly exist
together, if we must choose between them, it is far safer to be feared than
loved. 1  2 %@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%The Prince [1532], ch.8

%@NL@%%@AI@%1 See Ennius%@BO:           c0818@%%@AE@%
%@AI@%2 See Accius%@BO:           c4c9b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN50     @%%@2@%   The chief foundations of all states, new as well as old or composite, are%@EH@%
good laws and good arms; and as there cannot be good laws where the state is
not well armed, it follows that where they are well armed they have good
laws.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%The Prince [1532], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN60     @%%@2@%   A prince should therefore have no other aim or thought, nor take up any%@EH@%
other thing for his study, but war and its organization and discipline, for
that is the only art that is necessary to one who commands.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%The Prince [1532], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN70     @%%@2@%   Among other evils which being unarmed brings you, it causes you to be%@EH@%
despised.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%The Prince [1532], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN80     @%%@2@%   Many have imagined republics and principalities which have never been%@EH@%
seen or known to exist in reality; for how we live is so far removed from
how we ought to live, that he who abandons what is done for what ought to be
done, will rather bring about his own ruin than his preservation.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%The Prince [1532], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN90     @%%@2@%   The prince who relies upon their words, without having otherwise provided%@EH@%
for his security, is ruined; for friendships that are won by awards, and not
by greatness and nobility of soul, although deserved, yet are not real, and
cannot be depended upon in time of adversity.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%The Prince [1532], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN100    @%%@2@%   A prince being thus obliged to know well how to act as a beast must%@EH@%
imitate the fox and the lion, for the lion cannot protect himself from
traps, and the fox cannot defend himself from wolves. One must therefore be
a fox to recognize traps, and a lion to frighten wolves.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%The Prince [1532], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN110    @%%@2@%   When neither their property nor their honor is touched, the majority of%@EH@%
men live content.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%The Prince [1532], ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN120    @%%@2@%   There are three classes of intellects: one which comprehends by itself;%@EH@%
another which appreciates what others comprehend; and a third which neither
comprehends by itself nor by the showing of others; the first is the most
excellent, the second is good, the third is useless.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%The Prince [1532], ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN130    @%%@2@%   There is no other way of guarding oneself against flattery than by%@EH@%
letting men understand that they will not offend you by speaking the truth;
but when everyone can tell you the truth, you lose their respect.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%The Prince [1532], ch.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN140    @%%@2@%   Where the willingness is great, the difficulties cannot be great.%@NL@%%@EH@%
%@NL@%
Niccolo Machiavelli
%@NL@%The Prince [1532], ch.26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN150    @%%@2@%   God is not willing to do everything, and thus take away our free will and%@EH@%
that share of glory which belongs to us.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%The Prince [1532], ch.26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN160    @%%@2@%   Whoever desires to found a state and give it laws, must start with%@EH@%
assuming that all men are bad and ever ready to display their vicious
nature, whenever they may find occasion for it.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%Discourse upon the First Ten Books of Livy, bk. I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Niccolo Machiavelli@%%@QR:Machiavelli@%%@CR:N1469MACN170    @%%@2@%   The people resemble a wild beast, 1  2  3  4  5  which, naturally fierce%@EH@%
and accustomed to live in the woods, has been brought up, as it were, in a
prison and in servitude, and having by accident got its liberty, not being
accustomed to search for its food, and not knowing where to  conceal itself,
easily becomes the prey of the first who seeks to incarcerate it again.%@NL@%
%@NL@%
Niccolo Machiavelli
%@NL@%Discourse upon the First Ten Books of Livy, bk. I, ch.16

%@NL@%%@AI@%1 See Horace%@BO:           dc7fe@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          19c0e9@%%@AE@%
%@AI@%3 See %@BO:          1f0a13@%%@AE@%
%@AI@%4 See %@BO:          1f138a@%%@AE@%
%@AI@%5 See Pope%@BO:          2a6187@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Charles VIII%@AE@%%@EH@%
%@NL@%
%@AB@%1470-1498%@AE@%
%@NL@%%@NL@%

%@FN@%
Tel est notre bon plaisir.  %@EF@%
%@QR:Charles VIII@%%@CR:N1470CHAR10     @%%@2@%   This is our gracious will.%@NL@%%@EH@%
%@NL@%
Charles VIII
%@NL@%Royal Order of March 12, 1497

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Nicholas Copernicus%@AE@%%@EH@%
%@NL@%
%@AB@%1473-1543%@AE@%
%@NL@%%@NL@%

%@QR:Nicholas Copernicus@%%@QR:Copernicus@%%@CR:N1473COPN10     @%%@2@%   Finally we shall place the Sun himself at the center of the Universe. All%@EH@%
this is suggested by the systematic procession of events and the harmony of
the whole Universe, if only we face the facts, as they say, "with both eyes
open."%@NL@%
%@NL@%
Nicholas Copernicus
%@NL@%%@FN@%
Translated by John F. Dobson.  %@EF@%
De Revolutionibus Orbium Coelestium [1543]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ludovico Ariosto%@AE@%%@EH@%
%@NL@%
%@AB@%1474-1533%@AE@%
%@NL@%%@NL@%

%@FN@%
Natura il fece, e poi ruppe la stampa.  See Byron  %@EF@%
%@QR:Ludovico Ariosto@%%@QR:Ariosto@%%@CR:N1474ARIL10     @%%@2@%   Nature made him, and then broke the mold.%@NL@%%@EH@%
%@NL@%
Ludovico Ariosto
%@NL@%Orlando Furioso [1532], canto X, st. 84

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Bartolome de Las Casas%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1474-1566%@AE@%
%@FN@%
Known as the Apostle of the Indies.  %@EF@%
%@NL@%%@NL@%

%@FN@%
Translated by George Sanderlin.  %@EF@%
%@QR:Bartolome de Las Casas@%%@QR:Las Casas@%%@CR:N1474LASB10     @%%@2@%   It clearly appears that there are no races in the world, however rude,%@EH@%
uncultivated, barbarous, gross, or almost brutal they may be, who cannot be
persuaded and brought to a good order and way of life, and made domestic,
mild and tractable, provided . . . the method that is proper and natural to
men is used; that is, love and gentleness and kindness.%@NL@%
%@NL@%
Bartolome de Las Casas
%@NL@%Apologetica Historia (Apologetic History) de las Indias
[written c. 1530], ch. 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Rachel Phillips.  %@EF@%
%@QR:Bartolome de Las Casas@%%@QR:Las Casas@%%@CR:N1474LASB20     @%%@2@%   The main goal of divine Providence in [allowing] the discovery of these%@EH@%
tribes and lands . . . is . . . the conversion and well-being of souls, and
to this goal everything temporal must necessarily be subordinated and
directed.%@NL@%
%@NL@%
Bartolome de Las Casas
%@NL@%Historia de las Indias [written 1550-1563], prologue

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Michelangelo Buonarroti%@AE@%%@EH@%
%@NL@%
%@AB@%1475-1564%@AE@%
%@NL@%%@NL@%

%@QR:Michelangelo Buonarroti@%%@CR:N1475MICH10     @%%@2@%   The more the marble wastes, the more the statue grows.%@NL@%%@EH@%
%@NL@%
Michelangelo Buonarroti
%@NL@%Sonnet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michelangelo Buonarroti@%%@CR:N1475MICH20     @%%@2@%   If it be true that any beautiful thing raises the pure and just desire of%@EH@%
man from earth to God, the eternal fount of all, such I believe my love.%@NL@%
%@NL@%
Michelangelo Buonarroti
%@NL@%Sonnet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michelangelo Buonarroti@%%@CR:N1475MICH30     @%%@2@%   The power of one fair face makes my love sublime, for it has weaned my%@EH@%
heart from low desires.%@NL@%
%@NL@%
Michelangelo Buonarroti
%@NL@%Sonnet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michelangelo Buonarroti@%%@CR:N1475MICH40     @%%@2@%   I live and love in God's peculiar light.%@NL@%%@EH@%
%@NL@%
Michelangelo Buonarroti
%@NL@%Sonnet

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Thomas More%@AE@%%@EH@%
%@NL@%
%@AB@%1478-1535%@AE@%
%@FN@%
Canonized [1935] by Pope Pius XI.  See Robert Whittinton  %@EF@%
%@NL@%%@NL@%

%@QR:Sir Thomas More@%%@QR:More@%%@CR:N1478MORT10     @%%@2@%   They wonder much to hear that gold, which in itself is so useless a%@EH@%
thing, should be everywhere so much esteemed, that even men for whom it was
made, and by whom it has its value, should yet be thought of less value than
it is.%@NL@%
%@NL@%
Sir Thomas More
%@NL@%Utopia [1516].Of Jewels and Wealth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas More@%%@QR:More@%%@CR:N1478MORT20     @%%@2@%   They have no lawyers among them, for they consider them as a sort of%@EH@%
people whose profession it is to disguise matters.%@NL@%
%@NL@%
Sir Thomas More
%@NL@%Utopia [1516].Of Law and Magistrates

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In the modern phrase: Not sense enough to come in out of the rain.  %@EF@%
%@QR:Sir Thomas More@%%@QR:More@%%@CR:N1478MORT30     @%%@2@%   Plato by a goodly similitude declareth, why wise men refrain to meddle in%@EH@%
the commonwealth. For when they see the people swarm into the streets, and
daily wet to the skin with rain, and yet cannot persuade them to go out of
the rain, they do keep themselves within their houses, seeing they cannot
remedy the folly of the people.%@NL@%
%@NL@%
Sir Thomas More
%@NL@%Utopia [1516].Concerning the Best State of a Commonwealth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas More@%%@QR:More@%%@CR:N1478MORT50     @%%@2@%   A little wanton money, which burned out the bottom of his purse.%@NL@%%@EH@%
%@NL@%
Sir Thomas More
%@NL@%Works [c. 1530]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A tale of a tub is a cock-and-bull story. Jonson used it as the title of a
comedy [1633], and Swift as the title of a satire [1696].  %@EF@%
%@QR:Sir Thomas More@%%@QR:More@%%@CR:N1478MORT60     @%%@2@%   This is a fair tale of a tub told of his election.%@NL@%%@EH@%
%@NL@%
Sir Thomas More
%@NL@%Confutation of Tyndale's Answers [1532]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Sophocles, Catullus, Bacon, Shakespeare, and Keats  Words writ in
waters.-George Chapman [c. 15591634], Revenge for Honor, act. V, sc. ii
L'injure se grave en metal; et le bienfait s'escrit en l'onde [An injury is
engraved in metal, but a benefit is written in water].-Jean Bertaut
[1552-1611]  All your better deeds shall be in water writ, but this in
marble.-Beaumont and Fletcher, Philaster [1620], act V, sc. iii  %@EF@%
%@QR:Sir Thomas More@%%@QR:More@%%@CR:N1478MORT70     @%%@2@%   For men use, if they have an evil turn, to write it in marble: and whoso%@EH@%
doth us a good turn we write it in dust.%@NL@%
%@NL@%
Sir Thomas More
%@NL@%Richard III and His Miserable End [1543]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas More@%%@QR:More@%%@CR:N1478MORT110    @%%@2@%   See me safe up: for my coming down, I can shift for myself.%@NL@%%@EH@%
%@NL@%
Sir Thomas More
%@NL@%On ascending the scaffold. From Froude,
History of England [1856-1870]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas More@%%@QR:More@%%@CR:N1478MORT120    @%%@2@%   This hath not offended the king.%@NL@%%@EH@%
%@NL@%
Sir Thomas More
%@NL@%As he drew his beard aside upon placing his head on the block.
From Bacon, Apothegms, no. 22

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Whittinton%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1480 - c. 1530%@AE@%
%@NL@%%@NL@%

%@QR:Robert Whittinton@%%@QR:Whittinton@%%@CR:N1480WHIR10     @%%@2@%   [Sir Thomas] More is a man of angel's wit and singular learning; I know%@EH@%
not his fellow. For where is the man of that gentleness, lowliness and
affability? And as time requireth, a man of marvelous mirth and pastimes;
and sometimes of as sad a gravity; a man for all seasons. 1 %@NL@%
%@NL@%
Robert Whittinton
%@NL@%Passage composed for schoolboys to put into Latin

%@NL@%%@AI@%1 See Ben Jonson%@BO:          20c397@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Martin Luther%@AE@%%@EH@%
%@NL@%
%@AB@%1483-1546%@AE@%
%@NL@%%@NL@%

%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM10     @%%@2@%   If it were an art to overcome heresy with fire, the executioners would be%@EH@%
the most learned doctors on earth.%@NL@%
%@NL@%
Martin Luther
%@NL@%To the Christian Nobility of the German States [1520]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Hier stehe ich, ich kann nicht anders. Gott helfe mir. Amen.  Inscribed on
his monument at Worms.  Also translated as: Here I stand, I cannot do
otherwise. And: God helping me, I can do no other.  See Wilson  %@EF@%
%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM20     @%%@2@%   Here I stand; I can do no other. God help me. Amen.%@NL@%%@EH@%
%@NL@%
Martin Luther
%@NL@%Speech at the Diet of Worms, [April 18, 1521]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM40     @%%@2@%   The mad mob does not ask how it could be better, only that it be%@EH@%
different. And when it then becomes worse, it must change again. Thus they
get bees for flies, and at last hornets for bees.%@NL@%
%@NL@%
Martin Luther
%@NL@%Whether Soldiers Can Also Be in a State of Grace [1526]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ein' feste burg is unser Gott,/ein gute wehr und waffen./Er hilft uns frei
aus aller not,/die uns itzt hat betroffen.  Translated by Frederick Henry
Hedge.  Great God! there is no safety here below;/Thou art my fortress, thou
that seem'st my foe.-Francis Quarles [1592-1644], Divine Poems  See Psalm
46:1  %@EF@%
%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM50     @%%@2@%A mighty fortress is our God,%@NL@%%@EH@%
A bulwark never failing.%@NL@%
Our helper He amid the flood%@NL@%
Of mortal ills prevailing.%@NL@%

%@NL@%Martin Luther
%@NL@%Ein' Feste Burg [1529]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM80     @%%@2@%   What can only be taught by the rod and with blows will not lead to much%@EH@%
good; they will not remain pious any longer than the rod is behind them.%@NL@%
%@NL@%
Martin Luther
%@NL@%The Great Catechism. Second Command [1529]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM90     @%%@2@%   Peace is more important than all justice; and peace was not made for the%@EH@%
sake of justice, but justice for the sake of peace.%@NL@%
%@NL@%
Martin Luther
%@NL@%On Marriage [1530]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM100    @%%@2@%   Justice is a temporary thing that must at last come to an end; but the%@EH@%
conscience is eternal and will never die.%@NL@%
%@NL@%
Martin Luther
%@NL@%On Marriage [1530]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM110    @%%@2@%   Superstition, idolatry, and hypocrisy have ample wages, but truth goes%@EH@%
a-begging.%@NL@%
%@NL@%
Martin Luther
%@NL@%Table Talk [1569],53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Where God hath a temple, the Devil will have a chapel.-Robert Burton,
Anatomy of Melancholy [1621-1651], pt. III, sec. 4, member I, subsec. I  No
sooner is a temple built to God but the Devil builds a chapel hard
by.-George Herbert, Jacula Prudentum [1640]  See Defoe  %@EF@%
%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM120    @%%@2@%   For where God built a church, there the Devil would also build a chapel .%@EH@%
. . Thus is the Devil ever God's ape.%@NL@%
%@NL@%
Martin Luther
%@NL@%Table Talk [1569],67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM150    @%%@2@%   The Mass is the greatest blasphemy of God, and the highest idolatry upon%@EH@%
earth, an abomination the like of which has never been in Christendom since
the time of the Apostles.%@NL@%
%@NL@%
Martin Luther
%@NL@%Table Talk [1569],171

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM160    @%%@2@%   There is no more lovely, friendly and charming relationship, communion or%@EH@%
company than a good marriage.%@NL@%
%@NL@%
Martin Luther
%@NL@%Table Talk [1569],292

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM170    @%%@2@%   A theologian is born by living, nay dying and being damned, not by%@EH@%
thinking, reading, or speculating.%@NL@%
%@NL@%
Martin Luther
%@NL@%Table Talk [1569],352

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM180    @%%@2@%   Reason is the greatest enemy that faith has: it never comes to the aid of%@EH@%
spiritual things, but-more frequently than not-struggles against the divine
Word, treating with contempt all that emanates from God.%@NL@%
%@NL@%
Martin Luther
%@NL@%Table Talk [1569],353

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM190    @%%@2@%   If I had heard that as many devils would set on me in Worms as there are%@EH@%
tiles on the roofs, I should nonetheless have ridden there.%@NL@%
%@NL@%
Martin Luther
%@NL@%Luthers Sammtliche Schriften [1745], XVI, 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This is the moral of the fable of the lawyer, the farmer, and the farmer's
ox, which was included in Noah Webster, American Spelling Book [1802],
entitled The Partial Judge.  %@EF@%
%@QR:Martin Luther@%%@QR:Luther@%%@CR:N1483LUTM200    @%%@2@%   It makes a difference whose ox is gored.%@NL@%%@EH@%
%@NL@%
Martin Luther
%@NL@%Works [1854 ed.], vol. LXII

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%HernaAn Cortes%@AE@%%@EH@%
%@NL@%Hernando Cortez
%@AB@%1485-1547%@AE@%
%@NL@%%@NL@%

%@QR:HernaAn Cortes@%%@QR:Cortes@%%@QR:Hernando Cortez@%%@CR:N1485CORH10     @%%@2@%   It seems most credible that our Lord God has purposefully allowed these%@EH@%
lands [Mexico] to be discovered . . . so that Your Majesties may be fruitful
and deserving in His sight by causing these barbaric tribes to be
enlightened and brought to the faith by Your hand.%@NL@%
%@NL@%
HernaAn Cortes
%@NL@%First Dispatch [July 10, 1519]. To Queen Juana and her son
Charles V from the Vera Cruz town council;
probably dictated by Cortes

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:HernaAn Cortes@%%@QR:Cortes@%%@QR:Hernando Cortez@%%@CR:N1485CORH20     @%%@2@%   [The Aztecs] said that by no means would they give themselves up, for as%@EH@%
long as one of them was left he would die fighting, and that we would get
nothing of theirs because they would burn everything or throw it into the
water.%@NL@%
%@NL@%
HernaAn Cortes
%@NL@%Third Dispatch [May 15, 1522]. To Charles V

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Hugh Latimer%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1485-1555%@AE@%
%@NL@%%@NL@%

%@QR:Hugh Latimer@%%@QR:Latimer@%%@CR:N1485LATH10     @%%@2@%   Play the man, Master Ridley; we shall this day light such a candle, by%@EH@%
God's grace, in England, as I trust shall never be put out. 1 %@NL@%
%@NL@%
Hugh Latimer
%@NL@%%@FN@%
See Latimer and Ridley in the might/Of Faith stand coupled for a common
flight!-Wordsworth [1770-1850], Ecclesiastical Sonnets, pt. II, no. 34,
Latimer and Ridley  %@EF@%
To Nicholas Ridley [1500-1555] as they were being burned alive
at Oxford for heresy [October 16, 1555].
From J. R. Green,
A Short History of the English People [1874], ch. 7

%@NL@%%@AI@%1 See II Esdras 14:25%@BO:           46d81@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Pope Julius III%@AE@%%@EH@%
%@NL@%
%@AB@%1487-1555%@AE@%
%@NL@%%@NL@%

%@FN@%
An nescis, mi fili, quantilla prudentia mundus regatur?  %@EF@%
%@QR:Pope Julius III@%%@CR:N1487JULI10     @%%@2@%   Do you not know, my son, with what little understanding the world is%@EH@%
ruled?%@NL@%
%@NL@%
Pope Julius III
%@NL@%To a Portuguese monk who sympathized with the pope's burdens
of office

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jacques Cartier%@AE@%%@EH@%
%@NL@%
%@AB@%1491-1557%@AE@%
%@NL@%%@NL@%

%@FN@%
J'estime mieux que autrement, que c'est la terre que Dieu donna a Cain.
Upon discovering the bleak shore of the Gulf of St. Lawrence, today's
Labrador and Quebec [summer 1534].  %@EF@%
%@QR:Jacques Cartier@%%@QR:Cartier@%%@CR:N1491CARJ10     @%%@2@%   I am rather inclined to believe that this is the land God gave to Cain.%@NL@%%@EH@%
%@NL@%
Jacques Cartier
%@NL@%La Premiere Relation

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%St. Ignatius , of Loyola%@AE@%%@EH@%
%@NL@%St. Ignatius of Loyola
%@AB@%1491-1556%@AE@%
%@FN@%
Founder of the Society of Jesus.  %@EF@%
%@NL@%%@NL@%

%@QR:St. Ignatius , of Loyola@%%@QR:St. Ignatius of Loyola@%%@CR:N1491LOYI10     @%%@2@%Teach us, good Lord, to serve Thee as Thou deservest:%@NL@%%@EH@%
To give and not to count the cost;%@NL@%
To fight and not to heed the wounds;%@NL@%
To toil and not to seek for rest;%@NL@%
To labor and not ask for any reward%@NL@%
Save that of knowing that we do Thy will.%@NL@%

%@NL@%St. Ignatius , of Loyola
%@NL@%Prayer for Generosity [1548]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Bernal Diaz del Castillo%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1492 - c. 1581%@AE@%
%@NL@%%@NL@%

%@FN@%
The five hundred and fifty soldiers who came to Mexico with Cortes [1519],
all but five of whom were dead at the time Diaz was writing [1568].  %@EF@%
%@FN@%
Translated by Maurice Keatinge.  %@EF@%
%@QR:Bernal Diaz del Castillo@%%@QR:Diaz del Castillo@%%@CR:N1492DIAB20     @%%@2@%   To me it appears that the names of those ought to be written in letters%@EH@%
of gold, who died so cruel a death, for the service of God and His Majesty,
to give light to those who were in darkness, 1  and to procure wealth which
all men desire.%@NL@%
%@NL@%
Bernal Diaz del Castillo
%@NL@%The True History of the Conquest of New Spain (Historia
Verdadera de la Conquista de la Nueve Espana) [1800], pt. II, ch. 10

%@NL@%%@AI@%1 See Isaiah 9:2%@BO:           3b1f7@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Philippus Aureolus Paracelsus%@AE@%%@EH@%
%@NL@%Theophrastus Bombastus von Hohenheim
%@AB@%c. 1493-1541%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by Henry M. Pachter.  %@EF@%
%@QR:Philippus Aureolus Paracelsus@%%@QR:Paracelsus@%%@QR:Theophrastus Bombastus von Hohenheim@%%@CR:N1493PARP10     @%%@2@%   Every experiment is like a weapon which must be used in its particular%@EH@%
way-a spear to thrust, a club to strike. Experimenting requires a man who
knows when to thrust and when to strike, each according to need and fashion.%@NL@%
%@NL@%
Philippus Aureolus Paracelsus
%@NL@%Surgeon's Book (Chirurgische Bucher) [1605]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francis Francois I%@AE@%%@EH@%
%@NL@%
%@AB@%1494-1547%@AE@%
%@NL@%%@NL@%

%@FN@%
Tout est perdu fors l'honneur.  The actual words written were: De toutes
choses ne m'est demeure que l'honneur et la vie qui est sauve. The letter is
in Dulaure, Histoire Civile, Physique et Morale de Paris [1821-1825].  %@EF@%
%@QR:Francis Francois I@%%@CR:N1494FRAN10     @%%@2@%   All is lost save honor.%@NL@%%@EH@%
%@NL@%
Francis Francois I
%@NL@%Letter to his mother after his defeat at Pavia [February 23, 1525]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francois Rabelais%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1494-1553%@AE@%
%@NL@%%@NL@%

%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF10     @%%@2@%   Break the bone and suck out the substantific marrow.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%%@FN@%
Translated by Sir Thomas Urquhart and Peter Anthony Motteux [1653-1694].  %@EF@%
Gargantua and Pantagruel,
bk.I [1532],prologue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pour ce que rire est le propre de l'homme.  %@EF@%
%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF20     @%%@2@%   To laugh is proper to man.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.I [1532],Rabelais to the Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
My appetite comes to me while eating.-Montaigne, Essays [1580-1595], III, 9
%@EF@%
%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF40     @%%@2@%   Appetite comes with eating . . . but the thirst goes away with drinking.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.I [1532],ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF60     @%%@2@%   War begun without good provision of money beforehand for going through%@EH@%
with it is but as a breathing of strength and blast that will quickly pass
away. Coin is the sinews of war. 1  2  3  4 %@NL@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.I [1532],ch.46

%@NL@%%@AI@%1 See Bion%@BO:           bc0f1@%%@AE@%
%@AI@%2 See Cicero%@BO:           c8676@%%@AE@%
%@AI@%3 See Dryden%@BO:          26968b@%%@AE@%
%@AI@%4 See Churchill%@BO:          573f7f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He is most powerful who has power over himself.-Seneca [8  B.C. - A.D.  65],
Epistles, 90, 34  See Massinger  %@EF@%
%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF70     @%%@2@%   How shall I be able to rule over others, that have not full power and%@EH@%
command of myself?%@NL@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.I [1532],ch.52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fais ce que voudras.  %@EF@%
%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF90     @%%@2@%   Do what thou wilt.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.I [1532],ch.57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF110    @%%@2@%   Wisdom entereth not into a malicious mind, and science without conscience%@EH@%
is but the ruin of the soul.%@NL@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.II [1534], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Shakespeare  Or that eternal want of pence,/Which vexes public men. -
Tennyson, Will Waterproof's Lyrical Monologue [1842], st. 6  %@EF@%
%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF120    @%%@2@%   Subject to a kind of disease, which at that time they called lack of%@EH@%
money.%@NL@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.II [1534], ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF140    @%%@2@%   So much is a man worth as he esteems himself.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.II [1534], ch.29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF150    @%%@2@%   A good crier of green sauce.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.II [1534], ch.31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF160    @%%@2@%   This flea which I have in mine ear.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.III [1545], ch. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF170    @%%@2@%   Oh thrice and four times happy those who plant cabbages! 1  2 %@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.IV [1548], ch.18

%@NL@%%@AI@%1 See Montaigne%@BO:          14299f@%%@AE@%
%@AI@%2 See Voltaire%@BO:          2adb40@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
We could manage this matter to a T.-Sterne, Tristram Shandy, bk. II [1760],
ch. 5  You see they'd have fitted him to a T.-Samuel Johnson; from Boswell,
Life of Johnson [1791]  You will find it shall echo my speech to a T.-Thomas
Moore [1779-1852], Address for the Opening of the New Theatre of St. Stephen
%@EF@%
%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF180    @%%@2@%   Which was performed to a T.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.IV [1548], ch.41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF220    @%%@2@%   He that has patience may compass anything.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.IV [1548], ch.48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The will for deed I do accept.-Seigneur Du Bartas, Divine Weeks and Works
[1578], Second Week, Third Day, pt. II  You must take the will for the
deed.-Swift, Polite Conversation [1738], Dialogue 2  %@EF@%
%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF230    @%%@2@%   We will take the good will for the deed.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.IV [1548], ch.49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
While you live, tell truth and shame the devil!-Shakespeare, Henry IV, pt. I
[1597-1598], act III, sc. i, l. 58  I'd tell the truth, and shame the
devil.-Samuel Johnson; from Boswell, Life of Johnson [1791], vol. I, p. 460
(Everyman edition)  Truth being truth,/Tell it and shame the
devil.-Browning, The Ring and the Book [1868-1869], III, The Other Half-Rome
%@EF@%
%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF260    @%%@2@%   Speak the truth and shame the Devil.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.V [1552],author's prologue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Shakespeare  As clear and as manifest as the nose in a man's
face.-Robert Burton, Anatomy of Melancholy [1621-1651], pt. III, sec. 3,
member 4, subsec. I  %@EF@%
%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF300    @%%@2@%   Plain as a nose in a man's face.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.V [1552],author's prologue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF320    @%%@2@%   Like hearts of oak. 1 %@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.V [1552],author's prologue

%@NL@%%@AI@%1 See Garrick%@BO:          2d4202@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
They were suffered to have rope enough till they had haltered
themselves.-Thomas Fuller, The Historie of the Holy Warre [1639], bk. 5, ch.
7  Give a man enough rope and he'll hang himself.-Proverb  %@EF@%
%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF330    @%%@2@%   Go hang yourselves [critics] . . . you shall never want rope enough.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.V [1552],author's prologue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
As like as one pease is to another.-John Lyly, Euphues [1579]  They say we
are/Almost as like as eggs. - Shakespeare, The Winter's Tale [1608-1611],
act I, sc. ii, l. 130  As one egg is like another.-Cervantes, Don Quixote,
pt. II [1615], bk. III, ch. 14  %@EF@%
%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF360    @%%@2@%   Looking as like . . . as one pea does like another.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.V [1552],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF400    @%%@2@%   It is meat, drink, and cloth to us.%@NL@%%@EH@%
%@NL@%
Francois Rabelais
%@NL@%Gargantua and Pantagruel,
bk.V [1552],ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Je m'en vais chercher un grand peut-[ecirc ]tre; tirez le rideau, la farce
est jouee.  His religion, at best, is an anxious wish; like that of
Rabelais, "a great Perhaps."-Carlyle, Essays, Burns [1828]  The grand
perhaps.-Browning, Bishop Blougram's Apology [1855]  See Leoncavallo  %@EF@%
%@QR:Francois Rabelais@%%@QR:Rabelais@%%@CR:N1494RABF410    @%%@2@%   I am going to seek a grand perhaps; draw the curtain, the farce is%@EH@%
played.%@NL@%
%@NL@%
Francois Rabelais
%@NL@%Alleged last words. From Motteux, Life of Rabelais

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Heywood%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1497 - c. 1580%@AE@%
%@FN@%
John Heywood's Proverbs, first printed in 1546, is the earliest collection
of English colloquial sayings. The selection here given is from the edition
of 1874 (a reprint of 1598), edited by Julian Sharman.  See also Oxford
Dictionary of English Proverbs [2nd edition, 1948], compiled by William G.
Smith and revised by Paul Harvey, and A Dictionary of the Proverbs in
English in the 16th and 17th Centuries [1950], compiled by Morris Palmer
Tilley.  %@EF@%
%@NL@%%@NL@%

%@FN@%
The earliest known of the "willow" songs (see Shakespeare).  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ10     @%%@2@%All a green willow, willow, willow,%@NL@%%@EH@%
All a green willow is my garland.%@NL@%

%@NL@%John Heywood
%@NL@%The Green Willow

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This line is the theme of many poems.  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ20     @%%@2@%The loss of wealth is loss of dirt,%@NL@%%@EH@%
As sages in all times assert;%@NL@%
The happy man's without a shirt.%@NL@%

%@NL@%John Heywood
%@NL@%Be Merry Friends

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Let the world slide.-Towneley Mysteries [1420].  Let the world
slide.-Shakespeare, The Taming of the Shrew [1593-1594]. Induction, sc. i,
l. 6  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ30     @%%@2@%Let the world slide, let the world go;%@NL@%%@EH@%
A fig for care, and a fig for woe!%@NL@%
If I can't pay, why I can owe,%@NL@%
And death makes equal the high and low.%@NL@%

%@NL@%John Heywood
%@NL@%Be Merry Friends

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In wikked haste is no profit.-Chaucer, The Canterbury Tales [c. 1387],
Melibee, 2240  See Publilius Syrus and Chaucer  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ60     @%%@2@%   Haste maketh waste.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ80     @%%@2@%   Good to be merry and wise.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ90     @%%@2@%   Beaten with his own rod.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Thou shouldst have looked before thou hadst leapt.-Jonson, Chapman, Marston,
Eastward Ho [1605], act V, sc. i  See Samuel Butler  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ100    @%%@2@%   Look ere ye leap.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Between two stools one sits on the ground.-Les Proverbes del Vilain, MS
Bodleian [c. 1303]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ120    @%%@2@%   While between two stools my tail go to the ground.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ130    @%%@2@%He that will not when he may,%@NL@%%@EH@%
When he would he shall have nay.%@NL@%

%@NL@%John Heywood
%@NL@%Proverbs [1546], pt.I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ140    @%%@2@%   The fat is in the fire.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ150    @%%@2@%   When the sun shineth, make hay.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Chaucer  Time nor tide tarrieth no man.-Robert Greene, Disputations
[1592]  Hoist up sail while gale doth last,/Tide and wind stay no man's
pleasure.-Robert Southwell, St. Peter's Complaint [1595]  Nae man can tether
time or tide.-Burns, Tam o' Shanter [1787]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ160    @%%@2@%   The tide tarrieth no man.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dry sun, dry wind;/Safe bind, safe find.-Thomas Tusser, A Hundred Good
Points of Husbandry [1557], October's Abstract, Washing  Fast bind, fast
find;/A proverb never stale in thrifty mind.-Shakespeare, The Merchant of
Venice [1596-1597],act II, sc. v, l. 54  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ200    @%%@2@%   Fast bind, fast find.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It is this proverb which Henry V is reported to have uttered at the siege of
Orleans: Shall I beat the bush and another take the bird?  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ230    @%%@2@%And while I at length debate and beat the bush,%@NL@%%@EH@%
There shall step in other men and catch the birds.%@NL@%

%@NL@%John Heywood
%@NL@%Proverbs [1546], pt.I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Hanging and wiving go by destiny.-The Schole-hous for Women [1541]  Marriage
and hanging go by destiny; matches are made in heaven.-Robert Burton,
Anatomy of Melancholy [1621-1651], pt. III, sec. 2, member 5, subsec. 5  See
Lyly  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ260    @%%@2@%Wedding is destiny,%@NL@%%@EH@%
And hanging likewise.%@NL@%

%@NL@%John Heywood
%@NL@%Proverbs [1546], pt.I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Happy man be his dole.-Shakespeare, The Merry Wives of Windsor [1600-1601],
act III, sc. iv, l. 68, and The Winter's Tale [1609-1611], act I, sc. ii, l.
163  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ290    @%%@2@%   Happy man, happy dole.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
God sendeth and giveth both mouth and the meat.-Thomas Tusser, A Hundred
Good Points of Husbandry [1557]  God sends meat, and the Devil sends
cooks.-John Taylor, Works [1630], vol. II, p. 85  The holy prophet Zoroaster
said,/The Lord who made thy teeth shall give thee bread.-Persian couplet  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ310    @%%@2@%   God never send'th mouth but he sendeth meat.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ350    @%%@2@%   A hard beginning maketh a good ending.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ360    @%%@2@%   Like will to like. 1  2  3 %@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.4

%@NL@%%@AI@%1 See Ecclesiasticus 13:16%@BO:           4a707@%%@AE@%
%@AI@%2 See Homer%@BO:           8657c@%%@AE@%
%@AI@%3 See Robert Burton%@BO:          212277@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ370    @%%@2@%   When the sky falleth we shall have larks.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ380    @%%@2@%   More afraid than hurt.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ390    @%%@2@%   Nothing is impossible to a willing heart.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ400    @%%@2@%   Let the world wag, and take mine ease in mine inn.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ410    @%%@2@%   Hold their noses to grindstone.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Chaucer and Shakespeare use the phrase.  Sending every one of her children
upon some sleeveless errand, as she terms it.-Joseph Addison, The Spectator,
no. 47 [April 24, 1711] (referring to April Fool errands)  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ420    @%%@2@%   A sleeveless errand.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He reckoneth without his hostess. Love knoweth no laws.-John Lyly, Euphues
[1579]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ440    @%%@2@%   Reckoners without their host must reckon twice.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ460    @%%@2@%   Cut my coat after my cloth.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Qui est pres de l'eglise est souvent loin de Dieu [He who is near the Church
is often far from God].-Les Proverbes Communs [c. 1500]  See Spenser  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ470    @%%@2@%   The nearer to the church, the further from God.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ500    @%%@2@%   Now for good luck, cast an old shoe after me.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rather to bow than break is profitable:/Humility is a thing commendable.-The
Moral Proverbs of Cristyne [1390]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ510    @%%@2@%   Better is to bow than break.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fair words never hurt the tongue.-Jonson, Chapman, Marston, Eastward Ho
[1605], act IV, sc. i  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ530    @%%@2@%   It hurteth not the tongue to give fair words.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ550    @%%@2@%   Two heads are better than one.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ560    @%%@2@%   A short horse is soon curried.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ570    @%%@2@%   To tell tales out of school.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ580    @%%@2@%   To hold with the hare and run with the hound.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ590    @%%@2@%   Neither fish nor flesh, nor good red herring.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Si finis bonus est, totum bonum erit [If the end is good, all will be
good].-Gesta Romanorum [1472], tale 67  See Anonymous Latin, Shakespeare,
Herrick, and Quarles  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ600    @%%@2@%   All is well that ends well.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Plato, Aristotle, and Horace  Who that well his warke beginneth,/The
rather a good end he winneth.-John Gower, Confessio Amantis [c. 1386-1390]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ620    @%%@2@%   Of a good beginning cometh a good end.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quant le cheval est emble dounke ferme fols l'estable [When the horse has
been stolen, the fool shuts the stable].-Les Proverbes del Vilain [c. 1303]
%@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ640    @%%@2@%   When the steed is stolen, shut the stable door.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ660    @%%@2@%   She looketh as butter would not melt in her mouth.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ewyl weed ys sone y-growe.-MS Harleian [c. 1490]  Great weeds do grow
apace.-Shakespeare, Richard III [1592-1593], act II, sc. iv, l. 13  An ill
weed grows apace.-George Chapman, An Humorous Day's Mirth [1599]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ670    @%%@2@%   Ill weed groweth fast.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
God knows thou art a collop of my flesh.-Shakespeare, Henry VI, Part I
[1591], act V, sc. iv, l. 18  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ710    @%%@2@%It is a dear collop%@NL@%%@EH@%
That is cut out of th' own flesh.%@NL@%

%@NL@%John Heywood
%@NL@%Proverbs [1546], pt.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ730    @%%@2@%   Beggars should be no choosers.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ740    @%%@2@%   Merry as a cricket.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Give not Saint Peter so much, to leave Saint Paul nothing.-George Herbert,
Jacula Prudentum [1640]  "To rob Peter and pay Paul" is said to have had its
origin in the reign of Edward VI when the lands of St. Peter at Westminster
were appropriated to raise money for the repair of St. Paul's in London.
The French form of the proverb is: Decouvrir saint Pierre pour couvrir saint
Paul.  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ750    @%%@2@%   To rob Peter and pay Paul.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
You may bring a horse to the river, but he will drink when and what he
pleaseth.-George Herbert, Jacula Prudentum [1640]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ790    @%%@2@%A man may well bring a horse to the water,%@NL@%%@EH@%
But he cannot make him drink without he will.%@NL@%

%@NL@%John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
You know that love/Will creep in service when it cannot go.-Shakespeare, Two
Gentlemen of Verona [1594-1595], act IV, sc. ii, l. 19  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ820    @%%@2@%   Kinde will creep where it may not go.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cat lufat visch, ac he nele his feth wete.-MS Trinity College, Cambridge [c.
1250]  See Shakespeare  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ840    @%%@2@%   The cat would eat fish, and would not wet her feet.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ860    @%%@2@%   Rome was not built in one day.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Two strings to his bow.-Richard Hooker, Laws of Ecclesiastical Polity, bk. V
[1597], ch. 80  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ870    @%%@2@%   Ye have many strings to your bow.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ890    @%%@2@%   Children learn to creep ere they can learn to go.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ900    @%%@2@%   Better is half a loaf than no bread.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ910    @%%@2@%   Nought venture nought have. 1  2 %@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%%@AI@%1 See Chaucer%@BO:          11eb3b@%%@AE@%
%@AI@%2 See W. S. Gilbert%@BO:          4acf51@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
'Tis an old saw, children and fools speak true.-John Lyly, Endymion [1591]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ920    @%%@2@%   Children and fools cannot lie.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
All's fish they get that cometh to net.-Tusser, A Hundred Good Points of
Husbandry [1557], February Abstract  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ940    @%%@2@%   All is fish that cometh to net.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Him that makes shoes go barefoot himself.-Robert Burton, Anatomy of
Melancholy [1621-1651], Democritus to the Reader  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ960    @%%@2@%   Who is worse shod than the shoemaker's wife?%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ980    @%%@2@%   One good turn asketh another.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ990    @%%@2@%   A dog hath a day.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Old receipt books advised that an inebriate should drink sparingly in the
morning some of the same kind of liquor which he had drunk to excess the
night before.  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1000   @%%@2@%   A hair of the dog that bit us.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1010   @%%@2@%But in deed,%@NL@%%@EH@%
A friend is never known till a man have need. 1  2  3  4 %@NL@%

%@NL@%John Heywood
%@NL@%Proverbs [1546], pt.I, ch.11

%@NL@%%@AI@%1 See Aristotle%@BO:           b660c@%%@AE@%
%@AI@%2 See Cicero%@BO:           c7e7c@%%@AE@%
%@AI@%3 See Publilius Syrus%@BO:           e3d53@%%@AE@%
%@AI@%4 See Ovid%@BO:           e724d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Brend child fur dredth,/Quoth Hendyng.-Proverbs of Hendyng, MS [c. 1320]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1030   @%%@2@%   Burnt child fire dreadeth.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
There is no fool like an old fool.-John Lyly, Mother Bombie [1592], act IV,
sc. ii, and in frequent use thereafter.  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1050   @%%@2@%   There is no fool to the old fool.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1070   @%%@2@%   All is not gospel that thou dost speak.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sottes bolt is sone shote.-Proverbs of Hendyng, MS [c. 1320]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1080   @%%@2@%   A fool's bolt is soon shot.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1100   @%%@2@%   A woman hath nine lives like a cat.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1110   @%%@2@%   A penny for your thought.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1120   @%%@2@%   You cannot see the wood for the trees.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1130   @%%@2@%   You stand in your own light.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This is a corruption of Tant pour tant.  See Song of Roland  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1140   @%%@2@%   Tit for tat.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Two may keep counsel when the third's away.-Shakespeare, Titus Andronicus
[1593-1594], act IV, sc. ii, l. 145  Three can hold their peace if two be
away.-George Herbert, Jacula Prudentum [1640]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1160   @%%@2@%   Three may keep counsel, if two be away.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pitchers have ears.-Shakespeare, The Taming of the Shrew [1593-1594], act
IV, sc. iv, l. 52, and Richard III [1592-1593], act II, sc. iv, l. 37
Little pitchers have wide ears.-George Herbert, Jacula Prudentum [1640]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1190   @%%@2@%   Small pitchers have wide ears.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1220   @%%@2@%   Many hands make light work.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Thou shalt come out of a warm sun into God's blessing.-John Lyly, Euphues
[1579]  Thou out of Heaven's benediction comest/To the warm
sun.-Shakespeare, King Lear [1605-1606], act II, sc. ii, l. 168  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1230   @%%@2@%   Out of God's blessing into the warm sun.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
There can no great smoke arise, but there must be some fire.-Lyly, Euphues
[1579]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1260   @%%@2@%   There is no fire without some smoke.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1280   @%%@2@%   A cat may look on a king.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1290   @%%@2@%   Have ye him on the hip. 1 %@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.5

%@NL@%%@AI@%1 See Shakespeare%@BO:          190786@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
More water glideth by the mill/Than wots the miller of.-Shakespeare, Titus
Andronicus [1593-1594], act II, sc. i, l. 85  The miller sees not all the
water that goes by his mill.-Robert Burton, Anatomy of Melancholy
[1621-1651], pt. III, sec. 3, member 4, subsec. 1  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1300   @%%@2@%Much water goeth by the mill%@NL@%%@EH@%
That the miller knoweth not of.%@NL@%

%@NL@%John Heywood
%@NL@%Proverbs [1546], pt.II, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1330   @%%@2@%   He must needs go whom the devil doth drive.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1340   @%%@2@%   Set the cart before the horse.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1350   @%%@2@%   The more the merrier.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1360   @%%@2@%It is better to be%@NL@%%@EH@%
An old man's darling than a young man's warling.%@NL@%

%@NL@%John Heywood
%@NL@%Proverbs [1546], pt.II, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Be the day short or never so long,/At length it ringeth to evensong.-Quoted
at the stake by George Tankerfield [1555]. From John Foxe, Actes and
Monuments (The Book of Martyrs) [1563], ch. 7  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1370   @%%@2@%Be the day never so long,%@NL@%%@EH@%
Evermore at last they ring to even-song.%@NL@%

%@NL@%John Heywood
%@NL@%Proverbs [1546], pt.II, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
They would make me believe that the moon was made of green cheese.-John
Frith, A Pistle to the Christian Reader [1529]  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1390   @%%@2@%   The moon is made of a green cheese.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1410   @%%@2@%   I know on which side my bread is buttered.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1420   @%%@2@%   The wrong sow by th' ear.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Except wind stands as never it stood,/It is an ill wind turns none to
good.-Thomas Tusser [c. 1524-1580], A Description of the Properties of Winds
Falstaff. What wind blew you hither, Pistol?  Pistol. Not the ill wind which
blows no man to good.-Shakespeare, Henry IV, Part II [1597-1598], act V, sc.
iii, l. 87  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1430   @%%@2@%   An ill wind that bloweth no man to good.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Give an inch, he'll take an ell.-John Webster [c. 1580-c. 1625], Sir Thomas
Wyatt  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1460   @%%@2@%   For when I gave you an inch, you took an ell.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Wouldst thou both eat thy cake and have it?-George Herbert, The Size [1633]
%@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1480   @%%@2@%   Would ye both eat your cake and have your cake?%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Every man for himself, his own ends, the Devil for all.-Robert Burton,
Anatomy of Melancholy [1621-1651], pt. III, sec. 1, member 3  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1500   @%%@2@%   Every man for himself and God for us all.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
For buying or selling of pig in a poke.-Tusser, A Hundred Good Points of
Husbandry [1557], September Abstract  %@EF@%
%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1520   @%%@2@%   Though he love not to buy the pig in the poke.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1540   @%%@2@%   This hitteth the nail on the head.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Heywood@%%@QR:Heywood@%%@CR:N1497HEYJ1550   @%%@2@%   Enough is as good as a feast.%@NL@%%@EH@%
%@NL@%
John Heywood
%@NL@%Proverbs [1546], pt.II, ch.11

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles V%@AE@%%@EH@%
%@NL@%
%@AB@%1500-1558%@AE@%
%@NL@%%@NL@%

%@QR:Charles V@%%@CR:N1500CHAR10     @%%@2@%   Fortune hath somewhat the nature of a woman; if she be too much wooed,%@EH@%
she is the farther off.%@NL@%
%@NL@%
Charles V
%@NL@%From Francis Bacon,
The Advancement of Learning [1605], bk. II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles V@%%@CR:N1500CHAR20     @%%@2@%   Iron hand in a velvet glove.%@NL@%%@EH@%
%@NL@%
Charles V
%@NL@%Attributed. From Thomas Carlyle,
Latter-Day Pamphlets, 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles V@%%@CR:N1500CHAR30     @%%@2@%   I make war on the living, not on the dead.%@NL@%%@EH@%
%@NL@%
Charles V
%@NL@%Said when advised to hang Luther's corpse on the gallows [1546]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pope Gregory XIII%@AE@%%@EH@%
%@NL@%
%@AB@%1502-1585%@AE@%
%@NL@%%@NL@%

%@FN@%
Ad maiorem Dei gloriam. Motto of the Society of Jesus.  %@EF@%
%@QR:Pope Gregory XIII@%%@CR:N1502GREG10     @%%@2@%   To the greater glory of God.%@NL@%%@EH@%
%@NL@%
Pope Gregory XIII
%@NL@%From The Canons and Decrees of the Council of Trent [1542-1560]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Thomas Wyatt%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1503-1542%@AE@%
%@NL@%%@NL@%

%@QR:Sir Thomas Wyatt@%%@QR:Wyatt@%%@CR:N1503WYAT10     @%%@2@%Forget not yet the tried intent%@NL@%%@EH@%
Of such a truth as I have meant;%@NL@%
My great travail so gladly spent,%@NL@%
Forget not yet!%@NL@%

%@NL@%Sir Thomas Wyatt
%@NL@%Forget Not Yet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Wyatt@%%@QR:Wyatt@%%@CR:N1503WYAT20     @%%@2@%And wilt thou leave me thus?%@NL@%%@EH@%
Say nay, say nay, for shame!%@NL@%

%@NL@%Sir Thomas Wyatt
%@NL@%The Appeal

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Wyatt@%%@QR:Wyatt@%%@CR:N1503WYAT30     @%%@2@%My lute, awake! perform the last%@NL@%%@EH@%
Labor that thou and I shall waste,%@NL@%
And end that I have now begun;%@NL@%
For when this song is sung and past,%@NL@%
My lute, be still, for I have done.%@NL@%

%@NL@%Sir Thomas Wyatt
%@NL@%The Lover Complaineth the Unkindness of His Love

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Wyatt@%%@QR:Wyatt@%%@CR:N1503WYAT40     @%%@2@%They flee from me, that sometime did me seek%@NL@%%@EH@%
With naked foot, stalking in my chamber.%@NL@%

%@NL@%Sir Thomas Wyatt
%@NL@%The Lover Showeth How He Is Forsaken of Such as He Sometime Enjoyed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Knox%@AE@%%@EH@%
%@NL@%
%@AB@%1505-1572%@AE@%
%@NL@%%@NL@%

%@QR:John Knox@%%@QR:Knox@%%@CR:N1505KNOJ5      @%%@2@%   The First Blast of the Trumpet Against the Monstrous Regiment [Regimen]%@EH@%
of Women.%@NL@%
%@NL@%
John Knox
%@NL@%Title of pamphlet [1558]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Un homme avec Dieu est toujours dans la majorite.  See Phillips  %@EF@%
%@QR:John Knox@%%@QR:Knox@%%@CR:N1505KNOJ10     @%%@2@%   A man with God is always in the majority.%@NL@%%@EH@%
%@NL@%
John Knox
%@NL@%Inscription on Reformation Monument, Geneva, Switzerland

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Bradford%@AE@%%@EH@%
%@NL@%
%@AB@%1510-1555%@AE@%
%@NL@%%@NL@%

%@FN@%
There but for the grace of God goes God.-Anonymous saying, attributed to
Orson Welles, among others  %@EF@%
%@QR:John Bradford@%%@QR:Bradford@%%@CR:N1510BRAJ10     @%%@2@%   The familiar story, that, on seeing evildoers taken to the place of%@EH@%
execution, he was wont to exclaim: "But for the grace of God there goes John
Bradford," is a universal tradition, which has overcome the lapse of time.%@NL@%
%@NL@%
John Bradford
%@NL@%Biographical notice, Parker Society edition,
The Writings of John Bradford [1853]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Thomas Vaux%@AE@%%@EH@%
%@NL@%
%@AB@%1510-1556%@AE@%
%@NL@%%@NL@%

%@QR:Sir Thomas Vaux@%%@QR:Vaux@%%@CR:N1510VAUT10     @%%@2@%Companion none is like%@NL@%%@EH@%
Unto the mind alone;%@NL@%
For many have been harmed by speech,%@NL@%
Through thinking, few or none.%@NL@%

%@NL@%Sir Thomas Vaux
%@NL@%Of a Contented Mind [1557]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Vaux@%%@QR:Vaux@%%@CR:N1510VAUT20     @%%@2@%I loathe that I did love,%@NL@%%@EH@%
In youth that I thought sweet,%@NL@%
As time requires for my behove,%@NL@%
Methinks they are not meet.%@NL@%

%@NL@%Sir Thomas Vaux
%@NL@%The Aged Lover Renounceth Love, st.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quoted by First Clown in Shakespeare, Hamlet [1600-1601], act V, sc. i, l.
77.  %@EF@%
%@QR:Sir Thomas Vaux@%%@QR:Vaux@%%@CR:N1510VAUT30     @%%@2@%But age, with his stealing steps,%@NL@%%@EH@%
Hath clawed me in his clutch.%@NL@%

%@NL@%Sir Thomas Vaux
%@NL@%The Aged Lover Renounceth Love, st.3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Grafton%@AE@%%@EH@%
%@NL@%
%@AB@%d. 1572%@AE@%
%@NL@%%@NL@%

%@FN@%
Thirty days hath September,/April, June, and November;/All the rest have
thirty-one,/Excepting February alone,/Which hath but twenty-eight, in
fine,/Till leap year gives it twenty-nine.-Common in the New England states
Compare the old Latin class mnemonic:  In March, July, October, May,/The
Ides are on the fifteenth day,/The Nones the seventh: all other months
besides/Have two days less for Nones and Ides.  %@EF@%
%@QR:Richard Grafton@%%@QR:Grafton@%%@CR:N1512GRAR10     @%%@2@%Thirty days hath November,%@NL@%%@EH@%
April, June, and September,%@NL@%
February hath twenty-eight alone,%@NL@%
And all the rest have thirty-one.%@NL@%

%@NL@%Richard Grafton
%@NL@%Chronicles of England [1562]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Mary Tudor%@AE@%%@EH@%
%@NL@%Mary II
Mary Tudor
%@AB@%1516-1558%@AE@%
%@NL@%%@NL@%

%@QR:Mary Tudor@%%@QR:Mary II@%%@QR:Mary Tudor@%%@QR:Tudor@%%@CR:N1516MARY10     @%%@2@%   When I am dead and opened, you shall find "Calais" lying in my heart. 1 %@NL@%%@EH@%
%@NL@%
Mary Tudor
%@NL@%From Holinshed, Chronicles [1577], III, 1160

%@NL@%%@AI@%1 See Browning%@BO:          41305c@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Ambroise Pare%@AE@%%@EH@%
%@NL@%
%@AB@%1517-1590%@AE@%
%@NL@%%@NL@%

%@FN@%
Je le soignay, Dieu le guerit.  %@EF@%
%@QR:Ambroise Pare@%%@QR:Pare@%%@CR:N1517PARA10     @%%@2@%   I treated him, God cured him.%@NL@%%@EH@%
%@NL@%
Ambroise Pare
%@NL@%His favorite saying

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joachim du Bellay%@AE@%%@EH@%
%@NL@%
%@AB@%1522-1560%@AE@%
%@NL@%%@NL@%

%@FN@%
Heureux qui, comme Ulysse, a fait un beau voyage.  %@EF@%
%@QR:Joachim du Bellay@%%@QR:Bellay@%%@CR:N1522BELJ30     @%%@2@%   Happy he who like Ulysses has made a glorious voyage.%@NL@%%@EH@%
%@NL@%
Joachim du Bellay
%@NL@%Les Regrets [1559], XXXI

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Luiz Vaz de Camoes%@AE@%%@EH@%
%@NL@%Camoens
%@AB@%c. 1524-1580%@AE@%
%@NL@%%@NL@%

%@QR:Luiz Vaz de Camoes@%%@QR:Camoes@%%@QR:Camoens@%%@QR:Camoens@%%@CR:N1524CAML10     @%%@2@%   The Strait that shall forever bear his name.%@NL@%%@EH@%
%@NL@%
Luiz Vaz de Camoes
%@NL@%The Lusiads [1572], in reference to Ferdinand Magellan's discovery of the
strait [October 21, 1520]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pierre de Ronsard%@AE@%%@EH@%
%@NL@%
%@AB@%1524-1585%@AE@%
%@NL@%%@NL@%

%@FN@%
Quand vous serez bien vieille, au soir a la chandelle,/Assise aupres du feu,
devidant et filant,/Direz, chantant mes vers, en vous emerveillant:/"Ronsard
me celebrait du temps que j'etais belle."  Translated by Humbert Wolfe.  See
the adaptation by Yeats: When you are old and gray and full of sleep  %@EF@%
%@QR:Pierre de Ronsard@%%@QR:Ronsard@%%@CR:N1524RONP10     @%%@2@%When you are old, at evening candlelit,%@NL@%%@EH@%
Beside the fire bending to your wool,%@NL@%
Read out my verse and murmur, "Ronsard writ%@NL@%
This praise for me when I was beautiful."%@NL@%

%@NL@%Pierre de Ronsard
%@NL@%Sonnets pour Helene, I, 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Vivez, si m'en croyez, n'attendez a demain:/Cueillez des aujourd'hui les
roses de la vie.  See The Wisdom of Solomon 2:8, Horace, Spenser, and
Herrick  %@EF@%
%@QR:Pierre de Ronsard@%%@QR:Ronsard@%%@CR:N1524RONP30     @%%@2@%Live now, believe me, wait not till tomorrow;%@NL@%%@EH@%
Gather the roses of life today.%@NL@%

%@NL@%Pierre de Ronsard
%@NL@%Sonnets pour Helene, I, 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cueillez, cueillez votre jeunesse:/Comme a cette fleur, la vieillesse/Fera
ternir votre beaute.  %@EF@%
%@QR:Pierre de Ronsard@%%@QR:Ronsard@%%@CR:N1524RONP50     @%%@2@%Gather, gather your youth:%@NL@%%@EH@%
Just like this flower, old age%@NL@%
Your beauty will wither.%@NL@%

%@NL@%Pierre de Ronsard
%@NL@%Odes, I, 17. [Agrave] Cassandre

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Tusser%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1524-1580%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Tusser@%%@QR:Tusser@%%@CR:N1524TUST10     @%%@2@%At Christmas play and make good cheer,%@NL@%%@EH@%
For Christmas comes but once a year.%@NL@%

%@NL@%Thomas Tusser
%@NL@%A Hundred Good Points of Husbandry [1557].The Farmer's Daily Diet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tel ma[icirc ]tre, tel valet.-Attributed to Pierre Terral, Seigneur de
Bayard [c. 1473-1524], known as the Chevalier Bayard  %@EF@%
%@QR:Thomas Tusser@%%@QR:Tusser@%%@CR:N1524TUST20     @%%@2@%Such mistress, such Nan,%@NL@%%@EH@%
Such master, such man.%@NL@%

%@NL@%Thomas Tusser
%@NL@%A Hundred Good Points of Husbandry [1557].April's Abstract

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tusser@%%@QR:Tusser@%%@CR:N1524TUST40     @%%@2@%Sweet April showers%@NL@%%@EH@%
Do spring May flowers.%@NL@%

%@NL@%Thomas Tusser
%@NL@%A Hundred Good Points of Husbandry [1557].April's Husbandry

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tusser@%%@QR:Tusser@%%@CR:N1524TUST50     @%%@2@%Who goeth a-borrowing%@NL@%%@EH@%
Goeth a-sorrowing.%@NL@%

%@NL@%Thomas Tusser
%@NL@%A Hundred Good Points of Husbandry [1557].June's Abstract

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Merry swithe it is in halle,/When the beards 'waveth alle.-Life of Alexander
[1312]  %@EF@%
%@QR:Thomas Tusser@%%@QR:Tusser@%%@CR:N1524TUST60     @%%@2@%'Tis merry in hall%@NL@%%@EH@%
Where beards wag all.%@NL@%

%@NL@%Thomas Tusser
%@NL@%A Hundred Good Points of Husbandry [1557].August's Abstract

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pieter Bruegel%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1525-1569%@AE@%
%@NL@%%@NL@%

%@FN@%
Om dat de werelt is soe ongetru/Daer om gha ic in den ru.  %@EF@%
%@QR:Pieter Bruegel@%%@QR:Bruegel@%%@CR:N1525BRUP10     @%%@2@%Because the world is so faithless,%@NL@%%@EH@%
I go my way in mourning.%@NL@%

%@NL@%Pieter Bruegel
%@NL@%Inscription in Moliere, The Misanthrope [1568]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gabriel Meurier%@AE@%%@EH@%
%@NL@%
%@AB@%1530-1601%@AE@%
%@NL@%%@NL@%

%@FN@%
Qui s'excuse, s'accuse.  See Shakespeare  %@EF@%
%@QR:Gabriel Meurier@%%@QR:Meurier@%%@CR:N1530MEUG10     @%%@2@%   He who excuses himself accuses himself.%@NL@%%@EH@%
%@NL@%
Gabriel Meurier
%@NL@%Tresor des Sentences

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Stevenson%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1530-1575%@AE@%
%@NL@%%@NL@%

%@QR:William Stevenson@%%@QR:Stevenson@%%@CR:N1530STEW10     @%%@2@%I cannot eat but little meat,%@NL@%%@EH@%
My stomach is not good;%@NL@%
But sure I think that I can drink%@NL@%
With him that wears a hood.%@NL@%

%@NL@%William Stevenson
%@NL@%Gammer Gurton's Needle [c. 1573], drinking song,act II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Stevenson@%%@QR:Stevenson@%%@CR:N1530STEW20     @%%@2@%Back and side go bare, go bare,%@NL@%%@EH@%
Both foot and hand go cold;%@NL@%
But, belly, God send thee good ale enough,%@NL@%
Whether it be new or old.%@NL@%

%@NL@%William Stevenson
%@NL@%Gammer Gurton's Needle [c. 1573], drinking song,refrain

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henri Estienne%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1531-1598%@AE@%
%@NL@%%@NL@%

%@QR:Henri Estienne@%%@QR:Estienne@%%@CR:N1531ESTH10     @%%@2@%   Si jeunesse savait, si vieillesse pouvait [If youth but knew, if old age%@EH@%
but could].%@NL@%
%@NL@%
Henri Estienne
%@NL@%Les Premices [1594]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dieu mesure le froid a la brebis tondue.  See Laurence Sterne  %@EF@%
%@QR:Henri Estienne@%%@QR:Estienne@%%@CR:N1531ESTH30     @%%@2@%   God tempers the wind to the shorn lamb.%@NL@%%@EH@%
%@NL@%
Henri Estienne
%@NL@%Les Premices [1594]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Elizabeth I%@AE@%%@EH@%
%@NL@%
%@AB@%1533-1603%@AE@%
%@NL@%%@NL@%

%@QR:Elizabeth I@%%@CR:N1533ELIZ10     @%%@2@%   The use of the sea and air is common to all; neither can a title to the%@EH@%
ocean belong to any people or private persons, forasmuch as neither nature
nor public use and custom permit any possession thereof.%@NL@%
%@NL@%
Elizabeth I
%@NL@%To the Spanish Ambassador [1580]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth I@%%@CR:N1533ELIZ20     @%%@2@%My care is like my shadow in the sun-%@NL@%%@EH@%
Follows me flying-flies when I pursue it.%@NL@%

%@NL@%Elizabeth I
%@NL@%On the departure of Alencon [1582]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth I@%%@CR:N1533ELIZ30     @%%@2@%   I know I have the body of a weak and feeble woman, but I have the heart%@EH@%
and stomach of a king, and of a king of England too; and think foul scorn
that Parma or Spain, or any prince of Europe, should dare to invade the
borders of my realm.%@NL@%
%@NL@%
Elizabeth I
%@NL@%Speech to the troops at Tilbury on the approach of the Armada [1588]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth I@%%@CR:N1533ELIZ40     @%%@2@%   I am your anointed Queen. I will never be by violence constrained to do%@EH@%
anything. I thank God I am endued with such qualities that if I were turned
out of the Realm in my petticoat I were able to live in any place in
Christendom.%@NL@%
%@NL@%
Elizabeth I
%@NL@%From Chamberlin, Sayings of Queen Elizabeth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth I@%%@CR:N1533ELIZ50     @%%@2@%   I will make you shorter by the head.%@NL@%%@EH@%
%@NL@%
Elizabeth I
%@NL@%From Chamberlin, Sayings of Queen Elizabeth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Mary, Queen of Scots.  %@EF@%
%@QR:Elizabeth I@%%@CR:N1533ELIZ60     @%%@2@%   The daughter of debate, that eke discord doth sow.%@NL@%%@EH@%
%@NL@%
Elizabeth I
%@NL@%From Chamberlin, Sayings of Queen Elizabeth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth I@%%@CR:N1533ELIZ70     @%%@2@%   [To the Countess of Nottingham] God may forgive you, but I never can.%@NL@%%@EH@%
%@NL@%
Elizabeth I
%@NL@%From Hume,
History of England Under the House of Tudor, vol. II, ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth I@%%@CR:N1533ELIZ80     @%%@2@%   Though God hath raised me high, yet this I count the glory of my crown:%@EH@%
that I have reigned with your loves.%@NL@%
%@NL@%
Elizabeth I
%@NL@%The Golden Speech [1601]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth I@%%@CR:N1533ELIZ90     @%%@2@%   Semper eadem [Ever the same].%@NL@%%@EH@%
%@NL@%
Elizabeth I
%@NL@%Motto

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth I@%%@CR:N1533ELIZ100    @%%@2@%   I am no lover of pompous title, but only desire that my name may be%@EH@%
recorded in a line or two, which shall briefly express my name, my
virginity, the years of my reign, the reformation of religion under it, and
my preservation of peace.%@NL@%
%@NL@%
Elizabeth I
%@NL@%To her ladies, discussing her epitaph

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Answer on being asked her opinion of Christ's presence in the Sacrament.  %@EF@%
%@QR:Elizabeth I@%%@CR:N1533ELIZ110    @%%@2@%'Twas God the word that spake it,%@NL@%%@EH@%
He took the Bread and brake it;%@NL@%
And what the word did make it,%@NL@%
That I believe, and take it.%@NL@%

%@NL@%Elizabeth I
%@NL@%From S. Clarke, Marrow of Ecclesiastical History
[ed. 1675], pt. II, Life of Queen Elizabeth

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Michel Eyquem de Montaigne%@AE@%%@EH@%
%@NL@%
%@AB@%1533-1592%@AE@%
%@FN@%
Translated by Donald M. Frame.  %@EF@%
%@NL@%%@NL@%

%@FN@%
Je veux qu'on m'y voit en ma facon simple, naturelle, et ordinaire, sans
etude et artifice; car c'est moi que je peins. . . . Je suis moi-m[ecirc ]me
la matiere de mon livre.  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM5      @%%@2@%   I want to be seen here in my simple, natural, ordinary fashion, without%@EH@%
straining or artifice; for it is myself that I portray. . . . I am myself
the matter of my book.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%%@FN@%
Books I and II of the Essays were published in 1580; republished [1588] with
the addition of book III and with many interpolations in books I and II; the
whole republished posthumously [1595], incorporating material based on
Montaigne's marginal annotations in the 1588 edition.  This book of
Montaigne the world has endorsed by translating it into all
tongues.-Emerson, Representative Men [1850], Montaigne  %@EF@%
Essays,
bk.I [1580],To the Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Certes, c'est un subject [sic] merveilleusement vain, divers, et ondoyant,
que l'homme. Il est malaise d'y fonder jugement constant et uniforme.  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM11     @%%@2@%   Truly man is a marvelously vain, diverse, and undulating object. It is%@EH@%
hard to found any constant and uniform judgment on him.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
C'est de quoi j'ai le plus de peur que la peur.  See Proverbs 3:25, Bacon,
Wellington, Thoreau, and Roosevelt  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM21     @%%@2@%   The thing I fear most is fear.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Je veux que la mort me trouve plantant mes choux.  See Rabelais and Voltaire
%@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM35     @%%@2@%   I want death to find me planting my cabbages.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I have taught you, my dear flock, for above thirty years how to live, and I
will show you in a very short time how to die.-Sir Edwin Sandys [1561-1629],
Anglorum Speculum  Teach him how to live,/And, oh still harder lesson! how
to die.-Beilby Porteus [1731-1808], Death, l. 316  In teaching me the way to
live/It taught me how to die.-George Pope Morris [1802-1864], My Mother's
Bible, st. 4  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM40     @%%@2@%   He who would teach men to die would teach them to live.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM95     @%%@2@%   Live as long as you please, you will strike nothing off the time you will%@EH@%
have to spend dead. 1 %@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.20

%@NL@%%@AI@%1 See Lucretius%@BO:           cc308@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM101    @%%@2@%   Wherever your life ends, it is all there. The advantage of living is not%@EH@%
measured by length, but by use; some men have lived long, and lived little;
attend to it while you are in it. It lies in your will, not in the number of
years, for you to have lived enough.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM105    @%%@2@%   I do not speak the minds of others except to speak my own mind better.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Plut[ocirc ]t la t[ecirc ]te bien faite que bien pleine.  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM111    @%%@2@%   Since I would rather make of him [the child] an able man than a learned%@EH@%
man, I would also urge that care be taken to choose a guide [tutor] with a
well-made rather than a well-filled head.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Parce que c'etait lui; parce que c'etait moi.  Translated by Charles Cotton,
revised by Hazlitt and Wight.  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM130    @%%@2@%   If you press me to say why I loved him, I can say no more than it was%@EH@%
because he was he and I was I.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM150    @%%@2@%   Nothing is so firmly believed as what is least known.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'homme d'entendement n'a rien perdu, s'il a soi-m[ecirc ]me.  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM160    @%%@2@%   A man of understanding has lost nothing, if he has himself.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il se faut reserver une arriere boutique toute notre.  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM171    @%%@2@%   We must reserve a back shop all our own, entirely free, in which to%@EH@%
establish our real liberty and our principal retreat and solitude.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
La plus grande chose du monde, c'est de savoir [ecirc ]tre a soi.  See Ibsen
%@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM190    @%%@2@%   The greatest thing in the world is to know how to belong to oneself.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.I [1580],ch.39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
C'est une epineuse entreprise, et plus qu'il ne semble, de suivre une allure
si vagabonde que celle de n[ocirc ]tre esprit; de penetrer les profondeurs
opaques de ses replis internes; de choisir et arr[ecirc ]ter tant de menus
de ses agitations.  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM205    @%%@2@%   It is a thorny undertaking, and more so than it seems, to follow a%@EH@%
movement so wandering as that of our mind, to penetrate the opaque depths of
its innermost folds, to pick out and immobilize the innumerable flutterings
that agitate it.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Mon metier et mon art, c'est vivre.  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM211    @%%@2@%   My trade and my art is living.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM231    @%%@2@%   The easy, gentle, and sloping path . . . is not the path of true virtue.%@EH@%
It demands a rough and thorny road.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM241    @%%@2@%   When I play with my cat, who knows if I am not a pastime to her more than%@EH@%
she is to me?%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM251    @%%@2@%   The souls of emperors and cobblers are cast in the same mold. . . . The%@EH@%
same reason that makes us bicker with a neighbor creates a war between
princes.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Je suspends mon jugement.  Translated by E. J. Trechman.  Greek word
(epecho) inscribed on a bay in Montaigne's library.-Maurice Rat, Oeuvres
Completes de Montaigne, La Pleiade Edition [1962], note  This is one of a
dozen maxims from Sextus Empiricus, third-century Greek philosopher, which
together with Biblical and Latin quotations comprise the fifty-seven
sentences painted on the roof bays of Montaigne's library. About two thirds
of the sentences are in Apologie de Raimond Sebond (chapter 12 of book II of
the Essays).  See also the next quotation (Montaigne).  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM255    @%%@2@%   Their [the Skeptics'] way of speaking is: "I settle nothing . . . I do%@EH@%
not understand it . . . Nothing seems true that may not seem false." Their
sacramental word is [Egr   ][pi    ][epsi  ][chi   ][omega ], which is to
say, I suspend my judgment.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Que sais-je?  Translated by E. J. Trechman.  This phrase appeared on a medal
Montaigne had struck, which showed also his coat of arms and the collar of
the order of St. Michael, and on the reverse side a pair of scales in
perfect balance, the date [1576], his age (forty-two), and the Skeptics'
motto [Egr   ][pi    ][epsi  ][chi   ][omega ] (see Montaigne).  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM260    @%%@2@%   This notion [skepticism] is more clearly understood by asking "What do I%@EH@%
know?"%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'homme est bien insense. Il ne saurait forger un ciron, et forge des Dieux
a douzaines.  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM281    @%%@2@%   Man is certainly crazy. He could not make a mite, and he makes gods by%@EH@%
the dozen.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quelle verite que ces montagnes bornent, qui est mensonge qui se tient au
dela?  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM291    @%%@2@%   What of a truth that is bounded by these mountains and is falsehood to%@EH@%
the world that lives beyond?%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ceux qui ont apparie notre vie a un songe ont eu de la raison. . . . Nous
veillons dormants et veillants dormons.  Translated by E. J. Trechman.  See
Euripides, Aristophanes, and Calderon de la Barca  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM310    @%%@2@%   Those who have compared our life to a dream were right. . . . We sleeping%@EH@%
wake, and waking sleep.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM331    @%%@2@%   How many valiant men we have seen to survive their own reputation! 1 %@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.16

%@NL@%%@AI@%1 See Bentley%@BO:          2815fb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM341    @%%@2@%   A man may be humble through vainglory.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM350    @%%@2@%   I find that the best goodness I have has some tincture of vice.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM360    @%%@2@%   Saying is one thing and doing is another.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM370    @%%@2@%   There were never in the world two opinions alike, any more than two hairs%@EH@%
or two grains. Their most universal quality is diversity.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.II [1580], ch.37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM381    @%%@2@%   I will follow the good side right to the fire, but not into it if I can%@EH@%
help it.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM391    @%%@2@%   I speak the truth, not my fill of it, but as much as I dare speak; and I%@EH@%
dare to do so a little more as I grow old.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM400    @%%@2@%   Few men have been admired by their own households. 1 %@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.1

%@NL@%%@AI@%1 See Antigonus%@BO:           b6dab@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Chaque homme porte la forme, entiere de l'huma[icirc ]ne condition.
Translated by Charles Cotton, revised by Hazlitt and Wight.  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM410    @%%@2@%   Every man bears the whole stamp of the human condition.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Charles Cotton, revised by Hazlitt and Wight.  I myself have
loved a lady and pursued her with a great deal of under-age protestation,
whom some three or four gallants that have enjoyed would with all their
hearts have been glad to have been rid of. 'Tis just like a summer bird-cage
in a garden: the birds that are without despair to get in, and the birds
that are within despair and are in a consumption for fear they shall never
get out.-John Webster, The White Devil [1612], act I, sc. ii  Wedlock,
indeed, hath oft compared been/To public feasts, where meet a public
rout-/Where they that are without would fain go in,/And they that are within
would fain go out.-Sir John Davies [1569-1626], Contention Betwixt a Wife,
etc.  See Emerson  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM430    @%%@2@%   It [marriage] happens as with cages: the birds without despair to get in,%@EH@%
and those within despair of getting out.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM461    @%%@2@%   Everyone recognizes me in my book, and my book in me.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM471    @%%@2@%   It takes so much to be a king that he exists only as such. That%@EH@%
extraneous glare that surrounds him hides him and conceals him from us; our
sight breaks and is dissipated by it, being filled and arrested by this
strong light. 1  2 %@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.7

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c699a@%%@AE@%
%@AI@%2 See Tennyson%@BO:          404386@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Although men flatter themselves with their great actions, they are not so
often the result of great design as of chance.-La Rochefoucauld [1613-1680],
Maxim 57  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM481    @%%@2@%   Our wisdom and deliberation for the most part follow the lead of chance.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Charles Cotton, revised by Hazlitt and Wight.  See Montesquieu
%@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM500    @%%@2@%   Not because Socrates said so, 1  but because it is in truth my own%@EH@%
disposition-and perchance to some excess-I look upon all men as my
compatriots, and embrace a Pole as a Frenchman, making less account of the
national than of the universal and common bond.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.9

%@NL@%%@AI@%1 See Socrates%@BO:           a67f6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM511    @%%@2@%   There is no man so good that if he placed all his actions and thoughts%@EH@%
under the scrutiny of the laws, he would not deserve hanging ten times in
his life. 1 %@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.9

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c0787@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM521    @%%@2@%   A man must be a little mad if he does not want to be even more stupid. 1%@EH@%
2  3  4 %@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.9

%@NL@%%@AI@%1 See Menander%@BO:           ba2d8@%%@AE@%
%@AI@%2 See Horace%@BO:           dbf53@%%@AE@%
%@AI@%3 See Bacon%@BO:          163cf8@%%@AE@%
%@AI@%4 See Linnaeus%@BO:          2ba19e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM531    @%%@2@%   I have seen no more evident monstrosity and miracle in the world than%@EH@%
myself.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Charles Cotton, revised by Hazlitt and Wight.  I am but a
gatherer and disposer of other men's stuff, at my best value.-Sir Henry
Wotton, The Elements of Architecture [1624], preface  John Bartlett used
this passage as an epigraph for the fourth edition of Familiar Quotations
[1864].  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM550    @%%@2@%   I have here only made a nosegay of culled flowers, and have brought%@EH@%
nothing of my own but the thread that ties them together.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM571    @%%@2@%   It is more of a job to interpret the interpretations than to interpret%@EH@%
the things, and there are more books about books than about any other
subject: we do nothing but write glosses about each other.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM581    @%%@2@%   For truth itself does not have the privilege to be employed at any time%@EH@%
and in every way; its use, noble as it is, has its circumscriptions and
limits.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Si, avons nous beau monter sur des echasses, car sur des echasses encore
faut-il marcher de nos jambes. Et au plus eleve tr[ocirc ]ne du monde, si ne
sommes assis que sur notre cul.  Translated by Walter Kaiser.  See Bunyan  %@EF@%
%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM590    @%%@2@%   No matter that we may mount on stilts, we still must walk on our own%@EH@%
legs. And on the highest throne in the world, we still sit only on our own
bottom.%@NL@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michel Eyquem de Montaigne@%%@QR:Montaigne@%%@CR:N1533MONM601    @%%@2@%   Let us give Nature a chance; she knows her business better than we do.%@NL@%%@EH@%
%@NL@%
Michel Eyquem de Montaigne
%@NL@%Essays,
bk.III [1595], ch.13

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William I%@AE@%%@EH@%
%@NL@%William the Silent
%@AB@%1533-1584%@AE@%
%@NL@%%@NL@%

%@FN@%
Mon Dieu, ayez pitie de mon [acirc ]me et de mon pauvre peuple.  %@EF@%
%@QR:William I@%%@QR:William the Silent@%%@CR:N1533WILL10     @%%@2@%   My God, have mercy on my soul and on my poor people.%@NL@%%@EH@%
%@NL@%
William I
%@NL@%Last words as he fell under an assassin's bullets

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Butler%@AE@%%@EH@%
%@NL@%
%@AB@%1535-1618%@AE@%
%@FN@%
Styled by Thomas Fuller in his Worthies of England [1662], the "Aesculapius
of our age."  See Walton  %@EF@%
%@NL@%%@NL@%

%@QR:William Butler@%%@QR:Butler@%%@CR:N1535BUTW10     @%%@2@%   It is unseasonable and unwholesome in all months that have not an r in%@EH@%
their name to eat an oyster.%@NL@%
%@NL@%
William Butler
%@NL@%Dyet's Dry Dinner [1599]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Humphrey Gilbert%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1539-1583%@AE@%
%@NL@%%@NL@%

%@FN@%
The way to heaven out of all places is of like length and distance.-Sir
Thomas More, Utopia [1516]  Gilbert, on the last day of his life, was seen
in his tiny pinnace Squirrel with a book in hand, probably More's Utopia,
which inspired his last utterance. He was homeward bound from Newfoundland,
which he had just taken possession of in the name of the queen [August
1583].  "Do not fear! Heaven is as near,"/He said, "by water as by
land!"-Longfellow, Sir Humphrey Gilbert [1849], st. 6  See Robert Burton and
James T. Fields  %@EF@%
%@QR:Sir Humphrey Gilbert@%%@QR:Gilbert@%%@CR:N1539GILH10     @%%@2@%   We are as near to heaven by sea as by land!%@NL@%%@EH@%
%@NL@%
Sir Humphrey Gilbert
%@NL@%From Hakluyt, Voyages, vol. III [1600], p. 159

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Gilbert%@AE@%%@EH@%
%@NL@%
%@AB@%1540-1603%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by P. F. Mottelay.  %@EF@%
%@QR:William Gilbert@%%@QR:Gilbert@%%@CR:N1540GILW5      @%%@2@%   Philosophy is for the few.%@NL@%%@EH@%
%@NL@%
William Gilbert
%@NL@%De Magnete (On the Magnet) [1600]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by P. F. Mottelay.  %@EF@%
%@QR:William Gilbert@%%@QR:Gilbert@%%@CR:N1540GILW10     @%%@2@%   In the discovery of secret things and in the investigation of hidden%@EH@%
causes, stronger reasons are obtained from sure experiments and demonstrated
arguments than from probable conjectures and the opinions of philosophical
speculators of the common sort.%@NL@%
%@NL@%
William Gilbert
%@NL@%De Magnete (On the Magnet) [1600]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%St. John of the Cross%@AE@%%@EH@%
%@NL@%San Juan de la Cruz
%@AB@%1542-1591%@AE@%
%@NL@%%@NL@%

%@FN@%
La noche oscura del alma.  See Fitzgerald  %@EF@%
%@QR:St. John of the Cross@%%@QR:San Juan de la Cruz@%%@CR:N1542JOHN10     @%%@2@%   The Dark Night of the Soul.%@NL@%%@EH@%
%@NL@%
St. John of the Cross
%@NL@%%@FN@%
The poem, often called Noche oscura from its first line (En una noche
oscura; In a dark night), is one of three poems made up of canciones del
alma (songs of the soul), on which the author later wrote spiritual
treatises. The Dark Night of the Soul is sometimes used as a group title for
the poems.  %@EF@%
Title of treatise [c. 1583] based on his poem
Songs of the Soul Which Rejoices at Having Reached . . . Union
with God by the Road of Spiritual Negation [c. 1578]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Mary Stuart%@AE@%%@EH@%
%@NL@%Mary , Queen of Scots
Mary Stuart
%@AB@%1542-1587%@AE@%
%@NL@%%@NL@%

%@QR:Mary Stuart@%%@QR:Mary , Queen of Scots@%%@QR:Mary Stuart@%%@QR:Stuart@%%@CR:N1542MARY10     @%%@2@%   In my end is my beginning.%@NL@%%@EH@%
%@NL@%
Mary Stuart
%@NL@%Motto

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Swinburne.  O Domine Deus! speravi in te;/O care mi Jesu! nunc
libera me./In dura catena, in misera poena,/Disidero te./Languendo, gemendo,
et genuflectendo,/Adoro, imploro, ut liberes me!  %@EF@%
%@QR:Mary Stuart@%%@QR:Mary , Queen of Scots@%%@QR:Mary Stuart@%%@QR:Stuart@%%@CR:N1542MARY20     @%%@2@%O Lord my God, I have trusted in thee;%@NL@%%@EH@%
O Jesu my dearest one, now set me free.%@NL@%
In prison's oppression, in sorrow's obsession,%@NL@%
I weary for thee.%@NL@%
With sighing and crying bowed down as dying,%@NL@%
I adore thee, I implore thee, set me free!%@NL@%

%@NL@%Mary Stuart
%@NL@%Prayer written in her Book of Devotion before her execution

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jan Zamoyski%@AE@%%@EH@%
%@NL@%
%@AB@%1542-1605%@AE@%
%@NL@%%@NL@%

%@FN@%
Thiers adopted the epigram as the motto for his journal Nationale, which he
established with Mignet and Carrel in 1830.  %@EF@%
%@QR:Jan Zamoyski@%%@QR:Zamoyski@%%@CR:N1542ZAMJ10     @%%@2@%   The king reigns, but does not govern.%@NL@%%@EH@%
%@NL@%
Jan Zamoyski
%@NL@%Speech in the Polish Parliament [1605], referring to King Sigismund III

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Edward Dyer%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1543-1607%@AE@%
%@NL@%%@NL@%

%@QR:Sir Edward Dyer@%%@QR:Dyer@%%@CR:N1543DYEE10     @%%@2@%My mind to me a kingdom is;%@NL@%%@EH@%
Such present joys therein I find%@NL@%
That it excels all other bliss%@NL@%
That earth affords or grows by kind:%@NL@%
Though much I want which most would have,%@NL@%
Yet still my mind forbids to crave.%@NL@%

%@NL@%Sir Edward Dyer
%@NL@%%@FN@%
This poem became popular as a song, altered thus:  My mind to me a kingdom
is;/Such perfect joy therein I find,/As far exceeds all earthly bliss/That
God and Nature hath assigned./Though much I want that most would have,/Yet
still my mind forbids to crave.-William Byrd [1543-1623], Psalms, Sonnets,
and Songs of Sadness and Piety [1588]  See Seneca  %@EF@%
Rawlinson Poetry MS 85,
p. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Edward Dyer@%%@QR:Dyer@%%@CR:N1543DYEE30     @%%@2@%Some have too much, yet still do crave;%@NL@%%@EH@%
I little have, and seek no more.%@NL@%

%@NL@%Sir Edward Dyer
%@NL@%Rawlinson Poetry MS 85,
p. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Edward Dyer@%%@QR:Dyer@%%@CR:N1543DYEE40     @%%@2@%Fain would I, but I dare not; I dare, and yet I may not;%@NL@%%@EH@%
I may, although I care not, for pleasure when I play not.%@NL@%

%@NL@%Sir Edward Dyer
%@NL@%Fain Would I (attributed)

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Guillaume de Salluste , Seigneur Du Bartas%@AE@%%@EH@%
%@NL@%
%@AB@%1544-1590%@AE@%
%@NL@%%@NL@%

%@QR:Guillaume de Salluste , Seigneur Du Bartas@%%@CR:N1544BARG10     @%%@2@%Oft seen in forehead of the frowning skies. 1 %@NL@%%@EH@%

%@NL@%Guillaume de Salluste , Seigneur Du Bartas
%@NL@%Divine Weeks and Works [1578],First Week,Second Day

%@NL@%%@AI@%1 See Milton%@BO:          239ed4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
So work the honeybees,/Creatures that by a rule in Nature teach/The act of
order to a peopled kingdom.-Shakespeare, King Henry V [1598-1600], act I,
sc. ii, l. 187  %@EF@%
%@QR:Guillaume de Salluste , Seigneur Du Bartas@%%@CR:N1544BARG20     @%%@2@%For where's the state beneath the firmament%@NL@%%@EH@%
That doth excel the bees for government?%@NL@%

%@NL@%Guillaume de Salluste , Seigneur Du Bartas
%@NL@%Divine Weeks and Works [1578],First Week,Fifth Day, pt. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The windows of mine eyes.-Shakespeare, King Richard III [1592-1593], act V,
sc. iii, l. 117  %@EF@%
%@QR:Guillaume de Salluste , Seigneur Du Bartas@%%@CR:N1544BARG40     @%%@2@%These lovely lamps, these windows of the soul.%@NL@%%@EH@%

%@NL@%Guillaume de Salluste , Seigneur Du Bartas
%@NL@%Divine Weeks and Works [1578],First Week,Sixth Day

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Much like a subtle spider which doth sit/In middle of her web, which
spreadeth wide;/If aught do touch the utmost thread of it/She feels it
instantly on every side.-Sir John Davies, The Immortality of the Soul [1599]
Our souls sit close and silently within,/And their own webs from their own
entrails spin;/And when eyes meet far off, our sense is such/That,
spider-like, we feel the tenderest touch.-Dryden, Marriage a la Mode [1673],
act II, sc. i  The spider's touch, how exquisitely fine!/Feels at each
thread, and lives along the line.-Pope, An Essay on Man [1733-1734], epistle
I, l. 217  %@EF@%
%@QR:Guillaume de Salluste , Seigneur Du Bartas@%%@CR:N1544BARG60     @%%@2@%Or almost like a spider, who, confined%@NL@%%@EH@%
In her web's center, shakt with every wind,%@NL@%
Moves in an instant if the buzzing fly%@NL@%
Stir but a string of her lawn canapie.%@NL@%

%@NL@%Guillaume de Salluste , Seigneur Du Bartas
%@NL@%Divine Weeks and Works [1578],First Week,Sixth Day

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Guillaume de Salluste , Seigneur Du Bartas@%%@CR:N1544BARG100    @%%@2@%Living from hand to mouth.%@NL@%%@EH@%

%@NL@%Guillaume de Salluste , Seigneur Du Bartas
%@NL@%Divine Weeks and Works [1578],Second Week,First Day, pt. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Out of the jaws of death.-Shakespeare, Twelfth-Night [1598-1600], act III,
sc. iv, l. 396  See Tennyson  %@EF@%
%@QR:Guillaume de Salluste , Seigneur Du Bartas@%%@CR:N1544BARG115    @%%@2@%In the jaws of death.%@NL@%%@EH@%

%@NL@%Guillaume de Salluste , Seigneur Du Bartas
%@NL@%Divine Weeks and Works [1578],Second Week,First Day, pt. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Guillaume de Salluste , Seigneur Du Bartas@%%@CR:N1544BARG120    @%%@2@%Only that he may conform%@NL@%%@EH@%
To tyrant custom.%@NL@%

%@NL@%Guillaume de Salluste , Seigneur Du Bartas
%@NL@%Divine Weeks and Works [1578],Second Week,Third Day, pt. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Guillaume de Salluste , Seigneur Du Bartas@%%@CR:N1544BARG130    @%%@2@%Who breaks his faith, no faith is held with him.%@NL@%%@EH@%

%@NL@%Guillaume de Salluste , Seigneur Du Bartas
%@NL@%Divine Weeks and Works [1578],Second Week,Fourth Day, bk. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Guillaume de Salluste , Seigneur Du Bartas@%%@CR:N1544BARG140    @%%@2@%Who well lives, long lives; for this age of ours%@NL@%%@EH@%
Should not be numbered by years, days, and hours.%@NL@%

%@NL@%Guillaume de Salluste , Seigneur Du Bartas
%@NL@%Divine Weeks and Works [1578],Second Week,Fourth Day, bk. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
My fair son!/My life, my joy, my food, my all the world.-Shakespeare, King
John [1596-1597], act III, sc. iv, l. 103  %@EF@%
%@QR:Guillaume de Salluste , Seigneur Du Bartas@%%@CR:N1544BARG150    @%%@2@%My lovely living boy,%@NL@%%@EH@%
My hope, my hap, my love, my life, my joy.%@NL@%

%@NL@%Guillaume de Salluste , Seigneur Du Bartas
%@NL@%Divine Weeks and Works [1578],Second Week,Fourth Day, bk. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The book of Nature is that which the physician must read; and to do so he
must walk over the leaves.-Paracelsus [c. 1493-1541]. From Encyclopaedia
Britannica (11th edition), vol. XX, p. 749  %@EF@%
%@QR:Guillaume de Salluste , Seigneur Du Bartas@%%@CR:N1544BARG170    @%%@2@%Out of the book of Nature's learned breast.%@NL@%%@EH@%

%@NL@%Guillaume de Salluste , Seigneur Du Bartas
%@NL@%Divine Weeks and Works [1578],Second Week,Fourth Day, bk. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Guillaume de Salluste , Seigneur Du Bartas@%%@CR:N1544BARG190    @%%@2@%Flesh of thy flesh, nor yet bone of thy bone.%@NL@%%@EH@%

%@NL@%Guillaume de Salluste , Seigneur Du Bartas
%@NL@%Divine Weeks and Works [1578],Second Week,Fourth Day, bk. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Miguel de Cervantes%@AE@%%@EH@%
%@NL@%
%@AB@%1547-1616%@AE@%
%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM10     @%%@2@%   You are a king by your own fireside, as much as any monarch in his%@EH@%
throne.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%%@FN@%
Translated [1700-1703] by Peter Anthony Motteux. Page numbers are those of
the Modern Library Giant edition.  %@EF@%
Don Quixote de la Mancha [1605-1615]author's preface,p. xix

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Shakespeare  You mince matters.-Moliere, Tartuffe [1667], act I, sc. i  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM20     @%%@2@%   I was so free with him as not to mince the matter.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]author's preface,p. xx

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nothing is to be gotten without pains (labor).-Old Proverb  See Shakespeare
%@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM40     @%%@2@%   They can expect nothing but their labor for their pains.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]author's preface,p. xxiii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Time out o' mind.-Shakespeare, Romeo and Juliet [1594-1595], act I, sc. iv,
l. 70  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM60     @%%@2@%   Time out of mind.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.I, ch.1, p. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM80     @%%@2@%   Which I have earned with the sweat of my brows. 1 %@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.I, ch.4,p. 22

%@NL@%%@AI@%1 See Genesis 3:19%@BO:            72c3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM90     @%%@2@%   By a small sample we may judge of the whole piece.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.I, ch.4,p. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
How cam'st thou in this pickle?-Shakespeare, The Tempest [1611], act V, sc.
i, l. 281  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM100    @%%@2@%   Put you in this pickle.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.I, ch.5, p. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM120    @%%@2@%   Can we ever have too much of a good thing?%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.I, ch.6, p. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Don Quixote has mistaken windmills for giants, the "enemy," and attacks
them. The expression "tilting at windmills" alludes to this incident.  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM130    @%%@2@%   The charging of his enemy was but the work of a moment.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.I, ch.8, p. 50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM140    @%%@2@%   I don't know that ever I saw one in my born days.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.II, ch.2, p. 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM150    @%%@2@%   Those two fatal words, Mine and Thine. 1 %@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.II, ch.3,p. 63

%@NL@%%@AI@%1 See Boileau%@BO:          274780@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM160    @%%@2@%   The eyes those silent tongues of Love.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.II, ch.3,p. 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The more familiar translation.  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM170    @%%@2@%   And had a face like a benediction.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.II, ch.4,p. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Take wife, or cowl; ride you, or walk:/Doubt not but tongues will have their
talk.-La Fontaine, The Miller, His Son, and the Donkey [1694]  Do you think
you could keep people from talking?-Moliere, Tartuffe [1667], act I, sc.
viii  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM180    @%%@2@%   There's not the least thing can be said or done, but people will talk and%@EH@%
find fault.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.II, ch.4,p. 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM210    @%%@2@%   Without a wink of sleep. 1  2 %@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.II, ch.4,p. 72

%@NL@%%@AI@%1 See Shakespeare%@BO:          1f3944@%%@AE@%
%@AI@%2 See Pope%@BO:          2a47dc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM218    @%%@2@%   Fortune leaves always some door open to come at a remedy.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.1,p. 94

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM230    @%%@2@%   Thank you for nothing.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.1,p. 94

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Modern saying: The sky's the limit.  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM240    @%%@2@%   No limits but the sky.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.3,p. 110

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM260    @%%@2@%   To give the devil his due.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.3,p. 111

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM270    @%%@2@%   You're leaping over the hedge before you come to the stile.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.4,p. 117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM280    @%%@2@%   Paid him in his own coin.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.4,p. 119

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
El Caballero de la Triste Figura.  Translated by Tobias Smollett.  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM290    @%%@2@%   The famous Don Quixote de la Mancha, otherwise called the Knight of the%@EH@%
Sorrowful Countenance.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.5,p. 126

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM310    @%%@2@%   You are come off now with a whole skin.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.5,p. 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM320    @%%@2@%   Fear is sharp-sighted, and can see things underground, and much more in%@EH@%
the skies.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.6,p. 131

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
No pie was baked at Castlewood but her little finger was in it.-Thackeray,
The Virginians [1857-1859], ch. 5  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM330    @%%@2@%   A finger in every pie.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.6,p. 133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
An old proverb.  You are no better than you should be.-Beaumont and
Fletcher, The Coxcomb [1647], act IV, sc. iii  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM350    @%%@2@%   No better than she should be.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.6,p. 133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM370    @%%@2@%   That's the nature of women . . . not to love when we love them, and to%@EH@%
love when we love them not. 1 %@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.6,p. 133

%@NL@%%@AI@%1 See George Bernard Shaw%@BO:          504e85@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM380    @%%@2@%   You may go whistle for the rest.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.6,p. 134

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM390    @%%@2@%   Ill luck, you know, seldom comes alone. 1 %@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.6,p. 135

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c6785@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM400    @%%@2@%   Why do you lead me a wild-goose chase?%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.6,p. 136

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM410    @%%@2@%   Experience, the universal Mother of Sciences.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.7,p. 140

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM420    @%%@2@%   Give me but that, and let the world rub, there I'll stick.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.7,p. 148

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM430    @%%@2@%   Sing away sorrow, cast away care.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.8,p. 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM440    @%%@2@%   Of good natural parts, and of a liberal education.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.8,p. 154

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM450    @%%@2@%   Let every man mind his own business.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.8,p. 157

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM460    @%%@2@%   Those who'll play with cats must expect to be scratched.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.8,p. 159

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM470    @%%@2@%   Raise a hue and cry.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.8,p. 159

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM480    @%%@2@%   'Tis the part of a wise man to keep himself today for tomorrow, and not%@EH@%
venture all his eggs in one basket.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.9,p. 162

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM490    @%%@2@%   The ease of my burdens, the staff of my life.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.9,p. 163

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM500    @%%@2@%   Within a stone's throw of it.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.9,p. 170

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM510    @%%@2@%   The very remembrance of my former misfortune proves a new one to me.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.10,p. 174

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM520    @%%@2@%   Absence, that common cure of love.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.10,p. 177

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM530    @%%@2@%   From pro's and con's they fell to a warmer way of disputing.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.10,p. 181

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Often rendered: Least said soonest mended.  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM540    @%%@2@%   Little said is soon amended.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.10,p. 184

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM570    @%%@2@%   Thou hast seen nothing yet.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.11,p. 190

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM580    @%%@2@%   Between jest and earnest.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.11,p. 190

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM590    @%%@2@%   My love and hers have always been purely Platonic.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.11,p. 192

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM600    @%%@2@%   'Tis ill talking of halters in the house of a man that was hanged.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.11,p. 195

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM610    @%%@2@%   My memory is so bad that many times I forget my own name!%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.11,p. 195

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM620    @%%@2@%   'Twill grieve me so to the heart that I shall cry my eyes out.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.11,p. 197

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM630    @%%@2@%   Ready to split his sides with laughing.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.III, ch.13,p. 208

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM640    @%%@2@%   My honor is dearer to me than my life.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.IV, ch.1,p. 226

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM650    @%%@2@%   On the word of a gentleman, and a Christian.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.IV, ch.1,p. 236

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM660    @%%@2@%   Think before thou speakest.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.IV, ch.3,p. 252

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM670    @%%@2@%   Let us forget and forgive injuries.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.IV, ch.3,p. 254

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM680    @%%@2@%   I must speak the truth, and nothing but the truth.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.IV, ch.3,p. 255

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM690    @%%@2@%   More knave than fool.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.IV, ch.4, p. 261

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM700    @%%@2@%   Here's the devil-and-all to pay.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.IV, ch.10,p. 319

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM710    @%%@2@%   I begin to smell a rat.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.IV, ch.10,p. 319

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM720    @%%@2@%   The proof of the pudding is in the eating.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.IV, ch.10,p. 322

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See The Teaching for Merikare, Burton, and Bulwer-Lytton  Scholars' pens
carry farther, and give a louder report than thunder.-Sir Thomas Browne,
Religio Medici [1642], p. 70 (Everyman edition)  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM730    @%%@2@%   Let none presume to tell me that the pen is preferable to the sword.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.IV, ch.10,p. 325

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM750    @%%@2@%   There's no striving against the stream; and the weakest still goes to the%@EH@%
wall.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.IV, ch.20, p. 404

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM760    @%%@2@%   The bow cannot always stand bent, nor can human frailty subsist without%@EH@%
some lawful recreation. 1  2  3 %@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. I [1605], bk.IV, ch.21, p. 412

%@NL@%%@AI@%1 See Ptahhotpe%@BO:            1090@%%@AE@%
%@AI@%2 See Herodotus%@BO:           a4b75@%%@AE@%
%@AI@%3 See Howell%@BO:          2289de@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cervantes's left hand was maimed for life by gunshot wounds in the battle of
Lepanto.  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM770    @%%@2@%   It is not the hand but the understanding of a man that may be said to%@EH@%
write.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, author's preface,
p. 441

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
When the head is not sound, the rest cannot be well.-Du Bartas, Divine Weeks
and Works [1578]  For let our finger ache, and it indues/Our other healthful
members even to that sense/Of pain.-Shakespeare, Othello  [1604-1605], act
III, sc. iv, l. 145  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM780    @%%@2@%   When the head aches, all the members partake of the pains.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.2, p. 455

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM810    @%%@2@%   Youngsters read it [Don Quixote's story], grown men understand it, and%@EH@%
old people applaud it.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.3,p. 464

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM820    @%%@2@%   History is in a manner a sacred thing, so far as it contains truth; for%@EH@%
where truth is, the supreme Father of it may also be said to be, at least,
inasmuch as concerns truth.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.3,p. 465

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM830    @%%@2@%   Every man is as Heaven made him, and sometimes a great deal worse.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.4, p. 468

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM840    @%%@2@%   There's no sauce in the world like hunger.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.5,p. 473

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM850    @%%@2@%   He casts a sheep's eye at the wench.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.5,p. 474

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM860    @%%@2@%   I ever loved to see everything upon the square.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.5,p. 475

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM870    @%%@2@%   Neither will I make myself anybody's laughingstock.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.5,p. 475

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM880    @%%@2@%   Journey over all the universe in a map, without the expense and fatigue%@EH@%
of traveling, without suffering the inconveniences of heat, cold, hunger,
and thirst.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.6,p. 479

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM890    @%%@2@%   Presume to put in her oar.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.6,p. 480

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
That sex which is therefore called fair.-Steele, The Spectator, no. 302
[February 15, 1712]  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM900    @%%@2@%   The fair sex.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.6,p. 480

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM920    @%%@2@%   A little in one's own pocket is better than much in another man's purse.%@EH@%
'Tis good to keep a nest egg. Every little makes a mickle. 1  2 %@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.7, p. 486

%@NL@%%@AI@%1 See Hesiod%@BO:           87fea@%%@AE@%
%@AI@%2 See Chaucer%@BO:          12641c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM930    @%%@2@%   Remember the old saying, "Faint heart ne'er won fair lady."%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.10,p. 501

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM940    @%%@2@%   Forewarned forearmed.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.10,p. 502

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A needle in a haystack.  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM950    @%%@2@%   As well look for a needle in a bottle of hay.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.10,p. 502

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
La mesma cortesia. See Shakespeare  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM970    @%%@2@%   Are we to mark this day with a white or a black stone?%@NL@%%@EH@%
The very pink of courtesy.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.13,p. 521

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1000   @%%@2@%   I'll turn over a new leaf.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.13,p. 524

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1010   @%%@2@%   He's [Don Quixote's] a muddled fool, full of lucid intervals. 1  2  3 %@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.18, p. 556

%@NL@%%@AI@%1 See Bacon%@BO:          160dc8@%%@AE@%
%@AI@%2 See Dryden%@BO:          267b00@%%@AE@%
%@AI@%3 See Heine%@BO:          3a605f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1020   @%%@2@%   Marriage is a noose.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.19, p. 564

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1030   @%%@2@%   There are only two families in the world, the Haves and the Have-Nots.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.20,p. 574

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1040   @%%@2@%   He preaches well that lives well, quoth Sancho; that's all the divinity I%@EH@%
understand.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.20,p. 575

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1050   @%%@2@%   Love and War are the same thing, and stratagems and policy are as%@EH@%
allowable in the one as in the other.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.21, p. 580

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1060   @%%@2@%   A private sin is not so prejudicial in this world as a public indecency.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.22,p. 582

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
There is no hate lost between us.-Thomas Middleton [1580-1627], The Witch,
act IV, sc. iii  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1070   @%%@2@%   There is no love lost, sir.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.22,p. 582

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1090   @%%@2@%   Come back sound, wind and limb.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.22,p. 587

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
But patience, cousin, and shuffle the cards, till our hand is a stronger
one.-Sir Walter Scott, Quentin Durward [1823], ch. 8  Cut the fiercest
quarrels short/With "Patience, gentlemen, and shuffle."-W. M. Praed
[1802-1839], Quince, st. 5  Men disappoint me so, I disappoint myself so,
yet courage, patience, shuffle the cards.-Margaret Fuller [1810-1850],
letter to the Reverend W. H. Channing  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1100   @%%@2@%   Patience, and shuffle the cards.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.23,p. 592

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Show me your garden and I shall tell you what you are.-Alfred Austin, The
Garden That I Love [1905]  See Brillat-Savarin, 401:6, and Ruskin, 573:5.  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1140   @%%@2@%   Tell me thy company, and I'll tell thee what thou art.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.23,p. 594

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1170   @%%@2@%   Tomorrow will be a new day.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.26, p. 618

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1180   @%%@2@%   I can see with half an eye.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.29, p. 632

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1190   @%%@2@%   Great persons are able to do great kindnesses.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.32, p. 662

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I hold the maxim no less applicable to public than to private affairs, that
honesty is always the best policy.-George Washington, Farewell Address
[1796]  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1200   @%%@2@%   Honesty's the best policy.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.III, ch.33, p. 666

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1220   @%%@2@%   An honest man's word is as good as his bond.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.34, p. 674

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1230   @%%@2@%   A blot in thy scutcheon to all futurity.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.35, p. 681

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1240   @%%@2@%   They had best not stir the rice, though it sticks to the pot.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.37,p. 691

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Great wits jump.-Laurence Sterne, Tristram Shandy, vol. III [1761-1762], ch.
9  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1250   @%%@2@%   Good wits jump; a word to the wise is enough.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.37,p. 692

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1270   @%%@2@%   Diligence is the mother of good fortune.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.38,p. 724

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1280   @%%@2@%   What a man has, so much he's sure of.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.38,p. 725

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1290   @%%@2@%   The pot calls the kettle black.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.38,p. 727

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cry "mum."-Shakespeare, The Merry Wives of Windsor [1600-1601], act V, sc.
ii, l. 6  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1300   @%%@2@%   Mum's the word.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.44, p. 729

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1320   @%%@2@%   I shall be as secret as the grave.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.62, p. 862

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"God's blessing," said Sancho Panza, "be upon the man who first invented
this self-same thing called sleep; it covers a man all over like a
cloak."-Laurence Sterne, Tristram Shandy  See Saxe  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1330   @%%@2@%   Now blessings light on him that first invented this same sleep! It covers%@EH@%
a man all over, thoughts and all, like a cloak; 'tis meat for the hungry,
drink for the thirsty, heat for the cold, and cold for the hot. 'Tis the
current coin that purchases all the pleasures of the world cheap; and the
balance that sets the king and the shepherd, the fool and the wise man even.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.68, p. 898

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1340   @%%@2@%   The ass will carry his load, but not a double load; ride not a free horse%@EH@%
to death.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.71, p. 917

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It is a heartrending delusion and a cruel snare to be paid for your work
before you accomplish it. As soon as once your work is finished you ought to
be promptly paid; but to receive your lucre one minute before it is due is
to tempt Providence to make a Micawber of you.-Edmund Gosse, Gossip in a
Library [1891], Beau Nash  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1350   @%%@2@%   I thought it working for a dead horse, because I am paid beforehand.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.71, p. 917

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1370   @%%@2@%   He . . . got the better of himself, and that's the best kind of victory%@EH@%
one can wish for.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.72, p. 924

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1380   @%%@2@%   Every man was not born with a silver spoon in his mouth.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.73, p. 926

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
For Time will teach thee soon the truth,/There are no birds in last year's
nest!-Longfellow [1807-1882], It Is Not Always May, st. 6  %@EF@%
%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1390   @%%@2@%   Ne'er look for birds of this year in the nests of the last.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.74,p. 933

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1410   @%%@2@%   There is a strange charm in the thoughts of a good legacy, or the hopes%@EH@%
of an estate, which wondrously alleviates the sorrow that men would
otherwise feel for the death of friends.%@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.74,p. 934

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1420   @%%@2@%For if he like a madman lived,%@NL@%%@EH@%
At least he like a wise one died.%@NL@%

%@NL@%Miguel de Cervantes
%@NL@%Don Quixote de la Mancha [1605-1615]Pt. II [1615], bk.IV, ch.74,p. 935 (Don
Quixote's epitaph)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1430   @%%@2@%   Don't put too fine a point to your wit for fear it should get blunted.%@NL@%%@EH@%
%@NL@%
Miguel de Cervantes
%@NL@%The Little Gypsy (La Gitanilla)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Miguel de Cervantes@%%@QR:Cervantes@%%@CR:N1547CERM1440   @%%@2@%   My heart is wax molded as she pleases, but enduring as marble to retain.%@EH@%
1 %@NL@%
%@NL@%
Miguel de Cervantes
%@NL@%The Little Gypsy (La Gitanilla)

%@NL@%%@AI@%1 See Byron%@BO:          37e62a@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Giordano Bruno%@AE@%%@EH@%
%@NL@%
%@AB@%1548-1600%@AE@%
%@NL@%%@NL@%

%@QR:Giordano Bruno@%%@QR:Bruno@%%@CR:N1548BRUG10     @%%@2@%   Time takes all and gives all. 1 %@NL@%%@EH@%
%@NL@%
Giordano Bruno
%@NL@%%@FN@%
Translated by J. B. Halle.  %@EF@%
The Candle Bearer [1582],
dedication

%@NL@%%@AI@%1 See Eliot%@BO:          5d73a7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Giordano Bruno@%%@QR:Bruno@%%@CR:N1548BRUG20     @%%@2@%   I who am in the night will move into the day.%@NL@%%@EH@%
%@NL@%
Giordano Bruno
%@NL@%The Candle Bearer [1582],
dedication

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Giordano Bruno@%%@QR:Bruno@%%@CR:N1548BRUG30     @%%@2@%   It is Unity that doth enchant me. By her power I am free though thrall,%@EH@%
happy in sorrow, rich in poverty, and quick even in death.%@NL@%
%@NL@%
Giordano Bruno
%@NL@%%@FN@%
Translated by Dorothea Singer.  %@EF@%
On the Infinite Universe and Worlds [1584],introductory epistle

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Giordano Bruno@%%@QR:Bruno@%%@CR:N1548BRUG40     @%%@2@%   Our bodily eye findeth never an end, but is vanquished by the immensity%@EH@%
of space.%@NL@%
%@NL@%
Giordano Bruno
%@NL@%On the Infinite Universe and Worlds [1584],Fifth Dialogue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Giordano Bruno@%%@QR:Bruno@%%@CR:N1548BRUG50     @%%@2@%   There is in the universe neither center nor circumference.%@NL@%%@EH@%
%@NL@%
Giordano Bruno
%@NL@%On the Infinite Universe and Worlds [1584],Fifth Dialogue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Giordano Bruno@%%@QR:Bruno@%%@CR:N1548BRUG60     @%%@2@%   Magicians can do more by means of faith than physicians by the truth.%@NL@%%@EH@%
%@NL@%
Giordano Bruno
%@NL@%The Heroic Enthusiasts [1585], pt. I, Fifth Dialogue

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles IX%@AE@%%@EH@%
%@NL@%
%@AB@%1550-1574%@AE@%
%@NL@%%@NL@%

%@FN@%
Equi et poetae alendi, non saginandi.  %@EF@%
%@QR:Charles IX@%%@CR:N1550CHAR10     @%%@2@%   Horses and poets should be fed, not overfed.%@NL@%%@EH@%
%@NL@%
Charles IX
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Camden%@AE@%%@EH@%
%@NL@%
%@AB@%1551-1623%@AE@%
%@NL@%%@NL@%

%@QR:William Camden@%%@QR:Camden@%%@CR:N1551CAMW10     @%%@2@%My friend, judge not me,%@NL@%%@EH@%
Thou seest I judge not thee.%@NL@%
Betwixt the stirrup and the ground%@NL@%
Mercy I asked, and mercy found.%@NL@%

%@NL@%William Camden
%@NL@%Remains Concerning Britain. Epitaph
for a man killed by falling from his horse

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Theodore Agrippa d' Aubigne%@AE@%%@EH@%
%@NL@%
%@AB@%1552-1630%@AE@%
%@NL@%%@NL@%

%@FN@%
Chacun au bien aspire,/Chacun le bien desire,/Et le desire sien.  %@EF@%
%@QR:Theodore Agrippa d' Aubigne@%%@QR:Aubigne@%%@CR:N1552AUBT10     @%%@2@%Each of us aspires to goodness,%@NL@%%@EH@%
Each of us desires the good%@NL@%
And desires it for himself.%@NL@%

%@NL@%Theodore Agrippa d' Aubigne
%@NL@%Pieces Epigrammatiques, 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Une rose d'automne est plus qu'une autre exquise.  %@EF@%
%@QR:Theodore Agrippa d' Aubigne@%%@QR:Aubigne@%%@CR:N1552AUBT30     @%%@2@%   More exquisite than any other is the autumn rose.%@NL@%%@EH@%
%@NL@%
Theodore Agrippa d' Aubigne
%@NL@%Les Tragiques. Les Feux

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Edward Coke%@AE@%%@EH@%
%@NL@%
%@AB@%1552-1634%@AE@%
%@NL@%%@NL@%

%@FN@%
Let us consider the reason of the case. For nothing is law that is not
reason.-Sir John Powell, Coggs v. Bernard, 2 Ld. Raym. Rep., p. 911  %@EF@%
%@QR:Sir Edward Coke@%%@QR:Coke@%%@CR:N1552COKE10     @%%@2@%   Reason is the life of the law; nay, the common law itself is nothing else%@EH@%
but reason. . . . The law, which is perfection of reason.%@NL@%
%@NL@%
Sir Edward Coke
%@NL@%First Institute [1628]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Edward Coke@%%@QR:Coke@%%@CR:N1552COKE30     @%%@2@%   The gladsome light of jurisprudence.%@NL@%%@EH@%
%@NL@%
Sir Edward Coke
%@NL@%First Institute [1628]epilogue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
One's home is the safest refuge to everyone.-Pandects [533], lib. II, tit.
IV, De in Ius Vocando  I in mine own house am an emperor/And will defend
what's mine.-Massinger, The Roman Actor [1629], act I, sc. ii  %@EF@%
%@QR:Sir Edward Coke@%%@QR:Coke@%%@CR:N1552COKE40     @%%@2@%   For a man's house is his castle, et domus sua cuique tutissimum refugium.%@NL@%%@EH@%
%@NL@%
Sir Edward Coke
%@NL@%Third Institute [1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Edward Coke@%%@QR:Coke@%%@CR:N1552COKE70     @%%@2@%   The house of everyone is to him as his castle and fortress, as well for%@EH@%
his defense against injury and violence as for his repose.%@NL@%
%@NL@%
Sir Edward Coke
%@NL@%Semayne's Case. 5 Report 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Edward Coke@%%@QR:Coke@%%@CR:N1552COKE80     @%%@2@%   They [corporations] cannot commit treason, nor be outlawed nor%@EH@%
excommunicate, for they have no souls.%@NL@%
%@NL@%
Sir Edward Coke
%@NL@%Case of Sutton's Hospital. 10 Report 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Edward Coke@%%@QR:Coke@%%@CR:N1552COKE90     @%%@2@%   Magna Carta is such a fellow that he will have no sovereign.%@NL@%%@EH@%
%@NL@%
Sir Edward Coke
%@NL@%Debate in the Commons [May 17, 1628]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Seven hours to law, to soothing slumber seven;/Ten to the world allot, and
all to heaven.-Sir William Jones [1746-1794]  %@EF@%
%@QR:Sir Edward Coke@%%@QR:Coke@%%@CR:N1552COKE100    @%%@2@%Six hours in sleep, in law's grave study six,%@NL@%%@EH@%
Four spend in prayer, the rest on Nature fix.%@NL@%

%@NL@%Sir Edward Coke
%@NL@%Translation quoted by Coke.
From The Pandects (Digest of Justinian). De in Ius Vocando

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Walter Ralegh%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1552-1618%@AE@%
%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW10     @%%@2@%Like to an hermit poor in place obscure,%@NL@%%@EH@%
I mean to spend my days of endless doubt,%@NL@%
To wail such woes as time cannot recure,%@NL@%
Where none but Love shall ever find me out.%@NL@%

%@NL@%Sir Walter Ralegh
%@NL@%The Phoenix Nest [1593]. Sonnet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW20     @%%@2@%As you came from the holy land%@NL@%%@EH@%
Of Walsinghame,%@NL@%
Met you not with my true Love%@NL@%
By the way as you came?%@NL@%

%@NL@%Sir Walter Ralegh
%@NL@%As You Came from the Holy Land [c. 1599],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW30     @%%@2@%But true love is a durable fire,%@NL@%%@EH@%
In the mind ever burning,%@NL@%
Never sick, never old, never dead,%@NL@%
From itself never turning.%@NL@%

%@NL@%Sir Walter Ralegh
%@NL@%As You Came from the Holy Land [c. 1599],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW40     @%%@2@%If all the world and love were young,%@NL@%%@EH@%
And truth in every shepherd's tongue,%@NL@%
These pretty pleasures might me move%@NL@%
To live with thee, and be thy love. 1 %@NL@%

%@NL@%Sir Walter Ralegh
%@NL@%%@FN@%
An answer to Christopher Marlowe, The Passionate Shepherd to His Love (see
Marlowe).  %@EF@%
The Nymph's Reply to the Passionate Shepherd
(printed in England's Helicon) [1600], st. 1

%@NL@%%@AI@%1 See Donne%@BO:          206069@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW50     @%%@2@%Fain would I climb, yet fear I to fall.%@NL@%%@EH@%

%@NL@%Sir Walter Ralegh
%@NL@%%@FN@%
Under this Queen Elizabeth wrote, "If thy heart fails thee, climb not at
all."-Thomas Fuller, Worthies of England [1662]  %@EF@%
Written on a windowpane

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Seneca  Altissima quaeque flumina minimo sono labi [The deepest rivers
flow with the least sound].-Quintus Curtius [first century  A.D. ], VII, 4,
13  Where the stream runneth smoothest, the water is deepest.-John Lyly,
Euphues and his England [1580]  Smooth runs the water where the brook is
deep.-Shakespeare, Henry VI, Part II [1591], act III, sc. i, l. 53  Take
heed of still waters, the quick pass away.-George Herbert, Jacula Prudentum
[1640]  %@EF@%
%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW70     @%%@2@%Our passions are most like to floods and streams,%@NL@%%@EH@%
The shallow murmur, but the deep are dumb.%@NL@%

%@NL@%Sir Walter Ralegh
%@NL@%Sir Walter Ralegh to the Queen [c. 1599],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW120    @%%@2@%Silence in love bewrays more woe%@NL@%%@EH@%
Than words, though ne'er so witty;%@NL@%
A beggar that is dumb, you know,%@NL@%
Deserveth double pity.%@NL@%

%@NL@%Sir Walter Ralegh
%@NL@%Sir Walter Ralegh to the Queen [c. 1599],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW130    @%%@2@%Go, Soul, the body's quest,%@NL@%%@EH@%
Upon a thankless arrant:%@NL@%
Fear not to touch the best,%@NL@%
The truth shall be thy warrant:%@NL@%
Go, since I needs must die,%@NL@%
And give the world the lie.%@NL@%

%@NL@%Sir Walter Ralegh
%@NL@%The Lie (printed in Francis Davison,
Poetical Rhapsody) [1608; manuscript copy traced to 1595], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW140    @%%@2@%Give me my scallop shell of quiet,%@NL@%%@EH@%
My staff of faith to walk upon,%@NL@%
My scrip of joy, immortal diet,%@NL@%
My bottle of salvation,%@NL@%
My gown of glory, hope's true gage%@NL@%
And thus I'll take my pilgrimage.%@NL@%

%@NL@%Sir Walter Ralegh
%@NL@%Diaphantus [1604]. The Passionate Man's Pilgrimage

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW150    @%%@2@%Methought I saw the grave where Laura lay.%@NL@%%@EH@%

%@NL@%Sir Walter Ralegh
%@NL@%Verses to Edmund Spenser

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW160    @%%@2@%Shall I, like a hermit, dwell%@NL@%%@EH@%
On a rock or in a cell?%@NL@%

%@NL@%Sir Walter Ralegh
%@NL@%Poem

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW170    @%%@2@%What is our life? a play of passion,%@NL@%%@EH@%
Our mirth the music of division,%@NL@%
Our mothers' wombs the tiring houses be%@NL@%
Where we are dressed for this short comedy.%@NL@%

%@NL@%Sir Walter Ralegh
%@NL@%From Orlando Gibbons,
The First Set of Madrigals and Motets [1612]. On the Life of Man

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW180    @%%@2@%   [History] hath triumphed over time, which besides it nothing but eternity%@EH@%
hath triumphed over.%@NL@%
%@NL@%
Sir Walter Ralegh
%@NL@%History of the World [1614],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW190    @%%@2@%   Whosoever, in writing a modern history, shall follow truth too near the%@EH@%
heels, it may haply strike out his teeth.%@NL@%
%@NL@%
Sir Walter Ralegh
%@NL@%History of the World [1614],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW200    @%%@2@%   O eloquent, just, and mighty Death! whom none could advise, thou hast%@EH@%
persuaded; what none hath dared, thou hast done; and whom all the world hath
flattered, thou only hast cast out of the world and despised. Thou hast
drawn together all the far-stretched greatness, all the pride, cruelty, and
ambition of man, and covered it all over with these two narrow words, Hic
jacet!%@NL@%
%@NL@%
Sir Walter Ralegh
%@NL@%History of the World [1614],bk. V, pt. I, ch. 6, conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Ralegh@%%@QR:Ralegh@%%@CR:N1552RALW210    @%%@2@%Even such is time, that takes in trust%@NL@%%@EH@%
Our youth, our joys, our all we have,%@NL@%
And pays us but with age and dust;%@NL@%
Who in the dark and silent grave,%@NL@%
When we have wandered all our ways,%@NL@%
Shuts up the story of our days.%@NL@%
And from which earth, and grave, and dust,%@NL@%
The Lord shall raise me up, I trust.%@NL@%

%@NL@%Sir Walter Ralegh
%@NL@%A version of one of his earlier poems,
found at his death in his Bible in the Gatehouse at Westminster

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edmund Spenser%@AE@%%@EH@%
%@NL@%
%@AB@%1552-1599%@AE@%
%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE10     @%%@2@%To kirk the nearer, from God more far,%@NL@%%@EH@%
Has been an old-said saw.%@NL@%
And he that strives to touch the stars,%@NL@%
Oft stumbles at a straw. 1 %@NL@%

%@NL@%Edmund Spenser
%@NL@%The Shepherd's Calendar [1579]. July, l. 97

%@NL@%%@AI@%1 See Heywood%@BO:          139c0e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
And moralized his song.-Pope, Epistle to Dr. Arbuthnot [1735], l. 340  %@EF@%
%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE20     @%%@2@%Fierce wars and faithful loves shall moralize my song.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],introduction, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE40     @%%@2@%A gentle knight was pricking on the plain.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.I, canto1,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE50     @%%@2@%A bold bad man.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.I, canto1,st. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE60     @%%@2@%Her angel's face%@NL@%%@EH@%
As the great eye of heaven shined bright,%@NL@%
And made a sunshine in the shady place.%@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.I, canto3, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ay me! what perils do environ/The man that meddles with cold iron!-Samuel
Butler: Hudibras, pt. I [1663], canto III, l. 1  %@EF@%
%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE70     @%%@2@%Ay me, how many perils do enfold%@NL@%%@EH@%
The righteous man, to make him daily fall.%@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.I, canto8, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
These lines are cut on Joseph Conrad's gravestone at Canterbury.  %@EF@%
%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE90     @%%@2@%Sleep after toil, port after stormy seas,%@NL@%%@EH@%
Ease after war, death after life does greatly please.%@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.I, canto9, st. 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE100    @%%@2@%All for love, and nothing for reward.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.II, canto8, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE110    @%%@2@%Gather therefore the Rose, whilst yet is prime,%@NL@%%@EH@%
For soon comes age, that will her pride deflower:%@NL@%
Gather the Rose of love, whilst yet is time. 1  2  3  4 %@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.II, canto12, st. 75

%@NL@%%@AI@%1 See The Wisdom of Solomon 2:8%@BO:           47231@%%@AE@%
%@AI@%2 See Horace%@BO:           d90a3@%%@AE@%
%@AI@%3 See Ronsard%@BO:          140383@%%@AE@%
%@AI@%4 See Herrick%@BO:          21e592@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The dew of thy birth is of the womb of the morning.-Book of Common Prayer,
Psalter, Psalm 110:3  %@EF@%
%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE120    @%%@2@%Her birth was of the womb of morning dew.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.III, canto6,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE140    @%%@2@%Roses red and violets blue,%@NL@%%@EH@%
And all the sweetest flowers, that in the forest grew.%@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.III, canto6,st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE150    @%%@2@%All that in this delightful garden grows,%@NL@%%@EH@%
Should happy be, and have immortal bliss.%@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.III, canto6,st. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE160    @%%@2@%That Squire of Dames.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.III, canto8, st. 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE170    @%%@2@%And painful pleasure turns to pleasing pain.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.III, canto10, st. 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE180    @%%@2@%How over that same door was likewise writ,%@NL@%%@EH@%
Be bold, be bold, and everywhere Be bold. 1  2  3 %@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.III, canto11, st. 54

%@NL@%%@AI@%1 See Danton%@BO:          327307@%%@AE@%
%@AI@%2 See Channing%@BO:          368b71@%%@AE@%
%@AI@%3 See Patton%@BO:          5bd0ca@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Jockey of Norfolk, be not too bold,/For Dickon thy master is bought and
sold.-Shakespeare, Richard III [1592-1593], act V, sc. iii, l. 305  Forbear,
said I: be not too bold./Your fleece is white but 'tis too cold.-Richard
Crashaw [c. 1613-1649], Hymn of the Nativity, l. 50  Write on your doors the
saying wise and old,/"Be bold! be bold!" and everywhere-"Be bold;/Be not too
bold!"-Longfellow, Morituri Salutamus [1875]  %@EF@%
%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE190    @%%@2@%Another iron door, on which was writ,%@NL@%%@EH@%
Be not too bold.%@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.III, canto11, st. 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE230    @%%@2@%Dan Chaucer, well of English undefiled,%@NL@%%@EH@%
On Fame's eternal beadroll worthy to be filed.%@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.IV [1596], canto2, st. 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE240    @%%@2@%For all that nature by her mother wit%@NL@%%@EH@%
Could frame in earth.%@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.IV [1596], canto10, st. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE250    @%%@2@%Ill can he rule the great, that cannot reach the small.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.V, canto2, st. 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE260    @%%@2@%Who will not mercy unto others show,%@NL@%%@EH@%
How can he mercy ever hope to have? 1  2 %@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.VI, canto1, st. 42

%@NL@%%@AI@%1 See Matthew 5:7%@BO:           4e2b2@%%@AE@%
%@AI@%2 See Pope%@BO:          2a6b9b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE270    @%%@2@%The gentle mind by gentle deeds is known.%@NL@%%@EH@%
For a man by nothing is so well bewrayed,%@NL@%
As by his manners.%@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.VI, canto3, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE280    @%%@2@%That here on earth is no sure happiness.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.VI, canto11, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE290    @%%@2@%The ever-whirling wheel%@NL@%%@EH@%
Of Change; the which all mortal things doth sway.%@NL@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.VII, canto6,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE300    @%%@2@%Wars and alarums unto nations wide.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.VII, canto6,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE310    @%%@2@%But times do change and move continually. 1 %@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%The Faerie Queene [1590],bk.VII, canto6,st. 47

%@NL@%%@AI@%1 See Anonymous Latin%@BO:          10cfa2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE320    @%%@2@%For deeds do die, however nobly done,%@NL@%%@EH@%
And thoughts of men do as themselves decay,%@NL@%
But wise words taught in numbers for to run,%@NL@%
Recorded by the Muses, live for ay.%@NL@%

%@NL@%Edmund Spenser
%@NL@%The Ruines of Time [1591], l. 400

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE330    @%%@2@%Full little knowest thou that hast not tried,%@NL@%%@EH@%
What hell it is, in suing long to bide:%@NL@%
To lose good days, that might be better spent;%@NL@%
To waste long nights in pensive discontent;%@NL@%
To speed today, to be put back tomorrow;%@NL@%
To feed on hope, to pine with fear and sorrow.%@NL@%

%@NL@%Edmund Spenser
%@NL@%Mother Hubberd's Tale [1591],l. 895

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE340    @%%@2@%To fret thy soul with crosses and with cares;%@NL@%%@EH@%
To eat thy heart through comfortless despairs;%@NL@%
To fawn, to crouch, to wait, to ride, to run,%@NL@%
To spend, to give, to want, to be undone.%@NL@%
Unhappy wight, born to disastrous end,%@NL@%
That doth his life in so long tendance spend.%@NL@%

%@NL@%Edmund Spenser
%@NL@%Mother Hubberd's Tale [1591],l. 903

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE345    @%%@2@%What more felicity can fall to creature,%@NL@%%@EH@%
Than to enjoy delight with liberty.%@NL@%

%@NL@%Edmund Spenser
%@NL@%Muiopotmos; or, The Fate of the Butterfly [1591], l. 209

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE350    @%%@2@%I hate the day, because it lendeth light%@NL@%%@EH@%
To see all things, and not my love to see.%@NL@%

%@NL@%Edmund Spenser
%@NL@%Daphnaida [1591], l. 407

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE360    @%%@2@%Death slew not him, but he made death his ladder to the skies.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%An Epitaph upon Sir Philip Sidney [1591], l. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Shakespeare  The last, not least in honor or applause.-Pope, The Dunciad
[1728], bk. IV, l. 577  %@EF@%
%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE370    @%%@2@%Though last not least.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%Colin Clouts Come Home Again [1595], l. 144

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Take Time by the forelock.-Thales [c. 640-c. 546  B.C. ]  %@EF@%
%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE390    @%%@2@%Tell her the joyous time will not be stayed%@NL@%%@EH@%
Unlesse she do him by the forelock take.%@NL@%

%@NL@%Edmund Spenser
%@NL@%Amoretti [1595]. Sonnet 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE410    @%%@2@%The woods shall to me answer, and my Echo ring.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%Epithalamion [1595],l. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE430    @%%@2@%Ah! when will this long weary day have end,%@NL@%%@EH@%
And lend me leave to come unto my love?%@NL@%

%@NL@%Edmund Spenser
%@NL@%Epithalamion [1595],l. 278

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE440    @%%@2@%For of the soul the body form doth take:%@NL@%%@EH@%
For soul is form, and doth the body make.%@NL@%

%@NL@%Edmund Spenser
%@NL@%Hymn in Honor of Beauty [1596],l. 132

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE450    @%%@2@%For all that fair is, is by nature good; 1 %@NL@%%@EH@%
That is a sign to know the gentle blood.%@NL@%

%@NL@%Edmund Spenser
%@NL@%Hymn in Honor of Beauty [1596],l. 139

%@NL@%%@AI@%1 See Shakespeare%@BO:          1d2292@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sweet Thames, run softly till I end my song,/Sweet Thames, run softly, for I
speak not loud or long.-T. S. Eliot, The Waste Land [1922], pt. III  %@EF@%
%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE460    @%%@2@%Sweet Thames! run softly, till I end my Song.%@NL@%%@EH@%

%@NL@%Edmund Spenser
%@NL@%Prothalamion [1596], refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Spenser@%%@QR:Spenser@%%@CR:N1552SPEE480    @%%@2@%I was promised on a time%@NL@%%@EH@%
To have reason for my rhyme;%@NL@%
From that time unto this season,%@NL@%
I received nor rhyme nor reason.%@NL@%

%@NL@%Edmund Spenser
%@NL@%Lines on his promised pension. From Thomas Fuller,
Worthies of England [1662]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Florio%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1553-1625%@AE@%
%@NL@%%@NL@%

%@QR:John Florio@%%@QR:Florio@%%@CR:N1553FLOJ10     @%%@2@%   England is the paradise of women, the purgatory of men, and the hell of%@EH@%
horses. 1 %@NL@%
%@NL@%
John Florio
%@NL@%Second Frutes [1591]

%@NL@%%@AI@%1 See Robert Burton%@BO:          2129fe@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Florio@%%@QR:Florio@%%@CR:N1553FLOJ20     @%%@2@%   Praise the sea; on shore remain.%@NL@%%@EH@%
%@NL@%
John Florio
%@NL@%Second Frutes [1591]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henri IV , Henry of Navarre%@AE@%%@EH@%
%@NL@%
%@AB@%1553-1610%@AE@%
%@NL@%%@NL@%

%@QR:Henri IV , Henry of Navarre@%%@CR:N1553HENR10     @%%@2@%   I want there to be no peasant in my realm so poor that he will not have a%@EH@%
chicken in his pot every Sunday.%@NL@%
%@NL@%
Henri IV , Henry of Navarre
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Paris vaut bien une messe.  %@EF@%
%@QR:Henri IV , Henry of Navarre@%%@CR:N1553HENR20     @%%@2@%   Paris is well worth a Mass.%@NL@%%@EH@%
%@NL@%
Henri IV , Henry of Navarre
%@NL@%%@FN@%
Attributed also to Henri's minister Sully.  %@EF@%
Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ralliez-vous a mon panache blanc.  %@EF@%
%@QR:Henri IV , Henry of Navarre@%%@CR:N1553HENR40     @%%@2@%   Let my white panache be your rallying point.%@NL@%%@EH@%
%@NL@%
Henri IV , Henry of Navarre
%@NL@%Attributed battle cry

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pends-toi, brave Crillon, nous avons combattu a Arques et tu n'y etais pas.
Louis de Balbes de Berton de Crillon [c. 1541-1615], French soldier of
legendary courage, fought as captain under Henri IV in the battle of Ivry
and the siege of Paris.  %@EF@%
%@QR:Henri IV , Henry of Navarre@%%@CR:N1553HENR55     @%%@2@%   Hang yourself, brave Crillon; we fought at Arques and you were not there.%@NL@%%@EH@%
%@NL@%
Henri IV , Henry of Navarre
%@NL@%Letter [1597]. From Lettres missives de Henri IV, Collection
des Documents Inedits de l'Histoire de France, vol. IV [1847]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henri IV , Henry of Navarre@%%@CR:N1553HENR60     @%%@2@%   The wisest fool in Christendom [James I of England].%@NL@%%@EH@%
%@NL@%
Henri IV , Henry of Navarre
%@NL@%%@FN@%
Attributed also to Henri's minister Sully.  %@EF@%
Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Keith, Fifth Earl Marischal%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1553-1623%@AE@%
%@NL@%%@NL@%

%@FN@%
They say. What say they? Let them say.-Motto over the fireplace in George
Bernard Shaw's home  %@EF@%
%@QR:George Keith, Fifth Earl Marischal@%%@QR:Keith@%%@CR:N1553KEIG10     @%%@2@%   Thai half said. Quhat say thai? Let thame say.%@NL@%%@EH@%
%@NL@%
George Keith, Fifth Earl Marischal
%@NL@%Family motto, Mitchell Tower, Marischal College, Aberdeen,
Scotland [founded 1593]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Fulke Greville, Lord Brooke%@AE@%%@EH@%
%@NL@%
%@AB@%1554-1628%@AE@%
%@NL@%%@NL@%

%@QR:Fulke Greville, Lord Brooke@%%@QR:Greville@%%@CR:N1554GREF10     @%%@2@%Oh wearisome condition of humanity!%@NL@%%@EH@%
Born under one law, to another bound.%@NL@%

%@NL@%Fulke Greville, Lord Brooke
%@NL@%Mustapha [1609], V, 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fulke Greville, Lord Brooke@%%@QR:Greville@%%@CR:N1554GREF20     @%%@2@%   Fulke Greville, Servant to Queen Elizabeth, Councillor to King James, and%@EH@%
Friend to Sir Philip Sidney.%@NL@%
%@NL@%
Fulke Greville, Lord Brooke
%@NL@%Epitaph, on his monument in Warwick

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Hooker%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1554-1600%@AE@%
%@NL@%%@NL@%

%@QR:Richard Hooker@%%@QR:Hooker@%%@CR:N1554HOOR10     @%%@2@%   Of Law there can be no less acknowledged than that her seat is the bosom%@EH@%
of God, her voice the harmony of the world. All things in heaven and earth
do her homage-the very least as feeling her care, and the greatest as not
exempted from her power.%@NL@%
%@NL@%
Richard Hooker
%@NL@%Laws of Ecclesiastical Polity [1594], bk. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Hooker@%%@QR:Hooker@%%@CR:N1554HOOR20     @%%@2@%   That to live by one man's will became the cause of all men's misery.%@NL@%%@EH@%
%@NL@%
Richard Hooker
%@NL@%Laws of Ecclesiastical Polity [1594], bk. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Lyly%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1554-1606%@AE@%
%@NL@%%@NL@%

%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ10     @%%@2@%   Be valiant, but not too venturous. Let thy attire be comely, but not%@EH@%
costly.%@NL@%
%@NL@%
John Lyly
%@NL@%Euphues: The Anatomy of Wit [1579]. Arber's reprint,p. 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ20     @%%@2@%   The finest edge is made with the blunt whetstone.%@NL@%%@EH@%
%@NL@%
John Lyly
%@NL@%Euphues: The Anatomy of Wit [1579]. Arber's reprint,p. 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Periculum in mora.-Latin proverb  See Shakespeare  All delays are dangerous
in war.-Dryden, Tyrannic Love [1669], act I, sc. i  %@EF@%
%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ30     @%%@2@%   Delays breed dangers.%@NL@%%@EH@%
%@NL@%
John Lyly
%@NL@%Euphues: The Anatomy of Wit [1579]. Arber's reprint,p. 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ60     @%%@2@%   It seems to me (said she) that you are in some brown study.%@NL@%%@EH@%
%@NL@%
John Lyly
%@NL@%Euphues: The Anatomy of Wit [1579]. Arber's reprint,p. 80

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Many strokes, though with a little axe,/Hew down and fell the
hardest-timbered oak.-Shakespeare, Henry VI, Part III [1591], act II, sc. i,
l. 54  See Franklin  %@EF@%
%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ70     @%%@2@%   Many strokes overthrow the tallest oaks.%@NL@%%@EH@%
%@NL@%
John Lyly
%@NL@%Euphues: The Anatomy of Wit [1579]. Arber's reprint,p. 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ90     @%%@2@%   Let me stand to the main chance. 1 %@NL@%%@EH@%
%@NL@%
John Lyly
%@NL@%Euphues: The Anatomy of Wit [1579]. Arber's reprint,p. 104

%@NL@%%@AI@%1 See Butler%@BO:          24e215@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ100    @%%@2@%   It is a world to see.%@NL@%%@EH@%
%@NL@%
John Lyly
%@NL@%Euphues: The Anatomy of Wit [1579]. Arber's reprint,p. 116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ110    @%%@2@%   A clear conscience is a sure card.%@NL@%%@EH@%
%@NL@%
John Lyly
%@NL@%Euphues: The Anatomy of Wit [1579]. Arber's reprint,p. 207

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
To rise with the lark and go to bed with the lamb.-Breton, Court and Country
[1618]  Rise with the lark, and with the lark to bed.-James Hurdis
[1763-1801], The Village Curate  %@EF@%
%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ120    @%%@2@%   Go to bed with the lamb, and rise with the lark.%@NL@%%@EH@%
%@NL@%
John Lyly
%@NL@%Euphues and His England, [1580],p. 229

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ150    @%%@2@%   A comely old man as busy as a bee.%@NL@%%@EH@%
%@NL@%
John Lyly
%@NL@%Euphues and His England, [1580],p. 252

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ160    @%%@2@%   Maidens, be they never so foolish, yet being fair they are commonly%@EH@%
fortunate.%@NL@%
%@NL@%
John Lyly
%@NL@%Euphues and His England, [1580],p. 279

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ170    @%%@2@%   Your eyes are so sharp that you cannot only look through a millstone, but%@EH@%
clean through the mind.%@NL@%
%@NL@%
John Lyly
%@NL@%Euphues and His England, [1580],p. 289

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ180    @%%@2@%   I am glad that my Adonis hath a sweet tooth in his head.%@NL@%%@EH@%
%@NL@%
John Lyly
%@NL@%Euphues and His England, [1580],p. 308

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The rose is fairest when 'tis budding new.-Scott, Lady of the Lake [1810],
canto III, st. I  %@EF@%
%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ190    @%%@2@%   A rose is sweeter in the bud than full-blown.%@NL@%%@EH@%
%@NL@%
John Lyly
%@NL@%Euphues and His England, [1580],p. 314

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ210    @%%@2@%Cupid and my Campaspe played%@NL@%%@EH@%
At cards for kisses: Cupid paid.%@NL@%

%@NL@%John Lyly
%@NL@%Alexander and Campaspe [1584], actIII, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ220    @%%@2@%How at heaven's gates she claps her wings,%@NL@%%@EH@%
The morn not waking till she sings. 1 %@NL@%

%@NL@%John Lyly
%@NL@%Alexander and Campaspe [1584], actV, sc. i

%@NL@%%@AI@%1 See Shakespeare%@BO:          1f3201@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
On the stars thou gazest, my star; would I were heaven to look at thee with
many eyes.-The Greek Anthology [1906], edited by J. W. Mackail, 8, 7  See
Bourdillon  %@EF@%
%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ230    @%%@2@%Night hath a thousand eyes.%@NL@%%@EH@%

%@NL@%John Lyly
%@NL@%Maides Metamorphosis, III, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Les mariages se font au ciel, et se consomment sur la terre.-French proverb
See Heywood  If marriages/Are made in heaven, they should be happier.-Thomas
Southerne, The Fatal Marriage [1694]  %@EF@%
%@QR:John Lyly@%%@QR:Lyly@%%@CR:N1554LYLJ250    @%%@2@%   Marriages are made in heaven and consummated on earth.%@NL@%%@EH@%
%@NL@%
John Lyly
%@NL@%Mother Bombie [1590], act IV, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Philip Sidney%@AE@%%@EH@%
%@NL@%
%@AB@%1554-1586%@AE@%
%@FN@%
The miracle of our age, Sir Philip Sidney.-Richard Carew [1555-1620]  See
Fulke Greville, Roydon, and Browning  %@EF@%
%@NL@%%@NL@%

%@FN@%
Great thoughts come from the heart.-Vauvenargues [1715-1747], Maxim 127  %@EF@%
%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP10     @%%@2@%   High-erected thoughts seated in the heart of courtesy.%@NL@%%@EH@%
%@NL@%
Sir Philip Sidney
%@NL@%The Arcadia [written 1580],bk.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He never is alone that is accompanied with noble thoughts.-Beaumont and
Fletcher, Love's Cure [1647], act III, sc. iii  %@EF@%
%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP30     @%%@2@%   They are never alone that are accompanied with noble thoughts.%@NL@%%@EH@%
%@NL@%
Sir Philip Sidney
%@NL@%The Arcadia [written 1580],bk.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP50     @%%@2@%   My dear, my better half.%@NL@%%@EH@%
%@NL@%
Sir Philip Sidney
%@NL@%The Arcadia [written 1580],bk.III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP60     @%%@2@%My true-love hath my heart, and I have his,%@NL@%%@EH@%
By just exchange one for the other given:%@NL@%
I hold his dear, and mine he cannot miss,%@NL@%
There never was a better bargain driven.%@NL@%

%@NL@%Sir Philip Sidney
%@NL@%The Arcadia [written 1580],Sonnet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP70     @%%@2@%Ring out your bells! Let mourning shows be spread!%@NL@%%@EH@%
For Love is dead.%@NL@%

%@NL@%Sir Philip Sidney
%@NL@%The Arcadia [written 1580],Song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP80     @%%@2@%Leave me, O Love, which reachest but to dust,%@NL@%%@EH@%
And thou, my mind, aspire to higher things;%@NL@%
Grow rich in that which never taketh rust:%@NL@%
Whatever fades, but fading pleasure brings.%@NL@%

%@NL@%Sir Philip Sidney
%@NL@%The Arcadia [written 1580],Sonnet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP90     @%%@2@%   Sweet food of sweetly uttered knowledge.%@NL@%%@EH@%
%@NL@%
Sir Philip Sidney
%@NL@%The Defense of Poesy [written c. 1580]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP100    @%%@2@%   He cometh unto you with a tale which holdeth children from play, and old%@EH@%
men from the chimney corner.%@NL@%
%@NL@%
Sir Philip Sidney
%@NL@%The Defense of Poesy [written c. 1580]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP110    @%%@2@%   I never heard the old song of Percy and Douglas that I found not my heart%@EH@%
moved more than with a trumpet.%@NL@%
%@NL@%
Sir Philip Sidney
%@NL@%The Defense of Poesy [written c. 1580]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP120    @%%@2@%"Fool!" said my muse to me, "look in thy heart, and write."%@NL@%%@EH@%

%@NL@%Sir Philip Sidney
%@NL@%Astrophel and Stella [1591]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Wordsworth begins a sonnet [1802] with these two lines.  %@EF@%
%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP130    @%%@2@%With how sad steps, O Moon, thou climb'st the skies!%@NL@%%@EH@%
How silently, and with how wan a face!%@NL@%

%@NL@%Sir Philip Sidney
%@NL@%Astrophel and Stella [1591]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quoted by Shakespeare in The Merry Wives of Windsor [1600-1601], act III,
sc. iii, l. 45.  %@EF@%
%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP140    @%%@2@%Have I caught my heav'nly jewel.%@NL@%%@EH@%

%@NL@%Sir Philip Sidney
%@NL@%Astrophel and Stella [1591]Second Song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
More often quoted as: Thy need.  %@EF@%
%@QR:Sir Philip Sidney@%%@QR:Sidney@%%@CR:N1554SIDP150    @%%@2@%   Thy necessity is yet greater than mine.%@NL@%%@EH@%
%@NL@%
Sir Philip Sidney
%@NL@%Said on the battlefield of Zutphen [September 22, 1586]
on giving his water bottle to a dying soldier

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francois de Malherbe%@AE@%%@EH@%
%@NL@%
%@AB@%1555-1628%@AE@%
%@NL@%%@NL@%

%@FN@%
Et rose, elle a vecu ce que vivent les roses,/L'espace d'un matin.  %@EF@%
%@QR:Francois de Malherbe@%%@QR:Malherbe@%%@CR:N1555MALF10     @%%@2@%   And a rose, she lived as roses do, the space of a morn.%@NL@%%@EH@%
%@NL@%
Francois de Malherbe
%@NL@%Consolation a Monsieur du Perier [1599]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Et les fruits passeront la promesse des fleurs.  %@EF@%
%@QR:Francois de Malherbe@%%@QR:Malherbe@%%@CR:N1555MALF30     @%%@2@%   And the fruits will outdo what the flowers have promised.%@NL@%%@EH@%
%@NL@%
Francois de Malherbe
%@NL@%Priere pour le roi Henri le Grand [1605]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois de Malherbe@%%@QR:Malherbe@%%@CR:N1555MALF50     @%%@2@%   What Malherbe writes will endure forever.%@NL@%%@EH@%
%@NL@%
Francois de Malherbe
%@NL@%Sonnet a Louis XIII [1624]

%@NL@%
%@NL@%
%@NL@%
%@1@%%@AB@%Philip Nicolai%@AE@%%@EH@%
%@NL@%
%@AB@%1556-1608%@AE@%
%@NL@%%@NL@%

%@FN@%
Wachet auf, ruft uns die stimme.  Translated by Catherine Winkworth.  %@EF@%
%@QR:Philip Nicolai@%%@QR:Nicolai@%%@CR:N1556NICP10     @%%@2@%Wake, awake, for night is flying:%@NL@%%@EH@%
The watchmen on the heights are crying.%@NL@%

%@NL@%Philip Nicolai
%@NL@%Hymn [1597]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Kyd%@AE@%%@EH@%
%@NL@%
%@AB@%1558-1594%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Kyd@%%@QR:Kyd@%%@CR:N1558KYDT10     @%%@2@%What outcries call me from my naked bed?%@NL@%%@EH@%

%@NL@%Thomas Kyd
%@NL@%%@FN@%
This play was undoubtedly the most popular drama of its time, outstripping
Shakespeare and the other Elizabethans.  %@EF@%
The Spanish Tragedy [1594],
actII, sc. v, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Kyd@%%@QR:Kyd@%%@CR:N1558KYDT20     @%%@2@%O eyes, no eyes, but fountains fraught with tears;%@NL@%%@EH@%
O life, no life, but lively form of death;%@NL@%
O world, no world, but mass of public wrongs,%@NL@%
Confused and filled with murder and misdeeds.%@NL@%

%@NL@%Thomas Kyd
%@NL@%The Spanish Tragedy [1594],
actIII, sc. ii, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Kyd@%%@QR:Kyd@%%@CR:N1558KYDT30     @%%@2@%Hieronymo, beware: go by, go by.%@NL@%%@EH@%

%@NL@%Thomas Kyd
%@NL@%The Spanish Tragedy [1594],
actIII, sc. xii, l. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quoted by T. S. Eliot in The Waste Land [1922], l. 431, followed by:
Hieronymo's mad againe.  %@EF@%
%@QR:Thomas Kyd@%%@QR:Kyd@%%@CR:N1558KYDT40     @%%@2@%Why then I'll fit you, say no more.%@NL@%%@EH@%
When I was young, I gave my mind%@NL@%
And plied myself to fruitless poetry:%@NL@%
Which though it profit the professor naught%@NL@%
Yet it is passing pleasing to the world.%@NL@%

%@NL@%Thomas Kyd
%@NL@%The Spanish Tragedy [1594],
actIV, sc. ii, l. 70

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Lodge%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1558-1625%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Lodge@%%@QR:Lodge@%%@CR:N1558LODT10     @%%@2@%Love in my bosom like a bee%@NL@%%@EH@%
Doth suck his sweet.%@NL@%

%@NL@%Thomas Lodge
%@NL@%Rosalind [1590]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Lodge@%%@QR:Lodge@%%@CR:N1558LODT20     @%%@2@%   Devils are not so black as they are painted.%@NL@%%@EH@%
%@NL@%
Thomas Lodge
%@NL@%A Margarite of America [1596]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Peele%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1558 - c. 1597%@AE@%
%@NL@%%@NL@%

%@QR:George Peele@%%@QR:Peele@%%@CR:N1558PEEG10     @%%@2@%Fair and fair, and twice so fair,%@NL@%%@EH@%
As fair as any may be.%@NL@%

%@NL@%George Peele
%@NL@%The Arraignment of Paris [1584]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Peele@%%@QR:Peele@%%@CR:N1558PEEG20     @%%@2@%My merry, merry, merry roundelay%@NL@%%@EH@%
Concludes with Cupid's curse:%@NL@%
They that do change old love for new,%@NL@%
Pray gods, they change for worse!%@NL@%

%@NL@%George Peele
%@NL@%The Arraignment of Paris [1584]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Peele@%%@QR:Peele@%%@CR:N1558PEEG30     @%%@2@%His golden locks time hath to silver turned;%@NL@%%@EH@%
O time too swift, O swiftness never ceasing!%@NL@%
His youth 'gainst time and age hath ever spurned,%@NL@%
But spurned in vain; youth waneth by increasing.%@NL@%

%@NL@%George Peele
%@NL@%Polyhymnia [1590]. The Aged Man-at-Arms, st.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Peele@%%@QR:Peele@%%@CR:N1558PEEG40     @%%@2@%His helmet now shall make a hive for bees,%@NL@%%@EH@%
And lovers' sonnets turned to holy psalms,%@NL@%
A man-at-arms must now serve on his knees,%@NL@%
And feed on prayers, which are age his alms.%@NL@%

%@NL@%George Peele
%@NL@%Polyhymnia [1590]. The Aged Man-at-Arms, st.2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Chidiock Tichborne%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1558-1586%@AE@%
%@FN@%
He was executed for an attempt on Queen Elizabeth's life.  %@EF@%
%@NL@%%@NL@%

%@QR:Chidiock Tichborne@%%@QR:Tichborne@%%@CR:N1558TICC10     @%%@2@%My prime of youth is but a frost of cares;%@NL@%%@EH@%
My feast of joy is but a dish of pain;%@NL@%
My crop of corn is but a field of tares;%@NL@%
%@NL@%
And all my good is but vain hope of gain:%@NL@%
The day is past, and yet I saw no sun;%@NL@%
And now I live, and now my life is done.%@NL@%

%@NL@%Chidiock Tichborne
%@NL@%Tichborne's Elegy [1586]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Chapman%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1559-1634%@AE@%
%@NL@%%@NL@%

%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG10     @%%@2@%Promise is most given when the least is said.%@NL@%%@EH@%

%@NL@%George Chapman
%@NL@%Hero and Leander [1598]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG20     @%%@2@%Love calls to war;%@NL@%%@EH@%
Sighs his alarms,%@NL@%
Lips his swords are,%@NL@%
The field his arms.%@NL@%

%@NL@%George Chapman
%@NL@%Hero and Leander [1598]Epithalamion Teratos, refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG30     @%%@2@%   Young men think old men are fools; but old men know young men are fools.%@NL@%%@EH@%
%@NL@%
George Chapman
%@NL@%All Fools [1605], act V, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quoted by Benjamin Franklin in Poor Richard's Almanac [1735], June.  %@EF@%
%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG40     @%%@2@%   Keep thy shop, and thy shop will keep thee. Light gains make heavy%@EH@%
purses.%@NL@%
%@NL@%
George Chapman
%@NL@%%@FN@%
By Chapman, Jonson, and Marston.  %@EF@%
Eastward Ho [1605],
actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG50     @%%@2@%   Why, do nothing, be like a gentleman, be idle . . . Make ducks and drakes%@EH@%
with shillings.%@NL@%
%@NL@%
George Chapman
%@NL@%Eastward Ho [1605],
actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This is the famous passage that gave offense to James I and caused the
imprisonment of the authors. The leaves containing it were canceled and
reprinted, and it only occurs in a few of the original copies.-Richard Herne
Shepherd  %@EF@%
%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG60     @%%@2@%   Only a few industrious Scots perhaps, who indeed are dispersed over the%@EH@%
face of the whole earth. But as for them, there are no greater friends to
Englishmen and England, when they are out on't, in the world, than they are.
And for my own part, I would a hundred thousand of them were there
[Virginia]; for we are all one countrymen now, ye know, and we should find
ten times more comfort of them there than we do here.%@NL@%
%@NL@%
George Chapman
%@NL@%Eastward Ho [1605],
actIII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
These crocodile tears.-Robert Burton, Anatomy of Melancholy [1621-1651], pt.
III, sec. 2, member 2, subsec. 4  She's false, false as the tears of
crocodiles.-Sir John Suckling [1609-1642], The Sad One, act IV, sc. v  %@EF@%
%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG70     @%%@2@%   I will neither yield to the song of the siren nor the voice of the hyena,%@EH@%
the tears of the crocodile nor the howling of the wolf.%@NL@%
%@NL@%
George Chapman
%@NL@%Eastward Ho [1605],
actV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG100    @%%@2@%For one heat, all know, doth drive out another,%@NL@%%@EH@%
One passion doth expel another still. 1 %@NL@%

%@NL@%George Chapman
%@NL@%Monsieur d'Olive [1606], act V, sc. i

%@NL@%%@AI@%1 See Shakespeare%@BO:          17b9d8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG110    @%%@2@%To put a girdle round about the world. 1 %@NL@%%@EH@%

%@NL@%George Chapman
%@NL@%Bussy d'Ambois [1607], actI, sc. i

%@NL@%%@AI@%1 See Shakespeare%@BO:          186a30@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Usually quoted: Speed the plow.  %@EF@%
%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG120    @%%@2@%Speed his plow.%@NL@%%@EH@%

%@NL@%George Chapman
%@NL@%Bussy d'Ambois [1607], actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG130    @%%@2@%So our lives%@NL@%%@EH@%
In acts exemplary, not only win%@NL@%
Ourselves good names, but doth to others give%@NL@%
Matter for virtuous deeds, by which we live.%@NL@%

%@NL@%George Chapman
%@NL@%Bussy d'Ambois [1607], actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG140    @%%@2@%Who to himself is law no law doth need,%@NL@%%@EH@%
Offends no law, and is a king indeed.%@NL@%

%@NL@%George Chapman
%@NL@%Bussy d'Ambois [1607], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG145    @%%@2@%Be free, all worthy spirits,%@NL@%%@EH@%
And stretch yourselves, for greatness and for height.%@NL@%

%@NL@%George Chapman
%@NL@%The Conspiracy of Charles, Duke of Byron [1608], act III, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG150    @%%@2@%Give me a spirit that on this life's rough sea%@NL@%%@EH@%
Loves t' have his sails filled with a lusty wind,%@NL@%
Even till his sail-yards tremble, his masts crack,%@NL@%
And his rapt ship run on her side so low%@NL@%
That she drinks water, and her keel plows air.%@NL@%

%@NL@%George Chapman
%@NL@%The Conspiracy of Charles, Duke of Byron [1608], act III, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG155    @%%@2@%Danger, the spur of all great minds.%@NL@%%@EH@%

%@NL@%George Chapman
%@NL@%The Revenge of Bussy d'Ambois [1610], act V, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Chapman@%%@QR:Chapman@%%@CR:N1559CHAG160    @%%@2@%We have watered our horses in Helicon.%@NL@%%@EH@%

%@NL@%George Chapman
%@NL@%May-Day [1611], act III, sc. iii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Maximilien de Bethune , Duc de Sully%@AE@%%@EH@%
%@NL@%
%@AB@%1559-1641%@AE@%
%@NL@%%@NL@%

%@FN@%
Labourage et p[acirc ]turage sont les deux mamelles dont la France est
alimentee.  %@EF@%
%@QR:Maximilien de Bethune , Duc de Sully@%%@CR:N1559SULM10     @%%@2@%   Tilling and grazing are the two breasts that feed France.%@NL@%%@EH@%
%@NL@%
Maximilien de Bethune , Duc de Sully
%@NL@%Economies Royales, III

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Greene%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1560-1592%@AE@%
%@NL@%%@NL@%

%@FN@%
See stanza 2 (Greene) and Shakespeare.  %@EF@%
%@QR:Robert Greene@%%@QR:Greene@%%@CR:N1560GRER10     @%%@2@%Sweet are the thoughts that savor of content;%@NL@%%@EH@%
The quiet mind is richer than a crown.%@NL@%

%@NL@%Robert Greene
%@NL@%Farewell to Folly [1591],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See stanza 2 (Greene) and Shakespeare.  %@EF@%
%@QR:Robert Greene@%%@QR:Greene@%%@CR:N1560GRER20     @%%@2@%A mind content both crown and kingdom is.%@NL@%%@EH@%

%@NL@%Robert Greene
%@NL@%Farewell to Folly [1591],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
First known literary reference to Shakespeare.  %@EF@%
%@QR:Robert Greene@%%@QR:Greene@%%@CR:N1560GRER30     @%%@2@%   For there is an upstart crow, beautified with our feathers, that with his%@EH@%
tiger's heart wrapped in a player's hide, 1  supposes he is as well able to
bumbast out a blank verse as the best of you; and being an absolute Johannes
fac totum, is in his own conceit the only Shake-scene in a country.%@NL@%
%@NL@%
Robert Greene
%@NL@%The Croatsworth of Wit [1592]

%@NL@%%@AI@%1 See Shakespeare%@BO:          16d9fd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Greene@%%@QR:Greene@%%@CR:N1560GRER40     @%%@2@%Hangs in the uncertain balance of proud time.%@NL@%%@EH@%

%@NL@%Robert Greene
%@NL@%Friar Bacon and Friar Bungay [acted 1594], actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Greene@%%@QR:Greene@%%@CR:N1560GRER50     @%%@2@%Hell's broken loose. 1 %@NL@%%@EH@%

%@NL@%Robert Greene
%@NL@%Friar Bacon and Friar Bungay [acted 1594], actIV

%@NL@%%@AI@%1 See Milton%@BO:          243d9a@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Francis Bacon%@AE@%%@EH@%
%@NL@%
%@AB@%1561-1626%@AE@%
%@FN@%
If parts allure thee, think how Bacon shined,/The wisest, brightest, meanest
of mankind.-Pope, Essay on Man [1733-1734], epistle IV, l. 281  See Walton  %@EF@%
%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF20     @%%@2@%   I have taken all knowledge to be my province.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Letter to Lord Burleigh [1592]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF30     @%%@2@%   The monuments of wit survive the monuments of power.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essex's Device [1595]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Proverbs 24:5  Knowledge is more than equivalent to force.-Samuel
Johnson, Rasselas [1759], ch. 13  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF40     @%%@2@%   Knowledge is power [Nam et ipsa scientia potestas est].%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Meditationes Sacrae [1597]. De Haeresibus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF60     @%%@2@%   For all knowledge and wonder (which is the seed of knowledge) is an%@EH@%
impression of pleasure in itself.%@NL@%
%@NL@%
Francis Bacon
%@NL@%The Advancement of Learning [1605], bk.I,i, 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF70     @%%@2@%   Time, which is the author of authors.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%The Advancement of Learning [1605], bk.I,iv, 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF80     @%%@2@%   If a man will begin with certainties, he shall end in doubts; but if he%@EH@%
will be content to begin with doubts he shall end in certainties.%@NL@%
%@NL@%
Francis Bacon
%@NL@%The Advancement of Learning [1605], bk.I,v,8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The age of antiquity is the youth of the world.  %@EF@%
%@FN@%
As in the little, so in the great world, reason will tell you that old age
or antiquity is to be accounted by the farther distance from the beginning
and the nearer approach to the end-the times wherein we now live being in
propriety of speech the most ancient since the world's creation.-George
Hakewill, An Apologie or Declaration of the Power and Providence of God in
the Government of the World [1627]  For as old age is that period of life
most remote from infancy, who does not see that old age in this universal
man ought not to be sought in the times nearest his birth, but in those most
remote from it?-Pascal [1623-1662], Preface to the Treatise on Vacuum  It is
worthy of remark that a thought which is often quoted from Francis Bacon
occurs in [Giordano] Bruno's Cena di Cenere, published in 1584: I mean the
notion that the later times are more aged than the earlier.-Whewell,
Philosophy of the Inductive Sciences [1847], vol. II, p. 198  We are
Ancients of the earth,/And in the morning of the times.-Tennyson, The Day
Dream [1842], L'Envoi  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF90     @%%@2@%   Antiquitas saeculi juventus mundi. These times are the ancient times,%@EH@%
when the world is ancient, and not those which we account ancient ordine
retrogrado, by a computation backward from ourselves.%@NL@%
%@NL@%
Francis Bacon
%@NL@%The Advancement of Learning [1605], bk.I,v,8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF140    @%%@2@%   [Knowledge] is a rich storehouse for the glory of the Creator and the%@EH@%
relief of man's estate.%@NL@%
%@NL@%
Francis Bacon
%@NL@%The Advancement of Learning [1605], bk.I,v,11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF150    @%%@2@%   It [Poesy] was ever thought to have some participation of divineness,%@EH@%
because it doth raise and erect the mind by submitting the shows of things
to the desires of the mind.%@NL@%
%@NL@%
Francis Bacon
%@NL@%The Advancement of Learning [1605], bk.II,iv, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF160    @%%@2@%   They are ill discoverers that think there is no land, when they can see%@EH@%
nothing but sea.%@NL@%
%@NL@%
Francis Bacon
%@NL@%The Advancement of Learning [1605], bk.II,vii, 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF170    @%%@2@%   But men must know that in this theater of man's life it is reserved only%@EH@%
for God and angels to be lookers on.%@NL@%
%@NL@%
Francis Bacon
%@NL@%The Advancement of Learning [1605], bk.II,xx, 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF180    @%%@2@%   We are much beholden to Machiavel and others, that write what men do, and%@EH@%
not what they ought to do.%@NL@%
%@NL@%
Francis Bacon
%@NL@%The Advancement of Learning [1605], bk.II,xxi, 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF190    @%%@2@%   All good moral philosophy is but the handmaid to religion.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%The Advancement of Learning [1605], bk.II,xxii, 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF200    @%%@2@%   There are and can be only two ways of searching into and discovering%@EH@%
truth. The one flies from the senses and particulars to the most general
axioms . . . this way is now in fashion. The other derives axioms from the
senses and particulars, rising by a gradual and unbroken ascent, so that it
arrives at the most general axioms last of all. This is the true way, but as
yet untried.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Novum Organum [1620]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF210    @%%@2@%   There are four classes of Idols which beset men's minds. To these for%@EH@%
distinction's sake I have assigned names-calling the first class, Idols of
the Tribe; the second, Idols of the Cave; the third, Idols of the
Market-Place; the fourth, Idols of the Theater.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Novum Organum [1620]Aphorism39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF215    @%%@2@%   The human understanding is like a false mirror, which, receiving rays%@EH@%
irregularly, distorts and discolors the nature of things by mingling its own
nature with it.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Novum Organum [1620]Aphorism41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF220    @%%@2@%   Nature, to be commanded, must be obeyed.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Novum Organum [1620]Aphorism129

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF230    @%%@2@%   I do plainly and ingenuously confess that I am guilty of corruption, and%@EH@%
do renounce all defense. I beseech your Lordships to be merciful to a broken
reed. 1 %@NL@%
%@NL@%
Francis Bacon
%@NL@%On being charged by Parliament with corruption in office [1621]

%@NL@%%@AI@%1 See Isaiah 36:6%@BO:           3df82@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Cervantes, Dryden, and Heine  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF240    @%%@2@%   Lucid intervals and happy pauses.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%History of King Henry VII [1622], III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nil terribile nisi ipse timor.  See Proverbs 3:25, Montaigne, Wellington,
Thoreau, and F. D. Roosevelt  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF250    @%%@2@%   Nothing is terrible except fear itself.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%De Augmentis Scientiarum, bk. II,Fortitudo [1623]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF270    @%%@2@%   Riches are a good handmaid, but the worst mistress.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%De Augmentis Scientiarum, bk. II,Antitheta

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF280    @%%@2@%   Hope is a good breakfast, but it is a bad supper.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Apothegms [1624], no.36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF290    @%%@2@%   Like strawberry wives, that laid two or three great strawberries at the%@EH@%
mouth of their pot, and all the rest were little ones.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Apothegms [1624], no.54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF300    @%%@2@%   Sir Amice Pawlet, when he saw too much haste made in any matter, was wont%@EH@%
to say, "Stay a while, that we may make an end the sooner."%@NL@%
%@NL@%
Francis Bacon
%@NL@%Apothegms [1624], no.76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Webster  Old friends are best. King James used to call for his old
shoes; they were easiest for his feet.-Selden, Table Talk [1689], Friends
See Goldsmith  Old books, old wine, old Nankin blue.-Henry Austin Dobson
[1840-1921], Rondeau, To Richard Watson Gilder  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF310    @%%@2@%   Alonso of Aragon was wont to say in commendation of age, that age appears%@EH@%
to be best in four things-old wood best to burn, old wine to drink, old
friends to trust, and old authors to read.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Apothegms [1624], no.97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF340    @%%@2@%   Cosmus, Duke of Florence, was wont to say of perfidious friends, that "We%@EH@%
read that we ought to forgive our enemies; but we do not read that we ought
to forgive our friends."%@NL@%
%@NL@%
Francis Bacon
%@NL@%Apothegms [1624], no.206

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF350    @%%@2@%   Cato said the best way to keep good acts in memory was to refresh them%@EH@%
with new.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Apothegms [1624], no.247

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF360    @%%@2@%   My essays . . . come home to men's business and bosoms.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%%@FN@%
First edition, 1597; first complete edition, 1625.  %@EF@%
Essays [1625],dedication

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF370    @%%@2@%   What is truth? said jesting Pilate, 1  and would not stay for an answer.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Truth

%@NL@%%@AI@%1 See John 18:38%@BO:           642cb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF380    @%%@2@%   No pleasure is comparable to the standing upon the vantage-ground of%@EH@%
truth.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Truth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF390    @%%@2@%   Men fear death as children fear to go in the dark; and as that natural%@EH@%
fear in children is increased with tales, so is the other. 1 %@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Death

%@NL@%%@AI@%1 See Lucretius%@BO:           cbb60@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF400    @%%@2@%   Revenge is a kind of wild justice, which the more man's nature runs to,%@EH@%
the more ought law to weed it out.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Revenge

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF410    @%%@2@%   It was a high speech of Seneca (after the manner of the Stoics), that%@EH@%
"The good things which belong to prosperity are to be wished, but the good
things that belong to adversity are to be admired."%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Adversity

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF420    @%%@2@%   Prosperity is the blessing of the Old Testament; adversity is the%@EH@%
blessing of the New.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Adversity

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF430    @%%@2@%   Prosperity is not without many fears and distastes; and adversity is not%@EH@%
without comforts and hopes.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Adversity

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF440    @%%@2@%   Prosperity doth best discover vice, but adversity doth best discover%@EH@%
virtue.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Adversity

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
As aromatic plants bestow/No spicy fragrance while they grow;/But crushed or
trodden to the ground,/Diffuse their balmy sweets around.-Goldsmith, The
Captivity [1764], act I  The good are better made by ill,/As odors crushed
are sweeter still.-Samuel Rogers, Jacqueline [1814], st. 3  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF450    @%%@2@%   Virtue is like precious odors-most fragrant when they are incensed or%@EH@%
crushed.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Adversity

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF480    @%%@2@%   He that hath wife and children hath given hostages to fortune; for they%@EH@%
are impediments to great enterprises, either of virtue or mischief.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Marriage and Single Life

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF490    @%%@2@%   Wives are young men's mistresses, companions for middle age, and old%@EH@%
men's nurses.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Marriage and Single Life

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Ecclesiastes 7:1 and Publilius Syrus  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF500    @%%@2@%   A good name is like a precious ointment; it filleth all around about, and%@EH@%
will not easily away; for the odors of ointments are more durable than those
of flowers.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Praise

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF510    @%%@2@%   In charity there is no excess.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Goodness and Goodness of Nature

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF520    @%%@2@%   If a man be gracious and courteous to strangers, it shows he is a citizen%@EH@%
of the world, 1  2  3  4  and that his heart is no island cut off from other
lands, but a continent that joins to them. 5  6  7 %@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Goodness and Goodness of Nature

%@NL@%%@AI@%1 See Socrates%@BO:           a67f6@%%@AE@%
%@AI@%2 See Paine%@BO:          2f96bd@%%@AE@%
%@AI@%3 See Garrison%@BO:          3d1871@%%@AE@%
%@AI@%4 See F. D. Roosevelt%@BO:          5aab3a@%%@AE@%
%@AI@%5 See Romans 14:7%@BO:           69d33@%%@AE@%
%@AI@%6 See Donne%@BO:          2092ae@%%@AE@%
%@AI@%7 See Quarles%@BO:          220026@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pride still is aiming at the blest abodes;/Men would be angels, angels would
be gods./Aspiring to be gods if angels fell,/Aspiring to be angels men
rebel.-Alexander Pope, Essay on Man, epistle I [1733], l. 125  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF530    @%%@2@%   The desire of power in excess caused the angels to fall; the desire of%@EH@%
knowledge in excess caused man to fall.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Goodness and Goodness of Nature

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF545    @%%@2@%   Money is like muck, not good except it be spread.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Seditions and Troubles

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF550    @%%@2@%   I had rather believe all the fables in the legends and the Talmud and the%@EH@%
Alcoran, than that this universal frame is without a mind.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Atheism

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A little skill in antiquity inclines a man to Popery; but depth in that
study brings him about again to our religion.-Thomas Fuller, The Holy State
and the Profane State[1642], The True Church Antiquary  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF560    @%%@2@%   A little philosophy inclineth man's mind to atheism, but depth in%@EH@%
philosophy bringeth men's minds about to religion.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Atheism

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF580    @%%@2@%   Travel, in the younger sort, is a part of education; in the elder, a part%@EH@%
of experience. He that traveleth into a country before he hath some entrance
into the language, goeth to school, and not to travel.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Travel

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF590    @%%@2@%   Princes are like to heavenly bodies, which cause good or evil times, and%@EH@%
which have much veneration but no rest. 1 %@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Empire

%@NL@%%@AI@%1 See Shelley%@BO:          38d626@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF600    @%%@2@%   Fortune is like the market, where many times, if you can stay a little,%@EH@%
the price will fall.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Delays

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF610    @%%@2@%   Nothing doth more hurt in a state than that cunning men pass for wise.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Cunning

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF620    @%%@2@%   Be so true to thyself, as thou be not false to others. 1 %@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Wisdom for a Man's Self

%@NL@%%@AI@%1 See Shakespeare%@BO:          1bbbe2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF630    @%%@2@%   It is the nature of extreme self-lovers, as they will set an house on%@EH@%
fire, and it were but to roast their eggs.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Wisdom for a Man's Self

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF635    @%%@2@%   He that will not apply new remedies must expect new evils; for time is%@EH@%
the greatest innovator.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Innovations

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF640    @%%@2@%   Cure the disease and kill the patient.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Friendship

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF650    @%%@2@%   Riches are for spending.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Expense

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF660    @%%@2@%   There is a wisdom in this beyond the rules of physic. A man's own%@EH@%
observation, what he finds good of and what he finds hurt of, is the best
physic to preserve health.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Regimen of Health

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF670    @%%@2@%   Intermingle . . . jest with earnest. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Discourse

%@NL@%%@AI@%1 See Menander%@BO:           ba2d8@%%@AE@%
%@AI@%2 See Horace%@BO:           dbf53@%%@AE@%
%@AI@%3 See Montaigne%@BO:          146412@%%@AE@%
%@AI@%4 See Linnaeus%@BO:          2ba19e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF680    @%%@2@%   Nature is often hidden; sometimes overcome; seldom extinguished.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Nature in Men

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Fortune is painted blind, with a muffler afore her eyes, to signify to you
that Fortune is blind.-Shakespeare, Henry V [1598-1600], act III, sc. vi, l.
31  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF690    @%%@2@%   If a man look sharply and attentively, he shall see Fortune; for though%@EH@%
she is blind, she is not invisible.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Fortune

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF710    @%%@2@%   Chiefly the mold of a man's fortune is in his own hands. 1  2  3  4  5 %@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Fortune

%@NL@%%@AI@%1 See Sallust%@BO:           d0745@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          1b2bbe@%%@AE@%
%@AI@%3 See Tennyson%@BO:          404af0@%%@AE@%
%@AI@%4 See Henley%@BO:          4e7df6@%%@AE@%
%@AI@%5 See Nehru%@BO:          5e15d4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF720    @%%@2@%   Young men are fitter to invent than to judge, fitter for execution than%@EH@%
for counsel, and fitter for new projects than for settled business.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Youth and Age

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF730    @%%@2@%   Virtue is like a rich stone-best plain set.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Beauty

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF740    @%%@2@%   There is no excellent beauty that hath not some strangeness in the%@EH@%
proportion.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Beauty

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Genesis 2:8, Varro, Shakespeare, Tennyson, and Kipling  Gardens were
before gardeners, and but some hours after the earth.-Sir Thomas Browne, The
Garden of Cyrus [1658], ch. 1  See Cowley and Cowper  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF750    @%%@2@%   God Almighty first planted a garden.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Gardens

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Themistocles, Waller, Washington, Mahan, and Morison  He that is master
of the sea, may, in some sort, be said to be Master of every country; at
least such as are bordering on the sea. For he is at liberty to begin and
end War, where, when, and on what terms he pleaseth, and extend his
conquests even to the Antipodes.-Joseph Gander, The Glory of Her Sacred
Majesty Queen Anne in the Royal Navy [1703]  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF780    @%%@2@%   He that commands the sea is at great liberty, and may take as much and as%@EH@%
little of the war as he will.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of the True Greatness of Kingdoms

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF800    @%%@2@%   Some books are to be tasted, others to be swallowed, and some few to be%@EH@%
chewed and digested.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Studies

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF810    @%%@2@%   Reading maketh a full man, conference a ready man, and writing an exact%@EH@%
man.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Studies

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF820    @%%@2@%   Histories make men wise; poets, witty; the mathematics, subtile; natural%@EH@%
philosophy, deep; moral, grave; logic and rhetoric, able to contend.%@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Studies

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF830    @%%@2@%   The greatest vicissitude of things amongst men is the vicissitude of%@EH@%
sects and religions. 1  2 %@NL@%
%@NL@%
Francis Bacon
%@NL@%Essays [1625],Of Vicissitude of Things

%@NL@%%@AI@%1 See Terence%@BO:           c3799@%%@AE@%
%@AI@%2 See Sterne%@BO:          2ccb28@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF840    @%%@2@%   I bequeath my soul to God. . . . My body to be buried obscurely. For my%@EH@%
name and memory, I leave it to men's charitable speeches, and to foreign
nations, and the next age.%@NL@%
%@NL@%
Francis Bacon
%@NL@%From his will [1626]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Whose life is a bubble, and in length a span.-William Browne, Britannia's
Pastorals [1613], bk. I, song  See Sir John Davies and The New England
Primer  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF850    @%%@2@%The world's a bubble, and the life of man%@NL@%%@EH@%
Less than a span.%@NL@%

%@NL@%Francis Bacon
%@NL@%The World [1629]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF870    @%%@2@%Who then to frail mortality shall trust%@NL@%%@EH@%
But limns on water, or but writes in dust. 1  2  3  4  5 %@NL@%

%@NL@%Francis Bacon
%@NL@%The World [1629]

%@NL@%%@AI@%1 See Sophocles%@BO:           9ff84@%%@AE@%
%@AI@%2 See Catullus%@BO:           ceac5@%%@AE@%
%@AI@%3 See More%@BO:          132883@%%@AE@%
%@AI@%4 See Shakespeare%@BO:          2007a5@%%@AE@%
%@AI@%5 See Keats%@BO:          3a334e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This line frequently occurs in almost exactly the same shape among the minor
poems of the time: "Not to be born, or, being born, to die."-William
Drummond, Poems [1656]  See Theognis, Sophocles, Yeats, and Auden  %@EF@%
%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF880    @%%@2@%What then remains but that we still should cry%@NL@%%@EH@%
For being born, and, being born, to die?%@NL@%

%@NL@%Francis Bacon
%@NL@%The World [1629]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Bacon@%%@QR:Bacon@%%@CR:N1561BACF900    @%%@2@%   Books must follow sciences, and not sciences books.%@NL@%%@EH@%
%@NL@%
Francis Bacon
%@NL@%Proposition touching amendment of laws

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir John Harington%@AE@%%@EH@%
%@NL@%
%@AB@%1561-1612%@AE@%
%@NL@%%@NL@%

%@QR:Sir John Harington@%%@QR:Harington@%%@CR:N1561HARJ10     @%%@2@%Treason doth never prosper: what's the reason?%@NL@%%@EH@%
For if it prosper, none dare call it treason. 1 %@NL@%

%@NL@%Sir John Harington
%@NL@%Epigrams.Of Treason

%@NL@%%@AI@%1 See Seneca%@BO:           ea5f1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Harington@%%@QR:Harington@%%@CR:N1561HARJ20     @%%@2@%The readers and the hearers like my books,%@NL@%%@EH@%
But yet some writers cannot them digest;%@NL@%
But what care I? for when I make a feast%@NL@%
I would my guests should praise it, not the cooks.%@NL@%

%@NL@%Sir John Harington
%@NL@%Epigrams.Of Writers Who Carp at Other Men's Books

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Southwell%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1561-1595%@AE@%
%@NL@%%@NL@%

%@QR:Robert Southwell@%%@QR:Southwell@%%@CR:N1561SOUR10     @%%@2@%Times go by turns, and chances change by course,%@NL@%%@EH@%
From foul to fair, from better hap to worse.%@NL@%

%@NL@%Robert Southwell
%@NL@%Times Go by Turns [c. 1595], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southwell@%%@QR:Southwell@%%@CR:N1561SOUR20     @%%@2@%As I in hoary winter night stood shivering in the snow,%@NL@%%@EH@%
Surprised was I with sudden heat which made my heart to glow;%@NL@%
And lifting up a fearful eye to view what fire was near%@NL@%
A pretty Babe all burning bright did in the air appear.%@NL@%

%@NL@%Robert Southwell
%@NL@%The Burning Babe [written c. 1595]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southwell@%%@QR:Southwell@%%@CR:N1561SOUR30     @%%@2@%With this he vanished out of sight, and swiftly shrunk away,%@NL@%%@EH@%
And straight I called unto mind that it was Christmas Day.%@NL@%

%@NL@%Robert Southwell
%@NL@%The Burning Babe [written c. 1595]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Daniel%@AE@%%@EH@%
%@NL@%
%@AB@%1562-1619%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Daniel@%%@QR:Daniel@%%@CR:N1562DANS10     @%%@2@%Care-charmer Sleep, son of the sable Night,%@NL@%%@EH@%
Brother to Death, in silent darkness born. 1  2  3  4 %@NL@%

%@NL@%Samuel Daniel
%@NL@%Sonnets to Delia [1592]

%@NL@%%@AI@%1 See Homer%@BO:           82552@%%@AE@%
%@AI@%2 See Virgil%@BO:           d55fc@%%@AE@%
%@AI@%3 See Shakespeare%@BO:          1e6e57@%%@AE@%
%@AI@%4 See Shelley%@BO:          38946d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Daniel@%%@QR:Daniel@%%@CR:N1562DANS20     @%%@2@%Make me to say, when all my griefs are gone,%@NL@%%@EH@%
"Happy the heart that sighed for such a one!"%@NL@%

%@NL@%Samuel Daniel
%@NL@%Sonnets to Delia [1592]Sonnet: I Must Not Grieve

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Daniel@%%@QR:Daniel@%%@CR:N1562DANS30     @%%@2@%Let others sing of knights and paladins%@NL@%%@EH@%
In aged accents and untimely words.%@NL@%

%@NL@%Samuel Daniel
%@NL@%Sonnets to Delia [1592]Sonnet: I Must Not Grieve

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Daniel@%%@QR:Daniel@%%@CR:N1562DANS40     @%%@2@%These are the arks, the trophies, I erect,%@NL@%%@EH@%
That fortify thy name against old age.%@NL@%

%@NL@%Samuel Daniel
%@NL@%Sonnets to Delia [1592]Sonnet: I Must Not Grieve

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Daniel@%%@QR:Daniel@%%@CR:N1562DANS50     @%%@2@%And for the few that only lend their ear,%@NL@%%@EH@%
That few is all the world.%@NL@%

%@NL@%Samuel Daniel
%@NL@%Musophilus [1599],st. 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Daniel@%%@QR:Daniel@%%@CR:N1562DANS60     @%%@2@%This is the thing that I was born to do.%@NL@%%@EH@%

%@NL@%Samuel Daniel
%@NL@%Musophilus [1599],st. 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Wordsworth, who quotes these lines (The Excursion, book iv, line 330), says
they are Daniel's translation from Seneca.  %@EF@%
%@QR:Samuel Daniel@%%@QR:Daniel@%%@CR:N1562DANS70     @%%@2@%Unless above himself he can%@NL@%%@EH@%
Erect himself, how poor a thing is man!%@NL@%

%@NL@%Samuel Daniel
%@NL@%To the Countess of Cumberland [c. 1600], st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Daniel@%%@QR:Daniel@%%@CR:N1562DANS80     @%%@2@%Love is a sickness full of woes,%@NL@%%@EH@%
All remedies refusing.%@NL@%

%@NL@%Samuel Daniel
%@NL@%Hymen's Triumph [1615]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lope de Vega%@AE@%%@EH@%
%@NL@%
%@AB@%1562-1635%@AE@%
%@NL@%%@NL@%

%@QR:Lope de Vega@%%@QR:Vega@%%@CR:N1562VEGL10     @%%@2@%   Harmony is pure love, for love is complete agreement.%@NL@%%@EH@%
%@NL@%
Lope de Vega
%@NL@%%@FN@%
Translated by Angel Flores and Muriel Kittel. From Spanish Drama [1962].  %@EF@%
Fuenteovejuna [c. 1613],
act I,l. 381

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lope de Vega@%%@QR:Vega@%%@CR:N1562VEGL20     @%%@2@%   Except for God, the King's our only lord.%@NL@%%@EH@%
%@NL@%
Lope de Vega
%@NL@%Fuenteovejuna [c. 1613],
act I,l. 1701

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Michael Drayton%@AE@%%@EH@%
%@NL@%
%@AB@%1563-1631%@AE@%
%@NL@%%@NL@%

%@QR:Michael Drayton@%%@QR:Drayton@%%@CR:N1563DRAM10     @%%@2@%Fair stood the wind for France.%@NL@%%@EH@%

%@NL@%Michael Drayton
%@NL@%The Ballad of Agincourt [1606],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michael Drayton@%%@QR:Drayton@%%@CR:N1563DRAM20     @%%@2@%O, when shall Englishmen%@NL@%%@EH@%
With such acts fill a pen,%@NL@%
Or England breed again%@NL@%
Such a King Harry?%@NL@%

%@NL@%Michael Drayton
%@NL@%The Ballad of Agincourt [1606],st. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michael Drayton@%%@QR:Drayton@%%@CR:N1563DRAM30     @%%@2@%Since there's no help, come let us kiss and part-%@NL@%%@EH@%
Nay, I have done: you get no more of me,%@NL@%
And I am glad, yea glad with all my heart,%@NL@%
That thus so cleanly I myself can free.%@NL@%
Shake hands forever, cancel all our vows,%@NL@%
And when we meet at any time again,%@NL@%
Be it not seen in either of our brows%@NL@%
That we one jot of former love retain.%@NL@%

%@NL@%Michael Drayton
%@NL@%Poems [1619]. Idea

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michael Drayton@%%@QR:Drayton@%%@CR:N1563DRAM40     @%%@2@%The coast was clear.%@NL@%%@EH@%

%@NL@%Michael Drayton
%@NL@%Nymphidia [1627]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michael Drayton@%%@QR:Drayton@%%@CR:N1563DRAM50     @%%@2@%Had in him those brave translunary things%@NL@%%@EH@%
That the first poets had.%@NL@%

%@NL@%Michael Drayton
%@NL@%Said of Marlowe. To Henry Reynolds, Of Poets and Poesy [1627]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Michael Drayton@%%@QR:Drayton@%%@CR:N1563DRAM60     @%%@2@%For that fine madness still he did retain%@NL@%%@EH@%
Which rightly should possess a poet's brain.%@NL@%

%@NL@%Michael Drayton
%@NL@%Said of Marlowe. To Henry Reynolds, Of Poets and Poesy [1627]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Galileo Galilei%@AE@%%@EH@%
%@NL@%
%@AB@%1564-1642%@AE@%
%@NL@%%@NL@%

%@QR:Galileo Galilei@%%@CR:N1564GALG10     @%%@2@%   Philosophy is written in this grand book-I mean the universe-which stands%@EH@%
continually open to our gaze, but it cannot be understood unless one first
learns to comprehend the language and interpret the characters in which it
is written. It is written in the language of mathematics, and its characters
are triangles, circles, and other geometrical figures, without which it is
humanly impossible to understand a single word of it; without these, one is
wandering about in a dark labyrinth. 1 %@NL@%
%@NL@%
Galileo Galilei
%@NL@%%@FN@%
The Assayer in The Controversy on the Comets of 1618 [1960], translated by
Stillman Drake and C. D. O'Malley.  %@EF@%
Il Saggiatore [1623]

%@NL@%%@AI@%1 See Roger Bacon%@BO:          1134c8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
E pur si muove!  The remark alleged to have been whispered by Galileo after
his abjuration before the Inquisition [1633] of any conception of the earth
as a moving body revolving around the sun.  %@EF@%
%@QR:Galileo Galilei@%%@CR:N1564GALG20     @%%@2@%   But it does move!%@NL@%%@EH@%
%@NL@%
Galileo Galilei
%@NL@%Attributed. From Abbe Irailh, Querelles litteraires [1761], vol. III, p. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Galileo Galilei@%%@CR:N1564GALG40     @%%@2@%   Facts which at first seem improbable will, even on scant explanation,%@EH@%
drop the cloak which has hidden them and stand forth in naked and simple
beauty.%@NL@%
%@NL@%
Galileo Galilei
%@NL@%%@FN@%
Translated by Henry Crew and Alfonso De Salvio.  %@EF@%
Dialogues Concerning Two New Sciences [1638],
Day 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Christopher Marlowe%@AE@%%@EH@%
%@NL@%
%@AB@%1564-1593%@AE@%
%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC10     @%%@2@%Our swords shall play the orators for us.%@NL@%%@EH@%

%@NL@%Christopher Marlowe
%@NL@%Tamburlaine the Great [c. 1587], pt. I,l. 328

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC20     @%%@2@%Accurst be he that first invented war.%@NL@%%@EH@%

%@NL@%Christopher Marlowe
%@NL@%Tamburlaine the Great [c. 1587], pt. I,l. 664

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC30     @%%@2@%Is it not passing brave to be a king,%@NL@%%@EH@%
And ride in triumph through Persepolis?%@NL@%

%@NL@%Christopher Marlowe
%@NL@%Tamburlaine the Great [c. 1587], pt. I,l. 758

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC40     @%%@2@%Nature that framed us of four elements,%@NL@%%@EH@%
Warring within our breasts for regiment,%@NL@%
Doth teach us all to have aspiring minds:%@NL@%
Our souls, whose faculties can comprehend%@NL@%
The wondrous Architecture of the world:%@NL@%
And measure every wandering planet's course,%@NL@%
Still climbing after knowledge infinite,%@NL@%
And always moving as the restless Spheres,%@NL@%
Will us to wear ourselves and never rest,%@NL@%
Until we reach the ripest fruit of all,%@NL@%
That perfect bliss and sole felicity,%@NL@%
The sweet fruition of an earthly crown.%@NL@%

%@NL@%Christopher Marlowe
%@NL@%Tamburlaine the Great [c. 1587], pt. I,l. 869

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC50     @%%@2@%Tamburlaine, the Scourge of God, must die.%@NL@%%@EH@%

%@NL@%Christopher Marlowe
%@NL@%Tamburlaine the Great [c. 1587], pt. I,l. 4641

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also given as: Hills and valleys, dales, and fields.  %@EF@%
%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC60     @%%@2@%Come live with me, and be my love;%@NL@%%@EH@%
And we will all the pleasures prove%@NL@%
That valleys, groves, hills, and fields,%@NL@%
Woods or steepy mountain yields. 1  2 %@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Passionate Shepherd to His Love [c. 1589]

%@NL@%%@AI@%1 See Ralegh%@BO:          154519@%%@AE@%
%@AI@%2 See Donne%@BO:          206069@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
To shallow rivers, to whose falls/Melodious birds sing madrigals;/There will
we make our peds of roses,/And a thousand fragrant posies.-Shakespeare,
Merry Wives of Windsor [1600-1601], act III, sc. i, l. 17 (sung by Evans)  %@EF@%
%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC70     @%%@2@%By shallow rivers, to whose falls%@NL@%%@EH@%
Melodious birds sing madrigals.%@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Passionate Shepherd to His Love [c. 1589]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
To shallow rivers, to whose falls/Melodious birds sing madrigals;/There will
we make our peds of roses,/And a thousand fragrant posies.-Shakespeare,
Merry Wives of Windsor [1600-1601], act III, sc. i, l. 17 (sung by Evans)  %@EF@%
%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC80     @%%@2@%And I will make thee beds of roses%@NL@%%@EH@%
And a thousand fragrant posies.%@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Passionate Shepherd to His Love [c. 1589]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC100    @%%@2@%I count religion but a childish toy,%@NL@%%@EH@%
And hold there is no sin but ignorance. 1 %@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Jew of Malta [c. 1589],prologue

%@NL@%%@AI@%1 See Wilde%@BO:          4fb6bf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Here lyeth muche rychnesse in lytell space.-John Heywood, The Foure PP
[1521-1525]  %@EF@%
%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC110    @%%@2@%Infinite riches in a little room.%@NL@%%@EH@%

%@NL@%Christopher Marlowe
%@NL@%The Jew of Malta [c. 1589],act I, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC130    @%%@2@%Excess of wealth is cause of covetousness.%@NL@%%@EH@%

%@NL@%Christopher Marlowe
%@NL@%The Jew of Malta [c. 1589],act I, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC140    @%%@2@%   Now will I show myself to have more of the serpent than the dove; 1  that%@EH@%
is, more knave than fool.%@NL@%
%@NL@%
Christopher Marlowe
%@NL@%The Jew of Malta [c. 1589],II, sc. iii

%@NL@%%@AI@%1 See Matthew 10:16%@BO:           525eb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC150    @%%@2@%Friar Barnadine: Thou hast committed-%@NL@%%@EH@%
Barabas: Fornication-but that was in another country;%@NL@%
And besides, the wench is dead.%@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Jew of Malta [c. 1589],IV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC160    @%%@2@%My men, like satyrs grazing on the lawns,%@NL@%%@EH@%
Shall with their goat feet dance the antic hay.%@NL@%

%@NL@%Christopher Marlowe
%@NL@%Edward II [1593], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quoted in Shakespeare, As You Like It, act III, sc. v, l. 82.  None ever
loved but at first sight they loved.-George Chapman, The Blind Beggar of
Alexandria [1598]  I saw and loved.-Gibbon, Memoirs [1796]  %@EF@%
%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC170    @%%@2@%Who ever loved that loved not at first sight?%@NL@%%@EH@%

%@NL@%Christopher Marlowe
%@NL@%Hero and Leander [1598]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC200    @%%@2@%Like untuned golden strings all women are,%@NL@%%@EH@%
Which long time lie untouched, will harshly jar.%@NL@%
Vessels of brass oft handled brightly shine.%@NL@%

%@NL@%Christopher Marlowe
%@NL@%Hero and Leander [1598]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC210    @%%@2@%Live and die in Aristotle's works.%@NL@%%@EH@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC220    @%%@2@%Unhappy spirits that fell with Lucifer,%@NL@%%@EH@%
Conspired against our God with Lucifer,%@NL@%
And are forever damned with Lucifer.%@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC230    @%%@2@%Why this is hell, nor am I out of it: 1  2  3  4  5  6  7 %@NL@%%@EH@%
Think'st thou that I who saw the face of God,%@NL@%
And tasted the eternal joys of Heaven,%@NL@%
Am not tormented with ten thousand hells,%@NL@%
In being deprived of everlasting bliss?%@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.iii

%@NL@%%@AI@%1 See Virgil%@BO:           d5cee@%%@AE@%
%@AI@%2 See Marlowe%@BO:          1693bb@%%@AE@%
%@AI@%3 See Browne%@BO:          22d85f@%%@AE@%
%@AI@%4 See Milton%@BO:          242184@%%@AE@%
%@AI@%5 See Eliot%@BO:          5d87c1@%%@AE@%
%@AI@%6 See Sartre%@BO:          6322c5@%%@AE@%
%@AI@%7 See Lowell%@BO:          65e2fd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC240    @%%@2@%Hell hath no limits, nor is circumscribed%@NL@%%@EH@%
In one self place; for where we are is hell,%@NL@%
And where hell is there must we ever be. 1  2  3  4  5  6  7 %@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.v

%@NL@%%@AI@%1 See Virgil%@BO:           d5cee@%%@AE@%
%@AI@%2 See Marlowe%@BO:          1690a7@%%@AE@%
%@AI@%3 See Browne%@BO:          22d85f@%%@AE@%
%@AI@%4 See Milton%@BO:          242184@%%@AE@%
%@AI@%5 See Eliot%@BO:          5d87c1@%%@AE@%
%@AI@%6 See Sartre%@BO:          6322c5@%%@AE@%
%@AI@%7 See Lowell%@BO:          65e2fd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC250    @%%@2@%When all the world dissolves,%@NL@%%@EH@%
And every creature shall be purified,%@NL@%
All places shall be hell that is not Heaven.%@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC260    @%%@2@%Have not I made blind Homer sing to me?%@NL@%%@EH@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Was this fair face the cause, quoth she,/Why the Grecians sacked
Troy?-Shakespeare, All's Well That Ends Well [1601-1603], act I, sc. iii, l.
75  %@EF@%
%@FN@%
Once he drew/With one long kiss my whole soul through/My lips.-Tennyson,
Fatima [1833], st. 3  %@EF@%
%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC270    @%%@2@%Was this the face that launched a thousand ships,%@NL@%%@EH@%
And burnt the topless towers of Ilium?%@NL@%
Sweet Helen, make me immortal with a kiss.%@NL@%
Her lips suck forth my soul; see, where it flies!%@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC300    @%%@2@%Oh, thou art fairer than the evening air%@NL@%%@EH@%
Clad in the beauty of a thousand stars.%@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC310    @%%@2@%   Pray for me! and what noise soever ye hear, come not unto me, for nothing%@EH@%
can rescue me.%@NL@%
%@NL@%
Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.xvi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC320    @%%@2@%Now hast thou but one bare hour to live,%@NL@%%@EH@%
And then thou must be damned perpetually!%@NL@%
Stand still, you ever-moving spheres of Heaven,%@NL@%
That time may cease, and midnight never come.%@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.xvi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Run slowly, slowly, horses of the night.  See Ovid  %@EF@%
%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC330    @%%@2@%O lente, lente currite noctis equi:%@NL@%%@EH@%
The stars move still, time runs, the clock will strike,%@NL@%
The Devil will come, and Faustus must be damned.%@NL@%
O, I'll leap up to my God! Who pulls me down?%@NL@%
See, see where Christ's blood streams in the firmament!%@NL@%
One drop would save my soul-half a drop: ah, my Christ!%@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.xvi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC350    @%%@2@%O soul, be changed into little waterdrops,%@NL@%%@EH@%
And fall into the ocean-ne'er to be found.%@NL@%
My God! my God! look not so fierce on me!%@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.xvi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC370    @%%@2@%I'll burn my books!%@NL@%%@EH@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.xvi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Marlowe@%%@QR:Marlowe@%%@CR:N1564MARC380    @%%@2@%Cut is the branch that might have grown full straight,%@NL@%%@EH@%
And burned is Apollo's laurel bough,%@NL@%
That sometime grew within this learned man.%@NL@%

%@NL@%Christopher Marlowe
%@NL@%The Tragical History of Doctor Faustus [1604], sc.xvi

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Matthew Roydon%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1564 - c. 1622%@AE@%
%@NL@%%@NL@%

%@QR:Matthew Roydon@%%@QR:Roydon@%%@CR:N1564ROYM10     @%%@2@%You knew-who knew not Astrophil?%@NL@%%@EH@%

%@NL@%Matthew Roydon
%@NL@%The Phoenix Nest [1593]; An Elegy, or Friend's Passion
for His Astrophil (on the death of Sir Philip Sidney)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Roydon@%%@QR:Roydon@%%@CR:N1564ROYM20     @%%@2@%A sweet attractive kind of grace,%@NL@%%@EH@%
A full assurance given by looks,%@NL@%
Continual comfort in a face,%@NL@%
The lineaments of Gospel books;%@NL@%
I trow that countenance cannot lie.%@NL@%
Whose thoughts are legible in the eye.%@NL@%

%@NL@%Matthew Roydon
%@NL@%The Phoenix Nest [1593]; An Elegy, or Friend's Passion
for His Astrophil (on the death of Sir Philip Sidney)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Roydon@%%@QR:Roydon@%%@CR:N1564ROYM30     @%%@2@%Was never eye, did see that face,%@NL@%%@EH@%
Was never ear, did hear that tongue,%@NL@%
Was never mind, did mind his grace,%@NL@%
That ever thought the travel long,%@NL@%
But eyes, and ears, and ev'ry thought,%@NL@%
Were with his sweet perfections caught.%@NL@%

%@NL@%Matthew Roydon
%@NL@%The Phoenix Nest [1593]; An Elegy, or Friend's Passion
for His Astrophil (on the death of Sir Philip Sidney)

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Shakespeare%@AE@%%@EH@%
%@NL@%
%@AB@%1564-1616%@AE@%
%@FN@%
From the text of W. J. Craig, Oxford University Press [1935]. The dates and
order, about which there is much conjecture, are those Sir Edmund K.
Chambers (William Shakespeare, 1930) thinks most probable.  %@EF@%
%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW10     @%%@2@%Hung be the heavens with black, yield day to night!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: I, Scene: i, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW20     @%%@2@%Fight till the last gasp.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: I, Scene: ii, Line: 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW30     @%%@2@%Expect Saint Martin's summer, halcyon days. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: I, Scene: ii, Line: 131

%@NL@%%@AI@%1 See Aristophanes%@BO:           ab8ef@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW40     @%%@2@%Glory is like a circle in the water,%@NL@%%@EH@%
Which never ceaseth to enlarge itself,%@NL@%
Till by broad spreading it disperse to nought.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: I, Scene: ii, Line: 133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW50     @%%@2@%Unbidden guests%@NL@%%@EH@%
Are often welcomest when they are gone.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: II, Scene: ii, Line: 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW60     @%%@2@%Between two hawks, which flies the higher pitch;%@NL@%%@EH@%
Between two dogs, which hath the deeper mouth;%@NL@%
Between two blades, which bears the better temper;%@NL@%
Between two horses, which doth bear him best;%@NL@%
Between two girls, which hath the merriest eye;%@NL@%
I have, perhaps, some shallow spirit of judgment;%@NL@%
But in these nice sharp quillets of the law,%@NL@%
Good faith, I am no wiser than a daw.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: II, Scene: iv, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW70     @%%@2@%I'll note you in my book of memory.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: II, Scene: iv, Line: 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW80     @%%@2@%Just death, kind umpire of men's miseries.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: II, Scene: v, Line: 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW90     @%%@2@%Choked with ambition of the meaner sort.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: II, Scene: v, Line: 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Lyly  All delays are dangerous in war.-Dryden, Tyrannic Love [1669], act
I, sc. i  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW100    @%%@2@%Delays have dangerous ends.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: III, Scene: ii, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW120    @%%@2@%Of all base passions, fear is most accursed.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: V, Scene: ii, Line: 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A similar passage is in Titus Andronicus, act II, sc. i, l. 82.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW130    @%%@2@%She's beautiful and therefore to be wooed,%@NL@%%@EH@%
She is a woman, therefore to be won.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: V, Scene: iii, Line: 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW140    @%%@2@%For what is wedlock forced, but a hell,%@NL@%%@EH@%
An age of discord and continual strife?%@NL@%
Whereas the contrary bringeth bliss,%@NL@%
And is a pattern of celestial peace.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part I [1591],Act: V, Scene: v, Line: 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW150    @%%@2@%Whose large style%@NL@%%@EH@%
Agrees not with the leanness of his purse.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: I, Scene: i, Line: 112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW160    @%%@2@%'Tis not my speeches that you do mislike,%@NL@%%@EH@%
But 'tis my presence that doth trouble ye.%@NL@%
Rancor will out.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: I, Scene: i, Line: 141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW170    @%%@2@%Could I come near your beauty with my nails%@NL@%%@EH@%
I'd set my ten commandments in your face.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: I, Scene: iii, Line: 144

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW180    @%%@2@%Blessed are the peacemakers on earth. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: II, Scene: i, Line: 34

%@NL@%%@AI@%1 See Matthew 5:9%@BO:           4e2b2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW190    @%%@2@%Now, God be praised, that to believing souls%@NL@%%@EH@%
Gives light in darkness, comfort in despair!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: II, Scene: i, Line: 66

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW200    @%%@2@%God defend the right!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: II, Scene: iii, Line: 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW210    @%%@2@%Sometimes hath the brightest day a cloud;%@NL@%%@EH@%
And after summer evermore succeeds%@NL@%
Barren winter, with his wrathful nipping cold:%@NL@%
So cares and joys abound, as seasons fleet.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: II, Scene: iv, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW220    @%%@2@%Now 'tis the spring, and weeds are shallow-rooted;%@NL@%%@EH@%
Suffer them now and they'll o'ergrow the garden.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: III, Scene: i, Line: 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW230    @%%@2@%In thy face I see%@NL@%%@EH@%
The map of honor, truth, and loyalty.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: III, Scene: i, Line: 202

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW240    @%%@2@%What stronger breastplate than a heart untainted!%@NL@%%@EH@%
Thrice is he armed that hath his quarrel just,%@NL@%
And he but naked, though locked up in steel,%@NL@%
Whose conscience with injustice is corrupted. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: III, Scene: ii, Line: 232

%@NL@%%@AI@%1 See Milton%@BO:          240cde@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW250    @%%@2@%He dies, and makes no sign.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: III, Scene: iii, Line: 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW260    @%%@2@%Forbear to judge, for we are sinners all. 1 %@NL@%%@EH@%
Close up his eyes and draw the curtain close;%@NL@%
And let us all to meditation.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: III, Scene: iii, Line: 31

%@NL@%%@AI@%1 See Matthew 7:1%@BO:           50602@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW270    @%%@2@%The gaudy, blabbing, and remorseful day%@NL@%%@EH@%
Is crept into the bosom of the sea.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: IV, Scene: i, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW280    @%%@2@%Small things make base men proud.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: IV, Scene: i, Line: 106

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW290    @%%@2@%True nobility is exempt from fear.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: IV, Scene: i, Line: 129

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Doth it not show vilely in me to desire small beer?-King Henry IV, Part II
[1597-1598], I, ii, 7  See Othello  That questionable superfluity-small
beer.-Douglas Jerrold [1803-1857], The Tragedy of the Till  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW300    @%%@2@%   I will make it felony to drink small beer.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: IV, Scene: ii, Line: 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW330    @%%@2@%   The first thing we do, let's kill all the lawyers.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: IV, Scene: ii, Line: 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW340    @%%@2@%   Is not this a lamentable thing, that of the skin of an innocent lamb%@EH@%
should be made parchment? that parchment, being scribbled o'er, should undo
a man?%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: IV, Scene: ii, Line: 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW350    @%%@2@%   Adam was a gardener. 1  2  3  4  5 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: IV, Scene: ii, Line: 146

%@NL@%%@AI@%1 See Genesis 2:8%@BO:            6076@%%@AE@%
%@AI@%2 See Bacon%@BO:          1646e1@%%@AE@%
%@AI@%3 See Hamlet%@BO:          1c6f91@%%@AE@%
%@AI@%4 See Tennyson%@BO:          3f93ef@%%@AE@%
%@AI@%5 See Kipling%@BO:          538f86@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW360    @%%@2@%   Sir, he made a chimney in my father's house, and the bricks are alive at%@EH@%
this day to testify it.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: IV, Scene: ii, Line: 160

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW370    @%%@2@%   Thou hast most traitorously corrupted the youth of the realm in erecting%@EH@%
a grammar-school; and whereas, before, our forefathers had no other books
but the score and the tally, thou hast caused printing to be used; and,
contrary to the king, his crown, and dignity, thou hast built a paper-mill.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Sixth, Part II [1591],Act: IV, Scene: vii, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Set a beggar on horseback and he will ride a gallop.-Robert Burton, Anatomy
of Melancholy [1621-1651], pt. II, sec. 2, member 2  Set a beggar on
horseback, and he'll outride the Devil.-Bohn, Foreign Proverbs, German
[1855]  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW380    @%%@2@%Beggars mounted run their horse to death.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: I, Scene: iv, Line: 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW410    @%%@2@%O tiger's heart wrapped in a woman's hide! 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: I, Scene: iv, Line: 137

%@NL@%%@AI@%1 See Robert Greene%@BO:          15ee48@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW420    @%%@2@%To weep is to make less the depth of grief.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: II, Scene: i, Line: 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW430    @%%@2@%The smallest worm will turn being trodden on.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: II, Scene: ii, Line: 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW440    @%%@2@%Didst thou never hear%@NL@%%@EH@%
That things ill got had ever bad success?%@NL@%
And happy always was it for that son%@NL@%
Whose father for his hoarding went to hell?%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: II, Scene: ii, Line: 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Proud setter up and puller down of kings.-Ib. III, iii, 157  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW450    @%%@2@%Thou [Death] setter up and plucker down of kings.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: II, Scene: iii, Line: 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW470    @%%@2@%And what makes robbers bold but too much lenity?%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: II, Scene: vi, Line: 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW480    @%%@2@%My crown is in my heart, not on my head;%@NL@%%@EH@%
Not decked with diamonds and Indian stones,%@NL@%
Nor to be seen: my crown is called content;%@NL@%
A crown it is that seldom kings enjoy. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: III, Scene: i, Line: 62

%@NL@%%@AI@%1 See Robert Greene%@BO:          15ed3a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW490    @%%@2@%'Tis a happy thing%@NL@%%@EH@%
To be the father unto many sons.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: III, Scene: ii, Line: 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW500    @%%@2@%Like one that stands upon a promontory,%@NL@%%@EH@%
And spies a far-off shore where he would tread,%@NL@%
Wishing his foot were equal with his eye.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: III, Scene: ii, Line: 135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW510    @%%@2@%Yield not thy neck%@NL@%%@EH@%
To fortune's yoke, but let thy dauntless mind%@NL@%
Still ride in triumph over all mischance.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: III, Scene: iii, Line: 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW520    @%%@2@%For how can tyrants safely govern home,%@NL@%%@EH@%
Unless abroad they purchase great alliance?%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: III, Scene: iii, Line: 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW530    @%%@2@%Having nothing, nothing can he lose.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: III, Scene: iii, Line: 152

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW550    @%%@2@%Hasty marriage seldom proveth well.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: IV, Scene: i, Line: 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW560    @%%@2@%Let us be backed with God and with the seas%@NL@%%@EH@%
Which he hath given for fence impregnable,%@NL@%
And with their helps only defend ourselves:%@NL@%
In them and in ourselves our safety lies.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: IV, Scene: i, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW570    @%%@2@%What fates impose, that men must needs abide;%@NL@%%@EH@%
It boots not to resist both wind and tide.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: IV, Scene: iii, Line: 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW580    @%%@2@%Now join your hands, and with your hands your hearts.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: IV, Scene: vi, Line: 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW590    @%%@2@%For many men that stumble at the threshold%@NL@%%@EH@%
Are well foretold that danger lurks within.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: IV, Scene: vii, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW600    @%%@2@%A little fire is quickly trodden out,%@NL@%%@EH@%
Which, being suffered, rivers cannot quench.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: IV, Scene: viii, Line: 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW610    @%%@2@%When the lion fawns upon the lamb,%@NL@%%@EH@%
The lamb will never cease to follow him.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: IV, Scene: viii, Line: 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW620    @%%@2@%What is pomp, rule, reign, but earth and dust?%@NL@%%@EH@%
And, live we how we can, yet die we must.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: V, Scene: ii, Line: 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW630    @%%@2@%Every cloud engenders not a storm.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: V, Scene: iii, Line: 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW640    @%%@2@%What though the mast be now blown overboard,%@NL@%%@EH@%
The cable broke, the holding anchor lost,%@NL@%
And half our sailors swallowed in the flood?%@NL@%
Yet lives our pilot still.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: V, Scene: iv, Line: 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW660    @%%@2@%So part we sadly in this troublous world%@NL@%%@EH@%
To meet with joy in sweet Jerusalem.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: V, Scene: v, Line: 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW670    @%%@2@%Men ne'er spend their fury on a child.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: V, Scene: v, Line: 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW680    @%%@2@%He's sudden if a thing comes in his head.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: V, Scene: v, Line: 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW690    @%%@2@%Suspicion always haunts the guilty mind;%@NL@%%@EH@%
The thief doth fear each bush an officer.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: V, Scene: vi, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW700    @%%@2@%This word "love," which greybeards call divine.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Sixth, Part III
[1591],Act: V, Scene: vi, Line: 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW710    @%%@2@%Now is the winter of our discontent%@NL@%%@EH@%
Made glorious summer by this sun of York.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: i, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW720    @%%@2@%Grim-visaged war hath smoothed his wrinkled front.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: i, Line: 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW730    @%%@2@%He capers nimbly in a lady's chamber%@NL@%%@EH@%
To the lascivious pleasing of a lute.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: i, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW740    @%%@2@%This weak piping time of peace.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: i, Line: 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW750    @%%@2@%No beast so fierce but knows some touch of pity.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: ii, Line: 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW760    @%%@2@%Look, how my ring encompasseth thy finger,%@NL@%%@EH@%
Even so thy breast encloseth my poor heart;%@NL@%
Wear both of them, for both of them are thine.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: ii, Line: 204

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW770    @%%@2@%Was ever woman in this humor wooed?%@NL@%%@EH@%
Was ever woman in this humor won?%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: ii, Line: 229

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW790    @%%@2@%Framed in the prodigality of nature.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: ii, Line: 245

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW800    @%%@2@%The world is grown so bad,%@NL@%%@EH@%
That wrens make prey where eagles dare not perch. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: iii, Line: 70

%@NL@%%@AI@%1 See Pope%@BO:          29a4d2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW810    @%%@2@%And thus I clothe my naked villany%@NL@%%@EH@%
With odd old ends stol'n forth of holy writ,%@NL@%
And seem a saint when most I play the devil.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: iii, Line: 336

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW820    @%%@2@%Talkers are no good doers.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: iii, Line: 351

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW830    @%%@2@%O, I have passed a miserable night,%@NL@%%@EH@%
So full of ugly sights, of ghastly dreams,%@NL@%
That, as I am a Christian faithful man,%@NL@%
I would not spend another such a night,%@NL@%
Though 'twere to buy a world of happy days.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: iv, Line: 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW840    @%%@2@%Lord, Lord! methought, what pain it was to drown:%@NL@%%@EH@%
What dreadful noise of waters in mine ears!%@NL@%
What ugly sights of death within mine eyes!%@NL@%
Methought I saw a thousand fearful wracks;%@NL@%
A thousand men that fishes gnaw upon.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: iv, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW850    @%%@2@%The kingdom of perpetual night. 1  2  3  4  5 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: iv, Line: 47

%@NL@%%@AI@%1 See Catullus%@BO:           cd5e9@%%@AE@%
%@AI@%2 See Campion%@BO:          20143f@%%@AE@%
%@AI@%3 See Jonson%@BO:          20aa02@%%@AE@%
%@AI@%4 See Herrick%@BO:          21f162@%%@AE@%
%@AI@%5 See Fouche%@BO:          32f060@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW860    @%%@2@%Sorrow breaks seasons and reposing hours,%@NL@%%@EH@%
Makes the night morning, and the noontide night.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: I, Scene: iv, Line: 76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW870    @%%@2@%A parlous boy.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: II, Scene: iv, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A little too wise, they say, do ne'er live long.-Middleton [1580-1627]. The
Phoenix, act I, sc. i  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW880    @%%@2@%So wise so young, they say, do never live long.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: III, Scene: i, Line: 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW900    @%%@2@%Off with his head! 1  2 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: III, Scene: iv, Line: 75

%@NL@%%@AI@%1 See Colley Cibber%@BO:          28aebe@%%@AE@%
%@AI@%2 See Lewis Carroll%@BO:          48ccda@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW905    @%%@2@%Lives like a drunken sailor on a mast,%@NL@%%@EH@%
Ready with every nod to tumble down%@NL@%
Into the fatal bowels of the deep.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: III, Scene: iv, Line: 98

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW910    @%%@2@%I am not in the giving vein today.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: IV, Scene: ii, Line: 115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW920    @%%@2@%The sons of Edward sleep in Abraham's bosom. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: IV, Scene: iii, Line: 38

%@NL@%%@AI@%1 See Luke 16:22%@BO:           5ebec@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW930    @%%@2@%A grievous burden was thy birth to me;%@NL@%%@EH@%
Tetchy and wayward was thy infancy.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: IV, Scene: iv, Line: 168

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW940    @%%@2@%An honest tale speeds best being plainly told.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: IV, Scene: iv, Line: 359

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW950    @%%@2@%Harp not on that string.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: IV, Scene: iv, Line: 365

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW960    @%%@2@%Relenting fool, and shallow changing woman!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: IV, Scene: iv, Line: 432

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW970    @%%@2@%Is the chair empty? is the sword unswayed?%@NL@%%@EH@%
Is the king dead? the empire unpossessed?%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: IV, Scene: iv, Line: 470

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW980    @%%@2@%Thus far into the bowels of the land%@NL@%%@EH@%
Have we marched on without impediment.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: V, Scene: ii, Line: 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW990    @%%@2@%True hope is swift, and flies with swallow's wings;%@NL@%%@EH@%
Kings it makes gods, and meaner creatures kings.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: V, Scene: ii, Line: 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1000   @%%@2@%The king's name is a tower of strength.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: V, Scene: iii, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1010   @%%@2@%Give me another horse! bind up my wounds!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: V, Scene: iii, Line: 178

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1020   @%%@2@%O coward conscience, how dost thou afflict me!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: V, Scene: iii, Line: 180

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1030   @%%@2@%My conscience hath a thousand several tongues,%@NL@%%@EH@%
And every tongue brings in a several tale,%@NL@%
And every tale condemns me for a villain.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: V, Scene: iii, Line: 194

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1040   @%%@2@%By the apostle Paul, shadows tonight%@NL@%%@EH@%
Have struck more terror to the soul of Richard%@NL@%
Than can the substance of ten thousand soldiers.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: V, Scene: iii, Line: 217

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1050   @%%@2@%Conscience is but a word that cowards use,%@NL@%%@EH@%
Devised at first to keep the strong in awe.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: V, Scene: iii, Line: 310

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1060   @%%@2@%A horse! a horse! my kingdom for a horse!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: V, Scene: iv, Line: 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1070   @%%@2@%I have set my life upon a cast,%@NL@%%@EH@%
And I will stand the hazard of the die.%@NL@%
I think there be six Richmonds in the field.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Third [1592-1593],Act: V, Scene: iv, Line: 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1080   @%%@2@%The pleasing punishment that women bear.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: I, Scene: i, Line: 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1090   @%%@2@%We may pity, though not pardon thee.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: I, Scene: i, Line: 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1100   @%%@2@%Why, headstrong liberty is lashed with woe.%@NL@%%@EH@%
There's nothing situate under heaven's eye%@NL@%
But hath his bound, in earth, in sea, in sky.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: II, Scene: i, Line: 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See King Henry V  For every why he had a wherefore.-Samuel Butler, Hudibras,
pt. I [1663], canto 1, l. 132  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1110   @%%@2@%   Every why hath a wherefore.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: II, Scene: ii, Line: 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1130   @%%@2@%   There's no time for a man to recover his hair that grows bald by nature.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: II, Scene: ii, Line: 74

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1140   @%%@2@%   What he hath scanted men in hair, he hath given them in wit.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: II, Scene: ii, Line: 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1150   @%%@2@%Small cheer and great welcome makes a merry feast.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: III, Scene: i, Line: 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1160   @%%@2@%There is something in the wind.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: III, Scene: i, Line: 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1170   @%%@2@%We'll pluck a crow together.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: III, Scene: i, Line: 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1180   @%%@2@%For slander lives upon succession,%@NL@%%@EH@%
Forever housed where it gets possession.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: III, Scene: i, Line: 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1190   @%%@2@%Be not thy tongue thy own shame's orator.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: III, Scene: ii, Line: 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1200   @%%@2@%Ill deeds are doubled with an evil word.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: III, Scene: ii, Line: 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1210   @%%@2@%A back-friend, a shoulder-clapper.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: IV, Scene: ii, Line: 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1220   @%%@2@%Give me your hand and let me feel your pulse.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: IV, Scene: iv, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1230   @%%@2@%The venom clamors of a jealous woman%@NL@%%@EH@%
Poison more deadly than a mad dog's tooth.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: V, Scene: i, Line: 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1240   @%%@2@%Unquiet meals make ill digestions.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: V, Scene: i, Line: 74

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1250   @%%@2@%One Pinch, a hungry lean-faced villain,%@NL@%%@EH@%
A mere anatomy, a mountebank,%@NL@%
A threadbare juggler, and a fortune-teller,%@NL@%
A needy, hollow-eyed, sharp-looking wretch,%@NL@%
A living-dead man.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Comedy of Errors [1592-1593],Act: V, Scene: i, Line: 238

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1260   @%%@2@%Sweet mercy is nobility's true badge.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Titus Andronicus [1593-1594],Act: I, Scene: i, Line: 119

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1270   @%%@2@%These words are razors to my wounded heart.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Titus Andronicus [1593-1594],Act: I, Scene: i, Line: 314

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1280   @%%@2@%He lives in fame that died in virtue's cause.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Titus Andronicus [1593-1594],Act: I, Scene: i, Line: 390

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
And doleful dumps the mind oppress.-Romeo and Juliet [1594-1595], act IV,
sc. v, l. 129  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1290   @%%@2@%These dreary dumps.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Titus Andronicus [1593-1594],Act: I, Scene: i, Line: 391

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1310   @%%@2@%What you cannot as you would achieve,%@NL@%%@EH@%
You must perforce accomplish as you may.%@NL@%

%@NL@%William Shakespeare
%@NL@%Titus Andronicus [1593-1594],Act: II, Scene: i, Line: 106

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1320   @%%@2@%The eagle suffers little birds to sing.%@NL@%%@EH@%
And is not careful what they mean thereby.%@NL@%

%@NL@%William Shakespeare
%@NL@%Titus Andronicus [1593-1594],Act: IV, Scene: iv, Line: 82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1330   @%%@2@%Tut! I have done a thousand dreadful things%@NL@%%@EH@%
As willingly as one would kill a fly.%@NL@%

%@NL@%William Shakespeare
%@NL@%Titus Andronicus [1593-1594],Act: V, Scene: i, Line: 141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1340   @%%@2@%   I'll not budge an inch.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: Induction, Scene: i, Line: 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1350   @%%@2@%And if the boy have not a woman's gift%@NL@%%@EH@%
To rain a shower of commanded tears,%@NL@%
An onion will do well for such a shift.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: Induction, Scene: i, Line: 124

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1360   @%%@2@%No profit grows where is no pleasure ta'en;%@NL@%%@EH@%
In brief, sir, study what you most affect.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: I, Scene: i, Line: 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1370   @%%@2@%   There's small choice in rotten apples.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: I, Scene: i, Line: 137

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1380   @%%@2@%To seek their fortunes further than at home,%@NL@%%@EH@%
Where small experience grows.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: I, Scene: ii, Line: 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1390   @%%@2@%   Nothing comes amiss, so money comes withal.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: I, Scene: ii, Line: 82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1400   @%%@2@%And do as adversaries do in law,%@NL@%%@EH@%
Strive mightily, but eat and drink as friends.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: I, Scene: ii, Line: 281

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1410   @%%@2@%I must dance barefoot on her wedding day,%@NL@%%@EH@%
And, for your love to her, lead apes in hell.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: II, Scene: i, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1420   @%%@2@%Asses are made to bear, and so are you.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: II, Scene: i, Line: 200

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1430   @%%@2@%Kiss me, Kate, we will be married o' Sunday.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: II, Scene: i, Line: 318

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1440   @%%@2@%Old fashions please me best.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: III, Scene: i, Line: 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1450   @%%@2@%Who wooed in haste and means to wed at leisure. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: III, Scene: ii, Line: 11

%@NL@%%@AI@%1 See Congreve%@BO:          28971b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1460   @%%@2@%Such an injury would vex a saint.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: III, Scene: ii, Line: 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He is a little chimney, and heated hot in a moment.-Longfellow, The
Courtship of Miles Standish [1858]  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1470   @%%@2@%   A little pot and soon hot.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: IV, Scene: i, Line: 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1490   @%%@2@%It was the friar of orders gray%@NL@%%@EH@%
As he forth walked on his way. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: IV, Scene: i, Line: 148

%@NL@%%@AI@%1 See Anonymous%@BO:          682bfe@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1500   @%%@2@%Sits as one new-risen from a dream.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: IV, Scene: i, Line: 189

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1510   @%%@2@%This is a way to kill a wife with kindness.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: IV, Scene: i, Line: 211

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1520   @%%@2@%Kindness in women, not their beauteous looks,%@NL@%%@EH@%
Shall win my love.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: IV, Scene: ii, Line: 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1540   @%%@2@%Our purses shall be proud, our garments poor:%@NL@%%@EH@%
For 'tis the mind that makes the body rich;%@NL@%
And as the sun breaks through the darkest clouds,%@NL@%
So honor peereth in the meanest habit.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: IV, Scene: iii, Line: 173

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1550   @%%@2@%Forward, I pray, since we have come so far,%@NL@%%@EH@%
And be it moon, or sun, or what you please:%@NL@%
An if you please to call it a rush-candle,%@NL@%
Henceforth I vow it shall be so for me.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: IV, Scene: v, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1560   @%%@2@%He that is giddy thinks the world turns round.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: V, Scene: ii, Line: 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1570   @%%@2@%A woman moved is like a fountain troubled,%@NL@%%@EH@%
Muddy, ill-seeming, thick, bereft of beauty.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: V, Scene: ii, Line: 143

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1580   @%%@2@%Such duty as the subject owes the prince,%@NL@%%@EH@%
Even such a woman oweth to her husband.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Taming of the Shrew [1593-1594],Act: V, Scene: ii, Line: 156

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1590   @%%@2@%Bid me discourse, I will enchant thine ear.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Venus and Adonis [1593],l. 145

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1600   @%%@2@%Love is a spirit all compact of fire,%@NL@%%@EH@%
Not gross to sink, but light, and will aspire.%@NL@%

%@NL@%William Shakespeare
%@NL@%Venus and Adonis [1593],l. 149

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1610   @%%@2@%O! What a war of looks was then between them.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Venus and Adonis [1593],l. 355

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1620   @%%@2@%Like a red morn, that ever yet betokened%@NL@%%@EH@%
Wrack to the seaman, tempest to the field.%@NL@%

%@NL@%William Shakespeare
%@NL@%Venus and Adonis [1593],l. 453

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1630   @%%@2@%The owl, night's herald.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Venus and Adonis [1593],l. 531

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1640   @%%@2@%Love comforteth like sunshine after rain.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Venus and Adonis [1593],l. 799

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1650   @%%@2@%The text is old, the orator too green.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Venus and Adonis [1593],l. 806

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1660   @%%@2@%For he being dead, with him is beauty slain,%@NL@%%@EH@%
And, beauty dead, black chaos comes again. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Venus and Adonis [1593],l. 1019

%@NL@%%@AI@%1 See Othello%@BO:          1d71d0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1670   @%%@2@%The grass stoops not, she treads on it so light.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Venus and Adonis [1593],l. 1028

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1680   @%%@2@%Beauty itself doth of itself persuade%@NL@%%@EH@%
The eyes of men without an orator.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Rape of Lucrece [1594],l. 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1690   @%%@2@%This silent war of lilies and of roses,%@NL@%%@EH@%
Which Tarquin viewed in her fair face's field.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Rape of Lucrece [1594],l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1700   @%%@2@%Those that much covet are with gain so fond,%@NL@%%@EH@%
For what they have not, that which they possess%@NL@%
They scatter and unloose it from their bond,%@NL@%
And so, by hoping more, they have but less.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Rape of Lucrece [1594],l. 134

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1710   @%%@2@%One for all, or all for one we gage. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Rape of Lucrece [1594],l. 144

%@NL@%%@AI@%1 See Dumas%@BO:          3b522b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1720   @%%@2@%Who buys a minute's mirth to wail a week?%@NL@%%@EH@%
Or sells eternity to get a toy?%@NL@%
For one sweet grape who will the vine destroy?%@NL@%

%@NL@%William Shakespeare
%@NL@%The Rape of Lucrece [1594],l. 213

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1730   @%%@2@%Extreme fear can neither fight nor fly.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Rape of Lucrece [1594],l. 230

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1740   @%%@2@%All orators are dumb when beauty pleadeth.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Rape of Lucrece [1594],l. 268

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1750   @%%@2@%Time's glory is to calm contending kings,%@NL@%%@EH@%
To unmask falsehood, and bring truth to light.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Rape of Lucrece [1594],l. 939

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1760   @%%@2@%For greatest scandal waits on greatest state.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Rape of Lucrece [1594],l. 1006

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1770   @%%@2@%To see sad sights moves more than hear them told.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Rape of Lucrece [1594],l. 1324

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1780   @%%@2@%Cloud-kissing Ilion.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Rape of Lucrece [1594],l. 1370

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Some villain hath done me wrong.-King Lear [1605-1606], act I, sc. ii, l.
186  See Anonymous  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1790   @%%@2@%Lucrece swears he did her wrong.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Rape of Lucrece [1594],l. 1462

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1810   @%%@2@%Home-keeping youth have ever homely wits.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: I, Scene: i, Line: 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1820   @%%@2@%I have no other but a woman's reason:%@NL@%%@EH@%
I think him so, because I think him so.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: I, Scene: ii, Line: 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1830   @%%@2@%Julia: They do not love that do not show their love.%@NL@%%@EH@%
Lucetta: O! they love least that let men know their love.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: I, Scene: ii, Line: 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1840   @%%@2@%Since maids, in modesty, say "No" to that%@NL@%%@EH@%
Which they would have the profferer construe "Aye."%@NL@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: I, Scene: ii, Line: 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1850   @%%@2@%O! how this spring of love resembleth%@NL@%%@EH@%
The uncertain glory of an April day!%@NL@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: I, Scene: iii, Line: 84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1860   @%%@2@%O jest unseen, inscrutable, invisible,%@NL@%%@EH@%
As a nose on a man's face, 1  or a weathercock on a steeple!%@NL@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: II, Scene: i, Line: 145

%@NL@%%@AI@%1 See Rabelais%@BO:          137030@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1870   @%%@2@%He makes sweet music with th' enamelled stones.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: II, Scene: vii, Line: 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1880   @%%@2@%That man that hath a tongue, I say, is no man,%@NL@%%@EH@%
If with his tongue he cannot win a woman.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: III, Scene: i, Line: 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1900   @%%@2@%Except I be by Silvia in the night,%@NL@%%@EH@%
There is no music in the nightingale.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: III, Scene: i, Line: 178

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1910   @%%@2@%Much is the force of heaven-bred poesy.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: III, Scene: ii, Line: 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1920   @%%@2@%Who is Silvia? what is she,%@NL@%%@EH@%
That all our swains commend her?%@NL@%
Holy, fair, and wise is she;%@NL@%
The heaven such grace did lend her,%@NL@%
That she might admired be.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: IV, Scene: ii, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1930   @%%@2@%Alas, how love can trifle with itself!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: IV, Scene: iv, Line: 190

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1940   @%%@2@%Black men are pearls in beauteous ladies' eyes.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: V, Scene: ii, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Custom is almost second nature.-Plutarch [ A.D.  46-120], Rules for the
Preservation of Health, 18  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1950   @%%@2@%How use doth breed a habit in a man!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Two Gentlemen of Verona [1594-1595],Act: V, Scene: iv, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1960   @%%@2@%Spite of cormorant devouring Time.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: I, Scene: i, Line: 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1970   @%%@2@%Make us heirs of all eternity.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: I, Scene: i, Line: 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1980   @%%@2@%Why, all delights are vain; but that most vain%@NL@%%@EH@%
Which, with pain purchased doth inherit pain.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: I, Scene: i, Line: 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW1990   @%%@2@%Light seeking light doth light of light beguile.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: I, Scene: i, Line: 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2000   @%%@2@%Study is like the heaven's glorious sun,%@NL@%%@EH@%
That will not be deep-searched with saucy looks;%@NL@%
Small have continual plodders ever won,%@NL@%
Save base authority from others' books.%@NL@%
These earthly godfathers of heaven's lights%@NL@%
That give a name to every fixed star,%@NL@%
Have no more profit of their shining nights%@NL@%
Than those that walk and wot not what they are.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: I, Scene: i, Line: 84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2010   @%%@2@%At Christmas I no more desire a rose%@NL@%%@EH@%
Than wish a snow in May's newfangled mirth;%@NL@%
But like of each thing that in season grows.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: I, Scene: i, Line: 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2020   @%%@2@%   And men sit down to that nourishment which is called supper.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: I, Scene: i, Line: 237

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2030   @%%@2@%   That unlettered small-knowing soul.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: I, Scene: i, Line: 251

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2040   @%%@2@%   A child of our grandmother Eve, a female; or, for thy more sweet%@EH@%
understanding, a woman.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: I, Scene: i, Line: 263

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2050   @%%@2@%   Affiction may one day smile again; and till then, sit thee down, sorrow!%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: I, Scene: i, Line: 312

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2060   @%%@2@%   Devise, wit; write, pen; for I am for whole volumes in folio.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: I, Scene: ii, Line: 194

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2070   @%%@2@%Beauty is bought by judgment of the eye,%@NL@%%@EH@%
Not uttered by base sale of chapmen's tongues.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: II, Scene: i, Line: 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2080   @%%@2@%A man of sovereign parts he is esteemed;%@NL@%%@EH@%
Well fitted in arts, glorious in arms:%@NL@%
Nothing becomes him ill that he would well.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: II, Scene: i, Line: 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2090   @%%@2@%A merrier man,%@NL@%%@EH@%
Within the limit of becoming mirth,%@NL@%
I never spent an hour's talk withal.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: II, Scene: i, Line: 66

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2100   @%%@2@%Your wit's too hot, it speeds too fast,  'twill tire.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: II, Scene: i, Line: 119

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2110   @%%@2@%   Warble, child; make passionate my sense of hearing.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: III, Scene: i, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2120   @%%@2@%   Remuneration! O! that's the Latin word for three farthings.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: III, Scene: i, Line: 143

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2130   @%%@2@%A very beadle to a humorous sigh.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: III, Scene: i, Line: 185

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2140   @%%@2@%This wimpled, whining, purblind, wayward boy,%@NL@%%@EH@%
This senior-junior, giant-dwarf, Dan Cupid;%@NL@%
Regent of love-rimes, lord of folded arms,%@NL@%
The anointed sovereign of sighs and groans,%@NL@%
Liege of all loiters and malcontents.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: III, Scene: i, Line: 189

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2150   @%%@2@%   He hath not fed of the dainties that are bred of a book; he hath not eat%@EH@%
paper, as it were; he hath not drunk ink.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: IV, Scene: ii, Line: 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2160   @%%@2@%Many can brook the weather that love not the wind.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: IV, Scene: ii, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2170   @%%@2@%   You two are book-men.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: IV, Scene: ii, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2180   @%%@2@%   These are begot in the ventricle of memory, nourished in the womb of pia%@EH@%
mater, and delivered upon the mellowing of occasion.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: IV, Scene: ii, Line: 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2190   @%%@2@%   By heaven, I do love, and it hath taught me to rime, and to be%@EH@%
melancholy.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: IV, Scene: iii, Line: 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2200   @%%@2@%The heavenly rhetoric of thine eye.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: IV, Scene: iii, Line: 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2210   @%%@2@%Young blood doth not obey an old decree:%@NL@%%@EH@%
We cannot cross the cause why we were born.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: IV, Scene: iii, Line: 217

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2220   @%%@2@%For where is any author in the world%@NL@%%@EH@%
Teaches such beauty as a woman's eye?%@NL@%
Learning is but an adjunct to ourself.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: IV, Scene: iii, Line: 312

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2230   @%%@2@%But love, first learned in a lady's eyes,%@NL@%%@EH@%
Lives not alone immured in the brain.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: IV, Scene: iii, Line: 327

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2240   @%%@2@%It adds a precious seeing to the eye.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: IV, Scene: iii, Line: 333

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2250   @%%@2@%As sweet and musical%@NL@%%@EH@%
As bright Apollo's lute, 1  strung with his hair;%@NL@%
And when Love speaks, the voice of all the gods%@NL@%
Makes heaven drowsy with the harmony.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: IV, Scene: iii, Line: 342

%@NL@%%@AI@%1 See Milton%@BO:          237934@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2260   @%%@2@%From women's eyes this doctrine I derive:%@NL@%%@EH@%
They sparkle still the right Promethean fire;%@NL@%
They are the books, the arts, the academes,%@NL@%
That show, contain, and nourish all the world.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: IV, Scene: iii, Line: 350

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2270   @%%@2@%   He draweth out the thread of his verbosity finer than the staple of his%@EH@%
argument.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: V, Scene: i, Line: 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2280   @%%@2@%   Moth: They have been at a great feast of languages, and stolen the%@EH@%
scraps.%@NL@%
Costard: O! they have lived long on the alms-basket of words. I marvel thy
master hath not eaten thee for a word; for thou art not so long by the head
as honorificabilitudinitatibus; thou art easier swallowed than a
flap-dragon.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: V, Scene: i, Line: 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2290   @%%@2@%   In the posteriors of this day, which the rude multitude call the%@EH@%
afternoon.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: V, Scene: i, Line: 96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2300   @%%@2@%Taffeta phrases, silken terms precise,%@NL@%%@EH@%
Three-piled hyperboles, spruce affectation,%@NL@%
Figures pedantical.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: V, Scene: ii, Line: 407

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2310   @%%@2@%   Let me take you a button-hole lower.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: V, Scene: ii, Line: 705

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2320   @%%@2@%   The naked truth of it is, I have no shirt.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: V, Scene: ii, Line: 715

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2330   @%%@2@%A jest's prosperity lies in the ear%@NL@%%@EH@%
Of him that hears it, never in the tongue%@NL@%
Of him that makes it.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: V, Scene: ii, Line: 869

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2340   @%%@2@%When daisies pied and violets blue,%@NL@%%@EH@%
And lady-smocks all silver-white,%@NL@%
And cuckoo-buds of yellow hue%@NL@%
Do paint the meadows with delight,%@NL@%
The cuckoo then, on every tree,%@NL@%
Mocks married men; for thus sings he,%@NL@%
Cuckoo;%@NL@%
Cuckoo, cuckoo: O word of fear,%@NL@%
Unpleasing to a married ear.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: V, Scene: ii, Line: 902

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2350   @%%@2@%When icicles hang by the wall,%@NL@%%@EH@%
And Dick, the shepherd, blows his nail,%@NL@%
And Tom bears logs into the hall,%@NL@%
And milk comes frozen home in pail,%@NL@%
When blood is nipped and ways be foul,%@NL@%
Then nightly sings the staring owl,%@NL@%
Tu-who;%@NL@%
Tu-whit, tu-who-a merry note,%@NL@%
While greasy Joan doth keel the pot.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: V, Scene: ii, Line: 920

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2360   @%%@2@%When all aloud the wind doth blow,%@NL@%%@EH@%
And coughing drowns the parson's saw,%@NL@%
And birds sit brooding in the snow,%@NL@%
And Marian's nose looks red and raw,%@NL@%
When roasted crabs hiss in the bowl.%@NL@%

%@NL@%William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: V, Scene: ii, Line: 929

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2370   @%%@2@%   The words of Mercury are harsh after the songs of Apollo.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Love's Labour's Lost [1594-1595],Act: V, Scene: ii, Line: 938

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2380   @%%@2@%A pair of star-crossed lovers.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],prologue, l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2390   @%%@2@%Saint-seducing gold.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: I, Scene: i, Line: 220

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2400   @%%@2@%One fire burns out another's burning, 1 %@NL@%%@EH@%
One pain is lessened by another's anguish.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: I, Scene: ii, Line: 47

%@NL@%%@AI@%1 See Chapman%@BO:          15dfa8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2410   @%%@2@%I will make thee think thy swan a crow.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: I, Scene: ii, Line: 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2420   @%%@2@%For I am proverbed with a grandsire phrase.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: I, Scene: iv, Line: 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2430   @%%@2@%We burn daylight.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: I, Scene: iv, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2440   @%%@2@%O! then, I see Queen Mab hath been with you! . . . %@NL@%%@EH@%
She is the fairies' midwife, and she comes%@NL@%
In shape no bigger than an agate-stone%@NL@%
On the forefinger of an alderman,%@NL@%
Drawn with a team of little atomies%@NL@%
Athwart men's noses as they lie asleep.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: I, Scene: iv, Line: 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2450   @%%@2@%True, I talk of dreams,%@NL@%%@EH@%
Which are the children of an idle brain,%@NL@%
Begot of nothing but vain fantasy.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: I, Scene: iv, Line: 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
My dancing days are done.-Beaumont and Fletcher, The Scornful Lady [1616],
act V, sc. iii  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2460   @%%@2@%For you and I are past our dancing days.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: I, Scene: v, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2480   @%%@2@%It seems she hangs upon the cheek of night%@NL@%%@EH@%
Like a rich jewel in an Ethiop's ear;%@NL@%
Beauty too rich for use, for earth too dear!%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: I, Scene: v, Line: 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2490   @%%@2@%My only love sprung from my only hate!%@NL@%%@EH@%
Too early seen unknown, and known too late!%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: I, Scene: v, Line: 142

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2500   @%%@2@%Young Adam Cupid, he that shot so trim%@NL@%%@EH@%
When King Cophetua loved the beggarmaid. 1  2 %@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: i, Line: 13

%@NL@%%@AI@%1 See Tennyson%@BO:          3fdaec@%%@AE@%
%@AI@%2 See Anonymous%@BO:          682ae6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2510   @%%@2@%He jests at scars, that never felt a wound.%@NL@%%@EH@%
But, soft! what light through yonder window breaks?%@NL@%
It is the east, and Juliet is the sun!%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2520   @%%@2@%She speaks, yet she says nothing.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2530   @%%@2@%See! how she leans her cheek upon her hand:%@NL@%%@EH@%
O! that I were a glove upon that hand,%@NL@%
That I might touch that cheek.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Huncamunca: O Tom Thumb! Tom Thumb! wherefore art thou Tom Thumb?-Henry
Fielding, Life and Death of Tom Thumb the Great [1730], act II, sc. iii  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2540   @%%@2@%O Romeo, Romeo! wherefore art thou Romeo?%@NL@%%@EH@%
Deny thy father, and refuse thy name;%@NL@%
Or, if thou wilt not, be but sworn my love,%@NL@%
And I'll no longer be a Capulet.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2560   @%%@2@%What's in a name? That which we call a rose%@NL@%%@EH@%
By any other name would smell as sweet.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2570   @%%@2@%For stony limits cannot hold love out.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Tibullus  And Jove but laughs at lovers' perjury.-Dryden, Palamon and
Arcite [1680], bk. II, l. 758, and Amphitryon [1690], act I, sc. ii  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2580   @%%@2@%At lovers' perjuries,%@NL@%%@EH@%
They say, Jove laughs.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2600   @%%@2@%In truth, fair Montague, I am too fond.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 98

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2610   @%%@2@%I'll prove more true%@NL@%%@EH@%
Than those that have more cunning to be strange.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2620   @%%@2@%Romeo: Lady, by yonder blessed moon I swear%@NL@%%@EH@%
That tips with silver all these fruit-tree tops-%@NL@%
Juliet: O! swear not by the moon, the inconstant moon,%@NL@%
That monthly changes in her circled orb,%@NL@%
Lest that thy love prove likewise variable.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2630   @%%@2@%Do not swear at all;%@NL@%%@EH@%
Or, if thou wilt, swear by thy gracious self,%@NL@%
Which is the god of my idolatry.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2640   @%%@2@%It is too rash, too unadvised, too sudden;%@NL@%%@EH@%
Too like the lightning, which doth cease to be%@NL@%
Ere one can say it lightens.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 118

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2650   @%%@2@%This bud of love, by summer's ripening breath,%@NL@%%@EH@%
May prove a beauteous flower when next we meet.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 121

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2660   @%%@2@%Love goes toward love, as schoolboys from their books;%@NL@%%@EH@%
But love from love, toward school with heavy looks.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 156

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2670   @%%@2@%O! for a falconer's voice,%@NL@%%@EH@%
To lure this tassel-gentle back again.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 158

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2680   @%%@2@%How silver-sweet sound lovers' tongues by night,%@NL@%%@EH@%
Like softest music to attending ears!%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 165

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2690   @%%@2@%I would have thee gone;%@NL@%%@EH@%
And yet no further than a wanton's bird,%@NL@%
Who lets it hop a little from her hand,%@NL@%
Like a poor prisoner in his twisted gyves,%@NL@%
And with a silk thread plucks it back again,%@NL@%
So loving-jealous of his liberty.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 176

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2700   @%%@2@%Good night, good night! parting is such sweet sorrow,%@NL@%%@EH@%
That I shall say good night till it be morrow.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: ii, Line: 184

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2710   @%%@2@%Virtue itself turns vice, being misapplied;%@NL@%%@EH@%
And vice sometime's by action dignified.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: iii, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2720   @%%@2@%Care keeps his watch in every old man's eye,%@NL@%%@EH@%
And where care lodges, sleep will never lie.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: iii, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2730   @%%@2@%Wisely and slow; they stumble that run fast. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: iii, Line: 94

%@NL@%%@AI@%1 See Chaucer%@BO:          11ea5b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2740   @%%@2@%   One, two, and the third in your bosom.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: iv, Line: 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2750   @%%@2@%   O flesh, flesh, how art thou fishified!%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: iv, Line: 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2760   @%%@2@%   The very pink of courtesy. 1 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: iv, Line: 63

%@NL@%%@AI@%1 See Cervantes%@CF:N1547CERM990    @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2770   @%%@2@%   A gentleman, nurse, that loves to hear himself talk, and will speak more%@EH@%
in a minute than he will stand to in a month.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: iv, Line: 156

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2780   @%%@2@%These violent delights have violent ends.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: vi, Line: 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2790   @%%@2@%Therefore love moderately; long love doth so; 1  2 %@NL@%%@EH@%
Too swift arrives as tardy as too slow.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: vi, Line: 14

%@NL@%%@AI@%1 See Herrick%@BO:          21e0bf@%%@AE@%
%@AI@%2 See Anonymous%@BO:          68233b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2800   @%%@2@%Here comes the lady: O! so light a foot%@NL@%%@EH@%
Will ne'er wear out the everlasting flint.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: II, Scene: vi, Line: 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It's as full of good-nature as an egg's full of meat.-Richard Brinsley
Sheridan, A Trip to Scarborough [1777], act III, sc. iv  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2810   @%%@2@%   Thy head is as full of quarrels as an egg is full of meat.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: i, Line: 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Word and a blow.-Bunyan, Pilgrim's Progress [1678], pt. I  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2830   @%%@2@%   A word and a blow.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: i, Line: 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2850   @%%@2@%   No, 'tis not so deep as a well, nor so wide as a church door; but 'tis%@EH@%
enough, 'twill serve: ask for me tomorrow, and you shall find me a grave
man.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: i, Line: 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2860   @%%@2@%A plague o' both your houses!%@NL@%%@EH@%
They have made worms' meat of me.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: i, Line: 112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2870   @%%@2@%O! I am Fortune's fool.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: i, Line: 142

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2880   @%%@2@%Gallop apace, you fiery-footed steeds,%@NL@%%@EH@%
Towards Phoebus' lodging.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: ii, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2890   @%%@2@%When he shall die,%@NL@%%@EH@%
Take him and cut him out in little stars,%@NL@%
And he will make the face of heaven so fine%@NL@%
That all the world will be in love with night,%@NL@%
And pay no worship to the garish sun.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: ii, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2900   @%%@2@%He was not born to shame:%@NL@%%@EH@%
Upon his brow shame is ashamed to sit.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: ii, Line: 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2910   @%%@2@%Romeo, come forth; come forth, thou fearful man:%@NL@%%@EH@%
Affiction is enamored of thy parts,%@NL@%
And thou art wedded to calamity.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: iii, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2920   @%%@2@%Adversity's sweet milk, philosophy.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: iii, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2930   @%%@2@%Hang up philosophy!%@NL@%%@EH@%
Unless philosophy can make a Juliet.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: iii, Line: 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2940   @%%@2@%The lark, the herald of the morn.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: v, Line: 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2950   @%%@2@%Night's candles are burnt out, and jocund day%@NL@%%@EH@%
Stands tiptoe on the misty mountaintops.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: v, Line: 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2960   @%%@2@%Villain and he be many miles asunder.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: v, Line: 82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2970   @%%@2@%Thank me no thankings, nor proud me no prouds.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: v, Line: 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2980   @%%@2@%Is there no pity sitting in the clouds,%@NL@%%@EH@%
That sees into the bottom of my grief?%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: III, Scene: v, Line: 198

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW2990   @%%@2@%Past hope, past cure, past help!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: IV, Scene: i, Line: 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3000   @%%@2@%   'Tis an ill cook that cannot lick his own fingers.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: IV, Scene: ii, Line: 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3010   @%%@2@%Apothecary: My poverty, but not my will, consents.%@NL@%%@EH@%
Romeo: I pay thy poverty, and not thy will.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: V, Scene: i, Line: 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3020   @%%@2@%The strength%@NL@%%@EH@%
Of twenty men.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: V, Scene: i, Line: 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3030   @%%@2@%The time and my intents are savage-wild,%@NL@%%@EH@%
More fierce and more inexorable far%@NL@%
Than empty tigers or the roaring sea.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: V, Scene: iii, Line: 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3040   @%%@2@%Tempt not a desperate man.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: V, Scene: iii, Line: 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3050   @%%@2@%One writ with me in sour misfortune's book.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: V, Scene: iii, Line: 82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3060   @%%@2@%How oft when men are at the point of death%@NL@%%@EH@%
Have they been merry!%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: V, Scene: iii, Line: 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3070   @%%@2@%Beauty's ensign yet%@NL@%%@EH@%
Is crimson in thy lips and in thy cheeks,%@NL@%
And death's pale flag is not advanced there.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: V, Scene: iii, Line: 94

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3080   @%%@2@%O! here%@NL@%%@EH@%
Will I set up my everlasting rest,%@NL@%
And shake the yoke of inauspicious stars%@NL@%
From this world-wearied flesh. Eyes, look your last!%@NL@%
Arms, take your last embrace!%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: V, Scene: iii, Line: 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3090   @%%@2@%O true apothecary!%@NL@%%@EH@%
Thy drugs are quick.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: V, Scene: iii, Line: 119

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3100   @%%@2@%See what a scourge is laid upon your hate,%@NL@%%@EH@%
That heaven finds means to kill your joys with love.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: V, Scene: iii, Line: 292

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3110   @%%@2@%For never was a story of more woe%@NL@%%@EH@%
Than this of Juliet and her Romeo.%@NL@%

%@NL@%William Shakespeare
%@NL@%Romeo and Juliet [1594-1595],Act: V, Scene: iii, Line: 309

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3120   @%%@2@%The purest treasure mortal times afford%@NL@%%@EH@%
Is spotless reputation.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: I, Scene: i, Line: 177

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3130   @%%@2@%Mine honor is my life; both grow in one;%@NL@%%@EH@%
Take honor from me, and my life is done.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: I, Scene: i, Line: 182

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3140   @%%@2@%We were not born to sue, but to command.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: I, Scene: i, Line: 196

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3150   @%%@2@%The daintiest last, to make the end most sweet.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: I, Scene: iii, Line: 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3160   @%%@2@%Truth hath a quiet breast.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: I, Scene: iii, Line: 96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3170   @%%@2@%How long a time lies in one little word!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: I, Scene: iii, Line: 213

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3180   @%%@2@%Things sweet to taste prove in digestion sour.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: I, Scene: iii, Line: 236

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3190   @%%@2@%Must I not serve a long apprenticehood%@NL@%%@EH@%
To foreign passages, and in the end,%@NL@%
Having my freedom, boast of nothing else%@NL@%
But that I was a journeyman to grief?%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: I, Scene: iii, Line: 271

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3200   @%%@2@%All places that the eye of heaven visits%@NL@%%@EH@%
Are to a wise man ports and happy havens.%@NL@%
Teach thy necessity to reason thus;%@NL@%
There is no virtue like necessity. 1 %@NL@%
Think not the king did banish thee,%@NL@%
But thou the king.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: I, Scene: iii, Line: 275

%@NL@%%@AI@%1 See Quintilian%@BO:           eedd8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3210   @%%@2@%For gnarling sorrow hath less power to bite%@NL@%%@EH@%
The man that mocks at it and sets it light.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: I, Scene: iii, Line: 292

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3220   @%%@2@%O! who can hold a fire in his hand%@NL@%%@EH@%
By thinking on the frosty Caucasus?%@NL@%
Or cloy the hungry edge of appetite%@NL@%
By bare imagination of a feast?%@NL@%
Or wallow naked in December snow%@NL@%
By thinking on fantastic summer's heat?%@NL@%
O, no! the apprehension of the good%@NL@%
Gives but the greater feeling to the worse.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: I, Scene: iii, Line: 294

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A stern, a true-born Englishman.-Samuel Johnson; from Boswell, Life of
Johnson [1791]  The True-born Englishman [1701]. Title of satire by Daniel
Defoe.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3230   @%%@2@%Where'er I wander, boast of this I can,%@NL@%%@EH@%
Though banished, yet a true-born Englishman.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: I, Scene: iii, Line: 308

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3250   @%%@2@%The tongues of dying men%@NL@%%@EH@%
Enforce attention like deep harmony.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: i, Line: 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3260   @%%@2@%The setting sun, and music at the close,%@NL@%%@EH@%
As the last taste of sweets, is sweetest last,%@NL@%
Writ in remembrance more than things long past.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: i, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3270   @%%@2@%Report of fashions in proud Italy,%@NL@%%@EH@%
Whose manners still our tardy apish nation%@NL@%
Limps after in base imitation.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: i, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3290   @%%@2@%For violent fires soon burn out themselves;%@NL@%%@EH@%
Small showers last long, but sudden storms are short.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: i, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3300   @%%@2@%This royal throne of kings, this sceptered isle,%@NL@%%@EH@%
This earth of majesty, this seat of Mars,%@NL@%
This other Eden, demi-paradise,%@NL@%
This fortress built by Nature for herself%@NL@%
Against infection and the hand of war,%@NL@%
This happy breed of men, this little world,%@NL@%
This precious stone set in the silver sea,%@NL@%
Which serves it in the office of a wall,%@NL@%
Or as a moat defensive to a house,%@NL@%
Against the envy of less happier lands,%@NL@%
This blessed plot, this earth, this realm, this England,%@NL@%
This nurse, this teeming womb of royal kings,%@NL@%
Feared by their breed and famous by their birth.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: i, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3310   @%%@2@%England, bound in with the triumphant sea,%@NL@%%@EH@%
Whose rocky shore beats back the envious siege%@NL@%
Of watery Neptune.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: i, Line: 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3320   @%%@2@%That England, that was wont to conquer others,%@NL@%%@EH@%
Hath made a shameful conquest of itself.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: i, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3330   @%%@2@%A lunatic lean-witted fool,%@NL@%%@EH@%
Presuming on an ague's privilege.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: i, Line: 115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3340   @%%@2@%The ripest fruit first falls.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: i, Line: 154

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3350   @%%@2@%Each substance of a grief hath twenty shadows.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: ii, Line: 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3360   @%%@2@%I count myself in nothing else so happy%@NL@%%@EH@%
As in a soul remembering my good friends.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: iii, Line: 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3370   @%%@2@%Evermore thanks, the exchequer of the poor.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: iii, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3380   @%%@2@%Grace me no grace, nor uncle me no uncle.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: iii, Line: 87

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3390   @%%@2@%The caterpillars of the commonwealth,%@NL@%%@EH@%
Which I have sworn to weed and pluck away.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: iii, Line: 166

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3400   @%%@2@%Things past redress are now with me past care.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: iii, Line: 171

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3410   @%%@2@%I see thy glory like a shooting star%@NL@%%@EH@%
Fall to the base earth from the firmament.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: II, Scene: iv, Line: 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3420   @%%@2@%Eating the bitter bread of banishment. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: III, Scene: i, Line: 21

%@NL@%%@AI@%1 See Isaiah 30:20%@BO:           3d6fb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3430   @%%@2@%Not all the water in the rough rude sea%@NL@%%@EH@%
Can wash the balm from an anointed king.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: III, Scene: ii, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3440   @%%@2@%O! call back yesterday, bid time return. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: III, Scene: ii, Line: 69

%@NL@%%@AI@%1 See Thomas Heywood%@BO:          20e075@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3450   @%%@2@%The worst is death, and death will have his day.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: III, Scene: ii, Line: 103

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3460   @%%@2@%Of comfort no man speak:%@NL@%%@EH@%
Let's talk of graves, of worms, and epitaphs;%@NL@%
Make dust our paper, and with rainy eyes%@NL@%
Write sorrow on the bosom of the earth;%@NL@%
Let's choose executors and talk of wills.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: III, Scene: ii, Line: 144

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3470   @%%@2@%And nothing can we call our own but death,%@NL@%%@EH@%
And that small model of the barren earth%@NL@%
Which serves as paste and cover to our bones.%@NL@%
For God's sake, let us sit upon the ground%@NL@%
And tell sad stories of the death of kings:%@NL@%
How some have been deposed, some slain in war,%@NL@%
Some haunted by the ghosts they have deposed,%@NL@%
Some poisoned by their wives, some sleeping killed;%@NL@%
All murdered: for within the hollow crown%@NL@%
That rounds the mortal temples of a king%@NL@%
Keeps Death his court.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: III, Scene: ii, Line: 152

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3480   @%%@2@%Comes at the last, and with a little pin%@NL@%%@EH@%
Bores through his castle wall, and farewell king!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: III, Scene: ii, Line: 169

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3490   @%%@2@%He is come to open%@NL@%%@EH@%
The purple testament of bleeding war.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: III, Scene: iii, Line: 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3500   @%%@2@%O! that I were as great%@NL@%%@EH@%
As is my grief, or lesser than my name,%@NL@%
Or that I could forget what I have been,%@NL@%
Or not remember what I must be now.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: III, Scene: iii, Line: 136

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3505   @%%@2@%I'll give my jewels for a set of beads,%@NL@%%@EH@%
My gorgeous palace for a hermitage,%@NL@%
My gay apparel for an almsman's gown.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: III, Scene: iii, Line: 147

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3510   @%%@2@%And my large kingdom for a little grave,%@NL@%%@EH@%
A little little grave, an obscure grave.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: III, Scene: iii, Line: 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3520   @%%@2@%And there at Venice gave%@NL@%%@EH@%
His body to that pleasant country's earth,%@NL@%
And his pure soul unto his captain Christ,%@NL@%
Under whose colors he had fought so long.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: IV, Scene: i, Line: 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3530   @%%@2@%Peace shall go sleep with Turks and infidels.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: IV, Scene: i, Line: 139

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3540   @%%@2@%So Judas did to Christ: but he, in twelve,%@NL@%%@EH@%
Found truth in all but one; I, in twelve thousand, none.%@NL@%
God save the king! Will no man say, amen?%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: IV, Scene: i, Line: 170

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3560   @%%@2@%Now is this golden crown like a deep well%@NL@%%@EH@%
That owes two buckets filling one another;%@NL@%
The emptier ever dancing in the air,%@NL@%
The other down, unseen and full of water:%@NL@%
That bucket down and full of tears am I,%@NL@%
Drinking my griefs, whilst you mount up on high.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: IV, Scene: i, Line: 184

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3570   @%%@2@%You may my glories and my state depose,%@NL@%%@EH@%
But not my griefs; still am I king of those.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: IV, Scene: i, Line: 192

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3580   @%%@2@%Some of you with Pilate wash your hands, 1 %@NL@%%@EH@%
Showing an outward pity.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: IV, Scene: i, Line: 239

%@NL@%%@AI@%1 See Matthew 27:24%@BO:           592b0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3590   @%%@2@%A mockery king of snow.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: IV, Scene: i, Line: 260

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3600   @%%@2@%As in a theater, the eyes of men,%@NL@%%@EH@%
After a well-graced actor leaves the stage,%@NL@%
Are idly bent on him that enters next,%@NL@%
Thinking his prattle to be tedious.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: V, Scene: ii, Line: 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3610   @%%@2@%How sour sweet music is%@NL@%%@EH@%
When time is broke and no proportion kept!%@NL@%
So is it in the music of men's lives.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: V, Scene: v, Line: 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3620   @%%@2@%I wasted time, and now doth time waste me;%@NL@%%@EH@%
For now hath time made me his numbering clock;%@NL@%
My thoughts are minutes.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: V, Scene: v, Line: 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3630   @%%@2@%This music mads me: let it sound no more.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: V, Scene: v, Line: 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3640   @%%@2@%Mount, mount, my soul! thy seat is up on high,%@NL@%%@EH@%
Whilst my gross flesh sinks downward, here to die.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Richard the Second [1595-1596],Act: V, Scene: v, Line: 112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3650   @%%@2@%To live a barren sister all your life,%@NL@%%@EH@%
Chanting faint hymns to the cold fruitless moon.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: i, Line: 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3660   @%%@2@%But earthlier happy is the rose distilled,%@NL@%%@EH@%
Than that which withering on the virgin thorn%@NL@%
Grows, lives and dies, in single blessedness.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: i, Line: 76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3670   @%%@2@%For aught that I could ever read,%@NL@%%@EH@%
Could ever hear by tale or history,%@NL@%
The course of true love never did run smooth.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: i, Line: 132

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3680   @%%@2@%Swift as a shadow, short as any dream,%@NL@%%@EH@%
Brief as the lightning in the collied night,%@NL@%
That, in a spleen, unfolds both heaven and earth,%@NL@%
And ere a man hath power to say, "Behold!"%@NL@%
The jaws of darkness do devour it up:%@NL@%
So quick bright things come to confusion.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: i, Line: 144

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Chaucer and Merchant of Venice  I have heard of reasons manifold/Why
Love must needs be blind,/But this the best of all I hold-/His eyes are in
his mind.-Coleridge, Reason for Love's Blindness [1828]  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3690   @%%@2@%Love looks not with the eyes, but with the mind,%@NL@%%@EH@%
And therefore is winged Cupid painted blind.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: i, Line: 234

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3710   @%%@2@%   The most lamentable comedy, and most cruel death of Pyramus and Thisby.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: ii, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3720   @%%@2@%   Masters, spread yourselves.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: ii, Line: 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3730   @%%@2@%   This is Ercles' vein, a tyrant's vein.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: ii, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3740   @%%@2@%   I'll speak in a monstrous little voice.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: ii, Line: 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3750   @%%@2@%   I am slow of study.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: ii, Line: 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3760   @%%@2@%   That would hang us, every mother's son.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: ii, Line: 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3770   @%%@2@%   I will aggravate my voice so that I will roar you as gently as any%@EH@%
sucking dove; I will roar you as 'twere any nightingale.%@NL@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: ii, Line: 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3780   @%%@2@%   A proper man, as one shall see in a summer's day; a most lovely,%@EH@%
gentleman-like man.%@NL@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: I, Scene: ii, Line: 89

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3790   @%%@2@%Over hill, over dale, 1 %@NL@%%@EH@%
Thorough bush, thorough brier,%@NL@%
Over park, over pale,%@NL@%
Thorough flood, thorough fire.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: i, Line: 2

%@NL@%%@AI@%1 See Gruber%@BO:          59012d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3800   @%%@2@%I must go seek some dew drops here,%@NL@%%@EH@%
And hang a pearl in every cowslip's ear.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: i, Line: 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3810   @%%@2@%I am that merry wanderer of the night.%@NL@%%@EH@%
I jest to Oberon, and make him smile%@NL@%
When I a fat and bean-fed horse beguile,%@NL@%
Neighing in likeness of a filly foal:%@NL@%
And sometimes lurk I in a gossip's bowl,%@NL@%
In very likeness of a roasted crab.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: i, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3815   @%%@2@%Ill met by moonlight, proud Titania.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: i, Line: 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3820   @%%@2@%Since once I sat upon a promontory,%@NL@%%@EH@%
And heard a mermaid on a dolphin's back%@NL@%
Uttering such dulcet and harmonious breath,%@NL@%
That the rude sea grew civil at her song,%@NL@%
And certain stars shot madly from their spheres%@NL@%
To hear the sea-maid's music.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: i, Line: 149

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3830   @%%@2@%And the imperial votaress passed on,%@NL@%%@EH@%
In maiden meditation, fancy-free.%@NL@%
Yet marked I where the bolt of Cupid fell:%@NL@%
It fell upon a little western flower,%@NL@%
Before milk-white, now purple with love's wound,%@NL@%
And maidens call it, Love-in-idleness.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: i, Line: 163

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3840   @%%@2@%I'll put a girdle round about the earth%@NL@%%@EH@%
In forty minutes. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: i, Line: 175

%@NL@%%@AI@%1 See Chapman%@BO:          15e0ec@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3850   @%%@2@%For you in my respect are all the world:%@NL@%%@EH@%
Then how can it be said I am alone,%@NL@%
When all the world is here to look on me?%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: i, Line: 224

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3860   @%%@2@%I know a bank whereon the wild thyme blows,%@NL@%%@EH@%
Where oxlips and the nodding violet grows%@NL@%
Quite over-canopied with luscious woodbine,%@NL@%
With sweet musk-roses, and with eglantine:%@NL@%
There sleeps Titania some time of the night,%@NL@%
Lulled in these flowers with dances and delight;%@NL@%
And there the snake throws her enamelled skin,%@NL@%
Weed wide enough to wrap a fairy in.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: i, Line: 249

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3870   @%%@2@%Some to kill cankers in the musk-rose buds,%@NL@%%@EH@%
Some war with rere-mice for their leathern wings,%@NL@%
To make my small elves coats.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: ii, Line: 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3880   @%%@2@%The clamorous owl, that nightly hoots, and wonders%@NL@%%@EH@%
At our quaint spirits.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: ii, Line: 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3890   @%%@2@%You spotted snakes with double tongue,%@NL@%%@EH@%
Thorny hedge-hogs, be not seen;%@NL@%
Newts, and blind-worms, do no wrong;%@NL@%
Come not near our fairy queen.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: ii, Line: 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3900   @%%@2@%Night and silence! who is here?%@NL@%%@EH@%
Weeds of Athens he doth wear.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: ii, Line: 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3910   @%%@2@%As a surfeit of the sweetest things%@NL@%%@EH@%
The deepest loathing to the stomach brings. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: II, Scene: ii, Line: 137

%@NL@%%@AI@%1 See King Henry IV, Part I%@BO:          199506@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3920   @%%@2@%   To bring in-God shield us!-a lion among ladies, is a most dreadful thing,%@EH@%
for there is not a more fearful wild-fowl than your lion living.%@NL@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: III, Scene: i, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3930   @%%@2@%   A calendar, a calendar! look in the almanack; find out moonshine.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: III, Scene: i, Line: 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3940   @%%@2@%   Bless thee, Bottom! bless thee! thou art translated.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: III, Scene: i, Line: 124

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3950   @%%@2@%Lord, what fools these mortals be! 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: III, Scene: ii, Line: 115

%@NL@%%@AI@%1 See Seneca%@BO:           e81b6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3960   @%%@2@%So we grew together,%@NL@%%@EH@%
Like to a double cherry, seeming parted,%@NL@%
But yet an union in partition;%@NL@%
Two lovely berries molded on one stem.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: III, Scene: ii, Line: 208

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3970   @%%@2@%Though she be but little, she is fierce.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: III, Scene: ii, Line: 325

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3980   @%%@2@%   I have a reasonable good ear in music: let us have the tongs and the%@EH@%
bones.%@NL@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: IV, Scene: i, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3985   @%%@2@%   Truly, a peck of provender: I could munch your good dry oats. Methinks I%@EH@%
have a great desire to a bottle of hay: good hay, sweet hay, hath no fellow.%@NL@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: IV, Scene: i, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3990   @%%@2@%   I have an exposition of sleep come upon me.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: IV, Scene: i, Line: 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW3995   @%%@2@%My Oberon! what visions have I seen!%@NL@%%@EH@%
Methought I was enamored of an ass.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: IV, Scene: i, Line: 82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4000   @%%@2@%I never heard%@NL@%%@EH@%
So musical a discord, such sweet thunder.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: IV, Scene: i, Line: 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4005   @%%@2@%   I have had a dream, past the wit of man to say what dream it was.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: IV, Scene: i, Line: 211

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4010   @%%@2@%   The eye of man hath not heard, the ear of man hath not seen, 1  man's%@EH@%
hand is not able to taste, his tongue to conceive, nor his heart to report,
what my dream was.%@NL@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: IV, Scene: i, Line: 218

%@NL@%%@AI@%1 See I Corinthians 2:9%@BO:           6a305@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4015   @%%@2@%   Eat no onions nor garlic, for we are to utter sweet breath.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: IV, Scene: ii, Line: 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4020   @%%@2@%The lunatic, the lover, and the poet,%@NL@%%@EH@%
Are of imagination all compact:%@NL@%
One sees more devils than vast hell can hold,%@NL@%
That is, the madman; the lover, all as frantic,%@NL@%
Sees Helen's beauty in a brow of Egypt:%@NL@%
The poet's eye, in a fine frenzy rolling,%@NL@%
Doth glance from heaven to earth, from earth to heaven;%@NL@%
And, as imagination bodies forth%@NL@%
The forms of things unknown, the poet's pen%@NL@%
Turns them to shapes, and gives to airy nothing%@NL@%
A local habitation and a name.%@NL@%
Such tricks hath strong imagination,%@NL@%
That, if it would but apprehend some joy,%@NL@%
It comprehends some bringer of that joy;%@NL@%
Or in the night, imagining some fear,%@NL@%
How easy is a bush supposed a bear!%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: V, Scene: i, Line: 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4025   @%%@2@%Very tragical mirth.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: V, Scene: i, Line: 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I see the beginning of my end.-Massinger, The Virgin Martyr [1622], act III,
sc. iii  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4030   @%%@2@%The true beginning of our end.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: V, Scene: i, Line: 111

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4050   @%%@2@%   The best in this kind are but shadows.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: V, Scene: i, Line: 215

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4060   @%%@2@%   A very gentle beast, and of a good conscience.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: V, Scene: i, Line: 232

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4070   @%%@2@%   All that I have to say, is, to tell you that the lanthorn is the moon; I,%@EH@%
the man in the moon; this thorn-bush, my thorn-bush; and this dog, my dog.%@NL@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: V, Scene: i, Line: 263

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4080   @%%@2@%   Well roared, Lion!%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: V, Scene: i, Line: 272

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4090   @%%@2@%   This passion, and the death of a dear friend, would go near to make a man%@EH@%
look sad.%@NL@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: V, Scene: i, Line: 295

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4100   @%%@2@%   With the help of a surgeon, he might yet recover, and prove an ass.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: V, Scene: i, Line: 318

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4110   @%%@2@%   No epilogue, I pray you, for your play needs no excuse. Never excuse. 1%@EH@%
2 %@NL@%
%@NL@%
William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: V, Scene: i, Line: 363

%@NL@%%@AI@%1 See Meurier%@BO:          140e22@%%@AE@%
%@AI@%2 See King John%@BO:          193802@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4120   @%%@2@%The iron tongue of midnight hath told twelve;%@NL@%%@EH@%
Lovers, to bed; 'tis almost fairy time.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: V, Scene: i, Line: 372

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4130   @%%@2@%If we shadows have offended,%@NL@%%@EH@%
Think but this, and all is mended,%@NL@%
That you have but slumbered here%@NL@%
While these visions did appear.%@NL@%

%@NL@%William Shakespeare
%@NL@%A Midsummer-Night's Dream [1595-1596],Act: V, Scene: ii, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4140   @%%@2@%Your mind is tossing on the ocean.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: i, Line: 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4150   @%%@2@%My ventures are not in one bottom trusted,%@NL@%%@EH@%
Nor to one place.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: i, Line: 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4160   @%%@2@%Nature hath framed strange fellows in her time.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: i, Line: 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4170   @%%@2@%You have too much respect upon the world:%@NL@%%@EH@%
They lose it that do buy it with much care.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: i, Line: 74

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4180   @%%@2@%I hold the world but as the world, Gratiano;%@NL@%%@EH@%
A stage, where every man must play a part, 1 %@NL@%
And mine a sad one.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: i, Line: 77

%@NL@%%@AI@%1 See As You Like It%@BO:          1aa95e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4190   @%%@2@%Why should a man, whose blood is warm within,%@NL@%%@EH@%
Sit like his grandsire cut in alabaster?%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: i, Line: 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4200   @%%@2@%There are a sort of men whose visages%@NL@%%@EH@%
Do cream and mantle like a standing pond.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: i, Line: 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4210   @%%@2@%I am Sir Oracle,%@NL@%%@EH@%
And when I ope my lips let no dog bark!%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: i, Line: 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4220   @%%@2@%I do know of these,%@NL@%%@EH@%
That therefore only are reputed wise%@NL@%
For saying nothing.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: i, Line: 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4230   @%%@2@%Fish not, with this melancholy bait,%@NL@%%@EH@%
For this fool-gudgeon, this opinion.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: i, Line: 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4240   @%%@2@%   Gratiano speaks an infinite deal of nothing, more than any man in all%@EH@%
Venice. His reasons are as two grains of wheat hid in two bushels of chaff:
you shall seek all day ere you find them, and, when you have them, they are
not worth the search.%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: i, Line: 114

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4250   @%%@2@%In my school-days, when I had lost one shaft,%@NL@%%@EH@%
I shot his fellow of the selfsame flight%@NL@%
The selfsame way with more advised watch,%@NL@%
To find the other forth, and by adventuring both,%@NL@%
I oft found both.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: i, Line: 141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4260   @%%@2@%   They are as sick that surfeit with too much as they that starve with%@EH@%
nothing.%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: ii, Line: 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4270   @%%@2@%   Superfluity comes sooner by white hairs, but competency lives longer.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: ii, Line: 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4280   @%%@2@%   If to do were as easy as to know what were good to do, chapels had been%@EH@%
churches, and poor men's cottages princes' palaces.%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: ii, Line: 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4290   @%%@2@%   The brain may devise laws for the blood, but a hot temper leaps o'er a%@EH@%
cold decree.%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: ii, Line: 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4300   @%%@2@%   He doth nothing but talk of his horse.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: ii, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4310   @%%@2@%   I fear he will prove the weeping philosopher when he grows old, being so%@EH@%
full of unmannerly sadness in his youth.%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: ii, Line: 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4320   @%%@2@%   God made him, and therefore let him pass for a man.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: ii, Line: 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4330   @%%@2@%   When he is best, he is a little worse than a man, and when he is worst,%@EH@%
he is little better than a beast.%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: ii, Line: 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4340   @%%@2@%   I dote on his very absence.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: ii, Line: 118

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4350   @%%@2@%   My meaning in saying he is a good man is to have you understand me that%@EH@%
he is sufficient.%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4360   @%%@2@%   Ships are but boards, sailors but men: there be land-rats and water-rats,%@EH@%
land-thieves and water-thieves.%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
That hee shall be called a Nazarite.-The Geneva Bible [1557-1560], Matthew
2:23  The Geneva version of the Bible is the one Shakespeare was familiar
with.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4370   @%%@2@%   Yes, to smell pork; to eat of the habitation which your prophet the%@EH@%
Nazarite conjured the devil into. I will buy with you, sell with you, talk
with you, walk with you, and so following; but I will not eat with you,
drink with you, nor pray with you. What news on the Rialto?%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4380   @%%@2@%How like a fawning publican he looks!%@NL@%%@EH@%
I hate him for he is a Christian.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4390   @%%@2@%If I can catch him once upon the hip, 1  2 %@NL@%%@EH@%
I will feed fat the ancient grudge I bear him.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 47

%@NL@%%@AI@%1 See Heywood%@BO:          13d17b@%%@AE@%
%@AI@%2 See The Merchant of Venice%@BO:          190786@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4400   @%%@2@%Cursed be my tribe,%@NL@%%@EH@%
If I forgive him.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4410   @%%@2@%The devil can cite Scripture for his purpose.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4420   @%%@2@%A goodly apple rotten at the heart.%@NL@%%@EH@%
O, what a goodly outside falsehood hath!%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 102

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4430   @%%@2@%For sufferance is the badge of all our tribe.%@NL@%%@EH@%
You call me misbeliever, cut-throat dog,%@NL@%
And spit upon my Jewish gaberdine.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 111

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4440   @%%@2@%Shall I bend low, and in a bondman's key,%@NL@%%@EH@%
With bated breath and whispering humbleness,%@NL@%
Say this.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 124

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4450   @%%@2@%I'll seal to such a bond,%@NL@%%@EH@%
And say there is much kindness in the Jew.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4460   @%%@2@%O father Abram! what these Christians are,%@NL@%%@EH@%
Whose own hard dealing teaches them suspect%@NL@%
The thoughts of others.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 161

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4470   @%%@2@%I like not fair terms and a villain's mind.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: I, Scene: iii, Line: 180

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4480   @%%@2@%Mislike me not for my complexion,%@NL@%%@EH@%
The shadowed livery of the burnished sun.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: i, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4490   @%%@2@%If Hercules and Lichas play at dice%@NL@%%@EH@%
Which is the better man, the greater throw%@NL@%
May turn by fortune from the weaker hand.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: i, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4500   @%%@2@%   O heavens! this is my true-begotten father.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: ii, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4510   @%%@2@%   An honest, exceeding poor man.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: ii, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4520   @%%@2@%   The very staff of my age, my very prop.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: ii, Line: 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4530   @%%@2@%   It is a wise father that knows his own child.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: ii, Line: 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4540   @%%@2@%And the vile squealing of the wry-necked fife.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: v, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4550   @%%@2@%Who riseth from a feast%@NL@%%@EH@%
With that keen appetite that he sits down?%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: vi, Line: 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4560   @%%@2@%All things that are,%@NL@%%@EH@%
Are with more spirit chased than enjoyed.%@NL@%
How like a younker or a prodigal%@NL@%
The scarfed bark puts from her native bay,%@NL@%
Hugged and embraced by the strumpet wind!%@NL@%
How like the prodigal doth she return,%@NL@%
With over-weathered ribs and ragged sails, %@NL@%
Lean, rent, and beggared by the strumpet wind!%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: vi, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4570   @%%@2@%But love is blind, 1  2  and lovers cannot see%@NL@%%@EH@%
The pretty follies that themselves commit.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: vi, Line: 36

%@NL@%%@AI@%1 See Chaucer%@BO:          124cef@%%@AE@%
%@AI@%2 See A Midsummer-Night's Dream%@BO:          1856e4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4580   @%%@2@%Must I hold a candle to my shames?%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: vi, Line: 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4590   @%%@2@%Men that hazard all%@NL@%%@EH@%
Do it in hope of fair advantages:%@NL@%
A golden mind stoops not to show of dross.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: vii, Line: 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4600   @%%@2@%Young in limbs, in judgment old.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: vii, Line: 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4610   @%%@2@%My daughter! O my ducats! O my daughter!%@NL@%%@EH@%
Fled with a Christian! O my Christian ducats!%@NL@%
Justice! the law! my ducats, and my daughter!%@NL@%
A sealed bag, two sealed bags of ducats,%@NL@%
Of double ducats, stol'n from me by my daughter!%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: viii, Line: 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4620   @%%@2@%The fool multitude, that choose by show.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: ix, Line: 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4630   @%%@2@%I will not jump with common spirits%@NL@%%@EH@%
And rank me with the barbarous multitude.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: ix, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4640   @%%@2@%Let none presume%@NL@%%@EH@%
To wear an undeserved dignity.%@NL@%
O! that estates, degrees, and offices%@NL@%
Were not derived corruptly, and that clear honor%@NL@%
Were purchased by the merit of the wearer.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: ix, Line: 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4650   @%%@2@%Some there be that shadows kiss;%@NL@%%@EH@%
Such have but a shadow's bliss.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: II, Scene: ix, Line: 66

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4660   @%%@2@%   Let him look to his bond.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: i, Line: 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4670   @%%@2@%   I am a Jew. Hath not a Jew eyes? hath not a Jew hands, organs,%@EH@%
dimensions, senses, affections, passions?%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: i, Line: 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4680   @%%@2@%   If you prick us, do we not bleed? if you tickle us, do we not laugh? if%@EH@%
you poison us, do we not die? and if you wrong us, shall we not revenge?%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: i, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4690   @%%@2@%   The villainy you teach me I will execute, and it shall go hard but I will%@EH@%
better the instruction.%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: i, Line: 76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4700   @%%@2@%   I would not have given it for a wilderness of monkeys.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: i, Line: 130

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4710   @%%@2@%There's something tells me, but it is not love,%@NL@%%@EH@%
I would not lose you; and you know yourself,%@NL@%
Hate counsels not in such a quality.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: ii, Line: 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4720   @%%@2@%Makes a swanlike end,%@NL@%%@EH@%
Fading in music. 1  2  3  4 %@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: ii, Line: 44

%@NL@%%@AI@%1 See Plato%@BO:           ae34e@%%@AE@%
%@AI@%2 See King John%@BO:          194353@%%@AE@%
%@AI@%3 See Byron%@BO:          380935@%%@AE@%
%@AI@%4 See Anonymous%@BO:          6845a9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4730   @%%@2@%Tell me where is fancy bred,%@NL@%%@EH@%
Or in the heart or in the head?%@NL@%
How begot, how nourished?%@NL@%
Reply, reply.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: ii, Line: 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4740   @%%@2@%In law, what plea so tainted and corrupt%@NL@%%@EH@%
But, being seasoned with a gracious voice,%@NL@%
Obscures the show of evil?%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: ii, Line: 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4750   @%%@2@%There is no vice so simple but assumes%@NL@%%@EH@%
Some mark of virtue on his outward parts.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: ii, Line: 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4760   @%%@2@%Thus ornament is but the guiled shore%@NL@%%@EH@%
To a most dangerous sea.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: ii, Line: 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4770   @%%@2@%The seeming truth which cunning times put on%@NL@%%@EH@%
To entrap the wisest.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: ii, Line: 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4780   @%%@2@%How all the other passions fleet to air,%@NL@%%@EH@%
As doubtful thoughts, and rash-embraced despair,%@NL@%
And shuddering fear, and green-eyed jealousy.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: ii, Line: 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4790   @%%@2@%An unlessoned girl, unschooled, unpracticed;%@NL@%%@EH@%
Happy in this, she is not yet so old%@NL@%
But she may learn.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: ii, Line: 160

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4800   @%%@2@%Here are a few of the unpleasant'st words%@NL@%%@EH@%
That ever blotted paper.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: ii, Line: 252

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4810   @%%@2@%Thou call'dst me dog before thou hadst a cause,%@NL@%%@EH@%
But, since I am a dog, beware my fangs.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: iii, Line: 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Scylla to port, and on our starboard beam Charybdis, dire gorge of the salt
sea tide.-Homer, Odyssey, bk. XII, l. 232  Scylla guards the right side;
implacable Charybdis the left.-Virgil, Aeneid, bk. III, l. 420  Incidis in
Scyllam cupiens vitare Charybdim [You fall into Scylla in seeking to avoid
Charybdis].-Philippe Gualtier, Alexandreis [c. 1300], bk. V, l. 301  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4820   @%%@2@%   Thus when I shun Scylla, your father, I fall into Charybdis, your mother.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: III, Scene: v, Line: 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4860   @%%@2@%Some men there are love not a gaping pig;%@NL@%%@EH@%
Some, that are mad if they behold a cat.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4880   @%%@2@%A harmless necessary cat.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4890   @%%@2@%Bassanio: Do all men kill the things they do not love? 1 %@NL@%%@EH@%
Shylock: Hates any man the thing he would not kill?%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 66

%@NL@%%@AI@%1 See Oscar Wilde%@BO:          4fedce@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4900   @%%@2@%What! wouldst thou have a serpent sting thee twice?%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4910   @%%@2@%The weakest kind of fruit%@NL@%%@EH@%
Drops earliest to the ground.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Clown: What is the opinion of Pythagoras concerning wild-fowl?/Malvolio:
That the soul of our grandam might haply inhabit a bird.-Twelfth-Night
[1598-1600], act IV, sc. ii, l. 55  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4920   @%%@2@%To hold opinion with Pythagoras%@NL@%%@EH@%
That souls of animals infuse themselves%@NL@%
Into the trunks of men.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 131

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He is young, but take it from me, a very staid head.-Thomas Wentworth, Earl
of Strafford [1593-1641], letter commending the Earl of Ormond to Charles I
for appointment as councilor  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4940   @%%@2@%   I never knew so young a body with so old a head.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 163

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4960   @%%@2@%The quality of mercy is not strained,%@NL@%%@EH@%
It droppeth as the gentle rain from heaven%@NL@%
Upon the place beneath: it is twice blessed;%@NL@%
It blesseth him that gives and him that takes:%@NL@%
'Tis mightiest in the mightiest; it becomes%@NL@%
The throned monarch better than his crown;%@NL@%
His scepter shows the force of temporal power,%@NL@%
The attribute to awe and majesty,%@NL@%
Wherein doth sit the dread and fear of kings, 1 %@NL@%
But mercy is above this sceptered sway,%@NL@%
It is enthroned in the hearts of kings,%@NL@%
It is an attribute to God himself,%@NL@%
And earthly power doth then show likest God's%@NL@%
When mercy seasons justice. 2  Therefore, Jew,%@NL@%
Though justice be thy plea, consider this,%@NL@%
That in the course of justice, none of us%@NL@%
Should see salvation: we do pray for mercy,%@NL@%
And that same prayer doth teach us all to render%@NL@%
The deeds of mercy.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 184

%@NL@%%@AI@%1 See Measure for Measure%@BO:          1d0bc6@%%@AE@%
%@AI@%2 See Milton%@BO:          246e67@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4970   @%%@2@%To do a great right, do a little wrong.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 216

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4980   @%%@2@%A Daniel come to judgment! yea, a Daniel!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 223

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW4990   @%%@2@%How much more elder art thou than thy looks!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 251

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5000   @%%@2@%Is it so nominated in the bond?%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 260

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5010   @%%@2@%'Tis not in the bond.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 263

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5020   @%%@2@%For herein Fortune shows herself more kind%@NL@%%@EH@%
Than is her custom: it is still her use%@NL@%
To let the wretched man outlive his wealth,%@NL@%
To view with hollow eye and wrinkled brow%@NL@%
An age of poverty.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 268

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5030   @%%@2@%I have a daughter;%@NL@%%@EH@%
Would any of the stock of Barabbas%@NL@%
Had been her husband rather than a Christian!%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 296

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5040   @%%@2@%An upright judge, a learned judge!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 324

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5050   @%%@2@%Now, infidel, I have thee on the hip. 1  2 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 334

%@NL@%%@AI@%1 See Heywood%@BO:          13d17b@%%@AE@%
%@AI@%2 See The Merchant of Venice%@BO:          18b7b1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5060   @%%@2@%A Daniel, still say I; a second Daniel!%@NL@%%@EH@%
I thank thee, Jew, for teaching me that word.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 341

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5070   @%%@2@%You take my house when you do take the prop%@NL@%%@EH@%
That doth sustain my house; you take my life%@NL@%
When you do take the means whereby I live.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 376

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5080   @%%@2@%He is well paid that is well satisfied.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: IV, Scene: i, Line: 416

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5090   @%%@2@%Lorenzo: The moon shines bright: in such a night as this . . . %@NL@%%@EH@%
Troilus methinks mounted the Troyan walls,%@NL@%
And sighed his soul toward the Grecian tents,%@NL@%
Where Cressid lay that night.%@NL@%
Jessica:In such a night%@NL@%
Did Thisbe fearfully o'ertrip the dew,%@NL@%
And saw the lion's shadow ere himself,%@NL@%
And ran dismayed away.%@NL@%
Lorenzo:In such a night%@NL@%
Stood Dido with a willow in her hand%@NL@%
Upon the wild sea-banks, and waft her love%@NL@%
To come again to Carthage.%@NL@%
Jessica:In such a night%@NL@%
Medea gathered the enchanted herbs%@NL@%
That did renew old Aeson.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: V, Scene: i, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5100   @%%@2@%How sweet the moonlight sleeps upon this bank!%@NL@%%@EH@%
Here we will sit, and let the sounds of music%@NL@%
Creep in our ears: soft stillness and the night%@NL@%
Become the touches of sweet harmony.%@NL@%
Sit, Jessica: look, how the floor of heaven%@NL@%
Is thick inlaid with patines of bright gold:%@NL@%
There's not the smallest orb which thou behold'st%@NL@%
But in his motion like an angel sings,%@NL@%
Still quiring to the young-eyed cherubins.%@NL@%
Such harmony is in immortal souls;%@NL@%
But, whilst this muddy vesture of decay%@NL@%
Doth grossly close it in, we cannot hear it.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: V, Scene: i, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5110   @%%@2@%I am never merry when I hear sweet music.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: V, Scene: i, Line: 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5120   @%%@2@%The man that hath no music in himself,%@NL@%%@EH@%
Nor is not moved with concord of sweet sounds,%@NL@%
Is fit for treasons, stratagems, and spoils;%@NL@%
The motions of his spirit are dull as night,%@NL@%
And his affections dark as Erebus:%@NL@%
Let no such man be trusted.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: V, Scene: i, Line: 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5130   @%%@2@%How far that little candle throws his beams!%@NL@%%@EH@%
So shines a good deed in a naughty world. 1  2 %@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: V, Scene: i, Line: 90

%@NL@%%@AI@%1 See Matthew 5:15%@BO:           4e83b@%%@AE@%
%@AI@%2 See William Bradford%@BO:          21cd4a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5140   @%%@2@%How many things by season seasoned are%@NL@%%@EH@%
To their right praise and true perfection!%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: V, Scene: i, Line: 107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5150   @%%@2@%This night methinks is but the daylight sick.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: V, Scene: i, Line: 124

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5160   @%%@2@%A light wife doth make a heavy husband.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: V, Scene: i, Line: 130

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHAW5170   @%%@2@%These blessed candles of the night.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Merchant of Venice [1596-1597],Act: V, Scene: i, Line: 220

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW10     @%%@2@%For new-made honor doth forget men's names.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: I, Scene: i, Line: 187

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW20     @%%@2@%Sweet, sweet, sweet poison for the age's tooth.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: I, Scene: i, Line: 213

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW30     @%%@2@%Bearing their birthrights proudly on their backs,%@NL@%%@EH@%
To make a hazard of new fortunes here.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: II, Scene: i, Line: 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW40     @%%@2@%For courage mounteth with occasion.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: II, Scene: i, Line: 82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
So hares may pull dead lions by the beard.-Kyd, The Spanish Tragedy [1594],
act I, sc. ii, l. 172  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW50     @%%@2@%The hare of whom the proverb goes,%@NL@%%@EH@%
Whose valor plucks dead lions by the beard.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: II, Scene: i, Line: 137

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW70     @%%@2@%A woman's will.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: II, Scene: i, Line: 194

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW80     @%%@2@%Saint George, that swinged the dragon, and e'er since%@NL@%%@EH@%
Sits on his horse back at mine hostess' door.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: II, Scene: i, Line: 288

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW90     @%%@2@%He is the half part of a blessed man,%@NL@%%@EH@%
Left to be finished by such a she;%@NL@%
And she a fair divided excellence,%@NL@%
Whose fullness of perfection lies in him.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: II, Scene: i, Line: 437

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW100    @%%@2@%'Zounds! I was never so bethumped with words%@NL@%%@EH@%
Since I first called my brother's father dad.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: II, Scene: i, Line: 466

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW110    @%%@2@%Mad world! mad kings! mad composition!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: II, Scene: i, Line: 561

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW120    @%%@2@%That smooth-faced gentleman, tickling Commodity,%@NL@%%@EH@%
Commodity, the bias of the world.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: II, Scene: i, Line: 573

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW130    @%%@2@%I will instruct my sorrows to be proud;%@NL@%%@EH@%
For grief is proud and makes his owner stoop.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: III, Scene: i, Line: 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW140    @%%@2@%Thou wear a lion's hide! doff it for shame,%@NL@%%@EH@%
And hang a calf's-skin on those recreant limbs.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: III, Scene: i, Line: 128

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW150    @%%@2@%The sun's o'ercast with blood: fair day, adieu!%@NL@%%@EH@%
Which is the side that I must go withal?%@NL@%
I am with both: each army hath a hand;%@NL@%
And in their rage, I having hold of both,%@NL@%
They whirl asunder and dismember me.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: III, Scene: i, Line: 326

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW160    @%%@2@%Bell, book and candle shall not drive me back. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: III, Scene: iii, Line: 12

%@NL@%%@AI@%1 See Malory%@BO:          128d84@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW170    @%%@2@%Look, who comes here! a grave unto a soul.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: III, Scene: iv, Line: 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW180    @%%@2@%Death, death: O, amiable lovely death! 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: III, Scene: iv, Line: 25

%@NL@%%@AI@%1 See Whitman%@BO:          452700@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW190    @%%@2@%Grief fills the room up of my absent child,%@NL@%%@EH@%
Lies in his bed, walks up and down with me,%@NL@%
Puts on his pretty looks, repeats his words,%@NL@%
Remembers me of all his gracious parts,%@NL@%
Stuffs out his vacant garments with his form.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: III, Scene: iv, Line: 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW200    @%%@2@%Life is as tedious as a twice-told tale, 1 %@NL@%%@EH@%
Vexing the dull ear of a drowsy man.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: III, Scene: iv, Line: 108

%@NL@%%@AI@%1 See Homer%@BO:           86044@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW210    @%%@2@%When Fortune means to men most good,%@NL@%%@EH@%
She looks upon them with a threatening eye. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: III, Scene: iv, Line: 119

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e0f8d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW220    @%%@2@%A scepter snatched with an unruly hand%@NL@%%@EH@%
Must be as boisterously maintained as gained;%@NL@%
And he that stands upon a slippery place%@NL@%
Makes nice of no vile hold to stay him up.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: III, Scene: iv, Line: 135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW230    @%%@2@%As quiet as a lamb.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: IV, Scene: i, Line: 80

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW240    @%%@2@%To gild refined gold, to paint the lily,%@NL@%%@EH@%
To throw a perfume on the violet,%@NL@%
To smooth the ice, or add another hue%@NL@%
Unto the rainbow, or with taper-light%@NL@%
To seek the beauteous eye of heaven to garnish,%@NL@%
Is wasteful and ridiculous excess.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: IV, Scene: ii, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW250    @%%@2@%And oftentimes excusing of a fault%@NL@%%@EH@%
Doth make the fault the worse by the excuse. 1  2 %@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: IV, Scene: ii, Line: 30

%@NL@%%@AI@%1 See Meurier%@BO:          140e22@%%@AE@%
%@AI@%2 See A Midsummer-Night's Dream%@BO:          1893cc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW260    @%%@2@%We cannot hold mortality's strong hand.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: IV, Scene: ii, Line: 82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW270    @%%@2@%There is no sure foundation set on blood,%@NL@%%@EH@%
No certain life achieved by others' death.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: IV, Scene: ii, Line: 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Put forward your best foot!-Browning, Respectability [1855], st. 3  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW280    @%%@2@%Make haste; the better foot before.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: IV, Scene: ii, Line: 170

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW290    @%%@2@%Another lean unwashed artificer.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: IV, Scene: ii, Line: 201

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW300    @%%@2@%How oft the sight of means to do ill deeds%@NL@%%@EH@%
Makes ill deeds done!%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: IV, Scene: ii, Line: 219

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW310    @%%@2@%Heaven take my soul, and England keep my bones!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: IV, Scene: iii, Line: 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW320    @%%@2@%I am amazed, methinks, and lose my way%@NL@%%@EH@%
Among the thorns and dangers of this world.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: IV, Scene: iii, Line: 140

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW330    @%%@2@%Unthread the rude eye of rebellion,%@NL@%%@EH@%
And welcome home again discarded faith.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: V, Scene: iv, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW340    @%%@2@%The day shall not be up so soon as I,%@NL@%%@EH@%
To try the fair adventure of tomorrow.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: V, Scene: v, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW350    @%%@2@%'Tis strange that death should sing.%@NL@%%@EH@%
I am the cygnet to this pale faint swan,%@NL@%
Who chants a doleful hymn to his own death. 1  2  3  4 %@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: V, Scene: vii, Line: 20

%@NL@%%@AI@%1 See Plato%@BO:           ae34e@%%@AE@%
%@AI@%2 See The Merchant of Venice%@BO:          18e0a4@%%@AE@%
%@AI@%3 See Byron%@BO:          380935@%%@AE@%
%@AI@%4 See Anonymous%@BO:          6845a9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW360    @%%@2@%Now my soul hath elbow-room.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: V, Scene: vii, Line: 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW370    @%%@2@%I do not ask you much:%@NL@%%@EH@%
I beg cold comfort. 1  2 %@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: V, Scene: vii, Line: 41

%@NL@%%@AI@%1 See The Tempest%@BO:          1fc2aa@%%@AE@%
%@AI@%2 See William Bradford%@BO:          21cb29@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW380    @%%@2@%This England never did, nor never shall,%@NL@%%@EH@%
Lie at the proud foot of a conqueror.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: V, Scene: vii, Line: 112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW390    @%%@2@%Come the three corners of the world in arms,%@NL@%%@EH@%
And we shall shock them. Nought shall make us rue,%@NL@%
If England to itself do rest but true.%@NL@%

%@NL@%William Shakespeare
%@NL@%King John [1596-1597],Act: V, Scene: vii, Line: 116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW400    @%%@2@%So shaken as we are, so wan with care.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: i, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW410    @%%@2@%In those holy fields%@NL@%%@EH@%
Over whose acres walked those blessed feet%@NL@%
Which fourteen hundred years ago were nailed%@NL@%
For our advantage on the bitter cross.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: i, Line: 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW420    @%%@2@%   Unless hours were cups of sack, and minutes capons, and clocks the%@EH@%
tongues of bawds, and dials the signs of leaping houses, and the blessed sun
himself a fair hot wench in flame-colored taffeta, I see no reason why thou
shouldst be so superfluous to demand the time of the day.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW430    @%%@2@%   Diana's foresters, gentlemen of the shade, minions of the moon.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW440    @%%@2@%   A purse of gold most resolutely snatched on Monday night and most%@EH@%
dissolutely spent on Tuesday morning.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW450    @%%@2@%   Thy quips and thy quiddities.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW460    @%%@2@%   So far as my coin would stretch; and where it would not, I have used my%@EH@%
credit.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW470    @%%@2@%   Old father antick the law.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW480    @%%@2@%   I am as melancholy as a gib cat, or a lugged bear.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW490    @%%@2@%   I would to God thou and I knew where a commodity of good names were to be%@EH@%
bought.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW500    @%%@2@%   O! thou hast damnable iteration, and art indeed able to corrupt a saint.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW510    @%%@2@%   Now am I, if a man should speak truly, little better than one of the%@EH@%
wicked.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW520    @%%@2@%   'Tis my vocation, Hal; 'tis no sin for a man to labor in his vocation.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW530    @%%@2@%   There's neither honesty, manhood, nor good fellowship in thee.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 154

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW540    @%%@2@%I know you all, and will a while uphold%@NL@%%@EH@%
The unyoked humor of your idleness:%@NL@%
Yet herein will I imitate the sun,%@NL@%
Who doth permit the base contagious clouds%@NL@%
To smother up his beauty from the world,%@NL@%
That when he please again to be himself,%@NL@%
Being wanted, he may be more wondered at,%@NL@%
By breaking through the foul and ugly mists%@NL@%
Of vapors that did seem to strangle him.%@NL@%
If all the year were playing holidays,%@NL@%
To sport would be as tedious as to work.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: ii, Line: 217

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW550    @%%@2@%You tread upon my patience.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: iii, Line: 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW560    @%%@2@%Came there a certain lord, neat, and trimly dressed,%@NL@%%@EH@%
Fresh as a bridegroom; and his chin new-reaped,%@NL@%
Showed like a stubble-land at harvest-home.%@NL@%
He was perfumed like a milliner,%@NL@%
And 'twixt his finger and his thumb he held%@NL@%
A pouncet-box, which ever and anon%@NL@%
He gave his nose and took 't away again.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: iii, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW570    @%%@2@%And as the soldiers bore dead bodies by.%@NL@%%@EH@%
He called them untaught knaves, unmannerly,%@NL@%
To bring a slovenly unhandsome corpse%@NL@%
Betwixt the wind and his nobility.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: iii, Line: 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW580    @%%@2@%So pestered with a popinjay.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: iii, Line: 50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW590    @%%@2@%God save the mark!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: iii, Line: 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW600    @%%@2@%And but for these vile guns,%@NL@%%@EH@%
He would himself have been a soldier.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: iii, Line: 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW610    @%%@2@%To put down Richard, that sweet lovely rose,%@NL@%%@EH@%
And plant this thorn, this canker, Bolingbroke.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: iii, Line: 176

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW620    @%%@2@%   Or sink or swim.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: iii, Line: 194

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW630    @%%@2@%O! the blood more stirs%@NL@%%@EH@%
To rouse a lion than to start a hare!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: iii, Line: 197

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW640    @%%@2@%By heaven methinks it were an easy leap%@NL@%%@EH@%
To pluck bright honor from the pale-faced moon,%@NL@%
Or dive into the bottom of the deep,%@NL@%
Where fathom-line could never touch the ground,%@NL@%
And pluck up drowned honor by the locks.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: iii, Line: 201

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW650    @%%@2@%Why, what a candy deal of courtesy%@NL@%%@EH@%
This fawning greyhound then did proffer me!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: I, Scene: iii, Line: 251

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW660    @%%@2@%   I know a trick worth two of that.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: i, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW670    @%%@2@%   If the rascal have not given me medicines to make me love him, I'll be%@EH@%
hanged.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: ii, Line: 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW680    @%%@2@%   I'll starve ere I'll rob a foot further.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: ii, Line: 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW690    @%%@2@%   It would be argument for a week, laughter for a month, and a good jest%@EH@%
forever.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: ii, Line: 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW700    @%%@2@%Falstaff sweats to death%@NL@%%@EH@%
And lards the lean earth as he walks along.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: ii, Line: 119

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW710    @%%@2@%   Out of this nettle, danger, we pluck this flower, safety.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iii, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW720    @%%@2@%   I could brain him with his lady's fan.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iii, Line: 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW730    @%%@2@%Constant you are,%@NL@%%@EH@%
But yet a woman: and for secrecy,%@NL@%
No lady closer; for I well believe%@NL@%
Thou wilt not utter what thou dost not know;%@NL@%
And so far will I trust thee, gentle Kate.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iii, Line: 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW740    @%%@2@%   A Corinthian, a lad of mettle, a good boy.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW750    @%%@2@%   I am not yet of Percy's mind, the Hotspur of the North; he that kills me%@EH@%
some six or seven dozen of Scots at a breakfast, washes his hands, and says
to his wife, "Fie upon this quiet life! I want work."%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW760    @%%@2@%   A plague of all cowards, I say.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 129

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW770    @%%@2@%   There live not three good men unhanged in England, and one of them is fat%@EH@%
and grows old.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 146

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW780    @%%@2@%   You care not who sees your back: call you that backing of your friends? A%@EH@%
plague upon such backing!%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 168

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW790    @%%@2@%   I have peppered two of them. . . . I tell thee what, Hal, if I tell thee%@EH@%
a lie, spit in my face; call me horse.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 216

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW800    @%%@2@%   Give you a reason on compulsion! If reasons were as plenty as%@EH@%
blackberries, I would give no man a reason upon compulsion, I.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 267

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW810    @%%@2@%   Mark now, how a plain tale shall put you down.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 285

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW820    @%%@2@%   What doth gravity out of his bed at midnight?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 328

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW830    @%%@2@%   A plague of sighing and grief! It blows a man up like a bladder.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 370

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW840    @%%@2@%   I must speak in passion, and I will do it in King Cambyses' vein.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 429

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW850    @%%@2@%   That reverend vice, that gray iniquity, that father ruffian, that vanity%@EH@%
in years.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 505

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW860    @%%@2@%   If sack and sugar be a fault, God help the wicked! If to be old and merry%@EH@%
be a sin, then many an old host that I know is damned: if to be fat be to be
hated, then Pharaoh's lean kine are to be loved.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 524

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW870    @%%@2@%   Banish plump Jack, and banish all the world.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 534

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW880    @%%@2@%   Play out the play.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 539

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW890    @%%@2@%   O, monstrous! but one half-penny-worth of bread to this intolerable deal%@EH@%
of sack!%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: II, Scene: iv, Line: 597

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW900    @%%@2@%Diseased nature oftentimes breaks forth%@NL@%%@EH@%
In strange eruptions.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: i, Line: 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW910    @%%@2@%I am not in the roll of common men.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: i, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW920    @%%@2@%Glendower: I can call spirits from the vasty deep.%@NL@%%@EH@%
Hotspur: Why, so can I, or so can any man;%@NL@%
But will they come when you do call for them?%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: i, Line: 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW930    @%%@2@%I had rather be a kitten and cry mew,%@NL@%%@EH@%
Than one of these same meter ballad mongers.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: i, Line: 128

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW940    @%%@2@%Mincing poetry:%@NL@%%@EH@%
'Tis like the forced gait of a shuffling nag.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: i, Line: 133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW950    @%%@2@%But in the way of bargain, mark you me,%@NL@%%@EH@%
I'll cavil on the ninth part of a hair.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: i, Line: 138

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW960    @%%@2@%A deal of skimble-skamble stuff.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: i, Line: 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW970    @%%@2@%I understand thy kisses and thou mine,%@NL@%%@EH@%
And that's a feeling disputation.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: i, Line: 204

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW980    @%%@2@%   Lady Percy: . . .  Lie still, ye thief, and hear the lady sing in Welsh.%@NL@%%@EH@%
Hotspur: I had rather hear Lady, my brach, howl in Irish.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: i, Line: 238

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW990    @%%@2@%A good mouth-filling oath.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: i, Line: 258

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1000   @%%@2@%They surfeited with honey and began%@NL@%%@EH@%
To loathe the taste of sweetness, whereof a little%@NL@%
More than a little is by much too much. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: ii, Line: 71

%@NL@%%@AI@%1 See A Midsummer-Night's Dream%@BO:          187463@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1010   @%%@2@%He was but as the cuckoo is in June,%@NL@%%@EH@%
Heard, not regarded.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: ii, Line: 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1020   @%%@2@%My near'st and dearest enemy. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: ii, Line: 123

%@NL@%%@AI@%1 See Hamlet%@BO:          1ba435@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1030   @%%@2@%The end of life cancels all bands.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: ii, Line: 157

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1040   @%%@2@%   An I have not forgotten what the inside of a church is made of, I am a%@EH@%
peppercorn, a brewer's horse.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: iii, Line: 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1050   @%%@2@%   Company, villanous company, hath been the spoil of me.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: iii, Line: 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1055   @%%@2@%   I make as good use of it [Bardolph's face] as many a man doth of a%@EH@%
Death's head, or a memento mori.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: iii, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1060   @%%@2@%   I have more flesh than another man, and therefore more frailty.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: III, Scene: iii, Line: 187

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1070   @%%@2@%The very life-blood of our enterprise.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: IV, Scene: i, Line: 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1080   @%%@2@%Were it good%@NL@%%@EH@%
To set the exact wealth of all our states%@NL@%
All at one cast? to set so rich a main%@NL@%
On the nice hazard of one doubtful hour?%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: IV, Scene: i, Line: 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1090   @%%@2@%Baited like eagles having lately bathed . . . %@NL@%%@EH@%
As full of spirit as the month of May,%@NL@%
And gorgeous as the sun at midsummer.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: IV, Scene: i, Line: 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1100   @%%@2@%I saw young Harry, with his beaver on.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: IV, Scene: i, Line: 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1105   @%%@2@%To turn and wind a fiery Pegasus%@NL@%%@EH@%
And witch the world with noble horsemanship.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: IV, Scene: i, Line: 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1110   @%%@2@%Worse than the sun in March%@NL@%%@EH@%
This praise doth nourish agues.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: IV, Scene: i, Line: 111

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1120   @%%@2@%Doomsday is near; die all, die merrily.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: IV, Scene: i, Line: 134

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1130   @%%@2@%The cankers of a calm world and a long peace.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: IV, Scene: ii, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1140   @%%@2@%To the latter end of a fray and the beginning of a feast%@NL@%%@EH@%
Fits a dull fighter and a keen guest.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: IV, Scene: ii, Line: 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1150   @%%@2@%Greatness knows itself.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: IV, Scene: iii, Line: 74

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1160   @%%@2@%I could be well content%@NL@%%@EH@%
To entertain the lag-end of my life%@NL@%
With quiet hours.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: i, Line: 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1170   @%%@2@%Rebellion lay in his way, and he found it.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: i, Line: 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1180   @%%@2@%Never yet did insurrection want%@NL@%%@EH@%
Such water-colors to impaint his cause.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: i, Line: 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1190   @%%@2@%   I would it were bed-time, Hal, and all well.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: i, Line: 126

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1200   @%%@2@%   Honor pricks me on. Yea, but how if honor prick me off when I come on?%@EH@%
how then? Can honor set to a leg? No. Or an arm? No. Or take away the grief
of a wound? No. Honor hath no skill in surgery, then? No. What is honor? a
word. What is that word, honor? Air. A trim reckoning! Who hath it? he that
died o' Wednesday. Doth he feel it? No. Doth he hear it? No. It is
insensible then? Yea, to the dead. But will it not live with the living? No.
Why? Detraction will not suffer it. Therefore I'll none of it: honor is a
mere scutcheon; and so ends my catechism.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: i, Line: 131

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1210   @%%@2@%Suspicion all our lives shall be stuck full of eyes;%@NL@%%@EH@%
For treason is but trusted like the fox.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: ii, Line: 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I'll tell the world.-Shakespeare, Measure for Measure [1604-1605], act II,
sc. iv, l. 154  Ay, tell the world!-Browning, Paracelsus [1835], pt. II  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1220   @%%@2@%Let me tell the world.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: ii, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1250   @%%@2@%The time of life is short;%@NL@%%@EH@%
To spend that shortness basely were too long.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: ii, Line: 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1260   @%%@2@%Two stars keep not their motion in one sphere.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: iv, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1270   @%%@2@%But thought's the slave of life, and life time's fool;%@NL@%%@EH@%
And time, that takes survey of all the world,  %@NL@%
Must have a stop. O! I could prophesy,%@NL@%
But that the earthy and cold hand of death%@NL@%
Lies on my tongue.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: iv, Line: 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1280   @%%@2@%This earth, that bears thee dead,%@NL@%%@EH@%
Bears not alive so stout a gentleman.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: iv, Line: 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1290   @%%@2@%Thy ignominy sleep with thee in the grave,%@NL@%%@EH@%
But not remembered in thy epitaph!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: iv, Line: 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1300   @%%@2@%I could have better spared a better man.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: iv, Line: 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It showed discretion the best part of valor.-Beaumont and Fletcher, A King
and No King [1619], act II, sc. iii  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1310   @%%@2@%   The better part of valor is discretion.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: iv, Line: 120

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1330   @%%@2@%Full bravely hast thou fleshed%@NL@%%@EH@%
Thy maiden sword.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: iv, Line: 132

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1340   @%%@2@%   Lord, Lord, how this world is given to lying!%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: iv, Line: 148

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1350   @%%@2@%   I'll purge, and leave sack, and live cleanly.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part I [1597-1598],Act: V, Scene: iv, Line: 168

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1360   @%%@2@%Rumor is a pipe%@NL@%%@EH@%
Blown by surmises, jealousies, conjectures,%@NL@%
And of so easy and so plain a stop%@NL@%
That the blunt monster with uncounted heads,%@NL@%
The still-discordant wavering multitude, 1  2  3  4 %@NL@%
Can play upon it.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Induction, l. 15

%@NL@%%@AI@%1 See Horace%@BO:           dc7fe@%%@AE@%
%@AI@%2 See Machiavelli%@BO:          130e0d@%%@AE@%
%@AI@%3 See Coriolanus%@BO:          1f138a@%%@AE@%
%@AI@%4 See Pope%@BO:          2a6187@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1370   @%%@2@%Even such a man, so faint, so spiritless,%@NL@%%@EH@%
So dull, so dead in look, so woe-begone,%@NL@%
Drew Priam's curtain in the dead of night,%@NL@%
And would have told him half his Troy was burned.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: i, Line: 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1380   @%%@2@%Yet the first bringer of unwelcome news%@NL@%%@EH@%
Hath but a losing office, and his tongue%@NL@%
Sounds ever after as a sullen bell,%@NL@%
Remembered knolling a departing friend. 1  2 %@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: i, Line: 100

%@NL@%%@AI@%1 See Sophocles%@BO:           9dbce@%%@AE@%
%@AI@%2 See Antony and Cleopatra%@BO:          1edb27@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1390   @%%@2@%   I am not only witty in myself, but the cause that wit is in other men. 1 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 10

%@NL@%%@AI@%1 See Samuel Foote%@BO:          2d4f34@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1400   @%%@2@%   A rascally yea-forsooth knave.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1410   @%%@2@%   You lie in your throat.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1420   @%%@2@%   Your lordship, though not clean past your youth, hath yet some smack of%@EH@%
age in you, some relish of the saltness of time.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1430   @%%@2@%   It is the disease of not listening, the malady of not marking, that I am%@EH@%
troubled withal.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 139

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1440   @%%@2@%   I am as poor as Job, my lord, but not so patient.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 145

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1450   @%%@2@%   We that are in the vaward of our youth.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 201

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1460   @%%@2@%   Have you not a moist eye, a dry hand, a yellow cheek, a white beard, a%@EH@%
decreasing leg, an increasing belly?%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 206

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1470   @%%@2@%   Every part about you blasted with antiquity.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 210

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1480   @%%@2@%   For my voice, I have lost it with hollaing and singing of anthems.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 215

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1490   @%%@2@%   It was always yet the trick of our English nation, if they have a good%@EH@%
thing, to make it too common.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 244

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1500   @%%@2@%   I were better to be eaten to death with rust than to be scoured to%@EH@%
nothing with perpetual motion.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 249

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1510   @%%@2@%   I can get no remedy against this consumption of the purse: borrowing only%@EH@%
lingers and lingers it out, but the disease is incurable. 1 %@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: ii, Line: 267

%@NL@%%@AI@%1 See Rabelais%@BO:          136326@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1520   @%%@2@%Who lined himself with hope,%@NL@%%@EH@%
Eating the air on promise of supply.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: iii, Line: 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1530   @%%@2@%A habitation giddy and unsure%@NL@%%@EH@%
Hath he that buildeth on the vulgar heart.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: iii, Line: 89

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1540   @%%@2@%Past and to come seem best; things present worst.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: I, Scene: iii, Line: 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1550   @%%@2@%   A poor lone woman.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: II, Scene: i, Line: 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1560   @%%@2@%   Away, you scullion! you rampallian! you fustilarian! I'll tickle your%@EH@%
catastrophe.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: II, Scene: i, Line: 67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1570   @%%@2@%   He hath eaten me out of house and home.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: II, Scene: i, Line: 82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1580   @%%@2@%   Let the end try the man.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: II, Scene: ii, Line: 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1590   @%%@2@%   Thus we play the fools with the time, and the spirits of the wise sit in%@EH@%
the clouds and mock us.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: II, Scene: ii, Line: 155

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1600   @%%@2@%He was indeed the glass%@NL@%%@EH@%
Wherein the noble youth did dress themselves.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: II, Scene: iii, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1610   @%%@2@%And let the welkin roar.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: II, Scene: iv, Line: 181

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1620   @%%@2@%   Is it not strange that desire should so many years outlive performance?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: II, Scene: iv, Line: 283

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sleep, most gentle sleep.-Ovid [43  B.C. - A.D.  18]. Metamorphoses, bk. II,
l. 624  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1630   @%%@2@%O sleep! O gentle sleep!%@NL@%%@EH@%
Nature's soft nurse, how have I frighted thee,%@NL@%
That thou no more wilt weigh my eyelids down%@NL@%
And steep my senses in forgetfulness?%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: III, Scene: i, Line: 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1650   @%%@2@%With all appliances and means to boot.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: III, Scene: i, Line: 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1660   @%%@2@%Uneasy lies the head that wears a crown.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: III, Scene: i, Line: 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1670   @%%@2@%O God! that one might read the book of fate.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: III, Scene: i, Line: 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1680   @%%@2@%There is a history in all men's lives.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: III, Scene: i, Line: 80

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1690   @%%@2@%   Death, as the Psalmist saith, is certain to all; all shall die.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: III, Scene: ii, Line: 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1700   @%%@2@%   Most forcible Feeble.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: III, Scene: ii, Line: 181

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1710   @%%@2@%   We have heard the chimes at midnight.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: III, Scene: ii, Line: 231

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1720   @%%@2@%   A man can die but once; we owe God a death.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: III, Scene: ii, Line: 253

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1730   @%%@2@%We see which way the stream of time doth run%@NL@%%@EH@%
And are enforced from our most quiet sphere%@NL@%
By the rough torrent of occasion.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: IV, Scene: i, Line: 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1740   @%%@2@%We ready are to try our fortunes%@NL@%%@EH@%
To the last man.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: IV, Scene: ii, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1750   @%%@2@%   I may justly say, with the hook-nosed fellow of Rome, "I came, saw, and%@EH@%
overcame." 1 %@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: IV, Scene: iii, Line: 44

%@NL@%%@AI@%1 See Julius Caesar%@BO:           c9619@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1760   @%%@2@%O polished perturbation! golden care!%@NL@%%@EH@%
That keep'st the ports of slumber open wide%@NL@%
To many a watchful night!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: IV, Scene: v, Line: 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1770   @%%@2@%See, sons, what things you are!%@NL@%%@EH@%
How quickly nature falls into revolt%@NL@%
When gold becomes her object!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: IV, Scene: v, Line: 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Men's thoughts are much according to their inclination, their discourse and
speeches according to their learning and infused opinions.-Francis Bacon,
Essays [1597-1625], Of Custom and Education  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1780   @%%@2@%Thy wish was father, Harry, to that thought.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: IV, Scene: v, Line: 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1800   @%%@2@%Before thy hour be ripe. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: IV, Scene: v, Line: 95

%@NL@%%@AI@%1 See Blake%@BO:          31b003@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1810   @%%@2@%Commit%@NL@%%@EH@%
The oldest sins the newest kind of ways.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: IV, Scene: v, Line: 124

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1820   @%%@2@%His cares are now all ended.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: V, Scene: ii, Line: 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1830   @%%@2@%This is the English, not the Turkish court;%@NL@%%@EH@%
Not Amurath an Amurath succeeds,%@NL@%
But Harry Harry.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: V, Scene: ii, Line: 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1840   @%%@2@%I know thee not, old man: fall to thy prayers;%@NL@%%@EH@%
How ill white hairs become a fool and jester!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: V, Scene: v, Line: 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1850   @%%@2@%   Master Shallow. I owe you a thousand pound.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fourth, Part II
[1597-1598],Act: V, Scene: v, Line: 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1860   @%%@2@%O! for a Muse of fire, that would ascend%@NL@%%@EH@%
The brightest heaven of invention!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Chorus,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1870   @%%@2@%Or may we cram%@NL@%%@EH@%
Within this wooden O the very casques%@NL@%
That did affright the air at Agincourt?%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Chorus,l. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1880   @%%@2@%Consideration like an angel came,%@NL@%%@EH@%
And whipped the offending Adam out of him. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: I, Scene: i, Line: 28

%@NL@%%@AI@%1 See The Book of Common Prayer, English%@BO:           7e7a5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1890   @%%@2@%Hear him debate of commonwealth affairs,%@NL@%%@EH@%
You would say it hath been all in all his study.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: I, Scene: i, Line: 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1900   @%%@2@%Turn him to any cause of policy,%@NL@%%@EH@%
The Gordian knot of it he will unloose,%@NL@%
Familiar as his garter; that, when he speaks,%@NL@%
The air, a chartered libertine, is still.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: I, Scene: i, Line: 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1910   @%%@2@%Therefore doth heaven divide%@NL@%%@EH@%
The state of man in divers functions,%@NL@%
Setting endeavor in continual motion;%@NL@%
To which is fixed, as an aim or butt,%@NL@%
Obedience: for so work the honeybees,%@NL@%
Creatures that by a rule in nature teach%@NL@%
The act of order to a peopled kingdom.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: I, Scene: ii, Line: 183

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1920   @%%@2@%The singing masons building roofs of gold.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: I, Scene: ii, Line: 198

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1930   @%%@2@%Many things, having full reference%@NL@%%@EH@%
To one consent, may work contrariously;%@NL@%
As many arrows, loosed several ways,%@NL@%
Fly to one mark; as many ways meet in one town;%@NL@%
As many fresh streams meet in one salt sea;%@NL@%
As many lines close in the dial's center;%@NL@%
So may a thousand actions, once afoot,%@NL@%
End in one purpose, and be all well borne%@NL@%
Without defeat.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: I, Scene: ii, Line: 205

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1940   @%%@2@%'Tis ever common%@NL@%%@EH@%
That men are merriest when they are from home.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: I, Scene: ii, Line: 271

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1950   @%%@2@%Now all the youth of England are on fire,%@NL@%%@EH@%
And silken dalliance in the wardrobe lies.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: II, Scene: Chorus, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1960   @%%@2@%O England! model to thy inward greatness,%@NL@%%@EH@%
Like little body with a mighty heart,%@NL@%
What mightst thou do, that honor would thee do,%@NL@%
Were all thy children kind and natural!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: II, Scene: Chorus, Line: 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1970   @%%@2@%That's the humor of it.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: II, Scene: i, Line: 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1980   @%%@2@%   He's [Falstaff's] in Arthur's bosom, if ever man went to Arthur's bosom.%@EH@%
A' made a finer end and went away an it had been any christom child; a'
parted even just between twelve and one, even at the turning o' the tide:
for after I saw him fumble with the sheets and play with flowers and smile
upon his fingers' ends, I knew there was but one way; for his nose was as
sharp as a pen, and a' babbled of green fields.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: II, Scene: iii, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW1990   @%%@2@%   As cold as any stone.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: II, Scene: iii, Line: 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2000   @%%@2@%Trust none;%@NL@%%@EH@%
For oaths are straws, men's faiths are wafer-cakes,%@NL@%
And hold-fast is the only dog, my duck.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: II, Scene: iii, Line: 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2010   @%%@2@%Once more unto the breach, dear friends, once more;%@NL@%%@EH@%
Or close the wall up with our English dead!%@NL@%
In peace there's nothing so becomes a man%@NL@%
As modest stillness and humility:%@NL@%
But when the blast of war blows in our ears,%@NL@%
Then imitate the action of the tiger;%@NL@%
Stiffen the sinews, summon up the blood,%@NL@%
Disguise fair nature with hard-favored rage;%@NL@%
Then lend the eye a terrible aspect.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: III, Scene: i, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2020   @%%@2@%And sheathed their swords for lack of argument.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: III, Scene: i, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2030   @%%@2@%I see you stand like greyhounds in the slips,%@NL@%%@EH@%
Straining upon the start. The game's afoot: 1 %@NL@%
Follow your spirit; and upon this charge%@NL@%
Cry "God for Harry! England and Saint George!"%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: III, Scene: i, Line: 31

%@NL@%%@AI@%1 See Conan Doyle%@BO:          5148b6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2040   @%%@2@%   I would give all my fame for a pot of ale, and safety.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: III, Scene: ii, Line: 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2050   @%%@2@%   Men of few words are the best men.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: III, Scene: ii, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2060   @%%@2@%   He will maintain his argument as well as any military man in the world.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: III, Scene: ii, Line: 89

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2070   @%%@2@%   I know the disciplines of wars.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: III, Scene: ii, Line: 156

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2080   @%%@2@%I thought upon one pair of English legs%@NL@%%@EH@%
Did march three Frenchmen.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: III, Scene: vi, Line: 161

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2090   @%%@2@%We are in God's hand.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: III, Scene: vi, Line: 181

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2100   @%%@2@%   That island of England breeds very valiant creatures: their mastiffs are%@EH@%
of unmatchable courage.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: III, Scene: vii, Line: 155

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2110   @%%@2@%   Give them great meals of beef and iron and steel, they will eat like%@EH@%
wolves and fight like devils.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: III, Scene: vii, Line: 166

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2120   @%%@2@%The hum of either army stilly sounds,%@NL@%%@EH@%
That the fixed sentinels almost receive%@NL@%
The secret whispers of each other's watch:%@NL@%
Fire answers fire, and through their paly flames%@NL@%
Each battle sees the other's umbered face:%@NL@%
Steed threatens steed, in high and boastful neighs%@NL@%
Piercing the night's dull ear; and from the tents%@NL@%
The armorers, accomplishing the knights,%@NL@%
With busy hammers closing rivets up,%@NL@%
Give dreadful note of preparation.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: IV, Scene: Chorus, Line: 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2130   @%%@2@%A little touch of Harry in the night.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: IV, Scene: Chorus, Line: 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2140   @%%@2@%There is some soul of goodness in things evil,%@NL@%%@EH@%
Would men observingly distill it out.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: IV, Scene: i, Line: 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2150   @%%@2@%   When blood is their argument.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: IV, Scene: i, Line: 151

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2160   @%%@2@%   Every subject's duty is the king's; but every subject's soul is his own.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: IV, Scene: i, Line: 189

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sometimes rendered: idle.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2170   @%%@2@%What infinite heart's ease%@NL@%%@EH@%
Must kings neglect that private men enjoy!%@NL@%
And what have kings that privates have not too,%@NL@%
Save ceremony, save general ceremony?%@NL@%
And what art thou, thou idol ceremony?%@NL@%
What kind of god art thou, that suffer'st more%@NL@%
Of mortal griefs than do thy worshippers?%@NL@%
What are thy rents? what are thy comingsin?%@NL@%
O ceremony! show me but thy worth.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: IV, Scene: i, Line: 256

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2190   @%%@2@%'Tis not the balm, the scepter and the ball,%@NL@%%@EH@%
The sword, the mace, the crown imperial,%@NL@%
The intertissued robe of gold and pearl,%@NL@%
The farced title running 'fore the king,%@NL@%
The throne he sits on, nor the tide of pomp%@NL@%
That beats upon the high shore of this world,%@NL@%
No, not all these, thrice-gorgeous ceremony,%@NL@%
Not all these, laid in bed majestical,%@NL@%
Can sleep so soundly as the wretched slave,%@NL@%
Who with a body filled and vacant mind%@NL@%
Gets him to rest, crammed with distressful bread.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: IV, Scene: i, Line: 280

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2200   @%%@2@%O God of battles! steel my soldiers' hearts;%@NL@%%@EH@%
Possess them not with fear; take from them now%@NL@%
The sense of reckoning, if the opposed numbers%@NL@%
Pluck their hearts from them.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: IV, Scene: i, Line: 309

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2210   @%%@2@%But if it be a sin to covet honor,%@NL@%%@EH@%
I am the most offending soul alive.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: IV, Scene: iii, Line: 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2220   @%%@2@%This day is called the feast of Crispian:%@NL@%%@EH@%
He that outlives this day, and comes safe home,%@NL@%
Will stand a-tiptoe when this day is named.%@NL@%
And rouse him at the name of Crispian.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: IV, Scene: iii, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2230   @%%@2@%We few, we happy few, we band of brothers;%@NL@%%@EH@%
For he today that sheds his blood with me%@NL@%
Shall be my brother.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: IV, Scene: iii, Line: 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2240   @%%@2@%   The saying is true, "The empty vessel makes the greatest sound."%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: IV, Scene: iv, Line: 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2250   @%%@2@%   There is occasions and causes why and wherefore 1  in all things.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: V, Scene: i, Line: 3

%@NL@%%@AI@%1 See The Comedy of Errors%@BO:          172a57@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2260   @%%@2@%   By this leek, I will most horribly revenge. I eat and eat, I swear.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: V, Scene: i, Line: 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2270   @%%@2@%   All hell shall stir for this.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: V, Scene: i, Line: 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2280   @%%@2@%The naked, poor, and mangled Peace,%@NL@%%@EH@%
Dear nurse of arts, plenties, and joyful births.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: V, Scene: ii, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2290   @%%@2@%Grow like savages-as soldiers will,%@NL@%%@EH@%
That nothing do but meditate on blood.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: V, Scene: ii, Line: 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2300   @%%@2@%   For these fellows of infinite tongue, that can rime themselves into%@EH@%
ladies' favors, they do always reason themselves out again.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: V, Scene: ii, Line: 162

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2310   @%%@2@%   My comfort is, that old age, that ill layer-up of beauty, can do no more%@EH@%
spoil upon my face.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: V, Scene: ii, Line: 246

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2320   @%%@2@%   O Kate! nice customs curtsy to great kings.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Henry the Fifth [1598-1600],Act: V, Scene: ii, Line: 291

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2330   @%%@2@%   He hath indeed better bettered expectation than you must expect of me to%@EH@%
tell you how.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: I, Scene: i, Line: 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2340   @%%@2@%   How much better is it to weep at joy than to joy at weeping.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: I, Scene: i, Line: 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2350   @%%@2@%   A very valiant trencher-man.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: I, Scene: i, Line: 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2360   @%%@2@%   There's a skirmish of wit between them.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: I, Scene: i, Line: 64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2370   @%%@2@%   He wears his faith but as the fashion of his hat.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: I, Scene: i, Line: 76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2380   @%%@2@%   I see, lady, the gentleman is not in your books.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: I, Scene: i, Line: 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2390   @%%@2@%   What! my dear Lady Disdain, are you yet living?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: I, Scene: i, Line: 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2400   @%%@2@%   Shall I never see a bachelor of threescore again?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: I, Scene: i, Line: 209

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2410   @%%@2@%   In time the savage bull doth bear the yoke.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: I, Scene: i, Line: 271

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2420   @%%@2@%   Benedick the married man.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: I, Scene: i, Line: 278

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2430   @%%@2@%   I could not endure a husband with a beard on his face: I had rather lie%@EH@%
in the woollen.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: i, Line: 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2440   @%%@2@%   As merry as the day is long.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: i, Line: 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2450   @%%@2@%   Would it not grieve a woman to be over-mastered with a piece of valiant%@EH@%
dust? to make an account of her life to a clod of wayward marl?%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: i, Line: 64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2460   @%%@2@%   I have a good eye, uncle: I can see a church by daylight.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: i, Line: 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2470   @%%@2@%   Speak low, if you speak love.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: i, Line: 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2480   @%%@2@%Friendship is constant in all other things%@NL@%%@EH@%
Save in the office and affairs of love:%@NL@%
Therefore all hearts in love use their own tongues;%@NL@%
Let every eye negotiate for itself%@NL@%
And trust no agent. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: i, Line: 184

%@NL@%%@AI@%1 See Longfellow%@BO:          3dd439@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2490   @%%@2@%   She speaks poniards, and every word stabs: if her breath were as terrible%@EH@%
as her terminations, there were no living near her; she would infect to the
north star.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: i, Line: 257

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2500   @%%@2@%   Silence is the perfectest herald of joy: I were but little happy, if I%@EH@%
could say how much.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: i, Line: 319

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The windy side of the law.-Twelfth-Night [1598-1600], act III, sc. iv, l.
183  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2510   @%%@2@%   It keeps on the windy side of care.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: i, Line: 328

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2530   @%%@2@%   There was a star danced, and under that was I born.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: i, Line: 351

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
We know your drift.-Coriolanus [1607-1608], act III, sc. iii, l. 114  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2540   @%%@2@%   I will tell you my drift.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: i, Line: 406

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2560   @%%@2@%   He was wont to speak plain and to the purpose.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: iii, Line: 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2570   @%%@2@%Sigh no more, ladies, sigh no more.%@NL@%%@EH@%
Men were deceivers ever;%@NL@%
One foot in sea, and one on shore;%@NL@%
To one thing constant never.%@NL@%

%@NL@%William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: iii, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2580   @%%@2@%   Sits the wind in that corner? 1 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: iii, Line: 108

%@NL@%%@AI@%1 See Malory%@BO:          128525@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2590   @%%@2@%   Bait the hook well: this fish will bite.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: iii, Line: 121

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2600   @%%@2@%   Shall quips and sentences and these paper bullets of the brain awe a man%@EH@%
from the career of his humor? No; the world must be peopled. When I said I
would die a bachelor, I did not think I should live till I were married.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: II, Scene: iii, Line: 260

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2610   @%%@2@%   From the crown of his head to the sole of his foot, he is all mirth.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: III, Scene: ii, Line: 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2620   @%%@2@%   He hath a heart as sound as a bell, and his tongue is the clapper; for%@EH@%
what his heart thinks his tongue speaks.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: III, Scene: ii, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2630   @%%@2@%   Everyone can master a grief but he that has it.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: III, Scene: ii, Line: 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2640   @%%@2@%   Are you good men and true?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: III, Scene: iii, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2650   @%%@2@%   To be a well-favored man is the gift of fortune; but to write and read%@EH@%
comes by nature.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: III, Scene: iii, Line: 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2660   @%%@2@%   If they make you not then the better answer, you may say they are not the%@EH@%
men you took them for.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: III, Scene: iii, Line: 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Ecclesiasticus 13:1  This pitch, as ancient writers do report, doth
defile; so doth the company thou keepest.-King Henry IV, Part I [1597-1598],
act II, sc. iv, l. 460  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2670   @%%@2@%   They that touch pitch will be defiled.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: III, Scene: iii, Line: 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2690   @%%@2@%   The fashion wears out more apparel than the man.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: III, Scene: iii, Line: 147

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2700   @%%@2@%   A good old man, sir; he will be talking: as they say, When the age is in,%@EH@%
the wit is out.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: III, Scene: v, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2710   @%%@2@%   O! what men dare do! what men may do! what men daily do, not knowing what%@EH@%
they do!%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: IV, Scene: i, Line: 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2720   @%%@2@%O! what authority and show of truth%@NL@%%@EH@%
Can cunning sin cover itself withal.%@NL@%

%@NL@%William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: IV, Scene: i, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2730   @%%@2@%For it so falls out%@NL@%%@EH@%
That what we have we prize not to the worth%@NL@%
Whiles we enjoy it, but being lacked and lost,%@NL@%
Why, then we rack the value, then we find%@NL@%
The virtue that possession would not show us%@NL@%
Whiles it was ours.%@NL@%

%@NL@%William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: IV, Scene: i, Line: 219

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2740   @%%@2@%   Masters, it is proved already that you are little better than false%@EH@%
knaves, and it will go near to be thought so shortly.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: IV, Scene: ii, Line: 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2750   @%%@2@%   Flat burglary as ever was committed.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: IV, Scene: ii, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2760   @%%@2@%   Thou wilt be condemned into everlasting redemption for this.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: IV, Scene: ii, Line: 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2770   @%%@2@%   O that he were here to write me down an ass!%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: IV, Scene: ii, Line: 80

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2780   @%%@2@%Patch griefs with proverbs.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: V, Scene: i, Line: 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2790   @%%@2@%Charm ache with air, and agony with words.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: V, Scene: i, Line: 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2800   @%%@2@%For there was never yet philosopher%@NL@%%@EH@%
That could endure the toothache patiently.%@NL@%

%@NL@%William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: V, Scene: i, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2810   @%%@2@%Some of us will smart for it.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: V, Scene: i, Line: 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Let care kill a cat,/We'll laugh and grow fat.-Shirburn Ballads [1585], 91
Hang sorrow, care'll kill a cat.-Jonson, Every Man in His Humour [1598], act
I, sc. i  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2820   @%%@2@%   What though care killed a cat, thou hast mettle enough in thee to kill%@EH@%
care.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: V, Scene: i, Line: 135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2850   @%%@2@%   I was not born under a riming planet.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: V, Scene: ii, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2860   @%%@2@%   The trumpet of his own virtues.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: V, Scene: ii, Line: 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2870   @%%@2@%Done to death by slanderous tongues.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Much Ado About Nothing [1598-1600],Act: V, Scene: iii, Line: 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2880   @%%@2@%   Fleet the time carelessly, as they did in the golden world.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: I, Scene: i, Line: 126

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2890   @%%@2@%   Always the dullness of the fool is the whetstone of the wits.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: I, Scene: ii, Line: 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2900   @%%@2@%   The little foolery that wise men have makes a great show.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: I, Scene: ii, Line: 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2910   @%%@2@%   Well said: that was laid on with a trowel.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: I, Scene: ii, Line: 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2920   @%%@2@%   Your heart's desires be with you!%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: I, Scene: ii, Line: 214

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2930   @%%@2@%One out of suits with fortune.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: I, Scene: ii, Line: 263

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2940   @%%@2@%My pride fell with my fortunes.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: I, Scene: ii, Line: 269

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2950   @%%@2@%Hereafter, in a better world than this,%@NL@%%@EH@%
I shall desire more love and knowledge of you.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: I, Scene: ii, Line: 301

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2960   @%%@2@%Heavenly Rosalind!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: I, Scene: ii, Line: 306

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2970   @%%@2@%   O, how full of briers is this working-day world!%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: I, Scene: iii, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2980   @%%@2@%Beauty provoketh thieves sooner than gold.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: I, Scene: iii, Line: 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW2990   @%%@2@%We'll have a swashing and a martial outside,%@NL@%%@EH@%
As many other mannish cowards have.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: I, Scene: iii, Line: 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3010   @%%@2@%Hath not old custom made this life more sweet%@NL@%%@EH@%
Than that of painted pomp? Are not these woods%@NL@%
More free from peril than the envious court?%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: i, Line: 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3020   @%%@2@%Sweet are the uses of adversity,%@NL@%%@EH@%
Which, like the toad, ugly and venomous,%@NL@%
Wears yet a precious jewel in his head;%@NL@%
And this our life, exempt from public haunt,%@NL@%
Finds tongues in trees, books in the running brooks,%@NL@%
Sermons in stones, and good in everything. 1  2  3 %@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: i, Line: 12

%@NL@%%@AI@%1 See St. Bernard%@BO:          10f839@%%@AE@%
%@AI@%2 See As You Like It%@BO:          1ab0c1@%%@AE@%
%@AI@%3 See Wordsworth%@BO:          33b453@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3030   @%%@2@%The big round tears%@NL@%%@EH@%
Coursed one another down his innocent nose%@NL@%
In piteous chase.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: i, Line: 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3040   @%%@2@%"Poor deer," quoth he, "thou mak'st a testament%@NL@%%@EH@%
As worldlings do, giving thy sum of more%@NL@%
To that which had too much."%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: i, Line: 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3050   @%%@2@%Sweep on, you fat and greasy citizens.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: i, Line: 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3060   @%%@2@%And He that doth the ravens feed,%@NL@%%@EH@%
Yea, providently caters for the sparrow,%@NL@%
Be comfort to my age!%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: iii, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3080   @%%@2@%Though I look old, yet I am strong and lusty;%@NL@%%@EH@%
For in my youth I never did apply%@NL@%
Hot and rebellious liquors in my blood.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: iii, Line: 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3090   @%%@2@%Therefore my age is as a lusty winter,%@NL@%%@EH@%
Frosty, but kindly.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: iii, Line: 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3100   @%%@2@%Thou art not for the fashion of these times,%@NL@%%@EH@%
Where none will sweat but for promotion.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: iii, Line: 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3110   @%%@2@%   Ay, now am I in Arden; the more fool I: when I was at home, I was in a%@EH@%
better place: but travelers must be content.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: iv, Line: 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3120   @%%@2@%If you remember'st not the slightest folly%@NL@%%@EH@%
That ever love did make thee run into,%@NL@%
Thou hast not loved.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: iv, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3130   @%%@2@%   We that are true lovers run into strange capers.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: iv, Line: 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3140   @%%@2@%   Thou speakest wiser than thou art ware of.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: iv, Line: 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3150   @%%@2@%   I shall ne'er be ware of mine own wit, till I break my shins against it.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: iv, Line: 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3160   @%%@2@%Under the greenwood tree%@NL@%%@EH@%
Who loves to lie with me,%@NL@%
And turn his merry note%@NL@%
Unto the sweet bird's throat,%@NL@%
Come hither, come hither, come hither:%@NL@%
Here shall he see%@NL@%
No enemy%@NL@%
But winter and rough weather.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: v, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3170   @%%@2@%   I can suck melancholy out of a song as a weasel sucks eggs.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: v, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3180   @%%@2@%Who doth ambition shun,%@NL@%%@EH@%
And loves to live i' the sun,%@NL@%
Seeking the food he eats,%@NL@%
And pleased with what he gets.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: v, Line: 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3190   @%%@2@%I met a fool i' the forest,%@NL@%%@EH@%
A motley fool.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
So wags the world.-Sir Walter Scott, Ivanhoe [1819], ch. 37  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3200   @%%@2@%And then he drew a dial from his poke,%@NL@%%@EH@%
And looking on it with lack-luster eye,%@NL@%
Says, very wisely, "It is ten o'clock;%@NL@%
Thus may we see," quoth he, "how the world wags."%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also elsewhere in Shakespeare.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3220   @%%@2@%And so, from hour to hour we ripe and ripe,%@NL@%%@EH@%
And then from hour to hour we rot and rot;%@NL@%
And thereby hangs a tale.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3230   @%%@2@%My lungs began to crow like chanticleer,%@NL@%%@EH@%
That fools should be so deep-contemplative,%@NL@%
And I did laugh sans intermission%@NL@%
An hour by his dial.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3240   @%%@2@%Motley's the only wear.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3250   @%%@2@%If ladies be but young and fair,%@NL@%%@EH@%
They have the gift to know it.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3260   @%%@2@%I must have liberty%@NL@%%@EH@%
Withal, as large a charter as the wind,%@NL@%
To blow on whom I please.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3270   @%%@2@%The "why" is plain as way to parish church.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3280   @%%@2@%But whate'er you are%@NL@%%@EH@%
That in this desert inaccessible,%@NL@%
Under the shade of melancholy boughs,%@NL@%
Lose and neglect the creeping hours of time;%@NL@%
If ever you have looked on better days,%@NL@%
If ever been where bells have knolled to church,%@NL@%
If ever sat at any good man's feast,%@NL@%
If ever from your eyelids wiped a tear,%@NL@%
And know what 'tis to pity, and be pitied,%@NL@%
Let gentleness my strong enforcement be.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3290   @%%@2@%True is it that we have seen better days.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 120

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3300   @%%@2@%Oppressed with two weak evils, age and hunger.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 132

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See The Merchant of Venice  The world's a theater, the earth a stage,/Which
God and Nature do with actors fill.-Thomas Heywood, Apology for Actors
[1612]  The world's a stage on which all the parts are played.-Middleton, A
Game of Chess [1624], act V, sc. i  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3310   @%%@2@%All the world's a stage,%@NL@%%@EH@%
And all the men and women merely players:  %@NL@%
They have their exits and their entrances;%@NL@%
And one man in his time plays many parts,%@NL@%
His acts being seven ages. At first the infant,%@NL@%
Mewling and puking in the nurse's arms.%@NL@%
And then the whining school-boy, with his satchel,%@NL@%
And shining morning face, creeping like snail%@NL@%
Unwillingly to school. And then the lover,%@NL@%
Sighing like furnace, with a woful ballad%@NL@%
Made to his mistress' eyebrow. Then a soldier,%@NL@%
Full of strange oaths, and bearded like the pard,%@NL@%
Jealous in honor, sudden and quick in quarrel,%@NL@%
Seeking the bubble reputation%@NL@%
Even in the cannon's mouth. And then the justice,%@NL@%
In fair round belly with good capon lined,%@NL@%
With eyes severe and beard of formal cut,%@NL@%
Full of wise saws and modern instances;%@NL@%
And so he plays his part. The sixth age shifts%@NL@%
Into the lean and slippered pantaloon,%@NL@%
With spectacles on nose and pouch on side,%@NL@%
His youthful hose well saved, a world too wide%@NL@%
For his shrunk shank; and his big manly voice,%@NL@%
Turning again toward childish treble, pipes%@NL@%
And whistles in his sound. Last scene of all,%@NL@%
That ends this strange eventful history,%@NL@%
Is second childishness, and mere oblivion,%@NL@%
Sans teeth, sans eyes, sans taste, sans everything.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 139

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3330   @%%@2@%Blow, blow, thou winter wind!%@NL@%%@EH@%
Thou art not so unkind%@NL@%
As man's ingratitude.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: II, Scene: vii, Line: 174

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3340   @%%@2@%These trees shall be my books. 1  2  3 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 5

%@NL@%%@AI@%1 See St. Bernard%@BO:          10f839@%%@AE@%
%@AI@%2 See As You Like It%@BO:          1a852f@%%@AE@%
%@AI@%3 See Wordsworth%@BO:          33b453@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3350   @%%@2@%The fair, the chaste, and unexpressive she.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3360   @%%@2@%   It goes much against my stomach. Hast any philosophy in thee, shepherd?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3370   @%%@2@%   He that wants money, means, and content, is without three good friends.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3380   @%%@2@%   I am a true laborer: I earn that I eat, get that I wear, owe no man hate,%@EH@%
envy no man's happiness, glad  of other men's good, content with my harm.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3390   @%%@2@%From the east to western Ind,%@NL@%%@EH@%
No jewel is like Rosalind.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 94

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3400   @%%@2@%   This is the very false gallop of verses.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 120

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3410   @%%@2@%   Let us make an honorable retreat; though not with bag and baggage, yet%@EH@%
with scrip and scrippage.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 170

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3420   @%%@2@%   O, wonderful, wonderful, and most wonderful, wonderful! and yet again%@EH@%
wonderful! and after that out of all whooping.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 202

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3430   @%%@2@%   Answer me in one word.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 238

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3440   @%%@2@%   Do you not know I am a woman? when I think, I must speak.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 265

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3450   @%%@2@%   I do desire we may be better strangers.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 276

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3460   @%%@2@%   Jacques: What stature is she of?%@NL@%%@EH@%
Orlando: Just as high as my heart.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 286

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3470   @%%@2@%   Time travels in divers paces with divers persons. I'll tell you who Time%@EH@%
ambles withal, who Time trots withal, who Time gallops withal, and who he
stands still withal.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 328

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3480   @%%@2@%   Every one fault seeming monstrous till his fellow fault came to match it.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 377

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3490   @%%@2@%   Everything about you demonstrating a careless desolation.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: ii, Line: 405

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3500   @%%@2@%   Truly, I would the gods had made thee poetical.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: iii, Line: 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3510   @%%@2@%The wounds invisible%@NL@%%@EH@%
That love's keen arrows make.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: v, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3520   @%%@2@%Down on your knees,%@NL@%%@EH@%
And thank heaven, fasting, for a good man's love.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: v, Line: 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3530   @%%@2@%I am falser than vows made in wine.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: III, Scene: v, Line: 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3540   @%%@2@%   It is a melancholy of mine own, compounded of many simples, extracted%@EH@%
from many objects, and indeed the sundry contemplation of my travels, which,
by often rumination, wraps me in a most humorous sadness.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: IV, Scene: i, Line: 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3550   @%%@2@%   I had rather have a fool to make me merry than experience to make me sad.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: IV, Scene: i, Line: 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3560   @%%@2@%   Farewell, Monsieur Traveler: look you lisp and wear strange suits,%@EH@%
disable all the benefits of your own country, be out of love with your
nativity, and almost chide God for making you that countenance you are; or I
will scarce think you have swam in a gondola.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: IV, Scene: i, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3570   @%%@2@%   I'll warrant him heart-whole.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: IV, Scene: i, Line: 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3580   @%%@2@%   Very good orators, when they are out, they will spit; and for lovers%@EH@%
lacking-God warn us!-matter, the cleanliest shift is to kiss.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: IV, Scene: i, Line: 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3590   @%%@2@%   Men have died from time to time, and worms have eaten them, but not for%@EH@%
love.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: IV, Scene: i, Line: 110

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3600   @%%@2@%   Forever and a day.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: IV, Scene: i, Line: 151

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3610   @%%@2@%   Men are April when they woo, December when they wed: maids are May when%@EH@%
they are maids, but the sky changes when they are wives.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: IV, Scene: i, Line: 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3620   @%%@2@%   My affection hath an unknown bottom, like the bay of Portugal.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: IV, Scene: i, Line: 219

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3630   @%%@2@%The horn, the horn, the lusty horn%@NL@%%@EH@%
Is not a thing to laugh to scorn.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: IV, Scene: ii, Line: 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3640   @%%@2@%   Chewing the food of sweet and bitter fancy.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: IV, Scene: iii, Line: 103

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3650   @%%@2@%   "So so" is good, very good, very excellent good: and yet it is not; it is%@EH@%
but so so.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: V, Scene: i, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3660   @%%@2@%   The fool doth think he is wise, but the wise man knows himself to be a%@EH@%
fool.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: V, Scene: i, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3670   @%%@2@%   No sooner met, but they looked; no sooner looked but they loved; no%@EH@%
sooner loved but they sighed; no sooner sighed but they asked one another
the reason; no sooner knew the reason but they sought the remedy.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: V, Scene: ii, Line: 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3680   @%%@2@%   But, O! how bitter a thing it is to look into happiness through another%@EH@%
man's eyes!%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: V, Scene: ii, Line: 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3690   @%%@2@%It was a lover and his lass,%@NL@%%@EH@%
With a hey, and a ho, and a hey nonino,%@NL@%
That o'er the green corn-field did pass,%@NL@%
In the spring time, the only pretty ring time,%@NL@%
When birds do sing, hey ding a ding, ding;%@NL@%
Sweet lovers love the spring.%@NL@%

%@NL@%William Shakespeare
%@NL@%As You Like It [1598-1600],Act: V, Scene: iii, Line: 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3700   @%%@2@%   Here comes a pair of very strange beasts, which in all tongues are called%@EH@%
fools.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: V, Scene: iv, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"A poor thing but mine own" is the popular version.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3710   @%%@2@%   An ill-favored thing, sir, but mine own.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: V, Scene: iv, Line: 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3730   @%%@2@%   Rich honesty dwells like a miser, sir, in a poor house, as your pearl in%@EH@%
your foul oyster.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: V, Scene: iv, Line: 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3740   @%%@2@%   "The retort courteous." . . . "the quip modest." . . . "the reply%@EH@%
churlish." . . . "the reproof valiant" . . . "the countercheck quarrelsome."
. . . "the lie circumstantial," and "the lie direct."%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: V, Scene: iv, Line: 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3750   @%%@2@%   Your "if" is the only peacemaker; much virtue in "if."%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: V, Scene: iv, Line: 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3760   @%%@2@%   He uses his folly like a stalking horse, and under the presentation of%@EH@%
that he shoots his wit.%@NL@%
%@NL@%
William Shakespeare
%@NL@%As You Like It [1598-1600],Act: V, Scene: iv, Line: 112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Antony and Cleopatra  Is not music the food of love?-Richard Brinsley
Sheridan, The Rivals [1775], act II, sc. i  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3770   @%%@2@%If music be the food of love, play on;%@NL@%%@EH@%
Give me excess of it, that, surfeiting,%@NL@%
The appetite may sicken, and so die.%@NL@%
That strain again! it had a dying fall:%@NL@%
O! it came o'er my ear like the sweet sound%@NL@%
That breathes upon a bank of violets,%@NL@%
Stealing and giving odor!%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: i, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3790   @%%@2@%O spirit of love! how quick and fresh art thou,%@NL@%%@EH@%
That, notwithstanding thy capacity%@NL@%
Receiveth as the sea, nought enters there,%@NL@%
Of what validity and pitch soe'er,%@NL@%
But falls into abatement and low price,%@NL@%
Even in a minute: so full of shapes is fancy,%@NL@%
That it alone is high fantastical.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: i, Line: 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3800   @%%@2@%When my tongue blabs, then let mine eyes not see.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: ii, Line: 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3810   @%%@2@%   I am sure care's an enemy to life.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: iii, Line: 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3820   @%%@2@%   Let them hang themselves in their own straps.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: iii, Line: 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3830   @%%@2@%   I am a great eater of beef, and I believe that does harm to my wit.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: iii, Line: 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3840   @%%@2@%   Wherefore are these things hid?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: iii, Line: 135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3850   @%%@2@%   Is it a world to hide virtues in?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: iii, Line: 142

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3860   @%%@2@%   God give them wisdom that have it; and those that are fools, let them use%@EH@%
their talents.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: v, Line: 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3870   @%%@2@%   One draught above heat makes him a fool, the second mads him, and a third%@EH@%
drowns him.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: v, Line: 139

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3880   @%%@2@%'Tis beauty truly blent, whose red and white%@NL@%%@EH@%
Nature's own sweet and cunning hand laid on:%@NL@%
Lady, you are the cruel'st she alive,%@NL@%
If you will lead these graces to the grave%@NL@%
And leave the world no copy.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: v, Line: 259

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3890   @%%@2@%Make me a willow cabin at your gate,%@NL@%%@EH@%
And call upon my soul within the house.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: v, Line: 289

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3900   @%%@2@%Holla your name to the reverberate hills,%@NL@%%@EH@%
And make the babbling gossip of the air%@NL@%
Cry out, "Olivia!"%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: v, Line: 293

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3910   @%%@2@%Farewell, fair cruelty.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: I, Scene: v, Line: 309

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3920   @%%@2@%O mistress mine! where are you roaming?%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iii, Line: 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3930   @%%@2@%Journeys end in lovers meeting,%@NL@%%@EH@%
Every wise man's son doth know.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iii, Line: 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3940   @%%@2@%What is love? 'tis not hereafter;%@NL@%%@EH@%
Present mirth hath present laughter.%@NL@%
What's to come is still unsure:%@NL@%
In delay there lies no plenty;%@NL@%
Then come kiss me, sweet and twenty,%@NL@%
Youth's a stuff will not endure.%@NL@%
%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iii, Line: 50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3950   @%%@2@%   He does it with a better grace, but I do it more natural.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iii, Line: 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3960   @%%@2@%   Is there no respect of place, persons, nor time, in you? 1 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iii, Line: 100

%@NL@%%@AI@%1 See Acts 10:34%@BO:           65805@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3970   @%%@2@%   Sir Toby: Dost thou think, because thou art virtuous, there shall be no%@EH@%
more cakes and ale?%@NL@%
Clown: Yes, by Saint Anne; and ginger shall be hot i' the mouth too.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iii, Line: 124

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A play on "horse of a different color."  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3980   @%%@2@%   My purpose is, indeed, a horse of that color.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iii, Line: 184

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW3990   @%%@2@%These most brisk and giddy-paced times.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iv, Line: 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4000   @%%@2@%If ever thou shalt love,%@NL@%%@EH@%
In the sweet pangs of it remember me;%@NL@%
For such as I am all true lovers are:%@NL@%
Unstaid and skittish in all motions else%@NL@%
Save in the constant image of the creature%@NL@%
That is beloved.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iv, Line: 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4010   @%%@2@%Let still the woman take%@NL@%%@EH@%
An elder than herself, so wears she to him,%@NL@%
So sways she level in her husband's heart:%@NL@%
For, boy, however we do praise ourselves,%@NL@%
Our fancies are more giddy and unfirm,%@NL@%
More longing, wavering, sooner lost and worn,%@NL@%
Than women's are.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iv, Line: 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4020   @%%@2@%Then, let thy love be younger than thyself,%@NL@%%@EH@%
Or thy affection cannot hold the bent;%@NL@%
For women are as roses, whose fair flower%@NL@%
Being once displayed, doth fall that very hour.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iv, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4030   @%%@2@%The spinsters and the knitters in the sun,%@NL@%%@EH@%
And the free maids that weave their thread with bones,%@NL@%
Do use to chant it: it is silly sooth,%@NL@%
And dallies with the innocence of love,%@NL@%
Like the old age.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iv, Line: 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4040   @%%@2@%Come away, come away, death,%@NL@%%@EH@%
And in sad cypress let me be laid;%@NL@%
Fly away, fly away, breath;%@NL@%
I am slain by a fair cruel maid.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iv, Line: 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4050   @%%@2@%Duke:And what's her history?%@NL@%%@EH@%
Viola: A blank, my lord. She never told her love,%@NL@%
But let concealment, like a worm i' the bud,%@NL@%
Feed on her damask cheek: she pined in thought,%@NL@%
And with a green and yellow melancholy,%@NL@%
She sat like Patience on a monument,%@NL@%
Smiling at grief.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iv, Line: 112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4060   @%%@2@%I am all the daughters of my father's house,%@NL@%%@EH@%
And all the brothers too.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: iv, Line: 122

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4070   @%%@2@%   Here comes the trout that must be caught with tickling.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: v, Line: 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4080   @%%@2@%I may command where I adore.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: v, Line: 116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4090   @%%@2@%   Be not afraid of greatness: some are born great, some achieve greatness,%@EH@%
and some have greatness thrust upon them.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: v, Line: 159

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4100   @%%@2@%   Remember who commended thy yellow stockings, and wished to see thee ever%@EH@%
cross-gartered.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: II, Scene: v, Line: 168

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4110   @%%@2@%   Foolery, sir, does walk about the orb like the sun; it shines everywhere.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: i, Line: 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4120   @%%@2@%This fellow's wise enough to play the fool,%@NL@%%@EH@%
And to do that well craves a kind of wit.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: i, Line: 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The music of the spheres.-Pericles, act V, sc. i, l. 231  A phrase that
stems from the Pythagorean Theory (sixth century  B.C. ) of the music or
harmony of the spheres.  See Sir Thomas Browne  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4130   @%%@2@%Music from the spheres.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: i, Line: 122

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4150   @%%@2@%How apt the poor are to be proud.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: i, Line: 141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4160   @%%@2@%Then westward-ho!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: i, Line: 148

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4170   @%%@2@%O! what a deal of scorn looks beautiful%@NL@%%@EH@%
In the contempt and anger of his lip.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: i, Line: 159

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4180   @%%@2@%Love sought is good, but giv'n unsought is better.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: i, Line: 170

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4190   @%%@2@%   You will hang like an icicle on a Dutchman's beard.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: ii, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4200   @%%@2@%   Let there be gall enough in thy ink.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: ii, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4210   @%%@2@%   Laugh yourselves into stitches.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: ii, Line: 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4220   @%%@2@%   I think we do know the sweet Roman hand.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: iv, Line: 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4230   @%%@2@%   This is very midsummer madness.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: iv, Line: 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4240   @%%@2@%   More matter for a May morning.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: iv, Line: 158

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4250   @%%@2@%   He's a very devil.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: iv, Line: 304

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4260   @%%@2@%Out of my lean and low ability%@NL@%%@EH@%
I'll lend you something.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: iv, Line: 380

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4270   @%%@2@%I hate ingratitude more in a man%@NL@%%@EH@%
Than lying, vainness, babbling drunkenness,%@NL@%
Or any taint of vice whose strong corruption%@NL@%
Inhabits our frail blood.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: III, Scene: iv, Line: 390

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4280   @%%@2@%   As the old hermit of Prague, that never saw pen and ink, very wittily%@EH@%
said to a niece of King Gorboduc, "That that is, is."%@NL@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: IV, Scene: ii, Line: 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4290   @%%@2@%   Thus the whirligig of time brings in his revenges.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: V, Scene: i, Line: 388

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Parodied by the Fool in King Lear.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4300   @%%@2@%When that I was and a little tiny boy,%@NL@%%@EH@%
With hey, ho, the wind and the rain;%@NL@%
A foolish thing was but a toy,%@NL@%
For the rain it raineth every day.%@NL@%

%@NL@%William Shakespeare
%@NL@%Twelfth-Night [1598-1600],Act: V, Scene: i, Line: 404

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4310   @%%@2@%   A surgeon to old shoes.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: i, Line: 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4320   @%%@2@%   As proper men as ever trod upon neat's leather.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: i, Line: 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4330   @%%@2@%Have you not made a universal shout,%@NL@%%@EH@%
That Tiber trembled underneath her banks,%@NL@%
To hear the replication of your sounds%@NL@%
Made in her concave shores?%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: i, Line: 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4340   @%%@2@%Beware the ides of March. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: ii, Line: 18

%@NL@%%@AI@%1 See Julius Caesar%@BO:           c935f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4350   @%%@2@%Set honor in one eye and death i' the other,%@NL@%%@EH@%
And I will look on both indifferently.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: ii, Line: 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4360   @%%@2@%Well, honor is the subject of my story.%@NL@%%@EH@%
I cannot tell what you and other men%@NL@%
Think of this life; but, for my single self,%@NL@%
I had as lief not to be as live to be%@NL@%
In awe of such a thing as I myself.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: ii, Line: 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4370   @%%@2@%Stemming it with hearts of controversy.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: ii, Line: 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4380   @%%@2@%Why, man, he doth bestride the narrow world%@NL@%%@EH@%
Like a Colossus; and we petty men%@NL@%
Walk under his huge legs, and peep about%@NL@%
To find ourselves dishonorable graves.%@NL@%
Men at some time are masters of their fates: 1  2  3  4  5 %@NL@%
The fault, dear Brutus, is not in our stars,%@NL@%
But in ourselves, that we are underlings.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: ii, Line: 134

%@NL@%%@AI@%1 See Sallust%@BO:           d0745@%%@AE@%
%@AI@%2 See Bacon%@BO:          164135@%%@AE@%
%@AI@%3 See Tennyson%@BO:          404af0@%%@AE@%
%@AI@%4 See Henley%@BO:          4e7df6@%%@AE@%
%@AI@%5 See Nehru%@BO:          5e15d4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4390   @%%@2@%Upon what meat doth this our Caesar feed,%@NL@%%@EH@%
That he is grown so great?%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: ii, Line: 148

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4400   @%%@2@%Let me have men about me that are fat;%@NL@%%@EH@%
Sleek-headed men, and such as sleep o' nights.%@NL@%
Yond Cassius has a lean and hungry look; 1 %@NL@%
He thinks too much: such men are dangerous.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: ii, Line: 191

%@NL@%%@AI@%1 See Julius Caesar%@BO:           c98b4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4410   @%%@2@%He reads much;%@NL@%%@EH@%
He is a great observer, and he looks%@NL@%
Quite through the deeds of men.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: ii, Line: 200

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4420   @%%@2@%Seldom he smiles, and smiles in such a sort%@NL@%%@EH@%
As if he mocked himself, and scorned his spirit%@NL@%
That could be moved to smile at anything.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: ii, Line: 204

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This geare is Greeke to me.-Gascoigne, Supposes, I [1573]  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4430   @%%@2@%But, for my own part, it was Greek to me.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: ii, Line: 288

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4450   @%%@2@%Yesterday the bird of night did sit,%@NL@%%@EH@%
Even at noonday, upon the marketplace,%@NL@%
Hooting and shrieking.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: iii, Line: 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4460   @%%@2@%So every bondman in his own hand bears%@NL@%%@EH@%
The power to cancel his captivity.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: iii, Line: 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4470   @%%@2@%O! he sits high in all the people's hearts:%@NL@%%@EH@%
And that which would appear offense in us,%@NL@%
His countenance, like richest alchemy,%@NL@%
Will change to virtue and to worthiness.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: I, Scene: iii, Line: 157

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4480   @%%@2@%The abuse of greatness is when it disjoins%@NL@%%@EH@%
Remorse from power.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: i, Line: 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4490   @%%@2@%'Tis a common proof,%@NL@%%@EH@%
That lowliness is young ambition's ladder,%@NL@%
Whereto the climber-upward turns his face;%@NL@%
But when he once attains the upmost round,%@NL@%
He then unto the ladder turns his back,%@NL@%
Looks in the clouds, scorning the base degrees%@NL@%
By which he did ascend.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: i, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4500   @%%@2@%Therefore think him as a serpent's egg%@NL@%%@EH@%
Which, hatched, would, as his kind, grow mischievous,%@NL@%
And kill him in the shell.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: i, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4510   @%%@2@%Between the acting of a dreadful thing%@NL@%%@EH@%
And the first motion, all the interim is%@NL@%
Like a phantasma, or a hideous dream:%@NL@%
The genius and the mortal instruments%@NL@%
Are then in council; and the state of man,%@NL@%
Like to a little kingdom, suffers then%@NL@%
The nature of an insurrection.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: i, Line: 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4520   @%%@2@%O conspiracy!%@NL@%%@EH@%
Sham'st thou to show thy dangerous brow by night,%@NL@%
When evils are most free?%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: i, Line: 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4530   @%%@2@%Let's carve him as a dish fit for the gods,%@NL@%%@EH@%
Not hew him as a carcass fit for hounds.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: i, Line: 173

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4540   @%%@2@%But when I tell him he hates flatterers,%@NL@%%@EH@%
He says he does, being then most flattered.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: i, Line: 207

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4550   @%%@2@%Enjoy the honey-heavy dew of slumber.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: i, Line: 230

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dear as the ruddy drops that warm my heart.-Thomas Gray, The Bard [1757],
act I, sc. iii, l. 12  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4560   @%%@2@%You are my true and honorable wife,%@NL@%%@EH@%
As dear to me as are the ruddy drops%@NL@%
That visit my sad heart.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: i, Line: 288

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4580   @%%@2@%Think you I am no stronger than my sex,%@NL@%%@EH@%
Being so fathered and so husbanded?%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: i, Line: 296

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4590   @%%@2@%When beggars die, there are no comets seen;%@NL@%%@EH@%
The heavens themselves blaze forth the death of princes.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: ii, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4600   @%%@2@%Cowards die many times before their deaths;%@NL@%%@EH@%
The valiant never taste of death but once.%@NL@%
Of all the wonders that I yet have heard,%@NL@%
It seems to me most strange that men should fear;%@NL@%
Seeing that death, a necessary end,%@NL@%
Will come when it will come.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: ii, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4610   @%%@2@%Antony, that revels long o' nights.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: ii, Line: 116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4620   @%%@2@%How hard it is for women to keep counsel!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: II, Scene: iv, Line: 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4630   @%%@2@%But I am constant as the northern star,%@NL@%%@EH@%
Of whose true-fixed and resting quality%@NL@%
There is no fellow in the firmament.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: i, Line: 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4640   @%%@2@%Speak, hands, for me!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: i, Line: 76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4650   @%%@2@%Et tu, Brute! 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: i, Line: 77

%@NL@%%@AI@%1 See Julius Caesar%@BO:           c9774@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4660   @%%@2@%Some to the common pulpits, and cry out,%@NL@%%@EH@%
"Liberty, freedom, and enfranchisement."%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: i, Line: 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4670   @%%@2@%How many ages hence%@NL@%%@EH@%
Shall this our lofty scene be acted o'er,%@NL@%
In states unborn and accents yet unknown!%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: i, Line: 111

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4680   @%%@2@%O mighty Caesar! dost thou lie so low?%@NL@%%@EH@%
Are all thy conquests, glories, triumphs, spoils,%@NL@%
Shrunk to this little measure?%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: i, Line: 148

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4690   @%%@2@%The choice and master spirits of this age.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: i, Line: 163

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4695   @%%@2@%Though last, not least in love. 1  2 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: i, Line: 189

%@NL@%%@AI@%1 See Spenser%@BO:          1581bd@%%@AE@%
%@AI@%2 See King Lear%@BO:          1db671@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4700   @%%@2@%O! pardon me, thou bleeding piece of earth,%@NL@%%@EH@%
That I am meek and gentle with these butchers;%@NL@%
Thou art the ruins of the noblest man%@NL@%
That ever lived in the tide of times.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: i, Line: 254

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4710   @%%@2@%Cry "Havoc!" and let slip the dogs of war.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: i, Line: 273

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4720   @%%@2@%   Romans, countrymen, and lovers! hear me for my cause; and be silent, that%@EH@%
you may hear.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4730   @%%@2@%   Not that I loved Caesar less, but that I loved Rome more.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4740   @%%@2@%   As he was valiant, I honor him; but, as he was ambitious, I slew him.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4750   @%%@2@%   If any, speak; for him have I offended. I pause for a reply.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4760   @%%@2@%Friends, Romans, countrymen, lend me your ears;%@NL@%%@EH@%
I come to bury Caesar, not to praise him.%@NL@%
The evil that men do lives after them,%@NL@%
The good is oft interred with their bones. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 79

%@NL@%%@AI@%1 See Euripides%@BO:           a37d7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4770   @%%@2@%For Brutus is an honorable man;%@NL@%%@EH@%
So are they all, all honorable men.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4780   @%%@2@%When that the poor have cried, Caesar hath wept;%@NL@%%@EH@%
Ambition should be made of sterner stuff.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4790   @%%@2@%O judgment! thou art fled to brutish beasts,%@NL@%%@EH@%
And men have lost their reason.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 110

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4800   @%%@2@%But yesterday the word of Caesar might%@NL@%%@EH@%
Have stood against the world; now lies he there,%@NL@%
And none so poor to do him reverence.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 124

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4810   @%%@2@%If you have tears, prepare to shed them now.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 174

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4820   @%%@2@%See what a rent the envious Casca made.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 180

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4830   @%%@2@%This was the most unkindest cut of all.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 188

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4840   @%%@2@%Great Caesar fell.%@NL@%%@EH@%
O! what a fall was there, my countrymen;%@NL@%
Then I, and you, and all of us fell down,%@NL@%
Whilst bloody treason flourished over us.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 194

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4850   @%%@2@%What private griefs they have, alas! I know not.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 217

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4860   @%%@2@%I come not, friends, to steal away your hearts:%@NL@%%@EH@%
I am no orator, as Brutus is;%@NL@%
But, as you know me all, a plain blunt man.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 220

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4870   @%%@2@%For I have neither wit, nor words, nor worth,%@NL@%%@EH@%
Action, nor utterance, nor the power of speech,%@NL@%
To stir men's blood: I only speak right on.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 225

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4880   @%%@2@%Put a tongue%@NL@%%@EH@%
In every wound of Caesar, that should move%@NL@%
The stones of Rome to rise and mutiny.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: III, Scene: ii, Line: 232

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4890   @%%@2@%When love begins to sicken and decay,%@NL@%%@EH@%
It useth an enforced ceremony.%@NL@%
There are no tricks in plain and simple faith.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: IV, Scene: ii, Line: 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4900   @%%@2@%An itching palm.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: IV, Scene: iii, Line: 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4910   @%%@2@%I had rather be a dog, and bay the moon,%@NL@%%@EH@%
Than such a Roman.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: IV, Scene: iii, Line: 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4920   @%%@2@%I'll use you for my mirth, yea, for my laughter,%@NL@%%@EH@%
When you are waspish.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: IV, Scene: iii, Line: 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4930   @%%@2@%There is no terror, Cassius, in your threats;%@NL@%%@EH@%
For I am armed so strong in honesty%@NL@%
That they pass by me as the idle wind,%@NL@%
Which I respect not.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: IV, Scene: iii, Line: 66

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4940   @%%@2@%A friend should bear his friend's infirmities,%@NL@%%@EH@%
But Brutus makes mine greater than they are.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: IV, Scene: iii, Line: 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4950   @%%@2@%All his faults observed,%@NL@%%@EH@%
Set in a notebook, learned, and conned by rote.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: IV, Scene: iii, Line: 96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4960   @%%@2@%There is a tide in the affairs of men,%@NL@%%@EH@%
Which, taken at the flood, leads on to fortune;%@NL@%
Omitted, all the voyage of their life%@NL@%
Is bound in shallows and in miseries.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: IV, Scene: iii, Line: 217

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4970   @%%@2@%We must take the current when it serves,%@NL@%%@EH@%
Or lose our ventures.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: IV, Scene: iii, Line: 222

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4980   @%%@2@%The deep of night is crept upon our talk,%@NL@%%@EH@%
And nature must obey necessity. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: IV, Scene: iii, Line: 225

%@NL@%%@AI@%1 See Leonardo da Vinci%@BO:          12d4f1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW4990   @%%@2@%But for your words, they rob the Hybla bees,%@NL@%%@EH@%
And leave them honeyless.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: V, Scene: i, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW5000   @%%@2@%Forever, and forever, farewell, Cassius!%@NL@%%@EH@%
If we do meet again, why, we shall smile;%@NL@%
If not, why then, this parting was well made.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: V, Scene: i, Line: 117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW5010   @%%@2@%O! that a man might know%@NL@%%@EH@%
The end of this day's business, ere it come.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: V, Scene: i, Line: 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW5020   @%%@2@%O Julius Caesar! thou art mighty yet!%@NL@%%@EH@%
Thy spirit walks abroad, and turns our swords%@NL@%
In our own proper entrails.%@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: V, Scene: iii, Line: 94

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW5030   @%%@2@%The last of all the Romans, fare thee well!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: V, Scene: iii, Line: 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW5040   @%%@2@%This was the noblest Roman of them all.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: V, Scene: v, Line: 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHBW5050   @%%@2@%His life was gentle, and the elements%@NL@%%@EH@%
So mixed in him that Nature might stand up%@NL@%
And say to all the world, "This was a man!" 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Julius Caesar [1598-1600],Act: V, Scene: v, Line: 73

%@NL@%%@AI@%1 See Hamlet%@BO:          1ba6d5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW10     @%%@2@%For this relief much thanks; 'tis bitter cold,%@NL@%%@EH@%
And I am sick at heart.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW20     @%%@2@%Not a mouse stirring. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 10

%@NL@%%@AI@%1 See Clement Clarke Moore%@BO:          3659e7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW30     @%%@2@%Thou art a scholar; speak to it, Horatio.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW40     @%%@2@%But in the gross and scope of my opinion,%@NL@%%@EH@%
This bodes some strange eruption to our state.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW50     @%%@2@%Whose sore task%@NL@%%@EH@%
Does not divide the Sunday from the week.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW60     @%%@2@%This sweaty haste%@NL@%%@EH@%
Doth make the night joint-laborer with the day.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW70     @%%@2@%In the most high and palmy state of Rome,%@NL@%%@EH@%
A little ere the mightiest Julius fell,%@NL@%
The graves stood tenantless and the sheeted dead%@NL@%
Did squeak and gibber in the Roman streets.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW80     @%%@2@%The moist star%@NL@%%@EH@%
Upon whose influence Neptune's empire stands%@NL@%
Was sick almost to doomsday with eclipse.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 118

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW90     @%%@2@%And then it started like a guilty thing%@NL@%%@EH@%
Upon a fearful summons.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 148

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW100    @%%@2@%The cock, that is the trumpet to the morn.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 150

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW110    @%%@2@%Whether in sea or fire, in earth or air,%@NL@%%@EH@%
The extravagant and erring spirit hies%@NL@%
To his confine.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW120    @%%@2@%It faded on the crowing of the cock.%@NL@%%@EH@%
Some say that ever 'gainst that season comes%@NL@%
Wherein our Savior's birth is celebrated,%@NL@%
The bird of dawning singeth all night long;%@NL@%
And then, they say, no spirit can walk abroad;%@NL@%
The nights are wholesome; then no planets strike,%@NL@%
No fairy takes, nor witch hath power to charm,%@NL@%
So hallowed and so gracious is the time.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 157

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW130    @%%@2@%But, look, the morn in russet mantle clad,%@NL@%%@EH@%
Walks o'er the dew of yon high eastern hill.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: i, Line: 166

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW140    @%%@2@%The memory be green. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 2

%@NL@%%@AI@%1 See Thomas Moore%@BO:          3660c2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW150    @%%@2@%With one auspicious and one dropping eye,%@NL@%%@EH@%
With mirth in funeral and with dirge in marriage,%@NL@%
In equal scale weighing delight and dole.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW160    @%%@2@%So much for him.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW170    @%%@2@%A little more than kin, and less than kind.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW180    @%%@2@%Thou know'st 'tis common; all that live must die,%@NL@%%@EH@%
Passing through nature to eternity.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW190    @%%@2@%Seems, madam! Nay, it is; I know not "seems."%@NL@%%@EH@%
'Tis not alone my inky cloak, good mother,%@NL@%
Nor customary suits of solemn black.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW200    @%%@2@%But I have that within which passeth show;%@NL@%%@EH@%
These but the trappings and the suits of woe.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW210    @%%@2@%To persever%@NL@%%@EH@%
In obstinate condolement is a course%@NL@%
Of impious stubbornness; 'tis unmanly grief:%@NL@%
It shows a will most incorrect to heaven,%@NL@%
A heart unfortified, a mind impatient.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Alternative readings are "sallied" and "sullied."  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW220    @%%@2@%O! that this too too solid flesh would melt,%@NL@%%@EH@%
Thaw and resolve itself into a dew;%@NL@%
Or that the Everlasting had not fixed%@NL@%
His canon 'gainst self-slaughter! O God! O God!%@NL@%
How weary, stale, flat, and unprofitable%@NL@%
Seem to me all the uses of this world.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 129

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW240    @%%@2@%Things rank and gross in nature%@NL@%%@EH@%
Possess it merely. That it should come to this!%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 136

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW250    @%%@2@%So excellent a king; that was, to this,%@NL@%%@EH@%
Hyperion to a satyr; so loving to my mother%@NL@%
That he might not beteem the winds of heaven%@NL@%
Visit her face too roughly.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 139

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW260    @%%@2@%Why, she would hang on him,%@NL@%%@EH@%
As if increase of appetite had grown%@NL@%
By what it fed on.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 143

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW270    @%%@2@%Frailty, thy name is woman!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 146

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW280    @%%@2@%Like Niobe, all tears.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 149

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW290    @%%@2@%A beast, that wants discourse of reason.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 150

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW300    @%%@2@%It is not nor it cannot come to good.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 158

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW310    @%%@2@%A truant disposition.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 169

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW320    @%%@2@%Thrift, thrift, Horatio! the funeral baked meats%@NL@%%@EH@%
Did coldly furnish forth the marriage tables.%@NL@%
Would I had met my dearest foe 1  in heaven%@NL@%
Ere I had ever seen that day.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 180

%@NL@%%@AI@%1 See Henry IV, Part I%@BO:          1997d7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW330    @%%@2@%In my mind's eye, Horatio.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 185

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW340    @%%@2@%He was a man, take him for all in all, 1 %@NL@%%@EH@%
I shall not look upon his like again.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 187

%@NL@%%@AI@%1 See Julius Caesar%@BO:          1b7f2f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW350    @%%@2@%Season your admiration for a while.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 192

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW360    @%%@2@%In the dead vast and middle of the night.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 198

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW370    @%%@2@%Armed at points exactly, cap-a-pe.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 200

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW380    @%%@2@%Distilled%@NL@%%@EH@%
Almost to jelly with the act of fear.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 204

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW390    @%%@2@%A countenance more in sorrow than in anger.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 231

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW400    @%%@2@%While one with moderate haste might tell a hundred.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 237

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW410    @%%@2@%Hamlet: His beard was grizzled, no?%@NL@%%@EH@%
Horatio: It was, as I have seen it in his life,%@NL@%
A sable silvered.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 239

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW420    @%%@2@%Give it an understanding, but no tongue.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 249

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW430    @%%@2@%All is not well;%@NL@%%@EH@%
I doubt some foul play.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 254

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW440    @%%@2@%Foul deeds will rise,%@NL@%%@EH@%
Though all the earth o'erwhelm them, to men's eyes.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: ii, Line: 256

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW450    @%%@2@%The chariest maid is prodigal enough%@NL@%%@EH@%
If she unmask her beauty to the moon;%@NL@%
Virtue itself 'scapes not calumnious strokes;%@NL@%
The canker galls the infants of the spring%@NL@%
Too oft before their buttons be disclosed,%@NL@%
And in the morn and liquid dew of youth%@NL@%
Contagious blastments are most imminent.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iii, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Wel oghte a preest ensample for to yive./By his clennesse, how that his
sheep shold live.-Chaucer, Canterbury Tales [c. 1387], prologue, l. 504  And
may ye better reck the rede,/Than ever did th' adviser.-Burns, Epistle to a
Young Friend [1786]  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW460    @%%@2@%Do not, as some ungracious pastors do,%@NL@%%@EH@%
Show me the steep and thorny way to heaven,%@NL@%
Whiles, like a puffed and reckless libertine,%@NL@%
Himself the primrose path of dalliance treads. 1  2 %@NL@%
And recks not his own rede.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iii, Line: 47

%@NL@%%@AI@%1 See Bion%@BO:           bc33f@%%@AE@%
%@AI@%2 See Macbeth%@BO:          1e6985@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW490    @%%@2@%Give thy thoughts no tongue.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iii, Line: 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW500    @%%@2@%Be thou familiar, but by no means vulgar;%@NL@%%@EH@%
Those friends thou hast, and their adoption tried,%@NL@%
Grapple them to thy soul with hoops of steel.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iii, Line: 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW510    @%%@2@%Beware%@NL@%%@EH@%
Of entrance to a quarrel, but, being in,%@NL@%
Bear 't that th' opposed may beware of thee.%@NL@%
Give every man thy ear, but few thy voice;%@NL@%
Take each man's censure, but reserve thy judgment.%@NL@%
Costly thy habit as thy purse can buy,%@NL@%
But not expressed in fancy; rich, not gaudy; 1 %@NL@%
For the apparel oft proclaims the man.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iii, Line: 65

%@NL@%%@AI@%1 See Samuel Wesley%@BO:          2826e9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW530    @%%@2@%Neither a borrower, nor a lender be;%@NL@%%@EH@%
For loan oft loses both itself and friend,%@NL@%
And borrowing dulls the edge of husbandry.%@NL@%
This above all: to thine own self be true,%@NL@%
And it must follow, as the night the day,%@NL@%
Thou canst not then be false to any man. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iii, Line: 75

%@NL@%%@AI@%1 See Bacon%@BO:          1636d5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW540    @%%@2@%'Tis in my memory locked,%@NL@%%@EH@%
And you yourself shall keep the key of it.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iii, Line: 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW550    @%%@2@%You speak like a green girl,%@NL@%%@EH@%
Unsifted in such perilous circumstance.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iii, Line: 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW560    @%%@2@%Springes to catch woodcocks.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iii, Line: 115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW570    @%%@2@%When the blood burns, how prodigal the soul%@NL@%%@EH@%
Lends the tongue vows.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iii, Line: 116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW580    @%%@2@%Be somewhat scanter of your maiden presence.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iii, Line: 121

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW590    @%%@2@%The air bites shrewdly.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iv, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW600    @%%@2@%But to my mind-though I am native here%@NL@%%@EH@%
And to the manner born-it is a custom%@NL@%
More honored in the breach than the observance.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iv, Line: 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW610    @%%@2@%Angels and ministers of grace defend us!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iv, Line: 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW620    @%%@2@%Be thy intents wicked or charitable,%@NL@%%@EH@%
Thou com'st in such a questionable shape%@NL@%
That I will speak to thee.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iv, Line: 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
And makes night hideous.-Alexander Pope, The Dunciad, bk. III [1728], l. 166
%@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW630    @%%@2@%What may this mean,%@NL@%%@EH@%
That thou, dead corse, again in complete steel%@NL@%
Revisit'st thus the glimpses of the moon,%@NL@%
Making night hideous; and we fools of nature%@NL@%
So horridly to shake our disposition%@NL@%
With thoughts beyond the reaches of our souls?%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iv, Line: 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW650    @%%@2@%I do not set my life at a pin's fee.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iv, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW660    @%%@2@%The dreadful summit of the cliff%@NL@%%@EH@%
That beetles o'er his base into the sea.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iv, Line: 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW670    @%%@2@%My fate cries out,%@NL@%%@EH@%
And makes each petty artery in this body%@NL@%
As hardy as the Nemean lion's nerve.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iv, Line: 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW680    @%%@2@%Unhand me, gentlemen,%@NL@%%@EH@%
By heaven! I'll make a ghost of him that lets me.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iv, Line: 84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW690    @%%@2@%Something is rotten in the state of Denmark.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: iv, Line: 90

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW700    @%%@2@%I could a tale unfold whose lightest word%@NL@%%@EH@%
Would harrow up thy soul, freeze thy young blood,%@NL@%
Make thy two eyes, like stars, start from their spheres,%@NL@%
Thy knotted and combined locks to part,%@NL@%
And each particular hair to stand an end,%@NL@%
Like quills upon the fretful porpentine.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW710    @%%@2@%And duller shouldst thou be than the fat weed%@NL@%%@EH@%
That rots itself in ease on Lethe wharf.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW720    @%%@2@%O my prophetic soul!%@NL@%%@EH@%
My uncle!%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW730    @%%@2@%O Hamlet! what a falling-off was there.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW740    @%%@2@%But virtue, as it never will be moved,%@NL@%%@EH@%
Though lewdness court it in a shape of heaven,%@NL@%
So lust, though to a radiant angel linked,%@NL@%
Will sate itself in a celestial bed,%@NL@%
And prey on garbage.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW750    @%%@2@%In the porches of mine ears.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW760    @%%@2@%Cut off even in the blossoms of my sin,%@NL@%%@EH@%
Unhouseled, disappointed, unaneled,%@NL@%
No reckoning made, but sent to my account%@NL@%
With all my imperfections on my head. 1  2  3  4  5  6 %@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 76

%@NL@%%@AI@%1 See Homer%@BO:           83788@%%@AE@%
%@AI@%2 See Horace%@BO:           dbc74@%%@AE@%
%@AI@%3 See Chaucer%@BO:          11dbf8@%%@AE@%
%@AI@%4 See Milton%@BO:          2400f1@%%@AE@%
%@AI@%5 See Scott%@BO:          348306@%%@AE@%
%@AI@%6 See Byron%@BO:          37b671@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW770    @%%@2@%Leave her to heaven,%@NL@%%@EH@%
And to those thorns that in her bosom lodge,%@NL@%
To prick and sting her.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW780    @%%@2@%The glowworm shows the matin to be near,%@NL@%%@EH@%
And 'gins to pale his uneffectual fire.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 89

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW790    @%%@2@%While memory holds a seat%@NL@%%@EH@%
In this distracted globe. Remember thee!%@NL@%
Yea, from the table of my memory%@NL@%
I'll wipe away all trivial fond records.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW800    @%%@2@%Within the book and volume of my brain.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 103

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW810    @%%@2@%O villain, villain, smiling, damned villain!%@NL@%%@EH@%
My tables-meet it is I set it down,%@NL@%
That one may smile, and smile, and be a villain;%@NL@%
At least I'm sure it may be so in Denmark.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 106

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW820    @%%@2@%There's ne'er a villain dwelling in all Denmark,%@NL@%%@EH@%
But he's an arrant knave.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW830    @%%@2@%There are more things in heaven and earth, Horatio,%@NL@%%@EH@%
Than are dreamt of in your philosophy.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 166

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW840    @%%@2@%To put an antic disposition on.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 172

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW850    @%%@2@%Rest, rest, perturbed spirit!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 182

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW860    @%%@2@%The time is out of joint; O cursed spite,%@NL@%%@EH@%
That ever I was born to set it right!%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: I, Scene: v, Line: 188

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW870    @%%@2@%Your bait of falsehood takes this carp of truth;%@NL@%%@EH@%
And thus do we of wisdom and of reach,%@NL@%
With windlasses and with assays of bias,%@NL@%
By indirections find directions out.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: i, Line: 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW880    @%%@2@%Ungartered, and down-gyved to his ankle.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: i, Line: 80

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW890    @%%@2@%This is the very ecstasy of love.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: i, Line: 102

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW900    @%%@2@%Brevity is the soul of wit.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 90

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW910    @%%@2@%More matter, with less art.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW920    @%%@2@%That he is mad, 'tis true; 'tis true 'tis pity;%@NL@%%@EH@%
And pity 'tis 'tis true.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW930    @%%@2@%Find out the cause of this effect,%@NL@%%@EH@%
Or rather say, the cause of this defect,%@NL@%
For this effect defective comes by cause.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW940    @%%@2@%Doubt thou the stars are fire;%@NL@%%@EH@%
Doubt that the sun doth move;%@NL@%
Doubt truth to be a liar;%@NL@%
But never doubt I love.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW950    @%%@2@%   Polonius: Do you know me, my lord?%@NL@%%@EH@%
Hamlet: Excellent well; you are a fishmonger.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 173

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW960    @%%@2@%   To be honest, as this world goes, is to be one man picked out of ten%@EH@%
thousand.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 179

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In some editions: good.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW970    @%%@2@%   Hamlet: For if the sun breed maggots in a dead dog, being a god kissing%@EH@%
carrion-Have you a daughter?%@NL@%
Polonius: I have, my lord.%@NL@%
Hamlet: Let her not walk i' the sun.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 183

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW990    @%%@2@%   Still harping on my daughter.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 190

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1000   @%%@2@%   Polonius: What do you read, my lord?%@NL@%%@EH@%
Hamlet: Words, words, words.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 195

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1010   @%%@2@%   They have a plentiful lack of wit.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 204

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1020   @%%@2@%   Though this be madness, yet there is method in 't.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 211

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1030   @%%@2@%   These tedious old fools!%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 227

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1040   @%%@2@%   The indifferent children of the earth.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 235

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1050   @%%@2@%   Happy in that we are not over happy.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 236

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1060   @%%@2@%   There is nothing either good or bad, but thinking makes it so.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 259

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1070   @%%@2@%   O God! I could be bounded in a nutshell, and count myself a king of%@EH@%
infinite space, were it not that I have bad dreams.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 263

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1080   @%%@2@%   Beggar that I am, I am even poor in thanks.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 286

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1090   @%%@2@%   This goodly frame, the earth, seems to me a sterile promontory; this most%@EH@%
excellent canopy, the air, look you, this brave o'erhanging firmament, this
majestical roof fretted with golden fire, why, it appears no other thing to
me but a foul and pestilent congregation of vapors. What a piece of work is
a man! How noble in reason! how infinite in faculty! in form, in moving, how
express and admirable! in action how like an angel! in apprehension how like
a god!%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 317

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1100   @%%@2@%   And yet, to me, what is this quintessence of dust? man delights not me;%@EH@%
no, nor woman neither.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 328

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1110   @%%@2@%   There is something in this more than natural, if philosophy could find it%@EH@%
out.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 392

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The hawk is the basic tool of the plasterer, the handsaw the basic tool of
the carpenter. Both tools are easy to distinguish. Handsaw by some thought
to be corruption of heronshaw, a young heron.-Morris Dictionary of Word and
Phrase Origins [1977]  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1120   @%%@2@%   I am but mad north-northwest: when the wind is southerly I know a hawk%@EH@%
from a handsaw.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 405

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1130   @%%@2@%   They say an old man is twice a child. 1 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 413

%@NL@%%@AI@%1 See Aristophanes%@BO:           aacfb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1140   @%%@2@%One fair daughter and no more,%@NL@%%@EH@%
The which he loved passing well.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 435

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1150   @%%@2@%   Come, give us a taste of your quality.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 460

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1160   @%%@2@%   The play, I remember, pleased not the million; 'twas caviare to the%@EH@%
general.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 465

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1170   @%%@2@%   They are the abstracts and brief chronicles of the time: after your death%@EH@%
you were better have a bad epitaph than their ill report while you live.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 555

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1180   @%%@2@%   Use every man after his desert, and who should 'scape whipping? 1 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 561

%@NL@%%@AI@%1 See Montaigne%@BO:          14627c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1190   @%%@2@%O! what a rogue and peasant slave am I.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 584

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1200   @%%@2@%What's Hecuba to him or he to Hecuba,%@NL@%%@EH@%
That he should weep for her?%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 593

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1210   @%%@2@%Who calls me villain? breaks my pate across?%@NL@%%@EH@%
Plucks off my beard and blows it in my face?%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 607

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1220   @%%@2@%But I am pigeon-livered, and lack gall%@NL@%%@EH@%
To make oppression bitter.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 613

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1230   @%%@2@%The play's the thing%@NL@%%@EH@%
Wherein I'll catch the conscience of the king.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: II, Scene: ii, Line: 641

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1240   @%%@2@%With devotion's visage%@NL@%%@EH@%
And pious action we do sugar o'er%@NL@%
The devil himself.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: i, Line: 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1250   @%%@2@%To be, or not to be: that is the question:%@NL@%%@EH@%
Whether 'tis nobler in the mind to suffer%@NL@%
The slings and arrows of outrageous fortune,%@NL@%
Or to take arms against a sea of troubles,%@NL@%
And by opposing end them? To die: to sleep;%@NL@%
No more; and, by a sleep to say we end%@NL@%
The heartache and the thousand natural shocks%@NL@%
That flesh is heir to, 'tis a consummation%@NL@%
Devoutly to be wished. To die, to sleep;%@NL@%
To sleep: perchance to dream: ay, there's the rub;%@NL@%
For in that sleep of death what dreams may come,%@NL@%
When we have shuffled off this mortal coil,%@NL@%
Must give us pause. There's the respect%@NL@%
That makes calamity of so long life;%@NL@%
For who would bear the whips and scorns of time,%@NL@%
The oppressor's wrong, the proud man's contumely,%@NL@%
The pangs of disprized love, the law's delay.%@NL@%
The insolence of office, and the spurns%@NL@%
That patient merit of the unworthy takes,%@NL@%
When he himself might his quietus make%@NL@%
With a bare bodkin? who would fardels bear,%@NL@%
To grunt and sweat under a weary life,%@NL@%
But that the dread of something after death,%@NL@%
The undiscovered country from whose bourn%@NL@%
No traveler returns, 1  2  puzzles the will,%@NL@%
And makes us rather bear those ills we have%@NL@%
Than fly to others that we know not of?%@NL@%
Thus conscience does make cowards of us all; 3 %@NL@%
And thus the native hue of resolution%@NL@%
Is sicklied o'er with the pale cast of thought,%@NL@%
And enterprises of great pith and moment%@NL@%
With this regard their currents turn awry,%@NL@%
And lose the name of action.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: i, Line: 56

%@NL@%%@AI@%1 See The Song of the Harper%@BO:             2bf@%%@AE@%
%@AI@%2 See Catullus%@BO:           cd336@%%@AE@%
%@AI@%3 See Wilde%@BO:          4fc4e6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1260   @%%@2@%Nymph, in thy orisons%@NL@%%@EH@%
Be all my sins remembered.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: i, Line: 89

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1270   @%%@2@%To the noble mind%@NL@%%@EH@%
Rich gifts wax poor when givers prove unkind.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: i, Line: 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1280   @%%@2@%   Get thee to a nunnery.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: i, Line: 124

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1290   @%%@2@%   What should such fellows as I do crawling between heaven and earth? We%@EH@%
are arrant knaves, all.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: i, Line: 128

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1300   @%%@2@%   Be thou as chaste as ice, as pure as snow, thou shalt not escape calumny.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: i, Line: 142

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1310   @%%@2@%   I have heard of your paintings too, well enough; God has given you one%@EH@%
face, and you make yourselves another.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: i, Line: 150

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1320   @%%@2@%O! what a noble mind is here o'erthrown:%@NL@%%@EH@%
The courtier's, soldier's, scholar's, eye, tongue, sword.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: i, Line: 159

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1330   @%%@2@%The glass of fashion and the mould of form,%@NL@%%@EH@%
The observed of all observers!%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: i, Line: 162

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1340   @%%@2@%Now see that noble and most sovereign reason,%@NL@%%@EH@%
Like sweet bells jangled, out of tune and harsh.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: i, Line: 166

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1350   @%%@2@%O! woe is me,%@NL@%%@EH@%
To have seen what I have seen, see what I see!%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: i, Line: 169

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1360   @%%@2@%   Speak the speech, I pray you, as I pronounced it to you, trippingly on%@EH@%
the tongue; but if you mouth it, as many of your players do, I had as lief
the towncrier spoke my lines. Nor do not saw the air too much with your
hand, thus; but use all gently: for in the very torrent, tempest, and-as I
may say-whirlwind of passion, you must acquire and beget a temperance, that
may give it smoothness. O! it offends me to the soul to hear a robustious
periwig-pated fellow tear a passion to tatters, to very rags, to split the
ears of the groundlings, who for the most part are capable of nothing but
inexplicable dumb-shows and noise: I would have such a fellow whipped for
o'erdoing Termagant; it out-herods Herod.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1370   @%%@2@%   Suit the action to the word, the word to the action; with this special%@EH@%
observance, that you o'erstep not the modesty of nature.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1380   @%%@2@%   To hold, as 'twere, the mirror up to nature; to show virtue her own%@EH@%
feature, scorn her own image, and the very age and body of the time his form
and pressure.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1390   @%%@2@%   I have thought some of nature's journeymen had made men and not made them%@EH@%
well, they imitated humanity so abominably.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1400   @%%@2@%No; let the candied tongue lick absurd pomp,%@NL@%%@EH@%
And crook the pregnant hinges of the knee%@NL@%
Where thrift may follow fawning.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1410   @%%@2@%A man that fortune's buffets and rewards%@NL@%%@EH@%
Hast ta'en with equal thanks.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1420   @%%@2@%They are not a pipe for fortune's finger%@NL@%%@EH@%
To sound what stop she please. Give me that man%@NL@%
That is not passion's slave, and I will wear him%@NL@%
In my heart's core, ay, in my heart of heart,%@NL@%
As I do thee. Something too much of this.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1430   @%%@2@%My imaginations are as foul%@NL@%%@EH@%
As Vulcan's stithy.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1440   @%%@2@%   The chameleon's dish: I eat the air, promise-crammed; you cannot feed%@EH@%
capons so.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 98

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1450   @%%@2@%   Nav, then, let the devil wear black, for I'll have a suit of sables.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 138

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1460   @%%@2@%   There's hope a great man's memory may outlive his life half a year.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1470   @%%@2@%   Marry, this is miching mallecho; it means mischief.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 148

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1480   @%%@2@%   Ophelia: 'Tis brief, my lord.%@NL@%%@EH@%
Hamlet: As woman's love.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 165

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1490   @%%@2@%Where love is great, the littlest doubts are fear;%@NL@%%@EH@%
When little fears grow great, great love grows there.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 183

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1500   @%%@2@%   Wormwood, wormwood. 1 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 193

%@NL@%%@AI@%1 See Lamentations of Jeremiah 3:19%@BO:           4318c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1510   @%%@2@%The lady doth protest too much, methinks.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 242

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1520   @%%@2@%   Let the galled jade wince, our withers are unwrung.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 256

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1530   @%%@2@%Why, let the stricken deer go weep, 1 %@NL@%%@EH@%
The hart ungalled play;%@NL@%
For some must watch, while some must sleep:%@NL@%
So runs the world away.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 287

%@NL@%%@AI@%1 See Cowper%@BO:          2ebb44@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1540   @%%@2@%   You would pluck out the heart of my mystery.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 389

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1550   @%%@2@%   Do you think I am easier to be played on than a pipe?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 393

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1560   @%%@2@%   Hamlet: Do you see yonder cloud that's almost in shape of a camel?%@NL@%%@EH@%
Polonius: By the mass, and 'tis like a camel, indeed.%@NL@%
Hamlet: Methinks it is like a weasel.%@NL@%
Polonius: It is backed like a weasel.%@NL@%
Hamlet: Or like a whale?%@NL@%
Polonius: Very like a whale. 1  2 %@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 400

%@NL@%%@AI@%1 See Aristophanes%@BO:           aabfa@%%@AE@%
%@AI@%2 See Antony and Cleopatra%@BO:          1ee9da@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1570   @%%@2@%   They fool me to the top of my bent.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 408

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1580   @%%@2@%   By and by is easily said.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 411

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1590   @%%@2@%'Tis now the very witching time of night,%@NL@%%@EH@%
When churchyards yawn and hell itself breathes out%@NL@%
Contagion to this world.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 413

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1600   @%%@2@%I will speak daggers to her, but use none.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: ii, Line: 421

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1610   @%%@2@%O! my offense is rank, it smells to heaven;%@NL@%%@EH@%
It hath the primal eldest curse upon 't,%@NL@%
A brother's murder!%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iii, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1620   @%%@2@%Now might I do it pat, now he is praying;%@NL@%%@EH@%
And now I'll do 't: and so he goes to heaven;%@NL@%
And so I am revenged.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iii, Line: 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1630   @%%@2@%With all his crimes broad blown, as flush as May.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iii, Line: 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1640   @%%@2@%My words fly up, my thoughts remain below:%@NL@%%@EH@%
Words without thoughts never to heaven go.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iii, Line: 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1650   @%%@2@%   How now! a rat? Dead, for a ducat, dead!%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1660   @%%@2@%False as dicers' oaths.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1670   @%%@2@%A rhapsody of words.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1680   @%%@2@%See, what a grace was seated on this brow;%@NL@%%@EH@%
Hyperion's curls; the front of Jove himself,%@NL@%
An eye like Mars, to threaten and command,%@NL@%
A station like the herald Mercury%@NL@%
New-lighted on a heaven-kissing hill.%@NL@%
A combination and a form indeed,%@NL@%
Where every god did seem to set his seal,%@NL@%
To give the world assurance of a man.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1690   @%%@2@%At your age%@NL@%%@EH@%
The heyday in the blood is tame, it's humble.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1700   @%%@2@%O shame! where is thy blush? Rebellious hell,%@NL@%%@EH@%
If thou canst mutine in a matron's bones,%@NL@%
To flaming youth let virtue be as wax,%@NL@%
And melt in her own fire: proclaim no shame%@NL@%
When the compulsive ardor gives the charge,%@NL@%
Since frost itself as actively doth burn,%@NL@%
And reason panders will.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1710   @%%@2@%A king of shreds and patches. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 102

%@NL@%%@AI@%1 See W. S. Gilbert%@BO:          4ad2be@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1730   @%%@2@%Lay not that flattering unction to your soul.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 145

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1740   @%%@2@%Confess yourself to heaven;%@NL@%%@EH@%
Repent what's past; avoid what is to come.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 149

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1750   @%%@2@%For in the fatness of these pursy times%@NL@%%@EH@%
Virtue itself of vice must pardon beg.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1760   @%%@2@%Assume a virtue, if you have it not.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 160

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1770   @%%@2@%Refrain tonight;%@NL@%%@EH@%
And that shall lend a kind of easiness%@NL@%
To the next abstinence: the next more easy;%@NL@%
For use almost can change the stamp of nature.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 165

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1780   @%%@2@%I must be cruel, only to be kind.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 178

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1790   @%%@2@%For 'tis the sport to have the enginer%@NL@%%@EH@%
Hoist with his own petar.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: III, Scene: iv, Line: 206

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1800   @%%@2@%Diseases desperate grown%@NL@%%@EH@%
By desperate appliance are relieved,%@NL@%
Or not at all. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: iii, Line: 9

%@NL@%%@AI@%1 See Hippocrates%@BO:           a816f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1810   @%%@2@%   A man may fish with the worm that hath eat of a king, and eat of the fish%@EH@%
that hath fed of that worm.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: iii, Line: 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1820   @%%@2@%We go to gain a little patch of ground,%@NL@%%@EH@%
That hath in it no profit but the name.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: iv, Line: 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The unmotivated herd that only sleep and feed.-James Russell Lowell
[1819-1891], Under the Old Elm, pt. VII, st. 3  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1830   @%%@2@%How all occasions do inform against me,%@NL@%%@EH@%
And spur my dull revenge! What is a man,%@NL@%
If his chief good and market of his time%@NL@%
Be but to sleep and feed? a beast, no more.%@NL@%
Sure he that made us with such large discourse,%@NL@%
Looking before and after, gave us not%@NL@%
That capability and godlike reason%@NL@%
To fust in us unused.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: iv, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1850   @%%@2@%Some craven scruple%@NL@%%@EH@%
Of thinking too precisely on the event.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: iv, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1860   @%%@2@%Rightly to be great%@NL@%%@EH@%
Is not to stir without great argument,%@NL@%
But greatly to find quarrel in a straw%@NL@%
When honor's at the stake.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: iv, Line: 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1870   @%%@2@%So full of artless jealousy is guilt,%@NL@%%@EH@%
It spills itself in fearing to be spilt.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: v, Line: 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ophelia is quoting a version of a poem by Sir Walter Ralegh.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1880   @%%@2@%How should I your true love know%@NL@%%@EH@%
From another one?%@NL@%
By his cockle hat and staff,%@NL@%
And his sandal shoon.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: v, Line: 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1890   @%%@2@%He is dead and gone, lady,%@NL@%%@EH@%
He is dead and gone;%@NL@%
At his head a grass-green turf,%@NL@%
At his heels a stone.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: v, Line: 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1900   @%%@2@%   We know what we are, but know not what we may be.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: v, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1910   @%%@2@%   Come, my coach! Good night, ladies; good night, sweet ladies; good night,%@EH@%
good night.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: v, Line: 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Cervantes  One woe doth tread upon another's heel,/So fast they
follow.-Hamlet, act IV, sc. vii, l. 164  Thus woe succeeds a woe, as wave a
wave.-Herrick, Sorrows Succeed [1648]  Woes cluster; rare are solitary
woes;/They love a train, they tread each other's heel.-Edward Young, Night
Thoughts [1742-1745], Night III, l. 63  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1920   @%%@2@%When sorrows come, they come not single spies,%@NL@%%@EH@%
But in battalions.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: v, Line: 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1960   @%%@2@%We have done but greenly,%@NL@%%@EH@%
In hugger-mugger to inter him.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: v, Line: 84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1970   @%%@2@%There's such divinity doth hedge a king,%@NL@%%@EH@%
That treason can but peep to what it would. 1  2 %@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: v, Line: 123

%@NL@%%@AI@%1 See Montaigne%@BO:          145c5e@%%@AE@%
%@AI@%2 See Tennyson%@BO:          404386@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1980   @%%@2@%   There's rosemary, that's for remembrance . . . and there is pansies,%@EH@%
that's for thoughts.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: v, Line: 174

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW1990   @%%@2@%   O! you must wear your rue with a difference. There's a daisy; I would%@EH@%
give you some violets, but they withered all when my father died.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: v, Line: 181

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2000   @%%@2@%A very riband in the cap of youth.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: vii, Line: 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2010   @%%@2@%Nature her custom holds,%@NL@%%@EH@%
Let shame say what it will.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: IV, Scene: vii, Line: 188

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2020   @%%@2@%   There is no ancient gentlemen but gardeners, ditchers, and grave-makers;%@EH@%
they hold up Adam's profession. 1  2  3  4 %@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 32

%@NL@%%@AI@%1 See Genesis 2:8%@BO:            6076@%%@AE@%
%@AI@%2 See Bacon%@BO:          1646e1@%%@AE@%
%@AI@%3 See King Henry VI, Part II%@BO:          16d2cd@%%@AE@%
%@AI@%4 See Kipling%@BO:          538f86@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2030   @%%@2@%   Cudgel thy brains no more about it.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2040   @%%@2@%   Has this fellow no feeling of his business, that he sings at%@EH@%
grave-making?%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2050   @%%@2@%   Custom hath made it in him a property of easiness.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2060   @%%@2@%   A politician . . . one that would circumvent God.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2070   @%%@2@%   Why may not that be the skull of a lawyer? Where be his quiddities now,%@EH@%
his quillets, his cases, his tenures, and his tricks?%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2080   @%%@2@%   One that was a woman, sir; but, rest her soul, she's dead.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 145

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2090   @%%@2@%   How absolute the knave is! we must speak by the card, or equivocation%@EH@%
will undo us.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 147

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2100   @%%@2@%   The age is grown so picked that the toe of the peasant comes so near the%@EH@%
heel of the courtier, he galls his kibe.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 150

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2110   @%%@2@%   Alas! poor Yorick. I knew him, Horatio; a fellow of infinite jest, of%@EH@%
most excellent fancy; he hath borne me on his back a thousand times; and
now, how abhorred in my imagination it is! my gorge rises at it. Here hung
those lips that I have kissed I know not how oft. Where be your gibes now?
your gambols? your songs? your flashes of merriment, that were wont to set
the table on a roar? Not one now, to mock your own grinning? quite
chapfallen? Now get you to my lady's chamber, and tell her, let her paint an
inch thick, to this favor she must come; make her laugh at that.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 201

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2120   @%%@2@%   To what base uses we may return, Horatio! Why may not imagination trace%@EH@%
the noble dust of Alexander, till he find it stopping a bung-hole?%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 222

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2130   @%%@2@%Imperious Caesar, dead and turned to clay,%@NL@%%@EH@%
Might stop a hole to keep the wind away.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 235

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2140   @%%@2@%Lay her i' the earth;%@NL@%%@EH@%
And from her fair and unpolluted flesh%@NL@%
May violets spring! 1  2 %@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 260

%@NL@%%@AI@%1 See FitzGerald%@BO:          3e5c0f@%%@AE@%
%@AI@%2 See Tennyson%@BO:          4003e1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2150   @%%@2@%A ministering angel shall my sister be. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 263

%@NL@%%@AI@%1 See Sir Walter Scott%@BO:          3497ef@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2160   @%%@2@%Sweets to the sweet: farewell!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 265

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2170   @%%@2@%I thought thy bride-bed to have decked, sweet maid,%@NL@%%@EH@%
And not have strewed thy grave.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 267

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2180   @%%@2@%Though I am not splenetive and rash%@NL@%%@EH@%
Yet have I in me something dangerous.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 283

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2190   @%%@2@%I loved Ophelia: forty thousand brothers%@NL@%%@EH@%
Could not, with all their quantity of love,%@NL@%
Make up my sum.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 291

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2200   @%%@2@%Nay, an thou'lt mouth,%@NL@%%@EH@%
I'll rant as well as thou.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 305

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2210   @%%@2@%Let Hercules himself do what he may,%@NL@%%@EH@%
The cat will mew and dog will have his day. 1  2 %@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: i, Line: 313

%@NL@%%@AI@%1 See Borrow%@BO:          3b7fb5@%%@AE@%
%@AI@%2 See Kingsley%@BO:          441794@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2220   @%%@2@%There's a divinity that shapes our ends,%@NL@%%@EH@%
Rough-hew them how we will.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: ii, Line: 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2230   @%%@2@%I once did hold it, as our statists do,%@NL@%%@EH@%
A baseness to write fair.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: ii, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2240   @%%@2@%It did me yeoman's service.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: ii, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Matthew 10:29 and Alexander Pope  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2250   @%%@2@%   Not a whit, we defy augury; there's a special providence in the fall of a%@EH@%
sparrow. If it be now, 'tis not to come; if it be not to come, it will be
now; if it be not now, yet it will come: the readiness is all.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: ii, Line: 232

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2260   @%%@2@%A hit, a very palpable hit.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: ii, Line: 295

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2270   @%%@2@%This fell sergeant, death,%@NL@%%@EH@%
Is strict in his arrest.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: ii, Line: 350

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2280   @%%@2@%Report me and my cause aright.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: ii, Line: 353

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2290   @%%@2@%I am more an antique Roman than a Dane.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: ii, Line: 355

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2300   @%%@2@%O God! Horatio, what a wounded name,%@NL@%%@EH@%
Things standing thus unknown, shall live behind me.%@NL@%
If thou didst ever hold me in thy heart,%@NL@%
Absent thee from felicity awhile,%@NL@%
And in this harsh world draw thy breath in pain,%@NL@%
To tell my story.%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: ii, Line: 358

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2310   @%%@2@%The rest is silence.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: ii, Line: 372

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2320   @%%@2@%Now cracks a noble heart. Good night, sweet prince,%@NL@%%@EH@%
And flights of angels sing thee to thy rest!%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: ii, Line: 373

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2330   @%%@2@%O proud death! 1 %@NL@%%@EH@%
What feast is toward in thine eternal cell?%@NL@%

%@NL@%William Shakespeare
%@NL@%Hamlet [1600-1601],Act: V, Scene: ii, Line: 378

%@NL@%%@AI@%1 See Donne%@BO:          20865b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2340   @%%@2@%   I will make a Star Chamber matter of it.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: I, Scene: i, Line: 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2350   @%%@2@%   She has brown hair, and speaks small like a woman.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: I, Scene: i, Line: 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2360   @%%@2@%   Seven hundred pounds and possibilities is goot gifts.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: I, Scene: i, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2370   @%%@2@%   I had rather than forty shillings I had my Book of Songs and Sonnets%@EH@%
here.%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: I, Scene: i, Line: 205

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2380   @%%@2@%   "Convey," the wise it call. "Steal!" foh! a fico for the phrase!%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: I, Scene: iii, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2390   @%%@2@%   I am almost out at heels.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: I, Scene: iii, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2400   @%%@2@%   Thou art the Mars of malcontents.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: I, Scene: iii, Line: 111

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2410   @%%@2@%   Here will be an old abusing of God's patience and the king's English.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: I, Scene: iv, Line: 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2420   @%%@2@%   Dispense with trifles.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: II, Scene: i, Line: 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2430   @%%@2@%   Faith, thou hast some crotchets in thy head now.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: II, Scene: i, Line: 158

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2440   @%%@2@%Why, then the world's mine oyster,%@NL@%%@EH@%
Which I with sword will open.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: II, Scene: ii, Line: 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2450   @%%@2@%   This is the short and the long of it.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: II, Scene: ii, Line: 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2460   @%%@2@%   Like a fair house built upon another man's ground.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: II, Scene: ii, Line: 229

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2470   @%%@2@%   Better three hours too soon than a minute too late.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: II, Scene: ii, Line: 332

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2480   @%%@2@%   I cannot tell what the dickens his name is.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: III, Scene: ii, Line: 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2490   @%%@2@%   He capers, he dances, he has eyes of youth, he writes verses, he speaks%@EH@%
holiday, he smells April and May.%@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: III, Scene: ii, Line: 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2500   @%%@2@%O, what a world of vile ill-favored faults%@NL@%%@EH@%
Looks handsome in three hundred pounds a year!%@NL@%

%@NL@%William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: III, Scene: iv, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2510   @%%@2@%   A woman would run through fire and water for such a kind heart.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: III, Scene: iv, Line: 106

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2520   @%%@2@%   I have a kind of alacrity in sinking.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: III, Scene: v, Line: 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
As ill luck would have it.-Cervantes, Don Quixote, pt. I [1605], bk. I, ch.
2  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2530   @%%@2@%   As good luck would have it.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: III, Scene: v, Line: 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2550   @%%@2@%   A man of my kidney.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: III, Scene: v, Line: 119

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2560   @%%@2@%   [He] curses all Eve's daughters, of what complexion soever.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: IV, Scene: ii, Line: 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2570   @%%@2@%   Wives may be merry, and yet honest too.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: IV, Scene: ii, Line: 110

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2580   @%%@2@%   This is the third time; I hope good luck lies in odd numbers. . . . There%@EH@%
is divinity in odd numbers, either in nativity, chance, or death. 1  2 %@NL@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: V, Scene: i, Line: 2

%@NL@%%@AI@%1 See Pliny the Elder%@BO:           edb88@%%@AE@%
%@AI@%2 See Samuel Lover%@BO:          3a6536@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2590   @%%@2@%   Better a little chiding than a great deal of heartbreak.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Merry Wives of Windsor [1600-1601],Act: V, Scene: iii, Line: 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2600   @%%@2@%Property was thus appalled,%@NL@%%@EH@%
That the self was not the same;%@NL@%
Single nature's double name%@NL@%
Neither two nor one was called.%@NL@%
%@NL@%

%@NL@%William Shakespeare
%@NL@%The Phoenix and the Turtle [1601],l. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2610   @%%@2@%Reason, in itself confounded,%@NL@%%@EH@%
Saw division grow together.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Phoenix and the Turtle [1601],l. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2620   @%%@2@%The chance of war.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],prologue, l. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2630   @%%@2@%   I have had my labor for my travail. 1 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: I, Scene: i, Line: 73

%@NL@%%@AI@%1 See Cervantes%@BO:          149f72@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2640   @%%@2@%Women are angels, wooing:%@NL@%%@EH@%
Things won are done; joy's soul lies in the doing.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: I, Scene: ii, Line: 310

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2650   @%%@2@%Men prize the thing ungained more than it is.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: I, Scene: ii, Line: 313

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2660   @%%@2@%The sea being smooth,%@NL@%%@EH@%
How many shallow bauble boats dare sail%@NL@%
Upon her patient breast. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: I, Scene: iii, Line: 34

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e15cc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2670   @%%@2@%The heavens themselves, the planets, and this center,%@NL@%%@EH@%
Observe degree, priority, and place,%@NL@%
Insisture, course, proportion, season, form,%@NL@%
Office, and custom, in all line of order.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: I, Scene: iii, Line: 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2680   @%%@2@%O! when degree is shaked,%@NL@%%@EH@%
Which is the ladder to all high designs,%@NL@%
The enterprise is sick. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: I, Scene: iii, Line: 101

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e438c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2690   @%%@2@%Take but degree away, untune that string,%@NL@%%@EH@%
And, hark! what discord follows; each thing meets%@NL@%
In mere oppugnancy: the bounded waters%@NL@%
Should lift their bosoms higher than the shores%@NL@%
And make a sop of all this solid globe.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: I, Scene: iii, Line: 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2700   @%%@2@%Then everything includes itself in power,%@NL@%%@EH@%
Power into will, will into appetite;%@NL@%
And appetite, an universal wolf,%@NL@%
So doubly seconded with will and power,%@NL@%
Must make perforce a universal prey,%@NL@%
And last eat up himself.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: I, Scene: iii, Line: 119

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2710   @%%@2@%Like a strutting player, whose conceit%@NL@%%@EH@%
Lies in his hamstring, and doth think it rich%@NL@%
To hear the wooden dialogue and sound%@NL@%
'Twixt his stretched footing and the scaffoldage.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: I, Scene: iii, Line: 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2720   @%%@2@%And in such indexes, although small pricks%@NL@%%@EH@%
To their subsequent volumes, there is seen%@NL@%
The baby figure of the giant mass%@NL@%
Of things to come. 1  2  3  4 %@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: I, Scene: iii, Line: 343

%@NL@%%@AI@%1 See Cicero%@BO:           c6f0a@%%@AE@%
%@AI@%2 See Thomas Campbell%@BO:          36169f@%%@AE@%
%@AI@%3 See Shelley%@BO:          390640@%%@AE@%
%@AI@%4 See H. G. Wells%@BO:          549774@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2730   @%%@2@%   Who wears his wit in his belly, and his guts in his head.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: II, Scene: i, Line: 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2740   @%%@2@%Modest doubt is called%@NL@%%@EH@%
The beacon of the wise, the tent that searches%@NL@%
To the bottom of the worst.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: II, Scene: ii, Line: 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2750   @%%@2@%'Tis mad idolatry%@NL@%%@EH@%
To make the service greater than the god.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: II, Scene: ii, Line: 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2760   @%%@2@%   He that is proud eats up himself; pride is his own glass, his own%@EH@%
trumpet, his own chronicle.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: II, Scene: iii, Line: 165

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2770   @%%@2@%I am giddy, expectation whirls me round.%@NL@%%@EH@%
The imaginary relish is so sweet%@NL@%
That it enchants my sense.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: ii, Line: 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2780   @%%@2@%   Words pay no debts.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: ii, Line: 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2790   @%%@2@%   To fear the worst oft cures the worse.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: ii, Line: 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2800   @%%@2@%   All lovers swear more performance than they are able, and yet reserve an%@EH@%
ability that they never perform; vowing more than the perfection of ten, and
discharging less than the tenth part of one.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: ii, Line: 89

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2810   @%%@2@%For to be wise, and love,%@NL@%%@EH@%
Exceeds man's might; that dwells with gods above.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: ii, Line: 163

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2820   @%%@2@%If I be false, or swerve a hair from truth,%@NL@%%@EH@%
When time is old and hath forgot itself,%@NL@%
When waterdrops have worn the stones of Troy,%@NL@%
And blind oblivion swallowed cities up.%@NL@%
And mighty states characterless are grated%@NL@%
To dusty nothing, yet let memory,%@NL@%
From false to false, among false maids in love%@NL@%
Upbraid my falsehood! when they have said "as false%@NL@%
As air, as water, 1  wind, or sandy earth,%@NL@%
As fox to lamb, as wolf to heifer's calf,%@NL@%
Pard to the hind, or stepdame to her son";%@NL@%
Yea, let them say, to stick the heart of falsehood,%@NL@%
"As false as Cressid."%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: ii, Line: 191

%@NL@%%@AI@%1 See Othello%@BO:          1dac4c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2830   @%%@2@%Time hath, my lord, a wallet at his back,%@NL@%%@EH@%
Wherein he puts alms for oblivion.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: iii, Line: 145

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2840   @%%@2@%Perseverance, dear my lord,%@NL@%%@EH@%
Keeps honor bright: to have done, is to hang%@NL@%
Quite out of fashion, like a rusty mail%@NL@%
In monumental mockery.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: iii, Line: 150

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2850   @%%@2@%For honor travels in a strait so narrow%@NL@%%@EH@%
Where one but goes abreast.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: iii, Line: 154

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2860   @%%@2@%Time is like a fashionable host,%@NL@%%@EH@%
That slightly shakes his parting guest by the hand,%@NL@%
And with his arms outstretched, as he would fly,%@NL@%
Grasps in the comer: welcome ever smiles,%@NL@%
And farewell goes out sighing.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: iii, Line: 168

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2870   @%%@2@%Beauty, wit,%@NL@%%@EH@%
High birth, vigor of bone, desert in service,%@NL@%
Love, friendship, charity, are subjects all%@NL@%
To envious and calumniating time.%@NL@%
One touch of nature makes the whole world kin.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: iii, Line: 171

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2880   @%%@2@%And give to dust that is a little gilt%@NL@%%@EH@%
More laud than gilt o'er-dusted.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: iii, Line: 178

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2890   @%%@2@%My mind is troubled, like a fountain stirred;%@NL@%%@EH@%
And I myself see not the bottom of it.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: III, Scene: iii, Line: 314

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2900   @%%@2@%You do as chapmen do,%@NL@%%@EH@%
Dispraise the thing that you desire to buy.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: IV, Scene: i, Line: 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2910   @%%@2@%As many farewells as be stars in heaven.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: IV, Scene: iv, Line: 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2920   @%%@2@%And sometimes we are devils to ourselves%@NL@%%@EH@%
When we will tempt the frailty of our powers,%@NL@%
Presuming on their changeful potency.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: IV, Scene: iv, Line: 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2930   @%%@2@%The kiss you take is better than you give.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: IV, Scene: v, Line: 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2940   @%%@2@%Fie, fie upon her!%@NL@%%@EH@%
There's language in her eye, her cheek, her lip,%@NL@%
Nay, her foot speaks; her wanton spirits look out%@NL@%
At every joint and motive of her body.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: IV, Scene: v, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2950   @%%@2@%What's past and what's to come is strewed with husks%@NL@%%@EH@%
And formless ruin of oblivion.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: IV, Scene: v, Line: 165

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2960   @%%@2@%The end crowns all, 1  2  3  4  5 %@NL@%%@EH@%
And that old common arbitrator, Time,%@NL@%
Will one day end it.%@NL@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: IV, Scene: v, Line: 223

%@NL@%%@AI@%1 See Anonymous Latin%@BO:          10b476@%%@AE@%
%@AI@%2 See Heywood%@BO:          13a4de@%%@AE@%
%@AI@%3 See All's Well That Ends Well%@BO:          1cf4d5@%%@AE@%
%@AI@%4 See Herrick%@BO:          21dad1@%%@AE@%
%@AI@%5 See Quarles%@BO:          220b52@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2970   @%%@2@%Words, words, mere words, no matter from the heart.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: V, Scene: iii, Line: 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2980   @%%@2@%Hector is dead; there is no more to say.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: V, Scene: x, Line: 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW2990   @%%@2@%   O world! world! world! thus is the poor agent despised.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Troilus and Cressida [1601-1603],Act: V, Scene: x, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3000   @%%@2@%Love all, trust a few,%@NL@%%@EH@%
Do wrong to none: be able for thine enemy%@NL@%
Rather in power than use, and keep thy friend%@NL@%
Under thy own life's key: be checked for silence,%@NL@%
But never taxed for speech.%@NL@%

%@NL@%William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: I, Scene: i, Line: 74

%@NL@%%@AI@%1 See %@BO:          1cf4d5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3010   @%%@2@%It were all one%@NL@%%@EH@%
That I should love a bright particular star%@NL@%
And think to wed it, he is so above me.%@NL@%

%@NL@%William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: I, Scene: i, Line: 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3020   @%%@2@%The hind that would be mated by the lion%@NL@%%@EH@%
Must die for love.%@NL@%

%@NL@%William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: I, Scene: i, Line: 103

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Though I be poor, I'm honest.-Thomas Middleton, The Witch [c. 1627], III, 2
See Anonymous  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3030   @%%@2@%My friends were poor, but honest.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: I, Scene: iii, Line: 203

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3050   @%%@2@%Oft expectation fails, and most oft there%@NL@%%@EH@%
Where most it promises.%@NL@%

%@NL@%William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: II, Scene: i, Line: 145

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3060   @%%@2@%   They say miracles are past.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: II, Scene: iii, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3070   @%%@2@%A young man married is a man that's marred.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: II, Scene: iii, Line: 315

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3080   @%%@2@%   The web of our life is of a mingled yarn, good and ill together.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: IV, Scene: iii, Line: 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3090   @%%@2@%There's place and means for every man alive.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: IV, Scene: iii, Line: 379

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3100   @%%@2@%All's well that end's well: still the fine's the crown;%@NL@%%@EH@%
Whate'er the course, the end is the renown. 1  2  3  4  5 %@NL@%

%@NL@%William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: IV, Scene: iv, Line: 35

%@NL@%%@AI@%1 See Anonymous Latin%@BO:          10b476@%%@AE@%
%@AI@%2 See Heywood%@BO:          13a4de@%%@AE@%
%@AI@%3 See Hamlet%@BO:          1ce460@%%@AE@%
%@AI@%4 See Herrick%@BO:          21dad1@%%@AE@%
%@AI@%5 See Quarles%@BO:          220b52@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3110   @%%@2@%   I am a man whom Fortune hath cruelly scratched.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: V, Scene: ii, Line: 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3120   @%%@2@%Praising what is lost%@NL@%%@EH@%
Makes the remembrance dear.%@NL@%

%@NL@%William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: V, Scene: iii, Line: 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
How noiseless falls the foot of time!-W. R. Spencer [1770-1834], Lines to
Lady A. Hamilton  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3130   @%%@2@%The inaudible and noiseless foot of time.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: V, Scene: iii, Line: 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3150   @%%@2@%Love that comes too late,%@NL@%%@EH@%
Like a remorseful pardon slowly carried.%@NL@%

%@NL@%William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: V, Scene: iii, Line: 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3160   @%%@2@%All impediments in fancy's course%@NL@%%@EH@%
Are motives of more fancy.%@NL@%

%@NL@%William Shakespeare
%@NL@%All's Well That Ends Well
[1601-1603], 1 Act: V, Scene: iii, Line: 216

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3170   @%%@2@%Spirits are not finely touched%@NL@%%@EH@%
But to fine issues.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: I, Scene: i, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3180   @%%@2@%   Good counselors lack no clients.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: I, Scene: ii, Line: 115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3190   @%%@2@%And liberty plucks justice by the nose.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: I, Scene: iii, Line: 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3200   @%%@2@%I hold you as a thing enskyed and sainted.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: I, Scene: iv, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3210   @%%@2@%A man whose blood%@NL@%%@EH@%
Is very snow-broth; one who never feels%@NL@%
The wanton stings and motions of the sense.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: I, Scene: iv, Line: 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3220   @%%@2@%Our doubts are traitors,%@NL@%%@EH@%
And make us lose the good we oft might win,%@NL@%
By fearing to attempt. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: I, Scene: iv, Line: 78

%@NL@%%@AI@%1 See Macbeth%@BO:          1e4c90@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3230   @%%@2@%We must not make a scarecrow of the law,%@NL@%%@EH@%
Setting it up to fear the birds of prey,%@NL@%
And let it keep one shape, till custom make it%@NL@%
Their perch, and not their terror.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: i, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3240   @%%@2@%The jury, passing on the prisoner's life,%@NL@%%@EH@%
May in the sworn twelve have a thief or two%@NL@%
Guiltier than him they try.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: i, Line: 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3250   @%%@2@%Some rise by sin, and some by virtue fall.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: i, Line: 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3260   @%%@2@%   Great with child, and longing . . . for stewed prunes.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: i, Line: 94

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3270   @%%@2@%This will last out a night in Russia,%@NL@%%@EH@%
When nights are longest there.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: i, Line: 144

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3280   @%%@2@%   His face is the worst thing about him.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: i, Line: 167

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3290   @%%@2@%Condemn the fault, and not the act of it?%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: ii, Line: 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3300   @%%@2@%No ceremony that to great ones 'longs,%@NL@%%@EH@%
Not the king's crown, nor the deputed sword,%@NL@%
The marshal's truncheon, nor the judge's robe,%@NL@%
Become them with one half so good a grace%@NL@%
As mercy does. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: ii, Line: 59

%@NL@%%@AI@%1 See The Merchant of Venice%@BO:          18f9dd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3310   @%%@2@%Why, all the souls that were were forfeit once;%@NL@%%@EH@%
And He that might the vantage best have took,%@NL@%
Found out the remedy. How would you be,%@NL@%
If He, which is the top of judgment, should%@NL@%
But judge you as you are?%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: ii, Line: 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3320   @%%@2@%The law hath not been dead, though it hath slept.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: ii, Line: 90

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3330   @%%@2@%O! it is excellent%@NL@%%@EH@%
To have a giant's strength; but it is tyrannous%@NL@%
To use it like a giant.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: ii, Line: 107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3340   @%%@2@%But man, proud man,%@NL@%%@EH@%
Drest in a little brief authority,%@NL@%
Most ignorant of what he's most assured,%@NL@%
His glassy essence, like an angry ape,%@NL@%
Plays such fantastic tricks before high heaven%@NL@%
As make the angels weep.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: ii, Line: 117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3350   @%%@2@%That in the captain's but a choleric word,%@NL@%%@EH@%
Which in the soldier is flat blasphemy.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: ii, Line: 130

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3360   @%%@2@%It oft falls out,%@NL@%%@EH@%
To have what we would have, we speak not what we mean.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: II, Scene: iv, Line: 118

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3370   @%%@2@%The miserable have no other medicine%@NL@%%@EH@%
But only hope.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: i, Line: 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3380   @%%@2@%Be absolute for death.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: i, Line: 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3390   @%%@2@%A breath thou art,%@NL@%%@EH@%
Servile to all the skyey influences.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: i, Line: 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3400   @%%@2@%Thou hast nor youth nor age;%@NL@%%@EH@%
But, as it were, an after-dinner's sleep,%@NL@%
Dreaming on both; for all thy blessed youth%@NL@%
Becomes as aged, and doth beg the alms%@NL@%
Of palsied eld; and when thou art old and rich,%@NL@%
Thou hast neither heat, affection, limb, nor beauty,%@NL@%
To make thy riches pleasant.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: i, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3410   @%%@2@%The sense of death is most in apprehension, 1 %@NL@%%@EH@%
And the poor beetle, that we tread upon,%@NL@%
In corporal sufferance finds a pang as great%@NL@%
As when a giant dies.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: i, Line: 76

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e20be@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3420   @%%@2@%If I must die,%@NL@%%@EH@%
I will encounter darkness as a bride,%@NL@%
And hug it in my arms.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: i, Line: 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3430   @%%@2@%The cunning livery of hell.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: i, Line: 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3440   @%%@2@%Ay, but to die, and go we know not where;%@NL@%%@EH@%
To lie in cold obstruction and to rot;%@NL@%
This sensible warm motion to become%@NL@%
A kneaded clod; and the delighted spirit%@NL@%
To bathe in fiery floods, or to reside%@NL@%
In thrilling region of thick-ribbed ice;%@NL@%
To be imprisoned in the viewless winds,%@NL@%
And blown with restless violence round about%@NL@%
The pendant world.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: i, Line: 116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3450   @%%@2@%The weariest and most loathed worldly life%@NL@%%@EH@%
That age, ache, penury, and imprisonment%@NL@%
Can lay on nature, is a paradise%@NL@%
To what we fear of death.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: i, Line: 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3460   @%%@2@%   The hand that hath made you fair hath made you good. 1 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: i, Line: 182

%@NL@%%@AI@%1 See Spenser%@BO:          1586ae@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3470   @%%@2@%   Virtue is bold, and goodness never fearful.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: i, Line: 214

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"Mariana in the moated grange."-Motto used by Tennyson for the poem Mariana
[1830]  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3480   @%%@2@%   There, at the moated grange, resides this dejected Mariana.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: i, Line: 279

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3500   @%%@2@%   This news is old enough, yet it is every day's news.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: ii, Line: 249

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3510   @%%@2@%He who the sword of heaven will bear%@NL@%%@EH@%
Should be as holy as severe.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: ii, Line: 283

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3520   @%%@2@%O, what may man within him hide,%@NL@%%@EH@%
Though angel on the outward side!%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: III, Scene: ii, Line: 293

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This song occurs in act V, sc. ii, of Fletcher's Bloody Brother [c. 1616],
with an additional stanza:  Hide, O hide those hills of snow,/Which thy
frozen bosom bears,/On whose tops the pinks that grow/Are of those that
April wears!/But first set my poor heart free,/Bound in those icy chains by
thee.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3530   @%%@2@%Take, O take those lips away,%@NL@%%@EH@%
That so sweetly were forsworn;%@NL@%
And those eyes, the break of day,%@NL@%
Lights that do mislead the morn:%@NL@%
But my kisses bring again, bring again;%@NL@%
Seals of love, but sealed in vain, sealed in vain%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: IV, Scene: i, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3550   @%%@2@%Music oft hath such a charm%@NL@%%@EH@%
To make bad good, and good provoke to harm. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: IV, Scene: i, Line: 16

%@NL@%%@AI@%1 See Congreve%@BO:          28a0b9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3560   @%%@2@%   Every true man's apparel fits your thief.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: IV, Scene: ii, Line: 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3570   @%%@2@%   I am a kind of burr; I shall stick.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: IV, Scene: iii, Line: 193

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3580   @%%@2@%We would, and we would not.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: IV, Scene: iv, Line: 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3590   @%%@2@%A forted residence 'gainst the tooth of time%@NL@%%@EH@%
And razure of oblivion.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: V, Scene: i, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3600   @%%@2@%Truth is truth%@NL@%%@EH@%
To the end of reckoning.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: V, Scene: i, Line: 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3610   @%%@2@%Neither maid, widow, nor wife.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: V, Scene: i, Line: 173

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3615   @%%@2@%Haste still pays haste, and leisure answers leisure,%@NL@%%@EH@%
Like doth quit like, and measure still for measure.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: V, Scene: i, Line: 411

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3620   @%%@2@%They say best men are molded out of faults,%@NL@%%@EH@%
And, for the most, become much more the better%@NL@%
For being a little bad.%@NL@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: V, Scene: i, Line: 440

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3630   @%%@2@%What's mine is yours, and what is yours is mine. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Measure for Measure [1604-1605],Act: V, Scene: i, Line: 539

%@NL@%%@AI@%1 See Plautus%@BO:           bdfcb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3640   @%%@2@%Horribly stuffed with epithets of war.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: i, Line: 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3650   @%%@2@%A fellow almost damned in a fair wife.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: i, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3660   @%%@2@%The bookish theoric.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: i, Line: 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3670   @%%@2@%We cannot all be masters.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: i, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3680   @%%@2@%And when he's old, cashiered.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: i, Line: 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3690   @%%@2@%In following him, I follow but myself.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: i, Line: 58

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3700   @%%@2@%But I will wear my heart upon my sleeve%@NL@%%@EH@%
For daws to peck at.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: i, Line: 64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3710   @%%@2@%An old black ram%@NL@%%@EH@%
Is tupping your white ewe.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: i, Line: 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3720   @%%@2@%   You are one of those that will not serve God if the devil bid you.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: i, Line: 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3730   @%%@2@%   Your daughter and the Moor are now making the beast with two backs.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: i, Line: 117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3740   @%%@2@%Keep up your bright swords, for the dew will rust them.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: ii, Line: 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3750   @%%@2@%The wealthy curled darlings of our nation.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: ii, Line: 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3760   @%%@2@%The bloody book of law%@NL@%%@EH@%
You shall yourself read in the bitter letter%@NL@%
After your own sense.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3770   @%%@2@%Rude am I in my speech,%@NL@%%@EH@%
And little blessed with the soft phrase of peace.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3780   @%%@2@%Little shall I grace my cause%@NL@%%@EH@%
In speaking for myself. Yet, by your gracious patience,%@NL@%
I will a round unvarnished tale deliver%@NL@%
Of my whole course of love.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3790   @%%@2@%A maiden never bold;%@NL@%%@EH@%
Of spirit so still and quiet, that her motion%@NL@%
Blushed at herself.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 94

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3800   @%%@2@%Still questioned me the story of my life%@NL@%%@EH@%
From year to year, the battles, sieges, fortunes%@NL@%
That I have passed.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 129

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3810   @%%@2@%Wherein I spake of most disastrous chances,%@NL@%%@EH@%
Of moving accidents by flood and field,%@NL@%
Of hair-breadth 'scapes i' the imminent deadly breach.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 134

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3820   @%%@2@%Hills whose heads touch heaven.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3830   @%%@2@%And of the Cannibals that each other eat,%@NL@%%@EH@%
The Anthropophagi, and men whose heads%@NL@%
Do grow beneath their shoulders.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 143

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3840   @%%@2@%My story being done,%@NL@%%@EH@%
She gave me for my pains a world of sighs:%@NL@%
She swore, in faith, 'twas strange, 'twas passing strange,%@NL@%
'Twas pitiful, 'twas wondrous pitiful:%@NL@%
She wished she had not heard it, yet she wished%@NL@%
That heaven had made her such a man; she thanked me,%@NL@%
And bade me, if I had a friend that loved her,%@NL@%
I should but teach him how to tell my story,%@NL@%
And that would woo her. Upon this hint I spake:%@NL@%
She loved me for the dangers I had passed,%@NL@%
And I loved her that she did pity them.%@NL@%
This only is the witchcraft I have used.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 158

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3850   @%%@2@%I do perceive here a divided duty.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 181

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3860   @%%@2@%To mourn a mischief that is past and gone%@NL@%%@EH@%
Is the next way to draw new mischief on.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 204

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3870   @%%@2@%The robbed that smiles steals something from the thief.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 208

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3880   @%%@2@%   Our bodies are our gardens, to the which our wills are gardeners.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 324

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3890   @%%@2@%   Put money in thy purse.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 345

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3900   @%%@2@%   The food that to him now is as luscious as locusts, shall be to him%@EH@%
shortly as bitter at coloquintida.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 354

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3910   @%%@2@%Framed to make women false.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: I, Scene: iii, Line: 404

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3920   @%%@2@%The enchafed flood.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: i, Line: 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3930   @%%@2@%One that excels the quirks of blazoning pens.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: i, Line: 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3940   @%%@2@%You are pictures out of doors,%@NL@%%@EH@%
Bells in your parlors, wildcats in your kitchens,%@NL@%
Saints in your injuries, devils being offended,%@NL@%
Players in your housewifery, and housewives in your beds.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: i, Line: 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3950   @%%@2@%For I am nothing if not critical.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: i, Line: 119

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3960   @%%@2@%I am not merry, but I do beguile%@NL@%%@EH@%
The thing I am, by seeming otherwise.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: i, Line: 122

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3970   @%%@2@%She that was ever fair and never proud,%@NL@%%@EH@%
Had tongue at will and yet was never loud.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: i, Line: 148

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3980   @%%@2@%Iago: To suckle fools and chronicle small beer. 1 %@NL@%%@EH@%
Desdemona: O most lame and impotent conclusion!%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: i, Line: 160

%@NL@%%@AI@%1 See King Henry VI, Part II%@BO:          16cf40@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW3990   @%%@2@%   You may relish him more in the soldier than in the scholar.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: i, Line: 165

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4000   @%%@2@%If it were now to die,%@NL@%%@EH@%
'Twere now to be most happy.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: i, Line: 192

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4010   @%%@2@%   Base men being in love have then a nobility in their natures more than is%@EH@%
native to them.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: i, Line: 218

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4020   @%%@2@%Egregiously an ass.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: i, Line: 321

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4030   @%%@2@%   I have very poor and unhappy brains for drinking.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4040   @%%@2@%Potations pottle deep.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4050   @%%@2@%   Well, God's above all; and there be souls must be saved, and there be%@EH@%
souls must not be saved.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 106

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4060   @%%@2@%Silence that dreadful bell! it frights the isle%@NL@%%@EH@%
From her propriety.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 177

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4070   @%%@2@%But men are men; the best sometimes forget.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 243

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4080   @%%@2@%Thy honesty and love doth mince this matter. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 249

%@NL@%%@AI@%1 See Cervantes%@BO:          149e11@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4090   @%%@2@%   Reputation, reputation, reputation! O! I have lost my reputation. I have%@EH@%
lost the immortal part of myself, and what remains is bestial.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 264

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4100   @%%@2@%   Reputation is an idle and most false imposition; oft got without merit,%@EH@%
and lost without deserving.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 270

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4110   @%%@2@%   O thou invisible spirit of wine! if thou hast no name to be known by, let%@EH@%
us call thee devil!%@NL@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 285

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4120   @%%@2@%   O God! that men should put an enemy in their mouths to steal away their%@EH@%
brains; that we should, with joy, pleasance, revel, and applause, transform
ourselves into beasts.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 293

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4130   @%%@2@%   Good wine is a good familiar creature if it be well used.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 315

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4140   @%%@2@%Play the villain.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 345

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4150   @%%@2@%How poor are they that have not patience!%@NL@%%@EH@%
What wound did ever heal but by degrees?%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: II, Scene: iii, Line: 379

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4160   @%%@2@%Excellent wretch! Perdition catch my soul%@NL@%%@EH@%
But I do love thee! and when I love thee not,%@NL@%
Chaos is come again. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 99

%@NL@%%@AI@%1 See Venus and Adonis%@BO:          176272@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4170   @%%@2@%Men should be what they seem.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 126

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4180   @%%@2@%Speak to me as to thy thinkings,%@NL@%%@EH@%
As thou dost ruminate, and give thy worst of thoughts%@NL@%
The worst of words.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 131

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4190   @%%@2@%Good name in man and woman, dear my lord,%@NL@%%@EH@%
Is the immediate jewel of their souls:%@NL@%
Who steals my purse steals trash; 'tis something, nothing;%@NL@%
'Twas mine, 'tis his, and has been slave to thousands;%@NL@%
But he that filches from me my good name%@NL@%
Robs me of that which not enriches him,%@NL@%
And makes me poor indeed.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 155

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4200   @%%@2@%O! beware, my lord, of jealousy;%@NL@%%@EH@%
It is the green-eyed monster which doth mock%@NL@%
The meat it feeds on; that cuckold lives in bliss%@NL@%
Who, certain of his fate, loves not his wronger;%@NL@%
But, O! what damned minutes tells he o'er%@NL@%
Who dotes, yet doubts; suspects, yet soundly loves!%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 165

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4210   @%%@2@%Poor and content is rich, and rich enough.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 172

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4220   @%%@2@%Think'st thou I'd make a life of jealousy,%@NL@%%@EH@%
To follow still the changes of the moon%@NL@%
With fresh suspicions? No; to be once in doubt%@NL@%
Is once to be resolved.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 177

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4230   @%%@2@%I humbly do beseech you of your pardon%@NL@%%@EH@%
For too much loving you.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 212

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4240   @%%@2@%If I do prove her haggard,%@NL@%%@EH@%
Though that her jesses were my dear heart-strings,%@NL@%
I'd whistle her off and let her down the wind,%@NL@%
To prey at fortune.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 260

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4250   @%%@2@%I am declined%@NL@%%@EH@%
Into the vale of years.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 265

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4260   @%%@2@%O curse of marriage!%@NL@%%@EH@%
That we can call these delicate creatures ours,%@NL@%
And not their appetites. I had rather be a toad,%@NL@%
And live upon the vapor of a dungeon,%@NL@%
Than keep a corner in the thing I love%@NL@%
For others' uses.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 268

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4270   @%%@2@%Trifles light as air%@NL@%%@EH@%
Are to the jealous confirmations strong%@NL@%
As proofs of holy writ.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 323

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4280   @%%@2@%Not poppy, nor mandragora, 1 %@NL@%%@EH@%
Nor all the drowsy syrups of the world,%@NL@%
Shall ever medicine thee to that sweet sleep%@NL@%
Which thou ow'dst yesterday.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 331

%@NL@%%@AI@%1 See Antony and Cleopatra%@BO:          1eca6a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4290   @%%@2@%I swear 'tis better to be much abused%@NL@%%@EH@%
Than but to know 't a little.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 337

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4300   @%%@2@%He that is robbed, not wanting what is stol'n,%@NL@%%@EH@%
Let him not know 't and he's not robbed at all. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 343

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e0341@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4310   @%%@2@%O! now, forever%@NL@%%@EH@%
Farewell the tranquil mind; farewell content!%@NL@%
Farewell the plumed troop and the big wars%@NL@%
That make ambition virtue! O, farewell!%@NL@%
Farewell the neighing steed, and the shrill trump,%@NL@%
The spirit-stirring drum, the ear-piercing fife,%@NL@%
The royal banner, and all quality,%@NL@%
Pride, pomp, and circumstance of glorious war!%@NL@%
And, O you mortal engines, whose rude throats%@NL@%
The immortal Jove's dread clamors counterfeit,%@NL@%
Farewell! Othello's occupation's gone!%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 348

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4320   @%%@2@%Be sure of it; give me the ocular proof.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 361

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4330   @%%@2@%No hinge nor loop%@NL@%%@EH@%
To hang a doubt on.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 366

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4340   @%%@2@%On horror's head horrors accumulate.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 371

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4350   @%%@2@%Take note, take note, O world!%@NL@%%@EH@%
To be direct and honest is not safe.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 378

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4360   @%%@2@%But this denoted a foregone conclusion.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 429

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4370   @%%@2@%Swell, bosom, with thy fraught,%@NL@%%@EH@%
For 'tis of aspics' tongues!%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 450

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4380   @%%@2@%Like to the Pontick sea,%@NL@%%@EH@%
Whose icy current and compulsive course%@NL@%
Ne'er feels retiring ebb, but keeps due on%@NL@%
To the Propontic and the Hellespont,%@NL@%
Even so my bloody thoughts, with violent pace,%@NL@%
Shall ne'er look back, ne'er ebb to humble love,%@NL@%
Till that a capable and wide revenge%@NL@%
Swallow them up.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iii, Line: 454

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4390   @%%@2@%Our new heraldry is hands not hearts.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iv, Line: 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4400   @%%@2@%But jealous souls will not be answered so;%@NL@%%@EH@%
They are not ever jealous for the cause,%@NL@%
But jealous for they are jealous; 'tis a monster%@NL@%
Begot upon itself, born on itself.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: III, Scene: iv, Line: 158

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4410   @%%@2@%'Tis the strumpet's plague%@NL@%%@EH@%
To beguile many and be beguiled by one.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: i, Line: 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4420   @%%@2@%   They laugh that win.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: i, Line: 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4430   @%%@2@%   My heart is turned to stone; I strike it, and it hurts my hand. O! the%@EH@%
world hath not a sweeter creature; she might lie by an emperor's side and
command him tasks.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: i, Line: 190

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4440   @%%@2@%   O, she will sing the savageness out of a bear.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: i, Line: 198

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4450   @%%@2@%   But yet the pity of it, Iago! O! Iago, the pity of it, Iago!%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: i, Line: 205

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4460   @%%@2@%Is this the noble nature%@NL@%%@EH@%
Whom passion could not shake? whose solid virtue%@NL@%
The shot of accident nor dart of chance,%@NL@%
Could neither graze nor pierce?%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: i, Line: 276

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4470   @%%@2@%I understand a fury in your words,%@NL@%%@EH@%
But not the words.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: ii, Line: 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4480   @%%@2@%Steeped me in poverty to the very lips.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: ii, Line: 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4490   @%%@2@%But, alas! to make me%@NL@%%@EH@%
A fixed figure for the time of scorn%@NL@%
To point his slow and moving finger at.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: ii, Line: 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4500   @%%@2@%Patience, thou young and rose-lipped cherubin.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: ii, Line: 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4510   @%%@2@%O thou weed!%@NL@%%@EH@%
Who art so lovely fair and smell'st so sweet%@NL@%
That the sense aches at thee, would thou hadst ne'er been born.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: ii, Line: 66

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4520   @%%@2@%O heaven! that such companions thou'dst unfold,%@NL@%%@EH@%
And put in every honest hand a whip  %@NL@%
To lash the rascals naked through the world.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: ii, Line: 141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4530   @%%@2@%Unkindness may do much;%@NL@%%@EH@%
And his unkindness may defeat my life,%@NL@%
But never taint my love.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: ii, Line: 159

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4540   @%%@2@%The poor soul sat sighing by a sycamore tree,%@NL@%%@EH@%
Sing all a green willow; 1 %@NL@%
Her hand on her bosom, her head on her knee,%@NL@%
Sing willow, willow, willow.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: IV, Scene: iii, Line: 41

%@NL@%%@AI@%1 See Heywood%@BO:          137b99@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4550   @%%@2@%It makes us, or it mars us.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: i, Line: 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4560   @%%@2@%Every way makes my gain.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: i, Line: 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4570   @%%@2@%He hath a daily beauty in his life.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: i, Line: 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4580   @%%@2@%This is the night%@NL@%%@EH@%
That either makes me or fordoes me quite.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: i, Line: 128

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4590   @%%@2@%And smooth as monumental alabaster.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: ii, Line: 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4600   @%%@2@%Put out the light, and then put out the light:%@NL@%%@EH@%
If I quench thee, thou flaming minister,%@NL@%
I can again thy former light restore,%@NL@%
Should I repent me; but once put out thy light,%@NL@%
Thou cunning'st pattern of excelling nature,%@NL@%
I know not where is that Promethean heat%@NL@%
That can thy light relume.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: ii, Line: 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4610   @%%@2@%It is the very error of the moon;%@NL@%%@EH@%
She comes more near the earth than she was wont,%@NL@%
And makes men mad.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: ii, Line: 107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4620   @%%@2@%She was as false as water. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: ii, Line: 132

%@NL@%%@AI@%1 See Troilus and Cressida%@BO:          1cd034@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4630   @%%@2@%Curse his better angel from his side,%@NL@%%@EH@%
And fall to reprobation.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: ii, Line: 206

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4640   @%%@2@%Here is my journey's end, here is my butt,%@NL@%%@EH@%
And very sea-mark of my utmost sail.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: ii, Line: 266

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4650   @%%@2@%An honorable murderer, if you will;%@NL@%%@EH@%
For naught I did in hate, but all in honor.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: ii, Line: 293

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4660   @%%@2@%I have done the state some service, and they know 't;%@NL@%%@EH@%
No more of that. I pray you, in your letters,%@NL@%
When you shall these unlucky deeds relate,%@NL@%
Speak of me as I am; nothing extenuate,%@NL@%
Nor set down aught in malice: then, must you speak%@NL@%
Of one that loved not wisely but too well;%@NL@%
Of one not easily jealous, but, being wrought,%@NL@%
Perplexed in the extreme; of one whose hand,%@NL@%
Like the base Indian, threw a pearl away%@NL@%
Richer than all his tribe; of one whose subdued eyes%@NL@%
Albeit unused to the melting mood,%@NL@%
Drop tears as fast as the Arabian trees%@NL@%
Their med'cinable gum.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: ii, Line: 338

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4670   @%%@2@%In Aleppo once,%@NL@%%@EH@%
Where a malignant and a turbaned Turk%@NL@%
Beat a Venetian and traduced the state,%@NL@%
I took by the throat the circumcised dog,%@NL@%
And smote him thus.%@NL@%

%@NL@%William Shakespeare
%@NL@%Othello [1604-1605],Act: V, Scene: ii, Line: 354

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4680   @%%@2@%My love's%@NL@%%@EH@%
More richer than my tongue.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: 1, Line: 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4690   @%%@2@%Now, our joy,%@NL@%%@EH@%
Although our last, not least. 1  2 %@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: i, Line: 84

%@NL@%%@AI@%1 See Spenser%@BO:          1581bd@%%@AE@%
%@AI@%2 See Julius Caesar%@BO:          1b541e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4700   @%%@2@%Nothing will come of nothing. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: i, Line: 92

%@NL@%%@AI@%1 See Lucretius%@BO:           c9fe5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4710   @%%@2@%Mend your speech a little,%@NL@%%@EH@%
Lest you may mar your fortunes.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: i, Line: 96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4720   @%%@2@%Lear: So young, and so untender?%@NL@%%@EH@%
Cordelia: So young, my lord, and true.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: i, Line: 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4730   @%%@2@%Come not between the dragon and his wrath.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: i, Line: 124

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4740   @%%@2@%Kill thy physician, and the fee bestow%@NL@%%@EH@%
Upon the foul disease.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: i, Line: 166

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4750   @%%@2@%I want that glib and oily art,%@NL@%%@EH@%
To speak and purpose not.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: i, Line: 227

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4760   @%%@2@%A still-soliciting eye.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: i, Line: 234

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4770   @%%@2@%Time shall unfold what plighted cunning hides;%@NL@%%@EH@%
Who covers faults, at last shame them derides.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: i, Line: 282

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4780   @%%@2@%   The infirmity of his age.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: i, Line: 296

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4790   @%%@2@%Who in the lusty stealth of nature take%@NL@%%@EH@%
More composition and fierce quality%@NL@%
Than doth, within a dull, stale, tired bed,%@NL@%
Go to the creating a whole tribe of fops.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: ii, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4800   @%%@2@%   We have seen the best of our time: machinations, hollowness, treachery,%@EH@%
and all ruinous disorders, follow us disquietly to our graves.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: ii, Line: 125

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4810   @%%@2@%   This is the excellent foppery of the world, that, when we are sick in%@EH@%
fortune-often the surfeit of our own behavior-we make guilty of our
disasters the sun, the moon, and the stars; as if we were villains by
necessity, fools by heavenly compulsion, knaves, thieves, and treachers by
spherical predominance, drunkards, liars, and adulterers by an enforced
obedience of planetary influence.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: ii, Line: 129

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4820   @%%@2@%   Edgar-[Enter Edgar]%@NL@%%@EH@%
and pat he comes, like the catastrophe of the old comedy: my cue is
villainous melancholy, with a sigh like Tom o' Bedlam.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: ii, Line: 149

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4830   @%%@2@%   That which ordinary men are fit for, I am qualified in, and the best of%@EH@%
me is diligence.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: iv, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4840   @%%@2@%   Truth's a dog must to kennel; he must be whipped out, when Lady the brach%@EH@%
may stand by the fire and stink.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: iv, Line: 125

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4850   @%%@2@%Have more than thou showest,%@NL@%%@EH@%
Speak less than thou knowest,%@NL@%
Lend less than thou owest.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: iv, Line: 132

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4860   @%%@2@%Ingratitude, thou marble-hearted fiend,%@NL@%%@EH@%
More hideous, when thou show'st thee in a child,%@NL@%
Than the sea-monster.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: iv, Line: 283

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4870   @%%@2@%How sharper than a serpent's tooth it is%@NL@%%@EH@%
To have a thankless child!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: iv, Line: 312

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4880   @%%@2@%Striving to better, oft we mar what's well.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: I, Scene: iv, Line: 371

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4890   @%%@2@%   The son and heir of a mongrel bitch.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: II, Scene: ii, Line: 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4900   @%%@2@%I have seen better faces in my time%@NL@%%@EH@%
Than stands on any shoulder that I see%@NL@%
Before me at this instant.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: II, Scene: ii, Line: 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4910   @%%@2@%A good man's fortune may grow out at heels.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: II, Scene: ii, Line: 164

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4920   @%%@2@%Fortune, good night, smile once more; turn thy wheel!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: II, Scene: ii, Line: 180

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4930   @%%@2@%Hysterica passio! down, thou climbing sorrow!%@NL@%%@EH@%
Thy element's below.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: II, Scene: iv, Line: 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4940   @%%@2@%That sir which serves and seeks for gain,%@NL@%%@EH@%
And follows but for form,%@NL@%
Will pack when it begins to rain,%@NL@%
And leave thee in the storm.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: II, Scene: iv, Line: 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4950   @%%@2@%Nature in you stands on the very verge%@NL@%%@EH@%
Of her confine.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: II, Scene: iv, Line: 149

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4960   @%%@2@%Necessity's sharp pinch!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: II, Scene: iv, Line: 214

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4970   @%%@2@%Our basest beggars%@NL@%%@EH@%
Are in the poorest thing superfluous:%@NL@%
Allow not nature more than nature needs,%@NL@%
Man's life is cheap as beast's.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: II, Scene: iv, Line: 267

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4980   @%%@2@%Let not women's weapons, waterdrops,%@NL@%%@EH@%
Stain my man's cheeks!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: II, Scene: iv, Line: 280

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW4990   @%%@2@%I have full cause of weeping, but this heart%@NL@%%@EH@%
Shall break into a hundred thousand flaws%@NL@%
Or e'er I'll weep. O fool! I shall go mad.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: II, Scene: iv, Line: 287

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5000   @%%@2@%Blow, winds, and crack your cheeks! rage! blow!%@NL@%%@EH@%
You cataracts and hurricanoes, spout%@NL@%
Till you have drenched our steeples, drowned the cocks!%@NL@%
You sulphurous and thought-executing fires,%@NL@%
Vaunt-couriers to oak-cleaving thunderbolts,%@NL@%
Singe my white head! And thou, all-shaking thunder,%@NL@%
Strike flat the thick rotundity o' the world!%@NL@%
Crack nature's molds, all germens spill at once%@NL@%
That make ingrateful man!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: ii, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5010   @%%@2@%I tax not you, you elements, with unkindness.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: ii, Line: 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5020   @%%@2@%A poor, infirm, weak, and despised old man.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: ii, Line: 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5030   @%%@2@%   There was never yet fair woman but she made mouths in a glass.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: ii, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5040   @%%@2@%I will be the pattern of all patience.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: ii, Line: 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5050   @%%@2@%I am a man%@NL@%%@EH@%
More sinned against than sinning.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: ii, Line: 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5060   @%%@2@%The art of our necessities is strange,%@NL@%%@EH@%
That can make vile things precious.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: ii, Line: 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5070   @%%@2@%He that has and a little tiny wit,%@NL@%%@EH@%
With hey, ho, the wind and the rain.%@NL@%
Must make content with his fortunes fit,%@NL@%
Though the rain it raineth every day. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: ii, Line: 76

%@NL@%%@AI@%1 See Twelfth-Night%@BO:          1b220c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5080   @%%@2@%O! that way madness lies; let me shun that.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: iv, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5090   @%%@2@%Poor naked wretches, wheresoe'er you are,%@NL@%%@EH@%
That bide the pelting of this pitiless storm,%@NL@%
How shall your houseless heads and unfed sides,%@NL@%
Your looped and windowed raggedness, defend you%@NL@%
From seasons such as these?%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: iv, Line: 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5100   @%%@2@%Take physic, pomp;%@NL@%%@EH@%
Expose thyself to feel what wretches feel.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: iv, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5110   @%%@2@%Pillicock sat on Pillicock-hill:%@NL@%%@EH@%
Halloo, halloo, loo, loo!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: iv, Line: 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5120   @%%@2@%   Out-paramoured the Turk.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: iv, Line: 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5130   @%%@2@%   Is man no more than this? Consider him well. Thou owest the worm no silk,%@EH@%
the beast no hide, the sheep no wool, the cat no perfume. Ha! here's three
on 's are sophisticated; thou art the thing itself; unaccommodated man is no
more but such a poor, bare, forked animal as thou art. Off, off, you
lendings! Come; unbutton here.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: iv, Line: 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5140   @%%@2@%   'Tis a naughty night to swim in.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: iv, Line: 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5150   @%%@2@%   The green mantle of the standing pool.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: iv, Line: 137

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5160   @%%@2@%But mice and rats and such small deer%@NL@%%@EH@%
Have been Tom's food for seven long year.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: iv, Line: 142

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Devil is a gentleman.-Shelley, Peter Bell the Third [1819], pt. II, st.
2  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5170   @%%@2@%The prince of darkness is a gentleman.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: iv, Line: 147

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5190   @%%@2@%Poor Tom's a-cold.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: iv, Line: 151

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Child Roland to the dark tower came.-Sir Walter Scott, The Bridal of
Triermain [1813]  Dauntless the slug-horn to my lips I set,/And blew.
"Childe Roland to the Dark Tower came."-Browning, Child Roland to the Dark
Tower Came [1855], st. 34  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5200   @%%@2@%Child Rowland to the dark tower came,%@NL@%%@EH@%
His word was still, Fie, foh, and fum,%@NL@%
I smell the blood of a British man.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: iv, Line: 185

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5240   @%%@2@%   He's mad that trusts in the tameness of a wolf, a horse's health, a boy's%@EH@%
love, or a whore's oath.%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: vi, Line: 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5250   @%%@2@%The little dogs and all,%@NL@%%@EH@%
Tray, Blanch, and Sweetheart, see, they bark at me.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: vi, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5260   @%%@2@%   Is there any cause in nature that makes these hard hearts?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: vi, Line: 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5270   @%%@2@%I am tied to the stake, and I must stand the course.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: vii, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5280   @%%@2@%Out, vile jelly!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: III, Scene: vii, Line: 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5290   @%%@2@%The lowest and most dejected thing of fortune.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: i, Line: 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5300   @%%@2@%The worst is not,%@NL@%%@EH@%
So long as we can say, "This is the worst."%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: i, Line: 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5310   @%%@2@%As flies to wanton boys, are we to the gods;%@NL@%%@EH@%
They kill us for their sport.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: i, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5320   @%%@2@%You are not worth the dust which the rude wind%@NL@%%@EH@%
Blows in your face.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: ii, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5330   @%%@2@%She that herself will sliver and disbranch%@NL@%%@EH@%
From her material sap, perforce must wither%@NL@%
And come to deadly use.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: ii, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5340   @%%@2@%Wisdom and goodness to the vile seem vile;%@NL@%%@EH@%
Filths savor but themselves.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: ii, Line: 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5350   @%%@2@%Tigers, not daughters.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: ii, Line: 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5360   @%%@2@%It is the stars,%@NL@%%@EH@%
The stars above us, govern our conditions.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: iii, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5370   @%%@2@%Our foster-nurse of nature is repose.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: iv, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5380   @%%@2@%How fearful%@NL@%%@EH@%
And dizzy 'tis to cast one's eyes so low!%@NL@%
The crows and choughs that wing the midway air%@NL@%
Show scarce so gross as beetles; halfway down%@NL@%
Hangs one that gathers samphire, dreadful trade!%@NL@%
Methinks he seems no bigger than his head.%@NL@%
The fishermen that walk upon the beach%@NL@%
Appear like mice, and yond tall anchoring bark%@NL@%
Diminished to her cock, her cock a buoy%@NL@%
Almost too small for sight. The murmuring surge,%@NL@%
That on the unnumbered idle pebbles chafes,%@NL@%
Cannot be heard so high.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vi, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5390   @%%@2@%   Nature's above art in that respect.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vi, Line: 87

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5400   @%%@2@%Ay, every inch a king.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vi, Line: 110

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5410   @%%@2@%The wren goes to 't, and the small gilded fly%@NL@%%@EH@%
Does lecher in my sight.%@NL@%
Let copulation thrive.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vi, Line: 115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5420   @%%@2@%   Give me an ounce of civet, good apothecary, to sweeten my imagination.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vi, Line: 133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5430   @%%@2@%   A man may see how this world goes with no eyes. Look with thine ears: see%@EH@%
how yond justice rails upon yon simple thief. Hark, in thine ear: change
places; and, handy-dandy, which is the justice, which is the thief?%@NL@%
%@NL@%
William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vi, Line: 154

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5440   @%%@2@%Through tattered clothes small vices do appear;%@NL@%%@EH@%
Robes and furred gowns hide all. Plate sin with gold,%@NL@%
And the strong lance of justice hurtless breaks;%@NL@%
Arm it in rags, a pigmy's straw does pierce it.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vi, Line: 169

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5450   @%%@2@%Get thee glass eyes;%@NL@%%@EH@%
And, like a scurvy politician, seem%@NL@%
To see the things thou dost not.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vi, Line: 175

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5460   @%%@2@%When we are born, we cry that we are come%@NL@%%@EH@%
To this great stage of fools.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vi, Line: 187

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5470   @%%@2@%Then, kill, kill, kill, kill, kill, kill!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vi, Line: 192

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5480   @%%@2@%Mine enemy's dog,%@NL@%%@EH@%
Though he had bit me, should have stood that night%@NL@%
Against my fire.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vii, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5490   @%%@2@%Thou art a soul in bliss; but I am bound%@NL@%%@EH@%
Upon a wheel of fire, that mine own tears%@NL@%
Do scald like molten lead.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vii, Line: 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5500   @%%@2@%I am a very foolish fond old man,%@NL@%%@EH@%
Fourscore and upward, not an hour more or less;%@NL@%
And, to deal plainly,%@NL@%
I fear I am not in my perfect mind.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vii, Line: 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
All our great fray . . . is forgiven and forgotten between us
quite.-Heywood, Proverbs [1546], pt. II, ch. 3  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5510   @%%@2@%Pray you now, forget and forgive.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: IV, Scene: vii, Line: 84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5530   @%%@2@%Men must endure%@NL@%%@EH@%
Their going hence, even as their coming hither:%@NL@%
Ripeness is all.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: V, Scene: ii, Line: 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5540   @%%@2@%Come, let's away to prison;%@NL@%%@EH@%
We two alone will sing like birds i' the cage:%@NL@%
When thou dost ask me blessing, I'll kneel down,%@NL@%
And ask of thee forgiveness: so we'll live,%@NL@%
And pray, and sing, and tell old tales, and laugh%@NL@%
At gilded butterflies, and hear poor rogues%@NL@%
Talk of court news; and we'll talk with them too,%@NL@%
Who loses and who wins; who's in, who's out;%@NL@%
And take upon's the mystery of things,%@NL@%
As if we were God's spies: and we'll wear out,%@NL@%
In a walled prison, packs and sets of great ones%@NL@%
That ebb and flow by the moon.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: V, Scene: iii, Line: 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5550   @%%@2@%Upon such sacrifices, my Cordelia,%@NL@%%@EH@%
The gods themselves throw incense.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: V, Scene: iii, Line: 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5560   @%%@2@%The gods are just, and of our pleasant vices%@NL@%%@EH@%
Make instruments to plague us.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: V, Scene: iii, Line: 172

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5570   @%%@2@%The wheel is come full circle.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: V, Scene: iii, Line: 176

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5580   @%%@2@%Howl, howl, howl, howl! O! you are men of stones:%@NL@%%@EH@%
Had I your tongues and eyes, I'd use them so%@NL@%
That heaven's vaults should crack. She's gone forever.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: V, Scene: iii, Line: 259

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5590   @%%@2@%Her voice was ever soft,%@NL@%%@EH@%
Gentle, and low, an excellent thing in woman.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: V, Scene: iii, Line: 274

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5600   @%%@2@%And my poor fool is hanged! No, no, no life!%@NL@%%@EH@%
Why should a dog, a horse, a rat, have life,%@NL@%
And thou no breath at all? Thou'lt come no more,%@NL@%
Never, never, never, never, never! 1  2 %@NL@%
Pray you, undo this button.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: V, Scene: iii, Line: 307

%@NL@%%@AI@%1 See Pitt%@BO:          2bbbfb@%%@AE@%
%@AI@%2 See Churchill%@BO:          571de7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5610   @%%@2@%Vex not his ghost: O! let him pass; he hates him%@NL@%%@EH@%
That would upon the rack of this tough world%@NL@%
Stretch him out longer.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: V, Scene: iii, Line: 315

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHCW5620   @%%@2@%The weight of this sad time we must obey;%@NL@%%@EH@%
Speak what we feel, not what we ought to say.%@NL@%
The oldest hath borne most: we that are young,%@NL@%
Shall never see so much, nor live so long.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Lear [1605-1606],Act: V, Scene: iii, Line: 325

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW10     @%%@2@%First Witch: When shall we three meet again%@NL@%%@EH@%
In thunder, lightning, or in rain?%@NL@%
Second Witch: When the hurlyburly's done,%@NL@%
When the battle's lost and won.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: i, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW20     @%%@2@%Fair is foul, and foul is fair:%@NL@%%@EH@%
Hover through the fog and filthy air.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: i, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW30     @%%@2@%Banners flout the sky.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: ii, Line: 50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW40     @%%@2@%A sailor's wife had chestnuts in her lap,%@NL@%%@EH@%
And munched, and munched, and munched: "Give me," quoth I:%@NL@%
"Aroint thee, witch!" the rump-fed ronyon cries.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW50     @%%@2@%Sleep shall neither night nor day%@NL@%%@EH@%
Hang upon his pent-house lid.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW60     @%%@2@%Dwindle, peak, and pine.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW70     @%%@2@%So foul and fair a day I have not seen.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW80     @%%@2@%If you can look into the seeds of time,%@NL@%%@EH@%
And say which grain will grow and which will not,%@NL@%
Speak.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 58

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW90     @%%@2@%And to be king%@NL@%%@EH@%
Stands not within the prospect of belief.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW100    @%%@2@%The earth hath bubbles, as the water has,%@NL@%%@EH@%
And these are of them.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW110    @%%@2@%Or have we eaten on the insane root%@NL@%%@EH@%
That takes the reason prisoner?%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW120    @%%@2@%And oftentimes, to win us to our harm,%@NL@%%@EH@%
The instruments of darkness tell us truths,%@NL@%
Win us with honest trifles, to betray 's%@NL@%
In deepest consequence.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW130    @%%@2@%As happy prologues to the swelling act%@NL@%%@EH@%
Of the imperial theme.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 128

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW140    @%%@2@%I am Thane of Cawdor:%@NL@%%@EH@%
If good, why do I yield to that suggestion%@NL@%
Whose horrid image doth unfix my hair%@NL@%
And make my seated heart knock at my ribs,%@NL@%
Against the use of nature? Present fears%@NL@%
Are less than horrible imaginings.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 134

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW150    @%%@2@%If chance will have me king, why, chance may crown me,%@NL@%%@EH@%
Without my stir.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 143

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW160    @%%@2@%Come what come may,%@NL@%%@EH@%
Time and the hour runs through the roughest day.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iii, Line: 146

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW170    @%%@2@%Nothing in his life%@NL@%%@EH@%
Became him like the leaving it; he died%@NL@%
As one that had been studied in his death%@NL@%
To throw away the dearest thing he ow'd,%@NL@%
As 'twere a careless trifle.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iv, Line: 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW180    @%%@2@%There's no art%@NL@%%@EH@%
To find the mind's construction in the face:%@NL@%
He was a gentleman on whom I built%@NL@%
An absolute trust.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: iv, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The thunder of your words has soured the milk of human kindness in my
heart.-Richard Brinsley Sheridan, The Rivals [1775], act III, sc. iv  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW190    @%%@2@%Glamis thou art, and Cawdor; and shalt be%@NL@%%@EH@%
What thou art promised. Yet do I fear thy nature;%@NL@%
It is too full o' the milk of human kindness%@NL@%
To catch the nearest way.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: v, Line: 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW210    @%%@2@%The raven himself is hoarse%@NL@%%@EH@%
That croaks the fatal entrance of Duncan%@NL@%
Under my battlements. Come, you spirits%@NL@%
That tend on mortal thoughts! unsex me here,%@NL@%
And fill me from the crown to the toe top full%@NL@%
Of direst cruelty; make thick my blood,%@NL@%
Stop up the access and passage to remorse,%@NL@%
That no compunctious visitings of nature%@NL@%
Shake my fell purpose, nor keep peace between%@NL@%
The effect and it! Come to my woman's breasts,%@NL@%
And take my milk for gall, you murdering ministers.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: v, Line: 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW220    @%%@2@%Nor heaven peep through the blanket of the dark,%@NL@%%@EH@%
To cry, "Hold, hold!"%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: v, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW230    @%%@2@%Your face, my thane, is as a book where men%@NL@%%@EH@%
May read strange matters.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: v, Line: 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW240    @%%@2@%Look like the innocent flower,%@NL@%%@EH@%
But be the serpent under 't.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: v, Line: 66

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW250    @%%@2@%Duncan: This castle hath a pleasant seat; the air%@NL@%%@EH@%
Nimbly and sweetly recommends itself%@NL@%
Unto our gentle senses.%@NL@%
Banquo:This guest of summer,%@NL@%
The temple-haunting martlet, does approve%@NL@%
By his loved mansionry that the heaven's breath%@NL@%
Smells wooingly here: no jutty, frieze,%@NL@%
Buttress, nor coign of vantage, but this bird%@NL@%
Hath made his pendent bed and procreant cradle:%@NL@%
Where they most breed and haunt, I have observed%@NL@%
The air is delicate.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: vi, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW260    @%%@2@%If it were done when 'tis done, then 'twere well%@NL@%%@EH@%
It were done quickly; if the assassination%@NL@%
Could trammel up the consequence, and catch%@NL@%
With his surcease success; that but this blow%@NL@%
Might be the be-all and the end-all here,%@NL@%
But here, upon this bank and shoal of time,%@NL@%
We'd jump the life to come.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: vii, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW270    @%%@2@%This even-handed justice.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: vii, Line: 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW275    @%%@2@%Besides, this Duncan%@NL@%%@EH@%
Hath borne his faculties so meek, hath been%@NL@%
So clear in his great office, that his virtues%@NL@%
Will plead like angels trumpet-tongued 1  against%@NL@%
The deep damnation of his taking-off;%@NL@%
And pity, like a naked new-born babe,%@NL@%
Striding the blast, or heaven's cherubin, horsed%@NL@%
Upon the sightless couriers of the air,%@NL@%
Shall blow the horrid deed in every eye,%@NL@%
That tears shall drown the wind. I have no spur%@NL@%
To prick the sides of my intent, but only%@NL@%
Vaulting ambition, which o'erleaps itself%@NL@%
And falls on the other.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: vii, Line: 16

%@NL@%%@AI@%1 See Matthew 24:31%@BO:           56e0f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW280    @%%@2@%I have bought%@NL@%%@EH@%
Golden opinions from all sorts of people.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: vii, Line: 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Heywood and Measure for Measure  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW290    @%%@2@%Letting "I dare not" wait upon "I would,"%@NL@%%@EH@%
Like the poor cat i' the adage.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: vii, Line: 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW300    @%%@2@%I dare do all that may become a man;%@NL@%%@EH@%
Who dares do more is none.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: vii, Line: 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW310    @%%@2@%Nor time nor place%@NL@%%@EH@%
Did then adhere.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: vii, Line: 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW320    @%%@2@%I have given suck, and know%@NL@%%@EH@%
How tender 'tis to love the babe that milks me:%@NL@%
I would, while it was smiling in my face,%@NL@%
Have plucked my nipple from his boneless gums,%@NL@%
And dashed the brains out, had I so sworn as you%@NL@%
Have done to this.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: vii, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW330    @%%@2@%Macbeth: If we should fail-%@NL@%%@EH@%
Lady Macbeth:We fail!%@NL@%
But screw your courage to the sticking-place,%@NL@%
And we'll not fail.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: vii, Line: 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW340    @%%@2@%Memory, the warder of the brain.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: vii, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW350    @%%@2@%Away, and mock the time with fairest show:%@NL@%%@EH@%
False face must hide what the false heart doth know.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: I, Scene: vii, Line: 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW360    @%%@2@%The moon is down.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: i, Line: 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW370    @%%@2@%There's husbandry in heaven;%@NL@%%@EH@%
Their candles are all out.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: i, Line: 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW380    @%%@2@%Merciful powers!%@NL@%%@EH@%
Restrain in me the cursed thoughts that nature%@NL@%
Gives way to in repose.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: i, Line: 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW390    @%%@2@%Shut up%@NL@%%@EH@%
In measureless content.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: i, Line: 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW395    @%%@2@%Is this a dagger which I see before me,%@NL@%%@EH@%
The handle toward my hand? Come, let me clutch thee:%@NL@%
I have thee not, and yet I see thee still.%@NL@%
Art thou not, fatal vision, sensible%@NL@%
To feeling as to sight? or art thou but%@NL@%
A dagger of the mind, a false creation,%@NL@%
Proceeding from the heat-oppressed brain?%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: i, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW400    @%%@2@%Now o'er the one half-world%@NL@%%@EH@%
Nature seems dead; and wicked dreams abuse%@NL@%
The curtained sleep; witchcraft celebrates%@NL@%
Pale Hecate's offerings.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: i, Line: 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW410    @%%@2@%Thou sure and firm-set earth,%@NL@%%@EH@%
Hear not my steps, which way they walk, for fear%@NL@%
The very stones prate of my whereabout. 1  2 %@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: i, Line: 56

%@NL@%%@AI@%1 See Habakkuk 2:11%@BO:           45834@%%@AE@%
%@AI@%2 See Luke 19:40%@BO:           5f4d1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW420    @%%@2@%The bell invites me.%@NL@%%@EH@%
Hear it not, Duncan; for it is a knell%@NL@%
That summons thee to heaven or to hell.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: i, Line: 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW430    @%%@2@%It was the owl that shrieked, the fatal bellman,%@NL@%%@EH@%
Which gives the stern'st good-night.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: ii, Line: 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW440    @%%@2@%The attempt and not the deed%@NL@%%@EH@%
Confounds us.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: ii, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW450    @%%@2@%Had he not resembled%@NL@%%@EH@%
My father as he slept I had done 't.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: ii, Line: 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW460    @%%@2@%I had most need of blessing, and "Amen"%@NL@%%@EH@%
Stuck in my throat.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: ii, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW470    @%%@2@%Methought I heard a voice cry, "Sleep no more!%@NL@%%@EH@%
Macbeth does murder sleep!" the innocent sleep,%@NL@%
Sleep that knits up the raveled sleave of care,%@NL@%
The death of each day's life, sore labor's bath,%@NL@%
Balm of hurt minds, great nature's second course,%@NL@%
Chief nourisher in life's feast.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: ii, Line: 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW480    @%%@2@%Glamis hath murdered sleep, and therefore Cawdor%@NL@%%@EH@%
Shall sleep no more, Macbeth shall sleep no more!%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: ii, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW490    @%%@2@%Infirm of purpose!%@NL@%%@EH@%
Give me the daggers. The sleeping and the dead%@NL@%
Are but as pictures; 'tis the eye of childhood%@NL@%
That fears a painted devil.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: ii, Line: 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW500    @%%@2@%Will all great Neptune's ocean wash this blood%@NL@%%@EH@%
Clean from my hand? No, this my hand will rather%@NL@%
The multitudinous seas incarnadine,%@NL@%
Making the green one red.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: ii, Line: 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW510    @%%@2@%   The primrose way to the everlasting bonfire. 1  2 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: iii, Line: 22

%@NL@%%@AI@%1 See Bion%@BO:           bc33f@%%@AE@%
%@AI@%2 See Hamlet%@BO:          1bb52b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW520    @%%@2@%   It [drink] provokes the desire, but it takes away the performance.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: iii, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW530    @%%@2@%The labor we delight in physics pain.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: iii, Line: 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW540    @%%@2@%Confusion now hath made his masterpiece!%@NL@%%@EH@%
Most sacrilegious murder hath broke ope%@NL@%
The Lord's anointed temple, and stole thence%@NL@%
The life o' the building!%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: iii, Line: 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW550    @%%@2@%Shake off this downy sleep, death's counterfeit. 1  2  3  4 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: iii, Line: 83

%@NL@%%@AI@%1 See Homer%@BO:           82552@%%@AE@%
%@AI@%2 See Virgil%@BO:           d55fc@%%@AE@%
%@AI@%3 See Daniel%@BO:          165e04@%%@AE@%
%@AI@%4 See Shelley%@BO:          38946d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW560    @%%@2@%Had I but died an hour before this chance%@NL@%%@EH@%
I had lived a blessed time; for, from this instant,%@NL@%
There's nothing serious in mortality,%@NL@%
All is but toys; renown and grace is dead,%@NL@%
The wine of life is drawn, and the mere lees%@NL@%
Is left this vault to brag of.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: iii, Line: 98

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW570    @%%@2@%Who can be wise, amazed, temperate and furious,%@NL@%%@EH@%
Loyal and neutral, in a moment? No man.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: iii, Line: 115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW580    @%%@2@%In the great hand of God I stand, and thence%@NL@%%@EH@%
Against the undivulged pretense I fight%@NL@%
Of treasonous malice.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: iii, Line: 137

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW590    @%%@2@%To show an unfelt sorrow is an office%@NL@%%@EH@%
Which the false man does easy.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: iii, Line: 143

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW600    @%%@2@%A falcon, towering in her pride of place,%@NL@%%@EH@%
Was by a mousing owl hawked at and killed.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: II, Scene: iv, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW610    @%%@2@%I must become a borrower of the night%@NL@%%@EH@%
For a dark hour or twain.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: i, Line: 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW620    @%%@2@%To be thus is nothing;%@NL@%%@EH@%
But to be safely thus.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: i, Line: 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW630    @%%@2@%Murderer:We are men, my liege.%@NL@%%@EH@%
Macbeth: Ay, in the catalogue ye go for men.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: i, Line: 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW640    @%%@2@%I am one, my liege,%@NL@%%@EH@%
Whom the vile blows and buffets of the world%@NL@%
Have so incensed that I am reckless what%@NL@%
I do to spite the world.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: i, Line: 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW650    @%%@2@%So weary with disasters, tugged with fortune,%@NL@%%@EH@%
That I would set my life on any chance,%@NL@%
To mend it or be rid on 't.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: i, Line: 112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW660    @%%@2@%Things without all remedy%@NL@%%@EH@%
Should be without regard: what's done is done.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: ii, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW670    @%%@2@%We have scotched the snake, not killed it.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: ii, Line: 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW680    @%%@2@%Duncan is in his grave;%@NL@%%@EH@%
After life's fitful fever he sleeps well;%@NL@%
Treason has done his worst: nor steel, nor poison,%@NL@%
Malice domestic, foreign levy, nothing%@NL@%
Can touch him further.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: ii, Line: 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW690    @%%@2@%Then be thou jocund. Ere the bat hath flown%@NL@%%@EH@%
His cloistered flight, ere, to black Hecate's summons%@NL@%
The shard-borne beetle with his drowsy hums%@NL@%
Hath rung night's yawning peal, there shall be done%@NL@%
A deed of dreadful note.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: ii, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW700    @%%@2@%Come, seeling night,%@NL@%%@EH@%
Scarf up the tender eye of pitiful day,%@NL@%
And with thy bloody and invisible hand%@NL@%
Cancel and tear to pieces that great bond%@NL@%
Which keeps me pale! Light thickens, and the crow%@NL@%
Makes wing to the rooky wood.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: ii, Line: 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW710    @%%@2@%Now spurs the lated traveler apace%@NL@%%@EH@%
To gain the timely inn.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: iii, Line: 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW720    @%%@2@%But now I am cabined, cribbed, confined, bound in%@NL@%%@EH@%
To saucy doubts and fears.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: iv, Line: 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW730    @%%@2@%Now good digestion wait on appetite,%@NL@%%@EH@%
And health on both!%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: iv, Line: 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW740    @%%@2@%Thou canst not say I did it: never shake%@NL@%%@EH@%
Thy gory locks at me.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: iv, Line: 50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW750    @%%@2@%The air-drawn dagger.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: iv, Line: 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW760    @%%@2@%I drink to the general joy of the whole table.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: iv, Line: 89

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW770    @%%@2@%What man dare, I dare:%@NL@%%@EH@%
Approach thou like the rugged Russian bear,%@NL@%
The armed rhinoceros, or the Hyrcan tiger,%@NL@%
Take any shape but that, and my firm nerves%@NL@%
Shall never tremble.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: iv, Line: 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW780    @%%@2@%Hence, horrible shadow!%@NL@%%@EH@%
Unreal Mockery, hence!%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: iv, Line: 106

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW790    @%%@2@%Stand not upon the order of your going,%@NL@%%@EH@%
But go at once.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: iv, Line: 119

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW800    @%%@2@%It will have blood, they say; blood will have blood:%@NL@%%@EH@%
Stones have been known to move and trees to speak.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: iv, Line: 122

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW810    @%%@2@%Macbeth:What is the night?%@NL@%%@EH@%
Lady Macbeth: Almost at odds with morning, which is which.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: iv, Line: 126

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW820    @%%@2@%I am in blood%@NL@%%@EH@%
Stepped in so far, that, should I wade no more,%@NL@%
Returning were as tedious as go o'er.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: III, Scene: iv, Line: 136

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW830    @%%@2@%Double, double toil and trouble;%@NL@%%@EH@%
Fire burn and cauldron bubble.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: i, Line: 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW840    @%%@2@%Eye of newt, and toe of frog,%@NL@%%@EH@%
Wool of bat, and tongue of dog.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: i, Line: 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW850    @%%@2@%Finger of birth-strangled babe,%@NL@%%@EH@%
Ditch-delivered by a drab.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: i, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW860    @%%@2@%By the pricking of my thumbs,%@NL@%%@EH@%
Something wicked this way comes.%@NL@%
Open, locks,%@NL@%
Whoever knocks!%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: i, Line: 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW870    @%%@2@%How now, you secret, black, and midnight hags!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: i, Line: 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW880    @%%@2@%A deed without a name. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: i, Line: 49

%@NL@%%@AI@%1 See Ann Radcliffe%@BO:          32ffbb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW890    @%%@2@%Be bloody, bold, and resolute; laugh to scorn%@NL@%%@EH@%
The power of man, for none of woman born%@NL@%
Shall harm Macbeth.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: i, Line: 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW900    @%%@2@%But yet I'll make assurance double sure,%@NL@%%@EH@%
And take a bond of fate.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: i, Line: 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Till Birnam wood remove to Dunsinane/I cannot taint with fear.-Macbeth, act
V, sc. iii, l. 2  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW910    @%%@2@%Macbeth shall never vanquished be until%@NL@%%@EH@%
Great Birnam wood to high Dunsinane hill%@NL@%
Shall come against him.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: i, Line: 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW930    @%%@2@%Show his eyes, and grieve his heart;%@NL@%%@EH@%
Come like shadows, so depart.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: i, Line: 110

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW940    @%%@2@%What! will the line stretch out to the crack of doom?%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: i, Line: 117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW950    @%%@2@%The weird sisters.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: i, Line: 136

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW960    @%%@2@%When our actions do not,%@NL@%%@EH@%
Our fears do make us traitors.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: ii, Line: 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW970    @%%@2@%He wants the natural touch.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: ii, Line: 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW980    @%%@2@%Angels are bright still, though the brightest fell.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: iii, Line: 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW990    @%%@2@%Pour the sweet milk of concord into hell,%@NL@%%@EH@%
Uproar the universal peace, confound%@NL@%
All unity on earth.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: iii, Line: 98

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1000   @%%@2@%Give sorrow words; the grief that does not speak%@NL@%%@EH@%
Whispers the o'er-fraught heart and bids it break.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: iii, Line: 209

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1010   @%%@2@%All my pretty ones?%@NL@%%@EH@%
Did you say all? O hell-kite! All?%@NL@%
What! all my pretty chickens and their dam%@NL@%
At one fell swoop?%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: iii, Line: 216

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1020   @%%@2@%Malcolm: Dispute it like a man.%@NL@%%@EH@%
Macbeth:I shall do so;%@NL@%
But I must also feel it as a man:%@NL@%
I cannot but remember such things were%@NL@%
That were most precious to me.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: IV, Scene: iii, Line: 219

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1030   @%%@2@%   Out, damned spot! out, I say!%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: i, Line: 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1040   @%%@2@%   Fie, my lord, fie! a soldier, and afeard?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: i, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1050   @%%@2@%   Who would have thought the old man to have had so much blood in him?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: i, Line: 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1060   @%%@2@%   The Thane of Fife had a wife: where is she now?%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: i, Line: 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1070   @%%@2@%   All the perfumes of Arabia will not sweeten this little hand.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: i, Line: 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1080   @%%@2@%Those he commands move only in command,%@NL@%%@EH@%
Nothing in love; now does he feel his title%@NL@%
Hang loose about him, like a giant's robe%@NL@%
Upon a dwarfish thief.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: ii, Line: 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1090   @%%@2@%The devil damn thee black, thou cream-faced loon%@NL@%%@EH@%
Where gott'st thou that goose look?%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: iii, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1100   @%%@2@%Thou lily-livered boy.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: iii, Line: 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1110   @%%@2@%I have lived long enough: my way of life%@NL@%%@EH@%
Is fall'n into the sere, the yellow leaf; 1 %@NL@%
And that which should accompany old age,%@NL@%
As honor, love, obedience, troops of friends,%@NL@%
I must not look to have; but, in their stead,%@NL@%
Curses, not loud but deep, mouth-honor, breath,%@NL@%
Which the poor heart would fain deny, and dare not.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: iii, Line: 22

%@NL@%%@AI@%1 See Byron%@BO:          383ae1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1120   @%%@2@%Macbeth: Canst thou not minister to a mind diseased,%@NL@%%@EH@%
Pluck from the memory a rooted sorrow,%@NL@%
Raze out the written troubles of the brain,%@NL@%
And with some sweet oblivious antidote%@NL@%
Cleanse the stuffed bosom of that perilous stuff%@NL@%
Which weighs upon the heart?%@NL@%
Doctor:Therein the patient%@NL@%
Must minister to himself.%@NL@%
Macbeth: Throw physic to the dogs; I'll none of it.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: iii, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1130   @%%@2@%I would applaud thee to the very echo,%@NL@%%@EH@%
That should applaud again.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: iii, Line: 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1140   @%%@2@%Hang out our banners on the outward walls;%@NL@%%@EH@%
The cry is still, "They come"; our castle's strength%@NL@%
Will laugh a siege to scorn.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: v, Line: 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1150   @%%@2@%My fell of hair%@NL@%%@EH@%
Would at a dismal treatise rouse and stir%@NL@%
As life were in 't. I have supped full with horrors.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: v, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1160   @%%@2@%She should have died hereafter;%@NL@%%@EH@%
There would have been a time for such a word.%@NL@%
Tomorrow, and tomorrow, and tomorrow,%@NL@%
Creeps in this petty pace from day to day,%@NL@%
To the last syllable of recorded time;%@NL@%
And all our yesterdays have lighted fools%@NL@%
The way to dusty death. Out, out, brief candle!%@NL@%
Life's but a walking shadow, a poor player%@NL@%
That struts and frets his hour upon the stage,%@NL@%
And then is heard no more; it is a tale%@NL@%
Told by an idiot, full of sound and fury,%@NL@%
Signifying nothing.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: v, Line: 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1170   @%%@2@%I 'gin to be aweary of the sun,%@NL@%%@EH@%
And wish the estate o' the world were now undone.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: v, Line: 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1180   @%%@2@%Blow, wind! come, wrack!%@NL@%%@EH@%
At least we'll die with harness on our back.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: v, Line: 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1190   @%%@2@%Why should I play the Roman fool, and die%@NL@%%@EH@%
On mine own sword?%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: vii, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1200   @%%@2@%I bear a charmed life.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: vii, Line: 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1210   @%%@2@%And be these juggling fiends no more believed,%@NL@%%@EH@%
That palter with us in a double sense;%@NL@%
That keep the word of promise to our ear%@NL@%
And break it to our hope.%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: vii, Line: 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1220   @%%@2@%Live to be the show and gaze o' the time.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: vii, Line: 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1230   @%%@2@%Lay on, Macduff,%@NL@%%@EH@%
And damned be him that first cries, "Hold, enough!"%@NL@%

%@NL@%William Shakespeare
%@NL@%Macbeth [1605-1606],Act: V, Scene: vii, Line: 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1240   @%%@2@%You shall see in him%@NL@%%@EH@%
The triple pillar of the world transformed%@NL@%
Into a strumpet's fool.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: i, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1250   @%%@2@%There's beggary in the love that can be reckoned.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: i, Line: 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1260   @%%@2@%Let Rome in Tiber melt, and the wide arch%@NL@%%@EH@%
Of the ranged empire fall! Here is my space.%@NL@%
Kingdoms are clay.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: i, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1270   @%%@2@%In nature's infinite book of secrecy%@NL@%%@EH@%
A little I can read.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: ii, Line: 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1280   @%%@2@%I love long life better than figs.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: ii, Line: 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1290   @%%@2@%On the sudden%@NL@%%@EH@%
A Roman thought hath struck him.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: ii, Line: 90

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1300   @%%@2@%Eternity was in our lips and eyes,%@NL@%%@EH@%
Bliss in our brows bent.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: iii, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1310   @%%@2@%O! my oblivion is a very Antony,%@NL@%%@EH@%
And I am all forgotten.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: iii, Line: 90

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1320   @%%@2@%Give me to drink mandragora. 1  . . . %@NL@%%@EH@%
That I might sleep out this great gap of time%@NL@%
My Antony is away.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: v, Line: 4

%@NL@%%@AI@%1 See Othello%@BO:          1d8269@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1330   @%%@2@%O happy horse, to bear the weight of Antony!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: v, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1340   @%%@2@%The demi-Atlas of this earth, the arm%@NL@%%@EH@%
And burgonet of men.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: v, Line: 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1350   @%%@2@%Where's my serpent of old Nile?%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: v, Line: 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1360   @%%@2@%A morsel for a monarch.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: v, Line: 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1370   @%%@2@%My salad days,%@NL@%%@EH@%
When I was green in judgment.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: I, Scene: v, Line: 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1380   @%%@2@%We, ignorant of ourselves,%@NL@%%@EH@%
Beg often our own harms, which the wise powers%@NL@%
Deny us for our good; so find we profit%@NL@%
By losing of our prayers.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: II, Scene: i, Line: 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1390   @%%@2@%Epicurean cooks%@NL@%%@EH@%
Sharpen with cloyless sauce his appetite.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: II, Scene: i, Line: 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1400   @%%@2@%No worse a husband than the best of men.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: II, Scene: ii, Line: 135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1410   @%%@2@%The barge she sat in, like a burnished throne,%@NL@%%@EH@%
Burned on the water; the poop was beaten gold,%@NL@%
Purple the sails, and so perfumed, that%@NL@%
The winds were love-sick with them; the oars were silver,%@NL@%
Which to the tune of flutes kept stroke, and made%@NL@%
The water which they beat to follow faster,%@NL@%
As amorous of their strokes. For her own person,%@NL@%
It beggared all description.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: II, Scene: ii, Line: 199

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1420   @%%@2@%Age cannot wither her, nor custom stale%@NL@%%@EH@%
Her infinite variety; other women cloy%@NL@%
The appetites they feed, but she makes hungry%@NL@%
Where most she satisfies; for vilest things%@NL@%
Become themselves in her, that the holy priests%@NL@%
Bless her when she is riggish.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: II, Scene: ii, Line: 243

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1430   @%%@2@%I have not kept my square; but that to come%@NL@%%@EH@%
Shall all be done by the rule.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: II, Scene: iii, Line: 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1440   @%%@2@%Music, moody food%@NL@%%@EH@%
Of us that trade in love. 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: II, Scene: v, Line: 1

%@NL@%%@AI@%1 See Twelfth-Night%@BO:          1ae38a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1450   @%%@2@%Though it be honest, it is never good%@NL@%%@EH@%
To bring bad news. 1  2 %@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: II, Scene: v, Line: 85

%@NL@%%@AI@%1 See Sophocles%@BO:           9dbce@%%@AE@%
%@AI@%2 See King Henry IV, Part II%@BO:          19c515@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1460   @%%@2@%Come, thou monarch of the vine,%@NL@%%@EH@%
Plumpy Bacchus, with pink eyne!%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: II, Scene: vii, Line: 120

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1470   @%%@2@%Ambition,%@NL@%%@EH@%
The soldier's virtue.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: III, Scene: i, Line: 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1480   @%%@2@%Celerity is never more admired%@NL@%%@EH@%
Than by the negligent.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: III, Scene: vii, Line: 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1490   @%%@2@%We have kissed away%@NL@%%@EH@%
Kingdoms and provinces.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: III, Scene: viii, Line: 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1500   @%%@2@%He wears the rose%@NL@%%@EH@%
Of youth upon him.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: III, Scene: xi, Line: 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1510   @%%@2@%Men's judgments are%@NL@%%@EH@%
A parcel of their fortunes, and things outward%@NL@%
Do draw the inward quality after them,%@NL@%
To suffer all alike.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: III, Scene: xi, Line: 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1520   @%%@2@%I found you as a morsel, cold upon%@NL@%%@EH@%
Dead Caesar's trencher.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: III, Scene: xi, Line: 116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1530   @%%@2@%Let's have one other gaudy night.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: III, Scene: xi, Line: 182

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1540   @%%@2@%Now he'll outstare the lightning. To be furious%@NL@%%@EH@%
Is to be frightened out of fear.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: III, Scene: xi, Line: 194

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1550   @%%@2@%To business that we love we rise betime,%@NL@%%@EH@%
And go to 't with delight.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: IV, Scene: iv, Line: 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1560   @%%@2@%O infinite virtue! com'st thou smiling from%@NL@%%@EH@%
The world's great snare uncaught?%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: IV, Scene: viii, Line: 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1570   @%%@2@%The shirt of Nessus is upon me.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: IV, Scene: x, Line: 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1580   @%%@2@%Sometimes we see a cloud that's dragonish;%@NL@%%@EH@%
A vapor sometime like a bear or lion,%@NL@%
A towered citadel, a pendant rock,%@NL@%
A forked mountain, or blue promontory%@NL@%
With trees upon 't. 1  2 %@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: IV, Scene: xii, Line: 2

%@NL@%%@AI@%1 See Aristophanes%@BO:           aabfa@%%@AE@%
%@AI@%2 See Hamlet%@BO:          1c3bbc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1590   @%%@2@%Unarm, Eros; the long day's task is done,%@NL@%%@EH@%
And we must sleep.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: IV, Scene: xii, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1600   @%%@2@%But I will be%@NL@%%@EH@%
A bridegroom in my death, and run into 't%@NL@%
As to a lover's bed.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: IV, Scene: xii, Line: 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In some editions: star.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1620   @%%@2@%O sun!%@NL@%%@EH@%
Burn the great sphere thou mov'st in; dark-ling stand%@NL@%
The varying shore o' the world.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: IV, Scene: xiii, Line: 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1630   @%%@2@%I am dying, Egypt, dying; only%@NL@%%@EH@%
I here importune death awhile, until%@NL@%
Of many thousand kisses the poor last%@NL@%
I lay upon thy lips.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: IV, Scene: xiii, Line: 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1640   @%%@2@%O! withered is the garland of the war,%@NL@%%@EH@%
The soldier's pole is fall'n; young boys and girls%@NL@%
Are level now with men; the odds is gone,%@NL@%
And there is nothing left remarkable%@NL@%
Beneath the visiting moon.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: IV, Scene: xiii, Line: 64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1650   @%%@2@%Let's do it after the high Roman fashion,%@NL@%%@EH@%
And make death proud to take us.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: IV, Scene: xiii, Line: 87

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1660   @%%@2@%And it is great%@NL@%%@EH@%
To do that thing that ends all other deeds,%@NL@%
Which shackles accidents, and bolts up change.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: V, Scene: ii, Line: 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1670   @%%@2@%His legs bestrid the ocean; his reared arm%@NL@%%@EH@%
Crested the world; his voice was propertied%@NL@%
As all the tuned spheres, and that to friends;%@NL@%
But when he meant to quail and shake the orb,%@NL@%
He was as rattling thunder. For his bounty,%@NL@%
There was no winter in 't, an autumn 'twas%@NL@%
That grew the more by reaping; his delights%@NL@%
Were dolphin-like, they showed his back above%@NL@%
The element they lived in; in his livery%@NL@%
Walked crowns and crownets, realms and islands were%@NL@%
As plates dropped from his pocket.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: V, Scene: ii, Line: 82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1680   @%%@2@%The bright day is done,%@NL@%%@EH@%
And we are for the dark.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: V, Scene: ii, Line: 192

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1690   @%%@2@%Antony%@NL@%%@EH@%
Shall be brought drunken forth, and I shall see%@NL@%
Some squeaking Cleopatra boy my greatness%@NL@%
I' the posture of a whore.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: V, Scene: ii, Line: 217

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1700   @%%@2@%   A woman is a dish for the gods, if the devil dress her not.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: V, Scene: ii, Line: 274

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1710   @%%@2@%I have%@NL@%%@EH@%
Immortal longings in me.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: V, Scene: ii, Line: 282

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1720   @%%@2@%If thou and nature can so gently part,%@NL@%%@EH@%
The stroke of death is as a lover's pinch,%@NL@%
Which hurts, and is desired.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: V, Scene: ii, Line: 296

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1730   @%%@2@%Dost thou not see my baby at my breast,%@NL@%%@EH@%
That sucks the nurse asleep?%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: V, Scene: ii, Line: 311

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1740   @%%@2@%Now boast thee, death, in thy possession lies%@NL@%%@EH@%
A lass unparalleled.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: V, Scene: ii, Line: 317

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
One of the soldiers seeing her, angrily said unto her: Is that well done
Charmian? Very well said she again, and meet for a princess descended of so
many noble kings.-Plutarch, Lives; translated [1579] by Sir Thomas North  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1750   @%%@2@%First Guard: . . . Charmian, is this well done?%@NL@%%@EH@%
Charmian: It is well done, and fitting for a princess%@NL@%
Descended of so many royal kings.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: V, Scene: ii, Line: 327

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1770   @%%@2@%As she would catch another Antony%@NL@%%@EH@%
In her strong toil of grace.%@NL@%

%@NL@%William Shakespeare
%@NL@%Antony and Cleopatra [1606-1607],Act: V, Scene: ii, Line: 348

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1780   @%%@2@%The gods sent not%@NL@%%@EH@%
Corn for the rich men only.%@NL@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: I, Scene: i, Line: 213

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1790   @%%@2@%They threw their caps%@NL@%%@EH@%
As they would hang them on the horns o' the moon,%@NL@%
Shouting their emulation.%@NL@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: I, Scene: i, Line: 218

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1800   @%%@2@%   All the yarn she spun in Ulysses' absence did but fill Ithaca full of%@EH@%
moths.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: I, Scene: iii, Line: 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1810   @%%@2@%   Nature teaches beasts to know their friends.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: II, Scene: i, Line: 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1820   @%%@2@%   A cup of hot wine with not a drop of allaying Tiber in 't. 1 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: II, Scene: i, Line: 52

%@NL@%%@AI@%1 See Lovelace%@BO:          2578b1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1830   @%%@2@%My gracious silence, hail!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: II, Scene: i, Line: 194

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1840   @%%@2@%   He himself stuck not to call us the many-headed multitude. 1  2  3  4  5 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: II, Scene: iii, Line: 18

%@NL@%%@AI@%1 See Horace%@BO:           dc7fe@%%@AE@%
%@AI@%2 See Machiavelli%@BO:          130e0d@%%@AE@%
%@AI@%3 See King Henry IV, Part II%@BO:          19c0e9@%%@AE@%
%@AI@%4 See Coriolanus%@BO:          1f138a@%%@AE@%
%@AI@%5 See Pope%@BO:          2a6187@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1850   @%%@2@%Bid them wash their faces,%@NL@%%@EH@%
And keep their teeth clean.%@NL@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: II, Scene: iii, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1860   @%%@2@%I thank you for your voices, thank you,%@NL@%%@EH@%
Your most sweet voices.%@NL@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: II, Scene: iii, Line: 179

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1870   @%%@2@%The mutable, rank-scented many.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: III, Scene: i, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1880   @%%@2@%Hear you this Triton of the minnows? mark you%@NL@%%@EH@%
His absolute "shall"?%@NL@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: III, Scene: i, Line: 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1890   @%%@2@%What is the city but the people? 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: III, Scene: i, Line: 198

%@NL@%%@AI@%1 See Sophocles%@BO:           9cc42@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1900   @%%@2@%His nature is too noble for the world:%@NL@%%@EH@%
He would not flatter Neptune for his trident,%@NL@%
Or Jove for 's power to thunder. 1  2  His heart's his mouth:%@NL@%
What his breast forges, that his tongue must vent.%@NL@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: III, Scene: i, Line: 254

%@NL@%%@AI@%1 See Manilius%@BO:           eaef5@%%@AE@%
%@AI@%2 See Benjamin Franklin%@CF:N1706FRAB10     @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1910   @%%@2@%The beast%@NL@%%@EH@%
With many heads butts me away. 1  2  3  4  5 %@NL@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: IV, Scene: i, Line: 1

%@NL@%%@AI@%1 See Horace%@BO:           dc7fe@%%@AE@%
%@AI@%2 See Machiavelli%@BO:          130e0d@%%@AE@%
%@AI@%3 See King Henry IV, Part II%@BO:          19c0e9@%%@AE@%
%@AI@%4 See Coriolanus%@BO:          1f0a13@%%@AE@%
%@AI@%5 See Pope%@BO:          2a6187@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1920   @%%@2@%O! a kiss%@NL@%%@EH@%
Long as my exile, sweet as my revenge! 1 %@NL@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: V, Scene: iii, Line: 44

%@NL@%%@AI@%1 See Byron%@BO:          37f209@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1930   @%%@2@%Chaste as the icicle%@NL@%%@EH@%
That's curdied by the frost from purest snow,%@NL@%
And hangs on Dian's temple.%@NL@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: V, Scene: iii, Line: 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1940   @%%@2@%   He wants nothing of a god but eternity and a heaven to throne in.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: V, Scene: iv, Line: 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1950   @%%@2@%They'll give him death by inches.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: V, Scene: iv, Line: 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1960   @%%@2@%If you have writ your annals true, 'tis there,%@NL@%%@EH@%
That, like an eagle in a dovecote, I%@NL@%
Fluttered your Volscians in Corioli:%@NL@%
Alone I did it.%@NL@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: V, Scene: v, Line: 114

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1970   @%%@2@%Thou hast done a deed whereat valor will weep.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: V, Scene: v, Line: 135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1980   @%%@2@%He shall have a noble memory.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Coriolanus [1607-1608],Act: V, Scene: v, Line: 155

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW1990   @%%@2@%'Tis not enough to help the feeble up,%@NL@%%@EH@%
But to support him after.%@NL@%

%@NL@%William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: I, Scene: i, Line: 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2000   @%%@2@%I call the gods to witness. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: I, Scene: i, Line: 138

%@NL@%%@AI@%1 See Deuteronomy 4:26%@BO:           10985@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2010   @%%@2@%I wonder men dare trust themselves with men.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: I, Scene: ii, Line: 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Inscribed on the drinking fountain in the market square of
Stratford-on-Avon.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2020   @%%@2@%Here's that which is too weak to be a sinner,%@NL@%%@EH@%
Honest water, which ne'er left man i' the mire.%@NL@%

%@NL@%William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: I, Scene: ii, Line: 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2030   @%%@2@%Immortal gods, I crave no pelf;%@NL@%%@EH@%
I pray for no man but myself:%@NL@%
Grant I may never prove so fond,%@NL@%
To trust man on his oath or bond.%@NL@%

%@NL@%William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: I, Scene: ii, Line: 64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2040   @%%@2@%Men shut their doors against a setting sun.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: I, Scene: ii, Line: 152

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2050   @%%@2@%   Every man has his fault, and honesty is his.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: III, Scene: i, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2060   @%%@2@%Nothing emboldens sin so much as mercy.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: III, Scene: v, Line: 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2070   @%%@2@%You fools of fortune, trencher-friends, time's flies.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: III, Scene: vi, Line: 107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2080   @%%@2@%We have seen better days.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: IV, Scene: ii, Line: 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2090   @%%@2@%O! the fierce wretchedness that glory brings us.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: IV, Scene: ii, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2100   @%%@2@%I am Misanthropos, and hate mankind.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: IV, Scene: iii, Line: 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2110   @%%@2@%Life's uncertain voyage.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Timon of Athens [1607-1608],Act: V, Scene: i, Line: 207

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2120   @%%@2@%See, where she comes appareled like the spring.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Pericles [1608-1609],Act: I, Scene: i, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2130   @%%@2@%Few love to hear the sins they love to act.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Pericles [1608-1609],Act: I, Scene: i, Line: 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2140   @%%@2@%The sad companion, dull-eyed melancholy.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Pericles [1608-1609],Act: I, Scene: ii, Line: 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Men lived like fishes; the great ones devoured the small.-Algernon Sidney,
Discourses on Government [1698], ch. 2, sec. 18  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2150   @%%@2@%   Third Fisherman: . . . Master, I marvel how the fishes live in the sea.%@NL@%%@EH@%
First Fisherman: Why, as men do a-land; the great ones eat up the little
ones.%@NL@%
%@NL@%
William Shakespeare
%@NL@%Pericles [1608-1609],Act: II, Scene: i, Line: 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2170   @%%@2@%   Lest the bargain should catch cold and starve.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: I, Scene: iv, Line: 186

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2180   @%%@2@%   Hath his bellyful of fighting.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: II, Scene: i, Line: 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2190   @%%@2@%Hark! hark! the lark at heaven's gate sings,%@NL@%%@EH@%
And Phoebus 'gins arise, 1 %@NL@%
His steeds to water at those springs%@NL@%
On chaliced flowers that lies;%@NL@%
And winking Mary-buds begin%@NL@%
To ope their golden eyes:%@NL@%
With everything that pretty is,%@NL@%
My lady sweet, arise.%@NL@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: II, Scene: iii, Line: 22

%@NL@%%@AI@%1 See Lyly%@BO:          15abaf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2200   @%%@2@%As chaste as unsunned snow.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: II, Scene: v, Line: 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2210   @%%@2@%Some griefs are med'cinable.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: III, Scene: ii, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2220   @%%@2@%O! for a horse with wings!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: III, Scene: ii, Line: 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2230   @%%@2@%The game is up.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: III, Scene: iii, Line: 107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2240   @%%@2@%Slander,%@NL@%%@EH@%
Whose edge is sharper than the sword, whose tongue%@NL@%
Outvenoms all the worms of Nile, whose breath%@NL@%
Rides on the posting winds and doth belie%@NL@%
All corners of the world.%@NL@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: III, Scene: iv, Line: 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2250   @%%@2@%I have not slept one wink. 1  2 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: III, Scene: iv, Line: 103

%@NL@%%@AI@%1 See Cervantes%@BO:          14aedc@%%@AE@%
%@AI@%2 See Pope%@BO:          2a47dc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2260   @%%@2@%Weariness%@NL@%%@EH@%
Can snore upon the flint when resty sloth%@NL@%
Finds the down pillow hard.%@NL@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: III, Scene: vi, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2270   @%%@2@%An angel! or, if not,%@NL@%%@EH@%
An earthly paragon!%@NL@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: III, Scene: vi, Line: 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2280   @%%@2@%Society is no comfort%@NL@%%@EH@%
To one not sociable.%@NL@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: IV, Scene: ii, Line: 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2290   @%%@2@%I wear not%@NL@%%@EH@%
My dagger in my mouth.%@NL@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: IV, Scene: ii, Line: 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2300   @%%@2@%Fear no more the heat o' the sun,%@NL@%%@EH@%
Nor the furious winter's rages;%@NL@%
Thou thy worldly task hast done,%@NL@%
Home art gone, and ta'en thy wages.%@NL@%
Golden lads and girls all must,%@NL@%
As chimney-sweepers, come to dust.%@NL@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: IV, Scene: ii, Line: 258

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2310   @%%@2@%Quiet consummation have;%@NL@%%@EH@%
And renowned be thy grave!%@NL@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: IV, Scene: ii, Line: 280

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2320   @%%@2@%Fortune brings in some boats that are not steered.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: IV, Scene: iii, Line: 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2330   @%%@2@%Hang there like fruit, my soul,%@NL@%%@EH@%
Till the tree die!%@NL@%

%@NL@%William Shakespeare
%@NL@%Cymbeline [1609-1610],Act: V, Scene: v, Line: 264

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2340   @%%@2@%From fairest creatures we desire increase,%@NL@%%@EH@%
That thereby beauty's rose might never die.%@NL@%

%@NL@%William Shakespeare
%@NL@%%@FN@%
The sonnets were written definitely before 1598, according to the Palladis
Tamia [1598] of Francis Mere [1565-1647], and according to Leslie Hotson in
Mr. W. H. [1964] they bear strong evidence of all being written in
1588-1589. They were published [1609] by Thomas Thorpe, who wrote the
dedication:TO THE ONLIE BEGETTER OFTHESE INSUING SONNETSMR. W. H., ALL
HAPPINESSEAND THAT ETERNITIEPROMISEDBYOUR EVER-LIVING POETWISHETHTHE
WELL-WISHINGADVENTURER INSETTINGFORTHT.T.  %@EF@%
Sonnets [1609], 1, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2360   @%%@2@%When forty winters shall besiege thy brow,%@NL@%%@EH@%
And dig deep trenches in thy beauty's field.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 2, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2370   @%%@2@%Thou art thy mother's glass, and she in thee%@NL@%%@EH@%
Calls back the lovely April of her prime.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 3, l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2380   @%%@2@%Music to hear, why hear'st thou music sadly?%@NL@%%@EH@%
Sweets with sweet war not, joy delights in joy.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 8, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2390   @%%@2@%Everything that grows%@NL@%%@EH@%
Holds in perfection but a little moment.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 15, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2400   @%%@2@%Shall I compare thee to a summer's day?%@NL@%%@EH@%
Thou art more lovely and more temperate:%@NL@%
Rough winds do shake the darling buds of May,%@NL@%
And summer's lease hath all too short a date.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 18,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2410   @%%@2@%But thy eternal summer shall not fade.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 18,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2420   @%%@2@%The painful warrior famoused for fight,%@NL@%%@EH@%
After a thousand victories, once foiled,%@NL@%
Is from the books of honor razed quite,%@NL@%
And all the rest forgot for which he toiled.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 25, l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2430   @%%@2@%When in disgrace with fortune and men's eyes%@NL@%%@EH@%
I all alone beweep my outcast state,%@NL@%
And trouble deaf heaven with my bootless cries.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 29, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2440   @%%@2@%Desiring this man's art, and that man's scope,%@NL@%%@EH@%
With what I most enjoy contented least;%@NL@%
Yet in these thoughts myself almost despising,%@NL@%
Haply I think on thee.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 29,l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2450   @%%@2@%For thy sweet love remembered such wealth brings%@NL@%%@EH@%
That then I scorn to change my state with kings.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 29,l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2460   @%%@2@%When to the sessions of sweet silent thought%@NL@%%@EH@%
I summon up remembrance of things past,%@NL@%
I sigh the lack of many a thing I sought,%@NL@%
And with old woes new wail my dear times' waste.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 30,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2470   @%%@2@%But if the while I think on thee, dear friend,%@NL@%%@EH@%
All losses are restored and sorrows end.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 30,l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2480   @%%@2@%Full many a glorious morning have I seen.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 33, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2490   @%%@2@%Roses have thorns, and silver fountains mud;%@NL@%%@EH@%
Clouds and eclipses stain both moon and sun,%@NL@%
And loathsome canker lives in sweetest bud.%@NL@%
All men make faults.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 35, l. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2500   @%%@2@%Be thou the tenth Muse.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 38, l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2510   @%%@2@%For nimble thought can jump both sea and land.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 44, l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2520   @%%@2@%Against that time when thou shalt strangely pass,%@NL@%%@EH@%
And scarcely greet me with that sun, thine eye,%@NL@%
When love, converted from the thing it was,%@NL@%
Shall reasons find of settled gravity.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 49, l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2530   @%%@2@%Not marble, nor the gilded monuments%@NL@%%@EH@%
Of princes, shall outlive this powerful rime.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 55, l. i.

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2540   @%%@2@%Like as the waves make towards the pebbled shore,%@NL@%%@EH@%
So do our minutes hasten to their end.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 60,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2550   @%%@2@%Time doth transfix the flourish set on youth%@NL@%%@EH@%
And delves the parallels in beauty's brow.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 60,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2560   @%%@2@%When I have seen by Time's fell hand defaced%@NL@%%@EH@%
The rich-proud cost of outworn buried age.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 64,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2570   @%%@2@%When I have seen the hungry ocean gain%@NL@%%@EH@%
Advantage on the kingdom of the shore,%@NL@%
And the firm soil win of the watery main,%@NL@%
Increasing store with loss, and loss with store.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 64,l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2580   @%%@2@%Tired with all these, for restful death I cry.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 66,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2590   @%%@2@%And art made tongue-tied by authority.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 66,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2600   @%%@2@%And simple truth miscalled simplicity,%@NL@%%@EH@%
And captive good attending captain ill.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 66,l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2610   @%%@2@%No longer mourn for me when I am dead%@NL@%%@EH@%
Than you shall hear the surly sullen bell%@NL@%
Give warning to the world that I am fled%@NL@%
From this vile world, with vilest worms to dwell.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 71, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2620   @%%@2@%That time of year thou mayst in me behold%@NL@%%@EH@%
When yellow leaves, or none, or few, do hang%@NL@%
Upon those boughs which shake against the cold, 1 %@NL@%
Bare ruined choirs, where late the sweet birds sang.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 73, l. 1

%@NL@%%@AI@%1 See Byron%@BO:          383ae1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2630   @%%@2@%Clean starved for a look.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 75, l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2640   @%%@2@%Who is it that says most? which can say more%@NL@%%@EH@%
Than this rich praise-that you alone are you?%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 84, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2650   @%%@2@%Farewell! thou art too dear for my possessing,%@NL@%%@EH@%
And like enough thou know'st thy estimate.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 87,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2660   @%%@2@%In sleep a king, but, waking, no such matter.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 87,l. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2670   @%%@2@%Ah! do not, when my heart hath 'scaped this sorrow,%@NL@%%@EH@%
Come in the rearward of a conquered woe;%@NL@%
Give not a windy night a rainy morrow,%@NL@%
To linger out a purposed overthrow.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 90, l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2680   @%%@2@%They that have power to hurt and will do none,%@NL@%%@EH@%
That do not do the thing they most do show,%@NL@%
Who, moving others, are themselves as stone,%@NL@%
Unmoved, cold, and to temptation slow.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 94,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2690   @%%@2@%They are the lords and owners of their faces,%@NL@%%@EH@%
Others but stewards of their excellence.%@NL@%
The summer's flower is to the summer sweet,%@NL@%
Though to itself it only live and die.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 94,l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
As in the nature of things, those which most admirably flourish, most
swiftly fester or putrefy, as roses, lilies, violets, while others last: so
in the lives of men, those that are most blooming, are soonest turned into
the opposite.-Pliny [ A.D.  23-79], Natural History, bk. XVI, ch. 15  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2700   @%%@2@%Lilies that fester smell far worse than weeds.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 94,l. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2720   @%%@2@%The hardest knife ill-used doth lose his edge.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 95, l. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2730   @%%@2@%How like a winter hath my absence been.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 97, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2740   @%%@2@%From you have I been absent in the spring,%@NL@%%@EH@%
When proud-pied April, dressed in all his trim,%@NL@%
Hath put a spirit of youth in everything.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 98, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2750   @%%@2@%Sweets grown common lose their dear delight.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 102, l. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2760   @%%@2@%To me, fair friend, you never can be old,%@NL@%%@EH@%
For as you were when first your eye I eyed,%@NL@%
Such seems your beauty still.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 104, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2770   @%%@2@%When in the chronicle of wasted time%@NL@%%@EH@%
I see descriptions of the fairest wights,%@NL@%
And beauty making beautiful old rime,%@NL@%
In praise of ladies dead and lovely knights,%@NL@%
Then, in the blazon of sweet beauty's best,%@NL@%
Of hand, of foot, of lip, of eye, of brow,%@NL@%
I see their antique pen would have expressed%@NL@%
Even such a beauty as you master now.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 106, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2780   @%%@2@%Not mine own fears, nor the prophetic soul%@NL@%%@EH@%
Of the wide world dreaming on things to come,%@NL@%
Can yet the lease of my true love control,%@NL@%
Supposed as forfeit to a confined doom.%@NL@%
The mortal moon hath her eclipse endured,%@NL@%
And the sad augurs mock their own presage;%@NL@%
Incertainties now crown themselves assured,%@NL@%
And peace proclaims olives of endless age.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 107, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2790   @%%@2@%O! never say that I was false of heart,%@NL@%%@EH@%
Though absence seemed my flame to qualify.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 109,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2800   @%%@2@%That is my home of love: if I have ranged,%@NL@%%@EH@%
Like him that travels, I return again.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 109,l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2810   @%%@2@%Alas! 'tis true I have gone here and there,  %@NL@%%@EH@%
And made myself a motley to the view,%@NL@%
Gored mine own thoughts, sold cheap what is most dear,%@NL@%
Made old offenses of affections new.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 110, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2820   @%%@2@%My nature is subdued%@NL@%%@EH@%
To what it works in, like the dyer's hand.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 111, l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2830   @%%@2@%Let me not to the marriage of true minds%@NL@%%@EH@%
Admit impediments. Love is not love%@NL@%
Which alters when it alteration finds,%@NL@%
Or bends with the remover to remove:%@NL@%
O, no! it is an ever-fixed mark,%@NL@%
That looks on tempests and is never shaken;%@NL@%
It is the star to every wandering bark,%@NL@%
Whose worth's unknown, although his height be taken.%@NL@%
Love's not Time's fool, though rosy lips and cheeks%@NL@%
Within his bending sickle's compass come;%@NL@%
Love alters not with his brief hours and weeks,%@NL@%
But bears it out even to the edge of doom.%@NL@%
If this be error, and upon me proved,%@NL@%
I never writ, nor no man ever loved.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2840   @%%@2@%What potions have I drunk of Siren tears,%@NL@%%@EH@%
Distilled from limbecks foul as hell within.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 119,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2850   @%%@2@%O benefit of ill!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 119,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2860   @%%@2@%And ruined love, when it is built anew,%@NL@%%@EH@%
Grows fairer than at first, more strong, far greater.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 119,l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2870   @%%@2@%'Tis better to be vile than vile esteemed,%@NL@%%@EH@%
When not to be receives reproach of being.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 121, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2880   @%%@2@%The expense of spirit in a waste of shame%@NL@%%@EH@%
Is lust in action; and till action, lust%@NL@%
Is perjured, murderous, bloody, full of blame,%@NL@%
Savage, extreme, rude, cruel, not to trust;%@NL@%
Enjoyed no sooner but despised straight;%@NL@%
Past reason hunted; and no sooner had,%@NL@%
Past reason hated, as a swallowed bait,%@NL@%
On purpose laid to make the taker mad:%@NL@%
Mad in pursuit, and in possession so;%@NL@%
Had, having, and in quest to have, extreme;%@NL@%
A bliss in proof-and proved, a very woe;%@NL@%
Before, a joy proposed; behind, a dream.%@NL@%
All this the world well knows; yet none knows well%@NL@%
To shun the heaven that leads men to this hell.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 129

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2890   @%%@2@%My mistress' eyes are nothing like the sun;%@NL@%%@EH@%
Coral is far more red than her lips' red:%@NL@%
If snow be white, why then her breasts are dun;%@NL@%
If hairs be wires, black wires grow on her head.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 130, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2900   @%%@2@%When my love swears that she is made of truth,%@NL@%%@EH@%
I do believe her, though I know she lies.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 138, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2910   @%%@2@%Two loves I have of comfort and despair,%@NL@%%@EH@%
Which like two spirits do suggest me still.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 144, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2920   @%%@2@%Poor soul, the center of my sinful earth.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%Sonnet 146,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2930   @%%@2@%So shalt thou feed on Death, that feeds on men,%@NL@%%@EH@%
And Death once dead, there's no more dying then.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 146,l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2940   @%%@2@%Past cure I am, now Reason is past care,%@NL@%%@EH@%
And frantic-mad with evermore unrest.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 147,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2950   @%%@2@%For I have sworn thee fair, and thought thee bright,%@NL@%%@EH@%
Who art as black as hell, as dark as night.%@NL@%

%@NL@%William Shakespeare
%@NL@%Sonnet 147,l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2960   @%%@2@%   You pay a great deal too dear for what's given freely.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: I, Scene: i, Line: 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2970   @%%@2@%Two lads that thought there was no more behind%@NL@%%@EH@%
But such a day tomorrow as today,%@NL@%
And to be boy eternal.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: I, Scene: ii, Line: 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2980   @%%@2@%We were as twinned lambs that did frisk i' the sun,%@NL@%%@EH@%
And bleat the one at the other: what we changed%@NL@%
Was innocence for innocence.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: I, Scene: ii, Line: 67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW2990   @%%@2@%Paddling palms and pinching fingers.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: I, Scene: ii, Line: 116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3000   @%%@2@%Affection! thy intention stabs the center:%@NL@%%@EH@%
Thou dost make possible things not so held,%@NL@%
Communicat'st with dreams.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: I, Scene: ii, Line: 139

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3010   @%%@2@%He makes a July's day short as December.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: I, Scene: ii, Line: 169

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3020   @%%@2@%A sad tale's best for winter.%@NL@%%@EH@%
I have one of sprites and goblins.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: II, Scene: i, Line: 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3030   @%%@2@%The silence often of pure innocence%@NL@%%@EH@%
Persuades when speaking fails.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: II, Scene: ii, Line: 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3040   @%%@2@%It is a heretic that makes the fire,%@NL@%%@EH@%
Not she which burns in 't.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: II, Scene: iii, Line: 115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3050   @%%@2@%I am a feather for each wind that blows.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: II, Scene: iii, Line: 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3060   @%%@2@%What's gone and what's past help%@NL@%%@EH@%
Should be past grief.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: III, Scene: ii, Line: 223

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This is perhaps the most famous stage direction in English.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3070   @%%@2@%   Exit, pursued by a bear.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: III, Scene: iii, Line: 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3080   @%%@2@%   This is fairy gold, boy, and 'twill prove so.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: III, Scene: iii, Line: 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3090   @%%@2@%Then comes in the sweet o' the year.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: ii, Line: 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3100   @%%@2@%   A snapper-up of unconsidered trifles.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: ii, Line: 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3110   @%%@2@%   For the life to come, I sleep out the thought of it.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: ii, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3120   @%%@2@%Jog on, jog on, the footpath way,%@NL@%%@EH@%
And merrily hent the stile-a:%@NL@%
A merry heart goes all the day,%@NL@%
Your sad tires in a mile-a.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: ii, Line: 133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3130   @%%@2@%For you there's rosemary and rue; these keep%@NL@%%@EH@%
Seeming and savor all the winter long.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: iii, Line: 74

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3140   @%%@2@%Daffodils,%@NL@%%@EH@%
That come before the swallow dares, and take%@NL@%
The winds of March with beauty.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: iii, Line: 118

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3150   @%%@2@%What you do%@NL@%%@EH@%
Still betters what is done.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: iii, Line: 135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3160   @%%@2@%When you do dance, I wish you%@NL@%%@EH@%
A wave o' the sea, that you might ever do%@NL@%
Nothing but that.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: iii, Line: 140

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3170   @%%@2@%Lawn as white as driven snow.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: iii, Line: 220

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3180   @%%@2@%   I love a ballad in print, a-life, for then we are sure they are true.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: iii, Line: 262

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3190   @%%@2@%The self-same sun that shines upon his court%@NL@%%@EH@%
Hides not his visage from our cottage, but%@NL@%
Looks on alike.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: iii, Line: 457

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3200   @%%@2@%I'll queen it no inch further,%@NL@%%@EH@%
But milk my ewes and weep.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: iii, Line: 462

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3210   @%%@2@%Prosperity's the very bond of love,%@NL@%%@EH@%
Whose fresh complexion and whose heart together%@NL@%
Affliction alters.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: iii, Line: 586

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3220   @%%@2@%   Let me have no lying; it becomes none but tradesmen.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: iii, Line: 747

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3230   @%%@2@%   To purge melancholy.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: IV, Scene: iii, Line: 792

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3240   @%%@2@%There's time enough for that.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Winter's Tale [1610-1611],Act: V, Scene: iii, Line: 128

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3250   @%%@2@%   He hath no drowning mark upon him; his complexion is perfect gallows.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: i, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3260   @%%@2@%   Now would I give a thousand furlongs of sea for an acre of barren ground.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: i, Line: 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3270   @%%@2@%   I would fain die a dry death.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: i, Line: 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3280   @%%@2@%What seest thou else%@NL@%%@EH@%
In the dark backward and abysm of time?%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3290   @%%@2@%By telling of it,%@NL@%%@EH@%
Made such a sinner of his memory,%@NL@%
To credit his own lie.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3300   @%%@2@%Your tale, sir, would cure deafness.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 106

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3310   @%%@2@%My library%@NL@%%@EH@%
Was dukedom large enough.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3320   @%%@2@%The very rats%@NL@%%@EH@%
Instinctively have quit it.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 147

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3330   @%%@2@%Knowing I loved my books, he furnished me,%@NL@%%@EH@%
From mine own library with volumes that%@NL@%
I prize above my dukedom.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 166

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3340   @%%@2@%From the still-vexed Bermoothes. 1 %@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 229

%@NL@%%@AI@%1 See Richard Rich%@CF:N1580RICR20     @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3350   @%%@2@%I [Ariel] will be correspondent to command,%@NL@%%@EH@%
And do my spiriting gently.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 297

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3360   @%%@2@%You taught me language; and my profit on 't%@NL@%%@EH@%
Is, I know how to curse: the red plague rid you,%@NL@%
For learning me your language!%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 363

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3370   @%%@2@%Come unto these yellow sands,%@NL@%%@EH@%
And then take hands:%@NL@%
Curtsied when you have, and kissed-%@NL@%
The wild waves whist-%@NL@%
Foot it featly here and there.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 375

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3380   @%%@2@%This music crept by me upon the waters,%@NL@%%@EH@%
Allaying both their fury, and my passion,%@NL@%
With its sweet air.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 389

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The last three lines are inscribed on Shelley's gravestone.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3390   @%%@2@%Full fathom five thy father lies;%@NL@%%@EH@%
Of his bones are coral made:%@NL@%
Those are pearls that were his eyes:%@NL@%
Nothing of him that doth fade,%@NL@%
But doth suffer a sea-change%@NL@%
Into something rich and strange.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 394

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3400   @%%@2@%The fringed curtains of thine eye advance.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 405

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3410   @%%@2@%Lest too light winning%@NL@%%@EH@%
Make the prize light.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 448

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3420   @%%@2@%There's nothing ill can dwell in such a temple:%@NL@%%@EH@%
If the ill spirit have so fair a house,%@NL@%
Good things will strive to dwell with 't.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: I, Scene: ii, Line: 454

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3430   @%%@2@%   He receives comfort like cold porridge. 1  2 %@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Tempest [1611-1612],Act: II, Scene: i, Line: 10

%@NL@%%@AI@%1 See King John%@BO:          194669@%%@AE@%
%@AI@%2 See William Bradford%@BO:          21cb29@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It is a nation, would I answer Plato, that hath no kind of traffic, no
knowledge of letters, no intelligence of numbers, no name of magistrate, nor
of politic superiority; no use of service, of riches or poverty, no
contracts, no successions, no partitions, no occupation but idle; no respect
of kindred, but common, no apparel but natural, no manuring of lands, no use
of wine, corn, or metal.-Montaigne, Essays, bk. I [1580], ch. 30, Of the
Cannibals  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3440   @%%@2@%I' the commonwealth I would by contraries%@NL@%%@EH@%
Execute all things; for no kind of traffic%@NL@%
Would I admit; no name of magistrate;%@NL@%
Letters should not be known; riches, poverty,%@NL@%
And use of service, none; contract, succession,%@NL@%
Bourn, bound of land, tilth, vineyard, none;%@NL@%
No use of metal, corn, or wine, or oil;%@NL@%
No occupation; all men idle, all;%@NL@%
And women too, but innocent and pure.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: II, Scene: i, Line: 154

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3460   @%%@2@%What's past is prologue.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: II, Scene: i, Line: 261

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3470   @%%@2@%Open-eyed Conspiracy%@NL@%%@EH@%
His time doth take.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: II, Scene: i, Line: 309

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3480   @%%@2@%   A very ancient and fish-like smell.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Tempest [1611-1612],Act: II, Scene: ii, Line: 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3490   @%%@2@%   Misery acquaints a man with strange bedfellows.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Tempest [1611-1612],Act: II, Scene: ii, Line: 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3500   @%%@2@%   I shall laugh myself to death.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Tempest [1611-1612],Act: II, Scene: ii, Line: 167

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3510   @%%@2@%'Ban, 'Ban, Ca-Caliban,%@NL@%%@EH@%
Has a new master-Get a new man.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: II, Scene: ii, Line: 197

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3520   @%%@2@%For several virtues%@NL@%%@EH@%
Have I liked several women.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: III, Scene: i, Line: 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3530   @%%@2@%Ferdinand: . . .  Here's my hand.%@NL@%%@EH@%
Miranda: And mine, with my heart in't.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: III, Scene: i, Line: 89

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3540   @%%@2@%   Moon-calf.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Tempest [1611-1612],Act: III, Scene: ii, Line: 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3550   @%%@2@%   Thou deboshed fish thou.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Tempest [1611-1612],Act: III, Scene: ii, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3560   @%%@2@%   Keep a good tongue in your head.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Tempest [1611-1612],Act: III, Scene: ii, Line: 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Thought is free.-Twelfth-Night, act I, sc. iii, l. 73  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3570   @%%@2@%Flout 'em, and scout 'em; and scout 'em, and flout 'em;%@NL@%%@EH@%
Thought is free.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: III, Scene: ii, Line: 133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3590   @%%@2@%   He that dies pays all debts.%@NL@%%@EH@%
%@NL@%
William Shakespeare
%@NL@%The Tempest [1611-1612],Act: III, Scene: ii, Line: 143

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3600   @%%@2@%The isle is full of noises,%@NL@%%@EH@%
Sounds and sweet airs, that give delight, and hurt not.%@NL@%
Sometimes a thousand twangling instruments%@NL@%
Will hum about mine ears; and sometimes voices,%@NL@%
That, if I then had waked after long sleep,%@NL@%
Will make me sleep again.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: III, Scene: ii, Line: 146

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3610   @%%@2@%A kind%@NL@%%@EH@%
Of excellent dumb discourse.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: III, Scene: iii, Line: 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3620   @%%@2@%Do not give dalliance%@NL@%%@EH@%
Too much the rein.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: IV, Scene: i, Line: 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3630   @%%@2@%Our revels now are ended. These our actors,%@NL@%%@EH@%
As I foretold you, were all spirits and%@NL@%
Are melted into air, into thin air;%@NL@%
And, like the baseless fabric of this vision,%@NL@%
The cloud-capped towers, the gorgeous palaces,%@NL@%
The solemn temples, the great globe itself,%@NL@%
Yea, all which it inherit, shall dissolve;%@NL@%
And, like this insubstantial pageant faded,%@NL@%
Leave not a rack behind. We are such stuff%@NL@%
As dreams are made on, and our little life%@NL@%
Is rounded with a sleep.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: IV, Scene: i, Line: 148

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3640   @%%@2@%With foreheads villainous low.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: IV, Scene: i, Line: 252

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3650   @%%@2@%I'll break my staff,%@NL@%%@EH@%
Bury it certain fathoms in the earth,%@NL@%
And, deeper than did ever plummet sound,%@NL@%
I'll drown my book.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: V, Scene: i, Line: 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3660   @%%@2@%Where the bee sucks, there suck I%@NL@%%@EH@%
In a cowslip's bell I lie;%@NL@%
There I couch when owls do cry.%@NL@%
On the bat's back I do fly%@NL@%
After summer merrily:%@NL@%
Merrily, merrily shall I live now%@NL@%
Under the blossom that hangs on the bough.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: V, Scene: i, Line: 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3670   @%%@2@%O brave new world,%@NL@%%@EH@%
That has such people in't!%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: V, Scene: i, Line: 183

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3680   @%%@2@%Let us not burden our remembrances%@NL@%%@EH@%
With a heaviness that's gone.%@NL@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Act: V, Scene: i, Line: 199

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3690   @%%@2@%My ending is despair.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%The Tempest [1611-1612],Epilogue, l. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3700   @%%@2@%No man's pie is freed%@NL@%%@EH@%
From his ambitious finger.%@NL@%

%@NL@%William Shakespeare
%@NL@%%@FN@%
Written by Shakespeare and John Fletcher; see Fletcher and Beaumont and
Fletcher.  %@EF@%
King Henry the Eighth [1613],Act: I, Scene: i, Line: 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3710   @%%@2@%The force of his own merit makes his way.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: I, Scene: i, Line: 64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3720   @%%@2@%Heat not a furnace for your foe so hot%@NL@%%@EH@%
That it do singe yourself.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: I, Scene: i, Line: 140

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3730   @%%@2@%If I chance to talk a little wild, forgive me;%@NL@%%@EH@%
I had it from my father.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: I, Scene: iv, Line: 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3740   @%%@2@%The mirror of all courtesy.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: II, Scene: i, Line: 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3750   @%%@2@%Go with me, like good angels, to my end;%@NL@%%@EH@%
And, as the long divorce of steel falls on me,%@NL@%
Make of your prayers one sweet sacrifice,%@NL@%
And lift my soul to heaven.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: II, Scene: i, Line: 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3760   @%%@2@%This bold bad man.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: II, Scene: ii, Line: 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3770   @%%@2@%'Tis better to be lowly born,%@NL@%%@EH@%
And range with humble livers in content,%@NL@%
Than to be perked up in a glist'ring grief%@NL@%
And wear a golden sorrow.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: II, Scene: iii, Line: 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3780   @%%@2@%I would not be a queen%@NL@%%@EH@%
For all the world.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: II, Scene: iii, Line: 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3790   @%%@2@%Orpheus with his lute made trees,%@NL@%%@EH@%
And the mountain-tops that freeze,%@NL@%
Bow themselves when he did sing.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: i, Line: 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3800   @%%@2@%Heaven is above all yet; there sits a judge%@NL@%%@EH@%
That no king can corrupt.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: i, Line: 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3810   @%%@2@%'Tis well said again;%@NL@%%@EH@%
And 'tis a kind of good deed to say well:%@NL@%
And yet words are no deeds.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: ii, Line: 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3820   @%%@2@%And then to breakfast with%@NL@%%@EH@%
What appetite you have.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: ii, Line: 203

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3830   @%%@2@%I have touched the highest point of all my greatness;%@NL@%%@EH@%
And from that full meridian of my glory,%@NL@%
I haste now to my setting: I shall fall%@NL@%
Like a bright exhalation in the evening,%@NL@%
And no man see me more.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: ii, Line: 224

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
'Tis a cruelty/To load a falling man.-Henry VIII, act V, sc. iii, l. 76  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3840   @%%@2@%Press not a falling man too far.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: ii, Line: 334

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cardinal Wolsey.  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3860   @%%@2@%Farewell! a long farewell, to all my greatness!%@NL@%%@EH@%
This is the state of man: today he puts forth%@NL@%
The tender leaves of hopes; tomorrow blossoms,%@NL@%
And bears his blushing honors thick upon him;%@NL@%
The third day comes a frost, a killing frost;%@NL@%
And, when he thinks, good easy man, full surely%@NL@%
His greatness is a-ripening, nips his root,%@NL@%
And then he falls, as I do. I have ventured,%@NL@%
Like little wanton boys that swim on bladders,%@NL@%
This many summers in a sea of glory,%@NL@%
But far beyond my depth: my high-blown pride%@NL@%
At length broke under me, and now has left me,%@NL@%
Weary and old with service, to the mercy%@NL@%
Of a rude stream, that must forever hide me.%@NL@%
Vain pomp and glory of this world, 1  I hate ye:%@NL@%
I feel my heart new opened. O! how wretched%@NL@%
Is that poor man that hangs on princes' favors!%@NL@%
There is, betwixt that smile we would aspire to,%@NL@%
That sweet aspect of princes, and their ruin,%@NL@%
More pangs and fears than wars or women have;%@NL@%
And when he falls, he falls like Lucifer,%@NL@%
Never to hope again.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: ii, Line: 352

%@NL@%%@AI@%1 See The Book of Common Prayer%@BO:           7d8c6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3870   @%%@2@%A peace above all earthly dignities,%@NL@%%@EH@%
A still and quiet conscience.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: ii, Line: 380

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3880   @%%@2@%A load would sink a navy.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: ii, Line: 384

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3890   @%%@2@%And sleep in dull cold marble.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: ii, Line: 434

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3900   @%%@2@%Cromwell, I charge thee, fling away ambition:%@NL@%%@EH@%
By that sin fell the angels.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: ii, Line: 441

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3910   @%%@2@%Love thyself last: cherish those hearts that hate thee;%@NL@%%@EH@%
Corruption wins not more than honesty.%@NL@%
Still in thy right hand carry gentle peace,%@NL@%
To silence envious tongues: be just, and fear not.%@NL@%
Let all the ends thou aim'st at be thy country's,%@NL@%
Thy God's, and truth's; then if thou fall'st, O Cromwell!%@NL@%
Thou fall'st a blessed martyr!%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: ii, Line: 444

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Had I served God as well in every part/As I did serve my king and master
still,/My scope had not this season been so short,/Nor would have had the
power to do me ill.-Thomas Churchyard, Death of Morton [1593]  %@EF@%
%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3920   @%%@2@%Had I but served my God with half the zeal%@NL@%%@EH@%
I served my king, he would not in mine age%@NL@%
Have left me naked to mine enemies.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: III, Scene: ii, Line: 456

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3940   @%%@2@%An old man, broken with the storms of state,%@NL@%%@EH@%
Is come to lay his weary bones among ye;%@NL@%
Give him a little earth for charity.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: IV, Scene: ii, Line: 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3950   @%%@2@%He gave his honors to the world again,%@NL@%%@EH@%
His blessed part to heaven, and slept in peace.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: IV, Scene: ii, Line: 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3960   @%%@2@%So may he rest; his faults lie gently on him!%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: IV, Scene: ii, Line: 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3970   @%%@2@%He was a man%@NL@%%@EH@%
Of an unbounded stomach.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: IV, Scene: ii, Line: 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3980   @%%@2@%Men's evil manners live in brass; their virtues%@NL@%%@EH@%
We write in water. 1  2  3  4  5 %@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: IV, Scene: ii, Line: 45

%@NL@%%@AI@%1 See Sophocles%@BO:           9ff84@%%@AE@%
%@AI@%2 See Catullus%@BO:           ceac5@%%@AE@%
%@AI@%3 See Sir Thomas More%@BO:          132883@%%@AE@%
%@AI@%4 See Bacon%@BO:          1651c8@%%@AE@%
%@AI@%5 See Keats%@BO:          3a334e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW3990   @%%@2@%He was a scholar, and a ripe and good one;%@NL@%%@EH@%
Exceeding wise, fair-spoken, and persuading:%@NL@%
Lofty and sour to them that loved him not;%@NL@%
But, to those men that sought him sweet as summer.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: IV, Scene: ii, Line: 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW4000   @%%@2@%To dance attendance on their lordships' pleasures.%@NL@%%@EH@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: V, Scene: ii, Line: 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW4010   @%%@2@%Nor shall this peace sleep with her; but as when%@NL@%%@EH@%
The bird of wonder dies, the maiden phoenix,%@NL@%
Her ashes new-create another heir%@NL@%
As great in admiration as herself.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: V, Scene: v, Line: 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW4020   @%%@2@%Whenever the bright sun of heaven shall shine,%@NL@%%@EH@%
His honor and the greatness of his name%@NL@%
Shall be, and make new nations.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Act: V, Scene: v, Line: 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW4030   @%%@2@%Some come to take their ease%@NL@%%@EH@%
And sleep an act or two.%@NL@%

%@NL@%William Shakespeare
%@NL@%King Henry the Eighth [1613],Epilogue, l. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Shakespeare@%%@QR:Shakespeare@%%@CR:N1564SHDW4040   @%%@2@%Good friend, for Jesus' sake forbear%@NL@%%@EH@%
To dig the dust enclosed here;%@NL@%
Blest be the man that spares these stones,%@NL@%
And curst be he that moves my bones.%@NL@%

%@NL@%William Shakespeare
%@NL@%Shakespeare's epitaph

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Davies, of Hereford%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1565-1618%@AE@%
%@NL@%%@NL@%

%@FN@%
All the beauty of the world, 'tis but skin deep.-Ralph Venning, Orthodox
Paradoxes [3d edition, 1650], The Triumph of Assurance, p. 41  Many a
dangerous temptation comes to us in fine gay colors that are but
skin-deep.-Mathew Henry [1662-1714], Commentaries, Genesis, III  %@EF@%
%@QR:John Davies, of Hereford@%%@QR:Davies@%%@CR:N1565DAVJ10     @%%@2@%Beauty's but skin deep.%@NL@%%@EH@%

%@NL@%John Davies, of Hereford
%@NL@%A Select Second Husband for Sir Thomas Overburie's Wife [1616], VI

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Campion%@AE@%%@EH@%
%@NL@%
%@AB@%1567-1620%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Campion@%%@QR:Campion@%%@CR:N1567CAMT10     @%%@2@%My sweetest Lesbia, let us live and love,%@NL@%%@EH@%
And though the sager sort our deeds reprove,%@NL@%
Let us not weigh them. Heaven's great lamps do dive%@NL@%
Into their west, and straight again revive,%@NL@%
But soon as once set is our little light,%@NL@%
Then must we sleep one ever-during night. 1  2  3  4 %@NL@%

%@NL@%Thomas Campion
%@NL@%A Book of Airs [1601; with Philip Rosseter].
My Sweetest Lesbia, st. 1

%@NL@%%@AI@%1 See Catullus%@BO:           cd5e9@%%@AE@%
%@AI@%2 See Jonson%@BO:          20aa02@%%@AE@%
%@AI@%3 See Herrick%@BO:          21f162@%%@AE@%
%@AI@%4 See Fouche%@BO:          32f060@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campion@%%@QR:Campion@%%@CR:N1567CAMT20     @%%@2@%Never love unless you can%@NL@%%@EH@%
Bear with all the faults of man.%@NL@%

%@NL@%Thomas Campion
%@NL@%Third Book of Airs [1617]. Never Love, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"Cherry-ripe" was a familiar street cry of the time. See Herrick  %@EF@%
%@QR:Thomas Campion@%%@QR:Campion@%%@CR:N1567CAMT30     @%%@2@%There is a garden in her face%@NL@%%@EH@%
Where roses and white lilies grow;%@NL@%
A heavenly paradise is that place%@NL@%
Wherein all pleasant fruits do flow.%@NL@%
There cherries grow which none may buy,%@NL@%
Till "cherry-ripe" themselves do cry.%@NL@%

%@NL@%Thomas Campion
%@NL@%Fourth Book of Airs [1617].Cherry-Ripe,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campion@%%@QR:Campion@%%@CR:N1567CAMT40     @%%@2@%Those cherries fairly do enclose%@NL@%%@EH@%
Of orient pearl a double row, 1 %@NL@%
Which when her lovely laughter shows,%@NL@%
They look like rosebuds filled with snow.%@NL@%

%@NL@%Thomas Campion
%@NL@%Fourth Book of Airs [1617].Cherry-Ripe,st. 2

%@NL@%%@AI@%1 See Herrick%@BO:          21dc7e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campion@%%@QR:Campion@%%@CR:N1567CAMT50     @%%@2@%The summer hath his joys,%@NL@%%@EH@%
And winter his delights;%@NL@%
Though love and all his pleasures are but toys,%@NL@%
They shorten tedious nights.%@NL@%

%@NL@%Thomas Campion
%@NL@%Fourth Book of Airs [1617].Winter Nights, st. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Nashe%@AE@%%@EH@%
%@NL@%
%@AB@%1567-1601%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Nashe@%%@QR:Nashe@%%@CR:N1567NAST10     @%%@2@%Spring, the sweet spring, is the year's pleasant king;%@NL@%%@EH@%
Then blooms each thing, then maids dance in a ring,%@NL@%
Cold doth not sting, the pretty birds do sing.%@NL@%
Cuckoo, jug-jug, pu-we, to-witta-woo!%@NL@%

%@NL@%Thomas Nashe
%@NL@%Summer's Last Will and Testament [1600].Spring, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Nashe@%%@QR:Nashe@%%@CR:N1567NAST20     @%%@2@%From winter, plague and pestilence, good Lord, deliver us!%@NL@%%@EH@%

%@NL@%Thomas Nashe
%@NL@%Summer's Last Will and Testament [1600].Autumn, refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Nashe@%%@QR:Nashe@%%@CR:N1567NAST30     @%%@2@%Brightness falls from the air;%@NL@%%@EH@%
Queens have died young and fair;%@NL@%
Dust hath closed Helen's eye.%@NL@%
I am sick, I must die.%@NL@%
Lord, have mercy on us!%@NL@%

%@NL@%Thomas Nashe
%@NL@%Summer's Last Will and Testament [1600].Adieu! Farewell Earth's Bliss!

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Tommaso Campanella%@AE@%%@EH@%
%@NL@%
%@AB@%1568-1639%@AE@%
%@NL@%%@NL@%

%@QR:Tommaso Campanella@%%@QR:Campanella@%%@CR:N1568CAMT10     @%%@2@%   Now that they are called masters, [they] are ashamed again to become%@EH@%
disciples.%@NL@%
%@NL@%
Tommaso Campanella
%@NL@%%@FN@%
Translated by Grant McColley.  %@EF@%
The Defense of Galileo

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Tommaso Campanella@%%@QR:Campanella@%%@CR:N1568CAMT20     @%%@2@%   The new philosophy proceeds from the world, the book of God.%@NL@%%@EH@%
%@NL@%
Tommaso Campanella
%@NL@%The Defense of Galileo

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Henry Wotton%@AE@%%@EH@%
%@NL@%
%@AB@%1568-1639%@AE@%
%@NL@%%@NL@%

%@QR:Sir Henry Wotton@%%@QR:Wotton@%%@CR:N1568WOTH10     @%%@2@%Love lodged in a woman's breast%@NL@%%@EH@%
Is but a guest.%@NL@%

%@NL@%Sir Henry Wotton
%@NL@%A Woman's Heart [1651]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Henry Wotton@%%@QR:Wotton@%%@CR:N1568WOTH20     @%%@2@%How happy is he born and taught,%@NL@%%@EH@%
That serveth not another's will;%@NL@%
Whose armor is his honest thought,%@NL@%
And simple truth his utmost skill!%@NL@%

%@NL@%Sir Henry Wotton
%@NL@%The Character of a Happy Life [1614],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Henry Wotton@%%@QR:Wotton@%%@CR:N1568WOTH30     @%%@2@%Who God doth late and early pray,%@NL@%%@EH@%
More of his grace than gifts to send,%@NL@%
And entertains the harmless day%@NL@%
With a well-chosen book or friend.%@NL@%

%@NL@%Sir Henry Wotton
%@NL@%The Character of a Happy Life [1614],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Henry Wotton@%%@QR:Wotton@%%@CR:N1568WOTH40     @%%@2@%Lord of himself, though not of lands;%@NL@%%@EH@%
And having nothing, yet hath all. 1  2 %@NL@%

%@NL@%Sir Henry Wotton
%@NL@%The Character of a Happy Life [1614],st. 6

%@NL@%%@AI@%1 See II Corinthians 6:10%@BO:           6dc75@%%@AE@%
%@AI@%2 See Terence%@BO:           c3624@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Henry Wotton@%%@QR:Wotton@%%@CR:N1568WOTH50     @%%@2@%You meaner beauties of the night,%@NL@%%@EH@%
That poorly satisfy our eyes%@NL@%
More by your number than your light;%@NL@%
You common people of the skies,%@NL@%
What are you when the sun shall rise?%@NL@%

%@NL@%Sir Henry Wotton
%@NL@%%@FN@%
This was printed with music as early as 1624, in East's Sixth Set of Books,
and is found in many manuscripts.  %@EF@%
On His Mistress, the Queen of Bohemia,
st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Henry Wotton@%%@QR:Wotton@%%@CR:N1568WOTH60     @%%@2@%He first deceased; she for a little tried%@NL@%%@EH@%
To live without him, liked it not, and died.%@NL@%

%@NL@%Sir Henry Wotton
%@NL@%Upon the Death of Sir Albert Morton's Wife [1651]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Henry Wotton@%%@QR:Wotton@%%@CR:N1568WOTH70     @%%@2@%   Hanging was the worst use a man could be put to.%@NL@%%@EH@%
%@NL@%
Sir Henry Wotton
%@NL@%The Disparity Between Buckingham and Essex [1651]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In a letter to Velserus [1612], Wotton says that this "merry definition of
an ambassador . . . I had chanced to set down at my friend's, Mr.
Christopher Fleckmore, in his Album."  %@EF@%
%@QR:Sir Henry Wotton@%%@QR:Wotton@%%@CR:N1568WOTH80     @%%@2@%   An ambassador is an honest man sent to lie abroad for the commonwealth.%@NL@%%@EH@%
%@NL@%
Sir Henry Wotton
%@NL@%Reliquiae Wottonianae [1651]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He directed that the stone over his grave be inscribed: Hic jacet hujus
sententiae primus auctor: Disputandi pruritus ecclesiarum scabies. Nomen
alias quaere [Here lies the author of this phrase: "The itch for disputing
is the sore of churches." Seek his name elsewhere].-Izaak Walton, Life of
Wotton [1651]  %@EF@%
%@QR:Sir Henry Wotton@%%@QR:Wotton@%%@CR:N1568WOTH90     @%%@2@%   The itch of disputing will prove the scab of churches.%@NL@%%@EH@%
%@NL@%
Sir Henry Wotton
%@NL@%A Panegyric to King Charles [1651]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir John Davies%@AE@%%@EH@%
%@NL@%
%@AB@%1569-1626%@AE@%
%@NL@%%@NL@%

%@QR:Sir John Davies@%%@QR:Davies@%%@CR:N1569DAVJ10     @%%@2@%I know my soul hath power to know all things,%@NL@%%@EH@%
Yet is she blind and ignorant in all:%@NL@%
I know I'm one of Nature's little kings,%@NL@%
Yet to the least and vilest things am thrall.%@NL@%

%@NL@%Sir John Davies
%@NL@%Nosce Teipsum [1599],st. 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Davies@%%@QR:Davies@%%@CR:N1569DAVJ20     @%%@2@%I know my life's a pain, and but a span; 1  2 %@NL@%%@EH@%
I know my sense is mocked in ev'ry thing:%@NL@%
And to conclude, I know myself a man,%@NL@%
Which is a proud, and yet a wretched thing.%@NL@%

%@NL@%Sir John Davies
%@NL@%Nosce Teipsum [1599],st. 45

%@NL@%%@AI@%1 See Bacon%@BO:          1650ef@%%@AE@%
%@AI@%2 See The New England Primer%@BO:          283986@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Johannes Kepler%@AE@%%@EH@%
%@NL@%
%@AB@%1571-1630%@AE@%
%@NL@%%@NL@%

%@FN@%
A footnote of Kepler's in the text.  %@EF@%
%@QR:Johannes Kepler@%%@QR:Kepler@%%@CR:N1571KEPJ10     @%%@2@%   So long as the mother, Ignorance, lives, it is not safe for Science, the%@EH@%
offspring, to divulge the hidden causes of things.%@NL@%
%@NL@%
Johannes Kepler
%@NL@%%@FN@%
Translated by Patricia Kirkwood.  %@EF@%
Somnium [1634]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Dekker%@AE@%%@EH@%
%@NL@%
%@AB@%1572-1632%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Dekker@%%@QR:Dekker@%%@CR:N1572DEKT10     @%%@2@%This age thinks better of a gilded fool%@NL@%%@EH@%
Than of a threadbare saint in wisdom's school.%@NL@%

%@NL@%Thomas Dekker
%@NL@%Old Fortunatus [1600]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Dekker@%%@QR:Dekker@%%@CR:N1572DEKT20     @%%@2@%Honest labor bears a lovely face.%@NL@%%@EH@%

%@NL@%Thomas Dekker
%@NL@%Patient Grissell [1603], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Dekker@%%@QR:Dekker@%%@CR:N1572DEKT30     @%%@2@%The best of men%@NL@%%@EH@%
That e'er wore earth about him, was a sufferer,%@NL@%
A soft, meek, patient, humble, tranquil spirit,%@NL@%
The first true gentleman that ever breathed.%@NL@%

%@NL@%Thomas Dekker
%@NL@%The Honest Whore,pt. I [1604] (in collaboration withThomas Middleton
), act I, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Dekker@%%@QR:Dekker@%%@CR:N1572DEKT40     @%%@2@%We are ne'er like angels till our passion dies.%@NL@%%@EH@%

%@NL@%Thomas Dekker
%@NL@%The Honest Whore,pt. II [1630], act I, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Dekker@%%@QR:Dekker@%%@CR:N1572DEKT50     @%%@2@%Cast away care, he that loves sorrow%@NL@%%@EH@%
Lengthens not a day, nor can buy tomorrow;%@NL@%
Money is trash, and he that will spend it,%@NL@%
Let him drink merrily, fortune will send it.%@NL@%

%@NL@%Thomas Dekker
%@NL@%The Sun's Darling [1656] (in collaboration with John Ford)

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Donne%@AE@%%@EH@%
%@NL@%
%@AB@%1572-1631%@AE@%
%@FN@%
See Izaak Walton and Carew  John Donne, Anne Donne, Un-done.-Attributed;
letter to his wife [1602]  %@EF@%
%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ10     @%%@2@%I wonder by my troth, what thou, and I%@NL@%%@EH@%
Did, till we loved? were we not weaned till then?%@NL@%
But sucked on country pleasures, childishly?%@NL@%
Or snorted we in the seven sleepers' den?%@NL@%

%@NL@%John Donne
%@NL@%%@FN@%
The poems we quote from were published, for the first time unless otherwise
noted, in Donne's posthumous Poems [1633; further editions 1635-1669]. The
general composition dates are: Songs and Sonnets (through Farewell to Love)
about 1593-1601, with some considerably later; Elegies about 1593-1598; and
Holy Sonnets about 1609-1611, 1615-1617.  %@EF@%
The Good Morrow,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ20     @%%@2@%And now good morrow to our waking souls,%@NL@%%@EH@%
Which watch not one another out of fear;%@NL@%
For love, all love of other sights controls,%@NL@%
And makes one little room, an everywhere.%@NL@%
Let sea-discoverers to new worlds have gone,%@NL@%
Let maps to other, worlds on worlds have shown,%@NL@%
Let us possess one world, each hath one, and is one.%@NL@%

%@NL@%John Donne
%@NL@%The Good Morrow,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ30     @%%@2@%My face in thine eye, thine in mine appears,%@NL@%%@EH@%
And true plain hearts do in the faces rest,%@NL@%
Where can we find two better hemispheres%@NL@%
Without sharp North, without declining West?%@NL@%

%@NL@%John Donne
%@NL@%The Good Morrow,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ40     @%%@2@%Go, and catch a falling star,%@NL@%%@EH@%
Get with child a mandrake root,%@NL@%
Tell me, where all past years are,%@NL@%
Or who cleft the Devil's foot.%@NL@%
Teach me to hear mermaids singing. 1 %@NL@%

%@NL@%John Donne
%@NL@%Song (Go and Catch a Falling Star),st. 1

%@NL@%%@AI@%1 See T. S. Eliot%@BO:          5cf4d4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ50     @%%@2@%And swear%@NL@%%@EH@%
No where%@NL@%
Lives a woman true, and fair.%@NL@%

%@NL@%John Donne
%@NL@%Song (Go and Catch a Falling Star),st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ60     @%%@2@%Though she were true, when you met her,%@NL@%%@EH@%
And last, till you write your letter,%@NL@%
Yet she%@NL@%
Will be%@NL@%
False, ere I come, to two, or three.%@NL@%

%@NL@%John Donne
%@NL@%Song (Go and Catch a Falling Star),st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ70     @%%@2@%I have done one braver thing%@NL@%%@EH@%
Than all the Worthies did;%@NL@%
And yet a braver thence doth spring,%@NL@%
Which is, to keep that hid.%@NL@%

%@NL@%John Donne
%@NL@%The Undertaking,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ80     @%%@2@%But he who loveliness within%@NL@%%@EH@%
Hath found, all outward loathes,%@NL@%
For he who color loves, and skin,%@NL@%
Loves but their oldest clothes.%@NL@%

%@NL@%John Donne
%@NL@%The Undertaking,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ90     @%%@2@%And dare love that, and say so too,%@NL@%%@EH@%
And forget the He and She.%@NL@%

%@NL@%John Donne
%@NL@%The Undertaking,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ100    @%%@2@%Busy old fool, unruly Sun,%@NL@%%@EH@%
Why dost thou thus,%@NL@%
Through windows, and through curtains call on us?%@NL@%
Must to thy motions lovers' seasons run?%@NL@%

%@NL@%John Donne
%@NL@%The Sun Rising,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ110    @%%@2@%Love, all alike, no season knows, nor clime,%@NL@%%@EH@%
Nor hours, days, months, which are the rags of time.%@NL@%

%@NL@%John Donne
%@NL@%The Sun Rising,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ120    @%%@2@%She is all states, and all princes, I,%@NL@%%@EH@%
Nothing else is.%@NL@%

%@NL@%John Donne
%@NL@%The Sun Rising,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ130    @%%@2@%For God sake hold your tongue, and let me love.%@NL@%%@EH@%

%@NL@%John Donne
%@NL@%The Canonization,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ140    @%%@2@%The Phoenix riddle hath more wit%@NL@%%@EH@%
By us, we two being one, are it.%@NL@%
So to one neutral thing both sexes fit,%@NL@%
We die and rise the same, and prove%@NL@%
Mysterious by this love.%@NL@%

%@NL@%John Donne
%@NL@%The Canonization,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ150    @%%@2@%As well a well-wrought urn becomes%@NL@%%@EH@%
The greatest ashes, as half-acre tombs.%@NL@%

%@NL@%John Donne
%@NL@%The Canonization,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ160    @%%@2@%I am two fools, I know,%@NL@%%@EH@%
For loving, and for saying so%@NL@%
In whining poetry.%@NL@%

%@NL@%John Donne
%@NL@%The Triple Fool,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ170    @%%@2@%Who are a little wise, the best fools be.%@NL@%%@EH@%

%@NL@%John Donne
%@NL@%The Triple Fool,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ180    @%%@2@%Sweetest love, I do not go,%@NL@%%@EH@%
For weariness of thee,%@NL@%
Nor in hope the world can show%@NL@%
A fitter love for me;%@NL@%
But since that I%@NL@%
Must die at last, 'tis best,%@NL@%
To use my self in jest%@NL@%
Thus by feigned deaths to die.%@NL@%

%@NL@%John Donne
%@NL@%Song (Sweetest Love, I Do Not Go),st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ190    @%%@2@%Yesternight the sun went hence,%@NL@%%@EH@%
And yet is here today.%@NL@%

%@NL@%John Donne
%@NL@%Song (Sweetest Love, I Do Not Go),st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ200    @%%@2@%But think that we%@NL@%%@EH@%
Are but turned aside to sleep.%@NL@%

%@NL@%John Donne
%@NL@%Song (Sweetest Love, I Do Not Go),st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ210    @%%@2@%When I died last, and dear, I die%@NL@%%@EH@%
As often as from thee I go.%@NL@%

%@NL@%John Donne
%@NL@%The Legacy, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ220    @%%@2@%Oh do not die, for I shall hate%@NL@%%@EH@%
All women so, when thou art gone.%@NL@%

%@NL@%John Donne
%@NL@%A Fever, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ230    @%%@2@%Twice or thrice had I loved thee,%@NL@%%@EH@%
Before I knew thy face or name.%@NL@%

%@NL@%John Donne
%@NL@%Air and Angels, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ240    @%%@2@%'Tis true, 'tis day; what though it be?%@NL@%%@EH@%
O wilt thou therefore rise from me?%@NL@%
Why should we rise, because 'tis light?%@NL@%
Did we lie down, because 'twas night?%@NL@%
Love which in spite of darkness brought us hither%@NL@%
Should in despite of light keep us together.%@NL@%

%@NL@%John Donne
%@NL@%Break of Day, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ250    @%%@2@%All Kings, and all their favorites,%@NL@%%@EH@%
All glory of honors, beauties, wits,%@NL@%
The sun itself, which makes times, as they pass,%@NL@%
Is elder by a year, now, than it was%@NL@%
When thou and I first one another saw:%@NL@%
All other things, to their destruction draw,%@NL@%
Only our love hath no decay;%@NL@%
This, no tomorrow hath, nor yesterday,%@NL@%
Running, it never runs from us away,%@NL@%
But truly keeps his first, last, everlasting day.%@NL@%

%@NL@%John Donne
%@NL@%The Anniversary, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ260    @%%@2@%Send home my long strayed eyes to me,%@NL@%%@EH@%
Which (Oh) too long have dwelt on thee.%@NL@%

%@NL@%John Donne
%@NL@%The Message, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ270    @%%@2@%'Tis the year's midnight, and it is the day's.%@NL@%%@EH@%

%@NL@%John Donne
%@NL@%A Nocturnal upon St. Lucy's Day, being the shortest day,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ280    @%%@2@%The world's whole sap is sunk:%@NL@%%@EH@%
The general balm th' hydroptic earth hath drunk,%@NL@%
Whither, as to the bed's-feet, life is shrunk,%@NL@%
Dead and interred; yet all these seem to laugh,%@NL@%
Compared with me, who am their epitaph.%@NL@%

%@NL@%John Donne
%@NL@%A Nocturnal upon St. Lucy's Day, being the shortest day,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ290    @%%@2@%For I am every dead thing,%@NL@%%@EH@%
In whom love wrought new alchemy.%@NL@%
For his art did express%@NL@%
A quintessence even from nothingness,%@NL@%
From dull privations, and lean emptiness%@NL@%
He ruined me, and I am re-begot%@NL@%
Of absence, darkness, death; things which are not.%@NL@%

%@NL@%John Donne
%@NL@%A Nocturnal upon St. Lucy's Day, being the shortest day,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ300    @%%@2@%Come live with me, and be my love,%@NL@%%@EH@%
And we will some new pleasures prove%@NL@%
Of golden sands, and crystal brooks,%@NL@%
With silken lines, and silver hooks.%@NL@%

%@NL@%John Donne
%@NL@%%@FN@%
Included by Izaak Walton in The Compleat Angler [1653], ch. 9, as "made by
Dr. Donne, and made to shew the world that he could make soft verses, when
he thought them fit and worth his labor."  See Ralegh and Marlowe  %@EF@%
The Bait, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ320    @%%@2@%Dull sublunary lovers' love%@NL@%%@EH@%
(Whose soul is sense) cannot admit%@NL@%
Absence, because it doth remove%@NL@%
Those things which elemented it.%@NL@%

%@NL@%John Donne
%@NL@%A Valediction Forbidding Mourning,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ330    @%%@2@%Our two souls therefore which are one, 1  2  3  4 %@NL@%%@EH@%
Though I must go, endure not yet%@NL@%
A breach, but an expansion,%@NL@%
Like gold to airy thinness beat.%@NL@%

%@NL@%John Donne
%@NL@%A Valediction Forbidding Mourning,st. 6

%@NL@%%@AI@%1 See Aristotle%@BO:           b32c3@%%@AE@%
%@AI@%2 See Zeno%@BO:           bb8b6@%%@AE@%
%@AI@%3 See Cicero%@BO:           c8035@%%@AE@%
%@AI@%4 See Horace%@BO:           d858f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ340    @%%@2@%If they be two, they are two so%@NL@%%@EH@%
As stiff twin compasses are two,%@NL@%
Thy soul the fixt foot, makes no show%@NL@%
To move, but doth, if the other do.%@NL@%

%@NL@%John Donne
%@NL@%A Valediction Forbidding Mourning,st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ350    @%%@2@%Our eye-beams twisted, and did thread%@NL@%%@EH@%
Our eyes, upon one double string;%@NL@%
So to entergraft our hands, as yet%@NL@%
Was all the means to make us one,%@NL@%
And pictures in our eyes to get%@NL@%
Was all our propagation.%@NL@%

%@NL@%John Donne
%@NL@%The Extasy,l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ360    @%%@2@%That subtle knot which makes us man:%@NL@%%@EH@%
So must pure lovers' souls descend%@NL@%
T' affections, and to faculties,%@NL@%
Which sense may reach and apprehend,%@NL@%
Else a great Prince in prison lies.%@NL@%

%@NL@%John Donne
%@NL@%The Extasy,l. 64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ380    @%%@2@%Love's mysteries in souls do grow,%@NL@%%@EH@%
But yet the body is his book.%@NL@%

%@NL@%John Donne
%@NL@%The Extasy,l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ390    @%%@2@%I long to talk with some old lover's ghost,%@NL@%%@EH@%
Who died before the god of love was born.%@NL@%

%@NL@%John Donne
%@NL@%Love's Deity,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ400    @%%@2@%To rage, to lust, to write to, to commend,%@NL@%%@EH@%
All is the purlieu of the god of love.%@NL@%

%@NL@%John Donne
%@NL@%Love's Deity,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ410    @%%@2@%Who ever comes to shroud me, do not harm%@NL@%%@EH@%
Nor question much%@NL@%
That subtle wreath of hair, which crowns my arm;%@NL@%
The mystery, the sign you must not touch,%@NL@%
For 'tis my outward soul,%@NL@%
Viceroy to that, which then to heaven being gone,%@NL@%
Will leave this to control,%@NL@%
And keep these limbs, her provinces, from dissolution.%@NL@%

%@NL@%John Donne
%@NL@%The Funeral, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ420    @%%@2@%A bracelet of bright hair about the bone.%@NL@%%@EH@%

%@NL@%John Donne
%@NL@%The Relic, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ430    @%%@2@%Take heed of loving me.%@NL@%%@EH@%

%@NL@%John Donne
%@NL@%The Prohibition, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ440    @%%@2@%So, so, break off this last lamenting kiss,%@NL@%%@EH@%
Which sucks two souls, and vapors both away.%@NL@%

%@NL@%John Donne
%@NL@%The Expiration, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ450    @%%@2@%Ah cannot we%@NL@%%@EH@%
As well as cocks and lions jocund be,%@NL@%
After such pleasures?%@NL@%

%@NL@%John Donne
%@NL@%Farewell to Love, st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ460    @%%@2@%Love built on beauty, soon as beauty, dies.%@NL@%%@EH@%

%@NL@%John Donne
%@NL@%Elegies, no.2, The Anagram, l. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ470    @%%@2@%Nature's lay idiot, I taught thee to love.%@NL@%%@EH@%

%@NL@%John Donne
%@NL@%Elegies, no.7, Nature's Lay Idiot,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ480    @%%@2@%The Alphabet%@NL@%%@EH@%
Of flowers.%@NL@%

%@NL@%John Donne
%@NL@%Elegies, no.7, Nature's Lay Idiot,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ490    @%%@2@%She, and comparisons are odious. 1 %@NL@%%@EH@%

%@NL@%John Donne
%@NL@%Elegies, no.8, The Comparison, l. 54

%@NL@%%@AI@%1 See Fortescue%@BO:          127af9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ520    @%%@2@%No spring, nor summer beauty hath such grace,%@NL@%%@EH@%
As I have seen in one autumnal face.%@NL@%

%@NL@%John Donne
%@NL@%Elegies, no.9, The Autumnal, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ530    @%%@2@%The heavens rejoice in motion, why should I%@NL@%%@EH@%
Abjure my so much loved variety.%@NL@%

%@NL@%John Donne
%@NL@%Elegies, no.17, Variety, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ540    @%%@2@%Who ever loves, if he do not propose%@NL@%%@EH@%
The right true end of love, he's one that goes%@NL@%
To sea for nothing but to make him sick.%@NL@%

%@NL@%John Donne
%@NL@%Elegies, no.18, Love's Progress,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ550    @%%@2@%The Sestos and Abydos of her breasts%@NL@%%@EH@%
Not of two lovers, but two loves the nests.%@NL@%

%@NL@%John Donne
%@NL@%Elegies, no.18, Love's Progress,l. 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ560    @%%@2@%Those set our hairs, but these our flesh upright.%@NL@%%@EH@%

%@NL@%John Donne
%@NL@%Elegies, no.19, To His Mistress Going to Bed,l. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ570    @%%@2@%O my America! my new-found land.%@NL@%%@EH@%

%@NL@%John Donne
%@NL@%Elegies, no.19, To His Mistress Going to Bed,l. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ580    @%%@2@%Full nakedness! All joys are due to thee,%@NL@%%@EH@%
As souls unbodied, bodies unclothed must be,%@NL@%
To taste whole joys.%@NL@%

%@NL@%John Donne
%@NL@%Elegies, no.19, To His Mistress Going to Bed,l. 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ585    @%%@2@%Sir, more than kisses, letters mingle souls;%@NL@%%@EH@%
For, thus friends absent speak.%@NL@%

%@NL@%John Donne
%@NL@%Verse Letter to Sir Henry Wotton, written before April 1598, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ590    @%%@2@%And new philosophy calls all in doubt,%@NL@%%@EH@%
The element of fire is quite put out;%@NL@%
The sun is lost, and the earth, and no man's wit%@NL@%
Can well direct him where to look for it.%@NL@%
And freely men confess that this world's spent,%@NL@%
When in the planets, and the firmament%@NL@%
They seek so many new; then see that this%@NL@%
Is crumbled out again to his atomies.%@NL@%
'Tis all in pieces, all coherence gone;%@NL@%
All just supply, and all relation:%@NL@%
Prince, subject, Father, Son, are things forgot.%@NL@%

%@NL@%John Donne
%@NL@%%@FN@%
"Anniversary" of the death of Elizabeth Drury [c. 1595-1610].  %@EF@%
An Anatomy of the World. The First Anniversary
[first published 1611], l. 205

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ600    @%%@2@%Her pure, and eloquent blood%@NL@%%@EH@%
Spoke in her cheeks, and so distinctly wrought,%@NL@%
That one might almost say, her body thought.%@NL@%

%@NL@%John Donne
%@NL@%%@FN@%
"Anniversary" of the death of Elizabeth Drury [c. 1595-1610].  %@EF@%
Of the Progress of the Soul. The Second Anniversary
[first published 1612], l. 244

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ610    @%%@2@%I am a little world made cunningly%@NL@%%@EH@%
Of elements, and an angelic sprite.%@NL@%

%@NL@%John Donne
%@NL@%Holy Sonnets, no.5, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ620    @%%@2@%At the round earth's imagined corners, blow%@NL@%%@EH@%
Your trumpets, angels, and arise, arise%@NL@%
From death, you numberless infinities%@NL@%
Of souls.%@NL@%

%@NL@%John Donne
%@NL@%Holy Sonnets, no.7,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ630    @%%@2@%All whom war, dearth, age, agues, tyrannies,%@NL@%%@EH@%
Despair, law, chance, hath slain.%@NL@%

%@NL@%John Donne
%@NL@%Holy Sonnets, no.7,l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ640    @%%@2@%If poisonous minerals, and if that tree,%@NL@%%@EH@%
Whose fruit threw death on else immortal us,%@NL@%
If lecherous goats, if serpents envious%@NL@%
Cannot be damned; alas; why should I be?%@NL@%

%@NL@%John Donne
%@NL@%Holy Sonnets, no.9, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ650    @%%@2@%Death be not proud, 1  though some have called thee%@NL@%%@EH@%
Mighty and dreadful, for thou art not so,%@NL@%
For those whom thou think'st thou dost overthrow,%@NL@%
Die not, poor death, nor yet canst thou kill me.%@NL@%

%@NL@%John Donne
%@NL@%Holy Sonnets, no.10,l. 1

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c95c7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ660    @%%@2@%Thou art slave to fate, chance, kings, and desperate men.%@NL@%%@EH@%

%@NL@%John Donne
%@NL@%Holy Sonnets, no.10,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ670    @%%@2@%One short sleep past, we wake eternally,%@NL@%%@EH@%
And death shall be no more; 1  death, thou shalt die.%@NL@%

%@NL@%John Donne
%@NL@%Holy Sonnets, no.10,l. 13

%@NL@%%@AI@%1 See Revelation 21:4%@BO:           78f8b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ680    @%%@2@%What if this present were the world's last night?%@NL@%%@EH@%

%@NL@%John Donne
%@NL@%Holy Sonnets, no.13, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ690    @%%@2@%Batter my heart, three-personed God; for you%@NL@%%@EH@%
As yet but knock, breathe, shine, and seek to mend.%@NL@%

%@NL@%John Donne
%@NL@%Holy Sonnets, no.14, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ700    @%%@2@%Show me, dear Christ, Thy spouse, so bright and clear.%@NL@%%@EH@%

%@NL@%John Donne
%@NL@%%@FN@%
First published in 1899.  %@EF@%
Holy Sonnets, no.18, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ710    @%%@2@%Since I am coming to that holy room,%@NL@%%@EH@%
Where, with thy choir of saints forevermore,%@NL@%
I shall be made thy music; as I come%@NL@%
I tune the instrument here at the door,%@NL@%
And what I must do then, think here before.%@NL@%

%@NL@%John Donne
%@NL@%Hymn to God My God, in My Sickness [written c. 1623 or 1631],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ720    @%%@2@%Whilst my physicians by their love are grown%@NL@%%@EH@%
Cosmographers, and I their map, who lie%@NL@%
Flat on this bed.%@NL@%

%@NL@%John Donne
%@NL@%Hymn to God My God, in My Sickness [written c. 1623 or 1631],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ730    @%%@2@%   I observe the physician with the same diligence as he the disease.%@NL@%%@EH@%
%@NL@%
John Donne
%@NL@%Devotions upon Emergent Occasions [1624], no.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ740    @%%@2@%   I do nothing upon myself, and yet am mine own executioner. 1 %@NL@%%@EH@%
%@NL@%
John Donne
%@NL@%Devotions upon Emergent Occasions [1624], no.12

%@NL@%%@AI@%1 See Browne%@BO:          22dddb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ750    @%%@2@%   The flea, though he kill none, he does all the harm he can.%@NL@%%@EH@%
%@NL@%
John Donne
%@NL@%Devotions upon Emergent Occasions [1624], no.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ760    @%%@2@%   No man is an island, entire of itself; every man is a piece of the%@EH@%
continent, 1  2  3  a part of the main; if a clod be washed away by the sea,
Europe is the less, as well as if a promontory were, as well as if a manor
of thy friends or of thine own were; any man's death diminishes me, because
I am involved in mankind; and therefore never send to know for whom the bell
tolls; it tolls for thee.%@NL@%
%@NL@%
John Donne
%@NL@%Devotions upon Emergent Occasions [1624], no.17

%@NL@%%@AI@%1 See Romans 14:7%@BO:           69d33@%%@AE@%
%@AI@%2 See Bacon%@BO:          16294e@%%@AE@%
%@AI@%3 See Quarles%@BO:          220026@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ800    @%%@2@%   What gnashing is not a comfort, what gnawing of the worm is not a%@EH@%
tickling, what torment is not a marriage bed to this damnation, to be
secluded eternally, eternally, eternally from the sight of God?%@NL@%
%@NL@%
John Donne
%@NL@%LXXX Sermons [1640], no.76, preached to the Earl of Carlisle,
c. autumn 1622

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ805    @%%@2@%   Now God comes to thee, not as in the dawning of the day, not as in the%@EH@%
bud of the spring, but as the sun at noon to illustrate all shadows, as the
sheaves in harvest, to fill all penuries, all occasions invite his mercies,
and all times are his seasons.%@NL@%
%@NL@%
John Donne
%@NL@%LXXX Sermons [1640], no.3, preached on Christmas Day, 1625

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ810    @%%@2@%   I throw myself down in my chamber, and I call in and invite God and his%@EH@%
angels thither, and when they are there, I neglect God and his angels, for
the noise of a fly, for the rattling of a coach, for the whining of a door.%@NL@%
%@NL@%
John Donne
%@NL@%LXXX Sermons [1640], no.80, preached at the funeral of Sir William Cokayne,
December 12, 1626

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ813    @%%@2@%   And what is so intricate, so entangling as death? Who ever got out of a%@EH@%
winding sheet?%@NL@%
%@NL@%
John Donne
%@NL@%LXXX Sermons [1640], no.54, preached to the King at Whitehall, April 5, 1628

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ817    @%%@2@%   Poor intricated soul! Riddling, perplexed, labyrinthical soul!%@NL@%%@EH@%
%@NL@%
John Donne
%@NL@%LXXX Sermons [1640], no.48, preached upon the Day of St. Paul's Conversion,
January 25, 1629

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Donne@%%@QR:Donne@%%@CR:N1572DONJ820    @%%@2@%   When my mouth shall be filled with dust, and the worm shall feed, and%@EH@%
feed sweetly upon me, 1  when the ambitious man shall have no satisfaction
if the poorest alive tread upon him, nor the poorest receive any contentment
in being made equal to princes, for they shall be equal but in dust.%@NL@%
%@NL@%
John Donne
%@NL@%%@FN@%
Called by His Majesty's household the Doctor's Own Funeral Sermon.-Preface
to the first edition [1632]  %@EF@%
XXVI Sermons [1661], no. 26, Death's Duel, last sermon,
February 15, 1631

%@NL@%%@AI@%1 See Job 24:20%@BO:           1d99d@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Ben Jonson%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1573-1637%@AE@%
%@FN@%
O rare Ben Jonson!-Sir John Young, Epitaph  Which was done at the charge of
Jack Young, who, walking there when the grave was covering, gave the fellow
18 pence to cut it.-John Aubrey [1626-1697], Brief Lives  %@EF@%
%@NL@%%@NL@%

%@FN@%
Come del morire [Sure as death].-Giovanni Boccaccio [1313-1375], Il
Filostrato, canto IV, st. 140  %@EF@%
%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB20     @%%@2@%As sure as death.%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%Every Man in His Humour [1598], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB30     @%%@2@%As he brews, so shall he drink.%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%Every Man in His Humour [1598], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB40     @%%@2@%It must be done like lightning.%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%Every Man in His Humour [1598], actIV, sc. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB50     @%%@2@%Art hath an enemy called Ignorance.%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%Every Man out of His Humour [1599], actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB60     @%%@2@%There shall be no love lost.%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%Every Man out of His Humour [1599], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB70     @%%@2@%True happiness%@NL@%%@EH@%
Consists not in the multitude of friends,%@NL@%
But in the worth and choice.%@NL@%

%@NL@%Ben Jonson
%@NL@%Cynthia's Revels [1600], actIII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB80     @%%@2@%Queen and huntress, chaste and fair,%@NL@%%@EH@%
Now the sun is laid to sleep,%@NL@%
Seated in thy silver chair,%@NL@%
State in wonted manner keep:%@NL@%
Hesperus entreats thy light,%@NL@%
Goddess, excellently bright.%@NL@%

%@NL@%Ben Jonson
%@NL@%Cynthia's Revels [1600], actV, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB90     @%%@2@%That old bald cheater, Time.%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%The Poetaster [1601], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB120    @%%@2@%   Of all wild beasts preserve me from a tyrant; and of all tame, a%@EH@%
flatterer.%@NL@%
%@NL@%
Ben Jonson
%@NL@%Sejanus [1603], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB130    @%%@2@%Calumnies are answered best with silence.%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%Volpone [1606], act II, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB140    @%%@2@%Come my Celia, let us prove,%@NL@%%@EH@%
While we can, the sports of love;%@NL@%
Time will not be ours forever,%@NL@%
He at length our good will sever.%@NL@%
Spend not then his gifts in vain;%@NL@%
Suns that set may rise again,%@NL@%
But if once we lose this light,%@NL@%
'Tis with us perpetual night. 1  2  3  4  5 %@NL@%

%@NL@%Ben Jonson
%@NL@%Song, To Celia [1607]

%@NL@%%@AI@%1 See Catullus%@BO:           cd5e9@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          170ad1@%%@AE@%
%@AI@%3 See Campion%@BO:          20143f@%%@AE@%
%@AI@%4 See Herrick%@BO:          21f162@%%@AE@%
%@AI@%5 See Fouche%@BO:          32f060@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB150    @%%@2@%Still to be neat, still to be drest,%@NL@%%@EH@%
As you were going to a feast.%@NL@%

%@NL@%Ben Jonson
%@NL@%Epicene; or, The Silent Woman [1609], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB160    @%%@2@%Give me a look, give me a face,%@NL@%%@EH@%
That makes simplicity a grace;%@NL@%
Robes loosely flowing, hair as free,%@NL@%
Such sweet neglect more taketh me%@NL@%
Than all the adulteries of art:%@NL@%
They strike mine eyes, but not my heart. 1 %@NL@%

%@NL@%Ben Jonson
%@NL@%Epicene; or, The Silent Woman [1609], act I, sc. i

%@NL@%%@AI@%1 See Herrick%@BO:          21df06@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB170    @%%@2@%The dignity of truth is lost with much protesting.%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%Catiline's Conspiracy [1611], act III, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB180    @%%@2@%Truth is the trial of itself%@NL@%%@EH@%
And needs no other touch,%@NL@%
And purer than the purest gold,%@NL@%
Refine it ne'er so much.%@NL@%

%@NL@%Ben Jonson
%@NL@%On Truth [1616], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB190    @%%@2@%   Preserving the sweetness of proportion and expressing itself beyond%@EH@%
expression.%@NL@%
%@NL@%
Ben Jonson
%@NL@%The Masque of Hymen [1616]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB195    @%%@2@%Farewell, thou child of my right hand, and joy!%@NL@%%@EH@%
My sin was too much hope of thee, loved boy.%@NL@%

%@NL@%Ben Jonson
%@NL@%Epigrams [1616].On My First Son [written c. 1603]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB197    @%%@2@%Rest in soft peace, and, asked, say here doth lie%@NL@%%@EH@%
Ben Jonson his best piece of poetry:%@NL@%
For whose sake, henceforth, all his vows be such,%@NL@%
As what he loves may never like too much.%@NL@%

%@NL@%Ben Jonson
%@NL@%Epigrams [1616].On My First Son [written c. 1603]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB200    @%%@2@%Underneath this stone doth lie%@NL@%%@EH@%
As much beauty as could die;%@NL@%
Which in life did harbor give%@NL@%
To more virtue than doth live.%@NL@%

%@NL@%Ben Jonson
%@NL@%Epigrams [1616].Epitaph on Elizabeth, Lady H--

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB210    @%%@2@%Follow a shadow, it still flies you;%@NL@%%@EH@%
Seem to fly it, it will pursue:%@NL@%
So court a mistress, she denies you;%@NL@%
Let her alone, she will court you.%@NL@%

%@NL@%Ben Jonson
%@NL@%The Forest [1616].Follow a Shadow, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The flattering, mighty, nay, almighty gold.-John Wolcot [Peter Pindar], To
Kien Long [1792], ode IV  See Irving  %@EF@%
%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB220    @%%@2@%Whilst that for which all virtue now is sold,%@NL@%%@EH@%
And almost every vice-almighty gold.%@NL@%

%@NL@%Ben Jonson
%@NL@%The Forest [1616].Epistle to Elizabeth, Countess of Rutland

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Drink to me with your eyes alone. . . . And if you will, take the cup to
your lips and fill it with kisses, and give it so to me.-Philostratus [c.
181-250], Letter 24  %@EF@%
%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB240    @%%@2@%Drink to me only with thine eyes,%@NL@%%@EH@%
And I will pledge with mine;%@NL@%
Or leave a kiss but in the cup%@NL@%
And I'll not look for wine.%@NL@%
The thirst that from the soul doth rise%@NL@%
Doth ask a drink divine;%@NL@%
But might I of Jove's nectar sup,%@NL@%
I would not change for thine.%@NL@%

%@NL@%Ben Jonson
%@NL@%The Forest [1616].To Celia,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB260    @%%@2@%I sent thee late a rosy wreath,%@NL@%%@EH@%
Not so much honoring thee%@NL@%
As giving it a hope that there%@NL@%
It could not withered be.%@NL@%
But thou thereon didst only breathe,%@NL@%
And sent'st it back to me;%@NL@%
Since when it grows and smells, I swear,%@NL@%
Not of itself, but thee.%@NL@%

%@NL@%Ben Jonson
%@NL@%The Forest [1616].To Celia,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB270    @%%@2@%Reader, look,%@NL@%%@EH@%
Not at his picture, but his book.%@NL@%

%@NL@%Ben Jonson
%@NL@%On the portrait of Shakespeare prefixed to the First Folio [1623]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB280    @%%@2@%Soul of the age!%@NL@%%@EH@%
The applause, delight, the wonder of our stage!%@NL@%
My Shakespeare, rise; I will not lodge thee by%@NL@%
Chaucer or Spenser, or bid Beaumont lie%@NL@%
A little further, to make thee a room;%@NL@%
Thou art a monument, without a tomb,%@NL@%
And art alive still, while thy book doth live,%@NL@%
And we have wits to read, and praise to give. 1 %@NL@%

%@NL@%Ben Jonson
%@NL@%To the Memory of My Beloved, the Author, Mr. William Shakespeare
[1623]

%@NL@%%@AI@%1 See William Basse%@BO:          21d008@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB290    @%%@2@%Marlowe's mighty line.%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%To the Memory of My Beloved, the Author, Mr. William Shakespeare
[1623]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB300    @%%@2@%And though thou hadst small Latin and less Greek.%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%To the Memory of My Beloved, the Author, Mr. William Shakespeare
[1623]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB310    @%%@2@%Call forth thundering Aeschylus.%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%To the Memory of My Beloved, the Author, Mr. William Shakespeare
[1623]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB320    @%%@2@%He was not of an age but for all time. 1 %@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%To the Memory of My Beloved, the Author, Mr. William Shakespeare
[1623]

%@NL@%%@AI@%1 See Robert Whittinton%@BO:          132c11@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB330    @%%@2@%Who casts to write a living line, must sweat.%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%To the Memory of My Beloved, the Author, Mr. William Shakespeare
[1623]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB340    @%%@2@%For a good poet's made, as well as born. 1 %@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%To the Memory of My Beloved, the Author, Mr. William Shakespeare
[1623]

%@NL@%%@AI@%1 See Florus%@BO:           f9dde@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB350    @%%@2@%Sweet Swan of Avon!%@NL@%%@EH@%

%@NL@%Ben Jonson
%@NL@%To the Memory of My Beloved, the Author, Mr. William Shakespeare
[1623]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Dryden  They never taste who always drink;/They always talk who never
think.-Matthew Prior [1664-1721], Upon a Passage in the Scaligerana  %@EF@%
%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB360    @%%@2@%Those that merely talk and never think,%@NL@%%@EH@%
That live in the wild anarchy of drink.%@NL@%

%@NL@%Ben Jonson
%@NL@%Underwoods [1640].An Epistle, Answering to One That Asked
to Be Sealed of the Tribe of Ben

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB380    @%%@2@%In small proportions we just beauties see,%@NL@%%@EH@%
And in short measures life may perfect be.%@NL@%

%@NL@%Ben Jonson
%@NL@%Underwoods [1640].To the Immortal Memory of Sir Lucius Cary and Sir Henry
Morison

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB390    @%%@2@%   The players have often mentioned it as an honor to Shakespeare that in%@EH@%
his writing (whatsoever he penned) he never blotted out a line. My answer
hath been, "Would he had blotted a thousand."%@NL@%
%@NL@%
Ben Jonson
%@NL@%Timber; or, Discoveries Made upon Men and Matter [1640]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB400    @%%@2@%   I loved the man [Shakespeare] and do honor his memory, on this side%@EH@%
idolatry, as much as any.%@NL@%
%@NL@%
Ben Jonson
%@NL@%Timber; or, Discoveries Made upon Men and Matter [1640]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB410    @%%@2@%   Greatness of name in the father oft-times overwhelms the son; they stand%@EH@%
too near one another. The shadow kills the growth: so much, that we see the
grandchild come more and oftener to be heir of the first.%@NL@%
%@NL@%
Ben Jonson
%@NL@%Timber; or, Discoveries Made upon Men and Matter [1640]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB420    @%%@2@%   Though the most be players, some must be spectators.%@NL@%%@EH@%
%@NL@%
Ben Jonson
%@NL@%Timber; or, Discoveries Made upon Men and Matter [1640]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ben Jonson@%%@QR:Jonson@%%@CR:N1573JONB430    @%%@2@%   Talking and eloquence are not the same: to speak, and to speak well, are%@EH@%
two things. A fool may talk, but a wise man speaks.%@NL@%
%@NL@%
Ben Jonson
%@NL@%Timber; or, Discoveries Made upon Men and Matter [1640]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Barnfield%@AE@%%@EH@%
%@NL@%
%@AB@%1574-1627%@AE@%
%@NL@%%@NL@%

%@QR:Richard Barnfield@%%@QR:Barnfield@%%@CR:N1574BARR10     @%%@2@%The waters were his winding sheet, the sea was made for his tomb;%@NL@%%@EH@%
Yet for his fame the ocean sea, was not sufficient room.%@NL@%

%@NL@%Richard Barnfield
%@NL@%%@FN@%
Sir John Hawkins [1532-1595], second in command to Drake on the expedition
to the West Indies, died at sea off Puerto Rico.  %@EF@%
Epitaph on Hawkins [1595]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Barnfield@%%@QR:Barnfield@%%@CR:N1574BARR20     @%%@2@%As it fell upon a day%@NL@%%@EH@%
In the merry month of May,%@NL@%
Sitting in a pleasant shade%@NL@%
Which a grove of myrtles made.%@NL@%

%@NL@%Richard Barnfield
%@NL@%Poems:In Divers Humours [1598]. Ode

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Barnfield@%%@QR:Barnfield@%%@CR:N1574BARR30     @%%@2@%King Pandion, he is dead,%@NL@%%@EH@%
All thy friends are lapped in lead.%@NL@%

%@NL@%Richard Barnfield
%@NL@%Poems:In Divers Humours [1598]. Ode

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Barnfield@%%@QR:Barnfield@%%@CR:N1574BARR40     @%%@2@%Every one that flatters thee%@NL@%%@EH@%
Is no friend in misery.%@NL@%
Words are easy, like the wind;%@NL@%
Faithful friends are hard to find.%@NL@%
Every man will be thy friend%@NL@%
Whilst thou hast wherewith to spend;%@NL@%
But if store of crowns be scant,%@NL@%
No man will supply thy want.%@NL@%

%@NL@%Richard Barnfield
%@NL@%Poems:In Divers Humours [1598]. Ode

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Barnfield@%%@QR:Barnfield@%%@CR:N1574BARR50     @%%@2@%If music and sweet poetry agree.%@NL@%%@EH@%

%@NL@%Richard Barnfield
%@NL@%Poems:To His Friend, Mr. R. L.

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joseph Hall%@AE@%%@EH@%
%@NL@%
%@AB@%1574-1656%@AE@%
%@NL@%%@NL@%

%@QR:Joseph Hall@%%@QR:Hall@%%@CR:N1574HALJ10     @%%@2@%So little in his purse, so much upon his back.%@NL@%%@EH@%

%@NL@%Joseph Hall
%@NL@%Portrait of a Poor Gallant

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Hall@%%@QR:Hall@%%@CR:N1574HALJ20     @%%@2@%'Mongst all these stirs of discontented strife,%@NL@%%@EH@%
O, let me lead an academic life;%@NL@%
To know much, and to think for nothing, know%@NL@%
Nothing to have, yet think we have enow.%@NL@%

%@NL@%Joseph Hall
%@NL@%Discontent of Men with Their Condition

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Hall@%%@QR:Hall@%%@CR:N1574HALJ40     @%%@2@%   Death borders upon our birth, and our cradle stands in the grave. 1  2  3%@EH@%
%@NL@%
%@NL@%
Joseph Hall
%@NL@%Epistles [1608-1611]. Decade III, epistle 2

%@NL@%%@AI@%1 See The Wisdom of Solomon 5:13%@BO:           47812@%%@AE@%
%@AI@%2 See Nabokov%@BO:          61348a@%%@AE@%
%@AI@%3 See Beckett%@BO:          6340c3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Hall@%%@QR:Hall@%%@CR:N1574HALJ60     @%%@2@%   There is many a rich stone laid up in the bowels of the earth, many a%@EH@%
fair pearl laid up in the bosom of the sea, that never was seen, nor never
shall be. 1 %@NL@%
%@NL@%
Joseph Hall
%@NL@%Contemplations [c. 1630], bk. IV, The Veil of Moses

%@NL@%%@AI@%1 See Thomas Gray%@BO:          2d1d38@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Hall@%%@QR:Hall@%%@CR:N1574HALJ70     @%%@2@%   Moderation is the silken string running through the pearl chain of all%@EH@%
virtues.%@NL@%
%@NL@%
Joseph Hall
%@NL@%Christian Moderation [1640], introduction

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Heywood%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1574 - c. 1641%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Heywood@%%@QR:Heywood@%%@CR:N1574HEYT10     @%%@2@%Within the red-leaved table of my heart.%@NL@%%@EH@%

%@NL@%Thomas Heywood
%@NL@%A Woman Killed with Kindness [1607], actII, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Heywood@%%@QR:Heywood@%%@CR:N1574HEYT20     @%%@2@%I will walk on eggs.%@NL@%%@EH@%

%@NL@%Thomas Heywood
%@NL@%A Woman Killed with Kindness [1607], actIV, sc. vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Heywood@%%@QR:Heywood@%%@CR:N1574HEYT30     @%%@2@%O God! O God! that it were possible%@NL@%%@EH@%
To undo things done; to call back yesterday! 1 %@NL@%
That Time could turn up his swift sandy glass,%@NL@%
To untell the days, and to redeem these hours.%@NL@%

%@NL@%Thomas Heywood
%@NL@%A Woman Killed with Kindness [1607], actIV, sc. vi

%@NL@%%@AI@%1 See Shakespeare%@BO:          1832f2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Heywood@%%@QR:Heywood@%%@CR:N1574HEYT40     @%%@2@%Pack clouds away, and welcome day,%@NL@%%@EH@%
With night we banish sorrow.%@NL@%

%@NL@%Thomas Heywood
%@NL@%Pack Clouds Away [1630], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Heywood@%%@QR:Heywood@%%@CR:N1574HEYT50     @%%@2@%I hold he loves me best that calls me Tom.%@NL@%%@EH@%

%@NL@%Thomas Heywood
%@NL@%Hierarchie of the Blessed Angels [1635]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Seven cities strive for the learned root of Homer:/Smyrna, Chios, Colophon,
Ithaca, Pylos, Argos, Athens.-Anonymous; from The Greek Anthology [1906],
ed. J. W. Mackail, bk. VI, epigram 298  Seven wealthy towns contend for
Homer dead,/Through which the living Homer begged his bread.-Thomas Seward
[1708-1790], On Homer  %@EF@%
%@QR:Thomas Heywood@%%@QR:Heywood@%%@CR:N1574HEYT60     @%%@2@%Seven cities warred for Homer being dead,%@NL@%%@EH@%
Who living had no roof to shroud his head.%@NL@%

%@NL@%Thomas Heywood
%@NL@%Hierarchie of the Blessed Angels [1635]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Marston%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1575 - c. 1634%@AE@%
%@NL@%%@NL@%

%@QR:John Marston@%%@QR:Marston@%%@CR:N1575MARJ10     @%%@2@%   Oblivioni sacrum [Sacred to oblivion].%@NL@%%@EH@%
%@NL@%
John Marston
%@NL@%Epitaph

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Peacham%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1576 - c. 1643%@AE@%
%@NL@%%@NL@%

%@QR:Henry Peacham@%%@QR:Peacham@%%@CR:N1576PEAH10     @%%@2@%   Affect not as some do that bookish ambition to be stored with books and%@EH@%
have well-furnished libraries, yet keep their heads empty of knowledge; to
desire to have many books, and never to use them, is like a child that will
have a candle burning by him all the while he is sleeping.%@NL@%
%@NL@%
Henry Peacham
%@NL@%The Compleat Gentleman [1622]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Burton%@AE@%%@EH@%
%@NL@%
%@AB@%1577-1640%@AE@%
%@NL@%%@NL@%

%@FN@%
See Fletcher and Milton  There's not a string attuned to mirth/But has its
chord in melancholy.-Thomas Hood [1799-1845], Ode to Melancholy  %@EF@%
%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR10     @%%@2@%All my joys to this are folly,%@NL@%%@EH@%
Naught so sweet as melancholy.%@NL@%

%@NL@%Robert Burton
%@NL@%%@FN@%
Burton's Anatomy of Melancholy, he said, was the only book that ever took
him out of bed two hours sooner than he wished to rise.-Samuel Johnson; from
Boswell, Life of Johnson [1791]  If the reader has patience to go through
his volumes, he will be more improved for literary conversation than by the
perusal of any twenty other works with which I am acquainted.-Byron [1807];
from Moore's Life  %@EF@%
The Anatomy of Melancholy [1621-1651].The Author's Abstract

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A fellow-feeling makes one wondrous kind.-Garrick, Prologue on Quitting the
Stage [1776]  %@EF@%
%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR35     @%%@2@%   I would help others, out of a fellow-feeling.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].Democritus to the Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR50     @%%@2@%   They lard their lean books with the fat of others' works. 1 %@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].Democritus to the Reader

%@NL@%%@AI@%1 See Shakespeare%@BO:          1970c9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR60     @%%@2@%   We can say nothing but what hath been said. 1  2  3  Our poets steal from%@EH@%
Homer. . . . Our story-dressers do as much; he that comes last is commonly
best.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].Democritus to the Reader

%@NL@%%@AI@%1 See Ecclesiastes 1:9%@BO:           34425@%%@AE@%
%@AI@%2 See Terence%@BO:           c3496@%%@AE@%
%@AI@%3 See La Bruyere%@BO:          27b119@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR70     @%%@2@%   I say with Didacus Stella, a dwarf standing on the shoulders of a giant%@EH@%
may see farther than a giant himself. 1  2 %@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].Democritus to the Reader

%@NL@%%@AI@%1 See Lucan%@BO:           efa2b@%%@AE@%
%@AI@%2 See Newton%@BO:          277ad4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Latin proverb.  See Buffon  %@EF@%
%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR80     @%%@2@%   It is most true, stilus virum arguit-our style betrays us.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].Democritus to the Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR90     @%%@2@%   Old friends become bitter enemies on a sudden for toys and small%@EH@%
offenses. 1 %@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].Democritus to the Reader

%@NL@%%@AI@%1 See Pope%@BO:          29aa2d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR100    @%%@2@%   Penny wise, pound foolish.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].Democritus to the Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR110    @%%@2@%   Women wear the breeches . . . in a word, the world turned upside%@EH@%
downward.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].Democritus to the Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR120    @%%@2@%   Like Aesop's fox, when he had lost his tail, would have all his fellow%@EH@%
foxes cut off theirs.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].Democritus to the Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR130    @%%@2@%   All poets are mad. 1  2  3 %@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].Democritus to the Reader

%@NL@%%@AI@%1 See Democritus%@CF:B460DEMO15      @%%@AE@%
%@AI@%2 See Wordsworth%@BO:          33ed5c@%%@AE@%
%@AI@%3 See Robert Lowell%@BO:          65d362@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR140    @%%@2@%   Every man hath a good and a bad angel attending on him in particular, all%@EH@%
his life long.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 1, subsec. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR150    @%%@2@%   That which Pythagoras said to his scholars of old, may be forever applied%@EH@%
to melancholy men, A fabis abstinete, eat no beans.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 2,subsec. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR160    @%%@2@%   Cookery is become an art, a noble science; cooks are gentlemen.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 2,subsec. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The exception proves the rule.-Proverb  %@EF@%
%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR170    @%%@2@%   No rule is so general, which admits not some exception.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 2,subsec. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR180    @%%@2@%   Idleness is an appendix to nobility.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 2,subsec. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR190    @%%@2@%   Why doth one man's yawning make another yawn?%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 3,subsec. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR200    @%%@2@%   They do not live but linger.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 3,subsec. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR210    @%%@2@%   [Desire] is a perpetual rack, or horsemill, according to Austin [St.%@EH@%
Augustine], still going round as in a ring.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 3,subsec. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR220    @%%@2@%   [The rich] are indeed rather possessed by their money than possessors. 1%@EH@%
2 %@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 3,subsec. 12

%@NL@%%@AI@%1 See Bion%@BO:           bc415@%%@AE@%
%@AI@%2 See Ingersoll%@BO:          49375e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR230    @%%@2@%   Were it not that they are loath to lay out money on a rope, they would be%@EH@%
hanged forthwith, and sometimes die to save charges.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 3,subsec. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR240    @%%@2@%   A mere madness, to live like a wretch and die rich. 1 %@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 3,subsec. 12

%@NL@%%@AI@%1 See Samuel Johnson%@BO:          2c6111@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR250    @%%@2@%   I may not here omit those two main plagues and common dotages of human%@EH@%
kind, wine and women, which have infatuated and besotted myriads of people;
they go commonly together.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 3,subsec. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Every man thinks his own geese swans.-Dickens, The Cricket on the Hearth
[1845], Chirp the Second  See Matthew Arnold  %@EF@%
%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR260    @%%@2@%   All our geese are swans.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 3,subsec. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR280    @%%@2@%   They are proud in humility; proud in that they are not proud. 1  2 %@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 3,subsec. 14

%@NL@%%@AI@%1 See Coleridge%@BO:          352fde@%%@AE@%
%@AI@%2 See Southey%@BO:          35ba23@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR290    @%%@2@%   We can make majors and officers every year, but not scholars.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 3,subsec. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See The Teaching for Merikare, Cervantes, and Bulwer-Lytton  Pyrrhus was
used to say that Cineas had taken more towns with his words than he with his
arms.-Plutarch [ A.D.  46-120], Pyrrhus  %@EF@%
%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR300    @%%@2@%   Hinc quam sic calamus saevior ense, patet. The pen worse than the sword.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 4,subsec. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A blade of grass is always a blade of grass, whether in one country or
another.-Samuel Johnson, in Mrs. Piozzi's Anecdotes of Johnson [1786]  %@EF@%
%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR320    @%%@2@%   See one promontory (said Socrates of old), one mountain, one sea, one%@EH@%
river, and see all.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 4,subsec. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR340    @%%@2@%   One was never married, and that's his hell; another is, and that's his%@EH@%
plague.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 2,member 4,subsec. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR350    @%%@2@%   Aristotle said melancholy men of all others are most witty.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. I,sec. 3,member 1, subsec. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR360    @%%@2@%   Seneca thinks the gods are well pleased when they see great men%@EH@%
contending with adversity.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. II,sec. 2,member 1, subsec. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR370    @%%@2@%   Machiavel says virtue and riches seldom settle on one man.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. II,sec. 2,member 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR380    @%%@2@%   As he said in Machiavel, omnes eodem patre nati, Adam's sons, conceived%@EH@%
all and born in sin, etc. "We are by nature all as one, all alike, if you
see us naked; let us wear theirs and they our clothes, and what is the
difference?"%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. II,sec. 2,member 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR390    @%%@2@%   Who cannot give good counsel? 'Tis cheap, it costs them nothing.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. II,sec. 2,member 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A very ancient proverb, sometimes attributed to Homer.  There is many a slip
'twixt the cup and the lip.-Palladas [fl. 400], in The Greek Anthology
[1906], ed. J. W. Mackail, bk. X, epigram 32  Though men determine, the gods
do dispose; and ofttimes many things fall out between the cup and the
lip.-Robert Greene, Perimedes the Blacksmith [1588]  %@EF@%
%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR400    @%%@2@%   Many things happen between the cup and the lip.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. II,sec. 2,member 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR430    @%%@2@%   All places are distant from heaven alike. 1  2 %@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. II,sec. 2,member 4

%@NL@%%@AI@%1 See Gilbert%@BO:          147575@%%@AE@%
%@AI@%2 See Fields%@BO:          42ec3c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR440    @%%@2@%   The commonwealth of Venice in their armory have this inscription: "Happy%@EH@%
is that city which in time of peace thinks of war." 1  2  3  4  5 %@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. II,sec. 2,member 6

%@NL@%%@AI@%1 See Aristotle%@BO:           b4bd2@%%@AE@%
%@AI@%2 See Vegetius%@BO:          102d2b@%%@AE@%
%@AI@%3 See Fenelon%@BO:          27ddfc@%%@AE@%
%@AI@%4 See Washington%@BO:          2f0578@%%@AE@%
%@AI@%5 See Lowell%@BO:          444758@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR450    @%%@2@%   Every man, as the saying is, can tame a shrew but he that hath her.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. II,sec. 2,member 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR460    @%%@2@%   Tobacco, divine, rare, superexcellent tobacco, which goes far beyond all%@EH@%
the panaceas, potable gold, and philosopher's stones, a sovereign remedy to
all diseases . . . but as it is commonly abused by most men, which take it
as tinkers do ale, 'tis a plague, a mischief, a violent purger of goods,
lands, health, hellish, devilish and damned tobacco, the ruin and overthrow
of body and soul.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. II,sec. 4, member 2, subsec. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR470    @%%@2@%   "Let me not live," said Aretine's Antonia, "if I had not rather hear thy%@EH@%
discourse than see a play."%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 1,member 1,subsec. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Ecclesiasticus 13:16, Homer, and Heywood  Birds of a feather flock
together.-George Wither, Abuses [1613], 72  %@EF@%
%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR480    @%%@2@%   Birds of a feather will gather together.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 1,member 1,subsec. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
One hair of a woman can draw more than a hundred pair of oxen.-James Howell,
Letters [1621], bk. II, 4  She knows her man, and when you rant and
swear,/Can draw you to her with a single hair.-Dryden, Persius [1693],
satire V, l. 246  See Pope  %@EF@%
%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR500    @%%@2@%   No cord nor cable can so forcibly draw, or hold so fast, as love can do%@EH@%
with a twined thread.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 2,member 1,subsec. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Algernon Sidney  And hold their farthing candle to the sun.-Edward
Young, Satire VII [1725-1728], l. 56  And hold their glimmering tapers to
the sun.-George Crabbe, The Parish Register [1807], pt. I, Introduction  %@EF@%
%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR530    @%%@2@%   To enlarge or illustrate this power and effect of love is to set a candle%@EH@%
in the sun.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 2,member 1,subsec. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR560    @%%@2@%   [Quoting Seneca] Cornelia kept her in talk till her children came from%@EH@%
school, "and these," said she, "are my jewels."%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 2,member 1,subsec. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR570    @%%@2@%   Diogenes struck the father when the son swore.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 2,member 1,subsec. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR580    @%%@2@%   England is a paradise for women and hell for horses; Italy a paradise for%@EH@%
horses, hell for women, as the diverb goes. 1 %@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 3, member 1, subsec. 2

%@NL@%%@AI@%1 See Florio%@BO:          158b08@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR590    @%%@2@%   For "ignorance is the mother of devotion," as all the world knows.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 4,member 1, subsec. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The fear o' hell's a hangman's whip/To haud the wretch in order.-Robert
Burns [1759-1796], Epistle to a Young Friend  %@EF@%
%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR600    @%%@2@%   The fear of some divine and supreme powers keeps men in obedience.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 4,member 1, subsec. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR620    @%%@2@%   One religion is as true as another.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 4,member 2,subsec. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR622    @%%@2@%   Melancholy and despair, though often, do not always concur; there is much%@EH@%
difference: melancholy fears without a cause, this upon great occasion;
melancholy is caused by fear and grief, but this torment procures them and
all extremity of bitterness.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 4,member 2,subsec. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR624    @%%@2@%   A good conscience is a continual feast.%@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 4,member 2,subsec. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR626    @%%@2@%   Our conscience, which is a great ledger book, wherein are written all our%@EH@%
offenses . . . grinds our souls with the remembrance of some precedent sins,
makes us reflect upon, accuse and condemn ourselves.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 4,member 2,subsec. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR628    @%%@2@%   What physic, what chirurgery, what wealth, favor, authority can relieve,%@EH@%
bear out, assuage, or expel a troubled conscience? A quiet mind cureth all.%@NL@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 4,member 2,subsec. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burton@%%@QR:Burton@%%@CR:N1577BURR630    @%%@2@%   Be not solitary, be not idle. 1 %@NL@%%@EH@%
%@NL@%
Robert Burton
%@NL@%The Anatomy of Melancholy [1621-1651].pt. III,sec. 4,member 2,subsec. 6

%@NL@%%@AI@%1 See Johnson%@BO:          2c68bd@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%William Harvey%@AE@%%@EH@%
%@NL@%
%@AB@%1578-1657%@AE@%
%@NL@%%@NL@%

%@QR:William Harvey@%%@QR:Harvey@%%@CR:N1578HARW2      @%%@2@%   The heart of animals is the foundation of their life, the sovereign of%@EH@%
everything within them, the sun of their microcosm.%@NL@%
%@NL@%
William Harvey
%@NL@%%@FN@%
An Anatomical Disquisition on the Motion of the Heart and Blood in Animals.
Translated by Robert Willis.  %@EF@%
De Motu Cordis et Sanguinis [1628],dedication to King Charles

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Harvey@%%@QR:Harvey@%%@CR:N1578HARW4      @%%@2@%   All we know is still infinitely less than all that still remains unknown.%@NL@%%@EH@%
%@NL@%
William Harvey
%@NL@%De Motu Cordis et Sanguinis [1628],dedication to Dr. Argent and Other
Learned Physicians

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Harvey@%%@QR:Harvey@%%@CR:N1578HARW10     @%%@2@%   I profess both to learn and to teach anatomy, not from books but from%@EH@%
dissections; not from positions of philosophers but from the fabric of
nature.%@NL@%
%@NL@%
William Harvey
%@NL@%De Motu Cordis et Sanguinis [1628],dedication to Dr. Argent and Other
Learned Physicians

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Harvey@%%@QR:Harvey@%%@CR:N1578HARW15     @%%@2@%   I avow myself the partisan of truth alone.%@NL@%%@EH@%
%@NL@%
William Harvey
%@NL@%De Motu Cordis et Sanguinis [1628],dedication to Dr. Argent and Other
Learned Physicians

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Harvey@%%@QR:Harvey@%%@CR:N1578HARW20     @%%@2@%   As art is a habit with reference to things to be done, so is science a%@EH@%
habit in respect to things to be known.%@NL@%
%@NL@%
William Harvey
%@NL@%%@FN@%
Translated by Robert Willis.  %@EF@%
De Generatione Animalium (On the Generation of Animals) [1651],
introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Harvey@%%@QR:Harvey@%%@CR:N1578HARW30     @%%@2@%   I appeal to your own eyes as my witness and judge.%@NL@%%@EH@%
%@NL@%
William Harvey
%@NL@%De Generatione Animalium (On the Generation of Animals) [1651],
introduction

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Fletcher%@AE@%%@EH@%
%@NL@%
%@AB@%1579-1625%@AE@%
%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1579FLEJ10     @%%@2@%Drink today, and drown all sorrow;%@NL@%%@EH@%
You shall perhaps not do 't tomorrow.%@NL@%

%@NL@%John Fletcher
%@NL@%Rollo, Duke of Normandy [1639] (in collaboration withJonson
and others), actII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The following well-known catch, or glee, is formed on this song:  He who
goes to bed, and goes to bed sober,/Falls as the leaves do, and dies in
October;/But he who goes to bed, and goes to bed mellow,/Lives as he ought
to do, and dies an honest fellow.  %@EF@%
%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1579FLEJ20     @%%@2@%And he that will to bed go sober%@NL@%%@EH@%
Falls with the leaf in October.%@NL@%

%@NL@%John Fletcher
%@NL@%Rollo, Duke of Normandy [1639] (in collaboration withJonson
and others), actII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Three merry men be we.-Peele, Old Wives' Tale [1595]  %@EF@%
%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1579FLEJ40     @%%@2@%Three merry boys, and three merry boys,%@NL@%%@EH@%
And three merry boys are we.%@NL@%
As ever did sing in a hempen string%@NL@%
Under the gallows tree.%@NL@%

%@NL@%John Fletcher
%@NL@%Rollo, Duke of Normandy [1639] (in collaboration withJonson
and others), actIII, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1579FLEJ60     @%%@2@%O woman, perfect woman! what distraction%@NL@%%@EH@%
Was meant to mankind when thou wast made a devil!%@NL@%

%@NL@%John Fletcher
%@NL@%Monsieur Thomas [1639], act III, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1579FLEJ70     @%%@2@%Man is his own star, and the soul that can%@NL@%%@EH@%
Render an honest and a perfect man%@NL@%
Commands all light, all influence, all fate.%@NL@%
Nothing to him falls early, or too late.%@NL@%
Our acts our angels are, or good or ill,%@NL@%
Our fatal shadows that walk by us still.%@NL@%

%@NL@%John Fletcher
%@NL@%The Honest Man's Fortune [1647]
(in collaboration with three other authors), epilogue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1579FLEJ80     @%%@2@%That soul that can%@NL@%%@EH@%
Be honest is the only perfect man. 1  2 %@NL@%

%@NL@%John Fletcher
%@NL@%The Honest Man's Fortune [1647]
(in collaboration with three other authors), epilogue

%@NL@%%@AI@%1 See Pope%@BO:          2a1f8f@%%@AE@%
%@AI@%2 See Burns%@BO:          321f2d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1579FLEJ90     @%%@2@%Weep no more, nor sigh, nor groan,%@NL@%%@EH@%
Sorrow calls no time that's gone;%@NL@%
Violets plucked, the sweetest rain%@NL@%
Makes not fresh nor grow again.%@NL@%

%@NL@%John Fletcher
%@NL@%The Queen of Corinth [1647] (in collaboration withMassinger
and a third author), act III, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pity's akin to love.-Thomas Southerne, Oroonoko [1696], act II, sc. i  For
pity melts the mind to love.-Dryden, Alexander's Feast [1697], l. 96  Pity
swells the tide of love.-Edward Young, Night Thoughts [1742-1745], Night
III, l. 107  %@EF@%
%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1579FLEJ100    @%%@2@%Of all the paths lead to a woman's love%@NL@%%@EH@%
Pity's the straightest.%@NL@%

%@NL@%John Fletcher
%@NL@%The Knight of Malta [1647] (in collaboration withMassinger
), act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1579FLEJ140    @%%@2@%Go to grass.%@NL@%%@EH@%

%@NL@%John Fletcher
%@NL@%The Little French Lawyer [1647] (in collaboration withMassinger
), act IV, sc. vii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1579FLEJ150    @%%@2@%There is no jesting with edge tools.%@NL@%%@EH@%

%@NL@%John Fletcher
%@NL@%The Little French Lawyer [1647] (in collaboration withMassinger
), act IV, sc. vii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Burns  This expression is a kind of common property, being the motto, we
believe, of a Scottish family.-Sir Walter Scott [1771-1832], review of
Thomas Campbell's Gertrude of Wyoming [1809], where it appears (pt. III, l.
37): Tomorrow let us do or die!  %@EF@%
%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1579FLEJ160    @%%@2@%Let's meet, and either do or die.%@NL@%%@EH@%

%@NL@%John Fletcher
%@NL@%The Island Princess [1647], act II, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1579FLEJ180    @%%@2@%Hence, all you vain delights,%@NL@%%@EH@%
As short as are the nights%@NL@%
Wherein you spend your folly!%@NL@%
There's naught in this life sweet%@NL@%
But only melancholy;%@NL@%
O sweetest melancholy!%@NL@%

%@NL@%John Fletcher
%@NL@%%@FN@%
This poem is frequently and with some likelihood attributed to William
Strode [1602-1645].  See Robert Burton and Milton  %@EF@%
The Nice Valor [1647].Melancholy

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Middleton%@AE@%%@EH@%
%@NL@%
%@AB@%1580-1627%@AE@%
%@NL@%%@NL@%

%@FN@%
The better the day, the worse deed.-Mathew Henry [1662-1714], Commentaries,
Genesis, III  %@EF@%
%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT10     @%%@2@%   Better the day, better the deed.%@NL@%%@EH@%
%@NL@%
Thomas Middleton
%@NL@%Michaelmas Term [1607], actIII, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
If the worst comes to the worst.-Discovery of the Knights of the Poste
[1597]  %@EF@%
%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT30     @%%@2@%   Since the worst comes to the worst.%@NL@%%@EH@%
%@NL@%
Thomas Middleton
%@NL@%Michaelmas Term [1607], actIII, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
What is got over the Devil's back is spent under the belly.-Rabelais, Works,
bk. V [1552], ch. 11  Isocrates was in the right to insinuate that what is
got over the Devil's back is spent under his belly.-Alain Rene Lesage, Gil
Blas [1715-1735], bk. VIII, ch. 9  %@EF@%
%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT50     @%%@2@%   What is got over the Devil's back (that's by knavery), is spent under the%@EH@%
belly (that's by lechery).%@NL@%
%@NL@%
Thomas Middleton
%@NL@%Michaelmas Term [1607], actIV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT80     @%%@2@%   As true as I live.%@NL@%%@EH@%
%@NL@%
Thomas Middleton
%@NL@%The Family of Love [1608], actV, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
My understanding has forsook me, and is gone a-woolgathering.-Cervantes, Don
Quixote, pt. II [1605-1615], bk. IV, ch. 38  %@EF@%
%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT90     @%%@2@%   Have you summoned your wits from woolgathering?%@NL@%%@EH@%
%@NL@%
Thomas Middleton
%@NL@%The Family of Love [1608], actV, sc.v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
We will feather our nests ere time may us espy.-A Merry Interlude Entitled
Respublica [1553], act III, sc. vi  %@EF@%
%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT110    @%%@2@%   By my faith the fool has feathered his nest well.%@NL@%%@EH@%
%@NL@%
Thomas Middleton
%@NL@%The Roaring Girl [1611], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
So for a good old-gentlemanly vice/I think I must take up with
avarice.-Byron, Don Juan [1819-1824], canto I, st. 216  %@EF@%
%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT130    @%%@2@%   That disease of which all old men sicken-avarice.%@NL@%%@EH@%
%@NL@%
Thomas Middleton
%@NL@%The Roaring Girl [1611], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT150    @%%@2@%Beat all your feathers as flat down as pancakes.%@NL@%%@EH@%

%@NL@%Thomas Middleton
%@NL@%The Roaring Girl [1611], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT160    @%%@2@%As the case stands.%@NL@%%@EH@%

%@NL@%Thomas Middleton
%@NL@%The Old Law [1656], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT170    @%%@2@%On his last legs.%@NL@%%@EH@%

%@NL@%Thomas Middleton
%@NL@%The Old Law [1656], actV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT180    @%%@2@%   As old Chaucer was wont to say, that broad famous English poet.%@NL@%%@EH@%
%@NL@%
Thomas Middleton
%@NL@%More Dissemblers Besides Women [1657], actI, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He 'as had a stinger.-Fletcher, Wit Without Money [1639], act IV, sc. i  %@EF@%
%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT190    @%%@2@%'Tis a stinger.%@NL@%%@EH@%

%@NL@%Thomas Middleton
%@NL@%More Dissemblers Besides Women [1657], actIII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT210    @%%@2@%   How many honest words have suffered corruption since Chaucer's days!%@NL@%%@EH@%
%@NL@%
Thomas Middleton
%@NL@%No Wit, No Help, Like a Woman's [1657], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT220    @%%@2@%   By many a happy accident.%@NL@%%@EH@%
%@NL@%
Thomas Middleton
%@NL@%No Wit, No Help, Like a Woman's [1657], actIV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT230    @%%@2@%   Anything for a Quiet Life.%@NL@%%@EH@%
%@NL@%
Thomas Middleton
%@NL@%Title of play [1662]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT240    @%%@2@%   This was a good week's labor.%@NL@%%@EH@%
%@NL@%
Thomas Middleton
%@NL@%Anything for a Quiet Life, act V, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT250    @%%@2@%   There's no hate lost between us.%@NL@%%@EH@%
%@NL@%
Thomas Middleton
%@NL@%The Witch [written c. 1627], actIV, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
These lines are introduced into Macbeth, act IV, sc. i. According to George
Steevens, "the song was, in all probability, a traditional one."  %@EF@%
%@QR:Thomas Middleton@%%@QR:Middleton@%%@CR:N1580MIDT260    @%%@2@%Black spirits and white, red spirits and gray,%@NL@%%@EH@%
Mingle, mingle, mingle, you that mingle may.%@NL@%

%@NL@%Thomas Middleton
%@NL@%The Witch [written c. 1627], actV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Rich%@AE@%%@EH@%
%@NL@%
%@AB@%fl. 1610%@AE@%
%@NL@%%@NL@%

%@QR:Richard Rich@%%@QR:Rich@%%@CR:N1580RICR10     @%%@2@%God will not let us fall . . . %@NL@%%@EH@%
For . . . our work is good,%@NL@%
We hope to plant a nation,%@NL@%
Where none before hath stood.%@NL@%

%@NL@%Richard Rich
%@NL@%%@FN@%
Narrative poem about Rich's voyage to Virginia [1609] with Captain
Christopher Newport. Its account of a shipwreck on the Bermudas may have
been a source for scenes in Shakespeare's The Tempest.  %@EF@%
Newes from Virginia: The Flock Triumphant [1610]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Webster%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1580 - c. 1625%@AE@%
%@NL@%%@NL@%

%@QR:John Webster@%%@QR:Webster@%%@CR:N1580WEBJ10     @%%@2@%   Is not old wine wholesomest, old pippins toothsomest, old wood burn%@EH@%
brightest, old linen wash whitest? Old soldiers, sweethearts, are surest,
and old lovers are soundest. 1  2 %@NL@%
%@NL@%
John Webster
%@NL@%Westward Hoe [1607], (in collaboration with Dekker),
act II, sc. ii

%@NL@%%@AI@%1 See Bacon%@BO:          16150c@%%@AE@%
%@AI@%2 See Goldsmith%@BO:          2e090f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Webster@%%@QR:Webster@%%@CR:N1580WEBJ20     @%%@2@%   I saw him now going the way of all flesh.%@NL@%%@EH@%
%@NL@%
John Webster
%@NL@%Westward Hoe [1607], (in collaboration with Dekker),
act II, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Webster@%%@QR:Webster@%%@CR:N1580WEBJ30     @%%@2@%Call for the robin redbreast and the wren,%@NL@%%@EH@%
Since o'er shady groves they hover,%@NL@%
And with leaves and flowers do cover%@NL@%
The friendless bodies of unburied men.%@NL@%

%@NL@%John Webster
%@NL@%The White Devil [1612], actV, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Webster@%%@QR:Webster@%%@CR:N1580WEBJ40     @%%@2@%But keep the wolf far thence, that's foe to men,%@NL@%%@EH@%
For with his nails he'll dig them up again.%@NL@%

%@NL@%John Webster
%@NL@%The White Devil [1612], actV, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Webster@%%@QR:Webster@%%@CR:N1580WEBJ50     @%%@2@%Prosperity doth bewitch men, seeming clear;%@NL@%%@EH@%
But seas do laugh, show white, when rocks are near.%@NL@%

%@NL@%John Webster
%@NL@%The White Devil [1612], actV, sc.vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Webster@%%@QR:Webster@%%@CR:N1580WEBJ60     @%%@2@%Glories, like glowworms, afar off shine bright,%@NL@%%@EH@%
But looked to near have neither heat nor light.%@NL@%

%@NL@%John Webster
%@NL@%Duchess of Malfi [1623], act IV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Webster@%%@QR:Webster@%%@CR:N1580WEBJ70     @%%@2@%Of what is't fools make such vain keeping?%@NL@%%@EH@%
Sin their conception, their birth, weeping:%@NL@%
Their life, a general mist of error,%@NL@%
Their death, a hideous storm of terror.%@NL@%

%@NL@%John Webster
%@NL@%Duchess of Malfi [1623], act IV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Death hath a thousand doors to let out life.-Massinger, A Very Woman [1665],
act V, sc. iv  Death hath so many doors to let out life.-Fletcher and
Massinger, The Custom of the Country [1647], act II, sc. ii  The thousand
doors that lead to death.-Sir Thomas Browne, Religio Medici [1642], pt. I,
sec. 44  See Swift  %@EF@%
%@QR:John Webster@%%@QR:Webster@%%@CR:N1580WEBJ80     @%%@2@%I know death hath ten thousand several doors%@NL@%%@EH@%
For men to take their exits.%@NL@%

%@NL@%John Webster
%@NL@%Duchess of Malfi [1623], act IV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Webster@%%@QR:Webster@%%@CR:N1580WEBJ120    @%%@2@%Heaven-gates are not so highly arched%@NL@%%@EH@%
As princes' palaces; they that enter there%@NL@%
Must go upon their knees.%@NL@%

%@NL@%John Webster
%@NL@%Duchess of Malfi [1623], act IV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Webster@%%@QR:Webster@%%@CR:N1580WEBJ130    @%%@2@%Ferdinand: Cover her face; mine eyes dazzle; 1  she died young.%@NL@%%@EH@%
Bosola: I think not so; her infelicity%@NL@%
Seemed to have years too many.%@NL@%

%@NL@%John Webster
%@NL@%Duchess of Malfi [1623], act IV, sc. ii

%@NL@%%@AI@%1 See O. W. Holmes%@BO:          4c65cf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Since in a net I seek to hold the wind.-Wyatt, Sonnet, Whoso List to Hunt
[c. 1557]  %@EF@%
%@QR:John Webster@%%@QR:Webster@%%@CR:N1580WEBJ140    @%%@2@%Vain the ambition of kings%@NL@%%@EH@%
Who seek by trophies and dead things%@NL@%
To leave a living name behind,%@NL@%
And weave but nets to catch the wind.%@NL@%

%@NL@%John Webster
%@NL@%The Devil's Law Case [1623], song

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Thomas Overbury%@AE@%%@EH@%
%@NL@%
%@AB@%1581-1613%@AE@%
%@NL@%%@NL@%

%@QR:Sir Thomas Overbury@%%@QR:Overbury@%%@CR:N1581OVET10     @%%@2@%Give me, next good, an understanding wife,%@NL@%%@EH@%
By nature wise, not learned much by art.%@NL@%

%@NL@%Sir Thomas Overbury
%@NL@%A Wife [1614]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Overbury@%%@QR:Overbury@%%@CR:N1581OVET20     @%%@2@%   He disdains all things above his reach, and preferreth all countries%@EH@%
before his own. 1  2  3 %@NL@%
%@NL@%
Sir Thomas Overbury
%@NL@%An Affectate Traveller [1614]

%@NL@%%@AI@%1 See Shakespeare%@BO:          1aca20@%%@AE@%
%@AI@%2 See Canning%@BO:          3391fc@%%@AE@%
%@AI@%3 See Gilbert%@BO:          4ad6b8@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Richard Corbet%@AE@%%@EH@%
%@NL@%
%@AB@%1582-1635%@AE@%
%@NL@%%@NL@%

%@QR:Richard Corbet@%%@QR:Corbet@%%@CR:N1582CORR10     @%%@2@%Farewell, rewards and fairies, 1 %@NL@%%@EH@%
Good housewives now may say.%@NL@%

%@NL@%Richard Corbet
%@NL@%Farewell to the Fairies, st. 1

%@NL@%%@AI@%1 See Kipling%@BO:          53872c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Corbet@%%@QR:Corbet@%%@CR:N1582CORR20     @%%@2@%Who of late for cleanliness,%@NL@%%@EH@%
Finds sixpence in her shoe?%@NL@%

%@NL@%Richard Corbet
%@NL@%Farewell to the Fairies, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Corbet@%%@QR:Corbet@%%@CR:N1582CORR30     @%%@2@%Nor too much wealth nor wit come to thee,%@NL@%%@EH@%
So much of either may undo thee.%@NL@%

%@NL@%Richard Corbet
%@NL@%To His Son, Vincent Corbet

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jacques du Laurens%@AE@%%@EH@%
%@NL@%
%@AB@%1583-1650%@AE@%
%@NL@%%@NL@%

%@QR:Jacques du Laurens@%%@QR:Laurens@%%@CR:N1583LAUJ10     @%%@2@%   I do not attack fools, but foolishness.%@NL@%%@EH@%
%@NL@%
Jacques du Laurens
%@NL@%Satires [1624]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Philip Massinger%@AE@%%@EH@%
%@NL@%
%@AB@%1583-1640%@AE@%
%@NL@%%@NL@%

%@QR:Philip Massinger@%%@QR:Massinger@%%@CR:N1583MASP10     @%%@2@%Be wise;%@NL@%%@EH@%
Soar not too high to fall; but stoop to rise. 1 %@NL@%

%@NL@%Philip Massinger
%@NL@%Duke of Milan [1623], act I, sc. ii

%@NL@%%@AI@%1 See Mather%@BO:          282ff3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Massinger@%%@QR:Massinger@%%@CR:N1583MASP20     @%%@2@%He that would govern others, first should be%@NL@%%@EH@%
Master of himself. 1 %@NL@%

%@NL@%Philip Massinger
%@NL@%The Bondman [1624], act I, sc. iii

%@NL@%%@AI@%1 See Rabelais%@BO:          135f59@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Massinger@%%@QR:Massinger@%%@CR:N1583MASP30     @%%@2@%To be nobly born%@NL@%%@EH@%
Is now a crime.%@NL@%

%@NL@%Philip Massinger
%@NL@%The Roman Actor [1629], actI, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Massinger@%%@QR:Massinger@%%@CR:N1583MASP40     @%%@2@%Whose wealth%@NL@%%@EH@%
Arithmetic cannot number.%@NL@%

%@NL@%Philip Massinger
%@NL@%The Roman Actor [1629], actI, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Massinger@%%@QR:Massinger@%%@CR:N1583MASP50     @%%@2@%Grim death. 1 %@NL@%%@EH@%

%@NL@%Philip Massinger
%@NL@%The Roman Actor [1629], actIV, sc. ii

%@NL@%%@AI@%1 See Milton%@BO:          2411ea@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Massinger@%%@QR:Massinger@%%@CR:N1583MASP60     @%%@2@%   A New Way to Pay Old Debts.%@NL@%%@EH@%
%@NL@%
Philip Massinger
%@NL@%Title of play [1632]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francis Beaumont%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1584-1616%@AE@%
%@FN@%
See also Beaumont and Fletcher below.  %@EF@%
%@NL@%%@NL@%

%@QR:Francis Beaumont@%%@QR:Beaumont@%%@CR:N1584BEAF10     @%%@2@%What things have we seen%@NL@%%@EH@%
Done at the Mermaid! heard words that have been%@NL@%
So nimble, and so full of subtle flame,%@NL@%
As if that everyone from whence they came,%@NL@%
Had meant to put his whole wit in a jest,%@NL@%
And resolved to live a fool, the rest%@NL@%
Of his dull life.%@NL@%

%@NL@%Francis Beaumont
%@NL@%Letter to Ben Jonson [1640]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Beaumont%@AE@%%@EH@%
%@NL@%%@1@%%@AB@%Fletcher%@AE@%%@EH@%
%@NL@%%@1@%%@AB@%Francis Beaumont%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1584-1616%@AE@%
%@1@%%@AB@%John Fletcher%@AE@%%@EH@%
%@NL@%
%@AB@%1579-1625%@AE@%
%@FN@%
Of whose partnership John Aubrey [1626-1697] said: "There was a wonderful
consimility of fancy. They lived together not far from the playhouse, had
one wench in the house between them, the same clothes and cloak, [amp   ]c."
%@EF@%
%@FN@%
Also on Fletcher.  %@EF@%
%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1584BEFL20     @%%@2@%It is always good%@NL@%%@EH@%
When a man has two irons in the fire.%@NL@%

%@NL@%John Fletcher
%@NL@%The Faithful Friends [c. 1608], act I, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1584BEFL30     @%%@2@%As cold as cucumbers.%@NL@%%@EH@%

%@NL@%John Fletcher
%@NL@%Cupid's Revenge [1615], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also familiar as: Till the cows come home.  %@EF@%
%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1584BEFL40     @%%@2@%Kiss till the cow comes home.%@NL@%%@EH@%

%@NL@%John Fletcher
%@NL@%Scornful Lady [1616], act III, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1584BEFL50     @%%@2@%There is a method in man's wickedness-%@NL@%%@EH@%
It grows up by degrees. 1  2 %@NL@%

%@NL@%John Fletcher
%@NL@%A King and No King [1619], act V, sc. iv

%@NL@%%@AI@%1 See Juvenal%@BO:           f672b@%%@AE@%
%@AI@%2 See Racine%@BO:          275c88@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1584BEFL60     @%%@2@%Upon my buried body lie lightly, gentle earth. 1  2  3 %@NL@%%@EH@%

%@NL@%John Fletcher
%@NL@%The Maid's Tragedy [1619], act I, sc. ii

%@NL@%%@AI@%1 See Euripides%@BO:           a0999@%%@AE@%
%@AI@%2 See Anonymous Latin%@BO:          10cd20@%%@AE@%
%@AI@%3 See Twain%@BO:          4a6adc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1584BEFL70     @%%@2@%The devil take the hindmost!%@NL@%%@EH@%

%@NL@%John Fletcher
%@NL@%Philaster [1620], act V

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1584BEFL80     @%%@2@%Whistle, and she'll come to you. 1 %@NL@%%@EH@%

%@NL@%John Fletcher
%@NL@%Wit Without Money [1639], act IV, sc. iv

%@NL@%%@AI@%1 See Burns%@BO:          324871@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1584BEFL100    @%%@2@%Calamity is man's true touchstone. 1 %@NL@%%@EH@%

%@NL@%John Fletcher
%@NL@%Four Plays in One. The Triumph of Honour [1647], sc. i

%@NL@%%@AI@%1 See Seneca%@BO:           e978f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Fletcher@%%@QR:Fletcher@%%@CR:N1584BEFL110    @%%@2@%Though I say it that should not say it.%@NL@%%@EH@%

%@NL@%John Fletcher
%@NL@%Wit at Several Weapons (probably in collaboration withWilliam Rowley
[c. 1585-c. 1642]), act II, sc. ii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Selden%@AE@%%@EH@%
%@NL@%
%@AB@%1584-1654%@AE@%
%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ5      @%%@2@%   Scrutamini scripturas [Let us look at the scriptures]. These two words%@EH@%
have undone the world.%@NL@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Bible, Scripture

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ10     @%%@2@%   Equity is a roguish thing. For Law we have a measure, know what to trust%@EH@%
to; Equity is according to the conscience of him that is Chancellor, and as
that is larger or narrower, so is Equity. 'Tis all one as if they should
make the standard for the measure we call a "foot" a Chancellor's foot; what
an uncertain measure would this be! One Chancellor has a long foot, another
a short foot, a third an indifferent foot. 'Tis the same thing in the
Chancellor's conscience.%@NL@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Equity

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ20     @%%@2@%   Humility is a virtue all preach, none practice; and yet everybody is%@EH@%
content to hear.%@NL@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Humility

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ30     @%%@2@%   Tis not the drinking that is to be blamed, but the excess.%@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Humility

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ40     @%%@2@%   Commonly we say a judgment falls upon a man for something in him we%@EH@%
cannot abide.%@NL@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Judgments

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ50     @%%@2@%   Ignorance of the law excuses no man; not that all men know the law, but%@EH@%
because 'tis an excuse every man will plead, and no man can tell how to
refute him.%@NL@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Law

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ60     @%%@2@%   No man is the wiser for his learning. 1  2  3  4  5  6 %@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Learning

%@NL@%%@AI@%1 See Lao-tzu%@BO:           8db29@%%@AE@%
%@AI@%2 See Confucius%@BO:           9288c@%%@AE@%
%@AI@%3 See Heraclitus%@BO:           95aa0@%%@AE@%
%@AI@%4 See Chaucer%@BO:          1233e3@%%@AE@%
%@AI@%5 See Penn%@BO:          27a628@%%@AE@%
%@AI@%6 See Newman%@BO:          3b4139@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ70     @%%@2@%   Wit and wisdom are born with a man.%@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Learning

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ80     @%%@2@%   Few men make themselves masters of the things they write or speak.%@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Learning

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ90     @%%@2@%   Take a straw and throw it up into the air-you may see by that which way%@EH@%
the wind is.%@NL@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Libels

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ100    @%%@2@%   Philosophy is nothing but discretion.%@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Philosophy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ110    @%%@2@%   Marriage is a desperate thing.%@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Marriage

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Behold, my son, with how little wisdom the world is governed.-Axel
Oxenstiern [1583-1654]  %@EF@%
%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ120    @%%@2@%   Thou little thinkest what a little foolery governs the world.%@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Pope

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ140    @%%@2@%   They that govern the most make the least noise.%@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Power

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ150    @%%@2@%   Syllables govern the world.%@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Power

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ160    @%%@2@%   Never tell your resolution beforehand.%@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Wisdom

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ170    @%%@2@%   Wise men say nothing in dangerous times.%@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Wisdom

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ180    @%%@2@%   Pleasure is nothing else but the intermission of pain.%@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Pleasure

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ190    @%%@2@%   Preachers say, Do as I say, not as I do.%@NL@%%@EH@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Preaching

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Selden@%%@QR:Selden@%%@CR:N1584SELJ200    @%%@2@%   A king is a thing men have made for their own sakes, for quietness' sake.%@EH@%
Just as in a family one man is appointed to buy the meat.%@NL@%
%@NL@%
John Selden
%@NL@%Table Talk [1689].Of a King

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Tirso de Molina%@AE@%%@EH@%
%@NL@%Gabriel Tellez
Tirso de Molina
%@AB@%c. 1584-1648%@AE@%
%@NL@%%@NL@%

%@QR:Tirso de Molina@%%@QR:Gabriel Tellez@%%@QR:Tirso de Molina@%%@QR:Molina@%%@CR:N1584TIRS10     @%%@2@%   Through his honor I conquered him. For these peasants carry their honor%@EH@%
in their hands so that they may constantly consult it; this same honor that
once felt so much at home in the city but now has taken refuge in a more
rural setting.%@NL@%
%@NL@%
Tirso de Molina
%@NL@%%@FN@%
Translated by Robert O'Brien.  This is the original Don Juan play.  %@EF@%
El Burlador de Sevilla (The Rogue of Seville) [1630],
act III, sc. iii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Ford%@AE@%%@EH@%
%@NL@%
%@AB@% c. 1586-1639%@AE@%
%@NL@%%@NL@%

%@QR:John Ford@%%@QR:Ford@%%@CR:N1586FORJ10     @%%@2@%Diamond cut diamond.%@NL@%%@EH@%

%@NL@%John Ford
%@NL@%The Lover's Melancholy [1629], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ford@%%@QR:Ford@%%@CR:N1586FORJ20     @%%@2@%   'Tis Pity She's a Whore.%@NL@%%@EH@%
%@NL@%
John Ford
%@NL@%Title of play [1633]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Rainsborough%@AE@%%@EH@%
%@NL@%
%@AB@%d. 1648%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Rainsborough@%%@QR:Rainsborough@%%@CR:N1587RAIT10     @%%@2@%   The poorest he that is in England hath a life to live as the greatest he.%@NL@%%@EH@%
%@NL@%
Thomas Rainsborough
%@NL@%In the army debates at Putney [October 29, 1647]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Hobbes%@AE@%%@EH@%
%@NL@%
%@AB@%1588-1679%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Hobbes@%%@QR:Hobbes@%%@CR:N1588HOBT20     @%%@2@%   Words are wise men's counters, they do but reckon with them, but they are%@EH@%
the money of fools.%@NL@%
%@NL@%
Thomas Hobbes
%@NL@%Leviathan [1651],pt. I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hobbes@%%@QR:Hobbes@%%@CR:N1588HOBT30     @%%@2@%   The privilege of absurdity; to which no living creature is subject but%@EH@%
man only.%@NL@%
%@NL@%
Thomas Hobbes
%@NL@%Leviathan [1651],pt. I, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hobbes@%%@QR:Hobbes@%%@CR:N1588HOBT40     @%%@2@%   Sudden glory is the passion which maketh those grimaces called laughter.%@NL@%%@EH@%
%@NL@%
Thomas Hobbes
%@NL@%Leviathan [1651],pt. I, ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hobbes@%%@QR:Hobbes@%%@CR:N1588HOBT50     @%%@2@%   The secret thoughts of a man run over all things, holy, profane, clean,%@EH@%
obscene, grave, and light, without shame or blame.%@NL@%
%@NL@%
Thomas Hobbes
%@NL@%Leviathan [1651],pt. I, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hobbes@%%@QR:Hobbes@%%@CR:N1588HOBT55     @%%@2@%   During the time men live without a common power to keep them all in awe,%@EH@%
they are in that condition which is called war; and such a war, as is of
every man, against every man. 1 %@NL@%
%@NL@%
Thomas Hobbes
%@NL@%Leviathan [1651],pt. I, ch.13

%@NL@%%@AI@%1 See Swift%@BO:          286d9d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hobbes@%%@QR:Hobbes@%%@CR:N1588HOBT60     @%%@2@%   [In a state of nature] No arts; no letters; no society; and which is%@EH@%
worst of all, continual fear and danger of violent death; and the life of
man, solitary, poor, nasty, brutish, and short.%@NL@%
%@NL@%
Thomas Hobbes
%@NL@%Leviathan [1651],pt. I, ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hobbes@%%@QR:Hobbes@%%@CR:N1588HOBT70     @%%@2@%   The Papacy is not other than the Ghost of the deceased Roman Empire,%@EH@%
sitting crowned upon the grave thereof.%@NL@%
%@NL@%
Thomas Hobbes
%@NL@%Leviathan [1651],pt. IV, ch. 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hobbes@%%@QR:Hobbes@%%@CR:N1588HOBT80     @%%@2@%   The praise of ancient authors proceeds not from the reverence of the%@EH@%
dead, but from the competition and mutual envy of the living.%@NL@%
%@NL@%
Thomas Hobbes
%@NL@%Leviathan [1651],Review and Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hobbes@%%@QR:Hobbes@%%@CR:N1588HOBT90     @%%@2@%   Such truth as opposeth no man's profit nor pleasure is to all men%@EH@%
welcome.%@NL@%
%@NL@%
Thomas Hobbes
%@NL@%Leviathan [1651],Review and Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hobbes@%%@QR:Hobbes@%%@CR:N1588HOBT100    @%%@2@%   I am about to take my last voyage, a great leap in the dark.%@NL@%%@EH@%
%@NL@%
Thomas Hobbes
%@NL@%Last words

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Winthrop%@AE@%%@EH@%
%@NL@%
%@AB@%1588-1649%@AE@%
%@NL@%%@NL@%

%@QR:John Winthrop@%%@QR:Winthrop@%%@CR:N1588WINJ10     @%%@2@%   For we must consider that we shall be a city upon a hill. 1  The eyes of%@EH@%
all people are upon us, so that if we shall deal falsely with our God in
this work we have undertaken, and so cause Him to withdraw His present help
from us, we shall be made a story and a byword through the world.%@NL@%
%@NL@%
John Winthrop
%@NL@%A Model of Christian Charity [1630], a sermon delivered
on board the Arbella

%@NL@%%@AI@%1 See Matthew 5:14%@BO:           4e83b@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%George Wither%@AE@%%@EH@%
%@NL@%
%@AB@%1588-1667%@AE@%
%@NL@%%@NL@%

%@QR:George Wither@%%@QR:Wither@%%@CR:N1588WITG10     @%%@2@%Shall I wasting in despair%@NL@%%@EH@%
Die because a woman's fair?%@NL@%
Or make pale my cheeks with care%@NL@%
'Cause another's rosy are?%@NL@%
Be she fairer than the day,%@NL@%
Or the flow'ry meads in May,%@NL@%
If she be not so to me,%@NL@%
What care I how fair she be?%@NL@%

%@NL@%George Wither
%@NL@%Fair Virtue [1622]. Sonnet 4, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Wither@%%@QR:Wither@%%@CR:N1588WITG20     @%%@2@%'Twas I that beat the bush,%@NL@%%@EH@%
The bird to others flew.%@NL@%

%@NL@%George Wither
%@NL@%A Love Sonnet [1622], st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Wither@%%@QR:Wither@%%@CR:N1588WITG30     @%%@2@%Though I am young, I scorn to flit%@NL@%%@EH@%
On the wings of borrowed wit.%@NL@%

%@NL@%George Wither
%@NL@%The Shepherd's Hunting [1622]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Honorat de Bueil , Marquis de Racan%@AE@%%@EH@%
%@NL@%
%@AB@%1589-1670%@AE@%
%@NL@%%@NL@%

%@FN@%
Rien au monde ne dure/Qu'un eternel changement.  See Heraclitus, Swift,
Shelley, and Wilde  %@EF@%
%@QR:Honorat de Bueil , Marquis de Racan@%%@CR:N1589RACA10     @%%@2@%Nothing in the world lasts%@NL@%%@EH@%
Save eternal change.%@NL@%

%@NL@%Honorat de Bueil , Marquis de Racan
%@NL@%Odes. The Coming of Spring

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le bien de la fortune est un bien perissable; quand on b[acirc ]tit sur
elle, on b[acirc ]tit sur le sable.  See Matthew 7:26  %@EF@%
%@QR:Honorat de Bueil , Marquis de Racan@%%@CR:N1589RACA30     @%%@2@%   The good effect of Fortune may be short-lived. To build on it is to build%@EH@%
on sand.%@NL@%
%@NL@%
Honorat de Bueil , Marquis de Racan
%@NL@%Poesies Diverses

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Bradford%@AE@%%@EH@%
%@NL@%
%@AB@%1590-1657%@AE@%
%@NL@%%@NL@%

%@FN@%
It was owing to this passage, first printed in 1669, that the Mayflower's
company came eventually to be called the Pilgrim Fathers.  %@EF@%
%@QR:William Bradford@%%@QR:Bradford@%%@CR:N1590BRAW10     @%%@2@%   They knew they were pilgrims.%@NL@%%@EH@%
%@NL@%
William Bradford
%@NL@%Of Plymouth Plantation [1620-1647], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Bradford@%%@QR:Bradford@%%@CR:N1590BRAW20     @%%@2@%   So they committed themselves to the will of God and resolved to proceed.%@NL@%%@EH@%
%@NL@%
William Bradford
%@NL@%Of Plymouth Plantation [1620-1647], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Bradford@%%@QR:Bradford@%%@CR:N1590BRAW30     @%%@2@%   Being thus arrived in a good harbor, and brought safe to land, they fell%@EH@%
upon their knees 1  and blessed the God of Heaven who had brought them over
the vast and furious ocean, and delivered them from all the perils and
miseries thereof, again to set their feet on the firm and stable earth,
their proper element.%@NL@%
%@NL@%
William Bradford
%@NL@%Of Plymouth Plantation [1620-1647], ch.9

%@NL@%%@AI@%1 See Evarts%@BO:          43a270@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Bradford@%%@QR:Bradford@%%@CR:N1590BRAW40     @%%@2@%   Our fathers were Englishmen which came over this great ocean, and were%@EH@%
ready to perish in this wilderness.%@NL@%
%@NL@%
William Bradford
%@NL@%Of Plymouth Plantation [1620-1647], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Bradford@%%@QR:Bradford@%%@CR:N1590BRAW50     @%%@2@%   The loss of . . . honest and industrious men's lives cannot be valued at%@EH@%
any price.%@NL@%
%@NL@%
William Bradford
%@NL@%Of Plymouth Plantation [1620-1647], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Bradford@%%@QR:Bradford@%%@CR:N1590BRAW60     @%%@2@%   But it pleased God to visit us then with death daily, and with so general%@EH@%
a disease that the living were scarce able to bury the dead.%@NL@%
%@NL@%
William Bradford
%@NL@%Of Plymouth Plantation [1620-1647], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Bradford@%%@QR:Bradford@%%@CR:N1590BRAW70     @%%@2@%   Cold comfort to fill their hungry bellies. 1 %@NL@%%@EH@%
%@NL@%
William Bradford
%@NL@%Of Plymouth Plantation [1620-1647], ch.13

%@NL@%%@AI@%1 See Shakespeare%@BO:          1fc2aa@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Bradford@%%@QR:Bradford@%%@CR:N1590BRAW80     @%%@2@%   Behold, now, another providence of God. A ship comes into the harbor.%@NL@%%@EH@%
%@NL@%
William Bradford
%@NL@%Of Plymouth Plantation [1620-1647], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Bradford@%%@QR:Bradford@%%@CR:N1590BRAW90     @%%@2@%   Thus out of small beginnings greater things have been produced by His%@EH@%
hand that made all things of nothing, 1  and gives being to all things that
are; and, as one small candle may light a thousand, so the light here
kindled hath shone unto many, yea in some sort to our whole nation. 2  3 %@NL@%
%@NL@%
William Bradford
%@NL@%Of Plymouth Plantation [1620-1647], ch.21

%@NL@%%@AI@%1 See Dryden%@BO:          264a28@%%@AE@%
%@AI@%2 See Matthew 5:15%@BO:           4e83b@%%@AE@%
%@AI@%3 See Shakespeare%@BO:          1915ce@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%William Basse%@AE@%%@EH@%
%@NL@%
%@AB@%died c. 1653%@AE@%
%@NL@%%@NL@%

%@QR:William Basse@%%@QR:Basse@%%@CR:N1591BASW10     @%%@2@%Renowned Spenser, lie a thought more nigh%@NL@%%@EH@%
To learned Chaucer; and rare Beaumont, lie%@NL@%
A little nearer Spenser; to make room%@NL@%
For Shakespeare in your threefold fourfold tomb.%@NL@%
To lodge all four in one bed make a shift%@NL@%
Until Doomsday; for hardly will a fift,%@NL@%
Betwixt this day and that, by fate be slain,%@NL@%
For whom your curtains may be drawn again. 1 %@NL@%

%@NL@%William Basse
%@NL@%On Mr. Wm. Shakespeare [c. 1616]

%@NL@%%@AI@%1 See Jonson%@BO:          20be64@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%William Browne%@AE@%%@EH@%
%@NL@%
%@AB@%1591-1643%@AE@%
%@NL@%%@NL@%

%@QR:William Browne@%%@QR:Browne@%%@CR:N1591BROW10     @%%@2@%Underneath this sable hearse%@NL@%%@EH@%
Lies the subject of all verse:%@NL@%
Sidney's sister, Pembroke's mother.%@NL@%
Death, ere thou hast slain another%@NL@%
Fair and learned and good as she,%@NL@%
Time shall throw a dart at thee.%@NL@%

%@NL@%William Browne
%@NL@%Epitaph on the Countess of Pembroke [1621]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Browne@%%@QR:Browne@%%@CR:N1591BROW20     @%%@2@%There is no season such delight can bring,%@NL@%%@EH@%
As summer, autumn, winter, and the spring.%@NL@%

%@NL@%William Browne
%@NL@%Variety

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Herrick%@AE@%%@EH@%
%@NL@%
%@AB@%1591-1674%@AE@%
%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR10     @%%@2@%I sing of brooks, of blossoms, birds, and bowers:%@NL@%%@EH@%
Of April, May, of June, and July flowers.%@NL@%
I sing of Maypoles, Hock-carts, wassails, wakes,%@NL@%
Of bridegrooms, brides, and of their bridal cakes.%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Argument of His Book

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR20     @%%@2@%What is a kiss? Why this, as some approve:%@NL@%%@EH@%
The sure, sweet cement, glue, and lime of love.%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].A Kiss

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR30     @%%@2@%Bid me to live, and I will live%@NL@%%@EH@%
Thy Protestant to be,%@NL@%
Or bid me love, and I will give%@NL@%
A loving heart to thee.%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].To Anthea

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR40     @%%@2@%Cherry ripe, 1  ripe, ripe, I cry,%@NL@%%@EH@%
Full and fair ones; come and buy!%@NL@%
If so be you ask me where%@NL@%
They do grow, I answer, there,%@NL@%
Where my Julia's lips do smile;%@NL@%
There's the land, or cherry-isle.%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Cherry Ripe

%@NL@%%@AI@%1 See Campion%@BO:          201850@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR50     @%%@2@%It is the end that crowns us, not the fight. 1  2  3  4 %@NL@%%@EH@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].The End

%@NL@%%@AI@%1 See Anonymous Latin%@BO:          10b476@%%@AE@%
%@AI@%2 See Heywood%@BO:          13a4de@%%@AE@%
%@AI@%3 See Shakespeare%@BO:          1cf4d5@%%@AE@%
%@AI@%4 See Quarles%@BO:          220b52@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR60     @%%@2@%Some asked how pearls did grow, and where?%@NL@%%@EH@%
Then spoke I to my girl%@NL@%
To part her lips, and showed them there%@NL@%
The quarelets of pearl. 1 %@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].The Rock of Rubies, and the Quarrie of Pearls

%@NL@%%@AI@%1 See Campion%@BO:          2019fb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR70     @%%@2@%A sweet disorder in the dress%@NL@%%@EH@%
Kindles in clothes a wantonness.%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Delight in Disorder

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR80     @%%@2@%A winning wave, deserving note,%@NL@%%@EH@%
In the tempestuous petticoat,%@NL@%
A careless shoestring, in whose tie%@NL@%
I see a wild civility,%@NL@%
Do more bewitch me than when art%@NL@%
Is too precise in every part. 1 %@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Delight in Disorder

%@NL@%%@AI@%1 See Jonson%@BO:          20adc6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR90     @%%@2@%You say to me-wards your affection's strong;%@NL@%%@EH@%
Pray love me little, so you love me long. 1  2 %@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Love Me Little, Love Me Long

%@NL@%%@AI@%1 See Shakespeare%@BO:          17e793@%%@AE@%
%@AI@%2 See Anonymous%@BO:          68233b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR100    @%%@2@%Night makes no difference 'twixt the Priest and Clerk;%@NL@%%@EH@%
Joan as my Lady is as good i' the dark. 1 %@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].No Difference i' th' Dark

%@NL@%%@AI@%1 See Plutarch%@BO:           f3fac@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR110    @%%@2@%Give me a kiss, and to that kiss a score;%@NL@%%@EH@%
Then to that twenty, add a hundred more:%@NL@%
A thousand to that hundred: so kiss on, 1 %@NL@%
To make that thousand up a million.%@NL@%
Treble that million, and when that is done,%@NL@%
Let's kiss afresh, as when we first begun.%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].To Anthea: Ah, My Anthea!

%@NL@%%@AI@%1 See Catullus%@BO:           cd5e9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR120    @%%@2@%Gather ye rosebuds while ye may,%@NL@%%@EH@%
Old Time is still a-flying,%@NL@%
And this same flower that smiles today%@NL@%
Tomorrow will be dying. 1  2  3  4 %@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].To the Virgins to Make Much of Time

%@NL@%%@AI@%1 See Wisdom of Solomon 2:8%@BO:           47231@%%@AE@%
%@AI@%2 See Horace%@BO:           d90a3@%%@AE@%
%@AI@%3 See Ronsard%@BO:          140383@%%@AE@%
%@AI@%4 See Spenser%@BO:          1563e1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR130    @%%@2@%Fair daffodils, we weep to see%@NL@%%@EH@%
You haste away so soon.%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].To Daffodils

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR140    @%%@2@%Her pretty feet, like snails, did creep%@NL@%%@EH@%
A little out, and then, 1 %@NL@%
As if they played at bo-peep,%@NL@%
Did soon draw in again.%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].To Mistress Susanna Southwell

%@NL@%%@AI@%1 See Suckling%@BO:          24afd2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR150    @%%@2@%Her eyes the glowworm lend thee,%@NL@%%@EH@%
The shooting stars attend thee;%@NL@%
And the elves also,%@NL@%
Whose little eyes glow%@NL@%
Like the sparks of fire, befriend thee.%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].The Night Piece to Julia

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR160    @%%@2@%Thus times do shift, each thing his turn does hold;%@NL@%%@EH@%
New things succeed, as former things grow old. 1 %@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Ceremonies for Candlemas Eve

%@NL@%%@AI@%1 See Tennyson%@BO:          4067a5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR170    @%%@2@%Made us nobly wild, not mad.%@NL@%%@EH@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Ode for Ben Jonson

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR180    @%%@2@%Outdid the meat, outdid the frolic wine.%@NL@%%@EH@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Ode for Ben Jonson

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR190    @%%@2@%Attempt the end, and never stand to doubt;%@NL@%%@EH@%
Nothing's so hard but search will find it out.%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Seek and Find

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR200    @%%@2@%Get up, sweet Slug-a-bed, and see%@NL@%%@EH@%
The dew bespangling herb and tree.%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Corinna's Going A-Maying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR210    @%%@2@%'Tis sin,%@NL@%%@EH@%
Nay, profanation to keep in.%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Corinna's Going A-Maying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR220    @%%@2@%So when or you or I are made%@NL@%%@EH@%
A fable, song, or fleeting shade,%@NL@%
All love, all liking, all delight%@NL@%
Lies drowned with us in endless night. 1  2  3  4 %@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Corinna's Going A-Maying

%@NL@%%@AI@%1 See Catullus%@BO:           cd5e9@%%@AE@%
%@AI@%2 See Campion%@BO:          20143f@%%@AE@%
%@AI@%3 See Jonson%@BO:          20aa02@%%@AE@%
%@AI@%4 See Fouche%@BO:          32f060@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR230    @%%@2@%Whenas in silks my Julia goes,%@NL@%%@EH@%
Then, then (methinks) how sweetly flows%@NL@%
That liquefaction of her clothes.Next, when I cast mine eyes and see%@NL@%
That brave vibration each way free;%@NL@%
Oh how that glittering taketh me!%@NL@%

%@NL@%Robert Herrick
%@NL@%Hesperides [1648].Upon Julia's Clothes

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Herrick@%%@QR:Herrick@%%@CR:N1591HERR240    @%%@2@%Here a little child I stand%@NL@%%@EH@%
Heaving up my either hand.%@NL@%
Cold as paddocks though they be,%@NL@%
Here I lift them up to Thee,%@NL@%
For a benison to fall%@NL@%
On our meat, and on us all.%@NL@%

%@NL@%Robert Herrick
%@NL@%Noble Numbers [1648]. A Child's Grace

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Julius Wilhelm Zincgref%@AE@%%@EH@%
%@NL@%
%@AB@%1591-1635%@AE@%
%@NL@%%@NL@%

%@QR:Julius Wilhelm Zincgref@%%@QR:Zincgref@%%@CR:N1591ZINJ10     @%%@2@%   One who longs for death is miserable, but more miserable is he who fears%@EH@%
it.%@NL@%
%@NL@%
Julius Wilhelm Zincgref
%@NL@%Apophthegmata, bk. II [1628]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Julius Wilhelm Zincgref@%%@QR:Zincgref@%%@CR:N1591ZINJ20     @%%@2@%   Laws and police regulations can be compared to a spider's web that lets%@EH@%
the big mosquitoes through and catches the small ones. 1  2 %@NL@%
%@NL@%
Julius Wilhelm Zincgref
%@NL@%Apophthegmata, bk. II [1628]

%@NL@%%@AI@%1 See Anacharsis%@BO:           8a427@%%@AE@%
%@AI@%2 See Swift%@BO:          284c39@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Henry King%@AE@%%@EH@%
%@NL@%
%@AB@%1592-1669%@AE@%
%@NL@%%@NL@%

%@QR:Henry King@%%@QR:King@%%@CR:N1592KINH10     @%%@2@%Thou art the book,%@NL@%%@EH@%
The library whereon I look.%@NL@%

%@NL@%Henry King
%@NL@%The Exequy [1657]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry King@%%@QR:King@%%@CR:N1592KINH20     @%%@2@%Then we shall rise%@NL@%%@EH@%
And view ourselves with clearer eyes%@NL@%
In that calm region where no night%@NL@%
Can hide us from each other's sight.%@NL@%

%@NL@%Henry King
%@NL@%The Exequy [1657]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry King@%%@QR:King@%%@CR:N1592KINH30     @%%@2@%Sleep on, my Love, in thy cold bed,%@NL@%%@EH@%
Never to be disquieted!%@NL@%
My last good-night! Thou wilt not wake,%@NL@%
Till I thy fate shall overtake;%@NL@%
Till age, or grief, or sickness, must%@NL@%
Marry my body to that dust%@NL@%
It so much loves, and fill the room%@NL@%
My heart keeps empty in thy tomb.%@NL@%
Stay for me there; I will not fail%@NL@%
To meet thee in that hollow vale.%@NL@%

%@NL@%Henry King
%@NL@%The Exequy [1657]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry King@%%@QR:King@%%@CR:N1592KINH40     @%%@2@%I am content to live%@NL@%%@EH@%
Divided, with but half a heart.%@NL@%

%@NL@%Henry King
%@NL@%The Exequy [1657]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry King@%%@QR:King@%%@CR:N1592KINH50     @%%@2@%We that did nothing study but the way%@NL@%%@EH@%
To love each other, with which thoughts the day%@NL@%
Rose with delight to us, and with them set,%@NL@%
Must learn the hateful art, how to forget.%@NL@%

%@NL@%Henry King
%@NL@%The Surrender

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francis Quarles%@AE@%%@EH@%
%@NL@%
%@AB@%1592-1644%@AE@%
%@NL@%%@NL@%

%@QR:Francis Quarles@%%@QR:Quarles@%%@CR:N1592QUAF5      @%%@2@%No man is born unto himself alone; 1  2  3 %@NL@%%@EH@%
Who lives unto himself, he lives to none.%@NL@%

%@NL@%Francis Quarles
%@NL@%Esther [1621],Sec. 1, Meditation 1

%@NL@%%@AI@%1 See Romans 14:7%@BO:           69d33@%%@AE@%
%@AI@%2 See Bacon%@BO:          16294e@%%@AE@%
%@AI@%3 See Donne%@BO:          2092ae@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Quarles@%%@QR:Quarles@%%@CR:N1592QUAF7      @%%@2@%The way to bliss lies not on beds of down,%@NL@%%@EH@%
And he that has no cross deserves no crown. 1  2  3 %@NL@%

%@NL@%Francis Quarles
%@NL@%Esther [1621],Sec. 9, Meditation 9

%@NL@%%@AI@%1 See Matthew 10:38%@BO:           52b60@%%@AE@%
%@AI@%2 See Penn%@BO:          279b0b@%%@AE@%
%@AI@%3 See Bennard%@BO:          566c71@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Quarles@%%@QR:Quarles@%%@CR:N1592QUAF10     @%%@2@%Death aims with fouler spite%@NL@%%@EH@%
At fairer marks. 1 %@NL@%

%@NL@%Francis Quarles
%@NL@%Divine Fancies [1632]

%@NL@%%@AI@%1 See Edward Young%@BO:          294ba9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Quarles@%%@QR:Quarles@%%@CR:N1592QUAF20     @%%@2@%We spend our midday sweat, our midnight oil;%@NL@%%@EH@%
We tire the night in thought, the day in toil.%@NL@%

%@NL@%Francis Quarles
%@NL@%Emblems [1635], bk.II, no.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Quarles@%%@QR:Quarles@%%@CR:N1592QUAF30     @%%@2@%Be wisely worldly, be not worldly wise.%@NL@%%@EH@%

%@NL@%Francis Quarles
%@NL@%Emblems [1635], bk.II, no.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Quarles@%%@QR:Quarles@%%@CR:N1592QUAF40     @%%@2@%This house is to be let for life or years;%@NL@%%@EH@%
Her rent is sorrow, and her income tears.%@NL@%
Cupid, 't has long stood void; her bills make known,%@NL@%
She must be dearly let, or let alone.%@NL@%

%@NL@%Francis Quarles
%@NL@%Emblems [1635], bk.II, no.10, Epigram

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
To die is a debt we must all of us discharge.-Euripides, Alcestis, l. 418  %@EF@%
%@QR:Francis Quarles@%%@QR:Quarles@%%@CR:N1592QUAF50     @%%@2@%The slender debt to Nature's quickly paid,%@NL@%%@EH@%
Discharged, perchance, with greater ease than made.%@NL@%

%@NL@%Francis Quarles
%@NL@%Emblems [1635], bk.II, no.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The longest way round is the shortest way home.-Proverb  %@EF@%
%@QR:Francis Quarles@%%@QR:Quarles@%%@CR:N1592QUAF70     @%%@2@%The road to resolution lies by doubt:%@NL@%%@EH@%
The next way home's the farthest way about.%@NL@%

%@NL@%Francis Quarles
%@NL@%Emblems [1635], bk.IV, no. 2, Epigram

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Quarles@%%@QR:Quarles@%%@CR:N1592QUAF90     @%%@2@%It is the lot of man but once to die.%@NL@%%@EH@%

%@NL@%Francis Quarles
%@NL@%Emblems [1635], bk.V, no. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Quarles@%%@QR:Quarles@%%@CR:N1592QUAF100    @%%@2@%My soul, sit thou a patient looker-on;%@NL@%%@EH@%
Judge not the play before the play is done:%@NL@%
Her plot hath many changes; every day%@NL@%
Speaks a new scene; the last act crowns the play. 1  2  3  4 %@NL@%

%@NL@%Francis Quarles
%@NL@%Epigram. Respice Finem

%@NL@%%@AI@%1 See Anonymous Latin%@BO:          10b476@%%@AE@%
%@AI@%2 See Heywood%@BO:          13a4de@%%@AE@%
%@AI@%3 See Shakespeare%@BO:          1cf4d5@%%@AE@%
%@AI@%4 See Herrick%@BO:          21dad1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Quarles@%%@QR:Quarles@%%@CR:N1592QUAF110    @%%@2@%And what's a life?-a weary pilgrimage,%@NL@%%@EH@%
Whose glory in one day doth fill the stage%@NL@%
With childhood, manhood, and decrepit age.%@NL@%

%@NL@%Francis Quarles
%@NL@%What Is Life?

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Quarles@%%@QR:Quarles@%%@CR:N1592QUAF120    @%%@2@%Let all thy joys be as the month of May,%@NL@%%@EH@%
And all thy days be as a marriage day:%@NL@%
Let sorrow, sickness, and a troubled mind%@NL@%
Be stranger to thee.%@NL@%

%@NL@%Francis Quarles
%@NL@%To a Bride

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Ravenscroft%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1592 - c. 1635%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Ravenscroft@%%@QR:Ravenscroft@%%@CR:N1592RAVT10     @%%@2@%Nose, nose, nose, nose!%@NL@%%@EH@%
And who gave thee this jolly red nose?%@NL@%
Nutmegs and ginger, cinnamon and cloves,%@NL@%
And they gave me this jolly red nose.%@NL@%

%@NL@%Thomas Ravenscroft
%@NL@%%@FN@%
Quoted by Beaumont and Fletcher, The Knight of the Burning Pestle [1613],
act I, sc. iii. Ravenscroft's Deuteromelia was a supplement to his Pammelia,
which was the earliest collection of rounds, catches, and canons printed in
England.  %@EF@%
Deuteromelia [1609]. Song no. 7

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Herbert%@AE@%%@EH@%
%@NL@%
%@AB@%1593-1633%@AE@%
%@NL@%%@NL@%

%@FN@%
That many people read a song/Who will not read a sermon.-Winthrop Mackworth
Praed [1802-1839], The Chant of the Brazenhead, st. 1  %@EF@%
%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG10     @%%@2@%A verse may find him who a sermon flies.%@NL@%%@EH@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church Porch,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG30     @%%@2@%Drink not the third glass, 1  2  3  which thou canst not tame%@NL@%%@EH@%
When once it is within thee.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church Porch,st. 5

%@NL@%%@AI@%1 See Addison%@BO:          28e394@%%@AE@%
%@AI@%2 See Hugo%@BO:          3b6435@%%@AE@%
%@AI@%3 See Sill%@BO:          4cb440@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
And he that does one fault at first,/And lies to hide it, makes it
two.-Isaac Watts [1674-1748], Song 15  %@EF@%
%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG40     @%%@2@%Dare to be true: nothing can need a lie:%@NL@%%@EH@%
A fault, which needs it most, grows two thereby.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church Porch,st. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG60     @%%@2@%By all means use sometimes to be alone.%@NL@%%@EH@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church Porch,st. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG70     @%%@2@%By no means run in debt: take thine own measure.%@NL@%%@EH@%
Who cannot live on twenty pound a year,%@NL@%
Cannot on forty.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church Porch,st. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG80     @%%@2@%Wit's an unruly engine, wildly striking%@NL@%%@EH@%
Sometimes a friend, sometimes the engineer.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church Porch,st. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG90     @%%@2@%Be useful where thou livest.%@NL@%%@EH@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church Porch,st. 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG100    @%%@2@%Man is God's image; but a poor man is%@NL@%%@EH@%
Christ's stamp to boot: both images regard.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church Porch,st. 64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG110    @%%@2@%Was ever grief like mine?%@NL@%%@EH@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Sacrifice,refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG120    @%%@2@%For thirty pence he did my death devise, 1  2 %@NL@%%@EH@%
Who at three hundred did the ointment prize. 3 %@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Sacrifice,st. 5

%@NL@%%@AI@%1 See Zechariah 11:12%@BO:           45fd5@%%@AE@%
%@AI@%2 See Matthew 26:15%@BO:           57dc7@%%@AE@%
%@AI@%3 See John 12:4-%@BO:           6331c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG130    @%%@2@%Man stole the fruit, but I must climb the tree.%@NL@%%@EH@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Sacrifice,st. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG140    @%%@2@%I got me flowers to strew Thy way,%@NL@%%@EH@%
I got me boughs off many a tree:%@NL@%
But Thou wast up by break of day,%@NL@%
And brought'st Thy sweets along with Thee.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.Easter, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG150    @%%@2@%Who says that fictions only and false hair%@NL@%%@EH@%
Become a verse? Is there in truth no beauty? 1 %@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.Jordan, st. 1

%@NL@%%@AI@%1 See Keats%@BO:          39e13a@%%@AE@%

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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG160    @%%@2@%Sweet day, so cool, so calm, so bright,%@NL@%%@EH@%
The bridal of the earth and sky.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.Virtue,st. 1

%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG170    @%%@2@%Sweet spring, full of sweet days and roses,%@NL@%%@EH@%
A box where sweets compacted lie.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.Virtue,st. 3

%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG180    @%%@2@%Only a sweet and virtuous soul,%@NL@%%@EH@%
Like seasoned timber, never gives.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.Virtue,st. 4

%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG190    @%%@2@%Who goes to bed and does not pray,%@NL@%%@EH@%
Maketh two nights to every day.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.Charms and Knots, st. 4

%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG200    @%%@2@%Nothing wears clothes, but Man; nothing doth need%@NL@%%@EH@%
But he to wear them.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.Providence,st. 28

%@NL@%
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%@FN@%
The crocodile does not move the lower jaw, but is the only animal that
brings down its upper jaw to the under one.-Herodotus [c. 485-c. 425  B.C.
], Customs of the Egyptians  %@EF@%
%@FN@%
Leans the huge elephant.-James Thomson, The Seasons, Summer [1727], l. 725  %@EF@%
%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG210    @%%@2@%Most things move th' under-jaw, the crocodile not.%@NL@%%@EH@%
Most things sleep lying, th' elephant leans or stands.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.Providence,st. 35

%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG240    @%%@2@%I struck the board, and cried, No more:%@NL@%%@EH@%
I will abroad.%@NL@%
What? shall I ever sigh and pine?%@NL@%
My lines and life are free; free as the road,%@NL@%
Loose as the wind, as large as store.%@NL@%
Shall I be still in suit?%@NL@%
Have I no harvest but a thorn%@NL@%
To let me blood, and not restore%@NL@%
What I have lost with cordial fruit?%@NL@%
Sure there was wine%@NL@%
Before my sighs did dry it; there was corn%@NL@%
Before my tears did drown it;%@NL@%
Is the year only lost to me?%@NL@%
Have I no bays to crown it?%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Collar

%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG250    @%%@2@%Call in thy death's head there: tie up thy fears.%@NL@%%@EH@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Collar

%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG260    @%%@2@%But as I raved and grew more fierce and wild%@NL@%%@EH@%
At every word,%@NL@%
Methought I heard one calling, Child!%@NL@%
And I replied, My Lord.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Collar

%@NL@%
%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG270    @%%@2@%He would adore my gifts instead of me,%@NL@%%@EH@%
And rest in Nature, not the God of Nature:%@NL@%
So both should losers be.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Pulley,st. 3

%@NL@%
%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG280    @%%@2@%Let him be rich and weary, that at least,%@NL@%%@EH@%
If goodness lead him not, yet weariness%@NL@%
May toss him to my breast.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Pulley,st. 4

%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG290    @%%@2@%Grief melts away%@NL@%%@EH@%
Like snow in May,%@NL@%
As if there were no such cold thing.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Flower,st. 1

%@NL@%
%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG300    @%%@2@%Who would have thought my shriveled heart%@NL@%%@EH@%
Could have recovered greenness?%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Flower,st. 2

%@NL@%
%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG310    @%%@2@%And now in age I bud again,%@NL@%%@EH@%
After so many deaths I live and write;%@NL@%
I once more smell the dew and rain,%@NL@%
And relish versing: O my only light,%@NL@%
It cannot be%@NL@%
That I am he%@NL@%
On whom thy tempests fell all night.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Flower,st. 6

%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG320    @%%@2@%The harbingers are come. See, see their mark;%@NL@%%@EH@%
White is their color, and behold my head.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Forerunners, st. 1

%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG330    @%%@2@%Teach me, my God and King,%@NL@%%@EH@%
In all things thee to see%@NL@%
And what I do in any thing,%@NL@%
To do it as for thee.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Elixir,st. 1

%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG340    @%%@2@%A servant with this clause%@NL@%%@EH@%
Makes drudgery divine:%@NL@%
Who sweeps a room, as for thy laws,%@NL@%
Makes that and th' action fine.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.The Elixir,st. 5

%@NL@%
%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG350    @%%@2@%Love bade me welcome: yet my soul drew back,%@NL@%%@EH@%
Guilty of dust and sin.%@NL@%
But quick-eyed Love, observing me grow slack%@NL@%
From my first entrance in,%@NL@%
Drew nearer to me, sweetly questioning,%@NL@%
If I lacked anything.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.Love,st. 1

%@NL@%
%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG360    @%%@2@%You must sit down, says Love, and taste my meat:%@NL@%%@EH@%
So I did sit and eat.%@NL@%

%@NL@%George Herbert
%@NL@%The Temple [1633].The Church.Love,st. 3

%@NL@%
%@NL@%
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%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG370    @%%@2@%Religion stands on tiptoe in our land,%@NL@%%@EH@%
Ready to pass to the American strand.%@NL@%

%@NL@%George Herbert
%@NL@%The Church Militant [1633], l. 235

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG380    @%%@2@%   Love, and a cough, cannot be hid. 1 %@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.49

%@NL@%%@AI@%1 See Anonymous: Spanish%@BO:          69e7c5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG390    @%%@2@%   Ill ware is never cheap. Pleasing ware is half sold.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG400    @%%@2@%   When a dog is drowning, everyone offers him drink.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG410    @%%@2@%   Deceive not thy physician, confessor, nor lawyer.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG420    @%%@2@%   Who would do ill ne'er wants occasion.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.116

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG430    @%%@2@%   A snow year, a rich year.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.125

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG440    @%%@2@%   Well may he smell fire, whose gown burns.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.138

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG450    @%%@2@%   Love your neighbor, yet pull not down your hedge. 1 %@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.141

%@NL@%%@AI@%1 See Robert Frost%@BO:          5753ba@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG460    @%%@2@%   Marry your son when you will; your daughter when you can.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.149

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG470    @%%@2@%   The mill cannot grind with the water that's past.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG480    @%%@2@%   Good words are worth much, and cost little.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.155

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sir, Hell is paved with good intentions.-Samuel Johnson [1775]; from
Boswell, Life of Johnson [1791], vol. I, p. 555 (Everyman edition)  %@EF@%
%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG490    @%%@2@%   Hell is full of good meanings and wishings.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.170

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG510    @%%@2@%   Where the drink goes in, there the wit goes out.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.187

%@NL@%
%@NL@%
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%@FN@%
People in glass houses shouldn't throw stones.-Proverb  See Franklin  %@EF@%
%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG520    @%%@2@%   Whose house is of glass, must not throw stones at another.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.196

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG530    @%%@2@%   By suppers more have been killed than Galen ever cured.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.272

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The lion is not so fierce as painted.-Thomas Fuller [1608-1661], Expecting
Preferment  %@EF@%
%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG540    @%%@2@%   The lion is not so fierce as they paint him.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.289

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG560    @%%@2@%   Go not for every grief to the physician, nor for every quarrel to the%@EH@%
lawyer, nor for every thirst to the pot.%@NL@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.290

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG570    @%%@2@%   The best mirror is an old friend.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.296

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Stand like an anvil when it is beaten upon.-St. Ignatius Theophorus, bishop
of Antioch [fl. c. 100]  When you are the anvil, bear-/When you are the
hammer, strike.-Edwin Markham [1852-1940], Preparedness  %@EF@%
%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG580    @%%@2@%   When you are an anvil, hold you still; when you are a hammer, strike your%@EH@%
fill.%@NL@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.338

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG610    @%%@2@%   He that lies with the dogs, riseth with fleas.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.343

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG620    @%%@2@%   He that is not handsome at twenty, nor strong at thirty, nor rich at%@EH@%
forty, nor wise at fifty, will never be handsome, strong, rich, or wise.%@NL@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.349

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Caveat emptor [Buyer, beware].-Proverb  %@EF@%
%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG630    @%%@2@%   The buyer needs a hundred eyes, the seller not one.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.390

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG650    @%%@2@%   My house, my house, though thou art small, thou art to me the Escurial.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.413

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG660    @%%@2@%   Trust not one night's ice.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.453

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG670    @%%@2@%   For want of a nail the shoe is lost, for want of a shoe the horse is%@EH@%
lost, for want of a horse the rider is lost. 1 %@NL@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.499

%@NL@%%@AI@%1 See Benjamin Franklin%@BO:          2b5c9a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG680    @%%@2@%   Pension never enriched young man.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.515

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG685    @%%@2@%   Living well is the best revenge.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.520

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG690    @%%@2@%   One enemy is too much. 1 %@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.523

%@NL@%%@AI@%1 See Ali ibn-Abi-Talib%@BO:          1056b5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG700    @%%@2@%   Thursday come, and the week is gone.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.587

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG710    @%%@2@%   Time is the rider that breaks youth.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.615

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG720    @%%@2@%   Show me a liar, and I'll show thee a thief.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.652

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG730    @%%@2@%   One father is more than a hundred schoolmasters.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.686

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG740    @%%@2@%   Reason lies between the spur and the bridle.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.711

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG750    @%%@2@%   One sword keeps another in the sheath.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.725

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG760    @%%@2@%   God's mill grinds slow, but sure. 1  2 %@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.747

%@NL@%%@AI@%1 See Euripides%@BO:           a2c54@%%@AE@%
%@AI@%2 See von Logau%@BO:          22c419@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG770    @%%@2@%   He that lends, gives.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.787

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Johnson  Fatti maschii parole femine [Manly deeds, womanly words].-State
motto of Maryland  %@EF@%
%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG780    @%%@2@%   Words are women, deeds are men.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.842

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG800    @%%@2@%   Poverty is no sin.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.844

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG820    @%%@2@%   None knows the weight of another's burthen.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.880

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG830    @%%@2@%   One hour's sleep before midnight is worth three after.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.882

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG840    @%%@2@%   He hath no leisure who useth it not.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.897

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG850    @%%@2@%   Half the world knows not how the other half lives.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.907

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG860    @%%@2@%   Life is half spent before we know what it is.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.917

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG870    @%%@2@%   Every mile is two in winter.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.949

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG880    @%%@2@%   The eye is bigger than the belly.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.1018

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG890    @%%@2@%   His bark is worse than his bite.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.1090

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG900    @%%@2@%   There is an hour wherein a man might be happy all his life, could he find%@EH@%
it.%@NL@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.1143

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Herbert@%%@QR:Herbert@%%@CR:N1593HERG910    @%%@2@%   Woe be to him that reads but one book.%@NL@%%@EH@%
%@NL@%
George Herbert
%@NL@%Jacula Prudentum [1651], no.1146

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Izaak Walton%@AE@%%@EH@%
%@NL@%
%@AB@%1593-1683%@AE@%
%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI10     @%%@2@%   But God, who is able to prevail, wrestled with him, as the Angel did with%@EH@%
Jacob, and marked him; marked him for his own. 1  2 %@NL@%
%@NL@%
Izaak Walton
%@NL@%Life of Donne [1640]

%@NL@%%@AI@%1 See Genesis 32:24%@BO:            a549@%%@AE@%
%@AI@%2 See Gray%@BO:          2d2879@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI20     @%%@2@%   I have laid aside business, and gone a-fishing.%@NL@%%@EH@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].Epistle to the Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI30     @%%@2@%   Angling may be said to be so like the mathematics that it can never be%@EH@%
fully learnt.%@NL@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].Epistle to the Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI40     @%%@2@%   As no man is born an artist, so no man is born an angler.%@NL@%%@EH@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].Epistle to the Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI50     @%%@2@%   I shall stay him no longer than to wish him a rainy evening to read this%@EH@%
following discourse; and that if he be an honest angler, the east wind may
never blow when he goes a-fishing.%@NL@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].Epistle to the Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI60     @%%@2@%   I am, Sir, a brother of the Angle.%@NL@%%@EH@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ipsa quidem virtus sibimet pulcherrima merces [Virtue herself is her own
fairest reward].-Silius Italicus [ A.D.  c. 25-99], Punica, bk. XIII, l. 663
Virtue was sufficient of herself for happiness.-Diogenes Laertius [c. 200],
Lives of Eminent Philosophers, XLII, Plato  That virtue is her own reward,
is but a cold principle.-Sir Thomas Browne, Religio Medici [1642], pt. I,
sec. 47  Virtue is its own reward.-Prior [1664-1721], Imitations of Horace,
bk. III, ode 2  I think mankind by thee would be less bored/If only thou
wert not thine own reward.-John Kendrick Bangs [1862-1922], A Hint to Virtue
%@EF@%
%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI70     @%%@2@%   Doubt not but angling will prove to be so pleasant that it will prove to%@EH@%
be, like virtue, a reward to itself.%@NL@%
Sir Henry Wotton . . . was a most dear lover, and a frequent practicer of
the art of angling; of which he would say, "it was an employment for his
idle time, which was then not idly spent . . . a rest to his mind, a cheerer
of his spirits, a diverter of sadness, a calmer of unquiet thoughts, a
moderator of passions, a procurer of contentedness; and that it begat habits
of peace and patience in those that professed and practiced it."%@NL@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
There is certainly something in angling . . . that tends to produce a
gentleness of spirit, and a pure serenity of mind.-Washington Irving, The
Sketch-Book [1819-1820], The Angler  %@EF@%
%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI120    @%%@2@%   You will find angling to be like the virtue of humility, which has a%@EH@%
calmness of spirit and a world of other blessings attending upon it.%@NL@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI140    @%%@2@%   I remember that a wise friend of mine did usually say, "That which is%@EH@%
everybody's business is nobody's business."%@NL@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI150    @%%@2@%   An honest ale-house where we shall find a cleanly room, lavender in the%@EH@%
windows, and twenty ballads stuck about the wall.%@NL@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI160    @%%@2@%   Good company and good discourse are the very sinews of virtue.%@NL@%%@EH@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI170    @%%@2@%   The Chavender or Chub.%@NL@%%@EH@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI180    @%%@2@%   An excellent angler, and now with God.%@NL@%%@EH@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI190    @%%@2@%   Old-fashioned poetry, but choicely good.%@NL@%%@EH@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI200    @%%@2@%   I love such mirth as does not make friends ashamed to look upon one%@EH@%
another next morning.%@NL@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI210    @%%@2@%   No man can lose what he never had.%@NL@%%@EH@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See William Butler  This praise of the strawberry first appeared in the
second edition of The Angler [1655].  %@EF@%
%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI220    @%%@2@%   We may say of angling as Dr. Boteler said of strawberries: "Doubtless God%@EH@%
could have made a better berry, but doubtless God never did"; and so, if I
might be judge, God never did make a more calm, quiet, innocent recreation
than angling.%@NL@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI230    @%%@2@%   Thus use your frog. . . . Put your hook through his mouth, and out at his%@EH@%
gills; . . . and then with a fine needle and silk sew the upper part of his
leg, with only one stitch, to the arming-wire of your hook; or tie the
frog's leg, above the upper joint, to the armed-wire; and in so doing use
him as though you loved him.%@NL@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI240    @%%@2@%   This dish of meat is too good for any but anglers, or very honest men.%@NL@%%@EH@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI250    @%%@2@%   Look to your health; and if you have it, praise God, and value it next to%@EH@%
a good conscience; for health is the second blessing that we mortals are
capable of; a blessing that money cannot buy.%@NL@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI260    @%%@2@%   Let the blessing of St. Peter's Master be . . . upon all that are lovers%@EH@%
of virtue, and dare trust in his Providence, and be quiet and go a-angling.%@NL@%
%@NL@%
Izaak Walton
%@NL@%The Compleat Angler [1653-1655].pt. I, ch.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Izaak Walton@%%@QR:Walton@%%@CR:N1593WALI270    @%%@2@%   The great secretary of Nature and all learning, Sir Francis Bacon. 1 %@NL@%%@EH@%
%@NL@%
Izaak Walton
%@NL@%Life of Herbert [1670]

%@NL@%%@AI@%1 See Howell%@BO:          2288cf@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%James Howell%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1594-1666%@AE@%
%@NL@%%@NL@%

%@QR:James Howell@%%@QR:Howell@%%@CR:N1594HOWJ10     @%%@2@%   Plato, Aristotle, and Socrates are secretaries of Nature. 1 %@NL@%%@EH@%
%@NL@%
James Howell
%@NL@%Letters, bk. II, letter 2

%@NL@%%@AI@%1 See Walton%@BO:          228776@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Howell@%%@QR:Howell@%%@CR:N1594HOWJ20     @%%@2@%   All work and no play makes Jack a dull boy. 1  2  3 %@NL@%%@EH@%
%@NL@%
James Howell
%@NL@%Proverbs [1659]

%@NL@%%@AI@%1 See Ptahhotpe%@BO:            1090@%%@AE@%
%@AI@%2 See Herodotus%@BO:           a4b75@%%@AE@%
%@AI@%3 See Cervantes%@BO:          14e4be@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Thomas Carew%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1595 - c. 1639%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Carew@%%@QR:Carew@%%@CR:N1595CART10     @%%@2@%Here lies a King that ruled, as he thought fit%@NL@%%@EH@%
The universal monarchy of wit;%@NL@%
Here lies two flamens, and both those the best:%@NL@%
Apollo's first, at last the true God's priest.%@NL@%

%@NL@%Thomas Carew
%@NL@%Elegy on the Death of Donne [1633]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carew@%%@QR:Carew@%%@CR:N1595CART20     @%%@2@%Ask me no more where Jove bestows,%@NL@%%@EH@%
When June is past, the fading rose;%@NL@%
For in your beauty's orient deep%@NL@%
These flowers, as in their causes, sleep.%@NL@%

%@NL@%Thomas Carew
%@NL@%Poems [1640].To Celia,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carew@%%@QR:Carew@%%@CR:N1595CART30     @%%@2@%Ask me no more whither doth haste%@NL@%%@EH@%
The nightingale when May is past;%@NL@%
For in your sweet dividing throat%@NL@%
She winters and keeps warm her note.%@NL@%

%@NL@%Thomas Carew
%@NL@%Poems [1640].To Celia,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carew@%%@QR:Carew@%%@CR:N1595CART40     @%%@2@%Ask me no more if east or west%@NL@%%@EH@%
The Phoenix builds her spicy nest;%@NL@%
For unto you at last she flies,%@NL@%
And in your fragrant bosom dies.%@NL@%

%@NL@%Thomas Carew
%@NL@%Poems [1640].To Celia,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carew@%%@QR:Carew@%%@CR:N1595CART50     @%%@2@%Give me more love or more disdain;%@NL@%%@EH@%
The torrid or the frozen zone:%@NL@%
Bring equal ease unto my pain;%@NL@%
The temperate affords me none.%@NL@%

%@NL@%Thomas Carew
%@NL@%Poems [1640].Mediocrity in Love Rejected, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carew@%%@QR:Carew@%%@CR:N1595CART60     @%%@2@%Thou shalt confess the vain pursuit%@NL@%%@EH@%
Of human glory yields no fruit%@NL@%
But an untimely grave. 1 %@NL@%

%@NL@%Thomas Carew
%@NL@%Poems [1640].On the Duke of Buckingham

%@NL@%%@AI@%1 See Gray%@BO:          2d157a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carew@%%@QR:Carew@%%@CR:N1595CART70     @%%@2@%He that loves a rosy cheek,%@NL@%%@EH@%
Or a coral lip admires,%@NL@%
Or, from starlike eyes, doth seek%@NL@%
Fuel to maintain his fires;%@NL@%
As old Time makes these decay,%@NL@%
So his flames must waste away.%@NL@%

%@NL@%Thomas Carew
%@NL@%Poems [1640].Disdain Returned, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carew@%%@QR:Carew@%%@CR:N1595CART80     @%%@2@%The firstling of the infant year.%@NL@%%@EH@%

%@NL@%Thomas Carew
%@NL@%Poems [1640].The Primrose

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carew@%%@QR:Carew@%%@CR:N1595CART90     @%%@2@%Then fly betimes, for only they%@NL@%%@EH@%
Conquer Love that run away.%@NL@%

%@NL@%Thomas Carew
%@NL@%Poems [1640].Conquest by Flight

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carew@%%@QR:Carew@%%@CR:N1595CART100    @%%@2@%The magic of a face.%@NL@%%@EH@%

%@NL@%Thomas Carew
%@NL@%Poems [1640].Epitaph on the Lady S--

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Rene Descartes%@AE@%%@EH@%
%@NL@%
%@AB@%1596-1650%@AE@%
%@NL@%%@NL@%

%@QR:Rene Descartes@%%@QR:Descartes@%%@CR:N1596DESR10     @%%@2@%   Good sense is of all things in the world the most equally distributed,%@EH@%
for everybody thinks he is so well supplied with it, that even those most
difficult to please in all other matters never desire more of it than they
already possess.%@NL@%
%@NL@%
Rene Descartes
%@NL@%Le Discours de la Methode [1637],I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Rene Descartes@%%@QR:Descartes@%%@CR:N1596DESR20     @%%@2@%   It is not enough to have a good mind. The main thing is to use it well.%@NL@%%@EH@%
%@NL@%
Rene Descartes
%@NL@%Le Discours de la Methode [1637],I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Rene Descartes@%%@QR:Descartes@%%@CR:N1596DESR30     @%%@2@%   The greatest minds are capable of the greatest vices as well as of the%@EH@%
greatest virtues.%@NL@%
%@NL@%
Rene Descartes
%@NL@%Le Discours de la Methode [1637],I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Rene Descartes@%%@QR:Descartes@%%@CR:N1596DESR40     @%%@2@%   The first precept was never to accept a thing as true until I knew it as%@EH@%
such without a single doubt.%@NL@%
%@NL@%
Rene Descartes
%@NL@%Le Discours de la Methode [1637],I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Rene Descartes@%%@QR:Descartes@%%@CR:N1596DESR50     @%%@2@%   One cannot conceive anything so strange and so implausible that it has%@EH@%
not already been said by one philosopher or another. 1  2 %@NL@%
%@NL@%
Rene Descartes
%@NL@%Le Discours de la Methode [1637],II

%@NL@%%@AI@%1 See Cicero%@BO:           c70ef@%%@AE@%
%@AI@%2 See Goethe%@BO:          30ce54@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Rene Descartes@%%@QR:Descartes@%%@CR:N1596DESR60     @%%@2@%   I think, therefore I am [Cogito, ergo sum; Je pense, donc je suis]. 1 %@NL@%%@EH@%
%@NL@%
Rene Descartes
%@NL@%Le Discours de la Methode [1637],IV

%@NL@%%@AI@%1 See Aristotle%@BO:           b4887@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%James Shirley%@AE@%%@EH@%
%@NL@%
%@AB@%1596-1666%@AE@%
%@NL@%%@NL@%

%@QR:James Shirley@%%@QR:Shirley@%%@CR:N1596SHIJ10     @%%@2@%How little room%@NL@%%@EH@%
Do we take up in death that, living, know%@NL@%
No bounds!%@NL@%

%@NL@%James Shirley
%@NL@%The Wedding [1626]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Shirley@%%@QR:Shirley@%%@CR:N1596SHIJ20     @%%@2@%I presume you're mortal, and may err. 1  2  3 %@NL@%%@EH@%

%@NL@%James Shirley
%@NL@%The Lady of Pleasure [1635]

%@NL@%%@AI@%1 See Plutarch%@BO:           f467f@%%@AE@%
%@AI@%2 See Anonymous Latin%@BO:          10ae25@%%@AE@%
%@AI@%3 See Pope%@BO:          299f61@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Shirley@%%@QR:Shirley@%%@CR:N1596SHIJ30     @%%@2@%Only the actions of the just%@NL@%%@EH@%
Smell sweet and blossom in their dust.%@NL@%

%@NL@%James Shirley
%@NL@%The Lady of Pleasure [1635]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Shirley@%%@QR:Shirley@%%@CR:N1596SHIJ40     @%%@2@%Death calls ye to the crowd of common men.%@NL@%%@EH@%

%@NL@%James Shirley
%@NL@%Cupid and Death [1653]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Shirley@%%@QR:Shirley@%%@CR:N1596SHIJ50     @%%@2@%The glories of our blood and state%@NL@%%@EH@%
Are shadows, not substantial things;%@NL@%
There is no armor against fate;%@NL@%
Death lays his icy hand on kings. 1  2 %@NL@%

%@NL@%James Shirley
%@NL@%Contention of Ajax and Ulysses [1659], sc. iii

%@NL@%%@AI@%1 See Horace%@BO:           d8751@%%@AE@%
%@AI@%2 See Publilius Syrus%@BO:           dfea2@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Oliver Cromwell%@AE@%%@EH@%
%@NL@%
%@AB@%1599-1658%@AE@%
%@NL@%%@NL@%

%@QR:Oliver Cromwell@%%@QR:Cromwell@%%@CR:N1599CROO10     @%%@2@%   A few honest men are better than numbers.%@NL@%%@EH@%
%@NL@%
Oliver Cromwell
%@NL@%Letter to Sir W. Spring [September 1643]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Cromwell@%%@QR:Cromwell@%%@CR:N1599CROO20     @%%@2@%   The State, in choosing men to serve it, takes no notice of their%@EH@%
opinions. If they be willing faithfully to serve it, that satisfies.%@NL@%
%@NL@%
Oliver Cromwell
%@NL@%Before the battle of Marston Moor [July 2, 1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Said before his defeat of the Royalist Scots at the battle of Dunbar
[September 3, 1650].  See Hand  %@EF@%
%@QR:Oliver Cromwell@%%@QR:Cromwell@%%@CR:N1599CROO30     @%%@2@%   I beseech you, in the bowels of Christ, think it possible you may be%@EH@%
mistaken.%@NL@%
%@NL@%
Oliver Cromwell
%@NL@%Letter to the General Assembly of the Church of Scotland
[August 3, 1650]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Cromwell@%%@QR:Cromwell@%%@CR:N1599CROO40     @%%@2@%   It is not fit that you sit here any longer!  . . . you shall now give%@EH@%
place to better men.%@NL@%
%@NL@%
Oliver Cromwell
%@NL@%To the Rump Parliament [January 22, 1654]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Cromwell@%%@QR:Cromwell@%%@CR:N1599CROO50     @%%@2@%   Necessity hath no law. 1  2  Feigned necessities, imaginary necessities .%@EH@%
. . are the greatest cozenage that men can put upon the Providence of God,
and make pretenses to break known rules by.%@NL@%
%@NL@%
Oliver Cromwell
%@NL@%To Parliament [September 12, 1654]

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e264e@%%@AE@%
%@AI@%2 See St. Augustine%@BO:          103969@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Cromwell@%%@QR:Cromwell@%%@CR:N1599CROO60     @%%@2@%   I would have been glad to have lived under my woodside, and to have kept%@EH@%
a flock of sheep, rather than to have undertaken this government.%@NL@%
%@NL@%
Oliver Cromwell
%@NL@%To Parliament [1658]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Warts and all.-Saying  %@EF@%
%@QR:Oliver Cromwell@%%@QR:Cromwell@%%@CR:N1599CROO70     @%%@2@%   Mr. Lely, I desire you would use all your skill to paint my picture truly%@EH@%
like me, and not flatter me at all; but remark all these roughnesses,
pimples, warts, and everything as you see me, otherwise I will never pay a
farthing for it.%@NL@%
%@NL@%
Oliver Cromwell
%@NL@%From Horace Walpole,
Anecdotes of Painting in England [1762-1771]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Cromwell@%%@QR:Cromwell@%%@CR:N1599CROO90     @%%@2@%   It is not my design to drink or to sleep, but my design is to make what%@EH@%
haste I can to be gone.%@NL@%
%@NL@%
Oliver Cromwell
%@NL@%Dying words

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pedro Calderon de la Barca%@AE@%%@EH@%
%@NL@%
%@AB@%1600-1681%@AE@%
%@NL@%%@NL@%

%@FN@%
Que es la pequeno:/Que toda la vida es sueno,/y los suenos suenos son.
Translated by Edward and Elizabeth Huberman.  See Heraclitus and Montaigne  %@EF@%
%@QR:Pedro Calderon de la Barca@%%@QR:Calderon de la Barca@%%@CR:N1600CALP10     @%%@2@%   What is life? A madness. What is life? An illusion, a shadow, a story.%@EH@%
And the greatest good is little enough: for all life is a dream, and dreams
themselves are only dreams.%@NL@%
%@NL@%
Pedro Calderon de la Barca
%@NL@%Life Is a Dream, actII, l. 1195

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pedro Calderon de la Barca@%%@QR:Calderon de la Barca@%%@CR:N1600CALP20     @%%@2@%   But whether it be dream or truth, to do well is what matters. If it be%@EH@%
truth, for truth's sake. If not, then to gain friends for the time when we
awaken.%@NL@%
%@NL@%
Pedro Calderon de la Barca
%@NL@%Life Is a Dream, actIII, l.236

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pedro Calderon de la Barca@%%@QR:Calderon de la Barca@%%@CR:N1600CALP30     @%%@2@%   The treason past, the traitor is no longer needed.%@NL@%%@EH@%
%@NL@%
Pedro Calderon de la Barca
%@NL@%Life Is a Dream, actIII, l.1109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pedro Calderon de la Barca@%%@QR:Calderon de la Barca@%%@CR:N1600CALP40     @%%@2@%   What surprises you, if a dream taught me this wisdom, and if I still fear%@EH@%
I may wake up and find myself once more confined in prison? And even if this
should not happen, merely to dream it is enough. For this I have come to
know, that all human happiness finally ceases, like a dream.%@NL@%
%@NL@%
Pedro Calderon de la Barca
%@NL@%Life Is a Dream, actIII, l.1114

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Martin Parker%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1600 - c. 1656%@AE@%
%@NL@%%@NL@%

%@QR:Martin Parker@%%@QR:Parker@%%@CR:N1600PARM10     @%%@2@%Ye gentlemen of England%@NL@%%@EH@%
That live at home at ease,%@NL@%
Ah! little do you think upon%@NL@%
The dangers of the seas.%@NL@%

%@NL@%Martin Parker
%@NL@%Song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Parker@%%@QR:Parker@%%@CR:N1600PARM20     @%%@2@%When the stormy winds do blow. 1 %@NL@%%@EH@%

%@NL@%Martin Parker
%@NL@%Song

%@NL@%%@AI@%1 See Campbell%@BO:          361221@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Jules Cardinal Mazarin%@AE@%%@EH@%
%@NL@%
%@AB@%1602-1661%@AE@%
%@NL@%%@NL@%

%@FN@%
Il faut quitter tout cela! Adieu, chers tableaux que j'ai tant aimes et qui
m'ont tant co[ucirc ]te.  %@EF@%
%@QR:Jules Cardinal Mazarin@%%@QR:Mazarin@%%@CR:N1602MAZJ10     @%%@2@%   I must leave all that! Farewell, dear paintings that I have loved so much%@EH@%
and which have cost me so much.%@NL@%
%@NL@%
Jules Cardinal Mazarin
%@NL@%Remark shortly before his death

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Kenelm Digby%@AE@%%@EH@%
%@NL@%
%@AB@%1603-1665%@AE@%
%@NL@%%@NL@%

%@FN@%
Psalm 51.  %@EF@%
%@QR:Sir Kenelm Digby@%%@QR:Digby@%%@CR:N1603DIGK10     @%%@2@%   The hot water is to remain upon it [the tea] no longer than whiles you%@EH@%
can  say the Miserere Psalm very leisurely.%@NL@%
%@NL@%
Sir Kenelm Digby
%@NL@%The Closet Opened. Tea with Eggs

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Kenelm Digby@%%@QR:Digby@%%@CR:N1603DIGK20     @%%@2@%   All matter is indifferent to form.%@NL@%%@EH@%
%@NL@%
Sir Kenelm Digby
%@NL@%Of the Vegetation of Plants [1660]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Roger Williams%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1603-1683%@AE@%
%@NL@%%@NL@%

%@QR:Roger Williams@%%@QR:Williams@%%@CR:N1603WILR10     @%%@2@%   There goes many a ship to sea, with many hundred souls in one ship, whose%@EH@%
weal and woe is common, and is a true picture of a commonwealth or a human
combination or society. It hath fallen out sometimes that both Papists and
Protestants, Jews and Turks may be embarked in one ship; upon which supposal
I affirm that all the liberty of conscience that ever I pleaded for turns
upon these two hinges-that none of the papists, Protestants, Jews or Turks
be forced to come to the ship's prayers or worship, nor compelled from their
own particular prayers or worship, if they practice any. I further add that
I never denied that, notwithstanding this liberty, the commander of this
ship ought to command the ship's course, yea, and also command that justice,
peace, and sobriety be kept and practiced, both among the seamen and all the
passengers.%@NL@%
%@NL@%
Roger Williams
%@NL@%Letter to the Town of Providence [January 1655]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Friedrich von Logau%@AE@%%@EH@%
%@NL@%
%@AB@%1604-1655%@AE@%
%@NL@%%@NL@%

%@QR:Friedrich von Logau@%%@QR:Logau@%%@CR:N1604LOGF10     @%%@2@%Armed peace.%@NL@%%@EH@%

%@NL@%Friedrich von Logau
%@NL@%%@FN@%
Sinngedichten.  %@EF@%
Poetic Aphorisms [1654]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich von Logau@%%@QR:Logau@%%@CR:N1604LOGF20     @%%@2@%This month is a kiss%@NL@%%@EH@%
Which heaven gives the earth%@NL@%
That she now become a bride%@NL@%
And then a future mother.%@NL@%

%@NL@%Friedrich von Logau
%@NL@%Poetic Aphorisms [1654]Characteristics of May

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Longfellow.  See Euripides and Herbert  %@EF@%
%@QR:Friedrich von Logau@%%@QR:Logau@%%@CR:N1604LOGF30     @%%@2@%Though the mills of God grind slowly, yet they grind exceeding small.%@NL@%%@EH@%

%@NL@%Friedrich von Logau
%@NL@%Poetic Aphorisms [1654]Retribution

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Thomas Browne%@AE@%%@EH@%
%@NL@%
%@AB@%1605-1682%@AE@%
%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT10     @%%@2@%   I dare, without usurpation, assume the honorable style of a Christian.%@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT20     @%%@2@%   I could never divide myself from any man upon the difference of an%@EH@%
opinion, or be angry with his judgment for not agreeing with me in that from
which perhaps within a few days I should dissent myself.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT30     @%%@2@%   Many . . . have too rashly charged the troops of error, and remain as%@EH@%
trophies unto the enemies of truth.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT40     @%%@2@%   A man may be in as just possession of truth as of a city, and yet be%@EH@%
forced to surrender.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT50     @%%@2@%   As for those wingy mysteries in divinity, and airy subtleties in%@EH@%
religion, which have unhinged the brains of better heads, they never
stretched the pia mater of mine.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT60     @%%@2@%   I love to lose myself in a mystery, to pursue my Reason to an O altitudo!%@EH@%
1 %@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.9

%@NL@%%@AI@%1 See Aiken%@BO:          5dd8bf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT70     @%%@2@%   Rich with the spoils of Nature. 1 %@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.13

%@NL@%%@AI@%1 See Thomas Gray%@BO:          2d1ac8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT80     @%%@2@%   We carry with us the wonders we seek without us: There is all Africa and%@EH@%
her prodigies in us.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The course of Nature is the art of God.-Edward Young, Night Thoughts
[1742-1745], Night IX, l. 1267  %@EF@%
%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT90     @%%@2@%   All things are artificial, for nature is the art of God.%@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT110    @%%@2@%   Obstinacy in a bad cause is but constancy in a good. 1 %@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.25

%@NL@%%@AI@%1 See Sterne%@BO:          2cd33c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT120    @%%@2@%   Persecution is a bad and indirect way to plant religion.%@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT130    @%%@2@%   Not picked from the leaves of any author, but bred amongst the weeds and%@EH@%
tares of mine own brain.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT140    @%%@2@%   This reasonable moderator, and equal piece of justice, Death.%@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT150    @%%@2@%   I am not so much afraid of death, as ashamed thereof. 'Tis the very%@EH@%
disgrace and ignominy of our natures, that in a moment can so disfigure us,
that our nearest friends, wife, and children, stand afraid and start at us.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT160    @%%@2@%   Whosoever enjoys not this life, I count him but an apparition, though he%@EH@%
wear about him the sensible affections of flesh. In these moral acceptions,
the way to be immortal is to die daily.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT170    @%%@2@%   How shall the dead arise, is no question of my faith; to believe only%@EH@%
possibilities, is not faith, but mere philosophy.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT180    @%%@2@%   The heart of man is the place the devils dwell in: I feel sometimes a%@EH@%
hell within myself. 1  2  3  4  5  6 %@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.51

%@NL@%%@AI@%1 See Virgil%@BO:           d5cee@%%@AE@%
%@AI@%2 See Marlowe%@BO:          1693bb@%%@AE@%
%@AI@%3 See Milton%@BO:          242184@%%@AE@%
%@AI@%4 See Eliot%@BO:          5d87c1@%%@AE@%
%@AI@%5 See Sartre%@BO:          6322c5@%%@AE@%
%@AI@%6 See Lowell%@BO:          65e2fd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT190    @%%@2@%   There is no road or ready way to virtue.%@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.I, sec.54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT200    @%%@2@%   All places, all airs make unto me one country; I am in England,%@EH@%
everywhere, and under any meridian.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.II, sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT210    @%%@2@%   They that endeavor to abolish vice, destroy also virtue; for contraries,%@EH@%
though they destroy one another, are yet the life of one another.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.II, sec.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT220    @%%@2@%   But how shall we expect charity towards others, when we are uncharitable%@EH@%
to ourselves? Charity begins at home, 1  2  is the voice of the world; yet
is every man his greatest enemy, and, as it were, his own executioner. 3 %@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.II, sec.4

%@NL@%%@AI@%1 See I Timothy 5:4%@BO:           71a0d@%%@AE@%
%@AI@%2 See Terence%@BO:           c27e0@%%@AE@%
%@AI@%3 See Donne%@BO:          20909e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT230    @%%@2@%   Sure there is music even in the beauty, and the silent note which Cupid%@EH@%
strikes, far sweeter than the sound of an instrument. For there is a music
wherever there is a harmony, order, or proportion; and thus far we may
maintain the music of the spheres. 1 %@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.II, sec.9

%@NL@%%@AI@%1 See Shakespeare%@BO:          1b1164@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT240    @%%@2@%   For the world, I count it not an inn, but a hospital; and a place not to%@EH@%
live, but to die in.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.II, sec.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT250    @%%@2@%   There is surely a piece of divinity in us, something that was before the%@EH@%
elements, and owes no homage unto the sun. 1  2 %@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.II, sec.11

%@NL@%%@AI@%1 See Addison%@BO:          28d0a0@%%@AE@%
%@AI@%2 See Emerson%@BO:          3bfaed@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT280    @%%@2@%Sleep is a death; O, make me try,%@NL@%%@EH@%
By sleeping what it is to die,%@NL@%
And as gently lay my head%@NL@%
On my grave, as now my bed.%@NL@%

%@NL@%Sir Thomas Browne
%@NL@%Religio Medici [1642], pt.II, sec.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sub rosa.  This phrase, meaning secretly, is of unknown origin. With the
ancients the rose was emblematic of secrecy, and when a host hung a rose
above his tables, his guests understood that all words spoken under it were
to remain secret. Later, roses were carved as decorations on the ceilings of
council chambers and confessionals, with the same significance.  %@EF@%
%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT290    @%%@2@%   When we desire to confine our words, we commonly say they are spoken%@EH@%
under the rose.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Vulgar Errors [1645]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT310    @%%@2@%   An old and gray-headed error.%@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%Vulgar Errors [1645]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
'Tis long since Death had the majority.-Robert Blair, The Grave [1743], pt.
II, l. 449  %@EF@%
%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT320    @%%@2@%   Times before you, when even living men were antiquities; when the living%@EH@%
might exceed the dead, and to depart this world could not be properly said
to go unto the greater number.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Urn-Burial; or, Hydriotaphia[1658].Dedication

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT340    @%%@2@%   With rich flames, and hired tears, they solemnized their obsequies.%@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%Urn-Burial; or, Hydriotaphia[1658].ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT350    @%%@2@%   Were the happiness of the next world as closely apprehended as the%@EH@%
felicities of this, it were a martyrdom to live.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Urn-Burial; or, Hydriotaphia[1658].ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT360    @%%@2@%   These dead bones have . . . quietly rested under the drums and tramplings%@EH@%
of three conquests.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Urn-Burial; or, Hydriotaphia[1658].ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT370    @%%@2@%   Time which antiquates antiquities, and hath an art to make dust of all%@EH@%
things.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Urn-Burial; or, Hydriotaphia[1658].ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT380    @%%@2@%   What song the Sirens sang, or what name Achilles assumed when he hid%@EH@%
himself among women, though puzzling questions, are not beyond all
conjecture.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Urn-Burial; or, Hydriotaphia[1658].ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT390    @%%@2@%   The long habit of living indisposeth us for dying.%@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%Urn-Burial; or, Hydriotaphia[1658].ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT400    @%%@2@%   The iniquity of oblivion blindly scattereth her poppy, and deals with the%@EH@%
memory of men without distinction to merit of perpetuity.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Urn-Burial; or, Hydriotaphia[1658].ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The aspiring youth that fired the Ephesian dome/Outlives in fame the pious
fool that raised it.-Colley Cibber [1671-1757], Richard III, act III, sc. i
%@EF@%
%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT410    @%%@2@%   Herostratus lives that burnt the Temple of Diana-he is almost lost that%@EH@%
built it.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Urn-Burial; or, Hydriotaphia[1658].ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT430    @%%@2@%   Oblivion is not to be hired: the greater part must be content to be as%@EH@%
though they had not been, to be found in the register of God, not in the
record of man.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Urn-Burial; or, Hydriotaphia[1658].ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT440    @%%@2@%   The night of time far surpasseth the day, and who knows when was the%@EH@%
equinox?%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%Urn-Burial; or, Hydriotaphia[1658].ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT450    @%%@2@%   Man is a noble animal, splendid in ashes, and pompous in the grave.%@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%Urn-Burial; or, Hydriotaphia[1658].ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT460    @%%@2@%   That unextinguishable laugh in heaven.%@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%The Garden of Cyrus [1658], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT470    @%%@2@%   Life itself is but the shadow of death, and souls departed but the%@EH@%
shadows of the living. All things fall under this name. The sun itself is
but the dark simulacrum, and light but the shadow of God.%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%The Garden of Cyrus [1658], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT480    @%%@2@%   To keep our eyes open longer were but to act our Antipodes. The huntsmen%@EH@%
are up in America, and they are already past their first sleep in Persia.
But who can be drowsy at that hour which freed us from everlasting sleep? or
have slumbering thoughts at that time, when sleep itself must end, and, as
some conjecture, all shall awake again?%@NL@%
%@NL@%
Sir Thomas Browne
%@NL@%The Garden of Cyrus [1658], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Thomas Browne@%%@QR:Browne@%%@CR:N1605BROT490    @%%@2@%   The created world is but a small parenthesis in eternity.%@NL@%%@EH@%
%@NL@%
Sir Thomas Browne
%@NL@%Christian Morals [1716], III, 29

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pierre Corneille%@AE@%%@EH@%
%@NL@%
%@AB@%1606-1684%@AE@%
%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP10     @%%@2@%   To conquer without risk is to triumph without glory.%@NL@%%@EH@%
%@NL@%
Pierre Corneille
%@NL@%Le Cid [1636], actII, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP20     @%%@2@%   Brave men are brave from the very first.%@NL@%%@EH@%
%@NL@%
Pierre Corneille
%@NL@%Le Cid [1636], actII, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP30     @%%@2@%   And the combat ceased for want of combatants.%@NL@%%@EH@%
%@NL@%
Pierre Corneille
%@NL@%Le Cid [1636], actIV, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP40     @%%@2@%   Do your duty, and leave the rest to heaven.%@NL@%%@EH@%
%@NL@%
Pierre Corneille
%@NL@%Horace [1639], actII, sc. viii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP50     @%%@2@%   All evils are equal when they are extreme.%@NL@%%@EH@%
%@NL@%
Pierre Corneille
%@NL@%Horace [1639], actIII, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP60     @%%@2@%   The worst of all states is the people's state.%@NL@%%@EH@%
%@NL@%
Pierre Corneille
%@NL@%Cinna [1640], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP70     @%%@2@%   Who is all-powerful should fear everything.%@NL@%%@EH@%
%@NL@%
Pierre Corneille
%@NL@%Cinna [1640], actIV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP80     @%%@2@%   By speaking of our misfortunes we often relieve them.%@NL@%%@EH@%
%@NL@%
Pierre Corneille
%@NL@%Polyeucte [1640], act I, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP90     @%%@2@%   The manner of giving is worth more than the gift.%@NL@%%@EH@%
%@NL@%
Pierre Corneille
%@NL@%Le Menteur [1642], actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP100    @%%@2@%   A liar is always lavish of oaths.%@NL@%%@EH@%
%@NL@%
Pierre Corneille
%@NL@%Le Menteur [1642], actIII, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP110    @%%@2@%   The fire which seems extinguished often slumbers beneath the ashes.%@NL@%%@EH@%
%@NL@%
Pierre Corneille
%@NL@%Rodogune [1644], act III, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP120    @%%@2@%   Guess if you can, choose if you dare.%@NL@%%@EH@%
%@NL@%
Pierre Corneille
%@NL@%Heraclius [1646], act IV, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP130    @%%@2@%A service beyond all recompense%@NL@%%@EH@%
Weighs so heavy that it almost gives offense.%@NL@%

%@NL@%Pierre Corneille
%@NL@%Surena [1674], act III, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Corneille@%%@QR:Corneille@%%@CR:N1606CORP140    @%%@2@%I owe my fame only to myself.%@NL@%%@EH@%

%@NL@%Pierre Corneille
%@NL@%Poesies Diverses, 23

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir William Davenant%@AE@%%@EH@%
%@NL@%
%@AB@%1606-1668%@AE@%
%@NL@%%@NL@%

%@QR:Sir William Davenant@%%@QR:Davenant@%%@CR:N1606DAVW10     @%%@2@%The lark now leaves his wat'ry nest%@NL@%%@EH@%
And, climbing, shakes his dewy wings.%@NL@%

%@NL@%Sir William Davenant
%@NL@%Song [1638], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Davenant@%%@QR:Davenant@%%@CR:N1606DAVW15     @%%@2@%Who dares doubt the poet wise?%@NL@%%@EH@%

%@NL@%Sir William Davenant
%@NL@%The Philosopher and the Lover: To a Mistress Dying [1638]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Davenant@%%@QR:Davenant@%%@CR:N1606DAVW20     @%%@2@%   I shall ask leave to desist, when I am interrupted by so great an%@EH@%
experiment as dying.%@NL@%
%@NL@%
Sir William Davenant
%@NL@%His apology, in illness, for not having finished Gondibert

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Davenant@%%@QR:Davenant@%%@CR:N1606DAVW30     @%%@2@%   How much pleasure they lose (and even the pleasures of heroic poesy are%@EH@%
not unprofitable) who take away the liberty of a poet, and fetter his feet
in the shackles of a historian.%@NL@%
%@NL@%
Sir William Davenant
%@NL@%Prefatory letter to Thomas Hobbes.
From S. T. Coleridge, Biographia Literaria [1817], ch. 22

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edmund Waller%@AE@%%@EH@%
%@NL@%
%@AB@%1606-1687%@AE@%
%@NL@%%@NL@%

%@QR:Edmund Waller@%%@QR:Waller@%%@CR:N1606WALE10     @%%@2@%Illustrious acts high raptures do infuse,%@NL@%%@EH@%
And every conqueror creates a muse.%@NL@%

%@NL@%Edmund Waller
%@NL@%Panegyric to My Lord Protector

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Waller@%%@QR:Waller@%%@CR:N1606WALE20     @%%@2@%Guarded with ships, and all our sea our own. 1  2  3  4  5 %@NL@%%@EH@%

%@NL@%Edmund Waller
%@NL@%To My Lord of Falkland

%@NL@%%@AI@%1 See Themistocles%@BO:           971e4@%%@AE@%
%@AI@%2 See Bacon%@BO:          16494e@%%@AE@%
%@AI@%3 See Washington%@BO:          2efdd3@%%@AE@%
%@AI@%4 See Mahan%@BO:          4c48d2@%%@AE@%
%@AI@%5 See Morison%@BO:          5ca86e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Waller@%%@QR:Waller@%%@CR:N1606WALE30     @%%@2@%To man, that was in th' evening made,%@NL@%%@EH@%
Stars gave the first delight;%@NL@%
Admiring, in the gloomy shade,%@NL@%
Those little drops of light.%@NL@%

%@NL@%Edmund Waller
%@NL@%An Apology for Having Loved Before [1664]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Waller@%%@QR:Waller@%%@CR:N1606WALE40     @%%@2@%That which her slender waist confined%@NL@%%@EH@%
Shall now my joyful temples bind;%@NL@%
No monarch but would give his crown%@NL@%
His arms might do what this has done.%@NL@%

%@NL@%Edmund Waller
%@NL@%On a Girdle [1664],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Waller@%%@QR:Waller@%%@CR:N1606WALE50     @%%@2@%My joy, my grief, my hope, my love,%@NL@%%@EH@%
Did all within this circle move!%@NL@%

%@NL@%Edmund Waller
%@NL@%On a Girdle [1664],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Most of all I envy the octogenarian poet who joined three words-"Go, lovely
Rose"-so happily together, that he left his name to float down through Time
on the wings of a phrase and a flower.-Logan Pearsall Smith, Afterthoughts
[1931]  %@EF@%
%@QR:Edmund Waller@%%@QR:Waller@%%@CR:N1606WALE60     @%%@2@%Go, lovely rose!%@NL@%%@EH@%
Tell her that wastes her time and me%@NL@%
That now she knows,%@NL@%
When I resemble her to thee,%@NL@%
How sweet and fair she seems to be.%@NL@%

%@NL@%Edmund Waller
%@NL@%Go, Lovely Rose [1664], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Waller@%%@QR:Waller@%%@CR:N1606WALE80     @%%@2@%So all we know%@NL@%%@EH@%
Of what they do above%@NL@%
Is that they happy are, and that they love.%@NL@%

%@NL@%Edmund Waller
%@NL@%Upon the Death of My Lady Rich [1664]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Waller@%%@QR:Waller@%%@CR:N1606WALE90     @%%@2@%Poets that lasting marble seek%@NL@%%@EH@%
Must come in Latin or in Greek.%@NL@%

%@NL@%Edmund Waller
%@NL@%Of English Verse [1668]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Waller@%%@QR:Waller@%%@CR:N1606WALE100    @%%@2@%And keeps the palace of the soul. 1 %@NL@%%@EH@%

%@NL@%Edmund Waller
%@NL@%Of Tea

%@NL@%%@AI@%1 See Byron%@BO:          377753@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Waller@%%@QR:Waller@%%@CR:N1606WALE110    @%%@2@%Poets lose half the praise they should have got,%@NL@%%@EH@%
Could it be known what they discreetly blot.%@NL@%

%@NL@%Edmund Waller
%@NL@%Upon Roscommon's Translation of Horace, De Arte Poetica

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Waller@%%@QR:Waller@%%@CR:N1606WALE120    @%%@2@%The soul's dark cottage, battered and decayed,%@NL@%%@EH@%
Lets in new light through chinks that Time has made;%@NL@%
Stronger by weakness, wiser, men become%@NL@%
As they draw near to their eternal home.%@NL@%
Leaving the old, both worlds at once they view,%@NL@%
That stand upon the threshold of the new.%@NL@%

%@NL@%Edmund Waller
%@NL@%On the Divine Poems [1686]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Paul Gerhardt%@AE@%%@EH@%
%@NL@%
%@AB@%1607-1676%@AE@%
%@NL@%%@NL@%

%@FN@%
O Haupt vol Blut and Wunden/Vol Schmerz und voller Hohn!/O Haupt zum Spott
gebunden/Mit einer Dornen Krohn!  Translated by James Waddell Alexander.  %@EF@%
%@QR:Paul Gerhardt@%%@QR:Gerhardt@%%@CR:N1607GERP10     @%%@2@%O sacred head, now wounded,%@NL@%%@EH@%
With grief and shame bowed down;%@NL@%
Now scornfully surrounded%@NL@%
With thorns, thy only crown.%@NL@%

%@NL@%Paul Gerhardt
%@NL@%Passion Chorale [1656], based on twelfth-century Latin hymn, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Fuller%@AE@%%@EH@%
%@NL@%
%@AB@%1608-1661%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Fuller@%%@QR:Fuller@%%@CR:N1608FULT10     @%%@2@%   Drawing near her death, she sent most pious thoughts as harbingers to%@EH@%
heaven; and her soul saw a glimpse of happiness through the chinks of her
sickness-broken body.%@NL@%
%@NL@%
Thomas Fuller
%@NL@%Life of Monica [1642]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Fuller@%%@QR:Fuller@%%@CR:N1608FULT20     @%%@2@%   He was one of a lean body and visage, as if his eager soul, biting for%@EH@%
anger at the clog of his body, desired to fret a passage through it. 1 %@NL@%
%@NL@%
Thomas Fuller
%@NL@%Life of the Duke of Alva [1642]

%@NL@%%@AI@%1 See Dryden%@BO:          265e36@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Fuller@%%@QR:Fuller@%%@CR:N1608FULT30     @%%@2@%   He knows little who will tell his wife all he knows. 1 %@NL@%%@EH@%
%@NL@%
Thomas Fuller
%@NL@%The Holy State and the Profane State [1642].The Good Husband

%@NL@%%@AI@%1 See Homer%@BO:           85c6b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Fuller@%%@QR:Fuller@%%@CR:N1608FULT40     @%%@2@%   One that will not plead that cause wherein his tongue must be confuted by%@EH@%
his conscience.%@NL@%
%@NL@%
Thomas Fuller
%@NL@%The Holy State and the Profane State [1642].The Good Advocate

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Fuller@%%@QR:Fuller@%%@CR:N1608FULT50     @%%@2@%   Light, God's eldest daughter, 1  2  is a principal beauty in a building.%@NL@%%@EH@%
%@NL@%
Thomas Fuller
%@NL@%The Holy State and the Profane State [1642].Of Building

%@NL@%%@AI@%1 See Genesis 1:3%@BO:            55fb@%%@AE@%
%@AI@%2 See Milton%@BO:          24181a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Fuller@%%@QR:Fuller@%%@CR:N1608FULT60     @%%@2@%   Learning hath gained most by those books by which the printers have lost.%@NL@%%@EH@%
%@NL@%
Thomas Fuller
%@NL@%The Holy State and the Profane State [1642].Of Books

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Fuller@%%@QR:Fuller@%%@CR:N1608FULT70     @%%@2@%   Deceive not thyself by overexpecting happiness in the married estate.%@EH@%
Remember the nightingales which sing only some months in the spring, but
commonly are silent when they have hatched their eggs.%@NL@%
%@NL@%
Thomas Fuller
%@NL@%The Holy State and the Profane State [1642].Of Marriage

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Fuller@%%@QR:Fuller@%%@CR:N1608FULT80     @%%@2@%   They that marry ancient people, merely in expectation to bury them, hang%@EH@%
themselves in hope that one will come and cut the halter.%@NL@%
%@NL@%
Thomas Fuller
%@NL@%The Holy State and the Profane State [1642].Of Marriage

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Fuller@%%@QR:Fuller@%%@CR:N1608FULT90     @%%@2@%   Fame sometimes hath created something of nothing.%@NL@%%@EH@%
%@NL@%
Thomas Fuller
%@NL@%The Holy State and the Profane State [1642].Fame

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Fuller@%%@QR:Fuller@%%@CR:N1608FULT100    @%%@2@%   Anger is one of the sinews of the soul; he that wants it hath a maimed%@EH@%
mind.%@NL@%
%@NL@%
Thomas Fuller
%@NL@%The Holy State and the Profane State [1642].Of Anger

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Fuller@%%@QR:Fuller@%%@CR:N1608FULT110    @%%@2@%   It is always darkest just before the day dawneth.%@NL@%%@EH@%
%@NL@%
Thomas Fuller
%@NL@%Pisgah Sight [1650], bk. II, ch. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Milton%@AE@%%@EH@%
%@NL@%
%@AB@%1608-1674%@AE@%
%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ10     @%%@2@%This is the month, and this the happy morn,%@NL@%%@EH@%
Wherein the Son of Heav'n's eternal King,%@NL@%
Of wedded maid and virgin mother born,%@NL@%
Our great redemption from above did bring;%@NL@%
For so the holy sages once did sing,%@NL@%
That He our deadly forfeit should release,%@NL@%
And with His Father work us a perpetual peace.%@NL@%

%@NL@%John Milton
%@NL@%On the Morning of Christ's Nativity [1629],st. 1, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ20     @%%@2@%It was the winter wild%@NL@%%@EH@%
While the Heav'n-born child%@NL@%
All meanly wrapt in the rude manger lies.%@NL@%

%@NL@%John Milton
%@NL@%On the Morning of Christ's Nativity [1629],Hymn,st. 1, l. 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ30     @%%@2@%No war, or battle's sound%@NL@%%@EH@%
Was heard the world around.%@NL@%
The idle spear and shield were high up hung.%@NL@%

%@NL@%John Milton
%@NL@%On the Morning of Christ's Nativity [1629],Hymn,st. 4, l. 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ40     @%%@2@%Time will run back and fetch the Age of Gold. 1  2 %@NL@%%@EH@%

%@NL@%John Milton
%@NL@%On the Morning of Christ's Nativity [1629],Hymn,st. 14, l. 135

%@NL@%%@AI@%1 See Horace%@BO:           db937@%%@AE@%
%@AI@%2 See Macaulay%@BO:          3b17e8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ50     @%%@2@%The Oracles are dumb.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%On the Morning of Christ's Nativity [1629],Hymn,st. 19, l. 173

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ60     @%%@2@%From haunted spring and dale%@NL@%%@EH@%
Edged with poplar pale%@NL@%
The parting genius is with sighing sent.%@NL@%

%@NL@%John Milton
%@NL@%On the Morning of Christ's Nativity [1629],Hymn,st. 20, l. 184

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ70     @%%@2@%Peor and Baalim%@NL@%%@EH@%
Forsake their temples dim.%@NL@%

%@NL@%John Milton
%@NL@%On the Morning of Christ's Nativity [1629],Hymn,st. 22, l. 197

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ80     @%%@2@%What needs my Shakespeare for his honored bones,%@NL@%%@EH@%
The labor of an age in piled stones,%@NL@%
Or that his hallowed relics should be hid%@NL@%
Under a star-y-pointing pyramid?%@NL@%
Dear son of memory, great heir of fame,%@NL@%
What need'st thou such weak witness of thy name?%@NL@%

%@NL@%John Milton
%@NL@%On Shakespeare [1630]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ90     @%%@2@%How soon hath Time, the subtle thief of youth,%@NL@%%@EH@%
Stol'n on his wing my three-and-twentieth year.%@NL@%

%@NL@%John Milton
%@NL@%On His Having Arrived at the Age of Twenty-three [1631]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ100    @%%@2@%As ever in my great Taskmaster's eye.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%On His Having Arrived at the Age of Twenty-three [1631]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ110    @%%@2@%Such sweet compulsion doth in music lie.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Arcades [1630-1634], l. 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ120    @%%@2@%Hence, loathed Melancholy,%@NL@%%@EH@%
Of Cerberus and blackest Midnight born,%@NL@%
In Stygian cave forlorn,%@NL@%
'Mongst horrid shapes, and shrieks, and sights unholy. 1  2 %@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 1

%@NL@%%@AI@%1 See Burton%@BO:          20ea3c@%%@AE@%
%@AI@%2 See Fletcher%@BO:          214f90@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ130    @%%@2@%So buxom, blithe, and debonair.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ140    @%%@2@%Haste thee, Nymph, and bring with thee%@NL@%%@EH@%
Jest, and youthful jollity,%@NL@%
Quips and cranks and wanton wiles,%@NL@%
Nods and becks and wreathed smiles.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ150    @%%@2@%Sport, that wrinkled Care derides,%@NL@%%@EH@%
And Laughter, holding both his sides.%@NL@%
Come, and trip it, as you go,%@NL@%
On the light fantastic toe.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ160    @%%@2@%The mountain nymph, sweet liberty.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ170    @%%@2@%Mirth, admit me of thy crew,%@NL@%%@EH@%
To live with her, and live with thee,%@NL@%
In unreproved pleasures free.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ180    @%%@2@%While the cock with lively din%@NL@%%@EH@%
Scatters the rear of darkness thin,%@NL@%
And to the stack, or the barn door,%@NL@%
Stoutly struts his dames before,%@NL@%
Oft list'ning how the hounds and horn%@NL@%
Cheerly rouse the slumb'ring morn.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ190    @%%@2@%And every shepherd tells his tale%@NL@%%@EH@%
Under the hawthorn in the dale.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ200    @%%@2@%Meadows trim, with daisies pied,%@NL@%%@EH@%
Shallow brooks, and rivers wide;%@NL@%
Towers and battlements it sees%@NL@%
Bosomed high in tufted trees,%@NL@%
Where perhaps some beauty lies,%@NL@%
The cynosure of neighboring eyes.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ210    @%%@2@%And the jocund rebecks sound%@NL@%%@EH@%
To many a youth, and many a maid,%@NL@%
Dancing in the checkered shade.%@NL@%
And young and old come forth to play%@NL@%
On a sunshine holiday.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 94

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ220    @%%@2@%Then to the spicy nut-brown ale.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ230    @%%@2@%Then lies him down the lubber fiend,%@NL@%%@EH@%
And stretched out all the chimney's length,%@NL@%
Basks at the fire his hairy strength.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 110

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ240    @%%@2@%Towered cities please us then,%@NL@%%@EH@%
And the busy hum of men.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ250    @%%@2@%Ladies, whose bright eyes%@NL@%%@EH@%
Rain influence, and judge the prize.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 121

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Wisdom married to immortal verse.-Wordsworth, The Excursion [1814], bk. VII
%@EF@%
%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ260    @%%@2@%And pomp, and feast, and revelry,%@NL@%%@EH@%
With mask, and antique pageantry,%@NL@%
Such sights as youthful poets dream%@NL@%
On summer eves by haunted stream.%@NL@%
Then to the well-trod stage anon,%@NL@%
If Jonson's learned sock be on,%@NL@%
Or sweetest Shakespeare, Fancy's child,%@NL@%
Warble his native wood-notes wild,%@NL@%
And ever, against eating cares,%@NL@%
Lap me in soft Lydian airs,%@NL@%
Married to immortal verse%@NL@%
Such as the meeting soul may pierce,%@NL@%
In notes with many a winding bout%@NL@%
Of linked sweetness long drawn out.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ280    @%%@2@%Untwisting all the chains that tie%@NL@%%@EH@%
The hidden soul of harmony.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 143

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ290    @%%@2@%Such strains as would have won the ear%@NL@%%@EH@%
Of Pluto, to have quite set free%@NL@%
His half-regained Eurydice.%@NL@%
These delights, if thou canst give,%@NL@%
Mirth, with thee, I mean to live.%@NL@%

%@NL@%John Milton
%@NL@%L'Allegro [1631],l. 148

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ300    @%%@2@%Hence vain deluding Joys,%@NL@%%@EH@%
The brood of Folly without father bred!%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ310    @%%@2@%The gay motes that people the sunbeams.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ320    @%%@2@%Hail divinest Melancholy.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ330    @%%@2@%Sober, steadfast, and demure.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ340    @%%@2@%And looks commercing with the skies,%@NL@%%@EH@%
Thy rapt soul sitting in thine eyes.%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ350    @%%@2@%Forget thyself to marble.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ360    @%%@2@%And join with thee, calm Peace and Quiet,%@NL@%%@EH@%
Spare Fast, that oft with gods doth diet.%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ370    @%%@2@%And add to these retired Leisure,%@NL@%%@EH@%
That in trim gardens takes his pleasure.%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ380    @%%@2@%Sweet bird, that shunn'st the noise of folly,%@NL@%%@EH@%
Most musical, most melancholy!%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ390    @%%@2@%I walk unseen%@NL@%%@EH@%
On the dry smooth-shaven green,%@NL@%
To behold the wandering moon,%@NL@%
Riding near her highest noon,%@NL@%
Like one that had been led astray%@NL@%
Through the heav'n's wide pathless way,%@NL@%
And oft, as if her head she bowed,%@NL@%
Stooping through a fleecy cloud.%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ400    @%%@2@%Oft, on a plat of rising ground,%@NL@%%@EH@%
I hear the far-off curfew sound%@NL@%
Over some wide-watered shore,%@NL@%
Swinging low with sullen roar.%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ410    @%%@2@%Where glowing embers through the room%@NL@%%@EH@%
Teach light to counterfeit a gloom,%@NL@%
Far from all resort of mirth,%@NL@%
Save the cricket on the hearth.%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ420    @%%@2@%Sometime let gorgeous Tragedy%@NL@%%@EH@%
In sceptered pall come sweeping by,%@NL@%
Presenting Thebes, or Pelops' line,%@NL@%
Or the tale of Troy divine.%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ430    @%%@2@%Or bid the soul of Orpheus sing%@NL@%%@EH@%
Such notes as, warbled to the string,%@NL@%
Drew iron tears down Pluto's cheek.%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ440    @%%@2@%Or call up him that left half told%@NL@%%@EH@%
The story of Cambuscan bold.%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ450    @%%@2@%Where more is meant than meets the ear.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 120

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ460    @%%@2@%Hide me from day's garish eye,%@NL@%%@EH@%
While the bee with honied thigh,%@NL@%
That at her flowery work doth sing,%@NL@%
And the waters murmuring%@NL@%
With such consort as they keep,%@NL@%
Entice the dewy-feathered sleep.%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ470    @%%@2@%And storied windows richly dight,%@NL@%%@EH@%
Casting a dim religious light.%@NL@%
There let the pealing organ blow,%@NL@%
To the full-voiced choir below,%@NL@%
In service high, and anthems clear%@NL@%
As may, with sweetness, through mine ear%@NL@%
Dissolve me into ecstasies,%@NL@%
And bring all Heaven before mine eyes.%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 159

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ480    @%%@2@%Till old experience do attain%@NL@%%@EH@%
To something like prophetic strain.%@NL@%

%@NL@%John Milton
%@NL@%Il Penseroso [1631],l. 173

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ490    @%%@2@%Before the starry threshold of Jove's Court 1 %@NL@%%@EH@%
My mansion is.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 1

%@NL@%%@AI@%1 See Blake%@BO:          31ba4d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ500    @%%@2@%Above the smoke and stir of this dim spot%@NL@%%@EH@%
Which men call earth.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ510    @%%@2@%Yet some there be that by due steps aspire%@NL@%%@EH@%
To lay their just hands on that golden key%@NL@%
That opes the palace of Eternity.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ520    @%%@2@%An old, and haughty nation proud in arms.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ530    @%%@2@%What never yet was heard in tale or song,%@NL@%%@EH@%
From old or modern bard, in hall or bower.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ540    @%%@2@%Bacchus, that first from out the purple grape%@NL@%%@EH@%
Crushed the sweet poison of misused wine.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ550    @%%@2@%These my sky-robes, spun out of Iris' woof.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ560    @%%@2@%The star that bids the shepherd fold.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ570    @%%@2@%And the gilded car of day,%@NL@%%@EH@%
His glowing axle doth allay%@NL@%
In the steep Atlantic stream.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ580    @%%@2@%Midnight shout and revelry,%@NL@%%@EH@%
Tipsy dance and jollity.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 103

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ590    @%%@2@%What hath night to do with sleep?%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 122

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ600    @%%@2@%Ere the blabbing eastern scout,%@NL@%%@EH@%
The nice morn on th' Indian steep,%@NL@%
From her cabined loophole peep.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 138

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ610    @%%@2@%Come, knit hands, and beat the ground,%@NL@%%@EH@%
In a light fantastic round.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 143

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ620    @%%@2@%When the gray-hooded Even,%@NL@%%@EH@%
Like a sad votarist in palmer's weed,%@NL@%
Rose from the hindmost wheels of Phoebus' wain.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 188

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ630    @%%@2@%A thousand fantasies%@NL@%%@EH@%
Begin to throng into my memory,%@NL@%
Of calling shapes, and beck'ning shadows dire,%@NL@%
And airy tongues that syllable men's names%@NL@%
On sands and shores and desert wildernesses.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 205

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ640    @%%@2@%Was I deceived or did a sable cloud%@NL@%%@EH@%
Turn forth her silver lining on the night?%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 221

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ650    @%%@2@%Sweet Echo, sweetest nymph, that liv'st unseen%@NL@%%@EH@%
Within thy airy shell  %@NL@%
By slow Meander's margent green,%@NL@%
And in the violet-embroidered vale.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 230

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ660    @%%@2@%How sweetly did they float upon the wings%@NL@%%@EH@%
Of silence, through the empty-vaulted night,%@NL@%
At every fall smoothing the raven down%@NL@%
Of darkness till it smiled!%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 249

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ665    @%%@2@%Such sober certainty of waking bliss.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 263

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ670    @%%@2@%With thy long leveled rule of streaming light.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 340

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ680    @%%@2@%Virtue could see to do what Virtue would%@NL@%%@EH@%
By her own radiant light, though sun and moon%@NL@%
Were in the flat sea sunk. And Wisdom's self%@NL@%
Oft seeks to sweet retired solitude,%@NL@%
Where, with her best nurse Contemplation,%@NL@%
She plumes her feathers, and lets grow her wings.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 373

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ690    @%%@2@%The unsunned heaps%@NL@%%@EH@%
Of miser's treasure.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 398

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ700    @%%@2@%Tis Chastity, my brother, Chastity:%@NL@%%@EH@%
She that has that, is clad in complete steel. 1 %@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 420

%@NL@%%@AI@%1 See Shakespeare%@BO:          16c6d5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ710    @%%@2@%How charming is divine philosophy!%@NL@%%@EH@%
Not harsh and crabbed, as dull fools suppose,%@NL@%
But musical as is Apollo's lute, 1 %@NL@%
And a perpetual feast of nectared sweets%@NL@%
Where no crude surfeit reigns.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 476

%@NL@%%@AI@%1 See Shakespeare%@BO:          17a4d8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ730    @%%@2@%Filled the air with barbarous dissonance.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 550

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ740    @%%@2@%I was all ear,%@NL@%%@EH@%
And took in strains that might create a soul%@NL@%
Under the ribs of Death.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 560

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ750    @%%@2@%That power%@NL@%%@EH@%
Which erring men call Chance.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 587

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ760    @%%@2@%Thou canst not touch the freedom of my mind.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 663

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ770    @%%@2@%Praising the lean and sallow abstinence.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 709

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ780    @%%@2@%Beauty is Nature's coin, must not be hoarded,%@NL@%%@EH@%
But must be current, and the good thereof%@NL@%
Consists in mutual and partaken bliss.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 739

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ790    @%%@2@%Beauty is Nature's brag, and must be shown%@NL@%%@EH@%
In courts, at feasts, and high solemnities,%@NL@%
Where most may wonder at the workmanship;%@NL@%
It is for homely features to keep home-%@NL@%
They had their name thence; coarse complexions%@NL@%
And cheeks of sorry grain will serve to ply%@NL@%
The sampler, and to tease the huswife's wool.%@NL@%
What need a vermeil-tinctured lip for that,%@NL@%
Love-darting eyes, or tresses like the morn?%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 745

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ800    @%%@2@%Enjoy your dear wit, and gay rhetoric,%@NL@%%@EH@%
That hath so well been taught her dazzling fence.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 790

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ810    @%%@2@%Sabrina fair,%@NL@%%@EH@%
Listen where thou art sitting%@NL@%
Under the glassy, cool, translucent wave,%@NL@%
In twisted braids of lilies knitting%@NL@%
The loose train of thy amber-dropping hair;%@NL@%
Listen for dear honor's sake,%@NL@%
Goddess of the silver lake,%@NL@%
Listen and save.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 859

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ820    @%%@2@%But now my task is smoothly done:%@NL@%%@EH@%
I can fly, or I can run.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 1012

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ830    @%%@2@%Love Virtue, she alone is free,%@NL@%%@EH@%
She can teach ye how to climb%@NL@%
Higher than the sphery chime;%@NL@%
Or, if Virtue feeble were,%@NL@%
Heav'n itself would stoop to her.%@NL@%

%@NL@%John Milton
%@NL@%Comus [1634],l. 1019

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ840    @%%@2@%Yet once more, O ye laurels, and once more%@NL@%%@EH@%
Ye myrtles brown, with ivy never sere,%@NL@%
I come to pluck your berries harsh and crude,%@NL@%
And with forced fingers rude%@NL@%
Shatter your leaves before the mellowing year.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ850    @%%@2@%He knew%@NL@%%@EH@%
Himself to sing, and build the lofty rhyme.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ860    @%%@2@%Without the meed of some melodious tear.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ870    @%%@2@%Hence with denial vain, and coy excuse.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ880    @%%@2@%Under the opening eyelids of the morn,%@NL@%%@EH@%
We drove afield; and both together heard%@NL@%
What time the gray-fly winds her sultry horn,%@NL@%
Batt'ning our flocks with the fresh dews of night.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ890    @%%@2@%But O the heavy change, now thou art gone,%@NL@%%@EH@%
Now thou art gone and never must return!%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ900    @%%@2@%The gadding vine.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ910    @%%@2@%As killing as the canker to the rose.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ920    @%%@2@%Whom universal Nature did lament.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
That thirst [for applause], if the last infirmity of noble minds, is also
the first infirmity of weak ones; and on the whole, the strongest impulsive
influence of average humanity.-Ruskin, Sesame and Lilies [1865], Of Kings'
Treasuries, sec. 3  %@EF@%
%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ930    @%%@2@%Alas! what boots it with incessant care%@NL@%%@EH@%
To tend the homely slighted shepherd's trade,%@NL@%
And strictly meditate the thankless Muse?%@NL@%
Were it not better done as others use,%@NL@%
To sport with Amaryllis in the shade,%@NL@%
Or with the tangles of Neaera's hair?%@NL@%
Fame is the spur that the clear spirit doth raise 1 %@NL@%
(That last infirmity of noble mind)%@NL@%
To scorn delights, and live laborious days;%@NL@%
But the fair guerdon when we hope to find,%@NL@%
And think to burst out into sudden blaze,%@NL@%
Comes the blind Fury with th' abhorred shears,%@NL@%
And slits the thin-spun life.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 64

%@NL@%%@AI@%1 See Tacitus%@BO:           f8255@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ950    @%%@2@%Fame is no plant that grows on mortal soil.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ960    @%%@2@%That strain I heard was of a higher mood.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 87

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ970    @%%@2@%It was that fatal and perfidious bark,%@NL@%%@EH@%
Built in th' eclipse, and rigged with curses dark,%@NL@%
That sunk so low that sacred head of thine.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ980    @%%@2@%Last came, and last did go,%@NL@%%@EH@%
The Pilot of the Galilean lake;%@NL@%
Two massy keys he bore of metals twain,%@NL@%
(The golden opes, the iron shuts amain).%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ990    @%%@2@%Such as for their bellies' sake,%@NL@%%@EH@%
Creep and intrude, and climb into the fold.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 114

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1000   @%%@2@%Blind mouths! That scarce themselves know how to hold%@NL@%%@EH@%
A sheep-hook.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 119

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1010   @%%@2@%The hungry sheep look up, and are not fed,%@NL@%%@EH@%
But swoln with wind and the rank mist they draw,%@NL@%
Rot inwardly, and foul contagion spread:%@NL@%
Besides what the grim wolf with privy paw%@NL@%
Daily devours apace, and nothing said;%@NL@%
But that two-handed engine at the door%@NL@%
Stands ready to smite once, and smite no more.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1020   @%%@2@%Throw hither all your quaint enameled eyes,%@NL@%%@EH@%
That on the green turf suck the honied showers,%@NL@%
And purple all the ground with vernal flowers.%@NL@%
Bring the rathe primrose that forsaken dies.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 139

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1030   @%%@2@%Whether beyond the stormy Hebrides, 1 %@NL@%%@EH@%
Where thou perhaps under the whelming tide%@NL@%
Visit'st the bottom of the monstrous world.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 156

%@NL@%%@AI@%1 See Thomson%@BO:          2b1890@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1040   @%%@2@%Look homeward, Angel, now, and melt with ruth. 1 %@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 163

%@NL@%%@AI@%1 See Wolfe%@BO:          61d0ea@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1050   @%%@2@%For Lycidas your sorrow is not dead,%@NL@%%@EH@%
Sunk though he be beneath the watery floor;%@NL@%
So sinks the day-star in the ocean bed;%@NL@%
And yet anon repairs his drooping head,%@NL@%
And tricks his beams, and with new-spangled ore%@NL@%
Flames in the forehead of the morning sky. 1 %@NL@%
So Lycidas sunk low, but mounted high,%@NL@%
Through the dear might of him that walked the waves.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 166

%@NL@%%@AI@%1 See Du Bartas%@BO:          148832@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1060   @%%@2@%He touched the tender stops of various quills,%@NL@%%@EH@%
With eager thought warbling his Doric lay.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 188

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1070   @%%@2@%At last he rose, and twitched his mantle blue:%@NL@%%@EH@%
Tomorrow to fresh woods and pastures new.%@NL@%

%@NL@%John Milton
%@NL@%Lycidas [1637],l. 192

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1080   @%%@2@%The lazy leaden-stepping Hours,%@NL@%%@EH@%
Whose speed is but the heavy plummet's pace.%@NL@%

%@NL@%John Milton
%@NL@%On Time [c. 1637]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1090   @%%@2@%O nightingale, that on yon bloomy spray%@NL@%%@EH@%
Warbl'st at eve, when all the woods are still.%@NL@%

%@NL@%John Milton
%@NL@%Sonnet, To the Nightingale [c. 1637]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1100   @%%@2@%Thy liquid notes that close the eye of day.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Sonnet, To the Nightingale [c. 1637]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1110   @%%@2@%Where the bright seraphim in burning row%@NL@%%@EH@%
Their loud uplifted angel trumpets blow.%@NL@%

%@NL@%John Milton
%@NL@%At a Solemn Music [c. 1637]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1120   @%%@2@%   A poet soaring in the high reason of his fancies, with his garland and%@EH@%
singing robes about him.%@NL@%
%@NL@%
John Milton
%@NL@%The Reason of Church Government [1641], bk. II, introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1130   @%%@2@%   By labor and intent study (which I take to be my portion in this life),%@EH@%
joined with the strong propensity of nature, I might perhaps leave something
so written to after-times, as they should not willingly let it die.%@NL@%
%@NL@%
John Milton
%@NL@%The Reason of Church Government [1641], bk. II, introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1140   @%%@2@%   Beholding the bright countenance of truth in the quiet and still air of%@EH@%
delightful studies.%@NL@%
%@NL@%
John Milton
%@NL@%The Reason of Church Government [1641], bk. II, introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1150   @%%@2@%   He who would not be frustrate of his hope to write well hereafter in%@EH@%
laudable things ought himself to be a true poem.%@NL@%
%@NL@%
John Milton
%@NL@%Apology for Smectymnuus [1642]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1160   @%%@2@%   His words . . . like so many nimble and airy servitors trip about him at%@EH@%
command.%@NL@%
%@NL@%
John Milton
%@NL@%Apology for Smectymnuus [1642]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Still rule those minds on earth/At whom sage Milton's wormwood words were
hurled:/"Truth like a bastard comes into the world/Never without ill-fame to
him who gives her birth"?-Thomas Hardy, Lausanne [1897]  %@EF@%
%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1170   @%%@2@%   Truth . . . never comes into the world but like a bastard, to the%@EH@%
ignominy of him that brought her forth.%@NL@%
%@NL@%
John Milton
%@NL@%The Doctrine and Discipline of Divorce [1643], introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1190   @%%@2@%   Let not England forget her precedence of teaching nations how to live. 1 %@NL@%%@EH@%
%@NL@%
John Milton
%@NL@%The Doctrine and Discipline of Divorce [1643], introduction

%@NL@%%@AI@%1 See Virgil%@BO:           d5ee0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1200   @%%@2@%   Litigious terms, fat contentions, and flowing fees.%@NL@%%@EH@%
%@NL@%
John Milton
%@NL@%Tractate of Education [1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1210   @%%@2@%   Inflamed with the study of learning and the admiration of virtue; stirred%@EH@%
up with high hopes of living to be brave men and worthy patriots, dear to
God, and famous to all ages.%@NL@%
%@NL@%
John Milton
%@NL@%Tractate of Education [1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1220   @%%@2@%   Ornate rhetoric taught out of the rule of Plato. . . . To which poetry%@EH@%
would be made subsequent, or indeed rather precedent, as being less subtle
and fine, but more simple, sensuous, and passionate.%@NL@%
%@NL@%
John Milton
%@NL@%Tractate of Education [1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1230   @%%@2@%   In those vernal seasons of the year, when the air is calm and pleasant,%@EH@%
it were an injury and sullenness against Nature not to go out, and see her
riches, and partake in her rejoicing with heaven and earth.%@NL@%
%@NL@%
John Milton
%@NL@%Tractate of Education [1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1240   @%%@2@%   Books are not absolutely dead things, but do contain a potency of life in%@EH@%
them to be as active as that soul was whose progeny they are; nay they do
preserve as in a vial the purest efficacy and extraction of that living
intellect that bred them.%@NL@%
%@NL@%
John Milton
%@NL@%Areopagitica [1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1250   @%%@2@%   As good almost kill a man as kill a good book: who kills a man kills a%@EH@%
reasonable creature, God's image; but he who destroys a good book kills
reason itself.%@NL@%
%@NL@%
John Milton
%@NL@%Areopagitica [1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1260   @%%@2@%   A good book is the precious lifeblood of a master spirit, embalmed and%@EH@%
treasured up on purpose to a life beyond life.%@NL@%
%@NL@%
John Milton
%@NL@%Areopagitica [1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1270   @%%@2@%   I cannot praise a fugitive and cloistered virtue, unexercised and%@EH@%
unbreathed, that never sallies out and sees her adversary, but slinks out of
the race, where that immortal garland is to be run for, not without dust and
heat.%@NL@%
%@NL@%
John Milton
%@NL@%Areopagitica [1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1280   @%%@2@%   Where there is much desire to learn, there of necessity will be much%@EH@%
arguing, much writing, many opinions; for opinion in good men is but
knowledge in the making.%@NL@%
%@NL@%
John Milton
%@NL@%Areopagitica [1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1290   @%%@2@%   Methinks I see in my mind a noble and puissant nation rousing herself%@EH@%
like a strong man after sleep, and shaking her invincible locks. Methinks I
see her as an eagle mewing her mighty youth, and kindling her undazzled eyes
at the full midday beam.%@NL@%
%@NL@%
John Milton
%@NL@%Areopagitica [1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1300   @%%@2@%   Give me the liberty to know, to utter, and to argue freely according to%@EH@%
conscience, above all liberties.%@NL@%
%@NL@%
John Milton
%@NL@%Areopagitica [1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1310   @%%@2@%   Though all the winds of doctrine 1  were let loose to play upon the%@EH@%
earth, so Truth be in the field, we do injuriously, by licensing and
prohibiting, to misdoubt her strength. Let her and Falsehood grapple; who
ever knew Truth put to the worse, in a free and open encounter? 2  3 %@NL@%
%@NL@%
John Milton
%@NL@%Areopagitica [1644]

%@NL@%%@AI@%1 See Ephesians 4:14%@BO:           6f0b6@%%@AE@%
%@AI@%2 See Jefferson%@BO:          2ff885@%%@AE@%
%@AI@%3 See Holmes%@BO:          4c8985@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Athenian teacher and orator Isocrates [436-338  B.C. ].  See John Quincy
Adams  %@EF@%
%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1330   @%%@2@%As that dishonest victory%@NL@%%@EH@%
At Chaeronea, fatal to liberty,%@NL@%
Killed with report that old man eloquent.%@NL@%

%@NL@%John Milton
%@NL@%To the Lady Margaret Ley [c. 1644]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1340   @%%@2@%   Men of most renowned virtue have sometimes by transgressing most truly%@EH@%
kept the law.%@NL@%
%@NL@%
John Milton
%@NL@%Tetrachordon [1644-1645]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1350   @%%@2@%That would have made Quintilian stare and gasp.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%On the Detraction Which Followed upon My Writing
Certain Treatises [1645]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1360   @%%@2@%In mirth, that after no repenting draws.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%To Cyriack Skinner [1646-1647?]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1370   @%%@2@%For other things mild Heav'n a time ordains,%@NL@%%@EH@%
And disapproves that care, though wise in show,%@NL@%
That with superfluous burden loads the day,%@NL@%
And, when God sends a cheerful hour, refrains.%@NL@%

%@NL@%John Milton
%@NL@%To Cyriack Skinner [1646-1647?]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1380   @%%@2@%   For such kind of borrowing as this, if it be not bettered by the%@EH@%
borrower, among good authors is accounted Plagiare.%@NL@%
%@NL@%
John Milton
%@NL@%Eikonoklastes [1649], 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1390   @%%@2@%   None can love freedom heartily, but good men; the rest love not freedom,%@EH@%
but license.%@NL@%
%@NL@%
John Milton
%@NL@%Tenure of Kings and Magistrates [1649]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1400   @%%@2@%   No man who knows aught, can be so stupid to deny that all men naturally%@EH@%
were born free. 1  2  3 %@NL@%
%@NL@%
John Milton
%@NL@%Tenure of Kings and Magistrates [1649]

%@NL@%%@AI@%1 See Acts 22:28%@BO:           669c9@%%@AE@%
%@AI@%2 See Rousseau%@BO:          2ca4c0@%%@AE@%
%@AI@%3 See Davis%@BO:          5e2617@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1410   @%%@2@%Peace hath her victories%@NL@%%@EH@%
No less renowned than war.%@NL@%

%@NL@%John Milton
%@NL@%To the Lord General Cromwell [1652]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1420   @%%@2@%When I consider how my light is spent,%@NL@%%@EH@%
Ere half my days, in this dark world and wide,%@NL@%
And that one talent which is death to hide%@NL@%
Lodged with me useless.%@NL@%

%@NL@%John Milton
%@NL@%On His Blindness [1652]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1430   @%%@2@%Doth God exact day-labor, light denied?%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%On His Blindness [1652]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1440   @%%@2@%Who best%@NL@%%@EH@%
Bear his mild yoke, they serve him best: his state%@NL@%
Is kingly; thousands at his bidding speed,%@NL@%
And post o'er land and ocean without rest;%@NL@%
They also serve who only stand and wait.%@NL@%

%@NL@%John Milton
%@NL@%On His Blindness [1652]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1450   @%%@2@%Avenge, O Lord, thy slaughtered saints, whose bones%@NL@%%@EH@%
Lie scattered on the Alpine mountains cold;%@NL@%
Ev'n them who kept thy truth so pure of old%@NL@%
When all our fathers worshipped stocks and stones%@NL@%
Forget not.%@NL@%

%@NL@%John Milton
%@NL@%On the Late Massacre in Piedmont [1655]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1460   @%%@2@%Yet I argue not%@NL@%%@EH@%
Against Heav'n's hand or will, nor bate one jot%@NL@%
Of heart or hope; but still bear up, and steer%@NL@%
Right onward.%@NL@%

%@NL@%John Milton
%@NL@%To Cyriack Skinner, upon His Blindness [c. 1655]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1470   @%%@2@%Methought I saw my late espoused saint%@NL@%%@EH@%
Brought to me like Alcestis from the grave.%@NL@%

%@NL@%John Milton
%@NL@%On His Deceased Wife [c. 1658]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1480   @%%@2@%But oh! as to embrace me she inclined,%@NL@%%@EH@%
I waked, she fled, and day brought back my night.%@NL@%

%@NL@%John Milton
%@NL@%On His Deceased Wife [c. 1658]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1490   @%%@2@%Of Man's first disobedience, and the fruit%@NL@%%@EH@%
Of that forbidden tree whose mortal taste%@NL@%
Brought death into the world, and all our woe,%@NL@%
With loss of Eden.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1500   @%%@2@%Things unattempted yet in prose or rhyme.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1510   @%%@2@%What in me is dark%@NL@%%@EH@%
Illumine, what is low raise and support;%@NL@%
That to the height of this great argument%@NL@%
I may assert eternal Providence,%@NL@%
And justify the ways of God to men. 1  2  3 %@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 22

%@NL@%%@AI@%1 See Samson Agonistes%@BO:          248fdf@%%@AE@%
%@AI@%2 See Pope%@BO:          29f7fa@%%@AE@%
%@AI@%3 See Housman%@BO:          518d4c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1520   @%%@2@%The infernal serpent; he it was, whose guile,%@NL@%%@EH@%
Stirred up with envy and revenge, deceived%@NL@%
The mother of mankind.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1530   @%%@2@%Him the Almighty Power%@NL@%%@EH@%
Hurled headlong flaming from th' ethereal sky 1 %@NL@%
With hideous ruin and combustion down%@NL@%
To bottomless perdition, there to dwell%@NL@%
In adamantine chains and penal fire,%@NL@%
Who durst defy th' Omnipotent to arms.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 44

%@NL@%%@AI@%1 See Luke 10:18%@BO:           5d417@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1540   @%%@2@%As far as angels' ken.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1550   @%%@2@%No light, but rather darkness visible.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1560   @%%@2@%Regions of sorrow, doleful shades, where peace%@NL@%%@EH@%
And rest can never dwell, hope never comes%@NL@%
That comes to all.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1570   @%%@2@%What though the field be lost?%@NL@%%@EH@%
All is not lost; th' unconquerable will,%@NL@%
And study of revenge, immortal hate,%@NL@%
And courage never to submit or yield.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1580   @%%@2@%Vaunting aloud, but racked with deep despair.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 126

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1590   @%%@2@%To be weak is miserable,%@NL@%%@EH@%
Doing or suffering.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 157

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1600   @%%@2@%And out of good still to find means of evil.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 165

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1610   @%%@2@%The seat of desolation, void of light.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 181

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1620   @%%@2@%A mind not to be changed by place or time.%@NL@%%@EH@%
The mind is its own place, and in itself%@NL@%
Can make a heav'n of hell, a hell of heav'n. 1  2  3  4  5  6  7 %@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 253

%@NL@%%@AI@%1 See Virgil%@BO:           d5cee@%%@AE@%
%@AI@%2 See Marlowe%@BO:          1693bb@%%@AE@%
%@AI@%3 See Browne%@BO:          22d85f@%%@AE@%
%@AI@%4 See Milton%@BO:          242184@%%@AE@%
%@AI@%5 See Eliot%@BO:          5d87c1@%%@AE@%
%@AI@%6 See Sartre%@BO:          6322c5@%%@AE@%
%@AI@%7 See Lowell%@BO:          65e2fd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1630   @%%@2@%To reign is worth ambition though in hell:%@NL@%%@EH@%
Better to reign in hell than serve in heav'n.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 262

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1640   @%%@2@%His spear, to equal which the tallest pine%@NL@%%@EH@%
Hewn on Norwegian hills, to be the mast%@NL@%
Of some great ammiral, were but a wand,%@NL@%
He walked with, to support uneasy steps%@NL@%
Over the burning marle.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 292

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1650   @%%@2@%Thick as autumnal leaves that strow the brooks%@NL@%%@EH@%
In Vallombrosa.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 302

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1660   @%%@2@%Awake, arise, or be forever fallen!%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 330

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1670   @%%@2@%Spirits, when they please,%@NL@%%@EH@%
Can either sex assume, or both.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 423

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1680   @%%@2@%When night%@NL@%%@EH@%
Darkens the streets, then wander forth the sons%@NL@%
Of Belial, flown with insolence and wine.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 500

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Streamed like a meteor to the troubled air.-Thomas Gray, The Bard [1757],
sec. I, st. 2, l. 6  %@EF@%
%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1690   @%%@2@%Th' imperial ensign, which, full high advanced,%@NL@%%@EH@%
Shone like a meteor, streaming to the wind.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 536

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1710   @%%@2@%Sonorous metal blowing martial sounds:%@NL@%%@EH@%
At which the universal host up sent%@NL@%
A shout that tore hell's concave, and beyond%@NL@%
Frighted the reign of Chaos and old Night.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 540

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1720   @%%@2@%Anon they move%@NL@%%@EH@%
In perfect phalanx, to the Dorian mood%@NL@%
Of flutes and soft recorders.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 549

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1730   @%%@2@%His form had yet not lost%@NL@%%@EH@%
All her original brightness, nor appeared%@NL@%
Less than archangel ruined, and th' excess%@NL@%
Of glory obscured.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 591

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1740   @%%@2@%The sun . . . %@NL@%%@EH@%
In dim eclipse, disastrous twilight sheds%@NL@%
On half the nations, and with fear of change%@NL@%
Perplexes monarchs.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 594

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1750   @%%@2@%Care%@NL@%%@EH@%
Sat on his faded cheek, but under brows%@NL@%
Of dauntless courage.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 601

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1760   @%%@2@%Thrice he assayed, and thrice, in spite of scorn,%@NL@%%@EH@%
Tears, such as angels weep, burst forth.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 619

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1770   @%%@2@%Who overcomes%@NL@%%@EH@%
By force hath overcome but half his foe.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 648

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1780   @%%@2@%Mammon, the least erected spirit that fell%@NL@%%@EH@%
From heaven; for ev'n in heaven his looks and thoughts%@NL@%
Were always downward bent, admiring more%@NL@%
The riches of heaven's pavement, trodden gold,%@NL@%
Than aught divine or holy else enjoyed%@NL@%
In vision beatific.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 679

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1790   @%%@2@%Let none admire%@NL@%%@EH@%
That riches grow in hell; that soil may best%@NL@%
Deserve the precious bane.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 690

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1800   @%%@2@%From morn%@NL@%%@EH@%
To noon he fell, from noon to dewy eve,%@NL@%
A summer's day; and with the setting sun%@NL@%
Dropped from the zenith like a falling star.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.I,l. 742

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1810   @%%@2@%High on a throne of royal state, which far%@NL@%%@EH@%
Outshone the wealth of Ormus and of Ind,%@NL@%
Or where the gorgeous East with richest hand%@NL@%
Showers on her kings barbaric pearl and gold,%@NL@%
Satan exalted sat, by merit raised%@NL@%
To that bad eminence; and from despair%@NL@%
Thus high uplifted beyond hope, aspires%@NL@%
Beyond thus high, insatiate to pursue%@NL@%
Vain war with heav'n.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1820   @%%@2@%Moloch, sceptered king,%@NL@%%@EH@%
Stood up, the strongest and the fiercest spirit%@NL@%
That fought in heav'n; now fiercer by despair.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1830   @%%@2@%Rather than be less%@NL@%%@EH@%
Cared not to be at all.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1840   @%%@2@%My sentence is for open war.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1850   @%%@2@%Which if not victory is yet revenge.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1860   @%%@2@%But all was false and hollow; through his tongue%@NL@%%@EH@%
Dropped manna, and could make the worse appear%@NL@%
The better reason. 1 %@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 112

%@NL@%%@AI@%1 See Aristophanes%@BO:           aaac1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1870   @%%@2@%For who would lose,%@NL@%%@EH@%
Though full of pain, this intellectual being,%@NL@%
Those thoughts that wander through eternity,%@NL@%
To perish rather, swallowed up and lost%@NL@%
In the wide womb of uncreated night,%@NL@%
Devoid of sense and motion?%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 146

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rubente dextera.-Horace [65-8  B.C. ], Odes, I, ii, 2, To Caesar Augustus  %@EF@%
%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1880   @%%@2@%His red right hand.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 174

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1890   @%%@2@%Unrespited, unpitied, unreprieved. 1  2  3  4  5  6 %@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 185

%@NL@%%@AI@%1 See Homer%@BO:           83788@%%@AE@%
%@AI@%2 See Horace%@BO:           dbc74@%%@AE@%
%@AI@%3 See Chaucer%@BO:          11dbf8@%%@AE@%
%@AI@%4 See Shakespeare%@BO:          1bd63c@%%@AE@%
%@AI@%5 See Scott%@BO:          348306@%%@AE@%
%@AI@%6 See Byron%@BO:          37b671@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1900   @%%@2@%The never-ending flight%@NL@%%@EH@%
Of future days.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 221

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1910   @%%@2@%Thus Belial with words clothed in reason's garb%@NL@%%@EH@%
Counseled ignoble ease, 1  2  and peaceful sloth,%@NL@%
Not peace.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 226

%@NL@%%@AI@%1 See Virgil%@BO:           d2df4@%%@AE@%
%@AI@%2 See T. R. Roosevelt%@BO:          5106b2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1920   @%%@2@%With grave%@NL@%%@EH@%
Aspect he rose, and in his rising seemed%@NL@%
A pillar of state; deep on his front engraven%@NL@%
Deliberation sat and public care;%@NL@%
And princely counsel in his face yet shone,%@NL@%
Majestic though in ruin.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 300

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1930   @%%@2@%To sit in darkness here%@NL@%%@EH@%
Hatching vain empires.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 377

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1940   @%%@2@%The palpable obscure.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 406

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1950   @%%@2@%Long is the way%@NL@%%@EH@%
And hard, that out of hell leads up to light. 1 %@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 432

%@NL@%%@AI@%1 See Virgil%@BO:           d5380@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1960   @%%@2@%Their rising all at once was as the sound%@NL@%%@EH@%
Of thunder heard remote.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 476

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1970   @%%@2@%Others apart sat on a hill retired,%@NL@%%@EH@%
In thoughts more elevate, and reasoned high%@NL@%
Of Providence, foreknowledge, will, and fate,%@NL@%
Fixed fate, free will, foreknowledge absolute,%@NL@%
And found no end, in wand'ring mazes lost.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 557

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1980   @%%@2@%Vain wisdom all, and false philosophy.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 565

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ1990   @%%@2@%Arm th' obdured breast%@NL@%%@EH@%
With stubborn patience as with triple steel. 1 %@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 568

%@NL@%%@AI@%1 See Shakespeare%@BO:          16c6d5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2000   @%%@2@%Far off from these a slow and silent stream,%@NL@%%@EH@%
Lethe the river of oblivion rolls.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 582

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2010   @%%@2@%At certain revolutions all the damned%@NL@%%@EH@%
Are brought: and feel by turns the bitter change%@NL@%
Of fierce extremes, extremes by change more fierce.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 597

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2020   @%%@2@%The other shape,%@NL@%%@EH@%
If shape it might be called.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 666

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2030   @%%@2@%Whence and what art thou, execrable shape?%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 681

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2040   @%%@2@%Before mine eyes in opposition sits%@NL@%%@EH@%
Grim Death 1  my son and foe.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 803

%@NL@%%@AI@%1 See Massinger%@BO:          2183c5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Hot and cold, and moist and dry.-Seigneur Du Bartas, Divine Weeks and Works
[1578], Second Day  See Dryden  %@EF@%
%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2050   @%%@2@%Hot, cold, moist, and dry, four champions fierce,%@NL@%%@EH@%
Strive here for mast'ry.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 898

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2070   @%%@2@%To compare%@NL@%%@EH@%
Great things with small.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 921

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2080   @%%@2@%With ruin upon ruin, rout on rout,%@NL@%%@EH@%
Confusion worse confounded.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 995

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2090   @%%@2@%And fast by hanging in a golden chain,%@NL@%%@EH@%
This pendent world, in bigness as a star%@NL@%
Of smallest magnitude close by the moon.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.II,l. 1051

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Genesis 1:3 and Fuller  God's first creature, which was light.-Bacon,
The New Atlantis [1626]  Light, the prime work of God.-Milton, Samson
Agonistes [1671], l. 70  %@EF@%
%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2100   @%%@2@%Hail, holy light! offspring of heav'n first born.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.III,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2130   @%%@2@%Thus with the year%@NL@%%@EH@%
Seasons return; but not to me returns%@NL@%
Day, or the sweet approach of ev'n or morn,%@NL@%
Or sight of vernal bloom, or summer's rose,%@NL@%
Or flocks, or herds, or human face divine; 1 %@NL@%
But cloud instead, and ever-during dark%@NL@%
Surrounds me, from the cheerful ways of men%@NL@%
Cut off, and for the book of knowledge fair%@NL@%
Presented with a universal blank%@NL@%
Of Nature's works to me expunged and razed,%@NL@%
And wisdom at one entrance quite shut out.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.III,l. 40

%@NL@%%@AI@%1 See Blake%@BO:          31cbaa@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2140   @%%@2@%See golden days, fruitful of golden deeds,%@NL@%%@EH@%
With Joy and Love triumphing.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.III,l. 337

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2150   @%%@2@%Dark with excessive bright.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.III,l. 380

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2160   @%%@2@%Into a limbo large and broad, since called%@NL@%%@EH@%
The Paradise of Fools, to few unknown.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.III,l. 495

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2170   @%%@2@%The hell within him.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ye little stars! hide your diminished rays.-Pope, Moral Essays [1731-1735],
Epistle III, l. 282  %@EF@%
%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2180   @%%@2@%At whose sight all the stars%@NL@%%@EH@%
Hide their diminished heads.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2200   @%%@2@%A grateful mind%@NL@%%@EH@%
By owing owes not, but still pays, at once%@NL@%
Indebted and discharged.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2210   @%%@2@%Me miserable! which way shall I fly%@NL@%%@EH@%
Infinite wrath, and infinite despair?%@NL@%
Which way I fly is hell; myself am hell; 1  2  3  4  5  6  7 %@NL@%
And in the lowest deep a lower deep,%@NL@%
Still threat'ning to devour me, opens wide,%@NL@%
To which the hell I suffer seems a heaven.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 73

%@NL@%%@AI@%1 See Virgil%@BO:           d5cee@%%@AE@%
%@AI@%2 See Marlowe%@BO:          1693bb@%%@AE@%
%@AI@%3 See Browne%@BO:          22d85f@%%@AE@%
%@AI@%4 See Milton%@BO:          23e14c@%%@AE@%
%@AI@%5 See Eliot%@BO:          5d87c1@%%@AE@%
%@AI@%6 See Sartre%@BO:          6322c5@%%@AE@%
%@AI@%7 See Lowell%@BO:          65e2fd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2220   @%%@2@%So farewell hope, and with hope farewell fear,%@NL@%%@EH@%
Farewell remorse: all good to me is lost;%@NL@%
Evil, be thou my good.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2230   @%%@2@%And on the Tree of Life,%@NL@%%@EH@%
The middle tree and highest there that grew,%@NL@%
Sat like a cormorant.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 194

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2240   @%%@2@%A heaven on earth.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 208

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2250   @%%@2@%Flowers of all hue, and without thorn the rose.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 256

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2260   @%%@2@%Two of far nobler shape erect and tall,%@NL@%%@EH@%
Godlike erect, with native honor clad%@NL@%
In naked majesty seemed lords of all.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 288

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2270   @%%@2@%For contemplation he and valor formed,%@NL@%%@EH@%
For softness she and sweet attractive grace;%@NL@%
He for God only, she for God in him.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 297

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2280   @%%@2@%Implied%@NL@%%@EH@%
Subjection, but required with gentle sway,%@NL@%
And by her yielded, by him best received,%@NL@%
Yielded with coy submission, modest pride,%@NL@%
And sweet reluctant amorous delay.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 307

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2290   @%%@2@%Adam the goodliest man of men since born%@NL@%%@EH@%
His sons, the fairest of her daughters Eve.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 323

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2300   @%%@2@%So spake the Fiend, and with necessity,%@NL@%%@EH@%
The tyrant's plea, 1  2  excused his devilish deeds.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 393

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e264e@%%@AE@%
%@AI@%2 See William Pitt%@BO:          327539@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2310   @%%@2@%Imparadised in one another's arms.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 506

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2320   @%%@2@%Live while ye may,%@NL@%%@EH@%
Yet happy pair.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 533

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2330   @%%@2@%Now came still evening on, and twilight gray%@NL@%%@EH@%
Had in her sober livery all things clad.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 598

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2340   @%%@2@%The wakeful nightingale,%@NL@%%@EH@%
She all night long her amorous descant sung;%@NL@%
Silence was pleased: now glowed the firmament%@NL@%
With living sapphires: Hesperus, that led%@NL@%
The starry host, rode brightest, till the moon,%@NL@%
Rising in clouded majesty, at length%@NL@%
Apparent queen unveiled her peerless light,%@NL@%
And o'er the dark her silver mantle threw.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 602

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2350   @%%@2@%The timely dew of sleep.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 614

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2360   @%%@2@%With thee conversing I forget all time,%@NL@%%@EH@%
All seasons, and their change; all please alike.%@NL@%
Sweet is the breath of morn, her rising sweet,%@NL@%
With charm of earliest birds.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 639

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2370   @%%@2@%Sweet the coming on%@NL@%%@EH@%
Of grateful ev'ning mild, then silent night%@NL@%
With this her solemn bird, and this fair moon,%@NL@%
And these the gems of heaven, her starry train.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 646

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2380   @%%@2@%Millions of spiritual creatures walk the earth%@NL@%%@EH@%
Unseen, both when we wake, and when we sleep.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 677

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2390   @%%@2@%In naked beauty more adorned,%@NL@%%@EH@%
More lovely, than Pandora. 1  2 %@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 713

%@NL@%%@AI@%1 See Cicero%@BO:           c66b4@%%@AE@%
%@AI@%2 See Thomson%@BO:          2b1717@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2400   @%%@2@%Eased the putting off%@NL@%%@EH@%
These troublesome disguises which we wear.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 739

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2410   @%%@2@%Hail wedded love, mysterious law, true source%@NL@%%@EH@%
Of human offspring.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 750

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2430   @%%@2@%Squat like a toad, close at the ear of Eve.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 800

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2440   @%%@2@%Not to know me argues yourselves unknown.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 830

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2450   @%%@2@%Abashed the Devil stood,%@NL@%%@EH@%
And felt how awful goodness is, and saw%@NL@%
Virtue in her shape how lovely.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 846

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2460   @%%@2@%All hell broke loose. 1 %@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 918

%@NL@%%@AI@%1 See Robert Greene%@BO:          15f133@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2470   @%%@2@%Like Teneriff or Atlas unremoved.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 987

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2480   @%%@2@%The starry cope%@NL@%%@EH@%
Of heaven.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IV,l. 992

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2490   @%%@2@%His sleep%@NL@%%@EH@%
Was airy light from pure digestion bred.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2500   @%%@2@%My latest found,%@NL@%%@EH@%
Heaven's last, best gift, my ever new delight!%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2510   @%%@2@%Good, the more%@NL@%%@EH@%
Communicated, more abundant grows.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2520   @%%@2@%These are thy glorious works, Parent of good.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2530   @%%@2@%Him first, him last, him midst, and without end.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 165

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2540   @%%@2@%A wilderness of sweets.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 294

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2550   @%%@2@%So saying, with dispatchful looks in haste%@NL@%%@EH@%
She turns, on hospitable thoughts intent.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 331

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2560   @%%@2@%Nor jealousy%@NL@%%@EH@%
Was understood, the injured lover's hell.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 449

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2570   @%%@2@%Freely we serve,%@NL@%%@EH@%
Because we freely love, as in our will%@NL@%
To love or not; in this we stand or fall.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 538

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2580   @%%@2@%What if earth%@NL@%%@EH@%
Be but the shadow of heaven, and things therein%@NL@%
Each to other like, more than on earth is thought?%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 574

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2590   @%%@2@%Hear all ye Angels, progeny of light,%@NL@%%@EH@%
Thrones, Dominations, Princedoms, Virtues, Powers.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 600

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2600   @%%@2@%All seemed well pleased, all seemed but were not all.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 617

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2610   @%%@2@%Among the faithless, faithful only he.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.V,l. 897

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2620   @%%@2@%Morn,%@NL@%%@EH@%
Waked by the circling hours, with rosy hand 1 %@NL@%
Unbarred the gates of light.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VI,l. 2

%@NL@%%@AI@%1 See Homer%@BO:           7fd08@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2630   @%%@2@%Servant of God, well done, 1  well hast thou fought%@NL@%%@EH@%
The better fight, who single hast maintained%@NL@%
Against revolted multitudes the cause%@NL@%
Of truth, in word mightier than they in arms.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VI,l. 29

%@NL@%%@AI@%1 See Matthew 25:21%@BO:           572a0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2640   @%%@2@%He onward came; far off his coming shone.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VI,l. 768

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2650   @%%@2@%More safe I sing with mortal voice, unchanged%@NL@%%@EH@%
To hoarse or mute, though fall'n on evil days,%@NL@%
On evil days though fall'n, and evil tongues;%@NL@%
In darkness, and with dangers compassed round,%@NL@%
And solitude.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VII,l. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2660   @%%@2@%Out of one man a race%@NL@%%@EH@%
Of men innumerable.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VII,l. 155

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2670   @%%@2@%There Leviathan%@NL@%%@EH@%
Hugest of living creatures, on the deep%@NL@%
Stretched like a promontory sleeps or swims,%@NL@%
And seems a moving land, and at his gills%@NL@%
Draws in, and at his trunk spouts out a sea.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VII,l. 412

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2680   @%%@2@%Endued%@NL@%%@EH@%
With sanctity of reason.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VII,l. 507

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2690   @%%@2@%The planets in their stations list'ning stood,%@NL@%%@EH@%
While the bright pomp ascended jubilant.%@NL@%
Open, ye everlasting gates, they sung,%@NL@%
Open, ye heavens, your living doors; 1  let in%@NL@%
The great Creator from his work returned%@NL@%
Magnificent, his six days' work, a world.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VII,l. 563

%@NL@%%@AI@%1 See Psalm 24:7%@BO:           22576@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2700   @%%@2@%The angel ended, and in Adam's ear%@NL@%%@EH@%
So charming left his voice that he awhile%@NL@%
Thought him still speaking, still stood fixed to hear.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VIII,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2710   @%%@2@%To know%@NL@%%@EH@%
That which before us lies in daily life%@NL@%
Is the prime wisdom.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VIII,l. 192

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2720   @%%@2@%Liquid lapse of murmuring streams.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VIII,l. 263

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2730   @%%@2@%And feel that I am happier than I know.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VIII,l. 282

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2740   @%%@2@%Her virtue and the conscience of her worth,%@NL@%%@EH@%
That would be wooed, and not unsought be won.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VIII,l. 502

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2750   @%%@2@%The sum of earthly bliss.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VIII,l. 522

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2760   @%%@2@%So absolute she seems%@NL@%%@EH@%
And in herself complete, so well to know%@NL@%
Her own, that what she wills to do or say,%@NL@%
Seems wisest, virtuousest, discreetest, best.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VIII,l. 547

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2770   @%%@2@%Accuse not Nature, she hath done her part;%@NL@%%@EH@%
Do thou but thine.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VIII,l. 561

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2780   @%%@2@%Ofttimes nothing profits more%@NL@%%@EH@%
Than self-esteem, grounded on just and right%@NL@%
Well managed.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.VIII,l. 571

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2790   @%%@2@%My unpremeditated verse.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2800   @%%@2@%Pleased me long choosing, and beginning late.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 26

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2810   @%%@2@%Unless an age too late, or cold%@NL@%%@EH@%
Climate, or years damp my intended wing.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2820   @%%@2@%The serpent subtlest beast of all the field. 1 %@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 86

%@NL@%%@AI@%1 See Genesis 3:1%@BO:            6921@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2830   @%%@2@%For solitude sometimes is best society,%@NL@%%@EH@%
And short retirement urges sweet return.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 249

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2840   @%%@2@%At shut of evening flowers.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 278

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2850   @%%@2@%As one who long in populous city pent. 1 %@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 445

%@NL@%%@AI@%1 See Keats%@BO:          399bed@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2860   @%%@2@%God so commanded, and left that command%@NL@%%@EH@%
Sole daughter of his voice; 1  the rest, we live%@NL@%
Law to ourselves, our reason is our law.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 652

%@NL@%%@AI@%1 See Wordsworth%@BO:          342bed@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2870   @%%@2@%Her rash hand in evil hour%@NL@%%@EH@%
Forth reaching to the fruit, she plucked, she eat:%@NL@%
Earth felt the wound, and Nature from her seat,%@NL@%
Sighing through all her works, gave signs of woe%@NL@%
That all was lost.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 780

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2880   @%%@2@%So dear I love him, that with him all deaths%@NL@%%@EH@%
I could endure, without him live no life.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 832

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2890   @%%@2@%In her face excuse%@NL@%%@EH@%
Came prologue, and apology too prompt.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 853

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2900   @%%@2@%O fairest of creation! last and best%@NL@%%@EH@%
Of all God's works! creature in whom excelled%@NL@%
Whatever can to sight or thought be formed,%@NL@%
Holy, divine, good, amiable, or sweet!%@NL@%
How art thou lost, how on a sudden lost,%@NL@%
Defaced, deflowered, and now to Death devote?%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 896

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2910   @%%@2@%I feel%@NL@%%@EH@%
The link of nature draw me: flesh of flesh,%@NL@%
Bone of my bone thou art, 1  and from thy state%@NL@%
Mine never shall be parted, bliss or woe.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 913

%@NL@%%@AI@%1 See Genesis 2:23%@BO:            6699@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2920   @%%@2@%Our state cannot be severed; we are one,%@NL@%%@EH@%
One flesh; to lose thee were to lose myself.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.IX,l. 958

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2930   @%%@2@%I shall temper so%@NL@%%@EH@%
Justice with mercy. 1 %@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.X,l. 77

%@NL@%%@AI@%1 See Shakespeare%@BO:          18f9dd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2940   @%%@2@%Pandemonium, city and proud seat%@NL@%%@EH@%
Of Lucifer.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.X,l. 424

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2950   @%%@2@%A dismal universal hiss, the sound%@NL@%%@EH@%
Of public scorn.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.X,l. 508

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2960   @%%@2@%Death . . . on his pale horse. 1 %@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.X,l. 588

%@NL@%%@AI@%1 See Revelation 6:8%@BO:           7791b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2970   @%%@2@%Demoniac frenzy, moping melancholy,%@NL@%%@EH@%
And moon-struck madness.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.XI,l. 485

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2980   @%%@2@%Nor love thy life, nor hate; but what thou liv'st%@NL@%%@EH@%
Live well; how long or short permit to Heaven. 1 %@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.XI,l. 553

%@NL@%%@AI@%1 See Martial%@BO:           f1ceb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ2990   @%%@2@%A bevy of fair women.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.XI,l. 582

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3000   @%%@2@%The evening star,%@NL@%%@EH@%
Love's harbinger.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.XI,l. 588

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3010   @%%@2@%The brazen throat of war.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.XI,l. 713

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3020   @%%@2@%For now I see%@NL@%%@EH@%
Peace to corrupt no less than war to waste.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.XI,l. 783

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3030   @%%@2@%An olive leaf he brings, pacific sign.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.XI,l. 860

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3040   @%%@2@%In me is no delay; with thee to go,%@NL@%%@EH@%
Is to stay here; without thee here to stay,%@NL@%
Is to go hence unwilling; thou to me%@NL@%
Art all things under heaven, all places thou,%@NL@%
Who for my willful crime art banished hence.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.XII,l. 615

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3050   @%%@2@%The world was all before them, where to choose%@NL@%%@EH@%
Their place of rest, and Providence their guide:%@NL@%
They hand in hand with wand'ring steps and slow%@NL@%
Through Eden took their solitary way.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Lost [1667], bk.XII,l. 646

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3060   @%%@2@%Most men admire%@NL@%%@EH@%
Virtue who follow not her lore.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.I,l. 482

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3070   @%%@2@%Skilled to retire, and in retiring draw%@NL@%%@EH@%
Hearts after them tangled in amorous nets.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.II,l. 161

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3080   @%%@2@%Beauty stands%@NL@%%@EH@%
In the admiration only of weak minds %@NL@%
Led captive.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.II,l. 220

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3090   @%%@2@%Rocks whereon greatest men have oftest wrecked.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.II,l. 228

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3100   @%%@2@%Of whom to be dispraised were no small praise.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.III,l. 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3110   @%%@2@%Elephants endorsed with towers.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.III,l. 329

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3120   @%%@2@%Dusk faces with white silken turbans wreathed.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.IV,l. 76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3130   @%%@2@%The childhood shows the man,%@NL@%%@EH@%
As morning shows the day. 1 %@NL@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.IV,l. 220

%@NL@%%@AI@%1 See Wordsworth%@BO:          33e89e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3140   @%%@2@%Athens, the eye of Greece, mother of arts%@NL@%%@EH@%
And eloquence.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.IV,l. 240

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3150   @%%@2@%The olive grove of Academe, 1 %@NL@%%@EH@%
Plato's retirement, where the Attic bird%@NL@%
Trills her thick-warbled notes the summer long.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.IV,l. 244

%@NL@%%@AI@%1 See Horace%@BO:           ddba0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3160   @%%@2@%Socrates . . . %@NL@%%@EH@%
Whom well inspired the oracle pronounced%@NL@%
Wisest of men.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.IV,l. 274

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3170   @%%@2@%The first and wisest of them all professed%@NL@%%@EH@%
To know this only, that he nothing knew. 1 %@NL@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.IV,l. 293

%@NL@%%@AI@%1 See Socrates%@BO:           a636a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3180   @%%@2@%Deep versed in books and shallow in himself.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.IV,l. 327

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3190   @%%@2@%Till morning fair%@NL@%%@EH@%
Came forth with pilgrim steps, in amice gray.%@NL@%

%@NL@%John Milton
%@NL@%Paradise Regained [1671], bk.IV,l. 426

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3200   @%%@2@%Eyeless in Gaza, at the mill with slaves. 1 %@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 41

%@NL@%%@AI@%1 See Judges 16:21%@BO:           13e30@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3210   @%%@2@%O dark, dark, dark, amid the blaze of noon,%@NL@%%@EH@%
Irrecoverably dark, total eclipse%@NL@%
Without all hope of day!%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 80

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3220   @%%@2@%The sun to me is dark%@NL@%%@EH@%
And silent as the moon,%@NL@%
When she deserts the night,%@NL@%
Hid in her vacant interlunar cave.%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3230   @%%@2@%To live a life half dead, a living death.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3240   @%%@2@%Ran on embattled armies clad in iron,%@NL@%%@EH@%
And, weaponless himself,%@NL@%
Made arms ridiculous.%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 129

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3250   @%%@2@%Apt words have power to suage%@NL@%%@EH@%
The tumors of a troubled mind. 1 %@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 184

%@NL@%%@AI@%1 See Aeschylus%@BO:           9788f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3260   @%%@2@%Wisest men%@NL@%%@EH@%
Have erred, and by bad women been deceived.%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 210

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3270   @%%@2@%Just are the ways of God,%@NL@%%@EH@%
And justifiable to men; 1  2  3 %@NL@%
Unless there be who think not God at all.%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 293

%@NL@%%@AI@%1 See Paradise Lost%@BO:          23d515@%%@AE@%
%@AI@%2 See Pope%@BO:          29f7fa@%%@AE@%
%@AI@%3 See Housman%@BO:          518d4c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3280   @%%@2@%A grain of manhood.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 408

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3290   @%%@2@%What boots it at one gate to make defense,%@NL@%%@EH@%
And at another to let in the foe?%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 560

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3300   @%%@2@%My race of glory run, and race of shame,%@NL@%%@EH@%
And I shall shortly be with them at rest.%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 597

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3310   @%%@2@%But who is this, what thing of sea or land?%@NL@%%@EH@%
Female of sex it seems,%@NL@%
That so bedecked, ornate, and gay,%@NL@%
Comes this way sailing%@NL@%
Like a stately ship%@NL@%
Of Tarsus, bound for th' isles%@NL@%
Of Javan or Gadire,%@NL@%
With all her bravery on, and tackle trim,%@NL@%
Sails filled, and streamers waving,%@NL@%
Courted by all the winds that hold them play;%@NL@%
An amber scent of odorous perfume %@NL@%
Her harbinger?%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 710

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3320   @%%@2@%Dalila: In argument with men a woman ever%@NL@%%@EH@%
Goes by the worse, whatever be her cause.%@NL@%
Samson: For want of words, no doubt, or lack of breath!%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 903

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3330   @%%@2@%Fame, if not double-faced, is double-mouthed,%@NL@%%@EH@%
And with contrary blast proclaims most deeds;%@NL@%
On both his wings, one black, the other white,%@NL@%
Bears greatest names in his wild airy flight.%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 971

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3340   @%%@2@%Yet beauty, though injurious, hath strange power,%@NL@%%@EH@%
After offense returning, to regain%@NL@%
Love once possessed.%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 1003

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3350   @%%@2@%Love-quarrels oft in pleasing concord end;%@NL@%%@EH@%
Not wedlock-treachery.%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 1008

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3360   @%%@2@%Boast not of what thou would'st have done, but do%@NL@%%@EH@%
What then thou would'st.%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 1104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3370   @%%@2@%He's gone; and who knows how he may report%@NL@%%@EH@%
Thy words by adding fuel to the flame?%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 1350

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3380   @%%@2@%For evil news rides post, while good news baits. 1 %@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 1538

%@NL@%%@AI@%1 See Plutarch%@BO:           f3b54@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3390   @%%@2@%Suspense in news is torture.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 1569

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3400   @%%@2@%Nothing is here for tears, nothing to wail%@NL@%%@EH@%
Or knock the breast, no weakness, no contempt,%@NL@%
Dispraise, or blame, nothing but well and fair,%@NL@%
And what may quiet us in a death so noble.%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 1721

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3410   @%%@2@%All is best, though we oft doubt,%@NL@%%@EH@%
What the unsearchable dispose%@NL@%
Of highest Wisdom brings about.%@NL@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 1745

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3420   @%%@2@%Calm of mind, all passion spent.%@NL@%%@EH@%

%@NL@%John Milton
%@NL@%Samson Agonistes [1671],l. 1758

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton@%%@QR:Milton@%%@CR:N1608MILJ3430   @%%@2@%   Such bickerings to recount, met often in these our writers, what more%@EH@%
worth is it than to chronicle the wars of kites or crows flocking and
fighting in the air?%@NL@%
%@NL@%
John Milton
%@NL@%The History of England [1670], bk. IV

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Toju Nakae%@AE@%%@EH@%
%@NL@%
%@AB@%1608-1648%@AE@%
%@NL@%%@NL@%

%@FN@%
From Sources of Japanese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
%@QR:Toju Nakae@%%@QR:Nakae@%%@CR:N1608NAKT10     @%%@2@%   Filial piety is the root of man. When it is lost from one's heart, then%@EH@%
one's life becomes like a rootless plant, and if one does not expire
instantly, it is nothing but sheer luck.%@NL@%
%@NL@%
Toju Nakae
%@NL@%Toju Sensei Zenshu (Collected Works), vol. I

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Matthew Hale%@AE@%%@EH@%
%@NL@%
%@AB@%1609-1676%@AE@%
%@FN@%
Lord Chief Justice of England.  %@EF@%
%@NL@%%@NL@%

%@QR:Sir Matthew Hale@%%@QR:Hale@%%@CR:N1609HALM10     @%%@2@%   Be not biased with compassion to the poor, or favor to the rich, in point%@EH@%
of justice.%@NL@%
%@NL@%
Sir Matthew Hale
%@NL@%Things Necessary to Be Continually Had in Remembrance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Matthew Hale@%%@QR:Hale@%%@CR:N1609HALM20     @%%@2@%   Not to be solicitous what men will say or think.%@NL@%%@EH@%
%@NL@%
Sir Matthew Hale
%@NL@%Things Necessary to Be Continually Had in Remembrance

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Hyde, Earl of Clarendon%@AE@%%@EH@%
%@NL@%
%@AB@%1609-1674%@AE@%
%@NL@%%@NL@%

%@QR:Edward Hyde, Earl of Clarendon@%%@QR:Hyde@%%@CR:N1609HYDE10     @%%@2@%   He [Hampden] had a head to contrive, a tongue to persuade, and a hand to%@EH@%
execute any mischief. 1 %@NL@%
%@NL@%
Edward Hyde, Earl of Clarendon
%@NL@%History of the Rebellion [1702-1704], vol. III, bk. VII, sec. 84

%@NL@%%@AI@%1 See The Letters of Junius%@BO:          3034f1@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Sir John Suckling%@AE@%%@EH@%
%@NL@%
%@AB@%1609-1642%@AE@%
%@NL@%%@NL@%

%@QR:Sir John Suckling@%%@QR:Suckling@%%@CR:N1609SUCJ10     @%%@2@%Why so pale and wan, fond lover?%@NL@%%@EH@%
Prithee, why so pale?%@NL@%
Will, when looking well can't move her,%@NL@%
Looking ill prevail?%@NL@%

%@NL@%Sir John Suckling
%@NL@%Aglaura [1638]. Song,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Suckling@%%@QR:Suckling@%%@CR:N1609SUCJ20     @%%@2@%Quit, quit, for shame, this will not move,%@NL@%%@EH@%
This cannot take her.%@NL@%
If of herself she will not love,%@NL@%
Nothing can make her.%@NL@%
The devil take her!%@NL@%

%@NL@%Sir John Suckling
%@NL@%Aglaura [1638]. Song,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Suckling@%%@QR:Suckling@%%@CR:N1609SUCJ30     @%%@2@%But as when an authentic watch is shown,%@NL@%%@EH@%
Each man winds up and rectifies his own,%@NL@%
So in our very judgments. 1 %@NL@%

%@NL@%Sir John Suckling
%@NL@%Aglaura [1638]. Song,epilogue

%@NL@%%@AI@%1 See Pope%@BO:          2984bc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Pope  There's no such thing in Nature, and you'll draw/A faultless
monster which the world ne'er saw.-John Sheffield, Duke of Buckingham and
Normanby [1648-1721], Essay on Poetry  %@EF@%
%@QR:Sir John Suckling@%%@QR:Suckling@%%@CR:N1609SUCJ40     @%%@2@%High characters (cries one), and he would see%@NL@%%@EH@%
Things that ne'er were, nor are, nor ne'er will be.%@NL@%

%@NL@%Sir John Suckling
%@NL@%The Goblins [1639], epilogue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Suckling@%%@QR:Suckling@%%@CR:N1609SUCJ60     @%%@2@%Her feet beneath her petticoat%@NL@%%@EH@%
Like little mice, stole in and out, 1 %@NL@%
As if they feared the light;%@NL@%
But oh, she dances such a way!%@NL@%
No sun upon an Easter-day%@NL@%
Is half so fine a sight.%@NL@%

%@NL@%Sir John Suckling
%@NL@%A Ballad upon a Wedding [1641],st. 8

%@NL@%%@AI@%1 See Herrick%@BO:          21e8a3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Suckling@%%@QR:Suckling@%%@CR:N1609SUCJ70     @%%@2@%Her lips were red, and one was thin,%@NL@%%@EH@%
Compared with that was next her chin,%@NL@%
Some bee had stung it newly.%@NL@%

%@NL@%Sir John Suckling
%@NL@%A Ballad upon a Wedding [1641],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Suckling@%%@QR:Suckling@%%@CR:N1609SUCJ80     @%%@2@%I prithee send me back my heart,%@NL@%%@EH@%
Since I cannot have thine;%@NL@%
For if from yours you will not part,%@NL@%
Why then shouldst thou have mine?%@NL@%

%@NL@%Sir John Suckling
%@NL@%Fragmenta Aurea [1646].Song, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Suckling@%%@QR:Suckling@%%@CR:N1609SUCJ90     @%%@2@%'Tis not the meat, but 'tis the appetite%@NL@%%@EH@%
Makes eating a delight.%@NL@%

%@NL@%Sir John Suckling
%@NL@%Fragmenta Aurea [1646].Of Thee, Kind Boy, st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Suckling@%%@QR:Suckling@%%@CR:N1609SUCJ100    @%%@2@%Out upon it, I have loved%@NL@%%@EH@%
Three whole days together;%@NL@%
And am like to love three more,%@NL@%
If it prove fair weather.%@NL@%

%@NL@%Sir John Suckling
%@NL@%Fragmenta Aurea [1646].A Poem with the Answer, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Suckling@%%@QR:Suckling@%%@CR:N1609SUCJ110    @%%@2@%'Tis expectation makes a blessing dear,%@NL@%%@EH@%
Heaven were not heaven, if we knew what it were.%@NL@%

%@NL@%Sir John Suckling
%@NL@%Fragmenta Aurea [1646].Against Fruition, st. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Cartwright%@AE@%%@EH@%
%@NL@%
%@AB@%1611-1643%@AE@%
%@NL@%%@NL@%

%@QR:William Cartwright@%%@QR:Cartwright@%%@CR:N1611CARW10     @%%@2@%Love makes those young whom age doth chill,%@NL@%%@EH@%
And whom he finds young, keeps young still.%@NL@%

%@NL@%William Cartwright
%@NL@%To Chloe [1651]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Leighton%@AE@%%@EH@%
%@NL@%
%@AB@%1611-1684%@AE@%
%@NL@%%@NL@%

%@QR:Robert Leighton@%%@QR:Leighton@%%@CR:N1611LEIR10     @%%@2@%   Deliver me, O Lord, from the errors of wise men, yea, and of good men.%@NL@%%@EH@%
%@NL@%
Robert Leighton
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Isaac de Benserade%@AE@%%@EH@%
%@NL@%
%@AB@%1612-1691%@AE@%
%@NL@%%@NL@%

%@QR:Isaac de Benserade@%%@QR:Benserade@%%@CR:N1612BENI10     @%%@2@%In bed we laugh, in bed we cry;%@NL@%%@EH@%
And, born in bed, in bed we die.%@NL@%
The near approach a bed may show%@NL@%
Of human bliss to human woe.%@NL@%

%@NL@%Isaac de Benserade
%@NL@%%@FN@%
Translated by Samuel Johnson.  %@EF@%
[Agrave] Son Lit

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anne Bradstreet%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1612-1672%@AE@%
%@NL@%%@NL@%

%@QR:Anne Bradstreet@%%@QR:Bradstreet@%%@CR:N1612BRAA10     @%%@2@%   Youth is the time of getting, middle age of improving, and old age of%@EH@%
spending.%@NL@%
%@NL@%
Anne Bradstreet
%@NL@%Meditations Divine and Moral [1664],3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anne Bradstreet@%%@QR:Bradstreet@%%@CR:N1612BRAA20     @%%@2@%   Authority without wisdom is like a heavy axe without an edge, fitter to%@EH@%
bruise than polish.%@NL@%
%@NL@%
Anne Bradstreet
%@NL@%Meditations Divine and Moral [1664],12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anne Bradstreet@%%@QR:Bradstreet@%%@CR:N1612BRAA30     @%%@2@%   If we had no winter, the spring would not be so pleasant: if we did not%@EH@%
sometimes taste of adversity, prosperity would not be so welcome.%@NL@%
%@NL@%
Anne Bradstreet
%@NL@%Meditations Divine and Moral [1664],14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anne Bradstreet@%%@QR:Bradstreet@%%@CR:N1612BRAA40     @%%@2@%If ever two were one, then surely we.%@NL@%%@EH@%
If ever man were loved by wife, then thee;%@NL@%
If ever wife was happy in a man,%@NL@%
Compare with me ye women if you can.%@NL@%

%@NL@%Anne Bradstreet
%@NL@%To My Dear and Loving Husband [1678]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Butler%@AE@%%@EH@%
%@NL@%
%@AB@%1612-1680%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS10     @%%@2@%When civil fury first grew high,%@NL@%%@EH@%
And men fell out they knew not why.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This is the first we hear of the "drum ecclesiastic" beating up for recruits
in worldly warfare in our country.-Washington Irving, Knickerbocker's
History of New York [1809], bk. V, ch. 7  %@EF@%
%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS20     @%%@2@%And pulpit, drum ecclesiastic,%@NL@%%@EH@%
Was beat with fist, instead of a stick.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He Greek and Latin speaks with greater ease/Than hogs eat acorns, and tame
pigeons peas.-Lionel Cranfield, Earl of Middlesex [1575-1645], Panegyric on
Tom Coriate  %@EF@%
%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS40     @%%@2@%Beside, 'tis known he could speak Greek  %@NL@%%@EH@%
As naturally as pigs squeak:%@NL@%
That Latin was no more difficile%@NL@%
Than to a blackbird 'tis to whistle.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS60     @%%@2@%He could distinguish and divide%@NL@%%@EH@%
A hair 'twixt south and southwest side,%@NL@%
On either which he would dispute,%@NL@%
Confute, change hands, and still confute.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS70     @%%@2@%He'd run in debt by disputation,%@NL@%%@EH@%
And pay with ratiocination.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS80     @%%@2@%For rhetoric, he could not ope%@NL@%%@EH@%
His mouth, but out there flew a trope.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS90     @%%@2@%For all a rhetorician's rules%@NL@%%@EH@%
Teach nothing but to name his tools.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 89

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS100    @%%@2@%A Babylonish dialect%@NL@%%@EH@%
Which learned pedants much affect.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS110    @%%@2@%For he by geometric scale,%@NL@%%@EH@%
Could take the size of pots of ale.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 121

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS120    @%%@2@%And wisely tell what hour o' th' day%@NL@%%@EH@%
The clock doth strike, by algebra.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 125

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS130    @%%@2@%Where entity and quiddity,%@NL@%%@EH@%
The ghosts of defunct bodies, fly.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 145

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS140    @%%@2@%'Twas Presbyterian true blue.%@NL@%%@EH@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 189

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS150    @%%@2@%Such as do build their faith upon%@NL@%%@EH@%
The holy text of pike and gun.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 193

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS160    @%%@2@%And prove their doctrine orthodox,%@NL@%%@EH@%
By apostolic blows and knocks.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 197

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS170    @%%@2@%Compound for sins they are inclined to,%@NL@%%@EH@%
By damning those they have no mind to.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 213

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS180    @%%@2@%The trenchant blade, Toledo trusty,%@NL@%%@EH@%
For want of fighting was grown rusty,%@NL@%
And ate into itself, for lack%@NL@%
Of somebody to hew and hack.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 357

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS190    @%%@2@%For rhyme the rudder is of verses,%@NL@%%@EH@%
With which like ships they steer their courses.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 457

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS200    @%%@2@%And force them, though it was in spite%@NL@%%@EH@%
Of Nature and their stars, to write.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 647

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS210    @%%@2@%Great actions are not always true sons%@NL@%%@EH@%
Of great and mighty resolutions.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto I,l. 885

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS220    @%%@2@%I'll make the fur%@NL@%%@EH@%
Fly 'bout the ears of the old cur.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto III,l. 277

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS230    @%%@2@%These reasons made his mouth to water.%@NL@%%@EH@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto III,l. 379

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS240    @%%@2@%I am not now in fortune's power:%@NL@%%@EH@%
He that is down can fall no lower. 1 %@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto III,l. 871

%@NL@%%@AI@%1 See Bunyan%@BO:          26354c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS260    @%%@2@%Cheered up himself with ends of verse,%@NL@%%@EH@%
And sayings of philosophers.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto III,l. 1011

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS270    @%%@2@%Cleric before, and Lay behind;%@NL@%%@EH@%
A lawless linsey-woolsey brother,%@NL@%
Half of one order, half another.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. I [1663],canto III,l. 1226

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS280    @%%@2@%Some have been beaten till they know%@NL@%%@EH@%
What wood a cudgel's of by th' blow;%@NL@%
Some kicked, until they can feel whether%@NL@%
A shoe be Spanish or neat's leather.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. II [1664],canto I,l. 221

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS290    @%%@2@%For what is worth in anything%@NL@%%@EH@%
But so much money as 'twill bring?%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. II [1664],canto I,l. 465

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS300    @%%@2@%She that with poetry is won%@NL@%%@EH@%
Is but a desk to write upon.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. II [1664],canto I,l. 591

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS310    @%%@2@%Love is a boy by poets styled;%@NL@%%@EH@%
Then spare the rod, and spoil the child. 1  2 %@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. II [1664],canto I,l. 843

%@NL@%%@AI@%1 See Proverbs, 13:24%@BO:           2e4b2@%%@AE@%
%@AI@%2 See Menander%@BO:           ba54d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS320    @%%@2@%Oaths are but words, and words but wind.%@NL@%%@EH@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. II [1664],canto II,l. 107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS330    @%%@2@%For truth is precious and divine-%@NL@%%@EH@%
Too rich a pearl for carnal swine.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. II [1664],canto II,l. 257

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS340    @%%@2@%He that imposes an oath makes it,%@NL@%%@EH@%
Not he that for convenience takes it;%@NL@%
Then how can any man be said%@NL@%
To break an oath he never made?%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. II [1664],canto II,l. 377

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS350    @%%@2@%As the ancients%@NL@%%@EH@%
Say wisely, have a care o' th' main chance, 1 %@NL@%
And look before you ere you leap; 2 %@NL@%
For as you sow, ye are like to reap. 3 %@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. II [1664],canto II,l. 501

%@NL@%%@AI@%1 See Lyly%@BO:          15a183@%%@AE@%
%@AI@%2 See Heywood%@BO:          1382db@%%@AE@%
%@AI@%3 See Galatians 6:7%@BO:           6ed78@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS360    @%%@2@%Doubtless the pleasure is as great%@NL@%%@EH@%
Of being cheated as to cheat.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. II [1664],canto III,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS370    @%%@2@%He made an instrument to know%@NL@%%@EH@%
If the moon shine at full or no.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. II [1664],canto III,l. 261

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS380    @%%@2@%As men of inward light are wont%@NL@%%@EH@%
To turn their optics in upon 't.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. III [1678],canto I,l. 481

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS390    @%%@2@%What makes all doctrines plain and clear?%@NL@%%@EH@%
About two hundred pounds a year.%@NL@%
And that which was proved true before,%@NL@%
Prove false again? Two hundred more.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. III [1678],canto I,l. 1277

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS400    @%%@2@%Nick Machiavel had ne'er a trick,%@NL@%%@EH@%
Though he gave his name to our Old Nick.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. III [1678],canto I,l. 1313

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
True as the needle to the pole,/Or as the dial to the sun.-Barton Booth
[1681-1733],Song  %@EF@%
%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS410    @%%@2@%True as the dial to the sun,%@NL@%%@EH@%
Although it be not shined upon.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. III [1678],canto II,l. 175

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS430    @%%@2@%He that complies against his will%@NL@%%@EH@%
Is of his own opinion still.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. III [1678],canto III,l. 547

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS440    @%%@2@%Neither have the hearts to stay,%@NL@%%@EH@%
Nor wit enough to run away.%@NL@%

%@NL@%Samuel Butler
%@NL@%Hudibras,pt. III [1678],canto III,l. 569

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1612BUTS450    @%%@2@%And poets by their sufferings grow, 1 %@NL@%%@EH@%
As if there were no more to do,%@NL@%
To make a poet excellent,%@NL@%
But only want and discontent.%@NL@%

%@NL@%Samuel Butler
%@NL@%Fragments

%@NL@%%@AI@%1 See Shelley%@BO:          38b97f@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%James Graham, Marquess of Montrose%@AE@%%@EH@%
%@NL@%
%@AB@%1612-1650%@AE@%
%@NL@%%@NL@%

%@QR:James Graham, Marquess of Montrose@%%@QR:Graham@%%@CR:N1612MONJ10     @%%@2@%He either fears his fate too much,%@NL@%%@EH@%
Or his deserts are small,%@NL@%
That puts it not unto the touch%@NL@%
To win or lose it all.%@NL@%

%@NL@%James Graham, Marquess of Montrose
%@NL@%My Dear and Only Love,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I'll make thee famous by my pen,/And glorious by my sword.-Scott, Legend of
Montrose [1819], ch. 15  %@EF@%
%@QR:James Graham, Marquess of Montrose@%%@QR:Graham@%%@CR:N1612MONJ20     @%%@2@%I'll make thee glorious by my pen,%@NL@%%@EH@%
And famous by my sword.%@NL@%

%@NL@%James Graham, Marquess of Montrose
%@NL@%My Dear and Only Love,st. 5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Crashaw%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1613-1649%@AE@%
%@NL@%%@NL@%

%@FN@%
Nympha pudica Deum vidit, et erubuit.-Quoted by Samuel Johnson [1778]; from
Boswell, Life of Johnson [1791], vol. II, p. 218 (Everyman edition). A
footnote states that this line has frequently been attributed to Dryden, but
appeared in Crashaw's Epigrammata Sacra [1634].  The bashful stream hath
seen its God and blushed.-Aaron Hill [1685-1750]  The water hears thy
faintest word,/And blushes into wine.-John Samuel Bewley Monsell
[1811-1875], Mysterious Is Thy Presence, Lord, st. 1  %@EF@%
%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR10     @%%@2@%The conscious water saw its God, and blushed.%@NL@%%@EH@%

%@NL@%Richard Crashaw
%@NL@%Epigrammata Sacra [1634]. Aquae in Vinum Versae

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR50     @%%@2@%Two went to pray? Oh, rather say%@NL@%%@EH@%
One went to brag, the other to pray.%@NL@%

%@NL@%Richard Crashaw
%@NL@%Steps to the Temple [1648].Two Went Up into the Temple to Pray
 1

%@NL@%%@AI@%1 See Luke 18:10%@BO:           5f0dd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR60     @%%@2@%Whoe'er she be,%@NL@%%@EH@%
That not impossible she%@NL@%
That shall command my heart and me.%@NL@%

%@NL@%Richard Crashaw
%@NL@%Steps to the Temple [1648].Wishes to His Supposed Mistress,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR70     @%%@2@%Where'er she lie,%@NL@%%@EH@%
Locked up from mortal eye,%@NL@%
In shady leaves of destiny.%@NL@%

%@NL@%Richard Crashaw
%@NL@%Steps to the Temple [1648].Wishes to His Supposed Mistress,l. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR80     @%%@2@%Life that dares send%@NL@%%@EH@%
A challenge to his end,%@NL@%
And when it comes, say, Welcome, friend!%@NL@%

%@NL@%Richard Crashaw
%@NL@%Steps to the Temple [1648].Wishes to His Supposed Mistress,l. 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR90     @%%@2@%Sidnaeian showers%@NL@%%@EH@%
Of sweet discourse, whose powers%@NL@%
Can crown old Winter's head with flowers.%@NL@%

%@NL@%Richard Crashaw
%@NL@%Steps to the Temple [1648].Wishes to His Supposed Mistress,l. 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR100    @%%@2@%I would be married, but I'd have no wife,%@NL@%%@EH@%
I would be married to a single life.%@NL@%

%@NL@%Richard Crashaw
%@NL@%Steps to the Temple [1648].On Marriage

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR110    @%%@2@%All is Caesar's, and what odds%@NL@%%@EH@%
So long as Caesar's self is God's?%@NL@%

%@NL@%Richard Crashaw
%@NL@%Steps to the Temple [1648].Mark XII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR120    @%%@2@%All those fair and flagrant things.%@NL@%%@EH@%

%@NL@%Richard Crashaw
%@NL@%The Flaming Heart upon the Book of Saint Teresa [1652],l. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR130    @%%@2@%Love's passives are his activ'st part.%@NL@%%@EH@%
The wounded is the wounding heart.%@NL@%

%@NL@%Richard Crashaw
%@NL@%The Flaming Heart upon the Book of Saint Teresa [1652],l. 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR140    @%%@2@%O thou undaunted daughter of desires!%@NL@%%@EH@%

%@NL@%Richard Crashaw
%@NL@%The Flaming Heart upon the Book of Saint Teresa [1652],l. 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR150    @%%@2@%By all the eagle in thee, all the dove.%@NL@%%@EH@%

%@NL@%Richard Crashaw
%@NL@%The Flaming Heart upon the Book of Saint Teresa [1652],l. 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR160    @%%@2@%Poor world (said I) what wilt thou do%@NL@%%@EH@%
To entertain this starry stranger?%@NL@%
Is this the best thou canst bestow?%@NL@%
A cold, and not too cleanly, manger?%@NL@%
Contend, ye powers of heav'n and earth,%@NL@%
To fit a bed for this huge birth.%@NL@%

%@NL@%Richard Crashaw
%@NL@%Hymn of the Nativity [1652],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR170    @%%@2@%Proud world, said I, cease your contest,%@NL@%%@EH@%
And let the mighty babe alone.%@NL@%
The phoenix builds the phoenix' nest.%@NL@%
Love's architecture is his own.%@NL@%
The babe whose birth embraves this morn,%@NL@%
Made his own bed ere he was born.%@NL@%

%@NL@%Richard Crashaw
%@NL@%Hymn of the Nativity [1652],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR180    @%%@2@%Welcome, all wonders in one sight!%@NL@%%@EH@%
Eternity shut in a span.%@NL@%

%@NL@%Richard Crashaw
%@NL@%Hymn of the Nativity [1652],Full Chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Crashaw@%%@QR:Crashaw@%%@CR:N1613CRAR190    @%%@2@%The modest front of this small floor,%@NL@%%@EH@%
Believe me, reader, can say more%@NL@%
Than many a braver marble can-%@NL@%
"Here lies a truly honest man!"%@NL@%

%@NL@%Richard Crashaw
%@NL@%Epitaph upon Mr. Ashton

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francois , Duc de La Rochefoucauld%@AE@%%@EH@%
%@NL@%Francois , Duc de La Rochefoucauld
%@AB@%1613-1680%@AE@%
%@NL@%%@NL@%

%@FN@%
This epigraph, which is the key to the system of La Rochefoucauld, is found
in another form as no. 179 of the Maxims of the first edition, 1665; it is
omitted from the second and third, and reappears for the first time in the
fourth edition at the head of the Reflections.-Louis Aime Martin [1786-1847]
%@EF@%
%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF10     @%%@2@%   Our virtues are most frequently but vices in disguise.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%%@FN@%
The fifth edition [1678] is the standard one.  %@EF@%
Reflections; or, Sentences and Moral Maxims.Epigraph

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF30     @%%@2@%   Self-love is the greatest of all flatterers.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF40     @%%@2@%   We all have strength enough to endure the misfortunes of others. 1 %@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim19

%@NL@%%@AI@%1 See Pope%@BO:          2a70fc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF50     @%%@2@%   Philosophy triumphs easily over past evils and future evils; but present%@EH@%
evils triumph over it. 1 %@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim22

%@NL@%%@AI@%1 See Goldsmith%@BO:          2de14c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF60     @%%@2@%   We need greater virtues to sustain good fortune than bad.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF70     @%%@2@%   If we had no faults of our own, we would not take so much pleasure in%@EH@%
noticing those of others.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF80     @%%@2@%   Jealousy feeds upon suspicion, and it turns into fury or it ends as soon%@EH@%
as we pass from suspicion to certainty.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF90     @%%@2@%   Self-interest speaks all sorts of tongues, and plays all sorts of roles,%@EH@%
even that of disinterestedness.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF100    @%%@2@%   We are never so happy nor so unhappy as we imagine.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF110    @%%@2@%   To succeed in the world, we do everything we can to appear successful.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF120    @%%@2@%   There is no disguise which can for long conceal love where it exists or%@EH@%
simulate it where it does not.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF130    @%%@2@%   There are very few people who are not ashamed of having been in love when%@EH@%
they no longer love each other.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF140    @%%@2@%   True love is like ghosts, which everybody talks about and few have seen.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF150    @%%@2@%   The love of justice in most men is simply the fear of suffering%@EH@%
injustice.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF160    @%%@2@%   Silence is the best tactic for him who distrusts himself.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF170    @%%@2@%   It is more ignominious to mistrust our friends than to be deceived by%@EH@%
them.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF180    @%%@2@%   Everyone complains of his memory, and no one complains of his judgment.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim89

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF190    @%%@2@%   Old people like to give good advice, as solace for no longer being able%@EH@%
to provide bad examples. 1 %@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim93

%@NL@%%@AI@%1 See Pope%@BO:          2a7526@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF200    @%%@2@%   A man who is ungrateful is sometimes less to blame for it than his%@EH@%
benefactor.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The mind lives on the heart/Like any parasite.-Emily Dickinson, The Mind
Lives on the Heart [c. 1876]  %@EF@%
%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF210    @%%@2@%   The mind is always the dupe of the heart.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim102

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF230    @%%@2@%   Nothing is given so profusely as advice.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim110

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF240    @%%@2@%   The true way to be deceived is to think oneself more clever than others.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF250    @%%@2@%   We would rather speak ill of ourselves than not talk about ourselves at%@EH@%
all.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim138

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF260    @%%@2@%   Usually we praise only to be praised.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim146

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF270    @%%@2@%   Our repentance is not so much regret for the ill we have done as fear of%@EH@%
the ill that may happen to us in consequence.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim180

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF280    @%%@2@%   Who lives without folly is not so wise as he thinks.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim209

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF290    @%%@2@%   Most people judge men only by their success or their good fortune.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim212

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF300    @%%@2@%   Hypocrisy is the homage that vice pays to virtue.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim218

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF310    @%%@2@%   Too great haste in paying off an obligation is a kind of ingratitude.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim226

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF320    @%%@2@%   There is great skill in knowing how to conceal one's skill.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim245

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF330    @%%@2@%   The pleasure of love is in loving. We are happier in the passion we feel%@EH@%
than in that we arouse. 1 %@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim259

%@NL@%%@AI@%1 See Shelley%@BO:          38ab70@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF340    @%%@2@%   Absence diminishes mediocre passions and increases great ones, as the%@EH@%
wind blows out candles and fans fire.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim276

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF350    @%%@2@%   We always like those who admire us; we do not always like those whom we%@EH@%
admire.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim294

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A lively sense of future favors.-Sir Robert Walpole, definition of the
gratitude of place-expectants; from William Hazlitt, English Comic Writers
[1819], Wit and Humor  %@EF@%
%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF360    @%%@2@%   The gratitude of most men is merely a secret desire to receive greater%@EH@%
benefits.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim298

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF380    @%%@2@%   We frequently forgive those who bore us, but cannot forgive those whom we%@EH@%
bore.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim304

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF390    @%%@2@%   Lovers never get tired of each other, because they are always talking%@EH@%
about themselves.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim312

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF400    @%%@2@%   In jealousy there is more self-love than love.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim324

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF410    @%%@2@%   We confess to little faults only to persuade ourselves that we have no%@EH@%
great ones.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim327

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF420    @%%@2@%   We pardon to the extent that we love.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim330

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"That was excellently observed," say I when I read a passage in another
where his opinion agrees with mine. When we differ, then I pronounce him to
be mistaken.-Swift [1667-1745], Thoughts on Various Subjects  %@EF@%
%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF430    @%%@2@%   We rarely find that people have good sense unless they agree with us.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim347

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF450    @%%@2@%   Jealousy is always born together with love, but it does not always die%@EH@%
when love dies.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim361

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF460    @%%@2@%   Mediocre minds usually dismiss anything which reaches beyond their own%@EH@%
understanding. 1 %@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim375

%@NL@%%@AI@%1 See Schopenhauer%@BO:          384d00@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF470    @%%@2@%   The greatest fault of a penetrating wit is to go beyond the mark.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim377

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF480    @%%@2@%   We may give advice, but we do not inspire conduct.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim378

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF490    @%%@2@%   The veracity which increases with old age is not far from folly.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim416

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF500    @%%@2@%   Few people know how to be old.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim423

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF510    @%%@2@%   Nothing prevents our being natural so much as the desire to appear so.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim431

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF520    @%%@2@%   In their first passion women love their lovers, in the others they love%@EH@%
love. 1 %@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim471

%@NL@%%@AI@%1 See Byron%@BO:          37fa31@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF530    @%%@2@%   Quarrels would not last long if the fault were only on one side.%@NL@%%@EH@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim496

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In all distresses of our friends/We first consult our private ends;/While
Nature, kindly bent to ease us,/Points out some circumstance to please
us.-Swift [1667-1745], A Paraphrase of Rochefoucauld's Maxim  Maxim 583 is
one of the "maximes supprimees" discarded before the 1678 edition.  %@EF@%
%@QR:Francois , Duc de La Rochefoucauld@%%@QR:Francois , Duc de La Rochefoucauld@%%@CR:N1613LARF540    @%%@2@%   In the misfortune of our best friends we often find something that is not%@EH@%
displeasing.%@NL@%
%@NL@%
Francois , Duc de La Rochefoucauld
%@NL@%Reflections; or, Sentences and Moral Maxims.maxim583

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jeremy Taylor%@AE@%%@EH@%
%@NL@%
%@AB@%1613-1667%@AE@%
%@NL@%%@NL@%

%@QR:Jeremy Taylor@%%@QR:Taylor@%%@CR:N1613TAYJ10     @%%@2@%   Too quick a sense of constant infelicity.%@NL@%%@EH@%
%@NL@%
Jeremy Taylor
%@NL@%Holy Dying [1650-1651]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jeremy Taylor@%%@QR:Taylor@%%@CR:N1613TAYJ20     @%%@2@%   Every schoolboy knows it.%@NL@%%@EH@%
%@NL@%
Jeremy Taylor
%@NL@%On the Real Presence, V

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jeremy Taylor@%%@QR:Taylor@%%@CR:N1613TAYJ30     @%%@2@%   The union of hands and hearts.%@NL@%%@EH@%
%@NL@%
Jeremy Taylor
%@NL@%Sermons [1653], The Marriage Ring, pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jeremy Taylor@%%@QR:Taylor@%%@CR:N1613TAYJ40     @%%@2@%   No man ever repented that he arose from the table sober, healthful, and%@EH@%
with his wits about him.%@NL@%
%@NL@%
Jeremy Taylor
%@NL@%Sermons [1653], The Marriage Ring, pt. I

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Ady%@AE@%%@EH@%
%@NL@%
%@AB@%fl. 1655%@AE@%
%@NL@%%@NL@%

%@FN@%
Usual version: Bless the bed that I lie on./Four corners to my bed,/Four
angels round my head.  %@EF@%
%@QR:Thomas Ady@%%@QR:Ady@%%@CR:N1615ADYT10     @%%@2@%Matthew, Mark, Luke, and John,%@NL@%%@EH@%
The bed be blest that I lie on.%@NL@%
Four angels to my bed,%@NL@%
Four angels round my head,%@NL@%
One to watch, and one to pray,%@NL@%
And two to bear my soul away.%@NL@%

%@NL@%Thomas Ady
%@NL@%A Candle in the Dark [1655]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Baxter%@AE@%%@EH@%
%@NL@%
%@AB@%1615-1691%@AE@%
%@NL@%%@NL@%

%@QR:Richard Baxter@%%@QR:Baxter@%%@CR:N1615BAXR10     @%%@2@%I preached as never sure to preach again,%@NL@%%@EH@%
And as a dying man to dying men.%@NL@%

%@NL@%Richard Baxter
%@NL@%Poetical Fragments [1681]. Love Breathing Thanks and Praise

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In necessariis, unitas; in dubiis libertas; in omniis caritas.  %@EF@%
%@QR:Richard Baxter@%%@QR:Baxter@%%@CR:N1615BAXR20     @%%@2@%   In necessary things, unity; in doubtful things, liberty; in all things,%@EH@%
charity.%@NL@%
%@NL@%
Richard Baxter
%@NL@%Motto

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir John Denham%@AE@%%@EH@%
%@NL@%
%@AB@%1615-1669%@AE@%
%@NL@%%@NL@%

%@FN@%
The river Thames.  %@EF@%
%@QR:Sir John Denham@%%@QR:Denham@%%@CR:N1615DENJ10     @%%@2@%Oh, could I flow like thee, and make thy stream%@NL@%%@EH@%
My great example, as it is my theme!%@NL@%
Though deep yet clear, though gentle yet not dull;%@NL@%
Strong without rage, without o'erflowing full.%@NL@%

%@NL@%Sir John Denham
%@NL@%Cooper's Hill [1642], l. 189

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Roger L'Estrange%@AE@%%@EH@%
%@NL@%
%@AB@%1616-1704%@AE@%
%@NL@%%@NL@%

%@QR:Sir Roger L'Estrange@%%@QR:L'Estrange@%%@CR:N1616LESR10     @%%@2@%   Though this may be play to you, 'tis death to us. 1 %@NL@%%@EH@%
%@NL@%
Sir Roger L'Estrange
%@NL@%Fables [1692]. Fable 398, Boys and Frogs

%@NL@%%@AI@%1 See Bion%@BO:           bc573@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Roger de Bussy-Rabutin%@AE@%%@EH@%
%@NL@%
%@AB@%1618-1693%@AE@%
%@NL@%%@NL@%

%@FN@%
It is said that God is always for the big battalions.-Voltaire, letter to M.
le Riche, February 6, 1770  Providence is always on the side of the last
reserve.-Attributed toNapoleon  See Tacitus, Boileau, Frederick the Great,
and Gibbon  %@EF@%
%@QR:Roger de Bussy-Rabutin@%%@QR:Bussy-Rabutin@%%@CR:N1618BUSR10     @%%@2@%   God is usually on the side of the big squadrons and against the small%@EH@%
ones.%@NL@%
%@NL@%
Roger de Bussy-Rabutin
%@NL@%Letter to the Comte de Limoges [October 18, 1677]

%@NL@%
%@NL@%
%@NL@%
%@1@%%@AB@%Abraham Cowley%@AE@%%@EH@%
%@NL@%
%@AB@%1618-1667%@AE@%
%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA10     @%%@2@%What shall I do to be forever known,%@NL@%%@EH@%
And make the age to come my own?%@NL@%

%@NL@%Abraham Cowley
%@NL@%The Motto

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA20     @%%@2@%This only grant me, that my means may lie%@NL@%%@EH@%
Too low for envy, for contempt too high.%@NL@%

%@NL@%Abraham Cowley
%@NL@%The Vote [1636]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA30     @%%@2@%Well then; I now do plainly see%@NL@%%@EH@%
This busy world and I shall ne'er agree;%@NL@%
The very honey of all earthly joy%@NL@%
Does of all meats the soonest cloy,%@NL@%
And they (methinks) deserve my pity,%@NL@%
Who for it can endure the stings,%@NL@%
The crowd, and buzz and murmurings,%@NL@%
Of this great hive, the city.%@NL@%

%@NL@%Abraham Cowley
%@NL@%The Wish [1647]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA40     @%%@2@%Ah yet, ere I descend to the grave%@NL@%%@EH@%
May I a small house and large garden have;%@NL@%
And a few friends, and many books, both true,%@NL@%
Both wise, and both delightful too!%@NL@%

%@NL@%Abraham Cowley
%@NL@%The Wish [1647]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA50     @%%@2@%A mistress moderately fair.%@NL@%%@EH@%

%@NL@%Abraham Cowley
%@NL@%The Wish [1647]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA60     @%%@2@%The world's a scene of changes, and to be%@NL@%%@EH@%
Constant, in Nature were inconstancy.%@NL@%

%@NL@%Abraham Cowley
%@NL@%Inconstancy [1647]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA70     @%%@2@%The thirsty earth soaks up the rain,%@NL@%%@EH@%
And drinks, and gapes for drink again.%@NL@%
The plants suck in the earth, and are%@NL@%
With constant drinking fresh and fair.%@NL@%

%@NL@%Abraham Cowley
%@NL@%Anacreon [1656],II, Drinking

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA80     @%%@2@%Fill all the glasses there, for why%@NL@%%@EH@%
Should every creature drink but I,%@NL@%
Why, man of morals, tell me why?%@NL@%

%@NL@%Abraham Cowley
%@NL@%Anacreon [1656],II, Drinking

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA90     @%%@2@%A mighty pain to love it is,%@NL@%%@EH@%
And 'tis a pain that pain to miss;  %@NL@%
But of all pains, the greatest pain%@NL@%
It is to love, but love in vain.%@NL@%

%@NL@%Abraham Cowley
%@NL@%Anacreon [1656],VII, Gold

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA100    @%%@2@%His time is forever, everywhere his place.%@NL@%%@EH@%

%@NL@%Abraham Cowley
%@NL@%Friendship in Absence

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
One of our poets (which is it?) speaks of an everlasting now.-Southey, The
Doctor [1834-1847], ch. 25  %@EF@%
%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA110    @%%@2@%Nothing is there to come, and nothing past,%@NL@%%@EH@%
But an eternal now does always last.%@NL@%

%@NL@%Abraham Cowley
%@NL@%Davideis [1656], bk. I, l. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA130    @%%@2@%Life is an incurable disease. 1  2 %@NL@%%@EH@%

%@NL@%Abraham Cowley
%@NL@%To Dr. Scarborough [1656]

%@NL@%%@AI@%1 See Pope%@BO:          2a319a@%%@AE@%
%@AI@%2 See Arnold%@BO:          46373d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA140    @%%@2@%Ye fields of Cambridge, our dear Cambridge, say,%@NL@%%@EH@%
Have ye not seen us walking every day?%@NL@%
Was there a tree about which did not know%@NL@%
The love betwixt us two?%@NL@%

%@NL@%Abraham Cowley
%@NL@%On the Death of Mr. William Harvey [1657]
 1

%@NL@%%@AI@%1 See William Harvey%@CF:N1578HARW       @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA150    @%%@2@%God the first garden made, and the first city. 1  2  3  4 %@NL@%%@EH@%

%@NL@%Abraham Cowley
%@NL@%The Garden [1664], essay 5

%@NL@%%@AI@%1 See Genesis 2:8%@BO:            6076@%%@AE@%
%@AI@%2 See Bacon%@BO:          1646e1@%%@AE@%
%@AI@%3 See Shakespeare%@BO:          1c6f91@%%@AE@%
%@AI@%4 See Cowper%@BO:          2eb026@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Odi profanum vulgus.  %@EF@%
%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA160    @%%@2@%Hence ye profane! I hate ye all,%@NL@%%@EH@%
Both the great vulgar and the small.%@NL@%

%@NL@%Abraham Cowley
%@NL@%Horace, bk. III, ode 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA170    @%%@2@%Charmed with the foolish whistling of a name. 1 %@NL@%%@EH@%

%@NL@%Abraham Cowley
%@NL@%Virgil, Georgics, bk. II, l. 72

%@NL@%%@AI@%1 See Pope%@BO:          2a226c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Thoughts that breathe, and words that burn.-Thomas Gray, Progress of Poesy
[1754], III, 3, 4  %@EF@%
%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA180    @%%@2@%Words that weep and tears that speak.%@NL@%%@EH@%

%@NL@%Abraham Cowley
%@NL@%The Prophet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA200    @%%@2@%Poet and Saint! to thee alone are given%@NL@%%@EH@%
The two most sacred names of earth and Heaven.%@NL@%

%@NL@%Abraham Cowley
%@NL@%On the Death of Mr. Crashaw
 1  [1668]

%@NL@%%@AI@%1 See Crashaw%@CF:N1613CRAR       @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Cowley@%%@QR:Cowley@%%@CR:N1618COWA210    @%%@2@%His faith, perhaps, in some nice tenets might%@NL@%%@EH@%
Be wrong; his life, I'm sure, was in the right. 1 %@NL@%

%@NL@%Abraham Cowley
%@NL@%On the Death of Mr. Crashaw
 1  [1668]

%@NL@%%@AI@%1 See Pope%@BO:          2a19e1@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Johann Franck%@AE@%%@EH@%
%@NL@%
%@AB@%1618-1677%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by Catherine Winkworth [1863].  %@EF@%
%@QR:Johann Franck@%%@QR:Franck@%%@CR:N1618FRAJ10     @%%@2@%Deck thyself, my soul, with gladness.%@NL@%%@EH@%

%@NL@%Johann Franck
%@NL@%Hymn [1649]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Lovelace%@AE@%%@EH@%
%@NL@%
%@AB@%1618-1658%@AE@%
%@NL@%%@NL@%

%@FN@%
The mind, the music breathing from her face.-Byron, Bride of Abydos [1813],
canto I, st. 6  %@EF@%
%@QR:Richard Lovelace@%%@QR:Lovelace@%%@CR:N1618LOVR10     @%%@2@%Oh, could you view the melody%@NL@%%@EH@%
Of every grace%@NL@%
And music of her face,%@NL@%
You'd drop a tear;%@NL@%
Seeing more harmony%@NL@%
In her bright eye%@NL@%
Than now you hear.%@NL@%

%@NL@%Richard Lovelace
%@NL@%Lucasta [1649].Orpheus to Beasts

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Lovelace@%%@QR:Lovelace@%%@CR:N1618LOVR30     @%%@2@%Tell me not, sweet, I am unkind,%@NL@%%@EH@%
That from the nunnery%@NL@%
Of thy chaste breast and quiet mind,%@NL@%
To war and arms I fly.%@NL@%

%@NL@%Richard Lovelace
%@NL@%Lucasta [1649].To Lucasta: Going to the Wars,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Lovelace@%%@QR:Lovelace@%%@CR:N1618LOVR40     @%%@2@%I could not love thee, dear, so much,%@NL@%%@EH@%
Loved I not honor more.%@NL@%

%@NL@%Richard Lovelace
%@NL@%Lucasta [1649].To Lucasta: Going to the Wars,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Lovelace@%%@QR:Lovelace@%%@CR:N1618LOVR50     @%%@2@%When I lie tangled in her hair,%@NL@%%@EH@%
And fettered to her eye,%@NL@%
The gods that wanton in the air%@NL@%
Know no such liberty.%@NL@%

%@NL@%Richard Lovelace
%@NL@%Lucasta [1649].To Althea: From Prison,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Lovelace@%%@QR:Lovelace@%%@CR:N1618LOVR60     @%%@2@%When flowing cups pass swiftly round%@NL@%%@EH@%
With no allaying Thames. 1 %@NL@%

%@NL@%Richard Lovelace
%@NL@%Lucasta [1649].To Althea: From Prison,st. 2

%@NL@%%@AI@%1 See Shakespeare%@BO:          1f07ee@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Stone walls a prisoner make, but not a slave.-Wordsworth [1770-1850],
Humanity  %@EF@%
%@FN@%
But though my wing is closely bound,/My heart's at liberty;/My prison walls
cannot control/The flight, the freedom of the soul.-Jeanne Guyon
[1648-1717], A Prisoner's Song, Castle of Vincennes, France, st. 4  %@EF@%
%@QR:Richard Lovelace@%%@QR:Lovelace@%%@CR:N1618LOVR70     @%%@2@%Stone walls do not a prison make,%@NL@%%@EH@%
Nor iron bars a cage;%@NL@%
Minds innocent and quiet take%@NL@%
That for an hermitage;%@NL@%
If I have freedom in my love,%@NL@%
And in my soul am free,%@NL@%
Angels alone that soar above%@NL@%
Enjoy such liberty.%@NL@%

%@NL@%Richard Lovelace
%@NL@%Lucasta [1649].To Althea: From Prison,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Lovelace@%%@QR:Lovelace@%%@CR:N1618LOVR100    @%%@2@%If to be absent were to be%@NL@%%@EH@%
Away from thee;%@NL@%
Or that when I am gone,%@NL@%
You and I were alone;%@NL@%
Then, my Lucasta, might I crave%@NL@%
Pity from blust'ring wind, or swallowing wave.%@NL@%

%@NL@%Richard Lovelace
%@NL@%Lucasta [1649].To Lucasta: Going Beyond the Seas,st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ninon de L'Enclos%@AE@%%@EH@%
%@NL@%
%@AB@%1620-1705%@AE@%
%@NL@%%@NL@%

%@FN@%
La vieillesse est l'enfer des femmes.  %@EF@%
%@QR:Ninon de L'Enclos@%%@QR:L'Enclos@%%@CR:N1620LENN10     @%%@2@%   Old age is woman's hell.%@NL@%%@EH@%
%@NL@%
Ninon de L'Enclos
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jean de La Fontaine%@AE@%%@EH@%
%@NL@%Jean de La Fontaine
%@AB@%1621-1695%@AE@%
%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ10     @%%@2@%   We believe no evil till the evil's done.%@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.I [1668], fable8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ20     @%%@2@%   We heed no instincts but our own.%@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.I [1668], fable8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ30     @%%@2@%   The opinion of the strongest is always the best. 1 %@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.I [1668], fable10

%@NL@%%@AI@%1 See Krylov%@BO:          335b82@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ40     @%%@2@%   Better to suffer than to die: that is mankind's motto.%@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.I [1668], fable16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ50     @%%@2@%   By the work one knows the workman.%@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.I [1668], fable21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ60     @%%@2@%   I bend but do not break.%@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.I [1668], fable22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ70     @%%@2@%   It is a double pleasure to deceive the deceiver.%@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.II [1668], fable 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ80     @%%@2@%   It is impossible to please all the world and one's father.%@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.III [1668], fable1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ90     @%%@2@%   In everything one must consider the end. 1 %@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.III [1668], fable5

%@NL@%%@AI@%1 See Ecclesiasticus 7:36%@BO:           49683@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ100    @%%@2@%   Beware, as long as you live, of judging people by appearances.%@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.VI [1668], fable5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ110    @%%@2@%   On the wings of Time grief flies away. 1  2 %@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.VI [1668], fable21

%@NL@%%@AI@%1 See Sophocles%@BO:           9d1e7@%%@AE@%
%@AI@%2 See Terence%@BO:           c2c05@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ120    @%%@2@%   The sign brings customers.%@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.VII [1678-1679], fable 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ130    @%%@2@%   People who make no noise are dangerous.%@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.VIII [1678-1679], fable23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ140    @%%@2@%   He knows the universe, and himself he does not know.%@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.VIII [1678-1679], fable26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ventre affame n'a point d'oreilles.  See Cato the Elder and Stevenson  %@EF@%
%@QR:Jean de La Fontaine@%%@QR:La Fontaine@%%@QR:Jean de La Fontaine@%%@QR:Fontaine@%%@CR:N1621LAFJ150    @%%@2@%   A hungry stomach cannot hear.%@NL@%%@EH@%
%@NL@%
Jean de La Fontaine
%@NL@%Fables, bk.IX [1678-1679], fable 17

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Andrew Marvell%@AE@%%@EH@%
%@NL@%
%@AB@%1621-1678%@AE@%
%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA10     @%%@2@%The inglorious arts of peace.%@NL@%%@EH@%

%@NL@%Andrew Marvell
%@NL@%Upon Cromwell's Return from Ireland [1650]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
King Charles I.  %@EF@%
%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA20     @%%@2@%He nothing common did or mean%@NL@%%@EH@%
Upon that memorable scene,%@NL@%
But with his keener eye%@NL@%
The axe's edge did try.%@NL@%

%@NL@%Andrew Marvell
%@NL@%Upon Cromwell's Return from Ireland [1650]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA30     @%%@2@%But bowed his comely head%@NL@%%@EH@%
Down as upon a bed.%@NL@%

%@NL@%Andrew Marvell
%@NL@%Upon Cromwell's Return from Ireland [1650]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA40     @%%@2@%So much one man can do,%@NL@%%@EH@%
That does both act and know.%@NL@%

%@NL@%Andrew Marvell
%@NL@%Upon Cromwell's Return from Ireland [1650]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA50     @%%@2@%Had we but world enough, and time,%@NL@%%@EH@%
This coyness, lady, were no crime.%@NL@%

%@NL@%Andrew Marvell
%@NL@%To His Coy Mistress [1650-1652]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA60     @%%@2@%I would%@NL@%%@EH@%
Love you ten years before the Flood,%@NL@%
And you should, if you please, refuse%@NL@%
Till the conversion of the Jews.%@NL@%
My vegetable love should grow%@NL@%
Vaster than empires, and more slow.%@NL@%

%@NL@%Andrew Marvell
%@NL@%To His Coy Mistress [1650-1652]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA70     @%%@2@%But at my back I always hear%@NL@%%@EH@%
Time's winged chariot hurrying near;%@NL@%
And yonder all before us lie%@NL@%
Deserts of vast eternity.%@NL@%

%@NL@%Andrew Marvell
%@NL@%To His Coy Mistress [1650-1652]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA80     @%%@2@%Then worms shall try%@NL@%%@EH@%
That long preserved virginity,%@NL@%
And your quaint honor turn to dust,%@NL@%
And into ashes all my lust.%@NL@%
The grave's a fine and private place,%@NL@%
But none, I think, do there embrace.%@NL@%

%@NL@%Andrew Marvell
%@NL@%To His Coy Mistress [1650-1652]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA90     @%%@2@%   Though we cannot make our sun Stand still, yet we will make him run.%@NL@%%@EH@%
%@NL@%
Andrew Marvell
%@NL@%To His Coy Mistress [1650-1652]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The same phrase is in Virgil, Eclogues, IX, 20.  %@EF@%
%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA100    @%%@2@%Annihilating all that's made%@NL@%%@EH@%
To a green thought in a green shade.%@NL@%

%@NL@%Andrew Marvell
%@NL@%The Garden [1650-1652]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA110    @%%@2@%Casting the body's vest aside,%@NL@%%@EH@%
My soul into the boughs does glide.%@NL@%

%@NL@%Andrew Marvell
%@NL@%The Garden [1650-1652]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA120    @%%@2@%The world in all doth but two nations bear-%@NL@%%@EH@%
The good, the bad; and these mixed everywhere.%@NL@%

%@NL@%Andrew Marvell
%@NL@%The Loyal Scot [1650-1652]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA130    @%%@2@%My love is of a birth as rare%@NL@%%@EH@%
As 'tis for object strange and high;%@NL@%
It was begotten by despair%@NL@%
Upon impossibility.%@NL@%

%@NL@%Andrew Marvell
%@NL@%The Definition of Love [1650-1652],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA140    @%%@2@%As lines, so loves oblique, may well%@NL@%%@EH@%
Themselves in every angle greet;%@NL@%
But ours, so truly parallel,%@NL@%
Though infinite, can never meet.%@NL@%

%@NL@%Andrew Marvell
%@NL@%The Definition of Love [1650-1652],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA150    @%%@2@%Where the remote Bermudas ride,%@NL@%%@EH@%
In th' ocean's bosom unespied.%@NL@%

%@NL@%Andrew Marvell
%@NL@%Bermudas [1657]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA160    @%%@2@%Orange bright,%@NL@%%@EH@%
Like golden lamps in a green light.%@NL@%

%@NL@%Andrew Marvell
%@NL@%Bermudas [1657]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Marvell@%%@QR:Marvell@%%@CR:N1621MARA170    @%%@2@%And all the way, to guide their chime,%@NL@%%@EH@%
With falling oars they kept the time. 1 %@NL@%

%@NL@%Andrew Marvell
%@NL@%Bermudas [1657]

%@NL@%%@AI@%1 See Thomas Moore%@BO:          365cf1@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Moliere%@AE@%%@EH@%
%@NL@%Jean Baptiste Poquelin
%@AB@%1622-1673%@AE@%
%@NL@%%@NL@%

%@FN@%
Tirer les marrons du feu avec la patte du chat.-Proverb in many languages  %@EF@%
%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI10     @%%@2@%   To pull the chestnuts out of the fire with the cat's paw.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%L'Etourdi [1655], act III, sc. vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI30     @%%@2@%   We die only once, and for such a long time!%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Le Depit Amoureux [1656], act V, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI40     @%%@2@%   I always make the first verse well, but I have trouble making the others.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Les Precieuses Ridicules [1659], act I, sc. xi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI50     @%%@2@%   The world, dear Agnes, is a strange affair.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%L'Ecole des Femmes [1662], act II, sc. vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI60     @%%@2@%   There is no rampart that will hold out against malice.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Tartuffe [1664], actI, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI70     @%%@2@%   Those whose conduct gives room for talk are always the first to attack%@EH@%
their neighbors.%@NL@%
%@NL@%
Moliere
%@NL@%Tartuffe [1664], actI, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Vous [ecirc ]tes un sot en trois lettres, mon fils.  %@EF@%
%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI80     @%%@2@%   You are a fool in four letters, my son.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Tartuffe [1664], actI, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI100    @%%@2@%   She is laughing up her sleeve at you.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Tartuffe [1664], actI, sc.vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI110    @%%@2@%   A woman always has her revenge ready.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Tartuffe [1664], actII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Couvrez ce sein que je ne saurais voir:/ Par de pareils objets les [acirc
]mes sont blessees.  %@EF@%
%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI120    @%%@2@%   Cover that bosom that I must not see: souls are wounded by such things.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Tartuffe [1664], actIII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI140    @%%@2@%   Although I am a pious man, I am not the less a man.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Tartuffe [1664], actIII, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI150    @%%@2@%   To create a public scandal is what's wicked; to sin in private is not a%@EH@%
sin.%@NL@%
%@NL@%
Moliere
%@NL@%Tartuffe [1664], actIV, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI160    @%%@2@%   I saw him, I say, saw him with my own eyes.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Tartuffe [1664], actV, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nous avons change tout cela.  %@EF@%
%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI170    @%%@2@%   We have changed all that.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Le Medecin Malgre Lui [1666], act II, sc. vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI190    @%%@2@%   On some preference esteem is based; to esteem everything is to esteem%@EH@%
nothing.%@NL@%
%@NL@%
Moliere
%@NL@%Le Misanthrope [1666], actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI200    @%%@2@%   He's a wonderful talker, who has the art of telling you nothing in a%@EH@%
great harangue.%@NL@%
%@NL@%
Moliere
%@NL@%Le Misanthrope [1666], actII, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI210    @%%@2@%   He makes his cook his merit, and the world visits his dinners and not%@EH@%
him.%@NL@%
%@NL@%
Moliere
%@NL@%Le Misanthrope [1666], actII, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI220    @%%@2@%   You see him laboring to produce bons mots.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Le Misanthrope [1666], actII, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI230    @%%@2@%   The more we love our friends, the less we flatter them; it is by excusing%@EH@%
nothing that pure love shows itself.%@NL@%
%@NL@%
Moliere
%@NL@%Le Misanthrope [1666], actII, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI240    @%%@2@%   Doubts are more cruel than the worst of truths.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Le Misanthrope [1666], actIII, sc. vii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI250    @%%@2@%   Anyone may be an honorable man, and yet write verse badly.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Le Misanthrope [1666], actIV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI260    @%%@2@%   If everyone were clothed with integrity, if every heart were just, frank,%@EH@%
kindly, the other virtues would be well-nigh useless, since their chief
purpose is to make us bear with patience the injustice of our fellows.%@NL@%
%@NL@%
Moliere
%@NL@%Le Misanthrope [1666], actV, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI270    @%%@2@%   It is a wonderful seasoning of all enjoyments to think of those we love.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Le Misanthrope [1666], actV, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI280    @%%@2@%   I prefer an accommodating vice to an obstinate virtue.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Amphitryon [1666], actI, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI290    @%%@2@%   One must eat to live, and not live to eat. 1  2 %@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Amphitryon [1666], actIII, sc.i

%@NL@%%@AI@%1 See Socrates%@BO:           a659a@%%@AE@%
%@AI@%2 See Franklin%@BO:          2b3a51@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le veritable Amphitryon est l'Amphitryon o[ugrave] l'on dine.  See Dryden  %@EF@%
%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI300    @%%@2@%   The true Amphitryon is the Amphitryon who gives dinners.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Amphitryon [1666], actIII, sc.v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI320    @%%@2@%   My Lord Jupiter knows how to sugarcoat the pill.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Amphitryon [1666], actIII, sc.x

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Vous l'avez  voulu, Georges Dandin, vous l'avez voulu.  %@EF@%
%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI330    @%%@2@%   You've asked for it, Georges Dandin, you've asked for it.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Georges Dandin [1668], act I, sc. ix

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI350    @%%@2@%   Good Heavens! For more than forty years I have been speaking prose%@EH@%
without knowing it.%@NL@%
%@NL@%
Moliere
%@NL@%Le Bourgeois Gentilhomme [1670], actII, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI360    @%%@2@%   All that is not prose is verse; and all that is not verse is prose.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Le Bourgeois Gentilhomme [1670], actII, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Madam, I have been looking for a person who disliked gravy all my life; let
us swear eternal friendship.-Sydney Smith, Lady Holland's Memoir, [1855],
vol. I, ch. 9  %@EF@%
%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI370    @%%@2@%   My fair one, let us swear an eternal friendship.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Le Bourgeois Gentilhomme [1670], actIV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI390    @%%@2@%   I will maintain it before the whole world.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Le Bourgeois Gentilhomme [1670], actIV, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Que diable allait-il faire dans cette galere?   Que diable aller faire aussi
dans la galere d'un Turc? d'un Turc! [What the deuce did he want on board a
Turk's galley? A Turk!]-Cyrano de Bergerac, Le Pedant Joue [1654], act II,
sc. iv  The saying of Moliere came into his head: "But what the devil was he
doing in that galley?" and he laughed at himself.-Tolstoi, War and Peace
[1865-1872], pt. IV, ch. 6  Often misquoted "in that gallery," as in
Dickens, A Tale of Two Cities [1859], bk. I, ch. 5: What the devil do you do
in that gallery there!  %@EF@%
%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI400    @%%@2@%   What the devil was he doing in that galley?%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Les Fourberies de Scapin [1671], act II, sc. xi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sigismund [1361-1437], Holy Roman emperor, at the Council of Constance
[1414], said to a prelate who had objected to His Majesty's grammar: Ego sum
rex Romanus, et supra grammaticam [I am the Roman king, and am above
grammar].  %@EF@%
%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI440    @%%@2@%   Grammar, which knows how to control even kings.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Les Femmes Savantes [1672], actII, sc. vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI460    @%%@2@%   It is seasoned throughout with Attic salt.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Les Femmes Savantes [1672], actIII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI470    @%%@2@%   A learned fool is more foolish than an ignorant one.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Les Femmes Savantes [1672], actIV, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI480    @%%@2@%   Ah, there are no longer any children!%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Le Malade Imaginaire [1673], actII, sc. xi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Moliere@%%@QR:Jean Baptiste Poquelin@%%@QR:Poquelin@%%@CR:N1622MOLI490    @%%@2@%   Nearly all men die of their remedies, and not of their illnesses.%@NL@%%@EH@%
%@NL@%
Moliere
%@NL@%Le Malade Imaginaire [1673], actIII, sc. iii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Rumbold%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1622-1685%@AE@%
%@NL@%%@NL@%

%@QR:Richard Rumbold@%%@QR:Rumbold@%%@CR:N1622RUMR10     @%%@2@%   I never could believe that Providence had sent a few men into the world,%@EH@%
ready booted and spurred to ride, and millions ready saddled and bridled to
be ridden.%@NL@%
%@NL@%
Richard Rumbold
%@NL@%On the scaffold [1685]. From Macaulay,
History of England, ch. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Algernon Sidney%@AE@%%@EH@%
%@NL@%
%@AB@%1622-1683%@AE@%
%@NL@%%@NL@%

%@FN@%
Manus haec, inimica tyrannis,/Ense petit placidam sub libertate quietem.
The second line is the motto of the Commonwealth of Massachusetts: By the
sword we seek peace, but peace only under liberty.  %@EF@%
%@QR:Algernon Sidney@%%@QR:Sidney@%%@CR:N1622SIDA10     @%%@2@%This hand, unfriendly to tyrants,%@NL@%%@EH@%
Seeks with the sword placid repose under liberty.%@NL@%

%@NL@%Algernon Sidney
%@NL@%Life and Memoirs of Algernon Sidney

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Sidney@%%@QR:Sidney@%%@CR:N1622SIDA30     @%%@2@%   It is not necessary to light a candle to the sun. 1 %@NL@%%@EH@%
%@NL@%
Algernon Sidney
%@NL@%Discourses on Government [1698], sec. 23

%@NL@%%@AI@%1 See Robert Burton%@BO:          21268c@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Henry Vaughan%@AE@%%@EH@%
%@NL@%
%@AB@%1622-1695%@AE@%
%@NL@%%@NL@%

%@QR:Henry Vaughan@%%@QR:Vaughan@%%@CR:N1622VAUH10     @%%@2@%Dear Night! this world's defeat;%@NL@%%@EH@%
The stop to busy fools; care's check and curb;%@NL@%
The day of spirits; my soul's calm retreat%@NL@%
Which none disturb!%@NL@%
Christ's progress, and His prayer-time;%@NL@%
The hours to which high Heaven doth chime.%@NL@%

%@NL@%Henry Vaughan
%@NL@%Silex Scintillans [1655].The Night,l. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Vaughan@%%@QR:Vaughan@%%@CR:N1622VAUH20     @%%@2@%There is in God, some say,%@NL@%%@EH@%
A deep but dazzling darkness.%@NL@%

%@NL@%Henry Vaughan
%@NL@%Silex Scintillans [1655].The Night,l. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Vaughan@%%@QR:Vaughan@%%@CR:N1622VAUH30     @%%@2@%Happy those early days, when I%@NL@%%@EH@%
Shined in my angel-infancy! 1  2  3 %@NL@%
Before I understood this place%@NL@%
Appointed for my second race.%@NL@%

%@NL@%Henry Vaughan
%@NL@%Silex Scintillans [1655].The Retreat,l. 1

%@NL@%%@AI@%1 See Traherne%@BO:          275154@%%@AE@%
%@AI@%2 See Wordsworth%@BO:          34103f@%%@AE@%
%@AI@%3 See Lowell%@BO:          442bb0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Vaughan@%%@QR:Vaughan@%%@CR:N1622VAUH40     @%%@2@%But felt through all this fleshly dress%@NL@%%@EH@%
Bright shoots of everlastingness.%@NL@%

%@NL@%Henry Vaughan
%@NL@%Silex Scintillans [1655].The Retreat,l. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Vaughan@%%@QR:Vaughan@%%@CR:N1622VAUH50     @%%@2@%Some men a forward motion love,%@NL@%%@EH@%
But I by backward steps would move.%@NL@%

%@NL@%Henry Vaughan
%@NL@%Silex Scintillans [1655].The Retreat,l. 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Vaughan@%%@QR:Vaughan@%%@CR:N1622VAUH60     @%%@2@%I cannot reach it, and my striving eye%@NL@%%@EH@%
Dazzles at it, as at eternity.%@NL@%

%@NL@%Henry Vaughan
%@NL@%Silex Scintillans [1655].Childhood

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Vaughan@%%@QR:Vaughan@%%@CR:N1622VAUH70     @%%@2@%I saw Eternity the other night%@NL@%%@EH@%
Like a great ring of pure and endless light.%@NL@%
All calm, as it was bright;%@NL@%
And round beneath it, Time in hours, days, years,%@NL@%
Driv'n by the spheres%@NL@%
Like a vast shadow moved; in which the world%@NL@%
And all her train were hurled.%@NL@%

%@NL@%Henry Vaughan
%@NL@%Silex Scintillans [1655].The World

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Vaughan@%%@QR:Vaughan@%%@CR:N1622VAUH80     @%%@2@%They are all gone into the world of light!%@NL@%%@EH@%
And I alone sit lingering here;%@NL@%
Their very memory is fair and bright,%@NL@%
And my sad thoughts doth clear.%@NL@%

%@NL@%Henry Vaughan
%@NL@%Silex Scintillans [1655].They Are All Gone,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Vaughan@%%@QR:Vaughan@%%@CR:N1622VAUH90     @%%@2@%I see them walking in an air of glory%@NL@%%@EH@%
Whose light doth trample on my days,%@NL@%
My days, which are at best but dull and hoary,%@NL@%
Mere glimmering and decays.%@NL@%

%@NL@%Henry Vaughan
%@NL@%Silex Scintillans [1655].They Are All Gone,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Vaughan@%%@QR:Vaughan@%%@CR:N1622VAUH100    @%%@2@%Dear, beauteous death, the jewel of the just!%@NL@%%@EH@%
Shining nowhere but in the dark;%@NL@%
What mysteries do lie beyond thy dust,%@NL@%
Could man outlook that mark!%@NL@%

%@NL@%Henry Vaughan
%@NL@%Silex Scintillans [1655].They Are All Gone,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Vaughan@%%@QR:Vaughan@%%@CR:N1622VAUH110    @%%@2@%My soul, there is a country%@NL@%%@EH@%
Far beyond the stars%@NL@%
Where stands a winged sentry%@NL@%
All skillful in the wars:%@NL@%
There, above noise and danger,%@NL@%
Sweet Peace is crowned with smiles,%@NL@%
And One born in a manger%@NL@%
Commands the beauteous files.%@NL@%

%@NL@%Henry Vaughan
%@NL@%Silex Scintillans [1655].Peace,st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Soko Yamaga%@AE@%%@EH@%
%@NL@%
%@AB@%1622-1685%@AE@%
%@NL@%%@NL@%

%@FN@%
From Sources of Japanese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
%@QR:Soko Yamaga@%%@QR:Yamaga@%%@CR:N1622YAMS10     @%%@2@%   The business of the samurai consists in reflecting on his own station in%@EH@%
life, in discharging loyal service to his master if he has one, in deepening
his fidelity in associations with friends, and, with due consideration of
his own position, in devoting himself to duty above all.%@NL@%
%@NL@%
Soko Yamaga
%@NL@%The Way of the Samurai

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Blaise Pascal%@AE@%%@EH@%
%@NL@%
%@AB@%1623-1662%@AE@%
%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB10     @%%@2@%   Things are always at their best in their beginning.%@NL@%%@EH@%
%@NL@%
Blaise Pascal
%@NL@%Lettres Provinciales [1656-1657], no.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Je n'ai fait celle-ci plus longue parceque je n'ai pas eu le loisir de la
faire plus courte.  Not that the story need be long, but it will take a long
while to make it short.-Thoreau, Letter to Mr. B [November 16, 1857]  %@EF@%
%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB15     @%%@2@%   I have made this letter longer than usual, because I lack the time to%@EH@%
make it short.%@NL@%
%@NL@%
Blaise Pascal
%@NL@%Lettres Provinciales [1656-1657], no.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB20     @%%@2@%   True eloquence takes no heed of eloquence, true morality takes no heed of%@EH@%
morality.%@NL@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB30     @%%@2@%   Do you wish people to think well of you? Don't speak well of yourself.%@NL@%%@EH@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB35     @%%@2@%   Physical science will not console me for the ignorance of morality in the%@EH@%
time of affliction.%@NL@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Qu'est-ce que l'homme dans la nature? Un neant a l'egard de l'infini, un
tout a l'egard du neant, un milieu entre rien et tout.  See Disraeli and
Darwin  %@EF@%
%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB40     @%%@2@%   What is man in nature? Nothing in relation to the infinite, everything in%@EH@%
relation to nothing, a mean between nothing and everything.%@NL@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB60     @%%@2@%   I lay it down as a fact that if all men knew what others say of them,%@EH@%
there would not be four friends in the world.%@NL@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Condition de l'homme: inconstance, ennui, inquietude.  See Bossuet  %@EF@%
%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB70     @%%@2@%   The state of man: inconstancy, boredom, anxiety.%@NL@%%@EH@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB90     @%%@2@%   I have discovered that all human evil comes from this, man's being unable%@EH@%
to sit still in a room. 1 %@NL@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.139

%@NL@%%@AI@%1 See Bagehot%@BO:          474d09@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB100    @%%@2@%   Cleopatra's nose, had it been shorter, the whole face of the world would%@EH@%
have been changed.%@NL@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.162

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le silence eternel de ces espaces infinis m'effraie.  %@EF@%
%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB110    @%%@2@%   The eternal silence of these infinite spaces terrifies me.%@NL@%%@EH@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.206

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
On mourra seul.  %@EF@%
%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB120    @%%@2@%   We shall die alone.%@NL@%%@EH@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.211

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le coeur a ses raisons que la raison ne conna[icirc ]t point.  %@EF@%
%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB140    @%%@2@%   The heart has its reasons which reason knows nothing of.%@NL@%%@EH@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.277

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB160    @%%@2@%   We know the truth, not only by the reason, but by the heart.%@NL@%%@EH@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.282

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB170    @%%@2@%   Justice without strength is helpless, strength without justice is%@EH@%
tyrannical. . . . Unable to make what is just strong, we have made what is
strong just.%@NL@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.298

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'homme n'est qu'un roseau, le plus faible de la nature, mais c'est un
roseau pensant.  %@EF@%
%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB180    @%%@2@%   Man is but a reed, the weakest in nature, but he is a thinking reed.%@NL@%%@EH@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.347

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'homme n'est ni ange ni b[ecirc ]te; et le malheur veut que qui veut faire
l'ange fait la b[ecirc ]te.  %@EF@%
%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB200    @%%@2@%   Man is neither angel nor beast; and the misfortune is that he who would%@EH@%
act the angel acts the beast.%@NL@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.358

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB220    @%%@2@%   Evil is easy, and has infinite forms.%@NL@%%@EH@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.408

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Se moquer de la philosophie, c'est vraiment philosopher.  %@EF@%
%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB230    @%%@2@%   To ridicule philosophy is really to philosophize.%@NL@%%@EH@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.430

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB250    @%%@2@%   What a chimera then is man! What a novelty! What a monster, what a chaos,%@EH@%
what a contradiction, what a prodigy! Judge of all things, feeble earthworm,
depository of truth, a sink of uncertainty and error, the glory and the
shame of the universe. 1 %@NL@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.434

%@NL@%%@AI@%1 See Pope%@BO:          2a0ce4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le moi est haissable.  %@EF@%
%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB260    @%%@2@%   Self is hateful.%@NL@%%@EH@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.455

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB275    @%%@2@%   Men blaspheme what they do not know.%@NL@%%@EH@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.556

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB280    @%%@2@%   Men never do evil so completely and cheerfully as when they do it from%@EH@%
religious conviction.%@NL@%
%@NL@%
Blaise Pascal
%@NL@%Pensees [1670], no.894

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Blaise Pascal@%%@QR:Pascal@%%@CR:N1623PASB290    @%%@2@%   "The God of Abraham, the God of Isaac, the God of Jacob," not of%@EH@%
philosophers and scholars.%@NL@%
%@NL@%
Blaise Pascal
%@NL@%Writing found in Pascal's effects after his death

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Walker%@AE@%%@EH@%
%@NL@%
%@AB@%1623-1684%@AE@%
%@NL@%%@NL@%

%@FN@%
Take time enough; all other graces/Will soon fill up their proper
places.-John Byrom [1692-1763], Advice to Preach Slow  %@EF@%
%@QR:William Walker@%%@QR:Walker@%%@CR:N1623WALW10     @%%@2@%Learn to read slow: all other graces%@NL@%%@EH@%
Will follow in their proper places.%@NL@%

%@NL@%William Walker
%@NL@%The Art of Reading

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Angelus Silesius%@AE@%%@EH@%
%@NL@%Johannes Scheffler
Angelus Silesius
%@AB@%1624-1677%@AE@%
%@NL@%%@NL@%

%@QR:Angelus Silesius@%%@QR:Johannes Scheffler@%%@QR:Scheffler@%%@QR:Angelus Silesius@%%@QR:Silesius@%%@CR:N1624ANGS10     @%%@2@%God lives not without me.%@NL@%%@EH@%
I know that without me God cannot live at all;%@NL@%
Were I to go, he also to his death must fall.%@NL@%

%@NL@%Angelus Silesius
%@NL@%The Cherubic Wanderer [1657-1675]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Angelus Silesius@%%@QR:Johannes Scheffler@%%@QR:Scheffler@%%@QR:Angelus Silesius@%%@QR:Silesius@%%@CR:N1624ANGS20     @%%@2@%I am like God, and God like me.%@NL@%%@EH@%
I am as large as God, he is as small as I:%@NL@%
He cannot above me, nor I beneath him be.%@NL@%

%@NL@%Angelus Silesius
%@NL@%The Cherubic Wanderer [1657-1675]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Angelus Silesius@%%@QR:Johannes Scheffler@%%@QR:Scheffler@%%@QR:Angelus Silesius@%%@QR:Silesius@%%@CR:N1624ANGS30     @%%@2@%Everyone to his own.%@NL@%%@EH@%
The bird is in the sky, the stone rests on the land,%@NL@%
In water lives the fish, my spirit in God's hand.%@NL@%

%@NL@%Angelus Silesius
%@NL@%The Cherubic Wanderer [1657-1675]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Fox%@AE@%%@EH@%
%@NL@%
%@AB@%1624-1691%@AE@%
%@FN@%
Founder of the Society of Friends (Quakers).  %@EF@%
%@NL@%%@NL@%

%@QR:George Fox@%%@QR:Fox@%%@CR:N1624FOXG10     @%%@2@%   The Lord showed me, so that I did see clearly, that he did not dwell in%@EH@%
these temples which men had commanded and set up, but in people's hearts . .
. his people were his temple, and he dwelt in them. 1 %@NL@%
%@NL@%
George Fox
%@NL@%Journal [1694]

%@NL@%%@AI@%1 See I Corinthians 3:17%@BO:           6a7d2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Fox@%%@QR:Fox@%%@CR:N1624FOXG20     @%%@2@%   When the Lord sent me forth into the world, He forbade me to put off my%@EH@%
hat to any, high or low.%@NL@%
%@NL@%
George Fox
%@NL@%Journal [1694]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Fox@%%@QR:Fox@%%@CR:N1624FOXG30     @%%@2@%   Justice Bennet of Derby, was the first that called us Quakers, because I%@EH@%
bid them tremble at the word of the Lord. This was in the year 1650.%@NL@%
%@NL@%
George Fox
%@NL@%Journal [1694]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Fox@%%@QR:Fox@%%@CR:N1624FOXG40     @%%@2@%   He [Oliver Cromwell] said: "I see there is a people risen, that I cannot%@EH@%
win either with gifts, honors, offices or places; but all other sects and
people I can."%@NL@%
%@NL@%
George Fox
%@NL@%Journal [1694]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Sydenham%@AE@%%@EH@%
%@NL@%
%@AB@%1624-1689%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Sydenham@%%@QR:Sydenham@%%@CR:N1624SYDT10     @%%@2@%   Fever itself is Nature's instrument.%@NL@%%@EH@%
%@NL@%
Thomas Sydenham
%@NL@%Quoted in Bulletin of the NewYork Academy of Medicine,
vol. IV[1928], p.922

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Sydenham@%%@QR:Sydenham@%%@CR:N1624SYDT20     @%%@2@%   Gout, unlike any other disease, kills more rich men than poor, more wise%@EH@%
men than simple. Great kings, emperors, generals, admirals and philosophers
have all died of gout.%@NL@%
%@NL@%
Thomas Sydenham
%@NL@%Quoted in Bulletin of the NewYork Academy of Medicine,
vol. IV[1928], p.993

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Sydenham@%%@QR:Sydenham@%%@CR:N1624SYDT30     @%%@2@%   A man is as old as his arteries.%@NL@%%@EH@%
%@NL@%
Thomas Sydenham
%@NL@%Quoted in Bulletin of the NewYork Academy of Medicine,
vol. IV[1928], p.993

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Aubrey%@AE@%%@EH@%
%@NL@%
%@AB@%1626-1697%@AE@%
%@NL@%%@NL@%

%@QR:John Aubrey@%%@QR:Aubrey@%%@CR:N1626AUBJ10     @%%@2@%   He [Hobbes] had read much, but his contemplation was much more than  his%@EH@%
reading. He was wont to say that if he had read as much as other men, he
should have known no more than other men.%@NL@%
%@NL@%
John Aubrey
%@NL@%Brief Lives [ed. 1898],I, 349

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Aubrey@%%@QR:Aubrey@%%@CR:N1626AUBJ20     @%%@2@%   He [Milton] was so fair that they called him the lady of Christ's%@EH@%
College.%@NL@%
%@NL@%
John Aubrey
%@NL@%Brief Lives [ed. 1898],I, 349

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Aubrey@%%@QR:Aubrey@%%@CR:N1626AUBJ30     @%%@2@%   Mr. William Shakespeare was born at Stratford upon Avon in the county of%@EH@%
Warwick. His father was a butcher, and I have been told heretofore by some
of the neighbors, that when he was a boy he exercised his father's trade,
but when he killed a calf he would do it in a high style and make a speech.%@NL@%
Ben Jonson and he did gather humors of men daily wherever they came.%@NL@%
%@NL@%
John Aubrey
%@NL@%Brief Lives [ed. 1898],II, 225

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Marie de Rabutin-Chantal, Marquise de Sevigne%@AE@%%@EH@%
%@NL@%
%@AB@%1626-1696%@AE@%
%@NL@%%@NL@%

%@QR:Marie de Rabutin-Chantal, Marquise de Sevigne@%%@CR:N1626SEVM10     @%%@2@%   True friendship is never serene.%@NL@%%@EH@%
%@NL@%
Marie de Rabutin-Chantal, Marquise de Sevigne
%@NL@%Lettres. [Agrave] Madame de Grignan [September 10, 1671]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Marie de Rabutin-Chantal, Marquise de Sevigne@%%@CR:N1626SEVM20     @%%@2@%   Racine will go out of style like coffee.%@NL@%%@EH@%
%@NL@%
Marie de Rabutin-Chantal, Marquise de Sevigne
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jacques Benigne Bossuet%@AE@%%@EH@%
%@NL@%
%@AB@%1627-1704%@AE@%
%@NL@%%@NL@%

%@QR:Jacques Benigne Bossuet@%%@QR:Bossuet@%%@CR:N1627BOSJ10     @%%@2@%   The greatest weakness of all weaknesses is to fear too much to appear%@EH@%
weak.%@NL@%
%@NL@%
Jacques Benigne Bossuet
%@NL@%Politique Tiree de l'Ecriture Sainte

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jacques Benigne Bossuet@%%@QR:Bossuet@%%@CR:N1627BOSJ20     @%%@2@%   The inexorable boredom that is at the core of life. 1 %@NL@%%@EH@%
%@NL@%
Jacques Benigne Bossuet
%@NL@%From M. A. Couturier, Se Garder Libre

%@NL@%%@AI@%1 See Pascal%@BO:          25eff8@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Robert Boyle%@AE@%%@EH@%
%@NL@%
%@AB@%1627-1691%@AE@%
%@NL@%%@NL@%

%@QR:Robert Boyle@%%@QR:Boyle@%%@CR:N1627BOYR10     @%%@2@%   I am not ambitious to appear a man of letters: I could be content the%@EH@%
world should think I had scarce looked upon any other book than that of
nature.%@NL@%
%@NL@%
Robert Boyle
%@NL@%The Philosophical Works of Robert Boyle [1738],
vol. I, preliminary discourse

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Ray%@AE@%%@EH@%
%@NL@%
%@AB@%1627-1705%@AE@%
%@NL@%%@NL@%

%@QR:John Ray@%%@QR:Ray@%%@CR:N1627RAYJ10     @%%@2@%   In a calm sea every man is a pilot.%@NL@%%@EH@%
%@NL@%
John Ray
%@NL@%English Proverbs [1670]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ray@%%@QR:Ray@%%@CR:N1627RAYJ20     @%%@2@%   If wishes were horses, beggars might ride.%@NL@%%@EH@%
%@NL@%
John Ray
%@NL@%English Proverbs [1670]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ray@%%@QR:Ray@%%@CR:N1627RAYJ30     @%%@2@%   Money begets money.%@NL@%%@EH@%
%@NL@%
John Ray
%@NL@%English Proverbs [1670]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ray@%%@QR:Ray@%%@CR:N1627RAYJ40     @%%@2@%   Blood is thicker than water.%@NL@%%@EH@%
%@NL@%
John Ray
%@NL@%English Proverbs [1670]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ray@%%@QR:Ray@%%@CR:N1627RAYJ50     @%%@2@%   Misery loves company. 1 %@NL@%%@EH@%
%@NL@%
John Ray
%@NL@%English Proverbs [1670]

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e4268@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Cat on a Hot Tin Roof-Tennessee Williams, title of play [1955]  %@EF@%
%@QR:John Ray@%%@QR:Ray@%%@CR:N1627RAYJ60     @%%@2@%   To go like a cat upon a hot bakestone.%@NL@%%@EH@%
%@NL@%
John Ray
%@NL@%English Proverbs [1670]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Bunyan%@AE@%%@EH@%
%@NL@%
%@AB@%1628-1688%@AE@%
%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ10     @%%@2@%Some said, "John, print it"; others said, "Not so."%@NL@%%@EH@%
Some said, "It might do good"; others said, "No."%@NL@%

%@NL@%John Bunyan
%@NL@%The Pilgrim's Progress [1678].Apology for His Book

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ20     @%%@2@%   As I walked through the wilderness of this world.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ30     @%%@2@%   I saw a man clothed with rags . . . a book in his hand, and a great%@EH@%
burden upon his back.%@NL@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ40     @%%@2@%   The name of the one was Obstinate and the name of the other was Pliable.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ50     @%%@2@%   The name of the slough was Despond.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Montaigne  Every tub must stand upon its bottom.-Charles Macklin, The
Man of the World [1781], act I, sc. ii  %@EF@%
%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ60     @%%@2@%   Every fat [vat] must stand upon his bottom.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ80     @%%@2@%   The gentleman's name was Mr. Worldly-Wise-Man.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ90     @%%@2@%   A very stately palace before him, the name of which was Beautiful.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ100    @%%@2@%   The valley of Humiliation.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ110    @%%@2@%   A foul Fiend coming over the field to meet him; his name is Apollyon.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ120    @%%@2@%   I will talk of things heavenly, or things earthly; things moral, or%@EH@%
things evangelical; things sacred, or things profane; things past, or things
to come; things foreign, or things at home; things more essential, or things
circumstantial.%@NL@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ130    @%%@2@%   It beareth the name of Vanity Fair, because the town where 'tis kept is%@EH@%
lighter than vanity.%@NL@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ140    @%%@2@%   Hanging is too good for him, said Mr. Cruelty.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ150    @%%@2@%   My great-grandfather was but a water-man, looking one way, and rowing%@EH@%
another. 1 %@NL@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%%@AI@%1 See Plutarch%@BO:           f4167@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ160    @%%@2@%   A castle called Doubting Castle, the owner whereof was Giant Despair.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ170    @%%@2@%   They came to the Delectable Mountains.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ180    @%%@2@%   A great horror and darkness fell upon Christian.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ190    @%%@2@%   So I awoke, and behold it was a dream.%@NL@%%@EH@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ200    @%%@2@%   A man that could look no way but downwards with a muckrake in his hand. 1%@EH@%
%@NL@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].pt. II

%@NL@%%@AI@%1 See Roosevelt%@BO:          51184f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ210    @%%@2@%He that is down, needs fear no fall,%@NL@%%@EH@%
He that is low, no pride. 1 %@NL@%

%@NL@%John Bunyan
%@NL@%The Pilgrim's Progress [1678].Shepherd Boy's Song

%@NL@%%@AI@%1 See Butler%@BO:          24d71c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He who would valiant be/'Gainst all disaster,/Let him in constancy/Follow
the Master.-Alternate version, as a hymn [1906]  %@EF@%
%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ220    @%%@2@%Who would true valor see,%@NL@%%@EH@%
Let him come hither;%@NL@%
One here will constant be,%@NL@%
Come wind, come weather.%@NL@%
There's no discouragement%@NL@%
Shall make him once relent%@NL@%
His first avowed intent%@NL@%
To be a pilgrim.%@NL@%

%@NL@%John Bunyan
%@NL@%The Pilgrim's Progress [1678].Shepherd Boy's Song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ230    @%%@2@%   My sword I give to him that shall succeed me in my pilgrimage, and my%@EH@%
courage and skill to him that can get it. My marks and scars I carry with
me, to be a witness for me, that I have fought His battles who now will be
my rewarder.%@NL@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].Shepherd Boy's Song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ240    @%%@2@%   So he passed over, and all the trumpets sounded for him on the other%@EH@%
side.%@NL@%
%@NL@%
John Bunyan
%@NL@%The Pilgrim's Progress [1678].Shepherd Boy's Song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bunyan@%%@QR:Bunyan@%%@CR:N1628BUNJ250    @%%@2@%   The captain of all these men of death that came against him to take him%@EH@%
away, was the Consumption, for it was that that brought him down to the
grave.%@NL@%
%@NL@%
John Bunyan
%@NL@%The Life and Death of Mr. Badman [1680]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir William Temple%@AE@%%@EH@%
%@NL@%
%@AB@%1628-1699%@AE@%
%@NL@%%@NL@%

%@QR:Sir William Temple@%%@QR:Temple@%%@CR:N1628TEMW10     @%%@2@%   Books, like proverbs, receive their chief value from the stamp and esteem%@EH@%
of ages through which they have passed.%@NL@%
%@NL@%
Sir William Temple
%@NL@%Miscellanea, pt. II [1690].Ancient and Modern Learning

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Temple@%%@QR:Temple@%%@CR:N1628TEMW20     @%%@2@%   When all is done, human life is, at the greatest and the best, but like a%@EH@%
froward child, that must be played with and humored a little to keep it
quiet till it falls asleep, and then the care is over.%@NL@%
%@NL@%
Sir William Temple
%@NL@%Miscellanea, pt. II [1690].Of Poetry

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Villiers, Duke of Buckingham%@AE@%%@EH@%
%@NL@%
%@AB@%1628-1687%@AE@%
%@NL@%%@NL@%

%@QR:George Villiers, Duke of Buckingham@%%@QR:Villiers@%%@CR:N1628VILG10     @%%@2@%   Ay, now the plot thickens very much upon us.%@NL@%%@EH@%
%@NL@%
George Villiers, Duke of Buckingham
%@NL@%The Rehearsal [written 1663, performed 1671], act III, sc. ii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles II%@AE@%%@EH@%
%@NL@%
%@AB@%1630-1685%@AE@%
%@NL@%%@NL@%

%@QR:Charles II@%%@CR:N1630CHAR10     @%%@2@%   This is very true: for my words are my own, and my actions are my%@EH@%
ministers'.%@NL@%
%@NL@%
Charles II
%@NL@%Reply to Lord Rochester
 1

%@NL@%%@AI@%1 See Rochester%@BO:          27bf5c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles II@%%@CR:N1630CHAR20     @%%@2@%   Let not poor Nelly starve.%@NL@%%@EH@%
%@NL@%
Charles II
%@NL@%On his deathbed. From Gilbert Burnet,
The History of My Own Times [1724-1734], vol. I, bk. 2, ch. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles II@%%@CR:N1630CHAR30     @%%@2@%   He had been, he said, an unconscionable time dying; he hoped that they%@EH@%
would excuse it.%@NL@%
%@NL@%
Charles II
%@NL@%From Macaulay, History of England [1849], vol. I, ch. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Walter Pope%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1630-1714%@AE@%
%@NL@%%@NL@%

%@QR:Walter Pope@%%@QR:Pope@%%@CR:N1630POPW10     @%%@2@%May I govern my passions with absolute sway,%@NL@%%@EH@%
And grow wiser and better, as strength wears away,%@NL@%
Without gout or stone, by a gentle decay.%@NL@%

%@NL@%Walter Pope
%@NL@%The Old Man's Wish [1685]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Tillotson%@AE@%%@EH@%
%@NL@%
%@AB@%1630-1694%@AE@%
%@NL@%%@NL@%

%@QR:John Tillotson@%%@QR:Tillotson@%%@CR:N1630TILJ10     @%%@2@%   If God were not a necessary Being of Himself, He might almost seem to be%@EH@%
made for the use and benefit of men. 1  2 %@NL@%
%@NL@%
John Tillotson
%@NL@%Sermon

%@NL@%%@AI@%1 See Ovid%@BO:           e6006@%%@AE@%
%@AI@%2 See Voltaire%@BO:          2aebc8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Tillotson@%%@QR:Tillotson@%%@CR:N1630TILJ20     @%%@2@%   They who are in highest places, and have the most power, have the least%@EH@%
liberty, because they are most observed.%@NL@%
%@NL@%
John Tillotson
%@NL@%Reflections

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Cumberland%@AE@%%@EH@%
%@NL@%
%@AB@%1631-1718%@AE@%
%@NL@%%@NL@%

%@QR:Richard Cumberland@%%@QR:Cumberland@%%@CR:N1631CUMR10     @%%@2@%   It is better to wear out than to rust out.%@NL@%%@EH@%
%@NL@%
Richard Cumberland
%@NL@%From Bishop George Horne [1730-1792],
Sermon on the Duty of Contending for the Truth

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Dryden%@AE@%%@EH@%
%@NL@%
%@AB@%1631-1700%@AE@%
%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ10     @%%@2@%By viewing Nature, Nature's handmaid Art,%@NL@%%@EH@%
Makes mighty things from small beginnings grow. 1 %@NL@%

%@NL@%John Dryden
%@NL@%Annus Mirabilis [1667], st. 155

%@NL@%%@AI@%1 See William Bradford%@BO:          21cd4a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ20     @%%@2@%   He [Shakespeare] was the man who of all modern, and perhaps ancient%@EH@%
poets, had the largest and most comprehensive soul.%@NL@%
%@NL@%
John Dryden
%@NL@%Essay of Dramatic Poesy [1668]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ30     @%%@2@%   He was naturally learned; he needed not the spectacles of books to read%@EH@%
Nature; he looked inwards, and found her there.%@NL@%
%@NL@%
John Dryden
%@NL@%Essay of Dramatic Poesy [1668]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ40     @%%@2@%Pains of love be sweeter far%@NL@%%@EH@%
Than all other pleasures are.%@NL@%

%@NL@%John Dryden
%@NL@%Tyrannic Love [1669], act IV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ50     @%%@2@%I am as free as Nature first made man,%@NL@%%@EH@%
Ere the base laws of servitude began,%@NL@%
When wild in woods the noble savage ran.%@NL@%

%@NL@%John Dryden
%@NL@%The Conquest of Granada [1669-1670], pt. I, act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ60     @%%@2@%Death in itself is nothing; but we fear%@NL@%%@EH@%
To be we know not what, we know not where.%@NL@%

%@NL@%John Dryden
%@NL@%Aureng-Zebe [1676], act IV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ70     @%%@2@%When I consider life, 'tis all a cheat;%@NL@%%@EH@%
Yet, fooled with hope, men favor the deceit;%@NL@%
Trust on, and think tomorrow will repay.%@NL@%
Tomorrow's falser than the former day.%@NL@%

%@NL@%John Dryden
%@NL@%Aureng-Zebe [1676], act IV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ75     @%%@2@%None would live past years again,%@NL@%%@EH@%
Yet all hope pleasure in what yet remain;%@NL@%
And from the dregs of life think to receive%@NL@%
What the first sprightly running could not give.%@NL@%

%@NL@%John Dryden
%@NL@%Aureng-Zebe [1676], act IV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ80     @%%@2@%The wretched have no friends.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%All for Love [1678], actIII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ90     @%%@2@%Your Cleopatra; Dolabella's Cleopatra; every man's Cleopatra.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%All for Love [1678], actIV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Men freely believe that which they desire.-Caesar [c. 102-44  B.C. ], De
Bello Gallico, bk. III, sec. 18  %@EF@%
%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ100    @%%@2@%With how much ease believe we what we wish!%@NL@%%@EH@%
Whatever is, is in its causes just. 1  2 %@NL@%

%@NL@%John Dryden
%@NL@%Oedipus [1679] (with Nathaniel Lee), actIII, sc. i

%@NL@%%@AI@%1 See Marcus Aurelius%@BO:           fafd1@%%@AE@%
%@AI@%2 See Pope%@BO:          2a08ee@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A green old age, unconscious of decays.-Pope, Translation of the Iliad
[1715], bk. XXIII, l. 929  %@EF@%
%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ120    @%%@2@%His hair just grizzled,%@NL@%%@EH@%
As in a green old age.%@NL@%

%@NL@%John Dryden
%@NL@%Oedipus [1679] (with Nathaniel Lee), actIII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ140    @%%@2@%Of no distemper, of no blast he died,%@NL@%%@EH@%
But fell like autumn fruit that mellowed long-%@NL@%
Even wondered at, because he dropped no sooner.%@NL@%
Fate seemed to wind him up for fourscore years,%@NL@%
Yet freshly ran he on ten winters more;%@NL@%
Till like a clock worn out with eating time,%@NL@%
The wheels of weary life at last stood still.%@NL@%

%@NL@%John Dryden
%@NL@%Oedipus [1679] (with Nathaniel Lee), actIV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ160    @%%@2@%In pious times, ere priestcraft did begin,%@NL@%%@EH@%
Before polygamy was made a sin.%@NL@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ170    @%%@2@%Whate'er he did was done with so much ease,%@NL@%%@EH@%
In him alone, 'twas natural to please.%@NL@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ180    @%%@2@%Plots, true or false, are necessary things,%@NL@%%@EH@%
To raise up commonwealths and ruin kings.%@NL@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Remembrance and reflection how allied!/What thin partitions sense from
thought divide!-Pope, Essay on Man [1733-1734], epistle I, l. 225  See
Seneca  %@EF@%
%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ190    @%%@2@%Of these the false Achitophel was first,%@NL@%%@EH@%
A name to all succeeding ages cursed.%@NL@%
For close designs and crooked counsels fit,%@NL@%
Sagacious, bold, and turbulent of wit,%@NL@%
Restless, unfixed in principles and place,%@NL@%
In power unpleased, impatient of disgrace;%@NL@%
A fiery soul, which working out its way,%@NL@%
Fretted the pygmy-body to decay: 1 %@NL@%
And o'er-informed the tenement of clay.%@NL@%
A daring pilot in extremity;%@NL@%
Pleased with the danger, when the waves went high%@NL@%
He sought the storms; but for a calm unfit,%@NL@%
Would steer too nigh the sands to boast his wit.%@NL@%
Great wits are sure to madness near allied,%@NL@%
And thin partitions do their bounds divide.%@NL@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 150

%@NL@%%@AI@%1 See Thomas Fuller%@BO:          2320e1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ210    @%%@2@%Bankrupt of life, yet prodigal of ease.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 168

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ220    @%%@2@%And all to leave what with his toil he won%@NL@%%@EH@%
To that unfeathered two-legged thing, 1  a son.%@NL@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 169

%@NL@%%@AI@%1 See Diogenes the Cynic%@BO:           b2399@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ230    @%%@2@%In friendship false, implacable in hate,%@NL@%%@EH@%
Resolved to ruin or to rule the state.%@NL@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 173

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ240    @%%@2@%And Heaven had wanted one immortal song.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 197

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ250    @%%@2@%The people's prayer, the glad diviner's theme,%@NL@%%@EH@%
The young men's vision, and the old men's dream! 1 %@NL@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 238

%@NL@%%@AI@%1 See Joel 2:28%@BO:           44f49@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ260    @%%@2@%His courage foes, his friends his truth proclaim.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 357

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ270    @%%@2@%All empire is no more than power in trust.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 411

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ280    @%%@2@%Better one suffer, than a nation grieve.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 416

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ290    @%%@2@%Who think too little, and who talk too much. 1 %@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 534

%@NL@%%@AI@%1 See Jonson%@CF:N1573JONB370    @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ300    @%%@2@%A man so various that he seemed to be%@NL@%%@EH@%
Not one, but all mankind's epitome:%@NL@%
Stiff in opinions, always in the wrong;%@NL@%
Was everything by starts, and nothing long:%@NL@%
But, in the course of one revolving moon,%@NL@%
Was chemist, fiddler, statesman, and buffoon. 1 %@NL@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 545

%@NL@%%@AI@%1 See Juvenal%@BO:           f67f1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ310    @%%@2@%So over violent, or over civil,%@NL@%%@EH@%
That every man with him was God or Devil.%@NL@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 557

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ320    @%%@2@%His tribe were God Almighty's gentlemen.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 645

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ330    @%%@2@%Nor is the people's judgment always true:%@NL@%%@EH@%
The most may err as grossly as the few.%@NL@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 781

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ340    @%%@2@%Large was his wealth, but larger was his heart.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 826

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ350    @%%@2@%Of ancient race by birth, but nobler yet%@NL@%%@EH@%
In his own worth.%@NL@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 900

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ360    @%%@2@%Beware the fury of a patient man.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. I [1680],l. 1005

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ370    @%%@2@%Made still a blund'ring kind of melody;%@NL@%%@EH@%
Spurred boldly on, and dashed through thick and thin,%@NL@%
Through sense and nonsense, never out nor in.%@NL@%
Free from all meaning, whether good or bad,%@NL@%
And in one word, heroically mad.%@NL@%

%@NL@%John Dryden
%@NL@%%@FN@%
In collaboration with Nahum Tate. See Tate.  %@EF@%
Absalom and Achitophel,pt. II [1682],l. 413

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ380    @%%@2@%For every inch that is not fool is rogue.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Absalom and Achitophel,pt. II [1682],l. 463

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
There is a pleasure in poetic pains/Which only poets know.-Cowper, The Task
[1785], II, The Timepiece, l. 285  %@EF@%
%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ390    @%%@2@%There is a pleasure sure%@NL@%%@EH@%
In being mad which none but madmen know.%@NL@%

%@NL@%John Dryden
%@NL@%The Spanish Friar [1681], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Adore the hand that gives the blow.-John Pomfret [1667-1702], Verses to His
Friend  %@EF@%
%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ410    @%%@2@%And, dying, bless the hand that gave the blow.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%The Spanish Friar [1681], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ430    @%%@2@%   He's a sure card.%@NL@%%@EH@%
%@NL@%
John Dryden
%@NL@%The Spanish Friar [1681], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ440    @%%@2@%   They say everything in the world is good for something.%@NL@%%@EH@%
%@NL@%
John Dryden
%@NL@%The Spanish Friar [1681], actIII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ450    @%%@2@%Or break the eternal Sabbath of his rest.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%The Spanish Friar [1681], actV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ460    @%%@2@%All human things are subject to decay,%@NL@%%@EH@%
And, when fate summons, monarchs must obey.%@NL@%

%@NL@%John Dryden
%@NL@%Mac Flecknoe [1682],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ470    @%%@2@%The rest to some faint meaning make pretense,%@NL@%%@EH@%
But Shadwell 1  never deviates into sense.%@NL@%
Some beams of wit on other souls may fall,%@NL@%
Strike through and make a lucid interval; 2  3  4 %@NL@%
But Shadwell's genuine night admits no ray,%@NL@%
His rising fogs prevail upon the day.%@NL@%

%@NL@%John Dryden
%@NL@%Mac Flecknoe [1682],l. 19

%@NL@%%@AI@%1 See Shadwell%@CF:N1642SHAT       @%%@AE@%
%@AI@%2 See Cervantes%@BO:          14fdd4@%%@AE@%
%@AI@%3 See Bacon%@BO:          160dc8@%%@AE@%
%@AI@%4 See Heine%@BO:          3a605f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ480    @%%@2@%And torture one poor word ten thousand ways.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Mac Flecknoe [1682],l. 208

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ490    @%%@2@%Wit will shine%@NL@%%@EH@%
Through the harsh cadence of a rugged line.%@NL@%

%@NL@%John Dryden
%@NL@%To the Memory of Mr. Oldham [1684], l. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ500    @%%@2@%Happy the man, and happy he alone,%@NL@%%@EH@%
He who can call today his own;%@NL@%
He who, secure within, can say,%@NL@%
Tomorrow, do thy worst, for I have lived today. 1  2 %@NL@%

%@NL@%John Dryden
%@NL@%Imitation of Horace, bk. III, ode 29 [1685],l. 65

%@NL@%%@AI@%1 See Horace%@BO:           db36b@%%@AE@%
%@AI@%2 See Sydney Smith%@BO:          34e070@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ510    @%%@2@%Not heaven itself upon the past has power;%@NL@%%@EH@%
But what has been, has been, and I have had my hour.%@NL@%

%@NL@%John Dryden
%@NL@%Imitation of Horace, bk. III, ode 29 [1685],l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ520    @%%@2@%I can enjoy her [Fortune] while she's kind;%@NL@%%@EH@%
But when she dances in the wind,%@NL@%
And shakes the wings and will not stay,%@NL@%
I puff the prostitute away.%@NL@%

%@NL@%John Dryden
%@NL@%Imitation of Horace, bk. III, ode 29 [1685],l. 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ530    @%%@2@%And virtue, though in rags, will keep me warm.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Imitation of Horace, bk. III, ode 29 [1685],l. 87

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ540    @%%@2@%Men met each other with erected look,%@NL@%%@EH@%
The steps were higher that they took;%@NL@%
Friends to congratulate their friends made haste,%@NL@%
And long inveterate foes saluted as they passed.%@NL@%

%@NL@%John Dryden
%@NL@%Threnodia Augustalis [1685], l. 124

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ550    @%%@2@%Since heaven's eternal year is thine.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%To the Pious Memory of Mrs. Anne Killegrew [1686],l. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ560    @%%@2@%O gracious God! how far have we%@NL@%%@EH@%
Profaned thy heavenly gift of poesy!%@NL@%

%@NL@%John Dryden
%@NL@%To the Pious Memory of Mrs. Anne Killegrew [1686],l. 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Of manners gentle, of affections mild,/In wit a man; simplicity a
child.-Pope, Epitaph on Gay [1730]  %@EF@%
%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ570    @%%@2@%Her wit was more than man, her innocence a child.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%To the Pious Memory of Mrs. Anne Killegrew [1686],l. 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ590    @%%@2@%Then cold, and hot, and moist, and dry, 1 %@NL@%%@EH@%
In order to their stations leap,%@NL@%
And Music's power obey.%@NL@%
From harmony, from heavenly harmony,%@NL@%
This universal frame began:%@NL@%
From harmony to harmony%@NL@%
Through all the compass of the notes it ran,%@NL@%
The diapason closing full in Man.%@NL@%

%@NL@%John Dryden
%@NL@%A Song for St. Cecilia's Day[1687],st. 1

%@NL@%%@AI@%1 See Milton%@BO:          241385@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ600    @%%@2@%What passion cannot Music raise and quell?%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%A Song for St. Cecilia's Day[1687],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ610    @%%@2@%The trumpet's loud clangor%@NL@%%@EH@%
Excites us to arms.%@NL@%

%@NL@%John Dryden
%@NL@%A Song for St. Cecilia's Day[1687],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ620    @%%@2@%The soft complaining flute,%@NL@%%@EH@%
In dying notes, discovers%@NL@%
The woes of hopeless lovers.%@NL@%

%@NL@%John Dryden
%@NL@%A Song for St. Cecilia's Day[1687],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ630    @%%@2@%The trumpet shall be heard on high%@NL@%%@EH@%
The dead shall live, the living die,%@NL@%
And Music shall untune the sky!%@NL@%

%@NL@%John Dryden
%@NL@%A Song for St. Cecilia's Day[1687],Grand Chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ640    @%%@2@%She feared no danger, for she knew no sin.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.I,l. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ650    @%%@2@%And doomed to death, though fated not to die.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.I,l. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ660    @%%@2@%For truth has such a face and such a mien%@NL@%%@EH@%
As to be loved needs only to be seen. 1 %@NL@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.I,l. 33

%@NL@%%@AI@%1 See Pope%@BO:          2a1377@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ670    @%%@2@%Of all the tyrannies on human kind%@NL@%%@EH@%
The worst is that which persecutes the mind.%@NL@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.I,l. 239

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ680    @%%@2@%Reason to rule, mercy to forgive:%@NL@%%@EH@%
The first is law, the last prerogative.%@NL@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.I,l. 261

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ690    @%%@2@%And kind as kings upon their coronation day.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.I,l. 271

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ700    @%%@2@%And leaves the private conscience for the guide.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.I,l. 478

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ710    @%%@2@%All have not the gift of martyrdom.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.II,l. 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ720    @%%@2@%War seldom enters but where wealth allures. 1  2  3 %@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.II,l. 706

%@NL@%%@AI@%1 See Bion%@BO:           bc0f1@%%@AE@%
%@AI@%2 See Cicero%@BO:           c8676@%%@AE@%
%@AI@%3 See Rabelais%@BO:          135c9d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ730    @%%@2@%Much malice mingled with a little wit.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.III,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ740    @%%@2@%Jealousy, the jaundice of the soul.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.III,l. 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ750    @%%@2@%For present joys are more to flesh and blood%@NL@%%@EH@%
Than a dull prospect of a distant good.%@NL@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.III,l. 364

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ760    @%%@2@%T' abhor the makers, and their laws approve,%@NL@%%@EH@%
Is to hate traitors and the treason love. 1 %@NL@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.III,l. 706

%@NL@%%@AI@%1 See Caesar%@BO:           c8d82@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ770    @%%@2@%Secret guilt by silence is betrayed.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.III,l. 763

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ780    @%%@2@%Possess your soul with patience. 1 %@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%The Hind and the Panther [1687], pt.III,l. 839

%@NL@%%@AI@%1 See Luke 21:19%@BO:           5f713@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ790    @%%@2@%Our vows are heard betimes! and Heaven takes care%@NL@%%@EH@%
To grant, before we can conclude the prayer:%@NL@%
Preventing angels met it half the way,%@NL@%
And sent us back to praise, who came to pray. 1 %@NL@%

%@NL@%John Dryden
%@NL@%Britannia Rediviva [1688], l. 1

%@NL@%%@AI@%1 See Goldsmith%@BO:          2df608@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ800    @%%@2@%Three poets, in three distant ages born,%@NL@%%@EH@%
Greece, Italy, and England did adorn.%@NL@%
The first in loftiness of thought surpassed;%@NL@%
The next, in majesty; in both the last.%@NL@%
The force of Nature could no further go.%@NL@%
To make a third, she joined the former two.%@NL@%

%@NL@%John Dryden
%@NL@%Under Mr. Milton's Picture [1688]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The precious porcelain of human clay.-Byron, Don Juan [1819-1824], canto iv,
st. 11  %@EF@%
%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ810    @%%@2@%This is the porcelain clay of humankind.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Don Sebastian [1690], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ830    @%%@2@%   A knockdown argument: 'tis but a word and a blow.%@NL@%%@EH@%
%@NL@%
John Dryden
%@NL@%Amphitryon [1690], actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Whistling aloud to bear his courage up.-Blair, The Grave [1743], l. 58  %@EF@%
%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ840    @%%@2@%   Whistling to keep myself from being afraid.%@NL@%%@EH@%
%@NL@%
John Dryden
%@NL@%Amphitryon [1690], actIII, sc. iii, l. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ860    @%%@2@%   I am the true Amphitryon. 1 %@NL@%%@EH@%
%@NL@%
John Dryden
%@NL@%Amphitryon [1690], actV, sc. i

%@NL@%%@AI@%1 See Moliere%@BO:          25bf32@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ870    @%%@2@%Fairest Isle, all isles excelling,%@NL@%%@EH@%
Seat of pleasures, and of loves;%@NL@%
Venus here will choose her dwelling,%@NL@%
And forsake her Cyprian groves.%@NL@%

%@NL@%John Dryden
%@NL@%King Arthur [1691], act II, sc. v, Song of Venus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ880    @%%@2@%Theirs was the giant race, before the flood. 1 %@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Epistle to Congreve [1693],l. 5

%@NL@%%@AI@%1 See Genesis 6:4%@BO:            8326@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ890    @%%@2@%Genius must be born, and never can be taught.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Epistle to Congreve [1693],l. 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ900    @%%@2@%Be kind to my remains; and oh defend,%@NL@%%@EH@%
Against your judgment, your departed friend!%@NL@%

%@NL@%John Dryden
%@NL@%Epistle to Congreve [1693],l. 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ910    @%%@2@%Look round the habitable world: how few%@NL@%%@EH@%
Know their own good, or knowing it, pursue.%@NL@%

%@NL@%John Dryden
%@NL@%Juvenal, Satire X [1693]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ920    @%%@2@%Arms, and the man I sing, 1  who, forced by fate,%@NL@%%@EH@%
And haughty Juno's unrelenting hate.%@NL@%

%@NL@%John Dryden
%@NL@%Virgil, Aeneid [1697], bk. I, l. 1

%@NL@%%@AI@%1 See Virgil%@BO:           d3053@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ930    @%%@2@%None but the brave deserves the fair.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Alexander's Feast [1697],l. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ940    @%%@2@%With ravished ears%@NL@%%@EH@%
The monarch hears;%@NL@%
Assumes the god,%@NL@%
Affects to nod,%@NL@%
And seems to shake the spheres.%@NL@%

%@NL@%John Dryden
%@NL@%Alexander's Feast [1697],l. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ950    @%%@2@%Sound the trumpets; beat the drums . . . %@NL@%%@EH@%
Now give the hautboys breath; he comes, he comes. 1 %@NL@%

%@NL@%John Dryden
%@NL@%Alexander's Feast [1697],l. 50

%@NL@%%@AI@%1 See Morell%@BO:          2b2aa9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ960    @%%@2@%Bacchus, ever fair and ever young.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Alexander's Feast [1697],l. 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ970    @%%@2@%Rich the treasure,%@NL@%%@EH@%
Sweet the pleasure-%@NL@%
Sweet is pleasure after pain.%@NL@%

%@NL@%John Dryden
%@NL@%Alexander's Feast [1697],l. 58

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ980    @%%@2@%The king grew vain;%@NL@%%@EH@%
Fought all his battles o'er again;%@NL@%
And thrice he routed all his foes, and thrice he slew the slain.%@NL@%

%@NL@%John Dryden
%@NL@%Alexander's Feast [1697],l. 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ990    @%%@2@%Fallen, fallen, fallen, fallen,%@NL@%%@EH@%
Fallen from his high estate,%@NL@%
And welt'ring in his blood;%@NL@%
Deserted, at his utmost need,%@NL@%
By those his former bounty fed,%@NL@%
On the bare earth exposed he lies,%@NL@%
With not a friend to close his eyes.%@NL@%

%@NL@%John Dryden
%@NL@%Alexander's Feast [1697],l. 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1000   @%%@2@%Softly sweet, in Lydian measures,%@NL@%%@EH@%
Soon he soothed his soul to pleasures.%@NL@%
War, he sung, is toil and trouble;%@NL@%
Honor but an empty bubble;%@NL@%
Never ending, still beginning,%@NL@%
Fighting still, and still destroying.%@NL@%
If all the world be worth thy winning.%@NL@%
Think, oh think it worth enjoying:%@NL@%
Lovely Thais sits beside thee,%@NL@%
Take the good the gods provide thee.%@NL@%

%@NL@%John Dryden
%@NL@%Alexander's Feast [1697],l. 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1010   @%%@2@%Sighed and looked, and sighed again.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Alexander's Feast [1697],l. 120

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1020   @%%@2@%And, like another Helen, fired another Troy.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Alexander's Feast [1697],l. 154

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1030   @%%@2@%Could swell the soul to rage, or kindle soft desire.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Alexander's Feast [1697],l. 160

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1040   @%%@2@%He raised a mortal to the skies,%@NL@%%@EH@%
She drew an angel down.%@NL@%

%@NL@%John Dryden
%@NL@%Alexander's Feast [1697],l. 169

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1050   @%%@2@%Words, once my stock, are wanting to commend%@NL@%%@EH@%
So great a poet and so good a friend.%@NL@%

%@NL@%John Dryden
%@NL@%Epistle to Peter Antony Motteux [1698], l. 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1060   @%%@2@%Lord of yourself, uncumbered with a wife.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Epistle to John Driden of Chesterton [1700],l. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1070   @%%@2@%Better to hunt in fields, for health unbought,%@NL@%%@EH@%
Than fee the doctor for a nauseous draught.%@NL@%
The wise, for cure, on exercise depend;%@NL@%
God never made his work for man to mend.%@NL@%

%@NL@%John Dryden
%@NL@%Epistle to John Driden of Chesterton [1700],l. 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1080   @%%@2@%A very merry, dancing, drinking,%@NL@%%@EH@%
Laughing, quaffing, and unthinking time.%@NL@%

%@NL@%John Dryden
%@NL@%The Secular Masque [1700],l. 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1090   @%%@2@%The sword within the scabbard keep,%@NL@%%@EH@%
And let mankind agree.%@NL@%

%@NL@%John Dryden
%@NL@%The Secular Masque [1700],l. 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1100   @%%@2@%All, all of a piece throughout:%@NL@%%@EH@%
Thy chase had a beast in view;%@NL@%
Thy wars brought nothing about;%@NL@%
Thy lovers were all untrue.%@NL@%
'Tis well an old age is out,%@NL@%
And time to begin a new. 1 %@NL@%

%@NL@%John Dryden
%@NL@%The Secular Masque [1700],l. 86

%@NL@%%@AI@%1 See Tennyson%@BO:          401ba8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1110   @%%@2@%Ill habits gather by unseen degrees-%@NL@%%@EH@%
As brooks make rivers, rivers run to seas.%@NL@%

%@NL@%John Dryden
%@NL@%Ovid, Metamorphoses [1700], bk. XV,
The Worship of Aesculapius, l. 155

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1120   @%%@2@%   [Of Chaucer's Canterbury Tales] Here is God's plenty.%@NL@%%@EH@%
%@NL@%
John Dryden
%@NL@%Fables Ancient and Modern [1700],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1130   @%%@2@%For Art may err, but Nature cannot miss.%@NL@%%@EH@%

%@NL@%John Dryden
%@NL@%Fables Ancient and Modern [1700],The Cock and the Fox, l. 452

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1140   @%%@2@%Old as I am, for ladies' love unfit,%@NL@%%@EH@%
The power of beauty I remember yet.%@NL@%

%@NL@%John Dryden
%@NL@%Fables Ancient and Modern [1700],Cymon and Iphigenia,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1150   @%%@2@%He trudged along unknowing what he sought,%@NL@%%@EH@%
And whistled as he went, for want of thought.%@NL@%

%@NL@%John Dryden
%@NL@%Fables Ancient and Modern [1700],Cymon and Iphigenia,l. 84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
And love the offender, yet detest the offense.-Pope, Eloisa to Abelard
[1717], l. 192  %@EF@%
%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1160   @%%@2@%She hugged the offender, and forgave the offense:%@NL@%%@EH@%
Sex to the last.%@NL@%

%@NL@%John Dryden
%@NL@%Fables Ancient and Modern [1700],Cymon and Iphigenia,l. 367

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1180   @%%@2@%Of seeming arms to make a short essay,%@NL@%%@EH@%
Then hasten to be drunk-the business of the day.%@NL@%

%@NL@%John Dryden
%@NL@%Fables Ancient and Modern [1700],Cymon and Iphigenia,l. 407

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Early, bright, transient, chaste as morning dew,/She sparkled, was exhaled,
and went to heaven.-Edward Young, Night Thoughts [1742-1745], Night V, l.
600  %@EF@%
%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1190   @%%@2@%He was exhaled; his great Creator drew%@NL@%%@EH@%
His spirit, as the sun the morning dew.%@NL@%

%@NL@%John Dryden
%@NL@%On the Death of a Very Young Gentleman [1700]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Dryden@%%@QR:Dryden@%%@CR:N1631DRYJ1210   @%%@2@%Here lies my wife: here let her lie!%@NL@%%@EH@%
Now she's at rest, and so am I.%@NL@%

%@NL@%John Dryden
%@NL@%Epitaph intended for his wife

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Stoughton%@AE@%%@EH@%
%@NL@%
%@AB@%1631-1701%@AE@%
%@NL@%%@NL@%

%@FN@%
God had sifted three kingdoms to find the wheat for this
planting.-Longfellow, Courtship of Miles Standish [1858], IV  %@EF@%
%@QR:William Stoughton@%%@QR:Stoughton@%%@CR:N1631STOW10     @%%@2@%   God hath sifted a nation that he might send choice grain into this%@EH@%
wilderness.%@NL@%
%@NL@%
William Stoughton
%@NL@%Election sermon at Boston [April 29, 1669]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anton van Leeuwenhoek%@AE@%%@EH@%
%@NL@%
%@AB@%1632-1723%@AE@%
%@NL@%%@NL@%

%@QR:Anton van Leeuwenhoek@%%@QR:Leeuwenhoek@%%@CR:N1632LEEA10     @%%@2@%   We cannot in any better manner glorify the Lord and Creator of the%@EH@%
universe than that in all things, how small soever they appear to our naked
eyes, but which have yet received the gift of life and power of increase, we
contemplate the display of his omnificence and perfections with the utmost
admiration.%@NL@%
%@NL@%
Anton van Leeuwenhoek
%@NL@%%@FN@%
Translated by Samuel Hoole.  %@EF@%
The Select Works of Anthony van Leeuwenhoek [1798]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Locke%@AE@%%@EH@%
%@NL@%
%@AB@%1632-1704%@AE@%
%@NL@%%@NL@%

%@QR:John Locke@%%@QR:Locke@%%@CR:N1632LOCJ10     @%%@2@%   New opinions are always suspected, and usually opposed, without any other%@EH@%
reason but because they are not already common.%@NL@%
%@NL@%
John Locke
%@NL@%Essay Concerning Human Understanding [1690],dedicatory epistle

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Locke@%%@QR:Locke@%%@CR:N1632LOCJ20     @%%@2@%   No man's knowledge here can go beyond his experience.%@NL@%%@EH@%
%@NL@%
John Locke
%@NL@%Essay Concerning Human Understanding [1690],bk.II, ch. 1, sec. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Locke@%%@QR:Locke@%%@CR:N1632LOCJ30     @%%@2@%   It is one thing to show a man that he is in error, and another to put him%@EH@%
in possession of truth.%@NL@%
%@NL@%
John Locke
%@NL@%Essay Concerning Human Understanding [1690],bk.IV, ch.7, sec. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Locke@%%@QR:Locke@%%@CR:N1632LOCJ40     @%%@2@%   All men are liable to error; and most men are, in many points, by passion%@EH@%
or interest, under temptation to it.%@NL@%
%@NL@%
John Locke
%@NL@%Essay Concerning Human Understanding [1690],bk.IV, ch.20, sec. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Locke@%%@QR:Locke@%%@CR:N1632LOCJ50     @%%@2@%   Wherever Law ends, Tyranny begins. 1 %@NL@%%@EH@%
%@NL@%
John Locke
%@NL@%Second Treatise of Government [1690], sec. 202

%@NL@%%@AI@%1 See William Pitt%@BO:          2bb5b9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Locke@%%@QR:Locke@%%@CR:N1632LOCJ60     @%%@2@%   A sound mind in a sound body, 1  is a short but full description of a%@EH@%
happy state in this world.%@NL@%
%@NL@%
John Locke
%@NL@%Some Thoughts Concerning Education [1693], sec.1

%@NL@%%@AI@%1 See Juvenal%@BO:           f77a6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
By education, then, I mean goodness in the form in which it is first
acquired by a child . . . the rightly disciplined state of pleasures and
pains whereby a man from his first beginnings on will abhor what he should
abhor and relish what he should relish.-Plato, Laws, bk. II  In educating
the young we use pleasure and pain as rudders to steer their
course.-Aristotle, Nichomachean Ethics, bk. X  %@EF@%
%@QR:John Locke@%%@QR:Locke@%%@CR:N1632LOCJ65     @%%@2@%   Good and evil, reward and punishment, are the only motives to a rational%@EH@%
creature: these are the spur and reins whereby all mankind are set on work,
and guided.%@NL@%
%@NL@%
John Locke
%@NL@%Some Thoughts Concerning Education [1693], sec.54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Locke@%%@QR:Locke@%%@CR:N1632LOCJ70     @%%@2@%   Virtue is harder to be got than knowledge of the world; and, if lost in a%@EH@%
young man, is seldom recovered.%@NL@%
%@NL@%
John Locke
%@NL@%Some Thoughts Concerning Education [1693], sec.64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Locke@%%@QR:Locke@%%@CR:N1632LOCJ80     @%%@2@%   He that will have his son have a respect for him and his orders, must%@EH@%
himself have a great reverence for his son. 1 %@NL@%
%@NL@%
John Locke
%@NL@%Some Thoughts Concerning Education [1693], sec.65

%@NL@%%@AI@%1 See Juvenal%@BO:           f7a01@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Locke@%%@QR:Locke@%%@CR:N1632LOCJ90     @%%@2@%   The only fence against the world is a thorough knowledge of it.%@NL@%%@EH@%
%@NL@%
John Locke
%@NL@%Some Thoughts Concerning Education [1693], sec.88

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Benedict Baruch Spinoza%@AE@%%@EH@%
%@NL@%
%@AB@%1632-1677%@AE@%
%@FN@%
Ein Gottbetrunkener Mensch [A God-intoxicated man].-Novalis (Friedrich von
Hardenberg) [1772-1801]  The Lord blot out his name under heaven. The Lord
set him apart for destruction from all the tribes of Israel, with all the
curses of the firmament which are written in the Book of the Law. . . .
There shall no man speak to him, no man write to him, no man show him any
kindness, no man stay under the same roof with him, no man come nigh
him.-Amsterdam synagogue's curse on Spinoza [1656]  %@EF@%
%@FN@%
Ein Gottbetrunkener Mensch [A God-intoxicated man].-Novalis (Friedrich von
Hardenberg) [1772-1801]  The Lord blot out his name under heaven. The Lord
set him apart for destruction from all the tribes of Israel, with all the
curses of the firmament which are written in the Book of the Law. . . .
There shall no man speak to him, no man write to him, no man show him any
kindness, no man stay under the same roof with him, no man come nigh
him.-Amsterdam synagogue's curse on Spinoza [1656]  %@EF@%
%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB30     @%%@2@%   Peace is not an absence of war, it is a virtue, a state of mind, a%@EH@%
disposition for benevolence, confidence, justice.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Theological-Political Treatise [1670]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB40     @%%@2@%   Nature abhors a vacuum.%@NL@%%@EH@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%%@FN@%
Everyman edition, translated by Andrew Boyle.  %@EF@%
Ethics [1677],
pt.I, proposition15: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB50     @%%@2@%   God and all the attributes of God are eternal.%@NL@%%@EH@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.I, proposition19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB60     @%%@2@%   Nothing exists from whose nature some effect does not follow.%@NL@%%@EH@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.I, proposition36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB70     @%%@2@%   He who would distinguish the true from the false must have an adequate%@EH@%
idea of what is true and false.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.II, proposition42: proof

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB80     @%%@2@%   Will and Intellect are one and the same thing.%@NL@%%@EH@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.II, proposition49: corollary

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB90     @%%@2@%   He that can carp in the most eloquent or acute manner at the weakness of%@EH@%
the human mind is held by his fellows as almost divine.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.III,preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB100    @%%@2@%   Surely human affairs would be far happier if the power in men to be%@EH@%
silent were the same as that to speak. But experience more than sufficiently
teaches that men govern nothing with more difficulty than their tongues.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.III,proposition2: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB110    @%%@2@%   Pride is therefore pleasure arising from a man's thinking too highly of%@EH@%
himself.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.III,proposition26: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB120    @%%@2@%   It may easily come to pass that a vain man may become proud and imagine%@EH@%
himself pleasing to all when he is in reality a universal nuisance.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.III,proposition30: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB130    @%%@2@%   Self-complacency is pleasure accompanied by the idea of oneself as cause.%@NL@%%@EH@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.III,proposition51: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB140    @%%@2@%   It therefore comes to pass that everyone is fond of relating his own%@EH@%
exploits and displaying the strength both of his body and his mind, and that
men are on this account a nuisance one to the other.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.III,proposition54: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB150    @%%@2@%   I refer those actions which work out the good of the agent to courage,%@EH@%
and those which work out the good of others to nobility. Therefore
temperance, sobriety, and presence of mind in danger, etc., are species of
courage; but modesty, clemency, etc., are species of nobility.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.III,proposition59: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB160    @%%@2@%   Fear cannot be without hope nor hope without fear.%@NL@%%@EH@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.III,definition13: explanation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB170    @%%@2@%   So long as a man imagines that he cannot do this or that, so long is he%@EH@%
determined not to do it: and consequently, so long it is impossible to him
that he should do it.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.III,definition28: explanation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB180    @%%@2@%   Those who are believed to be most abject and humble are usually most%@EH@%
ambitious and envious.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.III,proposition 29: explanation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB190    @%%@2@%   One and the same thing can at the same time be good, bad, and%@EH@%
indifferent, e.g., music is good to the melancholy, bad to those who mourn,
and neither good nor bad to the deaf.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.IV,preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB200    @%%@2@%   Man is a social animal. 1 %@NL@%%@EH@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.IV,proposition35: note

%@NL@%%@AI@%1 See Blackstone%@BO:          2d7883@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB210    @%%@2@%   Men will find that they can prepare with mutual aid far more easily what%@EH@%
they need, and avoid far more easily the perils which beset them on all
sides, by united forces.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.IV,proposition35: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
To me, avarice seems not so much a vice, as a deplorable piece of
madness.-Sir Thomas Browne, Religio Medici [1642]  %@EF@%
%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB220    @%%@2@%   Avarice, ambition, lust, etc., are nothing but species of madness.%@NL@%%@EH@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.IV,proposition44: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB240    @%%@2@%   He whose honor depends on the opinion of the mob must day by day strive%@EH@%
with the greatest anxiety, act and scheme in order to retain his reputation.
For the mob is varied and inconstant, and therefore if a reputation is not
carefully preserved it dies quickly.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.IV,proposition58: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB250    @%%@2@%   In refusing benefits caution must be used lest we seem to despise or to%@EH@%
refuse them for fear of having to repay them in kind.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.IV,proposition70: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB260    @%%@2@%   To give aid to every poor man is far beyond the reach and power of every%@EH@%
man. . . . Care of the poor is incumbent on society as a whole. 1  2  3 %@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.IV,appendix,17

%@NL@%%@AI@%1 See Maimonides%@BO:          110b06@%%@AE@%
%@AI@%2 See Johnson%@BO:          2c3029@%%@AE@%
%@AI@%3 See Carnegie%@BO:          49d857@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB270    @%%@2@%   None are more taken in by flattery than the proud, who wish to be the%@EH@%
first and are not.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.IV,appendix,21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB280    @%%@2@%   Those are most desirous of honor and glory who cry out the loudest of its%@EH@%
abuse and the vanity of the world.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.V, proposition10: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB290    @%%@2@%   We feel and know that we are eternal.%@NL@%%@EH@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.V, proposition23: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB300    @%%@2@%   All excellent things are as difficult as they are rare.%@NL@%%@EH@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Ethics [1677],
pt.V, proposition42: note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benedict Baruch Spinoza@%%@QR:Spinoza@%%@CR:N1632SPIB310    @%%@2@%   The things which . . . are esteemed as the greatest good of all . . . can%@EH@%
be reduced to these three headings: to wit, Riches, Fame, and Pleasure. With
these three the mind is so engrossed that it cannot scarcely think of any
other good.%@NL@%
%@NL@%
Benedict Baruch Spinoza
%@NL@%Tractatus de Intellectus Emendatione [1677], I, 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Christopher Wren%@AE@%%@EH@%
%@NL@%
%@AB@%1632-1723%@AE@%
%@NL@%%@NL@%

%@QR:Sir Christopher Wren@%%@QR:Wren@%%@CR:N1632WREC10     @%%@2@%   Si monumentum requiris circumspice [If you would see the man's monument,%@EH@%
look around].%@NL@%
%@NL@%
Sir Christopher Wren
%@NL@%Inscription in St. Paul's Cathedral, London. Written by Wren's son

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Wentworth Dillon, Earl of Roscommon%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1633-1685%@AE@%
%@NL@%%@NL@%

%@QR:Wentworth Dillon, Earl of Roscommon@%%@QR:Dillon@%%@CR:N1633DILW10     @%%@2@%Choose an author as you choose a friend.%@NL@%%@EH@%

%@NL@%Wentworth Dillon, Earl of Roscommon
%@NL@%Essay on Translated Verse [1684],l. 96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wentworth Dillon, Earl of Roscommon@%%@QR:Dillon@%%@CR:N1633DILW20     @%%@2@%Immodest words admit of no defense,%@NL@%%@EH@%
For want of decency is want of sense.%@NL@%

%@NL@%Wentworth Dillon, Earl of Roscommon
%@NL@%Essay on Translated Verse [1684],l. 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wentworth Dillon, Earl of Roscommon@%%@QR:Dillon@%%@CR:N1633DILW30     @%%@2@%The multitude is always in the wrong.%@NL@%%@EH@%

%@NL@%Wentworth Dillon, Earl of Roscommon
%@NL@%Essay on Translated Verse [1684],l. 183

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wentworth Dillon, Earl of Roscommon@%%@QR:Dillon@%%@CR:N1633DILW40     @%%@2@%My God, my Father, and my Friend,%@NL@%%@EH@%
Do not forsake me in my end. 1 %@NL@%

%@NL@%Wentworth Dillon, Earl of Roscommon
%@NL@%Translation of Dies Irae

%@NL@%%@AI@%1 See Tommaso di Celano%@BO:          11337f@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Samuel Pepys%@AE@%%@EH@%
%@NL@%
%@AB@%1633-1703%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS10     @%%@2@%   I pray God to keep me from being proud.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,March 22, 1660

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS20     @%%@2@%   This morning came home my fine camlet cloak, with gold buttons, and a%@EH@%
silk suit, which cost me much money, and I pray God to make me able to pay
for it.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,July 1, 1660

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS30     @%%@2@%   And so to bed.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,July 22, 1660, passim

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS40     @%%@2@%   I am unwilling to mix my fortune with him that is going down the wind.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,September 6, 1660

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS50     @%%@2@%   A good honest and painful sermon.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,March 17, 1661

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS60     @%%@2@%   One, by his own confession to me, that can put on two several faces, and%@EH@%
look his enemies in the face with as much love as his friends. But, good
God! what an age is this, and what a world is this! that a man cannot live
without playing the knave and dissimulation.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,September 1, 1661

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS70     @%%@2@%   Though he be a fool, yet he keeps much company, and will tell all he sees%@EH@%
or hears, so a man may understand what the common talk of the town is.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,September 2, 1661

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS80     @%%@2@%   My wife, poor wretch.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,September 18, 1661, passim

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS90     @%%@2@%   Thanks be to God, since my leaving drinking of wine, I do find myself%@EH@%
much better, and do mind my business better, and do spend less money, and
less time lost in idle company.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,January 26, 1662

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS100    @%%@2@%   As happy a man as any in the world, for the whole world seems to smile%@EH@%
upon me.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,October 31, 1662

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pepys had bought Hudibras on December 26, 1662, but thought it "so silly an
abuse of the Presbyter Knight going to the wars" that he sold it the same
day.  %@EF@%
%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS110    @%%@2@%   Bought Hudibras again, it being certainly some ill humor to be so against%@EH@%
that which all the world cries up to be the example of wit; for which I am
resolved once more to read him, and see whether I can find it or no.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,February 6, 1663

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS130    @%%@2@%   To the Trinity House, where a very good dinner among the old soakers.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,February 15, 1665

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The time of the Great Plague.  %@EF@%
%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS140    @%%@2@%   But Lord! how everybody's looks, and discourse in the street, is of%@EH@%
death, and nothing else; and few people going up and down, that the town is
like a place distressed and forsaken.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,August 30, 1665

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS150    @%%@2@%   Strange to see how a good dinner and feasting reconciles everybody.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,November 9, 1665

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS160    @%%@2@%   Saw a wedding in the church; and strange to see what delight we married%@EH@%
people have to see these poor fools decoyed into our condition.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,December 25, 1665

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS170    @%%@2@%   Musick and women I cannot but give way to, whatever my business is.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,March 9, 1666

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS180    @%%@2@%   The truth is, I do indulge myself a little the more in pleasure, knowing%@EH@%
that this is the proper age of my life to do it; and, out of my observation
that most men that do thrive in the world do forget to take pleasure during
the time that they are getting their estate, but reserve that till they have
got one, and then it is too late for them to enjoy it.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,March 10, 1666

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS190    @%%@2@%   Home, and, being washing-day, dined upon cold meat.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,April 4, 1666

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS200    @%%@2@%   Musick is the thing of the world that I love most.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,July 30, 1666

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS210    @%%@2@%   Busy till night, pleasing myself mightily to see what a deal of business%@EH@%
goes off a man's hands when he stays by it.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,January 14, 1667

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS220    @%%@2@%   Did satisfy myself mighty fair in the truth of the saying that the world%@EH@%
do not grow old at all, but is in as good condition in all respects as ever
it was.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,February 3, 1667

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS230    @%%@2@%   This day I am, by the blessing of God, 34 years old, in very good health%@EH@%
and mind's content, and in condition of estate much beyond whatever my
friends could expect of a child of theirs, this day 34 years. The Lord's
name be praised! and may I be thankful for it.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,February 23, 1667

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS240    @%%@2@%   But it is pretty to see what money will do.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,March 21, 1667

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS250    @%%@2@%   To church; and with my mourning, very handsome, and new periwig, make a%@EH@%
great show.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,March 31, 1667

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS260    @%%@2@%   But to think of the clatter they make with his coach, and their own fine%@EH@%
clothes, and yet how meanly they live within doors, and nastily, and
borrowing everything of neighbors.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,April 1, 1667

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS270    @%%@2@%   Whose red nose makes me ashamed to be seen with him.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,May 3, 1667

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS280    @%%@2@%   Gives me some kind of content to remember how painful it is sometimes to%@EH@%
keep money, as well as to get it.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,October 11, 1667

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS290    @%%@2@%   I find my wife hath something in her gizzard, that only waits an%@EH@%
opportunity of being provoked to bring up; but I will not, for my
content-sake, give it.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,June 17, 1668

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS300    @%%@2@%   In appearance, at least, he being on all occasions glad to be at%@EH@%
friendship with me, though we hate one another, and know it on both sides.%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,September 22, 1668

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS310    @%%@2@%   I do hate to be unquiet at home.%@NL@%%@EH@%
%@NL@%
Samuel Pepys
%@NL@%Diary,January 22, 1669

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Pepys@%%@QR:Pepys@%%@CR:N1633PEPS320    @%%@2@%   And so I betake myself to that course, which is almost as much as to see%@EH@%
myself go into my grave; for which, and all the discomforts that will
accompany my being blind, the good God prepare me!%@NL@%
%@NL@%
Samuel Pepys
%@NL@%Diary,May 31, 1669 (final entry)

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Savile, Marquess of Halifax%@AE@%%@EH@%
%@NL@%
%@AB@%1633-1695%@AE@%
%@NL@%%@NL@%

%@QR:George Savile, Marquess of Halifax@%%@QR:Savile@%%@CR:N1633SAVG10     @%%@2@%   Children and fools want everything, because they want wit to distinguish;%@EH@%
there is no stronger evidence of a crazy understanding than the making too
large a catalogue of things necessary.%@NL@%
%@NL@%
George Savile, Marquess of Halifax
%@NL@%Advice to a Daughter [1688]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Savile, Marquess of Halifax@%%@QR:Savile@%%@CR:N1633SAVG20     @%%@2@%   Popularity is a crime from the moment it is sought; it is only a virtue%@EH@%
where men have it whether they will or no.%@NL@%
%@NL@%
George Savile, Marquess of Halifax
%@NL@%Political, Moral, and Miscellaneous Reflections [1750]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Savile, Marquess of Halifax@%%@QR:Savile@%%@CR:N1633SAVG30     @%%@2@%   Misspending a man's time is a kind of self-homicide.%@NL@%%@EH@%
%@NL@%
George Savile, Marquess of Halifax
%@NL@%Political, Moral, and Miscellaneous Reflections [1750]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Savile, Marquess of Halifax@%%@QR:Savile@%%@CR:N1633SAVG40     @%%@2@%   Men are not hanged for stealing horses, but that horses may not be%@EH@%
stolen.%@NL@%
%@NL@%
George Savile, Marquess of Halifax
%@NL@%Political, Moral, and Miscellaneous Reflections [1750]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert South%@AE@%%@EH@%
%@NL@%
%@AB@%1634-1716%@AE@%
%@NL@%%@NL@%

%@FN@%
Speech was made to open man to man, and not to hide him; to promote
commerce, and not betray it.-David Lloyd [1635-1692], The Statesmen and
Favorites of England Since the Reformation [1665, edited by Whitworth], vol.
I, p. 503  Men talk only to conceal the mind.-Edward Young, Love of Fame
[1725-1728], satire II, l. 208  The true use of speech is not so much to
express our wants as to conceal them.-Goldsmith, The Bee, no. 3 [October 20,
1759]  See Voltaire  %@EF@%
%@QR:Robert South@%%@QR:South@%%@CR:N1634SOUR10     @%%@2@%   Speech was given to the ordinary sort of men whereby to communicate their%@EH@%
mind; but to wise men, whereby to conceal it.%@NL@%
%@NL@%
Robert South
%@NL@%Sermon [1676]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Hooke%@AE@%%@EH@%
%@NL@%
%@AB@%1635-1703%@AE@%
%@NL@%%@NL@%

%@QR:Robert Hooke@%%@QR:Hooke@%%@CR:N1635HOOR10     @%%@2@%   The truth is, the science of Nature has been already too long made only a%@EH@%
work of the brain and the fancy: It is now high time that it should return
to the plainness and soundness of observations on material and obvious
things.%@NL@%
%@NL@%
Robert Hooke
%@NL@%Micrographia [1665]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Nicolas Boileau-Despreaux%@AE@%%@EH@%
%@NL@%
%@AB@%1636-1711%@AE@%
%@NL@%%@NL@%

%@FN@%
See Pope  Translated by Dryden.  %@EF@%
%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN10     @%%@2@%Happy who in his verse can gently steer%@NL@%%@EH@%
From grave to light, from pleasant to severe.%@NL@%

%@NL@%Nicolas Boileau-Despreaux
%@NL@%The Art of Poetry [1674], cantoI,l. 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Enfin Malherbe vint.  %@EF@%
%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN20     @%%@2@%   At last comes Malherbe and, the first to do so in France, brings to his%@EH@%
verse a smooth cadence.%@NL@%
%@NL@%
Nicolas Boileau-Despreaux
%@NL@%The Art of Poetry [1674], cantoI,l. 131

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN40     @%%@2@%Whate'er is well conceived is clearly said,%@NL@%%@EH@%
And the words to say it flow with ease.%@NL@%

%@NL@%Nicolas Boileau-Despreaux
%@NL@%The Art of Poetry [1674], cantoI,l. 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN50     @%%@2@%   Every age has its pleasures, its style of wit, and its own ways.%@NL@%%@EH@%
%@NL@%
Nicolas Boileau-Despreaux
%@NL@%The Art of Poetry [1674], cantoIII, l. 374

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN60     @%%@2@%   The wisest man is he who does not fancy that he is so at all.%@NL@%%@EH@%
%@NL@%
Nicolas Boileau-Despreaux
%@NL@%Satire 1,l. 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN70     @%%@2@%A Cat's a cat, and Rolet is a knave.%@NL@%%@EH@%

%@NL@%Nicolas Boileau-Despreaux
%@NL@%Satire 1,l. 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN80     @%%@2@%   He [Moliere] pleases all the world, but cannot please himself.%@NL@%%@EH@%
%@NL@%
Nicolas Boileau-Despreaux
%@NL@%Satire 1,l. 94

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN90     @%%@2@%In spite of every sage whom Greece can show,%@NL@%%@EH@%
Unerring wisdom never dwelt below;%@NL@%
Folly in all of every age we see,%@NL@%
The only difference lies in the degree.%@NL@%

%@NL@%Nicolas Boileau-Despreaux
%@NL@%Satire 4,l. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN100    @%%@2@%Greatest fools are oft most satisfied.%@NL@%%@EH@%

%@NL@%Nicolas Boileau-Despreaux
%@NL@%Satire 4,l. 128

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN110    @%%@2@%If your descent is from heroic sires,%@NL@%%@EH@%
Show in your life a remnant of their fires.%@NL@%

%@NL@%Nicolas Boileau-Despreaux
%@NL@%Satire 5, l. 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN120    @%%@2@%Of all the creatures that creep, swim, or fly,%@NL@%%@EH@%
Peopling the earth, the waters, and the sky,%@NL@%
From Rome to Iceland, Paris to Japan,%@NL@%
I really think the greatest fool is man.%@NL@%

%@NL@%Nicolas Boileau-Despreaux
%@NL@%Satire 8,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN130    @%%@2@%But satire, ever moral, ever new,%@NL@%%@EH@%
Delights the reader and instructs him, too.%@NL@%
She, if good sense refine her sterling page,%@NL@%
Oft shakes some rooted folly of the age.%@NL@%

%@NL@%Nicolas Boileau-Despreaux
%@NL@%Satire 8,l. 257

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN140    @%%@2@%   Honor is like an island, rugged and without a beach; once we have left%@EH@%
it, we can never return.%@NL@%
%@NL@%
Nicolas Boileau-Despreaux
%@NL@%Satire 10, l. 167

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN150    @%%@2@%Now two punctilious envoys, Thine and Mine,%@NL@%%@EH@%
Embroil the earth about a fancied line;%@NL@%
And, dwelling much on right and much on wrong,%@NL@%
Prove how the right is chiefly with the strong. 1  2  3  4 %@NL@%

%@NL@%Nicolas Boileau-Despreaux
%@NL@%Satire 11, l. 141

%@NL@%%@AI@%1 See Tacitus%@BO:           f83e3@%%@AE@%
%@AI@%2 See Bussy-Rabutin%@BO:          2559ce@%%@AE@%
%@AI@%3 See Frederick the Great%@BO:          2c99a6@%%@AE@%
%@AI@%4 See Gibbon%@BO:          2f7267@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN160    @%%@2@%Nothing but truth is lovely, nothing fair.%@NL@%%@EH@%

%@NL@%Nicolas Boileau-Despreaux
%@NL@%Epistle 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicolas Boileau-Despreaux@%%@QR:Boileau-Despreaux@%%@CR:N1636BOIN170    @%%@2@%The terrible burden of having nothing to do.%@NL@%%@EH@%

%@NL@%Nicolas Boileau-Despreaux
%@NL@%Epistle 11

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Ken%@AE@%%@EH@%
%@NL@%
%@AB@%1637-1711%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Ken@%%@QR:Ken@%%@CR:N1637KENT5      @%%@2@%Awake, my soul, and with the sun%@NL@%%@EH@%
Thy daily stage of duty run.%@NL@%

%@NL@%Thomas Ken
%@NL@%Morning Hymn [1695]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Ken@%%@QR:Ken@%%@CR:N1637KENT10     @%%@2@%Praise God, from whom all blessings flow!%@NL@%%@EH@%
Praise Him, all creatures here below!%@NL@%
Praise Him above, ye heavenly host!%@NL@%
Praise Father, Son, and Holy Ghost!%@NL@%

%@NL@%Thomas Ken
%@NL@%Doxology [1709]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Traherne%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1637-1674%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Traherne@%%@QR:Traherne@%%@CR:N1637TRAT10     @%%@2@%   You never enjoy the world aright, till the sea itself floweth in your%@EH@%
veins, till you are clothed with the heavens, and crowned with the stars:
and perceive yourself to be the sole heir of the whole world.%@NL@%
%@NL@%
Thomas Traherne
%@NL@%Centuries of Meditations [1908], CenturyI, sec. 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Traherne@%%@QR:Traherne@%%@CR:N1637TRAT20     @%%@2@%   The corn was orient and immortal wheat, which never should be reaped, nor%@EH@%
was ever sown. I thought it had stood from everlasting to everlasting. 1 %@NL@%
%@NL@%
Thomas Traherne
%@NL@%Centuries of Meditations [1908], CenturyIII, sec. 3

%@NL@%%@AI@%1 See Psalm 90:2%@BO:           26bdf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Traherne@%%@QR:Traherne@%%@CR:N1637TRAT30     @%%@2@%How like an angel came I down! 1  2  3 %@NL@%%@EH@%

%@NL@%Thomas Traherne
%@NL@%Wonder [1910],st. 1

%@NL@%%@AI@%1 See Vaughan%@BO:          25d80d@%%@AE@%
%@AI@%2 See Wordsworth%@BO:          34103f@%%@AE@%
%@AI@%3 See Lowell%@BO:          442bb0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Traherne@%%@QR:Traherne@%%@CR:N1637TRAT40     @%%@2@%I within did flow%@NL@%%@EH@%
With seas of life like wine.%@NL@%

%@NL@%Thomas Traherne
%@NL@%Wonder [1910],st. 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Louis XIV%@AE@%%@EH@%
%@NL@%
%@AB@%1638-1715%@AE@%
%@NL@%%@NL@%

%@FN@%
L'etat c'est moi.  See Napoleon  %@EF@%
%@QR:Louis XIV@%%@CR:N1638LOUI10     @%%@2@%   I am the state.%@NL@%%@EH@%
%@NL@%
Louis XIV
%@NL@%Attributed remark before the parliament in 1651

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dieu a donc oublie tout ce que j'ai fait pour lui?  %@EF@%
%@QR:Louis XIV@%%@CR:N1638LOUI30     @%%@2@%   Has God forgotten all I have done for him?%@NL@%%@EH@%
%@NL@%
Louis XIV
%@NL@%Attributed remark upon hearing the news of the French defeat
at Malplaquet [1709]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
J'ai failli attendre.  %@EF@%
%@QR:Louis XIV@%%@CR:N1638LOUI50     @%%@2@%   I almost had to wait.%@NL@%%@EH@%
%@NL@%
Louis XIV
%@NL@%Attributed remark when a coach he had ordered arrived just in time

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jean Racine%@AE@%%@EH@%
%@NL@%
%@AB@%1639-1699%@AE@%
%@NL@%%@NL@%

%@QR:Jean Racine@%%@QR:Racine@%%@CR:N1639RACJ10     @%%@2@%   I loved him too much not to hate him at all!%@NL@%%@EH@%
%@NL@%
Jean Racine
%@NL@%Andromaque [1667], act II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Racine@%%@QR:Racine@%%@CR:N1639RACJ20     @%%@2@%   You are Emperor, my lord, and yet you weep?%@NL@%%@EH@%
%@NL@%
Jean Racine
%@NL@%Berenice [1670], act IV, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Racine@%%@QR:Racine@%%@CR:N1639RACJ30     @%%@2@%   My only hope lies in my despair.%@NL@%%@EH@%
%@NL@%
Jean Racine
%@NL@%Bajazet [1672], act I, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
C'est toi qui l'a nomme.  %@EF@%
%@QR:Jean Racine@%%@QR:Racine@%%@CR:N1639RACJ40     @%%@2@%   You have named him, not I.%@NL@%%@EH@%
%@NL@%
Jean Racine
%@NL@%Phedre [1677], actI, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ce n'est plus une ardeur dans mes veines cachee:/C'est Venus toute entiere a
sa proie attachee.  %@EF@%
%@QR:Jean Racine@%%@QR:Racine@%%@CR:N1639RACJ60     @%%@2@%   It is no longer a passion hidden in my heart: it is Venus herself%@EH@%
fastened to her prey.%@NL@%
%@NL@%
Jean Racine
%@NL@%Phedre [1677], actI, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Racine@%%@QR:Racine@%%@CR:N1639RACJ80     @%%@2@%   Innocence has nothing to dread.%@NL@%%@EH@%
%@NL@%
Jean Racine
%@NL@%Phedre [1677], actIII, sc. vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Racine@%%@QR:Racine@%%@CR:N1639RACJ90     @%%@2@%   Crime like virtue has its degrees; and timid innocence was never known to%@EH@%
blossom suddenly into extreme license. 1  2 %@NL@%
%@NL@%
Jean Racine
%@NL@%Phedre [1677], actIV, sc. ii

%@NL@%%@AI@%1 See Juvenal%@BO:           f672b@%%@AE@%
%@AI@%2 See Beaumont and Fletcher%@BO:          218c6d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Racine@%%@QR:Racine@%%@CR:N1639RACJ100    @%%@2@%   To repair the irreparable ravages of time.%@NL@%%@EH@%
%@NL@%
Jean Racine
%@NL@%Athalie [1691], act II, sc. v

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Charles Sedley%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1639-1701%@AE@%
%@NL@%%@NL@%

%@QR:Sir Charles Sedley@%%@QR:Sedley@%%@CR:N1639SEDC10     @%%@2@%Phyllis is my only joy,%@NL@%%@EH@%
Faithless as the winds or seas;%@NL@%
Sometimes coming, sometimes coy,%@NL@%
Yet she never fails to please.%@NL@%

%@NL@%Sir Charles Sedley
%@NL@%Song [1702], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Aphra Behn%@AE@%%@EH@%
%@NL@%
%@AB@%1640-1689%@AE@%
%@NL@%%@NL@%

%@QR:Aphra Behn@%%@QR:Behn@%%@CR:N1640BEHA10     @%%@2@%   A brave world, sir, full of religion, knavery, and change: we shall%@EH@%
shortly see better days.%@NL@%
%@NL@%
Aphra Behn
%@NL@%The Roundheads [1677]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aphra Behn@%%@QR:Behn@%%@CR:N1640BEHA20     @%%@2@%   Variety is the soul of pleasure.%@NL@%%@EH@%
%@NL@%
Aphra Behn
%@NL@%The Rover, PartII [1680], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aphra Behn@%%@QR:Behn@%%@CR:N1640BEHA30     @%%@2@%   Come away; poverty's catching.%@NL@%%@EH@%
%@NL@%
Aphra Behn
%@NL@%The Rover, PartII [1680], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aphra Behn@%%@QR:Behn@%%@CR:N1640BEHA40     @%%@2@%   Money speaks sense in a language all nations understand.%@NL@%%@EH@%
%@NL@%
Aphra Behn
%@NL@%The Rover, PartIII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aphra Behn@%%@QR:Behn@%%@CR:N1640BEHA50     @%%@2@%   Beauty unadorned.%@NL@%%@EH@%
%@NL@%
Aphra Behn
%@NL@%The Rover, PartIV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aphra Behn@%%@QR:Behn@%%@CR:N1640BEHA60     @%%@2@%   Faith, sir, we are here today, and gone tomorrow.%@NL@%%@EH@%
%@NL@%
Aphra Behn
%@NL@%The Lucky Chance [1686-1687], act IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Aphra Behn@%%@QR:Behn@%%@CR:N1640BEHA70     @%%@2@%   Oh, what a dear ravishing thing is the beginning of an Amour!%@NL@%%@EH@%
%@NL@%
Aphra Behn
%@NL@%The Emperor of the Moon [1687], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Saikaku Ihara%@AE@%%@EH@%
%@NL@%
%@AB@%1642-1693%@AE@%
%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR10     @%%@2@%   Heaven says nothing, and the whole earth grows rich beneath its silent%@EH@%
rule. Men, too, are touched by heaven's virtue; yet, in their greater part,
they are creatures of deceit. They are born, it seems, with an emptiness of
soul, and must take their qualities wholly from things without. To be born
thus empty into this modern age, this mixture of good and ill, and yet to
steer through life on an honest course to the splendors of success-this is a
feat reserved for paragons of our kind, a task beyond the nature of the
normal man.%@NL@%
%@NL@%
Saikaku Ihara
%@NL@%%@FN@%
Edited and translated by G. W. Sargent.  %@EF@%
The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.I,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR20     @%%@2@%   The first consideration for all, throughout life, is the earning of a%@EH@%
living.%@NL@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.I,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR30     @%%@2@%   Though mothers and fathers give us life, it is money alone which%@EH@%
preserves it.%@NL@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.I,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR40     @%%@2@%   In life it is training rather than birth which counts.%@NL@%%@EH@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.I,3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR50     @%%@2@%   Ancient simplicity is gone . . . the people of today are satisfied with%@EH@%
nothing but finery.%@NL@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.I,4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR60     @%%@2@%   Take care! Kingdoms are destroyed by bandits, houses by rats, and widows%@EH@%
by suitors.%@NL@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.I,5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR70     @%%@2@%   There is always something to upset the most careful of human%@EH@%
calculations. 1 %@NL@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.II,2

%@NL@%%@AI@%1 See Robert Burns%@BO:          321ae4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR80     @%%@2@%   When you send a clerk on business to a distant province, a man of rigid%@EH@%
morals is not your best choice.%@NL@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.II,5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR90     @%%@2@%   To think twice in every matter and follow the lead of others is no way to%@EH@%
make money.%@NL@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.II,5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR100    @%%@2@%   For each of the four hundred and four bodily ailments celebrated%@EH@%
physicians have produced infallible remedies, but the malady which brings
the greatest distress to mankind-to even the wisest and cleverest of us-is
the plague of poverty.%@NL@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.III,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR110    @%%@2@%   To make a fortune some assistance from fate is essential. Ability alone%@EH@%
is insufficient.%@NL@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.III,4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR120    @%%@2@%   If we live by subhuman means we might as well never have had the good%@EH@%
fortune to be born human.%@NL@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.III,4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR130    @%%@2@%   Like ice beneath the sun's rays-to such poverty did he fall . . . his%@EH@%
fortune melted to water.%@NL@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.III,5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR140    @%%@2@%   If making money is a slow process, losing it is quickly done.%@NL@%%@EH@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.III,5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Saikaku Ihara@%%@QR:Ihara@%%@CR:N1642IHAR150    @%%@2@%   Harshness is for the good of a boy, softheartedness will ruin him. 1 %@NL@%%@EH@%
%@NL@%
Saikaku Ihara
%@NL@%The Japanese Family Storehouse; or, The Millionaires' Gospel,
bk.V,5

%@NL@%%@AI@%1 See Proverbs 13:24%@BO:           2e4b2@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Sir Isaac Newton%@AE@%%@EH@%
%@NL@%
%@AB@%1642-1727%@AE@%
%@NL@%%@NL@%

%@QR:Sir Isaac Newton@%%@QR:Newton@%%@CR:N1642NEWI10     @%%@2@%   If I have seen further (than you and Descartes) it is by standing upon%@EH@%
the shoulders of Giants. 1  2 %@NL@%
%@NL@%
Sir Isaac Newton
%@NL@%Letter to Robert Hooke, February 5, 1675/1676

%@NL@%%@AI@%1 See Lucan%@BO:           efa2b@%%@AE@%
%@AI@%2 See Burton%@BO:          20f17a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Isaac Newton@%%@QR:Newton@%%@CR:N1642NEWI20     @%%@2@%   I frame no hypotheses; for whatever is not deduced from the phenomena is%@EH@%
to be called an hypothesis; and hypotheses, whether metaphysical or
physical, whether of occult qualities or mechanical, have no place in
experimental philosophy.%@NL@%
%@NL@%
Sir Isaac Newton
%@NL@%Letter to Robert Hooke, February 5, 1675/1676

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Isaac Newton@%%@QR:Newton@%%@CR:N1642NEWI25     @%%@2@%   Errors are not in the art but in the artificers.%@NL@%%@EH@%
%@NL@%
Sir Isaac Newton
%@NL@%%@FN@%
Mathematical Principles of Natural Philosophy [1729], translated by Andrew
Motte.  %@EF@%
Philosophiae Naturalis Principia Mathematica [1687],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Isaac Newton@%%@QR:Newton@%%@CR:N1642NEWI30     @%%@2@%   Every body continues in its state of rest, or of uniform motion in a%@EH@%
right line, unless it is compelled to change that state by forces impressed
upon it.%@NL@%
%@NL@%
Sir Isaac Newton
%@NL@%Philosophiae Naturalis Principia Mathematica [1687],Laws of Motion,I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In modern terms, acceleration is directly proportional to applied force.  %@EF@%
%@QR:Sir Isaac Newton@%%@QR:Newton@%%@CR:N1642NEWI40     @%%@2@%   The change of motion is proportional to the motive force impressed; and%@EH@%
is made in the direction of the right line in which that force is impressed.%@NL@%
%@NL@%
Sir Isaac Newton
%@NL@%Philosophiae Naturalis Principia Mathematica [1687],Laws of Motion,II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Isaac Newton@%%@QR:Newton@%%@CR:N1642NEWI50     @%%@2@%   To every action there is always opposed an equal reaction: or, the mutual%@EH@%
actions of two bodies upon each other are always equal, and directed to
contrary parts.%@NL@%
%@NL@%
Sir Isaac Newton
%@NL@%Philosophiae Naturalis Principia Mathematica [1687],Laws of Motion,III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Isaac Newton@%%@QR:Newton@%%@CR:N1642NEWI60     @%%@2@%   God in the beginning formed matter in solid, massy, hard, impenetrable,%@EH@%
movable particles, of such sizes and figures, and with such other
properties, and in such proportion to space, as most conduced to the end for
which he formed them.%@NL@%
%@NL@%
Sir Isaac Newton
%@NL@%Optics [1704]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Isaac Newton@%%@QR:Newton@%%@CR:N1642NEWI70     @%%@2@%   I do not know what I may appear to the world; but to myself I seem to%@EH@%
have been only like a boy playing on the seashore, and diverting myself in
now and then finding a smoother pebble or a prettier shell than ordinary,
whilst the  great ocean of truth lay all undiscovered before me.%@NL@%
%@NL@%
Sir Isaac Newton
%@NL@%From Brewster, Memoirs of Newton [1855], vol. II, ch. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Isaac Newton@%%@QR:Newton@%%@CR:N1642NEWI80     @%%@2@%   O Diamond! Diamond! thou little knowest the mischief done!%@NL@%%@EH@%
%@NL@%
Sir Isaac Newton
%@NL@%Said to a pet dog who knocked over a candle and set fire to his papers

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Shadwell%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1642-1692%@AE@%
%@FN@%
Shadwell  was at open feud with Dryden from 1682, and the two poets
repeatedly attacked one another in satires, the most famous of which is
Dryden's Mac Flecknoe.  See Dryden  %@EF@%
%@NL@%%@NL@%

%@QR:Thomas Shadwell@%%@QR:Shadwell@%%@CR:N1642SHAT10     @%%@2@%   And wit's the noblest frailty of the mind.%@NL@%%@EH@%
%@NL@%
Thomas Shadwell
%@NL@%A True Widow [1679], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Shadwell@%%@QR:Shadwell@%%@CR:N1642SHAT20     @%%@2@%   The haste of a fool is the slowest thing in the world.%@NL@%%@EH@%
%@NL@%
Thomas Shadwell
%@NL@%A True Widow [1679], actIII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Shadwell@%%@QR:Shadwell@%%@CR:N1642SHAT30     @%%@2@%   I am, out of the ladies' company, like a fish out of the water.%@NL@%%@EH@%
%@NL@%
Thomas Shadwell
%@NL@%A True Widow [1679], actIII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Shadwell@%%@QR:Shadwell@%%@CR:N1642SHAT40     @%%@2@%   Every man loves what he is good at.%@NL@%%@EH@%
%@NL@%
Thomas Shadwell
%@NL@%A True Widow [1679], actV, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Basho Matsuo Basho%@AE@%%@EH@%
%@NL@%Basho Matsuo
%@AB@%1644-1694%@AE@%
%@NL@%%@NL@%

%@QR:Basho Matsuo Basho@%%@QR:Basho Matsuo@%%@QR:Matsuo@%%@CR:N1644BASM10     @%%@2@%   The months and days are the travelers of eternity. The years that come%@EH@%
and go are also voyagers. . . . I too for years past have been stirred by
the sight of a solitary cloud drifting with the wind to ceaseless thoughts
of roaming.%@NL@%
%@NL@%
Basho Matsuo Basho
%@NL@%%@FN@%
From Anthology of Japanese Literature [1955], edited by Donald Keene.  %@EF@%
The Narrow Road of Oku (Oku no Hosomichi)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Basho Matsuo Basho@%%@QR:Basho Matsuo@%%@QR:Matsuo@%%@CR:N1644BASM20     @%%@2@%Such stillness-%@NL@%%@EH@%
The cries of the cicadas%@NL@%
Sink into the rocks.%@NL@%

%@NL@%Basho Matsuo Basho
%@NL@%The Narrow Road of Oku (Oku no Hosomichi)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Basho Matsuo Basho@%%@QR:Basho Matsuo@%%@QR:Matsuo@%%@CR:N1644BASM30     @%%@2@%   My body, now close to fifty years of age, has become an old tree that%@EH@%
bears bitter peaches, a snail which has lost its shell, a bagworm separated
from its bag; it drifts with the winds and clouds that know no destination.
Morning and night I have eaten traveler's fare, and have held out for alms a
pilgrim's wallet.%@NL@%
%@NL@%
Basho Matsuo Basho
%@NL@%%@FN@%
From Anthology of Japanese Literature [1955], edited by Donald Keene.  %@EF@%
Prose Poem on The Unreal Dwelling (Genjuan no Fu)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
From Sources of Japanese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
%@QR:Basho Matsuo Basho@%%@QR:Basho Matsuo@%%@QR:Matsuo@%%@CR:N1644BASM40     @%%@2@%   My poetry is like a stove in the summer or a fan in the winter. It runs%@EH@%
against the popular tastes and has no practical use.%@NL@%
%@NL@%
Basho Matsuo Basho
%@NL@%The Rustic Gate. From the collection Basho Bunshu

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Basho Matsuo Basho@%%@QR:Basho Matsuo@%%@QR:Matsuo@%%@CR:N1644BASM50     @%%@2@%   Do not seek to follow in the footsteps of the men of old; seek what they%@EH@%
sought.%@NL@%
%@NL@%
Basho Matsuo Basho
%@NL@%The Rustic Gate. From the collection Basho Bunshu

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
From Sources of Japanese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
%@QR:Basho Matsuo Basho@%%@QR:Basho Matsuo@%%@QR:Matsuo@%%@CR:N1644BASM60     @%%@2@%The white chrysanthemum%@NL@%%@EH@%
Even when lifted to the eye%@NL@%
Remains immaculate.%@NL@%

%@NL@%Basho Matsuo Basho
%@NL@%Conversations with Basho. From the collection Kyoraisho Hyokai

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Basho Matsuo Basho@%%@QR:Basho Matsuo@%%@QR:Matsuo@%%@CR:N1644BASM70     @%%@2@%Clear cascades!%@NL@%%@EH@%
Into the waves scatter%@NL@%
Blue pine needles.%@NL@%

%@NL@%Basho Matsuo Basho
%@NL@%Conversations with Basho. From the collection Kyoraisho Hyokai

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Dana B. Young.  %@EF@%
%@QR:Basho Matsuo Basho@%%@QR:Basho Matsuo@%%@QR:Matsuo@%%@CR:N1644BASM80     @%%@2@%An old pond-%@NL@%%@EH@%
A frog leaping in-%@NL@%
The sound of water.%@NL@%

%@NL@%Basho Matsuo Basho
%@NL@%Poem

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Dana B. Young.  %@EF@%
%@QR:Basho Matsuo Basho@%%@QR:Basho Matsuo@%%@QR:Matsuo@%%@CR:N1644BASM90     @%%@2@%A rough sea!%@NL@%%@EH@%
Stretched out over Sado%@NL@%
The Milky Way.%@NL@%

%@NL@%Basho Matsuo Basho
%@NL@%Poem

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Penn%@AE@%%@EH@%
%@NL@%
%@AB@%1644-1718%@AE@%
%@NL@%%@NL@%

%@QR:William Penn@%%@QR:Penn@%%@CR:N1644PENW10     @%%@2@%   No Cross, No Crown. 1  2  3 %@NL@%%@EH@%
%@NL@%
William Penn
%@NL@%Title of pamphlet [1669]

%@NL@%%@AI@%1 See Matthew 10:38%@BO:           52b60@%%@AE@%
%@AI@%2 See Quarles%@BO:          2201c4@%%@AE@%
%@AI@%3 See Bennard%@BO:          566c71@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Penn@%%@QR:Penn@%%@CR:N1644PENW20     @%%@2@%   Any government is free to the people under it where the laws rule and the%@EH@%
people are a party to the laws.%@NL@%
%@NL@%
William Penn
%@NL@%Frame of Government [1682]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Penn@%%@QR:Penn@%%@CR:N1644PENW30     @%%@2@%   Truth often suffers more by the heat of its defenders than from the%@EH@%
arguments of its opposers.%@NL@%
%@NL@%
William Penn
%@NL@%%@FN@%
A copy of this little book, wrote Robert Louis Stevenson, "I carried in my
pocket all about the San Francisco streets, read in streetcars and
ferryboats when I was sick unto death, and found in all times and places a
peaceful and sweet companion."  %@EF@%
Some Fruits of Solitude [1693]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Penn@%%@QR:Penn@%%@CR:N1644PENW50     @%%@2@%   It is a reproach to religion and government to suffer so much poverty and%@EH@%
excess.%@NL@%
%@NL@%
William Penn
%@NL@%Some Fruits of Solitude [1693]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Penn@%%@QR:Penn@%%@CR:N1644PENW60     @%%@2@%   They that love beyond the world cannot be separated by it. Death is but%@EH@%
crossing the world, as friends do the seas; they live in one another still.%@NL@%
%@NL@%
William Penn
%@NL@%Some Fruits of Solitude [1693]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Penn@%%@QR:Penn@%%@CR:N1644PENW70     @%%@2@%   Men are generally more careful of the breed of their horses and dogs than%@EH@%
of their children.%@NL@%
%@NL@%
William Penn
%@NL@%Some Fruits of Solitude [1693]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Penn@%%@QR:Penn@%%@CR:N1644PENW80     @%%@2@%   It were endless to dispute upon everything that is disputable.%@NL@%%@EH@%
%@NL@%
William Penn
%@NL@%Some Fruits of Solitude [1693]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Penn@%%@QR:Penn@%%@CR:N1644PENW90     @%%@2@%   Have a care where there is more sail than ballast.%@NL@%%@EH@%
%@NL@%
William Penn
%@NL@%Some Fruits of Solitude [1693]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Penn@%%@QR:Penn@%%@CR:N1644PENW100    @%%@2@%   Passion is a sort of fever in the mind, which ever leaves us weaker than%@EH@%
it found us.%@NL@%
%@NL@%
William Penn
%@NL@%Some Fruits of Solitude [1693]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Penn@%%@QR:Penn@%%@CR:N1644PENW110    @%%@2@%   The public must and will be served.%@NL@%%@EH@%
%@NL@%
William Penn
%@NL@%Some Fruits of Solitude [1693]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Penn@%%@QR:Penn@%%@CR:N1644PENW120    @%%@2@%   Much reading is an oppression of the mind, and extinguishes the natural%@EH@%
candle, which is the reason of so many senseless scholars in the world. 1  2
3  4  5  6 %@NL@%
%@NL@%
William Penn
%@NL@%Advice to His Children [1699]

%@NL@%%@AI@%1 See Lao-tzu%@BO:           8db29@%%@AE@%
%@AI@%2 See Confucius%@BO:           9288c@%%@AE@%
%@AI@%3 See Heraclitus%@BO:           95aa0@%%@AE@%
%@AI@%4 See Chaucer%@BO:          1233e3@%%@AE@%
%@AI@%5 See Selden%@BO:          219afd@%%@AE@%
%@AI@%6 See Newman%@BO:          3b4139@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Edward Taylor%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1644-1729%@AE@%
%@NL@%%@NL@%

%@QR:Edward Taylor@%%@QR:Taylor@%%@CR:N1644TAYE10     @%%@2@%Who spread its canopy? Or curtains spun?%@NL@%%@EH@%
Who in this bowling alley bowled the sun?%@NL@%

%@NL@%Edward Taylor
%@NL@%Poetical Works [1939].God's Determinations Touching His Elect, preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Taylor@%%@QR:Taylor@%%@CR:N1644TAYE20     @%%@2@%For in Christ's coach saints sweetly sing%@NL@%%@EH@%
As they to glory ride therein.%@NL@%

%@NL@%Edward Taylor
%@NL@%Poetical Works [1939].The Joy of Church Fellowship Rightly Attended

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Taylor@%%@QR:Taylor@%%@CR:N1644TAYE30     @%%@2@%Make me, O Lord, thy spinning-wheel complete.%@NL@%%@EH@%

%@NL@%Edward Taylor
%@NL@%Poetical Works [1939].Housewifery

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Based on John 6:51.  %@EF@%
%@QR:Edward Taylor@%%@QR:Taylor@%%@CR:N1644TAYE40     @%%@2@%It's food too fine for angels; yet come, take%@NL@%%@EH@%
And eat thy fill! It's Heaven's sugar cake.%@NL@%

%@NL@%Edward Taylor
%@NL@%Poetical Works [1939].Sacramental Meditations,8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Taylor@%%@QR:Taylor@%%@CR:N1644TAYE50     @%%@2@%This bread of life dropped in thy mouth doth cry:%@NL@%%@EH@%
Eat, eat me, soul, and thou shalt never die.%@NL@%

%@NL@%Edward Taylor
%@NL@%Poetical Works [1939].Sacramental Meditations,8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Taylor@%%@QR:Taylor@%%@CR:N1644TAYE60     @%%@2@%Is Christ thy advocate to plead thy cause? 1 %@NL@%%@EH@%
Art thou his client? Such shall never slide.%@NL@%
He never lost his case.%@NL@%

%@NL@%Edward Taylor
%@NL@%Poetical Works [1939].Sacramental Meditations,38

%@NL@%%@AI@%1 See I John 2:1-%@BO:           75d0a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Taylor@%%@QR:Taylor@%%@CR:N1644TAYE70     @%%@2@%My case is bad. Lord, be my advocate.%@NL@%%@EH@%
My sin is red: I'm under God's arrest.%@NL@%

%@NL@%Edward Taylor
%@NL@%Poetical Works [1939].Sacramental Meditations,38

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jean de La Bruyere%@AE@%%@EH@%
%@NL@%Jean de La Bruyere
%@AB@%1645-1696%@AE@%
%@NL@%%@NL@%

%@QR:Jean de La Bruyere@%%@QR:La Bruyere@%%@QR:Jean de La Bruyere@%%@QR:Bruyere@%%@CR:N1645LABJ10     @%%@2@%   We come too late to say anything which has not been said already. 1  2  3%@EH@%
%@NL@%
%@NL@%
Jean de La Bruyere
%@NL@%Les Caracteres [1688].Des Ouvrages de l'Esprit

%@NL@%%@AI@%1 See Ecclesiastes 1:9%@BO:           34425@%%@AE@%
%@AI@%2 See Terence%@BO:           c3496@%%@AE@%
%@AI@%3 See Burton%@BO:          20ef77@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Bruyere@%%@QR:La Bruyere@%%@QR:Jean de La Bruyere@%%@QR:Bruyere@%%@CR:N1645LABJ20     @%%@2@%   Liberality consists less in giving a great deal than in gifts well timed.%@NL@%%@EH@%
%@NL@%
Jean de La Bruyere
%@NL@%Les Caracteres [1688].Du Coeur

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Bruyere@%%@QR:La Bruyere@%%@QR:Jean de La Bruyere@%%@QR:Bruyere@%%@CR:N1645LABJ30     @%%@2@%   Time, which strengthens friendship, weakens love.%@NL@%%@EH@%
%@NL@%
Jean de La Bruyere
%@NL@%Les Caracteres [1688].Du Coeur

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Bruyere@%%@QR:La Bruyere@%%@QR:Jean de La Bruyere@%%@QR:Bruyere@%%@CR:N1645LABJ40     @%%@2@%   We must laugh before we are happy, for fear we die before we laugh at%@EH@%
all. 1  2 %@NL@%
%@NL@%
Jean de La Bruyere
%@NL@%Les Caracteres [1688].Du Coeur

%@NL@%%@AI@%1 See Beaumarchais%@BO:          2ee83f@%%@AE@%
%@AI@%2 See Byron%@BO:          380ba2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Bruyere@%%@QR:La Bruyere@%%@QR:Jean de La Bruyere@%%@QR:Bruyere@%%@CR:N1645LABJ50     @%%@2@%   To laugh at men of sense is the privilege of fools.%@NL@%%@EH@%
%@NL@%
Jean de La Bruyere
%@NL@%Les Caracteres [1688].De la Societe

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Bruyere@%%@QR:La Bruyere@%%@QR:Jean de La Bruyere@%%@QR:Bruyere@%%@CR:N1645LABJ60     @%%@2@%   There are but three events in a man's life: birth, life and death. He is%@EH@%
not conscious of being born, he dies in pain, and he forgets to live.%@NL@%
%@NL@%
Jean de La Bruyere
%@NL@%Les Caracteres [1688].De l'Homme

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Bruyere@%%@QR:La Bruyere@%%@QR:Jean de La Bruyere@%%@QR:Bruyere@%%@CR:N1645LABJ70     @%%@2@%   Most men make use of the first part of their life to render the last part%@EH@%
miserable.%@NL@%
%@NL@%
Jean de La Bruyere
%@NL@%Les Caracteres [1688].De l'Homme

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean de La Bruyere@%%@QR:La Bruyere@%%@QR:Jean de La Bruyere@%%@QR:Bruyere@%%@CR:N1645LABJ80     @%%@2@%   Women run to extremes; they are either better or worse than men.%@NL@%%@EH@%
%@NL@%
Jean de La Bruyere
%@NL@%Les Caracteres [1688].Des Femmes

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Baron Gottfried Wilhelm von Leibnitz%@AE@%%@EH@%
%@NL@%
%@AB@%1646-1716%@AE@%
%@NL@%%@NL@%

%@QR:Baron Gottfried Wilhelm von Leibnitz@%%@QR:Leibnitz@%%@CR:N1646LEIG10     @%%@2@%   I often say a great doctor kills more people than a great general. 1 %@NL@%%@EH@%
%@NL@%
Baron Gottfried Wilhelm von Leibnitz
%@NL@%Quoted in Bulletin of the New York Academy of Medicine,
vol. V [1929], p. 152

%@NL@%%@AI@%1 See Prior%@CF:N1664PRIM100    @%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Henry Aldrich%@AE@%%@EH@%
%@NL@%
%@AB@%1647-1710%@AE@%
%@NL@%%@NL@%

%@QR:Henry Aldrich@%%@QR:Aldrich@%%@CR:N1647ALDH10     @%%@2@%If all be true that I do think,%@NL@%%@EH@%
There are five reasons we should drink:%@NL@%
Good wine-a friend-or being dry-%@NL@%
Or lest we should be by and by-%@NL@%
Or any other reason why.%@NL@%

%@NL@%Henry Aldrich
%@NL@%Five Reasons for Drinking

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Wilmot, Earl of Rochester%@AE@%%@EH@%
%@NL@%
%@AB@%1647-1680%@AE@%
%@NL@%%@NL@%

%@QR:John Wilmot, Earl of Rochester@%%@QR:Wilmot@%%@CR:N1647ROCH10     @%%@2@%Here lies our sovereign lord the King,%@NL@%%@EH@%
Whose promise none relies on;%@NL@%
He never said a foolish thing,%@NL@%
Nor ever did a wise one.%@NL@%

%@NL@%John Wilmot, Earl of Rochester
%@NL@%Written on the bedchamber door of Charles II
 1

%@NL@%%@AI@%1 See Charles II%@CF:N1630CHAR       @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Thou best-humored man with the worst-humored muse!-Goldsmith, Retaliation
[1774], Postscript  %@EF@%
%@QR:John Wilmot, Earl of Rochester@%%@QR:Wilmot@%%@CR:N1647ROCH20     @%%@2@%For pointed satire I would Buckhurst choose,%@NL@%%@EH@%
The best good man with the worst-natured muse.%@NL@%

%@NL@%John Wilmot, Earl of Rochester
%@NL@%An Allusion to Horace, bk. I, satire X

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Wilmot, Earl of Rochester@%%@QR:Wilmot@%%@CR:N1647ROCH40     @%%@2@%A merry monarch, scandalous and poor.%@NL@%%@EH@%

%@NL@%John Wilmot, Earl of Rochester
%@NL@%A Satire on King Charles II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Wilmot, Earl of Rochester@%%@QR:Wilmot@%%@CR:N1647ROCH50     @%%@2@%The world appears like a great family,%@NL@%%@EH@%
Whose lord, oppressed with pride and poverty,%@NL@%
(That to the few great bounty he may show)%@NL@%
Is fain to starve the numerous train below.%@NL@%

%@NL@%John Wilmot, Earl of Rochester
%@NL@%Like a Great Family

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Wilmot, Earl of Rochester@%%@QR:Wilmot@%%@CR:N1647ROCH60     @%%@2@%There's not a thing on earth that I can name,%@NL@%%@EH@%
So foolish, and so false, as common fame.%@NL@%

%@NL@%John Wilmot, Earl of Rochester
%@NL@%Did E'er This Saucy World

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Wilmot, Earl of Rochester@%%@QR:Wilmot@%%@CR:N1647ROCH70     @%%@2@%Reason, which fifty times to one does err,%@NL@%%@EH@%
Reason, an ignis fatuus of the mind.%@NL@%

%@NL@%John Wilmot, Earl of Rochester
%@NL@%A Satire Against Mankind [1675],l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Wilmot, Earl of Rochester@%%@QR:Wilmot@%%@CR:N1647ROCH80     @%%@2@%Books bear him up a while, and make him try%@NL@%%@EH@%
To swim with bladders of philosophy.%@NL@%

%@NL@%John Wilmot, Earl of Rochester
%@NL@%A Satire Against Mankind [1675],l. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Wilmot, Earl of Rochester@%%@QR:Wilmot@%%@CR:N1647ROCH90     @%%@2@%Then Old Age and Experience, hand in hand,%@NL@%%@EH@%
Lead him to death, and make him understand,%@NL@%
After a search so painful and so long,%@NL@%
That all his life he has been in the wrong.%@NL@%

%@NL@%John Wilmot, Earl of Rochester
%@NL@%A Satire Against Mankind [1675],l. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Wilmot, Earl of Rochester@%%@QR:Wilmot@%%@CR:N1647ROCH100    @%%@2@%Dead, we become the lumber of the world.%@NL@%%@EH@%

%@NL@%John Wilmot, Earl of Rochester
%@NL@%Seneca's Troas, act 2, chorus

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Juana Ines de la Cruz%@AE@%%@EH@%
%@NL@%
%@AB@%1648-1695%@AE@%
%@NL@%%@NL@%

%@QR:Juana Ines de la Cruz@%%@QR:Cruz@%%@CR:N1648CRUJ10     @%%@2@%Foolish men who accuse%@NL@%%@EH@%
a woman mindlessly-%@NL@%
you cannot even see%@NL@%
you cause what you abuse.%@NL@%

%@NL@%Juana Ines de la Cruz
%@NL@%%@FN@%
Translated by Willis and Alicki Barnstone.  %@EF@%
Hombres Necios (Foolish Men),st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Juana Ines de la Cruz@%%@QR:Cruz@%%@CR:N1648CRUJ20     @%%@2@%Has anyone ever seen%@NL@%%@EH@%
a stranger moral fervor?%@NL@%
You who dirty the mirror%@NL@%
cry that it isn't clean.%@NL@%

%@NL@%Juana Ines de la Cruz
%@NL@%Hombres Necios (Foolish Men),st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Juana Ines de la Cruz@%%@QR:Cruz@%%@CR:N1648CRUJ30     @%%@2@%   I became a nun, because although I recognized it as having many%@EH@%
ramifications . . . foreign to my temperament, still, given my completely
negative feelings about marriage, it was the least disproportionate and most
fitting thing I could do.%@NL@%
%@NL@%
Juana Ines de la Cruz
%@NL@%%@FN@%
Name used by Manuel FernaAndez de la Cruz, bishop of Puebla, in signing an
angry letter attacking Sor Juana's scholarly work as inappropriate.
Translated by Rachel Phillips.  %@EF@%
Reply to Sor Filotea de la Cruz
[1691]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Juana Ines de la Cruz@%%@QR:Cruz@%%@CR:N1648CRUJ40     @%%@2@%   Since I first gained the use of reason my inclination towards learning%@EH@%
has been so violent and strong that neither the scoldings of other people .
. . nor my own reflections . . . have been able to stop me from following
this natural impulse that God gave me. He alone must know why; and He knows
too that I have begged Him to take away the light of my understanding,
leaving only enough for me to keep His law, for anything else is excessive
in a woman, according to some people, and others say it is even harmful.%@NL@%
%@NL@%
Juana Ines de la Cruz
%@NL@%Reply to Sor Filotea de la Cruz
[1691]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Sheffield , Duke of Buckingham and Normanby%@AE@%%@EH@%
%@NL@%
%@AB@%1648-1721%@AE@%
%@NL@%%@NL@%

%@QR:John Sheffield , Duke of Buckingham and Normanby@%%@QR:Sheffield @%%@CR:N1648SHEJ10     @%%@2@%Of all those arts in which the wise excel,%@NL@%%@EH@%
Nature's chief masterpiece is writing well.%@NL@%

%@NL@%John Sheffield , Duke of Buckingham and Normanby
%@NL@%Essay on Poetry [1682]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Sheffield , Duke of Buckingham and Normanby@%%@QR:Sheffield @%%@CR:N1648SHEJ20     @%%@2@%Read Homer once, and you can read no more;%@NL@%%@EH@%
For all books else appear so mean, so poor,%@NL@%
Verse will seem prose; but still persist to read,%@NL@%
And Homer will be all the books you need.%@NL@%

%@NL@%John Sheffield , Duke of Buckingham and Normanby
%@NL@%Essay on Poetry [1682]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Sheffield , Duke of Buckingham and Normanby@%%@QR:Sheffield @%%@CR:N1648SHEJ30     @%%@2@%And when I feigned an angry look,%@NL@%%@EH@%
Alas! I loved you best.%@NL@%

%@NL@%John Sheffield , Duke of Buckingham and Normanby
%@NL@%The Reconcilement [1701]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Thomas Pope Blount%@AE@%%@EH@%
%@NL@%
%@AB@%1649-1697%@AE@%
%@NL@%%@NL@%

%@QR:Sir Thomas Pope Blount@%%@QR:Blount@%%@CR:N1649BLOT10     @%%@2@%   Every flower of the field, every fiber of a plant, every particle of an%@EH@%
insect, carries with it the impress of its Maker, and can-if duly
considered-read us lectures of ethics or divinity. 1 %@NL@%
%@NL@%
Sir Thomas Pope Blount
%@NL@%A Natural History [1693]

%@NL@%%@AI@%1 See Tennyson%@BO:          4072fb@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%William III , Prince of Orange%@AE@%%@EH@%
%@NL@%
%@AB@%1650-1702%@AE@%
%@FN@%
Prince of Orange; joint sovereign of England with his wife Mary II.  %@EF@%
%@NL@%%@NL@%

%@QR:William III , Prince of Orange@%%@CR:N1650WILL10     @%%@2@%   There is one certain means by which I can be sure never to see my%@EH@%
country's ruin: I will die in the last ditch.%@NL@%
%@NL@%
William III , Prince of Orange
%@NL@%From Hume, History of England [1754-1757], ch. 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William III , Prince of Orange@%%@CR:N1650WILL20     @%%@2@%   Every bullet has its billet.%@NL@%%@EH@%
%@NL@%
William III , Prince of Orange
%@NL@%From John Wesley, Journal[June 6, 1765]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francois de Salignac de la Mothe Fenelon%@AE@%%@EH@%
%@NL@%
%@AB@%1651-1715%@AE@%
%@NL@%%@NL@%

%@QR:Francois de Salignac de la Mothe Fenelon@%%@QR:Fenelon@%%@CR:N1651FENF10     @%%@2@%   Do not men die fast enough without being destroyed by each other? Can any%@EH@%
man be insensible of the brevity of life? and can he who knows it, think
life too long!%@NL@%
%@NL@%
Francois de Salignac de la Mothe Fenelon
%@NL@%Telemaque [1699], bk.VII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois de Salignac de la Mothe Fenelon@%%@QR:Fenelon@%%@CR:N1651FENF20     @%%@2@%   To be always ready for war, said Mentor, is the surest way to avoid it. 1%@EH@%
2  3  4  5 %@NL@%
%@NL@%
Francois de Salignac de la Mothe Fenelon
%@NL@%Telemaque [1699], bk.X

%@NL@%%@AI@%1 See Aristotle%@BO:           b4bd2@%%@AE@%
%@AI@%2 See Vegetius%@BO:          102d2b@%%@AE@%
%@AI@%3 See Robert Burton%@BO:          211b0d@%%@AE@%
%@AI@%4 See Washington%@BO:          2f0578@%%@AE@%
%@AI@%5 See Lowell%@BO:          444758@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois de Salignac de la Mothe Fenelon@%%@QR:Fenelon@%%@CR:N1651FENF30     @%%@2@%   Some of the most dreadful mischiefs that afflict mankind proceed from%@EH@%
wine; it is the cause of disease, quarrels, sedition, idleness, aversion to
labor, and every species of domestic disorder.%@NL@%
%@NL@%
Francois de Salignac de la Mothe Fenelon
%@NL@%Telemaque [1699], bk.X

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois de Salignac de la Mothe Fenelon@%%@QR:Fenelon@%%@CR:N1651FENF40     @%%@2@%   The blood of a nation ought never to be shed except for its own%@EH@%
preservation in the utmost extremity.%@NL@%
%@NL@%
Francois de Salignac de la Mothe Fenelon
%@NL@%Telemaque [1699], bk.XIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois de Salignac de la Mothe Fenelon@%%@QR:Fenelon@%%@CR:N1651FENF50     @%%@2@%   Mankind, by the perverse depravity of their nature, esteem that which%@EH@%
they have most desired as of no value the moment it is possessed, and
torment themselves with fruitless wishes for that which is beyond their
reach.%@NL@%
%@NL@%
Francois de Salignac de la Mothe Fenelon
%@NL@%Telemaque [1699], bk.XVIII

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Otway%@AE@%%@EH@%
%@NL@%
%@AB@%1652-1685%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Otway@%%@QR:Otway@%%@CR:N1652OTWT10     @%%@2@%What mighty ills have not been done by woman!%@NL@%%@EH@%
Who was 't betrayed the Capitol?-A woman!%@NL@%
Who lost Mark Antony the world?-A woman!%@NL@%
Who was the cause of a long ten years' war,%@NL@%
And laid at last old Troy in ashes?-Woman!%@NL@%
Destructive, damnable, deceitful woman!%@NL@%

%@NL@%Thomas Otway
%@NL@%The Orphan [1680], actIII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Otway@%%@QR:Otway@%%@CR:N1652OTWT20     @%%@2@%   Let us embrace, and from this very moment vow an eternal misery together.%@NL@%%@EH@%
%@NL@%
Thomas Otway
%@NL@%The Orphan [1680], actIV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Otway@%%@QR:Otway@%%@CR:N1652OTWT30     @%%@2@%O woman! lovely woman! Nature made thee%@NL@%%@EH@%
To temper man: we had been brutes without you;%@NL@%
Angels are painted fair, to look like you.%@NL@%

%@NL@%Thomas Otway
%@NL@%Venice Preserved [1682], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Nahum Tate%@AE@%%@EH@%
%@NL@%
%@AB@%1652-1715%@AE@%
%@NL@%%@NL@%

%@QR:Nahum Tate@%%@QR:Tate@%%@CR:N1652TATN10     @%%@2@%When I am laid in earth.%@NL@%%@EH@%

%@NL@%Nahum Tate
%@NL@%%@FN@%
Libretto for the famous opera by Henry Purcell.  %@EF@%
Dido and Aeneas [c. 1690]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nahum Tate@%%@QR:Tate@%%@CR:N1652TATN20     @%%@2@%While shepherds watched their flocks by night,%@NL@%%@EH@%
All seated on the ground,%@NL@%
The angel of the Lord came down,%@NL@%
And glory shone around. 1 %@NL@%

%@NL@%Nahum Tate
%@NL@%Christmas Hymn [1700], st. 1

%@NL@%%@AI@%1 See Luke 2:8-%@BO:           5c0b6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nahum Tate@%%@QR:Tate@%%@CR:N1652TATN30     @%%@2@%Glad tidings of great joy I bring%@NL@%%@EH@%
To you and all mankind. 1 %@NL@%

%@NL@%Nahum Tate
%@NL@%Christmas Hymn [1700], st. 1

%@NL@%%@AI@%1 See Luke 2:10%@BO:           5c0b6@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Nahum Tate%@AE@%%@EH@%
%@NL@%
%@AB@%1652-1715%@AE@%
%@1@%%@AB@%Nicholas Brady%@AE@%%@EH@%
%@NL@%
%@AB@%1659-1726%@AE@%
%@NL@%%@NL@%

%@QR:Nicholas Brady@%%@QR:Brady@%%@CR:N1652TBRA10     @%%@2@%Through all the changing scenes of life,%@NL@%%@EH@%
In trouble and in joy.%@NL@%

%@NL@%Nicholas Brady
%@NL@%New Version of the Psalms of David [1696],Psalm 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicholas Brady@%%@QR:Brady@%%@CR:N1652TBRA20     @%%@2@%As pants the hart for cooling streams%@NL@%%@EH@%
When heated in the chase.%@NL@%

%@NL@%Nicholas Brady
%@NL@%New Version of the Psalms of David [1696],Psalm 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicholas Brady@%%@QR:Brady@%%@CR:N1652TBRA30     @%%@2@%Jesus Christ is risen today, %@NL@%%@EH@%
Alleluia!%@NL@%

%@NL@%Nicholas Brady
%@NL@%Easter Hymn [1698], translated from the Latin [fourteenth century]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Monzaemon Chikamatsu%@AE@%%@EH@%
%@NL@%
%@AB@%1653-1725%@AE@%
%@NL@%%@NL@%

%@FN@%
Plays for life-size puppets.  %@EF@%
%@QR:Monzaemon Chikamatsu@%%@QR:Chikamatsu@%%@CR:N1653CHIK10     @%%@2@%   In writing joruri, one attempts first to describe facts as they really%@EH@%
are, but in so doing one writes things which are not true, in the interest
of art.%@NL@%
%@NL@%
Monzaemon Chikamatsu
%@NL@%%@FN@%
From Sources of Japanese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
Preface to Hozumi Ikan, Naniwa Miyage

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Monzaemon Chikamatsu@%%@QR:Chikamatsu@%%@CR:N1653CHIK20     @%%@2@%   It is essential that one not say of a thing that "it is sad," but that it%@EH@%
be sad of itself.%@NL@%
%@NL@%
Monzaemon Chikamatsu
%@NL@%Preface to Hozumi Ikan, Naniwa Miyage

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Monzaemon Chikamatsu@%%@QR:Chikamatsu@%%@CR:N1653CHIK30     @%%@2@%   [Literary composition] should have stylization; this makes it art, and is%@EH@%
what delights men's minds.%@NL@%
%@NL@%
Monzaemon Chikamatsu
%@NL@%Preface to Hozumi Ikan, Naniwa Miyage

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Nathaniel Lee%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1653-1692%@AE@%
%@FN@%
Lee collaborated with Dryden on Oedipus (see Dryden).  %@EF@%
%@NL@%%@NL@%

%@QR:Nathaniel Lee@%%@QR:Lee@%%@CR:N1653LEEN10     @%%@2@%Then he will talk-good gods! how he will talk!%@NL@%%@EH@%

%@NL@%Nathaniel Lee
%@NL@%The Rival Queens; or, The Death of Alexander the Great [1677],
actI, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Lee@%%@QR:Lee@%%@CR:N1653LEEN20     @%%@2@%When Greeks joined Greeks, then was the tug of war.%@NL@%%@EH@%

%@NL@%Nathaniel Lee
%@NL@%The Rival Queens; or, The Death of Alexander the Great [1677],
actIV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Lee@%%@QR:Lee@%%@CR:N1653LEEN30     @%%@2@%'Tis beauty calls, and glory shows the way.%@NL@%%@EH@%

%@NL@%Nathaniel Lee
%@NL@%The Rival Queens; or, The Death of Alexander the Great [1677],
actIV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Lee@%%@QR:Lee@%%@CR:N1653LEEN40     @%%@2@%Man, false man, smiling, destructive man!%@NL@%%@EH@%

%@NL@%Nathaniel Lee
%@NL@%Theodosius [1680], act III, sc. ii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ransetsu%@AE@%%@EH@%
%@NL@%
%@AB@%1653-1708%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by Prescott B. Wintersteen, Jr.  %@EF@%
%@QR:Ransetsu@%%@CR:N1653RANS10     @%%@2@%Against the blue stands%@NL@%%@EH@%
A pine tree etched%@NL@%
By tonight's moon.%@NL@%

%@NL@%Ransetsu
%@NL@%Harvest Moon

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Andrew Fletcher, of Saltoun%@AE@%%@EH@%
%@NL@%
%@AB@%1655-1716%@AE@%
%@NL@%%@NL@%

%@QR:Andrew Fletcher, of Saltoun@%%@QR:Fletcher@%%@CR:N1655FLEA10     @%%@2@%   If a man were permitted to make all the ballads, he need not care who%@EH@%
should make the laws of a nation.%@NL@%
%@NL@%
Andrew Fletcher, of Saltoun
%@NL@%Conversation Concerning a Right Regulation of Governments
for the Common Good of Mankind [1704]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Dennis%@AE@%%@EH@%
%@NL@%
%@AB@%1657-1734%@AE@%
%@NL@%%@NL@%

%@QR:John Dennis@%%@QR:Dennis@%%@CR:N1657DENJ10     @%%@2@%   A man who could make so vile a pun would not scruple to pick a pocket.%@NL@%%@EH@%
%@NL@%
John Dennis
%@NL@%The Gentleman's Magazine, vol. LI [1781], p. 324

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
For his play Appius and Virginia [1709], Dennis had invented a new species
of thunder. "The tragedy however was coldly received, notwithstanding such
assistance, and was acted but a short time. Some nights after, Mr. Dennis,
being in the pit at the representation of Macbeth, heard his own thunder
made use of; upon which he rose in a violent passion, and exclaimed, with an
oath, that it was his thunder. "See,' said he, "how the rascals use me! They
will not let my play run, and yet they steal my thunder!'"-Biographia
Britannica, vol. V, p. 103  %@EF@%
%@QR:John Dennis@%%@QR:Dennis@%%@CR:N1657DENJ20     @%%@2@%   They will not let my play run; and yet they steal my thunder.%@NL@%%@EH@%
%@NL@%
John Dennis
%@NL@%Remark

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Bernard Le Bovier de Fontenelle%@AE@%%@EH@%
%@NL@%
%@AB@%1657-1757%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by F. Cajori.  %@EF@%
%@QR:Bernard Le Bovier de Fontenelle@%%@QR:Fontenelle@%%@CR:N1657FONB10     @%%@2@%   The geometrical mind is not so closely bound to geometry that it cannot%@EH@%
be drawn aside and transferred to other departments of knowledge. A work of
morality, politics, criticism, perhaps even eloquence will be more elegant,
other things being equal, if it is shaped by the hand of geometry.%@NL@%
%@NL@%
Bernard Le Bovier de Fontenelle
%@NL@%Preface sur l'Utilite des Mathematiques
et la Physique [1729]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Norris%@AE@%%@EH@%
%@NL@%
%@AB@%1657-1711%@AE@%
%@NL@%%@NL@%

%@FN@%
Like those of angels, short and far between.-Robert Blair, The Grave [1743],
l. 588  See Campbell  %@EF@%
%@QR:John Norris@%%@QR:Norris@%%@CR:N1657NORJ10     @%%@2@%How fading are the joys we dote upon!%@NL@%%@EH@%
Like apparitions seen and gone.%@NL@%
But those which soonest take their flight%@NL@%
Are the most exquisite and strong-%@NL@%
Like angels' visits, short and bright;%@NL@%
Mortality's too weak to bear them long.%@NL@%

%@NL@%John Norris
%@NL@%The Parting [1678]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Daniel Defoe%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1660-1731%@AE@%
%@NL@%%@NL@%

%@QR:Daniel Defoe@%%@QR:Defoe@%%@CR:N1660DEFD10     @%%@2@%Wherever God erects a house of prayer,%@NL@%%@EH@%
The Devil always builds a chapel there; 1 %@NL@%
And 'twill be found, upon examination,%@NL@%
The latter has the largest congregation.%@NL@%

%@NL@%Daniel Defoe
%@NL@%The True-Born Englishman [1701], pt.I,l. 1

%@NL@%%@AI@%1 See Luther%@BO:          133ab6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Defoe@%%@QR:Defoe@%%@CR:N1660DEFD20     @%%@2@%From this amphibious ill-born mob began%@NL@%%@EH@%
That vain, ill-natured thing, an Englishman.%@NL@%

%@NL@%Daniel Defoe
%@NL@%The True-Born Englishman [1701], pt.I,l. 132

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Defoe@%%@QR:Defoe@%%@CR:N1660DEFD30     @%%@2@%Great families of yesterday we show,%@NL@%%@EH@%
And lords whose parents were the Lord knows who.%@NL@%

%@NL@%Daniel Defoe
%@NL@%The True-Born Englishman [1701], pt.I,l. 374

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Defoe@%%@QR:Defoe@%%@CR:N1660DEFD40     @%%@2@%In their religion they are so uneven,%@NL@%%@EH@%
That each man goes his own byway to heaven.%@NL@%

%@NL@%Daniel Defoe
%@NL@%The True-Born Englishman [1701], pt.II,l. 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Defoe@%%@QR:Defoe@%%@CR:N1660DEFD50     @%%@2@%And of all plagues with which mankind are cursed,%@NL@%%@EH@%
Ecclesiastic tyranny's the worst.%@NL@%

%@NL@%Daniel Defoe
%@NL@%The True-Born Englishman [1701], pt.II,l. 299

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Defoe@%%@QR:Defoe@%%@CR:N1660DEFD60     @%%@2@%When kings the sword of justice first lay down,%@NL@%%@EH@%
They are no kings, though they possess the crown.%@NL@%
Titles are shadows, crowns are empty things,%@NL@%
The good of subjects is the end of kings.%@NL@%

%@NL@%Daniel Defoe
%@NL@%The True-Born Englishman [1701], pt.II,l. 313

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Defoe@%%@QR:Defoe@%%@CR:N1660DEFD70     @%%@2@%All men would be tyrants if they could. 1 %@NL@%%@EH@%

%@NL@%Daniel Defoe
%@NL@%The Kentish Petition [1712-1713]

%@NL@%%@AI@%1 See A. Adams%@BO:          305543@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Defoe@%%@QR:Defoe@%%@CR:N1660DEFD80     @%%@2@%The best of men cannot suspend their fate:%@NL@%%@EH@%
The good die early, and the bad die late.%@NL@%

%@NL@%Daniel Defoe
%@NL@%Character of the Late Dr. S. Annesley [1715]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Defoe@%%@QR:Defoe@%%@CR:N1660DEFD90     @%%@2@%   He bade me [Robinson Crusoe] observe it, and I should always find that%@EH@%
the calamities of life were shared among the upper and lower part of
mankind; but that the middle station had the fewest disasters.%@NL@%
%@NL@%
Daniel Defoe
%@NL@%Robinson Crusoe
 1  [1719]

%@NL@%%@AI@%1 See Rousseau%@BO:          2cb122@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Defoe@%%@QR:Defoe@%%@CR:N1660DEFD100    @%%@2@%   One day, about noon, going towards my boat, I was exceedingly surprised%@EH@%
with the print of a man's naked foot on the shore, which was very plain to
be seen on the sand.%@NL@%
%@NL@%
Daniel Defoe
%@NL@%Robinson Crusoe
 1  [1719]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Defoe@%%@QR:Defoe@%%@CR:N1660DEFD110    @%%@2@%   My man Friday.%@NL@%%@EH@%
%@NL@%
Daniel Defoe
%@NL@%Robinson Crusoe
 1  [1719]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Samuel Garth%@AE@%%@EH@%
%@NL@%
%@AB@%1661-1719%@AE@%
%@NL@%%@NL@%

%@QR:Sir Samuel Garth@%%@QR:Garth@%%@CR:N1661GARS10     @%%@2@%A barren superfluity of words.%@NL@%%@EH@%

%@NL@%Sir Samuel Garth
%@NL@%The Dispensary [1699], canto II, l. 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
And learn the luxury of doing good.-Goldsmith, The Traveller [1764], l. 22  %@EF@%
%@QR:Sir Samuel Garth@%%@QR:Garth@%%@CR:N1661GARS20     @%%@2@%Hard was their lodging, homely was their food;%@NL@%%@EH@%
For all their luxury was doing good.%@NL@%

%@NL@%Sir Samuel Garth
%@NL@%Claremont, l. 148

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Kikaku%@AE@%%@EH@%
%@NL@%
%@AB@%1661-1707%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by Prescott B. Wintersteen, Jr.  %@EF@%
%@QR:Kikaku@%%@CR:N1661KIKA10     @%%@2@%A harvest moon!%@NL@%%@EH@%
And on the mats-%@NL@%
Shadows of pine boughs.%@NL@%

%@NL@%Kikaku
%@NL@%Harvest Moon

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Bentley%@AE@%%@EH@%
%@NL@%
%@AB@%1662-1742%@AE@%
%@NL@%%@NL@%

%@QR:Richard Bentley@%%@QR:Bentley@%%@CR:N1662BENR10     @%%@2@%   No man was ever written out of reputation but by himself. 1 %@NL@%%@EH@%
%@NL@%
Richard Bentley
%@NL@%From J. H. Monk, Life of Bentley [1831]

%@NL@%%@AI@%1 See Montaigne%@BO:          144cd0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The reference is to Pope's translation of The Iliad.  See Pope  %@EF@%
%@QR:Richard Bentley@%%@QR:Bentley@%%@CR:N1662BENR20     @%%@2@%   It is a pretty poem, Mr. Pope, but you must not call it Homer.%@NL@%%@EH@%
%@NL@%
Richard Bentley
%@NL@%From Johnson, Life of Pope

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Matthew Henry%@AE@%%@EH@%
%@NL@%
%@AB@%1662-1714%@AE@%
%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM10     @%%@2@%   He rolls it under his tongue as a sweet morsel.%@NL@%%@EH@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Psalm 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM20     @%%@2@%   Our creature comforts.%@NL@%%@EH@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Psalm 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM30     @%%@2@%   They that die by famine die by inches.%@NL@%%@EH@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Psalm 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM40     @%%@2@%   To fish in troubled waters.%@NL@%%@EH@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Psalm 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Isaiah 3:1  Bread is the staff of life.-Swift, Tale of a Tub [1704]
Corn, which is the staff of life.-Edward Winslow, Good News from New England
[1624]  %@EF@%
%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM50     @%%@2@%   Here is bread, which strengthens man's heart, and therefore called the%@EH@%
staff of life.%@NL@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Psalm 104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM80     @%%@2@%   Hearkeners, we say, seldom hear good of themselves.%@NL@%%@EH@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Ecclesiastes 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM90     @%%@2@%   It was a common saying among the Puritans, "Brown bread and the Gospel is%@EH@%
good fare."%@NL@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Isaiah 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM100    @%%@2@%   None so blind as those that will not see. 1 %@NL@%%@EH@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Jeremiah 20

%@NL@%%@AI@%1 See Jeremiah 5:21%@BO:           411ee@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM110    @%%@2@%   Judas had given them the slip.%@NL@%%@EH@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Matthew 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM120    @%%@2@%   After a storm comes a calm.%@NL@%%@EH@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Acts9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM130    @%%@2@%   Men of polite learning and a liberal education.%@NL@%%@EH@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Acts10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM140    @%%@2@%   It is good news, worthy of all acceptation! and yet not too good to be%@EH@%
true.%@NL@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Timothy1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM150    @%%@2@%   It is not fit the public trusts should be lodged in the hands of any,%@EH@%
till they are first proved and found fit for the business they are to be
entrusted with. 1  2  3  4 %@NL@%
%@NL@%
Matthew Henry
%@NL@%Commentaries [1708-1710],Timothy3

%@NL@%%@AI@%1 See Clay%@BO:          3621f3@%%@AE@%
%@AI@%2 See Calhoun%@BO:          36a5e2@%%@AE@%
%@AI@%3 See Sumner%@BO:          40d292@%%@AE@%
%@AI@%4 See Cleveland%@BO:          4b1519@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Henry@%%@QR:Henry@%%@CR:N1662HENM160    @%%@2@%   All this and heaven too.%@NL@%%@EH@%
%@NL@%
Matthew Henry
%@NL@%Life of Philip Henry

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Wesley%@AE@%%@EH@%
%@NL@%
%@AB@%1662-1735%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Wesley@%%@QR:Wesley@%%@CR:N1662WESS10     @%%@2@%Style is the dress of thought; 1  a modest dress,%@NL@%%@EH@%
Neat, but not gaudy, 2  will true critics please.%@NL@%

%@NL@%Samuel Wesley
%@NL@%An Epistle to a Friend Concerning Poetry [1700]

%@NL@%%@AI@%1 See Chesterfield%@BO:          2ab1b6@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          1bb980@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Thomas Tom Brown%@AE@%%@EH@%
%@NL@%
%@AB@%1663-1704%@AE@%
%@NL@%%@NL@%

%@FN@%
See Martial  Je ne vous aime pas, Hylas;/Je n'en saurois dire la cause,/Je
sais seulement une chose;/C'est que je ne vous aime pas.-Roger de
Bussy-Rabutin [1618-1693]  %@EF@%
%@QR:Thomas Tom Brown@%%@QR:Brown@%%@CR:N1663BROT10     @%%@2@%I do not love thee, Doctor Fell.%@NL@%%@EH@%
The reason why I cannot tell;%@NL@%
But this alone I know full well,%@NL@%
I do not love thee, Doctor Fell.%@NL@%

%@NL@%Thomas Tom Brown
%@NL@%Written while a student at Christ Church, Oxford

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Brown@%%@QR:Brown@%%@CR:N1663BROT30     @%%@2@%   To treat a poor wretch with a bottle of Burgundy, and fill his snuffbox,%@EH@%
is like giving a pair of laced ruffles to a man that has never a shirt on
his back. 1 %@NL@%
%@NL@%
Thomas Tom Brown
%@NL@%Laconics [1707]

%@NL@%%@AI@%1 See Goldsmith%@BO:          2e1e4b@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Mary de la Riviere Manley%@AE@%%@EH@%
%@NL@%
%@AB@%1663-1724%@AE@%
%@NL@%%@NL@%

%@QR:Mary de la Riviere Manley@%%@QR:Manley@%%@CR:N1663MANM10     @%%@2@%   No time like the present.%@NL@%%@EH@%
%@NL@%
Mary de la Riviere Manley
%@NL@%The Lost Lover [1696], act IV, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Cotton Mather%@AE@%%@EH@%
%@NL@%
%@AB@%1663-1728%@AE@%
%@NL@%%@NL@%

%@QR:Cotton Mather@%%@QR:Mather@%%@CR:N1663MATC10     @%%@2@%   I write the wonders of the Christian religion, flying from the%@EH@%
depravations of Europe, to the American strand: and, assisted by the Holy
Author of that religion, I do, with all conscience of truth, required
therein by Him, who is the Truth itself, report the wonderful displays of
His infinite power, wisdom, goodness, and faithfulness, wherewith his Divine
Providence hath irradiated an Indian wilderness.%@NL@%
%@NL@%
Cotton Mather
%@NL@%Magnalia Christi Americana[1702], introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cotton Mather@%%@QR:Mather@%%@CR:N1663MATC20     @%%@2@%   You are young and have the world before you; stoop as you go through it,%@EH@%
and you will miss many hard bumps.%@NL@%
%@NL@%
Cotton Mather
%@NL@%%@FN@%
From Sailor Historian: The Best of Samuel Eliot Morison [1977], edited by
Emily Morison Beck.  See Massinger  %@EF@%
Advice to Benjamin Franklin upon approaching a low-hanging
beam in his parsonage

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Walsh%@AE@%%@EH@%
%@NL@%
%@AB@%1663-1708%@AE@%
%@NL@%%@NL@%

%@QR:William Walsh@%%@QR:Walsh@%%@CR:N1663WALW10     @%%@2@%Of all the plagues a lover bears,%@NL@%%@EH@%
Sure rivals are the worst.%@NL@%

%@NL@%William Walsh
%@NL@%Song,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Walsh@%%@QR:Walsh@%%@CR:N1663WALW20     @%%@2@%I can endure my own despair,%@NL@%%@EH@%
But not another's hope.%@NL@%

%@NL@%William Walsh
%@NL@%Song,st. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The New England Primer%@AE@%%@EH@%%@FN@%
As early as 1691, Benjamin Harris of Boston advertised the forthcoming
second impression of the New England Primer. The oldest known copy extant is
dated 1737.  %@EF@%
%@NL@%%@NL@%

%@QR:The New England Primer@%%@CR:N1663ZXXZ10     @%%@2@%In Adam's fall%@NL@%%@EH@%
We sinned all.%@NL@%

%@NL@%The New England Primer
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The New England Primer@%%@CR:N1663ZXXZ20     @%%@2@%My book and heart%@NL@%%@EH@%
Must never part.%@NL@%

%@NL@%The New England Primer
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The New England Primer@%%@CR:N1663ZXXZ30     @%%@2@%Young Obadias,%@NL@%%@EH@%
David, Josias-%@NL@%
All were pious.%@NL@%

%@NL@%The New England Primer
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The New England Primer@%%@CR:N1663ZXXZ40     @%%@2@%Peter denied%@NL@%%@EH@%
His Lord, and cried.%@NL@%

%@NL@%The New England Primer
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The New England Primer@%%@CR:N1663ZXXZ50     @%%@2@%Young Timothy%@NL@%%@EH@%
Learnt sin to fly.%@NL@%

%@NL@%The New England Primer
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The New England Primer@%%@CR:N1663ZXXZ60     @%%@2@%Xerxes did die,%@NL@%%@EH@%
And so must I.%@NL@%

%@NL@%The New England Primer
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The New England Primer@%%@CR:N1663ZXXZ70     @%%@2@%Zaccheus he%@NL@%%@EH@%
Did climb the tree%@NL@%
Our Lord to see.%@NL@%

%@NL@%The New England Primer
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The New England Primer@%%@CR:N1663ZXXZ80     @%%@2@%Our days begin with trouble here,%@NL@%%@EH@%
Our life is but a span, 1  2 %@NL@%
And cruel death is always near,%@NL@%
So frail a thing is man.%@NL@%

%@NL@%The New England Primer
%@NL@%

%@NL@%%@AI@%1 See Bacon%@BO:          1650ef@%%@AE@%
%@AI@%2 See Davies%@BO:          20323a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The first record of this prayer is found in the Enchiridion Leonis [1160].
The early editions of the Primer give the first line of the prayer as: Now I
lay me down to take my sleep. The familiar version of the line appeared in
the edition of 1784. In the edition of 1814 the second line reads: I pray
thee, Lord, my soul to keep.  %@EF@%
%@QR:The New England Primer@%%@CR:N1663ZXXZ100    @%%@2@%Now I lay me down to sleep,%@NL@%%@EH@%
I pray the Lord my soul to keep;%@NL@%
If I should die before I wake,%@NL@%
I pray the Lord my soul to take.%@NL@%

%@NL@%The New England Primer
%@NL@%

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir John Vanbrugh%@AE@%%@EH@%
%@NL@%
%@AB@%1664-1726%@AE@%
%@NL@%%@NL@%

%@QR:Sir John Vanbrugh@%%@QR:Vanbrugh@%%@CR:N1664VANJ10     @%%@2@%   Once a woman has given you her heart you can never get rid of the rest of%@EH@%
her.%@NL@%
%@NL@%
Sir John Vanbrugh
%@NL@%The Relapse [1697], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Vanbrugh@%%@QR:Vanbrugh@%%@CR:N1664VANJ20     @%%@2@%   No man worth having is true to his wife, or can be true to his wife, or%@EH@%
ever was, or ever will be so.%@NL@%
%@NL@%
Sir John Vanbrugh
%@NL@%The Relapse [1697], actIII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Vanbrugh@%%@QR:Vanbrugh@%%@CR:N1664VANJ30     @%%@2@%   Belinda: Ay, but you know we must return good for evil.%@NL@%%@EH@%
Lady Brute: That may be a mistake in the translation.%@NL@%
%@NL@%
Sir John Vanbrugh
%@NL@%The Provoked Wife [1698], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Better the last smile than the first laughter.-John Ray, Proverbs [1670]  %@EF@%
%@QR:Sir John Vanbrugh@%%@QR:Vanbrugh@%%@CR:N1664VANJ40     @%%@2@%   He laughs best who laughs last.%@NL@%%@EH@%
%@NL@%
Sir John Vanbrugh
%@NL@%The Country House [1706], act II, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir John Vanbrugh@%%@QR:Vanbrugh@%%@CR:N1664VANJ60     @%%@2@%   Much of a muchness.%@NL@%%@EH@%
%@NL@%
Sir John Vanbrugh
%@NL@%The Provoked Husband [1728](completed byColley Cibber
) act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Susannah Centlivre%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1667-1723%@AE@%
%@NL@%%@NL@%

%@QR:Susannah Centlivre@%%@QR:Centlivre@%%@CR:N1667CENS10     @%%@2@%   The real Simon Pure.%@NL@%%@EH@%
%@NL@%
Susannah Centlivre
%@NL@%A Bold Stroke for a Wife [1718], act V, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Pomfret%@AE@%%@EH@%
%@NL@%
%@AB@%1667-1702%@AE@%
%@NL@%%@NL@%

%@FN@%
It is good to live and learn.-Cervantes, Don Quixote, pt. II [1615], ch. 32
Live and learn,/Not first learn and then live.-Browning, Parleyings with
Certain People, With Christopher Smart [1887], IX  %@EF@%
%@QR:John Pomfret@%%@QR:Pomfret@%%@CR:N1667POMJ10     @%%@2@%We live and learn, but not the wiser grow.%@NL@%%@EH@%

%@NL@%John Pomfret
%@NL@%Reason, l. 112

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jonathan Swift%@AE@%%@EH@%
%@NL@%
%@AB@%1667-1745%@AE@%
%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ10     @%%@2@%   Books, like men their authors, have no more than one way of coming into%@EH@%
the world, but there are ten thousand to go out of it, and return no more. 1
%@NL@%
%@NL@%
Jonathan Swift
%@NL@%A Tale of a Tub [1704],dedication

%@NL@%%@AI@%1 See Webster%@BO:          2172f7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ20     @%%@2@%   Books, the children of the brain.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%A Tale of a Tub [1704],sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ30     @%%@2@%   As boys do sparrows, with flinging salt upon their tails.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%A Tale of a Tub [1704],sec.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ40     @%%@2@%   Satire is a sort of glass, wherein beholders do generally discover%@EH@%
everybody's face but their own.%@NL@%
%@NL@%
Jonathan Swift
%@NL@%The Battle of the Books [1704], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ50     @%%@2@%   Instead of dirt and poison we have rather chosen to fill our hives with%@EH@%
honey and wax; thus furnishing mankind with the two noblest of things, which
are sweetness and light. 1 %@NL@%
%@NL@%
Jonathan Swift
%@NL@%The Battle of the Books [1704], preface

%@NL@%%@AI@%1 See Matthew Arnold%@BO:          468571@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ60     @%%@2@%   Laws are like cobwebs, which may catch small flies, but let wasps and%@EH@%
hornets break through. 1  2 %@NL@%
%@NL@%
Jonathan Swift
%@NL@%A Critical Essay upon the Faculties of the Mind [1707]

%@NL@%%@AI@%1 See Anacharsis%@BO:           8a427@%%@AE@%
%@AI@%2 See Zincgref%@BO:          21f7e6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ70     @%%@2@%   There is nothing in this world constant, but inconstancy. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%A Critical Essay upon the Faculties of the Mind [1707]

%@NL@%%@AI@%1 See Heraclitus%@BO:           956fe@%%@AE@%
%@AI@%2 See Racan%@BO:          21c045@%%@AE@%
%@AI@%3 See Shelley%@BO:          389c5f@%%@AE@%
%@AI@%4 See Wilde%@BO:          4fe818@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ80     @%%@2@%   'Tis very warm weather when one's in bed.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Journal to Stella[November 8, 1710]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ90     @%%@2@%   With my own fair hands.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Journal to Stella[January 4, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ100    @%%@2@%   We are so fond of one another, because our ailments are the same.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Journal to Stella[February 1, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ110    @%%@2@%   I love good creditable acquaintance; I love to be the worst of the%@EH@%
company.%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Journal to Stella[May 17, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ120    @%%@2@%   We were to do more business after dinner; but after dinner is after%@EH@%
dinner-an old saying and a true, "much drinking, little thinking."%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Journal to Stella[February 26, 1712]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ130    @%%@2@%   We have just enough religion to make us hate, but not enough to make us%@EH@%
love one another.%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Thoughts on Various Subjects; from Miscellanies[1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ140    @%%@2@%   Censure is the tax a man pays to the public for being eminent.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Thoughts on Various Subjects; from Miscellanies[1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ150    @%%@2@%   Every man desires to live long, but no man would be old.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Thoughts on Various Subjects; from Miscellanies[1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ160    @%%@2@%   A nice man is a man of nasty ideas.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Thoughts on Various Subjects; from Miscellanies[1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ169    @%%@2@%   Vision is the art of seeing things invisible.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Thoughts on Various Subjects; from Miscellanies[1726]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ180    @%%@2@%'Tis an old maxim in the schools,%@NL@%%@EH@%
That flattery's the food of fools;%@NL@%
Yet now and then your men of wit%@NL@%
Will condescend to take a bit.%@NL@%

%@NL@%Jonathan Swift
%@NL@%%@FN@%
When the poem of "Cadenus and Vanessa" was the general topic of
conversation, someone said, "Surely that Vanessa must be an extraordinary
woman that could inspire the Dean to write so finely upon her." Mrs. Johnson
smiled, and answered that "she thought that point not quite so clear; for it
was well known the Dean could write finely upon a broomstick."-Samuel
Johnson, Lives of the Poets [1779-1781], Life of Swift  %@EF@%
Cadenus and Vanessa [1713]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ200    @%%@2@%   Proper words in proper places, make the true definition of a style.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Letter to a Young Clergyman [January 9, 1720]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ210    @%%@2@%   If Heaven had looked upon riches to be a valuable thing, it would not%@EH@%
have given them to such a scoundrel.%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Letter to Miss Vanhomrigh [August 12, 1720]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ220    @%%@2@%   He [the Emperor] is taller by almost the breadth of my nail, than any of%@EH@%
his court, which alone is enough to strike an awe into the beholders.%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Gulliver's Travels [1726].Voyage to Lilliput, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ230    @%%@2@%   I cannot but conclude the bulk of your natives to be the most pernicious%@EH@%
race of little odious vermin that nature ever suffered to crawl upon the
surface of the earth.%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Gulliver's Travels [1726].Voyage to Brobdingnag,ch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He who makes two blades of grass grow in place of one renders a service to
the state.-Voltaire, Letter to M. Moreau [1765]  %@EF@%
%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ240    @%%@2@%   And he gave it for his opinion, that whoever could make two ears of corn%@EH@%
or two blades of grass to grow upon a spot of ground where only one grew
before, would deserve better of mankind, and do more essential service to
his country, than the whole race of politicians put together.%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Gulliver's Travels [1726].Voyage to Brobdingnag,ch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ260    @%%@2@%   He had been eight years upon a project for extracting sunbeams out of%@EH@%
cucumbers, which were to be put in vials hermetically sealed, and let out to
warm the air in raw inclement summers.%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Gulliver's Travels [1726].Voyage to Laputa,ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Gulliver has been trying to describe his voyage in a ship to his Houyhnhnm
"Master," who doesn't believe him, and accuses him of being mistaken or of
saying "the thing which was not."  %@EF@%
%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ270    @%%@2@%   I said the thing which was not. (For they have no word in their language%@EH@%
to express lying or falsehood.)%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Gulliver's Travels [1726].Voyage to the Houyhnhnms

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ280    @%%@2@%   I told him . . . that we ate when we were not hungry, and drank without%@EH@%
the provocation of thirst.%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Gulliver's Travels [1726].Voyage to the Houyhnhnmsch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ290    @%%@2@%A set of phrases learnt by rote;%@NL@%%@EH@%
A passion for a scarlet coat;%@NL@%
When at a play to laugh, or cry,%@NL@%
Yet cannot tell the reason why:%@NL@%
Never to hold her tongue a minute;%@NL@%
While all she prates has nothing in it.%@NL@%

%@NL@%Jonathan Swift
%@NL@%The Furniture of a Woman's Mind [1727]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ300    @%%@2@%For conversation well endued;%@NL@%%@EH@%
She calls it witty to be rude;%@NL@%
And, placing raillery in railing,%@NL@%
Will tell aloud your greatest failing.%@NL@%

%@NL@%Jonathan Swift
%@NL@%The Furniture of a Woman's Mind [1727]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ310    @%%@2@%   Not die here in a rage, like a poisoned rat in a hole.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Letter to Bolingbroke [March 21, 1729]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ320    @%%@2@%Yet malice never was his aim;%@NL@%%@EH@%
He lashed the vice but spared the name.%@NL@%
No individual could resent,%@NL@%
Where thousands equally were meant.%@NL@%
His satire points at no defect%@NL@%
But what all mortals may correct;%@NL@%
For he abhorred that senseless tribe%@NL@%
Who call it humor when they gibe.%@NL@%

%@NL@%Jonathan Swift
%@NL@%Verses on the Death of Dr. Swift [1731], l. 459

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ330    @%%@2@%Hobbes clearly proves that every creature%@NL@%%@EH@%
Lives in a state of war by nature. 1 %@NL@%

%@NL@%Jonathan Swift
%@NL@%On Poetry. A Rhapsody [1733]

%@NL@%%@AI@%1 See Hobbes%@BO:          21b245@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ340    @%%@2@%So, naturalists observe, a flea%@NL@%%@EH@%
Hath smaller fleas that on him prey;%@NL@%
And these have smaller still to bite 'em;%@NL@%
And so proceed ad infinitum.%@NL@%
Thus every poet, in his kind,%@NL@%
Is bit by him that comes behind.%@NL@%

%@NL@%Jonathan Swift
%@NL@%On Poetry. A Rhapsody [1733]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ350    @%%@2@%Conversation is but carving!%@NL@%%@EH@%
Give no more to every guest%@NL@%
Than he's able to digest.%@NL@%
Give him always of the prime,%@NL@%
And but little at a time.%@NL@%
Carve to all but just enough,%@NL@%
Let them neither starve nor stuff,%@NL@%
And that you may have your due,%@NL@%
Let your neighbor carve for you.%@NL@%

%@NL@%Jonathan Swift
%@NL@%Conversation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ360    @%%@2@%Under an oak, in stormy weather,%@NL@%%@EH@%
I joined this rogue and whore together;%@NL@%
And none but he who rules the thunder%@NL@%
Can put this rogue and whore asunder.%@NL@%

%@NL@%Jonathan Swift
%@NL@%Marriage certificate. From The Oxford Book of Literary Anecdotes,James
Sutherland
, ed. [1975], no. 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
What a sight for sore eyes that would be!-William Hazlitt [1778-1830], Of
Persons One Would Have Seen  %@EF@%
%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ370    @%%@2@%   The sight of you is good for sore eyes.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ390    @%%@2@%   'Tis as cheap sitting as standing.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ400    @%%@2@%   I hate nobody: I am in charity with the world. 1 %@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue1

%@NL@%%@AI@%1 See The Book of Common Prayer, Holy Communion%@BO:           7cf1e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ410    @%%@2@%   You were half seas over.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ420    @%%@2@%   I won't quarrel with my bread and butter.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ430    @%%@2@%   She's no chicken; she's on the wrong side of thirty, if she be a day.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ440    @%%@2@%   She wears her clothes, as if they were thrown on her with a pitchfork.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ450    @%%@2@%   He was a bold man that first eat an oyster.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ460    @%%@2@%   That's as well said, as if I had said it myself.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ470    @%%@2@%   Fingers were made before forks, and hands before knives.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ480    @%%@2@%   She has more goodness in her little finger, than he has in his whole%@EH@%
body.%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ490    @%%@2@%   Lord, I wonder what fool it was that first invented kissing!%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Use three physicians-/First, Dr. Quiet;/Next, Dr. Merryman,/And Dr.
Dyet.-Regimen Sanitatis Salernitanum [1607]  %@EF@%
%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ500    @%%@2@%   The best doctors in the world are Doctor Diet, Doctor Quiet, and Doctor%@EH@%
Merryman.%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ520    @%%@2@%   May you live all the days of your life.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ530    @%%@2@%   I always love to begin a journey on Sundays, because I shall have the%@EH@%
prayers of the church to preserve all that travel by land, or by water.%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ550    @%%@2@%   I thought you and he were hand-in-glove.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ560    @%%@2@%   She watches him, as a cat would watch a mouse.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ570    @%%@2@%   She pays him in his own coin.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ580    @%%@2@%   There was all the world and his wife.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%Polite Conversation [1738?], dialogue3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ590    @%%@2@%Hail, fellow, well met,%@NL@%%@EH@%
All dirty and wet:%@NL@%
Find out if you can,%@NL@%
Who's master, who's man.%@NL@%

%@NL@%Jonathan Swift
%@NL@%My Lady's Lamentation [1765],l. 171

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ600    @%%@2@%   I shall be like that tree, I shall die at the top.%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%From Sir Walter Scott, Life of Swift [1814]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ605    @%%@2@%   Good God! What a genius I had when I wrote that book [A Tale of a Tub].%@NL@%%@EH@%
%@NL@%
Jonathan Swift
%@NL@%From Sir Walter Scott, Life of Swift [1814]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Swift sleeps under the greatest epitaph in history.-Yeats  See Yeats  %@EF@%
%@QR:Jonathan Swift@%%@QR:Swift@%%@CR:N1667SWIJ610    @%%@2@%   Ubi saeva indignatio ulterius cor lacerare nequit [Where savage%@EH@%
indignation can lacerate his heart no more].%@NL@%
%@NL@%
Jonathan Swift
%@NL@%Epitaph. Inscribed on Swift's grave, St. Patrick's, Dublin

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alain Rene Lesage%@AE@%%@EH@%
%@NL@%
%@AB@%1668-1747%@AE@%
%@NL@%%@NL@%

%@QR:Alain Rene Lesage@%%@QR:Lesage@%%@CR:N1668LESA10     @%%@2@%   It may be said that his wit shines at the expense of his memory. 1 %@NL@%%@EH@%
%@NL@%
Alain Rene Lesage
%@NL@%Gil Blas [1715-1735], bk.III, ch. 11

%@NL@%%@AI@%1 See Sheridan%@BO:          31270a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alain Rene Lesage@%%@QR:Lesage@%%@CR:N1668LESA20     @%%@2@%   A flatterer can risk everything with great personages.%@NL@%%@EH@%
%@NL@%
Alain Rene Lesage
%@NL@%Gil Blas [1715-1735], bk.IV, ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alain Rene Lesage@%%@QR:Lesage@%%@CR:N1668LESA30     @%%@2@%   Pride and conceit were the original sin of man.%@NL@%%@EH@%
%@NL@%
Alain Rene Lesage
%@NL@%Gil Blas [1715-1735], bk.VII, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alain Rene Lesage@%%@QR:Lesage@%%@CR:N1668LESA40     @%%@2@%   I wish you all sorts of prosperity with a little more taste.%@NL@%%@EH@%
%@NL@%
Alain Rene Lesage
%@NL@%Gil Blas [1715-1735], bk.VII, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alain Rene Lesage@%%@QR:Lesage@%%@CR:N1668LESA50     @%%@2@%   The pleasure of talking is the inextinguishable passion of a woman,%@EH@%
coeval with the act of breathing.%@NL@%
%@NL@%
Alain Rene Lesage
%@NL@%Gil Blas [1715-1735], bk.VII, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alain Rene Lesage@%%@QR:Lesage@%%@CR:N1668LESA60     @%%@2@%   Facts are stubborn things.%@NL@%%@EH@%
%@NL@%
Alain Rene Lesage
%@NL@%Gil Blas [1715-1735], bk.X, ch. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Giovanni Battista Giambattista Vico%@AE@%%@EH@%
%@NL@%
%@AB@%1668-1774%@AE@%
%@NL@%%@NL@%

%@QR:Giovanni Battista Giambattista Vico@%%@QR:Vico@%%@CR:N1668VICG10     @%%@2@%   The nature of things is nothing other than that they come into being at%@EH@%
certain times and in certain ways. Wherever the same circumstances are
present, the same phenomena arise and no others.%@NL@%
%@NL@%
Giovanni Battista Giambattista Vico
%@NL@%%@FN@%
Translated by Jules Michelet.  %@EF@%
Scienza Nuova [1725]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Giovanni Battista Giambattista Vico@%%@QR:Vico@%%@CR:N1668VICG20     @%%@2@%   In that dark night which shrouds from our eyes the most remote antiquity,%@EH@%
a light appears which cannot lead us astray; I speak of this incontestable
truth: the social world is certainly the work of man.%@NL@%
%@NL@%
Giovanni Battista Giambattista Vico
%@NL@%Scienza Nuova [1725]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Giovanni Battista Giambattista Vico@%%@QR:Vico@%%@CR:N1668VICG30     @%%@2@%   Governments must be conformable to the nature of the governed;%@EH@%
governments are even a result of that nature. 1 %@NL@%
%@NL@%
Giovanni Battista Giambattista Vico
%@NL@%Scienza Nuova [1725]

%@NL@%%@AI@%1 See Jefferson%@BO:          2fd4cb@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%William Congreve%@AE@%%@EH@%
%@NL@%
%@AB@%1670-1729%@AE@%
%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW10     @%%@2@%   Eternity was in that moment.%@NL@%%@EH@%
%@NL@%
William Congreve
%@NL@%The Old Bachelor [1693], actIV, sc. vii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW20     @%%@2@%   Married in haste, we may repent at leisure. 1 %@NL@%%@EH@%
%@NL@%
William Congreve
%@NL@%The Old Bachelor [1693], actV, sc. viii

%@NL@%%@AI@%1 See Shakespeare%@BO:          174d38@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW30     @%%@2@%   It is the business of a comic poet to paint the vices and follies of%@EH@%
human kind.%@NL@%
%@NL@%
William Congreve
%@NL@%The Double Dealer [1694],epistle dedicatory

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW40     @%%@2@%   Retired to their tea and scandal, according to their ancient custom. 1 %@NL@%%@EH@%
%@NL@%
William Congreve
%@NL@%The Double Dealer [1694],actI, sc. i

%@NL@%%@AI@%1 See Fielding%@BO:          2b8f39@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW50     @%%@2@%   Though marriage makes man and wife one flesh, it leaves 'em still two%@EH@%
fools.%@NL@%
%@NL@%
William Congreve
%@NL@%The Double Dealer [1694],actII, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW60     @%%@2@%No mask like open truth to cover lies,%@NL@%%@EH@%
As to go naked is the best disguise.%@NL@%

%@NL@%William Congreve
%@NL@%The Double Dealer [1694],actV, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW70     @%%@2@%   Thou liar of the first magnitude.%@NL@%%@EH@%
%@NL@%
William Congreve
%@NL@%Love for Love [1695], actII, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pay the piper: phrase for settling the score. He who pays the piper calls
the tune.-Proverb  %@EF@%
%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW80     @%%@2@%   I warrant you, if he danced till doomsday, he thought I was to pay the%@EH@%
piper.%@NL@%
%@NL@%
William Congreve
%@NL@%Love for Love [1695], actII, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW90     @%%@2@%   O fie, miss, you must not kiss and tell.%@NL@%%@EH@%
%@NL@%
William Congreve
%@NL@%Love for Love [1695], actII, sc.x

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW100    @%%@2@%Women are like tricks by sleight of hand,%@NL@%%@EH@%
Which, to admire, we should not understand.%@NL@%

%@NL@%William Congreve
%@NL@%Love for Love [1695], actIV, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW110    @%%@2@%Music has charms to soothe a savage breast, 1 %@NL@%%@EH@%
To soften rocks, or bend a knotted oak.%@NL@%

%@NL@%William Congreve
%@NL@%The Mourning Bride [1697], actI, sc. i

%@NL@%%@AI@%1 See Shakespeare%@BO:          1d2ca5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW120    @%%@2@%By magic numbers and persuasive sound.%@NL@%%@EH@%

%@NL@%William Congreve
%@NL@%The Mourning Bride [1697], actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Aristophanes and Nietzche  We shall find no fiend in hell can match the
fury of a disappointed woman.-Colley Cibber, Love's Last Shift [1696], act
IV  %@EF@%
%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW130    @%%@2@%Heaven has no rage like love to hatred turned,%@NL@%%@EH@%
Nor hell a fury like a woman scorned.%@NL@%

%@NL@%William Congreve
%@NL@%The Mourning Bride [1697], actIII, sc. viii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW160    @%%@2@%Love's but a frailty of the mind,%@NL@%%@EH@%
When 'tis not with ambition joined.%@NL@%

%@NL@%William Congreve
%@NL@%The Way of the World [1700], actIII, sc. xii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW170    @%%@2@%   I nauseate walking; 'tis a country diversion, I loathe the country.%@NL@%%@EH@%
%@NL@%
William Congreve
%@NL@%The Way of the World [1700], actIV, sc.v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW180    @%%@2@%   Let us be very strange and well-bred: Let us be as strange as if we had%@EH@%
been married a great while; and as well-bred as if we were not married at
all.%@NL@%
%@NL@%
William Congreve
%@NL@%The Way of the World [1700], actIV, sc.v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW190    @%%@2@%   Thou art a retailer of phrases, and dost deal in remnants of remnants.%@NL@%%@EH@%
%@NL@%
William Congreve
%@NL@%The Way of the World [1700], actIV, sc.ix

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW200    @%%@2@%   O, she is the antidote to desire.%@NL@%%@EH@%
%@NL@%
William Congreve
%@NL@%The Way of the World [1700], actIV, sc.xiv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW210    @%%@2@%Careless she is with artful care,%@NL@%%@EH@%
Affecting to seem unaffected.%@NL@%

%@NL@%William Congreve
%@NL@%Amoret

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Congreve@%%@QR:Congreve@%%@CR:N1670CONW220    @%%@2@%Defer not till tomorrow to be wise,%@NL@%%@EH@%
Tomorrow's sun to thee may never rise. 1  2 %@NL@%

%@NL@%William Congreve
%@NL@%Letter to Cobham

%@NL@%%@AI@%1 See Euripides%@BO:           a0e54@%%@AE@%
%@AI@%2 See Edward Young%@BO:          2942e2@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Colley Cibber%@AE@%%@EH@%
%@NL@%
%@AB@%1671-1757%@AE@%
%@NL@%%@NL@%

%@QR:Colley Cibber@%%@QR:Cibber@%%@CR:N1671CIBC10     @%%@2@%   As good be out of the world as out of the fashion.%@NL@%%@EH@%
%@NL@%
Colley Cibber
%@NL@%Love's Last Shift [1696], act II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Colley Cibber@%%@QR:Cibber@%%@CR:N1671CIBC20     @%%@2@%   Possession is eleven points in the law.%@NL@%%@EH@%
%@NL@%
Colley Cibber
%@NL@%Woman's Wit [1697], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Colley Cibber@%%@QR:Cibber@%%@CR:N1671CIBC30     @%%@2@%   Words are but empty thanks.%@NL@%%@EH@%
%@NL@%
Colley Cibber
%@NL@%Woman's Wit [1697], actV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Colley Cibber@%%@QR:Cibber@%%@CR:N1671CIBC40     @%%@2@%   Off with his head 1  2 -so much for Buckingham.%@NL@%%@EH@%
%@NL@%
Colley Cibber
%@NL@%Richard III (altered) [1700], actIV, sc. iii

%@NL@%%@AI@%1 See Shakespeare%@BO:          171063@%%@AE@%
%@AI@%2 See Carroll%@BO:          48ccda@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Colley Cibber@%%@QR:Cibber@%%@CR:N1671CIBC50     @%%@2@%   Perish the thought!%@NL@%%@EH@%
%@NL@%
Colley Cibber
%@NL@%Richard III (altered) [1700], actV, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Colley Cibber@%%@QR:Cibber@%%@CR:N1671CIBC60     @%%@2@%   This business will never hold water.%@NL@%%@EH@%
%@NL@%
Colley Cibber
%@NL@%She Wou'd and She Wou'd Not [1703], act IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Colley Cibber@%%@QR:Cibber@%%@CR:N1671CIBC70     @%%@2@%Old houses mended,%@NL@%%@EH@%
Cost little less than new before they're ended.%@NL@%

%@NL@%Colley Cibber
%@NL@%The Double Gallant [1707],prologue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Colley Cibber@%%@QR:Cibber@%%@CR:N1671CIBC80     @%%@2@%   Oh, how many torments lie in the small circle of a wedding ring!%@NL@%%@EH@%
%@NL@%
Colley Cibber
%@NL@%The Double Gallant [1707],act I, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Colley Cibber@%%@QR:Cibber@%%@CR:N1671CIBC90     @%%@2@%   Stolen sweets are best.%@NL@%%@EH@%
%@NL@%
Colley Cibber
%@NL@%The Rival Fools [1709], act I

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anthony Ashley Cooper, Earl of Shaftesbury%@AE@%%@EH@%
%@NL@%
%@AB@%1671-1713%@AE@%
%@NL@%%@NL@%

%@QR:Anthony Ashley Cooper, Earl of Shaftesbury@%%@QR:Cooper@%%@CR:N1671SHAA10     @%%@2@%   How comes it to pass, then, that we appear such cowards in reasoning, and%@EH@%
are so afraid to stand the test of ridicule? 1 %@NL@%
%@NL@%
Anthony Ashley Cooper, Earl of Shaftesbury
%@NL@%%@FN@%
Later included in Characteristics of Men, Manners, Opinions, Times [1711].  %@EF@%
A Letter Concerning Enthusiasm [1708],
sec. 2

%@NL@%%@AI@%1 See Chesterfield%@BO:          2ab8ad@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Chesterfield  'Twas the saying of an ancient sage (Gorgias Leontinus,
apud Aristotle's Rhetoric) that humor was the only test of gravity, and
gravity of humor. For a subject which would not bear raillery was
suspicious; and a jest which would not bear serious examination was
certainly false wit.-Shaftesbury, Essay on the Freedom of Wit and Humor
[1709], pt. I, sec. 5  %@EF@%
%@QR:Anthony Ashley Cooper, Earl of Shaftesbury@%%@QR:Cooper@%%@CR:N1671SHAA20     @%%@2@%   Truth, 'tis supposed, may bear all lights; and one of those principal%@EH@%
lights or natural mediums by which things are to be viewed in order to a
thorough recognition is ridicule itself.%@NL@%
%@NL@%
Anthony Ashley Cooper, Earl of Shaftesbury
%@NL@%%@FN@%
Later included in Characteristics of Men, Manners, Opinions, Times [1711].  %@EF@%
Essay on the Freedom of Wit and Humor [1709],
pt. I, sec. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joseph Addison%@AE@%%@EH@%
%@NL@%
%@AB@%1672-1719%@AE@%
%@FN@%
There taught us how to live; and (oh! too high/The price for knowledge)
taught us how to die.-Thomas Tickell [1686-1740], On the Death of Mr.
Addison [1719], l. 81  See Montaigne  %@EF@%
%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ10     @%%@2@%For wheresoe'er I turn my ravished eyes,%@NL@%%@EH@%
Gay gilded scenes and shining prospects rise,%@NL@%
Poetic fields encompass me around,  %@NL@%
And still I seem to tread on classic ground.%@NL@%

%@NL@%Joseph Addison
%@NL@%A Letter from Italy [1703]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This line is repeated by Pope in his Dunciad, bk. III [1728], l. 264. See
Pope  %@EF@%
%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ20     @%%@2@%And, pleased the Almighty's orders to perform,%@NL@%%@EH@%
Rides in the whirlwind and directs the storm.%@NL@%

%@NL@%Joseph Addison
%@NL@%The Campaign [1704], l. 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ25     @%%@2@%   Reading is to the mind what exercise is to the body.%@NL@%%@EH@%
%@NL@%
Joseph Addison
%@NL@%Tatler [1709-1711], no. 147

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ30     @%%@2@%The spacious firmament on high,%@NL@%%@EH@%
With all the blue ethereal sky,%@NL@%
And spangled heavens, a shining frame,%@NL@%
Their great Original proclaim. 1 %@NL@%

%@NL@%Joseph Addison
%@NL@%Ode [in The Spectator, no. 465, August 23, 1712]

%@NL@%%@AI@%1 See Psalm 19:1%@BO:           21578@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ40     @%%@2@%Soon as the evening shades prevail,%@NL@%%@EH@%
The moon takes up the wondrous tale,%@NL@%
And nightly to the listening earth%@NL@%
Repeats the story of her birth;%@NL@%
While all the stars that round her burn,%@NL@%
And all the planets in their turn,%@NL@%
Confirm the tidings as they roll,%@NL@%
And spread the truth from pole to pole.%@NL@%

%@NL@%Joseph Addison
%@NL@%Ode [in The Spectator, no. 465, August 23, 1712]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ50     @%%@2@%Forever singing as they shine,%@NL@%%@EH@%
"The Hand that made us is divine."%@NL@%

%@NL@%Joseph Addison
%@NL@%Ode [in The Spectator, no. 465, August 23, 1712]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ60     @%%@2@%Should the whole frame of Nature round him break,%@NL@%%@EH@%
In ruin and confusion hurled,%@NL@%
He, unconcerned, would hear the mighty crack,%@NL@%
And stand secure amidst a falling world.%@NL@%

%@NL@%Joseph Addison
%@NL@%Horace, Odes, bk. III, ode iii
 1

%@NL@%%@AI@%1 See Horace%@BO:           da75f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ70     @%%@2@%'Tis not in mortals to command success,%@NL@%%@EH@%
But we'll do more, Sempronius; we'll deserve it.%@NL@%

%@NL@%Joseph Addison
%@NL@%%@FN@%
The Massachusetts Spy used the following lines from Cato as its motto from
November 22, 1771, to April 6, 1775: Do thou Great Liberty inspire our
Souls-/And make our Lives in thy Possession happy-/Or, our Deaths glorious
in thy just Defense.  %@EF@%
Cato [1713], actI, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ90     @%%@2@%Blesses his stars and thinks it luxury.%@NL@%%@EH@%

%@NL@%Joseph Addison
%@NL@%Cato [1713], actI, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ100    @%%@2@%'Tis pride, rank pride, and haughtiness of soul;%@NL@%%@EH@%
I think the Romans call it stoicism.%@NL@%

%@NL@%Joseph Addison
%@NL@%Cato [1713], actI, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ110    @%%@2@%Were you with these, my prince, you'd soon forget%@NL@%%@EH@%
The pale, unripened beauties of the north.%@NL@%

%@NL@%Joseph Addison
%@NL@%Cato [1713], actI, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ120    @%%@2@%Beauty soon grows familiar to the lover,%@NL@%%@EH@%
Fades in his eye, and palls upon the sense.%@NL@%

%@NL@%Joseph Addison
%@NL@%Cato [1713], actI, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ130    @%%@2@%My voice is still for war.%@NL@%%@EH@%
Gods! can a Roman senate long debate%@NL@%
Which of the two to choose, slavery or death?%@NL@%

%@NL@%Joseph Addison
%@NL@%Cato [1713], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ140    @%%@2@%The woman that deliberates is lost.%@NL@%%@EH@%

%@NL@%Joseph Addison
%@NL@%Cato [1713], actIV, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ150    @%%@2@%Curse on his virtues! they've undone his country.%@NL@%%@EH@%

%@NL@%Joseph Addison
%@NL@%Cato [1713], actIV, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ160    @%%@2@%What pity is it%@NL@%%@EH@%
That we can die but once to serve our country! 1 %@NL@%

%@NL@%Joseph Addison
%@NL@%Cato [1713], actIV, sc.iv

%@NL@%%@AI@%1 See Nathan Hale%@BO:          31598f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Give me, kind Heaven, a private station,/A mind serene for
contemplation!/Title and profit I resign;/The post of honor shall be
mine.-Gay, Fables, pt. II [1738], The Vulture, the Sparrow, and Other Birds
%@EF@%
%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ170    @%%@2@%When vice prevails, and impious men bear sway,%@NL@%%@EH@%
The post of honor is a private station.%@NL@%

%@NL@%Joseph Addison
%@NL@%Cato [1713], actIV, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ190    @%%@2@%It must be so-Plato, thou reasonest well!%@NL@%%@EH@%
Else whence this pleasing hope, this fond desire,%@NL@%
This longing after immortality?%@NL@%
Or whence this secret dread, and inward horror,%@NL@%
Of falling into naught? Why shrinks the soul%@NL@%
Back on herself, and startles at destruction?%@NL@%
'Tis the divinity that stirs within us; 1  2 %@NL@%
'Tis heaven itself, that points out an hereafter,%@NL@%
And intimates eternity to man.%@NL@%
Eternity! thou pleasing, dreadful thought!%@NL@%

%@NL@%Joseph Addison
%@NL@%Cato [1713], actV, sc.i

%@NL@%%@AI@%1 See Browne%@BO:          22e306@%%@AE@%
%@AI@%2 See Emerson%@BO:          3bfaed@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ210    @%%@2@%Sweet are the slumbers of the virtuous man.%@NL@%%@EH@%

%@NL@%Joseph Addison
%@NL@%Cato [1713], actV, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ220    @%%@2@%From hence, let fierce contending nations know%@NL@%%@EH@%
What dire effects from civil discord flow.%@NL@%

%@NL@%Joseph Addison
%@NL@%Cato [1713], actV, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ230    @%%@2@%Round-heads and Wooden-shoes are standing jokes.%@NL@%%@EH@%

%@NL@%Joseph Addison
%@NL@%The Drummer [1716], prologue, l. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ240    @%%@2@%   If I can any way contribute to the diversion or improvement of the%@EH@%
country in which I live, I shall leave it, when I am summoned out of it,
with the secret satisfaction of thinking that I have not lived in vain. 1 %@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.1 [March 1, 1711]

%@NL@%%@AI@%1 See Grellet%@BO:          3594c9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ250    @%%@2@%   Thus I live in the world rather as a spectator of mankind than as one of%@EH@%
the species.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.1 [March 1, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ260    @%%@2@%   I shall endeavor to enliven morality with wit, and to temper wit with%@EH@%
morality.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.10 [March 11, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ270    @%%@2@%   True happiness is of a retired nature, and an enemy to pomp and noise; it%@EH@%
arises, in the first place, from the enjoyment of one's self; and, in the
next, from the friendship and conversation of a few select companions.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.15 [March 17, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ280    @%%@2@%   There is not a more unhappy being than a superannuated idol.%@NL@%%@EH@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.73 [May 24, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ290    @%%@2@%   A man that has a taste of music, painting, or architecture, is like one%@EH@%
that has another sense, when compared with such as have no relish of those
arts.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.93 [June 16, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ300    @%%@2@%   There is no defense against reproach but obscurity.%@NL@%%@EH@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.101 [June 26, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ310    @%%@2@%   Much might be said on both sides.%@NL@%%@EH@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.122 [July 20, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ320    @%%@2@%   Authors have established it as a kind of rule, that a man ought to be%@EH@%
dull sometimes; as the most severe reader makes allowances for many rests
and nodding places in a voluminous writer.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.124 [July 23, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ330    @%%@2@%   Books are the legacies that a great genius leaves to mankind, which are%@EH@%
delivered down from generation to generation, as presents to the posterity
of those who are yet unborn.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.166 [September 10, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ340    @%%@2@%   Good nature is more agreeable in conversation than wit, and gives a%@EH@%
certain air to the countenance which is more amiable than beauty.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.169 [September 13, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ350    @%%@2@%   Were I to prescribe a rule for drinking, it should be formed upon a%@EH@%
saying quoted by Sir William Temple: the first glass for myself, the second
for my friends, the third for good humor, and the fourth for mine enemies. 1
2  3 %@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.195 [October 13, 1711]

%@NL@%%@AI@%1 See Herbert%@BO:          221439@%%@AE@%
%@AI@%2 See Hugo%@BO:          3b6435@%%@AE@%
%@AI@%3 See Sill%@BO:          4cb440@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ360    @%%@2@%   A true critic ought to dwell rather upon excellencies than imperfections,%@EH@%
to discover the concealed beauties of a writer, and communicate to the world
such things as are worth their observation.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.291 [February 2, 1712]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ370    @%%@2@%   These widows, sir, are the most perverse creatures in the world.%@NL@%%@EH@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.335 [March 25, 1712]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ380    @%%@2@%   Mirth is like a flash of lightning, that breaks through a gloom of%@EH@%
clouds, and glitters for a moment; cheerfulness keeps up a kind of daylight
in the mind, and fills it with a steady and perpetual serenity.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.381 [May 17, 1712]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ390    @%%@2@%   Sir Roger made several reflections on the greatness of the British%@EH@%
Nation; as, that one Englishman could beat three Frenchmen; that we could
never be in danger of Popery so long as we took care of our fleet; that the
Thames was the noblest river in Europe . . . with many other honest
prejudices which naturally cleave to the heart of a true Englishman.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.383 [May 20, 1712]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ400    @%%@2@%   Our disputants put me in mind of the skuttle fish, that when he is unable%@EH@%
to extricate himself, blackens all the water about him, till he becomes
invisible.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.476 [September 5, 1712]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ410    @%%@2@%   The fraternity of the henpecked. 1 %@NL@%%@EH@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.482 [September 12, 1712]

%@NL@%%@AI@%1 See Byron%@BO:          37eacb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ420    @%%@2@%   A man should always consider how much he has more than he wants, and how%@EH@%
much more unhappy he might be than he really is.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.574 [July 30, 1714]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ430    @%%@2@%   We are always doing something for Posterity, but I would fain see%@EH@%
Posterity do something for us.%@NL@%
%@NL@%
Joseph Addison
%@NL@%The Spectator, no.587 [August 20, 1714]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Addison@%%@QR:Addison@%%@CR:N1672ADDJ440    @%%@2@%   See in what peace a Christian can die.%@NL@%%@EH@%
%@NL@%
Joseph Addison
%@NL@%Dying words [1719]. From Edward Young,
Conjectures on Original Composition [1759]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edmond Hoyle%@AE@%%@EH@%
%@NL@%
%@AB@%1672-1769%@AE@%
%@FN@%
Hoyle published a Short Treatise on Whist [1742], which in subsequent
editions added rules for playing piquet, backgammon, chess, and other games.
His Laws [1760] ruled whist playing until 1864, hence the saying, "according
to Hoyle."  %@EF@%
%@NL@%%@NL@%

%@QR:Edmond Hoyle@%%@QR:Hoyle@%%@CR:N1672HOYE10     @%%@2@%   When in doubt, win the trick.%@NL@%%@EH@%
%@NL@%
Edmond Hoyle
%@NL@%Twenty-four Rules for Learners, rule 12

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Richard Steele%@AE@%%@EH@%
%@NL@%
%@AB@%1672-1729%@AE@%
%@NL@%%@NL@%

%@QR:Sir Richard Steele@%%@QR:Steele@%%@CR:N1672STER10     @%%@2@%   I am come to a tavern alone to eat a steak, after which I shall return to%@EH@%
the office.%@NL@%
%@NL@%
Sir Richard Steele
%@NL@%Letters to His Wife[October 28, 1707]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Richard Steele@%%@QR:Steele@%%@CR:N1672STER20     @%%@2@%   I was going home two hours ago, but was met by Mr. Griffith, who has kept%@EH@%
me ever since. I will come within a pint of wine.%@NL@%
%@NL@%
Sir Richard Steele
%@NL@%Letters to His Wife[Eleven at night, January 5, 1708]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Richard Steele@%%@QR:Steele@%%@CR:N1672STER30     @%%@2@%   A little in drink, but at all times yr faithful husband.%@NL@%%@EH@%
%@NL@%
Sir Richard Steele
%@NL@%Letters to His Wife[September 27, 1708]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Richard Steele@%%@QR:Steele@%%@CR:N1672STER40     @%%@2@%   The finest woman in nature should not detain me an hour from you; but you%@EH@%
must sometimes suffer the rivalship of the wisest men.%@NL@%
%@NL@%
Sir Richard Steele
%@NL@%Letters to His Wife[September 17, 1712]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Lady Elizabeth Hastings [1682-1739].  %@EF@%
%@QR:Sir Richard Steele@%%@QR:Steele@%%@CR:N1672STER50     @%%@2@%   Though her mien carries much more invitation than command, to behold her%@EH@%
is an immediate check to loose behavior; to love her is a liberal education.%@NL@%
%@NL@%
Sir Richard Steele
%@NL@%Tatler [1709-1711], no. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Richard Steele@%%@QR:Steele@%%@CR:N1672STER70     @%%@2@%   When you fall into a man's conversation, the first thing you should%@EH@%
consider is, whether he has a greater inclination to hear you, or that you
should hear him.%@NL@%
%@NL@%
Sir Richard Steele
%@NL@%The Spectator, no.49 [April 26, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Richard Steele@%%@QR:Steele@%%@CR:N1672STER80     @%%@2@%   Of all the affections which attend human life, the love of glory is the%@EH@%
most ardent.%@NL@%
%@NL@%
Sir Richard Steele
%@NL@%The Spectator, no.139 [August 9, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Richard Steele@%%@QR:Steele@%%@CR:N1672STER90     @%%@2@%   Age in a virtuous person, of either sex, carries in it an authority which%@EH@%
makes it preferable to all the pleasures of youth.%@NL@%
%@NL@%
Sir Richard Steele
%@NL@%The Spectator, no.153 [August 25, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Richard Steele@%%@QR:Steele@%%@CR:N1672STER100    @%%@2@%   Among all the diseases of the mind there is not one more epidemical or%@EH@%
more pernicious than the love of flattery.%@NL@%
%@NL@%
Sir Richard Steele
%@NL@%The Spectator, no.238 [December 3, 1711]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Richard Steele@%%@QR:Steele@%%@CR:N1672STER110    @%%@2@%   Will Honeycomb calls these over-offended ladies the outrageously%@EH@%
virtuous.%@NL@%
%@NL@%
Sir Richard Steele
%@NL@%The Spectator, no.266 [January 4, 1712]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Richard Steele@%%@QR:Steele@%%@CR:N1672STER120    @%%@2@%   A favor well bestowed is almost as great an honor to him who confers it%@EH@%
as to him who receives it.%@NL@%
%@NL@%
Sir Richard Steele
%@NL@%The Spectator, no.497 [September 30, 1712]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francois Goyot de Pitavals%@AE@%%@EH@%
%@NL@%
%@AB@%1673-1743%@AE@%
%@NL@%%@NL@%

%@QR:Francois Goyot de Pitavals@%%@QR:Pitavals@%%@CR:N1673PITF10     @%%@2@%   Causes Celebres.%@NL@%%@EH@%
%@NL@%
Francois Goyot de Pitavals
%@NL@%Title of book recounting famous trials and judgments

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Nicholas Rowe%@AE@%%@EH@%
%@NL@%
%@AB@%1674-1718%@AE@%
%@NL@%%@NL@%

%@FN@%
None think the great unhappy, but the great.-Edward Young, The Love of Fame
[1725-1728], satire I, l. 238  %@EF@%
%@QR:Nicholas Rowe@%%@QR:Rowe@%%@CR:N1674ROWN10     @%%@2@%As if Misfortune made the throne her seat,%@NL@%%@EH@%
And none could be unhappy but the great.%@NL@%

%@NL@%Nicholas Rowe
%@NL@%The Fair Penitent [1703],prologue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicholas Rowe@%%@QR:Rowe@%%@CR:N1674ROWN30     @%%@2@%At length the morn and cold indifference came.%@NL@%%@EH@%

%@NL@%Nicholas Rowe
%@NL@%The Fair Penitent [1703],actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nicholas Rowe@%%@QR:Rowe@%%@CR:N1674ROWN40     @%%@2@%Is this that haughty gallant, gay Lothario?%@NL@%%@EH@%

%@NL@%Nicholas Rowe
%@NL@%The Fair Penitent [1703],actV, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Isaac Watts%@AE@%%@EH@%
%@NL@%
%@AB@%1674-1748%@AE@%
%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI10     @%%@2@%Were I so tall to reach the pole,%@NL@%%@EH@%
Or grasp the ocean with my span,%@NL@%
I must be measured by my soul;%@NL@%
The mind's the standard of the man.%@NL@%

%@NL@%Isaac Watts
%@NL@%Horae Lyricae [1706], bk. II, False Greatness

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI20     @%%@2@%Let dogs delight to bark and bite,%@NL@%%@EH@%
For God hath made them so;%@NL@%

%@NL@%Isaac Watts
%@NL@%Divine Songs [1715],16, Against Quarreling and Fighting

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI30     @%%@2@%But, children, you should never let%@NL@%%@EH@%
Such angry passions rise;%@NL@%
Your little hands were never made%@NL@%
To tear each other's eyes.%@NL@%

%@NL@%Isaac Watts
%@NL@%Divine Songs [1715],16, Against Quarreling and Fighting

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI40     @%%@2@%Birds in their little nests agree;%@NL@%%@EH@%
And 'tis a shameful sight,%@NL@%
When children of one family%@NL@%
Fall out, and chide, and fight.%@NL@%

%@NL@%Isaac Watts
%@NL@%Divine Songs [1715],17, Love Between Brothers and Sisters

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI50     @%%@2@%How doth the little busy bee%@NL@%%@EH@%
Improve each shining hour, 1 %@NL@%
And gather honey all the day%@NL@%
From every opening flower!%@NL@%

%@NL@%Isaac Watts
%@NL@%Divine Songs [1715],20, Against Idleness and Mischief

%@NL@%%@AI@%1 See Lewis Carroll%@BO:          48b025@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI60     @%%@2@%For Satan finds some mischief still%@NL@%%@EH@%
For idle hands to do.%@NL@%

%@NL@%Isaac Watts
%@NL@%Divine Songs [1715],20, Against Idleness and Mischief

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI70     @%%@2@%Let me be dressed fine as I will,%@NL@%%@EH@%
Flies, worms, and flowers, exceed me still.%@NL@%

%@NL@%Isaac Watts
%@NL@%Divine Songs [1715],22, Against Pride in Clothes

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI80     @%%@2@%Hush! my dear, lie still and slumber,%@NL@%%@EH@%
Holy angels guard thy bed!%@NL@%
Heavenly blessings without number%@NL@%
Gently falling on thy head.%@NL@%

%@NL@%Isaac Watts
%@NL@%Divine Songs [1715],35, A Cradle Hymn

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI90     @%%@2@%'Tis the voice of the sluggard; I heard him complain,%@NL@%%@EH@%
"You have waked me too soon, I must slumber again." 1 %@NL@%

%@NL@%Isaac Watts
%@NL@%Divine Songs [1715],The Sluggard

%@NL@%%@AI@%1 See Lewis Carroll%@BO:          48d9ea@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI100    @%%@2@%O God, our help in ages past,%@NL@%%@EH@%
Our hope for years to come,%@NL@%
Our shelter from the stormy blast,%@NL@%
And our eternal home.%@NL@%

%@NL@%Isaac Watts
%@NL@%Psalm 90 [1719],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI110    @%%@2@%A thousand ages in Thy sight%@NL@%%@EH@%
Are like an evening gone;%@NL@%
Short as the watch that ends the night%@NL@%
Before the rising sun.%@NL@%

%@NL@%Isaac Watts
%@NL@%Psalm 90 [1719],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI120    @%%@2@%Time, like an ever-rolling stream,%@NL@%%@EH@%
Bears all its sons away;%@NL@%
They fly forgotten, as a dream%@NL@%
Dies at the opening day. 1  2 %@NL@%

%@NL@%Isaac Watts
%@NL@%Psalm 90 [1719],st. 5

%@NL@%%@AI@%1 See Marcus Aurelius%@BO:           fbb69@%%@AE@%
%@AI@%2 See Anonymous%@BO:          68e759@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI130    @%%@2@%Joy to the world! the Lord is come;%@NL@%%@EH@%
Let earth receive her King.%@NL@%
Let ev'ry heart prepare Him room,%@NL@%
And heav'n and nature sing.%@NL@%

%@NL@%Isaac Watts
%@NL@%Psalm 98 [1719], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI140    @%%@2@%When I can read my title clear%@NL@%%@EH@%
To mansions in the skies,%@NL@%
I'll bid farewell to every fear,%@NL@%
And wipe my weeping eyes.%@NL@%

%@NL@%Isaac Watts
%@NL@%Hymns and Spiritual Songs, bk. II, hymn65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isaac Watts@%%@QR:Watts@%%@CR:N1674WATI150    @%%@2@%There is a land of pure delight,%@NL@%%@EH@%
Where saints immortal reign;%@NL@%
Infinite day excludes the night,%@NL@%
And pleasures banish pain.%@NL@%

%@NL@%Isaac Watts
%@NL@%Hymns and Spiritual Songs, bk. II, hymn66

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Somerville%@AE@%%@EH@%
%@NL@%
%@AB@%1675-1742%@AE@%
%@FN@%
Of whom Johnson, in his Lives of the Poets, made the famous remark, "He
writes very well for a gentleman."  See Johnson  %@EF@%
%@NL@%%@NL@%

%@QR:William Somerville@%%@QR:Somerville@%%@CR:N1675SOMW20     @%%@2@%Let all the learned say what they can,%@NL@%%@EH@%
'Tis ready money makes the man.%@NL@%

%@NL@%William Somerville
%@NL@%Ready Money [1727]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Somerville@%%@QR:Somerville@%%@CR:N1675SOMW30     @%%@2@%There is something in a face,%@NL@%%@EH@%
An air, and a peculiar grace,%@NL@%
Which boldest painters cannot trace.%@NL@%

%@NL@%William Somerville
%@NL@%The Lucky Hit [1727]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Somerville@%%@QR:Somerville@%%@CR:N1675SOMW40     @%%@2@%The chase, the sport of kings;%@NL@%%@EH@%
Image of war, without its guilt.%@NL@%

%@NL@%William Somerville
%@NL@%The Chase [1735], I, 13

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Philips%@AE@%%@EH@%
%@NL@%
%@AB@%1676-1709%@AE@%
%@NL@%%@NL@%

%@QR:John Philips@%%@QR:Philips@%%@CR:N1676PHIJ10     @%%@2@%Happy the man who, void of care and strife,%@NL@%%@EH@%
In silken or in leathern purse retains%@NL@%
A Splendid Shilling.%@NL@%

%@NL@%John Philips
%@NL@%The Splendid Shilling [1701], l. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Robert Walpole%@AE@%%@EH@%
%@NL@%
%@AB@%1676-1745%@AE@%
%@NL@%%@NL@%

%@QR:Sir Robert Walpole@%%@QR:Walpole@%%@CR:N1676WALR10     @%%@2@%   The balance of power.%@NL@%%@EH@%
%@NL@%
Sir Robert Walpole
%@NL@%Speech in the House of Commons [February 13, 1741]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Robert Walpole@%%@QR:Walpole@%%@CR:N1676WALR20     @%%@2@%   All those men have their price.%@NL@%%@EH@%
%@NL@%
Sir Robert Walpole
%@NL@%From William Coxe, Memoirs of Walpole [1798], vol. IV, p. 369

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Robert Walpole@%%@QR:Walpole@%%@CR:N1676WALR30     @%%@2@%   Anything but history, for history must be false.%@NL@%%@EH@%
%@NL@%
Sir Robert Walpole
%@NL@%Walpoliana, no. 141

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry St. John , Viscount Bolingbroke%@AE@%%@EH@%
%@NL@%
%@AB@%1678-1751%@AE@%
%@NL@%%@NL@%

%@QR:Henry St. John , Viscount Bolingbroke@%%@QR:St. John @%%@CR:N1678BOLH10     @%%@2@%   Truth lies within a little and certain compass, but error is immense.%@NL@%%@EH@%
%@NL@%
Henry St. John , Viscount Bolingbroke
%@NL@%Reflections upon Exile [1716]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry St. John , Viscount Bolingbroke@%%@QR:St. John @%%@CR:N1678BOLH20     @%%@2@%   Nations, like men, have their infancy.%@NL@%%@EH@%
%@NL@%
Henry St. John , Viscount Bolingbroke
%@NL@%On the Study and Use of History [1752], letter4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry St. John , Viscount Bolingbroke@%%@QR:St. John @%%@CR:N1678BOLH30     @%%@2@%   They [Thucydides and Xenophon] maintained the dignity of history.%@NL@%%@EH@%
%@NL@%
Henry St. John , Viscount Bolingbroke
%@NL@%On the Study and Use of History [1752], letter5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry St. John , Viscount Bolingbroke@%%@QR:St. John @%%@CR:N1678BOLH40     @%%@2@%   It is the modest, not the presumptuous, inquirer who makes a real and%@EH@%
safe progress in the discovery of divine truths. One follows Nature and
Nature's God; that is, he follows God in his works and in his word. 1  2 %@NL@%
%@NL@%
Henry St. John , Viscount Bolingbroke
%@NL@%Letter to Alexander Pope

%@NL@%%@AI@%1 See Pope%@BO:          2a2413@%%@AE@%
%@AI@%2 See Jefferson%@BO:          2fd4cb@%%@AE@%

%@NL@%
%@NL@%
%@1@%%@AB@%George Farquhar%@AE@%%@EH@%
%@NL@%
%@AB@%1678-1707%@AE@%
%@NL@%%@NL@%

%@QR:George Farquhar@%%@QR:Farquhar@%%@CR:N1678FARG10     @%%@2@%   Reason still keeps its throne, but it nods a little, that's all.%@NL@%%@EH@%
%@NL@%
George Farquhar
%@NL@%The Recruiting Officer [1706], act III, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Farquhar@%%@QR:Farquhar@%%@CR:N1678FARG20     @%%@2@%   I have fed purely upon ale; I have eat my ale, and I always sleep upon%@EH@%
ale.%@NL@%
%@NL@%
George Farquhar
%@NL@%The Beaux' Stratagem [1707], actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Farquhar@%%@QR:Farquhar@%%@CR:N1678FARG30     @%%@2@%   My Lady Bountiful.%@NL@%%@EH@%
%@NL@%
George Farquhar
%@NL@%The Beaux' Stratagem [1707], actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Farquhar@%%@QR:Farquhar@%%@CR:N1678FARG40     @%%@2@%   I believe they talked of me, for they laughed consumedly.%@NL@%%@EH@%
%@NL@%
George Farquhar
%@NL@%The Beaux' Stratagem [1707], actIII, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Leaving his country for his country's sake.-Charles Fitzgeffrey, The Life
and Death of Sir Francis Drake [1596], st. 213  True patriots all; for, be
it understood,/We left our country for our country's good.-Prologue for
opening of playhouse at New South Wales [January 16, 1796]; attributed to
the famous pickpocket known as George Barrington [1755-c. 1840]  %@EF@%
%@QR:George Farquhar@%%@QR:Farquhar@%%@CR:N1678FARG50     @%%@2@%   'Twas for the good of my country that I should be abroad.-Anything for%@EH@%
the good of one's country-I'm a Roman for that.%@NL@%
%@NL@%
George Farquhar
%@NL@%The Beaux' Stratagem [1707], actIII, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Farquhar@%%@QR:Farquhar@%%@CR:N1678FARG70     @%%@2@%   How a little love and good company improves a woman!%@NL@%%@EH@%
%@NL@%
George Farquhar
%@NL@%The Beaux' Stratagem [1707], actIV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Farquhar@%%@QR:Farquhar@%%@CR:N1678FARG80     @%%@2@%   Spare all I have, and take my life.%@NL@%%@EH@%
%@NL@%
George Farquhar
%@NL@%The Beaux' Stratagem [1707], actV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Parnell%@AE@%%@EH@%
%@NL@%
%@AB@%1679-1718%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Parnell@%%@QR:Parnell@%%@CR:N1679PART10     @%%@2@%My days have been so wondrous free,%@NL@%%@EH@%
The little birds that fly%@NL@%
With careless ease from tree to tree,%@NL@%
Were but as blessed as I.%@NL@%

%@NL@%Thomas Parnell
%@NL@%%@FN@%
Set to music by Francis Hopkinson; one of the earliest American songs.  %@EF@%
Song [1714], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Parnell@%%@QR:Parnell@%%@CR:N1679PART20     @%%@2@%Still an angel appear to each lover beside,%@NL@%%@EH@%
But still be a woman to you.%@NL@%

%@NL@%Thomas Parnell
%@NL@%When Thy Beauty Appears [1722], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Parnell@%%@QR:Parnell@%%@CR:N1679PART30     @%%@2@%We call it only pretty Fanny's way.%@NL@%%@EH@%

%@NL@%Thomas Parnell
%@NL@%An Elegy to an Old Beauty [1722], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Parnell@%%@QR:Parnell@%%@CR:N1679PART40     @%%@2@%Let those love now who never loved before;%@NL@%%@EH@%
Let those who always loved, now love the more.%@NL@%

%@NL@%Thomas Parnell
%@NL@%Translation of the Pervigilium Veneris 1  2

%@NL@%%@AI@%1 See Anonymous Latin%@BO:          10a6dd@%%@AE@%
%@AI@%2 See Freiligrath%@BO:          409155@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Philippe Destouches%@AE@%%@EH@%
%@NL@%Philippe Nericault
%@AB@%1680-1754%@AE@%
%@NL@%%@NL@%

%@FN@%
Les absents ont toujours tort.  %@EF@%
%@QR:Philippe Destouches@%%@QR:Destouches@%%@QR:Philippe Nericault@%%@QR:Nericault@%%@CR:N1680DESP10     @%%@2@%   Those not present are always wrong.%@NL@%%@EH@%
%@NL@%
Philippe Destouches
%@NL@%L'Obstacle Imprevu [1717], act I, sc. vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philippe Destouches@%%@QR:Destouches@%%@QR:Philippe Nericault@%%@QR:Nericault@%%@CR:N1680DESP30     @%%@2@%   Criticism is easy, art is difficult.%@NL@%%@EH@%
%@NL@%
Philippe Destouches
%@NL@%Le Glorieux [1732], act II, sc. v

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Young%@AE@%%@EH@%
%@NL@%
%@AB@%1683-1765%@AE@%
%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE10     @%%@2@%The love of praise, howe'er concealed by art,%@NL@%%@EH@%
Reigns more or less, and glows in ev'ry heart.%@NL@%

%@NL@%Edward Young
%@NL@%Love of Fame [1725-1728], satireI,l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE20     @%%@2@%Some for renown, on scraps of learning dote,%@NL@%%@EH@%
And think they grow immortal as they quote.%@NL@%

%@NL@%Edward Young
%@NL@%Love of Fame [1725-1728], satireI,l. 89

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE30     @%%@2@%Be wise with speed;%@NL@%%@EH@%
A fool at forty is a fool indeed.%@NL@%

%@NL@%Edward Young
%@NL@%Love of Fame [1725-1728], satireII,l. 282

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE40     @%%@2@%Forever most divinely in the wrong.%@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%Love of Fame [1725-1728], satireVI,l. 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE50     @%%@2@%For her own breakfast she'll project a scheme,%@NL@%%@EH@%
Nor take her tea without a stratagem.%@NL@%

%@NL@%Edward Young
%@NL@%Love of Fame [1725-1728], satireVI,l. 187

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE60     @%%@2@%One to destroy, is murder by the law;%@NL@%%@EH@%
And gibbets keep the lifted hand in awe;%@NL@%
To murder thousands takes a specious name,%@NL@%
War's glorious art, and gives immortal fame. 1  2  3 %@NL@%

%@NL@%Edward Young
%@NL@%Love of Fame [1725-1728], satireVII,l. 55

%@NL@%%@AI@%1 See Seneca%@BO:           e9480@%%@AE@%
%@AI@%2 See Porteus%@BO:          2ee3cb@%%@AE@%
%@AI@%3 See J. R. Lowell%@BO:          44394a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE70     @%%@2@%The man that makes a character makes foes.%@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%To Mr. Pope, epistle I, l. 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE80     @%%@2@%In records that defy the tooth of time.%@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%The Statesman's Creed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE90     @%%@2@%Tired nature's sweet restorer, balmy sleep!%@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night I,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE100    @%%@2@%Night, sable goddess! from her ebon throne,%@NL@%%@EH@%
In rayless majesty, now stretches forth%@NL@%
Her leaden scepter o'er a slumbering world.%@NL@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night I,l. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE110    @%%@2@%Creation sleeps! 'Tis as the general pulse%@NL@%%@EH@%
Of life stood still, and Nature made a pause;%@NL@%
An awful pause! prophetic of her end.%@NL@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night I,l. 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE120    @%%@2@%The bell strikes one. We take no note of time%@NL@%%@EH@%
But from its loss.%@NL@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night I,l. 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE130    @%%@2@%Be wise today; 'tis madness to defer. 1  2 %@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night I,l. 390

%@NL@%%@AI@%1 See Euripides%@BO:           a0e54@%%@AE@%
%@AI@%2 See Congreve%@BO:          28aab4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE140    @%%@2@%Procrastination is the thief of time.%@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night I,l. 393

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE150    @%%@2@%At thirty, man suspects himself a fool;%@NL@%%@EH@%
Knows it at forty, and reforms his plan;%@NL@%
At fifty chides his infamous delay,%@NL@%
Pushes his prudent purpose to resolve;%@NL@%
In all the magnanimity of thought%@NL@%
Resolves, and re-resolves; then dies the same.%@NL@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night I,l. 417

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE160    @%%@2@%All men think all men mortal but themselves.%@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night I,l. 424

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE170    @%%@2@%Man wants but little, nor that little long. 1  2 %@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night IV,l. 118

%@NL@%%@AI@%1 See Goldsmith%@BO:          2dd3a0@%%@AE@%
%@AI@%2 See John Quincy Adams%@BO:          333102@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE180    @%%@2@%A God all mercy is a God unjust.%@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night IV,l. 233

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE190    @%%@2@%By night an atheist half believes a God. 1 %@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night V,l. 177

%@NL@%%@AI@%1 See W. T. Cummings%@BO:          625946@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE200    @%%@2@%Like our shadows,%@NL@%%@EH@%
Our wishes lengthen as our sun declines.%@NL@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night V,l. 661

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE210    @%%@2@%Death loves a shining mark, a signal blow. 1 %@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night V,l. 1011

%@NL@%%@AI@%1 See Quarles%@BO:          22036f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE220    @%%@2@%Too low they build, who build beneath the stars.%@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night VIII,l. 215

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE230    @%%@2@%Final Ruin fiercely drives%@NL@%%@EH@%
Her plowshare o'er creation. 1 %@NL@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night IX,l. 167

%@NL@%%@AI@%1 See Burns%@BO:          322ae1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Young@%%@QR:Young@%%@CR:N1683YOUE240    @%%@2@%An undevout astronomer is mad.%@NL@%%@EH@%

%@NL@%Edward Young
%@NL@%Night Thoughts [1742-1745].Night IX,l. 771

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir William Pulteney, Earl of Bath%@AE@%%@EH@%
%@NL@%
%@AB@%1684-1764%@AE@%
%@FN@%
One of "the three grand allies," the others being Stanhope and Walpole.
Walpole said that he feared Pulteney's tongue more than another man's sword.
%@EF@%
%@NL@%%@NL@%

%@QR:Sir William Pulteney, Earl of Bath@%%@QR:Pulteney@%%@CR:N1684PULW20     @%%@2@%Since twelve honest men have decided the cause,%@NL@%%@EH@%
And were judges of facts, though not judges of laws.%@NL@%

%@NL@%Sir William Pulteney, Earl of Bath
%@NL@%The Honest Jury [1731], III

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Berkeley%@AE@%%@EH@%
%@NL@%
%@AB@%1685-1753%@AE@%
%@NL@%%@NL@%

%@QR:George Berkeley@%%@QR:Berkeley@%%@CR:N1685BERG10     @%%@2@%   And what are these fluxions? The velocities of evanescent increments. And%@EH@%
what are these same evanescent increments? They are neither finite
quantities, nor quantities infinitely small, nor yet nothing. May we not
call them ghosts of departed quantities?%@NL@%
%@NL@%
George Berkeley
%@NL@%The Analyst [1734], sec. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Berkeley@%%@QR:Berkeley@%%@CR:N1685BERG20     @%%@2@%   [Tar water] is of a nature so mild and benign and proportioned to the%@EH@%
human constitution, as to warm without heating, to cheer but not inebriate.
1 %@NL@%
%@NL@%
George Berkeley
%@NL@%Siris [1744],par. 217

%@NL@%%@AI@%1 See Cowper%@BO:          2ec105@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Berkeley@%%@QR:Berkeley@%%@CR:N1685BERG30     @%%@2@%   Truth is the cry of all, but the game of the few.%@NL@%%@EH@%
%@NL@%
George Berkeley
%@NL@%Siris [1744],par. 368

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Berkeley@%%@QR:Berkeley@%%@CR:N1685BERG40     @%%@2@%   He who says there is no such thing as an honest man, you may be sure is%@EH@%
himself a knave.%@NL@%
%@NL@%
George Berkeley
%@NL@%Maxims Concerning Patriotism

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Westward the star of empire takes its way.-John Quincy Adams, Oration at
Plymouth [1802]  %@EF@%
%@QR:George Berkeley@%%@QR:Berkeley@%%@CR:N1685BERG50     @%%@2@%Westward the course of empire takes its way;%@NL@%%@EH@%
The four first acts already past,%@NL@%
A fifth shall close the drama with the day:%@NL@%
Time's noblest offspring is the last.%@NL@%

%@NL@%George Berkeley
%@NL@%On the Prospect of Planting Arts and Learning in America [1752], st. 6

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jane Brereton%@AE@%%@EH@%
%@NL@%
%@AB@%1685-1740%@AE@%
%@NL@%%@NL@%

%@QR:Jane Brereton@%%@QR:Brereton@%%@CR:N1685BREJ10     @%%@2@%The picture placed the busts between,%@NL@%%@EH@%
Adds to the thought much strength,%@NL@%
Wisdom, and Wit are little seen,%@NL@%
But Folly's at full length.%@NL@%

%@NL@%Jane Brereton
%@NL@%%@FN@%
In Alexander Dyce [1798-1869], Specimens of British Poetesses. This epigram
is generally ascribed to Chesterfield.  %@EF@%
On Beau Nash's Picture at Full Length Between the Busts of Sir
Isaac Newton and Mr. Pope

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Aaron Hill%@AE@%%@EH@%
%@NL@%
%@AB@%1685-1750%@AE@%
%@NL@%%@NL@%

%@FN@%
The world's a nettle; disturb it, it stings:/Grasp it firmly, it stings
not.-Owen Meredith [E. R. Bulwer-Lytton], Lucile [1860], pt. I, canto 3, st.
2  %@EF@%
%@QR:Aaron Hill@%%@QR:Hill@%%@CR:N1685HILA10     @%%@2@%Tender-handed stroke a nettle,%@NL@%%@EH@%
And it stings you for your pains;%@NL@%
Grasp it like a man of mettle,%@NL@%
And it soft as silk remains.%@NL@%

%@NL@%Aaron Hill
%@NL@%Verses Written on a Window in Scotland

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Madden%@AE@%%@EH@%
%@NL@%
%@AB@%1686-1765%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Madden@%%@QR:Madden@%%@CR:N1686MADS10     @%%@2@%   In an orchard there should be enough to eat, enough to lay up, enough to%@EH@%
be stolen, and enough to rot upon the ground.%@NL@%
%@NL@%
Samuel Madden
%@NL@%Quoted by Samuel Johnson [1783]. FromBoswell,
Life of Johnson [1791], vol. II, p. 457 (Everyman edition)

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Allan Ramsay%@AE@%%@EH@%
%@NL@%
%@AB@%1686-1758%@AE@%
%@NL@%%@NL@%

%@QR:Allan Ramsay@%%@QR:Ramsay@%%@CR:N1686RAMA10     @%%@2@%Farewell to Lochaber, farewell to my Jean.%@NL@%%@EH@%

%@NL@%Allan Ramsay
%@NL@%Lochaber No More [1724], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Carey%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1687-1743%@AE@%
%@NL@%%@NL@%

%@QR:Henry Carey@%%@QR:Carey@%%@CR:N1687CARH10     @%%@2@%Namby Pamby's little rhymes,%@NL@%%@EH@%
Little jingle, little chimes.%@NL@%

%@NL@%Henry Carey
%@NL@%%@FN@%
Ambrose Phillips . . . who had the honor of bringing into fashion a species
of composition which has been called, after his name, Namby Pamby.-Macaulay,
Review of Aikin's Life of Addison [1843]  %@EF@%
Namby Pamby

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Carey@%%@QR:Carey@%%@CR:N1687CARH30     @%%@2@%Of all the girls that are so smart,%@NL@%%@EH@%
There's none like pretty Sally.%@NL@%
She is the darling of my heart,%@NL@%
And she lives in our alley.%@NL@%

%@NL@%Henry Carey
%@NL@%Sally in Our Alley [1729], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Carey@%%@QR:Carey@%%@CR:N1687CARH40     @%%@2@%God save our gracious king!%@NL@%%@EH@%
Long live our noble king!%@NL@%
God save the king!%@NL@%

%@NL@%Henry Carey
%@NL@%God Save the King [c. 1740]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Gay%@AE@%%@EH@%
%@NL@%
%@AB@%1688-1732%@AE@%
%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ10     @%%@2@%'Twas when the seas were roaring%@NL@%%@EH@%
With hollow blasts of wind,%@NL@%
A damsel lay deploring,%@NL@%
All on a rock reclined.%@NL@%

%@NL@%John Gay
%@NL@%The What D'ye Call It [1715], act II, sc. viii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ15     @%%@2@%Now Cynthia, named fair regent of the night.%@NL@%%@EH@%

%@NL@%John Gay
%@NL@%Trivia [1716], bk. III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ20     @%%@2@%All in the Downs the fleet was moored.%@NL@%%@EH@%

%@NL@%John Gay
%@NL@%Sweet William's Farewell to Black-eyed Susan [1720]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ30     @%%@2@%Adieu! she cries; and waved her lily hand.%@NL@%%@EH@%

%@NL@%John Gay
%@NL@%Sweet William's Farewell to Black-eyed Susan [1720]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ40     @%%@2@%My lodging is on the cold ground,%@NL@%%@EH@%
And hard, very hard, is my fare,%@NL@%
But that which grieves me more%@NL@%
Is the coldness of my dear.%@NL@%

%@NL@%John Gay
%@NL@%My Lodging Is on the Cold Ground [1720], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ50     @%%@2@%Whence is thy learning? Hath thy toil%@NL@%%@EH@%
O'er books consumed the midnight oil?%@NL@%

%@NL@%John Gay
%@NL@%Fables, pt.I [1727].The Shepherd and the Philosopher

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ60     @%%@2@%Where yet was ever found a mother%@NL@%%@EH@%
Who'd give her booby for another?%@NL@%

%@NL@%John Gay
%@NL@%Fables, pt.I [1727].The Mother, the Nurse, and the Fairy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ70     @%%@2@%When we risk no contradiction,%@NL@%%@EH@%
It prompts the tongue to deal in fiction.%@NL@%

%@NL@%John Gay
%@NL@%Fables, pt.I [1727].The Elephant and the Bookseller

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ80     @%%@2@%Those who in quarrels interpose%@NL@%%@EH@%
Must often wipe a bloody nose.%@NL@%

%@NL@%John Gay
%@NL@%Fables, pt.I [1727].The Mastiffs

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ90     @%%@2@%I hate the man who builds his name%@NL@%%@EH@%
On ruins of another's fame.%@NL@%

%@NL@%John Gay
%@NL@%Fables, pt.I [1727].The Poet and the Rose

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ100    @%%@2@%And when a lady's in the case,%@NL@%%@EH@%
You know all other things give place.%@NL@%

%@NL@%John Gay
%@NL@%Fables, pt.I [1727].The Hare and Many Friends

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ110    @%%@2@%In every age and clime we see%@NL@%%@EH@%
Two of a trade can never agree. 1  2 %@NL@%

%@NL@%John Gay
%@NL@%Fables, pt.I [1727].The Rat-catcher and Cat

%@NL@%%@AI@%1 See Hesiod%@BO:           87885@%%@AE@%
%@AI@%2 See Meredith%@BO:          47a0b5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ120    @%%@2@%From wine what sudden friendship springs!%@NL@%%@EH@%

%@NL@%John Gay
%@NL@%Fables, pt.II [1738]. The Squire and His Cur

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ130    @%%@2@%O Polly, you might have toyed and kissed,%@NL@%%@EH@%
By keeping men off, you keep them on.%@NL@%

%@NL@%John Gay
%@NL@%The Beggar's Opera [1728],
 1  actI, sc.iv, air 9

%@NL@%%@AI@%1 See Brecht%@CF:N1898BREB3      @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Tennyson and Anonymous  O'er the hills and far away.-Thomas D'Urfey
[1653-1723], Pills to Purge Melancholy [1719]  %@EF@%
%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ140    @%%@2@%If with me you'd fondly stray.%@NL@%%@EH@%
Over the hills and far away.%@NL@%

%@NL@%John Gay
%@NL@%The Beggar's Opera [1728],
 1  actI, sc.xiii, air 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ150    @%%@2@%Fill ev'ry glass, for wine inspires us,%@NL@%%@EH@%
And fires us%@NL@%
With courage, love and joy.%@NL@%
Women and wine should life employ.%@NL@%
Is there ought else on earth desirous?%@NL@%

%@NL@%John Gay
%@NL@%The Beggar's Opera [1728],
 1  actII, sc.i, air 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ160    @%%@2@%If the heart of a man is depressed with cares,%@NL@%%@EH@%
The mist is dispelled when a woman appears.%@NL@%

%@NL@%John Gay
%@NL@%The Beggar's Opera [1728],
 1  actII, sc.iii, air 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ170    @%%@2@%Youth's the season made for joys,%@NL@%%@EH@%
Love is then our duty.%@NL@%

%@NL@%John Gay
%@NL@%The Beggar's Opera [1728],
 1  actII, sc.iv, air 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ180    @%%@2@%Man may escape from rope and gun;%@NL@%%@EH@%
Nay, some have outlived the doctor's pill:%@NL@%
Who takes a woman must be undone,%@NL@%
That basilisk is sure to kill.%@NL@%
The fly that sips treacle is lost in the sweets,%@NL@%
So he that tastes woman, woman, woman,%@NL@%
He that tastes woman, ruin meets.%@NL@%

%@NL@%John Gay
%@NL@%The Beggar's Opera [1728],
 1  actII, sc.viii, air 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ190    @%%@2@%How happy could I be with either,%@NL@%%@EH@%
Were t'other dear charmer away!%@NL@%

%@NL@%John Gay
%@NL@%The Beggar's Opera [1728],
 1  actII, sc.xiii, air 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ200    @%%@2@%The charge is prepared; the lawyers are met;%@NL@%%@EH@%
The Judges all ranged (a terrible show!)%@NL@%

%@NL@%John Gay
%@NL@%The Beggar's Opera [1728],
 1  actIII, sc. xi, air 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Life is an empty dream.-Browning, Paracelsus II [1835]  Life seems a jest of
Fate's contriving.-J. R. Lowell, Harvard Commemoration Ode [1865], IV  %@EF@%
%@QR:John Gay@%%@QR:Gay@%%@CR:N1688GAYJ210    @%%@2@%Life is a jest; and all things show it.%@NL@%%@EH@%
I thought so once; but now I know it.%@NL@%

%@NL@%John Gay
%@NL@%My Own Epitaph

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pierre Carlet de Chamblain de Marivaux%@AE@%%@EH@%
%@NL@%
%@AB@%1688-1763%@AE@%
%@NL@%%@NL@%

%@QR:Pierre Carlet de Chamblain de Marivaux@%%@QR:Marivaux@%%@CR:N1688MARP10     @%%@2@%   In this world, you must be a bit too kind in order to be kind enough.%@NL@%%@EH@%
%@NL@%
Pierre Carlet de Chamblain de Marivaux
%@NL@%Le Jeu de l'Amour et du Hasard [1730], act I, sc. ii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alexander Pope%@AE@%%@EH@%
%@NL@%
%@AB@%1688-1744%@AE@%
%@FN@%
A thousand years may elapse before there shall appear another man with a
power of versification equal to that of Pope.-Johnson [1781]; from Boswell,
Life of Johnson [1791]  %@EF@%
%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA20     @%%@2@%Happy the man whose wish and care%@NL@%%@EH@%
A few paternal acres bound,%@NL@%
Content to breathe his native air%@NL@%
In his own ground. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%Ode on Solitude [c. 1700],st. 1

%@NL@%%@AI@%1 See Horace%@BO:           d8113@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA30     @%%@2@%Thus let me live, unseen, unknown,%@NL@%%@EH@%
Thus unlamented let me die,%@NL@%
Steal from the world, and not a stone%@NL@%
Tell where I lie.%@NL@%

%@NL@%Alexander Pope
%@NL@%Ode on Solitude [c. 1700],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA40     @%%@2@%Where'er you walk, cool gales shall fan the glade,%@NL@%%@EH@%
Trees, where you sit, shall crowd into a shade:%@NL@%
Where'er you tread, the blushing flow'rs shall rise,%@NL@%
And all things flourish where you turn your eyes.%@NL@%

%@NL@%Alexander Pope
%@NL@%Pastorals [written 1704]. Summer, l. 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA50     @%%@2@%Nor Fame I slight, nor for her favors call;%@NL@%%@EH@%
She comes unlooked for, if she comes at all.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Temple of Fame [1711], l. 513

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA60     @%%@2@%How vast a memory has Love!%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Sappho to Phaon [1712], l. 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA70     @%%@2@%'Tis with our judgments as our watches, none%@NL@%%@EH@%
Go just alike, yet each believes his own. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.I,l. 9

%@NL@%%@AI@%1 See Suckling%@BO:          24ac9e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA80     @%%@2@%Let such teach others who themselves excel,%@NL@%%@EH@%
And censure freely who have written well.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.I,l. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA90     @%%@2@%Some are bewildered in the maze of schools,%@NL@%%@EH@%
And some made coxcombs nature meant but fools.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.I,l. 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA100    @%%@2@%Those oft are stratagems which errors seem,%@NL@%%@EH@%
Nor is it Homer nods, but we that dream. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.I,l. 177

%@NL@%%@AI@%1 See Horace%@BO:           defd1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA110    @%%@2@%Of all the causes which conspire to blind%@NL@%%@EH@%
Man's erring judgment, and misguide the mind,%@NL@%
What the weak head with strongest bias rules,%@NL@%
Is pride, the never-failing vice of fools.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA120    @%%@2@%A little learning is a dangerous thing; 1 %@NL@%%@EH@%
Drink deep, or taste not the Pierian spring:%@NL@%
There shallow draughts intoxicate the brain,%@NL@%
And drinking largely sobers us again.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 15

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e3c43@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA130    @%%@2@%Hills peep o'er hills, and Alps on Alps arise!%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA140    @%%@2@%'Tis not a lip, or eye, we beauty call,%@NL@%%@EH@%
But the joint force and full result of all.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA150    @%%@2@%Whoever thinks a faultless piece to see,%@NL@%%@EH@%
Thinks what ne'er was, nor is, nor e'er shall be. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 53

%@NL@%%@AI@%1 See Suckling%@BO:          24aebc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA160    @%%@2@%True wit is nature to advantage dressed,%@NL@%%@EH@%
What oft was thought, but ne'er so well expressed.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA170    @%%@2@%Words are like leaves; and where they most abound,%@NL@%%@EH@%
Much fruit of sense beneath is rarely found.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA180    @%%@2@%Such labored nothings, in so strange a style,%@NL@%%@EH@%
Amaze th' unlearned, and make the learned smile.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 126

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA190    @%%@2@%Be not the first by whom the new are tried,%@NL@%%@EH@%
Nor yet the last to lay the old aside.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA200    @%%@2@%As some to church repair,%@NL@%%@EH@%
Not for the doctrine, but the music there.%@NL@%
These equal syllables alone require,%@NL@%
Though oft the ear the open vowels tire;%@NL@%
While expletives their feeble aid do join,%@NL@%
And ten low words oft creep in one dull line.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 142

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA210    @%%@2@%Then, at the last and only couplet fraught%@NL@%%@EH@%
With some unmeaning thing they call a thought,%@NL@%
A needless Alexandrine ends the song,%@NL@%
That, like a wounded snake, drags its slow length along.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 156

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Imitations of Horace [1737], epistle II, bk. II, l. 178.  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA220    @%%@2@%True ease in writing comes from art, not chance,%@NL@%%@EH@%
As those move easiest who have learned to dance.%@NL@%
'Tis not enough no harshness gives offense;%@NL@%
The sound must seem an echo to the sense.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 162

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA230    @%%@2@%At ev'ry trifle scorn to take offense.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 186

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA240    @%%@2@%Yet let not each gay turn thy rapture move;%@NL@%%@EH@%
For fools admire, but men of sense approve.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 190

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA250    @%%@2@%Some judge of authors' names, not works, and then%@NL@%%@EH@%
Nor praise nor blame the writings, but the men.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 212

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA260    @%%@2@%What woeful stuff this madrigal would be,%@NL@%%@EH@%
In some starved hackney sonneteer, or me!%@NL@%
But let a lord once own the happy lines,%@NL@%
How the wit brightens! how the style refines!%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 218

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA270    @%%@2@%Some praise at morning what they blame at night,%@NL@%%@EH@%
But always think the last opinion right.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 230

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Plutarch, Anonymous Latin, and Shirley  Then gently scan your brother
man,/Still gentler sister woman;/Though they may gang a kennin' wrang./To
step aside is human.-Robert Burns, Address to the Unco Guid [1787]  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA280    @%%@2@%To err is human, to forgive divine.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 525

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA300    @%%@2@%All seems infected that th' infected spy,%@NL@%%@EH@%
As all looks yellow to the jaundiced eye.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.II,l. 558

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA310    @%%@2@%Be silent always when you doubt your sense.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.III,l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA320    @%%@2@%Men must be taught as if you taught them not,%@NL@%%@EH@%
And things unknown proposed as things forgot.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.III,l. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA330    @%%@2@%The bookful blockhead ignorantly read,%@NL@%%@EH@%
With loads of learned lumber in his head,%@NL@%
With his own tongue still edifies his ears,%@NL@%
And always list'ning to himself appears.%@NL@%
All books he reads, and all he reads assails.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.III,l. 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA340    @%%@2@%For fools rush in where angels fear to tread. 1 %@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.III,l. 66

%@NL@%%@AI@%1 See Shakespeare%@BO:          17039c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA350    @%%@2@%But where's the man who counsel can bestow,%@NL@%%@EH@%
Still pleased to teach, and yet not proud to know? 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.III,l. 72

%@NL@%%@AI@%1 See Chaucer%@BO:          120c8d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA360    @%%@2@%Careless of censure, nor too fond of fame,%@NL@%%@EH@%
Still pleased to praise, yet not afraid to blame,%@NL@%
Averse alike to flatter or offend,%@NL@%
Not free from faults, nor yet too vain to mend.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Criticism [1711], pt.III,l. 182

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA370    @%%@2@%Vital spark of heav'nly flame!%@NL@%%@EH@%
Quit, oh quit, this mortal frame:%@NL@%
Trembling, hoping, ling'ring, flying,%@NL@%
Oh the pain, the bliss of dying! 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%The Dying Christian to His Soul [1712], st. 1

%@NL@%%@AI@%1 See Hadrian%@BO:           f9a91@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA380    @%%@2@%What dire offense from amorous causes springs,%@NL@%%@EH@%
What mighty contests rise from trivial things! 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%The Rape of the Lock [1712], cantoI, l. 1

%@NL@%%@AI@%1 See Robert Burton%@BO:          20f444@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA390    @%%@2@%On her white breast a sparkling cross she wore,%@NL@%%@EH@%
Which Jews might kiss, and infidels adore.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Rape of the Lock [1712], cantoII,l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA400    @%%@2@%If to her share some female errors fall,%@NL@%%@EH@%
Look on her face, and you'll forget 'em all.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Rape of the Lock [1712], cantoII,l. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA410    @%%@2@%Fair tresses man's imperial race ensnare,%@NL@%%@EH@%
And beauty draws us with a single hair. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%The Rape of the Lock [1712], cantoII,l. 27

%@NL@%%@AI@%1 See Robert Burton%@BO:          212474@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Queen Anne [1665-1714].  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA420    @%%@2@%Here thou, great Anna! whom three realms obey,%@NL@%%@EH@%
Dost sometimes counsel take-and sometimes tea.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Rape of the Lock [1712], cantoIII,l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA430    @%%@2@%At every word a reputation dies.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%The Rape of the Lock [1712], cantoIII,l. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA440    @%%@2@%The hungry judges soon the sentence sign,%@NL@%%@EH@%
And wretches hang that jurymen may dine.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Rape of the Lock [1712], cantoIII,l. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA450    @%%@2@%Let spades be trumps! she said, and trumps they were.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%The Rape of the Lock [1712], cantoIII,l. 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA460    @%%@2@%Coffee, which makes the politician wise.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%The Rape of the Lock [1712], cantoIII,l. 117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA470    @%%@2@%But when to mischief mortals bend their will,%@NL@%%@EH@%
How soon they find fit instruments of ill!%@NL@%

%@NL@%Alexander Pope
%@NL@%The Rape of the Lock [1712], cantoIII,l. 125

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA480    @%%@2@%The meeting points the sacred hair dissever%@NL@%%@EH@%
From the fair head, forever, and forever!%@NL@%
Then flashed the living lightning from her eyes,%@NL@%
And screams of horror rend th' affrighted skies.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Rape of the Lock [1712], cantoIII,l. 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA490    @%%@2@%Charms strike the sight, but merit wins the soul.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%The Rape of the Lock [1712], cantoV, l. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA500    @%%@2@%To wake the soul by tender strokes of art,%@NL@%%@EH@%
To raise the genius, and to mend the heart;%@NL@%
To make mankind, in conscious virtue bold,%@NL@%
Live o'er each scene, and be what they behold:%@NL@%
For this the Tragic Muse first trod the stage.%@NL@%

%@NL@%Alexander Pope
%@NL@%Prologue to Mr. Addison's Cato [1713],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA510    @%%@2@%A brave man struggling in the storms of fate,%@NL@%%@EH@%
And greatly falling with a falling state.%@NL@%

%@NL@%Alexander Pope
%@NL@%Prologue to Mr. Addison's Cato [1713],l. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA520    @%%@2@%Ignobly vain, and impotently great.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Prologue to Mr. Addison's Cato [1713],l. 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA530    @%%@2@%Here hills and vales, the woodland and the plain,%@NL@%%@EH@%
Here earth and water seem to strive again,%@NL@%
Not chaos-like together crushed and bruised,%@NL@%
But, as the world, harmoniously confused:%@NL@%
Where order in variety we see,%@NL@%
And where, though all things differ, all agree.%@NL@%

%@NL@%Alexander Pope
%@NL@%Windsor Forest [1713],l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA540    @%%@2@%Oft, as in airy rings they skim the heath,%@NL@%%@EH@%
The clam'rous lapwings feel the leaden death;%@NL@%
Oft, as the mounting larks their notes prepare,%@NL@%
They fall, and leave their little lives in air.%@NL@%

%@NL@%Alexander Pope
%@NL@%Windsor Forest [1713],l. 131

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA550    @%%@2@%   Party-spirit, which at best is but the madness of many for the gain of a%@EH@%
few. 1 %@NL@%
%@NL@%
Alexander Pope
%@NL@%Letter to E. Blount [August 27, 1714]

%@NL@%%@AI@%1 See Pope%@BO:          2a7698@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Another version is:  Achilles' wrath, to Greece the direful spring/Of woes
unnumbered, heavenly goddess, sing!  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA560    @%%@2@%The wrath of Peleus' son, the direful spring%@NL@%%@EH@%
Of all the Grecian woes, O goddess sing!%@NL@%

%@NL@%Alexander Pope
%@NL@%Translation of the Iliad [1715],
 1  bkI, l. 1

%@NL@%%@AI@%1 See Bentley%@BO:          281770@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA580    @%%@2@%She moves a goddess, and she looks a queen.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Translation of the Iliad [1715],
 1  bkIII, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA585    @%%@2@%Absent or dead, still let a friend be dear.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Epistle to Robert, Earl of Oxford and Mortimer [1721]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA590    @%%@2@%Tell me, Muse, of the man of many wiles. 1 %@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Translation of the Odyssey [1725-1756], bk.I,l. 1

%@NL@%%@AI@%1 See Homer%@BO:           83c87@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA600    @%%@2@%So perish all who do the like again.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Translation of the Odyssey [1725-1756], bk.I,l. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA610    @%%@2@%True friendship's laws are by this rule expressed,%@NL@%%@EH@%
Welcome the coming, speed the parting guest. 1  2 %@NL@%

%@NL@%Alexander Pope
%@NL@%Translation of the Odyssey [1725-1756], bk.XV, l. 83

%@NL@%%@AI@%1 See Homer%@BO:           8627a@%%@AE@%
%@AI@%2 See Pope%@BO:          2a4c2f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA620    @%%@2@%Dear, damned, distracting town, farewell!%@NL@%%@EH@%
Thy fools no more I'll tease:%@NL@%
This year in peace, ye critics, dwell,%@NL@%
Ye harlots, sleep at ease!%@NL@%

%@NL@%Alexander Pope
%@NL@%A Farewell to London [1715],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA630    @%%@2@%Luxurious lobster-nights, farewell,%@NL@%%@EH@%
For sober, studious days!%@NL@%

%@NL@%Alexander Pope
%@NL@%A Farewell to London [1715],st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA640    @%%@2@%Oh name forever sad! forever dear!%@NL@%%@EH@%
Still breathed in sighs, still ushered with a tear.%@NL@%

%@NL@%Alexander Pope
%@NL@%Eloisa to Abelard [1717],l. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA650    @%%@2@%Now warm in love, now with'ring in my bloom,%@NL@%%@EH@%
Lost in a convent's solitary gloom!%@NL@%

%@NL@%Alexander Pope
%@NL@%Eloisa to Abelard [1717],l. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA660    @%%@2@%Speed the soft intercourse from soul to soul,%@NL@%%@EH@%
And waft a sigh from Indus to the Pole.%@NL@%

%@NL@%Alexander Pope
%@NL@%Eloisa to Abelard [1717],l. 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA670    @%%@2@%No, make me mistress to the man I love;%@NL@%%@EH@%
If there be yet another name more free,%@NL@%
More fond than mistress, make me that to thee!%@NL@%

%@NL@%Alexander Pope
%@NL@%Eloisa to Abelard [1717],l. 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA680    @%%@2@%And if I lose thy love, I lose my all.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Eloisa to Abelard [1717],l. 118

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA690    @%%@2@%How happy is the blameless vestal's lot!%@NL@%%@EH@%
The world forgetting, by the world forgot.%@NL@%

%@NL@%Alexander Pope
%@NL@%Eloisa to Abelard [1717],l. 207

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Priests, altars, victims, swam before my sight.-Edmund Smith, Phaedra and
Hippolytus, adapted from Racine [1707], act I, sc. i  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA700    @%%@2@%One thought of thee puts all the pomp to flight,%@NL@%%@EH@%
Priests, tapers, temples, swim before my sight.%@NL@%

%@NL@%Alexander Pope
%@NL@%Eloisa to Abelard [1717],l. 273

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA720    @%%@2@%He best can paint them who shall feel them most.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Eloisa to Abelard [1717],l. 366

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA730    @%%@2@%What beck'ning ghost, along the moonlight shade%@NL@%%@EH@%
Invites my steps, and points to yonder glade?%@NL@%

%@NL@%Alexander Pope
%@NL@%Elegy to the Memory of an Unfortunate Lady [1717],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA740    @%%@2@%Is it, in Heav'n, a crime to love too well?%@NL@%%@EH@%
To bear too tender, or too firm a heart,%@NL@%
To act a lover's or a Roman's part?%@NL@%
Is there no bright reversion in the sky,%@NL@%
For those who greatly think, or bravely die?%@NL@%

%@NL@%Alexander Pope
%@NL@%Elegy to the Memory of an Unfortunate Lady [1717],l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA750    @%%@2@%Ambition first sprung from your blest abodes;%@NL@%%@EH@%
The glorious fault of Angels and of Gods.%@NL@%

%@NL@%Alexander Pope
%@NL@%Elegy to the Memory of an Unfortunate Lady [1717],l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA760    @%%@2@%By foreign hands thy dying eyes were closed,%@NL@%%@EH@%
By foreign hands thy decent limbs composed,%@NL@%
By foreign hands thy humble grave adorned,%@NL@%
By strangers honored, and by strangers mourned!%@NL@%

%@NL@%Alexander Pope
%@NL@%Elegy to the Memory of an Unfortunate Lady [1717],l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA770    @%%@2@%How loved, how honored once, avails thee not,%@NL@%%@EH@%
To whom related, or by whom begot;%@NL@%
A heap of dust alone remains of thee;%@NL@%
'Tis all thou art, and all the proud shall be!%@NL@%

%@NL@%Alexander Pope
%@NL@%Elegy to the Memory of an Unfortunate Lady [1717],l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA780    @%%@2@%The fate of all extremes is such,%@NL@%%@EH@%
Men may be read, as well as books, too much.%@NL@%
To observations which ourselves we make,%@NL@%
We grow more partial for th' observer's sake.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleI, To Lord Cobham [1734],l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA790    @%%@2@%Like following life through creatures you dissect,%@NL@%%@EH@%
You lose it in the moment you detect.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleI, To Lord Cobham [1734],l. 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA800    @%%@2@%Not always actions show the man: we find%@NL@%%@EH@%
Who does a kindness is not therefore kind.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleI, To Lord Cobham [1734],l. 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA810    @%%@2@%'Tis education forms the common mind:%@NL@%%@EH@%
Just as the twig is bent, the tree's inclined.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleI, To Lord Cobham [1734],l. 149

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA820    @%%@2@%Most women have no characters at all.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleII, To Mrs. M. Blount [1735],l. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA830    @%%@2@%Choose a firm cloud before it fall, and in it%@NL@%%@EH@%
Catch, ere she change, the Cynthia of this minute.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleII, To Mrs. M. Blount [1735],l. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA840    @%%@2@%Chaste to her husband, frank to all beside,%@NL@%%@EH@%
A teeming mistress, but a barren bride.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleII, To Mrs. M. Blount [1735],l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA850    @%%@2@%Wise wretch! with pleasures too refined to please;%@NL@%%@EH@%
With too much spirit to be e'er at ease;%@NL@%
With too much quickness ever to be taught;%@NL@%
With too much thinking to have common thought.%@NL@%
You purchase pain with all that joy can give,%@NL@%
And die of nothing but a rage to live.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleII, To Mrs. M. Blount [1735],l. 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA860    @%%@2@%"With ev'ry pleasing, ev'ry prudent part,%@NL@%%@EH@%
Say, what can Chloe want?"-She wants a heart.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleII, To Mrs. M. Blount [1735],l. 159

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA870    @%%@2@%In men, we various ruling passions find;%@NL@%%@EH@%
In women, two almost divide the kind;%@NL@%
Those, only fixed, they first or last obey,%@NL@%
The love of pleasure, and the love of sway.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleII, To Mrs. M. Blount [1735],l. 207

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA880    @%%@2@%Men, some to business, some to pleasure take;%@NL@%%@EH@%
But every woman is at heart a rake.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleII, To Mrs. M. Blount [1735],l. 215

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA890    @%%@2@%She who ne'er answers till a husband cools,%@NL@%%@EH@%
Or, if she rules him, never shows she rules;%@NL@%
Charms by accepting, by submitting, sways,%@NL@%
Yet has her humor most, when she obeys.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleII, To Mrs. M. Blount [1735],l. 261

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA900    @%%@2@%And mistress of herself, though china fall.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleII, To Mrs. M. Blount [1735],l. 268

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA910    @%%@2@%Woman's at best a contradiction still.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleII, To Mrs. M. Blount [1735],l. 270

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
When doctors differ who decides amid the milliard-headed throng?-Sir Richard
Francis Burton [1821-1890], The Kasidah of Haji Abdu El-Yazdi, VIII, 29  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA920    @%%@2@%Who shall decide when doctors disagree?%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleIII, To Lord Bathurst [1732],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA940    @%%@2@%But thousands die, without or this or that,%@NL@%%@EH@%
Die, and endow a college, or a cat.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleIII, To Lord Bathurst [1732],l. 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA950    @%%@2@%The ruling passion, be it what it will,%@NL@%%@EH@%
The ruling passion conquers reason still.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleIII, To Lord Bathurst [1732],l. 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA960    @%%@2@%Satan now is wiser than of yore, %@NL@%%@EH@%
And tempts by making rich, not making poor.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleIII, To Lord Bathurst [1732],l. 351

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA970    @%%@2@%Good sense, which only is the gift of Heaven,%@NL@%%@EH@%
And though no science, fairly worth the seven.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleIV, To Lord Burlington [1731], l. 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA980    @%%@2@%Statesman, yet friend to truth! of soul sincere,%@NL@%%@EH@%
In action faithful, and in honor clear;%@NL@%
Who broke no promise, served no private end,%@NL@%
Who gained no title, and who lost no friend.%@NL@%

%@NL@%Alexander Pope
%@NL@%Moral Essays [1720-1735]. EpistleVII, To Mr. Addison [1720], l. 67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Blessed are those that nought expect,/For they shall not be
disappointed.-John Wolcot [Peter Pindar] [1738-1819], Ode to Pitt  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA991    @%%@2@%   "Blessed is the man who expects nothing, for he shall never be%@EH@%
disappointed" was the ninth beatitude.%@NL@%
%@NL@%
Alexander Pope
%@NL@%Letter to Fortescue [September 23, 1725]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
His wit invites you by his looks to come,/But when you knock, it never is at
home.-Cowper, Conversation [1782], l. 303  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1010   @%%@2@%You beat your pate, and fancy wit will come:%@NL@%%@EH@%
Knock as you please, there's nobody at home.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epigram: An Empty House [1727]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1030   @%%@2@%Ye Gods! annihilate but space and time,%@NL@%%@EH@%
And make two lovers happy.%@NL@%

%@NL@%Alexander Pope
%@NL@%Martinus Scriblerus on the Art of Sinking in Poetry [1728], ch. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1040   @%%@2@%In wit a man, simplicity a child.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Epitaph on Gay [1732] 1

%@NL@%%@AI@%1 See Gay%@CF:N1688GAYJ       @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Bolingbroke.  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1050   @%%@2@%Awake, my St. John! leave all meaner things%@NL@%%@EH@%
To low ambition, and the pride of kings.%@NL@%
Let us, since life can little more supply%@NL@%
Than just to look about us, and to die,%@NL@%
Expatiate free o'er all this scene of man;%@NL@%
A mighty maze! but not without a plan.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1060   @%%@2@%Eye Nature's walks, shoot folly as it flies,%@NL@%%@EH@%
And catch the manners living as they rise:%@NL@%
Laugh where we must, be candid where we can;%@NL@%
But vindicate the ways of God to man. 1  2 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 13

%@NL@%%@AI@%1 See Milton%@BO:          248fdf@%%@AE@%
%@AI@%2 See Housman%@BO:          518d4c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1070   @%%@2@%Say first, of God above or man below,%@NL@%%@EH@%
What can we reason but from what we know?%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1080   @%%@2@%Pleased to the last, he crops the flowery food,%@NL@%%@EH@%
And licks the hand just raised to shed his blood.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1090   @%%@2@%Who sees with equal eye, as God of all,%@NL@%%@EH@%
A hero perish or a sparrow fall, 1  2 %@NL@%
Atoms or systems into ruin hurled,%@NL@%
And now a bubble burst, and now a world.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 87

%@NL@%%@AI@%1 See Matthew 10:29%@BO:           528fc@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          1c8c93@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1100   @%%@2@%Hope springs eternal in the human breast:%@NL@%%@EH@%
Man never is, but always to be blest.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1110   @%%@2@%Lo, the poor Indian! whose untutored mind%@NL@%%@EH@%
Sees God in clouds, or hears him in the wind;%@NL@%
His soul proud Science never taught to stray%@NL@%
Far as the solar walk or milky way;%@NL@%
Yet simple nature to his hope has giv'n,%@NL@%
Behind the cloud-topped hill, an humbler heav'n.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1120   @%%@2@%But thinks, admitted to that equal sky,%@NL@%%@EH@%
His faithful dog shall bear him company.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 111

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1130   @%%@2@%In pride, in reas'ning pride, our error lies;%@NL@%%@EH@%
All quit their sphere, and rush into the skies!%@NL@%
Pride still is aiming at the blessed abodes,%@NL@%
Men would be Angels, Angels would be Gods.%@NL@%
Aspiring to be Gods if Angels fell,%@NL@%
Aspiring to be Angels men rebel.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1140   @%%@2@%Seas roll to waft me, suns to light me rise;%@NL@%%@EH@%
My footstool earth, my canopy the skies. 1  2  3 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 139

%@NL@%%@AI@%1 See Matthew 5:35%@BO:           4ee2c@%%@AE@%
%@AI@%2 See Wells%@BO:          54921f@%%@AE@%
%@AI@%3 See Day%@BO:          574b2e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1160   @%%@2@%Die of a rose in aromatic pain?%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 200

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1170   @%%@2@%All are but parts of one stupendous whole,%@NL@%%@EH@%
Whose body Nature is, and God the soul.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 267

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
There is no great and no small/To the Soul that maketh all.-Emerson
[1803-1882], Epigraph to History  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1180   @%%@2@%As full, as perfect, in vile man that mourns%@NL@%%@EH@%
As the rapt seraph that adores and burns.%@NL@%
To Him no high, no low, no great, no small;%@NL@%
He fills, he bounds, connects, and equals all!%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 277

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1200   @%%@2@%All nature is but art unknown to thee,%@NL@%%@EH@%
All chance, direction which thou canst not see;%@NL@%
All discord, harmony not understood;%@NL@%
All partial evil, universal good;%@NL@%
And, spite of pride, in erring reason's spite,%@NL@%
One truth is clear, Whatever is, is right. 1  2 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleI,l. 289

%@NL@%%@AI@%1 See Marcus Aurelius%@BO:           fafd1@%%@AE@%
%@AI@%2 See Dryden%@BO:          2655a1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See The Seven Sages  Trees and fields tell me nothing: men are my
teachers.-Plato [c. 428-348  B.C. ], Phaedrus  La vraie science et la vraie
etude de l'homme, c'est l'homme [The true science and the true study of man
is man].-Pierre Charron, Traite de la Sagesse [1601], bk. I, preface  Das
eigentliche Studium der Menschheit ist der Mensch [The proper study of
mankind is man].-Goethe, Elective Affinities [1808], bk. II, ch. 7  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1210   @%%@2@%Know then thyself, presume not God to scan;%@NL@%%@EH@%
The proper study of mankind is man.%@NL@%
Placed on this isthmus of a middle state,%@NL@%
A being darkly wise and rudely great:%@NL@%
With too much knowledge for the skeptic side,%@NL@%
With too much weakness for the stoic's pride,%@NL@%
He hangs between; in doubt to act or rest;%@NL@%
In doubt to deem himself a god, or beast;%@NL@%
In doubt his mind or body to prefer;%@NL@%
Born but to die, and reas'ning but to err;%@NL@%
Alike in ignorance, his reason such,  %@NL@%
Whether he thinks too little or too much;%@NL@%
Chaos of thought and passion, all confused;%@NL@%
Still by himself abused, or disabused;%@NL@%
Created half to rise, and half to fall;%@NL@%
Great lord of all things, yet a prey to all;%@NL@%
Sole judge of truth, in endless error hurled;%@NL@%
The glory, jest, and riddle of the world! 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleII,l. 1

%@NL@%%@AI@%1 See Pascal%@BO:          25fcde@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1240   @%%@2@%Fixed like a plant on his peculiar spot,%@NL@%%@EH@%
To draw nutrition, propagate, and rot.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleII,l. 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1250   @%%@2@%And hence one master passion in the breast,%@NL@%%@EH@%
Like Aaron's serpent, swallows up the rest. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleII,l. 131

%@NL@%%@AI@%1 See Exodus 7:12%@BO:            c8a3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1260   @%%@2@%Vice is a monster of so frightful mien,%@NL@%%@EH@%
As to be hated needs but to be seen; 1 %@NL@%
Yet seen too oft, familiar with her face,%@NL@%
We first endure, then pity, then embrace.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleII,l. 217

%@NL@%%@AI@%1 See Dryden%@BO:          2690bd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1270   @%%@2@%The learned is happy Nature to explore,%@NL@%%@EH@%
The fool is happy that he knows no more;%@NL@%
The rich is happy in the plenty giv'n,%@NL@%
The poor contents him with the care of Heav'n.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleII,l. 263

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1280   @%%@2@%Behold the child, by Nature's kindly law,%@NL@%%@EH@%
Pleased with a rattle, tickled with a straw:%@NL@%
Some livelier plaything gives his youth delight,%@NL@%
A little louder, but as empty quite:%@NL@%
Scarfs, garters, gold, amuse his riper stage,%@NL@%
And beads and prayer books are the toys of age!%@NL@%
Pleased with this bauble still, as that before;%@NL@%
Till tired he sleeps, and life's poor play is o'er.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleII,l. 274

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1290   @%%@2@%Learn of the little nautilus to sail,%@NL@%%@EH@%
Spread the thin oar, and catch the driving gale.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIII,l. 177

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1300   @%%@2@%For forms of government let fools contest;%@NL@%%@EH@%
Whate'er is best administered is best:%@NL@%
For modes of faith let graceless zealots fight;%@NL@%
His can't be wrong whose life is in the right. 1 %@NL@%
In faith and hope the world will disagree,%@NL@%
But all mankind's concern is charity.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIII,l. 303

%@NL@%%@AI@%1 See Cowley%@BO:          25709c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1310   @%%@2@%O happiness! our being's end and aim!%@NL@%%@EH@%
Good, pleasure, ease, content! whate'er thy name:%@NL@%
That something still which prompts the eternal sigh,%@NL@%
For which we bear to live, or dare to die.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIV,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1320   @%%@2@%Worth makes the man, and want of it the fellow;%@NL@%%@EH@%
The rest is all but leather or prunella.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIV,l. 203

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1330   @%%@2@%What's Fame? a fancied life in others' breath,%@NL@%%@EH@%
A thing beyond us, ev'n before our death.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIV,l. 237

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1340   @%%@2@%A wit's a feather, and a chief a rod;%@NL@%%@EH@%
An honest man's the noblest work of God. 1  2 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIV,l. 247

%@NL@%%@AI@%1 See Fletcher%@BO:          2146ab@%%@AE@%
%@AI@%2 See Burns%@BO:          321f2d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1350   @%%@2@%One self-approving hour whole years outweighs%@NL@%%@EH@%
Of stupid starers and of loud huzzas:%@NL@%
And more true joy Marcellus exiled feels%@NL@%
Than Caesar with a senate at his heels.%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIV,l. 255

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1360   @%%@2@%If parts allure thee, think how Bacon shined,%@NL@%%@EH@%
The wisest, brightest, meanest of mankind!%@NL@%
Or ravished with the whistling of a name, 1 %@NL@%
See Cromwell, damned to everlasting fame!%@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIV,l. 281

%@NL@%%@AI@%1 See Cowley%@BO:          256d2f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1370   @%%@2@%Slave to no sect, who takes no private road,%@NL@%%@EH@%
But looks through Nature up to Nature's God. 1  2 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIV,l. 331

%@NL@%%@AI@%1 See Bolingbroke%@BO:          29239e@%%@AE@%
%@AI@%2 See Jefferson%@BO:          2fd4cb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1380   @%%@2@%Formed by thy converse, happily to steer%@NL@%%@EH@%
From grave to gay, from lively to severe. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIV,l. 379

%@NL@%%@AI@%1 See Boileau%@BO:          273886@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1390   @%%@2@%Say, shall my little bark attendant sail,%@NL@%%@EH@%
Pursue the triumph and partake the gale? 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIV,l. 385

%@NL@%%@AI@%1 See Dante%@BO:          117ec2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Is this my guide, philosopher, and friend?-Pope, Imitations of Horace
[1733-1738], Epistle I, bk. I, l. 177  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1400   @%%@2@%Thou wert my guide, philosopher, and friend.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIV,l. 390

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1420   @%%@2@%That true self-love and social are the same. 1 %@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%An Essay on Man [1733-1734]. EpistleIV,l. 396

%@NL@%%@AI@%1 See John Quincy Adams%@BO:          333427@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1430   @%%@2@%Shut, shut the door, good John! fatigued, I said;%@NL@%%@EH@%
Tie up the knocker! say I'm sick, I'm dead.%@NL@%
The Dog-star rages!%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1440   @%%@2@%Fire in each eye, and papers in each hand,%@NL@%%@EH@%
They rave, recite, and madden round the land.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The theater.  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1450   @%%@2@%Fired that the house reject him,%@NL@%%@EH@%
"'S death, I'll print it,%@NL@%
And shame the fools."%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1460   @%%@2@%No creature smarts so little as a fool.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 84

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1470   @%%@2@%Destroy his fib, or sophistry-in vain!%@NL@%%@EH@%
The creature's at his dirty work again.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1480   @%%@2@%As yet a child, nor yet a fool to fame,%@NL@%%@EH@%
I lisped in numbers, for the numbers came.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1490   @%%@2@%This long disease, my life. 1  2 %@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 132

%@NL@%%@AI@%1 See Cowley%@BO:          2567b6@%%@AE@%
%@AI@%2 See Arnold%@BO:          46373d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1500   @%%@2@%Pretty! in amber to observe the forms%@NL@%%@EH@%
Of hairs, or straws, or dirt, or grubs, or worms! 1 %@NL@%
The things, we know, are neither rich nor rare,%@NL@%
But wonder how the devil they got there.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 169

%@NL@%%@AI@%1 See Martial%@BO:           f13ec@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1510   @%%@2@%Means not, but blunders round about a meaning;%@NL@%%@EH@%
And he whose fustian's so sublimely bad,%@NL@%
It is not poetry, but prose run mad.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 186

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nor is thy fame on lesser ruins built;/Nor needs thy juster title the foul
guilt/Of Eastern kings, who, to secure their reign,/Must have their
brothers, sons, and kindred slain.-Sir John Denham, On Mr. John Fletcher's
Works [1668]  %@EF@%
%@FN@%
When needs he must, yet faintly then he praises;/Somewhat the deed, much
more the means he raises:/So marreth what he makes, and praising most,
dispraises.-Phineas Fletcher, The Purple Island [1633], canto 7  %@EF@%
%@FN@%
While Cato gives his little senate laws.-Prologue to Mr. Addison's Cato
[1713], l. 23  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1520   @%%@2@%Were there one whose fires%@NL@%%@EH@%
True Genius kindles, and fair Fame inspires,%@NL@%
Blessed with each talent, and each art to please,%@NL@%
And born to write, converse, and live with ease;%@NL@%
Should such a man, too fond to rule alone,%@NL@%
Bear, like the Turk, no brother near the throne;%@NL@%
View him with scornful, yet with jealous eyes,%@NL@%
And hate for arts that caused himself to rise;%@NL@%
Damn with faint praise, assent with civil leer,%@NL@%
And, without sneering, teach the rest to sneer;%@NL@%
Willing to wound, and yet afraid to strike,%@NL@%
Just hint a fault, and hesitate dislike;%@NL@%
Alike reserved to blame or to commend,%@NL@%
A tim'rous foe, and a suspicious friend;%@NL@%
Dreading e'en fools, by flatterers besieged,%@NL@%
And so obliging that he ne'er obliged;%@NL@%
Like Cato, give his little Senate laws,%@NL@%
And sit attentive to his own applause.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 193

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1560   @%%@2@%Who but must laugh, if such a man there be?%@NL@%%@EH@%
Who would not weep, if Atticus were he!%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 213

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1570   @%%@2@%Oh let me live my own, and die so too%@NL@%%@EH@%
(To live and die is all I have to do)!%@NL@%
Maintain a poet's dignity and ease,%@NL@%
And see what friends, and read what books I please.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 261

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1580   @%%@2@%Cursed be the verse, how well soe'er it flow,%@NL@%%@EH@%
That tends to make one worthy man my foe.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 283

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1590   @%%@2@%Let Sporus tremble-"What? that thing of silk,%@NL@%%@EH@%
Sporus, that mere white curd of ass's milk?%@NL@%
Satire or sense, alas! can Sporus feel?%@NL@%
Who breaks a butterfly upon a wheel?"%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 305

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1600   @%%@2@%Yet let me flap this bug with gilded wings,%@NL@%%@EH@%
This painted child of dirt, that stinks and stings;%@NL@%
Whose buzz the witty and the fair annoys,%@NL@%
Yet wit ne'er tastes, and beauty ne'er enjoys.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 309

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1610   @%%@2@%Eternal smiles his emptiness betray,%@NL@%%@EH@%
As shallow streams run dimpling all the way.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 315

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1620   @%%@2@%And he himself one vile antithesis.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 325

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1630   @%%@2@%Wit that can creep, and pride that licks the dust.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 333

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1640   @%%@2@%Unlearned, he knew no schoolman's subtle art,%@NL@%%@EH@%
No language, but the language of the heart.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epistle to Dr. Arbuthnot [1734]. Prologue to Imitations of
Horace,l. 398

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1650   @%%@2@%I cannot sleep a wink. 1  2 %@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],satireI,bk. II,l. 12

%@NL@%%@AI@%1 See Cervantes%@BO:          14aedc@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          1f3944@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1660   @%%@2@%Satire's my weapon, but I'm too discreet%@NL@%%@EH@%
To run amuck, and tilt at all I meet.%@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],satireI,bk. II,l. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1670   @%%@2@%But touch me, and no minister so sore.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],satireI,bk. II,l. 76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1680   @%%@2@%There St. John mingles with my friendly bowl%@NL@%%@EH@%
The feast of reason and the flow of soul.%@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],satireI,bk. II,l. 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1690   @%%@2@%For I, who hold sage Homer's rule the best,%@NL@%%@EH@%
Welcome the coming, speed the going guest. 1  2 %@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],satireII, bk. II, l. 159

%@NL@%%@AI@%1 See Homer%@BO:           8627a@%%@AE@%
%@AI@%2 See Pope%@BO:          29c4ad@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1700   @%%@2@%I've often wished that I had clear,%@NL@%%@EH@%
For life, six hundred pounds a year;%@NL@%
A handsome house to lodge a friend,%@NL@%
A river at my garden's end,%@NL@%
A terrace walk, and half a rood%@NL@%
Of land set out to plant a wood. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],satireVI, bk. II,l. 1

%@NL@%%@AI@%1 See Horace%@BO:           d7d55@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1710   @%%@2@%Give me again my hollow tree,%@NL@%%@EH@%
A crust of bread, and liberty.%@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],satireVI, bk. II,l. 220

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1720   @%%@2@%A patriot is a fool in ev'ry age.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],Epilogue to the Satires,Dialogue I,l. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1730   @%%@2@%Laugh then at any but at fools or foes;%@NL@%%@EH@%
These you but anger, and you mend not those.%@NL@%
Laugh at your friends, and if your friends are sore,%@NL@%
So much the better, you may laugh the more.%@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],Epilogue to the Satires,Dialogue I,l. 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1740   @%%@2@%Let humble Allen, with an awkward shame,%@NL@%%@EH@%
Do good by stealth, and blush to find it fame.%@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],Epilogue to the Satires,Dialogue I,l. 135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1750   @%%@2@%Never gallop Pegasus to death.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.I,l. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1760   @%%@2@%When the brisk minor pants for twenty-one.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.I,l. 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1770   @%%@2@%Not to go back is somewhat to advance,%@NL@%%@EH@%
And men must walk, at least, before they dance.%@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.I,l. 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1780   @%%@2@%He's armed without that's innocent within.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.I,l. 94

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1790   @%%@2@%Get place and wealth, if possible with grace;%@NL@%%@EH@%
If not, by any means get wealth and place. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.I,l. 103

%@NL@%%@AI@%1 See Horace%@BO:           dc3bb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1800   @%%@2@%Above all Greek, above all Roman fame.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.II,l. 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1810   @%%@2@%The people's voice is odd,%@NL@%%@EH@%
It is, and it is not, the voice of God. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.II,l. 89

%@NL@%%@AI@%1 See Alcuin%@BO:          10db9f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1820   @%%@2@%In quibbles angel and archangel join,%@NL@%%@EH@%
And God the Father turns a school-divine.%@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.II,l. 101 (on Paradise Lost)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1830   @%%@2@%The mob of gentlemen who wrote with ease.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.II,l. 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1840   @%%@2@%One simile that solitary shines%@NL@%%@EH@%
In the dry desert of a thousand lines.%@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.II,l. 111

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1850   @%%@2@%Who says in verse what others say in prose.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.II,l. 202

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1860   @%%@2@%What will a child learn sooner than a song?%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.II,l. 205

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1870   @%%@2@%Ev'n copious Dryden wanted, or forgot,%@NL@%%@EH@%
The last and greatest art-the art to blot.%@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.II,l. 280

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1880   @%%@2@%There still remains, to mortify a wit,%@NL@%%@EH@%
The many-headed monster of the pit. 1  2  3  4  5 %@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.II,l. 304

%@NL@%%@AI@%1 See Horace%@BO:           dc7fe@%%@AE@%
%@AI@%2 See Machiavelli%@BO:          130e0d@%%@AE@%
%@AI@%3 See Shakespeare%@BO:          19c0e9@%%@AE@%
%@AI@%4 See %@BO:          1f0a13@%%@AE@%
%@AI@%5 See %@BO:          1f138a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1890   @%%@2@%We poets are (upon a poet's word)%@NL@%%@EH@%
Of all mankind the creatures most absurd:%@NL@%
The season when to come, and when to go,%@NL@%
To sing, or cease to sing, we never know. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleI, bk.II,l. 358

%@NL@%%@AI@%1 See Robert Frost%@BO:          575006@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1900   @%%@2@%Call, if you will, bad rhyming a disease,%@NL@%%@EH@%
It gives men happiness, or leaves them ease.%@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleII, bk. II, l. 182

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1910   @%%@2@%The worst of madmen is a saint run mad.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],EpistleVI, bk. I, l. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1920   @%%@2@%Vain was the chief's, the sage's pride!%@NL@%%@EH@%
They had no poet, and they died. 1  2 %@NL@%

%@NL@%Alexander Pope
%@NL@%Imitations of Horace [1733-1738],Odes, bk. IV, ode 9, st. 4

%@NL@%%@AI@%1 See Pindar%@BO:           9a186@%%@AE@%
%@AI@%2 See Horace%@BO:           dbc74@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1930   @%%@2@%Father of all! in every age,%@NL@%%@EH@%
In every clime adored,%@NL@%
By saint, by savage, and by sage,%@NL@%
Jehovah, Jove, or Lord!%@NL@%

%@NL@%Alexander Pope
%@NL@%The Universal Prayer [1738],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1940   @%%@2@%And binding Nature fast in fate,%@NL@%%@EH@%
Left free the human will.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Universal Prayer [1738],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1950   @%%@2@%And deal damnation round the land.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%The Universal Prayer [1738],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1960   @%%@2@%Teach me to feel another's woe,%@NL@%%@EH@%
To hide the fault I see;%@NL@%
That mercy I to others show,%@NL@%
That mercy show to me. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%The Universal Prayer [1738],st. 10

%@NL@%%@AI@%1 See Spenser%@BO:          1572b1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Frederick, Prince of Wales.  %@EF@%
%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1970   @%%@2@%I am his Highness' dog at Kew;%@NL@%%@EH@%
Pray tell me, sir, whose dog are you?%@NL@%

%@NL@%Alexander Pope
%@NL@%On the collar of a dog

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1980   @%%@2@%Nature and Nature's laws lay hid in night:%@NL@%%@EH@%
God said, Let Newton be! and all was light.%@NL@%

%@NL@%Alexander Pope
%@NL@%Epitaph intended for Sir Isaac Newton

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA1990   @%%@2@%Who dare to love their country, and be poor.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%On his grotto at Twickenham [1740]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2000   @%%@2@%This is the Jew%@NL@%%@EH@%
That Shakespeare drew.%@NL@%

%@NL@%Alexander Pope
%@NL@%Of Macklin's performance in 1741 of Shylock in The Merchant
of Venice (attributed to Pope)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2010   @%%@2@%   I never knew any man in my life who could not bear another's misfortunes%@EH@%
perfectly like a Christian. 1 %@NL@%
%@NL@%
Alexander Pope
%@NL@%Thoughts on Various Subjects; published in Swift's Miscellanies [1727]

%@NL@%%@AI@%1 See La Rochefoucauld%@BO:          2509ce@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2020   @%%@2@%   A man should never be ashamed to own he has been in the wrong, which is%@EH@%
but saying, in other words, that he is wiser today than he was yesterday.%@NL@%
%@NL@%
Alexander Pope
%@NL@%Thoughts on Various Subjects; published in Swift's Miscellanies [1727]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2030   @%%@2@%   It is with narrow-souled people as with narrow-necked bottles; the less%@EH@%
they have in them the more noise they make in pouring out.%@NL@%
%@NL@%
Alexander Pope
%@NL@%Thoughts on Various Subjects; published in Swift's Miscellanies [1727]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2040   @%%@2@%   When men grow virtuous in their old age, they only make a sacrifice to%@EH@%
God of the devil's leavings. 1 %@NL@%
%@NL@%
Alexander Pope
%@NL@%Thoughts on Various Subjects; published in Swift's Miscellanies [1727]

%@NL@%%@AI@%1 See La Rochefoucauld%@BO:          251e34@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2049   @%%@2@%   Party is the madness of many, for the gain of a few. 1 %@NL@%%@EH@%
%@NL@%
Alexander Pope
%@NL@%Thoughts on Various Subjects; published in Swift's Miscellanies [1727]

%@NL@%%@AI@%1 See Pope%@BO:          29bdfd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2060   @%%@2@%Whether thou choose Cervantes' serious air,%@NL@%%@EH@%
Or laugh and shake in Rabelais' easy chair.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.I,l. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2070   @%%@2@%Poetic Justice, with her lifted scale,%@NL@%%@EH@%
Where, in nice balance, truth with gold she weighs,%@NL@%
And solid pudding against empty praise.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.I,l. 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2080   @%%@2@%While pensive poets painful vigils keep,%@NL@%%@EH@%
Sleepless themselves to give their readers sleep.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.I,l. 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2090   @%%@2@%Next o'er his books his eyes begin to roll,%@NL@%%@EH@%
In pleasing memory of all he stole.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.I,l. 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2100   @%%@2@%Or where the pictures for the page atone,%@NL@%%@EH@%
And Quarles is saved by beauties not his own.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.I,l. 139

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2110   @%%@2@%And gentle Dullness ever loves a joke.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.II,l. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2120   @%%@2@%A brain of feathers, and a heart of lead.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.II,l. 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2130   @%%@2@%Peeled, patched, and piebald, linsey-woolsey brothers,%@NL@%%@EH@%
Grave mummers! sleeveless some, and shirtless others.%@NL@%
That once was Britain.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.III,l. 115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2140   @%%@2@%And proud his mistress' order to perform,%@NL@%%@EH@%
Rides in the whirlwind and directs the storm. 1 %@NL@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.III,l. 263

%@NL@%%@AI@%1 See Addison%@BO:          28bd08@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2150   @%%@2@%A wit with dunces, and a dunce with wits. 1 %@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.IV,l. 90

%@NL@%%@AI@%1 See Quintilian%@BO:           ef47a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2160   @%%@2@%The Right Divine of Kings to govern wrong.%@NL@%%@EH@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.IV,l. 188

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2170   @%%@2@%Stuff the head%@NL@%%@EH@%
With all such reading as was never read:%@NL@%
For thee explain a thing till all men doubt it,%@NL@%
And write about it, Goddess, and about it.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.IV,l. 249

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2180   @%%@2@%To happy convents, bosomed deep in vines,%@NL@%%@EH@%
Where slumber abbots, purple as their wines.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.IV,l. 301

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2190   @%%@2@%Led by my hand, he sauntered Europe round,%@NL@%%@EH@%
And gathered every vice on Christian ground.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.IV,l. 311

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Pope@%%@QR:Pope@%%@CR:N1688POPA2200   @%%@2@%Religion blushing veils her sacred fires,%@NL@%%@EH@%
And unawares Morality expires.%@NL@%
Nor public flame, nor private, dares to shine;%@NL@%
Nor human spark is left, nor glimpse divine!%@NL@%
Lo! thy dread empire Chaos! is restored:%@NL@%
Light dies before thy uncreating word;%@NL@%
Thy hand, great Anarch! lets the curtain fall,%@NL@%
And universal darkness buries all.%@NL@%

%@NL@%Alexander Pope
%@NL@%The Dunciad [1728-1743], bk.IV,l. 649

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lady Mary Wortley Montagu%@AE@%%@EH@%
%@NL@%
%@AB@%1689-1762%@AE@%
%@NL@%%@NL@%

%@QR:Lady Mary Wortley Montagu@%%@QR:Montagu@%%@CR:N1689MONA10     @%%@2@%And we meet, with champagne and a chicken, at last.%@NL@%%@EH@%

%@NL@%Lady Mary Wortley Montagu
%@NL@%The Lover [1748]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lady Mary Wortley Montagu@%%@QR:Montagu@%%@CR:N1689MONA20     @%%@2@%Be plain in dress, and sober in your diet;%@NL@%%@EH@%
In short, my deary, kiss me, and be quiet.%@NL@%

%@NL@%Lady Mary Wortley Montagu
%@NL@%A Summary of Lord Lyttelton's Advice

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lady Mary Wortley Montagu@%%@QR:Montagu@%%@CR:N1689MONA30     @%%@2@%Satire should, like a polished razor keen,%@NL@%%@EH@%
Wound with a touch that's scarcely felt or seen.%@NL@%

%@NL@%Lady Mary Wortley Montagu
%@NL@%To the Imitator of the First Satire of Horace, bk. II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lady Mary Wortley Montagu@%%@QR:Montagu@%%@CR:N1689MONA40     @%%@2@%But the fruit that can fall without shaking%@NL@%%@EH@%
Indeed is too mellow for me.%@NL@%

%@NL@%Lady Mary Wortley Montagu
%@NL@%Letters and Works [1837]. The Answer

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles de Secondat, Baron de Montesquieu%@AE@%%@EH@%
%@NL@%
%@AB@%1689-1755%@AE@%
%@NL@%%@NL@%

%@QR:Charles de Secondat, Baron de Montesquieu@%%@QR:Secondat@%%@CR:N1689MONC10     @%%@2@%   How can anyone be Persian?%@NL@%%@EH@%
%@NL@%
Charles de Secondat, Baron de Montesquieu
%@NL@%Lettres Persanes [1721], no.30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles de Secondat, Baron de Montesquieu@%%@QR:Secondat@%%@CR:N1689MONC20     @%%@2@%   A man should be mourned at his birth, not at his death.%@NL@%%@EH@%
%@NL@%
Charles de Secondat, Baron de Montesquieu
%@NL@%Lettres Persanes [1721], no.40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles de Secondat, Baron de Montesquieu@%%@QR:Secondat@%%@CR:N1689MONC30     @%%@2@%   If triangles had a god, he would have three sides. 1 %@NL@%%@EH@%
%@NL@%
Charles de Secondat, Baron de Montesquieu
%@NL@%Lettres Persanes [1721], no.59

%@NL@%%@AI@%1 See Xenophanes%@BO:           91292@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles de Secondat, Baron de Montesquieu@%%@QR:Secondat@%%@CR:N1689MONC40     @%%@2@%   Liberty is the right of doing whatever the laws permit.%@NL@%%@EH@%
%@NL@%
Charles de Secondat, Baron de Montesquieu
%@NL@%De l'Esprit des Lois [1748],XI, 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles de Secondat, Baron de Montesquieu@%%@QR:Secondat@%%@CR:N1689MONC50     @%%@2@%   Useless laws weaken the necessary laws.%@NL@%%@EH@%
%@NL@%
Charles de Secondat, Baron de Montesquieu
%@NL@%De l'Esprit des Lois [1748],XXIX, 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles de Secondat, Baron de Montesquieu@%%@QR:Secondat@%%@CR:N1689MONC60     @%%@2@%   If I knew of something that could serve my nation but would ruin another,%@EH@%
I would not propose it to my prince, for I am first a man and only then a
Frenchman . . . because I am necessarily a man, and only accidentally am I
French. 1 %@NL@%
%@NL@%
Charles de Secondat, Baron de Montesquieu
%@NL@%Pensees et Fragments Inedits de Montesquieu [1899], I

%@NL@%%@AI@%1 See Montaigne%@BO:          146086@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles de Secondat, Baron de Montesquieu@%%@QR:Secondat@%%@CR:N1689MONC70     @%%@2@%   You have to study a great deal to know a little.%@NL@%%@EH@%
%@NL@%
Charles de Secondat, Baron de Montesquieu
%@NL@%Pensees et Fragments Inedits de Montesquieu [1899], I

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Byrom%@AE@%%@EH@%
%@NL@%
%@AB@%1692-1763%@AE@%
%@NL@%%@NL@%

%@FN@%
Quoted by Sir Walter Scott in Redgauntlet, vol. II, ch. 1 [Edinburgh
edition, 1832].  %@EF@%
%@QR:John Byrom@%%@QR:Byrom@%%@CR:N1692BRYJ10     @%%@2@%God bless the King, I mean the Faith's Defender;%@NL@%%@EH@%
God bless-no harm in blessing-the Pretender;%@NL@%
But who Pretender is, or who is King,%@NL@%
God bless us all-that's quite another thing.%@NL@%

%@NL@%John Byrom
%@NL@%Miscellaneous Poems [1773].To an Officer in the Army, Extempore;
Intended to Allay the Violence of Party Spirit

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Byrom@%%@QR:Byrom@%%@CR:N1692BRYJ20     @%%@2@%Some say, that Signor Bononcini,%@NL@%%@EH@%
Compared to Handel's a mere ninny;%@NL@%
Others aver, to him, that Handel%@NL@%
Is scarcely fit to hold a candle. 1 %@NL@%
Strange! that such high dispute should be%@NL@%
'Twixt Tweedledum and Tweedledee.%@NL@%

%@NL@%John Byrom
%@NL@%Miscellaneous Poems [1773].On the Feuds Between Handel and Bononcini

%@NL@%%@AI@%1 See Lamb%@BO:          35ea79@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Byrom@%%@QR:Byrom@%%@CR:N1692BRYJ30     @%%@2@%As clear as a whistle.%@NL@%%@EH@%

%@NL@%John Byrom
%@NL@%Epistle to Lloyd

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Philip Dormer Stanhope , Earl of Chesterfield%@AE@%%@EH@%
%@NL@%
%@AB@%1694-1773%@AE@%
%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP10     @%%@2@%   Measures not men. 1  2  3 %@NL@%%@EH@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].March 6, 1742

%@NL@%%@AI@%1 See Goldsmith%@BO:          2de68e@%%@AE@%
%@AI@%2 See Burke%@BO:          2e2b0c@%%@AE@%
%@AI@%3 See Adams%@BO:          2f2a86@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP20     @%%@2@%   Whatever is worth doing at all, is worth doing well.%@NL@%%@EH@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].March 10, 1746

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP30     @%%@2@%   The knowledge of the world is only to be acquired in the world, and not%@EH@%
in a closet.%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].October 4, 1746

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP40     @%%@2@%   An injury is much sooner forgotten than an insult.%@NL@%%@EH@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].October 9, 1746

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP50     @%%@2@%   Do as you would be done by, is the surest method of pleasing. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].October 9, 1747

%@NL@%%@AI@%1 See Matthew 7:12%@BO:           50d16@%%@AE@%
%@AI@%2 See Confucius%@BO:           94a5c@%%@AE@%
%@AI@%3 See Aristotle%@BO:           b3526@%%@AE@%
%@AI@%4 See Kingsley%@BO:          441abf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP60     @%%@2@%   Take the tone of the company that you are in.%@NL@%%@EH@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].October 9, 1747

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
William Lowndes [1652-1724], Secretary of the Treasury in the reigns of
William III, Queen Anne, and George I. See also Carroll  %@EF@%
%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP70     @%%@2@%   I knew once a very covetous, sordid fellow, who used to say, "Take care%@EH@%
of the pence, for the pounds will take care of themselves."%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].November 6, 1747

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP80     @%%@2@%   Advice is seldom welcome; and those who want it the most always like it%@EH@%
the least.%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].January 29, 1748

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP90     @%%@2@%   Speak of the moderns without contempt, and of the ancients without%@EH@%
idolatry.%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].February 22, 1748

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP100    @%%@2@%   Wear your learning, like your watch, in a private pocket: and do not pull%@EH@%
it out and strike it, merely to show that you have one.%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].February 22, 1748

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP110    @%%@2@%   Manners must adorn knowledge, and smooth its way through the world. Like%@EH@%
a great rough diamond, it may do very well in a closet by way of curiosity,
and also for its intrinsic value.%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].July 1, 1748

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP120    @%%@2@%   Women, then, are only children of a larger growth.%@NL@%%@EH@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].September 5, 1748

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP130    @%%@2@%   Women who are either indisputably beautiful, or indisputably ugly, are%@EH@%
best flattered upon the score of their understandings; but those who are in
a state of mediocrity are best flattered upon their beauty, or at least
their graces; for every woman who is not absolutely ugly thinks herself
handsome.%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].September 5, 1748

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP140    @%%@2@%   Without some dissimulation no business can be carried on at all.%@NL@%%@EH@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].May 22, 1749

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP150    @%%@2@%   Idleness is only the refuge of weak minds.%@NL@%%@EH@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].July 20, 1749

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP160    @%%@2@%   Style is the dress of thoughts. 1 %@NL@%%@EH@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].November 24, 1749

%@NL@%%@AI@%1 See Samuel Wesley%@BO:          2826e9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il embellit tout ce qu'il touche [He adorns whatever he touches].-Fenelon
[1651-1715], Lettre sur les Occupations de l'Academie Francaise, sec. 4  See
Johnson  %@EF@%
%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP165    @%%@2@%   Whatever subject he [Bolingbroke] either speaks or writes upon, he adorns%@EH@%
with the most splendid eloquence.%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].December 12, 1749

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP170    @%%@2@%   Dispatch is the soul of business.%@NL@%%@EH@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].February 5, 1750

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP180    @%%@2@%   Knowledge may give weight, but accomplishments give luster, and many more%@EH@%
people see than weigh.%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].May 8, 1750

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP190    @%%@2@%   Let blockheads read what blockheads write.%@NL@%%@EH@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].November 1, 1750

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP200    @%%@2@%   It is commonly said, and more particularly by Lord Shaftesbury, 1  that%@EH@%
ridicule is the best test of truth.%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].February 6, 1752

%@NL@%%@AI@%1 See Shaftesbury%@BO:          28b833@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP210    @%%@2@%   Every woman is infallibly to be gained by every sort of flattery, and%@EH@%
every man by one sort or other.%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Letters to His Son [1774].March 16, 1752

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Chapter of Accidents is the longest chapter in the book.-Attributed to
John Wilkes by Southey, The Doctor [1837], ch. 118  %@EF@%
%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP220    @%%@2@%   The chapter of knowledge is a very short, but the chapter of accidents is%@EH@%
a very long one.%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%To Solomon Dayrolles, February 16, 1753

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP240    @%%@2@%   I assisted at the birth of that most significant word "flirtation," which%@EH@%
dropped from the most beautiful mouth in the world.%@NL@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%The World [December 5, 1754], no. 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP250    @%%@2@%Unlike my subject will I frame my song,%@NL@%%@EH@%
It shall be witty, and it shan't be long.%@NL@%

%@NL@%Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Epigram on ("Long") Sir Thomas Robinson

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP260    @%%@2@%The dews of the evening most carefully shun-%@NL@%%@EH@%
Those tears of the sky for the loss of the sun.%@NL@%

%@NL@%Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Advice to a Lady in Autumn

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Dormer Stanhope , Earl of Chesterfield@%%@QR:Stanhope @%%@CR:N1694CHEP290    @%%@2@%   Give Dayrolles a chair.%@NL@%%@EH@%
%@NL@%
Philip Dormer Stanhope , Earl of Chesterfield
%@NL@%Last words

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francis Hutcheson%@AE@%%@EH@%
%@NL@%
%@AB@%1694-1746%@AE@%
%@NL@%%@NL@%

%@FN@%
Priestley was the first (unless it was Beccaria) who taught my lips to
pronounce this sacred truth-that the greatest happiness of the greatest
number is the foundation of morals and legislation.-Jeremy Bentham
[1748-1832], Works, vol. X, p. 142  %@EF@%
%@QR:Francis Hutcheson@%%@QR:Hutcheson@%%@CR:N1694HUTF10     @%%@2@%   That action is best which procures the greatest happiness for the%@EH@%
greatest numbers.%@NL@%
%@NL@%
Francis Hutcheson
%@NL@%Inquiry Concerning Moral Good and Evil [1720], sec. 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francois Quesnay%@AE@%%@EH@%
%@NL@%
%@AB@%1694-1774%@AE@%
%@NL@%%@NL@%

%@FN@%
Let it be, let it pass.  The phrase is not readily translatable, and also
appears as: Laissez faire, laissez aller. It has also been attributed to
Pierre le Pesant Boisguilbert [1676-1714] and Jean Claude Gournay
[1712-1759]. It was widely used by the Physiocrats in urging freedom from
government interference, and was adopted by Adam Smith [1723-1790].  %@EF@%
%@QR:Francois Quesnay@%%@QR:Quesnay@%%@CR:N1694QUEF10     @%%@2@%   Laissez faire, laissez passer.%@NL@%%@EH@%
%@NL@%
Francois Quesnay
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Voltaire Francois Marie Arouet%@AE@%%@EH@%
%@NL@%
%@AB@%1694-1778%@AE@%
%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT10     @%%@2@%   Virtue debases itself in justifying itself.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Oedipe [1718], act I, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT20     @%%@2@%   O what fine times, this age of iron!%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Le Mondain [1736]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT30     @%%@2@%   Paradise is where I am.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Le Mondain [1736]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT40     @%%@2@%   The superfluous, a very necessary thing. 1 %@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Le Mondain [1736]

%@NL@%%@AI@%1 See Holmes%@BO:          4c937a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT50     @%%@2@%   The secret of being a bore is to tell everything.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Sept Discours en Vers sur l'Homme [1738]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT60     @%%@2@%   Love truth, but pardon error.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Sept Discours en Vers sur l'Homme [1738]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT70     @%%@2@%   He who is merely just is severe.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Letter to Frederick the Great [1740]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
What can they see in the longest kingly line in Europe, save that it runs
back to a successful soldier?-Sir Walter Scott, Woodstock [1826], ch. 37  %@EF@%
%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT80     @%%@2@%The first who was king was a fortunate soldier:%@NL@%%@EH@%
Who serves his country well has no need of ancestors.%@NL@%

%@NL@%Voltaire Francois Marie Arouet
%@NL@%Merope [1743], act I, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT100    @%%@2@%   It is better to risk saving a guilty person than to condemn an innocent%@EH@%
one. 1 %@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Zadig [1747], ch. 6

%@NL@%%@AI@%1 See Blackstone%@BO:          2d7dbc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT110    @%%@2@%   They squeeze the orange and throw away the skin.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Letter to Madame Denis [September 2, 1751] referring to
his quarrel with Frederick the Great

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT120    @%%@2@%   This agglomeration which was called and which still calls itself the Holy%@EH@%
Roman Empire is neither holy, nor Roman, nor an Empire.%@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Essai sur les Moeurs [1756]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dans ce meilleur des mondes possibles . . . tout est au mieux.  Often
quoted: All is for the best in the best of all possible worlds.  %@EF@%
%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT125    @%%@2@%   In this best of possible worlds . . . all is for the best [Dr. Pangloss].%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Candide [1759], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT150    @%%@2@%   If this is the best of possible worlds, what then are the others?%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Candide [1759], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT160    @%%@2@%   Optimism, said Candide, is a mania for maintaining that all is well when%@EH@%
things are going badly.%@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Candide [1759], ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pour encourager les autres.  The reference is to Admiral John Byng, who was
executed in 1757 for failing to relieve Minorca.  %@EF@%
%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT170    @%%@2@%   In this country [England] it is good to kill an admiral from time to%@EH@%
time, to encourage the others.%@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Candide [1759], ch.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT190    @%%@2@%   This is the happiest of mortals, for he is above everything he possesses.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Candide [1759], ch.26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le travail eloigne de nous trois grands maux, l'ennui, le vice, et le
besoin.  %@EF@%
%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT200    @%%@2@%   Work keeps us from three great evils, boredom, vice, and need.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Candide [1759], ch.30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il faut cultiver notre jardin.  See Rabelais and Montaigne  %@EF@%
%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT210    @%%@2@%   We must cultivate our garden.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Candide [1759], ch.30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT230    @%%@2@%   There are truths which are not for all men, nor for all times.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Letter to Cardinal de Bernis[April 23, 1761]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT240    @%%@2@%   One feels like crawling on all fours after reading your work.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Letter to Rousseau [August 31, 1761]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quoi que vous fassiez, ecrasez l'inf[acirc ]me, et aimez qui vous aime.  %@EF@%
%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT250    @%%@2@%   Whatever you do, crush the infamous thing [superstition], and love those%@EH@%
who love you.%@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Letter to d'Alembert [November 28, 1762]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT270    @%%@2@%   Common sense is not so common.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Dictionnaire Philosophique [1764].Self-Love

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT280    @%%@2@%   In general, the art of government consists in taking as much money as%@EH@%
possible from one class of citizens to give to the other.%@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Dictionnaire Philosophique [1764].Money

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT285    @%%@2@%   We have a natural right to make use of our pens as of our tongue, at our%@EH@%
peril, risk and hazard.%@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Dictionnaire Philosophique [1764].Liberty of the Press

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le mieux est l'ennemi du bien.  %@EF@%
%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT290    @%%@2@%   The best is the enemy of the good.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Dictionnaire Philosophique [1764].Dramatic Art

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT310    @%%@2@%   Very learned women are to be found, in the same manner as female%@EH@%
warriors; but they are seldom or never inventors.%@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Dictionnaire Philosophique [1764].Women

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le juste milieu.  See The Seven Sages, Terence, Horace, Lucan, and Anonymous
Latin  %@EF@%
%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT320    @%%@2@%   The proper mean.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Letter to Count d'Argental[November 28, 1765]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT340    @%%@2@%   Men use thought only to justify their wrongdoings, and speech only to%@EH@%
conceal their thoughts. 1 %@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Dialogue 14. Le Chapon et la Poularde [1766]

%@NL@%%@AI@%1 See Robert South%@BO:          27353c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT350    @%%@2@%   I have never made but one prayer to God, a very short one: "O Lord, make%@EH@%
my enemies ridiculous." And God granted it.%@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Letter to M. Damilaville [May 16, 1767]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'histoire n'est que le tableau des crimes et des malheurs.  See Gibbon  %@EF@%
%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT360    @%%@2@%   History is no more than the portrayal of crimes and misfortunes.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%L'Ingenu [1767], ch. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT370    @%%@2@%   Thought depends absolutely on the stomach, but in spite of that, those%@EH@%
who have the best stomachs are not the best thinkers.%@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Letter to d'Alembert [August 20, 1770]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT380    @%%@2@%   If God did not exist, it would be necessary to invent him. 1  2 %@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Ep[icirc ]tre a l'Auteur du Livre des
Trois Imposteurs [November 10, 1770]

%@NL@%%@AI@%1 See Ovid%@BO:           e6006@%%@AE@%
%@AI@%2 See Tillotson%@BO:          264613@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT390    @%%@2@%   Change everything, except your loves.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Sur l'Usage de la Vie

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT400    @%%@2@%   I am very fond of truth, but not at all of martyrdom.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Letter to d'Alembert [February 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'embarras des richesses.-Abbe d'Allainval [1700-1753], title of play [1726]
%@EF@%
%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT410    @%%@2@%   The embarrassment of riches.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Le Droit du Seigneur, actII, sc. vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT420    @%%@2@%   He who thinks himself wise, O heavens! is a great fool.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Le Droit du Seigneur, actIV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Qui n'a pas l'esprit de son [acirc ]ge,/De son [acirc ]ge a tout le malheur.
See Carlyle  %@EF@%
%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT430    @%%@2@%Who has not the spirit of his age,%@NL@%%@EH@%
Of his age has all the unhappiness.%@NL@%

%@NL@%Voltaire Francois Marie Arouet
%@NL@%Letter to Madame du Ch[acirc ]telet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT450    @%%@2@%   I advise you to go on living solely to enrage those who are paying your%@EH@%
annuities. It is the only pleasure I have left.%@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Letter to Madame du Deffand

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT460    @%%@2@%   Liberty of thought is the life of the soul.%@NL@%%@EH@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Essay on Epic Poetry (written in English)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Qui que tu sois, voici ton ma[icirc ]tre;/Il l'est-le fut-ou le doit [ecirc
]tre.  %@EF@%
%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT470    @%%@2@%Whoever you are, behold your master,%@NL@%%@EH@%
He is, or was, or has to be.%@NL@%

%@NL@%Voltaire Francois Marie Arouet
%@NL@%On a statuette of Cupid in the Cirey Gardens

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT490    @%%@2@%   I disapprove of what you say, but I will defend to the death your right%@EH@%
to say it.%@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%%@FN@%
This sentence is not Voltaire's, but was first used in quoting a letter from
Voltaire to Helvetius in The Friends of Voltaire [1906] by S. G. Tallentyre
(E. Beatrice Hall). She claims it was a paraphrase of Voltaire's words in
the Essay on Tolerance: Think for yourselves and let others enjoy the
privilege to do so too.  Norbert Guterman, in A Book of French Quotations
[1963], suggests that the probable source for the quotation is from a line
in a letter to M. le Riche [February 6, 1770]: "Monsieur l'abbe, I detest
what you write, but I would give my life to make it possible for you to
continue to write."  %@EF@%
Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Voltaire Francois Marie Arouet@%%@CR:N1694VOLT500    @%%@2@%   I die adoring God, loving my friends, not hating my enemies, and%@EH@%
detesting superstitution.%@NL@%
%@NL@%
Voltaire Francois Marie Arouet
%@NL@%Written February 28, 1778

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Matthew Green%@AE@%%@EH@%
%@NL@%
%@AB@%1696-1737%@AE@%
%@NL@%%@NL@%

%@QR:Matthew Green@%%@QR:Green@%%@CR:N1696GREM10     @%%@2@%They politics like ours profess,%@NL@%%@EH@%
The greater prey upon the less.%@NL@%

%@NL@%Matthew Green
%@NL@%The Grotto, l. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Green@%%@QR:Green@%%@CR:N1696GREM20     @%%@2@%Fling but a stone, the giant dies.%@NL@%%@EH@%
Laugh and be well.%@NL@%

%@NL@%Matthew Green
%@NL@%The Spleen [1737],l. 92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Green@%%@QR:Green@%%@CR:N1696GREM30     @%%@2@%By happy alchemy of mind%@NL@%%@EH@%
They turn to pleasure all they find.%@NL@%

%@NL@%Matthew Green
%@NL@%The Spleen [1737],l. 610

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Oldys%@AE@%%@EH@%
%@NL@%
%@AB@%1696-1761%@AE@%
%@NL@%%@NL@%

%@QR:William Oldys@%%@QR:Oldys@%%@CR:N1696OLDW10     @%%@2@%Busy, curious, thirsty fly,%@NL@%%@EH@%
Drink with me, and drink as I.%@NL@%

%@NL@%William Oldys
%@NL@%On a Fly Drinking out of a Cup of Ale, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Marie de Vichy-Chamrond, Marquise du Deffand%@AE@%%@EH@%
%@NL@%
%@AB@%1697-1780%@AE@%
%@NL@%%@NL@%

%@QR:Marie de Vichy-Chamrond, Marquise du Deffand@%%@QR:Vichy-Chamrond@%%@CR:N1697DEFM10     @%%@2@%   [Of Voltaire] He has invented history.%@NL@%%@EH@%
%@NL@%
Marie de Vichy-Chamrond, Marquise du Deffand
%@NL@%From Fournier, L'Esprit dans l'Histoire [1857]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This remark refers to the legend that Saint Denis, carrying his head in his
hands, walked from Montmartre to St. Denis, a few miles north of Paris.
Voltaire wrote to Madame du Deffand [January 1764] that one of her bon mots
was quoted in the notes of La Pucelle, canto 1: Il n'y a que le premier pas
qui co[ucirc ]te.  %@EF@%
%@QR:Marie de Vichy-Chamrond, Marquise du Deffand@%%@QR:Vichy-Chamrond@%%@CR:N1697DEFM20     @%%@2@%   The first step is the hardest.%@NL@%%@EH@%
%@NL@%
Marie de Vichy-Chamrond, Marquise du Deffand
%@NL@%Letter to d'Alembert [July 7, 1763]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Mabuchi Kamo%@AE@%%@EH@%
%@NL@%
%@AB@%1697-1769%@AE@%
%@NL@%%@NL@%

%@FN@%
From Sources of Japanese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
%@QR:Mabuchi Kamo@%%@QR:Kamo@%%@CR:N1697KAMO10     @%%@2@%   Japanese poetry has as its subject the human heart. It may seem to be of%@EH@%
no practical use and just as well left uncomposed, but when one knows poetry
well, one understands also without explanation the reasons governing order
and disorder in the world.%@NL@%
%@NL@%
Mabuchi Kamo
%@NL@%Writings

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Macklin%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1697-1797%@AE@%
%@NL@%%@NL@%

%@FN@%
Hocus was an old cunning attorney.-Dr. John Arbuthnot, Law Is a Bottomless
Pit; or, History of John Bull [1712], ch. 5  The words of consecration, "Hoc
est corpus," were travestied into a nickname for jugglery, as
"Hocus-pocus."-John Richard Green, A Short History of the English People
[1874], ch. 7  %@EF@%
%@QR:Charles Macklin@%%@QR:Macklin@%%@CR:N1697MACC10     @%%@2@%   The law is a sort of hocus-pocus science.%@NL@%%@EH@%
%@NL@%
Charles Macklin
%@NL@%Love a la Mode [1759], act II, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Abbe Prevost%@AE@%%@EH@%
%@NL@%Antoine Francois Prevost d'Exiles
%@AB@%1697-1763%@AE@%
%@NL@%%@NL@%

%@QR:Abbe Prevost@%%@QR:Prevost@%%@QR:Antoine Francois Prevost d'Exiles@%%@CR:N1697PREA10     @%%@2@%   And that is the story of Manon Lescaut.%@NL@%%@EH@%
%@NL@%
Abbe Prevost
%@NL@%Histoire du Chevalier des Grieux et de Manon Lescaut
[1731; translated 1831]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Warburton%@AE@%%@EH@%
%@NL@%
%@AB@%1698-1779%@AE@%
%@NL@%%@NL@%

%@FN@%
Priestley relates that in a debate on the Test Laws, Lord Sandwich said, "I
have heard frequent use of the words "orthodoxy' and "heterodoxy' but I
confess myself at a loss to know precisely what they mean." Bishop Warburton
whispered his definition to him.  See Carlyle  %@EF@%
%@QR:William Warburton@%%@QR:Warburton@%%@CR:N1698WARW10     @%%@2@%   Orthodoxy is my doxy; heterodoxy is another man's doxy.%@NL@%%@EH@%
%@NL@%
William Warburton
%@NL@%From Joseph Priestley [1733-1804], Memoirs, vol. I, p. 572

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Dyer%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1700-1758%@AE@%
%@NL@%%@NL@%

%@QR:John Dyer@%%@QR:Dyer@%%@CR:N1700DYEJ10     @%%@2@%A little rule, a little sway,%@NL@%%@EH@%
A sunbeam in a winter's day,%@NL@%
Is all the proud and mighty have%@NL@%
Between the cradle and the grave. 1  2  3 %@NL@%

%@NL@%John Dyer
%@NL@%Grongar Hill [1726], l. 89

%@NL@%%@AI@%1 See Shelley%@BO:          38b186@%%@AE@%
%@AI@%2 See Bellamy%@BO:          4ebbad@%%@AE@%
%@AI@%3 See Hoffenstein%@BO:          5e4588@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%James Thomson%@AE@%%@EH@%
%@NL@%
%@AB@%1700-1748%@AE@%
%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ10     @%%@2@%See, Winter comes to rule the varied year, 1 %@NL@%%@EH@%
Sullen and sad.%@NL@%

%@NL@%James Thomson
%@NL@%The Seasons.Winter [1726],l. 1

%@NL@%%@AI@%1 See Cowper%@BO:          2ec464@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ20     @%%@2@%Welcome, kindred glooms!%@NL@%%@EH@%
Congenial horrors, hail!%@NL@%

%@NL@%James Thomson
%@NL@%The Seasons.Winter [1726],l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ30     @%%@2@%Cruel as death, and hungry as the grave.%@NL@%%@EH@%

%@NL@%James Thomson
%@NL@%The Seasons.Winter [1726],l. 393

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ40     @%%@2@%There studious let me sit,%@NL@%%@EH@%
And hold high converse with the mighty dead.%@NL@%

%@NL@%James Thomson
%@NL@%The Seasons.Winter [1726],l. 431

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ50     @%%@2@%Ships dim-discovered dropping from the clouds.%@NL@%%@EH@%

%@NL@%James Thomson
%@NL@%The Seasons.Summer [1727],l. 946

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ60     @%%@2@%Sighed and looked unutterable things.%@NL@%%@EH@%

%@NL@%James Thomson
%@NL@%The Seasons.Summer [1727],l. 1188

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ70     @%%@2@%Come, gentle Spring! ethereal mildness, come.%@NL@%%@EH@%

%@NL@%James Thomson
%@NL@%The Seasons.Spring [1728],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ80     @%%@2@%Delightful task! to rear the tender thought,%@NL@%%@EH@%
To teach the young idea how to shoot.%@NL@%

%@NL@%James Thomson
%@NL@%The Seasons.Spring [1728],l. 1149

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ90     @%%@2@%An elegant sufficiency, content,%@NL@%%@EH@%
Retirement, rural quiet, friendship, books.%@NL@%

%@NL@%James Thomson
%@NL@%The Seasons.Spring [1728],l. 1158

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ100    @%%@2@%Crowned with the sickle, and the wheaten sheaf,%@NL@%%@EH@%
While Autumn, nodding o'er the yellow plain,%@NL@%
Comes jovial on.%@NL@%

%@NL@%James Thomson
%@NL@%The Seasons.Autumn [1730],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ110    @%%@2@%For loveliness%@NL@%%@EH@%
Needs not the foreign aid of ornament,%@NL@%
But is when unadorned adorned the most. 1  2 %@NL@%

%@NL@%James Thomson
%@NL@%The Seasons.Autumn [1730],l. 208

%@NL@%%@AI@%1 See Cicero%@BO:           c66b4@%%@AE@%
%@AI@%2 See Milton%@BO:          2437be@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ120    @%%@2@%Or where the Northern ocean, in vast whirls,%@NL@%%@EH@%
Boils round the naked melancholy isles%@NL@%
Of farthest Thule, 1  2  and th' Atlantic surge  %@NL@%
Pours in among the stormy Hebrides. 3 %@NL@%

%@NL@%James Thomson
%@NL@%The Seasons.Autumn [1730],l. 871

%@NL@%%@AI@%1 See Virgil%@BO:           d1c8d@%%@AE@%
%@AI@%2 See Seneca%@BO:           ea9f5@%%@AE@%
%@AI@%3 See Milton%@BO:          239c86@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ130    @%%@2@%Come then, expressive silence, muse His praise.%@NL@%%@EH@%

%@NL@%James Thomson
%@NL@%Hymn [1730], l. 118

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This line was parodied by Fielding in his Tom Thumb [acted 1730]: O
Huncamunca, Huncamunca, O.  %@EF@%
%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ140    @%%@2@%O Sophonisba! Sophonisba, O!%@NL@%%@EH@%

%@NL@%James Thomson
%@NL@%Sophonisba [1730], act III, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ160    @%%@2@%Forever, Fortune, wilt thou prove%@NL@%%@EH@%
An unrelenting foe to love,%@NL@%
And, when we meet a mutual heart,%@NL@%
Come in between and bid us part?%@NL@%

%@NL@%James Thomson
%@NL@%To Fortune

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ170    @%%@2@%When Britain first, at Heaven's command,%@NL@%%@EH@%
Arose from out the azure main,%@NL@%
This was the charter of the land,%@NL@%
And guardian angels sung this strain:%@NL@%
Rule, Britannia, rule the waves;%@NL@%
Britons never will be slaves.%@NL@%

%@NL@%James Thomson
%@NL@%Alfred [1740], act II, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ180    @%%@2@%A pleasing land of drowsyhead it was.%@NL@%%@EH@%

%@NL@%James Thomson
%@NL@%The Castle of Indolence [1748], canto I,st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ190    @%%@2@%A bard here dwelt, more fat than bard beseems,%@NL@%%@EH@%
Who, void of envy, guile, and lust of gain,%@NL@%
On virtue still, and nature's pleasing themes,%@NL@%
Poured forth his unpremeditated strain.%@NL@%

%@NL@%James Thomson
%@NL@%The Castle of Indolence [1748], canto I,st. 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1700THOJ200    @%%@2@%A little round, fat, oily man of God.%@NL@%%@EH@%

%@NL@%James Thomson
%@NL@%The Castle of Indolence [1748], canto I,st. 69

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Philip Doddridge%@AE@%%@EH@%
%@NL@%
%@AB@%1702-1751%@AE@%
%@NL@%%@NL@%

%@QR:Philip Doddridge@%%@QR:Doddridge@%%@CR:N1702DODP10     @%%@2@%Awake my soul! stretch every nerve,%@NL@%%@EH@%
And press with vigor on;%@NL@%
A heavenly race demands thy zeal,%@NL@%
And an immortal crown.%@NL@%

%@NL@%Philip Doddridge
%@NL@%Hymns [1755]. Zeal and Vigor in the Christian Race, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jonathan Edwards%@AE@%%@EH@%
%@NL@%
%@AB@%1703-1758%@AE@%
%@NL@%%@NL@%

%@QR:Jonathan Edwards@%%@QR:Edwards@%%@CR:N1703EDWJ10     @%%@2@%   Resolved, never to do anything which I should be afraid to do if it were%@EH@%
the last hour of my life. 1 %@NL@%
%@NL@%
Jonathan Edwards
%@NL@%Seventy Resolutions

%@NL@%%@AI@%1 See Gellert%@BO:          2cf26a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Edwards@%%@QR:Edwards@%%@CR:N1703EDWJ20     @%%@2@%   Intend to live in continual mortification, and never to expect or desire%@EH@%
any worldly ease or pleasure.%@NL@%
%@NL@%
Jonathan Edwards
%@NL@%Diary [1723]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Edwards@%%@QR:Edwards@%%@CR:N1703EDWJ30     @%%@2@%   A little, wretched, despicable creature; a worm, a mere nothing, and less%@EH@%
than nothing; a vile insect that has risen up in contempt against the
majesty of Heaven and earth.%@NL@%
%@NL@%
Jonathan Edwards
%@NL@%The Justice of God in the Damnation of Sinners [1734]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Edwards@%%@QR:Edwards@%%@CR:N1703EDWJ40     @%%@2@%   I assert that nothing ever comes to pass without a cause.%@NL@%%@EH@%
%@NL@%
Jonathan Edwards
%@NL@%The Freedom of the Will [1754]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jonathan Edwards@%%@QR:Edwards@%%@CR:N1703EDWJ50     @%%@2@%   This dictate of common sense.%@NL@%%@EH@%
%@NL@%
Jonathan Edwards
%@NL@%The Freedom of the Will [1754]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Morell%@AE@%%@EH@%
%@NL@%
%@AB@%1703-1784%@AE@%
%@NL@%%@NL@%

%@FN@%
Handel used this in his oratorios Judas Maccabaeus [April 1, 1747] and
Joshua [March 9, 1748], the libretti of which were written by Morell.  See
Dryden  %@EF@%
%@QR:Thomas Morell@%%@QR:Morell@%%@CR:N1703MORT10     @%%@2@%See, the conquering hero comes!%@NL@%%@EH@%
Sound the trumpet, beat the drums!%@NL@%

%@NL@%Thomas Morell
%@NL@%Joshua [1748], pt. III

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Wesley%@AE@%%@EH@%
%@NL@%
%@AB@%1703-1791%@AE@%
%@NL@%%@NL@%

%@QR:John Wesley@%%@QR:Wesley@%%@CR:N1703WESJ10     @%%@2@%   I look upon the world as my parish.%@NL@%%@EH@%
%@NL@%
John Wesley
%@NL@%Journal [1909-1916].June 11, 1739

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Wesley@%%@QR:Wesley@%%@CR:N1703WESJ20     @%%@2@%   That execrable sum of all villainies, commonly called the Slave Trade.%@NL@%%@EH@%
%@NL@%
John Wesley
%@NL@%Journal [1909-1916].February 12, 1772

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Wesley@%%@QR:Wesley@%%@CR:N1703WESJ30     @%%@2@%   Though I am always in haste, I am never in a hurry.%@NL@%%@EH@%
%@NL@%
John Wesley
%@NL@%Letters [1831]. December 10, 1777

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
According to Rabbi A. S. Bettelheim, this is found in the Hebrew fathers. He
cites Phinehas ben Yair as follows: "The doctrines of religion are resolved
into carefulness; carefulness into vigorousness; vigorousness into
guiltlessness; guiltlessness into abstemiousness; abstemiousness into
cleanliness; cleanliness into godliness"-literally, next to godliness.  %@EF@%
%@QR:John Wesley@%%@QR:Wesley@%%@CR:N1703WESJ40     @%%@2@%   Let it be observed, that slovenliness is no part of religion; that%@EH@%
neither this nor any text of Scripture, condemns neatness of apparel.
Certainly this is a duty, not a sin. "Cleanliness is, indeed, next to
godliness."%@NL@%
%@NL@%
John Wesley
%@NL@%Sermon 93, On Dress

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Wesley@%%@QR:Wesley@%%@CR:N1703WESJ60     @%%@2@%Do all the good you can,%@NL@%%@EH@%
By all the means you can,%@NL@%
In all the ways you can,%@NL@%
In all the places you can,%@NL@%
At all the times you can,%@NL@%
To all the people you can,%@NL@%
As long as ever you can.%@NL@%

%@NL@%John Wesley
%@NL@%John Wesley's Rule

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Nathaniel Cotton%@AE@%%@EH@%
%@NL@%
%@AB@%1705-1788%@AE@%
%@NL@%%@NL@%

%@QR:Nathaniel Cotton@%%@QR:Cotton@%%@CR:N1705COTN10     @%%@2@%Yet still we hug the dear deceit.%@NL@%%@EH@%

%@NL@%Nathaniel Cotton
%@NL@%Content. Vision IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Cotton@%%@QR:Cotton@%%@CR:N1705COTN20     @%%@2@%Hold the fleet angel fast until he bless thee. 1  2 %@NL@%%@EH@%

%@NL@%Nathaniel Cotton
%@NL@%Tomorrow

%@NL@%%@AI@%1 See Genesis 32:26%@BO:            a673@%%@AE@%
%@AI@%2 See Whittier%@BO:          3e00e3@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Benjamin Franklin%@AE@%%@EH@%
%@NL@%
%@AB@%1706-1790%@AE@%
%@FN@%
Eripuit coelo fulmen mox sceptra tyrannis [He snatched the thunderbolt from
heaven, then the scepter from tyrants].-Attributed to Turgot  This line was
inscribed on Houdon's bust of Franklin in 1778. Frederick von der Trenck
[1726-1794] asserted in 1794 that he was the author of the line.  See
Manilius and Shakespeare  Antiquity would have rasied altars to this mighty
genius, who, to the advantage of mankind, compassing in his mind the heavens
and the earth, was able to restrain alike thunderbolts and
tyrants.-Mirabeau, Address upon the Death of Franklin  I succeed him; no one
could replace him.-Thomas Jefferson (to the Comte de Vergennes, who had
remarked, "You replace Mr. Franklin" as envoy to France)  See Byron  %@EF@%
%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB40     @%%@2@%   The body of Benjamin Franklin, Printer (like the cover of an old book,%@EH@%
its contents torn out and stripped of its lettering and gilding), lies here,
food for worms; but the work shall not be lost, for it will (as he believed)
appear once more in a new and more elegant edition, revised and corrected by
the Author. 1 %@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Epitaph on Himself [composed in 1728]

%@NL@%%@AI@%1 See Clare%@BO:          390e4c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB50     @%%@2@%   Eat to live, and not live to eat. 1  2 %@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1733].May

%@NL@%%@AI@%1 See Socrates%@BO:           a659a@%%@AE@%
%@AI@%2 See Moliere%@BO:          25bd87@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB52     @%%@2@%   After three days men grow weary, of a wench, a guest, and weather rainy.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1733].June

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB54     @%%@2@%   There is no little enemy.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1733].September

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB56     @%%@2@%   Without justice, courage is weak.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1734].January

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB58     @%%@2@%   Blame-all and Praise-all are two blockheads.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1734].February

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB60     @%%@2@%   Where there's marriage without love, there will be love without marriage.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1734].May

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB70     @%%@2@%   Avarice and happiness never saw each other, how then should they become%@EH@%
acquainted.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1734].November

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB80     @%%@2@%   A little house well filled, a little field well tilled, and a little wife%@EH@%
well willed, are great riches.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1735].February

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB100    @%%@2@%   Necessity never made a good bargain.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1735].April

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB110    @%%@2@%   Three may keep a secret, if two of them are dead.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1735].July

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB120    @%%@2@%   Opportunity is the great bawd.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1735].September

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB130    @%%@2@%   Early to bed and early to rise, makes a man healthy, wealthy, and wise.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1735].October

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB134    @%%@2@%   Here comes the orator! with his flood of words, and his drop of reason.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1735].October

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB137    @%%@2@%   Some are weatherwise, some are otherwise.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1735].December

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB140    @%%@2@%   God helps them that help themselves. 1 %@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1736].June

%@NL@%%@AI@%1 See Aesop%@BO:           8fce0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB150    @%%@2@%   Don't throw stones at your neighbors', if your own windows are glass. 1 %@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1736].August

%@NL@%%@AI@%1 See Herbert%@CF:N1593HERG520.    @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB160    @%%@2@%   There are three faithful friends-an old wife, an old dog, and ready%@EH@%
money.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1738].January

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB170    @%%@2@%If you would not be forgotten,%@NL@%%@EH@%
As soon as you are dead and rotten,%@NL@%
Either write things worthy reading,%@NL@%
Or do things worth the writing.%@NL@%

%@NL@%Benjamin Franklin
%@NL@%Poor Richard's Almanac[1738].May

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB180    @%%@2@%   Keep your eyes wide open before marriage, half shut afterwards.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1738].June

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB190    @%%@2@%   None but the well-bred man knows how to confess a fault, or acknowledge%@EH@%
himself in an error.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1738].November

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB200    @%%@2@%   An empty bag cannot stand upright.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1740].January

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB210    @%%@2@%   He that riseth late, must trot all day, and shall scarce overtake his%@EH@%
business at night.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1742].August

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB220    @%%@2@%   Experience keeps a dear school, but fools will learn in no other. 1 %@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1743].December

%@NL@%%@AI@%1 See Burke%@BO:          2e7046@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB230    @%%@2@%   The used key is always bright.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1744].July

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Do not let your chances like sunbeams pass you by,/For you never miss the
water till the well runs dry.-Rowland Howard, You Never Miss the Water
[1876]  %@EF@%
%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB240    @%%@2@%   When the well's dry, we know the worth of water.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1746].January

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB260    @%%@2@%   Dost thou love life? Then do not squander time; for that's the stuff life%@EH@%
is made of.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1746].June

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB270    @%%@2@%   Lost time is never found again.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1748].January

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB275    @%%@2@%   He that's secure is not safe.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1748].August

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB280    @%%@2@%Little strokes,%@NL@%%@EH@%
Fell great oaks. 1 %@NL@%

%@NL@%Benjamin Franklin
%@NL@%Poor Richard's Almanac[1750].August

%@NL@%%@AI@%1 See Lyly%@BO:          15a0a0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB290    @%%@2@%   The cat in gloves catches no mice.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1754].February

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB300    @%%@2@%Work as if you were to live a hundred years,%@NL@%%@EH@%
Pray as if you were to die tomorrow.%@NL@%

%@NL@%Benjamin Franklin
%@NL@%Poor Richard's Almanac[1757].May

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB310    @%%@2@%   A word to the wise is enough, and many words won't fill a bushel.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1758]. Preface: Courteous Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB320    @%%@2@%   He that lives upon hope will die fasting.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1758]. Preface: Courteous Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB330    @%%@2@%   Three removes is as bad as a fire.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1758]. Preface: Courteous Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB340    @%%@2@%   A little neglect may breed great mischief . . . for want of a nail the%@EH@%
shoe was lost; for want of a shoe the horse was lost; and for want of a
horse the rider was lost. 1 %@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Poor Richard's Almanac[1758]. Preface: Courteous Reader

%@NL@%%@AI@%1 See Herbert%@BO:          225428@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB360    @%%@2@%   Eighth and lastly. They are so grateful!!%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Reasons for Preferring an Elderly Mistress [1745]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
We reckon hours and minutes to be dollars and cents.-T. C. Haliburton
[1796-1865], The Clockmaker  See Theophrastus  %@EF@%
%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB370    @%%@2@%   Remember that time is money.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Advice to a Young Tradesman [1748]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB390    @%%@2@%   They that can give up essential liberty to obtain a little temporary%@EH@%
safety deserve neither liberty nor safety.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Historical Review of Pennsylvania [1759]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB400    @%%@2@%   Idleness and pride tax with a heavier hand than kings and parliaments. If%@EH@%
we can get rid of the former, we may easily bear the latter.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Letter on the Stamp Act [July 11, 1765]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB410    @%%@2@%   The grand leap of the whale up the Fall of Niagara is esteemed, by all%@EH@%
who have seen it, as one of the finest spectacles in nature.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%To the editor of a London newspaper [1765],
intended to chaff the English for their ignorance of America

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB420    @%%@2@%Here Skugg lies snug%@NL@%%@EH@%
As a bug in a rug.%@NL@%

%@NL@%Benjamin Franklin
%@NL@%Letter to Miss Georgiana Shipley [September 1772]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I cease not to advocate peace; even though unjust it is better than the most
just war.-Cicero [106-43  B.C. ], Epistolae ad Atticum, bk. VII, epistle 14
It hath been said that an unjust peace is to be preferred before a just
war.-Samuel Butler, Butler's Remains [1759], Speeches in the Rump Parliament
%@EF@%
%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB430    @%%@2@%   There never was a good war or a bad peace.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Letter to Josiah Quincy [September 11, 1773]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB460    @%%@2@%   You and I were long friends: you are now my enemy, and I am Yours, B.%@EH@%
Franklin%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Letter to William Strahan [July 5, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB470    @%%@2@%   We must all hang together, or assuredly we shall all hang separately.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%At the signing of the Declaration of Independence [July 4, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB480    @%%@2@%   Poor man, said I, you pay too much for your whistle.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%The Whistle [1779]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB490    @%%@2@%   Here you would know and enjoy what posterity will say of Washington. For%@EH@%
a thousand leagues have nearly the same effect with a thousand years.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Letter to Washington [March 5, 1780]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB500    @%%@2@%   George Washington, Commander of the American armies, who, like Joshua of%@EH@%
old, commanded the sun and the moon to stand still, and they obeyed him.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%%@FN@%
The British minister had proposed a toast to George III, in which he likened
him to the sun, and the French minister had toasted Louis XVI, comparing him
with the moon.  %@EF@%
A toast at a dinner in Versailles

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB510    @%%@2@%   No nation was ever ruined by trade.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Thoughts on Commercial Subjects

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB520    @%%@2@%   I wish the bald eagle had not been chosen as the representative of our%@EH@%
country; he is a bird of bad moral character; like those among men who live
by sharping and robbing, he is generally poor, and often very lousy.%@NL@%
The turkey is a much more respectable bird, and withal a true original
native of America.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Letter to Sarah Bache [January 26, 1784]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB530    @%%@2@%    He [the sun] gives light as soon as he rises.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%%@FN@%
Letter to the Journal de Paris advocating Daylight Saving Time.  %@EF@%
An Economical Project [1784]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In Philadelphia, a Mrs. Powel "asked Dr. Franklin Well Doctor what have we
got a republic or a monarchy? A republic replied the Doctor if you can keep
it." Recorded by James McHenry, one of Washington's aides, in his diary;
published in the American Historical Review, XI [1906], 618.  %@EF@%
%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB535    @%%@2@%   A republic if you can keep it.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Response [September 18, 1787]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB540    @%%@2@%   Our Constitution is in actual operation; everything appears to promise%@EH@%
that it will last; but in this world nothing is certain but death and taxes.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Letter to M. Leroy [1789]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB550    @%%@2@%   The next thing most like living one's life over again seems to be a%@EH@%
recollection of that life, and to make that recollection as durable as
possible by putting it down in writing.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%%@FN@%
The Autobiography, begun in 1771, was first published (unauthorized,
mangled, and in French) in 1791, and in complete and accurate form in 1868.
%@EF@%
Autobiography [1731-1759],
ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB560    @%%@2@%   Eat not to dullness; drink not to elevation.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Autobiography [1731-1759],
ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB570    @%%@2@%   I shall never ask, never refuse, nor ever resign an office.%@NL@%%@EH@%
%@NL@%
Benjamin Franklin
%@NL@%Autobiography [1731-1759],
ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB580    @%%@2@%   Human felicity is produced not so much by great pieces of good fortune%@EH@%
that seldom happen, as by little advantages that occur every day.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Autobiography [1731-1759],
ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Franklin@%%@QR:Franklin@%%@CR:N1706FRAB590    @%%@2@%   When men are employed, they are best contented; for on the days they%@EH@%
worked they were good-natured and cheerful, and, with the consciousness of
having done a good day's work, they spent the evening jollily; but on our
idle days they were mutinous and quarrelsome.%@NL@%
%@NL@%
Benjamin Franklin
%@NL@%Autobiography [1731-1759],
ch.10

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Louis Leclerc de Buffon%@AE@%%@EH@%
%@NL@%
%@AB@%1707-1788%@AE@%
%@NL@%%@NL@%

%@QR:George Louis Leclerc de Buffon@%%@QR:Buffon@%%@CR:N1707BUFG10     @%%@2@%   [Of the horse] The noblest conquest man has ever made.%@NL@%%@EH@%
%@NL@%
George Louis Leclerc de Buffon
%@NL@%L'Histoire des Mammiferes. Le Cheval

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le style c'est l'homme m[ecirc ]me.  See Burton  %@EF@%
%@QR:George Louis Leclerc de Buffon@%%@QR:Buffon@%%@CR:N1707BUFG20     @%%@2@%   The style is the man himself.%@NL@%%@EH@%
%@NL@%
George Louis Leclerc de Buffon
%@NL@%Discourse (on his admission to the French Academy [1753])

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Louis Leclerc de Buffon@%%@QR:Buffon@%%@CR:N1707BUFG40     @%%@2@%   Genius is nothing but a greater aptitude for patience.%@NL@%%@EH@%
%@NL@%
George Louis Leclerc de Buffon
%@NL@%%@FN@%
Le genie n'est qu'une plus grande aptitude a la patience.  Herault de
Sechelles, in Voyage a Montbard, first attributed this to Buffon. It is
quoted by Matthew Arnold in "A French Coleridge" [Essays in Criticism,
1865]. There is also a popular proverb: Genius is patience. Lord Sydenham
[1799-1841] defined genius as a consummate sense of proportion.  See
Carlyle, Butler, and Hopkins  Patience is a necessary ingredient of
genius.-Disraeli, The Young Duke [1831]  Genius is capacity for taking
trouble.-Leslie Stephen [1832-1904]  Genius is an intuitive talent for
labor.-Johannes Walaeus [Jan van Wale] [1604-1699]  %@EF@%
Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Fielding%@AE@%%@EH@%
%@NL@%
%@AB@%1707-1754%@AE@%
%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH10     @%%@2@%All Nature wears one universal grin.%@NL@%%@EH@%

%@NL@%Henry Fielding
%@NL@%Tom Thumb the Great [1730], act I, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH20     @%%@2@%Today it is our pleasure to be drunk;%@NL@%%@EH@%
And this our queen shall be as drunk as we.%@NL@%

%@NL@%Henry Fielding
%@NL@%Tom Thumb the Great [1730], act I, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH30     @%%@2@%When I'm not thanked at all, I'm thanked enough;%@NL@%%@EH@%
I've done my duty, and I've done no more.%@NL@%

%@NL@%Henry Fielding
%@NL@%Tom Thumb the Great [1730], act I, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Roast Beef of Old England.-Richard Leveridge [c. 1670-1758], title of
poem  %@EF@%
%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH35     @%%@2@%Oh, the roast beef of England,%@NL@%%@EH@%
And old England's roast beef!%@NL@%

%@NL@%Henry Fielding
%@NL@%The Grub Street Opera [1731], act III, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH40     @%%@2@%I am as sober as a judge.%@NL@%%@EH@%

%@NL@%Henry Fielding
%@NL@%Don Quixote in England [1734], act III, sc. xiv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH50     @%%@2@%This story will never go down.%@NL@%%@EH@%

%@NL@%Henry Fielding
%@NL@%Tumble-Down Dick

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It's of three jovial huntsmen, and a-hunting they did go;/And they hunted,
and they holloed, and they blew their horns also;/Look ye there!-The Three
Jovial Huntsmen (old English ballad), st. 1  %@EF@%
%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH60     @%%@2@%The dusky night rides down the sky,%@NL@%%@EH@%
And ushers in the morn;%@NL@%
The hounds all join in glorious cry,%@NL@%
The huntsman winds his horn,%@NL@%
And a-hunting we will go.%@NL@%

%@NL@%Henry Fielding
%@NL@%A-Hunting We Will Go [1734], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH80     @%%@2@%   To whom nothing is given, of him can nothing be required. 1 %@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Joseph Andrews [1742], bk.II, ch. 8

%@NL@%%@AI@%1 See Luke 12:48%@BO:           5dfe3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH90     @%%@2@%   I describe not men, but manners; not an individual, but a species.%@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Joseph Andrews [1742], bk.III, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH100    @%%@2@%   They are the affectation of affectation.%@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Joseph Andrews [1742], bk.III, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH110    @%%@2@%   Public schools are the nurseries of all vice and immorality.%@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Joseph Andrews [1742], bk.III, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH120    @%%@2@%   Some folks rail against other folks, because other folks have what some%@EH@%
folks would be glad of.%@NL@%
%@NL@%
Henry Fielding
%@NL@%Joseph Andrews [1742], bk.IV, ch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH130    @%%@2@%   Love and scandal are the best sweeteners of tea. 1 %@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Love in Several Masques [1743]

%@NL@%%@AI@%1 See Congreve%@BO:          289948@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH140    @%%@2@%   Every physician almost hath his favorite disease.%@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Tom Jones [1749],
 1  bk.II, ch. 9

%@NL@%%@AI@%1 See Gibbon%@BO:          2f7691@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH150    @%%@2@%   Thwackum was for doing justice, and leaving mercy to heaven.%@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Tom Jones [1749],
 1  bk.III, ch. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH160    @%%@2@%   Can any man have a higher notion of the rule of right and the eternal%@EH@%
fitness of things?%@NL@%
%@NL@%
Henry Fielding
%@NL@%Tom Jones [1749],
 1  bk.IV, ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH170    @%%@2@%   Distinction without a difference.%@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Tom Jones [1749],
 1  bk.VI, ch. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH180    @%%@2@%   O! more than Gothic ignorance.%@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Tom Jones [1749],
 1  bk.VII, ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Amiable weaknesses of human nature.-Gibbon, Decline and Fall of the Roman
Empire [1776-1788], ch. 14  It was an amiable weakness.-Sheridan, The School
for Scandal [1777]  %@EF@%
%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH190    @%%@2@%   An amiable weakness.%@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Tom Jones [1749],
 1  bk.X, ch. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH220    @%%@2@%   His designs were strictly honorable, as the phrase is; that is, to rob a%@EH@%
lady of her fortune by way of marriage.%@NL@%
%@NL@%
Henry Fielding
%@NL@%Tom Jones [1749],
 1  bk.XI, ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH230    @%%@2@%   Hairbreadth missings of happiness look like the insults of Fortune.%@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Tom Jones [1749],
 1  bk.XIII, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH240    @%%@2@%   The republic of letters.%@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Tom Jones [1749],
 1  bk.XIV, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH250    @%%@2@%   It hath been often said, that it is not death, but dying which is%@EH@%
terrible.%@NL@%
%@NL@%
Henry Fielding
%@NL@%Amelia [1751], bk.III, ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH260    @%%@2@%   These are called the pious frauds of friendship.%@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Amelia [1751], bk.VI, ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH270    @%%@2@%   When widows exclaim loudly against second marriages, I would always lay a%@EH@%
wager that the man, if not the wedding day, is absolutely fixed on.%@NL@%
%@NL@%
Henry Fielding
%@NL@%Amelia [1751], bk.VI, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH280    @%%@2@%   There is not in the universe a more ridiculous, nor a more contemptible%@EH@%
animal, than a proud clergyman.%@NL@%
%@NL@%
Henry Fielding
%@NL@%Amelia [1751], bk.VI, ch. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Illustrious predecessor.-Burke, The Present Discontents [1770]  I tread in
the footsteps of illustrious men. . . . In receiving from the people the
sacred trust twice confined to my illustrious predecessor [Andrew
Jackson].-Martin Van Buren, Inaugural Address [March 4, 1837]  %@EF@%
%@QR:Henry Fielding@%%@QR:Fielding@%%@CR:N1707FIEH290    @%%@2@%   One of my illustrious predecessors.%@NL@%%@EH@%
%@NL@%
Henry Fielding
%@NL@%Covent Garden Journal [January 11, 1752]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Linnaeus Carl von Linne%@AE@%%@EH@%
%@NL@%
%@AB@%1707-1778%@AE@%
%@NL@%%@NL@%

%@QR:Linnaeus Carl von Linne@%%@CR:N1707LINN10     @%%@2@%   To live by medicine is to live horribly.%@NL@%%@EH@%
%@NL@%
Linnaeus Carl von Linne
%@NL@%Diaeta Naturalis, introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Natura non facit saltus.  %@EF@%
%@QR:Linnaeus Carl von Linne@%%@CR:N1707LINN20     @%%@2@%   Nature does not proceed by leaps.%@NL@%%@EH@%
%@NL@%
Linnaeus Carl von Linne
%@NL@%Philosophia Botanica [1750], sec. 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Linnaeus Carl von Linne@%%@CR:N1707LINN40     @%%@2@%   Mingle your joys sometimes with your earnest occupation. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Linnaeus Carl von Linne
%@NL@%From biography of Linnaeus byBenjamin Daydon Jones,
ch.9

%@NL@%%@AI@%1 See Menander%@BO:           ba2d8@%%@AE@%
%@AI@%2 See Horace%@BO:           dbf53@%%@AE@%
%@AI@%3 See Montaigne%@BO:          146412@%%@AE@%
%@AI@%4 See Bacon%@BO:          163cf8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Linnaeus Carl von Linne@%%@CR:N1707LINN50     @%%@2@%   A professor can never better distinguish himself in his work than by%@EH@%
encouraging a clever pupil, for the true discoverers are among them, as
comets amongst the stars.%@NL@%
%@NL@%
Linnaeus Carl von Linne
%@NL@%From biography of Linnaeus byBenjamin Daydon Jones,
ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Linnaeus Carl von Linne@%%@CR:N1707LINN60     @%%@2@%   Live innocently; God is here.%@NL@%%@EH@%
%@NL@%
Linnaeus Carl von Linne
%@NL@%From biography of Linnaeus byBenjamin Daydon Jones,
ch.15 (inscribed over the door of Linnaeus's bedchamber)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Linnaeus Carl von Linne@%%@CR:N1707LINN70     @%%@2@%   If a tree dies, plant another in its place.%@NL@%%@EH@%
%@NL@%
Linnaeus Carl von Linne
%@NL@%From biography of Linnaeus byBenjamin Daydon Jones,
ch.15 (inscribed over the door of Linnaeus's bedchamber)

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Wesley%@AE@%%@EH@%
%@NL@%
%@AB@%1707-1788%@AE@%
%@NL@%%@NL@%

%@QR:Charles Wesley@%%@QR:Wesley@%%@CR:N1707WESC10     @%%@2@%"Christ, the Lord, is risen today,"%@NL@%%@EH@%
Sons of men and angels say,%@NL@%
Raise your joys and triumphs high,%@NL@%
Sing, ye heavens, and earth reply.%@NL@%

%@NL@%Charles Wesley
%@NL@%Hymns and Sacred Poems[1739]. Christ, the Lord, Is Risen Today

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Wesley@%%@QR:Wesley@%%@CR:N1707WESC20     @%%@2@%Jesus, lover of my soul,%@NL@%%@EH@%
Let me to Thy bosom fly,%@NL@%
While the waters nearer roll,%@NL@%
While the tempest still is high;%@NL@%
Hide me, O my Savior, hide,%@NL@%
Till the storm of life is past;%@NL@%
Safe into the haven glide,%@NL@%
O receive my soul at last.%@NL@%

%@NL@%Charles Wesley
%@NL@%Hymns and Sacred Poems[1740]. Jesus, Lover of My Soul

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Wesley@%%@QR:Wesley@%%@CR:N1707WESC30     @%%@2@%Gentle Jesus, meek and mild,%@NL@%%@EH@%
Look upon a little child;%@NL@%
Pity my simplicity,%@NL@%
Suffer me to come to thee.%@NL@%

%@NL@%Charles Wesley
%@NL@%Hymns and Sacred Poems[1742]. Gentle Jesus, Meek and Mild

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Wesley@%%@QR:Wesley@%%@CR:N1707WESC40     @%%@2@%Soldiers of Christ, arise,%@NL@%%@EH@%
And put your armor on.%@NL@%

%@NL@%Charles Wesley
%@NL@%Hymns and Sacred Poems[1749]. Soldiers of Christ, Arise

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
George Whitefield [1714-1770] altered lines 1 and 2, 7 and 8, from Wesley's
original:  Hark, how all the welkin rings,/"Glory to the King of kings." . .
. /Universal nature say,/"Christ the Lord is born today."  %@EF@%
%@QR:Charles Wesley@%%@QR:Wesley@%%@CR:N1707WESC50     @%%@2@%Hark! the herald angels sing%@NL@%%@EH@%
Glory to the newborn King;%@NL@%
Peace on earth, and mercy mild,%@NL@%
God and sinners reconciled!%@NL@%
Joyful all ye nations rise,%@NL@%
Join the triumph of the skies;%@NL@%
With th' angelic host proclaim%@NL@%
Christ is born in Bethlehem.%@NL@%

%@NL@%Charles Wesley
%@NL@%Hymns and Sacred Poems[1753]. Christmas Hymn: Hark! the Herald Angels Sing

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Pitt, Earl of Chatham%@AE@%%@EH@%
%@NL@%
%@AB@%1708-1778%@AE@%
%@NL@%%@NL@%

%@QR:William Pitt, Earl of Chatham@%%@QR:Pitt@%%@CR:N1708PITW10     @%%@2@%   The atrocious crime of being a young man, which the honorable gentleman%@EH@%
[Walpole] has with such spirit and decency charged upon me, I shall neither
attempt to palliate nor deny; but content myself with wishing that I may be
one of those whose follies may cease with their youth, and not of that
number who are ignorant in spite of experience.%@NL@%
%@NL@%
William Pitt, Earl of Chatham
%@NL@%%@FN@%
This is the composition of Johnson, founded on some note or statement of the
actual speech. Johnson said, "That speech I wrote in a garret, in Exeter
Street."-Boswell, Life of Johnson [1791]  %@EF@%
Speech in the House of Commons[March 6, 1741]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Pitt, Earl of Chatham@%%@QR:Pitt@%%@CR:N1708PITW30     @%%@2@%   I rejoice that America has resisted. Three millions of people, so dead to%@EH@%
all the feelings of liberty, as voluntarily to submit to be slaves, would
have been fit instruments to make slaves of the rest.%@NL@%
%@NL@%
William Pitt, Earl of Chatham
%@NL@%Speech in the House of Commons[January 14, 1766]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Pitt, Earl of Chatham@%%@QR:Pitt@%%@CR:N1708PITW40     @%%@2@%   Confidence is a plant of slow growth in an aged bosom; youth is the%@EH@%
season of credulity.%@NL@%
%@NL@%
William Pitt, Earl of Chatham
%@NL@%Speech in the House of Commons [January 14, 1766]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Pitt, Earl of Chatham@%%@QR:Pitt@%%@CR:N1708PITW50     @%%@2@%   Unlimited power is apt to corrupt the minds of those who possess it; 1  2%@EH@%
and this I know, my lords, that where laws end, tyranny begins. 3 %@NL@%
%@NL@%
William Pitt, Earl of Chatham
%@NL@%Case of Wilkes. Speech [January 9, 1770]

%@NL@%%@AI@%1 See Shelley%@BO:          389621@%%@AE@%
%@AI@%2 See Lord Acton%@BO:          49403b@%%@AE@%
%@AI@%3 See John Locke%@BO:          26d316@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Pitt, Earl of Chatham@%%@QR:Pitt@%%@CR:N1708PITW60     @%%@2@%   There is something behind the throne greater than the King himself.%@NL@%%@EH@%
%@NL@%
William Pitt, Earl of Chatham
%@NL@%Speech in the House of Lords[March 2, 1770]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Pitt, Earl of Chatham@%%@QR:Pitt@%%@CR:N1708PITW70     @%%@2@%   I love the Americans because they love liberty, and I love them for the%@EH@%
noble efforts they made in the last war.%@NL@%
%@NL@%
William Pitt, Earl of Chatham
%@NL@%Speech in the House of Lords[March 2, 1770]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Indemnity for the past and security for the future.-Lord John Russell, Life
and Times of Charles James Fox [1859-1860], vol. III, p. 345, letter to the
Honorable T. Maitland  %@EF@%
%@QR:William Pitt, Earl of Chatham@%%@QR:Pitt@%%@CR:N1708PITW80     @%%@2@%   Reparation for our rights at home, and security against the like future%@EH@%
violations.%@NL@%
%@NL@%
William Pitt, Earl of Chatham
%@NL@%Letter to the Earl of Shelburne [September 29, 1770]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Pitt, Earl of Chatham@%%@QR:Pitt@%%@CR:N1708PITW100    @%%@2@%   If I were an American, as I am an Englishman, while a foreign troop was%@EH@%
landed in my country, I never would lay down my arms-never-never-never! 1  2
You cannot conquer America.%@NL@%
%@NL@%
William Pitt, Earl of Chatham
%@NL@%Speech [November 18, 1777]

%@NL@%%@AI@%1 See Shakespeare%@BO:          1e1fec@%%@AE@%
%@AI@%2 See Churchill%@BO:          571de7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Pitt, Earl of Chatham@%%@QR:Pitt@%%@CR:N1708PITW110    @%%@2@%   I invoke the genius of the Constitution.%@NL@%%@EH@%
%@NL@%
William Pitt, Earl of Chatham
%@NL@%Speech [November 18, 1777]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Pitt, Earl of Chatham@%%@QR:Pitt@%%@CR:N1708PITW120    @%%@2@%   The poorest man may in his cottage bid defiance to all the forces of the%@EH@%
Crown. It may be frail-its roof may shake-the wind may blow through it-the
storm may enter-the rain may enter-but the King of England cannot enter-all
his force dares not cross the threshold of the ruined tenement!%@NL@%
%@NL@%
William Pitt, Earl of Chatham
%@NL@%Speech on the Excise Bill

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Johnson%@AE@%%@EH@%
%@NL@%
%@AB@%1709-1784%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS10     @%%@2@%Of all the griefs that harass the distrest,%@NL@%%@EH@%
Sure the most bitter is a scornful jest.%@NL@%

%@NL@%Samuel Johnson
%@NL@%London [1738] (an imitation of the Third Satire of Juvenal),l. 166

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Three years later Johnson wrote, "Mere unassisted merit advances slowly,
if-what is not very common-it advances at all."  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS20     @%%@2@%This mournful truth is ev'rywhere confessed-%@NL@%%@EH@%
Slow rises worth, by poverty depressed.%@NL@%

%@NL@%Samuel Johnson
%@NL@%London [1738] (an imitation of the Third Satire of Juvenal),l. 176

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS40     @%%@2@%When learning's triumph o'er her barb'rous foes%@NL@%%@EH@%
First reared the stage, immortal Shakespeare rose;%@NL@%
Each change of many-colored life he drew,%@NL@%
Exhausted worlds, and then imagined new:%@NL@%
Existence saw him spurn her bounded reign,%@NL@%
And panting Time toiled after him in vain.%@NL@%

%@NL@%Samuel Johnson
%@NL@%Prologue at the Opening of Drury Lane Theatre [1747]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS50     @%%@2@%Cold approbation gave the ling'ring bays,%@NL@%%@EH@%
For those who durst not censure, scarce could praise.%@NL@%

%@NL@%Samuel Johnson
%@NL@%Prologue at the Opening of Drury Lane Theatre [1747]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS60     @%%@2@%Declamation roared, while Passion slept.%@NL@%%@EH@%

%@NL@%Samuel Johnson
%@NL@%Prologue at the Opening of Drury Lane Theatre [1747]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS70     @%%@2@%The wild vicissitudes of taste.%@NL@%%@EH@%

%@NL@%Samuel Johnson
%@NL@%Prologue at the Opening of Drury Lane Theatre [1747]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS80     @%%@2@%For we that live to please must please to live.%@NL@%%@EH@%

%@NL@%Samuel Johnson
%@NL@%Prologue at the Opening of Drury Lane Theatre [1747]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS85     @%%@2@%Studious to please, yet not ashamed to fail.%@NL@%%@EH@%

%@NL@%Samuel Johnson
%@NL@%Prologue to the Tragedy of Irene [1749]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
De Quincey quotes with approval, but without naming him, the criticism of a
writer who contends that this couplet amounts in effect to this: "Let
observation with extensive observation observe mankind
extensively."-Rhetoric [1828]  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS90     @%%@2@%Let observation with extensive view%@NL@%%@EH@%
Survey mankind, from China to Peru.%@NL@%

%@NL@%Samuel Johnson
%@NL@%Vanity of Human Wishes [1749],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS110    @%%@2@%Deign on the passing world to turn thine eyes,%@NL@%%@EH@%
And pause a while from learning to be wise.%@NL@%
There mark what ills the scholar's life assail-%@NL@%
Toil, envy, want, the patron, and the jail.%@NL@%

%@NL@%Samuel Johnson
%@NL@%Vanity of Human Wishes [1749],l. 157

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS120    @%%@2@%A frame of adamant, a soul of fire,%@NL@%%@EH@%
No dangers fright him, and no labors tire.%@NL@%

%@NL@%Samuel Johnson
%@NL@%Vanity of Human Wishes [1749],l. 191

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS130    @%%@2@%He left the name at which the world grew pale,%@NL@%%@EH@%
To point a moral, or adorn a tale.%@NL@%

%@NL@%Samuel Johnson
%@NL@%Vanity of Human Wishes [1749],l. 221

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS140    @%%@2@%"Enlarge my life with multitude of days!"%@NL@%%@EH@%
In health, in sickness, thus the suppliant prays:%@NL@%
Hides from himself his state, and shuns to know%@NL@%
That life protracted is protracted woe.%@NL@%

%@NL@%Samuel Johnson
%@NL@%Vanity of Human Wishes [1749],l. 255

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS150    @%%@2@%Superfluous lags the vet'ran on the stage.%@NL@%%@EH@%

%@NL@%Samuel Johnson
%@NL@%Vanity of Human Wishes [1749],l. 308

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS160    @%%@2@%Must helpless man, in ignorance sedate,%@NL@%%@EH@%
Roll darkling down the torrent of his fate?%@NL@%

%@NL@%Samuel Johnson
%@NL@%Vanity of Human Wishes [1749],l. 345

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS170    @%%@2@%Secure, whate'er he gives, he gives the best.%@NL@%%@EH@%

%@NL@%Samuel Johnson
%@NL@%Vanity of Human Wishes [1749],l. 356

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS180    @%%@2@%With these celestial Wisdom calms the mind,%@NL@%%@EH@%
And makes the happiness she does not find.%@NL@%

%@NL@%Samuel Johnson
%@NL@%Vanity of Human Wishes [1749],l. 367

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS190    @%%@2@%   Curiosity is one of the permanent and certain characteristics of a%@EH@%
vigorous mind.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%%@FN@%
For the Rambler motto, see Johnson's translation of Boethius, De
Consolatione Philosophiae, III, 9, 27.  %@EF@%
The Rambler[March 12, 1751]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS200    @%%@2@%   No place affords a more striking conviction of the vanity of human hopes%@EH@%
than a public library.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%The Rambler[March 23, 1751]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS210    @%%@2@%   I am not so lost in lexicography as to forget that words are the%@EH@%
daughters of earth, and that things are the sons of heaven. 1 %@NL@%
%@NL@%
Samuel Johnson
%@NL@%Dictionary [1755], preface

%@NL@%%@AI@%1 See Herbert%@BO:          225f99@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS220    @%%@2@%   Club-An assembly of good fellows, meeting under certain conditions.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Dictionary [1755], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS230    @%%@2@%   Essay-A loose sally of the mind; an irregular indigested piece; not a%@EH@%
regular and orderly composition.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%Dictionary [1755], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS240    @%%@2@%   Excise-A hateful tax levied upon commodities, and adjudged not by the%@EH@%
common judges of property, but wretches hired by those to whom excise is
paid.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%Dictionary [1755], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS250    @%%@2@%   Grubstreet-The name of a street near Moorsfield, London, much inhabited%@EH@%
by writers of small histories, dictionaries, and temporary poems.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%Dictionary [1755], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS260    @%%@2@%   Lexicographer-A writer of dictionaries, a harmless drudge.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Dictionary [1755], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
It was pleasant to me to find, that "oats," the "food of horses," were so
much used as the food of the people in Dr. Johnson's own town.-Boswell, Life
of Johnson [1791], vol. I, p. 628 (Everyman edition)  I own that by my
definition of oats I meant to vex them [the Scotch].-Johnson, from Ib. II,
434  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS270    @%%@2@%   Oats-A grain which in England is generally given to horses, but in%@EH@%
Scotland supports the people.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%Dictionary [1755], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS300    @%%@2@%   The joy of life is variety; 1  2  the tenderest love requires to be%@EH@%
renewed by intervals of absence.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%The Idler [1758-1760], no.39

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e1946@%%@AE@%
%@AI@%2 See Cowper%@BO:          2eb7df@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS310    @%%@2@%   He is no wise man that will quit a certainty for an uncertainty.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%The Idler [1758-1760], no.57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS320    @%%@2@%   Ye who listen with credulity to the whispers of fancy, and pursue with%@EH@%
eagerness the phantoms of hope; who expect that age will perform the
promises of youth, and that the deficiencies of the present day will be
supplied by the morrow; attend to the history of Rasselas, Prince of
Abyssinia.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%Rasselas [1759], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS330    @%%@2@%   To a poet nothing can be useless.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Rasselas [1759], ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS340    @%%@2@%   Human life is everywhere a state in which much is to be endured and%@EH@%
little to be enjoyed.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%Rasselas [1759], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS350    @%%@2@%   Marriage has many pains, but celibacy has no pleasures.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Rasselas [1759], ch.26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS360    @%%@2@%   Example is always more efficacious than precept.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Rasselas [1759], ch.29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS370    @%%@2@%   The endearing elegance of female friendship.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Rasselas [1759], ch.45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS380    @%%@2@%How small, of all that human hearts endure,%@NL@%%@EH@%
That part which laws or kings can cause or cure!%@NL@%
Still to ourselves in every place consigned,%@NL@%
Our own felicity we make or find.%@NL@%

%@NL@%Samuel Johnson
%@NL@%Lines added to Goldsmith, The Traveller [1763-1764]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS390    @%%@2@%   That man is little to be envied whose patriotism would not gain force%@EH@%
upon the plain of Marathon, or whose piety would not grow warmer among the
ruins of Iona.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%Journey to the Western Islands [1775]. Inch Kenneth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS400    @%%@2@%   Whoever wishes to attain an English style, familiar but not coarse, and%@EH@%
elegant but not ostentatious, must give his days and nights to the volumes
of Addison.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%Lives of the Poets [1779-1781].Addison

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS410    @%%@2@%   To be of no church is dangerous. Religion, of which the rewards are%@EH@%
distant, and which is animated only by faith and hope, will glide by degrees
out of the mind unless it be invigorated and reimpressed by external
ordinances, by stated calls to worship, and the salutary influence of
example.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%Lives of the Poets [1779-1781].Milton

%@NL@%
%@NL@%
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%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS420    @%%@2@%   The father of English criticism.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Lives of the Poets [1779-1781].Dryden

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS430    @%%@2@%   He delighted to tread upon the brink of meaning.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Lives of the Poets [1779-1781].Dryden

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%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS440    @%%@2@%   The Churchyard abounds with images which find a mirror in every mind, and%@EH@%
with sentiments to which every bosom returns an echo.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%Lives of the Poets [1779-1781].Gray 1

%@NL@%%@AI@%1 See Gray%@BO:          2d0c92@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS450    @%%@2@%   His [Garrick's] death has eclipsed the gaiety of nations, and%@EH@%
impoverished the public stock of harmless pleasure.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%Lives of the Poets [1779-1781].Edmund Smith

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS460    @%%@2@%   New things are made familiar, and familiar things are made new.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Lives of the Poets [1779-1781].Pope

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS470    @%%@2@%   Tomorrow I purpose to regulate my room.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Prayers and Meditations [1785].1764

%@NL@%
%@NL@%
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%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS480    @%%@2@%   Preserve me from unseasonable and immoderate sleep.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Prayers and Meditations [1785].1767

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS490    @%%@2@%   Every man naturally persuades himself that he can keep his resolutions,%@EH@%
nor is he convinced of his imbecility but by length of time and frequency of
experiment.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%Prayers and Meditations [1785].1770

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS500    @%%@2@%   This world, where much is to be done and little to be known.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Prayers and Meditations [1785].Against Inquisitive and Perplexing Thoughts

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS510    @%%@2@%   I have, all my life long, been lying till noon; yet I tell all young men,%@EH@%
and tell them with great sincerity, that nobody who does not rise early will
ever do any good.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From Boswell, Journal of a Tour to the
Hebrides [1785].September 14, 1773

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS520    @%%@2@%   Wickedness is always easier than virtue; for it takes the short cut to%@EH@%
everything.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From Boswell, Journal of a Tour to the
Hebrides [1785].September 17, 1773

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS530    @%%@2@%   Gratitude is a fruit of great cultivation; you do not find it among gross%@EH@%
people.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From Boswell, Journal of a Tour to the
Hebrides [1785].September 20, 1773

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%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS540    @%%@2@%Here closed in death th' attentive eyes%@NL@%%@EH@%
That saw the manners in the face.%@NL@%

%@NL@%Samuel Johnson
%@NL@%Epitaph on Hogarth [1786]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS550    @%%@2@%When the hoary Sage replied,%@NL@%%@EH@%
"Come, my lad, and drink some beer."%@NL@%

%@NL@%Samuel Johnson
%@NL@%From Mrs. Piozzi, Anecdotes of Samuel Johnson [1786]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Burlesque of Lope de Vega's lines: "Se acquien los leones vence," etc.  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS560    @%%@2@%If the man who turnips cries,%@NL@%%@EH@%
Cry not when his father dies,%@NL@%
'Tis a proof that he had rather%@NL@%
Have a turnip than his father.%@NL@%

%@NL@%Samuel Johnson
%@NL@%From Mrs. Piozzi, Anecdotes of Samuel Johnson [1786]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS580    @%%@2@%   He was a very good hater.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From Mrs. Piozzi, Anecdotes of Samuel Johnson [1786]

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%@NL@%
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%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS590    @%%@2@%   The law is the last result of human wisdom acting upon human experience%@EH@%
for the benefit of the public.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From Mrs. Piozzi, Anecdotes of Samuel Johnson [1786]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS600    @%%@2@%   The use of traveling is to regulate imagination by reality, and instead%@EH@%
of thinking how things may be, to see them as they are.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From Mrs. Piozzi, Anecdotes of Samuel Johnson [1786]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS610    @%%@2@%   Dictionaries are like watches; the worst is better than none, and the%@EH@%
best cannot be expected to go quite true.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From Mrs. Piozzi, Anecdotes of Samuel Johnson [1786]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS620    @%%@2@%   Books that you may carry to the fire, and hold readily in your hand, are%@EH@%
the most useful after all.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From Sir John Hawkins, Life of Johnson [1787]. Apothegms

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Elsewhere found: I put my hat.  %@EF@%
%@FN@%
A parody on the ballad The Hermit of Warkworth.  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS630    @%%@2@%As with my hat upon my head%@NL@%%@EH@%
I walked along the Strand,%@NL@%
I there did meet another man%@NL@%
With his hat in his hand.%@NL@%

%@NL@%Samuel Johnson
%@NL@%Anecdotes of Johnson by George Steevens

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS650    @%%@2@%   Abstinence is as easy to me as temperance would be difficult.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%Anecdotes of Johnson by Hannah More

%@NL@%
%@NL@%
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%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS660    @%%@2@%   Boswell: That, sir, was great fortitude of mind.%@NL@%%@EH@%
Johnson: No, sir; stark insensibility.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%%@FN@%
Edited by G. B. Hill and revised by L. F. Powell [1934].  The Life of
Johnson is assuredly a great, a very great work. Homer is not more decidedly
the first of heroic poets, Shakespeare is not more decidedly the first of
dramatists, Demosthenes is not more decidedly the first of orators, than
Boswell is the first of biographers. He has no second.-Macaulay, Samuel
Johnson [1831]  %@EF@%
From James Boswell, Life of Johnson
[1791],November 5, 1728

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%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS680    @%%@2@%   [Of Pembroke College] Sir, we are a nest of singing birds.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1730

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS690    @%%@2@%   Tom Birch is as brisk as a bee in conversation; but no sooner does he%@EH@%
take a pen in his hand than it becomes a torpedo to him, and benumbs all his
faculties.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1743

%@NL@%
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%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS700    @%%@2@%   I'll come no more behind your scenes, David [Garrick]; for the silk%@EH@%
stockings and white bosoms of your actresses excite my amorous propensities.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1750

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%@NL@%
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%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS710    @%%@2@%   A man may write at any time, if he will set himself doggedly to it.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],March 1750

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%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS720    @%%@2@%   Wretched un-ideaed girls.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1753

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%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS730    @%%@2@%   Is not a patron, my lord, one who looks with unconcern on a man%@EH@%
struggling for life in the water, and when he has reached ground encumbers
him with help? The notice which you have been pleased to take of my labors,
had it been early, had been kind; but it has been delayed till I am
indifferent, and cannot enjoy it; till I am solitary, and cannot impart it;
till I am known, and do not want it. %@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],February 7, 1754 (Letter to Lord Chesterfield)

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%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS740    @%%@2@%   [Of Lord Chesterfield] This man, I thought, had been a Lord among wits;%@EH@%
but, I find, he is only a wit among Lords!%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1754

%@NL@%
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%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS750    @%%@2@%   Sir, he [Bolingbroke] was a scoundrel, and a coward: a scoundrel, for%@EH@%
charging a blunderbuss against religion and morality; a coward, because he
had not resolution to fire it off himself, but left half a crown to a
beggarly Scotchman to draw the trigger at his death. 1 %@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],March 6, 1754

%@NL@%%@AI@%1 See Chesterfield%@BO:          2ab3b7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
When asked by a lady why he defined "pastern" as the "knee" of a horse in
his Dictionary.  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS760    @%%@2@%   Ignorance, madame, pure ignorance.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1755

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%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Keep your friendships in repair.-Emerson, Table Talk [1864]  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS770    @%%@2@%   If a man does not make new acquaintances as he advances through life, he%@EH@%
will soon find himself left alone. A man, sir, should keep his friendship in
a constant repair.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1755

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS790    @%%@2@%   Towering in the confidence of twenty-one.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],January 9, 1758

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%@NL@%
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%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS800    @%%@2@%   Being in a ship is being in a jail, with the chance of being drowned.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],March 1759

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS810    @%%@2@%   Nothing is little to him that feels it with great sensibility.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],July 20, 1762

%@NL@%
%@NL@%
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%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS820    @%%@2@%   A man of genius has been seldom ruined but by himself.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],December 21, 1762

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%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Johnson  I do not find that the age or country makes the least
difference; no, nor the language the actor spoke, nor the religion which
they professed-whether Arab in the desert, or Frenchman in the Academy. I
see that sensible men and conscientious men all over the world were of one
religion of well-doing and daring.-Emerson, Lectures and Biographical
Sketches [1884], The Preacher  See Disraeli  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS830    @%%@2@%   Sir, I think all Christians, whether Papists or Protestants, agree in the%@EH@%
essential articles, and that their differences are trivial, and rather
political than religious.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1763

%@NL@%
%@NL@%
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%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS850    @%%@2@%   The noblest prospect which a Scotchman ever sees is the high-road that%@EH@%
leads him to England!%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],July 6, 1763

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The book which you read from a sense of duty, or because for any reason you
must, does not commonly make friends with you.-William Dean Howells, My
Literary Passions [1895], ch. 7  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS860    @%%@2@%   A man ought to read just as inclination leads him; for what he reads as a%@EH@%
task will do him little good.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],July 14, 1763

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS880    @%%@2@%   If he does really think that there is no distinction between virtue and%@EH@%
vice, why, sir, when he leaves our houses let us count our spoons.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],July 14, 1763

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS890    @%%@2@%   Sir, your levelers wish to level down as far as themselves; but they%@EH@%
cannot bear leveling up to themselves.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],July 21, 1763

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Thomas Sheridan [1719-1788], actor, lecturer, and author.  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS900    @%%@2@%   Sherry is dull, naturally dull; but it must have taken him a great deal%@EH@%
of pains to become what we now see him. Such an excess of stupidity, sir, is
not in Nature.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],July 28, 1763

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS910    @%%@2@%   Sir, a woman preaching is like a dog's walking on his hind legs. It is%@EH@%
not done well; but you are surprised to find it done at all.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],July 31, 1763

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS920    @%%@2@%   I look upon it, that he who does not mind his belly will hardly mind%@EH@%
anything else.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],August 5, 1763

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS930    @%%@2@%   This was a good dinner enough, to be sure, but it was not a dinner to ask%@EH@%
a man to.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],August 5, 1763

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS940    @%%@2@%   The gloomy calm of idle vacancy. 1 %@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],December 8, 1763

%@NL@%%@AI@%1 See Cowper%@BO:          2ec6c2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS950    @%%@2@%   [Of Sir John Hawkins] A very unclubable man.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1764

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS960    @%%@2@%   It matters not how a man dies, but how he lives.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],October 26, 1769

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS970    @%%@2@%   That fellow seems to me to possess but one idea, and that is a wrong one.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1770

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS980    @%%@2@%   A gentleman who had been very unhappy in marriage, married immediately%@EH@%
after his wife died: Johnson said, it was the triumph of hope over
experience. 1 %@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1770

%@NL@%%@AI@%1 See %@BO:          4fc621@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS990    @%%@2@%   A decent provision for the poor is the true test of civilization. 1  2  3%@EH@%
%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1770

%@NL@%%@AI@%1 See Maimonides%@BO:          110b06@%%@AE@%
%@AI@%2 See Spinoza%@BO:          26fc8c@%%@AE@%
%@AI@%3 See Carnegie%@BO:          49d857@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See first entry for 1763.  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1000   @%%@2@%   All denominations of Christians have really little difference in point of%@EH@%
doctrine, though they may differ widely in external forms.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1772

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
They only who live with a man can write his life with any genuine exactness
and discrimination; and few people who have lived with a man know what to
remark about him.-vol. I, p. 617 (Everyman edition)  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1010   @%%@2@%   Nobody can write the life of a man, but those who have eat and drunk and%@EH@%
lived in social intercourse with him.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],March 31, 1772

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1030   @%%@2@%   I am a great friend to public amusements; for they keep people from vice.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],March 31, 1772

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1033   @%%@2@%   There is more knowledge of the heart in one letter of Richardson's than%@EH@%
in all Tom Jones.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 6, 1772

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1035   @%%@2@%   Why, sir, if you were to read Richardson for the story, your impatience%@EH@%
would be so much fretted that you would hang yourself. But you must read him
for the sentiment, and consider the story as only giving occasion to the
sentiment.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 6, 1772

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1040   @%%@2@%   A cow is a very good animal in the field; but we turn her out of a%@EH@%
garden.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 15, 1772

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Of Lord Mansfield, educated in England.  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1050   @%%@2@%   Much may be made of a Scotchman if he be caught young.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],Spring 1772

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Of Goldsmith's apology in the London Chronicle for beating Evans the
bookseller.  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1060   @%%@2@%   It is a foolish thing well done.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 3, 1773

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Upon being asked by Elphinstone if he had read a new book through.  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1070   @%%@2@%   No, sir, do you read books through?%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 19, 1773

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1080   @%%@2@%   An old tutor of a college said to one of his pupils: Read over your%@EH@%
compositions, and wherever you meet with a passage which you think is
particularly fine, strike it out. 1 %@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 30, 1773

%@NL@%%@AI@%1 See Sydney Smith%@BO:          34e2bf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1090   @%%@2@%   You are the most unscottified of your countrymen.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],May 1, 1773

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Of Lady Diana Beauclerk, divorced.  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1100   @%%@2@%   The woman's a whore, and there's an end on 't.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],May 7, 1773

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Of Oliver Goldsmith.  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1110   @%%@2@%   Was ever poet so trusted before?%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],July 4, 1774

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1120   @%%@2@%   Attack is the reaction; I never think I have hit hard unless it rebounds.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 2, 1775

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1130   @%%@2@%   Most vices may be committed very genteelly: a man may debauch his%@EH@%
friend's wife genteelly: he may cheat at cards genteelly.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 6, 1775

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1140   @%%@2@%   A man will turn over half a library to make one book.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 6, 1775

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Patriotism having become one of our topics, Johnson suddenly uttered, in a
strong, determined tone, an apothegm, at which many will start: "Patriotism
is the last refuge of a scoundrel." But let it be considered, that he did
not mean a real and generous love of our country, but that pretended
patriotism which so many, in all ages and countries, have made a cloak for
self-interest. I maintained that certainly all patriots were not
scoundrels.-Boswell, Life of Johnson [1791], April 7, 1775  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1150   @%%@2@%   Patriotism is the last refuge of a scoundrel.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 7, 1775

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1160   @%%@2@%   That is the happiest conversation where there is no competition, no%@EH@%
vanity, but a calm quiet interchange of sentiments.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 14, 1775

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1170   @%%@2@%   Knowledge is of two kinds. We know a subject ourselves, or we know where%@EH@%
we can find information upon it.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 18, 1775

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1180   @%%@2@%   In lapidary inscriptions a man is not upon oath.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1775

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Following this remark, Johnson quoted (not quite correctly):  Whoe'er has
traveled life's dull round,/Whate'er his various tour has been,/May sigh to
think how oft he found/His warmest welcome at an inn.-William Shenstone
[1714-1763]; written on a window of an inn at Henley  Robert Leighton
[1611-1684], archbishop of Glasgow, often said that if he were to choose a
place to die in, it should be an inn.-Works, vol. I, p. 76  See the Archpoet
%@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1190   @%%@2@%   There is nothing which has yet been contrived by man by which so much%@EH@%
happiness is produced as by a good tavern or inn.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],March 21, 1776

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1220   @%%@2@%   No man but a blockhead ever wrote except for money.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 5, 1776

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1230   @%%@2@%   Life is a progress from want to want, not from enjoyment to enjoyment.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],May 1776

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1240   @%%@2@%   Sir, you have but two topics, yourself and me. I am sick of both.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],May 1776

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1250   @%%@2@%   Olivarii Goldsmith, Poetae, Physici, Historici, qui nullum fere scribendi%@EH@%
genus non tetigit, Nullum quod tetigit non ornavit [To Oliver Goldsmith,
Poet, Naturalist, Historian, who left scarcely any style of writing
untouched, and touched nothing that he did not adorn].%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],June 22, 1776

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1260   @%%@2@%   Life admits not of delays; when pleasure can be had, it is fit to catch%@EH@%
it. Every hour takes away part of the things that please us, and perhaps
part of our disposition to be pleased.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],September 1, 1777

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1270   @%%@2@%   Depend upon it, sir, when a man knows he is to be hanged in a fortnight,%@EH@%
it concentrates his mind wonderfully.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],September 19, 1777

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1280   @%%@2@%   When a man is tired of London, he is tired of life; for there is in%@EH@%
London all that life can afford.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],September 20, 1777

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1290   @%%@2@%   It is a man's own fault, it is from want of use, if his mind grows torpid%@EH@%
in old age.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 9, 1778

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Chapter XLII is still shorter: "There are no owls of any kind in the whole
island."  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1300   @%%@2@%   Johnson had said that he could repeat a complete chapter of The Natural%@EH@%
History of Iceland, from the Danish of Horrebow, the whole of which was
exactly thus: "Ch. LXXII. Concerning snakes. There are no snakes to be met
with throughout the whole island."%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 13, 1778

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1310   @%%@2@%   Every state of society is as luxurious as it can be. Men always take the%@EH@%
best they can get.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 14, 1778

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1320   @%%@2@%   A country governed by a despot is an inverted cone.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 14, 1778

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1330   @%%@2@%   I am willing to love all mankind, except an American.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 15, 1778

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1340   @%%@2@%   Pleasure of itself is not a vice.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 15, 1778

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1350   @%%@2@%   As the Spanish proverb says, "He, who would bring home the wealth of the%@EH@%
Indies, must carry the wealth of the Indies with him," so it is in
traveling, a man must carry knowledge with him if he would bring home
knowledge.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 17, 1778

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1360   @%%@2@%   It is better to live rich, than to die rich. 1 %@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 17, 1778

%@NL@%%@AI@%1 See Robert Burton%@BO:          2105e2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1370   @%%@2@%   Were it not for imagination, sir, a man would be as happy in the arms of%@EH@%
a chambermaid as a duchess.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],May 9, 1778

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1380   @%%@2@%   I would rather be attacked than unnoticed. For the worst thing you can do%@EH@%
to an author is to be silent as to his works.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],March 26, 1779

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1390   @%%@2@%   I remember a passage in Goldsmith's Vicar of Wakefield, which he was%@EH@%
afterwards a fool enough to expunge: "I do not love a man who is zealous for
nothing."%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],March 26, 1779

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1400   @%%@2@%   Claret is the liquor for boys; port for men; but he who aspires to be a%@EH@%
hero must drink brandy.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 7, 1779

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1410   @%%@2@%   Worth seeing? yes; but not worth going to see.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],October 12, 1779

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The great direction which Burton has left to men disordered like you, is
this: Be not solitary, be not idle.-Johnson, Ib.  See Burton  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1420   @%%@2@%   If you are idle, be not solitary; if you are solitary, be not idle.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],October 27, 1779

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1440   @%%@2@%   A Frenchman must be always talking, whether he knows anything of the%@EH@%
matter or not; an Englishman is content to say nothing, when he has nothing
to say.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1780

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1450   @%%@2@%   Greek, sir, is like lace; every man gets as much of it as he can.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1780

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1460   @%%@2@%   [Of Oliver Goldsmith] No man was more foolish when he had not a pen in%@EH@%
his hand, or more wise when he had.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1780

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1470   @%%@2@%   The applause of a single human being is of great consequence.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],1780

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1480   @%%@2@%   Come to me, my dear Bozzy, and let us be as happy as we can.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],March 14, 1781

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1490   @%%@2@%   There are people whom one should like very well to drop, but would not%@EH@%
wish to be dropped by.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],March 1781

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1500   @%%@2@%   We are not here to sell a parcel of boilers and vats, but the%@EH@%
potentiality of growing rich beyond the dreams of avarice. 1 %@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],April 4, 1781

%@NL@%%@AI@%1 See Edward Moore%@BO:          2c9ede@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1510   @%%@2@%   Classical quotation is the parole of literary men all over the world.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],May 8, 1781

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Usually quoted as: When a nobleman writes a book, he ought to be encouraged.
See Somerville  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1520   @%%@2@%   My friend was of opinion that when a man of rank appeared in that%@EH@%
character [as an author], he deserved to have his merit handsomely allowed.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],May 1781

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1540   @%%@2@%   A jest breaks no bones.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],June 4, 1781

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1550   @%%@2@%Officious, innocent, sincere,%@NL@%%@EH@%
Of every friendless name the friend.%@NL@%

%@NL@%Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],January 20, 1782 (on the death of Robert Levett)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1560   @%%@2@%   To let friendship die away by negligence and silence, is certainly not%@EH@%
wise. It is voluntarily to throw away one of the greatest comforts of this
weary pilgrimage.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],March 20, 1782

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1570   @%%@2@%   Whatever you have, spend less.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],December 7, 1782

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1580   @%%@2@%   I never have sought the world; the world was not to seek me. 1  2 %@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],March 23, 1783

%@NL@%%@AI@%1 See Byron%@BO:          3798de@%%@AE@%
%@AI@%2 See Emerson%@BO:          3b956c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1600   @%%@2@%   Clear your mind of cant. 1 %@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],May 15, 1783

%@NL@%%@AI@%1 See Carlyle%@BO:          396229@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Parody on: Who rules o'er freemen should himself be free.-Henry Brooke,
Gustavus Vasa [1739]  %@EF@%
%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1610   @%%@2@%   Who drives fat oxen should himself be fat.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],June 1784

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1630   @%%@2@%   I have found you an argument; I am not obliged to find you an%@EH@%
understanding.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],June 1784

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1640   @%%@2@%   Blown about by every wind of criticism. 1 %@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],June 1784

%@NL@%%@AI@%1 See Ephesians 4:14%@BO:           6f0b6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1650   @%%@2@%   Don't attitudenize.%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],June 1784

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1660   @%%@2@%   I look upon every day to be lost, in which I do not make a new%@EH@%
acquaintance.%@NL@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],November 1784

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Johnson@%%@QR:Johnson@%%@CR:N1709JOHS1670   @%%@2@%   God bless you, my dear!%@NL@%%@EH@%
%@NL@%
Samuel Johnson
%@NL@%From James Boswell, Life of Johnson
[1791],December 13, 1784 (last words)

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Julien Offray de La Mettrie%@AE@%%@EH@%
%@NL@%
%@AB@%1709-1751%@AE@%
%@NL@%%@NL@%

%@QR:Julien Offray de La Mettrie@%%@QR:La Mettrie@%%@CR:N1709LAMJ11     @%%@2@%   Man is a machine and . . . in the whole universe there is but a single%@EH@%
substance variously modified.%@NL@%
%@NL@%
Julien Offray de La Mettrie
%@NL@%%@FN@%
Translated by M. W. Calkins.  %@EF@%
L'Homme Machine [1748],conclusion

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George , Lord Lyttelton%@AE@%%@EH@%
%@NL@%
%@AB@%1709-1773%@AE@%
%@NL@%%@NL@%

%@QR:George , Lord Lyttelton@%%@CR:N1709LYTG10     @%%@2@%Women, like princes, find few real friends.%@NL@%%@EH@%

%@NL@%George , Lord Lyttelton
%@NL@%Advice to a Lady

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George , Lord Lyttelton@%%@CR:N1709LYTG20     @%%@2@%What is your sex's earliest, latest care,%@NL@%%@EH@%
Your heart's supreme ambition? To be fair.%@NL@%

%@NL@%George , Lord Lyttelton
%@NL@%Advice to a Lady

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George , Lord Lyttelton@%%@CR:N1709LYTG30     @%%@2@%The lover in the husband may be lost.%@NL@%%@EH@%

%@NL@%George , Lord Lyttelton
%@NL@%Advice to a Lady

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George , Lord Lyttelton@%%@CR:N1709LYTG40     @%%@2@%Where none admire, 'tis useless to excel;%@NL@%%@EH@%
Where none are beaux, 'tis vain to be a belle.%@NL@%

%@NL@%George , Lord Lyttelton
%@NL@%Soliloquy on a Beauty in the Country

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Theodore Tronchin%@AE@%%@EH@%
%@NL@%
%@AB@%1709-1781%@AE@%
%@NL@%%@NL@%

%@QR:Theodore Tronchin@%%@QR:Tronchin@%%@CR:N1709TROT10     @%%@2@%   In medicine, sins of commission are mortal, sins of omission venial.%@NL@%%@EH@%
%@NL@%
Theodore Tronchin
%@NL@%Quoted in Bulletin of New York Academy of Medicine, V [1929], 151

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Oliver Edwards%@AE@%%@EH@%
%@NL@%
%@AB@%1711-1791%@AE@%
%@NL@%%@NL@%

%@QR:Oliver Edwards@%%@QR:Edwards@%%@CR:N1711EDWO10     @%%@2@%   I have tried too in my time to be a philosopher; but I don't know how,%@EH@%
cheerfulness was always breaking in.%@NL@%
%@NL@%
Oliver Edwards
%@NL@%From James Boswell, Life of Johnson [1791]. April 17, 1778

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%David Hume%@AE@%%@EH@%
%@NL@%
%@AB@%1711-1776%@AE@%
%@NL@%%@NL@%

%@QR:David Hume@%%@QR:Hume@%%@CR:N1711HUMD10     @%%@2@%   Avarice, the spur of industry.%@NL@%%@EH@%
%@NL@%
David Hume
%@NL@%Essays [1741-1742].Of Civil Liberty

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:David Hume@%%@QR:Hume@%%@CR:N1711HUMD20     @%%@2@%   Beauty in things exists in the mind which contemplates them. 1 %@NL@%%@EH@%
%@NL@%
David Hume
%@NL@%Essays [1741-1742].Of Tragedy

%@NL@%%@AI@%1 See Hungerford%@BO:          5000ab@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:David Hume@%%@QR:Hume@%%@CR:N1711HUMD30     @%%@2@%   Custom, then, is the great guide of human life.%@NL@%%@EH@%
%@NL@%
David Hume
%@NL@%An Enquiry Concerning Human Understanding [1748],pt. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:David Hume@%%@QR:Hume@%%@CR:N1711HUMD40     @%%@2@%   No testimony is sufficient to establish a miracle, unless the testimony%@EH@%
be of such a kind that its falsehood would be more miraculous than the fact
which it endeavors to establish.%@NL@%
%@NL@%
David Hume
%@NL@%An Enquiry Concerning Human Understanding [1748],Of Miracles

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:David Hume@%%@QR:Hume@%%@CR:N1711HUMD50     @%%@2@%   Opposing one species of superstition to another, set them a-quarreling;%@EH@%
while we ourselves, during their fury and contention, happily make our
escape into the calm, though obscure, regions of philosophy.%@NL@%
%@NL@%
David Hume
%@NL@%The Natural History of Religion [1757]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:David Hume@%%@QR:Hume@%%@CR:N1711HUMD60     @%%@2@%   Never literary attempt was more unfortunate than my Treatise of Human%@EH@%
Nature. It fell dead-born from the press.%@NL@%
%@NL@%
David Hume
%@NL@%My Own Life [1777], ch. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Mikhail Vasilievich Lomonosov%@AE@%%@EH@%
%@NL@%
%@AB@%1711-1765%@AE@%
%@FN@%
Lomonosov created our first university. To put it better, he himself was our
first university.-Alexander Pushkin, The Trip from Moscow to Petersburg
[1834]  %@EF@%
%@NL@%%@NL@%

%@QR:Mikhail Vasilievich Lomonosov@%%@QR:Lomonosov@%%@CR:N1711LOMM20     @%%@2@%   Carolus V, 1  Emperor of Rome, was wont to say that the Hispanic tongue%@EH@%
was seemly for converse with God, the French with friends, the German with
enemies, the Italian with the feminine sex. Had he been versed in the
Russian tongue, however, he would of a certainty have added to this that it
is appropriate to converse with all of the above, inasmuch as he would have
found in it the magnificence of the Hispanic tongue, the sprightliness of
the French, the sturdiness of the German, the tenderness of the Italian and,
over and above all that, the richness and conciseness of powerful imagery,
of the Greek and Latin tongues.%@NL@%
%@NL@%
Mikhail Vasilievich Lomonosov
%@NL@%%@FN@%
Translated by B. G. Guerney.  %@EF@%
Russian Grammar [1755]

%@NL@%%@AI@%1 See Charles V%@CF:N1500CHAR       @%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Frederick the Great%@AE@%%@EH@%
%@NL@%
%@AB@%1712-1786%@AE@%
%@NL@%%@NL@%

%@QR:Frederick the Great@%%@CR:N1712FRED10     @%%@2@%   By push of bayonets, no firing till you see the whites of their eyes. 1 %@NL@%%@EH@%
%@NL@%
Frederick the Great
%@NL@%At Prague [May 6, 1757]

%@NL@%%@AI@%1 See William Prescott%@BO:          2dae0d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ihr Racker, wollt ihr ewig leben?  That sergeant at Belleau Woods . . .
/"Come on, you . . . Do you want to live forever?"-Sandburg, Losers [1921]  %@EF@%
%@QR:Frederick the Great@%%@CR:N1712FRED20     @%%@2@%   Rascals, would you live forever?%@NL@%%@EH@%
%@NL@%
Frederick the Great
%@NL@%When the Guards hesitated at Kolin [June 18, 1757]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick the Great@%%@CR:N1712FRED40     @%%@2@%   The prince is the first servant of his state.%@NL@%%@EH@%
%@NL@%
Frederick the Great
%@NL@%Memoirs of the House of Brandenburg [1758]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick the Great@%%@CR:N1712FRED50     @%%@2@%   God is always with the strongest battalions. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Frederick the Great
%@NL@%Letter to the Duchess Luise Dorothea von Gotha [May 8, 1760]

%@NL@%%@AI@%1 See Tacitus%@BO:           f83e3@%%@AE@%
%@AI@%2 See Bussy-Rabutin%@BO:          2559ce@%%@AE@%
%@AI@%3 See Boileau%@BO:          274780@%%@AE@%
%@AI@%4 See Gibbon%@BO:          2f7267@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick the Great@%%@CR:N1712FRED60     @%%@2@%   I am tired of ruling over slaves.%@NL@%%@EH@%
%@NL@%
Frederick the Great
%@NL@%Last words [April 1, 1786]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Grenville%@AE@%%@EH@%
%@NL@%
%@AB@%1712-1770%@AE@%
%@NL@%%@NL@%

%@QR:George Grenville@%%@QR:Grenville@%%@CR:N1712GREG10     @%%@2@%   A wise government knows how to enforce with temper or to conciliate with%@EH@%
dignity.%@NL@%
%@NL@%
George Grenville
%@NL@%Speech against expulsion of John Wilkes, in Parliament [1769]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Moore%@AE@%%@EH@%
%@NL@%
%@AB@%1712-1757%@AE@%
%@NL@%%@NL@%

%@QR:Edward Moore@%%@QR:Moore@%%@CR:N1712MOOE10     @%%@2@%   This is adding insult to injury. 1 %@NL@%%@EH@%
%@NL@%
Edward Moore
%@NL@%The Foundling [1748], act V, sc. ii

%@NL@%%@AI@%1 See Phaedrus%@BO:           e7f16@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Moore@%%@QR:Moore@%%@CR:N1712MOOE20     @%%@2@%   I am rich beyond the dreams of avarice. 1 %@NL@%%@EH@%
%@NL@%
Edward Moore
%@NL@%The Gamester [1753], act II, sc. ii

%@NL@%%@AI@%1 See Johnson%@BO:          2c7067@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Jean Jacques Rousseau%@AE@%%@EH@%
%@NL@%
%@AB@%1712-1778%@AE@%
%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ10     @%%@2@%   The first man who, having fenced in a piece of land, said, "This is%@EH@%
mine," and found people naive enough to believe him, that man was the true
founder of civil society.%@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Discours sur l'Origine et le Fondement de
l'Inegalite Parmi les Hommes [1754]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ20     @%%@2@%   Never exceed your rights, and they will soon become unlimited.%@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Discours sur l'Origine et le Fondement de
l'Inegalite Parmi les Hommes [1754]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ30     @%%@2@%   Money is the seed of money, and the first guinea is sometimes more%@EH@%
difficult to acquire than the second million.%@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Discours sur l'Origine et le Fondement de
l'Inegalite Parmi les Hommes [1754]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'homme est ne libre, et partout il est dans les fers.  See Acts 22:28,
Milton, Bliss, Schiller, and Davis  %@EF@%
%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ40     @%%@2@%   Man is born free, and everywhere he is in chains.%@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Du Contrat Social [1762],I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ60     @%%@2@%   The strongest is never strong enough to be always the master, unless he%@EH@%
transforms his strength into right, and obedience into duty.%@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Du Contrat Social [1762],I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ70     @%%@2@%   The right of conquest has no foundation other than the right of the%@EH@%
strongest.%@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Du Contrat Social [1762],I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ80     @%%@2@%   In the strict sense of the term, a true democracy has never existed, and%@EH@%
never will exist.%@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Du Contrat Social [1762],III, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ90     @%%@2@%   The body politic, like the human body, begins to die from its birth, and%@EH@%
bears in itself the causes of its destruction.%@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Du Contrat Social [1762],III, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ100    @%%@2@%   Good laws lead to the making of better ones; bad ones bring about worse.%@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Du Contrat Social [1762],III, ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ110    @%%@2@%   Everything is good when it leaves the hands of the Creator; everything%@EH@%
degenerates in the hands of man.%@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Emile; ou, De l'Education [1762],I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ120    @%%@2@%   I shall always maintain that whoso says in his heart, "There is no God,"%@EH@%
while he takes the name of God upon his lips, is either a liar or a madman.%@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Emile; ou, De l'Education [1762],I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ130    @%%@2@%   People who know little are usually great talkers, while men who know much%@EH@%
say little.%@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Emile; ou, De l'Education [1762],I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ140    @%%@2@%   What wisdom can you find that is greater than kindness? 1 %@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Emile; ou, De l'Education [1762],II

%@NL@%%@AI@%1 See I Corinthians, 13:1%@BO:           6bacf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ150    @%%@2@%   Nature never deceives us; it is always we who deceive ourselves.%@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Emile; ou, De l'Education [1762],III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ160    @%%@2@%   There exists one book, which, to my taste, furnishes the happiest%@EH@%
treatise of natural education. What then is this marvelous book? Is it
Aristotle? Is it Pliny, is it Buffon? No-it is Robinson Crusoe.%@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Emile; ou, De l'Education [1762],III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ170    @%%@2@%   Self-love makes more libertines than love.%@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Emile; ou, De l'Education [1762],IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ180    @%%@2@%   Provided a man is not mad, he can be cured of every folly but vanity.%@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Emile; ou, De l'Education [1762],IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ190    @%%@2@%   A man says what he knows, a woman says what will please.%@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Emile; ou, De l'Education [1762],V

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ200    @%%@2@%   Where is the man who owes nothing to the land in which he lives? Whatever%@EH@%
that land may be, he owes to it the most precious thing possessed by man,
the morality of his actions and the love of virtue. 1 %@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Emile; ou, De l'Education [1762],V

%@NL@%%@AI@%1 See John F. Kennedy%@BO:          65a352@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ210    @%%@2@%   I have entered on an enterprise which is without precedent, and will have%@EH@%
no imitator. I propose to show my fellows a man as nature made him, and this
man shall be myself.%@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Les Confessions [1781-1788],I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ220    @%%@2@%   Remorse sleeps during a prosperous period but wakes up in adversity.%@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Les Confessions [1781-1788],II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ230    @%%@2@%   It is too difficult to think nobly when one only thinks to get a living.%@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Les Confessions [1781-1788],II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ240    @%%@2@%   Hatred, as well as love, renders its votaries credulous.%@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Les Confessions [1781-1788],V

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Qu'ils mangent de la brioche.  This remark is usually attributed to Marie
Antoinette, after her arrival in France in 1770, but the sixth book of the
Confessions was written two or three years before that date.  %@EF@%
%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ250    @%%@2@%   At length I recollected the thoughtless saying of a great princess, who,%@EH@%
on being informed that the country people had no bread, replied, "Let them
eat cake."%@NL@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Les Confessions [1781-1788],VI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ270    @%%@2@%   The thirst after happiness is never extinguished in the heart of man.%@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Les Confessions [1781-1788],IX

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Frederick the Great, king of Prussia [1740-1786].  %@EF@%
%@QR:Jean Jacques Rousseau@%%@QR:Rousseau@%%@CR:N1712ROUJ280    @%%@2@%   He thinks like a philosopher, but governs like a king.%@NL@%%@EH@%
%@NL@%
Jean Jacques Rousseau
%@NL@%Les Confessions [1781-1788],XII

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Josiah Tucker%@AE@%%@EH@%
%@NL@%
%@AB@%1712-1799%@AE@%
%@NL@%%@NL@%

%@FN@%
See Adam Smith  Let Pitt then boast of his victory to his nation of
shopkeepers.-Bertrand Barere, Speech [June 11, 1794]  But it may be said as
a rule, that every Englishman in the Duke of Wellington's army paid his way.
The remembrance of such a fact surely becomes a nation of
shopkeepers.-Thackeray, Vanity Fair [1847-1848], vol. I, ch. 28  %@EF@%
%@QR:Josiah Tucker@%%@QR:Tucker@%%@CR:N1712TUCJ10     @%%@2@%   What is true of a shopkeeper is true of a shopkeeping nation.%@NL@%%@EH@%
%@NL@%
Josiah Tucker
%@NL@%Tract Against Going to War for the Sake of Trade [1763]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alison Cockburn%@AE@%%@EH@%
%@NL@%
%@AB@%1713-1794%@AE@%
%@NL@%%@NL@%

%@QR:Alison Cockburn@%%@QR:Cockburn@%%@CR:N1713COCA10     @%%@2@%I've seen the smiling of Fortune beguiling,%@NL@%%@EH@%
I've felt all its favors and found its decay.%@NL@%

%@NL@%Alison Cockburn
%@NL@%The Flowers of the Forest [1764]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alison Cockburn@%%@QR:Cockburn@%%@CR:N1713COCA30     @%%@2@%The flowers of the forest are withered away. 1 %@NL@%%@EH@%

%@NL@%Alison Cockburn
%@NL@%The Flowers of the Forest [1764]

%@NL@%%@AI@%1 See Jane Elliott%@BO:          2daf3c@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Denis Diderot%@AE@%%@EH@%
%@NL@%
%@AB@%1713-1784%@AE@%
%@NL@%%@NL@%

%@FN@%
Mes pensees sont mes catins.  %@EF@%
%@QR:Denis Diderot@%%@QR:Diderot@%%@CR:N1713DIDD10     @%%@2@%   My thoughts are my trollops.%@NL@%%@EH@%
%@NL@%
Denis Diderot
%@NL@%Le Neveu de Rameau, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Denis Diderot@%%@QR:Diderot@%%@CR:N1713DIDD30     @%%@2@%   I can be expected to look for truth but not to find it.%@NL@%%@EH@%
%@NL@%
Denis Diderot
%@NL@%Pensees Philosophiques [1746], no. 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The witty retort thought up after the conversation is finished and one is on
one's way downstairs.  %@EF@%
%@QR:Denis Diderot@%%@QR:Diderot@%%@CR:N1713DIDD40     @%%@2@%   L'esprit de l'escalier [staircase wit].%@NL@%%@EH@%
%@NL@%
Denis Diderot
%@NL@%Paradoxe sur le Comedien

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Denis Diderot@%%@QR:Diderot@%%@CR:N1713DIDD50     @%%@2@%   From fanaticism to barbarism is only one step.%@NL@%%@EH@%
%@NL@%
Denis Diderot
%@NL@%Essai sur le Merite de la Vertu

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Laurence Sterne%@AE@%%@EH@%
%@NL@%
%@AB@%1713-1768%@AE@%
%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL10     @%%@2@%   Only the brave know how to forgive. . . . A coward never forgave; it is%@EH@%
not in his nature.%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Sermons, vol. I [1760], no.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Terence and Bacon  Revolves the sad vicissitude of things.-Richard
Gifford [1725-1807], Contemplation  %@EF@%
%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL20     @%%@2@%   This sad vicissitude of things.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Sermons, vol. I [1760], no.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL40     @%%@2@%   I wish either my father or my mother, or indeed both of them, as they%@EH@%
were in duty both equally bound to it, had minded what they were about when
they begot me.%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.I [1760], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL50     @%%@2@%   "Pray, my dear," quoth my mother, "have you not forgot to wind up the%@EH@%
clock?"-"Good G-!" cried my father, making an exclamation, but taking care
to moderate his voice at the same time-"Did ever woman, since the creation
of the world, interrupt a man with such a silly question?"%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.I [1760], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL60     @%%@2@%   So long as a man rides his hobbyhorse peaceably and quietly along the%@EH@%
king's highway, and neither compels you or me to get up behind him-pray,
sir, what have either you or I to do with it?%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.I [1760], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL70     @%%@2@%   For every ten jokes, thou hast got an hundred enemies.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.I [1760], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL80     @%%@2@%   He was within a few hours of giving his enemies the slip forever.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.I [1760], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL90     @%%@2@%   Whistled up to London, upon a Tom Fool's errand.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.I [1760], ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL100    @%%@2@%   'Tis known by the name of perseverance in a good cause-and of obstinacy%@EH@%
in a bad one. 1 %@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.I [1760], ch.17

%@NL@%%@AI@%1 See Browne%@BO:          22d013@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL110    @%%@2@%   Persuasion hung upon his lips.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.I [1760], ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL120    @%%@2@%   Digressions, incontestably, are the sunshine-they are the life, the soul%@EH@%
of reading; take them out of this book for instance-you might as well take
the book along with them.%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.I [1760], ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL130    @%%@2@%   The history of a soldier's wound beguiles the pain of it.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.I [1760], ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL140    @%%@2@%   The desire of knowledge, like the thirst of riches, increases ever with%@EH@%
the acquisition of it.%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.II [1760], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL150    @%%@2@%   Writing, when properly managed (as you may be sure I think mine is), is%@EH@%
but a different name for conversation.%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.II [1760], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL160    @%%@2@%   Go, poor devil, get thee gone! Why should I hurt thee? This world surely%@EH@%
is wide enough to hold both thee and me.%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.II [1760], ch.12 (Uncle Toby to the fly)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
But that is another story.-Kipling, Plain Tales from the Hills [1888], Three
and-An Extra  %@EF@%
%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL170    @%%@2@%   That's another story, replied my father.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.II [1760], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL190    @%%@2@%   Trust that man in nothing who has not a conscience in everything.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.II [1760], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL200    @%%@2@%   Good-bad-indifferent.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.III [1761-1762], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL210    @%%@2@%   "Our armies swore terribly in Flanders," cried my uncle Toby-"but nothing%@EH@%
to this."%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.III [1761-1762], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL220    @%%@2@%   Of all the cants which are canted in this canting world, though the cant%@EH@%
of hypocrites may be the worst, the cant of criticism is the most
tormenting!%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.III [1761-1762], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL230    @%%@2@%   'Twould be as much as my life was worth.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.III [1761-1762], ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL240    @%%@2@%   One of the two horns of my dilemma.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.IV [1761-1762], ch.26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL250    @%%@2@%   The feather put into his cap of having been abroad.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.IV [1761-1762], ch.31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL260    @%%@2@%   Now or never was the time.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.IV [1761-1762], ch.31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL270    @%%@2@%   There is a Northwest Passage to the intellectual world.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.V [1761-1762], ch. 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
But sad as angels for the good man's sin,/Weep to record, and blush to give
it in.-Thomas Campbell, Pleasures of Hope [1799], pt. II, l. 357  %@EF@%
%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL280    @%%@2@%   The Accusing Spirit, which flew up to heaven's chancery with the oath,%@EH@%
blushed as he gave it in; and the Recording Angel, as he wrote it down,
dropped a tear upon the word and blotted it out forever.%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.VI [1761-1762], ch. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL300    @%%@2@%   A man should know something of his own country, too, before he goes%@EH@%
abroad.%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.VII [1765], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL310    @%%@2@%   Ho! 'tis the time of salads.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.VII [1765], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL320    @%%@2@%   L-d! said my mother, what is all this story about?-A Cock and a Bull,%@EH@%
said Yorick.%@NL@%
%@NL@%
Laurence Sterne
%@NL@%Tristram Shandy, bk.IX [1767], ch. 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL330    @%%@2@%   They order, said I, this matter better in France.%@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%A Sentimental Journey [1768],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL340    @%%@2@%   I pity the man who can travel from Dan to Beersheba and cry, 'Tis all%@EH@%
barren!%@NL@%
%@NL@%
Laurence Sterne
%@NL@%A Sentimental Journey [1768],In the Street, Calais

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL350    @%%@2@%   Tant pis and tant mieux, being two of the great hinges in French%@EH@%
conversation, a stranger would do well to set himself right in the use of
them before he gets to Paris.%@NL@%
%@NL@%
Laurence Sterne
%@NL@%A Sentimental Journey [1768],Montreuil

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL360    @%%@2@%   Hail, ye small, sweet courtesies of life! for smooth do ye make the road%@EH@%
of it.%@NL@%
%@NL@%
Laurence Sterne
%@NL@%A Sentimental Journey [1768],The Pulse, Paris

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laurence Sterne@%%@QR:Sterne@%%@CR:N1713STEL370    @%%@2@%   God tempers the wind, said Maria, to the shorn lamb. 1 %@NL@%%@EH@%
%@NL@%
Laurence Sterne
%@NL@%A Sentimental Journey [1768],Maria

%@NL@%%@AI@%1 See Estienne%@BO:          14136d@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Etienne Bonnot de Condillac%@AE@%%@EH@%
%@NL@%L'Abbe de Condillac
%@AB@%1715-1780%@AE@%
%@NL@%%@NL@%

%@QR:Etienne Bonnot de Condillac@%%@QR:Condillac@%%@QR:L'Abbe de Condillac@%%@CR:N1715CONE10     @%%@2@%   We cannot recollect the ignorance in which we were born.%@NL@%%@EH@%
%@NL@%
Etienne Bonnot de Condillac
%@NL@%Traite des Sensations [1754],dedication

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Etienne Bonnot de Condillac@%%@QR:Condillac@%%@QR:L'Abbe de Condillac@%%@CR:N1715CONE20     @%%@2@%   The statue is therefore nothing but the sum of all it has acquired. May%@EH@%
not this be the same with man?%@NL@%
%@NL@%
Etienne Bonnot de Condillac
%@NL@%Traite des Sensations [1754],conclusion

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Christian Furchtegott Gellert%@AE@%%@EH@%
%@NL@%
%@AB@%1715-1769%@AE@%
%@NL@%%@NL@%

%@QR:Christian Furchtegott Gellert@%%@QR:Gellert@%%@CR:N1715GELC10     @%%@2@%   Live as you will have wished to have lived when you are dying. 1 %@NL@%%@EH@%
%@NL@%
Christian Furchtegott Gellert
%@NL@%Of Death, st. 2

%@NL@%%@AI@%1 See Jonathan Edwards%@BO:          2b2452@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Claude Adrien Helvetius%@AE@%%@EH@%
%@NL@%
%@AB@%1715-1771%@AE@%
%@NL@%%@NL@%

%@QR:Claude Adrien Helvetius@%%@QR:Helvetius@%%@CR:N1715HELC10     @%%@2@%   Truth is a torch that gleams through the fog without dispelling it.%@NL@%%@EH@%
%@NL@%
Claude Adrien Helvetius
%@NL@%%@FN@%
Voltaire, when he read De l'Esprit, wrote the author: "Your book is dictated
by the soundest reason. You had better get out of France as quickly as you
can." The book was condemned by the parlement and burned.  %@EF@%
De l'Esprit [1758], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Adrien Helvetius@%%@QR:Helvetius@%%@CR:N1715HELC30     @%%@2@%   What makes men happy is liking what they have to do. This is a principle%@EH@%
on which society is not founded.%@NL@%
%@NL@%
Claude Adrien Helvetius
%@NL@%De l'Esprit [1758], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Adrien Helvetius@%%@QR:Helvetius@%%@CR:N1715HELC40     @%%@2@%   We don't call a man mad who believes that he eats God, but we do the one%@EH@%
who says he is Jesus Christ.%@NL@%
%@NL@%
Claude Adrien Helvetius
%@NL@%De l'Esprit [1758], preface

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Luc de Clapiers, Marquis de Vauvenargues%@AE@%%@EH@%
%@NL@%
%@AB@%1715-1747%@AE@%
%@NL@%%@NL@%

%@QR:Luc de Clapiers, Marquis de Vauvenargues@%%@QR:Clapiers@%%@CR:N1715VAUL10     @%%@2@%   Great thoughts come from the heart.%@NL@%%@EH@%
%@NL@%
Luc de Clapiers, Marquis de Vauvenargues
%@NL@%Reflexions et Maximes, [c. 1747] no.127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Luc de Clapiers, Marquis de Vauvenargues@%%@QR:Clapiers@%%@CR:N1715VAUL20     @%%@2@%   Lazy people are always looking for something to do.%@NL@%%@EH@%
%@NL@%
Luc de Clapiers, Marquis de Vauvenargues
%@NL@%Reflexions et Maximes, [c. 1747] no.458

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Luc de Clapiers, Marquis de Vauvenargues@%%@QR:Clapiers@%%@CR:N1715VAUL30     @%%@2@%   The things we know best are those we have not learned.%@NL@%%@EH@%
%@NL@%
Luc de Clapiers, Marquis de Vauvenargues
%@NL@%Reflexions et Maximes, [c. 1747] no.479

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Whitehead%@AE@%%@EH@%
%@NL@%
%@AB@%1715-1785%@AE@%
%@NL@%%@NL@%

%@QR:William Whitehead@%%@QR:Whitehead@%%@CR:N1715WHIW10     @%%@2@%Yes, I'm in love, I feel it now%@NL@%%@EH@%
And Caelia has undone me;%@NL@%
And yet I swear I can't tell how%@NL@%
The pleasing plague stole on me.%@NL@%

%@NL@%William Whitehead
%@NL@%The Je ne scay quoi song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Whitehead@%%@QR:Whitehead@%%@CR:N1715WHIW20     @%%@2@%   An old tale which every schoolboy knows.%@NL@%%@EH@%
%@NL@%
William Whitehead
%@NL@%The Roman Father, prologue

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Gray%@AE@%%@EH@%
%@NL@%
%@AB@%1716-1771%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT10     @%%@2@%Ye distant spires, ye antique towers,%@NL@%%@EH@%
That crown the wat'ry glade.%@NL@%

%@NL@%Thomas Gray
%@NL@%On a Distant Prospect of Eton College [1742],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT20     @%%@2@%Still as they run they look behind,%@NL@%%@EH@%
They hear a voice in every wind,%@NL@%
And snatch a fearful joy.%@NL@%

%@NL@%Thomas Gray
%@NL@%On a Distant Prospect of Eton College [1742],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT30     @%%@2@%Alas, regardless of their doom,%@NL@%%@EH@%
The little victims play!%@NL@%
No sense have they of ills to come,%@NL@%
Nor care beyond today.%@NL@%

%@NL@%Thomas Gray
%@NL@%On a Distant Prospect of Eton College [1742],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT40     @%%@2@%Grim-visaged comfortless Despair.%@NL@%%@EH@%

%@NL@%Thomas Gray
%@NL@%On a Distant Prospect of Eton College [1742],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT50     @%%@2@%To each his suff'rings: all are men,%@NL@%%@EH@%
Condemned alike to groan,%@NL@%
The tender for another's pain,%@NL@%
Th' unfeeling for his own.%@NL@%
Yet ah! why should they know their fate,%@NL@%
Since sorrow never comes too late,%@NL@%
And happiness too swiftly flies?%@NL@%
Thought would destroy their paradise.%@NL@%
No more; where ignorance is bliss,%@NL@%
'Tis folly to be wise. 1 %@NL@%

%@NL@%Thomas Gray
%@NL@%On a Distant Prospect of Eton College [1742],st. 10

%@NL@%%@AI@%1 See Ecclesiastes 1:18%@BO:           34863@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT60     @%%@2@%Daughter of Jove, relentless power,%@NL@%%@EH@%
Thou tamer of the human breast,%@NL@%
Whose iron scourge and tort'ring hour%@NL@%
The bad affright, afflict the best!%@NL@%

%@NL@%Thomas Gray
%@NL@%Hymn to Adversity [1742],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT70     @%%@2@%What sorrow was, thou bad'st her know,%@NL@%%@EH@%
And from her own she learned to melt at others' woe.%@NL@%

%@NL@%Thomas Gray
%@NL@%Hymn to Adversity [1742],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT80     @%%@2@%What female heart can gold despise?%@NL@%%@EH@%
What cat's averse to fish?%@NL@%

%@NL@%Thomas Gray
%@NL@%On the Death of a Favorite Cat [1747],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT90     @%%@2@%A fav'rite has no friend!%@NL@%%@EH@%

%@NL@%Thomas Gray
%@NL@%On the Death of a Favorite Cat [1747],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT100    @%%@2@%As sickly plants betray a niggard earth,%@NL@%%@EH@%
Whose barren bosom starves her gen'rous birth.%@NL@%

%@NL@%Thomas Gray
%@NL@%The Alliance of Education and Government [c. 1748],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT110    @%%@2@%The social smile, the sympathetic tear.%@NL@%%@EH@%

%@NL@%Thomas Gray
%@NL@%The Alliance of Education and Government [c. 1748],l. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The monarch is Henry VIII; Anne Boleyn's name is here spelled (as it is in
Shakespeare's Henry VIII) as it is pronounced.  %@EF@%
%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT120    @%%@2@%When love could teach a monarch to be wise,%@NL@%%@EH@%
And gospel-light first dawned from Bullen's eyes.%@NL@%

%@NL@%Thomas Gray
%@NL@%The Alliance of Education and Government [c. 1748],l. 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT130    @%%@2@%The curfew tolls the knell of parting day,%@NL@%%@EH@%
The lowing herd wind slowly o'er the lea,%@NL@%
The plowman homeward plods his weary way,%@NL@%
And leaves the world to darkness and to me.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 1

%@NL@%%@AI@%1 See Samuel Johnson%@BO:          2bf0ae@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT140    @%%@2@%Now fades the glimmering landscape on the sight,%@NL@%%@EH@%
And all the air a solemn stillness holds,%@NL@%
Save where the beetle wheels his droning flight,%@NL@%
And drowsy tinklings lull the distant folds.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT150    @%%@2@%Save that from yonder ivy-mantled tow'r%@NL@%%@EH@%
The moping owl does to the moon complain.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT160    @%%@2@%Each in his narrow cell forever laid,%@NL@%%@EH@%
The rude forefathers of the hamlet sleep.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT170    @%%@2@%The breezy call of incense-breathing Morn.%@NL@%%@EH@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT180    @%%@2@%For them no more the blazing hearth shall burn,%@NL@%%@EH@%
Or busy housewife ply her evening care. 1 %@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 6

%@NL@%%@AI@%1 See Homer%@BO:           80d28@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT190    @%%@2@%Let not ambition mock their useful toil,%@NL@%%@EH@%
Their homely joys, and destiny obscure;%@NL@%
Nor grandeur hear with a disdainful smile,%@NL@%
The short and simple annals of the poor.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT200    @%%@2@%The boast of heraldry, the pomp of pow'r,%@NL@%%@EH@%
And all that beauty, all that wealth e'er gave,%@NL@%
Awaits alike the inevitable hour:%@NL@%
The paths of glory lead but to the grave. 1 %@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 9

%@NL@%%@AI@%1 See Carew%@BO:          2291ef@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT210    @%%@2@%Where through the long-drawn aisle and fretted vault%@NL@%%@EH@%
The pealing anthem swells the note of praise.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT220    @%%@2@%Can storied urn, or animated bust%@NL@%%@EH@%
Back to its mansion call the fleeting breath?%@NL@%
Can honor's voice provoke the silent dust,%@NL@%
Or flatt'ry soothe the dull cold ear of death?%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT230    @%%@2@%Hands, that the rod of empire might have swayed,%@NL@%%@EH@%
Or waked to ecstasy the living lyre.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT240    @%%@2@%But knowledge to their eyes her ample page%@NL@%%@EH@%
Rich with the spoils of time did ne'er unroll; 1 %@NL@%
Chill penury repressed their noble rage,%@NL@%
And froze the genial current of the soul.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 13

%@NL@%%@AI@%1 See Sir Thomas Browne%@BO:          22cc8f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Every single phrase is a string of perfect gems, of purest ray serene,
strung together on a loose golden thread.-George du Maurier, Trilby, pt. VI
[1894]  See Joseph Hall  %@EF@%
%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT250    @%%@2@%Full many a gem of purest ray serene,%@NL@%%@EH@%
The dark unfathomed caves of ocean bear:%@NL@%
Full many a flower is born to blush unseen,%@NL@%
And waste its sweetness on the desert air.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT270    @%%@2@%Some village Hampden, that with dauntless breast%@NL@%%@EH@%
The little tyrant of his fields withstood;%@NL@%
Some mute inglorious Milton here may rest,%@NL@%
Some Cromwell guiltless of his country's blood. 1 %@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 15

%@NL@%%@AI@%1 See Mencken%@BO:          59d36a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT280    @%%@2@%To scatter plenty o'er a smiling land,%@NL@%%@EH@%
And read their hist'ry in a nation's eyes.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT290    @%%@2@%Forbade to wade through slaughter to a throne,%@NL@%%@EH@%
And shut the gates of mercy on mankind.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT300    @%%@2@%Far from the madding crowd's ignoble strife,%@NL@%%@EH@%
Their sober wishes never learned to stray;%@NL@%
Along the cool sequestered vale of life  %@NL@%
They kept the noiseless tenor of their way.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT310    @%%@2@%Implores the passing tribute of a sigh.%@NL@%%@EH@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT320    @%%@2@%For who to dumb forgetfulness a prey,%@NL@%%@EH@%
This pleasing anxious being e'er resigned,%@NL@%
Left the warm precincts of the cheerful day,%@NL@%
Nor cast one longing ling'ring look behind?%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT330    @%%@2@%E'en from the tomb the voice of nature cries,%@NL@%%@EH@%
E'en in our ashes live their wonted fires. 1 %@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 23

%@NL@%%@AI@%1 See Chaucer%@BO:          123217@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT340    @%%@2@%Mindful of th' unhonored dead.%@NL@%%@EH@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 st. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT350    @%%@2@%Here rests his head upon the lap of Earth%@NL@%%@EH@%
A youth to fortune and to fame unknown.%@NL@%
Fair Science frowned not on his humble birth.%@NL@%
And Melancholy marked him for her own. 1 %@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 The Epitaph,st. 1

%@NL@%%@AI@%1 See Walton%@BO:          2269eb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT360    @%%@2@%Large was his bounty, and his soul sincere,%@NL@%%@EH@%
Heav'n did a recompense as largely send:%@NL@%
He gave to mis'ry all he had, a tear,%@NL@%
He gained from Heav'n ('twas all he wished) a friend.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 The Epitaph,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT370    @%%@2@%No farther seek his merits to disclose,%@NL@%%@EH@%
Or draw his frailties from their dread abode,%@NL@%
(There they alike in trembling hope repose,)%@NL@%
The bosom of his Father and his God.%@NL@%

%@NL@%Thomas Gray
%@NL@%Elegy Written in a Country Churchyard [1750],
 1 The Epitaph,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT380    @%%@2@%The meanest floweret of the vale,%@NL@%%@EH@%
The simplest note that swells the gale,%@NL@%
The common sun, the air, the skies,%@NL@%
To him are opening paradise.%@NL@%

%@NL@%Thomas Gray
%@NL@%Ode on the Pleasure Arising from Vicissitude [1754], l. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT390    @%%@2@%O'er her warm cheek and rising bosom move%@NL@%%@EH@%
The bloom of young Desire and purple light of Love.%@NL@%

%@NL@%Thomas Gray
%@NL@%The Progress of Poesy [1754],I.3, l. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Shakespeare.  %@EF@%
%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT400    @%%@2@%Far from the sun and summer-gale,%@NL@%%@EH@%
In thy green lap was Nature's Darling laid.%@NL@%

%@NL@%Thomas Gray
%@NL@%The Progress of Poesy [1754],III.1,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT410    @%%@2@%Or ope the sacred source of sympathetic tears.%@NL@%%@EH@%

%@NL@%Thomas Gray
%@NL@%The Progress of Poesy [1754],III.1,l. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Milton.  %@EF@%
%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT420    @%%@2@%He passed the flaming bounds of place and time:%@NL@%%@EH@%
The living throne, the sapphire-blaze,%@NL@%
Where angels tremble, while they gaze,%@NL@%
He saw; but blasted with excess of light,%@NL@%
Closed his eyes in endless night.%@NL@%

%@NL@%Thomas Gray
%@NL@%The Progress of Poesy [1754],III.2, l. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT430    @%%@2@%Thoughts that breathe, and words that burn.%@NL@%%@EH@%

%@NL@%Thomas Gray
%@NL@%The Progress of Poesy [1754],III.3, l. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT440    @%%@2@%Ruin seize thee, ruthless King!%@NL@%%@EH@%
Confusion on thy banners wait,%@NL@%
Though fanned by Conquest's crimson wing%@NL@%
They mock the air with idle state.%@NL@%

%@NL@%Thomas Gray
%@NL@%The Bard [1757],I.1, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT450    @%%@2@%Weave the warp, and weave the woof,%@NL@%%@EH@%
The winding sheet of Edward's race.%@NL@%
Give ample room and verge enough,%@NL@%
The characters of hell to trace.%@NL@%

%@NL@%Thomas Gray
%@NL@%The Bard [1757],II.1, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT460    @%%@2@%Fair laughs the morn, and soft the zephyr blows,%@NL@%%@EH@%
While proudly riding o'er the azure realm%@NL@%
In gallant trim the gilded vessel goes;%@NL@%
Youth on the prow, and Pleasure at the helm;%@NL@%
Regardless of the sweeping whirlwind's sway,%@NL@%
That, hushed in grim repose, expects his evening prey.%@NL@%

%@NL@%Thomas Gray
%@NL@%The Bard [1757],II.2, l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT470    @%%@2@%Visions of glory, spare my aching sight,%@NL@%%@EH@%
Ye unborn ages, crowd not on my soul!%@NL@%

%@NL@%Thomas Gray
%@NL@%The Bard [1757],III,1, l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT480    @%%@2@%And truth severe, by fairy fiction drest.%@NL@%%@EH@%

%@NL@%Thomas Gray
%@NL@%The Bard [1757],III,3, l. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT490    @%%@2@%Now my weary lips I close;%@NL@%%@EH@%
Leave me, leave me to repose!%@NL@%

%@NL@%Thomas Gray
%@NL@%Descent of Odin [1761], l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT500    @%%@2@%Iron sleet of arrowy shower%@NL@%%@EH@%
Hurtles in the darkened air.%@NL@%

%@NL@%Thomas Gray
%@NL@%The Fatal Sisters [1761]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT510    @%%@2@%Too poor for a bribe, and too proud to importune,%@NL@%%@EH@%
He had not the method of making a fortune.%@NL@%

%@NL@%Thomas Gray
%@NL@%On His Own Character [1761]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT520    @%%@2@%I shall be but a shrimp of an author.%@NL@%%@EH@%

%@NL@%Thomas Gray
%@NL@%Letter to Horace Walpole [February 25, 1768]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Gray@%%@QR:Gray@%%@CR:N1716GRAT530    @%%@2@%Sweet is the breath of vernal shower,%@NL@%%@EH@%
The bee's collected treasures sweet,%@NL@%
Sweet music's melting fall, but sweeter yet%@NL@%
The still small voice 1  of gratitude.%@NL@%

%@NL@%Thomas Gray
%@NL@%Ode for Music [1769]

%@NL@%%@AI@%1 See I Kings 19:12%@BO:           185ae@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Jean Le Rond d' Alembert%@AE@%%@EH@%
%@NL@%
%@AB@%1717-1783%@AE@%
%@NL@%%@NL@%

%@QR:Jean Le Rond d' Alembert@%%@QR:Alembert@%%@CR:N1717ALEJ10     @%%@2@%   Nothing is more indisputable than the existence of our senses.%@NL@%%@EH@%
%@NL@%
Jean Le Rond d' Alembert
%@NL@%%@FN@%
Translated by R. N. Schwab.  %@EF@%
The Encyclopedia (L'Encyclopedie), vol. I [1751],
preliminary discourse

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%David Garrick%@AE@%%@EH@%
%@NL@%
%@AB@%1717-1779%@AE@%
%@NL@%%@NL@%

%@QR:David Garrick@%%@QR:Garrick@%%@CR:N1717GARD10     @%%@2@%Let others hail the rising sun:%@NL@%%@EH@%
I bow to that whose course is run. 1 %@NL@%

%@NL@%David Garrick
%@NL@%On the Death of Mr. Pelham

%@NL@%%@AI@%1 See Pompey%@BO:           c87ce@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:David Garrick@%%@QR:Garrick@%%@CR:N1717GARD20     @%%@2@%Heart of oak 1  are our ships,%@NL@%%@EH@%
Heart of oak are our men:%@NL@%
We always are ready;%@NL@%
Steady, boys, steady;%@NL@%
We'll fight, and we'll conquer again and again.%@NL@%

%@NL@%David Garrick
%@NL@%Heart of Oak [c. 1770]

%@NL@%%@AI@%1 See Rabelais%@BO:          13711d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:David Garrick@%%@QR:Garrick@%%@CR:N1717GARD30     @%%@2@%Here lies Nolly Goldsmith, for shortness called Noll,%@NL@%%@EH@%
Who wrote like an angel, but talked like poor Poll.%@NL@%

%@NL@%David Garrick
%@NL@%Impromptu epitaph on Goldsmith

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Horace Walpole%@AE@%%@EH@%
%@NL@%
%@AB@%1717-1797%@AE@%
%@NL@%%@NL@%

%@QR:Horace Walpole@%%@QR:Walpole@%%@CR:N1717WALH10     @%%@2@%   Our supreme governors, the mob.%@NL@%%@EH@%
%@NL@%
Horace Walpole
%@NL@%Letters.To Horace Mann [September 7, 1743]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace Walpole@%%@QR:Walpole@%%@CR:N1717WALH20     @%%@2@%   Every drop of ink in my pen ran cold.%@NL@%%@EH@%
%@NL@%
Horace Walpole
%@NL@%Letters.To George Montagu [July 3, 1752]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace Walpole@%%@QR:Walpole@%%@CR:N1717WALH30     @%%@2@%   It is charming to totter into vogue.%@NL@%%@EH@%
%@NL@%
Horace Walpole
%@NL@%Letters.To G. A. Selwyn [December 2, 1765]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace Walpole@%%@QR:Walpole@%%@CR:N1717WALH40     @%%@2@%   The next Augustan age will dawn on the other side of the Atlantic. There%@EH@%
will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in
time, a Virgil at Mexico, and a Newton at Peru. At last, some curious
traveler from Lima will visit England and give a description of the ruins of
St. Paul's, like the editions of Balbec and Palmyra. 1 %@NL@%
%@NL@%
Horace Walpole
%@NL@%Letters.To Mann [November 24, 1774]

%@NL@%%@AI@%1 See Macaulay%@BO:          3b020c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace Walpole@%%@QR:Walpole@%%@CR:N1717WALH50     @%%@2@%   This world is a comedy to those that think, a tragedy to those that feel.%@NL@%%@EH@%
%@NL@%
Horace Walpole
%@NL@%Letters.To the Countess of Upper Ossory [August 16, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace Walpole@%%@QR:Walpole@%%@CR:N1717WALH60     @%%@2@%   Prognostics do not always prove prophecies-at least the wisest prophets%@EH@%
make sure of the event first.%@NL@%
%@NL@%
Horace Walpole
%@NL@%Letters.To Thomas Walpole[February 19, 1785]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace Walpole@%%@QR:Walpole@%%@CR:N1717WALH70     @%%@2@%   All his [Sir Joshua Reynolds's] own geese are swans, as the swans of%@EH@%
others are geese.%@NL@%
%@NL@%
Horace Walpole
%@NL@%Letters.To Thomas Walpole[December 1, 1786]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Foote%@AE@%%@EH@%
%@NL@%
%@AB@%1720-1777%@AE@%
%@NL@%%@NL@%

%@FN@%
Born in the garret, in the kitchen bred.-Byron, A Sketch [1816]  %@EF@%
%@QR:Samuel Foote@%%@QR:Foote@%%@CR:N1720FOOS10     @%%@2@%   Born in a cellar . . . and living in a garret.%@NL@%%@EH@%
%@NL@%
Samuel Foote
%@NL@%The Author [1757], act II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Foote@%%@QR:Foote@%%@CR:N1720FOOS30     @%%@2@%   Matt Minikin won't set fire to the Thames though he lives near the%@EH@%
Bridge.%@NL@%
%@NL@%
Samuel Foote
%@NL@%Trip to Calais [1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Foote@%%@QR:Foote@%%@CR:N1720FOOS35     @%%@2@%   He is not only dull himself, but the cause of dullness in others. 1 %@NL@%%@EH@%
%@NL@%
Samuel Foote
%@NL@%From James Boswell, Life of Johnson 1791, 1783

%@NL@%%@AI@%1 See Shakespeare%@BO:          19c71a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Foote@%%@QR:Foote@%%@CR:N1720FOOS40     @%%@2@%   So she went into the garden to cut a cabbage leaf to make an apple pie;%@EH@%
and at the same time a great she-bear, coming up the street, pops its head
into the shop. "What! no soap?" So he died, and she very imprudently married
the barber; and there were present the Picninnies, and the Joblillies, and
the Garyalies, and the grand Panjandrum himself, with the little round
button at top, and they all fell to playing the game of catch as catch can,
till the gunpowder ran out at the heels of their boots.%@NL@%
%@NL@%
Samuel Foote
%@NL@%Nonsense written to test the boasted memory of Charles Macklin,
The Quarterly Review [1854]. Credited to Foote byMaria Edgeworth
, Harry and Lucy Concluded [1825], vol. II

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Dennis O'Kelly%@AE@%%@EH@%
%@NL@%
%@AB@%1720-1787%@AE@%
%@NL@%%@NL@%

%@QR:Dennis O'Kelly@%%@QR:O'Kelly@%%@CR:N1720OKED10     @%%@2@%   It will be Eclipse first, the rest nowhere.%@NL@%%@EH@%
%@NL@%
Dennis O'Kelly
%@NL@%Declaration at Epsom [May 3, 1769], when the great racehorse
Eclipse was to run his first race. Annals of Sporting, vol. II, p. 271

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Woolman%@AE@%%@EH@%
%@NL@%
%@AB@%1720-1772%@AE@%
%@NL@%%@NL@%

%@QR:John Woolman@%%@QR:Woolman@%%@CR:N1720WOOJ10     @%%@2@%   Though I felt uneasy at the thought of writing an instrument of slavery .%@EH@%
. . through weakness I gave way and wrote it; but . . . said before my
master and the Friend that I believed slavekeeping to be a practice
inconsistent with the Christian religion. This, in some degree, abated my
uneasiness; yet . . . I should have been clearer if I had desired to be
excused from it, as a thing against my conscience.%@NL@%
%@NL@%
John Woolman
%@NL@%Journal [1774]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Collins%@AE@%%@EH@%
%@NL@%
%@AB@%1721-1759%@AE@%
%@NL@%%@NL@%

%@QR:William Collins@%%@QR:Collins@%%@CR:N1721COLW10     @%%@2@%How sleep the brave, who sink to rest,%@NL@%%@EH@%
By all their country's wishes blessed!%@NL@%

%@NL@%William Collins
%@NL@%Ode Written in the Year 1746,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Collins@%%@QR:Collins@%%@CR:N1721COLW20     @%%@2@%By fairy hands their knell is rung,%@NL@%%@EH@%
By forms unseen their dirge is sung;%@NL@%
There Honor comes, a pilgrim gray,%@NL@%
To bless the turf that wraps their clay,%@NL@%
And Freedom shall awhile repair,%@NL@%
To dwell a weeping hermit there!%@NL@%

%@NL@%William Collins
%@NL@%Ode Written in the Year 1746,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Collins@%%@QR:Collins@%%@CR:N1721COLW30     @%%@2@%In numbers warmly pure and sweetly strong.%@NL@%%@EH@%

%@NL@%William Collins
%@NL@%Ode to Simplicity [1747], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Collins@%%@QR:Collins@%%@CR:N1721COLW40     @%%@2@%If aught of oaten stop or pastoral song%@NL@%%@EH@%
May hope, O pensive Eve, to soothe thine ear.%@NL@%

%@NL@%William Collins
%@NL@%Ode to Evening [1747],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Collins@%%@QR:Collins@%%@CR:N1721COLW50     @%%@2@%Now air is hushed, save where the weak-eyed bat,%@NL@%%@EH@%
With short shrill shriek flits by on leathern wing,%@NL@%
Or where the beetle winds%@NL@%
His small but sullen horn.%@NL@%

%@NL@%William Collins
%@NL@%Ode to Evening [1747],l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Collins@%%@QR:Collins@%%@CR:N1721COLW60     @%%@2@%'Twas sad by fits, by starts 'twas wild.%@NL@%%@EH@%

%@NL@%William Collins
%@NL@%The Passions [1747],l. 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Collins@%%@QR:Collins@%%@CR:N1721COLW70     @%%@2@%With eyes upraised, as one inspired,%@NL@%%@EH@%
Pale Melancholy sate retired,%@NL@%
And from her wild sequestered seat,%@NL@%
In notes by distance made more sweet,%@NL@%
Poured through the mellow horn her pensive soul.%@NL@%

%@NL@%William Collins
%@NL@%The Passions [1747],l. 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Collins@%%@QR:Collins@%%@CR:N1721COLW80     @%%@2@%In hollow murmurs died away.%@NL@%%@EH@%

%@NL@%William Collins
%@NL@%The Passions [1747],l. 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Collins@%%@QR:Collins@%%@CR:N1721COLW90     @%%@2@%O Music, sphere-descended maid,%@NL@%%@EH@%
Friend of Pleasure, Wisdom's aid!%@NL@%

%@NL@%William Collins
%@NL@%The Passions [1747],l. 95

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jeanne Antoinette Poisson , Marquise de Pompadour%@AE@%%@EH@%
%@NL@%
%@AB@%1721-1764%@AE@%
%@NL@%%@NL@%

%@FN@%
The attribution to Madame de Pompadour is made by Despres (Memoires de
Madame de Hausset); also by Sainte-Beuve and La Tour. Larousse (Fleurs
Historiques) attributes the saying to the king. It was original with
neither, for it is an old French proverb.  %@EF@%
%@QR:Jeanne Antoinette Poisson , Marquise de Pompadour@%%@CR:N1721POMJ10     @%%@2@%   Apres nous le deluge [After us the deluge].%@NL@%%@EH@%
%@NL@%
Jeanne Antoinette Poisson , Marquise de Pompadour
%@NL@%Reputed reply to Louis XV [November 5, 1757] after the defeat
of the French and Austrian armies by Frederick the Great in the
battle of Rossbach

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Tobias Smollett%@AE@%%@EH@%
%@NL@%
%@AB@%1721-1771%@AE@%
%@NL@%%@NL@%

%@QR:Tobias Smollett@%%@QR:Smollett@%%@CR:N1721SMOT10     @%%@2@%   He was formed for the ruin of our sex.%@NL@%%@EH@%
%@NL@%
Tobias Smollett
%@NL@%The Adventures of Roderick Random [1748], ch. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Tobias Smollett@%%@QR:Smollett@%%@CR:N1721SMOT20     @%%@2@%   8 June. At London. I am pent up in frowsy lodgings, where there is not%@EH@%
room enough to swing a cat.%@NL@%
%@NL@%
Tobias Smollett
%@NL@%The Expedition of Humphry Clinker [1771], vol. II

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Adams%@AE@%%@EH@%
%@NL@%
%@AB@%1722-1803%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Adams@%%@QR:Adams@%%@CR:N1722ADAS10     @%%@2@%   Let us contemplate our forefathers, and posterity, 1  2  and resolve to%@EH@%
maintain the rights bequeathed to us from the former, for the sake of the
latter. The necessity of the times, more than ever, calls for our utmost
circumspection, deliberation, fortitude and perseverance. Let us remember
that "if we suffer tamely a lawless attack upon our liberty, we encourage
it, and involve others in our doom." It is a very serious consideration . .
. that millions yet unborn may be the miserable sharers of the event.%@NL@%
%@NL@%
Samuel Adams
%@NL@%Speech [1771]

%@NL@%%@AI@%1 See The Teaching for Merikare%@BO:            16ce@%%@AE@%
%@AI@%2 See Tacitus%@BO:           f87a3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The phrase was adopted by the town of Lexington as a legend for the town
seal.  %@EF@%
%@QR:Samuel Adams@%%@QR:Adams@%%@CR:N1722ADAS20     @%%@2@%   What a glorious morning for America!%@NL@%%@EH@%
%@NL@%
Samuel Adams
%@NL@%Upon hearing the gunfire at Lexington [April 19, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Adams@%%@QR:Adams@%%@CR:N1722ADAS30     @%%@2@%   Driven from every other corner of the earth, freedom of thought and the%@EH@%
right of private judgment in matters of conscience direct their course to
this happy country as their last asylum. 1 %@NL@%
%@NL@%
Samuel Adams
%@NL@%Speech, Philadelphia [August 1, 1776]

%@NL@%%@AI@%1 See Thomas Paine%@BO:          2f8452@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Christopher Smart%@AE@%%@EH@%
%@NL@%
%@AB@%1722-1771%@AE@%
%@NL@%%@NL@%

%@QR:Christopher Smart@%%@QR:Smart@%%@CR:N1722SMAC10     @%%@2@%Tell them I Am, Jehovah said%@NL@%%@EH@%
To Moses; while earth heard in dread,%@NL@%
And smitten to the heart,%@NL@%
At once above, beneath, around,%@NL@%
All nature, without voice or sound,%@NL@%
Replied, O Lord, Thou art.%@NL@%

%@NL@%Christopher Smart
%@NL@%A Song to David [1763],st. 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Smart@%%@QR:Smart@%%@CR:N1722SMAC20     @%%@2@%For adoration all the ranks%@NL@%%@EH@%
Of angels yield eternal thanks,%@NL@%
And David in the midst.%@NL@%

%@NL@%Christopher Smart
%@NL@%A Song to David [1763],st. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Smart@%%@QR:Smart@%%@CR:N1722SMAC30     @%%@2@%Where ask is have, where seek is find,%@NL@%%@EH@%
Where knock is open wide. 1 %@NL@%

%@NL@%Christopher Smart
%@NL@%A Song to David [1763],st. 77

%@NL@%%@AI@%1 See Matthew 7:7%@BO:           50a6b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Smart@%%@QR:Smart@%%@CR:N1722SMAC40     @%%@2@%And now the matchless deed's achieved,%@NL@%%@EH@%
Determined, dared, and done.%@NL@%

%@NL@%Christopher Smart
%@NL@%A Song to David [1763],st. 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Smart@%%@QR:Smart@%%@CR:N1722SMAC50     @%%@2@%For I bless God in the libraries of the learned and for all the booksellers%@EH@%
in the world.%@NL@%

%@NL@%Christopher Smart
%@NL@%Jubilate Agno,frag. B1,l. 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Smart@%%@QR:Smart@%%@CR:N1722SMAC60     @%%@2@%Let James rejoice with the Skuttle-Fish who foils his foe by the effusion of%@EH@%
his ink.%@NL@%

%@NL@%Christopher Smart
%@NL@%Jubilate Agno,frag. B1,l. 125

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Smart@%%@QR:Smart@%%@CR:N1722SMAC70     @%%@2@%For the Mouse (mus) prevails in Latin.%@NL@%%@EH@%
For Edi-mus, bibi-mus, vivi-mus, oremus.%@NL@%

%@NL@%Christopher Smart
%@NL@%Jubilate Agno,frag. B2,l. 638

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Smart@%%@QR:Smart@%%@CR:N1722SMAC80     @%%@2@%For I will consider my Cat Jeoffrey,%@NL@%%@EH@%
For he is the servant of the Living God, duly and daily serving him.%@NL@%

%@NL@%Christopher Smart
%@NL@%Jubilate Agno,frag. B2,l. 697

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christopher Smart@%%@QR:Smart@%%@CR:N1722SMAC90     @%%@2@%For he counteracts the Devil, who is Death, by brisking about the life.%@NL@%%@EH@%

%@NL@%Christopher Smart
%@NL@%Jubilate Agno,frag. B2,l. 722

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir William Blackstone%@AE@%%@EH@%
%@NL@%
%@AB@%1723-1780%@AE@%
%@FN@%
He it was that first gave the law the air of a science. He found it a
skeleton, and clothed it with life, color, and complexion; he embraced the
cold statue, and by his touch it grew into youth, health, and beauty.-Barry
Yelverton, Lord Avonmore [1736-1805], On Blackstone  %@EF@%
%@NL@%%@NL@%

%@QR:Sir William Blackstone@%%@QR:Blackstone@%%@CR:N1723BLAW10     @%%@2@%   Man was formed for society. 1 %@NL@%%@EH@%
%@NL@%
Sir William Blackstone
%@NL@%Commentaries [1765-1769],introduction

%@NL@%%@AI@%1 See Spinoza%@BO:          26f562@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Blackstone@%%@QR:Blackstone@%%@CR:N1723BLAW20     @%%@2@%   The royal navy of England hath ever been its greatest defense and%@EH@%
ornament; it is its ancient and natural strength; the floating bulwark of
our island.%@NL@%
%@NL@%
Sir William Blackstone
%@NL@%Commentaries [1765-1769],bk.I, ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The favorite phrase of their law is "a custom whereof the memory of man
runneth not back to the contrary."-Emerson, English Traits [1856]  %@EF@%
%@QR:Sir William Blackstone@%%@QR:Blackstone@%%@CR:N1723BLAW30     @%%@2@%   Time whereof the memory of man runneth not to the contrary.%@NL@%%@EH@%
%@NL@%
Sir William Blackstone
%@NL@%Commentaries [1765-1769],bk.I, ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Blackstone@%%@QR:Blackstone@%%@CR:N1723BLAW50     @%%@2@%   That the king can do no wrong is a necessary and fundamental principle of%@EH@%
the English constitution.%@NL@%
%@NL@%
Sir William Blackstone
%@NL@%Commentaries [1765-1769],bk.III, ch. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Blackstone@%%@QR:Blackstone@%%@CR:N1723BLAW60     @%%@2@%   It is better that ten guilty persons escape than one innocent suffer. 1 %@NL@%%@EH@%
%@NL@%
Sir William Blackstone
%@NL@%Commentaries [1765-1769],bk.IV, ch. 27

%@NL@%%@AI@%1 See Voltaire%@BO:          2acfc1@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Adam Smith%@AE@%%@EH@%
%@NL@%
%@AB@%1723-1790%@AE@%
%@NL@%%@NL@%

%@QR:Adam Smith@%%@QR:Smith@%%@CR:N1723SMIA10     @%%@2@%   A monopoly granted either to an individual or to a trading company has%@EH@%
the same effect as a secret in trade or manufactures. The monopolists, by
keeping the market constantly understocked, by never fully supplying the
effectual demand, sell their commodities much above the natural price, and
raise their emoluments, whether they consist in wages or profit, greatly
above their natural rate.%@NL@%
%@NL@%
Adam Smith
%@NL@%Wealth of Nations [1776], vol.I,bk. I, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Adam Smith@%%@QR:Smith@%%@CR:N1723SMIA20     @%%@2@%   People of the same trade seldom meet together, even for merriment and%@EH@%
diversion, but the conversation ends in a conspiracy against the public, or
in some contrivance to raise prices. It is impossible indeed to prevent such
meetings by any law which either could be executed, or would be consistent
with liberty and justice.%@NL@%
%@NL@%
Adam Smith
%@NL@%Wealth of Nations [1776], vol.I,bk. I, ch.10, pt. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Adam Smith@%%@QR:Smith@%%@CR:N1723SMIA30     @%%@2@%   It is the highest impertinence and presumption, therefore, in kings and%@EH@%
ministers to pretend to watch over the economy of private people, and to
restrain their expense.  . . . They are themselves always, and without any
exception, the greatest spendthrifts in the society. Let them look well
after their own expense, and they may safely trust private people with
theirs.%@NL@%
%@NL@%
Adam Smith
%@NL@%Wealth of Nations [1776], vol.I,bk. II, ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Adam Smith@%%@QR:Smith@%%@CR:N1723SMIA40     @%%@2@%   Every individual necessarily labors to render the annual revenue of the%@EH@%
society as great as he can. He generally indeed neither intends to promote
the public interest, nor knows how much he is promoting it. . . . He intends
only his own gain, and he is in this, as in many other cases, led by an
invisible hand to promote an end which was no part of his intention. . . .
By pursuing his own interest he frequently promotes that of the society more
effectually than when he really intends to promote it. I have never known
much good done by those who affected to trade for the public good.%@NL@%
%@NL@%
Adam Smith
%@NL@%Wealth of Nations [1776], vol.I,bk. IV, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Adam Smith@%%@QR:Smith@%%@CR:N1723SMIA50     @%%@2@%   Defense, however, is of much more importance than opulence.%@NL@%%@EH@%
%@NL@%
Adam Smith
%@NL@%Wealth of Nations [1776], vol.I,bk. IV, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Adam Smith@%%@QR:Smith@%%@CR:N1723SMIA60     @%%@2@%   To found a great empire for the sole purpose of raising up a people of%@EH@%
customers, may at first sight appear a project fit only for a nation of
shopkeepers. It is, however, a proj-ect altogether unfit for a nation of
shopkeepers; but extremely fit for a nation whose government is influenced
by shopkeepers. 1 %@NL@%
%@NL@%
Adam Smith
%@NL@%Wealth of Nations [1776], vol.II, bk. IV,ch. 7, pt. 3

%@NL@%%@AI@%1 See Josiah Tucker%@BO:          2cc1cd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Adam Smith@%%@QR:Smith@%%@CR:N1723SMIA70     @%%@2@%   Consumption is the sole end and purpose of production; and the interest%@EH@%
of the producer ought to be attended to only so far as it may be necessary
for promoting that of the consumer.%@NL@%
%@NL@%
Adam Smith
%@NL@%Wealth of Nations [1776], vol.II, bk. IV,ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Adam Smith@%%@QR:Smith@%%@CR:N1723SMIA80     @%%@2@%   All systems either of preference or of restraint, therefore, being thus%@EH@%
completely taken away, the obvious and simple system of natural liberty
establishes itself of its own accord. Every man, as long as he does not
violate the laws of justice, is left perfectly free to pursue his own
interest his own way, and to bring both his industry and capital into
competition with those of any other man or order of men. The sovereign is
completely discharged from a duty, in the attempting to perform which he
must always be exposed to innumerable delusions, and for the proper
performance of which no human wisdom or knowledge could ever be sufficient:
the duty of superintending the industry of private people.%@NL@%
%@NL@%
Adam Smith
%@NL@%Wealth of Nations [1776], vol.II, bk. IV,ch.9

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Home%@AE@%%@EH@%
%@NL@%
%@AB@%1722-1808%@AE@%
%@NL@%%@NL@%

%@QR:John Home@%%@QR:Home@%%@CR:N1724HOMJ10     @%%@2@%I'll woo her as the lion woos his brides.%@NL@%%@EH@%

%@NL@%John Home
%@NL@%Douglas [1756], actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Home@%%@QR:Home@%%@CR:N1724HOMJ20     @%%@2@%My name is Norval; on the Grampian hills%@NL@%%@EH@%
My father feeds his flocks; a frugal swain,%@NL@%
Whose constant cares were to increase his store,%@NL@%
And keep his only son, myself, at home.%@NL@%

%@NL@%John Home
%@NL@%Douglas [1756], actIII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Home@%%@QR:Home@%%@CR:N1724HOMJ30     @%%@2@%Like Douglas conquer, or like Douglas, die.%@NL@%%@EH@%

%@NL@%John Home
%@NL@%Douglas [1756], actV, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Immanuel Kant%@AE@%%@EH@%
%@NL@%
%@AB@%1724-1804%@AE@%
%@NL@%%@NL@%

%@QR:Immanuel Kant@%%@QR:Kant@%%@CR:N1724KANI10     @%%@2@%   Two things fill the mind with ever-increasing wonder and awe, the more%@EH@%
often and the more intensely the mind of thought is drawn to them: the
starry heavens above me and the moral law within me.%@NL@%
%@NL@%
Immanuel Kant
%@NL@%Critique of Practical Reason [1788]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Immanuel Kant@%%@QR:Kant@%%@CR:N1724KANI20     @%%@2@%   Morality is not properly the doctrine of how we may make ourselves happy,%@EH@%
but how we may make ourselves worthy of happiness.%@NL@%
%@NL@%
Immanuel Kant
%@NL@%Critique of Practical Reason [1788]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by A. D. Lindsay.Categorical imperative.-Kant, Fundamental
Principles of Ethics[1785], Part 2  %@EF@%
%@QR:Immanuel Kant@%%@QR:Kant@%%@CR:N1724KANI30     @%%@2@%   There is . . . only a single categorical imperative and it is this: Act%@EH@%
only on that maxim through which you can at the same time will that it
should become a universal law.%@NL@%
%@NL@%
Immanuel Kant
%@NL@%The Metaphysic of Morals [1797], ch. 11

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Friedrich Gottlieb Klopstock%@AE@%%@EH@%
%@NL@%
%@AB@%1724-1803%@AE@%
%@NL@%%@NL@%

%@QR:Friedrich Gottlieb Klopstock@%%@QR:Klopstock@%%@CR:N1724KLOF10     @%%@2@%   The immortality of poetry is worth the sweat of noblemen.%@NL@%%@EH@%
%@NL@%
Friedrich Gottlieb Klopstock
%@NL@%Lake Zurich [1750]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert , Lord Clive%@AE@%%@EH@%
%@NL@%
%@AB@%1725-1774%@AE@%
%@NL@%%@NL@%

%@QR:Robert , Lord Clive@%%@CR:N1725CLIR10     @%%@2@%   By God, Mr. Chairman, at this moment I stand astonished at my own%@EH@%
moderation!%@NL@%
%@NL@%
Robert , Lord Clive
%@NL@%Reply During Parliamentary Inquiry [1773]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Chief Logan%@AE@%%@EH@%
%@NL@%
%@AB@%1725-1780%@AE@%
%@FN@%
Mingo chief.  %@EF@%
%@NL@%%@NL@%

%@QR:Chief Logan@%%@QR:Logan@%%@CR:N1725LOGM10     @%%@2@%   I appeal to any white man to say if he ever entered Logan's cabin hungry%@EH@%
and he gave him not meat; if ever he came cold and naked and he clothed him
not? 1 %@NL@%
%@NL@%
Chief Logan
%@NL@%Message to Lord Dunmore, governor of Virginia
[November 11, 1774]. From Thomas Jefferson, Notes on Virginia [1784-1785]

%@NL@%%@AI@%1 See Matthew 25:35-6%@BO:           57771@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%George Mason%@AE@%%@EH@%
%@NL@%
%@AB@%1725-1792%@AE@%
%@NL@%%@NL@%

%@QR:George Mason@%%@QR:Mason@%%@CR:N1725MASG10     @%%@2@%   That all men are by nature equally free and independent, and have certain%@EH@%
inherent rights, of which, when they enter into a state of society, they
cannot by any compact deprive or divest their posterity; namely, the
enjoyment of life and liberty, with the means of acquiring and possessing
property, and pursuing and obtaining happiness and safety.%@NL@%
%@NL@%
George Mason
%@NL@%%@FN@%
The parent of all American bills of rights.-Samuel Eliot Morison, The Oxford
History of the American People [1965]  See Patrick Henry. Henry drafted
Article 16, on religious freedom.  %@EF@%
Virginia Bill of Rights
[June 12, 1776], article1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Mason@%%@QR:Mason@%%@CR:N1725MASG30     @%%@2@%   Government is, or ought to be instituted for the common benefit,%@EH@%
protection, and security of the people, nation, or community; of all the
various modes and forms of government, that is best which is capable of
producing the greatest degree of happiness and safety, and is most
effectually secured against the danger of maladministration. 1 %@NL@%
%@NL@%
George Mason
%@NL@%Virginia Bill of Rights
[June 12, 1776], article3

%@NL@%%@AI@%1 See Jefferson%@BO:          3005e3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Mason@%%@QR:Mason@%%@CR:N1725MASG40     @%%@2@%   The freedom of the press is one of the great bulwarks of liberty, and can%@EH@%
never be restrained but by despotic governments.%@NL@%
%@NL@%
George Mason
%@NL@%Virginia Bill of Rights
[June 12, 1776], article12

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Newton%@AE@%%@EH@%
%@NL@%
%@AB@%1725-1807%@AE@%
%@FN@%
Newton wrote his own epitaph: John Newton, clerk, once an infidel and
libertine, a servant of slaves in Africa, was by the rich mercy of our Lord
and Savior Jesus Christ preserved, restored, pardoned, and appointed to
preach the Faith he had long labored to destroy.  %@EF@%
%@NL@%%@NL@%

%@QR:John Newton@%%@QR:Newton@%%@CR:N1725NEWJ5      @%%@2@%Amazing grace! How sweet the sound%@NL@%%@EH@%
That saved a wretch like me!%@NL@%
I once was lost, but now am found,%@NL@%
Was blind, but now I see.%@NL@%

%@NL@%John Newton
%@NL@%Olney Hymns [1779].
 1 Amazing Grace

%@NL@%%@AI@%1 See Cowper%@BO:          2e935d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Newton@%%@QR:Newton@%%@CR:N1725NEWJ10     @%%@2@%Glorious things of thee are spoken,%@NL@%%@EH@%
Zion, city of our God.%@NL@%

%@NL@%John Newton
%@NL@%Olney Hymns [1779].
 1 Glorious Things

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Otis%@AE@%%@EH@%
%@NL@%
%@AB@%1725-1783%@AE@%
%@FN@%
[Otis arguing] was a flame of fire . . . the seeds of patriots and heroes
were then and there sown.-John Adams, Works [1850-1856], vol. II, p. 522  %@EF@%
%@NL@%%@NL@%

%@QR:James Otis@%%@QR:Otis@%%@CR:N1725OTIJ10     @%%@2@%   An act against the Constitution is void; an act against natural equity is%@EH@%
void.%@NL@%
%@NL@%
James Otis
%@NL@%Argument Against the Writs of Assistance [1761]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This maxim was the guide and watchword of all the friends of liberty. Otis
actually said: No parts of His Majesty's dominions can be taxed without
their consent.-Rights of the Colonies [1764], p. 64  %@EF@%
%@QR:James Otis@%%@QR:Otis@%%@CR:N1725OTIJ30     @%%@2@%   Taxation without representation is tyranny.%@NL@%%@EH@%
%@NL@%
James Otis
%@NL@%Attributed [1763]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Otis@%%@QR:Otis@%%@CR:N1725OTIJ50     @%%@2@%   Ubi libertas ibi patria [Where liberty is, there is my country].%@NL@%%@EH@%
%@NL@%
James Otis
%@NL@%His motto

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Hutton%@AE@%%@EH@%
%@NL@%
%@AB@%1726-1797%@AE@%
%@NL@%%@NL@%

%@QR:James Hutton@%%@QR:Hutton@%%@CR:N1726HUTJ10     @%%@2@%   The result, therefore, of this physical inquiry [into the age of the%@EH@%
earth] is, that we find no vestige of a beginning-no prospect of an end.%@NL@%
%@NL@%
James Hutton
%@NL@%The Theory of the Earth [1795]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Prescott%@AE@%%@EH@%
%@NL@%
%@AB@%1726-1795%@AE@%
%@NL@%%@NL@%

%@FN@%
Also attributed to Israel Putnam [1718-1790].  See Frederick the Great
Silent till you see the whites of their eyes.-Prince Charles of Prussia, at
Jagerndorf [May 23, 1745]  %@EF@%
%@QR:William Prescott@%%@QR:Prescott@%%@CR:N1726PREW10     @%%@2@%   Don't one of you fire until you see the whites of their eyes.%@NL@%%@EH@%
%@NL@%
William Prescott
%@NL@%At Bunker Hill [June 17, 1775]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jane Elliot%@AE@%%@EH@%
%@NL@%
%@AB@%1727-1805%@AE@%
%@NL@%%@NL@%

%@QR:Jane Elliot@%%@QR:Elliot@%%@CR:N1727ELLJ10     @%%@2@%I've heard them lilting, at the ewe milking,%@NL@%%@EH@%
Lasses a' lilting, before dawn of day;%@NL@%
But now they are moaning, on ilka green loaning;%@NL@%
The flowers of the forest are a' wede away.%@NL@%

%@NL@%Jane Elliot
%@NL@%%@FN@%
Sir Walter Scott in Minstrelsy of the Scottish Border says that The Flowers
of the Forest was written to an ancient tune and that the last line, the
refrain, is indisputably ancient. The air was also used for verses by Alison
Cockburn. See   %@EF@%
The Flowers of the Forest

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anne Robert Jacques Turgot , Baron de l'Aulne%@AE@%%@EH@%
%@NL@%
%@AB@%1727-1781%@AE@%
%@NL@%%@NL@%

%@FN@%
This is the origin of: America the hope of the world.  %@EF@%
%@QR:Anne Robert Jacques Turgot , Baron de l'Aulne@%%@QR:Turgot @%%@CR:N1727TURA10     @%%@2@%   They [the Americans] are the hope of this world. They may become its%@EH@%
model.%@NL@%
%@NL@%
Anne Robert Jacques Turgot , Baron de l'Aulne
%@NL@%Letter to Dr. Richard Price [March 22, 1778]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Wilkes%@AE@%%@EH@%
%@NL@%
%@AB@%1727-1797%@AE@%
%@NL@%%@NL@%

%@QR:John Wilkes@%%@QR:Wilkes@%%@CR:N1727WILJ10     @%%@2@%   Earl of Sandwich: 'Pon my honor, Wilkes, I don't know whether you'll die%@EH@%
on the gallows or of the pox.%@NL@%
Wilkes: That must depend, my Lord, upon whether I first embrace your
Lordship's principles, or your Lordship's mistresses.%@NL@%
%@NL@%
John Wilkes
%@NL@%From Sir Charles Petrie, The Four Georges [1935]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Oliver Goldsmith%@AE@%%@EH@%
%@NL@%
%@AB@%1728-1774%@AE@%
%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO10     @%%@2@%   One writer, for instance, excels at a plan or a title page, another works%@EH@%
away the body of the book, and a third is a dab at an index.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%The Bee [1759],no.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO20     @%%@2@%   As writers become more numerous, it is natural for readers to become more%@EH@%
indolent.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%The Bee [1759],no.175. Upon Unfortunate Merit

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO30     @%%@2@%Good people all, with one accord,%@NL@%%@EH@%
Lament for Madame Blaize,%@NL@%
Who never wanted a good word-%@NL@%
From those who spoke her praise.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Bee [1759],Elegy on Mrs. Mary Blaize [1759], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO40     @%%@2@%A nightcap decked his brows instead of bay,%@NL@%%@EH@%
A cap by night-a stocking all the day!%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%Description of an Author's Bedchamber [1760]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO50     @%%@2@%That strain once more; it bids remembrance rise.%@NL@%%@EH@%

%@NL@%Oliver Goldsmith
%@NL@%The Captivity, An Oratorio [1764], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO60     @%%@2@%O Memory! thou fond deceiver.%@NL@%%@EH@%

%@NL@%Oliver Goldsmith
%@NL@%The Captivity, An Oratorio [1764], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO70     @%%@2@%To the last moment of his breath%@NL@%%@EH@%
On hope the wretch relies;%@NL@%
And e'en the pang preceding death%@NL@%
Bids expectation rise. 1  2 %@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Captivity, An Oratorio [1764], actII

%@NL@%%@AI@%1 See Terence%@BO:           c33b5@%%@AE@%
%@AI@%2 See Cicero%@BO:           c6c2f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO80     @%%@2@%Hope, like the gleaming taper's light,%@NL@%%@EH@%
Adorns and cheers our way;%@NL@%
And still, as darker grows the night,%@NL@%
Emits a brighter ray.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Captivity, An Oratorio [1764], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO90     @%%@2@%Remote, unfriended, melancholy, slow,%@NL@%%@EH@%
Or by the lazy Scheldt, or wandering Po.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO100    @%%@2@%Where'er I roam, whatever realms to see,%@NL@%%@EH@%
My heart untraveled fondly turns to thee;%@NL@%
Still to my brother turns with ceaseless pain,%@NL@%
And drags at each remove a lengthening chain.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO110    @%%@2@%Such is the patriot's boast, where'er we roam,%@NL@%%@EH@%
His first, best country ever is, at home.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO120    @%%@2@%Where wealth and freedom reign contentment fails,%@NL@%%@EH@%
And honor sinks where commerce long prevails.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Italy.  %@EF@%
%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO130    @%%@2@%Man seems the only growth that dwindles here.%@NL@%%@EH@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 126

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO140    @%%@2@%But winter lingering chills the lap of May.%@NL@%%@EH@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 172

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The character of the French.  %@EF@%
%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO150    @%%@2@%They please, are pleased, they give to get esteem,%@NL@%%@EH@%
Till, seeming blest, they grow to what they seem.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 265

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO160    @%%@2@%To men of other minds my fancy flies,%@NL@%%@EH@%
Embosomed in the deep where Holland lies.%@NL@%
Methinks her patient sons before me stand,%@NL@%
Where the broad ocean leans against the land.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 281

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The British.  %@EF@%
%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO170    @%%@2@%Pride in their port, defiance in their eye,%@NL@%%@EH@%
I see the lords of humankind pass by.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 327

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
England.  %@EF@%
%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO180    @%%@2@%The land of scholars, and the nurse of arms.%@NL@%%@EH@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 356

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO190    @%%@2@%For just experience tells; in every soil,%@NL@%%@EH@%
That those that think must govern those that toil.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 371

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO200    @%%@2@%Laws grind the poor, 1  and rich men rule the law.%@NL@%%@EH@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 386

%@NL@%%@AI@%1 See Isaiah 3:15%@BO:           3a026@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO210    @%%@2@%Vain, very vain, my weary search to find%@NL@%%@EH@%
That bliss which only centers in the mind.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Traveller [1764],l. 423

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO230    @%%@2@%   A book may be very amusing with numerous errors, or it may be very dull%@EH@%
without a single absurdity.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO240    @%%@2@%   I . . . chose my wife, as she did her wedding gown, not for a fine glossy%@EH@%
surface, but such qualities as would wear well.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO250    @%%@2@%   We sometimes had those little rubs which Providence sends to enhance the%@EH@%
value of its favors.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO260    @%%@2@%   Handsome is that handsome does. 1 %@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.1

%@NL@%%@AI@%1 See Chaucer%@BO:          12452a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO270    @%%@2@%   That virtue which requires to be ever guarded is scarce worth the%@EH@%
sentinel.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO280    @%%@2@%   I find you want me to furnish you with argument and intellects too.%@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO290    @%%@2@%Man wants but little here below,%@NL@%%@EH@%
Nor wants that little long. 1  2 %@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.8. The Hermit [Edwin and Angelina],st. 8

%@NL@%%@AI@%1 See Edward Young%@BO:          294789@%%@AE@%
%@AI@%2 See John Quincy Adams%@BO:          333102@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO300    @%%@2@%   She was all of a muck of sweat.%@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.8. The Hermit [Edwin and Angelina],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"Shall we talk about Shakespeare?" he asked sarcastically. "Or the musical
glasses?"-Aldous Huxley, Point Counter Point [1928], ch. 21  %@EF@%
%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO310    @%%@2@%   They would talk of nothing but high life, and high-lived company, with%@EH@%
other fashionable topics, such as pictures, taste, Shakespeare, and the
musical glasses.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.8. The Hermit [Edwin and Angelina],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO330    @%%@2@%   Conscience is a coward, and those faults it has not strength enough to%@EH@%
prevent it seldom has justice enough to accuse.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.8. The Hermit [Edwin and Angelina],st. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO340    @%%@2@%The naked every day he clad%@NL@%%@EH@%
When he put on his clothes.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.17. An Elegy on the Death of a Mad Dog,st.
3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO350    @%%@2@%And in that town a dog was found,%@NL@%%@EH@%
As many dogs there be,%@NL@%
Both mongrel, puppy, whelp, and hound,%@NL@%
And curs of low degree.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.17. An Elegy on the Death of a Mad Dog,st.
4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO360    @%%@2@%The dog, to gain some private ends,%@NL@%%@EH@%
Went mad, and bit the man.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.17. An Elegy on the Death of a Mad Dog,st.
5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO370    @%%@2@%The man recovered of the bite,%@NL@%%@EH@%
The dog it was that died.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.17. An Elegy on the Death of a Mad Dog,st.
8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO380    @%%@2@%When lovely woman stoops to folly,%@NL@%%@EH@%
And finds too late that men betray,%@NL@%
What charm can soothe her melancholy?%@NL@%
What art can wash her guilt away? 1 %@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.29. Song,st. 1

%@NL@%%@AI@%1 See T. S. Eliot%@BO:          5d1ebf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO390    @%%@2@%The only art her guilt to cover,%@NL@%%@EH@%
To hide her shame from every eye,%@NL@%
To give repentance to her lover,%@NL@%
And wring his bosom, is-to die.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Vicar of Wakefield [1766],ch.29. Song,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO400    @%%@2@%   This same philosophy is a good horse in the stable, but an arrant jade on%@EH@%
a journey. 1 %@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%The Good-Natured Man [1768], actI

%@NL@%%@AI@%1 See La Rochefoucauld%@BO:          250b44@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO410    @%%@2@%   He calls his extravagance, generosity; and his trusting everybody,%@EH@%
universal benevolence.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%The Good-Natured Man [1768], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO420    @%%@2@%   All his faults are such that one loves him still the better for them.%@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%The Good-Natured Man [1768], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO430    @%%@2@%   Friendship is a disinterested commerce between equals; love, an abject%@EH@%
intercourse between tyrants and slaves.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%The Good-Natured Man [1768], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO440    @%%@2@%   Silence gives consent.%@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%The Good-Natured Man [1768], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO450    @%%@2@%   Measures, not men, have always been my mark. 1  2  3 %@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%The Good-Natured Man [1768], actII

%@NL@%%@AI@%1 See Chesterfield%@BO:          2a9bd7@%%@AE@%
%@AI@%2 See Burke%@BO:          2e2b0c@%%@AE@%
%@AI@%3 See John Adams%@BO:          2f2a86@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO460    @%%@2@%Sweet Auburn! loveliest village of the plain.%@NL@%%@EH@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO470    @%%@2@%The bashful virgin's sidelong looks of love,%@NL@%%@EH@%
The matron's glance that would those looks reprove.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO480    @%%@2@%Ill fares the land, to hastening ills a prey,%@NL@%%@EH@%
Where wealth accumulates, and men decay;%@NL@%
Princes and lords may flourish, or may fade; 1 %@NL@%
A breath can make them, as a breath has made;%@NL@%
But a bold peasantry, their country's pride,%@NL@%
When once destroyed, can never be supplied.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 51

%@NL@%%@AI@%1 See Burns%@BO:          321f2d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO490    @%%@2@%His best companions, innocence and health;%@NL@%%@EH@%
And his best riches, ignorance of wealth.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO500    @%%@2@%How happy he who crowns in shades like these,%@NL@%%@EH@%
A youth of labor with an age of ease.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO510    @%%@2@%Bends to the grave with unperceived decay,%@NL@%%@EH@%
While resignation gently slopes the way;%@NL@%
And, all his prospects brightening to the last,%@NL@%
His heaven commences ere the world be past.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Frequent and loud laughter is the characteristic of folly and ill manners:
it is the manner in which the mob express their silly joy at silly things,
and they call it being merry. In my mind there is nothing so illiberal and
so ill-bred as audible laughter.-Lord Chesterfield, Letters [March 9, 1748]
See Ecclesiastes 7:6  %@EF@%
%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO520    @%%@2@%The watchdog's voice that bayed the whispering wind,%@NL@%%@EH@%
And the loud laugh that spoke the vacant mind.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 121

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO540    @%%@2@%A man he was to all the country dear,%@NL@%%@EH@%
And passing rich with forty pounds a year.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO550    @%%@2@%Careless their merits or their faults to scan,%@NL@%%@EH@%
His pity gave ere charity began.%@NL@%
Thus to relieve the wretched was his pride,%@NL@%
And e'en his failings leaned to Virtue's side.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 161

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO560    @%%@2@%And, as a bird each fond endearment tries%@NL@%%@EH@%
To tempt its new-fledged offspring to the skies,%@NL@%
He tried each art, reproved each dull delay,%@NL@%
Allured to brighter worlds, and led the way.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 167

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO570    @%%@2@%Truth from his lips prevailed with double sway,%@NL@%%@EH@%
And fools, who came to scoff, remained to pray. 1 %@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 179

%@NL@%%@AI@%1 See Dryden%@BO:          269ddd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO580    @%%@2@%Even children followed with endearing wile,%@NL@%%@EH@%
And plucked his gown, to share the good man's smile.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 183

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO590    @%%@2@%A man severe he was, and stern to view;%@NL@%%@EH@%
I knew him well, and every truant knew:%@NL@%
Well had the boding tremblers learned to trace%@NL@%
The day's disasters in his morning face;%@NL@%
Full well they laughed with counterfeited glee,%@NL@%
At all his jokes, for many a joke had he;%@NL@%
Full well the busy whisper, circling round,%@NL@%
Conveyed the dismal tidings when he frowned;%@NL@%
Yet he was kind; or if severe in aught,%@NL@%
The love he bore to learning was in fault;%@NL@%
The village all declared how much he knew;%@NL@%
'Twas certain he could write, and cipher too.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 197

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO600    @%%@2@%In arguing too, the parson owned his skill,%@NL@%%@EH@%
For e'en though vanquished, he could argue still;%@NL@%
While words of learned length, and thundering sound%@NL@%
Amazed the gazing rustics ranged around;%@NL@%
And still they gazed, and still the wonder grew,%@NL@%
That one small head could carry all he knew.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 211

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO610    @%%@2@%Where village statesmen talked with looks profound,%@NL@%%@EH@%
And news much older than their ale went round.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 223

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO620    @%%@2@%The whitewashed wall, the nicely sanded floor,%@NL@%%@EH@%
The varnished clock that clicked behind the door;%@NL@%
The chest contrived a double debt to pay,%@NL@%
A bed by night, a chest of drawers by day.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 227

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The twelve good rules were ascribed to Charles I: (1) Urge no healths; (2)
profane no divine ordinances; (3) touch no state matters; (4) reveal no
secrets; (5) pick no quarrels; (6) make no comparisons; (7) maintain no ill
opinions; (8) keep no bad company; (9) encourage no vice; (10) make no long
meals; (11) repeat no grievances; (12) lay no wagers.  Goose. A game played
with counters on a board divided into compartments, in some of which a goose
was depicted.-Oxford English Dictionary  %@EF@%
%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO630    @%%@2@%The twelve good rules, the royal game of goose.%@NL@%%@EH@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 232

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO650    @%%@2@%To me more dear, congenial to my heart,%@NL@%%@EH@%
One native charm, than all the gloss of art.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 253

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO660    @%%@2@%And, ev'n while fashion's brightest arts decoy,%@NL@%%@EH@%
The heart distrusting asks, if this be joy.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 263

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO670    @%%@2@%Her modest looks the cottage might adorn,%@NL@%%@EH@%
Sweet as the primrose peeps beneath the thorn.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 329

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO680    @%%@2@%In all the silent manliness of grief.%@NL@%%@EH@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 384

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO690    @%%@2@%Thou source of all my bliss, and all my woe,%@NL@%%@EH@%
That found'st me poor at first, and keep'st me so.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Deserted Village [1770],l. 413

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO700    @%%@2@%   In my time, the follies of the town crept slowly among us, but now they%@EH@%
travel faster than a stagecoach.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%She Stoops to Conquer [1775], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO710    @%%@2@%   I love everything that's old: old friends, old times, old manners, old%@EH@%
books, old wines. 1  2 %@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%She Stoops to Conquer [1775], actI

%@NL@%%@AI@%1 See Bacon%@BO:          16150c@%%@AE@%
%@AI@%2 See Webster%@BO:          2168ea@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO720    @%%@2@%   The very pink of perfection.%@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%She Stoops to Conquer [1775], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO730    @%%@2@%Let schoolmasters puzzle their brain,%@NL@%%@EH@%
With grammar, and nonsense, and learning;%@NL@%
Good liquor, I stoutly maintain,%@NL@%
Gives genius a better discerning.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%She Stoops to Conquer [1775], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO740    @%%@2@%   I'll be with you in the squeezing of a lemon.%@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%She Stoops to Conquer [1775], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO750    @%%@2@%   A modest woman, dressed out in all her finery, is the most tremendous%@EH@%
object of the whole creation.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%She Stoops to Conquer [1775], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO760    @%%@2@%   This is Liberty Hall, gentlemen.%@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%She Stoops to Conquer [1775], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO770    @%%@2@%   The first blow is half the battle.%@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%She Stoops to Conquer [1775], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO780    @%%@2@%We are the boys%@NL@%%@EH@%
That fear no noise%@NL@%
Where the thundering cannons roar.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%She Stoops to Conquer [1775], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO790    @%%@2@%   They liked the book the better the more it made them cry.%@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%She Stoops to Conquer [1775], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Them that asks no questions isn't told a lie.-Kipling [1865-1936], A
Smuggler's Song, st. 6  %@EF@%
%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO800    @%%@2@%   Ask me no questions, and I'll tell you no fibs.%@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%She Stoops to Conquer [1775], actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO820    @%%@2@%Our Garrick's a salad; for in him we see%@NL@%%@EH@%
Oil, vinegar, sugar, and saltness agree!%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%Retaliation [1774],l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Edmund Burke.  %@EF@%
%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO830    @%%@2@%Here lies our good Edmund, whose genius was such,%@NL@%%@EH@%
We scarcely can praise it, or blame it too much;%@NL@%
Who, born for the universe, narrowed his mind,%@NL@%
And to party gave up what was meant for mankind . . . %@NL@%
Who, too deep for his hearers, still went on refining,%@NL@%
And thought of convincing, while they thought of dining;%@NL@%
Though equal to all things, for all things unfit;%@NL@%
Too nice for a statesman, too proud for a wit.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%Retaliation [1774],l. 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO840    @%%@2@%His conduct still right, with his argument wrong.%@NL@%%@EH@%

%@NL@%Oliver Goldsmith
%@NL@%Retaliation [1774],l. 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO850    @%%@2@%Here lies David Garrick, describe me, who can,%@NL@%%@EH@%
An abridgment of all that was pleasant in man.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%Retaliation [1774],l. 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO860    @%%@2@%As a wit, if not first, in the very first line.%@NL@%%@EH@%

%@NL@%Oliver Goldsmith
%@NL@%Retaliation [1774],l. 96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO870    @%%@2@%On the stage he was natural, simple, affecting;%@NL@%%@EH@%
'Twas only that when he was off he was acting.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%Retaliation [1774],l. 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO880    @%%@2@%He cast off his friends as a huntsman his pack,%@NL@%%@EH@%
For he knew when he pleased he could whistle them back.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%Retaliation [1774],l. 107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO890    @%%@2@%Who peppered the highest was surest to please.%@NL@%%@EH@%

%@NL@%Oliver Goldsmith
%@NL@%Retaliation [1774],l. 112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sir Joshua Reynolds, who was exceedingly deaf.  %@EF@%
%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO900    @%%@2@%When they talked of their Raphaels, Correggios, and stuff,%@NL@%%@EH@%
He shifted his trumpet and only took snuff.%@NL@%

%@NL@%Oliver Goldsmith
%@NL@%Retaliation [1774],l. 145

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO910    @%%@2@%Such dainties to them, their health it might hurt;%@NL@%%@EH@%
It's like sending them ruffles, when wanting a shirt. 1 %@NL@%

%@NL@%Oliver Goldsmith
%@NL@%The Haunch of Venison [1776]

%@NL@%%@AI@%1 See Tom Brown%@BO:          282ac0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO920    @%%@2@%   There is no arguing with Johnson: for if his pistol misses fire, he%@EH@%
knocks you down with the butt end of it.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%From James Boswell, Life of Johnson
[1791].October 26, 1769

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO930    @%%@2@%   [To Dr. Johnson] If you were to make little fishes talk, they would talk%@EH@%
like whales.%@NL@%
%@NL@%
Oliver Goldsmith
%@NL@%From James Boswell, Life of Johnson
[1791].April 27, 1773

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Goldsmith@%%@QR:Goldsmith@%%@CR:N1728GOLO940    @%%@2@%   You may all go to pot.%@NL@%%@EH@%
%@NL@%
Oliver Goldsmith
%@NL@%Verses in reply to an invitation to dine at Dr. Baker's

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Stark%@AE@%%@EH@%
%@NL@%
%@AB@%1728-1822%@AE@%
%@NL@%%@NL@%

%@QR:John Stark@%%@QR:Stark@%%@CR:N1728STAJ10     @%%@2@%   My men, yonder are the Hessians. They were bought for seven pounds and%@EH@%
ten pence a man. Are you worth more? Prove it. Tonight, the American flag
floats from yonder hill or Molly Stark sleeps a widow!%@NL@%
%@NL@%
John Stark
%@NL@%Before the battle of Bennington [August 16, 1777]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edmund Burke%@AE@%%@EH@%
%@NL@%
%@AB@%1729-1797%@AE@%
%@FN@%
You could not stand five minutes with that man [Burke] beneath a shed while
it rained, but you must be convinced you had been standing with the greatest
man you had ever seen.-Samuel Johnson, Johnsonian Miscellanies [1897],
edited byG. B. Hill, vol. I, p. 290  %@EF@%
%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE20     @%%@2@%   Custom reconciles us to everything. 1 %@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%On the Sublime and Beautiful [1756], sec. 18

%@NL@%%@AI@%1 See Pushkin%@BO:          3ac8bb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE30     @%%@2@%   There is, however, a limit at which forbearance ceases to be a virtue.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Observations on a Late Publication on the Present
State of the Nation [1769]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
De Sapienta Veterum [The Wisdom of the Ancients].-Francis Bacon [1609],
title of work  The phrase is also in Burke, Discussion on the Traitorous
Correspondence Bill [1793].  %@EF@%
%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE40     @%%@2@%   The wisdom of our ancestors.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Observations on a Late Publication on the Present
State of the Nation [1769]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE50     @%%@2@%   When bad men combine, the good must associate; else they will fall one by%@EH@%
one, an unpitied sacrifice in a contemptible struggle.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Thoughts on the Cause of the Present Discontents [April 23, 1770]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE60     @%%@2@%   Of this stamp is the cant of, Not men, but measures; 1  2  3  a sort of%@EH@%
charm by which many people get loose from every honorable engagement.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Thoughts on the Cause of the Present Discontents [April 23, 1770]

%@NL@%%@AI@%1 See Chesterfield%@BO:          2a9bd7@%%@AE@%
%@AI@%2 See Goldsmith%@BO:          2de68e@%%@AE@%
%@AI@%3 See John Adams%@BO:          2f2a86@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE70     @%%@2@%   So to be patriots as not to forget we are gentlemen.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Thoughts on the Cause of the Present Discontents [April 23, 1770]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE80     @%%@2@%   Public life is a situation of power and energy; he trespasses against his%@EH@%
duty who sleeps upon his watch, as well as he that goes over to the enemy.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Thoughts on the Cause of the Present Discontents [April 23, 1770]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE90     @%%@2@%   Reflect how you are to govern a people who think they ought to be free,%@EH@%
and think they are not. Your scheme yields no revenue; it yields nothing but
discontent, disorder, disobedience; and such is the state of America, that
after wading up to your eyes in blood, you could only end just where you
begun; that is, to tax where no revenue is to be found, to-my voice fails
me; my inclination indeed carries me no farther-all is confusion beyond it.%@NL@%
%@NL@%
Edmund Burke
%@NL@%First Speech on the Conciliationwith America. American Taxation
[April 19, 1774]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE100    @%%@2@%   Your representative owes you, not his industry only, but his judgment;%@EH@%
and he betrays instead of serving you if he sacrifices it to your opinion.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Speech to the Electors of Bristol [November 3, 1774]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE110    @%%@2@%   I have in general no very exalted opinion of the virtue of paper%@EH@%
government.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE120    @%%@2@%   The concessions of the weak are the concessions of fear.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE130    @%%@2@%   Young man, there is America-which at this day serves for little more than%@EH@%
to amuse you with stories of savage men and uncouth manners; yet shall,
before you taste of death, show itself equal to the whole of that commerce
which now attracts the envy of the world.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE140    @%%@2@%   When we speak of the commerce with our colonies, fiction lags after%@EH@%
truth; invention is unfruitful, and imagination cold and barren.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE150    @%%@2@%   A people who are still, as it were, but in the gristle, and not yet%@EH@%
hardened into the bone of manhood.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE160    @%%@2@%   Through a wise and salutary neglect [of the colonies], a generous nature%@EH@%
has been suffered to take her own way to perfection; when I reflect upon
these effects, when I see how profitable they have been to us, I feel all
the pride of power sink and all presumption in the wisdom of human
contrivances melt and die away within me. My rigor relents. I pardon
something to the spirit of liberty.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE170    @%%@2@%   The use of force alone is but temporary. It may subdue for a moment; but%@EH@%
it does not remove the necessity of subduing again: and a nation is not
governed, which is perpetually to be conquered.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE180    @%%@2@%   Nothing less will content me, than whole America.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE190    @%%@2@%   Abstract liberty, like other mere abstractions, is not to be found.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE200    @%%@2@%   The religion most prevalent in our northern colonies is a refinement on%@EH@%
the principles of resistance: it is the dissidence of dissent, and the
protestantism of the Protestant religion.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE210    @%%@2@%   In no country perhaps in the world is law so general a study [as in%@EH@%
America]. . . . This study renders men acute, inquisitive, dexterous, prompt
in attack, ready in defense, full of resources. . . . They augur
misgovernment at a distance, and snuff the approach of tyranny in every
tainted breeze.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE220    @%%@2@%   I do not know the method of drawing up an indictment against an whole%@EH@%
people.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE230    @%%@2@%   It is not, what a lawyer tells me I may do; but what humanity, reason,%@EH@%
and justice, tell me I ought to do.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE240    @%%@2@%   The march of the human mind is slow.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE250    @%%@2@%   Freedom and not servitude is the cure of anarchy; as religion, and not%@EH@%
atheism, is the true remedy for superstition.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE260    @%%@2@%   All government-indeed, every human benefit and enjoyment, every virtue%@EH@%
and every prudent act-is founded on compromise and barter.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE270    @%%@2@%   Slavery they can have anywhere. It is a weed that grows in every soil.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE280    @%%@2@%   Deny them [the colonies] this participation of freedom, and you break%@EH@%
that sole bond, which originally made, and must still preserve the unity of
the empire.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE290    @%%@2@%   It is the love of the [British] people; it is their attachment to their%@EH@%
government, from the sense of the deep stake they have in such a glorious
institution, which gives you both your army and your navy, and infuses into
both that liberal obedience, without which your army would be a base rabble,
and your navy nothing but rotten timber.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE300    @%%@2@%   Magnanimity in politics is not seldom the truest wisdom; and a great%@EH@%
empire and little minds go ill together.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE310    @%%@2@%   By adverting to the dignity of this high calling our ancestors have%@EH@%
turned a savage wilderness into a glorious empire: and have made the most
extensive, and the only honorable conquests, not by destroying, but by
promoting the wealth, the number, the happiness of the human race.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Second Speech on Conciliation with America. The
Thirteen Resolutions [March 22, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE320    @%%@2@%   Corrupt influence, which is itself the perennial spring of all%@EH@%
prodigality, and of all disorder; which loads us, more than millions of
debt; which takes away vigor from our arms, wisdom from our councils, and
every shadow of authority and credit from the most venerable parts of our
constitution.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Speech on the Economical Reform [1780]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE330    @%%@2@%   He was not merely a chip of the old block, but the old block itself.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%On Pitt's first speech [February 26, 1781]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE340    @%%@2@%   A rapacious and licentious soldiery.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Speech on Fox's East India Bill [1783]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE350    @%%@2@%   The people never give up their liberties but under some delusion.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Speech at County Meeting of Buckinghamshire [1784]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE360    @%%@2@%   There never was a bad man that had ability for good service.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Impeachment of Warren Hastings[February 15, 1788]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE370    @%%@2@%   Religious persecution may shield itself under the guise of a mistaken and%@EH@%
over-zealous piety.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Impeachment of Warren Hastings[February 17, 1788]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE380    @%%@2@%   An event has happened, upon which it is difficult to speak, and%@EH@%
impossible to be silent.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Impeachment of Warren Hastings[May 5, 1789]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE390    @%%@2@%   Resolved to die in the last dike of prevarication.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Impeachment of Warren Hastings[May 7, 1789]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE400    @%%@2@%   There is but one law for all, namely, that law which governs all law, the%@EH@%
law of our Creator, the law of humanity, justice, equity-the law of nature,
and of nations.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Impeachment of Warren Hastings[May 28, 1794]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE410    @%%@2@%   They made and recorded a sort of institute and digest of anarchy, called%@EH@%
the Rights of Man.%@NL@%
%@NL@%
Edmund Burke
%@NL@%On the Army Estimates [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE420    @%%@2@%   People will not look forward to posterity who never look backward to%@EH@%
their ancestors.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Reflections on the Revolution in France [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE430    @%%@2@%   Government is a contrivance of human wisdom to provide for human wants.%@EH@%
Men have a right that these wants should be provided for by this wisdom.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Reflections on the Revolution in France [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE435    @%%@2@%   The age of chivalry has gone. That of sophisters, economists, and%@EH@%
calculators has succeeded, and the glory of Europe is extinguished forever.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Reflections on the Revolution in France [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE440    @%%@2@%   The unbought grace of life, the cheap defense of nations, the nurse of%@EH@%
manly sentiment and heroic enterprise is gone!%@NL@%
%@NL@%
Edmund Burke
%@NL@%Reflections on the Revolution in France [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE450    @%%@2@%   That chastity of honor, which felt a stain like a wound.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Reflections on the Revolution in France [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE460    @%%@2@%   Vice itself lost half its evil, by losing all its grossness.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Reflections on the Revolution in France [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE470    @%%@2@%   Kings will be tyrants from policy, when subjects are rebels from%@EH@%
principle.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Reflections on the Revolution in France [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE480    @%%@2@%   Learning will be cast into the mire, and trodden down under the hoofs of%@EH@%
a swinish multitude.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Reflections on the Revolution in France [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE490    @%%@2@%   Because half a dozen grasshoppers under a fern make the field ring with%@EH@%
their importunate chink, whilst thousands of great cattle, reposed beneath
the shadow of the British oak, chew the cud and are silent, pray do not
imagine that those who make the noise are the only inhabitants of the field;
that, of course, they are many in number; or that, after all, they are other
than the little shriveled, meager, hopping, though loud and troublesome
insects of the hour.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Reflections on the Revolution in France [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE500    @%%@2@%   Superstition is the religion of feeble minds.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Reflections on the Revolution in France [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE510    @%%@2@%   He that wrestles with us strengthens our nerves, and sharpens our skill.%@EH@%
Our antagonist is our helper.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Reflections on the Revolution in France [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE520    @%%@2@%   To execute laws is a royal office; to execute orders is not to be a king.%@EH@%
However, a political executive magistracy, though merely such, is a great
trust. 1  2  3  4 %@NL@%
%@NL@%
Edmund Burke
%@NL@%Reflections on the Revolution in France [1790]

%@NL@%%@AI@%1 See Clay%@BO:          3621f3@%%@AE@%
%@AI@%2 See Calhoun%@BO:          36a5e2@%%@AE@%
%@AI@%3 See Sumner%@BO:          40d292@%%@AE@%
%@AI@%4 See Cleveland%@BO:          4b1519@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE530    @%%@2@%   You can never plan the future by the past. 1 %@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Letter to a member of the National Assembly [1791]

%@NL@%%@AI@%1 See Patrick Henry%@BO:          2f5e4b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE540    @%%@2@%   Old religious factions are volcanoes burnt out.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Speech on the Petition of the Unitarians [1792]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE550    @%%@2@%   The cold neutrality of an impartial judge.%@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Preface to Brissot's Address [1794]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE570    @%%@2@%   All men that are ruined, are ruined on the side of their natural%@EH@%
propensities.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Letters on a Regicide Peace [1796], no. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE580    @%%@2@%   Example is the school of mankind, and they will learn at no other. 1 %@NL@%%@EH@%
%@NL@%
Edmund Burke
%@NL@%Letters on a Regicide Peace [1796], no. 1

%@NL@%%@AI@%1 See Franklin%@BO:          2b5064@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE590    @%%@2@%   Mere parsimony is not economy. . . . Expense, and great expense, may be%@EH@%
an essential part of true economy.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Letter to a Noble Lord [1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE600    @%%@2@%   Economy is a distributive virtue, and consists not in saving but%@EH@%
selection. Parsimony requires no providence, no sagacity, no powers of
combination, no comparison, no judgment.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Letter to a Noble Lord [1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE610    @%%@2@%   And having looked to Government for bread, on the very first scarcity%@EH@%
they will turn and bite the hand that fed them.%@NL@%
%@NL@%
Edmund Burke
%@NL@%Thoughts and Details on Scarcity [1800]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edmund Burke@%%@QR:Burke@%%@CR:N1729BURE620    @%%@2@%   The only thing necessary for the triumph of evil is for good men to do%@EH@%
nothing.%@NL@%
%@NL@%
Edmund Burke
%@NL@%%@FN@%
See Burke, and the preface, page ix.  %@EF@%
Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gotthold Ephraim Lessing%@AE@%%@EH@%
%@NL@%
%@AB@%1729-1781%@AE@%
%@NL@%%@NL@%

%@QR:Gotthold Ephraim Lessing@%%@QR:Lessing@%%@CR:N1729LESG10     @%%@2@%   He who doesn't lose his wits over certain things has no wits to lose.%@NL@%%@EH@%
%@NL@%
Gotthold Ephraim Lessing
%@NL@%Emilia Galotti [1772], act IV, sc. vii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gotthold Ephraim Lessing@%%@QR:Lessing@%%@CR:N1729LESG20     @%%@2@%   No person must have to.%@NL@%%@EH@%
%@NL@%
Gotthold Ephraim Lessing
%@NL@%Nathan der Weise [1779], actI, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gotthold Ephraim Lessing@%%@QR:Lessing@%%@CR:N1729LESG30     @%%@2@%   People are not always what they seem.%@NL@%%@EH@%
%@NL@%
Gotthold Ephraim Lessing
%@NL@%Nathan der Weise [1779], actI, sc.vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gotthold Ephraim Lessing@%%@QR:Lessing@%%@CR:N1729LESG40     @%%@2@%   The true beggar is the true king.%@NL@%%@EH@%
%@NL@%
Gotthold Ephraim Lessing
%@NL@%Nathan der Weise [1779], actII, end

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gotthold Ephraim Lessing@%%@QR:Lessing@%%@CR:N1729LESG50     @%%@2@%   Not all are free who scorn their chains.%@NL@%%@EH@%
%@NL@%
Gotthold Ephraim Lessing
%@NL@%Nathan der Weise [1779], actIV, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gotthold Ephraim Lessing@%%@QR:Lessing@%%@CR:N1729LESG60     @%%@2@%   One can drink too much, but one never drinks enough.%@NL@%%@EH@%
%@NL@%
Gotthold Ephraim Lessing
%@NL@%Lieder

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Parker%@AE@%%@EH@%
%@NL@%
%@AB@%1729-1775%@AE@%
%@NL@%%@NL@%

%@QR:John Parker@%%@QR:Parker@%%@CR:N1729PARJ10     @%%@2@%   Stand your ground. Don't fire unless fired upon, but if they mean to have%@EH@%
a war let it begin here!%@NL@%
%@NL@%
John Parker
%@NL@%To his Minute Men at Lexington [April 19, 1775]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Speckled Snake%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1729-1829%@AE@%
%@FN@%
A Creek.  %@EF@%
%@NL@%%@NL@%

%@QR:Speckled Snake@%%@CR:N1729SPEC10     @%%@2@%   When the white man had warmed himself before the Indians' fire and filled%@EH@%
himself with their hominy, he became very large. With a step he bestrode the
mountains, and his feet covered the plains and the valleys. His hand grasped
the eastern and the western sea, and his head rested on the moon.%@NL@%
%@NL@%
Speckled Snake
%@NL@%Statement when President Andrew Jackson recommended that
the Cherokees, Chickasaws, Choctaws, Creeks, and Seminoles move west
beyond the Mississippi [1829]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
President Jackson.  %@EF@%
%@QR:Speckled Snake@%%@CR:N1729SPEC20     @%%@2@%   Brothers, I have listened to a great many talks from our great father.%@EH@%
But they always began and ended in this: "Get a little further; you are too
near me."%@NL@%
%@NL@%
Speckled Snake
%@NL@%Statement when President Andrew Jackson recommended that
the Cherokees, Chickasaws, Choctaws, Creeks, and Seminoles move west
beyond the Mississippi [1829]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Johann Georg Hamann%@AE@%%@EH@%
%@NL@%
%@AB@%1730-1788%@AE@%
%@NL@%%@NL@%

%@QR:Johann Georg Hamann@%%@QR:Hamann@%%@CR:N1730HAMJ10     @%%@2@%   Poetry is the mother tongue of mankind.%@NL@%%@EH@%
%@NL@%
Johann Georg Hamann
%@NL@%Aesthetica in Nuce [1762]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Osbert Mordaunt%@AE@%%@EH@%
%@NL@%
%@AB@%1730-1809%@AE@%
%@NL@%%@NL@%

%@FN@%
Quoted by Sir Walter Scott in Old Mortality [1816], ch. 34.  See Scott  %@EF@%
%@QR:Thomas Osbert Mordaunt@%%@QR:Mordaunt@%%@CR:N1730MORT10     @%%@2@%One crowded hour of glorious life%@NL@%%@EH@%
Is worth an age without a name.%@NL@%

%@NL@%Thomas Osbert Mordaunt
%@NL@%Verses Written During the War [1756-1763]. From the Bee
[October 12, 1791]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Norinaga Motoori%@AE@%%@EH@%
%@NL@%
%@AB@%1730-1801%@AE@%
%@FN@%
From Sources of Japanese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
%@NL@%%@NL@%

%@QR:Norinaga Motoori@%%@QR:Motoori@%%@CR:N1730MOTO10     @%%@2@%   Sages are superior to other people only in their cleverness. The fact is%@EH@%
that they were all impostors. Among them the least blameworthy was
Confucius.%@NL@%
%@NL@%
Norinaga Motoori
%@NL@%Arrowroot

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Norinaga Motoori@%%@QR:Motoori@%%@CR:N1730MOTO20     @%%@2@%   The Tale of Genji 1  is simply a tale of human life which leaves aside%@EH@%
and does not profess to take up at all the question of good and bad, and
which dwells only upon the goodness of those who are aware of the sorrow of
human existence.%@NL@%
%@NL@%
Norinaga Motoori
%@NL@%Tama no Ogushi

%@NL@%%@AI@%1 See Murasaki Shikibu%@BO:          10e732@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%John Scott%@AE@%%@EH@%
%@NL@%
%@AB@%1730-1783%@AE@%
%@NL@%%@NL@%

%@QR:John Scott@%%@QR:Scott@%%@CR:N1730SCOJ10     @%%@2@%I Hate That Drum's Discordant Sound.%@NL@%%@EH@%

%@NL@%John Scott
%@NL@%Title of poem

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Josiah Wedgwood%@AE@%%@EH@%
%@NL@%
%@AB@%1730-1795%@AE@%
%@NL@%%@NL@%

%@QR:Josiah Wedgwood@%%@QR:Wedgwood@%%@CR:N1730WEDJ10     @%%@2@%   Am I not a man and a brother?%@NL@%%@EH@%
%@NL@%
Josiah Wedgwood
%@NL@%%@FN@%
Representing a Negro in chains, with one knee on the ground and both hands
lifted up to heaven. This was adopted as a seal by the Anti-Slavery Society
of London.  %@EF@%
On a medallion [1787]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Churchill%@AE@%%@EH@%
%@NL@%
%@AB@%1731-1764%@AE@%
%@NL@%%@NL@%

%@QR:Charles Churchill@%%@QR:Churchill@%%@CR:N1731CHUC10     @%%@2@%Genius is of no country.%@NL@%%@EH@%

%@NL@%Charles Churchill
%@NL@%The Rosciad [1761],l. 207

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Churchill@%%@QR:Churchill@%%@CR:N1731CHUC20     @%%@2@%Learned without sense, and venerably dull.%@NL@%%@EH@%

%@NL@%Charles Churchill
%@NL@%The Rosciad [1761],l. 591

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Churchill@%%@QR:Churchill@%%@CR:N1731CHUC30     @%%@2@%Those who would make us feel-must feel themselves. 1 %@NL@%%@EH@%

%@NL@%Charles Churchill
%@NL@%The Rosciad [1761],l. 962

%@NL@%%@AI@%1 See Frost%@BO:          579b5a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Churchill@%%@QR:Churchill@%%@CR:N1731CHUC40     @%%@2@%Apt alliteration's artful aid.%@NL@%%@EH@%

%@NL@%Charles Churchill
%@NL@%The Prophecy of Famine [1763], l. 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Churchill@%%@QR:Churchill@%%@CR:N1731CHUC45     @%%@2@%Fame%@NL@%%@EH@%
Is nothing but an empty name.%@NL@%

%@NL@%Charles Churchill
%@NL@%The Ghost [1763], bk.I, l. 229

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Churchill@%%@QR:Churchill@%%@CR:N1731CHUC50     @%%@2@%Just to the windward of the law.%@NL@%%@EH@%

%@NL@%Charles Churchill
%@NL@%The Ghost [1763], bk.III, l. 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Churchill@%%@QR:Churchill@%%@CR:N1731CHUC60     @%%@2@%Though by whim, envy, or resentment led,%@NL@%%@EH@%
They damn those authors whom they never read.%@NL@%

%@NL@%Charles Churchill
%@NL@%The Candidate [1764], l. 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
England, with all thy faults I love thee still,/My country!-Cowper, The Task
[1784], bk. II, The Timepiece, l. 206  See John Quincy Adams, Decatur, and
Carl Schurz  %@EF@%
%@QR:Charles Churchill@%%@QR:Churchill@%%@CR:N1731CHUC70     @%%@2@%Be England what she will,%@NL@%%@EH@%
With all her faults she is my country still.%@NL@%

%@NL@%Charles Churchill
%@NL@%The Farewell, l. 27

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Cowper%@AE@%%@EH@%
%@NL@%
%@AB@%1731-1800%@AE@%
%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW10     @%%@2@%Oh! for a closer walk with God.%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%Olney Hymns [1779],
 1  no.1

%@NL@%%@AI@%1 See John Newton%@BO:          2da4fe@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW20     @%%@2@%What peaceful hours I once enjoyed!%@NL@%%@EH@%
How sweet their memory still!%@NL@%
But they have left an aching void%@NL@%
The world can never fill.%@NL@%

%@NL@%William Cowper
%@NL@%Olney Hymns [1779],
 1  no.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW30     @%%@2@%God moves in a mysterious way%@NL@%%@EH@%
His wonders to perform;%@NL@%
He plants his footsteps in the sea%@NL@%
And rides upon the storm.%@NL@%

%@NL@%William Cowper
%@NL@%Olney Hymns [1779],
 1  no.35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW40     @%%@2@%Behind a frowning providence%@NL@%%@EH@%
He hides a smiling face.%@NL@%

%@NL@%William Cowper
%@NL@%Olney Hymns [1779],
 1  no.35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW50     @%%@2@%Happiness depends, as Nature shows,%@NL@%%@EH@%
Less on exterior things than most suppose.%@NL@%

%@NL@%William Cowper
%@NL@%Table Talk [1782],l. 246

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW60     @%%@2@%Freedom has a thousand charms to show,%@NL@%%@EH@%
That slaves, howe'er contented, never know.%@NL@%

%@NL@%William Cowper
%@NL@%Table Talk [1782],l. 260

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW70     @%%@2@%Manner is all in all, whate'er is writ,%@NL@%%@EH@%
The substitute for genius, sense, and wit.%@NL@%

%@NL@%William Cowper
%@NL@%Table Talk [1782],l. 542

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW80     @%%@2@%Low ambition and the thirst of praise.%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%Table Talk [1782],l. 591

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW90     @%%@2@%[Pope] Made poetry a mere mechanic art.%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%Table Talk [1782],l. 656

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW100    @%%@2@%Lights of the world, and stars of human race.%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%The Progress of Error [1782],l. 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW110    @%%@2@%How much a dunce that has been sent to roam%@NL@%%@EH@%
Excels a dunce that has been kept at home!%@NL@%

%@NL@%William Cowper
%@NL@%The Progress of Error [1782],l. 415

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW120    @%%@2@%A fool must now and then be right, by chance.%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%Conversation [1782],l. 96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW130    @%%@2@%He would not, with a peremptory tone,%@NL@%%@EH@%
Assert the nose upon his face his own.%@NL@%

%@NL@%William Cowper
%@NL@%Conversation [1782],l. 121

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW140    @%%@2@%A moral, sensible, and well-bred man%@NL@%%@EH@%
Will not affront me, and no other can.%@NL@%

%@NL@%William Cowper
%@NL@%Conversation [1782],l. 193

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tobacco.  %@EF@%
%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW150    @%%@2@%Pernicious weed! whose scent the fair annoys,%@NL@%%@EH@%
Unfriendly to society's chief joys,%@NL@%
Thy worst effect is banishing for hours%@NL@%
The sex whose presence civilizes ours.%@NL@%

%@NL@%William Cowper
%@NL@%Conversation [1782],l. 251

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW160    @%%@2@%I cannot talk with civet in the room,%@NL@%%@EH@%
A fine puss-gentleman that's all perfume.%@NL@%

%@NL@%William Cowper
%@NL@%Conversation [1782],l. 283

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW165    @%%@2@%His wit invites you by his looks to come,%@NL@%%@EH@%
But when you knock it never is at home.%@NL@%

%@NL@%William Cowper
%@NL@%Conversation [1782],l. 303

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW170    @%%@2@%Our wasted oil unprofitably burns,%@NL@%%@EH@%
Like hidden lamps in old sepulchral urns.%@NL@%

%@NL@%William Cowper
%@NL@%Conversation [1782],l. 357

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW180    @%%@2@%A business with an income at its heels%@NL@%%@EH@%
Furnishes always oil for its own wheels.%@NL@%

%@NL@%William Cowper
%@NL@%Retirement [1782],l. 615

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW190    @%%@2@%Absence of occupation is not rest,%@NL@%%@EH@%
A mind quite vacant is a mind distressed.%@NL@%

%@NL@%William Cowper
%@NL@%Retirement [1782],l. 623

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Voltaire, who built a church at Ferney [1760-1761], with the inscription Deo
erexit Voltaire.  %@EF@%
%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW200    @%%@2@%Built God a church, and laughed His word to scorn.%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%Retirement [1782],l. 688

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW220    @%%@2@%Philologists, who chase%@NL@%%@EH@%
A panting syllable through time and space,%@NL@%
Start it at home, and hunt it in the dark%@NL@%
To Gaul, to Greece, and into Noah's ark.%@NL@%

%@NL@%William Cowper
%@NL@%Retirement [1782],l. 691

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
La Bruyere.  %@EF@%
%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW230    @%%@2@%I praise the Frenchman, his remark was shrewd-%@NL@%%@EH@%
How sweet, how passing sweet, is solitude!%@NL@%
But grant me still a friend in my retreat%@NL@%
Whom I may whisper-solitude is sweet.%@NL@%

%@NL@%William Cowper
%@NL@%Retirement [1782],l. 739

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW240    @%%@2@%I am monarch of all I survey,%@NL@%%@EH@%
My right there is none to dispute.%@NL@%

%@NL@%William Cowper
%@NL@%Verses Supposed to Be Written by Alexander Selkirk [1782], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW250    @%%@2@%O Solitude! where are the charms%@NL@%%@EH@%
That sages have seen in thy face?%@NL@%

%@NL@%William Cowper
%@NL@%Verses Supposed to Be Written by Alexander Selkirk [1782], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW260    @%%@2@%Though on pleasure she was bent,%@NL@%%@EH@%
She had a frugal mind.%@NL@%

%@NL@%William Cowper
%@NL@%History of John Gilpin [1785],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW270    @%%@2@%A hat not much the worse for wear.%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%History of John Gilpin [1785],st. 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW280    @%%@2@%Now let us sing-Long live the king,%@NL@%%@EH@%
And Gilpin, long live he;%@NL@%
And, when he next doth ride abroad,%@NL@%
May I be there to see!%@NL@%

%@NL@%William Cowper
%@NL@%History of John Gilpin [1785],st. 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW290    @%%@2@%God made the country, and man made the town. 1  2  3  4  5 %@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.I, The Sofa, l. 749

%@NL@%%@AI@%1 See Genesis 2:8%@BO:            6076@%%@AE@%
%@AI@%2 See Varro%@BO:           c53c5@%%@AE@%
%@AI@%3 See Bacon%@BO:          1646e1@%%@AE@%
%@AI@%4 See Shakespeare%@BO:          1c6f91@%%@AE@%
%@AI@%5 See Cowley%@BO:          256a77@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW300    @%%@2@%Oh for a lodge in some vast wilderness, 1  2 %@NL@%%@EH@%
Some boundless contiguity of shade,%@NL@%
Where rumor of oppression and deceit,%@NL@%
Of unsuccessful or successful war,%@NL@%
Might never reach me more.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.II, The Timepiece,l. 1

%@NL@%%@AI@%1 See Jeremiah 9:2%@BO:           4197d@%%@AE@%
%@AI@%2 See Byron%@BO:          37b1b5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW310    @%%@2@%Mountains interposed %@NL@%%@EH@%
Make enemies of nations, who had else%@NL@%
Like kindred drops, been mingled into one. 1 %@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.II, The Timepiece,l. 17

%@NL@%%@AI@%1 See Tecumseh%@BO:          334d6f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW320    @%%@2@%Slaves cannot breathe in England; if their lungs%@NL@%%@EH@%
Receive our air, that moment they are free!%@NL@%
They touch our country, and their shackles fall.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.II, The Timepiece,l. 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW330    @%%@2@%Presume to lay their hand upon the ark 1 %@NL@%%@EH@%
Of her magnificent and awful cause.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.II, The Timepiece,l. 231

%@NL@%%@AI@%1 See II Samuel 6:6%@BO:           163bd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW350    @%%@2@%Variety's the very spice of life. 1  2 %@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.II, The Timepiece,l. 606

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e1946@%%@AE@%
%@AI@%2 See Johnson%@BO:          2be07e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW360    @%%@2@%His head,%@NL@%%@EH@%
Not yet by time completely silvered o'er,%@NL@%
Bespoke him past the bounds of freakish youth,%@NL@%
But strong for service still, and unimpaired.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.II, The Timepiece,l. 702

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW370    @%%@2@%Guilty splendor.%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.III, The Garden,l. 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW380    @%%@2@%I was a stricken deer 1  that left the herd%@NL@%%@EH@%
Long since.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.III, The Garden,l. 108

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c3830@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW390    @%%@2@%Great contest follows, and much learned dust%@NL@%%@EH@%
Involves the combatants.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.III, The Garden,l. 161

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW400    @%%@2@%From reveries so airy, from the toil%@NL@%%@EH@%
Of dropping buckets into empty wells,%@NL@%
And growing old in drawing nothing up. 1 %@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.III, The Garden,l. 188

%@NL@%%@AI@%1 See Sydney Smith%@BO:          34d2af@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW410    @%%@2@%Riches have wings, 1  2  and grandeur is a dream.%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.III, The Garden,l. 265

%@NL@%%@AI@%1 See Amenemope%@BO:            4dcc@%%@AE@%
%@AI@%2 See Proverbs 23:5%@BO:           3189f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW420    @%%@2@%Who loves a garden loves a greenhouse too.%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.III, The Garden,l. 566

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW430    @%%@2@%Now stir the fire, and close the shutters fast,%@NL@%%@EH@%
Let fall the curtains, wheel the sofa round,%@NL@%
And, while the bubbling and loud-hissing urn%@NL@%
Throws up a steamy column, and the cups,%@NL@%
That cheer but not inebriate, 1  wait on each,%@NL@%
So let us welcome peaceful evening in.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.IV, The Winter Evening,l. 36

%@NL@%%@AI@%1 See Berkeley%@BO:          2953a8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW440    @%%@2@%'Tis pleasant, through the loopholes of retreat,%@NL@%%@EH@%
To peep at such a world; to see the stir%@NL@%
Of the great Babel, and not feel the crowd.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.IV, The Winter Evening,l. 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW450    @%%@2@%O Winter, ruler of the inverted year! 1 %@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.IV, The Winter Evening,l. 120

%@NL@%%@AI@%1 See Thomson%@BO:          2b0db6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW460    @%%@2@%With spots quadrangular of diamond form,%@NL@%%@EH@%
Ensanguined hearts, clubs typical of strife,%@NL@%
And spades, the emblems of untimely graves.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.IV, The Winter Evening,l. 217

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW470    @%%@2@%In indolent vacuity of thought. 1 %@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.IV, The Winter Evening,l. 297

%@NL@%%@AI@%1 See Samuel Johnson%@BO:          2c2aa1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW480    @%%@2@%It seems the part of wisdom.%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.IV, The Winter Evening,l. 336

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW490    @%%@2@%All learned, and all drunk!%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.IV, The Winter Evening,l. 478

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW500    @%%@2@%Gloriously drunk, obey th' important call.%@NL@%%@EH@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.IV, The Winter Evening,l. 510

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See I Kings 6:7  No hammers fell, no ponderous axes rung,/Like some tall
palm the mystic fabric sprung./Majestic silence!-Reginald Heber [1783-1826],
Palestine  %@EF@%
%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW510    @%%@2@%Silently as a dream the fabric rose-%@NL@%%@EH@%
No sound of hammer or of saw was there.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.V, The Winter Morning Walk,l. 144

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW530    @%%@2@%But war's a game, which, were their subjects wise,%@NL@%%@EH@%
Kings would not play at.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.V, The Winter Morning Walk,l. 187

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW540    @%%@2@%There is in souls a sympathy with sounds;%@NL@%%@EH@%
And as the mind is pitched the ear is pleased%@NL@%
With melting airs or martial, brisk, or grave:%@NL@%
Some chord in unison with what we hear%@NL@%
Is touched within us, and the heart replies.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.VI, Winter Walk at Noon,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW550    @%%@2@%Here the heart%@NL@%%@EH@%
May give a useful lesson to the head,%@NL@%
And Learning wiser grow without his books.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.VI, Winter Walk at Noon,l. 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW560    @%%@2@%Knowledge is proud that he has learned so much;%@NL@%%@EH@%
Wisdom is humble that he knows no more.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.VI, Winter Walk at Noon,l. 96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW570    @%%@2@%Nature is but a name for an effect,%@NL@%%@EH@%
Whose cause is God.%@NL@%

%@NL@%William Cowper
%@NL@%The Task [1785], bk.VI, Winter Walk at Noon,l. 223

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW580    @%%@2@%An honest man, close-buttoned to the chin,%@NL@%%@EH@%
Broadcloth without, and a warm heart within.%@NL@%

%@NL@%William Cowper
%@NL@%Epistle to Joseph Hill [1785], l. 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW590    @%%@2@%Shine by the side of every path we tread%@NL@%%@EH@%
With such a luster, he that runs may read. 1 %@NL@%

%@NL@%William Cowper
%@NL@%Tirocinium [1785], l. 79

%@NL@%%@AI@%1 See Habakkuk 2:2%@BO:           45734@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW600    @%%@2@%Toll for the brave-%@NL@%%@EH@%
The brave! that are no more;%@NL@%
All sunk beneath the wave,%@NL@%
Fast by their native shore!%@NL@%

%@NL@%William Cowper
%@NL@%%@FN@%
The Royal George was an English man-of-war of 108 guns, which suddenly
heeled over, under the strain caused by the shifting of her guns, while
being refitted at Spithead, August 29, 1782. The commander, Admiral
Kempenfeldt, and eight hundred of the sailors, marines, and visitors on
board were drowned.  %@EF@%
On the Loss of the Royal George
[1791], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW610    @%%@2@%And still to love, though prest with ill,%@NL@%%@EH@%
In wintry age to feel no chill,%@NL@%
With me is to be lovely still,%@NL@%
My Mary!%@NL@%

%@NL@%William Cowper
%@NL@%To Mary [1791], st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW620    @%%@2@%Beware of desp'rate steps! The darkest day%@NL@%%@EH@%
(Live till tomorrow) will have passed away.%@NL@%

%@NL@%William Cowper
%@NL@%The Needless Alarm [1794]. Moral

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW630    @%%@2@%The British warrior queen,%@NL@%%@EH@%
Bleeding from the Roman rods.%@NL@%

%@NL@%William Cowper
%@NL@%Boadicea [1782]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW640    @%%@2@%I shall not ask Jean Jacques Rousseau%@NL@%%@EH@%
If birds confabulate or no.%@NL@%

%@NL@%William Cowper
%@NL@%Pairing Time Anticipated [c. 1794]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW650    @%%@2@%Misses! the tale that I relate%@NL@%%@EH@%
This lesson seems to carry-%@NL@%
Choose not alone a proper mate,%@NL@%
But proper time to marry.%@NL@%

%@NL@%William Cowper
%@NL@%Pairing Time Anticipated [c. 1794]Moral

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cowper@%%@QR:Cowper@%%@CR:N1731COWW660    @%%@2@%Misery still delights to trace%@NL@%%@EH@%
Its semblance in another's case.%@NL@%

%@NL@%William Cowper
%@NL@%The Castaway [1799]

%@NL@%
%@NL@%
%@NL@%
%@1@%%@AB@%Erasmus Darwin%@AE@%%@EH@%
%@NL@%
%@AB@%1731-1802%@AE@%
%@NL@%%@NL@%

%@QR:Erasmus Darwin@%%@QR:Darwin@%%@CR:N1731DARE10     @%%@2@%Soon shall thy arm, unconquered steam! afar%@NL@%%@EH@%
Drag the slow barge, or drive the rapid car;%@NL@%
Or on wide-waving wings expanded bear%@NL@%
The flying-chariot through the fields of air.%@NL@%

%@NL@%Erasmus Darwin
%@NL@%The Botanic Garden, pt. I [1789], l. 289

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Here the grandfather of Charles Darwin announces his own early theory of
organic evolution.  %@EF@%
%@QR:Erasmus Darwin@%%@QR:Darwin@%%@CR:N1731DARE20     @%%@2@%   Would it be too bold to imagine, that in the great length of time, since%@EH@%
the earth began to exist, perhaps millions of ages before the commencement
of the history of mankind, would it be too bold to imagine, that all
warm-blooded animals have arisen from one living filament which the Great
First Cause endued with animality . . . and thus possessing the faculty of
continuing to improve by its own inherent activity, and of delivering down
those improvements by generation to its posterity, world without end!%@NL@%
%@NL@%
Erasmus Darwin
%@NL@%Zoonomia [1794]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Lee%@AE@%%@EH@%
%@NL@%
%@AB@%1731-1782%@AE@%
%@NL@%%@NL@%

%@FN@%
Gates was later defeated by Cornwallis at Camden, South Carolina [August 16,
1780], and was relieved of his command.  %@EF@%
%@QR:Charles Lee@%%@QR:Lee@%%@CR:N1731LEEC10     @%%@2@%   Beware that your Northern laurels do not change to Southern willows.%@NL@%%@EH@%
%@NL@%
Charles Lee
%@NL@%To General Horatio Gates after the surrender of Burgoyne
at Saratoga [October 17, 1777]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Beilby Porteus%@AE@%%@EH@%
%@NL@%
%@AB@%1731-1808%@AE@%
%@NL@%%@NL@%

%@QR:Beilby Porteus@%%@QR:Porteus@%%@CR:N1731PORB10     @%%@2@%One murder made a villain, 1  2  3 %@NL@%%@EH@%
Millions, a hero.%@NL@%

%@NL@%Beilby Porteus
%@NL@%Death [1759],l. 154

%@NL@%%@AI@%1 See Seneca%@BO:           e9480@%%@AE@%
%@AI@%2 See Young%@BO:          293b0f@%%@AE@%
%@AI@%3 See J. R. Lowell%@BO:          44394a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Beilby Porteus@%%@QR:Porteus@%%@CR:N1731PORB20     @%%@2@%War its thousands slays, Peace, its ten thousands. 1 %@NL@%%@EH@%

%@NL@%Beilby Porteus
%@NL@%Death [1759],l. 178

%@NL@%%@AI@%1 See I Samuel 18:7%@BO:           157b6@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Pierre de Beaumarchais%@AE@%%@EH@%
%@NL@%
%@AB@%1732-1799%@AE@%
%@NL@%%@NL@%

%@QR:Pierre de Beaumarchais@%%@QR:Beaumarchais@%%@CR:N1732BEAP10     @%%@2@%   Judging by the virtues expected of a servant, does your Excellency know%@EH@%
many masters who would be worthy valets?%@NL@%
%@NL@%
Pierre de Beaumarchais
%@NL@%Le Barbier de Seville [1775], actI, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Je me presse de rire de tout, de peur d'[ecirc ]tre oblige d'en pleurer.
See La Bruyere and Byron  %@EF@%
%@QR:Pierre de Beaumarchais@%%@QR:Beaumarchais@%%@CR:N1732BEAP20     @%%@2@%   I quickly laugh at everything, for fear of having to cry.%@NL@%%@EH@%
%@NL@%
Pierre de Beaumarchais
%@NL@%Le Barbier de Seville [1775], actI, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre de Beaumarchais@%%@QR:Beaumarchais@%%@CR:N1732BEAP40     @%%@2@%   If you assure me that your intentions are honorable.%@NL@%%@EH@%
%@NL@%
Pierre de Beaumarchais
%@NL@%Le Barbier de Seville [1775], actIV, sc. vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre de Beaumarchais@%%@QR:Beaumarchais@%%@CR:N1732BEAP50     @%%@2@%   If you are mediocre and you grovel, you shall succeed.%@NL@%%@EH@%
%@NL@%
Pierre de Beaumarchais
%@NL@%Le Mariage de Figaro [1784], actIII, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Vous vous [ecirc ]tes donne la peine de na[icirc ]tre, et rien de plus.  %@EF@%
%@QR:Pierre de Beaumarchais@%%@QR:Beaumarchais@%%@CR:N1732BEAP60     @%%@2@%   You went to some trouble to be born, and that's all.%@NL@%%@EH@%
%@NL@%
Pierre de Beaumarchais
%@NL@%Le Mariage de Figaro [1784], actV, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre de Beaumarchais@%%@QR:Beaumarchais@%%@CR:N1732BEAP80     @%%@2@%   If censorship reigns there cannot be sincere flattery, and only small men%@EH@%
are afraid of small writings.%@NL@%
%@NL@%
Pierre de Beaumarchais
%@NL@%Le Mariage de Figaro [1784], actV, sc. iii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Dickinson%@AE@%%@EH@%
%@NL@%
%@AB@%1732-1808%@AE@%
%@NL@%%@NL@%

%@FN@%
United we stand, divided we fall.-A watchword of the American Revolution
See Aesop  %@EF@%
%@QR:John Dickinson@%%@QR:Dickinson@%%@CR:N1732DICJ10     @%%@2@%Then join hand in hand, brave Americans all!%@NL@%%@EH@%
By uniting we stand, by dividing we fall.%@NL@%

%@NL@%John Dickinson
%@NL@%The Liberty Song [1768]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Henry Lee%@AE@%%@EH@%
%@NL@%
%@AB@%1732-1794%@AE@%
%@NL@%%@NL@%

%@QR:Richard Henry Lee@%%@QR:Lee@%%@CR:N1732LEER10     @%%@2@%   That these united colonies are, and of right ought to be, free and%@EH@%
independent states; that they are absolved from all allegiance to the
British crown; and that all political connection between them and the State
of Great Britain is, and ought to be, totally dissolved.%@NL@%
%@NL@%
Richard Henry Lee
%@NL@%Resolution moved at the Continental Congress
[June 7, 1776; adopted July 2]
 1

%@NL@%%@AI@%1 See John Adams%@BO:          2f312e@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Julie de Lespinasse%@AE@%%@EH@%
%@NL@%
%@AB@%1732-1776%@AE@%
%@NL@%%@NL@%

%@QR:Julie de Lespinasse@%%@QR:Lespinasse@%%@CR:N1732LESJ10     @%%@2@%   The logic of the heart is absurd.%@NL@%%@EH@%
%@NL@%
Julie de Lespinasse
%@NL@%Letter to M. Guibert [August 27, 1774]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Washington%@AE@%%@EH@%
%@NL@%
%@AB@%1732-1799%@AE@%
%@FN@%
The Father of your Country.-Henry Knox, Letter to Washington [March 19,
1787]  See Henry (Light-Horse Harry) Lee and Franklin  I can't tell a lie. I
did it [cut the cherry tree] with my hatchet.-Attributed to Washington as a
child; Mason Locke Weems [1759-1825], The Life of George Washington [1800]
Father, I cannot tell a lie. I did it with my little hatchet.-Mark Twain
[1835-1910], Mark Twain as Washington  %@EF@%
%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG20     @%%@2@%   Discipline is the soul of an army. It makes small numbers formidable;%@EH@%
procures success to the weak, and esteem to all.%@NL@%
%@NL@%
George Washington
%@NL@%Letter of Instructions to the Captains of the Virginia Regiments
[July 29, 1759]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG30     @%%@2@%   Let us therefore animate and encourage each other, and show the whole%@EH@%
world that a Freeman, contending for liberty on his own ground, is superior
to any slavish mercenary on earth.%@NL@%
%@NL@%
George Washington
%@NL@%General Orders, Headquarters, New York [July 2, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG40     @%%@2@%   The time is now near at hand which must probably determine whether%@EH@%
Americans are to be freemen or slaves; whether they are to have any property
they can call their own; whether their houses and farms are to be pillaged
and destroyed, and themselves consigned to a state of wretchedness from
which no human efforts will deliver them. The fate of unborn millions will
now depend, under God, on the courage and conduct of this army. Our cruel
and unrelenting enemy leaves us only the choice of brave resistance, or the
most abject submission. We have, therefore, to resolve to conquer or die.%@NL@%
%@NL@%
George Washington
%@NL@%Address to the Continental Army before the battle of Long Island
[August 27, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG50     @%%@2@%   There is nothing that gives a man consequence, and renders him fit for%@EH@%
command, like a support that renders him independent of everybody but the
State he serves.%@NL@%
%@NL@%
George Washington
%@NL@%Letter to the president of Congress, Heights of Harlem
[September 24, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG60     @%%@2@%   To place any dependence upon militia, is, assuredly, resting upon a%@EH@%
broken staff.%@NL@%
%@NL@%
George Washington
%@NL@%Letter to the president of Congress, Heights of Harlem
[September 24, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG70     @%%@2@%   Without a decisive naval force we can do nothing definitive. And with it,%@EH@%
everything honorable and glorious. 1  2  3  4  5 %@NL@%
%@NL@%
George Washington
%@NL@%To Lafayette [November 15, 1781]

%@NL@%%@AI@%1 See Themistocles%@BO:           971e4@%%@AE@%
%@AI@%2 See Bacon%@BO:          16494e@%%@AE@%
%@AI@%3 See Waller%@BO:          230fda@%%@AE@%
%@AI@%4 See Mahan%@BO:          4c48d2@%%@AE@%
%@AI@%5 See Morison%@BO:          5ca86e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG80     @%%@2@%   If men are to be precluded from offering their sentiments on a matter%@EH@%
which may involve the most serious and alarming consequences that can invite
the consideration of mankind, reason is of no use to us; the freedom of
speech may be taken away, and dumb and silent we may be led, like sheep to
the slaughter.%@NL@%
%@NL@%
George Washington
%@NL@%Address to officers of the Army [March 15, 1783]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG90     @%%@2@%   The preservation of the sacred fire of liberty, and the destiny of the%@EH@%
republican model of government, are justly considered as deeply, perhaps as
finally staked, on the experiment entrusted to the hands of the American
people.%@NL@%
%@NL@%
George Washington
%@NL@%First Inaugural Address [April 30, 1789]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG100    @%%@2@%   Happily the Government of the United States, which gives to bigotry no%@EH@%
sanction, to persecution no assistance, requires only that they who live
under its protection should demean themselves as good citizens in giving it
on all occasions their effectual support.%@NL@%
%@NL@%
George Washington
%@NL@%Letter to the Jewish congregation of Newport, Rhode Island [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG110    @%%@2@%   To be prepared for war is one of the most effectual means of preserving%@EH@%
peace. 1  2  3  4  5 %@NL@%
%@NL@%
George Washington
%@NL@%First Annual Address [to both houses of Congress, January 8, 1790]

%@NL@%%@AI@%1 See Aristotle%@BO:           b4bd2@%%@AE@%
%@AI@%2 See Vegetius%@BO:          102d2b@%%@AE@%
%@AI@%3 See Robert Burton%@BO:          211b0d@%%@AE@%
%@AI@%4 See Fenelon%@BO:          27ddfc@%%@AE@%
%@AI@%5 See Lowell%@BO:          444758@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG120    @%%@2@%   The basis of our political system is the right of the people to make and%@EH@%
to alter their constitutions of government.%@NL@%
%@NL@%
George Washington
%@NL@%Farewell Address [September 17, 1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG130    @%%@2@%   Let me now . . . warn you in the most solemn manner against the baneful%@EH@%
effects of the spirit of party.%@NL@%
%@NL@%
George Washington
%@NL@%Farewell Address [September 17, 1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG140    @%%@2@%   Observe good faith and justice toward all nations. Cultivate peace and%@EH@%
harmony with all. . . . The Nation which indulges toward another an habitual
hatred or an habitual fondness is in some degree a slave. It is a slave to
its animosity or to its affection, either of which is sufficient to lead it
astray from its duty and its interest.%@NL@%
%@NL@%
George Washington
%@NL@%Farewell Address [September 17, 1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG150    @%%@2@%   'Tis our true policy to steer clear of permanent alliances, with any%@EH@%
portion of the foreign world.%@NL@%
%@NL@%
George Washington
%@NL@%Farewell Address [September 17, 1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG160    @%%@2@%   There can be no greater error than to expect or calculate upon real%@EH@%
favors from nation to nation.%@NL@%
%@NL@%
George Washington
%@NL@%Farewell Address [September 17, 1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Washington@%%@QR:Washington@%%@CR:N1732WASG170    @%%@2@%   It is well, I die hard, but I am not afraid to go.%@NL@%%@EH@%
%@NL@%
George Washington
%@NL@%Last words [December 14, 1799]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joseph Priestley%@AE@%%@EH@%
%@NL@%
%@AB@%1733-1804%@AE@%
%@FN@%
See the Bentham footnote to Francis Hutcheson. Bentham credits Priestley's
Essay on Government [1768]-or the work of Cesare Bonesana, Marchese di
Beccaria [1738-1794]-with inspiring his concept of "the greatest happiness
of the greatest number."  %@EF@%
%@NL@%%@NL@%

%@QR:Joseph Priestley@%%@QR:Priestley@%%@CR:N1733PRIJ10     @%%@2@%   It was ill policy in Leo the Tenth to patronize polite literature. He was%@EH@%
cherishing an enemy in disguise. And the English hierar-chy (if there be
anything unsound in its constitution) has equal reason to tremble even at an
air pump or an electrical machine.%@NL@%
%@NL@%
Joseph Priestley
%@NL@%Experiments and Observations on Different Kinds of Air [1775-1786]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Priestley@%%@QR:Priestley@%%@CR:N1733PRIJ20     @%%@2@%   In completing one discovery we never fail to get an imperfect knowledge%@EH@%
of others of which we could have no idea before, so that we cannot solve one
doubt without creating several new ones.%@NL@%
%@NL@%
Joseph Priestley
%@NL@%Experiments and Observations on Different Kinds of Air [1775-1786]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Christoph Martin Wieland%@AE@%%@EH@%
%@NL@%
%@AB@%1733-1813%@AE@%
%@NL@%%@NL@%

%@QR:Christoph Martin Wieland@%%@QR:Wieland@%%@CR:N1733WIEC10     @%%@2@%   To be not as eloquent would be more eloquent.%@NL@%%@EH@%
%@NL@%
Christoph Martin Wieland
%@NL@%The Journal Merkur [January 1774]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christoph Martin Wieland@%%@QR:Wieland@%%@CR:N1733WIEC20     @%%@2@%   An illusion which makes me happy is worth a verity which drags me to the%@EH@%
ground.%@NL@%
%@NL@%
Christoph Martin Wieland
%@NL@%Idris und Zenide [1768], canto III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christoph Martin Wieland@%%@QR:Wieland@%%@CR:N1733WIEC30     @%%@2@%   Too much light often blinds gentlemen of this sort. They cannot see the%@EH@%
forest for the trees.%@NL@%
%@NL@%
Christoph Martin Wieland
%@NL@%Musarion [1768], canto II

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Franz Friedrich Anton Mesmer%@AE@%%@EH@%
%@NL@%
%@AB@%1734-1815%@AE@%
%@NL@%%@NL@%

%@QR:Franz Friedrich Anton Mesmer@%%@QR:Mesmer@%%@CR:N1734MESF10     @%%@2@%   There is only one illness and one cure.%@NL@%%@EH@%
%@NL@%
Franz Friedrich Anton Mesmer
%@NL@%%@FN@%
Recorded by Dr. Caullet de Veaumorel; translated by Jerome Eden.  %@EF@%
Aphorismes de M. Mesmer [1785],
ch. 16

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Adams%@AE@%%@EH@%
%@NL@%
%@AB@%1735-1826%@AE@%
%@FN@%
He is as disinterested as the being who made him: he is profound in his
view; and accurate in his judgment, except where knowledge of the world is
necessary to form a judgment.-Jefferson [January 30, 1787]  See Webster  %@EF@%
%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ11     @%%@2@%   Now to what higher object, to what greater character, can any mortal%@EH@%
aspire than to be possessed of all this knowledge, well digested and ready
at command, to assist the feeble and friendless, to discountenance the
haughty and lawless, to procure redress of wrongs, the advancement of right,
to assert and maintain liberty and virtue, to discourage and abolish tyranny
and vice?%@NL@%
%@NL@%
John Adams
%@NL@%Letter to Jonathan Sewall [October 1759]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ13     @%%@2@%   A pen is certainly an excellent instrument to fix a man's attention and%@EH@%
to inflame his ambition.%@NL@%
%@NL@%
John Adams
%@NL@%Diary [November 14, 1760]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ15     @%%@2@%   I always consider the settlement of America with reverence and wonder, as%@EH@%
the opening of a grand scene and design in providence, for the illumination
of the ignorant and the emancipation of the slavish part of mankind all over
the earth.%@NL@%
%@NL@%
John Adams
%@NL@%Notes for "A Dissertation on the Canon and
Feudal Law" [1765]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ17     @%%@2@%   Liberty cannot be preserved without a general knowledge among the people,%@EH@%
who have a right . . . and a desire to know; but besides this, they have a
right, an indisputable, unalienable, indefeasible, divine right to that most
dreaded and envied kind of knowledge, I mean of the characters and conduct
of their rulers.%@NL@%
%@NL@%
John Adams
%@NL@%A Dissertation on the Canon and Feudal Law [1765]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ19     @%%@2@%   Let us . . . cherish, therefore, the means of knowledge. Let us dare to%@EH@%
read, think, speak, and write. . . . Let every sluice of knowledge be opened
and set a-flowing.%@NL@%
%@NL@%
John Adams
%@NL@%A Dissertation on the Canon and Feudal Law [1765]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ20     @%%@2@%   Facts are stubborn things; and whatever may be our wishes, our%@EH@%
inclinations, or the dictates of our passions, they cannot alter the state
of facts and evidence.%@NL@%
%@NL@%
John Adams
%@NL@%Argument in Defense of the [British] Soldiers in the
Boston Massacre Trials [December 1770]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ30     @%%@2@%   The law . . . will not bend to the uncertain wishes, imaginations and%@EH@%
wanton tempers of men. . . . On the one hand it is inexorable to the cries
and lamentations of the prisoners; on the other it is deaf, deaf as an
adder, 1  to the clamors of the populace.%@NL@%
%@NL@%
John Adams
%@NL@%Argument in Defense of the [British] Soldiers in the
Boston Massacre Trials [December 1770]

%@NL@%%@AI@%1 See Psalm 58:4-%@BO:           25565@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ35     @%%@2@%   There is danger from all men. The only maxim of a free government ought%@EH@%
to be to trust no man living with power to endanger the public liberty.%@NL@%
%@NL@%
John Adams
%@NL@%Notes for an Oration at Braintree [Spring 1772]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ40     @%%@2@%   This is the most magnificent movement of all! There is a dignity, a%@EH@%
majesty, a sublimity, in this last effort of the patriots that I greatly
admire. The people should never rise without doing something to be
remembered-something notable and striking. This destruction of the tea is so
bold, so daring, so firm, intrepid and inflexible, and it must have so
important consequences, and so lasting, that I can't but consider it as an
epocha in history!%@NL@%
%@NL@%
John Adams
%@NL@%Diary [on the Boston Tea Party, December 17, 1773]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Adams credits this formulation to James Harrington [1611-1677], with whose
work The Commonwealth of Oceana [1656] he was familiar. Adams's use of the
phrase gave it wide circulation in America.  See Chesterfield, Goldsmith,
and Burke  %@EF@%
%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ61     @%%@2@%   A government of laws, and not of men.%@NL@%%@EH@%
%@NL@%
John Adams
%@NL@%%@FN@%
Pseudonym of John Adams.  %@EF@%
%@FN@%
Article 30 of the Declaration of Rights.  %@EF@%
"Novanglus"
papers, Boston Gazette [1774], no. 7. Incorporated [1780] in
the Massachusetts Constitution

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ63     @%%@2@%   Metaphysicians and politicians may dispute forever, but they will never%@EH@%
find any other moral principle or foundation of rule or obedience, than the
consent of governors and governed. 1 %@NL@%
%@NL@%
John Adams
%@NL@%"Novanglus"
papers, Boston Gazette [1774], no. 7. Incorporated [1780] in
the Massachusetts Constitution

%@NL@%%@AI@%1 See Jefferson%@BO:          2fd4cb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ71     @%%@2@%   I agree with you that in politics the middle way is none at all.%@NL@%%@EH@%
%@NL@%
John Adams
%@NL@%Letter to Horatio Gates [March 23, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ81     @%%@2@%   You bid me burn your letters. But I must forget you first.%@NL@%%@EH@%
%@NL@%
John Adams
%@NL@%Letter to Abigail Adams[April 28, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ86     @%%@2@%   There is something very unnatural and odious in a government a thousand%@EH@%
leagues off. A whole government of our own choice, managed by persons whom
we love, revere, and can confide in, has charms in it for which men will
fight.%@NL@%
%@NL@%
John Adams
%@NL@%Letter to Abigail Adams[May 17, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ90     @%%@2@%   Yesterday, the greatest question was decided which ever was debated in%@EH@%
America, and a greater perhaps never was nor will be decided among men. A
resolution was passed without one dissenting colony, "that these United
Colonies are, and of right ought to be, free and independent States." 1 %@NL@%
%@NL@%
John Adams
%@NL@%Letter to Abigail Adams[July 3, 1776]

%@NL@%%@AI@%1 See Richard Henry Lee%@BO:          2eefc9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
On July 2, 1776, the resolution for independence, drafted by Richard Henry
Lee of Virginia, was adopted by a committee including John Adams. On July 4
the Declaration of Independence was agreed to, engrossed, signed by John
Hancock, and sent to the legislatures of the States.  %@EF@%
%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ100    @%%@2@%   The second day of July, 1776, will be the most memorable epoch in the%@EH@%
history of America. I am apt to believe that it will be celebrated by
succeeding generations as the great anniversary festival. It ought to be
commemorated as the day of deliverance, by solemn acts of devotion to God
Almighty. It ought to be solemnized with pomp and parade, with shows, games,
sports, guns, bells, bonfires, and illuminations, from one end of this
continent to the other, from this time forward forevermore.%@NL@%
%@NL@%
John Adams
%@NL@%Second Letter to Abigail Adams [July 3, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ110    @%%@2@%   The happiness of society 1  2  is the end of government.%@NL@%%@EH@%
%@NL@%
John Adams
%@NL@%Thoughts on Government [1776]

%@NL@%%@AI@%1 See Gibbon%@BO:          2f6dae@%%@AE@%
%@AI@%2 See Jefferson%@BO:          2fd4cb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ120    @%%@2@%   Fear is the foundation of most governments.%@NL@%%@EH@%
%@NL@%
John Adams
%@NL@%Thoughts on Government [1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ130    @%%@2@%   When annual elections end, there slavery begins.%@NL@%%@EH@%
%@NL@%
John Adams
%@NL@%Thoughts on Government [1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ140    @%%@2@%   The judicial power ought to be distinct from both the legislative and%@EH@%
executive, and independent upon both, that so it may be a check upon both,
as both should be checks upon that.%@NL@%
%@NL@%
John Adams
%@NL@%Thoughts on Government [1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ143    @%%@2@%   Virtue is not always amiable.%@NL@%%@EH@%
%@NL@%
John Adams
%@NL@%Diary[February 9, 1779]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
These lines are as expressive as any that John Adams ever wrote about his
own character. They were set down while he waited at the French port of St.
Nazaire to sail home after his first and, as he believed, fruitless, mission
to Europe. His lion-like rages were already well known and were to become
more so in his later public life.-Lyman H. Butterfield [1976]  %@EF@%
%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ146    @%%@2@%   By my physical constitution I am but an ordinary man. . . . Yet some%@EH@%
great events, some cutting expressions, some mean hypoc-risies, have at
times thrown this assemblage of sloth, sleep, and littleness into rage like
a lion.%@NL@%
%@NL@%
John Adams
%@NL@%Diary[April 26, 1779]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ151    @%%@2@%   I must study politics and war that my sons may have liberty to study%@EH@%
mathematics and philosophy. My sons ought to study mathematics and
philosophy, geography, natural history, naval architecture, navigation,
commerce, and agriculture, in order to give their children a right to study
painting, poetry, music, architecture, statuary, tapestry, and porcelain. 1 %@NL@%
%@NL@%
John Adams
%@NL@%Letter to Abigail Adams [May 12, 1780]

%@NL@%%@AI@%1 See Caecilius Statius%@BO:           c1707@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ154    @%%@2@%   You will never be alone with a poet in your pocket. 1 %@NL@%%@EH@%
%@NL@%
John Adams
%@NL@%Letter to John Quincy Adams [May 14, 1781]

%@NL@%%@AI@%1 See Marti%@BO:          4f61d6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ157    @%%@2@%   My country has in its wisdom contrived for me the most insignificant%@EH@%
office [the vice-presidency] that ever the invention of man contrived or his
imagination conceived; and as I can do neither good nor evil, I must be
borne away by others and meet the common fate. 1 %@NL@%
%@NL@%
John Adams
%@NL@%Letter to Abigail Adams [December 19, 1793]

%@NL@%%@AI@%1 See Jefferson%@BO:          2ff4cc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Written the day after Adams moved into the new White House. President
Franklin D. Roosevelt had it inscribed on the mantelpiece of the State
Dining Room.  %@EF@%
%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ160    @%%@2@%   I pray Heaven to bestow the best of blessings on this house and all that%@EH@%
shall hereafter inhabit it. May none but honest and wise men ever rule under
this roof.%@NL@%
%@NL@%
John Adams
%@NL@%Letter to Abigail Adams [November 2, 1800]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ162    @%%@2@%   I had heard my father say that he never knew a piece of land [to] run%@EH@%
away or break. 1 %@NL@%
%@NL@%
John Adams
%@NL@%Autobiography [1802-1807]

%@NL@%%@AI@%1 See Trollope%@BO:          42bb2c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ164    @%%@2@%   You and I ought not to die before we have explained ourselves to each%@EH@%
other.%@NL@%
%@NL@%
John Adams
%@NL@%Letter to Thomas Jefferson [July 15, 1813]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ167    @%%@2@%   The fundamental article of my political creed is that despotism, or%@EH@%
unlimited sovereignty, or absolute power, is the same in a majority of a
popular assembly, an aristocratical council, an oligarchical junto, and a
single emperor.%@NL@%
%@NL@%
John Adams
%@NL@%Letter to Thomas Jefferson [November 13, 1815]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Jefferson at Monticello died the same day-the fiftieth anniversary of the
adoption of the Declaration of Independence-murmuring, "This is the
Fourth?"-Samuel Eliot Morison, The Oxford History of the American People
[1965]  %@EF@%
%@QR:John Adams@%%@QR:Adams@%%@CR:N1735ADAJ170    @%%@2@%   Thomas-Jefferson-still surv-%@NL@%%@EH@%
%@NL@%
John Adams
%@NL@%Last words [July 4, 1826]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Isaac Bickerstaffe%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1735-c. 1812%@AE@%
%@NL@%%@NL@%

%@QR:Isaac Bickerstaffe@%%@QR:Bickerstaffe@%%@CR:N1735BICI10     @%%@2@%There was a jolly miller once%@NL@%%@EH@%
Lived on the River Dee;%@NL@%
He worked and sang from morn till night%@NL@%
No lark more blithe than he.%@NL@%

%@NL@%Isaac Bickerstaffe
%@NL@%Love in a Village [1762], act I, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Naebody cares for me,/I care for naebody.-Robert Burns [1759-1796], I Hae a
Wife o' My Ain, st. 4  %@EF@%
%@QR:Isaac Bickerstaffe@%%@QR:Bickerstaffe@%%@CR:N1735BICI20     @%%@2@%And this the burthen of his song%@NL@%%@EH@%
Forever used to be,%@NL@%
"I care for nobody, not I,%@NL@%
If no one cares for me."%@NL@%

%@NL@%Isaac Bickerstaffe
%@NL@%Love in a Village [1762], act I, sc. ii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Michel Guillaume Jean de Crevecoeur%@AE@%%@EH@%
%@NL@%J. Hector St. John
%@AB@%1735-1813%@AE@%
%@NL@%%@NL@%

%@QR:Michel Guillaume Jean de Crevecoeur@%%@QR:Crevecoeur@%%@QR:J. Hector St. John@%%@CR:N1735CREM10     @%%@2@%   Here [in America] individuals of all nations are melted into a new race%@EH@%
of men, whose labors and posterity will one day cause great changes in the
world. 1 %@NL@%
%@NL@%
Michel Guillaume Jean de Crevecoeur
%@NL@%Letters from an American Farmer [1782], III

%@NL@%%@AI@%1 See Zangwill%@BO:          531345@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Charles Joseph , Prince de Ligne%@AE@%%@EH@%
%@NL@%
%@AB@%1735-1814%@AE@%
%@NL@%%@NL@%

%@FN@%
Le Congres ne marche pas, il danse [said of the Congress of Vienna].  %@EF@%
%@QR:Charles Joseph , Prince de Ligne@%%@CR:N1735LIGC10     @%%@2@%   The Congress doesn't run-it waltzes.%@NL@%%@EH@%
%@NL@%
Charles Joseph , Prince de Ligne
%@NL@%Comment to La Garde-Chambonacs [1814]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Julius Mickle%@AE@%%@EH@%
%@NL@%
%@AB@%1735-1788%@AE@%
%@NL@%%@NL@%

%@QR:William Julius Mickle@%%@QR:Mickle@%%@CR:N1735MICW10     @%%@2@%For there's nae luck about the house,%@NL@%%@EH@%
There's nae luck at a';%@NL@%
There's little pleasure in the house%@NL@%
When our gudeman's awa.%@NL@%

%@NL@%William Julius Mickle
%@NL@%The Mariner's Wife, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Paul Revere%@AE@%%@EH@%
%@NL@%
%@AB@%1735-1818%@AE@%
%@NL@%%@NL@%

%@QR:Paul Revere@%%@QR:Revere@%%@CR:N1735REVP10     @%%@2@%   To the memory of the glorious Ninety-two: members of the Honorable House%@EH@%
of Representatives of the Massachusetts Bay who, undaunted by the insolent
menaces of villains in power, from a strict regard to conscience and the
liberties of their constituents on the 30th of June 1768 voted not to
rescind.%@NL@%
%@NL@%
Paul Revere
%@NL@%Inscription on Revere's silver "Liberty" bowl [1768]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Paul Revere@%%@QR:Revere@%%@CR:N1735REVP20     @%%@2@%   If the British went out by water, to show two lanterns in the North%@EH@%
Church steeple; and if by land, one as a signal, for we were apprehensive it
would be difficult to cross the Charles River or get over Boston Neck. 1 %@NL@%
%@NL@%
Paul Revere
%@NL@%Signal code arranged with Colonel Conant of the Charlestown
Committee of Safety [April 16, 1775]. Letter to Dr. Jeremy Belknap

%@NL@%%@AI@%1 See Longfellow%@BO:          3de2d7@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Patrick Henry%@AE@%%@EH@%
%@NL@%
%@AB@%1736-1799%@AE@%
%@NL@%%@NL@%

%@QR:Patrick Henry@%%@QR:Henry@%%@CR:N1736HENP10     @%%@2@%   Caesar had his Brutus; Charles the First his Cromwell; and George the%@EH@%
Third ["Treason!" cried the Speaker]-may profit by their example. If this be
treason, make the most of it.%@NL@%
%@NL@%
Patrick Henry
%@NL@%Speech on the Stamp Act, House of Burgesses, Williamsburg,
Virginia [May 29, 1765]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Patrick Henry@%%@QR:Henry@%%@CR:N1736HENP20     @%%@2@%   I am not a Virginian, but an American.%@NL@%%@EH@%
%@NL@%
Patrick Henry
%@NL@%Speech in the First Continental Congress, Philadelphia
[October 14, 1774]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Patrick Henry@%%@QR:Henry@%%@CR:N1736HENP30     @%%@2@%   It is natural for man to indulge in the illusions of hope. We are apt to%@EH@%
shut our eyes against a painful truth, and listen to the song of that siren
till she transforms us into beasts. Is this the part of wise men, engaged in
a great and arduous struggle for liberty? Are we disposed to be the number
of those who, having eyes, see not, and having  ears, hear not, 1  the
things which so nearly concern their temporal salvation? For my part,
whatever anguish of spirit it may cost, I am willing to know the whole
truth; to know the worst, and to provide for it.%@NL@%
%@NL@%
Patrick Henry
%@NL@%Speech in Virginia Convention, Richmond [March 23, 1775]

%@NL@%%@AI@%1 See Jeremiah 5:21%@BO:           411ee@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Patrick Henry@%%@QR:Henry@%%@CR:N1736HENP40     @%%@2@%   I have but one lamp by which my feet are guided, and that is the lamp of%@EH@%
experience. I know no way of judging of the future but by the past. 1 %@NL@%
%@NL@%
Patrick Henry
%@NL@%Speech in Virginia Convention, Richmond [March 23, 1775]

%@NL@%%@AI@%1 See Burke%@BO:          2e6c6a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Patrick Henry@%%@QR:Henry@%%@CR:N1736HENP50     @%%@2@%   We are not weak if we make a proper use of those means which the God of%@EH@%
Nature has placed in our power. . . . The battle, sir, is not to the strong
alone; 1  it is to the vigilant, the active, the brave.%@NL@%
%@NL@%
Patrick Henry
%@NL@%Speech in Virginia Convention, Richmond [March 23, 1775]

%@NL@%%@AI@%1 See Ecclesiastes 9:11%@BO:           3699e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Patrick Henry@%%@QR:Henry@%%@CR:N1736HENP60     @%%@2@%   If we wish to be free; if we mean to preserve inviolate those inestimable%@EH@%
privileges for which we have been so long contending; if we mean not basely
to abandon the noble struggle in which we have been so long engaged, and
which we have pledged ourselves never to abandon until the glorious object
of our contest shall be obtained-we must fight! I repeat it, sir, we must
fight! An appeal to arms, and to the God of hosts, is all that is left us.%@NL@%
%@NL@%
Patrick Henry
%@NL@%Speech in Virginia Convention, Richmond [March 23, 1775]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Patrick Henry@%%@QR:Henry@%%@CR:N1736HENP70     @%%@2@%   It is vain, sir, to extenuate the matter. The gentlemen may cry, Peace,%@EH@%
peace! but there is no peace. 1  The war has actually begun! The next gale
that sweeps from the north will bring to our ears the clash of resounding
arms! Our brethren are already in the field! Why stand we here idle? What is
it that the gentlemen wish? What would they have? Is life so dear or peace
so sweet as to be purchased at the price of chains and slavery? Forbid it,
Almighty God. I know not what course others may take, but as for me, give me
liberty or give me death! 2 %@NL@%
%@NL@%
Patrick Henry
%@NL@%Speech in Virginia Convention, Richmond [March 23, 1775]

%@NL@%%@AI@%1 See Jeremiah 6:14%@BO:           4142e@%%@AE@%
%@AI@%2 See Aeschylus%@BO:           9844c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Patrick Henry@%%@QR:Henry@%%@CR:N1736HENP80     @%%@2@%   That religion, or the duty which we owe to our Creator, and the manner of%@EH@%
discharging it, can be directed only by reason and conviction, not by force
or violence; and therefore all men are equally entitled to the free exercise
of religion, according to the dictates of conscience; and that it is the
mutual duty of all to practice Christian forbearance, love, and charity
towards each other.%@NL@%
%@NL@%
Patrick Henry
%@NL@%%@FN@%
See George Mason. Mason drafted Articles 1, 3, and 12.  %@EF@%
Virginia Bill of Rights [June 12, 1776],
article 16

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Gibbon%@AE@%%@EH@%
%@NL@%
%@AB@%1737-1794%@AE@%
%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE10     @%%@2@%   The various modes of worship, which prevailed in the Roman world, were%@EH@%
all considered by the people, as equally true; by the philosopher, as
equally false; and by the magistrate, as equally useful.%@NL@%
%@NL@%
Edward Gibbon
%@NL@%Decline and Fall of the Roman Empire [1776-1788], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE20     @%%@2@%   The principles of a free constitution are irrevocably lost, when the%@EH@%
legislative power is nominated by the executive.%@NL@%
%@NL@%
Edward Gibbon
%@NL@%Decline and Fall of the Roman Empire [1776-1788], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See John Adams and Jefferson  Ah, might we read in America's signs/The Age
restored of the Antonines.-Herman Melville, Timoleon [1891], The Age of the
Antonines, st. 3  %@EF@%
%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE25     @%%@2@%   Their united reigns [the Antonines'] are possibly the only period of%@EH@%
history in which the happiness of a great people was the sole object of
government.%@NL@%
%@NL@%
Edward Gibbon
%@NL@%Decline and Fall of the Roman Empire [1776-1788], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE30     @%%@2@%   History . . . is indeed little more than the register of the crimes,%@EH@%
follies, and misfortunes of mankind. 1 %@NL@%
%@NL@%
Edward Gibbon
%@NL@%Decline and Fall of the Roman Empire [1776-1788], ch.3

%@NL@%%@AI@%1 See Voltaire%@BO:          2ae98d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE40     @%%@2@%   Corruption, the most infallible symptom of constitutional liberty.%@NL@%%@EH@%
%@NL@%
Edward Gibbon
%@NL@%Decline and Fall of the Roman Empire [1776-1788], ch.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE50     @%%@2@%   Our sympathy is cold to the relation of distant misery.%@NL@%%@EH@%
%@NL@%
Edward Gibbon
%@NL@%Decline and Fall of the Roman Empire [1776-1788], ch.49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE60     @%%@2@%   The winds and waves are always on the side of the ablest navigators. 1  2%@EH@%
3  4 %@NL@%
%@NL@%
Edward Gibbon
%@NL@%Decline and Fall of the Roman Empire [1776-1788], ch.68

%@NL@%%@AI@%1 See Tacitus%@BO:           f83e3@%%@AE@%
%@AI@%2 See Bussy-Rabutin%@BO:          2559ce@%%@AE@%
%@AI@%3 See Boileau%@BO:          274780@%%@AE@%
%@AI@%4 See Frederick the Great%@BO:          2c99a6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE70     @%%@2@%   Vicissitudes of fortune, which spares neither man nor the proudest of his%@EH@%
works, which buries empires and cities in a common grave.%@NL@%
%@NL@%
Edward Gibbon
%@NL@%Decline and Fall of the Roman Empire [1776-1788], ch.71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE80     @%%@2@%   All that is human must retrograde if it does not advance.%@NL@%%@EH@%
%@NL@%
Edward Gibbon
%@NL@%Decline and Fall of the Roman Empire [1776-1788], ch.71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE90     @%%@2@%   The successors of Charles the Fifth may disdain their brethren of%@EH@%
England; but the romance of Tom Jones, that exquisite picture of human
manners, will outlive the palace of the Escurial and the imperial eagle of
the house of Austria.%@NL@%
%@NL@%
Edward Gibbon
%@NL@%Memoirs (Autobiography) [1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE100    @%%@2@%   Decent easy men, who supinely enjoyed the gifts of the founder.%@NL@%%@EH@%
%@NL@%
Edward Gibbon
%@NL@%Memoirs (Autobiography) [1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE110    @%%@2@%   It was here [at the age of seventeen] that I suspended my religious%@EH@%
inquiries.%@NL@%
%@NL@%
Edward Gibbon
%@NL@%Memoirs (Autobiography) [1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE120    @%%@2@%   I saw and loved.%@NL@%%@EH@%
%@NL@%
Edward Gibbon
%@NL@%Memoirs (Autobiography) [1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE130    @%%@2@%   I sighed as a lover, I obeyed as a son.%@NL@%%@EH@%
%@NL@%
Edward Gibbon
%@NL@%Memoirs (Autobiography) [1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE140    @%%@2@%   [Of London] Crowds without company, and dissipation without pleasure.%@NL@%%@EH@%
%@NL@%
Edward Gibbon
%@NL@%Memoirs (Autobiography) [1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Gibbon was a captain in the Hampshire militia from June 12, 1759, to
December 23, 1762.  %@EF@%
%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE150    @%%@2@%   The captain of the Hampshire grenadiers  . . . has not been useless to%@EH@%
the historian of the Roman Empire.%@NL@%
%@NL@%
Edward Gibbon
%@NL@%Memoirs (Autobiography) [1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Gibbon@%%@QR:Gibbon@%%@CR:N1737GIBE160    @%%@2@%   It was at Rome, on the fifteenth of October 1764, as I sat musing amidst%@EH@%
the ruins of the Capitol, while the barefoot friars were singing vespers in
the Temple of Jupiter, that the idea of writing the decline and fall of the
city first started to my mind.%@NL@%
%@NL@%
Edward Gibbon
%@NL@%Memoirs (Autobiography) [1796]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Paine%@AE@%%@EH@%
%@NL@%
%@AB@%1737-1809%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT10     @%%@2@%From the east to the west blow the trumpet to arms!%@NL@%%@EH@%
Through the land let the sound of it flee;%@NL@%
Let the far and the near all unite, with a cheer,%@NL@%
In defense of our Liberty Tree.%@NL@%

%@NL@%Thomas Paine
%@NL@%The Liberty Tree [July 1775], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT20     @%%@2@%   Society in every state is a blessing, but Government, even in its best%@EH@%
state, is but a necessary evil; in its worst state, an intolerable one.%@NL@%
%@NL@%
Thomas Paine
%@NL@%Common Sense [1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT30     @%%@2@%   Suspicion is the companion of mean souls, and the bane of all good%@EH@%
society.%@NL@%
%@NL@%
Thomas Paine
%@NL@%Common Sense [1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT40     @%%@2@%   When we are planning for posterity, we ought to remember that virtue is%@EH@%
not hereditary.%@NL@%
%@NL@%
Thomas Paine
%@NL@%Common Sense [1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT50     @%%@2@%   O! ye that love mankind! Ye that dare oppose not only the tyranny but the%@EH@%
tyrant, stand forth! Every spot of the Old World is overrun with oppression.
Freedom hath been hunted round the globe. Asia and Africa have long expelled
her. Europe regards her as a stranger and England hath given her warning to
depart. O! receive the fugitive and prepare in time an asylum for mankind. 1
%@NL@%
%@NL@%
Thomas Paine
%@NL@%Common Sense [1776]

%@NL@%%@AI@%1 See Samuel Adams%@BO:          2d6b65@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT60     @%%@2@%   These are the times that try men's souls. The summer soldier and the%@EH@%
sunshine patriot will, in this crisis, shrink from the service of their
country; but he that stands it now, deserves the love and thanks of man and
woman. Tyranny, like hell, is not easily conquered; yet we have this
consolation with us, that the harder the conflict, the more glorious the
triumph. What we obtain too cheap, we esteem too lightly; 'tis dearness only
that gives everything its value. Heaven knows how to put a proper price upon
its goods; and it would be strange indeed, if so celestial an article as
Freedom should not be highly rated.%@NL@%
%@NL@%
Thomas Paine
%@NL@%The American Crisis, no.1 [December 23, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT70     @%%@2@%   Panics, in some cases, have their uses; they produce as much good as%@EH@%
hurt. Their duration is always short; the mind soon grows through them and
acquires a firmer habit than before. But their peculiar advantage is, that
they are the touchstone of sincerity and hypocrisy, and bring things and men
to light, which might otherwise have lain forever undiscovered.%@NL@%
%@NL@%
Thomas Paine
%@NL@%The American Crisis, no.1 [December 23, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT80     @%%@2@%   Not a place upon earth might be so happy as America. Her situation is%@EH@%
remote from all the wrangling world, and she has nothing to do but to trade
with them.%@NL@%
%@NL@%
Thomas Paine
%@NL@%The American Crisis, no.1 [December 23, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT90     @%%@2@%   A bad cause will ever be supported by bad means and bad men.%@NL@%%@EH@%
%@NL@%
Thomas Paine
%@NL@%The American Crisis, no.2 [January 13, 1777]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT100    @%%@2@%   Those who expect to reap the blessings of freedom must, like men, undergo%@EH@%
the fatigue of supporting it.%@NL@%
%@NL@%
Thomas Paine
%@NL@%The American Crisis, no.4 [September 12, 1777]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT110    @%%@2@%   It is not a field of a few acres of ground, but a cause, that we are%@EH@%
defending, and whether we defeat the enemy in one battle, or by degrees, the
consequences will be the same.%@NL@%
%@NL@%
Thomas Paine
%@NL@%The American Crisis, no.4 [September 12, 1777]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT120    @%%@2@%   We fight not to enslave, but to set a country free, and to make room upon%@EH@%
the earth for honest men to live in.%@NL@%
%@NL@%
Thomas Paine
%@NL@%The American Crisis, no.4 [September 12, 1777]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT130    @%%@2@%   It is the object only of war that makes it honorable. And if there was%@EH@%
ever a just war since the world began, it is this in which America is now
engaged.%@NL@%
%@NL@%
Thomas Paine
%@NL@%The American Crisis, no.5 [March 21, 1778]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT140    @%%@2@%   Character is much easier kept than recovered.%@NL@%%@EH@%
%@NL@%
Thomas Paine
%@NL@%The American Crisis, no.13 [April 19, 1783]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT150    @%%@2@%   War involves in its progress such a train of unforeseen and unsupposed%@EH@%
circumstances that no human wisdom can calculate the end. It has but one
thing certain, and that is to increase taxes.%@NL@%
%@NL@%
Thomas Paine
%@NL@%Prospects on the Rubicon [1787]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT160    @%%@2@%   [Burke] is not affected by the reality of distress touching his heart,%@EH@%
but by the showy resemblance of it striking his imagination. He pities the
plumage, but forgets the dying bird.%@NL@%
%@NL@%
Thomas Paine
%@NL@%The Rights of Man, pt.I [1791]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT170    @%%@2@%   My country is the world and my religion is to do good. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Thomas Paine
%@NL@%The Rights of Man, pt.II [1792], ch. 5

%@NL@%%@AI@%1 See Socrates%@BO:           a67f6@%%@AE@%
%@AI@%2 See Bacon%@BO:          16294e@%%@AE@%
%@AI@%3 See Garrison%@BO:          3d1871@%%@AE@%
%@AI@%4 See F. D. Roosevelt%@BO:          5aab3a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT180    @%%@2@%   Every religion is good that teaches man to be good.%@NL@%%@EH@%
%@NL@%
Thomas Paine
%@NL@%The Rights of Man, pt.II [1792], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Garrison  Extremism in the defense of liberty is no vice. And  . . .
moderation in the pursuit of justice is no virtue.-Barry Goldwater,
Acceptance speech, Republican presidential nomination [July 16, 1964]  %@EF@%
%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT190    @%%@2@%   A thing moderately good is not so good as it ought to be. Moderation in%@EH@%
temper is always a virtue; but moderation in principle is always a vice.%@NL@%
%@NL@%
Thomas Paine
%@NL@%The Rights of Man, pt.II [1792], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT210    @%%@2@%   I believe in one God and no more, and I hope for happiness beyond this%@EH@%
life. I believe in the equality of man; and I believe that religious duties
consist in doing justice, loving mercy, and endeavoring to make our fellow
creatures happy.%@NL@%
%@NL@%
Thomas Paine
%@NL@%The Age of Reason [1793], pt.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT220    @%%@2@%   It is with a pious fraud as with a bad action; it begets a calamitous%@EH@%
necessity of going on.%@NL@%
%@NL@%
Thomas Paine
%@NL@%The Age of Reason [1793], pt.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Paine@%%@QR:Paine@%%@CR:N1737PAIT230    @%%@2@%   When authors and critics talk of the sublime, they see not how nearly it%@EH@%
borders on the ridiculous. 1 %@NL@%
%@NL@%
Thomas Paine
%@NL@%The Age of Reason [1793], pt.II, note

%@NL@%%@AI@%1 See Napoleon%@BO:          33620d@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Rudolf Erich Raspe%@AE@%%@EH@%
%@NL@%
%@AB@%1737-1794%@AE@%
%@NL@%%@NL@%

%@QR:Rudolf Erich Raspe@%%@QR:Raspe@%%@CR:N1737RASR10     @%%@2@%   His tunes were frozen up in the horn, and came out now by thawing. 1 %@NL@%%@EH@%
%@NL@%
Rudolf Erich Raspe
%@NL@%Travels of Baron Munchausen [1785], ch.6

%@NL@%%@AI@%1 See Plutarch%@BO:           f3db5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Rudolf Erich Raspe@%%@QR:Raspe@%%@CR:N1737RASR20     @%%@2@%   If any of the company entertain a doubt of my veracity, I shall only say%@EH@%
to such, I pity their want of faith.%@NL@%
%@NL@%
Rudolf Erich Raspe
%@NL@%Travels of Baron Munchausen [1785], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Rudolf Erich Raspe@%%@QR:Raspe@%%@CR:N1737RASR30     @%%@2@%   A traveler has a right to relate and embellish his adventures as he%@EH@%
pleases, and it is very impolite to refuse that deference and applause they
deserve.%@NL@%
%@NL@%
Rudolf Erich Raspe
%@NL@%Travels of Baron Munchausen [1785], ch.21

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ethan Allen%@AE@%%@EH@%
%@NL@%
%@AB@%1738-1789%@AE@%
%@NL@%%@NL@%

%@FN@%
Commandant at Fort Ticonderoga, New York [May 10, 1775].  %@EF@%
%@QR:Ethan Allen@%%@QR:Allen@%%@CR:N1738ALLE10     @%%@2@%   [Captain Delaplace] gazed at Allen in bewildered astonishment. "By whose%@EH@%
authority do you act?" exclaimed he. "In the name of the great Jehovah, and
the Continental Congress!" replied Allen.%@NL@%
%@NL@%
Ethan Allen
%@NL@%From Washington Irving,
Life of Washington [1855-1859], vol. I, ch. 38

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jacques Delille%@AE@%%@EH@%
%@NL@%
%@AB@%1738-1813%@AE@%
%@NL@%%@NL@%

%@FN@%
Le sort fait les parents, le choix fait les amis.  %@EF@%
%@QR:Jacques Delille@%%@QR:Delille@%%@CR:N1738DELJ10     @%%@2@%   Fate chooses our relatives, we choose our friends.%@NL@%%@EH@%
%@NL@%
Jacques Delille
%@NL@%Malheur et Pitie [1803], canto I

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Wolcot%@AE@%%@EH@%
%@NL@%Peter Pindar
%@AB@%1738-1819%@AE@%
%@NL@%%@NL@%

%@QR:John Wolcot@%%@QR:Wolcot@%%@QR:Peter Pindar@%%@QR:Pindar@%%@CR:N1738WOLJ10     @%%@2@%What rage for fame attends both great and small!%@NL@%%@EH@%
Better be damned than mentioned not at all!%@NL@%

%@NL@%John Wolcot
%@NL@%To the Royal Academicians [1782-1785]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Daniel Bliss%@AE@%%@EH@%
%@NL@%
%@AB@%1740-1806%@AE@%
%@NL@%%@NL@%

%@QR:Daniel Bliss@%%@QR:Bliss@%%@CR:N1740BLID10     @%%@2@%God wills us free, man wills us slaves,%@NL@%%@EH@%
I will as God wills, God's will be done.%@NL@%

%@NL@%Daniel Bliss
%@NL@%Epitaph on gravestone of John Jack, "A Native of Africa,
who died March 1773, aged about 60 years. Tho' born in a land of
slavery he was born free." 1  2

%@NL@%%@AI@%1 See Rousseau%@BO:          2ca4c0@%%@AE@%
%@AI@%2 See Schiller%@BO:          328fea@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%James Boswell%@AE@%%@EH@%
%@NL@%
%@AB@%1740-1795%@AE@%
%@FN@%
See also excerpts from Boswell, Life of Johnson [1791].  %@EF@%
%@NL@%%@NL@%

%@QR:James Boswell@%%@QR:Boswell@%%@CR:N1740BOSJ10     @%%@2@%   That favorite subject, Myself.%@NL@%%@EH@%
%@NL@%
James Boswell
%@NL@%Letter to Temple [July 26, 1763]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Boswell@%%@QR:Boswell@%%@CR:N1740BOSJ20     @%%@2@%   He who praises everybody, praises nobody.%@NL@%%@EH@%
%@NL@%
James Boswell
%@NL@%Life of Johnson [1791], footnote[March 30, 1778]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Boswell@%%@QR:Boswell@%%@CR:N1740BOSJ30     @%%@2@%   We cannot tell the precise moment when friendship is formed. As in%@EH@%
filling a vessel drop by drop, there is at last a drop which makes it run
over; so in a series of kindnesses there is at last one which makes the
heart run over.%@NL@%
%@NL@%
James Boswell
%@NL@%Life of Johnson [1791], footnote[September 1777]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Boswell@%%@QR:Boswell@%%@CR:N1740BOSJ40     @%%@2@%   I think no innocent species of wit or pleasantry should be suppressed;%@EH@%
and that a good pun may be admitted among the smaller excellencies of lively
conversation.%@NL@%
%@NL@%
James Boswell
%@NL@%Life of Johnson [1791], footnote[June 1784]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Louis Sebastien Mercier%@AE@%%@EH@%
%@NL@%
%@AB@%1740-1814%@AE@%
%@NL@%%@NL@%

%@FN@%
"Extremes meet," as the whiting said with its tail in its mouth.-Thomas Hood
[1799-1845], The Doves and the Crows  %@EF@%
%@QR:Louis Sebastien Mercier@%%@QR:Mercier@%%@CR:N1740MERL10     @%%@2@%   Extremes Meet.%@NL@%%@EH@%
%@NL@%
Louis Sebastien Mercier
%@NL@%Tableaux de Paris [1782], vol. IV, ch. 348, title

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Augustus Montague Toplady%@AE@%%@EH@%
%@NL@%
%@AB@%1740-1778%@AE@%
%@NL@%%@NL@%

%@QR:Augustus Montague Toplady@%%@QR:Toplady@%%@CR:N1740TOPA10     @%%@2@%Rock of Ages, cleft for me,%@NL@%%@EH@%
Let me hide myself in thee.%@NL@%

%@NL@%Augustus Montague Toplady
%@NL@%Rock of Ages [1775], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sebastien Roch Nicolas Chamfort%@AE@%%@EH@%
%@NL@%
%@AB@%1741-1794%@AE@%
%@NL@%%@NL@%

%@QR:Sebastien Roch Nicolas Chamfort@%%@QR:Chamfort@%%@CR:N1741CHAS10     @%%@2@%   The most wasted day of all is that on which we have not laughed.%@NL@%%@EH@%
%@NL@%
Sebastien Roch Nicolas Chamfort
%@NL@%Maxims and Thoughts,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sebastien Roch Nicolas Chamfort@%%@QR:Chamfort@%%@CR:N1741CHAS20     @%%@2@%   Chance is a nickname for Providence.%@NL@%%@EH@%
%@NL@%
Sebastien Roch Nicolas Chamfort
%@NL@%Maxims and Thoughts,62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sois mon frere ou je te tue.  A paraphrase of the revolutionary watchword:
Fraternity or death.  %@EF@%
%@QR:Sebastien Roch Nicolas Chamfort@%%@QR:Chamfort@%%@CR:N1741CHAS30     @%%@2@%   Be my brother, or I will kill you.%@NL@%%@EH@%
%@NL@%
Sebastien Roch Nicolas Chamfort
%@NL@%From Carlyle, French Revolution [1837],
vol. II, pt. 1, ch. 12

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Johann Kaspar Lavater%@AE@%%@EH@%
%@NL@%
%@AB@%1741-1801%@AE@%
%@NL@%%@NL@%

%@QR:Johann Kaspar Lavater@%%@QR:Lavater@%%@CR:N1741LAVJ10     @%%@2@%   Say not you know another entirely, till you have divided an inheritance%@EH@%
with him.%@NL@%
%@NL@%
Johann Kaspar Lavater
%@NL@%Aphorisms on Man [c. 1788], no.157

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Blake's marginal comment on this aphorism was "Damn such!"  %@EF@%
%@QR:Johann Kaspar Lavater@%%@QR:Lavater@%%@CR:N1741LAVJ20     @%%@2@%   He who, when called upon to speak a disagreeable truth, tells it boldly%@EH@%
and has done is both bolder and milder than he who nibbles in a low voice
and never ceases nibbling.%@NL@%
%@NL@%
Johann Kaspar Lavater
%@NL@%Aphorisms on Man [c. 1788], no.302

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Kaspar Lavater@%%@QR:Lavater@%%@CR:N1741LAVJ40     @%%@2@%   Trust not him with your secrets, who, when left alone in your room, turns%@EH@%
over your papers.%@NL@%
%@NL@%
Johann Kaspar Lavater
%@NL@%Aphorisms on Man [c. 1788], no.449

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Kaspar Lavater@%%@QR:Lavater@%%@CR:N1741LAVJ50     @%%@2@%   The public seldom forgive twice.%@NL@%%@EH@%
%@NL@%
Johann Kaspar Lavater
%@NL@%Aphorisms on Man [c. 1788], no.606

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Kaspar Lavater@%%@QR:Lavater@%%@CR:N1741LAVJ60     @%%@2@%   Venerate four characters: the sanguine who has checked volatility and the%@EH@%
rage for pleasure; the choleric who has subdued passion and pride; the
phlegmatic emerged from indolence; and the melancholy who has dismissed
avarice, suspicion and asperity.%@NL@%
%@NL@%
Johann Kaspar Lavater
%@NL@%Aphorisms on Man [c. 1788], no.609

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Kaspar Lavater@%%@QR:Lavater@%%@CR:N1741LAVJ70     @%%@2@%   If you mean to know yourself, interline such of these aphorisms as affect%@EH@%
you agreeably in reading, and set a mark to such as left a sense of
uneasiness with you; and then show your copy to whom you please.%@NL@%
%@NL@%
Johann Kaspar Lavater
%@NL@%Aphorisms on Man [c. 1788], no.643

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Hester Lynch Thrale Piozzi%@AE@%%@EH@%
%@NL@%Mrs. Thrale
%@AB@%1741-1821%@AE@%
%@NL@%%@NL@%

%@QR:Hester Lynch Thrale Piozzi@%%@QR:Piozzi@%%@QR:Mrs. Thrale@%%@CR:N1741THRH10     @%%@2@%   Johnson's conversation was by much too strong for a person accustomed to%@EH@%
obsequiousness and flattery; it was mustard in a young child's mouth!%@NL@%
%@NL@%
Hester Lynch Thrale Piozzi
%@NL@%From James Boswell, Life of Johnson [1791]. May 1781

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gebhard Leberecht von Blucher%@AE@%%@EH@%
%@NL@%
%@AB@%1742-1819%@AE@%
%@NL@%%@NL@%

%@QR:Gebhard Leberecht von Blucher@%%@QR:Blucher@%%@CR:N1742BLUG10     @%%@2@%   Ever forward, but slowly.%@NL@%%@EH@%
%@NL@%
Gebhard Leberecht von Blucher
%@NL@%While leading the Russians at Leipzig [October 19, 1813]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gebhard Leberecht von Blucher@%%@QR:Blucher@%%@CR:N1742BLUG20     @%%@2@%   May the pens of the diplomats not ruin again what the people have%@EH@%
attained with such exertions.%@NL@%
%@NL@%
Gebhard Leberecht von Blucher
%@NL@%After the battle of Waterloo [1813]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Georg Christoph Lichtenberg%@AE@%%@EH@%
%@NL@%
%@AB@%1742-1799%@AE@%
%@NL@%%@NL@%

%@QR:Georg Christoph Lichtenberg@%%@QR:Lichtenberg@%%@CR:N1742LICG10     @%%@2@%   A knife without a blade, for which the handle is missing.%@NL@%%@EH@%
%@NL@%
Georg Christoph Lichtenberg
%@NL@%Gottingen Pocket Calendar [1798],
describing an impossible existence

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Christoph Lichtenberg@%%@QR:Lichtenberg@%%@CR:N1742LICG20     @%%@2@%   Nothing contributes more to peace of soul than having no opinion at all.%@NL@%%@EH@%
%@NL@%
Georg Christoph Lichtenberg
%@NL@%%@FN@%
Edited by Albert Leitzmann.  %@EF@%
Aphorismen [1902-1908]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Christoph Lichtenberg@%%@QR:Lichtenberg@%%@CR:N1742LICG30     @%%@2@%   To do just the opposite is also a form of imitation.%@NL@%%@EH@%
%@NL@%
Georg Christoph Lichtenberg
%@NL@%Aphorismen [1902-1908]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Christoph Lichtenberg@%%@QR:Lichtenberg@%%@CR:N1742LICG40     @%%@2@%   I am always grieved when a man of real talent dies. The world needs such%@EH@%
men more than Heaven does.%@NL@%
%@NL@%
Georg Christoph Lichtenberg
%@NL@%Aphorismen [1902-1908]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Christoph Lichtenberg@%%@QR:Lichtenberg@%%@CR:N1742LICG50     @%%@2@%   Soothsayers make a better living in the world than truthsayers.%@NL@%%@EH@%
%@NL@%
Georg Christoph Lichtenberg
%@NL@%Aphorismen [1902-1908]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Se non e vero e ben trovato [If it is not true it is a happy
invention].-Attributed to Giordano Bruno  %@EF@%
%@QR:Georg Christoph Lichtenberg@%%@QR:Lichtenberg@%%@CR:N1742LICG60     @%%@2@%   It may not be natural for man to walk on two legs, but it was a noble%@EH@%
invention.%@NL@%
%@NL@%
Georg Christoph Lichtenberg
%@NL@%Aphorismen [1902-1908]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Christoph Lichtenberg@%%@QR:Lichtenberg@%%@CR:N1742LICG70     @%%@2@%   The thing that astonished him was that cats should have two holes cut in%@EH@%
their coat exactly at the place where their eyes are.%@NL@%
%@NL@%
Georg Christoph Lichtenberg
%@NL@%Aphorismen [1902-1908]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anna Letitia Barbauld%@AE@%%@EH@%
%@NL@%
%@AB@%1743-1825%@AE@%
%@NL@%%@NL@%

%@QR:Anna Letitia Barbauld@%%@QR:Barbauld@%%@CR:N1743BARA10     @%%@2@%Say not "Good night"; but in some brighter clime%@NL@%%@EH@%
Bid me "Good morning."%@NL@%

%@NL@%Anna Letitia Barbauld
%@NL@%Ode to Life, st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anna Letitia Barbauld@%%@QR:Barbauld@%%@CR:N1743BARA20     @%%@2@%This dead of midnight is the noon of thought.%@NL@%%@EH@%

%@NL@%Anna Letitia Barbauld
%@NL@%A Summer's Evening Meditation

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gavriil Romanovich Derzhavin%@AE@%%@EH@%
%@NL@%
%@AB@%1743-1816%@AE@%
%@NL@%%@NL@%

%@QR:Gavriil Romanovich Derzhavin@%%@QR:Derzhavin@%%@CR:N1743DERG10     @%%@2@%   I am a czar-a slave, I am a worm-a god.%@NL@%%@EH@%
%@NL@%
Gavriil Romanovich Derzhavin
%@NL@%God [1784]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Henry , Duke of Gloucester%@AE@%%@EH@%
%@NL@%
%@AB@%1743-1805%@AE@%
%@FN@%
His eye, like his mind, sought an extended view.-Dumas Malone, Jefferson the
Virginian [1940]  See Morison  %@EF@%
%@NL@%%@NL@%

%@QR:William Henry , Duke of Gloucester@%%@CR:N1743GLOW10     @%%@2@%   Another damned, thick, square book! Always scribble, scribble, scribble!%@EH@%
Eh! Mr. Gibbon?%@NL@%
%@NL@%
William Henry , Duke of Gloucester
%@NL@%Upon receiving from Edward Gibbon volume II of the
Decline and Fall of the Roman Empire [1781]. From Best's Literary Memorials

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Jefferson%@AE@%%@EH@%
%@NL@%
%@AB@%1743-1826%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT10     @%%@2@%   A lively and lasting sense of filial duty is more effectually impressed%@EH@%
on the mind of a son or daughter by reading King Lear, than by all the dry
volumes of ethics, and divinity, that ever were written.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Robert Skipwith [August 3, 1771]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT20     @%%@2@%   The God who gave us life, gave us liberty at the same time.%@NL@%%@EH@%
%@NL@%
Thomas Jefferson
%@NL@%Summary View of the Rights of British America [1774]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The phrase is frequently misquoted "inalienable."  All men are born free and
equal, and have certain natural, essential and unalienable
rights.-Constitution of Massachusetts [1778]  %@EF@%
%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT30     @%%@2@%   When, in the course of human events, it becomes necessary for one people%@EH@%
to dissolve the political bands which have connected them with another, and
to assume among the powers of the earth the separate and equal station to
which the laws of nature and of nature's God 1  2  entitle them, a decent
respect to the opinions of mankind requires that they should declare the
causes which impel them to the separation. We hold these truths to be
self-evident; that all men are created equal; that they are endowed by their
creator with certain unalienable rights; that among these are life, liberty,
and the pursuit of happiness; 3  4  that to secure these rights, governments
are instituted among men, deriving their just powers from the consent of the
governed; 5  6  that whenever any form of government becomes destructive to
these ends, it is the right of the people to alter or to abolish it, and to
institute new government, laying its foundation on such principles, and
organizing its powers in such form, as to them shall seem most likely to
effect their safety and happiness.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Declaration of Independence [July 4, 1776]

%@NL@%%@AI@%1 See Bolingbroke%@BO:          29239e@%%@AE@%
%@AI@%2 See Pope%@BO:          2a2413@%%@AE@%
%@AI@%3 See John Adams%@BO:          2f36f8@%%@AE@%
%@AI@%4 See Gibbon%@BO:          2f6dae@%%@AE@%
%@AI@%5 See Vico%@BO:          289493@%%@AE@%
%@AI@%6 See John Adams%@BO:          2f2bf7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT60     @%%@2@%   We must therefore . . . hold them [the British] as we hold the rest of%@EH@%
mankind, enemies in war, in peace friends.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Declaration of Independence [July 4, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT70     @%%@2@%   And for the support of this declaration, with a firm reliance on the%@EH@%
protection of divine providence, we mutually pledge to each other our lives,
our fortunes, and our sacred honor.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Declaration of Independence [July 4, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT80     @%%@2@%   Ignorance is preferable to error; and he is less remote from the truth%@EH@%
who believes nothing, than he who believes what is wrong.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Notes on the State of Virginia [1781-1785]. Query6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT82     @%%@2@%   The Newtonian principle of gravitation is now more firmly established, on%@EH@%
the basis of reason, than it would be were the government to step in, and to
make it an article of necessary faith. Reason and experiment have been
indulged, and error has fled before them.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Notes on the State of Virginia [1781-1785]. Query17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT84     @%%@2@%   Subject opinion to coercion: whom will you make your inquisitors?%@EH@%
Fallible men; men governed by bad passions, by private as well as public
reasons.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Notes on the State of Virginia [1781-1785]. Query17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT87     @%%@2@%   Is uniformity [of opinion] attainable? Millions of innocent men, women,%@EH@%
and children, since the introduction of Christianity, have been burnt,
tortured, fined, imprisoned; yet we have not advanced one inch towards
uniformity. What has been the effect of coercion? To make one half the world
fools, and the other half hypocrites.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Notes on the State of Virginia [1781-1785]. Query17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT90     @%%@2@%   Indeed, I tremble for my country when I reflect that God is just.%@NL@%%@EH@%
%@NL@%
Thomas Jefferson
%@NL@%Notes on the State of Virginia [1781-1785]. Query18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT100    @%%@2@%   Those who labor in the earth are the chosen people of God, if ever he had%@EH@%
a chosen people, whose breasts He has made His peculiar deposit for
substantial and genuine virtue.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Notes on the State of Virginia [1781-1785]. Query19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT110    @%%@2@%   He who permits himself to tell a lie once, finds it much easier to do it%@EH@%
a second and third time, till at length it becomes habitual; he tells lies
without attending to it, and truths without the world's believing him. This
falsehood of the tongue leads to that of the heart, and in time depraves all
its good dispositions.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Peter Carr [August 19, 1785]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT120    @%%@2@%   The basis of our government being the opinion of the people, the very%@EH@%
first object should be to keep that right; and were it left to me to decide
whether we should have a government without newspapers, or newspapers
without a government, I should not hesitate a moment to prefer the latter.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Colonel Edward Carrington [January 16, 1787]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT130    @%%@2@%   Experience declares that man is the only animal which devours his own%@EH@%
kind; for I can apply no milder term to the governments of Europe, and to
the general prey of the rich on the poor.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Colonel Edward Carrington [January 16, 1787]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT140    @%%@2@%   I hold it, that a little rebellion, now and then, is a good thing, and as%@EH@%
necessary in the political world as storms in the physical.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to James Madison [January 30, 1787]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT150    @%%@2@%   What country before ever existed a century and a half without a%@EH@%
rebellion? . . . The tree of liberty must be refreshed from time to time
with the blood of patriots and tyrants. 1  2  It is its natural manure.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to William Stevens Smith [November 13, 1787]

%@NL@%%@AI@%1 See Tertullian%@BO:           fe316@%%@AE@%
%@AI@%2 See Barere%@BO:          3152c3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT160    @%%@2@%   The republican is the only form of government which is not eternally at%@EH@%
open or secret war with the rights of mankind.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to William Hunter [March 11, 1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT170    @%%@2@%   We are not to expect to be translated from despotism to liberty in a%@EH@%
featherbed.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Lafayette [April 2, 1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT180    @%%@2@%   Let what will be said or done, preserve your sang-froid immovably, and to%@EH@%
every obstacle, oppose patience, perseverance, and soothing language.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to William Short [March 18, 1792]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT190    @%%@2@%   Delay is preferable to error.%@NL@%%@EH@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to George Washington [May 16, 1792]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT200    @%%@2@%   We confide in our strength, without boasting of it; we respect that of%@EH@%
others, without fearing it.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to William Carmichael and William Short [1793]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT205    @%%@2@%   The second office of the government is honorable and easy, the first is%@EH@%
but a splendid misery. 1 %@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Elbridge Gerry [May 13, 1797]

%@NL@%%@AI@%1 See John Adams%@BO:          2f4239@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT210    @%%@2@%   Offices are as acceptable here as elsewhere, and whenever a man has cast%@EH@%
a longing eye on them, a rottenness begins in his conduct.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Tench Coxe [May 21, 1799]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT220    @%%@2@%   I have sworn upon the altar of God, eternal hostility against every form%@EH@%
of tyranny over the mind of man.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Dr. Benjamin Rush[September 23, 1800]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT230    @%%@2@%   We are all Republicans-we are all Federalists. If there be any among us%@EH@%
who would wish to dissolve this Union or to change its republican form, let
them stand undisturbed as monuments of the safety with which error of
opinion may be tolerated where reason is left free to combat it. 1  2 %@NL@%
%@NL@%
Thomas Jefferson
%@NL@%First Inaugural Address [March 4, 1801]

%@NL@%%@AI@%1 See Milton%@BO:          23be31@%%@AE@%
%@AI@%2 See Holmes%@BO:          4c8985@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT240    @%%@2@%   But would the honest patriot, in the full tide of successful experiment,%@EH@%
abandon a government which has so far kept us free and firm, on the
theoretic and visionary fear that this government, the world's best hope,
may by possibility want energy to preserve itself?%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%First Inaugural Address [March 4, 1801]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT250    @%%@2@%   Sometimes it is said that man cannot be trusted with the government of%@EH@%
himself. Can he, then, be trusted with the government of others? Or have we
found angels in the forms of kings to govern him? Let history answer this
question.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%First Inaugural Address [March 4, 1801]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT260    @%%@2@%   Still one thing more, fellow citizens-a wise and frugal government, which%@EH@%
shall restrain men from injuring one another, which shall leave them
otherwise free to regulate their own pursuits of industry and improvement,
and shall not take from the mouth of labor the bread it has earned. This is
the sum of good government, and this is necessary to close the circle of our
felicities.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%First Inaugural Address [March 4, 1801]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT270    @%%@2@%   Equal and exact justice to all men, of whatever state or persuasion,%@EH@%
religious or political; peace, commerce, and honest friendship with all
nations, entangling alliances with none. . . . Freedom of religion; freedom
of the press, and freedom of person under the protection of the habeas
corpus, and trial by juries impartially selected. These principles form the
bright constellation which has gone before us, and guided our steps through
an age of revolution and reformation. The wisdom of our sages and the blood
of our heroes have been devoted to their attainment. They should be the
creed of our political faith, the text of civil instruction, the touchstone
by which we try the services of those we trust; and should we wander from
them in moments of error or alarm, let us hasten to retrace our steps and to
regain the road which alone leads to peace, liberty, and safety.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%First Inaugural Address [March 4, 1801]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT280    @%%@2@%   Whensoever hostile aggressions . . . require a resort to war, we must%@EH@%
meet our duty and convince the world that we are just friends and brave
enemies.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Andrew Jackson [December 3, 1806]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT290    @%%@2@%   The care of human life and happiness, and not their destruction, is the%@EH@%
first and only legitimate object of good government. 1 %@NL@%
%@NL@%
Thomas Jefferson
%@NL@%To the Republican Citizens of Washington County, Maryland
[March 31, 1809]

%@NL@%%@AI@%1 See George Mason%@BO:          2da02e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT300    @%%@2@%   Politics, like religion, hold up the torches of martyrdom to the%@EH@%
reformers of error.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to James Ogilvie [August 4, 1811]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT305    @%%@2@%   But though an old man, I am but a young gardener.%@NL@%%@EH@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Charles Willson Peale [August 20, 1811]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT310    @%%@2@%   The earth belongs to the living, not to the dead.%@NL@%%@EH@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to John W. Eppes [June 24, 1813]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT320    @%%@2@%   I agree with you that there is a natural aristocracy among men. The%@EH@%
grounds of this are virtue and talents.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to John Adams [October 28, 1813]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT330    @%%@2@%   Merchants have no country. The mere spot they stand on does not%@EH@%
constitute so strong an attachment as that from which they draw their gains.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Horatio G. Spafford [March 17, 1814]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT335    @%%@2@%   I cannot live without books.%@NL@%%@EH@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to John Adams [June 10, 1815]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT340    @%%@2@%   If a nation expects to be ignorant and free, in a state of civilization,%@EH@%
it expects what never was and never will be.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Colonel Charles Yancey [January 6, 1816]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT350    @%%@2@%   Enlighten the people generally, and tyranny and oppressions of body and%@EH@%
mind will vanish like evil spirits at the dawn of day.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Du Pont de Nemours [April 24, 1816]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT360    @%%@2@%   I have the consolation to reflect that during the period of my%@EH@%
administration not a drop of the blood of a single fellow citizen was shed
by the sword of war or of the law.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to papal nuncio Count Dugnani [February 14, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT370    @%%@2@%   But this momentous question [the Missouri Compromise], like a firebell in%@EH@%
the night awakened and filled me with terror. I considered it the knell of
the Union.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to John Holmes [April 22, 1820]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT380    @%%@2@%   I know no safe depository of the ultimate powers of the society but the%@EH@%
people themselves; and if we think them not enlightened enough to exercise
their control with a wholesome discretion, the remedy is not to take it from
them, but to inform their discretion.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to William Charles Jarvis [September 28, 1820]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT384    @%%@2@%   We are not afraid to follow truth wherever it may lead, nor to tolerate%@EH@%
any error so long as reason is left free to combat it.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to William Roscoe [December 27, 1820]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT387    @%%@2@%   That one hundred and fifty lawyers should do business together ought not%@EH@%
to be expected.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Autobiography [January 6, 1821], on the United States Congress

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT390    @%%@2@%   And even should the cloud of barbarism and despotism again obscure the%@EH@%
science and libraries of Europe, this country remains to preserve and
restore light and liberty to them. In short, the flames kindled on the
fourth of July, 1776, have spread over too much of the globe to be
extinguished by the feeble engines of despotism; on the contrary, they will
consume these engines and all who work them.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to John Adams [September 12, 1821]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT400    @%%@2@%   Men by their constitutions are naturally divided into two parties: (1)%@EH@%
Those who fear and distrust the people, and wish to draw all powers from
them into the hands of the higher classes. (2) Those who identify themselves
with the people, have confidence in them, cherish and consider them as the
most honest and safe, although not the most wise depository of the public
interests. In every country these two parties exist; and in every one where
they are free to think, speak, and write, they will declare themselves.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%Letter to Henry Lee [August 10, 1824]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT410    @%%@2@%   Never buy what you do not want, because it is cheap; it will be dear to%@EH@%
you.%@NL@%
%@NL@%
Thomas Jefferson
%@NL@%A Decalogue of Canons for Observation in Practical Life
[February 21, 1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT420    @%%@2@%   When angry, count ten before you speak; if very angry, an hundred. 1 %@NL@%%@EH@%
%@NL@%
Thomas Jefferson
%@NL@%A Decalogue of Canons for Observation in Practical Life
[February 21, 1825]

%@NL@%%@AI@%1 See Mark Twain%@BO:          4a45cf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT430    @%%@2@%   The good old Dominion, the blessed mother of us all.%@NL@%%@EH@%
%@NL@%
Thomas Jefferson
%@NL@%Thoughts on Lotteries [1826]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jefferson@%%@QR:Jefferson@%%@CR:N1743JEFT440    @%%@2@%   This is the Fourth?%@NL@%%@EH@%
%@NL@%
Thomas Jefferson
%@NL@%%@FN@%
John Adams died the same day. See his last words  %@EF@%
Last words [July 4, 1826]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Antoine Laurent Lavoisier%@AE@%%@EH@%
%@NL@%
%@AB@%1743-1794%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by J. Lipetz, D. E. Gershenson, and D. A. Greenberg.  %@EF@%
%@QR:Antoine Laurent Lavoisier@%%@QR:Lavoisier@%%@CR:N1743LAVA10     @%%@2@%   It is impossible to dissociate language from science or science from%@EH@%
language, because every natural science always involves three things: the
sequence of phenomena on which the science is based; the abstract concepts
which call these phenomena to mind; and the words in which the concepts are
expressed. To call forth a concept a word is needed; to portray a
phenomenon, a concept is needed. All three mirror one and the same reality.%@NL@%
%@NL@%
Antoine Laurent Lavoisier
%@NL@%Traite Elementaire de Chimie [1789]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by D. McKie.  %@EF@%
%@QR:Antoine Laurent Lavoisier@%%@QR:Lavoisier@%%@CR:N1743LAVA20     @%%@2@%   If, by the term elements, we mean to express the simple and indivisible%@EH@%
molecules that compose bodies, it is probable that we know nothing about
them; but if, on the contrary, we express by the term elements or principles
of bodies the idea of the last point reached by analysis, all substances
that we have not yet been able to decompose by any means are elements to us.%@NL@%
%@NL@%
Antoine Laurent Lavoisier
%@NL@%Traite Elementaire de Chimie [1789]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Paley%@AE@%%@EH@%
%@NL@%
%@AB@%1743-1805%@AE@%
%@NL@%%@NL@%

%@QR:William Paley@%%@QR:Paley@%%@CR:N1743PALW10     @%%@2@%   Who can refute a sneer?%@NL@%%@EH@%
%@NL@%
William Paley
%@NL@%Moral Philosophy [1785], vol. II, bk. V, ch. 9

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%The Letters of Junius%@AE@%%@EH@%
%@AB@%1769-1771%@AE@%
%@FN@%
Pseudonym of the author of a series of letters [1769-1771] in the London
Public Advertiser (published in book form, 1772). They have been attributed
to, among others, Sir Philip Francis, Lord Shelburne, Lord George Sackville,
and Lord Temple.  %@EF@%
%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ10     @%%@2@%   One precedent creates another. They soon accumulate and constitute law.%@EH@%
What yesterday was fact, today is doctrine.%@NL@%
%@NL@%
The Letters of Junius
%@NL@%Dedication to the English Nation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ20     @%%@2@%   The liberty of the press is the palladium of all the civil, political,%@EH@%
and religious rights of an Englishman.%@NL@%
%@NL@%
The Letters of Junius
%@NL@%Dedication to the English Nation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ50     @%%@2@%   I believe there is yet a spirit of resistance in this country, which will%@EH@%
not submit to be oppressed; but I am sure there is a fund of good sense in
this country, which cannot be deceived.%@NL@%
%@NL@%
The Letters of Junius
%@NL@%No. 16, to the Printer of the Public Advertiser
(H. S. Woodfall) [July 19, 1769]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ60     @%%@2@%   We owe it to our ancestors to preserve entire those rights, which they%@EH@%
have delivered to our care: we owe it to our posterity, not to suffer their
dearest inheritance to be destroyed.%@NL@%
%@NL@%
The Letters of Junius
%@NL@%No. 20, to the Printer of the Public Advertiser [August 8, 1769]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ70     @%%@2@%   When the constitution is openly invaded, when the first original right of%@EH@%
the people, from which all laws derive their authority, is directly
attacked, inferior grievances naturally lose their force, and are suffered
to pass by without punishment or observation.%@NL@%
%@NL@%
The Letters of Junius
%@NL@%No. 30, to the Printer of the Public Advertiser [October 17, 1769]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ80     @%%@2@%   There is a moment of difficulty and danger at which flattery and%@EH@%
falsehood can no longer deceive, and simplicity itself can no longer be
misled.%@NL@%
%@NL@%
The Letters of Junius
%@NL@%%@FN@%
This letter is of great significance in the history of freedom of the press.
The publisher was prosecuted for seditious libel, and the jury brought in a
verdict of "guilty of printing and publishing only." After a second trial,
Woodfall was freed on payment of costs.  %@EF@%
No. 35, to the Printer
of the Public Advertiser [December 19, 1769]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ90     @%%@2@%   They [the Americans] equally detest the pageantry of a king, and the%@EH@%
supercilious hypocrisy of a bishop. 1 %@NL@%
%@NL@%
The Letters of Junius
%@NL@%No. 35, to the Printer
of the Public Advertiser [December 19, 1769]

%@NL@%%@AI@%1 See Rufus Choate%@BO:          3aa4b1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ100    @%%@2@%   There is a holy mistaken zeal in politics as well as in religion. By%@EH@%
persuading others, we convince ourselves.%@NL@%
%@NL@%
The Letters of Junius
%@NL@%No. 35, to the Printer
of the Public Advertiser [December 19, 1769]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ110    @%%@2@%   The least considerable man among us has an interest equal to the proudest%@EH@%
nobleman, in the laws and constitution of his country, and is equally called
upon to make a generous contribution in support of them-whether it be the
heart to conceive, the understanding to direct, or the hand to execute. 1 %@NL@%
%@NL@%
The Letters of Junius
%@NL@%No. 37, to the Printer of the Public Advertiser [March 19, 1770]

%@NL@%%@AI@%1 See Hyde%@BO:          24a84a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ120    @%%@2@%   We lament the mistakes of a good man, and do not begin to detest him%@EH@%
until he affects to renounce his principles.%@NL@%
%@NL@%
The Letters of Junius
%@NL@%No. 41, to Lord Mansfield[November 14, 1770]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ130    @%%@2@%   The injustice done to an individual is sometimes of service to the%@EH@%
public. Facts are apt to alarm us more than the most dangerous principles.%@NL@%
%@NL@%
The Letters of Junius
%@NL@%No. 41, to Lord Mansfield[November 14, 1770]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ140    @%%@2@%   An honest man, like the true religion, appeals to the understanding, or%@EH@%
modestly confides in the internal evidence of his conscience. The impostor
employs force instead of argument, imposes silence where he cannot convince,
and propagates his character by the sword.%@NL@%
%@NL@%
The Letters of Junius
%@NL@%No. 41, to Lord Mansfield[November 14, 1770]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ150    @%%@2@%   If individuals have no virtues, their vices may be of use to us.%@NL@%%@EH@%
%@NL@%
The Letters of Junius
%@NL@%No. 59, to the Printer of the Public Advertiser [October 5, 1771]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:The Letters of Junius@%%@CR:N1743ZWXZ160    @%%@2@%   The temple of fame is the shortest passage to riches and preferment.%@NL@%%@EH@%
%@NL@%
The Letters of Junius
%@NL@%No. 59, to the Printer of the Public Advertiser [October 5, 1771]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Constitution of the United States%@AE@%%@EH@%
%@AB@%1787%@AE@%
%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ10     @%%@2@%   We the people of the United States, in order to form a more perfect%@EH@%
Union, establish justice, insure domestic tranquillity, provide for the
common defense, promote the general welfare, and secure the blessings of
liberty to ourselves and our posterity, do ordain and establish this
Constitution for the United States of America.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%Preamble

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ15     @%%@2@%   The President, Vice-President, and all civil officers of the United%@EH@%
States, shall be removed from office on impeachment for, and conviction of,
treason, bribery, or other high crimes and misdemeanors.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%Article II, sec. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ20     @%%@2@%   Treason against the United States, shall consist only in levying war%@EH@%
against them, or in adhering to their enemies, giving them aid and comfort.
No person shall be convicted of treason unless on the testimony of two
witnesses to the same overt act, or on confession in open court.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%Article III, sec. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ30     @%%@2@%   This Constitution, and the laws of the United States, which shall be made%@EH@%
in pursuance thereof; and all treaties made, or which shall be made, under
the authority of the United States, shall be the Supreme Law of the land;
and the judges in every State shall be bound thereby, any thing in the
Constitution or laws of any State to the contrary notwithstanding.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%Article VI, sec. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ40     @%%@2@%   Congress shall make no law respecting an establishment of religion, or%@EH@%
prohibiting the free exercise thereof; or abridging the freedom of speech,
or of the press; or the right of the people peaceably to assemble, and to
petition the government for a redress of grievances.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%%@FN@%
The first ten amendments are known as the Bill of Rights.  %@EF@%
First Amendment [1791]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ50     @%%@2@%   A well-regulated militia, being necessary to the security of a free%@EH@%
State, the right of the people to keep and bear arms, shall not be
infringed.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%Second Amendment [1791]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ60     @%%@2@%   The right of the people to be secure . . . against unreasonable searches%@EH@%
and seizures, shall not be violated, and no warrants shall issue, but upon
probable cause.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%Fourth Amendment [1791]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ70     @%%@2@%   Nor shall any person be subject for the same offense to be twice put in%@EH@%
jeopardy of life or limb; nor shall be compelled in any criminal case to be
a witness against himself, nor be deprived of life, liberty, or property,
without due process of law.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%Fifth Amendment [1791]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ80     @%%@2@%   In all criminal prosecutions, the accused shall enjoy the right to a%@EH@%
speedy and public trial, by an impartial jury of the State and district
wherein the crime shall have been committed.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%Sixth Amendment [1791]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ90     @%%@2@%   The right to trial by jury shall be preserved.%@NL@%%@EH@%
%@NL@%
Constitution of the United States
%@NL@%Seventh Amendment [1791]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ100    @%%@2@%   Excessive bail shall not be required, nor excessive fines imposed, nor%@EH@%
cruel and unusual punishment inflicted.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%Eighth Amendment [1791]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ110    @%%@2@%   All persons born or naturalized in the United States, and subject to the%@EH@%
jurisdiction thereof, are citizens of the United States and of the State
wherein they reside. No State shall . . . abridge the privileges or
immunities of citizens of the United States; nor shall any State deprive any
person of life, liberty, or property, without due process of law; nor deny
to any person within its jurisdiction the equal protection of the laws.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%Fourteenth Amendment [1868], sec. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ120    @%%@2@%   The right of citizens of the United States to vote shall not be denied or%@EH@%
abridged . . . on account of race, color, or previous condition of
servitude.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%Fifteenth Amendment [1870], sec. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Constitution of the United States@%%@CR:N1743ZYXZ130    @%%@2@%   The right of citizens of the United States to vote shall not be abridged%@EH@%
. . . on account of sex.%@NL@%
%@NL@%
Constitution of the United States
%@NL@%Nineteenth Amendment [1920], sec. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Abigail Adams%@AE@%%@EH@%
%@NL@%
%@AB@%1744-1818%@AE@%
%@FN@%
Had she lived to the age of the Patriarchs . . . every day of her life would
have been filled with clouds of goodness and love.-John Quincy Adams,
Memoirs, vol. IV, 157-158, 202  %@EF@%
%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA20     @%%@2@%   In the new code of laws which I suppose it will be necessary for you to%@EH@%
make I desire you would remember the ladies, and be more generous and
favorable to them than your ancestors. Do not put such unlimited power into
the hands of the husbands. Remember all men would be tyrants if they could.
1  If particular care and attention is not paid to the ladies we are
determined to foment a rebellion, and will not hold ourselves bound by any
laws in which we have no voice, or representation.%@NL@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Adams[March 31, 1776]

%@NL@%%@AI@%1 See Defoe%@BO:          280c73@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA30     @%%@2@%   Shall we not be despised by foreign powers for hesitating so long at a%@EH@%
word?%@NL@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Adams[May 7, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA40     @%%@2@%   Whilst you are proclaiming peace and good will to men, emancipating all%@EH@%
nations, you insist upon retaining an absolute power over wives. But you
must remember that arbitrary power is like most other things which are very
hard, very liable to be broken-and notwithstanding all your wise laws and
maxims we have it in our power not only to free ourselves but to subdue our
masters, and without violence throw both your natural and legal authority at
our feet.%@NL@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Adams[May 7, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA50     @%%@2@%   Deliver me from your cold phlegmatic preachers, politicians, friends,%@EH@%
lovers and husbands.%@NL@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Adams[August 5, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA60     @%%@2@%   If we mean to have heroes, statesmen and philosophers, we should have%@EH@%
learned women. . . . If much depends as is allowed upon the early education
of youth and the first principles which are instilled take the deepest root,
great benefit must arise from literary accomplishments in women.%@NL@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Adams[August 14, 1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA70     @%%@2@%   It is really mortifying, sir, when a woman possessed of a common share of%@EH@%
understanding considers the difference of education between the male and
female sex, even in those families where education is attended to . . .  Nay
why should your sex wish for such a disparity in those whom they one day
intend for companions and associates. Pardon me, sir, if I cannot help
sometimes suspecting that this neglect arises in some measure from an
ungenerous jealousy of rivals near the throne. 1 %@NL@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Thaxter [February 15, 1778]

%@NL@%%@AI@%1 See Sand%@BO:          3cfcb8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA80     @%%@2@%   I regret the trifling narrow contracted education of the females of my%@EH@%
own country.%@NL@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Adams [June 30, 1778]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA90     @%%@2@%   If we do not lay out ourselves in the service of mankind whom should we%@EH@%
serve?%@NL@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Thaxter [September 29, 1778]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA100    @%%@2@%   Luxury, that baneful poison, has unstrung and enfeebled her sons.%@NL@%%@EH@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Adams [February 13, 1779]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA110    @%%@2@%   These are times in which a genius would wish to live. It is not in the%@EH@%
still calm of life, or in the repose of a pacific station, that great
challenges are formed. . . . Great necessities call out great virtues.%@NL@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Quincy Adams [January 19, 1780]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA120    @%%@2@%   A little of what you call frippery is very necessary towards looking like%@EH@%
the rest of the world.%@NL@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Adams [May 1, 1780]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA130    @%%@2@%   Learning is not attained by chance, it must be sought for with ardor and%@EH@%
attended to with diligence.%@NL@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Quincy Adams [May 8, 1780]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abigail Adams@%%@QR:Adams@%%@CR:N1744ADAA140    @%%@2@%   Patriotism in the female sex is the most disinterested of all virtues.%@EH@%
Excluded from honors and from offices, we cannot attach ourselves to the
State or Government from having held a place of eminence. Even in the freest
countries our property is subject to the control and disposal of our
partners, to whom the laws have given a sovereign authority. Deprived of a
voice in legislation, obliged to submit to those laws which are imposed upon
us, is it not sufficient to make us indifferent to the public welfare? Yet
all history and every age exhibit instances of patriotic virtue in the
female sex; which considering our situation equals the most heroic of yours.%@NL@%
%@NL@%
Abigail Adams
%@NL@%Letter to John Adams [June 17, 1782]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Johann Gottfried von Herder%@AE@%%@EH@%
%@NL@%
%@AB@%1744-1803%@AE@%
%@NL@%%@NL@%

%@QR:Johann Gottfried von Herder@%%@QR:Herder@%%@CR:N1744HERJ10     @%%@2@%   A gain it is to find a beautiful human soul.%@NL@%%@EH@%
%@NL@%
Johann Gottfried von Herder
%@NL@%Der Gerettete Jungling [1797]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Gottfried von Herder@%%@QR:Herder@%%@CR:N1744HERJ20     @%%@2@%   Light, love, life.%@NL@%%@EH@%
%@NL@%
Johann Gottfried von Herder
%@NL@%Herder's Epitaph [1803]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Rowland Hill%@AE@%%@EH@%
%@NL@%
%@AB@%1744-1833%@AE@%
%@NL@%%@NL@%

%@QR:Rowland Hill@%%@QR:Hill@%%@CR:N1744HILR10     @%%@2@%   He did not see any reason why the devil should have all the good tunes.%@NL@%%@EH@%
%@NL@%
Rowland Hill
%@NL@%Sermons. From E. W. Broome,
The Reverend Rowland Hill, p. 93

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jean Baptiste Lamarck%@AE@%%@EH@%
%@NL@%
%@AB@%1744-1829%@AE@%
%@NL@%%@NL@%

%@QR:Jean Baptiste Lamarck@%%@QR:Lamarck@%%@CR:N1744LAMJ10     @%%@2@%   first law. In every animal . . . a more frequent and continuous use of%@EH@%
any organ gradually strengthens, develops and enlarges that organ . . .
while the permanent disuse of any organ imperceptibly weakens and
deteriorates it, and progressively diminishes its functional capacity, until
it finally disappears.%@NL@%
second law. All the acquisitions or losses wrought by nature in individuals
. . . are preserved by reproduction to the new individuals which arise.%@NL@%
%@NL@%
Jean Baptiste Lamarck
%@NL@%%@FN@%
Translated by Hugh Elliot.  %@EF@%
Philosophie Zoologique [1809],
pt. II, ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Habit is a second nature and it destroys the first.-Pascal, Pensees [1670],
no. 376  %@EF@%
%@QR:Jean Baptiste Lamarck@%%@QR:Lamarck@%%@CR:N1744LAMJ20     @%%@2@%   Habits form a second nature.%@NL@%%@EH@%
%@NL@%
Jean Baptiste Lamarck
%@NL@%Philosophie Zoologique [1809],
pt. II, ch. 7

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Josiah Quincy%@AE@%%@EH@%
%@NL@%
%@AB@%1744-1775%@AE@%
%@NL@%%@NL@%

%@QR:Josiah Quincy@%%@QR:Quincy@%%@CR:N1744QUIJ10     @%%@2@%   Blandishments will not fascinate us, nor will threats of a "halter"%@EH@%
intimidate. For, under God, we are determined that wheresoever, whensoever,
or howsoever we shall be called to make our exit, we will die free men.%@NL@%
%@NL@%
Josiah Quincy
%@NL@%Observations on the Boston Port Bill [1774]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Dibdin%@AE@%%@EH@%
%@NL@%
%@AB@%1745-1814%@AE@%
%@NL@%%@NL@%

%@QR:Charles Dibdin@%%@QR:Dibdin@%%@CR:N1745DIBC10     @%%@2@%Did you ever hear of Captain Wattle?%@NL@%%@EH@%
He was all for love, and a little for the bottle.%@NL@%

%@NL@%Charles Dibdin
%@NL@%Captain Wattle and Miss Roe

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dibdin@%%@QR:Dibdin@%%@CR:N1745DIBC20     @%%@2@%Here, a sheer hulk, lies poor Tom Bowling,%@NL@%%@EH@%
The darling of our crew;%@NL@%
No more he'll hear the tempest howling,%@NL@%
For death has broached him to.%@NL@%

%@NL@%Charles Dibdin
%@NL@%Tom Bowling

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Henry Bate Dudley%@AE@%%@EH@%
%@NL@%
%@AB@%1745-1824%@AE@%
%@NL@%%@NL@%

%@QR:Sir Henry Bate Dudley@%%@QR:Dudley@%%@CR:N1745DUDH10     @%%@2@%   Wonders will never cease.%@NL@%%@EH@%
%@NL@%
Sir Henry Bate Dudley
%@NL@%Letter to Garrick [September 13, 1776]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Hannah More%@AE@%%@EH@%
%@NL@%
%@AB@%1745-1833%@AE@%
%@NL@%%@NL@%

%@QR:Hannah More@%%@QR:More@%%@CR:N1745MORH10     @%%@2@%Since trifles make the sum of human things,%@NL@%%@EH@%
And half our misery from our foibles springs.%@NL@%

%@NL@%Hannah More
%@NL@%Sensibility

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hannah More@%%@QR:More@%%@CR:N1745MORH20     @%%@2@%Small habits well pursued betimes%@NL@%%@EH@%
May reach the dignity of crimes.%@NL@%

%@NL@%Hannah More
%@NL@%Florio and His Friend

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Scott, Lord Stowell%@AE@%%@EH@%
%@NL@%
%@AB@%1745-1836%@AE@%
%@NL@%%@NL@%

%@QR:William Scott, Lord Stowell@%%@QR:Scott@%%@CR:N1745SCOW10     @%%@2@%   A dinner lubricates business.%@NL@%%@EH@%
%@NL@%
William Scott, Lord Stowell
%@NL@%From Boswell, Life of Johnson [1791]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Scott, Lord Stowell@%%@QR:Scott@%%@CR:N1745SCOW20     @%%@2@%   The elegant simplicity of the three per cents.%@NL@%%@EH@%
%@NL@%
William Scott, Lord Stowell
%@NL@%From Campbell, Lives of the Lord Chancellors [1857],
vol. X, ch. 212

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francisco Jose de Goya y Lucientes%@AE@%%@EH@%
%@NL@%
%@AB@%1746-1828%@AE@%
%@NL@%%@NL@%

%@QR:Francisco Jose de Goya y Lucientes@%%@QR:Goya y Lucientes@%%@CR:N1746GOYF10     @%%@2@%   The sleep of reason produces monsters [El sueno de la razon produce%@EH@%
monstruos].%@NL@%
%@NL@%
Francisco Jose de Goya y Lucientes
%@NL@%%@FN@%
Translated by Hilda Harris.  In plate 43 the artist rests, his head in his
arms, on a desk inscribed with the Spanish line. Behind him hover monstrous
owls, bats, and a great cat. Goya's text for the plate:  Imagination
abandoned by Reason produces impossible monsters: united with her, she is
the mother of the arts and the source of their wonders.  %@EF@%
Los Caprichos [1799]. Plate 43

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir William Jones%@AE@%%@EH@%
%@NL@%
%@AB@%1746-1794%@AE@%
%@NL@%%@NL@%

%@QR:Sir William Jones@%%@QR:Jones@%%@CR:N1746JONW10     @%%@2@%On parent knees, a naked newborn child,%@NL@%%@EH@%
Weeping thou sat'st while all around thee smiled;%@NL@%
So live, that sinking in thy last long sleep,%@NL@%
Calm thou mayst smile, while all around thee weep.%@NL@%

%@NL@%Sir William Jones
%@NL@%From the Persian [1786]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Paul Jones%@AE@%%@EH@%
%@NL@%
%@AB@%1747-1792%@AE@%
%@NL@%%@NL@%

%@QR:John Paul Jones@%%@QR:Jones@%%@CR:N1747JONJ10     @%%@2@%I have not yet begun to fight.%@NL@%%@EH@%

%@NL@%John Paul Jones
%@NL@%%@FN@%
Engaged with the British frigate Serapis off Flamborough Head, England.  %@EF@%
Aboard the Bonhomme Richard
[September 23, 1779]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francois Alexandre Frederic , Duc de La Rochefoucauld-Liancourt%@AE@%%@EH@%
%@NL@%Francois Alexandre Frederic La Rochefoucauld-Liancourt
%@AB@%1747-1827%@AE@%
%@NL@%%@NL@%

%@QR:Francois Alexandre Frederic , Duc de La Rochefoucauld-Liancourt@%%@QR:Francois Alexandre Frederic La Rochefoucauld-Liancourt@%%@QR:Rochefoucauld-Liancourt@%%@CR:N1747LARF10     @%%@2@%   Louis XVI: Is it a revolt?%@NL@%%@EH@%
La Rochefoucauld-Liancourt: No, Sire, it is a revolution.%@NL@%
%@NL@%
Francois Alexandre Frederic , Duc de La Rochefoucauld-Liancourt
%@NL@%Upon learning at Versailles of the fall of the Bastille [1789]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John O'Keeffe%@AE@%%@EH@%
%@NL@%
%@AB@%1747-1833%@AE@%
%@NL@%%@NL@%

%@QR:John O'Keeffe@%%@QR:O'Keeffe@%%@CR:N1747OKEJ10     @%%@2@%Amo, amas,%@NL@%%@EH@%
I love a lass,%@NL@%
As a cedar tall and slender;%@NL@%
Sweet cowslip's grace%@NL@%
Is her nominative case,%@NL@%
And she's of the feminine gender!%@NL@%

%@NL@%John O'Keeffe
%@NL@%The Agreeable Surprise [1783], act II, sc. ii, Song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John O'Keeffe@%%@QR:O'Keeffe@%%@CR:N1747OKEJ15     @%%@2@%   You should always except the present company.%@NL@%%@EH@%
%@NL@%
John O'Keeffe
%@NL@%The London Hermit; or, Rambles in Dorsetshire [1793]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I am resolved to grow fat, and look young till forty!-Dryden, Secret Love;
or, The Maiden Queen [1667], act III, sc. i  %@EF@%
%@QR:John O'Keeffe@%%@QR:O'Keeffe@%%@CR:N1747OKEJ20     @%%@2@%   Fat, fair and forty were all the toasts of the young men.%@NL@%%@EH@%
%@NL@%
John O'Keeffe
%@NL@%The Irish Mimic; or, Blunders at Brighton [1795]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Emmanuel Joseph Sieyes%@AE@%%@EH@%
%@NL@%
%@AB@%1748-1836%@AE@%
%@NL@%%@NL@%

%@QR:Emmanuel Joseph Sieyes@%%@QR:Sieyes@%%@CR:N1748SIEE10     @%%@2@%   I survived [J'ai vecu].%@NL@%%@EH@%
%@NL@%
Emmanuel Joseph Sieyes
%@NL@%Upon being asked what he had done during the Terror

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles James Fox%@AE@%%@EH@%
%@NL@%
%@AB@%1749-1806%@AE@%
%@NL@%%@NL@%

%@QR:Charles James Fox@%%@QR:Fox@%%@CR:N1749FOXC10     @%%@2@%   [On the fall of the Bastille] How much the greatest event it is that ever%@EH@%
happened in the world! and how much the best!%@NL@%
%@NL@%
Charles James Fox
%@NL@%Letter to Richard Fitzpatrick [July 30, 1789].
From Lord John Russell, Life and Times of C. J. Fox
[1859-1866], vol. II, p. 361

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Johann Wolfgang von Goethe%@AE@%%@EH@%
%@NL@%
%@AB@%1749-1832%@AE@%
%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ10     @%%@2@%There is strong shadow where there is much light.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Gotz von Berlichingen [1773], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ20     @%%@2@%One lives but once in the world.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Clavigo [1774], act I, sc. i.

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ30     @%%@2@%If you inquire what the people are like here,%@NL@%%@EH@%
I must answer, "The same as everywhere!"%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Die Leiden des Jungen Werthers [1774-1787].May 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ40     @%%@2@%Radiant misery.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Die Leiden des Jungen Werthers [1774-1787].December 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ50     @%%@2@%Getting along with women,%@NL@%%@EH@%
Knocking around with men,%@NL@%
Having more credit than money,%@NL@%
Thus one goes through the world.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Claudine von Villa Bella [1776]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ52     @%%@2@%Noble be man,%@NL@%%@EH@%
Helpful and good!%@NL@%
For that alone%@NL@%
Sets him apart%@NL@%
From every other creature%@NL@%
On earth.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Das Gottliche (The Divine) [1783]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ich singe, wie der Vogel singt/Der in den Zweigen wohnet.  See Tennyson  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ54     @%%@2@%I sing as the bird sings%@NL@%%@EH@%
That lives in the boughs.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Wilhelm Meisters Lehrjahre (Apprenticeship) [1786-1830],
bk.II, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Wer nie sein Brod mit Tr[auml  ]nen ass,/Wer nie die kummervollen N[auml
]chte/Auf seinem Bette weinend sass,/Der kennt euch nicht, ihr himmlischen
M[auml  ]chte.  Translated by Longfellow as motto for book I of Hyperion
[1839].  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ58     @%%@2@%Who ne'er his bread in sorrow ate,%@NL@%%@EH@%
Who ne'er the mournful midnight hours%@NL@%
Weeping upon his bed has sate,%@NL@%
He knows you not, ye Heavenly Powers.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Wilhelm Meisters Lehrjahre (Apprenticeship) [1786-1830],
bk.II, ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Kennst du das Land, wo die Zitronen bluhn?  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ60     @%%@2@%Knowst thou the land where the lemon trees bloom,%@NL@%%@EH@%
Where the gold orange glows in the deep thicket's gloom,%@NL@%
Where a wind ever soft from the blue heaven blows,%@NL@%
And the groves are of laurel and myrtle and rose? 1 %@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Wilhelm Meisters Lehrjahre (Apprenticeship) [1786-1830],
bk.III, ch. 1

%@NL@%%@AI@%1 See Byron%@BO:          37c3f5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ80     @%%@2@%If I love you, what business is it of yours?%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Wilhelm Meisters Lehrjahre (Apprenticeship) [1786-1830],
bk.IV, ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ90     @%%@2@%   One ought, every day at least, to hear a little song, read a good poem,%@EH@%
see a fine picture, and, if it were possible, to speak a few reasonable
words. 1 %@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Wilhelm Meisters Lehrjahre (Apprenticeship) [1786-1830],
bk.V, ch. 1

%@NL@%%@AI@%1 See Charles Eliot Norton%@BO:          477577@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ100    @%%@2@%   To know of someone here and there whom we accord with, who is living on%@EH@%
with us, even in silence-this makes our earthly ball a peopled garden.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Wilhelm Meisters Lehrjahre (Apprenticeship) [1786-1830],
bk.VII, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ110    @%%@2@%   Art is long, life short; 1  2  3  judgment difficult, opportunity%@EH@%
transient.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Wilhelm Meisters Lehrjahre (Apprenticeship) [1786-1830],
bk.VII, ch.9

%@NL@%%@AI@%1 See Hippocrates%@BO:           a8083@%%@AE@%
%@AI@%2 See Chaucer%@BO:          11d01f@%%@AE@%
%@AI@%3 See Longfellow%@BO:          3d973b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ120    @%%@2@%Seeking with the soul the land of the Greeks.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Iphigenie auf Tauris [1787], actI, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ130    @%%@2@%A useless life is an early death.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Iphigenie auf Tauris [1787], actI, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ140    @%%@2@%One says a lot in vain, refusing;%@NL@%%@EH@%
The other mainly hears the "No."%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Iphigenie auf Tauris [1787], actI, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ150    @%%@2@%   Pleasure and love are the pinions of great deeds.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Iphigenie auf Tauris [1787], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ155    @%%@2@%   Life teaches us to be less harsh with ourselves and with others.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Iphigenie auf Tauris [1787], actIV, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In der Kunst ist das Beste gut genug.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ160    @%%@2@%   In art the best is good enough.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Italian Journey. March 3, 1787

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ170    @%%@2@%   A noble person attracts noble people, and knows how to hold on to them.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Torquato Tasso [1790], act I, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ180    @%%@2@%   A talent is formed in stillness, a character in the world's torrent.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Torquato Tasso [1790], act I, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ185    @%%@2@%   We can't form our children on our own concepts; we must take them and%@EH@%
love them as God gives them to us. 1 %@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Hermann und Dorothea [1797]

%@NL@%%@AI@%1 See Gibran%@BO:          5acfc6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ187    @%%@2@%The spirits that I summoned up%@NL@%%@EH@%
I now can't rid myself of.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Der Zauberlehrling (The Sorcerer's Apprentice) [1797]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ190    @%%@2@%   Three things are to be looked to in a building: that it stand on the%@EH@%
right spot; that it be securely founded; that it be successfully executed.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%%@FN@%
Translated by James Anthony Froude.  %@EF@%
Elective Affinities
[1808], bk.I, ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ200    @%%@2@%   The sum which two married people owe to one another defies calculation.%@EH@%
It  is an infinite debt, which can only be discharged through all eternity.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Elective Affinities
[1808], bk.I, ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ210    @%%@2@%   One is never satisfied with a portrait of a person that one knows.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Elective Affinities
[1808], bk.II, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ215    @%%@2@%   Time does not relinquish its rights, either over human beings or over%@EH@%
monuments.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Elective Affinities
[1808], bk.II, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ220    @%%@2@%   The fate of the architect is the strangest of all. How often he expends%@EH@%
his whole soul, his whole heart and passion, to produce buildings into which
he himself may never enter.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Elective Affinities
[1808], bk.II, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ230    @%%@2@%   Let us live in as small a circle as we will, we are either debtors or%@EH@%
creditors before we have had time to look round.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Elective Affinities
[1808], bk.II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ235    @%%@2@%   No one would talk much in society, if he knew how often he misunderstands%@EH@%
others.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Elective Affinities
[1808], bk.II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ240    @%%@2@%   A teacher who can arouse a feeling for one single good action, for one%@EH@%
single good poem, accomplishes more than he who fills our memory with rows
on rows of natural objects, classified with name and form.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Elective Affinities
[1808], bk.II, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ245    @%%@2@%   One never goes so far as when one doesn't know where one is going.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Letter to Karl Friedrich Zelter [December 3, 1812]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ250    @%%@2@%Who wants to understand the poem%@NL@%%@EH@%
Must go to the land of poetry;%@NL@%
Who wishes to understand the poet%@NL@%
Must go to the poet's land.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%West-ostlicher Diwan [1819],motto

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ260    @%%@2@%   For I have been a man, and that means to have been a fighter.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%West-ostlicher Diwan [1819],Buch des Paradies

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ265    @%%@2@%   One must be something to be able to do something.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Conversation with Eckermann [October 20, 1828]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ270    @%%@2@%   If I work incessantly to the last, nature owes me another form of%@EH@%
existence when the present one collapses.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Letter to Eckermann[February 4, 1829]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ich die Baukunst eine erstarrte Musik nenne.  Since it [architecture] is
music in space, as it were a frozen music.-Friedrich von Schelling
[1775-1854], Philosophie der Kunst, p. 576  See Madame de Stael  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ280    @%%@2@%   I call architecture frozen music.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Letter to Eckermann[March 23, 1829]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ310    @%%@2@%   The artist may be well advised to keep his work to himself till it is%@EH@%
completed, because no one can readily help him or advise him with it . . .
but the scientist is wiser not to withhold a single finding or a single
conjecture from publicity.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Essay on Experimentation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ315    @%%@2@%Age does not make us childish, as they say.%@NL@%%@EH@%
It only finds us true children still.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The First Part.Prelude on the Stage

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Es irrt der Mensch, so lang er strebt.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ320    @%%@2@%Man errs as long as he strives.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The First Part.Prologue in Heaven

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Da stehe ich nun, ich armer Thor!/Und bin so klug als wie zuvor.  Translated
by Bayard Taylor.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ324    @%%@2@%And here, poor fool! with all my lore%@NL@%%@EH@%
I stand! no wiser than before.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The First Part.Night, Faust in His Study

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ330    @%%@2@%Am I a god? I see so clearly!%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The First Part.Night, Faust in His Study

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ335    @%%@2@%Two souls alas! dwell in my breast.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The First Part.Outside the Gate of the Town

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ich bin der Geist der stets verneint.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ340    @%%@2@%I am the Spirit that always denies!%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The First Part.Faust's Study

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ345    @%%@2@%Dear friend, all theory is gray,%@NL@%%@EH@%
And green the golden tree of life.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The First Part.Mephistopheles and the Student

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ350    @%%@2@%Just trust yourself, then you will know how to live.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The First Part.Mephistopheles and the Student

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ355    @%%@2@%A true German can't stand the French,%@NL@%%@EH@%
Yet willingly he drinks their wines.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The First Part.Auerbach's Cellar

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by George Madison Priest.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ360    @%%@2@%He who maintains he's right-if his the gift of tongues-%@NL@%%@EH@%
Will have the last word certainly.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The First Part.Faust and Gretchen. A Street

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Meine Ruh' ist hin,/Mein Herz ist schwer.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ365    @%%@2@%My peace is gone,%@NL@%%@EH@%
My heart is heavy.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The First Part.Gretchen's Room

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Schon war ich auch, und das war mein Verderben.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ371    @%%@2@%Fair I was also, and that was my ruin.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The First Part.A Prison

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ375    @%%@2@%Law is mighty, mightier necessity.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The Second Part, actI, A Spacious Hall

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ385    @%%@2@%Once a man's thirty, he's already old,%@NL@%%@EH@%
He is indeed as good as dead.%@NL@%
It's best to kill him right away.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The Second Part, actII,The Gothic Chamber

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ390    @%%@2@%What wise or stupid thing can man conceive%@NL@%%@EH@%
That was not thought of in ages long ago? 1  2 %@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The Second Part, actII,The Gothic Chamber

%@NL@%%@AI@%1 See Cicero%@BO:           c70ef@%%@AE@%
%@AI@%2 See Descartes%@BO:          229c0b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ400    @%%@2@%I love those who yearn for the impossible.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The Second Part, actII,Classical Walpurgis Night

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ410    @%%@2@%The deed is everything, the glory nothing.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The Second Part, actIV, A High Mountain Range

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nur der verdient sich Freiheit wie das Leben der t[auml  ]glich sie erobern
muss.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ420    @%%@2@%Of freedom and of life he only is deserving%@NL@%%@EH@%
Who every day must conquer them anew.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The Second Part, actV,Court of the Palace

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Wer immer strebend sich bemuht,/Den konnen wir erlosen.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ430    @%%@2@%Who strives always to the utmost,%@NL@%%@EH@%
For him there is salvation.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The Second Part, actV,Mountain Gorges

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Das Ewig-Weibliche zieht uns hinan.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ480    @%%@2@%The Eternal Feminine draws us on.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Faust [1808-1832].The Second Part, actV,Heaven, last line

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ500    @%%@2@%Do you wish to roam farther and farther?%@NL@%%@EH@%
See! The Good lies so near.%@NL@%
Only learn to seize good fortune,%@NL@%
For good fortune's always here.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Erinnerung

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ510    @%%@2@%In limitations he first shows himself the master,%@NL@%%@EH@%
And the law can only bring us freedom.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Was Wir Bringen [1802]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ513    @%%@2@%Create, artist! Do not talk!%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Longfellow.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ515    @%%@2@%O'er all the hilltops%@NL@%%@EH@%
Is quiet now,%@NL@%
In all the treetops%@NL@%
Hearest thou%@NL@%
Hardly a breath;%@NL@%
The birds are asleep in the trees:%@NL@%
Wait; soon like these%@NL@%
Thou too shalt rest.%@NL@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Wandrers Nachtlied (Wanderer's Nightsong)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ520    @%%@2@%   Individuality of expression is the beginning and end of all art.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Spruche in Prosa (Proverbs in Prose)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ523    @%%@2@%   Nothing is more damaging to a new truth than an old error.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Spruche in Prosa (Proverbs in Prose)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ527    @%%@2@%   Doubt grows with knowledge.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Spruche in Prosa (Proverbs in Prose)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ530    @%%@2@%   The greatest happiness for the thinking man is to have fathomed the%@EH@%
fathomable, and to quietly revere the unfathomable.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Spruche in Prosa (Proverbs in Prose)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ533    @%%@2@%   First and last, what is demanded of genius is love of truth.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Spruche in Prosa (Proverbs in Prose)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ537    @%%@2@%   A man's manners are a mirror in which he shows his portrait. 1 %@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Spruche in Prosa (Proverbs in Prose)

%@NL@%%@AI@%1 See William of Wykeham%@BO:          11c09d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Norbert Guterman.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ540    @%%@2@%   All intelligent thoughts have already been thought; what is necessary is%@EH@%
only to try to think them again.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Spruche in Prosa (Proverbs in Prose)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Norbert Guterman.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ543    @%%@2@%   Nothing is more terrible than ignorance in action.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Spruche in Prosa (Proverbs in Prose)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Bailey Saunders.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ545    @%%@2@%   Of all peoples the Greeks have dreamt the dream of life best.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Spruche in Prosa (Proverbs in Prose)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ547    @%%@2@%   Everything that emancipates the spirit without giving us control over%@EH@%
ourselves is harmful.%@NL@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Spruche in Prosa (Proverbs in Prose)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Amerika, du hast es besser-als unser Kontinent, das alte.  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ550    @%%@2@%   America, you have it better than our continent, the old one.%@NL@%%@EH@%
%@NL@%
Johann Wolfgang von Goethe
%@NL@%Wendts Musen-Almanach [1831]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ570    @%%@2@%Without haste, but without rest.%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Motto

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Someday perhaps the inner light will shine forth from us, and then we shall
need no other light.-Goethe, Elective Affinities [1808], pt. II, ch. 3  %@EF@%
%@QR:Johann Wolfgang von Goethe@%%@QR:Goethe@%%@CR:N1749GOEJ580    @%%@2@%More light!%@NL@%%@EH@%

%@NL@%Johann Wolfgang von Goethe
%@NL@%Last words

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pierre Simon de Laplace%@AE@%%@EH@%
%@NL@%
%@AB@%1749-1827%@AE@%
%@NL@%%@NL@%

%@QR:Pierre Simon de Laplace@%%@QR:Laplace@%%@CR:N1749LAPP10     @%%@2@%   Given for one instant an intelligence which could comprehend all the%@EH@%
forces by which nature is animated and the respective positions of the
beings which compose it, if moreover this intelligence were vast enough to
submit these data to analysis, it would embrace in the same formula both the
movements of the largest bodies in the universe and those of the lightest
atom; to it nothing would be uncertain, and the future as the past would be
present to its eyes.%@NL@%
%@NL@%
Pierre Simon de Laplace
%@NL@%Oeuvres, vol. VII, Theorie Analytique des
Probabilites [1812-1820], introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Simon de Laplace@%%@QR:Laplace@%%@CR:N1749LAPP20     @%%@2@%   The theory of probabilities is at bottom nothing but common sense reduced%@EH@%
to calculus.%@NL@%
%@NL@%
Pierre Simon de Laplace
%@NL@%Oeuvres, vol. VII, Theorie Analytique des
Probabilites [1812-1820], introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Reply to Napoleon Bonaparte's remark upon receiving a copy of Laplace's
Mecanique Celeste: You have written this huge book on the system of the
world without once mentioning the author of the universe.  %@EF@%
%@QR:Pierre Simon de Laplace@%%@QR:Laplace@%%@CR:N1749LAPP30     @%%@2@%   Sire, I have no need of that hypothesis.%@NL@%%@EH@%
%@NL@%
Pierre Simon de Laplace
%@NL@%From Eric Temple Bell, Men of Mathematics [1937]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Honore Gabriel Riquetti , Comte de Mirabeau%@AE@%%@EH@%
%@NL@%
%@AB@%1749-1791%@AE@%
%@NL@%%@NL@%

%@QR:Honore Gabriel Riquetti , Comte de Mirabeau@%%@QR:Riquetti @%%@CR:N1749MIRH10     @%%@2@%   Go and tell those who have sent you that we are here by the will of the%@EH@%
nation and that we shall not leave save at the point of bayonets.%@NL@%
%@NL@%
Honore Gabriel Riquetti , Comte de Mirabeau
%@NL@%Speech in the States-General [June 23, 1789]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Philpot Curran%@AE@%%@EH@%
%@NL@%
%@AB@%1750-1817%@AE@%
%@NL@%%@NL@%

%@FN@%
Attributed also to Jefferson.  Commonly quoted: Eternal vigilance is the
price of liberty.  There is one safeguard known generally to the wise, which
is an advantage and security to all, but especially to democracies as
against despots. What is it? Distrust.-Demosthenes [c. 384-322  B.C. ],
Philippic 2, sec. 24  %@EF@%
%@QR:John Philpot Curran@%%@QR:Curran@%%@CR:N1750CURJ10     @%%@2@%   The condition upon which God hath given liberty to man is eternal%@EH@%
vigilance; which condition if he break, servitude is at once the consequence
of his crime and the punishment of his guilt.%@NL@%
%@NL@%
John Philpot Curran
%@NL@%Speech upon the Right of Election of the Lord Mayor
of Dublin [July 10, 1790]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Madison%@AE@%%@EH@%
%@NL@%
%@AB@%1751-1836%@AE@%
%@NL@%%@NL@%

%@QR:James Madison@%%@QR:Madison@%%@CR:N1751MADJ10     @%%@2@%   By a faction, understand a number of citizens, whether amounting to a%@EH@%
majority or minority of the whole, who are united and actuated by some
common impulse of passion, or of interest, adverse to the rights of other
citizens, or to the permanent and aggregate interests of the community.%@NL@%
%@NL@%
James Madison
%@NL@%The Federalist [1787], no. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Madison@%%@QR:Madison@%%@CR:N1751MADJ20     @%%@2@%   A zeal for different opinions concerning religion, concerning government,%@EH@%
and many other points, as well of speculation as of practice; an attachment
of different leaders ambitiously contending for pre-eminence and power; or
to persons of other descriptions whose fortunes have been interesting to the
human passions, have, in turn, divided mankind into parties, inflamed them
with mutual animosity, and rendered them much more disposed to vex and
oppress each other than to cooperate for their common good. . . . But the
most common and durable source of factions has been the various and unequal
distribution of property.%@NL@%
%@NL@%
James Madison
%@NL@%The Federalist [1787], no. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Madison@%%@QR:Madison@%%@CR:N1751MADJ30     @%%@2@%   To secure the public good, and private rights, against the danger of . .%@EH@%
. faction, and at the same time to preserve the spirit and form of popular
government, is then the great object to which our inquiries are directed.%@NL@%
%@NL@%
James Madison
%@NL@%The Federalist [1787], no. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Madison@%%@QR:Madison@%%@CR:N1751MADJ40     @%%@2@%   I believe there are more instances of the abridgment of the freedom of%@EH@%
the people by gradual and silent encroachments of those in power than by
violent and sudden usurpations.%@NL@%
%@NL@%
James Madison
%@NL@%Speech in the Virginia Convention [June 16, 1788]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Brinsley Sheridan%@AE@%%@EH@%
%@NL@%
%@AB@%1751-1816%@AE@%
%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER10     @%%@2@%   Mrs. Malaprop: Illiterate him, I say, quite from your memory.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actI, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER20     @%%@2@%   'Tis safest in matrimony to begin with a little aversion.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actI, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER30     @%%@2@%   A progeny of learning.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actI, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER40     @%%@2@%   Never say more than is necessary.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER50     @%%@2@%   I know you are laughing in your sleeve.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER60     @%%@2@%   He is the very pineapple of politeness!%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actIII, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER70     @%%@2@%   If I reprehend anything in this world, it is the use of my oracular%@EH@%
tongue, and a nice derangement of epitaphs!%@NL@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actIII, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER80     @%%@2@%   As headstrong as an allegory on the banks of the Nile.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actIII, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER90     @%%@2@%   Too civil by half.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actIII, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER100    @%%@2@%   Our ancestors are very good kind of folks; but they are the last people I%@EH@%
should choose to have a visiting acquaintance with.%@NL@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actIV, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER110    @%%@2@%   No caparisons, miss, if you please. Caparisons don't become a young%@EH@%
woman.%@NL@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actIV, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER120    @%%@2@%   You are not like Cerberus, three gentlemen at once, are you?%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actIV, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER130    @%%@2@%   The quarrel is a very pretty quarrel as it stands; we should only spoil%@EH@%
it by trying to explain it.%@NL@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actIV, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER140    @%%@2@%   My valor is certainly going!-it is sneaking off! I feel it oozing out, as%@EH@%
it were, at the palm of my hands!%@NL@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actV, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER150    @%%@2@%   I own the soft impeachment.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Rivals [1775],actV, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER160    @%%@2@%Through all the drama-whether damned or not-%@NL@%%@EH@%
Love gilds the scene, and women guide the plot.%@NL@%

%@NL@%Richard Brinsley Sheridan
%@NL@%The Rivals [1775],Epilogue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER170    @%%@2@%   An apothecary should never be out of spirits.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%St. Patrick's Day [1775], actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER180    @%%@2@%   Death's a debt; his mandamus binds all alike-no bail, no demurrer.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%St. Patrick's Day [1775], actII, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER190    @%%@2@%I ne'er could any luster see%@NL@%%@EH@%
In eyes that would not look on me.%@NL@%

%@NL@%Richard Brinsley Sheridan
%@NL@%The Duenna [1775], actI, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER200    @%%@2@%   I loved him for himself alone.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Duenna [1775], actI, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER210    @%%@2@%   I was struck all of a heap.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Duenna [1775], actII, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The government of a nation is often decided over a cup of coffee, or the
fate of empires changed by an extra bottle of Johannisberg.-G.P.R. James,
Richelieu [1829], ch. 16  %@EF@%
%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER220    @%%@2@%A bumper of good liquor%@NL@%%@EH@%
Will end a contest quicker%@NL@%
Than justice, judge, or vicar.%@NL@%

%@NL@%Richard Brinsley Sheridan
%@NL@%The Duenna [1775], actII, sc.iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER240    @%%@2@%   Conscience has no more to do with gallantry than it has with politics.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Duenna [1775], actII, sc.iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER250    @%%@2@%   Tale-bearers are as bad as the tale-makers.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The School for Scandal [1777], actI, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER260    @%%@2@%   You shall see them on a beautiful quarto page, where a neat rivulet of%@EH@%
text shall meander through a meadow of margin.%@NL@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The School for Scandal [1777], actI, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER270    @%%@2@%   You had no taste when you married me.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The School for Scandal [1777], actI, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER280    @%%@2@%Here's to the maiden of bashful fifteen;%@NL@%%@EH@%
Here's to the widow of fifty;%@NL@%
Here's to the flaunting, extravagant quean,%@NL@%
And here's to the housewife that's thrifty.%@NL@%
Let the toast pass-%@NL@%
Drink to the lass;%@NL@%
I'll warrant she'll prove an excuse for the glass.%@NL@%

%@NL@%Richard Brinsley Sheridan
%@NL@%The School for Scandal [1777], actIII, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER290    @%%@2@%   An unforgiving eye, and a damned disinheriting countenance.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The School for Scandal [1777], actIV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER300    @%%@2@%   Be just before you're generous.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The School for Scandal [1777], actIV, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER310    @%%@2@%   There is not a passion so strongly rooted in the human heart as envy.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Critic [1779], actI, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER320    @%%@2@%   The newspapers! Sir, they are the most villainous - licentious -%@EH@%
abominable - infernal-Not that I ever read them-no-I make it a rule never to
look into a newspaper.%@NL@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Critic [1779], actI, sc.i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER330    @%%@2@%   Egad, I think the interpreter is the hardest to be understood of the two!%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Critic [1779], actI, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER340    @%%@2@%   A practitioner in panegyric, or, to speak more plainly, a professor of%@EH@%
the art of puffing.%@NL@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Critic [1779], actI, sc.ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER350    @%%@2@%   The number of those who undergo the fatigue of judging for themselves is%@EH@%
very small indeed. 1  2 %@NL@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Critic [1779], actI, sc.ii

%@NL@%%@AI@%1 See J. R. Lowell%@BO:          4466b5@%%@AE@%
%@AI@%2 See Bryce%@BO:          4b9b66@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER360    @%%@2@%   Certainly nothing is unnatural that is not physically impossible.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Critic [1779], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER370    @%%@2@%   I wish, sir, you would practice this without me. I can't stay dying here%@EH@%
all night.%@NL@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%The Critic [1779], actIII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER375    @%%@2@%You write with ease to show your breeding,%@NL@%%@EH@%
But easy writing's curst hard reading.%@NL@%

%@NL@%Richard Brinsley Sheridan
%@NL@%Clio's Protest [1819]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
From the interpolated tragedy, The Spanish Armada.  %@EF@%
%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER380    @%%@2@%   An oyster may be crossed in love.%@NL@%%@EH@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%Clio's Protest [1819]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Brinsley Sheridan@%%@QR:Sheridan@%%@CR:N1751SHER390    @%%@2@%   The right honorable gentleman is indebted to his memory for his jests,%@EH@%
and to his imagination for his facts. 1 %@NL@%
%@NL@%
Richard Brinsley Sheridan
%@NL@%Sheridaniana. Speech in Reply to Mr. Dundas

%@NL@%%@AI@%1 See Lesage%@BO:          288b17@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Johann Heinrich Voss%@AE@%%@EH@%
%@NL@%
%@AB@%1751-1826%@AE@%
%@NL@%%@NL@%

%@FN@%
Wer nicht liebt Wein, Weib und Gesang,/Der bleibt ein Narr sein Leben lang.
The couplet has also been attributed to Luther, apparently on no better
authority than an eighteenth-century jingle in which "Luther" is needed to
rhyme with "Futter." Redlich ascribes it to Voss in Die Poetischen
Beitr[auml ]ge zum Waudsbecker Bothen [1871]  %@EF@%
%@QR:Johann Heinrich Voss@%%@QR:Voss@%%@CR:N1751VOSJ10     @%%@2@%Who does not love wine, women, and song%@NL@%%@EH@%
Remains a fool his whole life long.%@NL@%

%@NL@%Johann Heinrich Voss
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Chatterton%@AE@%%@EH@%
%@NL@%
%@AB@%1752-1770%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Chatterton@%%@QR:Chatterton@%%@CR:N1752CHAT10     @%%@2@%Mie love ys dedde,%@NL@%%@EH@%
Gon to hys death-bedde,%@NL@%
Al under the wyllowe-tree.%@NL@%

%@NL@%Thomas Chatterton
%@NL@%%@FN@%
This is from the poems of "Thomas Rowley," an imaginary fifteenth-century
Bristol poet invented by Chatterton. Editions of the poems appeared in 1778
and 1782, and were exposed [1777-1778] by Thomas Tyrwhitt.  %@EF@%
Mynstrelles Songe

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Philip Freneau%@AE@%%@EH@%
%@NL@%
%@AB@%1752-1832%@AE@%
%@NL@%%@NL@%

%@QR:Philip Freneau@%%@QR:Freneau@%%@CR:N1752FREP10     @%%@2@%An age employed in edging steel%@NL@%%@EH@%
Can no poetic raptures feel . . . %@NL@%
No shaded stream, no quiet grove%@NL@%
Can this fantastic century move.%@NL@%

%@NL@%Philip Freneau
%@NL@%Poems [1795]. To an Author, st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
When Prussia hurried to the field,/And snatched the spear, but left the
shield.-Scott, Marmion [1808], canto III, introduction  %@EF@%
%@QR:Philip Freneau@%%@QR:Freneau@%%@CR:N1752FREP20     @%%@2@%Then rushed to meet the insulting foe;%@NL@%%@EH@%
They took the spear-but left the shield.%@NL@%

%@NL@%Philip Freneau
%@NL@%To the Memory of the Brave Americans Who Fell at Eutaw Springs,
S.C., September 8, 1781 [1786], st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip Freneau@%%@QR:Freneau@%%@CR:N1752FREP40     @%%@2@%O come the time, and haste the day,%@NL@%%@EH@%
When man shall man no longer crush,%@NL@%
When Reason shall enforce her sway,%@NL@%
Nor these fair regions raise our blush,%@NL@%
Where still the African complains,%@NL@%
And mourns his yet unbroken chains.%@NL@%

%@NL@%Philip Freneau
%@NL@%On the Emigration to America and Peopling the Western Country [1786]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Friedrich Maximilian von Klinger%@AE@%%@EH@%
%@NL@%
%@AB@%1752-1831%@AE@%
%@NL@%%@NL@%

%@QR:Friedrich Maximilian von Klinger@%%@QR:Klinger@%%@CR:N1752KLIF10     @%%@2@%   Sturm und Drang [Storm and Stress].%@NL@%%@EH@%
%@NL@%
Friedrich Maximilian von Klinger
%@NL@%Title of play [1776]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Leonard MacNally%@AE@%%@EH@%
%@NL@%
%@AB@%1752-1820%@AE@%
%@NL@%%@NL@%

%@QR:Leonard MacNally@%%@QR:MacNally@%%@CR:N1752MCNL10     @%%@2@%On Richmond Hill there lives a lass%@NL@%%@EH@%
More bright than Mayday morn;%@NL@%
Whose charms all other maids' surpass-%@NL@%
A rose without a thorn.%@NL@%

%@NL@%Leonard MacNally
%@NL@%%@FN@%
Also attributed to James Upton [1670-1749] and W. Hudson.  %@EF@%
The Lass of Richmond Hill,
st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Miguel Hidalgo y Costilla%@AE@%%@EH@%
%@NL@%
%@AB@%1753-1811%@AE@%
%@NL@%%@NL@%

%@QR:Miguel Hidalgo y Costilla@%%@QR:Hidalgo y Costilla@%%@CR:N1753HIDM10     @%%@2@%   Hail Our Lady of Guadalupe! Long live Independence! (Viva Nuestra Senora%@EH@%
de Guadalupe! Viva la Independencia!)%@NL@%
%@NL@%
Miguel Hidalgo y Costilla
%@NL@%The Cry of Dolores (El Grito de Dolores) [September 16, 1810],
launching the Mexican War of Independence from Spain

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joseph de Maistre%@AE@%%@EH@%
%@NL@%
%@AB@%1753-1821%@AE@%
%@NL@%%@NL@%

%@QR:Joseph de Maistre@%%@QR:Maistre@%%@CR:N1753MAIJ10     @%%@2@%   Every nation has the government it deserves.%@NL@%%@EH@%
%@NL@%
Joseph de Maistre
%@NL@%Letter to X [1811]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph de Maistre@%%@QR:Maistre@%%@CR:N1753MAIJ20     @%%@2@%   The sword of justice has no scabbard.%@NL@%%@EH@%
%@NL@%
Joseph de Maistre
%@NL@%Les Soirees de Saint-Petersbourg [1821]. Premier Entretien

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Antoine de Rivarol%@AE@%%@EH@%
%@NL@%
%@AB@%1753-1801%@AE@%
%@NL@%%@NL@%

%@QR:Antoine de Rivarol@%%@QR:Rivarol@%%@CR:N1753RIVA10     @%%@2@%   What is not clear is not French.%@NL@%%@EH@%
%@NL@%
Antoine de Rivarol
%@NL@%Discours sur l'Universalite de la Langue Francaise [1784]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joel Barlow%@AE@%%@EH@%
%@NL@%
%@AB@%1754-1812%@AE@%
%@NL@%%@NL@%

%@QR:Joel Barlow@%%@QR:Barlow@%%@CR:N1754BARJ10     @%%@2@%My morning incense, and my evening meal-%@NL@%%@EH@%
The sweets of Hasty Pudding.%@NL@%

%@NL@%Joel Barlow
%@NL@%The Hasty Pudding [1792], canto I

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Crabbe%@AE@%%@EH@%
%@NL@%
%@AB@%1754-1832%@AE@%
%@NL@%%@NL@%

%@QR:George Crabbe@%%@QR:Crabbe@%%@CR:N1754CRAG10     @%%@2@%Habit with him was all the test of truth,%@NL@%%@EH@%
"It must be right: I've done it from my youth."%@NL@%

%@NL@%George Crabbe
%@NL@%The Borough [1810]. Letter 3, The Vicar

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Crabbe@%%@QR:Crabbe@%%@CR:N1754CRAG20     @%%@2@%In idle wishes fools supinely stay;%@NL@%%@EH@%
Be there a will, and wisdom finds a way.%@NL@%

%@NL@%George Crabbe
%@NL@%The Birth of Flattery [1807]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Crabbe@%%@QR:Crabbe@%%@CR:N1754CRAG30     @%%@2@%Cut and come again.%@NL@%%@EH@%

%@NL@%George Crabbe
%@NL@%Tales [1812]. VII, The Widow's Tale

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Crabbe@%%@QR:Crabbe@%%@CR:N1754CRAG40     @%%@2@%The ring, so worn as you behold,%@NL@%%@EH@%
So thin, so pale, is yet of gold.%@NL@%

%@NL@%George Crabbe
%@NL@%His Mother's Wedding Ring

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Drennan%@AE@%%@EH@%
%@NL@%
%@AB@%1754-1820%@AE@%
%@NL@%%@NL@%

%@FN@%
The first known use of this appellation for Ireland.  %@EF@%
%@QR:William Drennan@%%@QR:Drennan@%%@CR:N1754DREW10     @%%@2@%Nor one feeling of vengeance presume to defile%@NL@%%@EH@%
The cause, or the men, of the Emerald Isle.%@NL@%

%@NL@%William Drennan
%@NL@%Erin [1795], st. 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joseph Joubert%@AE@%%@EH@%
%@NL@%
%@AB@%1754-1824%@AE@%
%@NL@%%@NL@%

%@QR:Joseph Joubert@%%@QR:Joubert@%%@CR:N1754JOUJ10     @%%@2@%   I had to grow old to learn what I wanted to know, and I should need to be%@EH@%
young to say well what I know.%@NL@%
%@NL@%
Joseph Joubert
%@NL@%Pensees [1842]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Joubert@%%@QR:Joubert@%%@CR:N1754JOUJ20     @%%@2@%   Ask the young: they know everything!%@NL@%%@EH@%
%@NL@%
Joseph Joubert
%@NL@%Pensees [1842]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joseph Joubert@%%@QR:Joubert@%%@CR:N1754JOUJ30     @%%@2@%   To teach is to learn twice.%@NL@%%@EH@%
%@NL@%
Joseph Joubert
%@NL@%Pensees [1842]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jeanne Manon Phlipon Madame Roland Roland de la Platiere%@AE@%%@EH@%
%@NL@%
%@AB@%1754-1793%@AE@%
%@NL@%%@NL@%

%@QR:Jeanne Manon Phlipon Madame Roland Roland de la Platiere@%%@QR:Roland de la Platiere@%%@CR:N1754ROLJ10     @%%@2@%   O liberty! O liberty! What crimes are committed in thy name!%@NL@%%@EH@%
%@NL@%
Jeanne Manon Phlipon Madame Roland Roland de la Platiere
%@NL@%Last words, before her death on the guillotine.
From Lamartine, Histoire des Girondins [1847]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Maurice de Talleyrand-Perigord%@AE@%%@EH@%
%@NL@%
%@AB@%1754-1838%@AE@%
%@NL@%%@NL@%

%@FN@%
Noir comme le diable,/Chaud comme l'enfer,/Pur comme un ange,/Doux comme
l'amour.  This appears as an inscription on many old coffeepots.  %@EF@%
%@QR:Charles Maurice de Talleyrand-Perigord@%%@QR:Talleyrand-Perigord@%%@CR:N1754TALC10     @%%@2@%Black as the devil,%@NL@%%@EH@%
Hot as hell,%@NL@%
Pure as an angel,%@NL@%
Sweet as love.%@NL@%

%@NL@%Charles Maurice de Talleyrand-Perigord
%@NL@%Recipe for coffee

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ils n'ont rien appris, ni rien oublie.  %@EF@%
%@QR:Charles Maurice de Talleyrand-Perigord@%%@QR:Talleyrand-Perigord@%%@CR:N1754TALC30     @%%@2@%   [Of the Bourbons] They have learned nothing, and forgotten nothing.%@NL@%%@EH@%
%@NL@%
Charles Maurice de Talleyrand-Perigord
%@NL@%From Chevalier de Panat,
letter to Mallet du Pan [January 1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Voila le commencement de la fin.  See Churchill  %@EF@%
%@QR:Charles Maurice de Talleyrand-Perigord@%%@QR:Talleyrand-Perigord@%%@CR:N1754TALC50     @%%@2@%   [Of the battle of Borodino, 1812] It is the beginning of the end.%@NL@%%@EH@%
%@NL@%
Charles Maurice de Talleyrand-Perigord
%@NL@%From Edouard Fournier, L'Esprit dans l'Histoire [1857]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Maurice de Talleyrand-Perigord@%%@QR:Talleyrand-Perigord@%%@CR:N1754TALC70     @%%@2@%   The United States has thirty-two religions but only one dish.%@NL@%%@EH@%
%@NL@%
Charles Maurice de Talleyrand-Perigord
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Maurice de Talleyrand-Perigord@%%@QR:Talleyrand-Perigord@%%@CR:N1754TALC80     @%%@2@%   Women sometimes forgive a man who forces the opportunity, but never a man%@EH@%
who misses one.%@NL@%
%@NL@%
Charles Maurice de Talleyrand-Perigord
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Pas de zele!  %@EF@%
%@QR:Charles Maurice de Talleyrand-Perigord@%%@QR:Talleyrand-Perigord@%%@CR:N1754TALC90     @%%@2@%   [To a young diplomat] Don't be eager!%@NL@%%@EH@%
%@NL@%
Charles Maurice de Talleyrand-Perigord
%@NL@%From Charles Augustin Saint-Beuve,
Portraits de Femmes [1858]. Madame de Stael

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
La guerre! C'est une chose trop grave pour la confier a des militaires.
Sometimes quoted as: War is much too serious to leave to the generals.  %@EF@%
%@QR:Charles Maurice de Talleyrand-Perigord@%%@QR:Talleyrand-Perigord@%%@CR:N1754TALC100    @%%@2@%   War is much too serious a matter to be entrusted to the military.%@NL@%%@EH@%
%@NL@%
Charles Maurice de Talleyrand-Perigord
%@NL@%Attributed. Quoted by Briand to Lloyd George during World War I.
Also attributed to Clemenceau

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Benjamin Waterhouse%@AE@%%@EH@%
%@NL@%
%@AB@%1754-1846%@AE@%
%@NL@%%@NL@%

%@QR:Benjamin Waterhouse@%%@QR:Waterhouse@%%@CR:N1754WATB10     @%%@2@%Tobacco is a filthy weed,%@NL@%%@EH@%
That from the devil does proceed;%@NL@%
It drains your purse, it burns your clothes,%@NL@%
And makes a chimney of your nose.%@NL@%

%@NL@%Benjamin Waterhouse
%@NL@%From Oliver Wendell Holmes [1809-1894],
who was vaccinated by Dr. Waterhouse

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Bertrand Barere de Vieuzac%@AE@%%@EH@%
%@NL@%
%@AB@%1755-1841%@AE@%
%@NL@%%@NL@%

%@QR:Bertrand Barere de Vieuzac@%%@QR:Barere de Vieuzac@%%@CR:N1755BARB10     @%%@2@%   The tree of liberty only grows when watered by the blood of tyrants. 1  2%@EH@%
%@NL@%
%@NL@%
Bertrand Barere de Vieuzac
%@NL@%Speech in the National Convention [January 16, 1793]

%@NL@%%@AI@%1 See Tertullian%@BO:           fe316@%%@AE@%
%@AI@%2 See Jefferson%@BO:          2fed40@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bertrand Barere de Vieuzac@%%@QR:Barere de Vieuzac@%%@CR:N1755BARB20     @%%@2@%   It is only the dead who do not return.%@NL@%%@EH@%
%@NL@%
Bertrand Barere de Vieuzac
%@NL@%Speech [1794]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anthelme Brillat-Savarin%@AE@%%@EH@%
%@NL@%
%@AB@%1755-1826%@AE@%
%@NL@%%@NL@%

%@QR:Anthelme Brillat-Savarin@%%@QR:Brillat-Savarin@%%@CR:N1755BRIA10     @%%@2@%   Tell me what you eat, and I will tell you what you are. 1 %@NL@%%@EH@%
%@NL@%
Anthelme Brillat-Savarin
%@NL@%La Physiologie du Go[ucirc ]t [The Physiology of Taste,
1825], ch.4

%@NL@%%@AI@%1 See Cervantes, 170:25, and Ruskin%@BO:          44cf6e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthelme Brillat-Savarin@%%@QR:Brillat-Savarin@%%@CR:N1755BRIA20     @%%@2@%   A dessert without cheese is like a beautiful woman with only one eye.%@NL@%%@EH@%
%@NL@%
Anthelme Brillat-Savarin
%@NL@%La Physiologie du Go[ucirc ]t [The Physiology of Taste,
1825], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthelme Brillat-Savarin@%%@QR:Brillat-Savarin@%%@CR:N1755BRIA40     @%%@2@%   A meal without wine is like a day without sunshine.%@NL@%%@EH@%
%@NL@%
Anthelme Brillat-Savarin
%@NL@%La Physiologie du Go[ucirc ]t [The Physiology of Taste,
1825], ch.14

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Nathan Hale%@AE@%%@EH@%
%@NL@%
%@AB@%1755-1776%@AE@%
%@NL@%%@NL@%

%@QR:Nathan Hale@%%@QR:Hale@%%@CR:N1755HALN10     @%%@2@%   I only regret that I have but one life to lose for my country. 1 %@NL@%%@EH@%
%@NL@%
Nathan Hale
%@NL@%Last words, before being hanged by the British as a spy
[September 22, 1776]

%@NL@%%@AI@%1 See Addison%@BO:          28cda4@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Alexander Hamilton%@AE@%%@EH@%
%@NL@%
%@AB@%1755-1804%@AE@%
%@NL@%%@NL@%

%@FN@%
At the time we were funding our national debt, we heard much about "a public
debt being a public blessing."-Thomas Jefferson, Letter to John W. Epps
[November 6, 1813]  See Webster  %@EF@%
%@QR:Alexander Hamilton@%%@QR:Hamilton@%%@CR:N1755HAMA10     @%%@2@%   A national debt, if it is not excessive, will be to us a national%@EH@%
blessing.%@NL@%
%@NL@%
Alexander Hamilton
%@NL@%Letter to Robert Morris [April 30, 1781]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Hamilton@%%@QR:Hamilton@%%@CR:N1755HAMA30     @%%@2@%   I believe the British government forms the best model the world ever%@EH@%
produced. . . . This government has for its object public strength and
individual security.%@NL@%
%@NL@%
Alexander Hamilton
%@NL@%%@FN@%
At which the Constitution was written.  %@EF@%
Debates of the Federal Convention [May 14-September 17, 1787].June 18, 1787

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Hamilton@%%@QR:Hamilton@%%@CR:N1755HAMA40     @%%@2@%   All communities divide themselves into the few and the many. The first%@EH@%
are the rich and wellborn, the other the mass of the people. . . . The
people are turbulent and changing; they seldom judge or determine right.
Give therefore to the first class a distinct, permanent share in the
government. They will check the unsteadiness of the second, and as they
cannot receive any advantage by a change, they therefore will ever maintain
good government.%@NL@%
%@NL@%
Alexander Hamilton
%@NL@%Debates of the Federal Convention [May 14-September 17, 1787].June 18, 1787

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Hamilton@%%@QR:Hamilton@%%@CR:N1755HAMA50     @%%@2@%   We are now forming a republican government. Real liberty is neither found%@EH@%
in despotism or the extremes of democracy, but in moderate governments.%@NL@%
%@NL@%
Alexander Hamilton
%@NL@%Debates of the Federal Convention [May 14-September 17, 1787].June 26, 1787

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Hamilton@%%@QR:Hamilton@%%@CR:N1755HAMA60     @%%@2@%   Let Americans disdain to be the instruments of European greatness. Let%@EH@%
the thirteen States, bound together in a strict and indissoluble Union,
concur in erecting one great American system, superior to the control of all
transatlantic force or influence, and able to dictate the terms of the
connection between the old and the new world!%@NL@%
%@NL@%
Alexander Hamilton
%@NL@%The Federalist [1787-1788], no.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Hamilton@%%@QR:Hamilton@%%@CR:N1755HAMA70     @%%@2@%   Government implies the power of making laws. It is essential to the idea%@EH@%
of a law, that it be attended with a sanction; or, in other words, a penalty
or punishment for disobedience.%@NL@%
%@NL@%
Alexander Hamilton
%@NL@%The Federalist [1787-1788], no.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Hamilton@%%@QR:Hamilton@%%@CR:N1755HAMA80     @%%@2@%   Why has government been instituted at all? Because the passions of men%@EH@%
will not conform to the dictates of reason and justice, without constraint.%@NL@%
%@NL@%
Alexander Hamilton
%@NL@%The Federalist [1787-1788], no.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Hamilton@%%@QR:Hamilton@%%@CR:N1755HAMA90     @%%@2@%   Every power vested in a government is in its nature sovereign, and%@EH@%
includes by force of the term a right to employ all the means requisite . .
. to the attainment of the ends of such power.%@NL@%
%@NL@%
Alexander Hamilton
%@NL@%Opinion on the Constitutionality of the Bank [February 23, 1791]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Hamilton@%%@QR:Hamilton@%%@CR:N1755HAMA100    @%%@2@%   If the end be clearly comprehended within any of the specified powers,%@EH@%
and if the measure have an obvious relation to that end, and is not
forbidden by any particular provision of the Constitution, it may safely be
deemed to come within the compass of the national authority.%@NL@%
%@NL@%
Alexander Hamilton
%@NL@%Opinion on the Constitutionality of the Bank [February 23, 1791]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Louis XVIII%@AE@%%@EH@%
%@NL@%
%@AB@%1755-1824%@AE@%
%@NL@%%@NL@%

%@FN@%
L'exactitude est la politesse des rois.  %@EF@%
%@QR:Louis XVIII@%%@CR:N1755LOUI10     @%%@2@%   Punctuality is the politeness of kings.%@NL@%%@EH@%
%@NL@%
Louis XVIII
%@NL@%A favorite saying

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Marshall%@AE@%%@EH@%
%@NL@%
%@AB@%1755-1835%@AE@%
%@NL@%%@NL@%

%@QR:John Marshall@%%@QR:Marshall@%%@CR:N1755MARJ10     @%%@2@%   It is emphatically the province and duty of the judicial department to%@EH@%
say what the law is. . . . If two laws conflict with each other, the courts
must decide on the operation of each. . . . This is of the very essence of
judicial duty.%@NL@%
%@NL@%
John Marshall
%@NL@%Marbury v. Madison, 1 Cranch, 1317 [1803]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Marshall@%%@QR:Marshall@%%@CR:N1755MARJ20     @%%@2@%   We must never forget that it is a constitution we are expounding.%@NL@%%@EH@%
%@NL@%
John Marshall
%@NL@%McCulloch v. Maryland, 4 Wheaton 316,407 [1819]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Marshall@%%@QR:Marshall@%%@CR:N1755MARJ30     @%%@2@%   This provision is made in a constitution, intended to endure for ages to%@EH@%
come, and consequently, to be adapted to the various crises of human
affairs.%@NL@%
%@NL@%
John Marshall
%@NL@%McCulloch v. Maryland, 4 Wheaton 316,415

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Marshall@%%@QR:Marshall@%%@CR:N1755MARJ40     @%%@2@%   Let the end be legitimate, let it be within the scope of the%@EH@%
constitution, and all means which are appropriate, which are plainly adapted
to that end, which are not prohibited, but consist with the letter and
spirit of the constitution, are constitutional.%@NL@%
%@NL@%
John Marshall
%@NL@%McCulloch v. Maryland, 4 Wheaton 316,421

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Marshall@%%@QR:Marshall@%%@CR:N1755MARJ50     @%%@2@%   The power to tax involves the power to destroy. 1 %@NL@%%@EH@%
%@NL@%
John Marshall
%@NL@%McCulloch v. Maryland, 4 Wheaton 316,431

%@NL@%%@AI@%1 See Oliver Wendell Holmes, Jr.%@BO:          4c95f3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Marshall@%%@QR:Marshall@%%@CR:N1755MARJ60     @%%@2@%   The people made the Constitution, and the people can unmake it. It is the%@EH@%
creature of their own will, and lives only by their will.%@NL@%
%@NL@%
John Marshall
%@NL@%Cohens v. Virginia, 6 Wheaton (19 U.S.) 264, 389 [1821]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Martin Joseph Routh%@AE@%%@EH@%
%@NL@%
%@AB@%1755-1854%@AE@%
%@NL@%%@NL@%

%@QR:Martin Joseph Routh@%%@QR:Routh@%%@CR:N1755ROUM10     @%%@2@%   You will find it a very good practice always to verify your references,%@EH@%
sir.%@NL@%
%@NL@%
Martin Joseph Routh
%@NL@%From J. W. Burgon, Memoir of Dr. Routh,
Quarterly Review [July 1878]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Light-Horse Harry Lee%@AE@%%@EH@%
%@NL@%
%@AB@%1756-1818%@AE@%
%@NL@%%@NL@%

%@QR:Henry Light-Horse Harry Lee@%%@QR:Lee@%%@CR:N1756LEEH10     @%%@2@%   To the memory of the Man, first in war, first in peace, and first in the%@EH@%
hearts of his countrymen.%@NL@%
%@NL@%
Henry Light-Horse Harry Lee
%@NL@%Resolutions presented to the House of Representatives
on the death of Washington [December 1799]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Wolfgang Amade Mozart%@AE@%%@EH@%
%@NL@%
%@AB@%1756-1791%@AE@%
%@NL@%%@NL@%

%@QR:Wolfgang Amade Mozart@%%@QR:Mozart@%%@CR:N1756MOZW10     @%%@2@%   Neither a lofty degree of intelligence nor imagination nor both together%@EH@%
go to the making of genius. Love, love, love, that is the soul of genius.%@NL@%
%@NL@%
Wolfgang Amade Mozart
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Blake%@AE@%%@EH@%
%@NL@%
%@AB@%1757-1827%@AE@%
%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW10     @%%@2@%How sweet I roamed from field to field,%@NL@%%@EH@%
And tasted all the summer's pride,%@NL@%
Till I the prince of love beheld,%@NL@%
Who in the sunny beams did glide!%@NL@%

%@NL@%William Blake
%@NL@%Poetical Sketches [1783].Song (How Sweet I Roamed),st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW20     @%%@2@%He loves to sit and hear me sing,%@NL@%%@EH@%
Then, laughing, sports and plays with me;%@NL@%
Then stretches out my golden wing,%@NL@%
And mocks my loss of liberty.%@NL@%

%@NL@%William Blake
%@NL@%Poetical Sketches [1783].Song (How Sweet I Roamed),st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW30     @%%@2@%My silks and fine array,%@NL@%%@EH@%
My smiles and languished air,%@NL@%
By love are driv'n away;%@NL@%
And mournful lean Despair%@NL@%
Brings me yew to deck my grave:%@NL@%
Such end true lovers have.%@NL@%

%@NL@%William Blake
%@NL@%Poetical Sketches [1783].Song (My Silks and Fine Array), st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW40     @%%@2@%Like a fiend in a cloud,%@NL@%%@EH@%
With howling woe,%@NL@%
After night I do crowd,%@NL@%
And with night will go;%@NL@%
I turn my back to the east,%@NL@%
From whence comforts have increased;%@NL@%
For light doth seize my brain%@NL@%
With frantic pain.%@NL@%

%@NL@%William Blake
%@NL@%Poetical Sketches [1783].Mad Song, st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW50     @%%@2@%How have you left the ancient love%@NL@%%@EH@%
That bards of old enjoyed in you!%@NL@%
The languid strings do scarcely move!%@NL@%
The sound is forced, the notes are few!%@NL@%

%@NL@%William Blake
%@NL@%Poetical Sketches [1783].To the Muses, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW70     @%%@2@%Piping down the valleys wild,%@NL@%%@EH@%
Piping songs of pleasant glee,%@NL@%
On a cloud I saw a child,%@NL@%
And he laughing said to me:"Pipe a song about a Lamb."%@NL@%
So I piped with merry cheer;%@NL@%
"Piper, pipe that song again."%@NL@%
So I piped; he wept to hear.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].Introduction,st. 1, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW80     @%%@2@%And I made a rural pen,%@NL@%%@EH@%
And I stained the water clear,%@NL@%
And I wrote my happy songs%@NL@%
Every child may joy to hear.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].Introduction,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW90     @%%@2@%Sing louder around%@NL@%%@EH@%
To the bells' cheerful sound,%@NL@%
While our sports shall be seen%@NL@%
On the echoing green.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].The Echoing Green, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW100    @%%@2@%Little Lamb, who made thee?%@NL@%%@EH@%
Dost thou know who made thee?%@NL@%
Gave thee life and bid thee feed%@NL@%
By the stream and o'er the mead;%@NL@%
Gave thee clothing of delight,%@NL@%
Softest clothing, woolly bright.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].The Lamb, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW110    @%%@2@%My mother bore me in the southern wild,%@NL@%%@EH@%
And I am black, but O! my soul is white;%@NL@%
White as an angel is the English child,%@NL@%
But I am black as if bereaved of light.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].The Little Black Boy,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW120    @%%@2@%And we are put on earth a little space,%@NL@%%@EH@%
That we may learn to bear the beams of love,%@NL@%
And these black bodies and this sunburnt face%@NL@%
Is but a cloud, and like a shady grove.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].The Little Black Boy,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW130    @%%@2@%I'll shade him from the heat till he can bear%@NL@%%@EH@%
To lean in joy upon our Father's knee;%@NL@%
And then I'll stand and stroke his silver hair,%@NL@%
And be like him and he will then love me.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].The Little Black Boy,st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW140    @%%@2@%When my mother died I was very young,%@NL@%%@EH@%
And my father sold me while yet my tongue%@NL@%
Could scarcely cry 'weep! 'weep! 'weep! 'weep!%@NL@%
So your chimneys I sweep, and in soot I sleep.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].The Chimney Sweeper, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW150    @%%@2@%To Mercy, Pity, Peace, and Love%@NL@%%@EH@%
All pray in their distress;%@NL@%
And to these virtues of delight%@NL@%
Return their thankfulness.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].The Divine Image,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW160    @%%@2@%For Mercy has a human heart,%@NL@%%@EH@%
Pity, a human face,%@NL@%
And Love, the human form divine, 1  2 %@NL@%
And Peace, the human dress. 3 %@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].The Divine Image,st. 3

%@NL@%%@AI@%1 See Milton%@BO:          2418f1@%%@AE@%
%@AI@%2 See A Divine Image%@BO:          31cbaa@%%@AE@%
%@AI@%3 See A Divine Image%@BO:          31cbaa@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW170    @%%@2@%The moon like a flower%@NL@%%@EH@%
In heaven's high bower,%@NL@%
With silent delight,%@NL@%
Sits and smiles on the night.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].Night,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW180    @%%@2@%And there the lion's ruddy eyes%@NL@%%@EH@%
Shall flow with tears of gold,%@NL@%
And pitying the tender cries,%@NL@%
And walking round the fold,%@NL@%
Saying: "Wrath by his meekness,%@NL@%
And by his health, sickness,%@NL@%
Is driven away%@NL@%
From our immortal day."%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].Night,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW190    @%%@2@%"For washed in life's river,%@NL@%%@EH@%
My bright mane forever%@NL@%
Shall shine like the gold%@NL@%
As I guard o'er the fold."%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].Night,st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW200    @%%@2@%When the voices of children are heard on the green%@NL@%%@EH@%
And laughing is heard on the hill,%@NL@%
My heart is at rest within my breast%@NL@%
And everything else is still.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].Nurse's Song, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW210    @%%@2@%Can I see another's woe,%@NL@%%@EH@%
And not be in sorrow too?%@NL@%
Can I see another's grief,%@NL@%
And not seek for kind relief?%@NL@%

%@NL@%William Blake
%@NL@%Songs of Innocence [1789-1790].On Another's Sorrow, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW215    @%%@2@%Does the Eagle know what is in the pit?%@NL@%%@EH@%
Or wilt thou go ask the Mole?%@NL@%
Can Wisdom be put in a silver rod?%@NL@%
Or Love in a golden bowl?%@NL@%

%@NL@%William Blake
%@NL@%The Book of Thel [1789-1792]. Thel's Motto

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW220    @%%@2@%Rintrah roars and shakes his fires in the burdened air;%@NL@%%@EH@%
Hungry clouds swag on the deep.%@NL@%

%@NL@%William Blake
%@NL@%The Marriage of Heaven and Hell [1790[ndash ]1793].The Argument

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW230    @%%@2@%   The reason Milton wrote in fetters when he wrote of Angels and God, and%@EH@%
at liberty when of Devils and Hell, is because he was a true poet and of the
Devil's party without knowing it.%@NL@%
%@NL@%
William Blake
%@NL@%The Marriage of Heaven and Hell [1790[ndash ]1793].note to The Voice of the
Devil

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW240    @%%@2@%The busy bee has no time for sorrow.%@NL@%%@EH@%

%@NL@%William Blake
%@NL@%The Marriage of Heaven and Hell [1790[ndash ]1793].Proverbs of Hell,l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW250    @%%@2@%No bird soars too high, if he soars with his own wings.%@NL@%%@EH@%

%@NL@%William Blake
%@NL@%The Marriage of Heaven and Hell [1790[ndash ]1793].Proverbs of Hell,l. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW260    @%%@2@%The pride of the peacock is the glory of God.%@NL@%%@EH@%
The lust of the goat is the bounty of God.%@NL@%
The wrath of the lion is the wisdom of God.%@NL@%
The nakedness of woman is the work of God.%@NL@%

%@NL@%William Blake
%@NL@%The Marriage of Heaven and Hell [1790[ndash ]1793].Proverbs of Hell,l. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW270    @%%@2@%The cistern contains: the fountain overflows.%@NL@%%@EH@%

%@NL@%William Blake
%@NL@%The Marriage of Heaven and Hell [1790[ndash ]1793].Proverbs of Hell,l. 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW280    @%%@2@%Think in the morning. Act in the noon. Eat in the evening. Sleep in the%@EH@%
night.%@NL@%

%@NL@%William Blake
%@NL@%The Marriage of Heaven and Hell [1790[ndash ]1793].Proverbs of Hell,l. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW290    @%%@2@%You never know what is enough unless you know what is more than enough.%@NL@%%@EH@%

%@NL@%William Blake
%@NL@%The Marriage of Heaven and Hell [1790[ndash ]1793].Proverbs of Hell,l. 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW300    @%%@2@%Improvement makes straight roads; but the crooked roads without improvement%@EH@%
are roads of genius.%@NL@%

%@NL@%William Blake
%@NL@%The Marriage of Heaven and Hell [1790[ndash ]1793].Proverbs of Hell,l. 66

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW310    @%%@2@%Truth can never be told so as to be understood, and not be believed.%@NL@%%@EH@%

%@NL@%William Blake
%@NL@%The Marriage of Heaven and Hell [1790[ndash ]1793].Proverbs of Hell,l. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW320    @%%@2@%Enough! or too much.%@NL@%%@EH@%

%@NL@%William Blake
%@NL@%The Marriage of Heaven and Hell [1790[ndash ]1793].Proverbs of Hell,l. 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Alternate: Never pain to tell thy love.  %@EF@%
%@FN@%
Alternate: He took her with a sigh.  %@EF@%
%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW330    @%%@2@%Never seek to tell thy love%@NL@%%@EH@%
Love that never told can be;%@NL@%
For the gentle wind does move%@NL@%
Silently, invisibly.I told my love, I told my love,%@NL@%
I told her all my heart;%@NL@%
Trembling, cold, in ghastly fears-%@NL@%
Ah, she doth depart.Soon as she was gone from me%@NL@%
A traveler came by%@NL@%
Silently, invisibly-%@NL@%
Oh, was no deny.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.Never Seek to Tell

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Alternate: And without one word spoke.  %@EF@%
%@FN@%
Alternate: And 'twixt earnest and joke.  %@EF@%
%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW340    @%%@2@%I asked a thief to steal me a peach:%@NL@%%@EH@%
He turned up his eyes.%@NL@%
I asked a lithe lady to lie her down:%@NL@%
Holy and meek, she cries.As soon as I went %@NL@%
An angel came.%@NL@%
He winked at the thief%@NL@%
And smiled at the dame-And without one word said%@NL@%
Had a peach from the tree,%@NL@%
And still as a maid%@NL@%
Enjoyed the lady.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.I Asked a Thief

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW350    @%%@2@%Sleep, sleep, beauty bright,%@NL@%%@EH@%
Dreaming o'er the joys of night.%@NL@%
Sleep, sleep: in thy sleep%@NL@%
Little sorrows sit and weep.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.A Cradle Song, st.
1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW360    @%%@2@%Why art thou silent and invisible,%@NL@%%@EH@%
Father of Jealousy?%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.To Nobodaddy, st.
1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW370    @%%@2@%Love to faults is always blind,%@NL@%%@EH@%
Always is to joy inclined,%@NL@%
Lawless, winged, and unconfined,%@NL@%
And breaks all chains from every mind.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.Love to Faults

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW380    @%%@2@%The sword sung on the barren heath,%@NL@%%@EH@%
The sickle in the fruitful field;%@NL@%
The sword he sung a song of death,%@NL@%
But could not make the sickle yield.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.The Sword Sung

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW390    @%%@2@%Abstinence sows sand all over%@NL@%%@EH@%
The ruddy limbs and flaming hair,%@NL@%
But desire gratified%@NL@%
Plants fruits of life and beauty there.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.Abstinence Sows
Sand

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW400    @%%@2@%If you trap the moment before it's ripe, 1 %@NL@%%@EH@%
The tears of repentance you'll certainly wipe;%@NL@%
But if once you let the ripe moment go%@NL@%
You can never wipe off the tears of woe.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.If You Trap the
Moment

%@NL@%%@AI@%1 See Shakespeare%@BO:          19f5cf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW410    @%%@2@%He who binds to himself a joy%@NL@%%@EH@%
Does the winged life destroy;%@NL@%
But he who kisses the joy as it flies%@NL@%
Lives in eternity's sunrise.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.Several Questions
Answered, no.1, He Who Binds

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW415    @%%@2@%The look of love alarms%@NL@%%@EH@%
Because 'tis filled with fire;%@NL@%
But the look of soft deceit%@NL@%
Shall win the lover's hire.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.Several Questions
Answered, no.2, The Look of Love

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW420    @%%@2@%What is it men in women do require?%@NL@%%@EH@%
The lineaments of gratified desire.%@NL@%
What is it women do in men require?%@NL@%
The lineaments of gratified desire.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.Several Questions
Answered, no.4, What Is It

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW425    @%%@2@%You'll quite remove the ancient curse.%@NL@%%@EH@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.Several Questions
Answered, no.5, An Ancient Proverb

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW435    @%%@2@%Then old Nobodaddy aloft%@NL@%%@EH@%
Farted and belched and coughed,%@NL@%
And said, "I love hanging and drawing and quartering%@NL@%
Every bit as well as war and slaughtering."%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1791[ndash ]1792] from Blake's Notebook.Let the Brothels
of Paris, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW440    @%%@2@%Hear the voice of the Bard!%@NL@%%@EH@%
Who Present, Past, and Future sees,%@NL@%
Whose ears have heard%@NL@%
The Holy Word%@NL@%
That walked among the ancient trees.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].Introduction,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW450    @%%@2@%Turn away no more.%@NL@%%@EH@%
Why wilt thou turn away?%@NL@%
The starry floor,%@NL@%
The wat'ry shore%@NL@%
Is giv'n thee till the break of day. 1 %@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].Introduction,st. 4

%@NL@%%@AI@%1 See Milton%@BO:          2362a0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW460    @%%@2@%Love seeketh not itself to please,%@NL@%%@EH@%
Nor for itself hath any care,%@NL@%
But for another gives its ease,%@NL@%
And builds a Heaven in Hell's despair.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].The Clod and the Pebble,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW470    @%%@2@%Love seeketh only self to please,%@NL@%%@EH@%
To bind another to its delight,%@NL@%
Joys in another's loss of ease,%@NL@%
And builds a Hell in Heaven's despite.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].The Clod and the Pebble,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW480    @%%@2@%O Rose, thou art sick.%@NL@%%@EH@%
The invisible worm%@NL@%
That flies in the night,%@NL@%
In the howling storm,Has found out thy bed%@NL@%
Of crimson joy,%@NL@%
And his dark secret love%@NL@%
Does thy life destroy.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].The Sick Rose

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW490    @%%@2@%Little Fly,%@NL@%%@EH@%
Thy summer's play%@NL@%
My thoughtless hand%@NL@%
Has brushed away.Am not I%@NL@%
A fly like thee?%@NL@%
Or art not thou%@NL@%
A man like me?For I dance%@NL@%
And drink and sing,%@NL@%
Till some blind hand%@NL@%
Shall brush my wing.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].The Fly, st. 1-3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW500    @%%@2@%Tiger, Tiger, burning bright%@NL@%%@EH@%
In the forests of the night,%@NL@%
What immortal hand or eye%@NL@%
Could frame thy fearful symmetry?In what distant deeps or skies%@NL@%
Burnt the fire of thine eyes?%@NL@%
On what wings dare he aspire?%@NL@%
What the hand dare seize the fire?%@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].The Tiger,st. 1, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW510    @%%@2@%What the hammer? what the chain?%@NL@%%@EH@%
In what furnace was thy brain?%@NL@%
What the anvil? what dread grasp%@NL@%
Dare its deadly terrors clasp?When the stars threw down their spears%@NL@%
And watered heaven with their tears,%@NL@%
Did he smile his work to see?%@NL@%
Did he who made the Lamb make thee?%@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].The Tiger,st. 4, 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW520    @%%@2@%In every cry of every man,%@NL@%%@EH@%
In every infant's cry of fear,%@NL@%
In every voice, in every ban,%@NL@%
The mind-forged manacles I hear.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].London,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW530    @%%@2@%But most through midnight streets I hear%@NL@%%@EH@%
How the youthful harlot's curse%@NL@%
Blasts the newborn infant's tear%@NL@%
And blights with plagues the marriage hearse.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].London,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW535    @%%@2@%Pity would be no more,%@NL@%%@EH@%
If we did not make somebody poor;%@NL@%
And Mercy no more could be,%@NL@%
If all were as happy as we.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].The Human Abstract, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW540    @%%@2@%My mother groaned! my father wept.%@NL@%%@EH@%
Into the dangerous world I leapt:%@NL@%
Helpless, naked, piping loud,%@NL@%
Like a fiend hid in a cloud.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].Infant Sorrow, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW550    @%%@2@%I was angry with my friend;%@NL@%%@EH@%
I told my wrath, my wrath did end.%@NL@%
I was angry with my foe;%@NL@%
I told it not, my wrath did grow.%@NL@%

%@NL@%William Blake
%@NL@%Songs of Experience [1794].A Poison Tree, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW560    @%%@2@%Cruelty has a human heart,%@NL@%%@EH@%
And Jealousy a human face;%@NL@%
Terror, the human form divine, 1  2 %@NL@%
And Secrecy, the human dress.%@NL@%

%@NL@%William Blake
%@NL@%%@FN@%
This poem was written and etched by Blake [1790-1791] as a "Song of
Experience" linked with The Divine Image in Songs of Innocence (see Blake
and Blake), but in the published Songs of Experience it was replaced by The
Human Abstract (Blake).  %@EF@%
A Divine Image, st. 1

%@NL@%%@AI@%1 See Milton%@BO:          2418f1@%%@AE@%
%@AI@%2 See The Divine Image%@BO:          318da6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW563    @%%@2@%Degrade first the arts if you'd mankind degrade,%@NL@%%@EH@%
Hire idiots to paint with cold light and hot shade.%@NL@%

%@NL@%William Blake
%@NL@%%@FN@%
Volume I of Reynolds's Works, edited by Edmond Malone [second edition,
1798].  %@EF@%
Annotations [c. 1798-1809] to Sir Joshua Reynolds's Discourses,title page

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW567    @%%@2@%   To generalize is to be an idiot. To particularize is the alone%@EH@%
distinction of merit-general knowledges are those knowledges that idiots
possess.%@NL@%
%@NL@%
William Blake
%@NL@%Annotations [c. 1798-1809] to Sir Joshua Reynolds's Discourses,pp.
xcvii-xcviii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW570    @%%@2@%My specter around me night and day%@NL@%%@EH@%
Like a wild beast guards my way.%@NL@%
My emanation far within%@NL@%
Weeps incessantly for my sin.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1804] from Blake's Notebook.My Specter,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW580    @%%@2@%And throughout all eternity%@NL@%%@EH@%
I forgive you, you forgive me.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1804] from Blake's Notebook.My Specter,st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW590    @%%@2@%Mock on, mock on, 1  Voltaire, Rousseau.%@NL@%%@EH@%
Mock on, mock on-'tis all in vain!%@NL@%
You throw the sand against the wind,%@NL@%
And the wind blows it back again.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1804] from Blake's Notebook.Mock On, st. 1

%@NL@%%@AI@%1 See Job 21:3%@BO:           1d6e7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW600    @%%@2@%Terror in the house does roar,%@NL@%%@EH@%
But Pity stands before the door.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1804] from Blake's Notebook.Terror in the House

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW610    @%%@2@%There is a smile of love,%@NL@%%@EH@%
And there is a smile of deceit,%@NL@%
And there is a smile of smiles%@NL@%
In which these two smiles meet.%@NL@%

%@NL@%William Blake
%@NL@%%@FN@%
The manuscript, a fair copy, is named after a nineteenth-century owner.  %@EF@%
Poems from the Pickering Manuscript [c. 1805].The Smile, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW620    @%%@2@%This cabinet is formed of gold%@NL@%%@EH@%
And pearl and crystal shining bright,%@NL@%
And within it opens into a world%@NL@%
And a little lovely moony night.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].The Crystal Cabinet, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This stanza is also in Jerusalem [1804-1820], preface (To the Deists) to
chapter 3.  %@EF@%
%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW630    @%%@2@%For a tear is an intellectual thing,%@NL@%%@EH@%
And a sigh is the sword of an Angel King,%@NL@%
And the bitter groan of the martyr's woe%@NL@%
Is an arrow from the Almighty's bow.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].The Gray Monk, st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW640    @%%@2@%To see a world in a grain of sand%@NL@%%@EH@%
And a heaven in a wild flower,%@NL@%
Hold infinity in the palm of your hand%@NL@%
And eternity in an hour.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].Auguries of Innocence,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW650    @%%@2@%A robin redbreast in a cage%@NL@%%@EH@%
Puts all Heaven in a rage.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].Auguries of Innocence,l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW660    @%%@2@%A dog starved at his master's gate%@NL@%%@EH@%
Predicts the ruin of the state.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].Auguries of Innocence,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW670    @%%@2@%He who shall hurt the little wren%@NL@%%@EH@%
Shall never be beloved by men.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].Auguries of Innocence,l. 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW680    @%%@2@%A truth that's told with bad intent%@NL@%%@EH@%
Beats all the lies you can invent.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].Auguries of Innocence,l. 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW685    @%%@2@%Man was made for joy and woe,%@NL@%%@EH@%
And when this we rightly know%@NL@%
Through the world we safely go.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].Auguries of Innocence,l. 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW690    @%%@2@%Every tear from every eye%@NL@%%@EH@%
Becomes a babe in eternity.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].Auguries of Innocence,l. 67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW700    @%%@2@%He who shall teach the child to doubt%@NL@%%@EH@%
The rotting grave shall ne'er get out.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].Auguries of Innocence,l. 87

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW705    @%%@2@%The strongest poison ever known%@NL@%%@EH@%
Came from Caesar's laurel crown.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].Auguries of Innocence,l. 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW710    @%%@2@%He who doubts from what he sees%@NL@%%@EH@%
Will ne'er believe, do what you please.%@NL@%
If the sun and moon should doubt%@NL@%
They'd immediately go out.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].Auguries of Innocence,l. 107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW720    @%%@2@%The harlot's cry from street to street%@NL@%%@EH@%
Shall weave old England's winding sheet.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].Auguries of Innocence,l. 115

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW730    @%%@2@%Some are born to sweet delight.%@NL@%%@EH@%
Some are born to endless night.%@NL@%

%@NL@%William Blake
%@NL@%Poems from the Pickering Manuscript [c. 1805].Auguries of Innocence,l. 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW735    @%%@2@%   Rouse up, O young men of the new age! Set your foreheads against the%@EH@%
ignorant hirelings! For we have hirelings in the camp, the court, and the
university who would, if they could, forever repress mental and prolong
corporeal war.%@NL@%
%@NL@%
William Blake
%@NL@%Milton [c. 1809],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW740    @%%@2@%And did those feet in ancient time%@NL@%%@EH@%
Walk upon England's mountains green?%@NL@%
And was the holy Lamb of God%@NL@%
On England's pleasant pastures seen?And did the Countenance Divine%@NL@%
Shine forth upon our clouded hills?%@NL@%
And was Jerusalem builded here%@NL@%
Among those dark Satanic mills?Bring me my bow of burning gold,%@NL@%
Bring me my arrows of desire,%@NL@%
Bring me my spear-O clouds, unfold!%@NL@%
Bring me my chariot of fire!I will not cease from mental fight,%@NL@%
Nor shall my sword sleep in my hand,%@NL@%
Till we have built Jerusalem%@NL@%
In England's green and pleasant land.%@NL@%

%@NL@%William Blake
%@NL@%Milton [c. 1809],prefatory poem

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW750    @%%@2@%Great things are done when men and mountains meet;%@NL@%%@EH@%
This is not done by jostling in the street.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1807-1809] from Blake's Notebook.Great Things Are Done

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW760    @%%@2@%If you have formed a circle to go into,%@NL@%%@EH@%
Go into it yourself and see how you would do.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1807-1809] from Blake's Notebook.To God

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW790    @%%@2@%The Angel that presided o'er my birth%@NL@%%@EH@%
Said, "Little creature, formed of joy and mirth,%@NL@%
Go love without the help of any thing on earth."%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1807-1809] from Blake's Notebook.The Angel That Presided

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW800    @%%@2@%Grown old in love from seven till seven times seven,%@NL@%%@EH@%
I oft have wished for Hell for ease from Heaven.%@NL@%

%@NL@%William Blake
%@NL@%Poems [written c. 1807-1809] from Blake's Notebook.Grown Old in Love

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW860    @%%@2@%   Poetry fettered fetters the human race. Nations are destroyed, or%@EH@%
flourish, in proportion as their poetry, painting, and music are destroyed
or flourish!%@NL@%
%@NL@%
William Blake
%@NL@%Jerusalem [c. 1818-1820].To the Public, plate 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW870    @%%@2@%He who would do good to another must do it in minute particulars;%@NL@%%@EH@%
General good is the plea of the scoundrel, hypocrite, and flatterer:%@NL@%
For art and science cannot exist but in minutely organized particulars.%@NL@%

%@NL@%William Blake
%@NL@%Jerusalem [c. 1818-1820].ch.3, plate 55, l. 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW880    @%%@2@%England! awake! awake! awake!%@NL@%%@EH@%
Jerusalem thy sister calls!%@NL@%
Why wilt thou sleep the sleep of death%@NL@%
And close her from thy ancient walls?%@NL@%

%@NL@%William Blake
%@NL@%Jerusalem [c. 1818-1820].ch.4, prefatory poem, plate 77, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW910    @%%@2@%The vision of Christ that thou dost see%@NL@%%@EH@%
Is my vision's greatest enemy.%@NL@%

%@NL@%William Blake
%@NL@%The Everlasting Gospel [written c. 1818], sec.4,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW920    @%%@2@%Both read the Bible day and night,%@NL@%%@EH@%
But thou read'st black where I read white.%@NL@%

%@NL@%William Blake
%@NL@%The Everlasting Gospel [written c. 1818], sec.4,l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
We are led to believe a lie/When we see not through the eye.-Blake, Auguries
of Innocence, l. 125  %@EF@%
%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW930    @%%@2@%This life's dim windows of the soul%@NL@%%@EH@%
Distorts the heavens from pole to pole%@NL@%
And leads you to believe a lie%@NL@%
When you see with, not through, the eye.%@NL@%

%@NL@%William Blake
%@NL@%The Everlasting Gospel [written c. 1818], sec.5, l. 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Blake@%%@QR:Blake@%%@CR:N1757BLAW950    @%%@2@%I am sure this Jesus will not do%@NL@%%@EH@%
Either for Englishman or Jew.%@NL@%

%@NL@%William Blake
%@NL@%The Everlasting Gospel [written c. 1818], sec.8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Gillray%@AE@%%@EH@%
%@NL@%
%@AB@%1757-1815%@AE@%
%@NL@%%@NL@%

%@FN@%
The Bank of England.  %@EF@%
%@QR:James Gillray@%%@QR:Gillray@%%@CR:N1757GILJ10     @%%@2@%   The Old Lady of Threadneedle Street.%@NL@%%@EH@%
%@NL@%
James Gillray
%@NL@%Title of cartoon [1797]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Philip Kemble%@AE@%%@EH@%
%@NL@%
%@AB@%1757-1823%@AE@%
%@NL@%%@NL@%

%@QR:John Philip Kemble@%%@QR:Kemble@%%@CR:N1757KEMJ10     @%%@2@%Perhaps it was right to dissemble your love,%@NL@%%@EH@%
But-why did you kick me down stairs?%@NL@%

%@NL@%John Philip Kemble
%@NL@%%@FN@%
An adaptation of Isaac Bickerstaffe's "Tis Well It's No Worse [1770].  %@EF@%
The Panel, act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Royall Tyler%@AE@%%@EH@%
%@NL@%
%@AB@%1757-1826%@AE@%
%@NL@%%@NL@%

%@FN@%
Tyler was involved in suppressing Shays's Rebellion.  %@EF@%
%@QR:Royall Tyler@%%@QR:Tyler@%%@CR:N1757TYLR10     @%%@2@%   Since General Shays has sneaked off and given us the bag to hold.%@NL@%%@EH@%
%@NL@%
Royall Tyler
%@NL@%The Contrast [1787], actII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Royall Tyler@%%@QR:Tyler@%%@CR:N1757TYLR20     @%%@2@%   I am at the end of my tether.%@NL@%%@EH@%
%@NL@%
Royall Tyler
%@NL@%The Contrast [1787], actIII, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Fisher Ames%@AE@%%@EH@%
%@NL@%
%@AB@%1758-1808%@AE@%
%@NL@%%@NL@%

%@QR:Fisher Ames@%%@QR:Ames@%%@CR:N1758AMEF10     @%%@2@%   A monarchy is a merchantman which sails well, but will sometimes strike%@EH@%
on a rock, and go to the bottom; a republic is a raft which will never sink,
but then your feet are always in the water.%@NL@%
%@NL@%
Fisher Ames
%@NL@%Speech in the House of Representatives [1795]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Heath%@AE@%%@EH@%
%@NL@%
%@AB@%1758-1810%@AE@%
%@NL@%%@NL@%

%@FN@%
Philosophia Biou Kybernetes. The name Phi Beta Kappa is from the Greek
initial letters in the phrase.  See Cicero  %@EF@%
%@QR:John Heath@%%@QR:Heath@%%@CR:N1758HEAJ10     @%%@2@%   Love of wisdom [philosophy] the guide of life.%@NL@%%@EH@%
%@NL@%
John Heath
%@NL@%Greek phrase for Phi Beta Kappa, society founded at the
College of William and Mary [December 5, 1776]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Monroe%@AE@%%@EH@%
%@NL@%
%@AB@%1758-1831%@AE@%
%@NL@%%@NL@%

%@QR:James Monroe@%%@QR:Monroe@%%@CR:N1758MONJ10     @%%@2@%   National honor is national property of the highest value.%@NL@%%@EH@%
%@NL@%
James Monroe
%@NL@%First Inaugural Address [March 4, 1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Monroe@%%@QR:Monroe@%%@CR:N1758MONJ20     @%%@2@%   The American continents . . . are henceforth not to be considered as%@EH@%
subjects for future colonization by any European powers.%@NL@%
%@NL@%
James Monroe
%@NL@%Annual Message to Congress [December 2, 1823]. The Monroe Doctrine

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Monroe@%%@QR:Monroe@%%@CR:N1758MONJ30     @%%@2@%   In the wars of the European powers in matters relating to themselves we%@EH@%
have never taken any part, nor does it comport with our policy so to do.%@NL@%
%@NL@%
James Monroe
%@NL@%Annual Message to Congress [December 2, 1823]. The Monroe Doctrine

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Monroe@%%@QR:Monroe@%%@CR:N1758MONJ40     @%%@2@%   We owe it, therefore, to candor, and to the amicable relations existing%@EH@%
between the United States and those powers to declare that we should
consider any attempt on their part to extend their system to any portion of
this hemisphere as dangerous to our peace and safety. With the existing
colonies or dependencies of any European power we . . . shall not interfere.
But with the governments . . . whose independence we have . . .
acknowledged, we could not view any interposition for the purpose of
oppressing them, or controlling, in any other manner, their destiny, by any
European power, in any other light than as a manifestation of an unfriendly
disposition towards the United States.%@NL@%
%@NL@%
James Monroe
%@NL@%Annual Message to Congress [December 2, 1823]. The Monroe Doctrine

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Horatio Nelson, Viscount Nelson%@AE@%%@EH@%
%@NL@%
%@AB@%1758-1805%@AE@%
%@NL@%%@NL@%

%@QR:Horatio Nelson, Viscount Nelson@%%@QR:Nelson@%%@CR:N1758NELH10     @%%@2@%   Westminster Abbey, or victory!%@NL@%%@EH@%
%@NL@%
Horatio Nelson, Viscount Nelson
%@NL@%At the battle of Cape St. Vincent [February 14, 1797].
From Robert Southey, Life of Nelson [1813], ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horatio Nelson, Viscount Nelson@%%@QR:Nelson@%%@CR:N1758NELH20     @%%@2@%   I have only one eye, I have a right to be blind sometimes . . . I really%@EH@%
do not see the signal.%@NL@%
%@NL@%
Horatio Nelson, Viscount Nelson
%@NL@%At the battle of Copenhagen [1801]. Ib. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horatio Nelson, Viscount Nelson@%%@QR:Nelson@%%@CR:N1758NELH30     @%%@2@%   Something must be left to chance; nothing is sure in a sea fight beyond%@EH@%
all others.%@NL@%
%@NL@%
Horatio Nelson, Viscount Nelson
%@NL@%Memorandum to the fleet, off Cadiz [October 9, 1805]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horatio Nelson, Viscount Nelson@%%@QR:Nelson@%%@CR:N1758NELH40     @%%@2@%   But, in case signals can neither be seen or perfectly understood, no%@EH@%
captain can do very wrong if he places his ship alongside that of the enemy.%@NL@%
%@NL@%
Horatio Nelson, Viscount Nelson
%@NL@%Memorandum to the fleet, off Cadiz [October 9, 1805]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This famous sentence is thus first reported: Say to the fleet, England
confides that every man will do his duty. Captain Pasco, Nelson's flag
lieutenant, suggested substituting "expects" for "confides," which was
adopted. Captain Blackwood, who commanded the Euryalus, says that the
correction suggested was from "Nelson expects" to "England expects."  %@EF@%
%@QR:Horatio Nelson, Viscount Nelson@%%@QR:Nelson@%%@CR:N1758NELH50     @%%@2@%   England expects every man will do his duty.%@NL@%%@EH@%
%@NL@%
Horatio Nelson, Viscount Nelson
%@NL@%At the battle of Trafalgar [October 21, 1805]. From Robert Southey, Life of
Nelson [1813], ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horatio Nelson, Viscount Nelson@%%@QR:Nelson@%%@CR:N1758NELH70     @%%@2@%   Thank God, I have done my duty.%@NL@%%@EH@%
%@NL@%
Horatio Nelson, Viscount Nelson
%@NL@%At the battle of Trafalgar [October 21, 1805]. From Robert Southey, Life of
Nelson [1813], ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horatio Nelson, Viscount Nelson@%%@QR:Nelson@%%@CR:N1758NELH80     @%%@2@%   Kiss me, Hardy.%@NL@%%@EH@%
%@NL@%
Horatio Nelson, Viscount Nelson
%@NL@%At the battle of Trafalgar [October 21, 1805]. From Robert Southey, Life of
Nelson [1813], ch. 9

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Red Jacket Sagoyewatha%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1758-1830%@AE@%
%@FN@%
Seneca chief.  %@EF@%
%@NL@%%@NL@%

%@QR:Red Jacket Sagoyewatha@%%@CR:N1758REDJ10     @%%@2@%   We first knew you a feeble plant which wanted a little earth whereon to%@EH@%
grow. We gave it to you; and afterward, when we could have trod you under
our feet, we watered and protected you; and now you have grown to be a
mighty tree, whose top reaches the clouds, and whose branches overspread the
whole land, whilst we, who were the tall pine of the forest, have become a
feeble plant and need your protection.%@NL@%
%@NL@%
Red Jacket Sagoyewatha
%@NL@%Statement [c. 1792]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Burns%@AE@%%@EH@%
%@NL@%
%@AB@%1759-1796%@AE@%
%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR10     @%%@2@%Wee, sleekit, cow'rin, tim'rous beastie,%@NL@%%@EH@%
O, what a panic's in thy breastie!%@NL@%
Thou need na start awa sae hasty,%@NL@%
Wi' bickering brattle!%@NL@%

%@NL@%Robert Burns
%@NL@%To a Mouse [1785],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR20     @%%@2@%I'm truly sorry man's dominion%@NL@%%@EH@%
Has broken Nature's social union.%@NL@%

%@NL@%Robert Burns
%@NL@%To a Mouse [1785],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR30     @%%@2@%The best laid schemes o' mice and men%@NL@%%@EH@%
Gang aft a-gley. 1 %@NL@%

%@NL@%Robert Burns
%@NL@%To a Mouse [1785],st. 7

%@NL@%%@AI@%1 See Ihara Saikaku%@BO:          276f41@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR40     @%%@2@%Nature's law,%@NL@%%@EH@%
That man was made to mourn.%@NL@%

%@NL@%Robert Burns
%@NL@%Man Was Made to Mourn [1786],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR50     @%%@2@%Man's inhumanity to man. 1  2 %@NL@%%@EH@%
Makes countless thousands mourn!%@NL@%

%@NL@%Robert Burns
%@NL@%Man Was Made to Mourn [1786],st. 7

%@NL@%%@AI@%1 See Pliny%@BO:           ec5fb@%%@AE@%
%@AI@%2 See Wordsworth%@BO:          33b0a3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR60     @%%@2@%He wales a portion with judicious care;%@NL@%%@EH@%
And "Let us worship God" he says, with solemn air.%@NL@%

%@NL@%Robert Burns
%@NL@%The Cotter's Saturday Night [1786],st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR70     @%%@2@%From scenes like these, old Scotia's grandeur springs,%@NL@%%@EH@%
That makes her loved at home, revered abroad:%@NL@%
Princes and lords are but the breath of kings, 1 %@NL@%
"An honest man's the noblest work of God." 2  3 %@NL@%

%@NL@%Robert Burns
%@NL@%The Cotter's Saturday Night [1786],st. 19

%@NL@%%@AI@%1 See Goldsmith%@BO:          2dea0b@%%@AE@%
%@AI@%2 See Fletcher%@BO:          2146ab@%%@AE@%
%@AI@%3 See Pope%@BO:          2a1f8f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR80     @%%@2@%Gie me ae spark o' Nature's fire,%@NL@%%@EH@%
That's a' the learning I desire.%@NL@%

%@NL@%Robert Burns
%@NL@%First Epistle to J. Lapraik [1786], st. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR90     @%%@2@%The social, friendly, honest man,%@NL@%%@EH@%
Whate'er he be,%@NL@%
'Tis he fulfills great Nature's plan,%@NL@%
And none but he!%@NL@%

%@NL@%Robert Burns
%@NL@%Second Epistle to J. Lapraik [1786], st. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR100    @%%@2@%On ev'ry hand it will allowed be,%@NL@%%@EH@%
He's just-nae better than he should be.%@NL@%

%@NL@%Robert Burns
%@NL@%A Dedication to Gavin Hamilton [1786]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR110    @%%@2@%It's hardly in a body's pow'r,%@NL@%%@EH@%
To keep, at times, frae being sour.%@NL@%

%@NL@%Robert Burns
%@NL@%Epistle to Davie [1786], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR120    @%%@2@%Misled by fancy's meteor ray,%@NL@%%@EH@%
By passion driven;%@NL@%
But yet the light that led astray%@NL@%
Was light from heaven.%@NL@%

%@NL@%Robert Burns
%@NL@%The Vision [1786], II, st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR130    @%%@2@%His locked, lettered, braw brass collar%@NL@%%@EH@%
Showed him the gentleman an' scholar.%@NL@%

%@NL@%Robert Burns
%@NL@%The Twa Dogs[1786],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR140    @%%@2@%An' there began a lang digression%@NL@%%@EH@%
About the lords o' the creation.%@NL@%

%@NL@%Robert Burns
%@NL@%The Twa Dogs[1786],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR150    @%%@2@%Oh wad some power the giftie gie us%@NL@%%@EH@%
To see oursels as others see us!%@NL@%
It wad frae monie a blunder free us,%@NL@%
An' foolish notion.%@NL@%

%@NL@%Robert Burns
%@NL@%To a Louse [1786], st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR160    @%%@2@%Wee, modest, crimson-tipped flow'r,%@NL@%%@EH@%
Thou's met me in an evil hour;%@NL@%
For I maun crush amang the stoure%@NL@%
Thy slender stem:%@NL@%
To spare thee now is past my pow'r,%@NL@%
Thou bonie gem.%@NL@%

%@NL@%Robert Burns
%@NL@%To a Mountain Daisy [1786],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR170    @%%@2@%Stern Ruin's plowshare drives elate,%@NL@%%@EH@%
Full on thy bloom. 1 %@NL@%

%@NL@%Robert Burns
%@NL@%To a Mountain Daisy [1786],st. 9

%@NL@%%@AI@%1 See Edward Young%@BO:          294d99@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR180    @%%@2@%Perhaps it may turn out a sang,%@NL@%%@EH@%
Perhaps turn out a sermon.%@NL@%

%@NL@%Robert Burns
%@NL@%Epistle to a Young Friend [1786],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR190    @%%@2@%I waive the quantum o' the sin,%@NL@%%@EH@%
The hazard of concealing:%@NL@%
But, och! it hardens a' within,%@NL@%
And petrifies the feeling!%@NL@%

%@NL@%Robert Burns
%@NL@%Epistle to a Young Friend [1786],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR200    @%%@2@%An atheist-laugh's a poor exchange%@NL@%%@EH@%
For Deity offended.%@NL@%

%@NL@%Robert Burns
%@NL@%Epistle to a Young Friend [1786],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR210    @%%@2@%There's nought but care on ev'ry han',%@NL@%%@EH@%
In every hour that passes, O:%@NL@%
What signifies the life o' man,%@NL@%
An' 't were nae for the lasses, O.%@NL@%

%@NL@%Robert Burns
%@NL@%Green Grow the Rashes, O [1787],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR220    @%%@2@%Auld Nature swears, the lovely dears%@NL@%%@EH@%
Her noblest work she classes, O:%@NL@%
Her prentice han' she tried on man,%@NL@%
An' then she made the lasses, O.%@NL@%

%@NL@%Robert Burns
%@NL@%Green Grow the Rashes, O [1787],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR230    @%%@2@%Green grow the rashes, O;%@NL@%%@EH@%
Green grow the rashes, O;%@NL@%
The sweetest hours that e'er I spend%@NL@%
Are spent among the lasses, O.%@NL@%

%@NL@%Robert Burns
%@NL@%Green Grow the Rashes, O [1787],chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR240    @%%@2@%I wasna fou, but just had plenty.%@NL@%%@EH@%

%@NL@%Robert Burns
%@NL@%Death and Dr. Hornbook [1787], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR250    @%%@2@%John Barleycorn got up again,%@NL@%%@EH@%
And sore surprised them all.%@NL@%

%@NL@%Robert Burns
%@NL@%John Barleycorn [1787], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR260    @%%@2@%The heart benevolent and kind%@NL@%%@EH@%
The most resembles God.%@NL@%

%@NL@%Robert Burns
%@NL@%A Winter Night [1787]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR270    @%%@2@%Ye're aiblins nae temptation.%@NL@%%@EH@%

%@NL@%Robert Burns
%@NL@%Address to the Unco Guid [1787],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR280    @%%@2@%Then gently scan your brother man,%@NL@%%@EH@%
Still gentler sister woman;%@NL@%
Tho' they may gang a kennin wrang,%@NL@%
To step aside is human.%@NL@%

%@NL@%Robert Burns
%@NL@%Address to the Unco Guid [1787],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR290    @%%@2@%O, my Luve is like a red, red rose,%@NL@%%@EH@%
That's newly sprung in June.%@NL@%
O, my Luve is like the melodie,%@NL@%
That's sweetly played in tune.%@NL@%

%@NL@%Robert Burns
%@NL@%Johnson's Musical Museum [1787-1796].A Red, Red Rose, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR300    @%%@2@%Contented wi' little and cantie wi' mair.%@NL@%%@EH@%

%@NL@%Robert Burns
%@NL@%Johnson's Musical Museum [1787-1796].Contented wi' Little, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR310    @%%@2@%Ye banks and braes o' bonny Doon,%@NL@%%@EH@%
How can ye bloom sae fresh and fair?%@NL@%
How can ye chant, ye little birds,%@NL@%
And I sae weary fu' o' care!%@NL@%
Thou'll break my heart, thou warbling bird,%@NL@%
That wantons thro' the flowering thorn!%@NL@%
Thou minds me o' departed joys,%@NL@%
Departed never to return.%@NL@%

%@NL@%Robert Burns
%@NL@%Johnson's Musical Museum [1787-1796].The Banks o' Doon, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR320    @%%@2@%Chords that vibrate sweetest pleasure%@NL@%%@EH@%
Thrill the deepest notes of woe.%@NL@%

%@NL@%Robert Burns
%@NL@%Johnson's Musical Museum [1787-1796].Sensibility How Charming, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR330    @%%@2@%Ae fond kiss, and then we sever;%@NL@%%@EH@%
Ae farewell and then forever! 1 %@NL@%

%@NL@%Robert Burns
%@NL@%Johnson's Musical Museum [1787-1796].Ae Fond Kiss,st. 1

%@NL@%%@AI@%1 See Byron%@BO:          37d665@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR340    @%%@2@%But to see her was to love her,%@NL@%%@EH@%
Love but her, and love forever. 1  2 %@NL@%
Had we never loved sae kindly,%@NL@%
Had we never loved sae blindly,%@NL@%
Never met-or never parted-%@NL@%
We had ne'er been brokenhearted.%@NL@%

%@NL@%Robert Burns
%@NL@%Johnson's Musical Museum [1787-1796].Ae Fond Kiss,st. 2

%@NL@%%@AI@%1 See Halleck%@BO:          3868d6@%%@AE@%
%@AI@%2 See Tennyson%@BO:          3fc26b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR350    @%%@2@%It was a' for our rightfu' King%@NL@%%@EH@%
We left fair Scotland's strand.%@NL@%

%@NL@%Robert Burns
%@NL@%Johnson's Musical Museum [1787-1796].It Was A' for Our Rightfu' King,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR360    @%%@2@%Now a' is done that men can do,%@NL@%%@EH@%
And a' is done in vain.%@NL@%

%@NL@%Robert Burns
%@NL@%Johnson's Musical Museum [1787-1796].It Was A' for Our Rightfu' King,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR370    @%%@2@%He turn'd him right and round about%@NL@%%@EH@%
Upon the Irish shore;%@NL@%
And gae his bridle reins a shake,%@NL@%
With adieu forevermore,%@NL@%
My dear-%@NL@%
And adieu forevermore!%@NL@%

%@NL@%Robert Burns
%@NL@%Johnson's Musical Museum [1787-1796].It Was A' for Our Rightfu' King,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR380    @%%@2@%John Anderson my jo, John,%@NL@%%@EH@%
When we were first acquent,%@NL@%
Your locks were like the raven,%@NL@%
Your bonie brow was brent;%@NL@%
But now your brow is beld, John,%@NL@%
Your locks are like the snaw,%@NL@%
But blessings on your frosty pow,%@NL@%
John Anderson my jo!%@NL@%

%@NL@%Robert Burns
%@NL@%Johnson's Musical Museum [1787-1796].John Anderson My Jo, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR390    @%%@2@%Farewell to the Highlands, farewell to the North,%@NL@%%@EH@%
The birthplace of valor, the country of worth!%@NL@%
Wherever I wander, wherever I rove,%@NL@%
The hills of the Highlands for ever I love.%@NL@%

%@NL@%Robert Burns
%@NL@%Johnson's Musical Museum [1787-1796].My Heart's in the Highlands,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR400    @%%@2@%My heart's in the Highlands, my heart is not here,%@NL@%%@EH@%
My heart's in the Highlands a-chasing the deer;%@NL@%
A-chasing the wild deer, and following the roe,%@NL@%
My heart's in the Highlands wherever I go.%@NL@%

%@NL@%Robert Burns
%@NL@%Johnson's Musical Museum [1787-1796].My Heart's in the Highlands,chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR410    @%%@2@%O whistle, and I'll come to you, 1  my lad:%@NL@%%@EH@%
Tho' father and mither and a' should gae mad.%@NL@%

%@NL@%Robert Burns
%@NL@%Whistle, and I'll Come to You, My Lad

%@NL@%%@AI@%1 See Beaumont and Fletcher%@BO:          21900e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR420    @%%@2@%Should auld acquaintance be forgot,%@NL@%%@EH@%
And never brought to min'?%@NL@%
Should auld acquaintance be forgot,%@NL@%
And days o' auld lang syne?%@NL@%

%@NL@%Robert Burns
%@NL@%Auld Lang Syne [1788],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR430    @%%@2@%For auld lang syne, my dear,%@NL@%%@EH@%
For auld lang syne,%@NL@%
We'll tak a cup o' kindness yet%@NL@%
For auld lang syne!%@NL@%

%@NL@%Robert Burns
%@NL@%Auld Lang Syne [1788],chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR440    @%%@2@%Flow gently, sweet Afton, among thy green braes,%@NL@%%@EH@%
Flow gently, I'll sing thee a song in thy praise.%@NL@%
My Mary's asleep by thy murmuring stream,%@NL@%
Flow gently, sweet Afton, disturb not her dream.%@NL@%

%@NL@%Robert Burns
%@NL@%Afton Water [1789], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR450    @%%@2@%This day Time winds th' exhausted chain,%@NL@%%@EH@%
To run the twelvemonth's length again.%@NL@%

%@NL@%Robert Burns
%@NL@%New Year's Day [1791],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR460    @%%@2@%The voice of Nature loudly cries,%@NL@%%@EH@%
And many a message from the skies,%@NL@%
That something in us never dies.%@NL@%

%@NL@%Robert Burns
%@NL@%New Year's Day [1791],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR470    @%%@2@%When Nature her great masterpiece designed,%@NL@%%@EH@%
And framed her last, best work, the human mind,%@NL@%
Her eye intent on all the wondrous plan,%@NL@%
She formed of various stuff the various Man.%@NL@%

%@NL@%Robert Burns
%@NL@%To Robert Graham [1791], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR480    @%%@2@%She is a winsome wee thing,%@NL@%%@EH@%
She is a handsome wee thing,%@NL@%
She is a lo'esome wee thing,%@NL@%
This sweet wee wife o' mine.%@NL@%

%@NL@%Robert Burns
%@NL@%My Wife's a Winsome Wee Thing [1792], chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR490    @%%@2@%The golden hours on angel wings%@NL@%%@EH@%
Flew o'er me and my dearie;%@NL@%
For dear to me as light and life%@NL@%
Was my sweet Highland Mary.%@NL@%

%@NL@%Robert Burns
%@NL@%Highland Mary [1792],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR500    @%%@2@%But, oh! fell death's untimely frost,%@NL@%%@EH@%
That nipt my flower sae early.%@NL@%

%@NL@%Robert Burns
%@NL@%Highland Mary [1792],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR510    @%%@2@%If there's a hole in a' your coats,%@NL@%%@EH@%
I rede you tent it;%@NL@%
A chield's amang you takin' notes,%@NL@%
And faith he'll prent it.%@NL@%

%@NL@%Robert Burns
%@NL@%On the Late Captain Grose's Peregrinations Thro' Scotland [1793],
st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR520    @%%@2@%Some hae meat and canna eat,%@NL@%%@EH@%
And some wad eat that want it;%@NL@%
But we hae meat, and we can eat,%@NL@%
And sae the Lord be thankit.%@NL@%

%@NL@%Robert Burns
%@NL@%The Selkirk Grace [1793] (attributed)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR530    @%%@2@%O Mary, at thy window be!%@NL@%%@EH@%
It is the wished, the trysted hour.%@NL@%

%@NL@%Robert Burns
%@NL@%Mary Morison [1793], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR540    @%%@2@%The lovely Mary Morison!%@NL@%%@EH@%

%@NL@%Robert Burns
%@NL@%Mary Morison [1793], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR550    @%%@2@%Whare sits our sulky, sullen dame,%@NL@%%@EH@%
Gathering her brows like gathering storm,%@NL@%
Nursing her wrath to keep it warm.%@NL@%

%@NL@%Robert Burns
%@NL@%Tam o' Shanter [1793],l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR560    @%%@2@%Ah, gentle dames! it gars me greet%@NL@%%@EH@%
To think how monie counsels sweet,%@NL@%
How monie lengthened, sage advices,%@NL@%
The husband frae the wife despises.%@NL@%

%@NL@%Robert Burns
%@NL@%Tam o' Shanter [1793],l. 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR570    @%%@2@%His ancient, trusty, drouthy crony;%@NL@%%@EH@%
Tam lo'ed him like a vera brither-%@NL@%
They had been fou for weeks thegither.%@NL@%

%@NL@%Robert Burns
%@NL@%Tam o' Shanter [1793],l. 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR580    @%%@2@%Kings may be blest, but Tam was glorious,%@NL@%%@EH@%
O'er a' the ills o' life victorious.%@NL@%

%@NL@%Robert Burns
%@NL@%Tam o' Shanter [1793],l. 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR590    @%%@2@%But pleasures are like poppies spread-%@NL@%%@EH@%
You seize the flow'r, its bloom is shed;%@NL@%
Or like the snow falls in the river-%@NL@%
A moment white-then melts forever.%@NL@%

%@NL@%Robert Burns
%@NL@%Tam o' Shanter [1793],l. 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR600    @%%@2@%That hour, o' night's black arch the keystane.%@NL@%%@EH@%

%@NL@%Robert Burns
%@NL@%Tam o' Shanter [1793],l. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR610    @%%@2@%Inspiring bold John Barleycorn!%@NL@%%@EH@%
What dangers thou canst make us scorn!%@NL@%
Wi' tippenny, we fear nae evil;%@NL@%
Wi' usquebae, we'll face the devil!%@NL@%

%@NL@%Robert Burns
%@NL@%Tam o' Shanter [1793],l. 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR620    @%%@2@%As Tammie glow'red, amazed, and curious,%@NL@%%@EH@%
The mirth and fun grew fast and furious.%@NL@%

%@NL@%Robert Burns
%@NL@%Tam o' Shanter [1793],l. 143

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR630    @%%@2@%Her cutty sark, o' Paisley harn,%@NL@%%@EH@%
That while a lassie she had worn,%@NL@%
In longitude tho' sorely scanty,%@NL@%
It was her best, and she was vauntie.%@NL@%

%@NL@%Robert Burns
%@NL@%Tam o' Shanter [1793],l. 171

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The famous tea clipper Cutty Sark, designed by Hercules Linton and built in
1869, had the story of Tam o' Shanter carved upon her bow and counter.
Nannie, with flying locks and scanty shift, was the figurehead.  %@EF@%
%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR640    @%%@2@%"Weel done, Cutty Sark!"%@NL@%%@EH@%

%@NL@%Robert Burns
%@NL@%Tam o' Shanter [1793],l. 189

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR650    @%%@2@%Ah, Tam! Ah! Tam! Thou'll get thy fairin!%@NL@%%@EH@%
In hell they'll roast you like a herrin!%@NL@%

%@NL@%Robert Burns
%@NL@%Tam o' Shanter [1793],l. 201

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR660    @%%@2@%Scots wha hae wi' Wallace bled,%@NL@%%@EH@%
Scots wham Bruce has aften led,%@NL@%
Welcome to your gory bed%@NL@%
Or to victorie.Now's the day, and now's the hour;%@NL@%
See the front o' battle lour!%@NL@%
See approach proud Edward's power-%@NL@%
Chains and slaverie!%@NL@%

%@NL@%Robert Burns
%@NL@%Scots Wha Hae [1794],st. 1, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR670    @%%@2@%Lay the proud usurpers low!%@NL@%%@EH@%
Tyrants fall in every foe!%@NL@%
Liberty's in every blow!%@NL@%
Let us do or die! 1 %@NL@%

%@NL@%Robert Burns
%@NL@%Scots Wha Hae [1794],st. 6

%@NL@%%@AI@%1 See Fletcher%@BO:          214eba@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR680    @%%@2@%The rank is but the guinea's stamp,%@NL@%%@EH@%
The man's the gowd for a' that.%@NL@%

%@NL@%Robert Burns
%@NL@%For A' That and A' That [1795],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR690    @%%@2@%A prince can mak a belted knight,%@NL@%%@EH@%
A marquis, duke, and a' that;%@NL@%
But an honest man's aboon his might,%@NL@%
Guid faith, he mauna fa' that.%@NL@%

%@NL@%Robert Burns
%@NL@%For A' That and A' That [1795],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR693    @%%@2@%For a' that and a' that,%@NL@%%@EH@%
It's coming yet, for a' that,%@NL@%
That man to man the world o'er%@NL@%
Shall brothers be for a' that.%@NL@%

%@NL@%Robert Burns
%@NL@%For A' That and A' That [1795],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR700    @%%@2@%For a' that, and a' that,%@NL@%%@EH@%
An' twice as muckle 's a' that,%@NL@%
I've lost but ane, I've twa behin',%@NL@%
I've wife eneugh for a' that.%@NL@%

%@NL@%Robert Burns
%@NL@%Posthumous Pieces [1799].The Jolly Beggars, chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR710    @%%@2@%God knows, I'm no the thing I should be,%@NL@%%@EH@%
Nor am I even the thing I could be.%@NL@%

%@NL@%Robert Burns
%@NL@%Posthumous Pieces [1799].To the Reverend John M'Math, st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR720    @%%@2@%If there's another world, he lives in bliss;%@NL@%%@EH@%
If there is none, he made the best of this.%@NL@%

%@NL@%Robert Burns
%@NL@%Posthumous Pieces [1799].Epitaph on William Muir

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR730    @%%@2@%In durance vile here must I wake and weep,%@NL@%%@EH@%
And all my frowsy couch in sorrow steep.%@NL@%

%@NL@%Robert Burns
%@NL@%Posthumous Pieces [1799].Epistle from Esopus to Maria

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Burns@%%@QR:Burns@%%@CR:N1759BURR740    @%%@2@%It's guid to be merry and wise,%@NL@%%@EH@%
It's guid to be honest and true,%@NL@%
It's guid to support Caledonia's cause%@NL@%
And bide by the buff and the blue.%@NL@%

%@NL@%Robert Burns
%@NL@%Posthumous Pieces [1799].Here's a Health to Them That's Awa', st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Georges Jacques Danton%@AE@%%@EH@%
%@NL@%
%@AB@%1759-1794%@AE@%
%@NL@%%@NL@%

%@QR:Georges Jacques Danton@%%@QR:Danton@%%@CR:N1759DANG10     @%%@2@%   Everything belongs to the fatherland when the fatherland is in danger.%@NL@%%@EH@%
%@NL@%
Georges Jacques Danton
%@NL@%Speech to the Legislative Assembly[August 28, 1792]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il nous faut de l'audace, encore de l'audace, toujours de l'audace.
Translated by S. E. Morison.  See Spenser, Channing, and Patton  %@EF@%
%@QR:Georges Jacques Danton@%%@QR:Danton@%%@CR:N1759DANG20     @%%@2@%   Audacity, more audacity, always audacity.%@NL@%%@EH@%
%@NL@%
Georges Jacques Danton
%@NL@%Speech to the Legislative Assembly[September 2, 1792]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georges Jacques Danton@%%@QR:Danton@%%@CR:N1759DANG40     @%%@2@%   Show my head to the people, it is worth seeing.%@NL@%%@EH@%
%@NL@%
Georges Jacques Danton
%@NL@%Last words, addressed to the executioner

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Pitt%@AE@%%@EH@%
%@NL@%
%@AB@%1759-1806%@AE@%
%@NL@%%@NL@%

%@QR:William Pitt@%%@QR:Pitt@%%@CR:N1759PITW10     @%%@2@%   Necessity is the plea for every infringement of human freedom. It is the%@EH@%
argument of tyrants; it is the creed of slaves. 1  2 %@NL@%
%@NL@%
William Pitt
%@NL@%Speech in the House of Commons [November 18, 1783]

%@NL@%%@AI@%1 See Publilius Syrus%@BO:           e264e@%%@AE@%
%@AI@%2 See Milton%@BO:          242d15@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Johann Christoph Friedrich von Schiller%@AE@%%@EH@%
%@NL@%
%@AB@%1759-1805%@AE@%
%@NL@%%@NL@%

%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ10     @%%@2@%I feel an army in my fist.%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Die R[auml ]uber (The Robbers) [1781], act II, end

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ20     @%%@2@%The lemonade is weak, like your soul.%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Kabala und Liebe [1784], act V, sc. vii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ24     @%%@2@%The joke loses everything when the joker laughs himself.%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%The Conspiracy of Fiesco (Die Verschworung des Fiesco, 1783),
act I, sc.vii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ27     @%%@2@%Did you think the lion was sleeping because he didn't roar?%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%The Conspiracy of Fiesco (Die Verschworung des Fiesco, 1783),
act I, sc.xviii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Alle Menschen werden Bruder,/Wo dein sanfter Flugel weilt.  %@EF@%
%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ30     @%%@2@%Joy, thou spark from Heav'n immortal,%@NL@%%@EH@%
Daughter of Elysium!%@NL@%
Drunk with fire, toward Heaven advancing%@NL@%
Goddess, to thy shrine we come.%@NL@%
Thy sweet magic brings together%@NL@%
What stern Custom spreads afar;%@NL@%
All men become brothers%@NL@%
Where thy happy wing-beats are.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%%@FN@%
Adapted from the translation by Theodore Spencer for the Boston Symphony
Orchestra, for the performance of Beethoven's Ninth Symphony.  It was during
his student days in Bonn that Beethoven fastened upon Schiller's poem. . . .
The heady sense of liberation in the verses must have appealed to him as
they appealed to every German. They were in the spirit of the times, the
spirit that had swept Europe and America, and Beethoven belonged to his
time.-John N. Burk, program notes for the Boston Symphony Orchestra [October
1, 1965]  %@EF@%
An die Freude (Ode to Joy)
[1785],st. 1

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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ60     @%%@2@%Be embraced, ye millions!%@NL@%%@EH@%
This kiss is for the whole world!%@NL@%
Brothers, above the arch of stars%@NL@%
A loving Father surely dwells.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%An die Freude (Ode to Joy)
[1785],st. 5

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ70     @%%@2@%There are three lessons I would write,%@NL@%%@EH@%
Three words as with a burning pen,%@NL@%
In tracings of eternal light%@NL@%
Upon the hearts of men.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Hope, Faith, and Love [c. 1786], st. 1

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@FN@%
Die Weltgeschichte ist das Weltgericht.  %@EF@%
%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ80     @%%@2@%World history is the world's court.%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Resignation [1786]

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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ95     @%%@2@%What one refuses in a minute%@NL@%%@EH@%
No eternity will return.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Resignation [1786]

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ100    @%%@2@%O who knows what slumbers in the background of the times?%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Don Carlos [1787], act I, sc.i

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ110    @%%@2@%O the idea was childish, but divinely beautiful.%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Don Carlos [1787], act I, sc.ii

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ120    @%%@2@%Great souls suffer in silence.%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Don Carlos [1787], act I, sc.iv

%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ130    @%%@2@%A moment lived in paradise%@NL@%%@EH@%
Is not atoned for too dearly by death.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Don Carlos [1787], act I, sc.v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Why should the brave Spanish soldier brag the sun never sets in the Spanish
dominions, but ever shineth on one part or other we have conquered for our
king?-Captain John Smith, Advertisements for the Unexperienced, etc. [1631]
It may be said of them [the Hollanders] as of the Spaniards, that the sun
never sets on their dominions.-Thomas Gage, New Survey of the West Indies
[1648], Epistle Dedicatory  The sun never sets on the immense empire of
Charles V.-Scott, Life of Napoleon [1827]  His Majesty's dominions, on which
the sun never sets.-John Wilson [Christopher North], Noctes Ambrosianae, no.
20 [April 1829]  See Daniel Webster  %@EF@%
%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ140    @%%@2@%The richest monarch in the Christian world;%@NL@%%@EH@%
The sun in my own dominions never sets.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Don Carlos [1787], act I, sc.vi

%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ150    @%%@2@%What the inner voice says%@NL@%%@EH@%
Will not disappoint the hoping soul.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Hope [1797], last stanza

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ160    @%%@2@%If you want to know yourself,%@NL@%%@EH@%
Just look how others do it;%@NL@%
If you want to understand others,%@NL@%
Look into your own heart.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Tabulae Votivae [1797]

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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ170    @%%@2@%Man is created free, and is free,%@NL@%%@EH@%
Though he be born in chains. 1  2 %@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Die Worte des Glaubens (The Word of the Faithful) [1797],st. 2

%@NL@%%@AI@%1 See Rousseau%@BO:          2ca4c0@%%@AE@%
%@AI@%2 See Bliss%@BO:          2fa88a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ180    @%%@2@%Virtue is no empty echo.%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Die Worte des Glaubens (The Word of the Faithful) [1797],st. 3

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ190    @%%@2@%   Posterity weaves no garlands for imitators.%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Wallensteins Lager (Wallenstein's Camp) [1798],prologue

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ200    @%%@2@%   He who has done his best for his own time has lived for all times.%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Wallensteins Lager (Wallenstein's Camp) [1798],prologue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ210    @%%@2@%   Life is earnest, art is gay.%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Wallensteins Lager (Wallenstein's Camp) [1798],prologue

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ220    @%%@2@%   Whatever is not forbidden is permitted.%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Wallensteins Lager (Wallenstein's Camp) [1798],sc. vi

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ240    @%%@2@%   Man is made of ordinary things, and habit is his nurse.%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Wallensteins Tod (The Death of Wallenstein) [1798], actI, sc.iv

%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ250    @%%@2@%   I have only an office here, and no opinion.%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Wallensteins Tod (The Death of Wallenstein) [1798], actI, sc.v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Coleridge.  %@EF@%
%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ254    @%%@2@%Virtue has her heroes too%@NL@%%@EH@%
As well as Fame and Fortune.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Wallensteins Tod (The Death of Wallenstein) [1798], actI, sc.vii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Coleridge.  %@EF@%
%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ259    @%%@2@%Many a crown shines spotless now%@NL@%%@EH@%
That yet was deeply sullied in the winning.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Wallensteins Tod (The Death of Wallenstein) [1798], actII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Coleridge.  %@EF@%
%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ261    @%%@2@%There's no such thing as chance;%@NL@%%@EH@%
And what to us seems merest accident%@NL@%
Springs from the deepest source of destiny.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Wallensteins Tod (The Death of Wallenstein) [1798], actII, sc. iii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ260    @%%@2@%   What is life without the radiance of love?%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Wallensteins Tod (The Death of Wallenstein) [1798], actIV, sc. xii

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ270    @%%@2@%   Time is man's angel.%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Wallensteins Tod (The Death of Wallenstein) [1798], actV, sc. xi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ280    @%%@2@%   What is the short meaning of the long speech?%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Die Piccolomini [1799], actI, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Der Krieg ern[auml  ]hrt den Krieg.  %@EF@%
%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ285    @%%@2@%   War nourishes war.%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Die Piccolomini [1799], actI, sc. ii

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ290    @%%@2@%   In thy breast are the stars of thy fate.%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Die Piccolomini [1799], actII, sc.vi

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ300    @%%@2@%   You say it as you understand it.%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Die Piccolomini [1799], actII, sc.vi

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ310    @%%@2@%   When the wine goes in, strange things come out.%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Die Piccolomini [1799], actII, sc.xii

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ320    @%%@2@%   The dictates of the heart are the voice of fate.%@NL@%%@EH@%
%@NL@%
Johann Christoph Friedrich von Schiller
%@NL@%Die Piccolomini [1799], actIII, sc. viii

%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ330    @%%@2@%O tender yearning, sweet hoping!%@NL@%%@EH@%
The golden time of first love!%@NL@%
The eye sees the open heaven,%@NL@%
The heart is intoxicated with bliss;%@NL@%
O that the beautiful time of young love%@NL@%
Could remain green forever.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%The Song of the Bell [1799]

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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ340    @%%@2@%Appearance should never attain reality,%@NL@%%@EH@%
And if nature conquers, then must art retire.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%To Goethe, when he put Voltaire's Mahomet on the stage [1800]

%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ350    @%%@2@%Life is only error,%@NL@%%@EH@%
And death is knowledge.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Cassandra [1802]

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ360    @%%@2@%I am better than my reputation.%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Maria Stuart [1801], act III, sc. iv

%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ370    @%%@2@%For this should the singer accompany the king:%@NL@%%@EH@%
Both dwell on the heights of mankind.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Die Jungfrau von Orleans (Joan of Arc) [1801],actI, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Against boredom even the gods themselves struggle in vain.-Nietzsche, The
Antichrist [1888], 48  %@EF@%
%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ380    @%%@2@%Against stupidity the very gods%@NL@%%@EH@%
Themselves contend in vain.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Die Jungfrau von Orleans (Joan of Arc) [1801],actIII, sc. vi

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ400    @%%@2@%Pain is short, and joy is eternal.%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Die Jungfrau von Orleans (Joan of Arc) [1801],last lines

%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ410    @%%@2@%What are hopes, what are plans?%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Die Braut von Messina (The Bride of Messina) [1803], actIII, sc. v

%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ420    @%%@2@%Don't let your heart depend on things%@NL@%%@EH@%
That ornament life in a fleeting way!%@NL@%
He who possesses, let him learn to lose,%@NL@%
He who is fortunate, let him learn pain.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Die Braut von Messina (The Bride of Messina) [1803], actIV, sc. iv

%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ430    @%%@2@%On the mountains there is freedom!%@NL@%%@EH@%
The world is perfect everywhere,%@NL@%
Save where man comes with his torment.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Die Braut von Messina (The Bride of Messina) [1803], actIV, sc. vii

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ435    @%%@2@%The mountain cannot frighten one who was born on it.%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Wilhelm Tell [1804], actIII, sc.i

%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ440    @%%@2@%Who reflects too much will accomplish little.%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Wilhelm Tell [1804], actIII, sc.i

%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ445    @%%@2@%You saw his weakness, and he will never forgive you.%@NL@%%@EH@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Wilhelm Tell [1804], actIII, sc.i

%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ450    @%%@2@%This feat of Tell, the archer, will be told%@NL@%%@EH@%
While yonder mountains stand upon their base.%@NL@%
By heaven! The apple's cleft right through the core.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Wilhelm Tell [1804], actIII, sc.iii

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ455    @%%@2@%What's old collapses, times change,%@NL@%%@EH@%
And new life blossoms in the ruins.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Wilhelm Tell [1804], actIV, sc. ii

%@NL@%
%@NL@%
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%@QR:Johann Christoph Friedrich von Schiller@%%@QR:Schiller@%%@CR:N1759SCHJ460    @%%@2@%The most pious man can't stay in peace%@NL@%%@EH@%
If it doesn't please his evil neighbor.%@NL@%

%@NL@%Johann Christoph Friedrich von Schiller
%@NL@%Wilhelm Tell [1804], actIV, sc. iii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Mary Wollstonecraft%@AE@%%@EH@%
%@NL@%Mary Wollstonecraft Godwin
%@AB@%1759-1797%@AE@%
%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM10     @%%@2@%   Nothing, I am sure, calls forth the faculties so much as the being%@EH@%
obliged to struggle with the world.%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%Thoughts on the Education of Daughters [1787]. Matrimony

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM20     @%%@2@%   No man chooses evil because it is evil; he only mistakes it for%@EH@%
happiness, the good he seeks.%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%A Vindication of the Rights of Men [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM30     @%%@2@%   Virtue can only flourish amongst equals.%@NL@%%@EH@%
%@NL@%
Mary Wollstonecraft
%@NL@%A Vindication of the Rights of Men [1790]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM40     @%%@2@%   Till women are more rationally educated, the progress in human virtue and%@EH@%
improvement in knowledge must receive continual checks.%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%A Vindication of the Rights of Women [1792], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM50     @%%@2@%   If women be educated for dependence; that is, to act according to the%@EH@%
will of another fallible being, and submit, right or wrong, to power, where
are we to stop?%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%A Vindication of the Rights of Women [1792], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM60     @%%@2@%   How can a rational being be ennobled by anything that is not obtained by%@EH@%
its own exertions?%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%A Vindication of the Rights of Women [1792], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM70     @%%@2@%   Women are systematically degraded by receiving the trivial attentions%@EH@%
which men think it manly to pay to the sex, when, in fact, men are
insultingly supporting their own superiority.%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%A Vindication of the Rights of Women [1792], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM80     @%%@2@%   It would be an endless task to trace the variety of meannesses, cares,%@EH@%
and sorrows into which women are plunged by the prevailing opinion that they
were created rather to feel than reason, and that all the power they obtain
must be obtained by their charms and weakness.%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%A Vindication of the Rights of Women [1792], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM90     @%%@2@%   It is justice, not charity, that is wanting in the world.%@NL@%%@EH@%
%@NL@%
Mary Wollstonecraft
%@NL@%A Vindication of the Rights of Women [1792], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM100    @%%@2@%   Women ought to have representatives, instead of being arbitrarily%@EH@%
governed without any direct share allowed them in the deliberations of
government.%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%A Vindication of the Rights of Women [1792], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM110    @%%@2@%   Till society is very differently constituted, parents, I fear, will still%@EH@%
insist on being obeyed because they will be obeyed, and constantly endeavor
to settle that power on a divine right which will not bear the investigation
of reason.%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%A Vindication of the Rights of Women [1792], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM120    @%%@2@%   Every political good carried to the extreme must be productive of evil. 1%@EH@%
%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%The French Revolution [1794], bk. V, ch. 4

%@NL@%%@AI@%1 See Coleridge%@BO:          355be9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM130    @%%@2@%   The endeavor to keep alive any hoary establishment beyond its natural%@EH@%
date is often pernicious and always useless.%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%The French Revolution [1794], bk. V, ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM140    @%%@2@%   Executions, far from being useful examples to the survivors, have, I am%@EH@%
persuaded, a quite contrary effect, by hardening the heart they ought to
terrify. Besides, the fear of an ignominious death, I believe, never
deterred anyone from the commission of a crime, because in committing it the
mind is roused to activity about present circumstances.%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%Letters Written During a Short Residence in Sweden, Norway,
and Denmark [1796]. Letter19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM150    @%%@2@%   The same energy of character which renders a man a daring villain would%@EH@%
have rendered him useful to society, had that society been well organized.%@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%Letters Written During a Short Residence in Sweden, Norway,
and Denmark [1796]. Letter19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM160    @%%@2@%   We reason deeply, when we forcibly feel.%@NL@%%@EH@%
%@NL@%
Mary Wollstonecraft
%@NL@%Letters Written During a Short Residence in Sweden, Norway,
and Denmark [1796]. Letter19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft@%%@QR:Wollstonecraft@%%@QR:Mary Wollstonecraft Godwin@%%@QR:Godwin@%%@CR:N1759WOLM170    @%%@2@%   It is the preservation of the species, not of individuals, which appears%@EH@%
to be the design of Deity throughout the whole of nature. 1 %@NL@%
%@NL@%
Mary Wollstonecraft
%@NL@%Letters Written During a Short Residence in Sweden, Norway,
and Denmark [1796]. Letter22

%@NL@%%@AI@%1 See Tennyson%@BO:          4010bd@%%@AE@%

%@NL@%
%@NL@%
%@1@%%@AB@%Francois Noel Babeuf%@AE@%%@EH@%
%@NL@%Gracchus
%@AB@%1760-1797%@AE@%
%@NL@%%@NL@%

%@QR:Francois Noel Babeuf@%%@QR:Babeuf@%%@QR:Gracchus@%%@CR:N1760BABF10     @%%@2@%   Let the revolting distinction of rich and poor disappear once and for%@EH@%
all, the distinction of great and small, of masters and valets, of governors
and governed. Let there be no other difference between human beings than
those of age and sex. Since all have the same needs and the same faculties,
let there be one education for all, one food for all.%@NL@%
%@NL@%
Francois Noel Babeuf
%@NL@%Manifesto of the Equals [c. 1795]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois Noel Babeuf@%%@QR:Babeuf@%%@QR:Gracchus@%%@CR:N1760BABF20     @%%@2@%   We aim at something more sublime and more equitable-the common good, or%@EH@%
the community of goods. . . . We demand, we would have, the communal
enjoyment of the fruits of the earth, fruits which are for everyone.%@NL@%
%@NL@%
Francois Noel Babeuf
%@NL@%Manifesto of the Equals [c. 1795]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Claude Joseph Rouget de Lisle%@AE@%%@EH@%
%@NL@%
%@AB@%1760-1836%@AE@%
%@NL@%%@NL@%

%@QR:Claude Joseph Rouget de Lisle@%%@QR:Rouget de Lisle@%%@CR:N1760ROUC10     @%%@2@%Allons, enfants de la patrie,%@NL@%%@EH@%
Le jour de gloire est arrive! . . . %@NL@%
Aux armes, citoyens!%@NL@%
Formez vos bataillons!%@NL@%
Marchons! Marchons! Qu'un sang impur%@NL@%
Abreuve nos sillons!%@NL@%

%@NL@%Claude Joseph Rouget de Lisle
%@NL@%%@FN@%
Forward, sons of France, the day of glory has come! . . . To arms, citizens!
Line up in battalions! Let us march on! And let the impure blood [of our
enemies] drench our fields.  Composed in the garrison at Strasbourg and
originally called Chant de guerre de l'armee du Rhin, the Marseillaise took
its name from the patriots of Marseilles, who first made it known in Paris.
%@EF@%
The Marseillaise [1792]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Antoine Jacques Claude Joseph Boulay de la Meurthe%@AE@%%@EH@%
%@NL@%
%@AB@%1761-1840%@AE@%
%@NL@%%@NL@%

%@FN@%
Attributed also to Talleyrand and Fouche. Sainte-Beuve attributed it to
Boulay de la Meurthe.  %@EF@%
%@QR:Antoine Jacques Claude Joseph Boulay de la Meurthe@%%@QR:Boulay de la Meurthe@%%@CR:N1761BOUA10     @%%@2@%   It is worse than a crime, it is a blunder [C'est pire qu'un crime, c'est%@EH@%
une faute].%@NL@%
%@NL@%
Antoine Jacques Claude Joseph Boulay de la Meurthe
%@NL@%On the execution of the Duc d'Enghien [1804]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%August Friedrich Ferdinand von Kotzebue%@AE@%%@EH@%
%@NL@%
%@AB@%1761-1819%@AE@%
%@NL@%%@NL@%

%@QR:August Friedrich Ferdinand von Kotzebue@%%@QR:Kotzebue@%%@CR:N1761KOTA10     @%%@2@%There is another and a better world.%@NL@%%@EH@%

%@NL@%August Friedrich Ferdinand von Kotzebue
%@NL@%The Stranger [1798], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Lisle Bowles%@AE@%%@EH@%
%@NL@%
%@AB@%1762-1850%@AE@%
%@NL@%%@NL@%

%@QR:William Lisle Bowles@%%@QR:Bowles@%%@CR:N1762BOWW10     @%%@2@%The cause of Freedom is the cause of God!%@NL@%%@EH@%

%@NL@%William Lisle Bowles
%@NL@%The Right Honorable Edmund Burke [1791], l. 78

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Andrew Cherry%@AE@%%@EH@%
%@NL@%
%@AB@%1762-1812%@AE@%
%@NL@%%@NL@%

%@QR:Andrew Cherry@%%@QR:Cherry@%%@CR:N1762CHEA10     @%%@2@%Loud roared the dreadful thunder,%@NL@%%@EH@%
The rain a deluge show'rd.%@NL@%

%@NL@%Andrew Cherry
%@NL@%The Bay of Biscay

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Cherry@%%@QR:Cherry@%%@CR:N1762CHEA20     @%%@2@%Till next day,%@NL@%%@EH@%
There she lay,%@NL@%
In the Bay of Biscay, O!%@NL@%

%@NL@%Andrew Cherry
%@NL@%The Bay of Biscay

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Colmanthe Younger%@AE@%%@EH@%
%@NL@%
%@AB@%1762-1836%@AE@%
%@NL@%%@NL@%

%@FN@%
The phrase became proverbial for telling what everybody knows.  %@EF@%
%@QR:George Colmanthe Younger@%%@QR:Colman@%%@CR:N1762COLG10     @%%@2@%   Tell 'em Queen Anne's dead.%@NL@%%@EH@%
%@NL@%
George Colmanthe Younger
%@NL@%The Heir-at-Law [1797], actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Colmanthe Younger@%%@QR:Colman@%%@CR:N1762COLG20     @%%@2@%   Not to be sneezed at.%@NL@%%@EH@%
%@NL@%
George Colmanthe Younger
%@NL@%The Heir-at-Law [1797], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Colmanthe Younger@%%@QR:Colman@%%@CR:N1762COLG30     @%%@2@%   Like two single gentlemen rolled into one.%@NL@%%@EH@%
%@NL@%
George Colmanthe Younger
%@NL@%Broad Grins [1802].Lodgings for Single Gentlemen

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Colmanthe Younger@%%@QR:Colman@%%@CR:N1762COLG40     @%%@2@%When taken,%@NL@%%@EH@%
To be well shaken.%@NL@%

%@NL@%George Colmanthe Younger
%@NL@%Broad Grins [1802].The Newcastle Apothecary

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The origin of the supposed type of the British character.  %@EF@%
%@QR:George Colmanthe Younger@%%@QR:Colman@%%@CR:N1762COLG43     @%%@2@%   John Bull; or, The Englishman's Fireside.%@NL@%%@EH@%
%@NL@%
George Colmanthe Younger
%@NL@%Title of play [1803]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Colmanthe Younger@%%@QR:Colman@%%@CR:N1762COLG47     @%%@2@%   His heart runs away with his head.%@NL@%%@EH@%
%@NL@%
George Colmanthe Younger
%@NL@%Who Wants a Guinea? [1805], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Colmanthe Younger@%%@QR:Colman@%%@CR:N1762COLG50     @%%@2@%O Miss Bailey!%@NL@%%@EH@%
Unfortunate Miss Bailey!%@NL@%

%@NL@%George Colmanthe Younger
%@NL@%Love Laughs at Locksmiths [1806], act II, song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Colmanthe Younger@%%@QR:Colman@%%@CR:N1762COLG60     @%%@2@%Says he, "I am a handsome man, but I'm a gay deceiver."%@NL@%%@EH@%

%@NL@%George Colmanthe Younger
%@NL@%Love Laughs at Locksmiths [1806], act II, song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Colmanthe Younger@%%@QR:Colman@%%@CR:N1762COLG80     @%%@2@%I had a soul above buttons.%@NL@%%@EH@%

%@NL@%George Colmanthe Younger
%@NL@%Sylvester Daggerwood; or, New Hay at the Old Market [1808], sc. i

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Dorothea Jordan%@AE@%%@EH@%
%@NL@%
%@AB@%1762-1816%@AE@%
%@NL@%%@NL@%

%@QR:Dorothea Jordan@%%@QR:Jordan@%%@CR:N1762JORD10     @%%@2@%"Oh where, and Oh! where is your Highland laddie gone?"%@NL@%%@EH@%
"He's gone to fight the French, for King George upon the throne,%@NL@%
And it's Oh! in my heart, how I wish him safe at home!"%@NL@%

%@NL@%Dorothea Jordan
%@NL@%The Blue Bells of Scotland

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joseph Fouche%@AE@%%@EH@%
%@NL@%
%@AB@%1763-1820%@AE@%
%@NL@%%@NL@%

%@QR:Joseph Fouche@%%@QR:Fouche@%%@CR:N1763FOUJ10     @%%@2@%   Death is an eternal sleep. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
Joseph Fouche
%@NL@%Inscription placed by his orders on cemetery gates [1794]

%@NL@%%@AI@%1 See Catullus%@BO:           cd5e9@%%@AE@%
%@AI@%2 See Campion%@BO:          20143f@%%@AE@%
%@AI@%3 See Jonson%@BO:          20aa02@%%@AE@%
%@AI@%4 See Herrick%@BO:          21f162@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Johann Paul Friedrich Jean Paul Richter%@AE@%%@EH@%
%@NL@%
%@AB@%1763-1825%@AE@%
%@NL@%%@NL@%

%@FN@%
Literally, world pain.  %@EF@%
%@QR:Johann Paul Friedrich Jean Paul Richter@%%@QR:Richter@%%@CR:N1763RICJ10     @%%@2@%   Weltschmerz.%@NL@%%@EH@%
%@NL@%
Johann Paul Friedrich Jean Paul Richter
%@NL@%Selina; oder, [Uuml ]ber die Unsterblichkeit
(or, Above Immortality) [1827], 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Rogers%@AE@%%@EH@%
%@NL@%
%@AB@%1763-1855%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Rogers@%%@QR:Rogers@%%@CR:N1763ROGS10     @%%@2@%Think nothing done while aught remains to do.%@NL@%%@EH@%

%@NL@%Samuel Rogers
%@NL@%Human Life,l. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Rogers@%%@QR:Rogers@%%@CR:N1763ROGS20     @%%@2@%Never less alone than when alone. 1  2 %@NL@%%@EH@%

%@NL@%Samuel Rogers
%@NL@%Human Life,l. 756

%@NL@%%@AI@%1 See Cicero%@BO:           c7879@%%@AE@%
%@AI@%2 See Thoreau%@BO:          4354aa@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Rogers@%%@QR:Rogers@%%@CR:N1763ROGS30     @%%@2@%By many a temple half as old as Time. 1 %@NL@%%@EH@%

%@NL@%Samuel Rogers
%@NL@%Italy. A Farewell

%@NL@%%@AI@%1 See John William Burgon%@BO:          42780e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Rogers@%%@QR:Rogers@%%@CR:N1763ROGS40     @%%@2@%Go! you may call it madness, folly;%@NL@%%@EH@%
You shall not chase my gloom away!%@NL@%
There's such a charm in melancholy%@NL@%
I would not if I could be gay.%@NL@%

%@NL@%Samuel Rogers
%@NL@%To---[1814], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Rogers@%%@QR:Rogers@%%@CR:N1763ROGS50     @%%@2@%   It doesn't much signify whom one marries, for one is sure to find next%@EH@%
morning that it was someone else.%@NL@%
%@NL@%
Samuel Rogers
%@NL@%Table Talk

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Hall%@AE@%%@EH@%
%@NL@%
%@AB@%1764-1831%@AE@%
%@NL@%%@NL@%

%@QR:Robert Hall@%%@QR:Hall@%%@CR:N1764HALR10     @%%@2@%   Call things by their right names. . . . Glass of brandy and water! That%@EH@%
is the current but not the appropriate name: ask for a glass of liquid fire
and distilled damnation.%@NL@%
%@NL@%
Robert Hall
%@NL@%From Olinthus Gregory, Brief Memoir of the Life of Hall

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gaston Pierre Marc , Duc de Levis%@AE@%%@EH@%
%@NL@%
%@AB@%1764-1830%@AE@%
%@NL@%%@NL@%

%@QR:Gaston Pierre Marc , Duc de Levis@%%@CR:N1764LEVG10     @%%@2@%   Noblesse oblige [Rank has its obligations]. 1  2 %@NL@%%@EH@%
%@NL@%
Gaston Pierre Marc , Duc de Levis
%@NL@%Maxims and Reflections [1808]

%@NL@%%@AI@%1 See Sophocles%@BO:           9c4bf@%%@AE@%
%@AI@%2 See Euripides%@BO:           a3603@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Thomas Morton%@AE@%%@EH@%
%@NL@%
%@AB@%1764-1838%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Morton@%%@QR:Morton@%%@CR:N1764MORT10     @%%@2@%   Push on-keep moving.%@NL@%%@EH@%
%@NL@%
Thomas Morton
%@NL@%A Cure for the Heartache [1797], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Morton@%%@QR:Morton@%%@CR:N1764MORT20     @%%@2@%   Approbation from Sir Hubert Stanley is praise indeed.%@NL@%%@EH@%
%@NL@%
Thomas Morton
%@NL@%A Cure for the Heartache [1797], actV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Morton@%%@QR:Morton@%%@CR:N1764MORT30     @%%@2@%   What will Mrs. Grundy say? What will Mrs. Grundy think? 1 %@NL@%%@EH@%
%@NL@%
Thomas Morton
%@NL@%Speed the Plow [1798], act I, sc. i

%@NL@%%@AI@%1 See Spencer%@BO:          458013@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Ann Radcliffe%@AE@%%@EH@%
%@NL@%
%@AB@%1764-1823%@AE@%
%@NL@%%@NL@%

%@QR:Ann Radcliffe@%%@QR:Radcliffe@%%@CR:N1764RADA10     @%%@2@%Fate sits on these dark battlements and frowns,%@NL@%%@EH@%
And as the portal opens to receive me,%@NL@%
A voice in hollow murmurs through the courts%@NL@%
Tells of a nameless deed. 1 %@NL@%

%@NL@%Ann Radcliffe
%@NL@%The Mysteries of Udolpho [1794], motto

%@NL@%%@AI@%1 See Shakespeare%@BO:          1e9638@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Robert Goodloe Harper%@AE@%%@EH@%
%@NL@%
%@AB@%1765-1825%@AE@%
%@NL@%%@NL@%

%@FN@%
In 1797 a secret agent from Talleyrand told Charles Cotesworth Pinckney,
minister to the French republic, that the American commissioners in Paris to
protest French attacks on U.S. shipping would be received only if they paid
a [dollar]50,000 bribe and made a large loan to the French government.
Pinckney's reply was: "Not a sixpence, sir." Later, Harper's remark was
attributed to him.  %@EF@%
%@QR:Robert Goodloe Harper@%%@QR:Harper@%%@CR:N1765HARR10     @%%@2@%   Millions for defense, but not one cent for tribute.%@NL@%%@EH@%
%@NL@%
Robert Goodloe Harper
%@NL@%Toast at banquet for John Marshall [June 18, 1798]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir James Mackintosh%@AE@%%@EH@%
%@NL@%
%@AB@%1765-1832%@AE@%
%@NL@%%@NL@%

%@QR:Sir James Mackintosh@%%@QR:Mackintosh@%%@CR:N1765MACJ10     @%%@2@%   Diffused knowledge immortalizes itself.%@NL@%%@EH@%
%@NL@%
Sir James Mackintosh
%@NL@%Vindiciae Gallicae [1791]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir James Mackintosh@%%@QR:Mackintosh@%%@CR:N1765MACJ20     @%%@2@%   The Commons, faithful to their system, remained in a wise and masterly%@EH@%
inactivity.%@NL@%
%@NL@%
Sir James Mackintosh
%@NL@%Vindiciae Gallicae [1791]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir James Mackintosh@%%@QR:Mackintosh@%%@CR:N1765MACJ30     @%%@2@%   The frivolous work of polished idleness.%@NL@%%@EH@%
%@NL@%
Sir James Mackintosh
%@NL@%Dissertation on Ethical Philosophy [1830]. Remarks on Thomas Brown

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir James Mackintosh@%%@QR:Mackintosh@%%@CR:N1765MACJ40     @%%@2@%   Disciplined inaction.%@NL@%%@EH@%
%@NL@%
Sir James Mackintosh
%@NL@%History of the Revolution in England in 1688 [1834], ch. 7

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jose Maria Morelos y Pavon%@AE@%%@EH@%
%@NL@%
%@AB@%1765-1815%@AE@%
%@NL@%%@NL@%

%@QR:Jose Maria Morelos y Pavon@%%@QR:Morelos y Pavon@%%@CR:N1765MORJ10     @%%@2@%   The government has properly devolved upon the American nation, which has%@EH@%
created a junta of individuals, natives of the country, in which resides the
exercise of sovereignty. Let no European remain in governance of the nation.%@NL@%
%@NL@%
Jose Maria Morelos y Pavon
%@NL@%Order [March 23, 1813]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Maria Morelos y Pavon@%%@QR:Morelos y Pavon@%%@CR:N1765MORJ20     @%%@2@%   Long live Spain-but Sister Spain, and not the ruler of America.%@NL@%%@EH@%
%@NL@%
Jose Maria Morelos y Pavon
%@NL@%After capturing Acapulco [August 20, 1813]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Smithson%@AE@%%@EH@%
%@NL@%
%@AB@%1765-1829%@AE@%
%@NL@%%@NL@%

%@FN@%
Quoted by John Quincy Adams in the Committee Report on the Smithson Bequest
[March 5, 1840].  See John Quincy Adams  %@EF@%
%@QR:James Smithson@%%@QR:Smithson@%%@CR:N1765SMIJ10     @%%@2@%   To found at Washington, under the name of the Smithsonian Institution, an%@EH@%
establishment for the increase and diffusion of knowledge among men.%@NL@%
%@NL@%
James Smithson
%@NL@%Bequest [1829] with which the Smithsonian Institution was
established [1846]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Isaac D'Israeli%@AE@%%@EH@%
%@NL@%
%@AB@%1766-1848%@AE@%
%@NL@%%@NL@%

%@QR:Isaac D'Israeli@%%@QR:D'Israeli@%%@CR:N1766DISI10     @%%@2@%   Whatever is felicitously expressed risks being worse expressed: it is a%@EH@%
wretched taste to be gratified with mediocrity when the excellent lies
before us.%@NL@%
%@NL@%
Isaac D'Israeli
%@NL@%Curiosities of Literature [1834]. On Quotation

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Robert Malthus%@AE@%%@EH@%
%@NL@%
%@AB@%1766-1834%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Robert Malthus@%%@QR:Malthus@%%@CR:N1766MALT10     @%%@2@%   Population, when unchecked, increases in a geometrical ratio. Subsistence%@EH@%
increases only in an arithmetical ratio. A slight acquaintance with numbers
will show the immensity of the first power in comparison of the second.%@NL@%
%@NL@%
Thomas Robert Malthus
%@NL@%An Essay on the Principle of Population [1798]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ernst F riedrich Herbert von Munster%@AE@%%@EH@%
%@NL@%
%@AB@%1766-1839%@AE@%
%@NL@%%@NL@%

%@QR:Ernst F riedrich Herbert von Munster@%%@QR:Munster@%%@CR:N1766MUNE10     @%%@2@%   Absolutism tempered by assassination.%@NL@%%@EH@%
%@NL@%
Ernst F riedrich Herbert von Munster
%@NL@%Description of the Russian Constitution

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Carolina Oliphant, Baroness Nairne%@AE@%%@EH@%
%@NL@%
%@AB@%1766-1845%@AE@%
%@NL@%%@NL@%

%@QR:Carolina Oliphant, Baroness Nairne@%%@QR:Oliphant@%%@CR:N1766NAIC10     @%%@2@%Better lo'ed ye canna be,%@NL@%%@EH@%
Will ye no come back again?%@NL@%

%@NL@%Carolina Oliphant, Baroness Nairne
%@NL@%%@FN@%
Also attributed to James Hogg [1770-1835].  %@EF@%
Life and Songs [1869].Bonnie Charlie's Now Awa'

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Carolina Oliphant, Baroness Nairne@%%@QR:Oliphant@%%@CR:N1766NAIC20     @%%@2@%Charlie is my darling, the young Chevalier.%@NL@%%@EH@%

%@NL@%Carolina Oliphant, Baroness Nairne
%@NL@%%@FN@%
Also attributed to James Hogg [1770-1835].  %@EF@%
Life and Songs [1869].Charlie Is My Darling

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Carolina Oliphant, Baroness Nairne@%%@QR:Oliphant@%%@CR:N1766NAIC30     @%%@2@%We'll up an' gie them a blaw, a blaw,%@NL@%%@EH@%
Wi' a hundred pipers an' a', an' a'.%@NL@%

%@NL@%Carolina Oliphant, Baroness Nairne
%@NL@%Life and Songs [1869].The Hundred Pipers

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Carolina Oliphant, Baroness Nairne@%%@QR:Oliphant@%%@CR:N1766NAIC40     @%%@2@%Gude nicht, and joy be wi' you a'.%@NL@%%@EH@%

%@NL@%Carolina Oliphant, Baroness Nairne
%@NL@%Life and Songs [1869].Gude Nicht

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Carolina Oliphant, Baroness Nairne@%%@QR:Oliphant@%%@CR:N1766NAIC50     @%%@2@%A penniless lass wi' a lang pedigree.%@NL@%%@EH@%

%@NL@%Carolina Oliphant, Baroness Nairne
%@NL@%Life and Songs [1869].The Laird o' Cockpen

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Carolina Oliphant, Baroness Nairne@%%@QR:Oliphant@%%@CR:N1766NAIC60     @%%@2@%I'm wearin' awa'%@NL@%%@EH@%
To the land o' the leal.%@NL@%

%@NL@%Carolina Oliphant, Baroness Nairne
%@NL@%Life and Songs [1869].The Land o' the Leal

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Carolina Oliphant, Baroness Nairne@%%@QR:Oliphant@%%@CR:N1766NAIC70     @%%@2@%There's nae sorrow there, John,%@NL@%%@EH@%
There's neither cauld nor care, John,%@NL@%
The day is aye fair,%@NL@%
In the land o' the leal.%@NL@%

%@NL@%Carolina Oliphant, Baroness Nairne
%@NL@%Life and Songs [1869].The Land o' the Leal

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Madame de Stael%@AE@%%@EH@%
%@NL@%Germaine , Baronne de Stael-Holstein
%@AB@%1766-1817%@AE@%
%@NL@%%@NL@%

%@FN@%
L'amour est l'histoire de la vie des femmes, c'est un episode dans celle des
hommes.  %@EF@%
%@QR:Madame de Stael@%%@QR:Stael@%%@QR:Germaine , Baronne de Stael-Holstein@%%@CR:N1766STAM10     @%%@2@%   Love is the whole history of a woman's life, it is but an episode in a%@EH@%
man's.%@NL@%
%@NL@%
Madame de Stael
%@NL@%De l'Influence des Passions [1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Madame de Stael@%%@QR:Stael@%%@QR:Germaine , Baronne de Stael-Holstein@%%@CR:N1766STAM30     @%%@2@%   A man must know how to defy opinion; a woman how to submit to it.%@NL@%%@EH@%
%@NL@%
Madame de Stael
%@NL@%Delphine [1802]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Madame de Stael@%%@QR:Stael@%%@QR:Germaine , Baronne de Stael-Holstein@%%@CR:N1766STAM40     @%%@2@%   The sight of such a monument is like a continuous and stationary music. 1%@EH@%
%@NL@%
%@NL@%
Madame de Stael
%@NL@%Corinne [1807], bk.IV, ch. 3

%@NL@%%@AI@%1 See Goethe%@BO:          30bb16@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tout comprendre rend tres indulgent.  Attributed to Madame de Stael are
similar phrases: Comprendre c'est pardonner [To understand is to forgive].
Tout comprendre c'est tout pardonner [To know everything is to forgive
everything].  %@EF@%
%@QR:Madame de Stael@%%@QR:Stael@%%@QR:Germaine , Baronne de Stael-Holstein@%%@CR:N1766STAM50     @%%@2@%   To understand everything makes one tolerant.%@NL@%%@EH@%
%@NL@%
Madame de Stael
%@NL@%Corinne [1807], bk.XVIII, ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Madame de Stael@%%@QR:Stael@%%@QR:Germaine , Baronne de Stael-Holstein@%%@CR:N1766STAM90     @%%@2@%   I would gladly give half of the wit with which I am credited for half of%@EH@%
the beauty you possess.%@NL@%
%@NL@%
Madame de Stael
%@NL@%Letter to Madame Recamier

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Quincy Adams%@AE@%%@EH@%
%@NL@%
%@AB@%1767-1848%@AE@%
%@FN@%
Known as "Old Man Eloquent."  See Milton  %@EF@%
%@NL@%%@NL@%

%@QR:John Quincy Adams@%%@QR:Adams@%%@CR:N1767ADAJ10     @%%@2@%   I can never join with my voice in the toast which I see in the papers%@EH@%
attributed to one of our gallant naval heroes. I cannot ask of heaven
success, even for my country, in a cause where she should be in the wrong. 1
2  3  Fiat justitia, pereat coelum. 4  My toast would be, may our country be
always successful, but whether successful or otherwise, always right.%@NL@%
%@NL@%
John Quincy Adams
%@NL@%Letter to John Adams [August 1, 1816]

%@NL@%%@AI@%1 See Charles Churchill%@BO:          2e9227@%%@AE@%
%@AI@%2 See Decatur%@BO:          3650df@%%@AE@%
%@AI@%3 See Schurtz%@BO:          47f0c9@%%@AE@%
%@AI@%4 See Anonymous Latin%@BO:          10b360@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Quincy Adams@%%@QR:Adams@%%@CR:N1767ADAJ20     @%%@2@%   America, with the same voice which spoke herself into existence as a%@EH@%
nation, proclaimed to mankind the inextinguishable rights of human nature,
and the only lawful foundations of government.%@NL@%
%@NL@%
John Quincy Adams
%@NL@%Address [July 4, 1821]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Quincy Adams@%%@QR:Adams@%%@CR:N1767ADAJ30     @%%@2@%   America . . . well knows that by once enlisting under other banners than%@EH@%
her own, were they even the banners of foreign independence, she would
involve herself beyond the power of extraction, in all the wars of interest
and intrigue, of individual avarice, envy, and ambition, which assume the
colors and usurp the standard of freedom. The fundamental maxims of her
policy would insensibly change from liberty to force. . . . She might become
dictatress of the world. She would be no longer the ruler of her own spirit.%@NL@%
%@NL@%
John Quincy Adams
%@NL@%Address [July 4, 1821]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Quincy Adams@%%@QR:Adams@%%@CR:N1767ADAJ40     @%%@2@%   Individual liberty is individual power, and as the power of a community%@EH@%
is a mass compounded of individual powers, the nation which enjoys the most
freedom must necessarily be in proportion to its numbers the most powerful
nation.%@NL@%
%@NL@%
John Quincy Adams
%@NL@%Letter to James Lloyd [October 1, 1822]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Quincy Adams@%%@QR:Adams@%%@CR:N1767ADAJ50     @%%@2@%Who but shall learn that freedom is the prize%@NL@%%@EH@%
Man still is bound to rescue or maintain;%@NL@%
That nature's God commands the slave to rise,%@NL@%
And on the oppressor's head to break the chain.%@NL@%
Roll, years of promise, rapidly roll round,%@NL@%
Till not a slave shall on this earth be found.%@NL@%

%@NL@%John Quincy Adams
%@NL@%Poem

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Quincy Adams@%%@QR:Adams@%%@CR:N1767ADAJ60     @%%@2@%   This house will bear witness to his piety; this town, his birthplace, to%@EH@%
his munificence; history to his patriotism; posterity to the depth and
compass of his mind.%@NL@%
%@NL@%
John Quincy Adams
%@NL@%%@FN@%
Inscribed on one of the portals of the United First Parish Church Unitarian
(Church of the Presidents), Quincy, Massachusetts.  %@EF@%
From his epitaph for John Adams [1829]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Quincy Adams@%%@QR:Adams@%%@CR:N1767ADAJ70     @%%@2@%   In charity to all mankind, bearing no malice or ill will to any human%@EH@%
being, and even compassionating those who hold in bondage their fellow men,
not knowing what they do. 1 %@NL@%
%@NL@%
John Quincy Adams
%@NL@%Letter to A. Bronson [July 30, 1838]

%@NL@%%@AI@%1 See Lincoln%@BO:          3f2f58@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Quincy Adams@%%@QR:Adams@%%@CR:N1767ADAJ80     @%%@2@%My wants are many, 1  2  and, if told,%@NL@%%@EH@%
Would muster many a score.%@NL@%

%@NL@%John Quincy Adams
%@NL@%The Wants of Man [1841],st. 1

%@NL@%%@AI@%1 See Young%@BO:          294789@%%@AE@%
%@AI@%2 See Goldsmith%@BO:          2dd3a0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Quincy Adams@%%@QR:Adams@%%@CR:N1767ADAJ90     @%%@2@%I want the seals of power and place,%@NL@%%@EH@%
The ensigns of command,%@NL@%
Charged by the people's unbought grace,%@NL@%
To rule my native land.%@NL@%
Nor crown, nor scepter would I ask%@NL@%
But from my country's will,%@NL@%
By day, by night, to ply the task%@NL@%
Her cup of bliss to fill.%@NL@%

%@NL@%John Quincy Adams
%@NL@%The Wants of Man [1841],st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Quincy Adams@%%@QR:Adams@%%@CR:N1767ADAJ100    @%%@2@%   The great problem of legislation is, so to organize the civil government%@EH@%
of a community . . . that in the operation of human institutions upon social
action, self-love and social may be made the same. 1 %@NL@%
%@NL@%
John Quincy Adams
%@NL@%Society and Civilization; in the American Review [July 1845]

%@NL@%%@AI@%1 See Pope%@BO:          2a2975@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Quincy Adams@%%@QR:Adams@%%@CR:N1767ADAJ110    @%%@2@%   To furnish the means of acquiring knowledge is . . . the greatest benefit%@EH@%
that can be conferred upon mankind. It prolongs life itself and enlarges the
sphere of existence. 1 %@NL@%
%@NL@%
John Quincy Adams
%@NL@%Report on the establishment of the Smithsonian Institution [c. 1846]

%@NL@%%@AI@%1 See Smithson%@BO:          330c2b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Quincy Adams@%%@QR:Adams@%%@CR:N1767ADAJ120    @%%@2@%   This is the last of earth! I am content.%@NL@%%@EH@%
%@NL@%
John Quincy Adams
%@NL@%Last words [February 21, 1848]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Black Hawk%@AE@%%@EH@%
%@NL@%
%@AB@%1767-1838%@AE@%
%@FN@%
Ma-ke-tai-me-she-kia-kiak.  Chief of the Sauk and Fox Indians.  %@EF@%
%@NL@%%@NL@%

%@QR:Black Hawk@%%@CR:N1767BLAH10     @%%@2@%   I saw my evil day at hand. The sun rose dim on us in the morning, and at%@EH@%
night it sank in a dark cloud, and looked like a ball of fire. That was the
last sun that shone on Black Hawk. His heart is dead . . . He is now a
prisoner to the white man.%@NL@%
%@NL@%
Black Hawk
%@NL@%Speech upon surrender, Prairie du Chien, Wisconsin [August 27, 1832]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Black Hawk War [1832].  %@EF@%
%@QR:Black Hawk@%%@CR:N1767BLAH20     @%%@2@%   [Black Hawk] has done nothing for which an Indian ought to be ashamed. He%@EH@%
has fought for his countrymen, the squaws and papooses, against white men,
who came year after year, to cheat them and take away their lands. You know
the cause of our making war. It is known to all white men. They ought to be
ashamed of it.%@NL@%
%@NL@%
Black Hawk
%@NL@%Speech upon surrender, Prairie du Chien, Wisconsin [August 27, 1832]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Andrew Jackson%@AE@%%@EH@%
%@NL@%
%@AB@%1767-1845%@AE@%
%@FN@%
He was the most American of Americans-an embodied Declaration of
Independence-the Fourth of July incarnate.-James Parton, Life of Andrew
Jackson [1859]  %@EF@%
%@NL@%%@NL@%

%@QR:Andrew Jackson@%%@QR:Jackson@%%@CR:N1767JACA20     @%%@2@%   The individual who refuses to defend his rights when called by his%@EH@%
Government, deserves to be a slave, and must be punished as an enemy of his
country and friend to her foe.%@NL@%
%@NL@%
Andrew Jackson
%@NL@%Proclamation to the people of Louisiana from Mobile
[September 21, 1814]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Jackson@%%@QR:Jackson@%%@CR:N1767JACA30     @%%@2@%   The brave man inattentive to his duty, is worth little more to his%@EH@%
country, than the coward who deserts her in the hour of danger.%@NL@%
%@NL@%
Andrew Jackson
%@NL@%To troops who had abandoned their lines during the battle
of New Orleans [January 8, 1815]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Jackson@%%@QR:Jackson@%%@CR:N1767JACA40     @%%@2@%   Our Federal Union! it must be preserved!%@NL@%%@EH@%
%@NL@%
Andrew Jackson
%@NL@%Toast at Jefferson Birthday Celebration [1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Jackson@%%@QR:Jackson@%%@CR:N1767JACA50     @%%@2@%   Every man is equally entitled to protection by law; but when the laws%@EH@%
undertake to add . . . artificial distinctions, to grant titles, gratuities,
and exclusive privileges, to make the rich richer and the potent more
powerful, the humble members of society-the farmers, mechanics, and
laborers-who have neither the time nor the means of securing like favors to
themselves, have a right to complain of the injustice of their government.%@NL@%
%@NL@%
Andrew Jackson
%@NL@%Veto of the Bank Bill [July 10, 1832]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Jackson@%%@QR:Jackson@%%@CR:N1767JACA60     @%%@2@%   There are no necessary evils in government. Its evils exist only in its%@EH@%
abuses. If it would confine itself to equal protection, and, as Heaven does
its rains, shower its favors alike on the high and the low, the rich and the
poor, it would be an unqualified blessing.%@NL@%
%@NL@%
Andrew Jackson
%@NL@%Veto of the Bank Bill [July 10, 1832]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Jackson@%%@QR:Jackson@%%@CR:N1767JACA70     @%%@2@%   One man with courage makes a majority.%@NL@%%@EH@%
%@NL@%
Andrew Jackson
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francois Rene de Chateaubriand%@AE@%%@EH@%
%@NL@%
%@AB@%1768-1848%@AE@%
%@NL@%%@NL@%

%@FN@%
J'ai pleure et j'ai cru.  %@EF@%
%@QR:Francois Rene de Chateaubriand@%%@QR:Chateaubriand@%%@CR:N1768CHAF10     @%%@2@%   [On his conversion to Christianity] I wept and I believed.%@NL@%%@EH@%
%@NL@%
Francois Rene de Chateaubriand
%@NL@%Le Genie du Christianisme [1802]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'ecrivain original n'est pas celui qui n'imite personne, mais celui que
personne ne peut imiter.  %@EF@%
%@QR:Francois Rene de Chateaubriand@%%@QR:Chateaubriand@%%@CR:N1768CHAF25     @%%@2@%   The original writer is not one who imitates nobody, but one whom nobody%@EH@%
can imitate.%@NL@%
%@NL@%
Francois Rene de Chateaubriand
%@NL@%Le Genie du Christianisme [1802]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francois Rene de Chateaubriand@%%@QR:Chateaubriand@%%@CR:N1768CHAF30     @%%@2@%   Achilles exists only through Homer. Take away the art of writing from%@EH@%
this world, and you will probably take away its glory. 1  2  3 %@NL@%
%@NL@%
Francois Rene de Chateaubriand
%@NL@%Les Natchez [1826], preface

%@NL@%%@AI@%1 See Pindar%@BO:           99e12@%%@AE@%
%@AI@%2 See Alexander the Great%@BO:           b9aa2@%%@AE@%
%@AI@%3 See Horace%@BO:           dbc74@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Tecumseh%@AE@%%@EH@%
%@NL@%
%@AB@%1768-1813%@AE@%
%@FN@%
Chief of the Shawnees.  %@EF@%
%@NL@%%@NL@%

%@FN@%
See Cowper  He remembered the belligerent ants, who claimed their
boundaries, and the pacific geese, who did not. . . . All those puffins,
razorbills, guillemots and kittiwakes had lived together peacefully,
preserving their own kinds of civilization without war-because they claimed
no boundaries.-T. H. White, The Once and Future King [1939], bk. IV, ch. 14
%@EF@%
%@QR:Tecumseh@%%@CR:N1768TECU10     @%%@2@%   These lands are ours. No one has a right to remove us, because we were%@EH@%
the first owners. The Great Spirit above has appointed this place for us, on
which to light our fires, and here we will remain. As to boundaries, the
Great Spirit knows no boundaries, nor will his red children acknowledge any.%@NL@%
%@NL@%
Tecumseh
%@NL@%To Joseph Barron, messenger of President James Madison [1810]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Tecumseh@%%@CR:N1768TECU20     @%%@2@%   My father! The Great Spirit is my father! The earth is my mother-and on%@EH@%
her bosom I will recline.%@NL@%
%@NL@%
Tecumseh
%@NL@%Council at Vincennes, Indiana Territory [August 14, 1810].Answer to request
to sit at "his father's"
(Governor William Henry Harrison's) side

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Tecumseh@%%@CR:N1768TECU30     @%%@2@%   I am a Shawnee. My forefathers were warriors. Their son is a warrior.%@EH@%
From them I take only my existence. From my tribe I take nothing. I am the
maker of my own fortune. And oh, that I might make the fortunes of my red
people, and of my country, as great as the conceptions of my mind, when I
think of the Great Spirit that rules this universe.%@NL@%
%@NL@%
Tecumseh
%@NL@%Council at Vincennes, Indiana Territory [August 14, 1810].Speech to Harrison

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Tecumseh@%%@CR:N1768TECU40     @%%@2@%   Once they were a happy race. Now they are made miserable by the white%@EH@%
people, who are never contented but are always encroaching.%@NL@%
%@NL@%
Tecumseh
%@NL@%Council at Vincennes, Indiana Territory [August 14, 1810].Speech to Harrison

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Tecumseh@%%@CR:N1768TECU50     @%%@2@%   Sell a country! Why not sell the air, the clouds and the great sea, as%@EH@%
well as the earth? Did not the Great Spirit make them all for the use of his
children?%@NL@%
%@NL@%
Tecumseh
%@NL@%Council at Vincennes, Indiana Territory [August 14, 1810].Speech to Harrison

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tecumseh was killed in the battle of the Thames River [October 5, 1813].  %@EF@%
%@QR:Tecumseh@%%@CR:N1768TECU60     @%%@2@%   Our lives are in the hands of the Great Spirit. He gave to our ancestors%@EH@%
the lands which we possess. We are determined to defend them, and if it is
His will, our bones shall whiten on them, but we will never give them up.%@NL@%
%@NL@%
Tecumseh
%@NL@%Speech to Major General Henry Procter, British commander,
Fort Malden [September 1813]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ernst Moritz Arndt%@AE@%%@EH@%
%@NL@%
%@AB@%1769-1860%@AE@%
%@NL@%%@NL@%

%@QR:Ernst Moritz Arndt@%%@QR:Arndt@%%@CR:N1769ARNE10     @%%@2@%What is the German Fatherland?%@NL@%%@EH@%
Wherever the German tongue is heard.%@NL@%

%@NL@%Ernst Moritz Arndt
%@NL@%Was Ist des Deutschen Vaterland [1813]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ernst Moritz Arndt@%%@QR:Arndt@%%@CR:N1769ARNE20     @%%@2@%   The Rhine: Germany's River, but Not Germany's Border.%@NL@%%@EH@%
%@NL@%
Ernst Moritz Arndt
%@NL@%Title of work [1813]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Friedrich Heinrich Alexander von Humboldt%@AE@%%@EH@%
%@NL@%
%@AB@%1769-1859%@AE@%
%@NL@%%@NL@%

%@QR:Friedrich Heinrich Alexander von Humboldt@%%@QR:Humboldt@%%@CR:N1769HUMA10     @%%@2@%   Insight into universal nature provides an intellectual delight and sense%@EH@%
of freedom that no blows of fate and no evil can destroy.%@NL@%
%@NL@%
Friedrich Heinrich Alexander von Humboldt
%@NL@%Statement [1805]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ivan Krylov%@AE@%%@EH@%
%@NL@%
%@AB@%1768-1844%@AE@%
%@NL@%%@NL@%

%@QR:Ivan Krylov@%%@QR:Krylov@%%@CR:N1769KRYI50     @%%@2@%Your guilt consists in this: I want to eat you up! 1 %@NL@%%@EH@%

%@NL@%Ivan Krylov
%@NL@%%@FN@%
Translated by Sir Bernard Pares.  %@EF@%
Fables [1809].Wolf and Lamb

%@NL@%%@AI@%1 See La Fontaine%@BO:          258203@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ivan Krylov@%%@QR:Krylov@%%@CR:N1769KRYI80     @%%@2@%Heaven save you from a foolish friend;%@NL@%%@EH@%
The too officious fool is worse than any foe.%@NL@%

%@NL@%Ivan Krylov
%@NL@%Fables [1809].Hermit and Bear

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Napoleon I%@AE@%%@EH@%
%@NL@%Napoleon Bonaparte
%@AB@%1769-1821%@AE@%
%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO10     @%%@2@%   Soldiers, from the summit of yonder pyramids forty centuries look down%@EH@%
upon you.%@NL@%
%@NL@%
Napoleon I
%@NL@%In Egypt [July 21, 1798]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO20     @%%@2@%   Go, sir, gallop, and don't forget that the world was made in six days.%@EH@%
You can ask me for anything you like, except time.%@NL@%
%@NL@%
Napoleon I
%@NL@%To an aide [1803]. From R. M. Johnston, The Corsican

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO30     @%%@2@%   A form of government that is not the result of a long sequence of shared%@EH@%
experiences, efforts, and endeavors can never take root.%@NL@%
%@NL@%
Napoleon I
%@NL@%[1803]. From J. Christopher Herold,
The Mind of Napoleon [1955]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Du sublime au ridicule il n'y a qu'un pas.  The saying has been attributed
also to Talleyrand.  See Paine  %@EF@%
%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO40     @%%@2@%   From the sublime to the ridiculous is but a step.%@NL@%%@EH@%
%@NL@%
Napoleon I
%@NL@%To the Abbe du Pradt, on the return from Russia [1812],
referring to the retreat from Moscow

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO60     @%%@2@%   You write to me that it's impossible; the word is not French.%@NL@%%@EH@%
%@NL@%
Napoleon I
%@NL@%Letter to General Lemarois [July 9, 1813]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il faut laver son linge sale en famille [One should wash one's dirty linen
at home].-Saying current since about 1720  %@EF@%
%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO70     @%%@2@%   What is the throne?-a bit of wood gilded and covered with velvet. I am%@EH@%
the state 1 -I alone am here the representative of the people. Even if I had
done wrong you should not have reproached me in public-people wash their
dirty linen at home. France has more need of me than I of France.%@NL@%
%@NL@%
Napoleon I
%@NL@%To the Senate [1814]

%@NL@%%@AI@%1 See Louis XIV%@BO:          2753f5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO90     @%%@2@%   France is invaded; I am leaving to take command of my troops, and, with%@EH@%
God's help and their valor, I hope soon to drive the enemy beyond the
frontier.%@NL@%
%@NL@%
Napoleon I
%@NL@%At Paris [January 23, 1814]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO100    @%%@2@%   The bullet that will kill me is not yet cast.%@NL@%%@EH@%
%@NL@%
Napoleon I
%@NL@%At Montereau [February 17, 1814]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO110    @%%@2@%   The Allied Powers having proclaimed that the Emperor Napoleon is the sole%@EH@%
obstacle to the re-establishment of peace in Europe, he, faithful to his
oath, declares that he is ready to descend from the throne, to quit France,
and even to relinquish life, for the good of his country.%@NL@%
%@NL@%
Napoleon I
%@NL@%Act of Abdication [April 4, 1814]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO120    @%%@2@%   Unite for the public safety, if you would remain an independent nation.%@NL@%%@EH@%
%@NL@%
Napoleon I
%@NL@%Proclamation to the French People [June 22, 1815]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO130    @%%@2@%   Wherever wood can swim, there I am sure to find this flag of England.%@NL@%%@EH@%
%@NL@%
Napoleon I
%@NL@%At Rochefort [July 1815]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO140    @%%@2@%   Whatever shall we do in that remote spot? Well, we will write our%@EH@%
memoirs. Work is the scythe of time.%@NL@%
%@NL@%
Napoleon I
%@NL@%On board H.M.S. Bellerophon [August 1815]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO150    @%%@2@%   [Of his relations with the Empress Josephine] I generally had to give in.%@NL@%%@EH@%
%@NL@%
Napoleon I
%@NL@%On St. Helena[May 19, 1816]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
To the very last, he [Napoleon] had a kind of idea; that, namely, of La
carriere ouverte aux talents, The tools to him that can handle them.-Thomas
Carlyle, Critical and Miscellaneous Essays, Sir Walter Scott [1838]  %@EF@%
%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO160    @%%@2@%   My maxim was, la carriere est ouverte aux talents, without distinction of%@EH@%
birth or fortune.%@NL@%
%@NL@%
Napoleon I
%@NL@%On St. Helena[March 3, 1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO170    @%%@2@%   Our hour is marked, and no one can claim a moment of life beyond what%@EH@%
fate has predestined.%@NL@%
%@NL@%
Napoleon I
%@NL@%To Dr. Arnott [April 1821]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le courage de l'improviste.  The three o'clock in the morning courage, which
Bonaparte thought was the rarest.-Thoreau, Walden [1854], ch. 4, Sounds  See
F. Scott Fitzgerald  %@EF@%
%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO180    @%%@2@%   Two o'clock in the morning courage: I mean unprepared courage.%@NL@%%@EH@%
%@NL@%
Napoleon I
%@NL@%[December 4, 5, 1815]. From Las Cases,
Memorial de Ste-Helene [1823]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO210    @%%@2@%   Madame Montholon having inquired what troops he considered the best,%@EH@%
"Those which are victorious, Madame," replied the Emperor.%@NL@%
%@NL@%
Napoleon I
%@NL@%From Bourrienne, Memoirs [1829]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO220    @%%@2@%   A silk stocking filled with mud.%@NL@%%@EH@%
%@NL@%
Napoleon I
%@NL@%%@FN@%
Attributed by Sainte-Beuve.  %@EF@%
Description of Talleyrand

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
No man can be a patriot on an empty stomach.-William Cowper Brann, The
Iconoclast, Old Glory [July 4, 1893]  %@EF@%
%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO230    @%%@2@%   An army marches on its stomach.%@NL@%%@EH@%
%@NL@%
Napoleon I
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tout soldat francais porte dans sa giberne le b[acirc ]ton de marechal de
France.  %@EF@%
%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO240    @%%@2@%   Every French soldier carries a marshal's baton in his knapsack.%@NL@%%@EH@%
%@NL@%
Napoleon I
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'Angleterre, ah! la perfide Angleterre.-Jacques Benigne Bossuet
[1627-1704], Sermon sur la Circoncision  Napoleon used the phrase in 1803,
and it became widespread during the French Revolution.  %@EF@%
%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO260    @%%@2@%   Perfidious Albion.%@NL@%%@EH@%
%@NL@%
Napoleon I
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
T[ecirc ]te d'armee.  %@EF@%
%@QR:Napoleon I@%%@QR:Napoleon Bonaparte@%%@CR:N1769NAPO280    @%%@2@%   Chief of the Army.%@NL@%%@EH@%
%@NL@%
Napoleon I
%@NL@%Last words

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Arthur Wellesley , Duke of Wellington%@AE@%%@EH@%
%@NL@%
%@AB@%1769-1852%@AE@%
%@NL@%%@NL@%

%@QR:Arthur Wellesley , Duke of Wellington@%%@CR:N1769WELA10     @%%@2@%   Nothing except a battle lost can be half so melancholy as a battle won.%@NL@%%@EH@%
%@NL@%
Arthur Wellesley , Duke of Wellington
%@NL@%Dispatch from the field of Waterloo [June 1815]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Wellesley , Duke of Wellington@%%@CR:N1769WELA20     @%%@2@%   I used to say of him [Napoleon]  that his presence on the field made the%@EH@%
difference of forty thousand men.%@NL@%
%@NL@%
Arthur Wellesley , Duke of Wellington
%@NL@%From Philip Henry, Earl of Stanhope, Notesof
Conversations with the Duke of Wellington [1888].[November 2, 1831]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Wellesley , Duke of Wellington@%%@CR:N1769WELA30     @%%@2@%   The only thing I am afraid of is fear. 1  2  3  4  5 %@NL@%%@EH@%
%@NL@%
Arthur Wellesley , Duke of Wellington
%@NL@%From Philip Henry, Earl of Stanhope, Notesof
Conversations with the Duke of Wellington [1888].[November 3, 1831]

%@NL@%%@AI@%1 See Proverbs 3:25%@BO:           2c78e@%%@AE@%
%@AI@%2 See Montaigne%@BO:          142864@%%@AE@%
%@AI@%3 See Bacon%@BO:          160f0f@%%@AE@%
%@AI@%4 See Thoreau%@BO:          42f94d@%%@AE@%
%@AI@%5 See Roosevelt%@BO:          5a796c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Wellesley , Duke of Wellington@%%@CR:N1769WELA40     @%%@2@%   Ours [our army] is composed of the scum of the earth-the mere scum of the%@EH@%
earth.%@NL@%
%@NL@%
Arthur Wellesley , Duke of Wellington
%@NL@%From Philip Henry, Earl of Stanhope, Notesof
Conversations with the Duke of Wellington [1888].[November 4, 1831]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Wellesley , Duke of Wellington@%%@CR:N1769WELA50     @%%@2@%   My rule always was to do the business of the day in the day.%@NL@%%@EH@%
%@NL@%
Arthur Wellesley , Duke of Wellington
%@NL@%From Philip Henry, Earl of Stanhope, Notesof
Conversations with the Duke of Wellington [1888].[November 2, 1835]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Wellesley , Duke of Wellington@%%@CR:N1769WELA60     @%%@2@%   They wanted this iron fist to command them.%@NL@%%@EH@%
%@NL@%
Arthur Wellesley , Duke of Wellington
%@NL@%From Philip Henry, Earl of Stanhope, Notesof troops sent by Wellington to
the Canadian frontier in the war
with America. [November 8, 1840]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Wellesley , Duke of Wellington@%%@CR:N1769WELA70     @%%@2@%   There is no mistake; there has been no mistake; and there shall be no%@EH@%
mistake.%@NL@%
%@NL@%
Arthur Wellesley , Duke of Wellington
%@NL@%Wellingtoniana [1832], p. 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Wellesley , Duke of Wellington@%%@CR:N1769WELA80     @%%@2@%   I don't care a twopenny damn what becomes of the ashes of Napoleon%@EH@%
Buonaparte.%@NL@%
%@NL@%
Arthur Wellesley , Duke of Wellington
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Wellesley , Duke of Wellington@%%@CR:N1769WELA90     @%%@2@%   The battle of Waterloo was won on the playing fields of Eton.%@NL@%%@EH@%
%@NL@%
Arthur Wellesley , Duke of Wellington
%@NL@%From Sir William Fraser, Words on Wellington [1889]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Wellesley , Duke of Wellington@%%@CR:N1769WELA100    @%%@2@%   Publish and be damned.%@NL@%%@EH@%
%@NL@%
Arthur Wellesley , Duke of Wellington
%@NL@%Attributed; when the courtesan Harriette Wilson threatened
to publish her memoirs and his letters

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ludwig van Beethoven%@AE@%%@EH@%
%@NL@%
%@AB@%1770-1827%@AE@%
%@NL@%%@NL@%

%@QR:Ludwig van Beethoven@%%@QR:Beethoven@%%@CR:N1770BEEL5      @%%@2@%   I want to seize fate by the throat.%@NL@%%@EH@%
%@NL@%
Ludwig van Beethoven
%@NL@%Letter to Dr. Franz Wegeler [November 16, 1801]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ludwig van Beethoven@%%@QR:Beethoven@%%@CR:N1770BEEL10     @%%@2@%   Art! Who comprehends her? With whom can one consult concerning this great%@EH@%
goddess?%@NL@%
%@NL@%
Ludwig van Beethoven
%@NL@%Letter to Bettina von Arnim [August 11, 1810]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ludwig van Beethoven@%%@QR:Beethoven@%%@CR:N1770BEEL20     @%%@2@%   The world is a king, and, like a king, desires flattery in return for%@EH@%
favor; but true art is selfish and perverse-it will not submit to the mold
of flattery.%@NL@%
%@NL@%
Ludwig van Beethoven
%@NL@%Conversations [March 1820]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pierre Jacques Etienne , Count Cambronne%@AE@%%@EH@%
%@NL@%
%@AB@%1770-1842%@AE@%
%@NL@%%@NL@%

%@FN@%
La Garde meurt, mais ne se rend pas.  Cambronne denied having said this
phrase, which was invented by Rougemont after the battle of Waterloo, in the
Independent.-Fournier, L'Esprit dans l'Histoire [1857]  %@EF@%
%@QR:Pierre Jacques Etienne , Count Cambronne@%%@CR:N1770CAMP10     @%%@2@%   The Guards die, but never surrender.%@NL@%%@EH@%
%@NL@%
Pierre Jacques Etienne , Count Cambronne
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Canning%@AE@%%@EH@%
%@NL@%
%@AB@%1770-1827%@AE@%
%@NL@%%@NL@%

%@QR:George Canning@%%@QR:Canning@%%@CR:N1770CANG10     @%%@2@%When our perils are past, shall our gratitude sleep?%@NL@%%@EH@%
No-here's to the pilot that weathered the storm.%@NL@%

%@NL@%George Canning
%@NL@%Song for the Inauguration of the Pitt Club [May 25, 1802]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Canning@%%@QR:Canning@%%@CR:N1770CANG20     @%%@2@%I give thee sixpence! I will see thee damned first.%@NL@%%@EH@%

%@NL@%George Canning
%@NL@%The Anti-Jacobin,no. 11 [1797]. The Friend of Humanity
and the Knife-Grinder, st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Canning@%%@QR:Canning@%%@CR:N1770CANG30     @%%@2@%I think of those companions true%@NL@%%@EH@%
Who studied with me at the U-%@NL@%
niversity of Gottingen.%@NL@%

%@NL@%George Canning
%@NL@%The Anti-Jacobin,no. 30 [1798]. The Rovers, song, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This refers to the Jacobin.  See Shakespeare, Overbury, and Gilbert  %@EF@%
%@QR:George Canning@%%@QR:Canning@%%@CR:N1770CANG40     @%%@2@%A steady patriot of the world alone,%@NL@%%@EH@%
The friend of every country but his own.%@NL@%

%@NL@%George Canning
%@NL@%The Anti-Jacobin,no 36 [1798]. New Morality,l. 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Canning@%%@QR:Canning@%%@CR:N1770CANG50     @%%@2@%And finds, with keen, discriminating sight,%@NL@%%@EH@%
Black's not so black-nor white so very white.%@NL@%

%@NL@%George Canning
%@NL@%The Anti-Jacobin,no 36 [1798]. New Morality,l. 199

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Defend me from my friends; I can defend myself from my enemies.-Attributed
toMarechal Villars, when taking leave of Louis XIV  %@EF@%
%@QR:George Canning@%%@QR:Canning@%%@CR:N1770CANG60     @%%@2@%Give me the avowed, erect, and manly foe,%@NL@%%@EH@%
Firm I can meet, perhaps return the blow;%@NL@%
But of all plagues, good Heaven, thy wrath can send,%@NL@%
Save, save, oh save me from the candid friend!%@NL@%

%@NL@%George Canning
%@NL@%The Anti-Jacobin,no 36 [1798]. New Morality,l. 207

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Canning@%%@QR:Canning@%%@CR:N1770CANG80     @%%@2@%In matters of commerce the fault of the Dutch%@NL@%%@EH@%
Is offering too little and asking too much.%@NL@%

%@NL@%George Canning
%@NL@%Dispatch to Sir Charles Bagot, British minister at The Hague
[January 31, 1826]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Canning@%%@QR:Canning@%%@CR:N1770CANG90     @%%@2@%   I called the New World into existence to redress the balance of the Old.%@NL@%%@EH@%
%@NL@%
George Canning
%@NL@%The King's Message [December 12, 1826]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Georg Wilhelm Friedrich Hegel%@AE@%%@EH@%
%@NL@%
%@AB@%1770-1831%@AE@%
%@NL@%%@NL@%

%@QR:Georg Wilhelm Friedrich Hegel@%%@QR:Hegel@%%@CR:N1770HEGG10     @%%@2@%   What is reasonable is real; that which is real is reasonable.%@NL@%%@EH@%
%@NL@%
Georg Wilhelm Friedrich Hegel
%@NL@%Philosophy of Right [1821]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Wilhelm Friedrich Hegel@%%@QR:Hegel@%%@CR:N1770HEGG20     @%%@2@%   What experience and history teach is this-that people and governments%@EH@%
never have learned anything from history, or acted on principles deduced
from it.%@NL@%
%@NL@%
Georg Wilhelm Friedrich Hegel
%@NL@%%@FN@%
Translated by J. Sibree.  Quoted by G. B. Shaw in The Revolutionist's
Handbook.  %@EF@%
Philosophy of History [1832],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Wilhelm Friedrich Hegel@%%@QR:Hegel@%%@CR:N1770HEGG30     @%%@2@%   Amid the pressure of great events, a general principle gives no help.%@NL@%%@EH@%
%@NL@%
Georg Wilhelm Friedrich Hegel
%@NL@%Philosophy of History [1832],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Wilhelm Friedrich Hegel@%%@QR:Hegel@%%@CR:N1770HEGG40     @%%@2@%   To him who looks upon the world rationally, the world in its turn%@EH@%
presents a rational aspect. The relation is mutual.%@NL@%
%@NL@%
Georg Wilhelm Friedrich Hegel
%@NL@%Philosophy of History [1832],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Wilhelm Friedrich Hegel@%%@QR:Hegel@%%@CR:N1770HEGG50     @%%@2@%   The history of the world is none other than the progress of the%@EH@%
consciousness of freedom.%@NL@%
%@NL@%
Georg Wilhelm Friedrich Hegel
%@NL@%Philosophy of History [1832],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Wilhelm Friedrich Hegel@%%@QR:Hegel@%%@CR:N1770HEGG60     @%%@2@%   We may affirm absolutely that nothing great in the world has been%@EH@%
accomplished without passion.%@NL@%
%@NL@%
Georg Wilhelm Friedrich Hegel
%@NL@%Philosophy of History [1832],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Wilhelm Friedrich Hegel@%%@QR:Hegel@%%@CR:N1770HEGG70     @%%@2@%   It is easier to discover a deficiency in individuals, in states, and in%@EH@%
Providence, than to see their real import and value.%@NL@%
%@NL@%
Georg Wilhelm Friedrich Hegel
%@NL@%Philosophy of History [1832],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Wilhelm Friedrich Hegel@%%@QR:Hegel@%%@CR:N1770HEGG80     @%%@2@%   Life has a value only when it has something valuable as its object.%@NL@%%@EH@%
%@NL@%
Georg Wilhelm Friedrich Hegel
%@NL@%Philosophy of History [1832],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Wilhelm Friedrich Hegel@%%@QR:Hegel@%%@CR:N1770HEGG90     @%%@2@%   Serious occupation is labor that has reference to some want.%@NL@%%@EH@%
%@NL@%
Georg Wilhelm Friedrich Hegel
%@NL@%Philosophy of History [1832],pt.I, sec. 2, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Wilhelm Friedrich Hegel@%%@QR:Hegel@%%@CR:N1770HEGG100    @%%@2@%   It is a matter of perfect indifference where a thing originated; the only%@EH@%
question is: "Is it true in and for itself?"%@NL@%
%@NL@%
Georg Wilhelm Friedrich Hegel
%@NL@%Philosophy of History [1832],pt.III, sec. 3, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georg Wilhelm Friedrich Hegel@%%@QR:Hegel@%%@CR:N1770HEGG110    @%%@2@%   The Few assume to be the deputies, but they are often only the despoilers%@EH@%
of the Many.%@NL@%
%@NL@%
Georg Wilhelm Friedrich Hegel
%@NL@%Philosophy of History [1832],pt.IV, sec. 3, ch. 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Hogg%@AE@%%@EH@%
%@NL@%
%@AB@%1770-1835%@AE@%
%@FN@%
The Ettrick Shepherd.  %@EF@%
%@NL@%%@NL@%

%@QR:James Hogg@%%@QR:Hogg@%%@CR:N1770HOGJ10     @%%@2@%We'll o'er the water, we'll o'er the sea,%@NL@%%@EH@%
We'll o'er the water to Charlie;%@NL@%
Come weal, come woe, we'll gather and go,%@NL@%
And live and die wi' Charlie.%@NL@%

%@NL@%James Hogg
%@NL@%O'er the Water to Charlie

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Hogg@%%@QR:Hogg@%%@CR:N1770HOGJ20     @%%@2@%For Kilmeny had been she knew not where,%@NL@%%@EH@%
And Kilmeny had seen what she could not declare.%@NL@%

%@NL@%James Hogg
%@NL@%Kilmeny, l. 38

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joseph Hopkinson%@AE@%%@EH@%
%@NL@%
%@AB@%1770-1842%@AE@%
%@NL@%%@NL@%

%@QR:Joseph Hopkinson@%%@QR:Hopkinson@%%@CR:N1770HOPJ10     @%%@2@%Hail, Columbia! happy land!%@NL@%%@EH@%
Hail, ye heroes! heaven-born band!%@NL@%
Who fought and bled in Freedom's cause.%@NL@%

%@NL@%Joseph Hopkinson
%@NL@%%@FN@%
The music, generally attributed to Philip Phile, was Washington's inaugural
march. Hopkinson supplied verses at a singer's request, and the song won
instant acclaim.  %@EF@%
Hail, Columbia [1798], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Robert Spencer%@AE@%%@EH@%
%@NL@%
%@AB@%1770-1834%@AE@%
%@NL@%%@NL@%

%@QR:William Robert Spencer@%%@QR:Spencer@%%@CR:N1770SPEW10     @%%@2@%Oh! where does faithful G[ecirc ]lert roam,%@NL@%%@EH@%
The flow'r of all his race?%@NL@%
So true, so brave; a lamb at home,%@NL@%
A lion in the chase!%@NL@%

%@NL@%William Robert Spencer
%@NL@%Beth-G[ecirc ]lert, st. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Wordsworth%@AE@%%@EH@%
%@NL@%
%@AB@%1770-1850%@AE@%
%@FN@%
Coleridge said to Wordsworth, "Since Milton, I know of no poet with so many
felicities and unforgettable lines and stanzas as you."-Henry Nelson
Coleridge, Memoir [1847]  %@EF@%
%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW20     @%%@2@%And homeless near a thousand homes I stood,%@NL@%%@EH@%
And near a thousand tables pined and wanted food.%@NL@%

%@NL@%William Wordsworth
%@NL@%%@FN@%
Published 1842.  %@EF@%
Guilt and Sorrow [written 1791-1794],
st. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In the first edition the line is: A simple child, dear brother Jim. It was
reduced to the current text in the 1815 edition of his poems.  %@EF@%
%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW30     @%%@2@%--A simple child,%@NL@%%@EH@%
That lightly draws its breath,%@NL@%
And feels its life in every limb,%@NL@%
What should it know of death?%@NL@%

%@NL@%William Wordsworth
%@NL@%We Are Seven [1798], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW40     @%%@2@%Have I not reason to lament%@NL@%%@EH@%
What man has made of man? 1  2 %@NL@%

%@NL@%William Wordsworth
%@NL@%Lines Written in Early Spring [1798], st. 6

%@NL@%%@AI@%1 See Pliny%@BO:           ec5fb@%%@AE@%
%@AI@%2 See Burns%@BO:          321cce@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW50     @%%@2@%Nor less I deem that there are Powers%@NL@%%@EH@%
Which of themselves our minds impress;%@NL@%
That we can feed this mind of ours%@NL@%
In a wise passiveness.%@NL@%

%@NL@%William Wordsworth
%@NL@%Expostulation and Reply [1798], st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW60     @%%@2@%Come forth into the light of things,%@NL@%%@EH@%
Let Nature be your teacher.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Tables Turned [1798],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW70     @%%@2@%One impulse from a vernal wood%@NL@%%@EH@%
May teach you more of man,%@NL@%
Of moral evil and of good,%@NL@%
Than all the sages can. 1  2 %@NL@%

%@NL@%William Wordsworth
%@NL@%The Tables Turned [1798],st. 6

%@NL@%%@AI@%1 See St. Bernard%@BO:          10f839@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          1ab0c1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW80     @%%@2@%Sensations sweet,%@NL@%%@EH@%
Felt in the blood, and felt along the heart.%@NL@%

%@NL@%William Wordsworth
%@NL@%Lines Composed a Few Miles Above Tintern Abbey [1798],l. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW90     @%%@2@%That best portion of a good man's life,%@NL@%%@EH@%
His little, nameless, unremembered acts%@NL@%
Of kindness and of love.%@NL@%

%@NL@%William Wordsworth
%@NL@%Lines Composed a Few Miles Above Tintern Abbey [1798],l. 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW100    @%%@2@%Blessed mood,%@NL@%%@EH@%
In which the burthen of the mystery,%@NL@%
In which the heavy and the weary weight%@NL@%
Of all this unintelligible world,%@NL@%
Is lightened.%@NL@%

%@NL@%William Wordsworth
%@NL@%Lines Composed a Few Miles Above Tintern Abbey [1798],l. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW110    @%%@2@%While with an eye made quiet by the power%@NL@%%@EH@%
Of harmony, and the deep power of joy,%@NL@%
We see into the life of things.%@NL@%

%@NL@%William Wordsworth
%@NL@%Lines Composed a Few Miles Above Tintern Abbey [1798],l. 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW120    @%%@2@%The sounding cataract%@NL@%%@EH@%
Haunted me like a passion: the tall rock,%@NL@%
The mountain, and the deep and gloomy wood,%@NL@%
Their colors and their forms, were then to me%@NL@%
An appetite; a feeling and a love,%@NL@%
That had no need of a remoter charm,%@NL@%
By thought supplied, nor any interest%@NL@%
Unborrowed from the eye.%@NL@%

%@NL@%William Wordsworth
%@NL@%Lines Composed a Few Miles Above Tintern Abbey [1798],l. 76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW130    @%%@2@%I have learned%@NL@%%@EH@%
To look on nature, not as in the hour%@NL@%
Of thoughtless youth; but hearing oftentimes%@NL@%
The still, sad music of humanity,%@NL@%
Nor harsh nor grating, though of ample power%@NL@%
To chasten and subdue. And I have felt%@NL@%
A presence that disturbs me with the joy%@NL@%
Of elevated thoughts; a sense sublime%@NL@%
Of something far more deeply interfused,%@NL@%
Whose dwelling is the light of setting suns,%@NL@%
And the round ocean and the living air,%@NL@%
And the blue sky, and in the mind of man:%@NL@%
A motion and a spirit, that impels%@NL@%
All thinking things, all objects of all thought,%@NL@%
And rolls through all things. 1 %@NL@%

%@NL@%William Wordsworth
%@NL@%Lines Composed a Few Miles Above Tintern Abbey [1798],l. 88

%@NL@%%@AI@%1 See Shelley%@BO:          389810@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW140    @%%@2@%All the mighty world%@NL@%%@EH@%
Of eye and ear, both what they half create,%@NL@%
And what perceive.%@NL@%

%@NL@%William Wordsworth
%@NL@%Lines Composed a Few Miles Above Tintern Abbey [1798],l. 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW150    @%%@2@%Knowing that Nature never did betray%@NL@%%@EH@%
The heart that loved her.%@NL@%

%@NL@%William Wordsworth
%@NL@%Lines Composed a Few Miles Above Tintern Abbey [1798],l. 122

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW160    @%%@2@%A primrose by a river's brim%@NL@%%@EH@%
A yellow primrose was to him,%@NL@%
And it was nothing more.%@NL@%

%@NL@%William Wordsworth
%@NL@%%@FN@%
Published 1819.  %@EF@%
Peter Bell [written 1798],
pt. I, st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW170    @%%@2@%Fair seedtime had my soul, and I grew up%@NL@%%@EH@%
Fostered alike by beauty and by fear.%@NL@%

%@NL@%William Wordsworth
%@NL@%%@FN@%
Published 1850.  %@EF@%
The Prelude [written 1799-1805],
bk.I,l. 301

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW180    @%%@2@%Dust as we are, the immortal spirit grows%@NL@%%@EH@%
Like harmony in music; there is a dark%@NL@%
Inscrutable workmanship that reconciles%@NL@%
Discordant elements, makes them cling together%@NL@%
In one society.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Prelude [written 1799-1805],
bk.I,l. 340

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW190    @%%@2@%The grim shape%@NL@%%@EH@%
Towered up between me and the stars, and still,%@NL@%
For so it seemed, with purpose of its own%@NL@%
And measured motion like a living thing,%@NL@%
Strode after me.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Prelude [written 1799-1805],
bk.I,l. 381

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW200    @%%@2@%Where the statue stood%@NL@%%@EH@%
Of Newton with his prism and silent face,%@NL@%
The marble index of a mind forever%@NL@%
Voyaging through strange seas of thought, alone.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Prelude [written 1799-1805],
bk.III, l. 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW210    @%%@2@%When from our better selves we have too long%@NL@%%@EH@%
Been parted by the hurrying world, and droop,%@NL@%
Sick of its business, of its pleasures tired,%@NL@%
How gracious, how benign, is Solitude.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Prelude [written 1799-1805],
bk.IV, l. 354

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW220    @%%@2@%Brothers all%@NL@%%@EH@%
In honor, as in one community,%@NL@%
Scholars and gentlemen.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Prelude [written 1799-1805],
bk.IX, l. 227

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in French Revolution as It Appears to Enthusiasts [1804].  %@EF@%
%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW230    @%%@2@%Bliss was it in that dawn to be alive,%@NL@%%@EH@%
But to be young was very heaven!%@NL@%

%@NL@%William Wordsworth
%@NL@%The Prelude [written 1799-1805],
bk.XI,l. 108

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW240    @%%@2@%There is%@NL@%%@EH@%
One great society alone on earth:%@NL@%
The noble Living and the noble Dead.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Prelude [written 1799-1805],
bk.XI,l. 393

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW245    @%%@2@%   Poetry is the breath and finer spirit of all knowledge; it is the%@EH@%
impassioned expression which is in the countenance of all Science.%@NL@%
%@NL@%
William Wordsworth
%@NL@%Lyrical Ballads [2nd ed., 1800]. Preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW251    @%%@2@%   In spite of difference of soil and climate, of language and manners, of%@EH@%
laws and customs-in spite of things silently gone out of mind, and things
violently destroyed, the Poet binds together by passion and knowledge the
vast empire of human society, as it is spread over the whole earth, and over
all time.%@NL@%
%@NL@%
William Wordsworth
%@NL@%Lyrical Ballads [2nd ed., 1800]. Preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW255    @%%@2@%   I have said that poetry is the spontaneous overflow of powerful feelings:%@EH@%
it takes its origin from emotion recollected in tranquillity.%@NL@%
%@NL@%
William Wordsworth
%@NL@%Lyrical Ballads [2nd ed., 1800]. Preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW257    @%%@2@%One of those heavenly days that cannot die.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Nutting [1800], l. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW260    @%%@2@%What fond and wayward thoughts will slide%@NL@%%@EH@%
Into a lover's head!%@NL@%
"O mercy!" to myself I cried,%@NL@%
"If Lucy should be dead!"%@NL@%

%@NL@%William Wordsworth
%@NL@%Strange Fits of Passion Have I Known [1800], st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He lived amidst th' untrodden ways/To Rydal Lake that lead;/A bard whom
there were none to praise,/And very few to read./Unread his works-his "Milk
White Doe"/With dust is dark and dim;/It's still in Longmans' shop, and
oh!/The difference to him!-Parody by Hartley Coleridge [1796-1849]  %@EF@%
%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW270    @%%@2@%She dwelt among the untrodden ways%@NL@%%@EH@%
Beside the springs of Dove,%@NL@%
A maid whom there were none to praise%@NL@%
And very few to love:A violet by a mossy stone%@NL@%
Half hidden from the eye!%@NL@%
-Fair as a star, when only one%@NL@%
Is shining in the sky.She lived unknown, and few could know%@NL@%
When Lucy ceased to be;%@NL@%
But she is in her grave, and, oh,%@NL@%
The difference to me!%@NL@%

%@NL@%William Wordsworth
%@NL@%She Dwelt Among the Untrodden Ways [1800]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW290    @%%@2@%Three years she grew in sun and shower,%@NL@%%@EH@%
Then Nature said, "A lovelier flower%@NL@%
On earth was never sown;%@NL@%
This Child I to myself will take;%@NL@%
She shall be mine, and I will make%@NL@%
A Lady of my own."%@NL@%

%@NL@%William Wordsworth
%@NL@%Three Years She Grew in Sun and Shower [1800], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW310    @%%@2@%A slumber did my spirit seal;%@NL@%%@EH@%
I had no human fears:%@NL@%
She seemed a thing that could not feel%@NL@%
The touch of earthly years.No motion has she now, no force;%@NL@%
She neither hears nor sees;%@NL@%
Rolled round in earth's diurnal course,%@NL@%
With rocks, and stones, and trees.%@NL@%

%@NL@%William Wordsworth
%@NL@%A Slumber Did My Spirit Seal [1800]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW320    @%%@2@%A fingering slave,%@NL@%%@EH@%
One that would peep and botanize%@NL@%
Upon his mother's grave.%@NL@%

%@NL@%William Wordsworth
%@NL@%A Poet's Epitaph [1800],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW330    @%%@2@%A reasoning, self-sufficing thing,%@NL@%%@EH@%
An intellectual All-in-all!%@NL@%

%@NL@%William Wordsworth
%@NL@%A Poet's Epitaph [1800],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW340    @%%@2@%And you must love him, ere to you%@NL@%%@EH@%
He will seem worthy of your love.%@NL@%

%@NL@%William Wordsworth
%@NL@%A Poet's Epitaph [1800],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW350    @%%@2@%The harvest of a quiet eye.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%A Poet's Epitaph [1800],st. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW360    @%%@2@%The sweetest thing that ever grew%@NL@%%@EH@%
Beside a human door.%@NL@%

%@NL@%William Wordsworth
%@NL@%Lucy Gray [1800],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW370    @%%@2@%And sings a solitary song%@NL@%%@EH@%
That whistles in the wind.%@NL@%

%@NL@%William Wordsworth
%@NL@%Lucy Gray [1800],st. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW380    @%%@2@%A youth to whom was given%@NL@%%@EH@%
So much of earth-so much of heaven,%@NL@%
And such impetuous blood.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ruth [1800], st. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW420    @%%@2@%Something between a hindrance and a help.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Michael [1800], l. 189

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW430    @%%@2@%Drink, pretty creature, drink!%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%The Pet Lamb [1800], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW440    @%%@2@%May no rude hand deface it,%@NL@%%@EH@%
And its forlorn Hic jacet!%@NL@%

%@NL@%William Wordsworth
%@NL@%Ellen Irwin [1800], st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW445    @%%@2@%She gave me eyes, she gave me ears;%@NL@%%@EH@%
And humble cares, and delicate fears;%@NL@%
A heart, the fountain of sweet tears;%@NL@%
And love, and thought, and joy.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Sparrows' Nest [1807], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW455    @%%@2@%I traveled among unknown men,%@NL@%%@EH@%
In lands beyond the sea;%@NL@%
Nor, England! did I know till then%@NL@%
What love I bore to thee.%@NL@%

%@NL@%William Wordsworth
%@NL@%I Traveled Among Unknown Men [1807], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW456    @%%@2@%My heart leaps up when I behold%@NL@%%@EH@%
A rainbow in the sky:%@NL@%
So was it when my life began;%@NL@%
So is it now I am a man;%@NL@%
So be it when I shall grow old,%@NL@%
Or let me die!%@NL@%
The child is father of the man; 1 %@NL@%
And I could wish my days to be%@NL@%
Bound each to each by natural piety.%@NL@%

%@NL@%William Wordsworth
%@NL@%%@FN@%
The last three lines are the epigraph for Intimations of Immortality,
Wordsworth.  %@EF@%
My Heart Leaps Up [1807]

%@NL@%%@AI@%1 See Milton%@BO:          24817b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW457    @%%@2@%Sweet childish days, that were as long%@NL@%%@EH@%
As twenty days are now.%@NL@%

%@NL@%William Wordsworth
%@NL@%To a Butterfly (I've Watched You Now a Full Half-Hour) [1807], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW458    @%%@2@%Pleasures newly found are sweet%@NL@%%@EH@%
When they lie about our feet.%@NL@%

%@NL@%William Wordsworth
%@NL@%To the Same Flower (the Small Celandine) [1807], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Robert Burns.  %@EF@%
%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW459    @%%@2@%I thought of Chatterton, the marvelous boy,%@NL@%%@EH@%
The sleepless soul that perished in his pride;%@NL@%
Of him who walked in glory and in joy%@NL@%
Following his plow, along the mountainside:%@NL@%
By our own spirits are we deified:%@NL@%
We Poets in our youth begin in gladness;%@NL@%
But thereof come in the end despondency and madness. 1  2  3 %@NL@%

%@NL@%William Wordsworth
%@NL@%Resolution and Independence [1807],st. 7

%@NL@%%@AI@%1 See Democritus%@CF:B460DEMO15      @%%@AE@%
%@AI@%2 See Robert Burton%@BO:          20f8a7@%%@AE@%
%@AI@%3 See Robert Lowell%@BO:          65d362@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW461    @%%@2@%Choice word and measured phrase, above the reach%@NL@%%@EH@%
Of ordinary men.%@NL@%

%@NL@%William Wordsworth
%@NL@%Resolution and Independence [1807],st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW462    @%%@2@%And mighty poets in their misery dead.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Resolution and Independence [1807],st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW463    @%%@2@%Earth has not anything to show more fair:%@NL@%%@EH@%
Dull would he be of soul who could pass by%@NL@%
A sight so touching in its majesty.%@NL@%

%@NL@%William Wordsworth
%@NL@%Composed upon Westminster Bridge, September 3, 1802 [1807],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW464    @%%@2@%Ne'er saw I, never felt, a calm so deep!%@NL@%%@EH@%
The river glideth at his own sweet will!%@NL@%
Dear God! the very houses seem asleep;%@NL@%
And all that mighty heart is lying still!%@NL@%

%@NL@%William Wordsworth
%@NL@%Composed upon Westminster Bridge, September 3, 1802 [1807],l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW540    @%%@2@%Plain living and high thinking are no more:%@NL@%%@EH@%
The homely beauty of the good old cause%@NL@%
Is gone; our peace, our fearful innocence,%@NL@%
And pure religion breathing household laws.%@NL@%

%@NL@%William Wordsworth
%@NL@%Written in London, September 1802 [1807]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW550    @%%@2@%It is a beauteous evening, calm and free,%@NL@%%@EH@%
The holy time is quiet as a nun%@NL@%
Breathless with adoration.%@NL@%

%@NL@%William Wordsworth
%@NL@%It Is a Beauteous Evening [1807],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW560    @%%@2@%Thou liest in Abraham's bosom all the year;%@NL@%%@EH@%
And worship'st at the Temple's inner shrine,%@NL@%
God being with thee when we know it not.%@NL@%

%@NL@%William Wordsworth
%@NL@%It Is a Beauteous Evening [1807],l. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW570    @%%@2@%Once did she hold the gorgeous east in fee:%@NL@%%@EH@%
And was the safeguard of the west.%@NL@%

%@NL@%William Wordsworth
%@NL@%On the Extinction of the Venetian Republic [1807],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW580    @%%@2@%And, when she took unto herself a mate,%@NL@%%@EH@%
She must espouse the everlasting sea.%@NL@%

%@NL@%William Wordsworth
%@NL@%On the Extinction of the Venetian Republic [1807],l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW590    @%%@2@%Men are we, and must grieve when even the shade%@NL@%%@EH@%
Of that which once was great is passed away.%@NL@%

%@NL@%William Wordsworth
%@NL@%On the Extinction of the Venetian Republic [1807],l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW600    @%%@2@%Thou hast great allies;%@NL@%%@EH@%
Thy friends are exultations, agonies,%@NL@%
And love, and man's unconquerable mind.%@NL@%

%@NL@%William Wordsworth
%@NL@%To Toussaint L'Ouverture [1807], l. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW610    @%%@2@%Milton! thou shouldst be living at this hour:%@NL@%%@EH@%
England hath need of thee: she is a fen%@NL@%
Of stagnant waters.%@NL@%

%@NL@%William Wordsworth
%@NL@%London, 1802 [1807],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW620    @%%@2@%Thy soul was like a star, and dwelt apart;%@NL@%%@EH@%
Thou hadst a voice whose sound was like the sea:%@NL@%
Pure as the naked heavens, majestic, free,%@NL@%
So didst thou travel on life's common way,%@NL@%
In cheerful godliness.%@NL@%

%@NL@%William Wordsworth
%@NL@%London, 1802 [1807],l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW630    @%%@2@%We must be free or die, who speak the tongue%@NL@%%@EH@%
That Shakespeare spake; the faith and morals hold%@NL@%
Which Milton held.%@NL@%

%@NL@%William Wordsworth
%@NL@%It Is Not to Be Thought Of [1807], l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW640    @%%@2@%Thou unassuming commonplace%@NL@%%@EH@%
Of nature.%@NL@%

%@NL@%William Wordsworth
%@NL@%To the Same Flower (the Daisy) [1807],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW650    @%%@2@%Oft on the dappled turf at ease%@NL@%%@EH@%
I sit, and play with similes,%@NL@%
Loose types of things through all degrees.%@NL@%

%@NL@%William Wordsworth
%@NL@%To the Same Flower (the Daisy) [1807],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW660    @%%@2@%And stepping westward seemed to be%@NL@%%@EH@%
A kind of heavenly destiny.%@NL@%

%@NL@%William Wordsworth
%@NL@%Stepping Westward [1807], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW670    @%%@2@%Old, unhappy, far-off things,%@NL@%%@EH@%
And battles long ago.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Solitary Reaper [1807],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW680    @%%@2@%The music in my heart I bore%@NL@%%@EH@%
Long after it was heard no more.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Solitary Reaper [1807],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW690    @%%@2@%The good old rule%@NL@%%@EH@%
Sufficeth them, the simple plan,%@NL@%
That they should take, who have the power,%@NL@%
And they should keep who can.%@NL@%

%@NL@%William Wordsworth
%@NL@%Rob Roy's Grave [1807], st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW700    @%%@2@%A brotherhood of venerable trees.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Sonnet. Composed at--Castle [1807], l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW710    @%%@2@%O for a single hour of that Dundee,%@NL@%%@EH@%
Who on that day the word of onset gave!%@NL@%

%@NL@%William Wordsworth
%@NL@%Sonnet. In the Pass of Killicranky [1803], l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW720    @%%@2@%There was a time when meadow, grove, and stream,%@NL@%%@EH@%
The earth, and every common sight,%@NL@%
To me did seem%@NL@%
Appareled in celestial light,%@NL@%
The glory and the freshness of a dream.%@NL@%
It is not now as it hath been of yore-%@NL@%
Turn wheresoe'er I may,%@NL@%
By night or day,%@NL@%
The things which I have seen I now can see no more.%@NL@%

%@NL@%William Wordsworth
%@NL@%%@FN@%
The Ode on Immortality is the high water mark which the intellect has
reached in this age.-Emerson, English Traits [1856]  %@EF@%
Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW740    @%%@2@%The Rainbow comes and goes,%@NL@%%@EH@%
And lovely is the Rose.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW750    @%%@2@%The sunshine is a glorious birth;%@NL@%%@EH@%
But yet I know, where'er I go,%@NL@%
That there hath passed away a glory from the earth.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW760    @%%@2@%Whither is fled the visionary gleam?%@NL@%%@EH@%
Where is it now, the glory and the dream?%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW770    @%%@2@%Our birth is but a sleep and a forgetting:%@NL@%%@EH@%
The soul that rises with us, our life's star,%@NL@%
Hath had elsewhere its setting,%@NL@%
And cometh from afar:%@NL@%
Not in entire forgetfulness,%@NL@%
And not in utter nakedness,%@NL@%
But trailing clouds of glory do we come%@NL@%
From God, who is our home:%@NL@%
Heaven lies about us in our infancy! 1  2  3 %@NL@%
Shades of the prison-house begin to close%@NL@%
Upon the growing boy.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 5

%@NL@%%@AI@%1 See Vaughan%@BO:          25d80d@%%@AE@%
%@AI@%2 See Traherne%@BO:          275154@%%@AE@%
%@AI@%3 See Lowell%@BO:          442bb0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW780    @%%@2@%The youth, who daily farther from the east%@NL@%%@EH@%
Must travel, still is Nature's priest,%@NL@%
And by the vision splendid%@NL@%
Is on his way attended;%@NL@%
At length the man perceives it die away,%@NL@%
And fade into the light of common day.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW790    @%%@2@%As if his whole vocation%@NL@%%@EH@%
Were endless imitation.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW800    @%%@2@%O joy! that in our embers%@NL@%%@EH@%
Is something that doth live,%@NL@%
That nature yet remembers%@NL@%
What was so fugitive!%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW810    @%%@2@%High instincts before which our mortal nature%@NL@%%@EH@%
Did tremble like a guilty thing surprised.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW820    @%%@2@%Truths that wake,%@NL@%%@EH@%
To perish never.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW830    @%%@2@%Though inland far we be,%@NL@%%@EH@%
Our souls have sight of that immortal sea%@NL@%
Which brought us hither.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW840    @%%@2@%Though nothing can bring back the hour%@NL@%%@EH@%
Of splendor in the grass, of glory in the flower.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW850    @%%@2@%In years that bring the philosophic mind.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW860    @%%@2@%The clouds that gather round the setting sun%@NL@%%@EH@%
Do take a sober coloring from an eye%@NL@%
That hath kept watch o'er man's mortality;%@NL@%
Another race hath been, and other palms are won.%@NL@%
Thanks to the human heart by which we live,%@NL@%
Thanks to its tenderness, its joys, and fears,%@NL@%
To me the meanest flower that blows can give%@NL@%
Thoughts that do often lie too deep for tears.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode. Intimations of Immortality from Recollections of Early
Childhood [1807],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW870    @%%@2@%O blithe newcomer! I have heard,%@NL@%%@EH@%
I hear thee and rejoice.%@NL@%
O Cuckoo! shall I call thee bird,%@NL@%
Or but a wandering voice?%@NL@%

%@NL@%William Wordsworth
%@NL@%To the Cuckoo [1807],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW880    @%%@2@%No bird, but an invisible thing,%@NL@%%@EH@%
A voice, a mystery.%@NL@%

%@NL@%William Wordsworth
%@NL@%To the Cuckoo [1807],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW890    @%%@2@%She was a phantom of delight%@NL@%%@EH@%
When first she gleamed upon my sight;%@NL@%
A lovely apparition, sent%@NL@%
To be a moment's ornament.%@NL@%

%@NL@%William Wordsworth
%@NL@%She Was a Phantom of Delight [1807],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW900    @%%@2@%A spirit, yet a woman too!%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%She Was a Phantom of Delight [1807],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW910    @%%@2@%And now I see with eye serene%@NL@%%@EH@%
The very pulse of the machine.%@NL@%

%@NL@%William Wordsworth
%@NL@%She Was a Phantom of Delight [1807],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW920    @%%@2@%A perfect woman, nobly planned,%@NL@%%@EH@%
To warn, to comfort, and command.%@NL@%

%@NL@%William Wordsworth
%@NL@%She Was a Phantom of Delight [1807],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW930    @%%@2@%I wandered lonely as a cloud%@NL@%%@EH@%
That floats on high o'er vales and hills,%@NL@%
When all at once I saw a crowd,%@NL@%
A host, of golden daffodils.%@NL@%

%@NL@%William Wordsworth
%@NL@%I Wandered Lonely as a Cloud [1807],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW940    @%%@2@%Continuous as the stars that shine%@NL@%%@EH@%
And twinkle on the milky way.%@NL@%

%@NL@%William Wordsworth
%@NL@%I Wandered Lonely as a Cloud [1807],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW950    @%%@2@%Ten thousand saw I at a glance,%@NL@%%@EH@%
Tossing their heads in sprightly dance.%@NL@%

%@NL@%William Wordsworth
%@NL@%I Wandered Lonely as a Cloud [1807],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW960    @%%@2@%A poet could not but be gay,%@NL@%%@EH@%
In such a jocund company.%@NL@%

%@NL@%William Wordsworth
%@NL@%I Wandered Lonely as a Cloud [1807],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW970    @%%@2@%That inward eye%@NL@%%@EH@%
Which is the bliss of solitude.%@NL@%

%@NL@%William Wordsworth
%@NL@%I Wandered Lonely as a Cloud [1807],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW980    @%%@2@%Stern daughter of the voice of God! 1 %@NL@%%@EH@%
O Duty!%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode to Duty [1807],st. 1

%@NL@%%@AI@%1 See Milton%@BO:          246558@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW990    @%%@2@%A light to guide, a rod%@NL@%%@EH@%
To check the erring, and reprove.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode to Duty [1807],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1000   @%%@2@%Me this unchartered freedom tires;%@NL@%%@EH@%
I feel the weight of chance desires;%@NL@%
My hopes no more must change their name,%@NL@%
I long for a repose that ever is the same.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode to Duty [1807],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1010   @%%@2@%Stern Lawgiver!%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Ode to Duty [1807],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1020   @%%@2@%Thou dost preserve the stars from wrong;%@NL@%%@EH@%
And the most ancient heavens, through Thee, are fresh and strong.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ode to Duty [1807],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1030   @%%@2@%The light that never was, on sea or land,%@NL@%%@EH@%
The consecration, and the poet's dream.%@NL@%

%@NL@%William Wordsworth
%@NL@%Elegiac Stanzas. Suggested by a Picture of Peele Castle in a
Storm [1807], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1040   @%%@2@%Dear child of Nature, let them rail!%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%To a Young Lady [1807],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1050   @%%@2@%Thou, while thy babes around thee cling,%@NL@%%@EH@%
Shalt show us how divine a thing%@NL@%
A woman may be made.%@NL@%

%@NL@%William Wordsworth
%@NL@%To a Young Lady [1807],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1060   @%%@2@%But an old age serene and bright,%@NL@%%@EH@%
And lovely as a Lapland night,%@NL@%
Shall lead thee to thy grave.%@NL@%

%@NL@%William Wordsworth
%@NL@%To a Young Lady [1807],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
All's well, for over there among his peers/A happy warrior sleeps.-John
Ceredigion Jones [1883-1947], The Returning Man, st. 4  See Alfred E. Smith
%@EF@%
%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1070   @%%@2@%Who is the happy Warrior? Who is he%@NL@%%@EH@%
That every man in arms would wish to be?%@NL@%

%@NL@%William Wordsworth
%@NL@%Character of the Happy Warrior [1807],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1080   @%%@2@%Who, doomed to go in company with pain,%@NL@%%@EH@%
And fear, and bloodshed, miserable train!%@NL@%
Turns his necessity to glorious gain.%@NL@%

%@NL@%William Wordsworth
%@NL@%Character of the Happy Warrior [1807],l. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1090   @%%@2@%More skillful in self-knowledge, even more pure,%@NL@%%@EH@%
As tempted more; more able to endure,%@NL@%
As more exposed to suffering and distress.%@NL@%

%@NL@%William Wordsworth
%@NL@%Character of the Happy Warrior [1807],l. 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1100   @%%@2@%But who, if he be called upon to face%@NL@%%@EH@%
Some awful moment to which Heaven has joined%@NL@%
Great issues, good or bad for humankind,%@NL@%
Is happy as a lover.%@NL@%

%@NL@%William Wordsworth
%@NL@%Character of the Happy Warrior [1807],l. 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1110   @%%@2@%And, through the heat of conflict, keeps the law%@NL@%%@EH@%
In calmness made, and sees what he foresaw.%@NL@%

%@NL@%William Wordsworth
%@NL@%Character of the Happy Warrior [1807],l. 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1120   @%%@2@%Whom neither shape of danger can dismay,%@NL@%%@EH@%
Nor thought of tender happiness betray.%@NL@%

%@NL@%William Wordsworth
%@NL@%Character of the Happy Warrior [1807],l. 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1130   @%%@2@%Like-but oh how different!%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Yes, It Was the Mountain Echo [1807], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1140   @%%@2@%Nuns fret not at their convent's narrow room.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Nuns Fret Not [1807], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1150   @%%@2@%The world is too much with us; late and soon,%@NL@%%@EH@%
Getting and spending, we lay waste our powers:%@NL@%
Little we see in Nature that is ours;%@NL@%
We have given our hearts away, a sordid boon!%@NL@%

%@NL@%William Wordsworth
%@NL@%The World Is Too Much with Us [1807],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1160   @%%@2@%Great God! I'd rather be%@NL@%%@EH@%
A pagan suckled in a creed outworn;%@NL@%
So might I, standing on this pleasant lea,%@NL@%
Have glimpses that would make me less forlorn;%@NL@%
Have sight of Proteus rising from the sea;%@NL@%
Or hear old Triton blow his wreathed horn.%@NL@%

%@NL@%William Wordsworth
%@NL@%The World Is Too Much with Us [1807],l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1170   @%%@2@%Where lies the land to which yon ship must go? 1 %@NL@%%@EH@%
Fresh as a lark mounting at break of day,%@NL@%
Festively she puts forth in trim array.%@NL@%

%@NL@%William Wordsworth
%@NL@%Where Lies the Land [1807], l. 1

%@NL@%%@AI@%1 See Clough%@BO:          43d3e0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1190   @%%@2@%Blessed barrier between day and day.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%To Sleep (A Flock of Sheep) [1807], l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1210   @%%@2@%Dreams, books, are each a world; and books, we know,%@NL@%%@EH@%
Are a substantial world, both pure and good:%@NL@%
Round these, with tendrils strong as flesh and blood,%@NL@%
Our pastime and our happiness will grow.%@NL@%

%@NL@%William Wordsworth
%@NL@%Personal Talk [1807], sonnet 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1220   @%%@2@%A power is passing from the earth.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Lines on the Expected Dissolution of Mr. Fox [1807], st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Two voices are there: one is of the deep;/And one is of an old half-witted
sheep/Which bleats articulate monotony,/And indicates that two and one are
three./And, Wordsworth, both art thine.-James Kenneth Stephen, Sonnet,
Wordsworth [1891]  %@EF@%
%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1230   @%%@2@%Two voices are there: one is of the sea,%@NL@%%@EH@%
One of the mountains; each a mighty voice.%@NL@%

%@NL@%William Wordsworth
%@NL@%Thought of a Briton on the Subjugation of Switzerland [1807], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1250   @%%@2@%The silence that is in the starry sky,%@NL@%%@EH@%
The sleep that is among the lonely hills.%@NL@%

%@NL@%William Wordsworth
%@NL@%Song at the Feast of Brougham Castle [1807], l. 163

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1260   @%%@2@%   Every great and original writer, in proportion as he is great or%@EH@%
original, must himself create the taste by which he is to be relished.%@NL@%
%@NL@%
William Wordsworth
%@NL@%Letter to Lady Beaumont [May 21, 1807]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1290   @%%@2@%Strongest minds%@NL@%%@EH@%
Are often those of whom the noisy world%@NL@%
Hears least.%@NL@%

%@NL@%William Wordsworth
%@NL@%%@FN@%
This will never do.-Francis Jeffrey, opening sentence, review of Wordsworth,
Excursion, Edinburgh Review [1814]  %@EF@%
The Excursion [1814],
bk.I,l. 91

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1310   @%%@2@%The imperfect offices of prayer and praise.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%The Excursion [1814],
bk.I,l. 216

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1320   @%%@2@%The good die first, 1 %@NL@%%@EH@%
And they whose hearts are dry as summer dust%@NL@%
Burn to the socket.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Excursion [1814],
bk.I,l. 500

%@NL@%%@AI@%1 See Menander%@BO:           ba224@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1330   @%%@2@%Wrongs unredressed, or insults unavenged.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%The Excursion [1814],
bk.III,l. 374

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1340   @%%@2@%Society became my glittering bride.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%The Excursion [1814],
bk.III,l. 735

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1350   @%%@2@%There is a luxury in self-dispraise;%@NL@%%@EH@%
And inward self-disparagement affords%@NL@%
To meditative spleen a grateful feast.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Excursion [1814],
bk.IV,l. 475

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Landor  Upon a mountain height, far from the sea,/I found a shell,/And
to my listening ear the lonely thing/Ever a song of ocean seemed to
sing,/Ever a tale of ocean seemed to tell.-Eugene Field [1850-1895], The
Wanderer, st. 1  %@EF@%
%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1360   @%%@2@%I have seen%@NL@%%@EH@%
A curious child, who dwelt upon a tract%@NL@%
Of inland ground, applying to his ear%@NL@%
The convolutions of a smooth-lipped shell,%@NL@%
To which, in silence hushed, his very soul%@NL@%
Listened intensely; and his countenance soon%@NL@%
Brightened with joy, for from within were heard%@NL@%
Murmurings, whereby the monitor expressed%@NL@%
Mysterious union with its native sea.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Excursion [1814],
bk.IV,l. 1132

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1380   @%%@2@%One in whom persuasion and belief%@NL@%%@EH@%
Had ripened into faith, and faith become%@NL@%
A passionate intuition.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Excursion [1814],
bk.IV,l. 1293

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
An instinctive taste teaches men to build their churches in flat countries
with spire steeples, which, as they cannot be referred to any other object,
point as with silent finger to the sky and stars.-Coleridge, The Friend
[1809], no. 14  %@EF@%
%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1390   @%%@2@%Spires whose "silent finger points to heaven."%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%The Excursion [1814],
bk.VI, l. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1410   @%%@2@%A man he seems of cheerful yesterdays%@NL@%%@EH@%
And confident tomorrows.%@NL@%

%@NL@%William Wordsworth
%@NL@%The Excursion [1814],
bk.VII, l. 557

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1413   @%%@2@%A few strong instincts, and a few plain rules.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Alas! What Boots the Long Laborious Quest? [1815], l. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1416   @%%@2@%Surprised by joy-impatient as the wind.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Surprised by Joy [1815], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1420   @%%@2@%The gods approve%@NL@%%@EH@%
The depth, and not the tumult, of the soul.%@NL@%

%@NL@%William Wordsworth
%@NL@%Laodamia [1815],st. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1430   @%%@2@%An ampler ether, a diviner air.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Laodamia [1815],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1440   @%%@2@%And beauty, for confiding youth,%@NL@%%@EH@%
Those shocks of passion can prepare%@NL@%
That kill the bloom before its time;%@NL@%
And blanch, without the owner's crime,%@NL@%
The most resplendent hair.%@NL@%

%@NL@%William Wordsworth
%@NL@%Lament of Mary Queen of Scots [1820], st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1450   @%%@2@%Enough, if something from our hands have power%@NL@%%@EH@%
To live, and act, and serve the future hour.%@NL@%

%@NL@%William Wordsworth
%@NL@%The River Duddon [1820], sonnet 34, Afterthought,l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1460   @%%@2@%We feel that we are greater than we know.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%The River Duddon [1820], sonnet 34, Afterthought,l. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1470   @%%@2@%Habit rules the unreflecting herd.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Ecclesiastical Sonnets [1822], pt.II, sonnet 28, Reflections, l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The pen wherewith thou dost so heavenly sing/Made of a quill from an angel's
wing.-Henry Constable [1562-1613], Sonnet  %@EF@%
%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1480   @%%@2@%The feather, whence the pen%@NL@%%@EH@%
Was shaped that traced the lives of these good men,%@NL@%
Dropped from an angel's wing.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ecclesiastical Sonnets [1822], pt.III, sonnet5. Walton's Book of Lives, l. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1495   @%%@2@%The unimaginable touch of Time.%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%Ecclesiastical Sonnets [1822], pt.III, sonnet34. Mutability

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1500   @%%@2@%Give all thou canst; high Heaven rejects the lore%@NL@%%@EH@%
Of nicely calculated less or more.%@NL@%

%@NL@%William Wordsworth
%@NL@%Ecclesiastical Sonnets [1822], pt.III, sonnet43. Inside of King's College
Chapel, Cambridge, l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1510   @%%@2@%But hushed be every thought that springs%@NL@%%@EH@%
From out the bitterness of things.%@NL@%

%@NL@%William Wordsworth
%@NL@%Elegiac Stanzas. Addressed to Sir G. H. B. [1827], st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1520   @%%@2@%Ethereal minstrel! pilgrim of the sky!%@NL@%%@EH@%

%@NL@%William Wordsworth
%@NL@%To a Skylark [1827], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1530   @%%@2@%Type of the wise who soar, but never roam,%@NL@%%@EH@%
True to the kindred points of heaven and home!%@NL@%

%@NL@%William Wordsworth
%@NL@%To a Skylark [1827], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1540   @%%@2@%Scorn not the sonnet; Critic, you have frowned,%@NL@%%@EH@%
Mindless of its just honors; with this key%@NL@%
Shakespeare unlocked his heart.%@NL@%

%@NL@%William Wordsworth
%@NL@%Scorn Not the Sonnet [1827], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1550   @%%@2@%Small service is true service while it lasts:%@NL@%%@EH@%
Of humblest friends, bright creature! scorn not one:%@NL@%
The daisy, by the shadow that it casts,%@NL@%
Protects the lingering dewdrop from the sun.%@NL@%

%@NL@%William Wordsworth
%@NL@%To a Child. Written in Her Album [1835]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1560   @%%@2@%How does the meadow flower its bloom unfold?%@NL@%%@EH@%
Because the lovely little flower is free%@NL@%
Down to its root, and, in that freedom, bold.%@NL@%

%@NL@%William Wordsworth
%@NL@%A Poet!- He Hath Put His Heart to School [1842], l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Wordsworth@%%@QR:Wordsworth@%%@CR:N1770WORW1570   @%%@2@%Minds that have nothing to confer%@NL@%%@EH@%
Find little to perceive.%@NL@%

%@NL@%William Wordsworth
%@NL@%Yes, Thou Art Fair [1845], st. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Marie Francois Xavier Bichat%@AE@%%@EH@%
%@NL@%
%@AB@%1771-1802%@AE@%
%@NL@%%@NL@%

%@QR:Marie Francois Xavier Bichat@%%@QR:Bichat@%%@CR:N1771BICM10     @%%@2@%   Life is the totality of those functions which resist death.%@NL@%%@EH@%
%@NL@%
Marie Francois Xavier Bichat
%@NL@%Physiological Researches upon Life and Death [1800]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Dibdin%@AE@%%@EH@%
%@NL@%
%@AB@%1771-1841%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Dibdin@%%@QR:Dibdin@%%@CR:N1771DIBT10     @%%@2@%Oh, it's a snug little island!%@NL@%%@EH@%
A right little, tight little island.%@NL@%

%@NL@%Thomas Dibdin
%@NL@%The Snug Little Island

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Montgomery%@AE@%%@EH@%
%@NL@%
%@AB@%1771-1854%@AE@%
%@NL@%%@NL@%

%@QR:James Montgomery@%%@QR:Montgomery@%%@CR:N1771MONJ10     @%%@2@%Give me the hand that is honest and hearty,%@NL@%%@EH@%
Free as the breeze and unshackled by party.%@NL@%

%@NL@%James Montgomery
%@NL@%Give Me Thy Hand, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Montgomery@%%@QR:Montgomery@%%@CR:N1771MONJ20     @%%@2@%Here in the body pent,%@NL@%%@EH@%
Absent from Him I roam,%@NL@%
Yet nightly pitch my moving tent%@NL@%
A day's march nearer home.%@NL@%

%@NL@%James Montgomery
%@NL@%At Home in Heaven

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Montgomery@%%@QR:Montgomery@%%@CR:N1771MONJ30     @%%@2@%Prayer is the soul's sincere desire,%@NL@%%@EH@%
Uttered or unexpressed;%@NL@%
The motion of a hidden fire%@NL@%
That trembles in the breast.%@NL@%

%@NL@%James Montgomery
%@NL@%What Is Prayer? st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Pitt%@AE@%%@EH@%
%@NL@%
%@AB@%d. 1840%@AE@%
%@NL@%%@NL@%

%@QR:William Pitt@%%@QR:Pitt@%%@CR:N1771PITW10     @%%@2@%A strong nor'wester's blowing, Bill,%@NL@%%@EH@%
Hark! Don't ye hear it roar, now?%@NL@%
Lord help 'em, how I pities all%@NL@%
Unhappy folks on shore now!%@NL@%

%@NL@%William Pitt
%@NL@%The Sailor's Consolation, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Walter Scott%@AE@%%@EH@%
%@NL@%
%@AB@%1771-1832%@AE@%
%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW10     @%%@2@%The way was long, the wind was cold,%@NL@%%@EH@%
The Minstrel was infirm and old;%@NL@%
His withered cheek, and tresses gray,%@NL@%
Seemed to have known a better day.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW20     @%%@2@%The unpremeditated lay.%@NL@%%@EH@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW30     @%%@2@%Such is the custom of Branksome Hall.%@NL@%%@EH@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],cantoI,st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW40     @%%@2@%Steady of heart, and stout of hand.%@NL@%%@EH@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],cantoI,st. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW50     @%%@2@%If thou would'st view fair Melrose aright,%@NL@%%@EH@%
Go visit it by the pale moonlight.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],cantoII,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW60     @%%@2@%I cannot tell how the truth may be;%@NL@%%@EH@%
I say the tale as 'twas said to me.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],cantoII,st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW70     @%%@2@%In peace, Love tunes the shepherd's reed;%@NL@%%@EH@%
In war, he mounts the warrior's steed;%@NL@%
In halls, in gay attire is seen;%@NL@%
In hamlets, dances on the green.%@NL@%
Love rules the court, the camp, the grove,%@NL@%
And men below, and saints above;%@NL@%
For love is heaven, and heaven is love.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],cantoIII, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW80     @%%@2@%For ne'er%@NL@%%@EH@%
Was flattery lost on poet's ear:%@NL@%
A simple race! they waste their toil%@NL@%
For the vain tribute of a smile.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],cantoIV, conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW90     @%%@2@%Call it not vain; they do not err%@NL@%%@EH@%
Who say, that when the Poet dies,%@NL@%
Mute Nature mourns her worshipper,%@NL@%
And celebrates his obsequies.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],cantoV,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW100    @%%@2@%True love's the gift which God has given%@NL@%%@EH@%
To man alone beneath the heaven:%@NL@%
It is not fantasy's hot fire,%@NL@%
Whose wishes, soon as granted, fly;%@NL@%
It liveth not in fierce desire,%@NL@%
With dead desire it doth not die;%@NL@%
It is the secret sympathy,%@NL@%
The silver link, the silken tie,%@NL@%
Which heart to heart and mind to mind%@NL@%
In body and in soul can bind.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],cantoV,st. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW110    @%%@2@%Breathes there the man, with soul so dead,%@NL@%%@EH@%
Who never to himself hath said,%@NL@%
This is my own, my native land!%@NL@%
Whose heart hath ne'er within him burned 1 %@NL@%
As home his footsteps he hath turned%@NL@%
From wandering on a foreign strand!%@NL@%
If such there breathe, go, mark him well;%@NL@%
For him no Minstrel raptures swell;%@NL@%
High though his titles, proud his name,%@NL@%
Boundless his wealth as wish can claim;%@NL@%
Despite those titles, power, and pelf,%@NL@%
The wretch, concentered all in self,%@NL@%
Living, shall forfeit fair renown,%@NL@%
And, doubly dying, shall go down%@NL@%
To the vile dust, from whence he sprung,%@NL@%
Unwept, unhonored, and unsung. 2  3  4  5  6  7 %@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],cantoVI,st. 1

%@NL@%%@AI@%1 See Luke 24:32%@BO:           603ff@%%@AE@%
%@AI@%2 See Homer%@BO:           83788@%%@AE@%
%@AI@%3 See Horace%@BO:           dbc74@%%@AE@%
%@AI@%4 See Chaucer%@BO:          11dbf8@%%@AE@%
%@AI@%5 See Shakespeare%@BO:          1bd63c@%%@AE@%
%@AI@%6 See Milton%@BO:          2400f1@%%@AE@%
%@AI@%7 See Byron%@BO:          37b671@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW120    @%%@2@%O Caledonia! stern and wild,%@NL@%%@EH@%
Meet nurse for a poetic child!%@NL@%
Land of brown heath and shaggy wood;%@NL@%
Land of the mountain and the flood!%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],cantoVI,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW130    @%%@2@%That day of wrath, that dreadful day,%@NL@%%@EH@%
When heaven and earth shall pass away. 1 %@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lay of the Last Minstrel [1805],cantoVI,st. 31

%@NL@%%@AI@%1 See Tommaso di Celano%@BO:          11337f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW140    @%%@2@%November's sky is chill and drear,%@NL@%%@EH@%
November's leaf is red and sear.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoI, introduction,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW150    @%%@2@%Stood for his country's glory fast,%@NL@%%@EH@%
And nailed her colors to the mast!%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoI, introduction,st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW160    @%%@2@%But search the land of living men,%@NL@%%@EH@%
Where wilt thou find their like again?%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoI, introduction,st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW170    @%%@2@%And come he slow, or come he fast,%@NL@%%@EH@%
It is but Death who comes at last.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoII, introduction, st. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW180    @%%@2@%Oh, young Lochinvar is come out of the West,%@NL@%%@EH@%
Through all the wide Border his steed was the best.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoV, st. 12[Lochinvar, st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW190    @%%@2@%So faithful in love, and so dauntless in war,%@NL@%%@EH@%
There never was knight like the young Lochinvar.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoV, st. 12[Lochinvar, st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW200    @%%@2@%For a laggard in love, and a dastard in war,%@NL@%%@EH@%
Was to wed the fair Ellen of brave Lochinvar.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoV, st. 12[Lochinvar, st. 2]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW210    @%%@2@%With a smile on her lips, and a tear in her eye.%@NL@%%@EH@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoV, st. 12[Lochinvar, st. 5]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW220    @%%@2@%Heap on more wood!-the wind is chill;%@NL@%%@EH@%
But let it whistle as it will,%@NL@%
We'll keep our Christmas merry still.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoVI, introduction,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW230    @%%@2@%England was merry England, when%@NL@%%@EH@%
Old Christmas brought his sports again.%@NL@%
'Twas Christmas broached the mightiest ale;%@NL@%
'Twas Christmas told the merriest tale;%@NL@%
A Christmas gambol oft could cheer%@NL@%
The poor man's heart through half the year.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoVI, introduction,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW240    @%%@2@%And dar'st thou, then,%@NL@%%@EH@%
To beard the lion in his den,%@NL@%
The Douglas in his hall?%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoVI, introduction,st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW250    @%%@2@%Oh, what a tangled web we weave,%@NL@%%@EH@%
When first we practice to deceive!%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoVI, introduction,st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW260    @%%@2@%O Woman! in our hours of ease,%@NL@%%@EH@%
Uncertain, coy, and hard to please,%@NL@%
And variable as the shade 1 %@NL@%
By the light quivering aspen made;%@NL@%
When pain and anguish wring the brow,%@NL@%
A ministering angel thou! 2 %@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoVI, introduction,st. 30

%@NL@%%@AI@%1 See Virgil%@BO:           d4e78@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          1c8154@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW270    @%%@2@%"Charge, Chester, charge! On, Stanley, on!"%@NL@%%@EH@%
Were the last words of Marmion.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoVI, introduction,st. 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW280    @%%@2@%To all, to each, a fair goodnight,%@NL@%%@EH@%
And pleasing dreams, and slumbers light!%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Marmion [1808], cantoL'Envoy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW290    @%%@2@%The stag at eve had drunk his fill,%@NL@%%@EH@%
Where danced the moon on Monan's rill,%@NL@%
And deep his midnight lair had made%@NL@%
In lone Glenartney's hazel shade.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lady of the Lake [1810], cantoI,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW300    @%%@2@%In listening mood she seemed to stand,%@NL@%%@EH@%
The guardian Naiad of the strand.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lady of the Lake [1810], cantoI,st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW310    @%%@2@%The will to do, the soul to dare.%@NL@%%@EH@%

%@NL@%Sir Walter Scott
%@NL@%The Lady of the Lake [1810], cantoI,st. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW320    @%%@2@%Soldier, rest! thy warfare o'er,%@NL@%%@EH@%
Sleep the sleep that knows not breaking,%@NL@%
Dream of battled fields no more,%@NL@%
Days of danger, nights of waking.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lady of the Lake [1810], cantoI,st. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The verses beginning with this line were set to music by James Sanderson
[1769-c. 1841]. The march has become traditionally attached to the President
of the United States.  %@EF@%
%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW330    @%%@2@%Hail to the Chief who in triumph advances!%@NL@%%@EH@%

%@NL@%Sir Walter Scott
%@NL@%The Lady of the Lake [1810], cantoII,st. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW340    @%%@2@%Some feelings are to mortals given,%@NL@%%@EH@%
With less of earth in them than heaven.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lady of the Lake [1810], cantoII,st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW350    @%%@2@%Like the dew on the mountain,%@NL@%%@EH@%
Like the foam on the river,%@NL@%
Like the bubble on the fountain,%@NL@%
Thou art gone, and forever!%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lady of the Lake [1810], cantoIII, st. 16 [Coronach, st. 3]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW360    @%%@2@%And, Saxon-I am Roderick Dhu!%@NL@%%@EH@%

%@NL@%Sir Walter Scott
%@NL@%The Lady of the Lake [1810], cantoV,st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW370    @%%@2@%Come one, come all! this rock shall fly%@NL@%%@EH@%
From its firm base as soon as I.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lady of the Lake [1810], cantoV,st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW380    @%%@2@%Respect was mingled with surprise,%@NL@%%@EH@%
And the stern joy which warriors feel%@NL@%
In foemen worthy of their steel.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lady of the Lake [1810], cantoV,st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW390    @%%@2@%Where, where was Roderick then!%@NL@%%@EH@%
One blast upon his bugle horn%@NL@%
Were worth a thousand men!%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lady of the Lake [1810], cantoVI, st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW400    @%%@2@%Still are the thoughts to memory dear.%@NL@%%@EH@%

%@NL@%Sir Walter Scott
%@NL@%Rokeby [1813], cantoI, st. 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW410    @%%@2@%A mother's pride, a father's joy.%@NL@%%@EH@%

%@NL@%Sir Walter Scott
%@NL@%Rokeby [1813], cantoIII,st. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW420    @%%@2@%Oh, Brignal banks are wild and fair,%@NL@%%@EH@%
And Greta woods are green,%@NL@%
And you may gather garlands there%@NL@%
Would grace a summer's queen.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Rokeby [1813], cantoIII,st. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW430    @%%@2@%O! many a shaft at random sent%@NL@%%@EH@%
Finds mark the archer little meant!%@NL@%
And many a word, at random spoken,%@NL@%
May soothe or wound a heart that's broken!%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Lord of the Isles [1815], cantoV, st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Robert Bruce's censure of Randolph for permitting a body of English cavalry
to pass his flank on the day before the battle of Bannockburn [June 24,
1314].  %@EF@%
%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW440    @%%@2@%Randolph, thy wreath has lost a rose.%@NL@%%@EH@%

%@NL@%Sir Walter Scott
%@NL@%The Lord of the Isles [1815], cantoVI, st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW450    @%%@2@%   A lawyer without history or literature is a mechanic, a mere working%@EH@%
mason; if he possesses some knowledge of these, he may venture to call
himself an architect.%@NL@%
%@NL@%
Sir Walter Scott
%@NL@%Guy Mannering [1815], ch. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW470    @%%@2@%   It's no fish ye're buying, it's men's lives. 1 %@NL@%%@EH@%
%@NL@%
Sir Walter Scott
%@NL@%The Antiquary [1816], ch. 11

%@NL@%%@AI@%1 See Thomas Hood%@BO:          3ab8b3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW480    @%%@2@%Come as the winds come, when%@NL@%%@EH@%
Forests are rended,%@NL@%
Come as the waves come, when%@NL@%
Navies are stranded.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Pibroch of Donald Dhu [1816], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW490    @%%@2@%Time will rust the sharpest sword,%@NL@%%@EH@%
Time will consume the strongest cord;%@NL@%
That which molders hemp and steel,%@NL@%
Mortal arm and nerve must feel.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Harold the Dauntless [1817], canto I, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW500    @%%@2@%   Sea of upturned faces.%@NL@%%@EH@%
%@NL@%
Sir Walter Scott
%@NL@%Rob Roy [1817], ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW510    @%%@2@%   There's a gude time coming.%@NL@%%@EH@%
%@NL@%
Sir Walter Scott
%@NL@%Rob Roy [1817], ch.32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW520    @%%@2@%   My foot is on my native heath, and my name is MacGregor.%@NL@%%@EH@%
%@NL@%
Sir Walter Scott
%@NL@%Rob Roy [1817], ch.34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The dying words of a Highland laird to his son.  %@EF@%
%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW530    @%%@2@%   Jock, when ye hae naething else to do, ye may be ay sticking in a tree;%@EH@%
it will be growing, Jock, when ye're sleeping.%@NL@%
%@NL@%
Sir Walter Scott
%@NL@%The Heart of Midlothian [1818], ch. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW540    @%%@2@%Vacant heart, and hand, and eye,%@NL@%%@EH@%
Easy live and quiet die.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Bride of Lammermoor [1819], ch. 3. Lucy Ashton's Song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW550    @%%@2@%   There is a southern proverb-fine words butter no parsnips.%@NL@%%@EH@%
%@NL@%
Sir Walter Scott
%@NL@%The Legend of Montrose [1819], ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW560    @%%@2@%   The happy combination of fortuitous circumstances. 1 %@NL@%%@EH@%
%@NL@%
Sir Walter Scott
%@NL@%The Monastery [1820].Answer of the Author of Waverley to
the Letter of Captain Clutterbuck

%@NL@%%@AI@%1 See Daniel Webster%@BO:          36cdca@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW575    @%%@2@%   As old as the hills.%@NL@%%@EH@%
%@NL@%
Sir Walter Scott
%@NL@%The Monastery [1820].ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Bible.  %@EF@%
%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW580    @%%@2@%Within that awful volume lies%@NL@%%@EH@%
The mystery, of mysteries!%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Monastery [1820].ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW590    @%%@2@%And better had they ne'er been born,%@NL@%%@EH@%
Who read to doubt, or read to scorn.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Monastery [1820].ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW600    @%%@2@%   Spur not an unbroken horse; put not your plowshare too deep into new%@EH@%
land.%@NL@%
%@NL@%
Sir Walter Scott
%@NL@%The Monastery [1820].ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW610    @%%@2@%Oh, poverty parts good company.%@NL@%%@EH@%

%@NL@%Sir Walter Scott
%@NL@%The Abbot [1820], ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW620    @%%@2@%Ah! County Guy, the hour is nigh,%@NL@%%@EH@%
The sun has left the lea.%@NL@%

%@NL@%Sir Walter Scott
%@NL@%Quentin Durward [1823], ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"Right," quoth Ben, "that will do for the marines."-Byron, The Island
[1823], canto II, last line  "That will do for the marines, but the sailors
won't believe it" is an old saying.  %@EF@%
%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW630    @%%@2@%   Tell that to the marines-the sailors won't believe it.%@NL@%%@EH@%
%@NL@%
Sir Walter Scott
%@NL@%Redgauntlet [1824], vol. II, ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW660    @%%@2@%   Rouse the lion from his lair.%@NL@%%@EH@%
%@NL@%
Sir Walter Scott
%@NL@%The Talisman [1825], heading, ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW670    @%%@2@%   Recollect that the Almighty, who gave the dog to be companion of our%@EH@%
pleasures and our toils, hath invested him with a nature noble and incapable
of deceit.%@NL@%
%@NL@%
Sir Walter Scott
%@NL@%The Talisman [1825], heading, ch.24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW675    @%%@2@%   A miss is as good as a mile.%@NL@%%@EH@%
%@NL@%
Sir Walter Scott
%@NL@%Journal [December 3, 1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW680    @%%@2@%   If you keep a thing seven years, you are sure to find a use for it.%@NL@%%@EH@%
%@NL@%
Sir Walter Scott
%@NL@%Woodstock [1826], ch. 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW720    @%%@2@%Come fill up my cup, come fill up my can,%@NL@%%@EH@%
Come saddle your horses, and call up your men;%@NL@%
Come open the West Port, and let me gang free,%@NL@%
And it's room for the bonnets of Bonny Dundee!%@NL@%

%@NL@%Sir Walter Scott
%@NL@%The Doom of Devorgoil [1830]. Bonny Dundee, chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Walter Scott@%%@QR:Scott@%%@CR:N1771SCOW730    @%%@2@%   One hour of life, crowded to the full with glorious action, and filled%@EH@%
with noble risks, is worth whole years of those mean observances of paltry
decorum. 1 %@NL@%
%@NL@%
Sir Walter Scott
%@NL@%Count Robert of Paris [1832], ch. 25

%@NL@%%@AI@%1 See Mordaunt%@BO:          2e837e@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Sydney Smith%@AE@%%@EH@%
%@NL@%
%@AB@%1771-1845%@AE@%
%@NL@%%@NL@%

%@FN@%
Generally accepted as the origin of the phrase: A square peg in a round
hole.  See Twain  %@EF@%
%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS10     @%%@2@%   If you choose to represent the various parts in life by holes upon a%@EH@%
table, of different shapes-some circular, some triangular, some square, some
oblong-and the persons acting these parts by bits of wood of similar shapes,
we shall generally find that the triangular person has got into the square
hole, the oblong into the triangular, and a square person has squeezed
himself into the round hole. The officer and the office, the doer and the
thing done, seldom fit so exactly that we can say they were almost made for
each other.%@NL@%
%@NL@%
Sydney Smith
%@NL@%Sketches of Moral Philosophy [1850]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS30     @%%@2@%   That knuckle-end of England-that land of Calvin, oatcakes, and sulphur.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS40     @%%@2@%   Preaching has become a byword for long and dull conversation of any kind;%@EH@%
and whoever wishes to imply, in any piece of writing, the absence of
everything agreeable and inviting, calls it a sermon.%@NL@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS50     @%%@2@%   Avoid shame, but do not seek glory,-nothing so expensive as glory.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS60     @%%@2@%   Take short views, hope for the best, and trust in God.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS70     @%%@2@%   Looked as if she had walked straight out of the ark.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS80     @%%@2@%   No furniture so charming as books.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS90     @%%@2@%   Not body enough to cover his mind decently with; his intellect is%@EH@%
improperly exposed.%@NL@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS100    @%%@2@%   He has spent all his life in letting down empty buckets into empty wells;%@EH@%
and he is frittering away his age in trying to draw them up again. 1 %@NL@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.9

%@NL@%%@AI@%1 See Cowper%@BO:          2ebd6b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS110    @%%@2@%   Ah, you flavor everything; you are the vanilla of society.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS120    @%%@2@%   As the French say, there are three sexes-men, women, and clergymen.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS130    @%%@2@%   My living in Yorkshire was so far out of the way, that it was actually%@EH@%
twelve miles from a lemon.%@NL@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS140    @%%@2@%   Praise is the best diet for us, after all.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS150    @%%@2@%   Daniel Webster struck me much like a steam engine in trousers.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS160    @%%@2@%   Live always in the best company when you read.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS170    @%%@2@%   Never give way to melancholy; resist it steadily, for the habit will%@EH@%
encroach.%@NL@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS180    @%%@2@%   He was a one-book man. Some men have only one book in them; others, a%@EH@%
library. 1 %@NL@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.11

%@NL@%%@AI@%1 See Anonymous Latin%@BO:          10a45f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
We are the two halves of a pair of scissors, when apart, Pecksniff, but
together we are something.-Dickens, Martin Chuzzlewit [1843-1844], ch. 11  %@EF@%
%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS190    @%%@2@%   Marriage resembles a pair of shears, so joined that they can not be%@EH@%
separated; often moving in opposite directions, yet always punishing anyone
who comes between them.%@NL@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS210    @%%@2@%   Macaulay is like a book in breeches . . . He has occasional flashes of%@EH@%
silence, that make his conversation perfectly delightful.%@NL@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],vol. I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS220    @%%@2@%Let onion atoms lurk within the bowl%@NL@%%@EH@%
And, scarce suspected, animate the whole. 1 %@NL@%

%@NL@%Sydney Smith
%@NL@%Lady Holland's Memoir [1855],Recipe for Salad

%@NL@%%@AI@%1 See R. L. Stevenson%@BO:          4f105a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS230    @%%@2@%Serenely full, the epicure would say,%@NL@%%@EH@%
Fate cannot harm me, I have dined today. 1  2 %@NL@%

%@NL@%Sydney Smith
%@NL@%Lady Holland's Memoir [1855],Recipe for Salad

%@NL@%%@AI@%1 See Horace%@BO:           db36b@%%@AE@%
%@AI@%2 See Dryden%@BO:          267f40@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS240    @%%@2@%   What you don't know would make a great book.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],Recipe for Salad

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS250    @%%@2@%   In composing, as a general rule, run your pen through every other word%@EH@%
you have written; you have no idea what vigor it will give your style. 1 %@NL@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],Recipe for Salad

%@NL@%%@AI@%1 See Samuel Johnson%@BO:          2c3dea@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS260    @%%@2@%   Thank God for tea! What would the world do without tea?-how did it exist?%@EH@%
I am glad I was not born before tea.%@NL@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],Recipe for Salad

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS270    @%%@2@%   That sign of old age, extolling the past at the expense of the present.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],Recipe for Salad

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sydney Smith@%%@QR:Smith@%%@CR:N1771SMIS280    @%%@2@%   We know nothing of tomorrow; our business is to be good and happy today.%@NL@%%@EH@%
%@NL@%
Sydney Smith
%@NL@%Lady Holland's Memoir [1855],Recipe for Salad12

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Taylor Coleridge%@AE@%%@EH@%
%@NL@%
%@AB@%1772-1834%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS10     @%%@2@%Poor little foal of an oppressed race!%@NL@%%@EH@%
I love the languid patience of thy face.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%To a Young Ass [1794], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS20     @%%@2@%Blest hour! it was a luxury-to be!%@NL@%%@EH@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Reflections on Having Left a Place of Retirement [1795], l. 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS30     @%%@2@%This Lime Tree Bower My Prison.%@NL@%%@EH@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Title of poem [1797]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS40     @%%@2@%In Xanadu did Kubla Khan%@NL@%%@EH@%
A stately pleasure dome decree:%@NL@%
Where Alph, the sacred river, ran%@NL@%
Through caverns measureless to man%@NL@%
Down to a sunless sea.%@NL@%
So twice five miles of fertile ground%@NL@%
With walls and towers were girdled round.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Kubla Khan [1798]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS50     @%%@2@%A savage place! as holy and enchanted%@NL@%%@EH@%
As e'er beneath a waning moon was haunted%@NL@%
By woman wailing for her demon-lover!%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Kubla Khan [1798]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS60     @%%@2@%Five miles meandering with a mazy motion.%@NL@%%@EH@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Kubla Khan [1798]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS70     @%%@2@%Ancestral voices prophesying war!%@NL@%%@EH@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Kubla Khan [1798]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS80     @%%@2@%It was a miracle of rare device,%@NL@%%@EH@%
A sunny pleasure dome with caves of ice!%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Kubla Khan [1798]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS90     @%%@2@%A damsel with a dulcimer%@NL@%%@EH@%
In a vision once I saw:%@NL@%
It was an Abyssinian maid,%@NL@%
And on her dulcimer she played,%@NL@%
Singing of Mount Abora.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Kubla Khan [1798]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS100    @%%@2@%That sunny dome! those caves of ice!%@NL@%%@EH@%
And all who heard should see them there,%@NL@%
And all should cry, Beware! Beware!%@NL@%
His flashing eyes, his floating hair!%@NL@%
Weave a circle round him thrice,%@NL@%
And close your eyes with holy dread,%@NL@%
For he on honeydew hath fed, 1 %@NL@%
And drunk the milk of Paradise.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Kubla Khan [1798]

%@NL@%%@AI@%1 See Hesiod%@BO:           87481@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS110    @%%@2@%Sir Leoline, the Baron rich,%@NL@%%@EH@%
Hath a toothless mastiff bitch.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Christabel [1797-1800], pt.I,l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS120    @%%@2@%And the spring comes slowly up this way.%@NL@%%@EH@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Christabel [1797-1800], pt.I,l. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS130    @%%@2@%The one red leaf, the last of its clan,%@NL@%%@EH@%
That dances as often as dance it can.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Christabel [1797-1800], pt.I,l. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS140    @%%@2@%Her gentle limbs did she undress,%@NL@%%@EH@%
And lay down in her loveliness.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Christabel [1797-1800], pt.I,l. 237

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS150    @%%@2@%A sight to dream of, not to tell!%@NL@%%@EH@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Christabel [1797-1800], pt.I,l. 252

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS160    @%%@2@%Saints will aid if men will call:%@NL@%%@EH@%
For the blue sky bends over all!%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Christabel [1797-1800], pt.I,l. 330

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS170    @%%@2@%And constancy lives in realms above;%@NL@%%@EH@%
And life is thorny; and youth is vain;%@NL@%
And to be wroth with one we love%@NL@%
Doth work like madness in the brain.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Christabel [1797-1800], pt.II,l. 410

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS180    @%%@2@%It is an ancient Mariner,%@NL@%%@EH@%
And he stoppeth one of three.%@NL@%
"By thy long gray beard and glittering eye,%@NL@%
Now wherefore stopp'st thou me?"%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.I,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS190    @%%@2@%The guests are met, the feast is set:%@NL@%%@EH@%
May'st hear the merry din.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.I,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS200    @%%@2@%He holds him with his glittering eye-%@NL@%%@EH@%
The Wedding Guest stood still,%@NL@%
And listens like a three years' child:%@NL@%
The Mariner hath his will.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.I,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS210    @%%@2@%The ship was cheered, the harbor cleared,%@NL@%%@EH@%
Merrily did we drop%@NL@%
Below the kirk, below the hill,%@NL@%
Below the lighthouse top.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.I,st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS220    @%%@2@%The Wedding Guest here beat his breast,%@NL@%%@EH@%
For he heard the loud bassoon.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.I,st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS230    @%%@2@%The bride hath paced into the hall,%@NL@%%@EH@%
Red as a rose is she.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.I,st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS240    @%%@2@%And now there came both mist and snow,%@NL@%%@EH@%
And it grew wondrous cold:%@NL@%
And ice, mast-high, came floating by,%@NL@%
As green as emerald.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.I,st. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS250    @%%@2@%The ice was here, the ice was there,%@NL@%%@EH@%
The ice was all around:%@NL@%
It cracked and growled, and roared and howled,%@NL@%
Like noises in a swound!%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.I,st. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS260    @%%@2@%"God save thee, ancient Mariner!%@NL@%%@EH@%
From the fiends, that plague thee thus!-%@NL@%
Why look'st thou so?"-"With my crossbow%@NL@%
I shot the Albatross."%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.I,st. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS270    @%%@2@%The fair breeze blew, the white foam flew,%@NL@%%@EH@%
The furrows followed free;%@NL@%
We were the first that ever burst%@NL@%
Into that silent sea.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.II,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS280    @%%@2@%As idle as a painted ship%@NL@%%@EH@%
Upon a painted ocean.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.II,st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS290    @%%@2@%Water, water, everywhere,%@NL@%%@EH@%
Nor any drop to drink.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.II,st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS300    @%%@2@%The very deep did rot: O Christ!%@NL@%%@EH@%
That ever this should be!%@NL@%
Yea, slimy things did crawl with legs%@NL@%
Upon the slimy sea.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.II,st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS310    @%%@2@%About, about, in reel and rout%@NL@%%@EH@%
The death fires danced at night.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.II,st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS320    @%%@2@%I bit my arm, I sucked the blood,%@NL@%%@EH@%
And cried, A sail! a sail!%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.III,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS330    @%%@2@%Her lips were red, her looks were free,%@NL@%%@EH@%
Her locks were yellow as gold:%@NL@%
Her skin was white as leprosy,%@NL@%
The nightmare Life-in-Death was she,%@NL@%
Who thicks man's blood with cold.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.III,st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS340    @%%@2@%"The game is done! I've won, I've won!"%@NL@%%@EH@%
Quoth she, and whistles thrice.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.III,st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS350    @%%@2@%The sun's rim dips, the stars rush out:%@NL@%%@EH@%
At one stride comes the dark;%@NL@%
With far-heard whisper o'er the sea%@NL@%
Off shot the specter bark.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.III,st. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS360    @%%@2@%We listened and looked sideways up!%@NL@%%@EH@%
Fear at my heart, as at a cup,%@NL@%
My lifeblood seemed to sip.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.III,st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS370    @%%@2@%The horned Moon, with one bright star%@NL@%%@EH@%
Within the nether tip.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.III,st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS380    @%%@2@%Each turned his face with a ghastly pang,%@NL@%%@EH@%
And cursed me with his eye.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.III,st. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A note by Coleridge in Sibylline Leaves [1817] says: "For [these] lines I am
indebted to Mr. Wordsworth."  %@EF@%
%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS390    @%%@2@%I fear thee, ancient Mariner!%@NL@%%@EH@%
I fear thy skinny hand!%@NL@%
And thou art long, and lank, and brown,%@NL@%
As is the ribbed sea-sand.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.IV,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS410    @%%@2@%Alone, alone, all, all alone;%@NL@%%@EH@%
Alone on a wide, wide sea.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.IV,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS420    @%%@2@%The moving moon went up the sky,%@NL@%%@EH@%
And nowhere did abide;%@NL@%
Softly she was going up,%@NL@%
And a star or two beside.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.IV,st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS430    @%%@2@%Her beams bemocked the sultry main,%@NL@%%@EH@%
Like April hoarfrost spread;%@NL@%
But where the ship's huge shadow lay,%@NL@%
The charmed water burnt alway%@NL@%
A still and awful red.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.IV,st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS440    @%%@2@%A spring of love gushed from my heart,%@NL@%%@EH@%
And I blessed them unaware.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.IV,st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS450    @%%@2@%Oh sleep! it is a gentle thing,%@NL@%%@EH@%
Beloved from pole to pole.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.V,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS460    @%%@2@%We were a ghastly crew.%@NL@%%@EH@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.V,st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS470    @%%@2@%A noise like of a hidden brook%@NL@%%@EH@%
In the leafy month of June,%@NL@%
That to the sleeping woods all night%@NL@%
Singeth a quiet tune.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.V,st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS480    @%%@2@%The man hath penance done,%@NL@%%@EH@%
And penance more will do.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.V,st. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS490    @%%@2@%Like one that on a lonesome road%@NL@%%@EH@%
Doth walk in fear and dread,%@NL@%
And having once turned round walks on,%@NL@%
And turns no more his head;%@NL@%
Because he knows a frightful fiend%@NL@%
Doth close behind him tread.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.VI,st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS500    @%%@2@%Is this the hill? is this the kirk?%@NL@%%@EH@%
Is this mine own countree?%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.VI,st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS510    @%%@2@%No voice; but oh! the silence sank%@NL@%%@EH@%
Like music on my heart.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.VI,st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS520    @%%@2@%And the owlet whoops to the wolf below,%@NL@%%@EH@%
That eats the she-wolf's young.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.VII,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS530    @%%@2@%"Ha! ha!" quoth he, "full plain I see,%@NL@%%@EH@%
The Devil knows how to row."%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.VII,st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS540    @%%@2@%"O shrieve me, shrieve me, holy man!"%@NL@%%@EH@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.VII,st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS550    @%%@2@%O Wedding Guest! This soul hath been%@NL@%%@EH@%
Alone on a wide wide sea:%@NL@%
So lonely 'twas, that God himself%@NL@%
Scarce seemed there to be.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.VII,st. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS560    @%%@2@%He prayeth well who loveth well%@NL@%%@EH@%
Both man and bird and beast.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.VII,st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS570    @%%@2@%He prayeth best who loveth best%@NL@%%@EH@%
All things both great and small;%@NL@%
For the dear God who loveth us,%@NL@%
He made and loveth all. 1 %@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.VII,st. 23

%@NL@%%@AI@%1 See Alexander%@BO:          437f65@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS580    @%%@2@%A sadder and a wiser man%@NL@%%@EH@%
He rose the morrow morn.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ancient Mariner [1798], pt.VII,st. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS590    @%%@2@%With what deep worship I have still adored%@NL@%%@EH@%
The spirit of divinest Liberty.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%France: An Ode [1798], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS600    @%%@2@%The frost performs its secret ministry,%@NL@%%@EH@%
Unhelped by any wind.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Frost at Midnight [1798],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS610    @%%@2@%Or if the secret ministry of frost%@NL@%%@EH@%
Shall hang them up in silent icicles,%@NL@%
Quietly shining to the quiet moon.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Frost at Midnight [1798],l. 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS620    @%%@2@%Forth from his dark and lonely hiding place%@NL@%%@EH@%
(Portentous-sight!) the owlet Atheism,%@NL@%
Sailing on obscene wings athwart the noon,%@NL@%
Drops his blue-fringed lids, and holds them close,%@NL@%
And hooting at the glorious sun in Heaven,%@NL@%
Cries out, "Where is it?"%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Fears in Solitude [1798], l. 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS630    @%%@2@%And the Devil did grin, for his darling sin%@NL@%%@EH@%
Is pride that apes humility. 1 %@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%%@FN@%
This poem was written in collaboration with Southey, who also imitated it in
The Devil's Walk.  %@EF@%
The Devil's Thoughts
[1799], st. 6

%@NL@%%@AI@%1 See Robert Burton%@BO:          210a10@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS640    @%%@2@%Strongly it bears us along in swelling and limitless billows,%@NL@%%@EH@%
Nothing before and nothing behind but the sky and the ocean.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Homeric Hexameter (translated from Schiller) [1799?]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS650    @%%@2@%In the hexameter rises the fountain's silvery column;%@NL@%%@EH@%
In the pentameter aye falling in melody back.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Ovidian Elegiac Metre (translated fromSchiller
) [1799]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS660    @%%@2@%All thoughts, all passions, all delights,%@NL@%%@EH@%
Whatever stirs this mortal frame,%@NL@%
All are but ministers of Love,%@NL@%
And feed his sacred flame.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Love [1799], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS670    @%%@2@%Aloof with hermit-eye I scan%@NL@%%@EH@%
The present works of present man-%@NL@%
A wild and dreamlike trade of blood and guile,%@NL@%
Too foolish for a tear, too wicked for a smile!%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Ode to Tranquillity [1801], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS680    @%%@2@%Hast thou a charm to stay the morning star%@NL@%%@EH@%
In his steep course? 1 %@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Hymn in the Vale of Chamouni [1802],l. 1

%@NL@%%@AI@%1 See Job 38:31%@BO:           1f093@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS690    @%%@2@%Earth, with her thousand voices, praises God.%@NL@%%@EH@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Hymn in the Vale of Chamouni [1802],last line

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS700    @%%@2@%What is an epigram? A dwarfish whole,%@NL@%%@EH@%
Its body brevity, and wit its soul. 1 %@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%An Epigram [1802]

%@NL@%%@AI@%1 See Shakespeare%@BO:          1be785@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS710    @%%@2@%I see, not feel, how beautiful they are!%@NL@%%@EH@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Dejection: An Ode [1802],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS720    @%%@2@%O lady! we receive but what we give%@NL@%%@EH@%
And in our life alone does Nature live.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Dejection: An Ode [1802],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS730    @%%@2@%A light, a glory, a fair luminous cloud%@NL@%%@EH@%
Enveloping the earth.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Dejection: An Ode [1802],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS740    @%%@2@%Joy is the sweet voice, joy the luminous cloud-%@NL@%%@EH@%
We in ourselves rejoice!%@NL@%
And thence flows all that charms or ear or sight,%@NL@%
All melodies the echoes of that voice,%@NL@%
All colors a suffusion from that light.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Dejection: An Ode [1802],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS750    @%%@2@%How seldom, friend! a good great man inherits%@NL@%%@EH@%
Honor or wealth, with all his worth and pains!%@NL@%
It sounds like stories from the land of spirits%@NL@%
If any man obtain that which he merits,%@NL@%
Or any merit that which he obtains.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Good Great Man [1802]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS760    @%%@2@%Trochee trips from long to short;%@NL@%%@EH@%
From long to long in solemn sort%@NL@%
Slow Spondee stalks.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Metrical Feet [1806]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS770    @%%@2@%The knight's bones are dust,%@NL@%%@EH@%
And his good sword rust;%@NL@%
His soul is with the saints, I trust.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Knight's Tomb [c. 1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS780    @%%@2@%With Donne, whose muse on dromedary trots,%@NL@%%@EH@%
Wreathe iron pokers into true-love knots.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%On Donne's Poetry [c. 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS790    @%%@2@%The Eighth Commandment was not made for bards.%@NL@%%@EH@%

%@NL@%Samuel Taylor Coleridge
%@NL@%The Reproof and Reply [1823]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS800    @%%@2@%Nought cared this body for wind or weather,%@NL@%%@EH@%
When youth and I lived in 't together.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Youth and Age [1823-1832],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS810    @%%@2@%Flowers are lovely; love is flower-like;%@NL@%%@EH@%
Friendship is a sheltering tree.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Youth and Age [1823-1832],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS820    @%%@2@%All Nature seems at work. Slugs leave their lair-%@NL@%%@EH@%
The bees are stirring-birds are on the wing-%@NL@%
And Winter slumbering in the open air,%@NL@%
Wears on his smiling face a dream of Spring!%@NL@%
And I the while, the sole unbusy thing,%@NL@%
Nor honey make, nor pair, nor build, nor sing.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Work Without Hope [February 21, 1825],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS830    @%%@2@%Work without Hope draws nectar in a sieve,%@NL@%%@EH@%
And Hope without an object cannot live.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Work Without Hope [February 21, 1825],l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS840    @%%@2@%In many ways doth the full heart reveal%@NL@%%@EH@%
The presence of the love it would conceal.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Poems Written in Later Life [1826], motto

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS850    @%%@2@%I counted two and seventy stenches,%@NL@%%@EH@%
All well defined, and several stinks.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Cologne [1828]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS860    @%%@2@%The river Rhine, it is well known,%@NL@%%@EH@%
Doth wash your city of Cologne;%@NL@%
But tell me, nymphs! what power divine%@NL@%
Shall henceforth wash the river Rhine?%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Cologne [1828]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS870    @%%@2@%   Poetry is not the proper antithesis to prose, but to science. Poetry is%@EH@%
opposed to science, and prose to metre. The proper and immediate object of
science is the acquirement, or communication, of truth; the proper and
immediate object of poetry is the communication of immediate pleasure.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Definitions of Poetry [1811]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Reviewers, with some rare exceptions, are a most stupid and malignant race.
As a bankrupt thief turns thief-taker in despair, so an unsuccessful author
turns critic.-Shelley, Fragments of Adonais [1821]  See Disraeli, Lowell,
and Flaubert  %@EF@%
%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS880    @%%@2@%   Reviewers are usually people who would have been poets, historians,%@EH@%
biographers, etc., if they could; they have tried their talents at one or at
the other, and have failed; therefore they turn critics.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Lectures on Shakespeare and Milton [1811-1812]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS900    @%%@2@%   The last speech [Iago's soliloquy], the motive-hunting of a motiveless%@EH@%
malignity-how awful!%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Notes on Shakespeare [c. 1812]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS910    @%%@2@%   Taste is the intermediate faculty which connects the active with the%@EH@%
passive powers of our nature, the intellect with the senses; and its
appointed function is to elevate the images of the latter, while it realizes
the ideas of the former.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%On the Principles of Genial Criticism [1814]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS920    @%%@2@%   The most general definition of beauty . . . Multeity in Unity.%@NL@%%@EH@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%On the Principles of Genial Criticism [1814]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS930    @%%@2@%   The Good consists in the congruity of a thing with the laws of the reason%@EH@%
and the nature of the will, and in its fitness to determine the latter to
actualize the former: and it is always discursive. The Beautiful arises from
the perceived harmony of an object, whether sight or sound, with the inborn
and constitutive rules of the judgment and imagination: and it is always
intuitive.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%On the Principles of Genial Criticism [1814]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS940    @%%@2@%   The imagination . . . that reconciling and mediatory power, which%@EH@%
incorporating the reason in images of the sense and organizing (as it were)
the flux of the senses by the permanence and self-circling energies of the
reason, gives birth to a system of symbols, harmonious in themselves, and
consubstantial with the truths of which they are the conductors.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%The Statesman's Manual [1816]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS950    @%%@2@%   Not the poem which we have read, but that to which we return, with the%@EH@%
greatest pleasure, possesses the genuine power, and claims the name of
essential poetry. 1 %@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.1

%@NL@%%@AI@%1 See Robert Frost%@BO:          579c8a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS955    @%%@2@%   Every reform, however necessary, will by weak minds be carried to an%@EH@%
excess, that itself will need reforming. 1 %@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.1

%@NL@%%@AI@%1 See Wollstonecraft%@BO:          32cca5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS960    @%%@2@%   Experience informs us that the first defense of weak minds is to%@EH@%
recriminate.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS970    @%%@2@%   Indignation at literary wrongs I leave to men born under happier stars. I%@EH@%
cannot afford it.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS980    @%%@2@%   Milton had a highly imaginative, Cowley a very fanciful mind.%@NL@%%@EH@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS990    @%%@2@%   An idea, in the highest sense of that word, cannot be conveyed but by a%@EH@%
symbol.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1000   @%%@2@%   Veracity does not consist in saying, but in the intention of%@EH@%
communicating truth.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1010   @%%@2@%   Never pursue literature as a trade.%@NL@%%@EH@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1020   @%%@2@%   Until you understand a writer's ignorance, presume yourself ignorant of%@EH@%
his understanding.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1030   @%%@2@%   During the act of knowledge itself, the objective and subjective are so%@EH@%
instantly united, that we cannot determine to which of the two the priority
belongs.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1040   @%%@2@%   The primary imagination I hold to be the living power and prime agent of%@EH@%
all human perception, and as a repetition in the finite mind of the eternal
act of creation in the infinite I Am.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1050   @%%@2@%   The secondary imagination . . . dissolves, diffuses, dissipates, in order%@EH@%
to re-create; or where this process is rendered impossible, yet still at all
events it struggles to idealize and to unify. It is essentially vital, even
as all objects (as objects) are essentially fixed and dead.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1060   @%%@2@%   The fancy is indeed no other than a mode of memory emancipated from the%@EH@%
order of time and space.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1070   @%%@2@%   The two cardinal points of poetry, the power of exciting the sympathy of%@EH@%
the reader by a faithful adherence to the truth of nature, and the power of
giving the interest of novelty by the modifying colors of imagination.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1080   @%%@2@%   That willing suspension of disbelief for the moment, which constitutes%@EH@%
poetic faith.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1090   @%%@2@%   The poet, described in ideal perfection, brings the whole soul of man%@EH@%
into activity, with the subordination of its faculties to each other,
according to their relative worth and dignity. He diffuses a tone and spirit
of unity, that blends, and (as it were) fuses, each into each, by that
synthetic and magical power . . . imagination.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1100   @%%@2@%   [Imagination] reveals itself in the balance or reconciliation of opposite%@EH@%
or discordant qualities: of sameness, with difference; of the general, with
the concrete; the idea, with the image; the individual, with the
representative; the sense of novelty and freshness, with old and familiar
objects; a more than usual state of emotion, with more than usual order;
judgment ever awake and steady self-possession, with enthusiasm and feeling
profound or vehement; and while it blends and harmonizes the natural and the
artificial, still subordinates art to nature; the manner to the matter; and
our admiration of the poet to our sympathy with the poetry.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1110   @%%@2@%   No man was ever yet a great poet, without being at the same time a%@EH@%
profound philosopher.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1120   @%%@2@%   While [Shakespeare] darts himself forth and passes into all the forms of%@EH@%
human character and passion, the one Proteus of the fire and the flood,
[Milton] attracts all forms and things to himself, into the unity of his own
Ideal. All things and modes of action shape themselves anew in the being of
Milton; while Shakespeare becomes all things, yet ever remaining himself.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A phrase which I have borrowed from a Greek monk, who applies it to a
patriarch of Constantinople.-Coleridge's footnote  %@EF@%
%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1130   @%%@2@%   Our myriad-minded Shakespeare.%@NL@%%@EH@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The poem of the act of the mind.-Wallace Stevens [1879-1955], Collected
Poems, Of Modern Poetry  %@EF@%
%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1150   @%%@2@%   The best part of human language, properly so called, is derived from%@EH@%
reflection on the acts of the mind itself.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Biographia Literaria [1817], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1170   @%%@2@%   Now Art, used collectively for painting, sculpture, architecture and%@EH@%
music, is the mediatress between, and reconciler of, nature and man. It is,
therefore, the power of humanizing nature, of infusing the thoughts and
passions of man into everything which is the object of his contemplation.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%On Poesy or Art [1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1180   @%%@2@%   The artist must imitate that which is within the thing, that which is%@EH@%
active through form and figure, and discourses to us by symbols.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%On Poesy or Art [1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1190   @%%@2@%   The heart should have fed upon the truth, as insects on a leaf, till it%@EH@%
be tinged with the color, and show its food in every . . . minutest fiber.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%On Poesy or Art [1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1200   @%%@2@%   Schiller has the material sublime.%@NL@%%@EH@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Table Talk[December 29, 1822]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1210   @%%@2@%   I wish our clever young poets would remember my homely definitions of%@EH@%
prose and poetry; that is, prose  =  words in their best order; poetry  =
the best words in their best order.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Table Talk[July 12, 1827]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1220   @%%@2@%   The man's desire is for the woman; but the woman's desire is rarely other%@EH@%
than for the desire of the man.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Table Talk[July 23, 1827]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1230   @%%@2@%   Poetry is certainly something more than good sense, but it must be good%@EH@%
sense at all events; just as a palace is more than a house, but it must be a
house, at least.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Table Talk[May 9, 1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1240   @%%@2@%   That passage is what I call the sublime dashed to pieces by cutting too%@EH@%
close with the fiery four-in-hand round the corner of nonsense.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%Table Talk[May 9, 1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1250   @%%@2@%   The happiness of life is made up of minute fractions-the little soon%@EH@%
forgotten charities of a kiss or smile, a kind look, a heartfelt compliment,
and the countless infinitesimals of pleasurable and genial feeling.%@NL@%
%@NL@%
Samuel Taylor Coleridge
%@NL@%The Friend. The Improvisatore [1828]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Taylor Coleridge@%%@QR:Coleridge@%%@CR:N1772COLS1260   @%%@2@%Beneath this sod%@NL@%%@EH@%
A poet lies, or that which once seemedhe-%@NL@%
Oh, lift a thought in prayer for S.T.C.!%@NL@%
That he, who many a year, with toil of breath,%@NL@%
Found death in life, may here find life in death.%@NL@%

%@NL@%Samuel Taylor Coleridge
%@NL@%Epitaph written for himself [1833]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Novalis%@AE@%%@EH@%
%@NL@%Baron Friedrich von Hardenberg
%@AB@%1772-1801%@AE@%
%@NL@%%@NL@%

%@QR:Novalis@%%@QR:Baron Friedrich von Hardenberg@%%@QR:Hardenberg@%%@CR:N1772NOVA10     @%%@2@%   We are near awakening when we dream that we dream.%@NL@%%@EH@%
%@NL@%
Novalis
%@NL@%Blutenstaub (Pollen) [1798]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Josiah QuincyJr.%@AE@%%@EH@%
%@NL@%
%@AB@%1772-1864%@AE@%
%@NL@%%@NL@%

%@FN@%
The gentleman [Quincy] cannot have forgotten his own sentiment, uttered even
on the floor of this House, "Peaceably if we can, forcibly if we
must."-Henry Clay, Speech [January 8, 1813]  %@EF@%
%@QR:Josiah QuincyJr.@%%@QR:Quincy@%%@CR:N1772QUIJ10     @%%@2@%   If this bill [for the admission of Orleans Territory as a State] passes,%@EH@%
I am compelled to declare it as my deliberate opinion that the bonds of this
Union are virtually dissolved; that the States which compose it are free
from their moral obligations; and that, as it will be the right of all, so
it will be the duty of some, to prepare definitely for a separation-amicably
if they can; violently if they must.%@NL@%
%@NL@%
Josiah QuincyJr.
%@NL@%Speech in the House of Representatives [January 14, 1811]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Barnes Rhodes%@AE@%%@EH@%
%@NL@%
%@AB@%1772-1826%@AE@%
%@NL@%%@NL@%

%@QR:William Barnes Rhodes@%%@QR:Rhodes@%%@CR:N1772RHOW10     @%%@2@%Bombastes: So have I heard on Afric's burning shore%@NL@%%@EH@%
A hungry lion give a grievous roar;%@NL@%
The grievous roar echoed along the shore.%@NL@%
Artaxaminous: So have I heard on Afric's burning shore%@NL@%
Another lion give a grievous roar;%@NL@%
And the first lion thought the last a bore.%@NL@%

%@NL@%William Barnes Rhodes
%@NL@%Bombastes Furioso [1810], act I, sc. iv

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%David Ricardo%@AE@%%@EH@%
%@NL@%
%@AB@%1772-1823%@AE@%
%@NL@%%@NL@%

%@QR:David Ricardo@%%@QR:Ricardo@%%@CR:N1772RICD10     @%%@2@%   Labor, like all other things which are purchased and sold, and which may%@EH@%
be increased or diminished in quantity, has its natural and its market
price. The natural price of labor is that price which is necessary to enable
the laborers, one with another, to subsist and perpetuate their race,
without either increase or diminution.%@NL@%
%@NL@%
David Ricardo
%@NL@%On the Principles of Political Economy and Taxation [1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:David Ricardo@%%@QR:Ricardo@%%@CR:N1772RICD20     @%%@2@%   There is no way of keeping profits up but by keeping wages down.%@NL@%%@EH@%
%@NL@%
David Ricardo
%@NL@%On Protection to Agriculture [1820]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Friedrich von Schlegel%@AE@%%@EH@%
%@NL@%
%@AB@%1772-1829%@AE@%
%@NL@%%@NL@%

%@QR:Friedrich von Schlegel@%%@QR:Schlegel@%%@CR:N1772SCHF10     @%%@2@%   The historian is a prophet in reverse.%@NL@%%@EH@%
%@NL@%
Friedrich von Schlegel
%@NL@%Athenaeum [1798-1800]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Horace Francois Bastien Sebastiani%@AE@%%@EH@%
%@NL@%
%@AB@%1772-1851%@AE@%
%@NL@%%@NL@%

%@FN@%
More familiar as: Order reigns in Warsaw [L'ordre regne a Varsovie].  %@EF@%
%@QR:Horace Francois Bastien Sebastiani@%%@QR:Sebastiani@%%@CR:N1772SEBH5      @%%@2@%   Peace reigns in Warsaw [La tranquillite regne a Varsovie].%@NL@%%@EH@%
%@NL@%
Horace Francois Bastien Sebastiani
%@NL@%Announcement of the fall of Warsaw [1831]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Stephen Grellet%@AE@%%@EH@%
%@NL@%Etienne de Grellet du Mabillier
%@AB@%1773-1855%@AE@%
%@NL@%%@NL@%

%@FN@%
This is not found in any of Grellet's writings, and has been attributed to
many others.  See Addison  %@EF@%
%@QR:Stephen Grellet@%%@QR:Grellet@%%@QR:Etienne de Grellet du Mabillier@%%@CR:N1773GREE10     @%%@2@%   I expect to pass through this world but once; any good thing therefore%@EH@%
that I can do, or any kindness that I can show to any fellow creature, let
me do it now; let me not defer or neglect it, for I shall not pass this way
again.%@NL@%
%@NL@%
Stephen Grellet
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Henry Harrison%@AE@%%@EH@%
%@NL@%
%@AB@%1773-1841%@AE@%
%@FN@%
Tippecanoe and Tyler, Too.-A. C. Ross, Presidential campaign song [1840]
The iron-armed soldier, the true-hearted soldier,/The gallant old soldier of
Tippecanoe.-George Pope Morris, campaign song for Harrison [1840],sung to
the tune of The Old Oaken Bucket  %@EF@%
%@NL@%%@NL@%

%@QR:William Henry Harrison@%%@QR:Harrison@%%@CR:N1773HARW10     @%%@2@%   We admit of no government by divine right . . . the only legitimate right%@EH@%
to govern is an express grant of power from the governed.%@NL@%
%@NL@%
William Henry Harrison
%@NL@%Inaugural Address [March 4, 1841]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Henry Harrison@%%@QR:Harrison@%%@CR:N1773HARW20     @%%@2@%   Never with my consent shall an officer of the people, compensated for his%@EH@%
services out of their pockets, become the pliant instrument of the Executive
will.%@NL@%
%@NL@%
William Henry Harrison
%@NL@%Inaugural Address [March 4, 1841]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Henry Harrison@%%@QR:Harrison@%%@CR:N1773HARW30     @%%@2@%   A decent and manly examination of the acts of government should be not%@EH@%
only tolerated, but encouraged.%@NL@%
%@NL@%
William Henry Harrison
%@NL@%Inaugural Address [March 4, 1841]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Randolph%@AE@%%@EH@%
%@NL@%
%@AB@%1773-1833%@AE@%
%@NL@%%@NL@%

%@QR:John Randolph@%%@QR:Randolph@%%@CR:N1773RANJ10     @%%@2@%   The surest way to prevent war is not to fear it.%@NL@%%@EH@%
%@NL@%
John Randolph
%@NL@%Speech in the House of Representatives [March 5, 1806]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Randolph@%%@QR:Randolph@%%@CR:N1773RANJ20     @%%@2@%   [Of Edward Livingston] He is a man of splendid abilities, but utterly%@EH@%
corrupt. He shines and stinks like rotten mackerel by moonlight.%@NL@%
%@NL@%
John Randolph
%@NL@%From W. Cabell Bruce,
John Randolph of Roanoke [1923],vol.II,p. 197

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Randolph@%%@QR:Randolph@%%@CR:N1773RANJ30     @%%@2@%   [Of Martin Van Buren] He rowed to his object with muffled oars.%@NL@%%@EH@%
%@NL@%
John Randolph
%@NL@%From W. Cabell Bruce,
John Randolph of Roanoke [1923],vol.II,p. 203

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Southey%@AE@%%@EH@%
%@NL@%
%@AB@%1774-1843%@AE@%
%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR20     @%%@2@%As frozen as charity. 1  2 %@NL@%%@EH@%

%@NL@%Robert Southey
%@NL@%The Soldier's Wife [1795], st. 4

%@NL@%%@AI@%1 See Hood%@BO:          3abc6d@%%@AE@%
%@AI@%2 See O'Reilly%@BO:          4e15b2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR30     @%%@2@%It was a summer evening;%@NL@%%@EH@%
Old Kaspar's work was done,%@NL@%
And he before his cottage door%@NL@%
Was sitting in the sun;%@NL@%
And by him sported on the green%@NL@%
His little grandchild Wilhelmine.%@NL@%

%@NL@%Robert Southey
%@NL@%The Battle of Blenheim [1798],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR40     @%%@2@%He came to ask what he had found,%@NL@%%@EH@%
That was so large, and smooth, and round.%@NL@%

%@NL@%Robert Southey
%@NL@%The Battle of Blenheim [1798],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR50     @%%@2@%"'Tis some poor fellow's skull," said he,%@NL@%%@EH@%
"Who fell in the great victory."%@NL@%

%@NL@%Robert Southey
%@NL@%The Battle of Blenheim [1798],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR60     @%%@2@%But what they fought each other for,%@NL@%%@EH@%
I could not well make out.%@NL@%

%@NL@%Robert Southey
%@NL@%The Battle of Blenheim [1798],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR70     @%%@2@%"And everybody praised the duke,%@NL@%%@EH@%
Who this great fight did win."%@NL@%
"But what good came of it at last?"%@NL@%
Quoth little Peterkin.%@NL@%
"Why, that I cannot tell," said he;%@NL@%
"But 'twas a famous victory."%@NL@%

%@NL@%Robert Southey
%@NL@%The Battle of Blenheim [1798],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR74     @%%@2@%"You are old, Father William," the young man cried,%@NL@%%@EH@%
"The few locks which are left you are gray;%@NL@%
You are hale, Father William-a hearty old man:%@NL@%
Now tell me the reason, I pray."%@NL@%

%@NL@%Robert Southey
%@NL@%%@FN@%
Of several parodies of this poem, the one by Lewis Carroll is probably
better known than the original. See Carroll.  %@EF@%
The Old Man's Comforts and How He Gained Them [1779],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR76     @%%@2@%"In the days of my youth, I remembered my God,%@NL@%%@EH@%
And he hath not forgotten my age."%@NL@%

%@NL@%Robert Southey
%@NL@%The Old Man's Comforts and How He Gained Them [1779],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR78     @%%@2@%And then they knew the perilous rock,%@NL@%%@EH@%
And blessed the Abbot of Aberbrothok.%@NL@%

%@NL@%Robert Southey
%@NL@%%@FN@%
A rock in the North Sea, off the Firth of Tay, Scotland, dangerous to
navigators because it is covered with every tide. There is a tradition that
a warning bell was fixed on the rock by the Abbot of Aberbrothok, which was
stolen by a sea pirate, who perished on the rock a year later.  %@EF@%
The Inchcape Rock [1802],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR79     @%%@2@%Till the vessel strikes with a shivering shock-%@NL@%%@EH@%
"O Christ! It is the Inchcape Rock."%@NL@%

%@NL@%Robert Southey
%@NL@%The Inchcape Rock [1802],st. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR80     @%%@2@%Blue, darkly, deeply, beautifully blue. 1 %@NL@%%@EH@%

%@NL@%Robert Southey
%@NL@%Madoc in Wales [1805], pt. I, 5

%@NL@%%@AI@%1 See Byron%@BO:          380f43@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR90     @%%@2@%Curses are like young chickens, they always come home to roost.%@NL@%%@EH@%

%@NL@%Robert Southey
%@NL@%The Curse of Kehama [1810],motto

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR100    @%%@2@%They sin who tell us love can die;%@NL@%%@EH@%
With life all other passions fly,%@NL@%
All others are but vanity.%@NL@%

%@NL@%Robert Southey
%@NL@%The Curse of Kehama [1810],cantoX, st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR110    @%%@2@%Thou hast been called, O sleep! the friend of woe;%@NL@%%@EH@%
But 'tis the happy that have called thee so.%@NL@%

%@NL@%Robert Southey
%@NL@%The Curse of Kehama [1810],cantoXV, st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR140    @%%@2@%My days among the dead are past;%@NL@%%@EH@%
Around me I behold,%@NL@%
Where'er these casual eyes are cast,%@NL@%
The mighty minds of old.%@NL@%

%@NL@%Robert Southey
%@NL@%My Days Among the Dead Are Past [1818],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR150    @%%@2@%Yet leaving here a name, I trust,%@NL@%%@EH@%
That will not perish in the dust.%@NL@%

%@NL@%Robert Southey
%@NL@%My Days Among the Dead Are Past [1818],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR155    @%%@2@%So I told them in rhyme,%@NL@%%@EH@%
For of rhymes I had store.%@NL@%

%@NL@%Robert Southey
%@NL@%The Cataract of Lodore [1820]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR160    @%%@2@%   Agreed to differ.%@NL@%%@EH@%
%@NL@%
Robert Southey
%@NL@%Life of Wesley [1820]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR170    @%%@2@%   The Satanic school.%@NL@%%@EH@%
%@NL@%
Robert Southey
%@NL@%Vision of Judgment [1821], original preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR180    @%%@2@%   The arts babblative and scribblative.%@NL@%%@EH@%
%@NL@%
Robert Southey
%@NL@%Colloquies on the Progress and Prospects of Society [1829],
no.1, pt. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR185    @%%@2@%   The march of intellect.%@NL@%%@EH@%
%@NL@%
Robert Southey
%@NL@%Colloquies on the Progress and Prospects of Society [1829],
no.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR190    @%%@2@%From his brimstone bed, at break of day,%@NL@%%@EH@%
A-walking the Devil is gone,%@NL@%
To look at his little snug farm of the world,%@NL@%
And see how his stock went on.%@NL@%

%@NL@%Robert Southey
%@NL@%The Devil's Walk [1830],
 1 st. 1

%@NL@%%@AI@%1 See Shelley%@BO:          389302@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR200    @%%@2@%His coat was red, and his breeches were blue,%@NL@%%@EH@%
And there was a hole where his tail came through.%@NL@%

%@NL@%Robert Southey
%@NL@%The Devil's Walk [1830],
 1 st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Southey@%%@QR:Southey@%%@CR:N1774SOUR210    @%%@2@%And he owned with a grin,%@NL@%%@EH@%
That his favorite sin%@NL@%
Is pride that apes humility. 1  2 %@NL@%

%@NL@%Robert Southey
%@NL@%The Devil's Walk [1830],
 1 st. 8

%@NL@%%@AI@%1 See Robert Burton%@BO:          210a10@%%@AE@%
%@AI@%2 See Coleridge%@BO:          352fde@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Jane Austen%@AE@%%@EH@%
%@NL@%
%@AB@%1775-1817%@AE@%
%@FN@%
[Miss Austen] had a talent for describing the involvements and feelings and
characters of ordinary life which is to me the most wonderful I ever met
with. The Big Bow-Wow strain I can do myself like any now going; but the
exquisite touch, which renders ordinary commonplace things and characters
interesting, from the truth of the description and the sentiment, is denied
to me.-Scott, Journal [March 14, 1826]  %@EF@%
%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ10     @%%@2@%   It is a truth universally acknowledged, that a single man in possession%@EH@%
of a good fortune, must be in want of a wife.%@NL@%
%@NL@%
Jane Austen
%@NL@%Pride and Prejudice [1813], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ20     @%%@2@%   She [Mrs. Bennet] was a woman of mean understanding, little information,%@EH@%
and uncertain temper.%@NL@%
%@NL@%
Jane Austen
%@NL@%Pride and Prejudice [1813], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ30     @%%@2@%   A lady's imagination is very rapid; it jumps from admiration to love,%@EH@%
from love to matrimony in a moment.%@NL@%
%@NL@%
Jane Austen
%@NL@%Pride and Prejudice [1813], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ40     @%%@2@%   Mr. Collins had only to change from Jane to Elizabeth-and it was soon%@EH@%
done-done while Mrs. Bennet was stirring the fire.%@NL@%
%@NL@%
Jane Austen
%@NL@%Pride and Prejudice [1813], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ50     @%%@2@%   You have delighted us long enough.%@NL@%%@EH@%
%@NL@%
Jane Austen
%@NL@%Pride and Prejudice [1813], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ60     @%%@2@%   Mrs. Bennet was restored to her usual querulous serenity.%@NL@%%@EH@%
%@NL@%
Jane Austen
%@NL@%Pride and Prejudice [1813], ch.42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ70     @%%@2@%   You ought certainly to forgive them, as a Christian, but never to admit%@EH@%
them in your sight, or allow their names to be mentioned in your hearing.%@NL@%
%@NL@%
Jane Austen
%@NL@%Pride and Prejudice [1813], ch.57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ80     @%%@2@%   For what do we live, but to make sport for our neighbors, and laugh at%@EH@%
them in our turn?%@NL@%
%@NL@%
Jane Austen
%@NL@%Pride and Prejudice [1813], ch.57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ90     @%%@2@%   I have been a selfish being all my life, in practice, though not in%@EH@%
principle.%@NL@%
%@NL@%
Jane Austen
%@NL@%Pride and Prejudice [1813], ch.58

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ100    @%%@2@%   One half of the world cannot understand the pleasures of the other.%@NL@%%@EH@%
%@NL@%
Jane Austen
%@NL@%Emma [1815], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ110    @%%@2@%   It was a delightful visit-perfect, in being much too short.%@NL@%%@EH@%
%@NL@%
Jane Austen
%@NL@%Emma [1815], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ120    @%%@2@%   Nobody who has not been in the interior of a family can say what the%@EH@%
difficulties of any individual of that family may be.%@NL@%
%@NL@%
Jane Austen
%@NL@%Emma [1815], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ130    @%%@2@%   Business, you know, may bring money, but friendship hardly ever does.%@NL@%%@EH@%
%@NL@%
Jane Austen
%@NL@%Emma [1815], ch.34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ140    @%%@2@%   "Only a novel" . . . in short, only some work in which the greatest%@EH@%
powers of the mind are displayed, in which the most thorough knowledge of
human nature, the happiest delineation of its varieties, the liveliest
effusions of wit and humor are conveyed to the world in the best chosen
language.%@NL@%
%@NL@%
Jane Austen
%@NL@%Northanger Abbey [1818], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ145    @%%@2@%   She had been forced into prudence in her youth, she learned romance as%@EH@%
she grew older-the natural sequence of an unnatural beginning.%@NL@%
%@NL@%
Jane Austen
%@NL@%Persuasion [1818], ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ150    @%%@2@%   I do not want people to be very agreeable, as it saves me the trouble of%@EH@%
liking them a great deal.%@NL@%
%@NL@%
Jane Austen
%@NL@%Letters.To her sister Cassandra [December 24, 1798]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Austen@%%@QR:Austen@%%@CR:N1775AUSJ160    @%%@2@%   The little bit (two inches wide) of ivory on which I work with so fine a%@EH@%
brush as produces little effect after much labor.%@NL@%
%@NL@%
Jane Austen
%@NL@%Letters.To J. Edward Austen [December 16, 1816]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Lamb%@AE@%%@EH@%
%@NL@%
%@AB@%1775-1834%@AE@%
%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC10     @%%@2@%   I have something more to do than feel.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Letter to Coleridge after the death of Lamb's mother [1796]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC20     @%%@2@%I have had playmates, I have had companions,%@NL@%%@EH@%
In my days of childhood, in my joyful school days-%@NL@%
All, all are gone, the old familiar faces.%@NL@%

%@NL@%Charles Lamb
%@NL@%Old Familiar Faces [1798]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
For thee, my gentlehearted Charles, to whom/No sound is dissonant which
tells of life.-Coleridge, This Lime Tree Bower My Prison [1797]  %@EF@%
%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC30     @%%@2@%   For God's sake (I never was more serious) don't make me ridiculous any%@EH@%
more by terming me gentlehearted in print . . . substitute drunken dog,
ragged head, seld-shaven, odd-eyed, stuttering, or any other epithet which
truly and properly belongs to the gentleman in question.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Letter to Coleridge [August 1800]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC50     @%%@2@%   Separate from the pleasure of your company, I don't much care if I never%@EH@%
see a mountain in my life.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Letter to Wordsworth [1801]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC60     @%%@2@%   The man must have a rare recipe for melancholy, who can be dull in Fleet%@EH@%
Street.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Letter to Thomas Manning [February 15, 1802]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC70     @%%@2@%   Nursed amid her [London's] noise, her crowds, her beloved smoke-what have%@EH@%
I been doing all my life, if I have not lent out my heart with usury to such
scenes?%@NL@%
%@NL@%
Charles Lamb
%@NL@%Letter to Thomas Manning [February 15, 1802]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC80     @%%@2@%Gone before%@NL@%%@EH@%
To that unknown and silent shore.%@NL@%

%@NL@%Charles Lamb
%@NL@%Hester [1803], st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC90     @%%@2@%   A good-natured woman, which is as much as you can expect from a friend's%@EH@%
wife, whom you got acquainted with a bachelor.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Letter to Hazlitt [1805]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC110    @%%@2@%   This very night I am going to leave off tobacco! Surely there must be%@EH@%
some other world in which this unconquerable purpose shall be realized.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Letter to Thomas Manning [1815]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC120    @%%@2@%   Anything awful makes me laugh. I misbehaved once at a funeral.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Letter to Southey [1815]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC130    @%%@2@%   [Of Coleridge] An archangel a little damaged.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Letter to Wordsworth [1816]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC140    @%%@2@%   Fanny Kelly's divine plain face.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Letter to Mrs. Wordsworth [1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC150    @%%@2@%   The red-letter days, now become, to all intents and purposes, dead-letter%@EH@%
days.%@NL@%
%@NL@%
Charles Lamb
%@NL@%%@FN@%
Which, it has been pointed out, was actually written at Cambridge. See E. V.
Lucas, Lamb and the Universities.  %@EF@%
Essays of Elia [1823].Oxford in the Vacation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC160    @%%@2@%   The human species, according to the best theory I can form of it, is%@EH@%
composed of two distinct races, the men who borrow, and the men who lend.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Essays of Elia [1823].The Two Races of Men

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC170    @%%@2@%   Your borrowers of books-those mutilators of collections, spoilers of the%@EH@%
symmetry of shelves, and creators of odd volumes.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Essays of Elia [1823].The Two Races of Men

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC180    @%%@2@%   A clear fire, a clean hearth, and the rigor of the game.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Essays of Elia [1823].Mrs. Battle's Opinions on Whist

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC190    @%%@2@%   I have no ear.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Essays of Elia [1823].A Chapter on Ears

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC200    @%%@2@%   Sentimentally I am disposed to harmony; but organically I am incapable of%@EH@%
a tune.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Essays of Elia [1823].A Chapter on Ears

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC210    @%%@2@%   Credulity is the man's weakness, but the child's strength.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Essays of Elia [1823].Witches, and Other Night Fears

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC220    @%%@2@%   Not many sounds in life, and I include all urban and all rural sounds,%@EH@%
exceed in interest a knock at the door.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Essays of Elia [1823].Valentine's Day

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC225    @%%@2@%   It is good to love the unknown.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Essays of Elia [1823].Valentine's Day

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC230    @%%@2@%   Presents, I often say, endear absents.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Essays of Elia [1823].A Dissertation upon Roast Pig

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC240    @%%@2@%   I came home forever!%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Letter to Bernard Barton [1825],
on leaving his "33 years' desk" at the East India House

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC250    @%%@2@%Who first invented work, and bound the free%@NL@%%@EH@%
And holiday-rejoicing spirit down?%@NL@%

%@NL@%Charles Lamb
%@NL@%Work

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC260    @%%@2@%Riddle of destiny, who can show%@NL@%%@EH@%
What thy short visit meant, or know%@NL@%
What thy errand here below?%@NL@%

%@NL@%Charles Lamb
%@NL@%On an Infant Dying as Soon as Born [1827]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC270    @%%@2@%Some cry up Haydn, some Mozart,%@NL@%%@EH@%
Just as the whim bites. For my part,%@NL@%
I do not care a farthing candle%@NL@%
For either of them, nor for Handel. 1 %@NL@%

%@NL@%Charles Lamb
%@NL@%Letter to Mrs. William Hazlitt [1830]

%@NL@%%@AI@%1 See John Byrom%@BO:          2a98e6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC280    @%%@2@%For thy sake, Tobacco, I%@NL@%%@EH@%
Would do anything but die.%@NL@%

%@NL@%Charles Lamb
%@NL@%A Farewell to Tobacco

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC290    @%%@2@%   A poor relation-is the most irrelevant thing in nature.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Last Essays of Elia [1833].Poor Relations

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC300    @%%@2@%   I love to lose myself in other men's minds.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Last Essays of Elia [1833].Detached Thoughts on Books and Reading

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC310    @%%@2@%   Books think for me.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Last Essays of Elia [1833].Detached Thoughts on Books and Reading

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC315    @%%@2@%   Things in books' clothing.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Last Essays of Elia [1833].Detached Thoughts on Books and Reading

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC320    @%%@2@%   How sickness enlarges the dimensions of a man's self to himself.%@NL@%%@EH@%
%@NL@%
Charles Lamb
%@NL@%Last Essays of Elia [1833].The Convalescent

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC330    @%%@2@%   Your absence of mind we have borne, till your presence of body came to be%@EH@%
called in question by it.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Last Essays of Elia [1833].Amicus Redivivus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC340    @%%@2@%   A pun is a pistol let off at the ear; not a feather to tickle the%@EH@%
intellect.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Last Essays of Elia [1833].Popular Fallacies:IX, That the Worst Puns Are the
Best

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC350    @%%@2@%   A presentation copy . . . is a copy of a book which does not sell, sent%@EH@%
you by the author, with his foolish autograph at the beginning of it; for
which, if a stranger, he only demands your friendship; if a brother author,
he expects from you a book of yours, which does not sell, in return.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Last Essays of Elia [1833].Popular Fallacies:XI, That We Must Not Look a
Gift Horse in the Mouth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC360    @%%@2@%   The good things of life are not to be had singly, but come to us with a%@EH@%
mixture.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Last Essays of Elia [1833].Popular Fallacies:XIII, That You Must Love Me and
Love My Dog

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Lamb@%%@QR:Lamb@%%@CR:N1775LAMC370    @%%@2@%   The greatest pleasure I know is to do a good action by stealth, and to%@EH@%
have it found out by accident.%@NL@%
%@NL@%
Charles Lamb
%@NL@%Table Talk. In the Athenaeum [1834]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Walter Savage Landor%@AE@%%@EH@%
%@NL@%
%@AB@%1775-1864%@AE@%
%@NL@%%@NL@%

%@QR:Walter Savage Landor@%%@QR:Landor@%%@CR:N1775LANW10     @%%@2@%But I have sinuous shells of pearly hue . . . %@NL@%%@EH@%
Shake one, and it awakens; then apply%@NL@%
Its polished lips to your attentive ear,%@NL@%
And it remembers its august abodes,%@NL@%
And murmurs as the ocean murmurs there. 1 %@NL@%

%@NL@%Walter Savage Landor
%@NL@%Gebir, bk. I [1798]

%@NL@%%@AI@%1 See Wordsworth%@BO:          345373@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Savage Landor@%%@QR:Landor@%%@CR:N1775LANW20     @%%@2@%Ah what avails the sceptered race,%@NL@%%@EH@%
Ah what the form divine!%@NL@%

%@NL@%Walter Savage Landor
%@NL@%Rose Aylmer [1806]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Savage Landor@%%@QR:Landor@%%@CR:N1775LANW30     @%%@2@%Rose Aylmer, whom these wakeful eyes%@NL@%%@EH@%
May weep, but never see,%@NL@%
A night of memories and of sighs%@NL@%
I consecrate to thee.%@NL@%

%@NL@%Walter Savage Landor
%@NL@%Rose Aylmer [1806]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Savage Landor@%%@QR:Landor@%%@CR:N1775LANW40     @%%@2@%   There are no fields of amaranth on this side of the grave: there are no%@EH@%
voices, O Rhodope! that are not soon mute, however tuneful: there is no
name, with whatever emphasis of passionate love repeated, of which the echo
is not faint at last.%@NL@%
%@NL@%
Walter Savage Landor
%@NL@%Imaginary Conversations [1824-1829].Aesop and Rhodope, I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Savage Landor@%%@QR:Landor@%%@CR:N1775LANW50     @%%@2@%   Of all failures, to fail in a witticism is the worst, and the mishap is%@EH@%
the more calamitous in a drawn-out and detailed one.%@NL@%
%@NL@%
Walter Savage Landor
%@NL@%Imaginary Conversations [1824-1829].Chesterfield and Chatham

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Savage Landor@%%@QR:Landor@%%@CR:N1775LANW60     @%%@2@%'Tis verse that gives%@NL@%%@EH@%
Immortal youth to mortal maids.%@NL@%

%@NL@%Walter Savage Landor
%@NL@%Verse

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Savage Landor@%%@QR:Landor@%%@CR:N1775LANW80     @%%@2@%When we play the fool, how wide%@NL@%%@EH@%
The theatre expands! beside,%@NL@%
How long the audience sits before us!%@NL@%
How many prompters! what a chorus!%@NL@%

%@NL@%Walter Savage Landor
%@NL@%Plays [1846], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Savage Landor@%%@QR:Landor@%%@CR:N1775LANW90     @%%@2@%There is delight in singing, though none hear%@NL@%%@EH@%
Beside the singer.%@NL@%

%@NL@%Walter Savage Landor
%@NL@%To Robert Browning [1846]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Savage Landor@%%@QR:Landor@%%@CR:N1775LANW100    @%%@2@%Shakespeare is not our poet, but the world's,%@NL@%%@EH@%
Therefore on him no speech! and brief for thee,%@NL@%
Browning! Since Chaucer was alive and hale,%@NL@%
No man hath walked along our roads with step%@NL@%
So active, so inquiring eye, or tongue%@NL@%
So varied in discourse.%@NL@%

%@NL@%Walter Savage Landor
%@NL@%To Robert Browning [1846]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Savage Landor@%%@QR:Landor@%%@CR:N1775LANW110    @%%@2@%I strove with none, for none was worth my strife;%@NL@%%@EH@%
Nature I loved; and next to Nature, Art.%@NL@%
I warmed both hands before the fire of life;%@NL@%
It sinks, and I am ready to depart.%@NL@%

%@NL@%Walter Savage Landor
%@NL@%I Strove with None [1853]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Savage Landor@%%@QR:Landor@%%@CR:N1775LANW120    @%%@2@%Around the child bend all the three%@NL@%%@EH@%
Sweet Graces: Faith, Hope, Charity.%@NL@%
Around the man bend other faces;%@NL@%
Pride, Envy, Malice, are his Graces.%@NL@%

%@NL@%Walter Savage Landor
%@NL@%Dry Sticks [1858]. Different Graces

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Johann Friedrich Herbart%@AE@%%@EH@%
%@NL@%
%@AB@%1776-1841%@AE@%
%@NL@%%@NL@%

%@QR:Johann Friedrich Herbart@%%@QR:Herbart@%%@CR:N1776HERJ10     @%%@2@%   Psychology cannot experiment with men, and there is no apparatus for this%@EH@%
purpose. So much the more carefully must we make use of mathematics.%@NL@%
%@NL@%
Johann Friedrich Herbart
%@NL@%%@FN@%
Translated by Margaret K. Smith.  %@EF@%
Lehrbuch zur Psychologie [1816; A Textbook in Psychology, 1891]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Campbell%@AE@%%@EH@%
%@NL@%
%@AB@%1777-1844%@AE@%
%@NL@%%@NL@%

%@FN@%
The mountains too, at a distance, appear airy masses and smooth, but seen
near at hand they are rough.-Diogenes Laertius [c. 200], Pyrrho, sec. 9  %@EF@%
%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT10     @%%@2@%'Tis distance lends enchantment to the view,%@NL@%%@EH@%
And robes the mountain in its azure hue.%@NL@%

%@NL@%Thomas Campbell
%@NL@%Pleasures of Hope [1799], pt.I,l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT30     @%%@2@%Hope, for a season, bade the world farewell,%@NL@%%@EH@%
And Freedom shrieked-as Kosciusko fell!%@NL@%

%@NL@%Thomas Campbell
%@NL@%Pleasures of Hope [1799], pt.I,l. 381

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT40     @%%@2@%Who hath not owned, with rapture-smitten frame,%@NL@%%@EH@%
The power of grace, the magic of a name?%@NL@%

%@NL@%Thomas Campbell
%@NL@%Pleasures of Hope [1799], pt.II,l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT50     @%%@2@%And muse on Nature with a poet's eye.%@NL@%%@EH@%

%@NL@%Thomas Campbell
%@NL@%Pleasures of Hope [1799], pt.II,l. 98

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT60     @%%@2@%Cease, every joy, to glimmer on my mind,%@NL@%%@EH@%
But leave, oh! leave the light of Hope behind!%@NL@%
What though my winged hours of bliss have been%@NL@%
Like angel visits, few and far between? 1 %@NL@%

%@NL@%Thomas Campbell
%@NL@%Pleasures of Hope [1799], pt.II,l. 375

%@NL@%%@AI@%1 See John Norris%@BO:          28035a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
My Old Dog Tray.-Stephen C. Foster [1826-1864], title of song  %@EF@%
%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT70     @%%@2@%On the green banks of Shannon, when Sheelah was nigh,%@NL@%%@EH@%
No blithe Irish lad was so happy as I;%@NL@%
No harp like my own could so cheerily play,%@NL@%
And wherever I went was my poor dog Tray.%@NL@%

%@NL@%Thomas Campbell
%@NL@%The Harper [1799], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT80     @%%@2@%Ye mariners of England,%@NL@%%@EH@%
That guard our native seas;%@NL@%
Whose flag has braved, a thousand years,%@NL@%
The battle and the breeze!%@NL@%

%@NL@%Thomas Campbell
%@NL@%Ye Mariners of England [1800],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT90     @%%@2@%While the battle rages loud and long,%@NL@%%@EH@%
And the stormy winds do blow. 1 %@NL@%

%@NL@%Thomas Campbell
%@NL@%Ye Mariners of England [1800],st. 1

%@NL@%%@AI@%1 See Parker%@BO:          22b814@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT100    @%%@2@%Britannia needs no bulwarks,%@NL@%%@EH@%
No towers along the steep;%@NL@%
Her march is o'er the mountain waves,%@NL@%
Her home is on the deep.%@NL@%

%@NL@%Thomas Campbell
%@NL@%Ye Mariners of England [1800],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT110    @%%@2@%The meteor flag of England%@NL@%%@EH@%
Shall yet terrific burn,%@NL@%
Till danger's troubled night depart,%@NL@%
And the star of peace return.%@NL@%

%@NL@%Thomas Campbell
%@NL@%Ye Mariners of England [1800],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Cicero, Shakespeare, Shelley, and Wells  Often do the spirits/Of great
events stride on before the events,/And in today already walks
tomorrow.-Coleridge, Wallenstein [1799-1800], pt. II, act V, sc. i  %@EF@%
%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT130    @%%@2@%'Tis the sunset of life gives me mystical lore,%@NL@%%@EH@%
And coming events cast their shadows before.%@NL@%

%@NL@%Thomas Campbell
%@NL@%Lochiel's Warning [1802]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT150    @%%@2@%The combat deepens. On, ye brave,%@NL@%%@EH@%
Who rush to glory or the grave!%@NL@%
Wave, Munich! all thy banners wave,%@NL@%
And charge with all thy chivalry!%@NL@%

%@NL@%Thomas Campbell
%@NL@%Hohenlinden [1802], st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT160    @%%@2@%There was silence deep as death,%@NL@%%@EH@%
And the boldest held his breath,%@NL@%
For a time.%@NL@%

%@NL@%Thomas Campbell
%@NL@%Battle of the Baltic [1805],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT170    @%%@2@%Ye are brothers! ye are men!%@NL@%%@EH@%
And we conquer but to save.%@NL@%

%@NL@%Thomas Campbell
%@NL@%Battle of the Baltic [1805],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT180    @%%@2@%Oh, how hard it is to find%@NL@%%@EH@%
The one just suited to our mind!%@NL@%

%@NL@%Thomas Campbell
%@NL@%Song, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT190    @%%@2@%Oh leave this barren spot to me!%@NL@%%@EH@%
Spare, woodman, spare the beechen tree! 1 %@NL@%

%@NL@%Thomas Campbell
%@NL@%The Beech Tree's Petition, st. 1

%@NL@%%@AI@%1 See George Pope Morris%@BO:          3b7544@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT200    @%%@2@%A stoic of the woods-a man without a tear.%@NL@%%@EH@%

%@NL@%Thomas Campbell
%@NL@%Gertrude of Wyoming [1809], pt. I, st. 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Campbell@%%@QR:Campbell@%%@CR:N1777CAMT210    @%%@2@%Oh! once the harp of Innisfail%@NL@%%@EH@%
Was strung full high to notes of gladness;%@NL@%
But yet it often told a tale%@NL@%
Of more prevailing sadness.%@NL@%

%@NL@%Thomas Campbell
%@NL@%O'Connor's Child [1810], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Clay%@AE@%%@EH@%
%@NL@%
%@AB@%1777-1852%@AE@%
%@NL@%%@NL@%

%@QR:Henry Clay@%%@QR:Clay@%%@CR:N1777CLAH10     @%%@2@%   How often are we forced to charge fortune with partiality towards the%@EH@%
unjust!%@NL@%
%@NL@%
Henry Clay
%@NL@%Letter [December 4, 1801]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Clay@%%@QR:Clay@%%@CR:N1777CLAH20     @%%@2@%   If you wish to avoid foreign collision, you had better abandon the ocean.%@NL@%%@EH@%
%@NL@%
Henry Clay
%@NL@%Speech in the House of Representatives [January 22, 1812]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Mathew Henry, Burke, Calhoun, Sumner, and Cleveland  Our government is
the potent, the omnipresent teacher.-Louis D. Brandeis, Olmstead v. U.S.
[1928]  %@EF@%
%@QR:Henry Clay@%%@QR:Clay@%%@CR:N1777CLAH30     @%%@2@%   Government is a trust, and the officers of the government are trustees;%@EH@%
and both the trust and the trustees are created for the benefit of the
people.%@NL@%
%@NL@%
Henry Clay
%@NL@%Speech at Ashland, Kentucky [March 1829]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Clay@%%@QR:Clay@%%@CR:N1777CLAH50     @%%@2@%   The arts of power and its minions are the same in all countries and in%@EH@%
all ages. It marks its victim; denounces it; and excites the public odium
and the public hatred, to conceal its own abuses and encroachments.%@NL@%
%@NL@%
Henry Clay
%@NL@%Speech in the Senate [March 14, 1834]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Clay@%%@QR:Clay@%%@CR:N1777CLAH60     @%%@2@%   Precedents deliberately established by wise men are entitled to great%@EH@%
weight. They are evidence of truth, but only evidence. . . . But a solitary
precedent . . . which has never been reexamined, cannot be conclusive.%@NL@%
%@NL@%
Henry Clay
%@NL@%Speech in the Senate [February 18, 1835]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Clay@%%@QR:Clay@%%@CR:N1777CLAH70     @%%@2@%   I have heard something said about allegiance to the South. I know no%@EH@%
South, no North, no East, no West, to which I owe any allegiance. . . . The
Union, sir, is my country.%@NL@%
%@NL@%
Henry Clay
%@NL@%Speech in the Senate [1848]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Clay@%%@QR:Clay@%%@CR:N1777CLAH80     @%%@2@%   The Constitution of the United States was made not merely for the%@EH@%
generation that then existed, but for posterity-unlimited, undefined,
endless, perpetual posterity.%@NL@%
%@NL@%
Henry Clay
%@NL@%Speech in the Senate [January 29, 1850]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Said when told that his defense of the Compromise would endanger his chances
for the presidency.  %@EF@%
%@QR:Henry Clay@%%@QR:Clay@%%@CR:N1777CLAH90     @%%@2@%   I would rather be right than be President.%@NL@%%@EH@%
%@NL@%
Henry Clay
%@NL@%Speech in the Senate [1850]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lorenzo Dow%@AE@%%@EH@%
%@NL@%
%@AB@%1777-1834%@AE@%
%@NL@%%@NL@%

%@QR:Lorenzo Dow@%%@QR:Dow@%%@CR:N1777DOWL10     @%%@2@%   You will be damned if you do.-And you will be damned if you don't%@EH@%
[definition of Calvinism].%@NL@%
%@NL@%
Lorenzo Dow
%@NL@%Reflections on the Love of God

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Carl Friedrich Gauss%@AE@%%@EH@%
%@NL@%
%@AB@%1777-1855%@AE@%
%@NL@%%@NL@%

%@QR:Carl Friedrich Gauss@%%@QR:Gauss@%%@CR:N1777GAUC10     @%%@2@%   It may be true that people who are merely mathematicians have certain%@EH@%
specific shortcomings; however, that is not the fault of mathematics, but is
true of every exclusive occupation.%@NL@%
%@NL@%
Carl Friedrich Gauss
%@NL@%Letter to H. C. Schumacher [1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Carl Friedrich Gauss@%%@QR:Gauss@%%@CR:N1777GAUC20     @%%@2@%   Mathematics is the queen of the sciences.%@NL@%%@EH@%
%@NL@%
Carl Friedrich Gauss
%@NL@%From Sartorius von Walters-hausen,
Gauss zum Ged[auml ]chtniss [1856]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Valentine Blacker%@AE@%%@EH@%
%@NL@%
%@AB@%1778-1823%@AE@%
%@NL@%%@NL@%

%@QR:Valentine Blacker@%%@QR:Blacker@%%@CR:N1778BLAV10     @%%@2@%   Put your trust in God, my boys, and keep your powder dry!%@NL@%%@EH@%
%@NL@%
Valentine Blacker
%@NL@%From Edward Hayes, Ballads of Ireland [1856].
Oliver's Advice, An Orange Ballad

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Peter Brougham, Baron Brougham and Vaux%@AE@%%@EH@%
%@NL@%
%@AB@%1778-1868%@AE@%
%@NL@%%@NL@%

%@QR:Henry Peter Brougham, Baron Brougham and Vaux@%%@QR:Brougham@%%@CR:N1778BROH10     @%%@2@%   What is valuable is not new, and what is new is not valuable. 1 %@NL@%%@EH@%
%@NL@%
Henry Peter Brougham, Baron Brougham and Vaux
%@NL@%From The Edinburgh Review [c. 1802], The Work of Thomas Young

%@NL@%%@AI@%1 See Daniel Webster%@BO:          36e1c0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
At the first meeting of the London Mechanics' Institution [1825], John
Reynolds, head of a school in Clerkenwell, acted as secretary of the
meeting. Lord Brougham, who spoke at this meeting, said in the course of his
remarks, "Look out, gentlemen, the schoolmaster is abroad." The phrase
attracted little attention at that time, but when used in a speech three
years later, it at once became popular.  %@EF@%
%@QR:Henry Peter Brougham, Baron Brougham and Vaux@%%@QR:Brougham@%%@CR:N1778BROH20     @%%@2@%   The schoolmaster is abroad, and I trust to him, armed with his primer,%@EH@%
against the soldier in full military array.%@NL@%
%@NL@%
Henry Peter Brougham, Baron Brougham and Vaux
%@NL@%Speech, Opening of Parliament [January 29, 1828]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Peter Brougham, Baron Brougham and Vaux@%%@QR:Brougham@%%@CR:N1778BROH40     @%%@2@%   In my mind, he was guilty of no error he-was chargeable with no%@EH@%
exaggeration-he was betrayed by his fancy into no metaphor, who once said
that all we see about us, Kings, Lords, and Commons, the whole machinery of
the State, all the apparatus of the system, and its varied workings, end in
simply bringing twelve good men into a box.%@NL@%
%@NL@%
Henry Peter Brougham, Baron Brougham and Vaux
%@NL@%Present State of the Law [February 7, 1828]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Peter Brougham, Baron Brougham and Vaux@%%@QR:Brougham@%%@CR:N1778BROH50     @%%@2@%   Pursuit of Knowledge Under Difficulties.%@NL@%%@EH@%
%@NL@%
Henry Peter Brougham, Baron Brougham and Vaux
%@NL@%Title of book [1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Peter Brougham, Baron Brougham and Vaux@%%@QR:Brougham@%%@CR:N1778BROH60     @%%@2@%   Education makes a people easy to lead, but difficult to drive; easy to%@EH@%
govern but impossible to enslave.%@NL@%
%@NL@%
Henry Peter Brougham, Baron Brougham and Vaux
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Peter Brougham, Baron Brougham and Vaux@%%@QR:Brougham@%%@CR:N1778BROH70     @%%@2@%   The great unwashed.%@NL@%%@EH@%
%@NL@%
Henry Peter Brougham, Baron Brougham and Vaux
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Hazlitt%@AE@%%@EH@%
%@NL@%
%@AB@%1778-1830%@AE@%
%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW5      @%%@2@%   One has no notion of him [William Cobbett] as making use of a fine pen,%@EH@%
but a great mutton-fist; his style stuns readers. . . . He is too much for
any single newspaper antagonist; "lays waste" a city orator or Member of
Parliament, and bears hard upon the government itself. He is a kind of
fourth estate in the politics of the country. 1  2  3 %@NL@%
%@NL@%
William Hazlitt
%@NL@%Table Talk [1821-1822].Character of Cobbett

%@NL@%%@AI@%1 See Carlyle%@BO:          394bc7@%%@AE@%
%@AI@%2 See Macaulay%@BO:          3aea95@%%@AE@%
%@AI@%3 See Thackeray%@BO:          40e293@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW11     @%%@2@%   It is better to be able neither to read nor write than to be able to do%@EH@%
nothing else.%@NL@%
%@NL@%
William Hazlitt
%@NL@%Table Talk [1821-1822].On the Ignorance of the Learned

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW50     @%%@2@%   What I mean by living to one's self is living in the world, as in it, not%@EH@%
of it. . . . It is to be a silent spectator of the mighty scene of things; .
. . to take a thoughtful, anxious interest or curiosity in what is passing
in the world, but not to feel the slightest inclination to make or meddle
with it.%@NL@%
%@NL@%
William Hazlitt
%@NL@%Table Talk [1821-1822].On Living to One's Self

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW60     @%%@2@%   Even in the common affairs of life, in love, friendship, and marriage,%@EH@%
how little security have we when we trust our happiness in the hands of
others!%@NL@%
%@NL@%
William Hazlitt
%@NL@%Table Talk [1821-1822].On Living to One's Self

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW70     @%%@2@%   There is not a more mean, stupid, dastardly, pitiful, selfish, spiteful,%@EH@%
envious, ungrateful animal than the Public. It is the greatest of cowards,
for it is afraid of itself.%@NL@%
%@NL@%
William Hazlitt
%@NL@%Table Talk [1821-1822].On Living to One's Self

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW80     @%%@2@%   When a man is dead, they put money in his coffin, erect monuments to his%@EH@%
memory, and celebrate the anniversary of his birthday in set speeches. Would
they take any notice of him if he were living? No! 1  2 %@NL@%
%@NL@%
William Hazlitt
%@NL@%Table Talk [1821-1822].On Living to One's Self

%@NL@%%@AI@%1 See Martial%@BO:           f1948@%%@AE@%
%@AI@%2 See Thayer%@BO:          58c11b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW85     @%%@2@%   One of the pleasantest things in the world is going a journey; but I like%@EH@%
to go by myself.%@NL@%
%@NL@%
William Hazlitt
%@NL@%Table Talk [1821-1822].On Going a Journey

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW91     @%%@2@%   When I am in the country I wish to vegetate like the country.%@NL@%%@EH@%
%@NL@%
William Hazlitt
%@NL@%Table Talk [1821-1822].On Going a Journey

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW95     @%%@2@%   The soul of a journey is liberty, perfect liberty, to think, feel, do%@EH@%
just as one pleases.%@NL@%
%@NL@%
William Hazlitt
%@NL@%Table Talk [1821-1822].On Going a Journey

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW101    @%%@2@%   Give me a clear blue sky over my head, and the green turf beneath my%@EH@%
feet, a winding road before me, and a three hours' march to dinner-and then
to thinking! It is hard if I cannot start some game on these lone heaths.%@NL@%
%@NL@%
William Hazlitt
%@NL@%Table Talk [1821-1822].On Going a Journey

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW110    @%%@2@%   No young man ever thinks he shall die.%@NL@%%@EH@%
%@NL@%
William Hazlitt
%@NL@%Table Talk [1821-1822].On the Fear of Death

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I count only the hours that are serene.-Proverb  Also quoted as: I count
only the sunny hours.  %@EF@%
%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW115    @%%@2@%   Horus non numero nisi serenas is the motto of a sundial near Venice.%@EH@%
There is a softness and a harmony in the words and in the thought
unparalleled.%@NL@%
%@NL@%
William Hazlitt
%@NL@%Table Talk [1821-1822].Of a Sundial in Venice

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW140    @%%@2@%   The love of liberty is the love of others; the love of power is the love%@EH@%
of ourselves.%@NL@%
%@NL@%
William Hazlitt
%@NL@%Political Essays. The Times Newspaper

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW150    @%%@2@%   We never do anything well till we cease to think about the manner of%@EH@%
doing it.%@NL@%
%@NL@%
William Hazlitt
%@NL@%Sketches and Essay. On Prejudice

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW170    @%%@2@%   Men of genius do not excel in any profession because they labor in it,%@EH@%
but they labor in it because they excel.%@NL@%
%@NL@%
William Hazlitt
%@NL@%Characteristics, no. 416 [c. 1821]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hazlitt@%%@QR:Hazlitt@%%@CR:N1778HAZW180    @%%@2@%   We are not hypocrites in our sleep.%@NL@%%@EH@%
%@NL@%
William Hazlitt
%@NL@%On Dreams

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Stephen Decatur%@AE@%%@EH@%
%@NL@%
%@AB@%1779-1820%@AE@%
%@NL@%%@NL@%

%@FN@%
I hope to find my country in the right: however, I will stand by her, right
or wrong.-John Jordan Crittenden [1787-1863], On the Mexican War  See
Charles Churchill, John Quincy Adams, and Schurz  %@EF@%
%@QR:Stephen Decatur@%%@QR:Decatur@%%@CR:N1779DECS10     @%%@2@%   Our country! In her intercourse with foreign nations may she always be in%@EH@%
the right; but our country, right or wrong.%@NL@%
%@NL@%
Stephen Decatur
%@NL@%Toast given at Norfolk [April 1816]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas , Lord Denman%@AE@%%@EH@%
%@NL@%
%@AB@%1779-1854%@AE@%
%@NL@%%@NL@%

%@QR:Thomas , Lord Denman@%%@CR:N1779DENT10     @%%@2@%   Trial by jury, instead of being a security to persons who are accused,%@EH@%
will be a delusion, a mockery, and a snare.%@NL@%
%@NL@%
Thomas , Lord Denman
%@NL@%O'Connell v. The Queen [September 4, 1844]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Robert Grant%@AE@%%@EH@%
%@NL@%
%@AB@%1779-1838%@AE@%
%@NL@%%@NL@%

%@QR:Sir Robert Grant@%%@QR:Grant@%%@CR:N1779GRAR10     @%%@2@%Our shield and defender, the Ancient of Days, 1 %@NL@%%@EH@%
Pavilioned in splendor, and girded with praise.%@NL@%

%@NL@%Sir Robert Grant
%@NL@%Hymn. O Worship the King [1833]

%@NL@%%@AI@%1 See Daniel 7:9%@BO:           44378@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Francis Scott Key%@AE@%%@EH@%
%@NL@%
%@AB@%1779-1843%@AE@%
%@NL@%%@NL@%

%@QR:Francis Scott Key@%%@QR:Key@%%@CR:N1779KEYF10     @%%@2@%Oh, say, can you see by the dawn's early light,%@NL@%%@EH@%
What so proudly we hailed at the twilight's last gleaming?%@NL@%
Whose broad stripes and bright stars, through the perilous fight,%@NL@%
O'er the ramparts we watched were so gallantly streaming?%@NL@%
And the rockets' red glare, the bombs bursting in air,%@NL@%
Gave proof through the night that our flag was still there.%@NL@%
Oh, say, does that star-spangled banner yet wave%@NL@%
O'er the land of the free and the home of the brave?%@NL@%

%@NL@%Francis Scott Key
%@NL@%The Star-Spangled Banner [September 14, 1814],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Scott Key@%%@QR:Key@%%@CR:N1779KEYF15     @%%@2@%Blessed with victory and peace, may the Heaven-rescued land%@NL@%%@EH@%
Praise the Power that hath made and preserved us a nation.%@NL@%
Then conquer we must, when our cause it is just,%@NL@%
And this be our motto, "In God is our trust."%@NL@%

%@NL@%Francis Scott Key
%@NL@%The Star-Spangled Banner [September 14, 1814],st. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Clement Clarke Moore%@AE@%%@EH@%
%@NL@%
%@AB@%1779-1863%@AE@%
%@NL@%%@NL@%

%@QR:Clement Clarke Moore@%%@QR:Moore@%%@CR:N1779MOOC10     @%%@2@%'Twas the night before Christmas, when all through the house%@NL@%%@EH@%
Not a creature was stirring-not even a mouse; 1 %@NL@%
The stockings were hung by the chimney with care,%@NL@%
In hopes that St. Nicholas soon would be there.%@NL@%

%@NL@%Clement Clarke Moore
%@NL@%A Visit from St. Nicholas [December 1823]

%@NL@%%@AI@%1 See Shakespeare%@BO:          1b81ca@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Clement Clarke Moore@%%@QR:Moore@%%@CR:N1779MOOC20     @%%@2@%"Happy Christmas to all, and to all a goodnight!"%@NL@%%@EH@%

%@NL@%Clement Clarke Moore
%@NL@%A Visit from St. Nicholas [December 1823]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Tom Moore%@AE@%%@EH@%
%@NL@%
%@AB@%1779-1852%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT10     @%%@2@%Faintly as tolls the evening chime,%@NL@%%@EH@%
Our voices keep tune and our oars keep time. 1 %@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Poems Relating to America. A Canadian Boat Song, st. 1

%@NL@%%@AI@%1 See Marvell%@BO:          25a2a5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT20     @%%@2@%Go where glory waits thee! 1 %@NL@%%@EH@%
But while fame elates thee,%@NL@%
Oh, still remember me!%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].Go Where Glory Waits Thee, st. 1

%@NL@%%@AI@%1 See Lowell%@BO:          443c32@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT30     @%%@2@%Oh, breathe not his name! let it sleep in the shade,%@NL@%%@EH@%
Where cold and unhonored his relics are laid.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].Oh Breathe Not His Name,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT40     @%%@2@%And the tear that we shed, though in secret it rolls,%@NL@%%@EH@%
Shall long keep his memory green in our souls. 1 %@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].Oh Breathe Not His Name,st. 2

%@NL@%%@AI@%1 See Shakespeare%@BO:          1b907a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT50     @%%@2@%The harp that once through Tara's halls%@NL@%%@EH@%
The soul of music shed,%@NL@%
Now hangs as mute on Tara's walls%@NL@%
As if that soul were fled.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].The Harp That Once Through Tara's Halls, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT60     @%%@2@%Rich and rare were the gems she wore,%@NL@%%@EH@%
And a bright gold ring on her wand she bore.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].Rich and Rare Were the Gems She Wore, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT70     @%%@2@%Believe me, if all those endearing young charms%@NL@%%@EH@%
Which I gaze on so fondly today,%@NL@%
Were to change by tomorrow and fleet in my arms,%@NL@%
Like fairy gifts fading away,%@NL@%
Thou would'st still be adored as this moment thou art,%@NL@%
Let thy loveliness fade as it will,%@NL@%
And around the dear ruin each wish of my heart%@NL@%
Would entwine itself verdantly still.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].Believe Me, If All Those Endearing Young Charms,
st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT80     @%%@2@%But there's nothing half so sweet in life%@NL@%%@EH@%
As love's young dream.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].Love's Young Dream, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT90     @%%@2@%Eyes of unholy blue.%@NL@%%@EH@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].By That Lake Whose Gloomy Shore, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT100    @%%@2@%'Tis the last rose of summer,%@NL@%%@EH@%
Left blooming alone;%@NL@%
All her lovely companions%@NL@%
Are faded and gone.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].The Last Rose of Summer, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT110    @%%@2@%The Minstrel Boy to the war is gone,%@NL@%%@EH@%
In the ranks of death you'll find him.%@NL@%
His father's sword he has girded on,%@NL@%
And his wild harp slung behind him.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].The Minstrel Boy, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT120    @%%@2@%And the best of all ways%@NL@%%@EH@%
To lengthen our days%@NL@%
Is to steal a few hours from the night, my dear.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].The Young May Moon, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The jar will long keep the fragrance of what it was once steeped in when
new.-Horace [65-8  B.C. ], Epistles, I, 2, 69  That flavor, absorbed when
new, remains.-Quintillian [born c. 35]  But, somehow or other, though you
fill it with water, the jar retains the odor which it acquired when first
used.-St. Jerome [c. 342-420]  The image was frequently used in the
classical period; unglazed ware is more absorbent than glazed.  %@EF@%
%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT130    @%%@2@%You may break, you may shatter the vase, if you will,%@NL@%%@EH@%
But the scent of the roses will hang round it still.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].Farewell! But Whenever, st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT170    @%%@2@%No eye to watch, and no tongue to wound us,%@NL@%%@EH@%
All earth forgot, and all heaven around us.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].Come O'er the Sea, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT180    @%%@2@%The light that lies%@NL@%%@EH@%
In woman's eyes,%@NL@%
Has been my heart's undoing.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].The Time I've Lost in Wooing, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT190    @%%@2@%My only books%@NL@%%@EH@%
Were woman's looks,%@NL@%
And folly's all they've taught me.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Irish Melodies [1807-1834].The Time I've Lost in Wooing, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT200    @%%@2@%A Persian's heaven is easily made:%@NL@%%@EH@%
'Tis but black eyes and lemonade.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Intercepted Letters; or, The TwoPenny Post Bag [1813], VI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT210    @%%@2@%Oft in the stilly night,%@NL@%%@EH@%
Ere Slumber's chain has bound me,%@NL@%
Fond Memory brings the light%@NL@%
Of other days around me;%@NL@%
The smiles, the tears,%@NL@%
Of boyhood's years,%@NL@%
The words of love then spoken;%@NL@%
The eyes that shone%@NL@%
Now dimmed and gone,%@NL@%
The cheerful hearts now broken.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%National Airs [1815].Oft in the Stilly Night,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT220    @%%@2@%I feel like one,%@NL@%%@EH@%
Who treads alone%@NL@%
Some banquet hall deserted,%@NL@%
Whose lights are fled,%@NL@%
Whose garlands dead,%@NL@%
And all but he departed.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%National Airs [1815].Oft in the Stilly Night,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT230    @%%@2@%What though youth gave love and roses,%@NL@%%@EH@%
Age still leaves us friends and wine.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%National Airs [1815].Spring and Autumn, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT240    @%%@2@%Sound the loud timbrel o'er Egypt's dark sea!%@NL@%%@EH@%
Jehovah has triumphed-his people are free.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Sacred Songs. Sound the Loud Timbrel, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT250    @%%@2@%Oh, call it by some better name,%@NL@%%@EH@%
For friendship sounds too cold.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Ballads and Songs. Oh, Call It by Some Better Name, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT260    @%%@2@%There's a bower of roses by Bendemeer's stream,%@NL@%%@EH@%
And the nightingale sings round it all the day long.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Lalla Rookh [1817], pt.II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT270    @%%@2@%Some flow'rets of Eden ye still inherit,%@NL@%%@EH@%
But the trail of the serpent is over them all.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Lalla Rookh [1817], pt.II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT280    @%%@2@%Oh! ever thus, from childhood's hour,%@NL@%%@EH@%
I've seen my fondest hope decay;%@NL@%
I never loved a tree or flower,%@NL@%
But 'twas the first to fade away.%@NL@%
I never nursed a dear gazelle%@NL@%
To glad me with its soft black eye,%@NL@%
But when it came to know me well,%@NL@%
And love me, it was sure to die.%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Lalla Rookh [1817], pt.V

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT290    @%%@2@%Like Dead Sea fruits, that tempt the eye,%@NL@%%@EH@%
But turn to ashes on the lips. 1 %@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Lalla Rookh [1817], pt.V

%@NL@%%@AI@%1 See Byron%@BO:          3789b9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Tom Moore@%%@QR:Moore@%%@CR:N1779MOOT300    @%%@2@%Paradise itself were dim%@NL@%%@EH@%
And joyless, if not shared with him!%@NL@%

%@NL@%Thomas Tom Moore
%@NL@%Lalla Rookh [1817], pt.VI

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lorenz Oken%@AE@%%@EH@%
%@NL@%
%@AB@%1779-1851%@AE@%
%@NL@%%@NL@%

%@QR:Lorenz Oken@%%@QR:Oken@%%@CR:N1779OKEL10     @%%@2@%   The universe is the language of God.%@NL@%%@EH@%
%@NL@%
Lorenz Oken
%@NL@%%@FN@%
Translated by Alfred Turk.  %@EF@%
Elements of Physiophilosophy [1847],
pt. I, par. 64

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joseph Story%@AE@%%@EH@%
%@NL@%
%@AB@%1779-1849%@AE@%
%@NL@%%@NL@%

%@QR:Joseph Story@%%@QR:Story@%%@CR:N1779STOJ10     @%%@2@%   I will not say with Lord Hale, that "The Law will admit of no rival" . .%@EH@%
. but I will say that it is a jealous mistress, and requires a long and
constant courtship. It is not to be won by trifling favors, but by lavish
homage. 1 %@NL@%
%@NL@%
Joseph Story
%@NL@%%@FN@%
Inaugural address as Dane Professor of Law at Harvard University.  %@EF@%
The Value and Importance of Legal Studies [August 5, 1829]

%@NL@%%@AI@%1 See Emerson%@BO:          3c444a@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%William Ellery Channing%@AE@%%@EH@%
%@NL@%
%@AB@%1780-1842%@AE@%
%@NL@%%@NL@%

%@QR:William Ellery Channing@%%@QR:Channing@%%@CR:N1780CHAW10     @%%@2@%   We do, then, with all earnestness, though without reproaching our%@EH@%
brethren, protest against the irrational and unscriptural doctrine of the
Trinity. "To us," as to the Apostle and the primitive Christians, "there is
one God, even the Father." With Jesus, we worship the Father, as the only
living and true God. We are astonished, that any man can read the New
Testament, and avoid the conviction, that the Father alone is God.%@NL@%
%@NL@%
William Ellery Channing
%@NL@%Unitarian Christianity [Baltimore, 1819]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ellery Channing@%%@QR:Channing@%%@CR:N1780CHAW15     @%%@2@%   The office of government is not to confer happiness, but to give men%@EH@%
opportunity to work out happiness for themselves.%@NL@%
%@NL@%
William Ellery Channing
%@NL@%Review of Sir Walter Scott, The Life of Napoleon Bonaparte [1827].
From the Christian Examiner [September and October 1827]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Inscription on Channing Memorial, Public Garden, Boston.  %@EF@%
%@QR:William Ellery Channing@%%@QR:Channing@%%@CR:N1780CHAW20     @%%@2@%   I see the marks of God in the heavens and the earth, but how much more in%@EH@%
a liberal intellect, in magnanimity, in unconquerable rectitude, in a
philanthropy which forgives every wrong, and which never despairs of the
cause of Christ and human virtue! I do and I must reverence human nature. 1
. . . I thank God that my own lot is bound up with that of the human race.%@NL@%
%@NL@%
William Ellery Channing
%@NL@%Likeness to God [Providence, Rhode Island, 1828]

%@NL@%%@AI@%1 See Albert Schweitzer%@BO:          584784@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ellery Channing@%%@QR:Channing@%%@CR:N1780CHAW30     @%%@2@%   There are seasons, in human affairs, of inward and outward revolution,%@EH@%
when new depths seem to be broken up in the soul, when new wants are
unfolded in multitudes, and a new and undefined good is thirsted for. There
are periods when . . . to dare, is the highest wisdom. 1  2  3 %@NL@%
%@NL@%
William Ellery Channing
%@NL@%Complete Works [1879]. The Union [1829]

%@NL@%%@AI@%1 See Spenser%@BO:          156b44@%%@AE@%
%@AI@%2 See Danton%@BO:          327307@%%@AE@%
%@AI@%3 See Patton%@BO:          5bd0ca@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ellery Channing@%%@QR:Channing@%%@CR:N1780CHAW40     @%%@2@%   It is chiefly through books that we enjoy intercourse with superior%@EH@%
minds. . . . God be thanked for books. They are the voices of the distant
and the dead, and make us heirs of the spiritual life of past ages. Books
are true levelers. They give to all, who will faithfully use them, the
society, the spiritual presence, of the best and greatest of our race.%@NL@%
%@NL@%
William Ellery Channing
%@NL@%Self-Culture [Boston, September 1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ellery Channing@%%@QR:Channing@%%@CR:N1780CHAW50     @%%@2@%   The mind, in proportion as it is cut off from free communication with%@EH@%
nature, with revelation, with God, with itself, loses its life, just as the
body droops when debarred from the air and the cheering light from heaven.%@NL@%
%@NL@%
William Ellery Channing
%@NL@%Remarks on the Character and Writings of Fenelon [1843]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ellery Channing@%%@QR:Channing@%%@CR:N1780CHAW60     @%%@2@%   I call that mind free which jealously guards its intellectual rights and%@EH@%
powers, which calls no man master, which does not content itself with a
passive or hereditary faith, which opens itself to light whencesoever it may
come, which receives new truth as an angel from Heaven.%@NL@%
%@NL@%
William Ellery Channing
%@NL@%Spiritual Freedom

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Karl von Clausewitz%@AE@%%@EH@%
%@NL@%
%@AB@%1780-1831%@AE@%
%@NL@%%@NL@%

%@FN@%
Der Krieg ist nichts anderes als die Fortsetzung der Politik mit anderen
Mitteln.  See Mao Tse-tung  A thermonuclear war cannot be considered a
continuation of politics by other means. It would be a means to universal
suicide.-Andrei D. Sakharov, Progress, Coexistence, and Intellectual Freedom
[1966]  %@EF@%
%@QR:Karl von Clausewitz@%%@QR:Clausewitz@%%@CR:N1780CLAK10     @%%@2@%   War is not merely a political act, but also a political instrument, a%@EH@%
continuation of political relations, a carrying out of the same by other
means.%@NL@%
%@NL@%
Karl von Clausewitz
%@NL@%Vom Kriege (On War) [1833]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Caleb Colton%@AE@%%@EH@%
%@NL@%
%@AB@%1780-1832%@AE@%
%@NL@%%@NL@%

%@QR:Charles Caleb Colton@%%@QR:Colton@%%@CR:N1780COLC10     @%%@2@%   When you have nothing to say, say nothing.%@NL@%%@EH@%
%@NL@%
Charles Caleb Colton
%@NL@%Lacon [1820-1822], vol.I, no.183

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Caleb Colton@%%@QR:Colton@%%@CR:N1780COLC20     @%%@2@%   Imitation is the sincerest of flattery.%@NL@%%@EH@%
%@NL@%
Charles Caleb Colton
%@NL@%Lacon [1820-1822], vol.I, no.217

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Caleb Colton@%%@QR:Colton@%%@CR:N1780COLC30     @%%@2@%   The debt which cancels all others.%@NL@%%@EH@%
%@NL@%
Charles Caleb Colton
%@NL@%Lacon [1820-1822], vol.II, no. 66

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Miner%@AE@%%@EH@%
%@NL@%
%@AB@%1780-1865%@AE@%
%@NL@%%@NL@%

%@QR:Charles Miner@%%@QR:Miner@%%@CR:N1780MINC10     @%%@2@%   When I see a merchant overpolite to his customers, begging them to taste%@EH@%
a little brandy and throwing half his goods on the counter-thinks I, that
man has an ax to grind.%@NL@%
%@NL@%
Charles Miner
%@NL@%%@FN@%
First published in Luzerne Federalist [September 7, 1810]. Because of the
similarity of the title to Poor Richard, the phrase "an ax to grind" has
often been attributed to Franklin.  %@EF@%
Essays from the Desk of Poor Robert the Scribe [1815].
Who'll Turn Grindstones

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Frances Milton Trollope%@AE@%%@EH@%
%@NL@%
%@AB@%1780-1863%@AE@%
%@NL@%%@NL@%

%@QR:Frances Milton Trollope@%%@QR:Trollope@%%@CR:N1780TROF10     @%%@2@%   Let no one who wishes to receive agreeable impressions of American%@EH@%
manners, commence their travels in a Mississippi steamboat.%@NL@%
%@NL@%
Frances Milton Trollope
%@NL@%Domestic Manners of the Americans [1832]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ebenezer Elliott%@AE@%%@EH@%
%@NL@%
%@AB@%1781-1849%@AE@%
%@NL@%%@NL@%

%@QR:Ebenezer Elliott@%%@QR:Elliott@%%@CR:N1781ELLE10     @%%@2@%Not kings and lords, but nations!%@NL@%%@EH@%
Not thrones and crowns, but men!%@NL@%

%@NL@%Ebenezer Elliott
%@NL@%Corn Law Rhymes [1828]. When Wilt Thou Save the People? st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ebenezer Elliott@%%@QR:Elliott@%%@CR:N1781ELLE20     @%%@2@%God save the people!%@NL@%%@EH@%

%@NL@%Ebenezer Elliott
%@NL@%Corn Law Rhymes [1828]. When Wilt Thou Save the People? st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ebenezer Elliott@%%@QR:Elliott@%%@CR:N1781ELLE30     @%%@2@%What is a communist? One who hath yearnings%@NL@%%@EH@%
For equal division of unequal earnings.%@NL@%

%@NL@%Ebenezer Elliott
%@NL@%Poetical Works [1846]. Epigram

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Lawrence%@AE@%%@EH@%
%@NL@%
%@AB@%1781-1813%@AE@%
%@NL@%%@NL@%

%@FN@%
Usually quoted as "Don't give up the ship." Captain Lawrence's final order
as he was carried below, fatally wounded, before the capture of his ship by
the British frigate Shannon.  %@EF@%
%@QR:James Lawrence@%%@QR:Lawrence@%%@CR:N1781LAWJ10     @%%@2@%   Tell the men to fire faster and not to give up the ship; fight her till%@EH@%
she sinks.%@NL@%
%@NL@%
James Lawrence
%@NL@%On board the U.S. frigate Chesapeake [June 1, 1813]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Hart Benton%@AE@%%@EH@%
%@NL@%
%@AB@%1782-1858%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Hart Benton@%%@QR:Benton@%%@CR:N1782BENT10     @%%@2@%   This new page opened in the book of our public expenditures, and this new%@EH@%
departure taken, which leads into the bottomless gulf of civil pensions and
family gratuities.%@NL@%
%@NL@%
Thomas Hart Benton
%@NL@%Speech in the Senate against a grant to President Harrison's
widow [April 1841]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John C aldwell Calhoun%@AE@%%@EH@%
%@NL@%
%@AB@%1782-1850%@AE@%
%@NL@%%@NL@%

%@QR:John C aldwell Calhoun@%%@QR:Calhoun@%%@CR:N1782CALJ10     @%%@2@%   Protection and patriotism are reciprocal.%@NL@%%@EH@%
%@NL@%
John C aldwell Calhoun
%@NL@%Speech in the House of Representatives [December 12, 1811]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John C aldwell Calhoun@%%@QR:Calhoun@%%@CR:N1782CALJ20     @%%@2@%   The very essence of a free government consists in considering offices as%@EH@%
public trusts, 1  2  3  4  5  bestowed for the good of the country, and not
for the benefit of an individual or a party.%@NL@%
%@NL@%
John C aldwell Calhoun
%@NL@%Speech [February 13, 1835]

%@NL@%%@AI@%1 See Henry%@BO:          2823d8@%%@AE@%
%@AI@%2 See Burke%@BO:          2e6a4b@%%@AE@%
%@AI@%3 See Clay%@BO:          3621f3@%%@AE@%
%@AI@%4 See Sumner%@BO:          40d292@%%@AE@%
%@AI@%5 See Cleveland%@BO:          4b1519@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
From this speech comes the phrase: Cohesive power of public plunder.  %@EF@%
%@QR:John C aldwell Calhoun@%%@QR:Calhoun@%%@CR:N1782CALJ30     @%%@2@%   A power has risen up in the government greater than the people%@EH@%
themselves, consisting of many and various and powerful interests, combined
into one mass, and held together by the cohesive power of the vast surplus
in the banks.%@NL@%
%@NL@%
John C aldwell Calhoun
%@NL@%Speech [May 27, 1836]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John C aldwell Calhoun@%%@QR:Calhoun@%%@CR:N1782CALJ50     @%%@2@%   The surrender of life is nothing to sinking down into acknowledgment of%@EH@%
inferiority.%@NL@%
%@NL@%
John C aldwell Calhoun
%@NL@%Speech in the Senate [February 19, 1847]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John C aldwell Calhoun@%%@QR:Calhoun@%%@CR:N1782CALJ60     @%%@2@%   It is harder to preserve than to obtain liberty. 1 %@NL@%%@EH@%
%@NL@%
John C aldwell Calhoun
%@NL@%Speech in the Senate [January 1848]

%@NL@%%@AI@%1 See S. E. Morison%@BO:          5c9c49@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Ann Taylor%@AE@%%@EH@%
%@NL@%
%@AB@%1782-1866%@AE@%
%@1@%%@AB@%Jane Taylor%@AE@%%@EH@%
%@NL@%
%@AB@%1783-1824%@AE@%
%@NL@%%@NL@%

%@QR:Jane Taylor@%%@QR:Taylor@%%@CR:N1782TAYA10     @%%@2@%Who ran to help me when I fell,%@NL@%%@EH@%
And would some pretty story tell,%@NL@%
Or kiss the place to make it well?%@NL@%
My mother.%@NL@%

%@NL@%Jane Taylor
%@NL@%Original Poems for Infant Minds [1804].
My Mother [by Ann Taylor], st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Taylor@%%@QR:Taylor@%%@CR:N1782TAYA20     @%%@2@%Twinkle, twinkle, little star,%@NL@%%@EH@%
How I wonder what you are,%@NL@%
Up above the world so high,%@NL@%
Like a diamond in the sky! 1 %@NL@%

%@NL@%Jane Taylor
%@NL@%Rhymes for the Nursery [1806].The Star, st. 1

%@NL@%%@AI@%1 See Lewis Carroll%@BO:          48c7b7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Taylor@%%@QR:Taylor@%%@CR:N1782TAYA30     @%%@2@%I like little pussy, her coat is so warm;%@NL@%%@EH@%
And if I don't hurt her she'll do me no harm.%@NL@%

%@NL@%Jane Taylor
%@NL@%Rhymes for the Nursery [1806].I Like Little Pussy [by Jane Taylor], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Taylor@%%@QR:Taylor@%%@CR:N1782TAYA50     @%%@2@%Oh, that it were my chief delight%@NL@%%@EH@%
To do the things I ought!%@NL@%
Then let me try with all my might%@NL@%
To mind what I am taught.%@NL@%

%@NL@%Jane Taylor
%@NL@%Hymns for Infant Minds [1810].For a Very Little Child

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Taylor@%%@QR:Taylor@%%@CR:N1782TAYA60     @%%@2@%And willful waste, depend upon 't,%@NL@%%@EH@%
Brings, almost always, woeful want!%@NL@%

%@NL@%Jane Taylor
%@NL@%Hymns for Infant Minds [1810].The Pin [by Ann Taylor], st. 6

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Daniel Webster%@AE@%%@EH@%
%@NL@%
%@AB@%1782-1852%@AE@%
%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD10     @%%@2@%   It is, sir, as I have said, a small college, and yet there are those who%@EH@%
love it.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Dartmouth College Case [1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD20     @%%@2@%   Whatever makes men good Christians, makes them good citizens.%@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%%@FN@%
This oration will be read five hundred years hence with as much rapture as
it was heard. It ought to be read at the end of every century, and indeed at
the end of every year, forever and ever.-John Adams, Letter to Webster
[December 23, 1821]  %@EF@%
Speech at Plymouth, Massachusetts [December 22, 1820]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD40     @%%@2@%   Labor in this country is independent and proud. It has not to ask the%@EH@%
patronage of capital, but capital solicits the aid of labor. 1 %@NL@%
%@NL@%
Daniel Webster
%@NL@%Speech [April 2, 1824]

%@NL@%%@AI@%1 See Lincoln%@BO:          3ef8f3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD50     @%%@2@%   We wish that this column, rising towards heaven among the pointed spires%@EH@%
of so many temples dedicated to God, may contribute also to produce in all
minds a pious feeling of dependence and gratitude. We wish, finally, that
the last object to the sight of him who leaves his native shore, and the
first to gladden his who revisits it, may be something which shall remind
him of the liberty and the glory of his country.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Address on Laying the Cornerstone of the Bunker Hill Monument
[June 17, 1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD60     @%%@2@%   Mind is the great lever of all things; human thought is the process by%@EH@%
which human ends are ultimately answered.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Address on Laying the Cornerstone of the Bunker Hill Monument
[June 17, 1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD70     @%%@2@%   Knowledge, in truth, is the great sun in the firmament. Life and power%@EH@%
are scattered with all its beams.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Address on Laying the Cornerstone of the Bunker Hill Monument
[June 17, 1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD80     @%%@2@%   Let our object be our country, our whole country, and nothing but our%@EH@%
country.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Address on Laying the Cornerstone of the Bunker Hill Monument
[June 17, 1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Live or die, sink or swim.-George Peele, Edward I [c. 1584]  %@EF@%
%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD90     @%%@2@%   Sink or swim, live or die, survive or perish, I give my hand and my heart%@EH@%
to this vote.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Discourse in Commemoration of Adams and Jefferson,
Faneuil Hall, Boston [August 2, 1826]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
On the day of his [John Adams's] death, hearing the noise of bells and
cannon, he asked the occasion. On being reminded that it was "Independent
Day," he replied, "Independence forever."-Daniel Webster, Works [1903], vol.
I, p. 150  %@EF@%
%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD110    @%%@2@%   It is my living sentiment, and by the blessing of God it shall be my%@EH@%
dying sentiment-Independence now and Independence forever.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Discourse in Commemoration of Adams and Jefferson,
Faneuil Hall, Boston [August 2, 1826]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD130    @%%@2@%   Washington is in the clear upper sky.%@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%Discourse in Commemoration of Adams and Jefferson,
Faneuil Hall, Boston [August 2, 1826]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD140    @%%@2@%   The gentleman has not seen how to reply to this, otherwise than by%@EH@%
supposing me to have advanced the doctrine that a national debt is a
national blessing. 1 %@NL@%
%@NL@%
Daniel Webster
%@NL@%Second Speech on Foote's Resolution [January 26, 1830]

%@NL@%%@AI@%1 See Hamilton%@BO:          315bde@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Generally misquoted as "Massachusetts, there she stands."  %@EF@%
%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD150    @%%@2@%   I shall enter on no encomium upon Massachusetts; she needs none. There%@EH@%
she is. Behold her, and judge for yourselves. There is her history; the
world knows it by heart. The past, at least, is secure. There is Boston and
Concord and Lexington and Bunker Hill; and there they will remain forever.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Second Speech on Foote's Resolution [January 26, 1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Our sovereign, the people.-Charles James Fox, toast [1798], for which his
name was erased from the Privy Council  See Wycliffe, Disraeli, Garrison,
Lincoln, and Parker  %@EF@%
%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD170    @%%@2@%   The people's government, made for the people, made by the people, and%@EH@%
answerable to the people.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Second Speech on Foote's Resolution [January 26, 1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD190    @%%@2@%   When my eyes shall be turned to behold for the last time the sun in%@EH@%
heaven, may I not see him shining on the broken and dishonored fragments of
a once glorious Union; on States disevered, discordant, belligerent; on a
land rent with civil feuds, or drenched, it may be, in fraternal blood.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Second Speech on Foote's Resolution [January 26, 1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD200    @%%@2@%   Liberty and Union, now and forever, one and inseparable.%@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%Second Speech on Foote's Resolution [January 26, 1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD210    @%%@2@%   There is no refuge from confession but suicide; and suicide is%@EH@%
confession.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Argument on the murder of Captain White [April 6, 1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD220    @%%@2@%   There is nothing so powerful as truth-and often nothing so strange. 1 %@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%Argument on the murder of Captain White [April 6, 1830]

%@NL@%%@AI@%1 See Byron%@BO:          382557@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD230    @%%@2@%   Fearful concatenation of circumstances. 1 %@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%Argument on the murder of Captain White [April 6, 1830]

%@NL@%%@AI@%1 See Scott%@BO:          34b8fd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD240    @%%@2@%   A sense of duty pursues us ever. It is omnipresent, like the Deity. If we%@EH@%
take to ourselves the wings of the morning, and dwell in the uttermost parts
of the sea, duty performed or duty violated is still with us, for our
happiness or our misery. If we say the darkness shall cover us, in the
darkness as in the light our obligations are yet with us. 1 %@NL@%
%@NL@%
Daniel Webster
%@NL@%Argument on the murder of Captain White [April 6, 1830]

%@NL@%%@AI@%1 See Psalm 139:9%@BO:           2b7db@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD250    @%%@2@%   He smote the rock of the national resources, and abundant streams of%@EH@%
revenue gushed forth. 1  He touched the dead corpse of Public Credit, and it
sprung upon its feet.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Speech on Hamilton [March 10, 1831]

%@NL@%%@AI@%1 See Numbers 20:11%@BO:           10064@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD260    @%%@2@%   On this question of principle, while actual suffering was yet afar off,%@EH@%
they [the Colonies] raised their flag against a power to which, for purposes
of foreign conquest and subjugation, Rome in the height of her glory is not
to be compared-a power which has dotted over the surface of the whole globe
with  her possessions and military posts, whose morning drumbeat, following
the sun, 1  and keeping company with the hours, circles the earth with one
continuous and unbroken strain of the martial airs of England.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Speech [May 7, 1834]

%@NL@%%@AI@%1 See Schiller%@BO:          328c3c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD270    @%%@2@%   God grants liberty only to those who love it, and are always ready to%@EH@%
guard and defend it.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Speech [June 3, 1834]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD280    @%%@2@%   One country, one constitution, one destiny.%@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%Speech [March 15, 1837],

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD290    @%%@2@%   There are persons who constantly clamor. They complain of oppression,%@EH@%
speculation, and pernicious influence of wealth. They cry out loudly against
all banks and corporations, and a means by which small capitalists become
united in order to produce important and beneficial results. They carry on
mad hostility against all established institutions. They would choke the
fountain of industry and dry all streams.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Speech in the Senate [March 12, 1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD300    @%%@2@%   When tillage begins, other arts follow. The farmers therefore are the%@EH@%
founders of human civilization.%@NL@%
%@NL@%
Daniel Webster
%@NL@%On Agriculture [January 13, 1840]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD310    @%%@2@%   America has furnished to the world the character of Washington. And if%@EH@%
our American institutions had done nothing else, that alone would have
entitled them to the respect of mankind.%@NL@%
%@NL@%
Daniel Webster
%@NL@%On the Completion of the Bunker Hill Monument [June 17, 1843]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD320    @%%@2@%   Thank God! I-I also-am an American!%@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%On the Completion of the Bunker Hill Monument [June 17, 1843]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD330    @%%@2@%   Justice, sir, is the great interest of man on earth.%@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%On Mr. Justice Story [September 12, 1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'homme absurde est celui qui ne change jamais [The absurd man is he who
never changes].-Auguste Marseille Barthelemy, Ma Justification [1832]  %@EF@%
%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD340    @%%@2@%   Inconsistencies of opinion, arising from changes of circumstances, are%@EH@%
often justifiable.%@NL@%
%@NL@%
Daniel Webster
%@NL@%Speech [July 25 and 27, 1846]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD360    @%%@2@%   Liberty exists in proportion to wholesome restraint.%@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%Speech at the Charleston Bar Dinner [May 10, 1847]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD370    @%%@2@%   The law: It has honored us; may we honor it.%@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%Speech at the Charleston Bar Dinner [May 10, 1847]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD380    @%%@2@%   I have read their platform, and though I think there are some unsound%@EH@%
places in it, I can stand upon it pretty well. But I see nothing in it both
new and valuable. "What is valuable is not new, and what is new is not
valuable." 1 %@NL@%
%@NL@%
Daniel Webster
%@NL@%Speech at Marshfield, Massachusetts [September 1, 1848]

%@NL@%%@AI@%1 See Lord Brougham%@BO:          362fcd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD390    @%%@2@%   I was born an American; I will live an American; I shall die an American.%@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%Speech [July 17, 1850]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD400    @%%@2@%   Faneuil Hall, the cradle of American liberty.%@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%Letter [April 1851]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD410    @%%@2@%   Men hang out their signs indicative of their respective trades:%@EH@%
shoemakers hang out a gigantic shoe; jewelers, a monster watch; and the
dentist hangs out a gold tooth; but up in the mountains of New Hampshire,
God Almighty has hung out a sign to show that there He makes men.%@NL@%
%@NL@%
Daniel Webster
%@NL@%%@FN@%
Natural rock formation in the shape of a human profile, in the Presidential
Range of the White Mountains. It gave Hawthorne the theme of his story The
Great Stone Face.  %@EF@%
On the Old Man of the Mountain
; attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Webster@%%@QR:Webster@%%@CR:N1782WEBD420    @%%@2@%   I still live.%@NL@%%@EH@%
%@NL@%
Daniel Webster
%@NL@%Last words [October 24, 1852]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Simon Bolivar%@AE@%%@EH@%
%@NL@%
%@AB@%1783-1830%@AE@%
%@FN@%
One must speak of Bolivar from the tribune of a mountain, or amidst thunder
and lightning . . . He lived as if among flames, and he was flame. He loved,
and spoke flowers of fire.-JoseMarti Bolivar [1893]  %@EF@%
%@NL@%%@NL@%

%@QR:Simon Bolivar@%%@QR:Bolivar@%%@CR:N1783BOLS10     @%%@2@%   A state too extensive in itself, or by virtue of its dependencies,%@EH@%
ultimately falls into decay; its free government is transformed into a
tyranny; it disregards the principles which it should preserve, and finally
degenerates into despotism. The distinguishing characteristic of small
republics is stability: the character of large republics is mutability.%@NL@%
%@NL@%
Simon Bolivar
%@NL@%Letter from Jamaica [Summer, 1815]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Simon Bolivar@%%@QR:Bolivar@%%@CR:N1783BOLS20     @%%@2@%   Among the popular and representative systems of government I do not%@EH@%
approve of the federal system: it is too perfect; and it requires virtues
and political talents much superior to our own.%@NL@%
%@NL@%
Simon Bolivar
%@NL@%Letter from Jamaica [Summer, 1815]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Simon Bolivar@%%@QR:Bolivar@%%@CR:N1783BOLS30     @%%@2@%   Let us give to our republic a fourth power with authority over the youth,%@EH@%
the hearts of men, public spirit, habits, and republican morality. Let us
establish this Areopagus to watch over the education of the children, to
supervise national education, to purify whatever may be corrupt in the
republic, to denounce ingratitude, coldness in the country's service,
egotism, sloth, idleness, and to pass judgment upon the first signs of
corruption and pernicious example.%@NL@%
%@NL@%
Simon Bolivar
%@NL@%Address to the Congress of Angostura [February 15, 1819]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Simon Bolivar@%%@QR:Bolivar@%%@CR:N1783BOLS40     @%%@2@%   Those who have served the cause of the revolution have plowed the sea.%@NL@%%@EH@%
%@NL@%
Simon Bolivar
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Simon Bolivar@%%@QR:Bolivar@%%@CR:N1783BOLS50     @%%@2@%   The three greatest dolts in the world: Jesus Christ, Don Quixote, and I.%@NL@%%@EH@%
%@NL@%
Simon Bolivar
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Reginald Heber%@AE@%%@EH@%
%@NL@%
%@AB@%1783-1826%@AE@%
%@NL@%%@NL@%

%@FN@%
The Best and the Brightest.-David Halberstam, title of book [1972]  See
Shelley  %@EF@%
%@QR:Reginald Heber@%%@QR:Heber@%%@CR:N1783HEBR10     @%%@2@%Brightest and best of the sons of the morning,%@NL@%%@EH@%
Dawn on our darkness, and lend us thine aid.%@NL@%

%@NL@%Reginald Heber
%@NL@%Hymns.Epiphany [1811], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Reginald Heber@%%@QR:Heber@%%@CR:N1783HEBR20     @%%@2@%By cool Siloam's shady rill%@NL@%%@EH@%
How sweet the lily grows!%@NL@%

%@NL@%Reginald Heber
%@NL@%Hymns.First Sunday After Epiphany [1812], no. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Reginald Heber@%%@QR:Heber@%%@CR:N1783HEBR30     @%%@2@%The Son of God goes forth to war,%@NL@%%@EH@%
A kingly crown to gain;%@NL@%
His blood-red banner streams afar;%@NL@%
Who follows in His train?%@NL@%

%@NL@%Reginald Heber
%@NL@%Hymns.The Son of God Goes Forth to War [1812], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Reginald Heber@%%@QR:Heber@%%@CR:N1783HEBR40     @%%@2@%From Greenland's icy mountains,%@NL@%%@EH@%
From India's coral strand,%@NL@%
Where Afric's sunny fountains%@NL@%
Roll down their golden sand.%@NL@%

%@NL@%Reginald Heber
%@NL@%Hymns.Missionary Hymn [1819],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Stanza 2 was dropped from the Hymnal in 1940.  %@EF@%
%@QR:Reginald Heber@%%@QR:Heber@%%@CR:N1783HEBR50     @%%@2@%Though every prospect pleases,%@NL@%%@EH@%
And only man is vile.%@NL@%

%@NL@%Reginald Heber
%@NL@%Hymns.Missionary Hymn [1819],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Reginald Heber@%%@QR:Heber@%%@CR:N1783HEBR60     @%%@2@%The heathen in his blindness%@NL@%%@EH@%
Bows down to wood and stone.%@NL@%

%@NL@%Reginald Heber
%@NL@%Hymns.Missionary Hymn [1819],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Reginald Heber@%%@QR:Heber@%%@CR:N1783HEBR70     @%%@2@%Holy, Holy, Holy! Lord God Almighty!%@NL@%%@EH@%
Early in the morning our song shall rise to Thee:%@NL@%
Holy, Holy, Holy! Merciful and Mighty!%@NL@%
God in Three Persons, Blessed Trinity.%@NL@%

%@NL@%Reginald Heber
%@NL@%Hymns.Holy, Holy, Holy! [1827]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Washington Irving%@AE@%%@EH@%
%@NL@%
%@AB@%1783-1859%@AE@%
%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW10     @%%@2@%   How convenient it would be to many of our great men and great families of%@EH@%
doubtful origin, could they have the privilege of the heroes of yore, who,
whenever their origin was involved in obscurity, modestly announced
themselves descended from a god.%@NL@%
%@NL@%
Washington Irving
%@NL@%Knickerbocker's History of New York [1809], bk.II, ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW20     @%%@2@%   His wife "ruled the roast," and in governing the governor, governed the%@EH@%
province, which might thus be said to be under petticoat government.%@NL@%
%@NL@%
Washington Irving
%@NL@%Knickerbocker's History of New York [1809], bk.IV, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW30     @%%@2@%   They claim to be the first inventors of those recondite beverages,%@EH@%
cocktail, stonefence, and sherry cobbler.%@NL@%
%@NL@%
Washington Irving
%@NL@%Knickerbocker's History of New York [1809], bk.IV, ch.241

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW40     @%%@2@%   There is in every true woman's heart a spark of heavenly fire, which lies%@EH@%
dormant in the broad daylight of prosperity; but which kindles up, and beams
and blazes in the dark hour of adversity.%@NL@%
%@NL@%
Washington Irving
%@NL@%The Sketch-Book [1819-1820].The Wife

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW50     @%%@2@%   Those men are most apt to be obsequious and conciliating abroad, who are%@EH@%
under the discipline of shrews at home.%@NL@%
%@NL@%
Washington Irving
%@NL@%%@FN@%
The theme of Irving's story derives from Diogenes Laertius, Epimenides [c.
200]. Epimenides was sent by his father into the field to look for a sheep;
he turned out of the road at midday and lay down in a certain cave and fell
asleep, and slept there fifty-seven years; and after that, when awake, he
went on looking for the sheep, thinking that he had been taking a short nap.
%@EF@%
The Sketch-Book [1819-1820].Rip Van Winkle

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW60     @%%@2@%   A sharp tongue is the only edge tool that grows keener with constant use.%@NL@%%@EH@%
%@NL@%
Washington Irving
%@NL@%The Sketch-Book [1819-1820].Rip Van Winkle

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW70     @%%@2@%   That happy age when a man can be idle with impunity.%@NL@%%@EH@%
%@NL@%
Washington Irving
%@NL@%The Sketch-Book [1819-1820].Rip Van Winkle

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW80     @%%@2@%   A woman's whole life is a history of the affections.%@NL@%%@EH@%
%@NL@%
Washington Irving
%@NL@%The Sketch-Book [1819-1820].The Broken Heart

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW90     @%%@2@%   Language gradually varies, and with it fade away the writings of authors%@EH@%
who have flourished their allotted time.%@NL@%
%@NL@%
Washington Irving
%@NL@%The Sketch-Book [1819-1820].The Mutabilities of Literature

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW100    @%%@2@%   There rise authors now and then, who seem proof against the mutability of%@EH@%
language, because they have rooted themselves in the unchanging principles
of human nature.%@NL@%
%@NL@%
Washington Irving
%@NL@%The Sketch-Book [1819-1820].The Mutabilities of Literature

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW110    @%%@2@%   His [the author's] renown has been purchased, not by deeds of violence%@EH@%
and blood, but by the diligent dispensation of pleasure.%@NL@%
%@NL@%
Washington Irving
%@NL@%The Sketch-Book [1819-1820].Westminster Abbey [The Poets' Corner]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW120    @%%@2@%   The sorrow for the dead is the only sorrow from which we refuse to be%@EH@%
divorced.%@NL@%
%@NL@%
Washington Irving
%@NL@%The Sketch-Book [1819-1820].Rural Funerals

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW130    @%%@2@%   Whenever a man's friends begin to compliment him about looking young, he%@EH@%
may be sure that they think he is growing old.%@NL@%
%@NL@%
Washington Irving
%@NL@%Bracebridge Hall [1822]. Bachelors

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW140    @%%@2@%   I am always at a loss to know how much to believe of my own stories.%@NL@%%@EH@%
%@NL@%
Washington Irving
%@NL@%Tales of a Traveler [1824]. To the Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Washington Irving@%%@QR:Irving@%%@CR:N1783IRVW150    @%%@2@%   The almighty dollar, 1  that great object of universal devotion%@EH@%
throughout our land, seems to have no genuine devotees in these peculiar
villages.%@NL@%
%@NL@%
Washington Irving
%@NL@%Wolfert's Roost [1855]. The Creole Village

%@NL@%%@AI@%1 See Jonson%@BO:          20b817@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Stendhal%@AE@%%@EH@%
%@NL@%Henri Beyle
%@AB@%1783-1842%@AE@%
%@NL@%%@NL@%

%@QR:Stendhal@%%@QR:Henri Beyle@%%@QR:Beyle@%%@CR:N1783STEN5      @%%@2@%   Almost all our misfortunes in life come from the wrong notions we have%@EH@%
about the things that happen to us. To know men thoroughly, to judge events
sanely is, therefore, a great step towards happiness.%@NL@%
%@NL@%
Stendhal
%@NL@%Journal [December 10, 1801]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stendhal@%%@QR:Henri Beyle@%%@QR:Beyle@%%@CR:N1783STEN10     @%%@2@%   I call "crystallization" that action of the mind that discovers fresh%@EH@%
perfections in its beloved at every turn of events.%@NL@%
%@NL@%
Stendhal
%@NL@%De l'Amour [1822],ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stendhal@%%@QR:Henri Beyle@%%@QR:Beyle@%%@CR:N1783STEN20     @%%@2@%   A wise woman never yields by appointment. It should always be an%@EH@%
unforeseen happiness.%@NL@%
%@NL@%
Stendhal
%@NL@%De l'Amour [1822],ch.60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stendhal@%%@QR:Henri Beyle@%%@QR:Beyle@%%@CR:N1783STEN30     @%%@2@%   One can acquire everything in solitude-except character.%@NL@%%@EH@%
%@NL@%
Stendhal
%@NL@%De l'Amour [1822],Fragments

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stendhal@%%@QR:Henri Beyle@%%@QR:Beyle@%%@CR:N1783STEN40     @%%@2@%   Prudery is a kind of avarice, the worst of all.%@NL@%%@EH@%
%@NL@%
Stendhal
%@NL@%De l'Amour [1822],Fragments

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stendhal@%%@QR:Henri Beyle@%%@QR:Beyle@%%@CR:N1783STEN50     @%%@2@%   In matters of sentiment, the public has very crude ideas; and the most%@EH@%
shocking fault of women is that they make the public the supreme judge of
their lives.%@NL@%
%@NL@%
Stendhal
%@NL@%De l'Amour [1822],Fragments

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stendhal@%%@QR:Henri Beyle@%%@QR:Beyle@%%@CR:N1783STEN55     @%%@2@%   A novel is a mirror that strolls along a highway. Now it reflects the%@EH@%
blue of the skies, now the mud puddles underfoot.%@NL@%
%@NL@%
Stendhal
%@NL@%%@FN@%
Translated by Norbert Guterman.  %@EF@%
Le Rouge et le Noir (The Red and the Black)
[1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stendhal@%%@QR:Henri Beyle@%%@QR:Beyle@%%@CR:N1783STEN60     @%%@2@%   There is no such thing as "natural law": this expression is nothing but%@EH@%
old nonsense. Prior to laws, what is natural is only the strength of the
lion, or the need of the creature suffering from hunger or cold, in short,
need.%@NL@%
%@NL@%
Stendhal
%@NL@%Le Rouge et le Noir (The Red and the Black)
[1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stendhal@%%@QR:Henri Beyle@%%@QR:Beyle@%%@CR:N1783STEN70     @%%@2@%   I see but one rule: to be clear. If I am not clear, all my world crumbles%@EH@%
to nothing.%@NL@%
%@NL@%
Stendhal
%@NL@%%@FN@%
In reference to La Chartreuse de Parme [1839].  %@EF@%
Reply to Balzac [October 30, 1840]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stendhal@%%@QR:Henri Beyle@%%@QR:Beyle@%%@CR:N1783STEN80     @%%@2@%   Wit lasts no more than two centuries.%@NL@%%@EH@%
%@NL@%
Stendhal
%@NL@%Reply to Balzac [October 30, 1840]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stendhal@%%@QR:Henri Beyle@%%@QR:Beyle@%%@CR:N1783STEN90     @%%@2@%   It is the nobility of their style which will make our writers of 1840%@EH@%
unreadable forty years from now.%@NL@%
%@NL@%
Stendhal
%@NL@%Manuscript note [1840]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stendhal@%%@QR:Henri Beyle@%%@QR:Beyle@%%@CR:N1783STEN100    @%%@2@%   Love has always been the most important business in my life, I should say%@EH@%
the only one.%@NL@%
%@NL@%
Stendhal
%@NL@%La Vie d'Henri Brulard [1890]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Allan Cunningham%@AE@%%@EH@%
%@NL@%
%@AB@%1784-1842%@AE@%
%@NL@%%@NL@%

%@QR:Allan Cunningham@%%@QR:Cunningham@%%@CR:N1784CUNA10     @%%@2@%A wet sheet and a flowing sea,%@NL@%%@EH@%
A wind that follows fast,%@NL@%
And fills the white and rustling sail,%@NL@%
And bends the gallant mast.%@NL@%

%@NL@%Allan Cunningham
%@NL@%The Songs of Scotland [1825].A Wet Sheet and a Flowing Sea,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Allan Cunningham@%%@QR:Cunningham@%%@CR:N1784CUNA20     @%%@2@%The hollow oak our palace is,%@NL@%%@EH@%
Our heritage the sea.%@NL@%

%@NL@%Allan Cunningham
%@NL@%The Songs of Scotland [1825].A Wet Sheet and a Flowing Sea,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Allan Cunningham@%%@QR:Cunningham@%%@CR:N1784CUNA30     @%%@2@%It's hame and it's hame, hame fain wad I be-%@NL@%%@EH@%
O, hame, hame, hame to my ain countree!%@NL@%

%@NL@%Allan Cunningham
%@NL@%The Songs of Scotland [1825].It's Hame and It's Hame, refrain

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Leigh Hunt%@AE@%%@EH@%
%@NL@%
%@AB@%1784-1859%@AE@%
%@NL@%%@NL@%

%@FN@%
For this reference to the Prince Regent, Hunt was imprisoned. But he was
allowed to redecorate the walls of his prison with a trellis of roses, had
his family with him, and visitors were freely admitted; Byron, indeed, gave
a dinner party in his honor at the jail.  %@EF@%
%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL10     @%%@2@%   This Adonis in loveliness was a corpulent man of fifty.%@NL@%%@EH@%
%@NL@%
Leigh Hunt
%@NL@%The Examiner [March 22, 1812]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL20     @%%@2@%Where the light woods go seaward from the town.%@NL@%%@EH@%

%@NL@%Leigh Hunt
%@NL@%The Story of Rimini [1816], cantoI, l. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL30     @%%@2@%But most he loved a happy human face.%@NL@%%@EH@%

%@NL@%Leigh Hunt
%@NL@%The Story of Rimini [1816], cantoIII,l. 110

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL40     @%%@2@%The world was all forgot, the struggle o'er,%@NL@%%@EH@%
Desperate the joy.-That day they read no more. 1 %@NL@%

%@NL@%Leigh Hunt
%@NL@%The Story of Rimini [1816], cantoIII,l. 607

%@NL@%%@AI@%1 See Dante%@BO:          116c06@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL50     @%%@2@%Green little vaulter in the sunny grass.%@NL@%%@EH@%

%@NL@%Leigh Hunt
%@NL@%To the Grasshopper and the Cricket [1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL60     @%%@2@%Abou Ben Adhem (may his tribe increase!)%@NL@%%@EH@%
Awoke one night from a deep dream of peace.%@NL@%

%@NL@%Leigh Hunt
%@NL@%Abou Ben Adhem [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL70     @%%@2@%An angel writing in a book of gold.%@NL@%%@EH@%

%@NL@%Leigh Hunt
%@NL@%Abou Ben Adhem [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL80     @%%@2@%Write me as one that loves his fellow men.%@NL@%%@EH@%

%@NL@%Leigh Hunt
%@NL@%Abou Ben Adhem [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL90     @%%@2@%And showed the names whom love of God had blessed,%@NL@%%@EH@%
And lo! Ben Adhem's name led all the rest.%@NL@%

%@NL@%Leigh Hunt
%@NL@%Abou Ben Adhem [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Jenny was Jane Welsh Carlyle, who kissed Hunt when he brought Carlyle good
news.  %@EF@%
%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL100    @%%@2@%Jenny kissed me when we met,%@NL@%%@EH@%
Jumping from the chair she sat in;%@NL@%
Time, you thief, who love to get%@NL@%
Sweets into your list, put that in:%@NL@%
Say I'm weary, say I'm sad,%@NL@%
Say that health and wealth have missed me,%@NL@%
Say I'm growing old, but add,%@NL@%
Jenny kissed me.%@NL@%

%@NL@%Leigh Hunt
%@NL@%Rondeau [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL110    @%%@2@%A Venus grown fat!%@NL@%%@EH@%

%@NL@%Leigh Hunt
%@NL@%Blue-Stocking Revels

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL120    @%%@2@%"No love," quoth he, "but vanity, sets love a task like that."%@NL@%%@EH@%

%@NL@%Leigh Hunt
%@NL@%%@FN@%
Schiller wrote a poem on the same theme, and Browning's The Glove [1845] is
a later version of the familiar legend.  %@EF@%
The Glove and the Lions, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leigh Hunt@%%@QR:Hunt@%%@CR:N1784HUNL130    @%%@2@%   A pleasure so exquisite as almost to amount to pain.%@NL@%%@EH@%
%@NL@%
Leigh Hunt
%@NL@%Letter to Alexander Ireland [June 2, 1848]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry John Temple , Viscount Palmerston%@AE@%%@EH@%
%@NL@%
%@AB@%1784-1865%@AE@%
%@NL@%%@NL@%

%@QR:Henry John Temple , Viscount Palmerston@%%@CR:N1784PALH10     @%%@2@%   We have no eternal allies and we have no perpetual enemies. Our interests%@EH@%
are eternal and perpetual, and these interests it is our duty to follow.%@NL@%
%@NL@%
Henry John Temple , Viscount Palmerston
%@NL@%Speech on the Polish Question in the House of Commons [1848]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Zachary Taylor%@AE@%%@EH@%
%@NL@%
%@AB@%1784-1850%@AE@%
%@NL@%%@NL@%

%@QR:Zachary Taylor@%%@QR:Taylor@%%@CR:N1784TAYZ10     @%%@2@%   Hurrah for Old Kentuck! That's the way to do it. Give 'em hell, damn 'em.%@NL@%%@EH@%
%@NL@%
Zachary Taylor
%@NL@%Shouted to the 2nd Kentucky Regiment on seeing them rally
in battle [Buena Vista, Mexico, February 23, 1847]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Zachary Taylor@%%@QR:Taylor@%%@CR:N1784TAYZ20     @%%@2@%   A little more grape, Captain Bragg.%@NL@%%@EH@%
%@NL@%
Zachary Taylor
%@NL@%Attributed [Ib.]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Zachary Taylor@%%@QR:Taylor@%%@CR:N1784TAYZ30     @%%@2@%   Tell him to go to hell.%@NL@%%@EH@%
%@NL@%
Zachary Taylor
%@NL@%Reply to Santa Anna's demand for surrender [Ib.]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas De Quincey%@AE@%%@EH@%
%@NL@%
%@AB@%1785-1859%@AE@%
%@NL@%%@NL@%

%@QR:Thomas De Quincey@%%@QR:De Quincey@%%@CR:N1785DEQT10     @%%@2@%   The burden of the incommunicable.%@NL@%%@EH@%
%@NL@%
Thomas De Quincey
%@NL@%Confessions of an English OpiumEater [1822-1856], pt.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas De Quincey@%%@QR:De Quincey@%%@CR:N1785DEQT20     @%%@2@%   Call for the grandest of all earthly spectacles, what is that? It is the%@EH@%
sun going to his rest. Call for the grandest of all human sentiments, what
is that? It is that man should forget his anger before he lies down to
sleep. 1 %@NL@%
%@NL@%
Thomas De Quincey
%@NL@%Confessions of an English OpiumEater [1822-1856], pt.I

%@NL@%%@AI@%1 See Ephesians 4:26%@BO:           6f1b8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas De Quincey@%%@QR:De Quincey@%%@CR:N1785DEQT30     @%%@2@%   So, then, Oxford Street, stonyhearted stepmother, thou that listenest to%@EH@%
the sighs of orphans, and drinkest the tears of children, at length I was
dismissed from thee.%@NL@%
%@NL@%
Thomas De Quincey
%@NL@%Confessions of an English OpiumEater [1822-1856], pt.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas De Quincey@%%@QR:De Quincey@%%@CR:N1785DEQT40     @%%@2@%   Everlasting farewells! and again, and yet again reverberated-everlasting%@EH@%
farewells!%@NL@%
%@NL@%
Thomas De Quincey
%@NL@%Confessions of an English OpiumEater [1822-1856], pt.III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas De Quincey@%%@QR:De Quincey@%%@CR:N1785DEQT50     @%%@2@%   Dyspepsy is the ruin of most things: empires, expeditions, and everything%@EH@%
else.%@NL@%
%@NL@%
Thomas De Quincey
%@NL@%Letter to Hessey [1823]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas De Quincey@%%@QR:De Quincey@%%@CR:N1785DEQT60     @%%@2@%   If once a man indulges himself in murder, very soon he comes to think%@EH@%
little of robbing; and from robbing he comes next to drinking and
Sabbath-breaking, and from that to incivility and procrastination.%@NL@%
%@NL@%
Thomas De Quincey
%@NL@%Murder Considered as One of the Fine Arts [1827]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lady Caroline Lamb%@AE@%%@EH@%
%@NL@%
%@AB@%1785-1828%@AE@%
%@NL@%%@NL@%

%@QR:Lady Caroline Lamb@%%@QR:Lamb@%%@CR:N1785LAMC10     @%%@2@%   [Of Byron] Mad, bad, and dangerous to know.%@NL@%%@EH@%
%@NL@%
Lady Caroline Lamb
%@NL@%Journal [March 1812]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Love Peacock%@AE@%%@EH@%
%@NL@%
%@AB@%1785-1866%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Love Peacock@%%@QR:Peacock@%%@CR:N1785PEAT10     @%%@2@%Not drunk is he who from the floor%@NL@%%@EH@%
Can rise alone and still drink more;%@NL@%
But drunk is he who prostrate lies,%@NL@%
Without the power to drink or rise.%@NL@%

%@NL@%Thomas Love Peacock
%@NL@%The Misfortunes of Elphin [1829], ch.3, heading
(translated from the Welsh)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Love Peacock@%%@QR:Peacock@%%@CR:N1785PEAT20     @%%@2@%The mountain sheep are sweeter,%@NL@%%@EH@%
But the valley sheep are fatter;%@NL@%
We therefore deemed it meeter%@NL@%
To carry off the latter.%@NL@%

%@NL@%Thomas Love Peacock
%@NL@%The Misfortunes of Elphin [1829], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Love Peacock@%%@QR:Peacock@%%@CR:N1785PEAT30     @%%@2@%   Ancient sculpture is the true school of modesty. But where the Greeks had%@EH@%
modesty, we have cant; where they had poetry, we have cant; where they had
patriotism, we have cant; where they had anything that exalts, delights, or
adorns humanity, we have nothing but cant, cant, cant.%@NL@%
%@NL@%
Thomas Love Peacock
%@NL@%Crotchet Castle [1831], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Love Peacock@%%@QR:Peacock@%%@CR:N1785PEAT40     @%%@2@%   A book that furnishes no quotations is, me judice, no book-it is a%@EH@%
plaything.%@NL@%
%@NL@%
Thomas Love Peacock
%@NL@%Crotchet Castle [1831], ch.9

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Oliver Hazard Perry%@AE@%%@EH@%
%@NL@%
%@AB@%1785-1819%@AE@%
%@NL@%%@NL@%

%@FN@%
We have met the enemy, and he is us.-Walt Kelly [1913-1973], Pogo  %@EF@%
%@QR:Oliver Hazard Perry@%%@QR:Perry@%%@CR:N1785PERO10     @%%@2@%   We have met the enemy, and they are ours.%@NL@%%@EH@%
%@NL@%
Oliver Hazard Perry
%@NL@%Dispatch from U.S. brig Niagara to General William Henry Harrison,
announcing his victory at the battle of Lake Erie [September 10, 1813]

%@NL@%
%@NL@%
%@NL@%
%@1@%%@AB@%Samuel Woodworth%@AE@%%@EH@%
%@NL@%
%@AB@%1785-1842%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Woodworth@%%@QR:Woodworth@%%@CR:N1785WOOS10     @%%@2@%How dear to this heart are the scenes of my childhood,%@NL@%%@EH@%
When fond recollection presents them to view!%@NL@%

%@NL@%Samuel Woodworth
%@NL@%The Old Oaken Bucket

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Woodworth@%%@QR:Woodworth@%%@CR:N1785WOOS20     @%%@2@%The old oaken bucket, the iron-bound bucket,%@NL@%%@EH@%
The moss-covered bucket which hung in the well.%@NL@%

%@NL@%Samuel Woodworth
%@NL@%The Old Oaken Bucket

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Woodworth@%%@QR:Woodworth@%%@CR:N1785WOOS30     @%%@2@%Pickaxe, shovel, spade, crowbar, hoe, and barrow,%@NL@%%@EH@%
Better not invade, Yankees have the marrow.%@NL@%

%@NL@%Samuel Woodworth
%@NL@%The Patriotic Diggers [1814], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%David Crockett%@AE@%%@EH@%
%@NL@%
%@AB@%1786-1836%@AE@%
%@NL@%%@NL@%

%@FN@%
Crockett's motto in the War of 1812.  %@EF@%
%@QR:David Crockett@%%@QR:Crockett@%%@CR:N1786CROD10     @%%@2@%I leave this rule for others when I'm dead,%@NL@%%@EH@%
Be always sure you're right-then go ahead.%@NL@%

%@NL@%David Crockett
%@NL@%Autobiography [1834]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The expression "gone coon" was current during the Revolutionary War,
originating in the plea of a spy, dressed in raccoon skins, to his
discoverer, an English rifleman.-Century Cyclopedia of Names  %@EF@%
%@QR:David Crockett@%%@QR:Crockett@%%@CR:N1786CROD20     @%%@2@%   Don't shoot, Colonel, I'll come down: I know I'm a gone coon.%@NL@%%@EH@%
%@NL@%
David Crockett
%@NL@%Story told by Crockett of a treed raccoon

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Learned Marcy%@AE@%%@EH@%
%@NL@%
%@AB@%1786-1857%@AE@%
%@NL@%%@NL@%

%@QR:William Learned Marcy@%%@QR:Marcy@%%@CR:N1786MARW10     @%%@2@%   They see nothing wrong in the rule that to the victor belong the spoils%@EH@%
of the enemy.%@NL@%
%@NL@%
William Learned Marcy
%@NL@%Speech in the Senate [January 1832]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Winfield Scott%@AE@%%@EH@%
%@NL@%
%@AB@%1786-1866%@AE@%
%@FN@%
Known as "Old Fuss 'n Feathers" by his troops during the Black Hawk War
[1832].  %@EF@%
%@NL@%%@NL@%

%@QR:Winfield Scott@%%@QR:Scott@%%@CR:N1786SCOW10     @%%@2@%   The enemy say that Americans are good at a long shot, but cannot stand%@EH@%
the cold iron. I call upon you instantly to give a lie to the slander.
Charge!%@NL@%
%@NL@%
Winfield Scott
%@NL@%Address to the 11th Infantry Regiment [Chippewa, Canada, June 5, 1814]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Winfield Scott@%%@QR:Scott@%%@CR:N1786SCOW20     @%%@2@%   Say to the seceded States, "Wayward sisters, depart in peace."%@NL@%%@EH@%
%@NL@%
Winfield Scott
%@NL@%Letter to W. H. Seward [March 3, 1861]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Seattle%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1786-1866%@AE@%
%@FN@%
Chief of the Dwamish and allied tribes of Puget Sound. The city of Seattle
was named for him.  %@EF@%
%@NL@%%@NL@%

%@QR:Seattle@%%@CR:N1786SEAT10     @%%@2@%   My people are few. They resemble the scattering trees of a storm-swept%@EH@%
plain. . . . There was a time when our people covered the land as the waves
of a wind-ruffled sea cover its shell-paved floor, but that time long since
passed away with the greatness of tribes that are now but a mournful memory.%@NL@%
%@NL@%
Seattle
%@NL@%Statement on surrendering tribal lands on site of Seattle to
Isaac Stevens, governor of Washington Territory [1855]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Seattle@%%@CR:N1786SEAT15     @%%@2@%   What is man without the beasts? If all the beasts were gone, men would%@EH@%
die from great loneliness of spirit, for whatever happens to the beasts also
happens to the man.%@NL@%
%@NL@%
Seattle
%@NL@%Statement on surrendering tribal lands on site of Seattle to
Isaac Stevens, governor of Washington Territory [1855]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Seattle@%%@CR:N1786SEAT20     @%%@2@%   At night when the streets of your cities and villages are silent and you%@EH@%
think them deserted, they will throng with the returning hosts that once
filled them and still love this beautiful land. The white man will never be
alone.%@NL@%
%@NL@%
Seattle
%@NL@%Statement on surrendering tribal lands on site of Seattle to
Isaac Stevens, governor of Washington Territory [1855]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Barry Cornwall%@AE@%%@EH@%
%@NL@%Bryan Waller Procter
%@AB@%1787-1874%@AE@%
%@NL@%%@NL@%

%@QR:Barry Cornwall@%%@QR:Cornwall@%%@QR:Bryan Waller Procter@%%@QR:Procter@%%@CR:N1787CORB10     @%%@2@%The sea! the sea! the open sea!%@NL@%%@EH@%
The blue, the fresh, the ever free.%@NL@%

%@NL@%Barry Cornwall
%@NL@%The Sea, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francois Guizot%@AE@%%@EH@%
%@NL@%
%@AB@%1787-1874%@AE@%
%@NL@%%@NL@%

%@FN@%
Enrichissez-vous!  %@EF@%
%@QR:Francois Guizot@%%@QR:Guizot@%%@CR:N1787GUIF10     @%%@2@%   Enrich yourselves!%@NL@%%@EH@%
%@NL@%
Francois Guizot
%@NL@%Speech [March 1, 1843]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Emma Willard%@AE@%%@EH@%
%@NL@%
%@AB@%1787-1870%@AE@%
%@NL@%%@NL@%

%@QR:Emma Willard@%%@QR:Willard@%%@CR:N1787WILE10     @%%@2@%Rocked in the cradle of the deep.%@NL@%%@EH@%

%@NL@%Emma Willard
%@NL@%The Cradle of the Deep [1831]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Noel Gordon, Lord Byron%@AE@%%@EH@%
%@NL@%
%@AB@%1788-1824%@AE@%
%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG10     @%%@2@%"Friendship is Love without his wings!"%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%%@FN@%
A French proverb.  %@EF@%
L'Amitie Est l'Amour sans Ailes
[written 1806]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG20     @%%@2@%I only know we loved in vain;%@NL@%%@EH@%
I only feel-farewell! farewell!%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Farewell! If Ever Fondest Prayer [1808], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG30     @%%@2@%When we two parted%@NL@%%@EH@%
In silence and tears,%@NL@%
Half brokenhearted,%@NL@%
To sever for years.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%When We Two Parted [1808], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG40     @%%@2@%   Near this spot are deposited the remains of one who possessed beauty%@EH@%
without vanity, strength without insolence, courage without ferocity, and
all the virtues of Man, without his vices. This praise, which would be
unmeaning flattery if inscribed over human ashes, is but a just tribute to
the memory of Boatswain, a dog.%@NL@%
%@NL@%
George Noel Gordon, Lord Byron
%@NL@%Inscription on the monument of a Newfoundland dog [1808]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG50     @%%@2@%The poor dog, in life the firmest friend,%@NL@%%@EH@%
The first to welcome, foremost to defend. 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Inscription on the monument of a Newfoundland dog [1808]

%@NL@%%@AI@%1 See Vest%@BO:          488227@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG60     @%%@2@%I'll publish right or wrong:%@NL@%%@EH@%
Fools are my theme, let satire be my song.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%English Bards and Scotch Reviewers [1809],l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG70     @%%@2@%'Tis pleasant, sure, to see one's name in print;%@NL@%%@EH@%
A book's a book, although there's nothing in 't.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%English Bards and Scotch Reviewers [1809],l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG80     @%%@2@%A man must serve his time to every trade%@NL@%%@EH@%
Save censure-critics all are ready-made.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%English Bards and Scotch Reviewers [1809],l. 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG90     @%%@2@%With just enough of learning to misquote.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%English Bards and Scotch Reviewers [1809],l. 66

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG100    @%%@2@%As soon%@NL@%%@EH@%
Seek roses in December, ice in June;%@NL@%
Hope constancy in wind, or corn in chaff;%@NL@%
Believe a woman or an epitaph,%@NL@%
Or any other thing that's false, before%@NL@%
You trust in critics.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%English Bards and Scotch Reviewers [1809],l. 75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG110    @%%@2@%Better to err with Pope, than shine with Pye.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%English Bards and Scotch Reviewers [1809],l. 102

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG120    @%%@2@%'Twas thine own genius gave the final blow,%@NL@%%@EH@%
And helped to plant the wound that laid thee low:%@NL@%
So the struck eagle, stretched upon the plain,%@NL@%
No more through rolling clouds to soar again,%@NL@%
Viewed his own feather on the fatal dart,%@NL@%
And winged the shaft that quivered in his heart. 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%English Bards and Scotch Reviewers [1809],l. 826

%@NL@%%@AI@%1 See Aesop%@CF:B575AESO370     @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Crabbe.  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG130    @%%@2@%Though Nature's sternest painter, yet the best.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%English Bards and Scotch Reviewers [1809],l. 839

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG140    @%%@2@%Maid of Athens, ere we part,%@NL@%%@EH@%
Give, oh give me back my heart!%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Maid of Athens [1810], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG150    @%%@2@%Vexed with mirth the drowsy ear of night.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto I [1812],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG160    @%%@2@%Had sighed to many, though he loved but one.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto I [1812],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG170    @%%@2@%Maidens, like moths, are ever caught by glare,%@NL@%%@EH@%
And Mammon wins his way where seraphs might despair.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto I [1812],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG180    @%%@2@%Might shake the saintship of an anchorite.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto I [1812],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG190    @%%@2@%My native land, good night!%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto I [1812],st. 13 (song)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG195    @%%@2@%Still from the fount of joy's delicious springs%@NL@%%@EH@%
Some bitter o'er the flowers its bubbling venom flings. 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto I [1812],st. 82

%@NL@%%@AI@%1 See Lucretius%@BO:           cc689@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
War even to the knife!-Jose de Palafox y Melzi [1775-1847]  Palafox,
governor of Saragossa, had been summoned by the besieging French to
surrender the city [1808].  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG200    @%%@2@%War, war is still the cry, "War even to the knife!"%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto I [1812],st. 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG220    @%%@2@%Gone-glimmering through the dream of things that were.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto II [1812],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG230    @%%@2@%A schoolboy's tale, the wonder of an an hour!%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto II [1812],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG240    @%%@2@%The dome of thought, the palace of the soul. 1 %@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto II [1812],st. 6

%@NL@%%@AI@%1 See Waller%@BO:          23194e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG250    @%%@2@%Fair Greece! sad relic of departed worth!%@NL@%%@EH@%
Immortal, though no more; though fallen, great!%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto II [1812],st. 73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG255    @%%@2@%Who would be free themselves must strike the blow.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto II [1812],st. 76

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG260    @%%@2@%Where'er we tread 'tis haunted, holy ground.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto II [1812],st. 88

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG270    @%%@2@%What is the worst of woes that wait on age?%@NL@%%@EH@%
What stamps the wrinkle deeper on the brow?%@NL@%
To view each loved one blotted from life's page,%@NL@%
And be alone on earth, as I am now.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto II [1812],st. 98

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG280    @%%@2@%Once more upon the waters, yet once more!%@NL@%%@EH@%
And the waves bound beneath me as a steed%@NL@%
That knows his rider!%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG290    @%%@2@%Years steal%@NL@%%@EH@%
Fire from the mind as vigor from the limb;%@NL@%
And life's enchanted cup but sparkles near the brim.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG300    @%%@2@%And Harold stands upon this place of skulls.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG310    @%%@2@%There was a sound of revelry by night,%@NL@%%@EH@%
And Belgium's capital had gathered then%@NL@%
Her beauty and her chivalry, and bright%@NL@%
The lamps shone o'er fair women and brave men.%@NL@%
A thousand hearts beat happily; and when%@NL@%
Music arose with its voluptuous swell,%@NL@%
Soft eyes looked love to eyes which spake again,  %@NL@%
And all went merry as a marriage bell.%@NL@%
But hush! hark! a deep sound strikes like a rising knell!%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG320    @%%@2@%Did ye not hear it?-No! 'twas but the wind,%@NL@%%@EH@%
Or the car rattling o'er the stony street.%@NL@%
On with the dance! let joy be unconfined;%@NL@%
No sleep till morn, when Youth and Pleasure meet%@NL@%
To chase the glowing hours with flying feet.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG330    @%%@2@%Arm! Arm! it is-it is-the cannon's opening roar!%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG340    @%%@2@%And there was mounting in hot haste.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG350    @%%@2@%Or whispering, with white lips, "The foe. They come! they come!"%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG360    @%%@2@%Battle's magnificently stern array!%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG370    @%%@2@%Like to the apples on the Dead Sea's shore,%@NL@%%@EH@%
All ashes to the taste. 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 34

%@NL@%%@AI@%1 See Thomas Moore%@BO:          367e98@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This was the passage Sir Winston Churchill quoted to President Franklin D.
Roosevelt when both agreed to substitute the term United Nations for
Associated Powers in the pact that the two leaders wished all the free
nations to sign. [In a conference at the White House, December 1941.]  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG380    @%%@2@%Thou fatal Waterloo.%@NL@%%@EH@%
Millions of tongues record thee, and anew%@NL@%
Their children's lips shall echo them, and say-%@NL@%
"Here, where the sword united nations drew,%@NL@%
Our countrymen were warring on that day!"%@NL@%
And this is much, and all which will not pass away.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG390    @%%@2@%He who ascends to mountaintops, shall find%@NL@%%@EH@%
The loftiest peaks most wrapt in clouds and snow;%@NL@%
He who surpasses or subdues mankind%@NL@%
Must look down on the hate of those below.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG400    @%%@2@%All tenantless, save to the crannying wind.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG410    @%%@2@%History's purchased page to call them great.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG420    @%%@2@%The castled crag of Drachenfels%@NL@%%@EH@%
Frowns o'er the wide and winding Rhine.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG430    @%%@2@%To fly from, need not be to hate, mankind.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG440    @%%@2@%By the blue rushing of the arrowy Rhone.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I am a part of all that I have met.-Tennyson, Ulysses [1842]  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG450    @%%@2@%I live not in myself, but I become%@NL@%%@EH@%
Portion of that around me: and to me%@NL@%
High mountains are a feeling, but the hum%@NL@%
Of human cities torture.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG480    @%%@2@%Sapping a solemn creed with solemn sneer.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG490    @%%@2@%Fame is the thirst of youth.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG500    @%%@2@%I have not loved the world, nor the world me; 1  2 %@NL@%%@EH@%
I have not flattered its rank breath, nor bowed%@NL@%
To its idolatries a patient knee.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 113

%@NL@%%@AI@%1 See Johnson%@BO:          2c7902@%%@AE@%
%@AI@%2 See Emerson%@BO:          3b956c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG510    @%%@2@%I stood%@NL@%%@EH@%
Among them, but not of them; in a shroud%@NL@%
Of thoughts which were not their thoughts.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto III [1816],st. 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG520    @%%@2@%I stood in Venice on the Bridge of Sighs,%@NL@%%@EH@%
A palace and a prison on each hand.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG530    @%%@2@%Where Venice sate in state, throned on her hundred isles.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG540    @%%@2@%She looks a sea Cybele, fresh from ocean,%@NL@%%@EH@%
Rising with her tiara of proud towers%@NL@%
At airy distance, with majestic motion,%@NL@%
A ruler of the waters and their powers.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG550    @%%@2@%'Tis solitude should teach us how to die;%@NL@%%@EH@%
It hath no flatterers; vanity can give%@NL@%
No hollow aid; alone-man with his God must strive.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sir Walter Scott.  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG560    @%%@2@%The Ariosto of the North.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Based on the famous sonnet of Vincenzo da Filicaja [1642-1707]: Italia,
Italia! O tu cui feo la sorte.  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG570    @%%@2@%Italia! O Italia! thou who hast%@NL@%%@EH@%
The fatal gift of beauty.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG590    @%%@2@%Let these describe the undescribable.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG600    @%%@2@%The starry Galileo, with his woes.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG610    @%%@2@%The poetry of speech.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 58

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG620    @%%@2@%Then farewell, Horace; whom I hated so,%@NL@%%@EH@%
Not for thy faults, but mine.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG630    @%%@2@%O Rome! my country! city of the soul!%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG640    @%%@2@%The Niobe of nations! there she stands,%@NL@%%@EH@%
Childless and crownless, in her voiceless woe.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG650    @%%@2@%Yet, Freedom! yet thy banner, torn, but flying,%@NL@%%@EH@%
Streams like the thunderstorm against the wind.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 98

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG660    @%%@2@%Alas! our young affections run to waste,%@NL@%%@EH@%
Or water but the desert.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 120

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG670    @%%@2@%Of its own beauty is the mind diseased.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 122

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG680    @%%@2@%Time, the avenger! unto thee I lift%@NL@%%@EH@%
My hands, and eyes, and heart, and crave of thee a gift.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 130

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG690    @%%@2@%Butchered to make a Roman holiday!%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The saying of the ancient pilgrims, quoted from Bede by Gibbon in The
Decline and Fall of the Roman Empire [1781], ch. 71.  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG700    @%%@2@%"While stands the Coliseum, Rome shall stand;%@NL@%%@EH@%
When falls the Coliseum, Rome shall fall;%@NL@%
And when Rome falls-the world."%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 145

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG710    @%%@2@%Oh! that the desert were my dwelling place. 1  2 %@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 177

%@NL@%%@AI@%1 See Jeremiah 9:2%@BO:           4197d@%%@AE@%
%@AI@%2 See Cowper%@BO:          2eb20b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG720    @%%@2@%There is a pleasure in the pathless woods,%@NL@%%@EH@%
There is a rapture on the lonely shore,%@NL@%
There is society, where none intrudes,%@NL@%
By the deep sea, and music in its roar:%@NL@%
I love not man the less, but Nature more.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 178

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG730    @%%@2@%Roll on, thou deep and dark blue ocean-roll!%@NL@%%@EH@%
Ten thousand fleets sweep over thee in vain;%@NL@%
Man marks the earth with ruin-his control%@NL@%
Stops with the shore.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 179

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG740    @%%@2@%He sinks into thy depths with bubbling groan,%@NL@%%@EH@%
Without a grave, unknelled, uncoffined, and unknown. 1  2  3  4  5  6 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 179

%@NL@%%@AI@%1 See Homer%@BO:           83788@%%@AE@%
%@AI@%2 See Horace%@BO:           dbc74@%%@AE@%
%@AI@%3 See Chaucer%@BO:          11dbf8@%%@AE@%
%@AI@%4 See Shakespeare%@BO:          1bd63c@%%@AE@%
%@AI@%5 See Milton%@BO:          2400f1@%%@AE@%
%@AI@%6 See Scott%@BO:          348306@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG750    @%%@2@%Time writes no wrinkle on thine azure brow-%@NL@%%@EH@%
Such as creation's dawn beheld, thou rollest now.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 182

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG760    @%%@2@%Thou glorious mirror, where the Almighty's form%@NL@%%@EH@%
Glasses itself in tempests.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 183

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG770    @%%@2@%Dark-heaving-boundless, endless, and sublime-%@NL@%%@EH@%
The image of Eternity.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 183

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG780    @%%@2@%And I have loved thee, Ocean! and my joy%@NL@%%@EH@%
Of youthful sports was on thy breast to be%@NL@%
Borne, like thy bubbles, onward: from a boy%@NL@%
I wantoned with thy breakers.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 184

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG790    @%%@2@%And trusted to thy billows far and near,%@NL@%%@EH@%
And laid my hand upon thy mane-as I do here.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Childe Harold's Pilgrimage,canto IV [1818],st. 184

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG800    @%%@2@%   I awoke one morning and found myself famous.%@NL@%%@EH@%
%@NL@%
George Noel Gordon, Lord Byron
%@NL@%Entry in Memoranda after publication of first two cantos of
Childe Harold's Pilgrimage. From Thomas Moore,
Life of Byron [1830], ch. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG810    @%%@2@%Clime of the unforgotten brave!%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Giaour [1813],l. 103

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG820    @%%@2@%And lovelier things have mercy shown%@NL@%%@EH@%
To every failing but their own;%@NL@%
And every woe a tear can claim,%@NL@%
Except an erring sister's shame.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Giaour [1813],l. 418

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG830    @%%@2@%I die-but first I have possessed,%@NL@%%@EH@%
And come what may, I have been blessed.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Giaour [1813],l. 1114

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG840    @%%@2@%Know ye the land where the cypress and myrtle%@NL@%%@EH@%
Are emblems of deeds that are done in their clime? 1 %@NL@%
Where the rage of the vulture, the love of the turtle,%@NL@%
Now melt into sorrow, now madden to crime.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Bride of Abydos [1813],canto I, st. 1

%@NL@%%@AI@%1 See Goethe%@BO:          309728@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG850    @%%@2@%Where the virgins are soft as the roses they twine,%@NL@%%@EH@%
And all, save the spirit of man, is divine?%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Bride of Abydos [1813],canto I, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG860    @%%@2@%Mark! where his carnage and his conquests cease!%@NL@%%@EH@%
He makes a solitude, and calls it-peace! 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Bride of Abydos [1813],canto II, st. 20

%@NL@%%@AI@%1 See Tacitus%@BO:           f8669@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG870    @%%@2@%   The fatal facility of the octosyllabic verse.%@NL@%%@EH@%
%@NL@%
George Noel Gordon, Lord Byron
%@NL@%The Corsair [1814].Dedication

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG880    @%%@2@%Such hath it been-shall be-beneath the sun%@NL@%%@EH@%
The many still must labor for the one.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Corsair [1814].canto I, st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG890    @%%@2@%He left a corsair's name to other times,%@NL@%%@EH@%
Linked with one virtue, and a thousand crimes.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Corsair [1814].canto III, st. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG900    @%%@2@%The Cincinnatus of the West,%@NL@%%@EH@%
Whom envy dared not hate,%@NL@%
Bequeathed the name of Washington%@NL@%
To make man blush there was but one! 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Ode to Napoleon Bonaparte [1814], II

%@NL@%%@AI@%1 See The Age of Bronze%@BO:          383553@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG910    @%%@2@%Lord of himself-that heritage of woe.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Lara [1814], canto I, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG920    @%%@2@%She walks in beauty, like the night%@NL@%%@EH@%
Of cloudless climes and starry skies;%@NL@%
And all that's best of dark and bright%@NL@%
Meet in her aspect and her eyes:%@NL@%
Thus mellowed to that tender light%@NL@%
Which heaven to gaudy day denies.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Hebrew Melodies [1815].She Walks in Beauty, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG930    @%%@2@%The Assyrian came down like the wolf on the fold,%@NL@%%@EH@%
And his cohorts were gleaming in purple and gold;%@NL@%
And the sheen of their spears was like stars on the sea,%@NL@%
When the blue wave rolls nightly on deep Galilee.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Hebrew Melodies [1815].The Destruction of Sennacherib,
 1 st. 1

%@NL@%%@AI@%1 See II Kings, 19:35%@BO:           19614@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG940    @%%@2@%For the Angel of Death spread his wings on the blast.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Hebrew Melodies [1815].The Destruction of Sennacherib,
 1 st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG950    @%%@2@%And the might of the Gentile, unsmote by the sword,%@NL@%%@EH@%
Hath melted like snow in the glance of the Lord!%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Hebrew Melodies [1815].The Destruction of Sennacherib,
 1 st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG960    @%%@2@%The glory and the nothing of a name.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Churchill's Grave, l. 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG970    @%%@2@%For years fleet away with the wings of the dove.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The First Kiss of Love, st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG980    @%%@2@%Fare thee well! and if forever,%@NL@%%@EH@%
Still forever, fare thee well. 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Fare Thee Well [1816], st. 1

%@NL@%%@AI@%1 See Burns%@BO:          323c9d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG990    @%%@2@%Sighing that Nature formed but one such man,%@NL@%%@EH@%
And broke the die, in molding Sheridan. 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Monody on the Death of Sheridan [1816], l. 117

%@NL@%%@AI@%1 See Ariosto%@BO:          131504@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1000   @%%@2@%My hair is gray, but not with years,%@NL@%%@EH@%
Nor grew it white%@NL@%
In a single night,%@NL@%
As men's have grown from sudden fears.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Prisoner of Chillon [1816],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1010   @%%@2@%O God! it is a fearful thing%@NL@%%@EH@%
To see the human soul take wing%@NL@%
In any shape, in any mood.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Prisoner of Chillon [1816],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1020   @%%@2@%A light broke in upon my brain-%@NL@%%@EH@%
It was the carol of a bird;%@NL@%
It ceased, and then it came again,%@NL@%
The sweetest song ear ever heard.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Prisoner of Chillon [1816],st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1030   @%%@2@%There be none of Beauty's daughters%@NL@%%@EH@%
With a magic like thee;%@NL@%
And like music on the waters%@NL@%
Is thy sweet voice to me.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Stanzas for music [1816], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1040   @%%@2@%I had a dream which was not all a dream.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Darkness [1816]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1050   @%%@2@%Though the day of my destiny's over,%@NL@%%@EH@%
And the star of my fate hath declined.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Stanzas to Augusta [1816], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1060   @%%@2@%My boat is on the shore,%@NL@%%@EH@%
And my bark is on the sea;%@NL@%
But, before I go, Tom Moore,%@NL@%
Here's a double health to thee!Here's a sigh to those who love me,%@NL@%
And a smile to those who hate;%@NL@%
And, whatever sky's above me,%@NL@%
Here's a heart for every fate. 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%To Thomas Moore [1817], st. 1, 2

%@NL@%%@AI@%1 See Longfellow%@BO:          3d9a93@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1070   @%%@2@%So we'll go no more a-roving%@NL@%%@EH@%
So late into the night,%@NL@%
Though the heart be still as loving,%@NL@%
And the moon be still as bright.For the sword outwears its sheath,%@NL@%
And the soul wears out the breast,%@NL@%
And the heart must pause to breathe,%@NL@%
And love itself have rest.Though the night was made for loving,%@NL@%
And the day returns too soon,%@NL@%
Yet we'll go no more a-roving%@NL@%
By the light of the moon.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%So, We'll Go No More A-Roving [1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1080   @%%@2@%Mont Blanc is the monarch of mountains;%@NL@%%@EH@%
They crowned him long ago%@NL@%
On a throne of rocks, in a robe of clouds,%@NL@%
With a diadem of snow.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Manfred [1817], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1090   @%%@2@%His heart was one of those which most enamor us,%@NL@%%@EH@%
Wax to receive, and marble to retain. 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Beppo [1818],st. 34

%@NL@%%@AI@%1 See Cervantes%@BO:          152977@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1100   @%%@2@%I love the language, that soft bastard Latin,%@NL@%%@EH@%
Which melts like kisses from a female mouth.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Beppo [1818],st. 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Coleridge.  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1110   @%%@2@%I wish he would explain his explanation.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.Dedication [written 1818],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1120   @%%@2@%In virtues nothing earthly could surpass her,%@NL@%%@EH@%
Save thine "incomparable oil," Macassar!%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto I,st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1130   @%%@2@%But-Oh! ye lords of ladies intellectual,%@NL@%%@EH@%
Inform us truly, have they not henpecked you all? 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto I,st. 22

%@NL@%%@AI@%1 See Addison%@BO:          28ed11@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1140   @%%@2@%Her stature tall-I hate a dumpy woman.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto I,st. 61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1150   @%%@2@%What men call gallantry, and gods adultery,%@NL@%%@EH@%
Is much more common where the climate's sultry.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto I,st. 63

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1160   @%%@2@%Christians have burnt each other, quite persuaded%@NL@%%@EH@%
That all the Apostles would have done as they did.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto I,st. 83

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1170   @%%@2@%A little still she strove, and much repented,%@NL@%%@EH@%
And whispering "I will ne'er consent"-consented.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto I,st. 117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1180   @%%@2@%'Tis sweet to hear the watchdog's honest bark%@NL@%%@EH@%
Bay deep-mouthed welcome as we draw near home;%@NL@%
'Tis sweet to know there is an eye will mark%@NL@%
Our coming, and look brighter when we come.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto I,st. 123

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1190   @%%@2@%Sweet is revenge-especially to women. 1 %@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto I,st. 124

%@NL@%%@AI@%1 See Shakespeare%@BO:          1f1599@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1200   @%%@2@%Pleasure's a sin, and sometimes sin's a pleasure.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto I,st. 133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1210   @%%@2@%Man's love is of man's life a thing apart,%@NL@%%@EH@%
'Tis woman's whole existence. 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto I,st. 194

%@NL@%%@AI@%1 See Wilcox%@BO:          4f35e1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1220   @%%@2@%There's nought, no doubt, so much the spirit calms%@NL@%%@EH@%
As rum and true religion.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto II [1819],st. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1230   @%%@2@%A solitary shriek, the bubbling cry%@NL@%%@EH@%
Of some strong swimmer in his agony.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto II [1819],st. 53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1240   @%%@2@%If this be true, indeed,%@NL@%%@EH@%
Some Christians have a comfortable creed.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto II [1819],st. 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1250   @%%@2@%Let us have wine and women, mirth and laughter,%@NL@%%@EH@%
Sermons and soda water the day after. 1  2 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto II [1819],st. 178

%@NL@%%@AI@%1 See Dickens%@BO:          41da81@%%@AE@%
%@AI@%2 See Ade%@BO:          5469f3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1260   @%%@2@%In her first passion woman loves her lover,%@NL@%%@EH@%
In all the others, all she loves is love. 1 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto III [1821],st. 3

%@NL@%%@AI@%1 See La Rochefoucauld%@BO:          2547a1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1270   @%%@2@%Think you, if Laura had been Petrarch's wife,%@NL@%%@EH@%
He would have written sonnets all his life?%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto III [1821],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1280   @%%@2@%He was the mildest-mannered man%@NL@%%@EH@%
That ever scuttled ship or cut a throat.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto III [1821],st. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1290   @%%@2@%Even good men like to make the public stare.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto III [1821],st. 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
From isles of Greece/The princes orgulous, their high blood chafed,/Have to
the port of Athens sent their ships.-Shakespeare, Troilus and Cressida
[1601-1603], prologue  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1300   @%%@2@%The isles of Greece, the isles of Greece!%@NL@%%@EH@%
Where burning Sappho loved and sung.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto III [1821],st. 86[song, st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1320   @%%@2@%Eternal summer gilds them yet,%@NL@%%@EH@%
But all, except their sun, is set.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto III [1821],st. 86[song, st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1330   @%%@2@%The mountains look on Marathon,%@NL@%%@EH@%
And Marathon looks on the sea;%@NL@%
And musing there an hour alone,%@NL@%
I dreamed that Greece might still be free.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto III [1821],st. 86[song, st. 3]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1340   @%%@2@%And where are they? and where art thou,%@NL@%%@EH@%
My country? On thy voiceless shore%@NL@%
The heroic lay is tuneless now-%@NL@%
The heroic bosom beats no more!%@NL@%
And must thy lyre, so long divine,%@NL@%
Degenerate into hands like mine?%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto III [1821],st. 86[song, st. 5]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1350   @%%@2@%Earth! render back from out thy breast%@NL@%%@EH@%
A remnant of our Spartan dead!%@NL@%
Of the three hundred grant but three,%@NL@%
To make a new Thermopylae.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto III [1821],st. 86[song, st. 7]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1360   @%%@2@%You have the Pyrrhic dance as yet,%@NL@%%@EH@%
Where is the Pyrrhic phalanx gone?%@NL@%
Of two such lessons, why forget%@NL@%
The nobler and the manlier one?%@NL@%
You have the letters Cadmus gave-%@NL@%
Think ye he meant them for a slave?%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto III [1821],st. 86[song, st. 10]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1370   @%%@2@%Fill high the bowl with Samian wine!%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto III [1821],st. 86[song, st. 11]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1380   @%%@2@%Place me on Sunium's marble steep,%@NL@%%@EH@%
Where nothing save the waves and I%@NL@%
May hear our mutual murmurs sweep;%@NL@%
There, swanlike, let me sing and die. 1  2  3 %@NL@%
A land of slaves shall ne'er be mine-%@NL@%
Dash down yon cup of Samian wine!%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto III [1821],st. 86[song, st. 16]

%@NL@%%@AI@%1 See Plato%@BO:           ae34e@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          194353@%%@AE@%
%@AI@%3 See Anonymous%@BO:          6845a9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1390   @%%@2@%And if I laugh at any mortal thing,%@NL@%%@EH@%
'Tis that I may not weep. 1  2 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto IV [1821],st. 4

%@NL@%%@AI@%1 See La Bruyere%@BO:          27b525@%%@AE@%
%@AI@%2 See Beaumarchais%@BO:          2ee83f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1400   @%%@2@%These two hated with a hate%@NL@%%@EH@%
Found only on the stage.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto IV [1821],st. 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1410   @%%@2@%I've stood upon Achilles' tomb,%@NL@%%@EH@%
And heard Troy doubted; time will doubt of Rome.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto IV [1821],st. 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1420   @%%@2@%Oh! "darkly, deeply, beautifully blue," 1 %@NL@%%@EH@%
As someone somewhere sings about the sky.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto IV [1821],st. 110

%@NL@%%@AI@%1 See Southey%@BO:          35ace2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1430   @%%@2@%There's not a sea the passenger e'er pukes in,%@NL@%%@EH@%
Turns up more dangerous breakers than the Euxine.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto V [1821],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1440   @%%@2@%And put himself upon his good behavior.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto V [1821],st. 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1450   @%%@2@%That all-softening, overpowering knell,%@NL@%%@EH@%
The tocsin of the soul-the dinner bell.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto V [1821],st. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1460   @%%@2@%The women pardoned all except her face.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto V [1821],st. 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1470   @%%@2@%Polygamy may well be held in dread,%@NL@%%@EH@%
Not only as a sin, but as a bore.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto VI [1823],st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1480   @%%@2@%A lady of "a certain age," which means%@NL@%%@EH@%
Certainly aged.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto VI [1823],st. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1490   @%%@2@%Not so Leonidas and Washington,%@NL@%%@EH@%
Whose every battlefield is holy ground,%@NL@%
Which breathes of nations saved, not worlds undone.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto VIII [1823], st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1500   @%%@2@%"Gentlemen farmers"-a race worn out quite.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto IX [1823], st. 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1510   @%%@2@%When Bishop Berkeley said "there was no matter,"%@NL@%%@EH@%
And proved it-twas no matter what he said.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto XI [1823],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1520   @%%@2@%And, after all, what is a lie? 'Tis but%@NL@%%@EH@%
The truth in masquerade.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto XI [1823],st. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1530   @%%@2@%'Tis strange the mind, that very fiery particle,%@NL@%%@EH@%
Should let itself be snuffed out by an article.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto XI [1823],st. 60 (of John Keats)
 1  2

%@NL@%%@AI@%1 See Byron%@BO:          383012@%%@AE@%
%@AI@%2 See Shelley%@BO:          38df5d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1540   @%%@2@%Ready money is Aladdin's lamp.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto XII [1823], st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1550   @%%@2@%Cervantes smiled Spain's chivalry away.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto XIII [1823],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1560   @%%@2@%The English winter-ending in July,%@NL@%%@EH@%
To recommence in August.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto XIII [1823],st. 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1570   @%%@2@%Society is now one polished horde,%@NL@%%@EH@%
Formed of two mighty tribes, the Bores and Bored.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto XIII [1823],st. 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
For a man seldom thinks with more earnestness of anything than he does of
his dinner.-Johnson; from Mrs. Piozzi, Anecdotes of Samuel Johnson [1786]
See Fanny Fern  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1580   @%%@2@%All human history attests%@NL@%%@EH@%
That happiness for man-the hungry sinner!-%@NL@%
Since Eve ate apples, much depends on dinner.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto XIII [1823],st. 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1600   @%%@2@%Of all the horrid, hideous notes of woe,%@NL@%%@EH@%
Sadder than owl songs or the midnight blast,%@NL@%
Is that portentous phrase, "I told you so."%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto XIV [1823],st. 50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le vrai peut quelquefois n'etre pas vraisemblable [Truth may sometimes be
improbable].-Boileau [1636-1711], L'Art Poetique, III, l. 48  See Daniel
Webster  Truth is stranger than fiction, but not so popular.-Anonymous  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1610   @%%@2@%'Tis strange-but true; for truth is always strange;%@NL@%%@EH@%
Stranger than fiction.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto XIV [1823],st. 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1640   @%%@2@%The Devil hath not, in all his quiver's choice,%@NL@%%@EH@%
An arrow for the heart like a sweet voice.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto XV [1824], st. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1650   @%%@2@%The antique Persians taught three useful things-%@NL@%%@EH@%
To draw the bow, to ride, and speak the truth.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Don Juan.canto XVI [1824], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1660   @%%@2@%In truth he was a noble steed.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Mazeppa [1819], st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1670   @%%@2@%Oh, talk not to me of a name great in story;%@NL@%%@EH@%
The days of our youth are the days of our glory;%@NL@%
And the myrtle and ivy of sweet two and twenty%@NL@%
Are worth all your laurels, though ever so plenty.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Stanzas Written on the Road Between Florence and Pisa [1821], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1680   @%%@2@%All farewells should be sudden.%@NL@%%@EH@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Sardanapalus [1821], act V

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1690   @%%@2@%   The best of prophets of the future is the past.%@NL@%%@EH@%
%@NL@%
George Noel Gordon, Lord Byron
%@NL@%Journal [January 28, 1821]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1700   @%%@2@%The world is a bundle of hay,%@NL@%%@EH@%
Mankind are the asses that pull,%@NL@%
Each tugs in a different way-%@NL@%
And the greatest of all is John Bull!%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Letter to Thomas Moore [June 22, 1821]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1710   @%%@2@%Because%@NL@%%@EH@%
He is all-powerful, must all-good, too, follow?%@NL@%
I judge but by the fruits-and they are bitter-%@NL@%
Which I must feed on for a fault not mine.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Cain [1821], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1720   @%%@2@%Who killed John Keats?%@NL@%%@EH@%
"I," says the Quarterly,%@NL@%
So savage and Tartarly;%@NL@%
"'Twas one of my feats." 1  2  3 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%John Keats [c. 1821]

%@NL@%%@AI@%1 See Don Juan%@BO:          381b63@%%@AE@%
%@AI@%2 See Shelley%@BO:          38df5d@%%@AE@%
%@AI@%3 See Anonymous%@BO:          696bf1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1730   @%%@2@%He seems%@NL@%%@EH@%
To have seen better days, as who has not%@NL@%
Who has seen yesterday?%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%Werner [1822], act I, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1740   @%%@2@%The "good old times"-all times when old are good-%@NL@%%@EH@%
Are gone.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Age of Bronze [1823],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Napoleon.  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1750   @%%@2@%Whose game was empires and whose stakes were thrones,%@NL@%%@EH@%
Whose table earth-whose dice were human bones.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Age of Bronze [1823],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1760   @%%@2@%While Franklin's quiet memory climbs to heaven,%@NL@%%@EH@%
Calming the lightning which he thence had riven,%@NL@%
Or drawing from the no less kindled earth%@NL@%
Freedom and peace to that which boasts his birth; 1 %@NL@%
While Washington's a watchword, such as ne'er%@NL@%
Shall sink while there's an echo left to air. 2 %@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Age of Bronze [1823],st. 5

%@NL@%%@AI@%1 See Franklin%@CF:N1706FRAB10     @%%@AE@%
%@AI@%2 See Ode to Napoleon%@BO:          37cbb9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Let Aristotle and all your philosophers say what they like, there is nothing
to be compared with tobacco.-Moliere [1622-1673], Don Juan; or, Le Festin de
Pierre [1665], act I, sc. i  Translated by Curtis Hidden Page.  %@EF@%
%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1770   @%%@2@%Sublime tobacco! which from east to west%@NL@%%@EH@%
Cheers the tar's labor or the Turkman's rest.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Island [1823], canto II, st. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1790   @%%@2@%What's drinking?%@NL@%%@EH@%
A mere pause from thinking!%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%The Deformed Transformed [1824], act III, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1800   @%%@2@%My days are in the yellow leaf; 1 %@NL@%%@EH@%
The flowers and fruits of love are gone;%@NL@%
The worm, the canker, and the grief%@NL@%
Are mine alone!%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%On My Thirty-sixth Year [1824],st. 2

%@NL@%%@AI@%1 See Shakespeare%@BO:          1f629a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1810   @%%@2@%Seek out-less often sought than found-%@NL@%%@EH@%
A soldier's grave, for thee the best;%@NL@%
Then look around, and choose thy ground,%@NL@%
And take thy rest.%@NL@%

%@NL@%George Noel Gordon, Lord Byron
%@NL@%On My Thirty-sixth Year [1824],st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Noel Gordon, Lord Byron@%%@QR:Gordon@%%@CR:N1788BYRG1820   @%%@2@%   Now Barabbas was a publisher.%@NL@%%@EH@%
%@NL@%
George Noel Gordon, Lord Byron
%@NL@%%@FN@%
The publisher John Murray sent Byron a lavish copy of the Bible in
acknowledgment of a favor, and the poet returned it with the word "robber"
changed to "publisher."  %@EF@%
Alleged alteration in the Bible, John 18:40

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sarah Josepha Hale%@AE@%%@EH@%
%@NL@%
%@AB@%1788-1879%@AE@%
%@NL@%%@NL@%

%@QR:Sarah Josepha Hale@%%@QR:Hale@%%@CR:N1788HALS10     @%%@2@%Mary had a little lamb,%@NL@%%@EH@%
Its fleece was white as snow,%@NL@%
And everywhere that Mary went,%@NL@%
The lamb was sure to go.%@NL@%

%@NL@%Sarah Josepha Hale
%@NL@%%@FN@%
According to The Story of Mary's Little Lamb [1928], published by Mr. and
Mrs. Henry Ford, the first three stanzas of the poem are by John Roulstone
[1805-1822]; Sarah Josepha Hale's "genius completed the poem in its present
form" (six stanzas); "Mary" was Mary Elizabeth Sawyer [1806-1889] of
Sterling, Massachusetts; and the events of the poem are true.  %@EF@%
Mary's Lamb,
st. 1, 2. From The Juvenile Miscellany [September 1830]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Arthur Schopenhauer%@AE@%%@EH@%
%@NL@%
%@AB@%1788-1860%@AE@%
%@NL@%%@NL@%

%@QR:Arthur Schopenhauer@%%@QR:Schopenhauer@%%@CR:N1788SCHA5      @%%@2@%   To marry is to halve your rights and double your duties.%@NL@%%@EH@%
%@NL@%
Arthur Schopenhauer
%@NL@%The World as Will and Idea [1819], vol. II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Schopenhauer@%%@QR:Schopenhauer@%%@CR:N1788SCHA10     @%%@2@%   Hatred comes from the heart; contempt from the head; and neither feeling%@EH@%
is quite within our control.%@NL@%
%@NL@%
Arthur Schopenhauer
%@NL@%%@FN@%
Translated by T. Bailey Saunders.  %@EF@%
Studies in Pessimism [1851].Psychological Observations

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Schopenhauer@%%@QR:Schopenhauer@%%@CR:N1788SCHA20     @%%@2@%   Every man takes the limits of his own field of vision for the limits of%@EH@%
the world.%@NL@%
%@NL@%
Arthur Schopenhauer
%@NL@%Studies in Pessimism [1851].Psychological Observations

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Partir c'est mourir un peu [To part is to die a little].-French proverb
See Haraucourt  %@EF@%
%@QR:Arthur Schopenhauer@%%@QR:Schopenhauer@%%@CR:N1788SCHA30     @%%@2@%   Every parting gives a foretaste of death; every coming together again a%@EH@%
foretaste of the resurrection.%@NL@%
%@NL@%
Arthur Schopenhauer
%@NL@%Studies in Pessimism [1851].Psychological Observations

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Schopenhauer@%%@QR:Schopenhauer@%%@CR:N1788SCHA50     @%%@2@%   Dissimulation is innate in woman, and almost as much a quality of the%@EH@%
stupid as of the clever.%@NL@%
%@NL@%
Arthur Schopenhauer
%@NL@%Studies in Pessimism [1851].On Women

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Schopenhauer@%%@QR:Schopenhauer@%%@CR:N1788SCHA60     @%%@2@%   Noise is the most impertinent of all forms of interruption. It is not%@EH@%
only an interruption, but also a disruption of thought.%@NL@%
%@NL@%
Arthur Schopenhauer
%@NL@%Studies in Pessimism [1851].On Noise

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Schopenhauer@%%@QR:Schopenhauer@%%@CR:N1788SCHA70     @%%@2@%   The two foes of human happiness are pain and boredom.%@NL@%%@EH@%
%@NL@%
Arthur Schopenhauer
%@NL@%Essays.Personality; or, What a Man Is

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Schopenhauer@%%@QR:Schopenhauer@%%@CR:N1788SCHA80     @%%@2@%   A man who has no mental needs, because his intellect is of the narrow and%@EH@%
normal amount, is, in the strict sense of the word, what is called a
philistine. 1 %@NL@%
%@NL@%
Arthur Schopenhauer
%@NL@%Essays.Personality; or, What a Man Is

%@NL@%%@AI@%1 See Matthew Arnold%@BO:          465843@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Schopenhauer@%%@QR:Schopenhauer@%%@CR:N1788SCHA90     @%%@2@%   Intellect is invisible to the man who has none. 1 %@NL@%%@EH@%
%@NL@%
Arthur Schopenhauer
%@NL@%Essays.Our Relation to Others, sec. 23

%@NL@%%@AI@%1 See La Rochefoucauld%@BO:          253fd8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Schopenhauer@%%@QR:Schopenhauer@%%@CR:N1788SCHA100    @%%@2@%   There is no more mistaken path to happiness than worldliness, revelry,%@EH@%
high life.%@NL@%
%@NL@%
Arthur Schopenhauer
%@NL@%Essays.Our Relation to Ourselves, sec. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Schopenhauer@%%@QR:Schopenhauer@%%@CR:N1788SCHA110    @%%@2@%   Do not shorten the morning by getting up late; look upon it as the%@EH@%
quintessence of life, as to a certain extent sacred.%@NL@%
%@NL@%
Arthur Schopenhauer
%@NL@%Counsels and Maxims, ch. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Fenimore Cooper%@AE@%%@EH@%
%@NL@%
%@AB@%1789-1851%@AE@%
%@NL@%%@NL@%

%@QR:James Fenimore Cooper@%%@QR:Cooper@%%@CR:N1789COOJ10     @%%@2@%   Few men exhibit greater diversity, or, if we may so express it, greater%@EH@%
antithesis of character than the native warrior of North America. In war, he
is daring, boastful, cunning, ruthless, self-denying, and self-devoted; in
peace, just, generous, hospitable, revengeful, superstitious, modest, and
commonly chaste.%@NL@%
%@NL@%
James Fenimore Cooper
%@NL@%The Last of the Mohicans [1826]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Fenimore Cooper@%%@QR:Cooper@%%@CR:N1789COOJ20     @%%@2@%   'Tis grand! 'tis solemn! 'tis an education of itself to look upon!%@NL@%%@EH@%
%@NL@%
James Fenimore Cooper
%@NL@%The Deerslayer [1841], ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Fenimore Cooper@%%@QR:Cooper@%%@CR:N1789COOJ30     @%%@2@%   Those families, you know, are our upper crust-not upper ten thousand. 1 %@NL@%%@EH@%
%@NL@%
James Fenimore Cooper
%@NL@%The Ways of the Hour [1850], ch. 6

%@NL@%%@AI@%1 See Sam Slick%@BO:          3a4835@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%William Knox%@AE@%%@EH@%
%@NL@%
%@AB@%1789-1825%@AE@%
%@NL@%%@NL@%

%@QR:William Knox@%%@QR:Knox@%%@CR:N1789KNOW10     @%%@2@%Oh why should the spirit of mortal be proud?%@NL@%%@EH@%

%@NL@%William Knox
%@NL@%Songs of Israel [1824]. Mortality, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Peter Mere Latham%@AE@%%@EH@%
%@NL@%
%@AB@%1789-1875%@AE@%
%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP10     @%%@2@%   The practice of physic is jostled by quacks on the one side, and by%@EH@%
science on the other.%@NL@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.I, ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP20     @%%@2@%   There is nothing so captivating as new knowledge.%@NL@%%@EH@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.I, ch.51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP30     @%%@2@%   Truth in all its kinds is most difficult to win; and truth in medicine is%@EH@%
the most difficult of all.%@NL@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.I, ch.60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP40     @%%@2@%   Beware of language, for it is often a great cheat.%@NL@%%@EH@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.I, ch.138

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP50     @%%@2@%   The diagnosis of disease is often easy, often difficult, and often%@EH@%
impossible.%@NL@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.I, ch.173

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP60     @%%@2@%   We should always presume the disease to be curable, until its own nature%@EH@%
prove it otherwise.%@NL@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.I, ch.174

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP70     @%%@2@%   Fortunate, indeed, is the man who takes exactly the right measure of%@EH@%
himself, and holds a just balance between what he can acquire and what he
can use, be it great or be it small!%@NL@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.II, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP80     @%%@2@%   Common sense is in medicine the master workman.%@NL@%%@EH@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.II, ch.389

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP90     @%%@2@%   It takes as much time and trouble to pull down a falsehood as to build up%@EH@%
a truth.%@NL@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.II, ch.398

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP100    @%%@2@%   Faith and knowledge lean largely upon each other in the practice of%@EH@%
medicine.%@NL@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.II, ch.408

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP110    @%%@2@%   It is no easy task to pick one's way from truth to truth through%@EH@%
besetting errors.%@NL@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.II, ch.415

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP120    @%%@2@%   It would be a great thing to understand pain in all its meanings.%@NL@%%@EH@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.II, ch.474

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP130    @%%@2@%   It is the great mystery of life itself which is at the bottom of all the%@EH@%
mysterious language we are obliged to employ concerning it.%@NL@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.II, ch.494

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Peter Mere Latham@%%@QR:Latham@%%@CR:N1789LATP140    @%%@2@%   People in general have no notion of the sort and amount of evidence often%@EH@%
needed to prove the simplest matter of fact.%@NL@%
%@NL@%
Peter Mere Latham
%@NL@%Collected Works, bk.II, ch.525

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Astolphe Louis Leonard , Marquis de Custine%@AE@%%@EH@%
%@NL@%
%@AB@%1790-1857%@AE@%
%@NL@%%@NL@%

%@QR:Astolphe Louis Leonard , Marquis de Custine@%%@CR:N1790CUSA10     @%%@2@%   This empire [Russia], vast as it is, is only a prison to which the%@EH@%
emperor holds the key. 1 %@NL@%
%@NL@%
Astolphe Louis Leonard , Marquis de Custine
%@NL@%%@FN@%
Translated by Phyllis Penn Kohler.  %@EF@%
La Russie en 1839.Peterhof, July 23, 1839

%@NL@%%@AI@%1 See Stalin%@BO:          592d74@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Astolphe Louis Leonard , Marquis de Custine@%%@CR:N1790CUSA20     @%%@2@%   Whoever has really seen Russia will find himself content to live anywhere%@EH@%
else. It is always good to know that a society exists where no happiness is
possible because, by a law of nature, man cannot be happy unless he is free.%@NL@%
%@NL@%
Astolphe Louis Leonard , Marquis de Custine
%@NL@%La Russie en 1839.Conclusion

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Fitz-Greene Halleck%@AE@%%@EH@%
%@NL@%
%@AB@%1790-1867%@AE@%
%@NL@%%@NL@%

%@QR:Fitz-Greene Halleck@%%@QR:Halleck@%%@CR:N1790HALF10     @%%@2@%Green be the turf above thee,%@NL@%%@EH@%
Friend of my better days!%@NL@%
None knew thee but to love thee, 1  2 %@NL@%
Nor named thee but to praise.%@NL@%

%@NL@%Fitz-Greene Halleck
%@NL@%On the Death of Joseph Rodman Drake [1820], st. 1

%@NL@%%@AI@%1 See Burns%@BO:          323dd0@%%@AE@%
%@AI@%2 See Tennyson%@BO:          3fc26b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fitz-Greene Halleck@%%@QR:Halleck@%%@CR:N1790HALF20     @%%@2@%Strike-till the last armed foe expires,%@NL@%%@EH@%
Strike-for your altars and your fires;%@NL@%
Strike-for the green graves of your sires;%@NL@%
God-and your native land!%@NL@%

%@NL@%Fitz-Greene Halleck
%@NL@%%@FN@%
A Greek patriot, born about 1788, killed in a night attack against the
Turks, near Missolonghi, Greece [August 20, 1823].  %@EF@%
Marco Bozzaris [1855],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fitz-Greene Halleck@%%@QR:Halleck@%%@CR:N1790HALF30     @%%@2@%One of the few, the immortal names%@NL@%%@EH@%
That were not born to die.%@NL@%

%@NL@%Fitz-Greene Halleck
%@NL@%Marco Bozzaris [1855],st. 7

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alphonse de Lamartine%@AE@%%@EH@%
%@NL@%
%@AB@%1790-1869%@AE@%
%@NL@%%@NL@%

%@FN@%
O temps, suspends ton vol! et vous, heures propices,/Suspendez votre
cours!/Laissez-nous savourer les rapides delices/Des plus beaux de nos
jours!  %@EF@%
%@QR:Alphonse de Lamartine@%%@QR:Lamartine@%%@CR:N1790LAMA10     @%%@2@%   O time, arrest your flight! and you, propitious hours, arrest your%@EH@%
course! Let us savor the fleeting delights of our most beautiful days!%@NL@%
%@NL@%
Alphonse de Lamartine
%@NL@%The Lake [1820],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Je dis a cette nuit: "Sois plus lente"; et l'aurore/Va dissiper la nuit.  %@EF@%
%@QR:Alphonse de Lamartine@%%@QR:Lamartine@%%@CR:N1790LAMA30     @%%@2@%   I say to this night: "Pass more slowly"; and the dawn will come to dispel%@EH@%
the night.%@NL@%
%@NL@%
Alphonse de Lamartine
%@NL@%The Lake [1820],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alphonse de Lamartine@%%@QR:Lamartine@%%@CR:N1790LAMA50     @%%@2@%   Limited in his nature, infinite in his desires, man is a fallen god 1%@EH@%
who remembers the heavens.%@NL@%
%@NL@%
Alphonse de Lamartine
%@NL@%Meditations Poetiques [1820].Sermon 2

%@NL@%%@AI@%1 See Emerson%@BO:          3bebd5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This passage was used by Liszt as a heading for his tone poem Les Preludes.
%@EF@%
%@QR:Alphonse de Lamartine@%%@QR:Lamartine@%%@CR:N1790LAMA60     @%%@2@%   What is our life but a succession of preludes to that unknown song whose%@EH@%
first solemn note is sounded by death?%@NL@%
%@NL@%
Alphonse de Lamartine
%@NL@%Meditations Poetiques [1820].2nd series. Sermon 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alphonse de Lamartine@%%@QR:Lamartine@%%@CR:N1790LAMA70     @%%@2@%   Experience is the only prophecy of wise men.%@NL@%%@EH@%
%@NL@%
Alphonse de Lamartine
%@NL@%Speech at M[acirc ]con [1847]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alphonse de Lamartine@%%@QR:Lamartine@%%@CR:N1790LAMA80     @%%@2@%   To love for the sake of being loved is human, but to love for the sake of%@EH@%
loving is angelic.%@NL@%
%@NL@%
Alphonse de Lamartine
%@NL@%Graziella [1849], pt. IV, ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alphonse de Lamartine@%%@QR:Lamartine@%%@CR:N1790LAMA90     @%%@2@%   The more I see of the representatives of the people, the more I admire my%@EH@%
dogs.%@NL@%
%@NL@%
Alphonse de Lamartine
%@NL@%From Count d'Orsay, Letter to John Forster [1850]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ferdinand Raimund%@AE@%%@EH@%
%@NL@%
%@AB@%1790-1836%@AE@%
%@NL@%%@NL@%

%@QR:Ferdinand Raimund@%%@QR:Raimund@%%@CR:N1790RAIF10     @%%@2@%No matter how fair the sun shines,%@NL@%%@EH@%
Still it must set.%@NL@%

%@NL@%Ferdinand Raimund
%@NL@%Das M[auml ]dchen aus der Feenwelt (The Maiden from Fairyland) [1826]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Gilman%@AE@%%@EH@%
%@NL@%
%@AB@%1791-1858%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Gilman@%%@QR:Gilman@%%@CR:N1791GILS10     @%%@2@%Fair Harvard! Thy sons to thy Jubilee throng.%@NL@%%@EH@%

%@NL@%Samuel Gilman
%@NL@%Ode, Bicentennial, Harvard University [September 8, 1836], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Gilman@%%@QR:Gilman@%%@CR:N1791GILS20     @%%@2@%First flower of their wilderness, star of their night,%@NL@%%@EH@%
Calm rising through change and through storm.%@NL@%

%@NL@%Samuel Gilman
%@NL@%Ode, Bicentennial, Harvard University [September 8, 1836], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Hart Milman%@AE@%%@EH@%
%@NL@%
%@AB@%1791-1868%@AE@%
%@NL@%%@NL@%

%@QR:Henry Hart Milman@%%@QR:Milman@%%@CR:N1791MILH10     @%%@2@%Ride on! ride on in majesty!%@NL@%%@EH@%
In lowly pomp ride on to die.%@NL@%

%@NL@%Henry Hart Milman
%@NL@%Hymns. Ride On!

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Howard Payne%@AE@%%@EH@%
%@NL@%
%@AB@%1791-1852%@AE@%
%@NL@%%@NL@%

%@FN@%
Home is home, be it never so homely.-English proverb [c. 1300]  %@EF@%
%@QR:John Howard Payne@%%@QR:Payne@%%@CR:N1791PAYJ10     @%%@2@%'Mid pleasures and palaces though we may roam,%@NL@%%@EH@%
Be it ever so humble, there's no place like home.%@NL@%

%@NL@%John Howard Payne
%@NL@%Home, Sweet Home. From the opera Clari, the Maid of Milan [1823]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lydia Huntley Sigourney%@AE@%%@EH@%
%@NL@%
%@AB@%1791-1865%@AE@%
%@NL@%%@NL@%

%@FN@%
American Indian names.  %@EF@%
%@QR:Lydia Huntley Sigourney@%%@QR:Sigourney@%%@CR:N1791SIGL10     @%%@2@%Their name is on your waters-%@NL@%%@EH@%
Ye may not wash it out.%@NL@%

%@NL@%Lydia Huntley Sigourney
%@NL@%Select Poems [1841]. Indian Names, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Sprague%@AE@%%@EH@%
%@NL@%
%@AB@%1791-1875%@AE@%
%@NL@%%@NL@%

%@QR:Charles Sprague@%%@QR:Sprague@%%@CR:N1791SPRC10     @%%@2@%   Here lived and loved another race of beings. Beneath the same sun that%@EH@%
rolls over your heads the Indian hunter pursued the panting deer. . . . The
Indian of falcon glance and lion bearing, the theme of the touching ballad,
the hero of the pathetic tale, is gone.%@NL@%
%@NL@%
Charles Sprague
%@NL@%American Independence [1849; delivered July 4, 1825]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Wolfe%@AE@%%@EH@%
%@NL@%
%@AB@%1791-1823%@AE@%
%@NL@%%@NL@%

%@QR:Charles Wolfe@%%@QR:Wolfe@%%@CR:N1791WOLC10     @%%@2@%Not a drum was heard, not a funeral note,%@NL@%%@EH@%
As his corse to the rampart we hurried.%@NL@%

%@NL@%Charles Wolfe
%@NL@%The Burial of Sir John Moore at Corunna [1817],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Wolfe@%%@QR:Wolfe@%%@CR:N1791WOLC20     @%%@2@%But he lay like a warrior taking his rest,%@NL@%%@EH@%
With his martial cloak around him.%@NL@%

%@NL@%Charles Wolfe
%@NL@%The Burial of Sir John Moore at Corunna [1817],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Wolfe@%%@QR:Wolfe@%%@CR:N1791WOLC30     @%%@2@%We carved not a line, and we raised not a stone-%@NL@%%@EH@%
But we left him alone with his glory.%@NL@%

%@NL@%Charles Wolfe
%@NL@%The Burial of Sir John Moore at Corunna [1817],st. 8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Bowring%@AE@%%@EH@%
%@NL@%
%@AB@%1792-1872%@AE@%
%@NL@%%@NL@%

%@QR:John Bowring@%%@QR:Bowring@%%@CR:N1792BOWJ10     @%%@2@%Watchman, tell us of the night, 1 %@NL@%%@EH@%
What its signs of promise are.%@NL@%

%@NL@%John Bowring
%@NL@%Hymn [1825]

%@NL@%%@AI@%1 See Isaiah 21:11%@BO:           3c45b@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Victor Cousin%@AE@%%@EH@%
%@NL@%
%@AB@%1792-1867%@AE@%
%@NL@%%@NL@%

%@QR:Victor Cousin@%%@QR:Cousin@%%@CR:N1792COUV10     @%%@2@%   We need religion for religion's sake, morality for morality's sake, art%@EH@%
for art's sake.%@NL@%
%@NL@%
Victor Cousin
%@NL@%Cours de Philosophie [1818]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Frederick William Herschel%@AE@%%@EH@%
%@NL@%
%@AB@%1792-1871%@AE@%
%@NL@%%@NL@%

%@QR:John Frederick William Herschel@%%@QR:Herschel@%%@CR:N1792HERJ10     @%%@2@%   Science is the knowledge of many, orderly and methodically digested and%@EH@%
arranged, so as to become attainable by one. The knowledge of reasons and
their conclusions constitutes abstract, that of causes and their effects,
and of the laws of nature, natural science.%@NL@%
%@NL@%
John Frederick William Herschel
%@NL@%A Preliminary Discourse on the Study of Natural Philosophy [1830]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Keble%@AE@%%@EH@%
%@NL@%
%@AB@%1792-1866%@AE@%
%@NL@%%@NL@%

%@QR:John Keble@%%@QR:Keble@%%@CR:N1792KEBJ10     @%%@2@%The voice that breathed o'er Eden%@NL@%%@EH@%
That earliest wedding day.%@NL@%

%@NL@%John Keble
%@NL@%Poems [1869]. Holy Matrimony, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Frederick Marryat%@AE@%%@EH@%
%@NL@%
%@AB@%1792-1848%@AE@%
%@NL@%%@NL@%

%@QR:Frederick Marryat@%%@QR:Marryat@%%@CR:N1792MARF10     @%%@2@%   All zeal, Mr. Easy.%@NL@%%@EH@%
%@NL@%
Frederick Marryat
%@NL@%Midshipman Easy [1836], ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Marryat@%%@QR:Marryat@%%@CR:N1792MARF20     @%%@2@%I haven't the gift of the gab, my sons-because I'm bred to the sea.%@NL@%%@EH@%

%@NL@%Frederick Marryat
%@NL@%The Old Navy, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Marryat@%%@QR:Marryat@%%@CR:N1792MARF30     @%%@2@%   It's just six of one and half a dozen of the other.%@NL@%%@EH@%
%@NL@%
Frederick Marryat
%@NL@%The Pirate, ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Marryat@%%@QR:Marryat@%%@CR:N1792MARF40     @%%@2@%   Every man paddle his own canoe.%@NL@%%@EH@%
%@NL@%
Frederick Marryat
%@NL@%Settlers in Canada [1844], ch. 8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joseph Mohr%@AE@%%@EH@%
%@NL@%
%@AB@%1792-1848%@AE@%
%@NL@%%@NL@%

%@FN@%
Stille Nacht! Heilige Nacht!  %@EF@%
%@QR:Joseph Mohr@%%@QR:Mohr@%%@CR:N1792MOHJ10     @%%@2@%Silent night, holy night,%@NL@%%@EH@%
All is calm, all is bright.%@NL@%

%@NL@%Joseph Mohr
%@NL@%Holy Night [1818]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lord John Russell%@AE@%%@EH@%
%@NL@%
%@AB@%1792-1878%@AE@%
%@NL@%%@NL@%

%@QR:Lord John Russell@%%@QR:Russell@%%@CR:N1792RUSJ10     @%%@2@%   If peace cannot be maintained with honor, it is no longer peace. 1  2 %@NL@%%@EH@%
%@NL@%
Lord John Russell
%@NL@%Speech at Greenock [September 19, 1853]

%@NL@%%@AI@%1 See Disraeli%@BO:          3cc3bd@%%@AE@%
%@AI@%2 See Chamberlain%@BO:          554d0a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lord John Russell@%%@QR:Russell@%%@CR:N1792RUSJ20     @%%@2@%   Among the defects of the bill, which were numerous, one provision was%@EH@%
conspicuous by its presence and another by its absence. 1 %@NL@%
%@NL@%
Lord John Russell
%@NL@%Speech to the electors of the City of London [April 1859]

%@NL@%%@AI@%1 See Tacitus%@BO:           f7b15@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Percy Bysshe Shelley%@AE@%%@EH@%
%@NL@%
%@AB@%1792-1822%@AE@%
%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP10     @%%@2@%Once, early in the morning,%@NL@%%@EH@%
Beelzebub arose,%@NL@%
With care his sweet person adorning,%@NL@%
He put on his Sunday clothes. 1 %@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%The Devil's Walk [1812], st. 1

%@NL@%%@AI@%1 See Southey%@BO:          35b911@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP20     @%%@2@%How wonderful is Death,%@NL@%%@EH@%
Death and his brother Sleep! 1  2  3  4 %@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Queen Mab [1813],I

%@NL@%%@AI@%1 See Homer%@BO:           82552@%%@AE@%
%@AI@%2 See Virgil%@BO:           d55fc@%%@AE@%
%@AI@%3 See Daniel%@BO:          165e04@%%@AE@%
%@AI@%4 See Shakespeare%@BO:          1e6e57@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP30     @%%@2@%Power, like a desolating pestilence,%@NL@%%@EH@%
Pollutes whate'er it touches; 1  2  and obedience,%@NL@%
Bane of all genius, virtue, freedom, truth,%@NL@%
Makes slaves of men, and, of the human frame,%@NL@%
A mechanized automaton.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Queen Mab [1813],III

%@NL@%%@AI@%1 See Pitt%@BO:          2bb5b9@%%@AE@%
%@AI@%2 See Lord Acton%@BO:          49403b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP40     @%%@2@%The awful shadow of some unseen Power%@NL@%%@EH@%
Floats though unseen among us 1 -visiting%@NL@%
This various world with as inconstant wing%@NL@%
As summer winds that creep from flower to flower.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Hymn to Intellectual Beauty [1816],st. 1

%@NL@%%@AI@%1 See Wordsworth%@BO:          33bd30@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP50     @%%@2@%Spirit of Beauty, that dost consecrate%@NL@%%@EH@%
With thine own hues all thou dost shine upon%@NL@%
Of human thought or form.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Hymn to Intellectual Beauty [1816],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP60     @%%@2@%Some say that gleams of a remoter world%@NL@%%@EH@%
Visit the soul in sleep-that death is slumber,%@NL@%
And that its shapes the busy thoughts outnumber%@NL@%
Of those who wake and live.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Mont Blanc [1816], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP70     @%%@2@%Man's yesterday may ne'er be like his morrow;%@NL@%%@EH@%
Nought may endure but Mutability. 1  2  3  4 %@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Mutability [1816], I, st. 4

%@NL@%%@AI@%1 See Heraclitus%@BO:           956fe@%%@AE@%
%@AI@%2 See Racan%@BO:          21c045@%%@AE@%
%@AI@%3 See Swift%@BO:          284dc4@%%@AE@%
%@AI@%4 See Wilde%@BO:          4fe818@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP80     @%%@2@%I met a traveler from an antique land%@NL@%%@EH@%
Who said: "Two vast and trunkless legs of stone%@NL@%
Stand in the desert. Near them, on the sand,%@NL@%
Half sunk, a shattered visage lies, whose frown,%@NL@%
And wrinkled lip, and sneer of cold command,%@NL@%
Tell that its sculptor well those passions read."%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Ozymandias [1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP90     @%%@2@%"My name is Ozymandias, king of kings:%@NL@%%@EH@%
Look on my works, ye Mighty, and despair!"%@NL@%
Nothing beside remains. Round the decay%@NL@%
Of that colossal wreck, boundless and bare,%@NL@%
The lone and level sands stretch far away.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Ozymandias [1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP100    @%%@2@%With hue like that when some great painter dips%@NL@%%@EH@%
His pencil in the gloom of earthquake and eclipse.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%The Revolt of Islam [1817], canto V, st. 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP110    @%%@2@%I could lie down like a tired child,%@NL@%%@EH@%
And weep away the life of care%@NL@%
Which I have borne and yet must bear,%@NL@%
Till death like sleep might steal on me.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Stanzas Written in Dejection near Naples [1818], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP115    @%%@2@%Ere Babylon was dust,%@NL@%%@EH@%
The Magus Zoroaster, my dead child,%@NL@%
Met his own image walking in the garden,%@NL@%
That apparition, sole of men, he saw.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Prometheus Unbound [1818-1819],act I,l. 191

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP120    @%%@2@%The good want power, but to weep barren tears.%@NL@%%@EH@%
The powerful goodness want: worse need for them.%@NL@%
The wise want love; and those who love want wisdom;%@NL@%
And all best things are thus confused with ill.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Prometheus Unbound [1818-1819],act I,l. 625

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP130    @%%@2@%Peace is in the grave.%@NL@%%@EH@%
The grave hides all things beautiful and good:%@NL@%
I am a God and cannot find it there.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Prometheus Unbound [1818-1819],act I,l. 638

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP140    @%%@2@%From the dust of creeds outworn.%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%Prometheus Unbound [1818-1819],act I,l. 697

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP150    @%%@2@%Forms more real than living man,%@NL@%%@EH@%
Nurslings of immortality!%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Prometheus Unbound [1818-1819],act I,l. 748

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP160    @%%@2@%To know nor faith, nor love nor law; to be%@NL@%%@EH@%
Omnipotent but friendless is to reign.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Prometheus Unbound [1818-1819],actII, sc.iv, l. 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP170    @%%@2@%All love is sweet,%@NL@%%@EH@%
Given or returned. Common as light is love,%@NL@%
And its familiar voice wearies not ever. . . . %@NL@%
They who inspire it most are fortunate,%@NL@%
As I am now; but those who feel it most%@NL@%
Are happier still. 1 %@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Prometheus Unbound [1818-1819],actII, sc.v, l. 39

%@NL@%%@AI@%1 See La Rochefoucauld%@BO:          252f7b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Lift not the painted veil which those who live/Call Life.-Shelley, Sonnet
[1818]  %@EF@%
%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP180    @%%@2@%Death is the veil which those who live call life:%@NL@%%@EH@%
They sleep, and it is lifted.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Prometheus Unbound [1818-1819],actIII, sc.iii, l. 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP190    @%%@2@%Nor yet exempt, though ruling them like slaves,%@NL@%%@EH@%
From chance, and death, and mutability,%@NL@%
The clogs of that which else might overscar%@NL@%
The loftiest star of unascended heaven,%@NL@%
Pinnacled dim in the intense inane.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Prometheus Unbound [1818-1819],actIII, sc.iv, l. 200

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP200    @%%@2@%Familiar acts are beautiful through love.%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%Prometheus Unbound [1818-1819],actIV,l. 403

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP210    @%%@2@%Man, who wert once a despot and a slave;%@NL@%%@EH@%
A dupe and a deceiver; a decay;%@NL@%
A traveler from the cradle to the grave 1  2  3 %@NL@%
Through the dim light of this immortal day.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Prometheus Unbound [1818-1819],actIV,l. 549

%@NL@%%@AI@%1 See Dyer%@BO:          2b0bac@%%@AE@%
%@AI@%2 See Bellamy%@BO:          4ebbad@%%@AE@%
%@AI@%3 See Hoffenstein%@BO:          5e4588@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP220    @%%@2@%Good, great and joyous, beautiful and free;%@NL@%%@EH@%
This is alone Life, Joy, Empire, and Victory.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Prometheus Unbound [1818-1819],closing lines

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP230    @%%@2@%I love all waste%@NL@%%@EH@%
And solitary places; where we taste%@NL@%
The pleasure of believing what we see%@NL@%
Is boundless, as we wish our souls to be.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Julian and Maddalo [1819],l. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP240    @%%@2@%Thou paradise of exiles, Italy!%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%Julian and Maddalo [1819],l. 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP250    @%%@2@%It is our will%@NL@%%@EH@%
That thus enchains us to permitted ill-%@NL@%
We might be otherwise-we might be all%@NL@%
We dream of happy, high majestical.%@NL@%
Where is the love, beauty and truth we seek,%@NL@%
But in our mind?%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Julian and Maddalo [1819],l. 170

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP260    @%%@2@%Me-who am as a nerve o'er which do creep%@NL@%%@EH@%
The else unfelt oppressions of this earth.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Julian and Maddalo [1819],l. 449

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP270    @%%@2@%Most wretched men%@NL@%%@EH@%
Are cradled into poetry by wrong;%@NL@%
They learn in suffering what they teach in song. 1 %@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Julian and Maddalo [1819],l. 543

%@NL@%%@AI@%1 See Butler%@BO:          24ec6e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP280    @%%@2@%Chameleons feed on light and air:%@NL@%%@EH@%
Poets' food is love and fame.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%An Exhortation [1819], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP290    @%%@2@%O wild West Wind, thou breath of Autumn's being,%@NL@%%@EH@%
Thou, from whose unseen presence the leaves dead%@NL@%
Are driven, like ghosts from an enchanter fleeing,%@NL@%
Yellow, and black, and pale, and hectic red,%@NL@%
Pestilence-stricken multitudes.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Ode to the West Wind [1819],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP300    @%%@2@%Wild Spirit, which art moving everywhere;%@NL@%%@EH@%
Destroyer and preserver; hear, oh, hear!%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Ode to the West Wind [1819],l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP310    @%%@2@%Thou dirge%@NL@%%@EH@%
Of the dying year, to which this closing night%@NL@%
Will be the dome of a vast sepulcher.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Ode to the West Wind [1819],l. 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP320    @%%@2@%Oh, lift me as a wave, a leaf, a cloud!%@NL@%%@EH@%
I fall upon the thorns of life! I bleed!%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Ode to the West Wind [1819],l. 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP330    @%%@2@%Make me thy lyre, even as the forest is:%@NL@%%@EH@%
What if my leaves are falling like its own!%@NL@%
The tumult of thy mighty harmonies%@NL@%
Will take from both a deep, autumnal tone,%@NL@%
Sweet though in sadness. Be thou, Spirit fierce,%@NL@%
My spirit! Be thou me, impetuous one!%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Ode to the West Wind [1819],l. 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP340    @%%@2@%The trumpet of a prophecy! O Wind,%@NL@%%@EH@%
If winter comes, can spring be far behind?%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Ode to the West Wind [1819],l. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP350    @%%@2@%Men of England, wherefore plow%@NL@%%@EH@%
For the lords who lay ye low?%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Song to the Men of England [1819], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP360    @%%@2@%Nothing in the world is single,%@NL@%%@EH@%
All things by a law divine%@NL@%
In one spirit meet and mingle.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Love's Philosophy [1819], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP370    @%%@2@%I arise from dreams of thee%@NL@%%@EH@%
In the first sweet sleep of night,%@NL@%
When the winds are breathing low,%@NL@%
And the stars are shining bright.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%The Indian Serenade [1819], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP380    @%%@2@%Hell is a city much like London-%@NL@%%@EH@%
A populous and smoky city.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Peter Bell the Third [1819], pt. III,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP390    @%%@2@%Teas,%@NL@%%@EH@%
Where small talk dies in agonies.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Peter Bell the Third [1819], pt. III,st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
George III.  %@EF@%
%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP400    @%%@2@%An old, mad, blind, despised and dying king.%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%England in 1819 [written 1819], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP410    @%%@2@%I met Murder on the way-%@NL@%%@EH@%
He had a mask like Castlereagh.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%The Mask of Anarchy [written 1819],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP420    @%%@2@%One by one, and two by two,%@NL@%%@EH@%
He tossed them human hearts to chew.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%The Mask of Anarchy [written 1819],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP430    @%%@2@%A lovely lady, garmented in light%@NL@%%@EH@%
From her own beauty.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%The Witch of Atlas [1820], st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP440    @%%@2@%A Sensitive Plant in a garden grew.%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%The Sensitive Plant [1820], pt. I, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP450    @%%@2@%I bring fresh showers for the thirsting flowers,%@NL@%%@EH@%
From the seas and the streams.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%The Cloud [1820],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP460    @%%@2@%I am the daughter of earth and water,%@NL@%%@EH@%
And the nursling of the sky;%@NL@%
I pass through the pores of the ocean and shores,%@NL@%
I change, but I cannot die.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%The Cloud [1820],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP470    @%%@2@%Hail to thee, blithe spirit!%@NL@%%@EH@%
Bird thou never wert,%@NL@%
That from Heaven, or near it,%@NL@%
Pourest thy full heart%@NL@%
In profuse strains of unpremeditated art.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%To a Skylark [1821],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP480    @%%@2@%And singing still dost soar, and soaring ever singest.%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%To a Skylark [1821],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP490    @%%@2@%Thou art unseen-but yet I hear thy shrill delight.%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%To a Skylark [1821],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP500    @%%@2@%We look before and after,%@NL@%%@EH@%
And pine for what is not;%@NL@%
Our sincerest laughter%@NL@%
With some pain is fraught;%@NL@%
Our sweetest songs are those that tell of saddest thought.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%To a Skylark [1821],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP510    @%%@2@%Teach me half the gladness%@NL@%%@EH@%
That thy brain must know,%@NL@%
Such harmonious madness,%@NL@%
From my lips would flow,%@NL@%
The world should listen then, as I am listening now.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%To a Skylark [1821],st. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP520    @%%@2@%Kings are like stars-they rise and set, they have%@NL@%%@EH@%
The worship of the world, but no repose. 1 %@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Hellas [1821],l. 195

%@NL@%%@AI@%1 See Bacon%@BO:          1633a8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP530    @%%@2@%The world's great age begins anew,%@NL@%%@EH@%
The golden years return, 1 %@NL@%
The earth doth like a snake renew%@NL@%
Her winter weeds outworn.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Hellas [1821],l. 1060

%@NL@%%@AI@%1 See Virgil%@BO:           d11ae@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP540    @%%@2@%The world is weary of the past,%@NL@%%@EH@%
Oh, might it die or rest at last!%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Hellas [1821],final chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP550    @%%@2@%What! alive, and so bold, O earth?%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%Written on Hearing the News of the Death of Napoleon [1821], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP560    @%%@2@%The fields of immortality.%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%Epipsychidion [1821],l. 133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP570    @%%@2@%I never was attached to that great sect,%@NL@%%@EH@%
Whose doctrine is, that each one should select%@NL@%
Out of the crowd a mistress or a friend,%@NL@%
And all the rest, though fair and wise, commend%@NL@%
To cold oblivion, though 'tis in the code%@NL@%
Of modern morals, and the beaten road%@NL@%
Which those poor slaves with weary footsteps tread%@NL@%
Who travel to their home among the dead%@NL@%
By the broad highway of the world, and so%@NL@%
With one chained friend, perhaps a jealous foe,%@NL@%
The dreariest and the longest journey go. 1 %@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Epipsychidion [1821],l. 149

%@NL@%%@AI@%1 See Hammarskjold%@BO:          62e699@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
John Keats.  Morning star, you shone among the living; and now in death you
shine, evening star, on the dead.-Plato, Aster (Star), epigraph (in Greek)
for Shelley's Adonais  See Byron  %@EF@%
%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP580    @%%@2@%I weep for Adonais-he is dead!%@NL@%%@EH@%
Oh, weep for Adonais! though our tears%@NL@%
Thaw not the frost which binds so dear a head!%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP590    @%%@2@%Till the Future dares%@NL@%%@EH@%
Forget the Past, his fate and fame shall be%@NL@%
An echo and a light unto eternity!%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP600    @%%@2@%Most musical of mourners, weep again!%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP610    @%%@2@%To that high capital, where kingly Death%@NL@%%@EH@%
Keeps his pale court in beauty and decay,%@NL@%
He came.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP620    @%%@2@%Lost Angel of a ruined Paradise!%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP630    @%%@2@%Desires and Adorations,%@NL@%%@EH@%
Winged Persuasions and veiled Destinies,%@NL@%
Splendors, and Glooms, and glimmering Incarnations%@NL@%
Of hopes and fears, and twilight Fantasies;%@NL@%
And Sorrow, with her family of Sighs,%@NL@%
And Pleasure, blind with tears, led by the gleam%@NL@%
Of her own dying smile instead of eyes,%@NL@%
Came in slow pomp.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP640    @%%@2@%Ah woe is me! Winter is come and gone,%@NL@%%@EH@%
But grief returns with the revolving year.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP650    @%%@2@%The intense atom glows%@NL@%%@EH@%
A moment, then is quenched in a most cold repose.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP660    @%%@2@%Alas! that all we loved of him should be,%@NL@%%@EH@%
But for our grief, as if it had not been,%@NL@%
And grief itself be mortal!%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP670    @%%@2@%As long as skies are blue, and fields are green,%@NL@%%@EH@%
Evening must usher night, night urge the morrow,%@NL@%
Month follow month with woe, and year wake year to sorrow.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Byron.  %@EF@%
%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP680    @%%@2@%The Pilgrim of Eternity, whose fame%@NL@%%@EH@%
Over his living head like heaven is bent,%@NL@%
An early but enduring monument,%@NL@%
Came, veiling all the lightnings of his song%@NL@%
In sorrow.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP690    @%%@2@%A pardlike spirit, beautiful and swift.%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP700    @%%@2@%In mockery of monumental stone.%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP710    @%%@2@%He hath awakened from the dream of life.%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP720    @%%@2@%He has outsoared the shadow of our night;%@NL@%%@EH@%
Envy and calumny and hate and pain,%@NL@%
And that unrest which men miscall delight%@NL@%
Can touch him not and torture not again;%@NL@%
From the contagion of the world's slow stain%@NL@%
He is secure, and now can never mourn%@NL@%
A heart grown cold, a head grown gray in vain.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP730    @%%@2@%He lives, he wakes-tis Death is dead, not he.%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP740    @%%@2@%He is made one with Nature: there is heard%@NL@%%@EH@%
His voice in all her music, from the moan%@NL@%
Of thunder to the song of night's sweet bird.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP750    @%%@2@%He is a portion of the loveliness%@NL@%%@EH@%
Which once he made more lovely.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP760    @%%@2@%The One remains, the many change and pass;%@NL@%%@EH@%
Heaven's light forever shines, earth's shadows fly;%@NL@%
Life, like a dome of many-colored glass,%@NL@%
Stains the white radiance of eternity,%@NL@%
Until Death tramples it to fragments.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP770    @%%@2@%The soul of Adonais, like a star,%@NL@%%@EH@%
Beacons from the abode where the Eternal are.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Adonais [1821],st. 55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP780    @%%@2@%Music, when soft voices die,%@NL@%%@EH@%
Vibrates in the memory;%@NL@%
Odors, when sweet violets sicken,%@NL@%
Live within the sense they quicken.Rose leaves, when the rose is dead,%@NL@%
Are heaped for the beloved's bed;%@NL@%
And so thy thoughts, when thou art gone,%@NL@%
Love itself shall slumber on.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%To--: Music, When Soft Voices Die [1821]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP790    @%%@2@%One word is too often profaned%@NL@%%@EH@%
For me to profane it,%@NL@%
One feeling too falsely disdained%@NL@%
For thee to disdain it.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%To--: One Word Is Too Often Profaned [1821],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP800    @%%@2@%The desire of the moth for the star,%@NL@%%@EH@%
Of the night for the morrow,%@NL@%
The devotion to something afar%@NL@%
From the sphere of our sorrow.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%To--: One Word Is Too Often Profaned [1821],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP810    @%%@2@%Swiftly walk o'er the western wave, Spirit of Night!%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%To Night [1821],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP820    @%%@2@%I ask of thee, beloved Night-%@NL@%%@EH@%
Swift be thine approaching flight,%@NL@%
Come soon, soon!%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%To Night [1821],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP830    @%%@2@%Rarely, rarely, comest thou,%@NL@%%@EH@%
Spirit of Delight!%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Song: Rarely, Rarely, Comest Thou [1821],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP835    @%%@2@%Let me set my mournful ditty%@NL@%%@EH@%
To a merry measure;%@NL@%
Thou wilt never come for pity,%@NL@%
Thou wilt come for pleasure.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Song: Rarely, Rarely, Comest Thou [1821],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP840    @%%@2@%I love tranquil solitude%@NL@%%@EH@%
And such society%@NL@%
As is quiet, wise, and good.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Song: Rarely, Rarely, Comest Thou [1821],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP850    @%%@2@%There is no sport in hate when all the rage%@NL@%%@EH@%
Is on one side.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%Lines to a Reviewer [1821]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP860    @%%@2@%When the lamp is shattered%@NL@%%@EH@%
The light in the dust lies dead-%@NL@%
When the cloud is scattered%@NL@%
The rainbow's glory is shed.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%When the Lamp Is Shattered [1822], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP870    @%%@2@%Best and brightest, 1  come away!%@NL@%%@EH@%

%@NL@%Percy Bysshe Shelley
%@NL@%To Jane: The Invitation [1822],l. 1

%@NL@%%@AI@%1 See Heber%@BO:          36f231@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP880    @%%@2@%Away, away, from men and towns,%@NL@%%@EH@%
To the wild wood and the downs.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%To Jane: The Invitation [1822],l. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP890    @%%@2@%I am gone into the fields%@NL@%%@EH@%
To take what this sweet hour yields-%@NL@%
Reflection, you may come tomorrow,%@NL@%
Sit by the fireside with Sorrow.-%@NL@%
You with the unpaid bill, Despair-%@NL@%
You, tiresome verse-reciter, Care-%@NL@%
I will pay you in the grave.%@NL@%

%@NL@%Percy Bysshe Shelley
%@NL@%To Jane: The Invitation [1822],l. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP900    @%%@2@%   Poets are the hierophants of an unapprehended inspiration; the mirrors of%@EH@%
the gigantic shadows which futurity casts upon the present. 1  2  3  4 %@NL@%
%@NL@%
Percy Bysshe Shelley
%@NL@%A Defense of Poetry [1821]

%@NL@%%@AI@%1 See Cicero%@BO:           c6f0a@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          1cc340@%%@AE@%
%@AI@%3 See Campbell%@BO:          36169f@%%@AE@%
%@AI@%4 See Wells%@BO:          549774@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP910    @%%@2@%   Poetry is the record of the best and happiest moments of the happiest and%@EH@%
best minds.%@NL@%
%@NL@%
Percy Bysshe Shelley
%@NL@%A Defense of Poetry [1821]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Percy Bysshe Shelley@%%@QR:Shelley@%%@CR:N1792SHEP920    @%%@2@%   Poets are the unacknowledged legislators of the world.%@NL@%%@EH@%
%@NL@%
Percy Bysshe Shelley
%@NL@%A Defense of Poetry [1821]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Clare%@AE@%%@EH@%
%@NL@%
%@AB@%1793-1864%@AE@%
%@NL@%%@NL@%

%@QR:John Clare@%%@QR:Clare@%%@CR:N1793CLAJ10     @%%@2@%I am! yet what I am who cares, or knows?%@NL@%%@EH@%
My friends forsake me like a memory lost.%@NL@%

%@NL@%John Clare
%@NL@%I Am

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Clare@%%@QR:Clare@%%@CR:N1793CLAJ20     @%%@2@%Untroubling and untroubled where I lie-%@NL@%%@EH@%
The grass below-above the vaulted sky.%@NL@%

%@NL@%John Clare
%@NL@%I Am

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Clare@%%@QR:Clare@%%@CR:N1793CLAJ30     @%%@2@%The wind and clouds, now here, now there,%@NL@%%@EH@%
Hold no such strange dominion%@NL@%
As woman's cold, perverted will,%@NL@%
And soon estranged opinion.%@NL@%

%@NL@%John Clare
%@NL@%When Lovers Part

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Clare@%%@QR:Clare@%%@CR:N1793CLAJ40     @%%@2@%Till kicked and torn and beaten out he lies%@NL@%%@EH@%
And leaves his hold and cackles, groans, and dies.%@NL@%

%@NL@%John Clare
%@NL@%Badger

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Clare@%%@QR:Clare@%%@CR:N1793CLAJ50     @%%@2@%   If life had a second edition, how I would correct the proofs. 1 %@NL@%%@EH@%
%@NL@%
John Clare
%@NL@%Letter to a friend. From J. W. and Anne Tibble,
John Clare: A Life [1932]

%@NL@%%@AI@%1 See Benjamin Franklin%@BO:          2b382b@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Felicia Dorothea Hemans%@AE@%%@EH@%
%@NL@%
%@AB@%1793-1835%@AE@%
%@NL@%%@NL@%

%@FN@%
See Woolf  The stately homes of England,/How beautiful they stood/Before
their recent owners/Relinquished them for good.-E. V. Knox [1881-1971], The
Stately Homes  %@EF@%
%@QR:Felicia Dorothea Hemans@%%@QR:Hemans@%%@CR:N1793HEMF10     @%%@2@%The stately homes of England!%@NL@%%@EH@%
How beautiful they stand,%@NL@%
Amidst their tall ancestral trees,%@NL@%
O'er all the pleasant land!%@NL@%

%@NL@%Felicia Dorothea Hemans
%@NL@%The Homes of England, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Felicia Dorothea Hemans@%%@QR:Hemans@%%@CR:N1793HEMF40     @%%@2@%The breaking waves dashed high%@NL@%%@EH@%
On a stern and rock-bound coast,%@NL@%
And the woods, against a stormy sky,%@NL@%
Their giant branches tossed.%@NL@%

%@NL@%Felicia Dorothea Hemans
%@NL@%The Landing of the Pilgrim Fathers,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Felicia Dorothea Hemans@%%@QR:Hemans@%%@CR:N1793HEMF50     @%%@2@%A band of exiles moored their bark%@NL@%%@EH@%
On a wild New England shore.%@NL@%

%@NL@%Felicia Dorothea Hemans
%@NL@%The Landing of the Pilgrim Fathers,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Felicia Dorothea Hemans@%%@QR:Hemans@%%@CR:N1793HEMF60     @%%@2@%Ay, call it holy ground,%@NL@%%@EH@%
The soil where first they trod!%@NL@%
They have left unstained what there they found-%@NL@%
Freedom to worship God.%@NL@%

%@NL@%Felicia Dorothea Hemans
%@NL@%The Landing of the Pilgrim Fathers,st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Giacomo Casabianca, whose father, Louis, at the battle of the Nile [1798],
commanded the flagship Orient. It took fire and blew up, the commander was
mortally wounded, and when most of the crew fled, Giacomo remained aboard,
in an effort to help his gallant father.  %@EF@%
%@QR:Felicia Dorothea Hemans@%%@QR:Hemans@%%@CR:N1793HEMF70     @%%@2@%The boy stood on the burning deck,%@NL@%%@EH@%
Whence all but he had fled.%@NL@%

%@NL@%Felicia Dorothea Hemans
%@NL@%Casabianca,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Felicia Dorothea Hemans@%%@QR:Hemans@%%@CR:N1793HEMF80     @%%@2@%The flames rolled on; he would not go%@NL@%%@EH@%
Without his father's word.%@NL@%

%@NL@%Felicia Dorothea Hemans
%@NL@%Casabianca,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Felicia Dorothea Hemans@%%@QR:Hemans@%%@CR:N1793HEMF90     @%%@2@%Come to the sunset tree!%@NL@%%@EH@%
The day is past and gone.%@NL@%

%@NL@%Felicia Dorothea Hemans
%@NL@%Tyrolese Evening Song, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Felicia Dorothea Hemans@%%@QR:Hemans@%%@CR:N1793HEMF100    @%%@2@%Thou hast all seasons for thine own, O death!%@NL@%%@EH@%

%@NL@%Felicia Dorothea Hemans
%@NL@%The Hour of Death, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Felicia Dorothea Hemans@%%@QR:Hemans@%%@CR:N1793HEMF110    @%%@2@%In the busy haunts of men.%@NL@%%@EH@%

%@NL@%Felicia Dorothea Hemans
%@NL@%Tale of the Secret Tribunal, pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Felicia Dorothea Hemans@%%@QR:Hemans@%%@CR:N1793HEMF130    @%%@2@%He Never Smiled Again.%@NL@%%@EH@%

%@NL@%Felicia Dorothea Hemans
%@NL@%Title and refrain of poem

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Francis Lyte%@AE@%%@EH@%
%@NL@%
%@AB@%1793-1847%@AE@%
%@NL@%%@NL@%

%@QR:Henry Francis Lyte@%%@QR:Lyte@%%@CR:N1793LYTH10     @%%@2@%Abide with me: fast falls the eventide;%@NL@%%@EH@%
The darkness deepens; Lord, with me abide:%@NL@%
When other helpers fail, and comforts flee,%@NL@%
Help of the helpless, O abide with me.%@NL@%

%@NL@%Henry Francis Lyte
%@NL@%Eventide [1847], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lucretia Coffin Mott%@AE@%%@EH@%
%@NL@%
%@AB@%1793-1880%@AE@%
%@NL@%%@NL@%

%@QR:Lucretia Coffin Mott@%%@QR:Mott@%%@CR:N1793MOTL10     @%%@2@%   Let woman then go on-not asking favors, but claiming as a right the%@EH@%
removal of all hindrances to her elevation in the scale of being-let her
receive encouragement for the proper cultivation of all her powers, so that
she may enter profitably into the active business of life . . . Then in the
marriage union, the independence of the husband and wife will be equal,
their dependence mutual, and their obligations reciprocal.%@NL@%
%@NL@%
Lucretia Coffin Mott
%@NL@%Discourse on Woman [delivered December 17, 1849], last paragraph

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Cullen Bryant%@AE@%%@EH@%
%@NL@%
%@AB@%1794-1878%@AE@%
%@NL@%%@NL@%

%@QR:William Cullen Bryant@%%@QR:Bryant@%%@CR:N1794BRYW10     @%%@2@%To him who in the love of Nature holds%@NL@%%@EH@%
Communion with her visible forms, she speaks%@NL@%
A various language.%@NL@%

%@NL@%William Cullen Bryant
%@NL@%Thanatopsis [1817-1821],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cullen Bryant@%%@QR:Bryant@%%@CR:N1794BRYW20     @%%@2@%Go forth, under the open sky, and list%@NL@%%@EH@%
To Nature's teachings.%@NL@%

%@NL@%William Cullen Bryant
%@NL@%Thanatopsis [1817-1821],l. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cullen Bryant@%%@QR:Bryant@%%@CR:N1794BRYW30     @%%@2@%The hills,%@NL@%%@EH@%
Rock-ribbed, and ancient as the sun.%@NL@%

%@NL@%William Cullen Bryant
%@NL@%Thanatopsis [1817-1821],l. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cullen Bryant@%%@QR:Bryant@%%@CR:N1794BRYW40     @%%@2@%Old ocean's gray and melancholy waste.%@NL@%%@EH@%

%@NL@%William Cullen Bryant
%@NL@%Thanatopsis [1817-1821],l. 43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cullen Bryant@%%@QR:Bryant@%%@CR:N1794BRYW50     @%%@2@%So live, that when thy summons comes to join%@NL@%%@EH@%
The innumerable caravan which moves%@NL@%
To that mysterious realm, where each shall take%@NL@%
His chamber in the silent halls of death,%@NL@%
Thou go not, like the quarry-slave at night,%@NL@%
Scourged to his dungeon, but, sustained and soothed%@NL@%
By an unfaltering trust, approach thy grave,%@NL@%
Like one that wraps the drapery of his couch%@NL@%
About him, and lies down to pleasant dreams. 1  2 %@NL@%

%@NL@%William Cullen Bryant
%@NL@%Thanatopsis [1817-1821],l. 73

%@NL@%%@AI@%1 See Lucretius%@BO:           cc1b6@%%@AE@%
%@AI@%2 See Horace%@BO:           d7553@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cullen Bryant@%%@QR:Bryant@%%@CR:N1794BRYW60     @%%@2@%He who, from zone to zone,%@NL@%%@EH@%
Guides through the boundless sky thy certain flight,%@NL@%
In the long way that I must tread alone,%@NL@%
Will lead my steps aright.%@NL@%

%@NL@%William Cullen Bryant
%@NL@%To a Waterfowl [1818], st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cullen Bryant@%%@QR:Bryant@%%@CR:N1794BRYW70     @%%@2@%The groves were God's first temples.%@NL@%%@EH@%

%@NL@%William Cullen Bryant
%@NL@%A Forest Hymn [1824]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cullen Bryant@%%@QR:Bryant@%%@CR:N1794BRYW75     @%%@2@%Loveliest of lovely things are they,%@NL@%%@EH@%
On earth, that soonest pass away.%@NL@%
The rose that lives its little hour%@NL@%
Is prized beyond the sculptured flower.%@NL@%

%@NL@%William Cullen Bryant
%@NL@%A Scene on the Banks of the Hudson [1828], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cullen Bryant@%%@QR:Bryant@%%@CR:N1794BRYW80     @%%@2@%The melancholy days are come, the saddest of the year,%@NL@%%@EH@%
Of wailing winds, and naked woods, and meadows brown and sere. 1 %@NL@%

%@NL@%William Cullen Bryant
%@NL@%The Death of the Flowers [1832], st. 1

%@NL@%%@AI@%1 See William Carlos Williams%@BO:          5b2ff1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cullen Bryant@%%@QR:Bryant@%%@CR:N1794BRYW100    @%%@2@%These are the gardens of the desert, these%@NL@%%@EH@%
The unshorn fields, boundless and beautiful,%@NL@%
For which the speech of England has no name-%@NL@%
The prairies.%@NL@%

%@NL@%William Cullen Bryant
%@NL@%The Prairies [1833]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Cullen Bryant@%%@QR:Bryant@%%@CR:N1794BRYW110    @%%@2@%Truth, crushed to earth, shall rise again.%@NL@%%@EH@%

%@NL@%William Cullen Bryant
%@NL@%The Battlefield [1839], st. 9

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Everett%@AE@%%@EH@%
%@NL@%
%@AB@%1794-1865%@AE@%
%@FN@%
His best-known wartime oration was delivered at the dedication of the
national cemetery at Gettysburg [November 19, 1863], the same occasion on
which Lincoln made his famous address.  %@EF@%
%@NL@%%@NL@%

%@QR:Edward Everett@%%@QR:Everett@%%@CR:N1794EVEE10     @%%@2@%   The days of palmy prosperity are not those most favorable to the display%@EH@%
of public virtue or the influence of wise and good men. In hard, doubtful,
unprosperous, and dangerous times, the disinterested and patriotic find
their way, by a species of public instinct, unopposed, joyfully welcomed, to
the control of affairs.%@NL@%
%@NL@%
Edward Everett
%@NL@%Mount Vernon Papers [1860], no. 14

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Whewell%@AE@%%@EH@%
%@NL@%
%@AB@%1794-1866%@AE@%
%@NL@%%@NL@%

%@FN@%
In a slightly altered form ("line that shall be absolutely straight"), this
was reputed to be an example of unconscious but perfect rhyme.  %@EF@%
%@QR:William Whewell@%%@QR:Whewell@%%@CR:N1794WHEW10     @%%@2@%   And so no force however great can stretch a cord however fine into an%@EH@%
horizontal line which is accurately straight.%@NL@%
%@NL@%
William Whewell
%@NL@%Elementary Treatise on Mechanics [1819].
The Equilibrium of Forces on a Point

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Whewell@%%@QR:Whewell@%%@CR:N1794WHEW30     @%%@2@%   Man is the interpreter of nature, science the right interpretation.%@NL@%%@EH@%
%@NL@%
William Whewell
%@NL@%Philosophy of the Inductive Sciences [1840], aphorism17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Whewell@%%@QR:Whewell@%%@CR:N1794WHEW40     @%%@2@%   In art, truth is a means to an end; in science, it is the only end.%@NL@%%@EH@%
%@NL@%
William Whewell
%@NL@%Philosophy of the Inductive Sciences [1840], aphorism25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Whewell@%%@QR:Whewell@%%@CR:N1794WHEW50     @%%@2@%   The catastrophist constructs theories, the uniformitarian demolishes%@EH@%
them.%@NL@%
%@NL@%
William Whewell
%@NL@%Philosophy of the Inductive Sciences [1840], aphorism36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Whewell@%%@QR:Whewell@%%@CR:N1794WHEW60     @%%@2@%   It is a test of true theories not only to account for but to predict%@EH@%
phenomena.%@NL@%
%@NL@%
William Whewell
%@NL@%Philosophy of the Inductive Sciences [1840], aphorism39

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Narcisse Achille , Comte de Salvandy%@AE@%%@EH@%
%@NL@%
%@AB@%1795-1856%@AE@%
%@NL@%%@NL@%

%@QR:Narcisse Achille , Comte de Salvandy@%%@CR:N1795ACHN10     @%%@2@%   We are dancing on a volcano.%@NL@%%@EH@%
%@NL@%
Narcisse Achille , Comte de Salvandy
%@NL@%At a f[ecirc ]te given by the Duc d'Orleans for the
King of Naples [1830]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Carlyle%@AE@%%@EH@%
%@NL@%
%@AB@%1795-1881%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART10     @%%@2@%   A well-written Life is almost as rare as a well-spent one.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Critical and Miscellaneous Essays.Richter [1827]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART20     @%%@2@%   The great law of culture is: Let each become all that he was created%@EH@%
capable of being.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Critical and Miscellaneous Essays.Richter [1827]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART30     @%%@2@%   The three great elements of modern civilization, gunpowder, printing, and%@EH@%
the Protestant religion.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Critical and Miscellaneous Essays.The State of German Literature [1827]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART40     @%%@2@%   Literary men are . . . a perpetual priesthood.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Critical and Miscellaneous Essays.The State of German Literature [1827]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART50     @%%@2@%   In every man's writings, the character of the writer must lie recorded.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Critical and Miscellaneous Essays.Goethe [1828]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART60     @%%@2@%   A poet without love were a physical and metaphysical impossibility.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Critical and Miscellaneous Essays.Burns [1828]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART70     @%%@2@%   There is no heroic poem in the world but is at bottom a biography, the%@EH@%
life of a man; also, it may be said, there is no life of a man, faithfully
recorded, but is a heroic poem of its sort, rhymed or unrhymed.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Critical and Miscellaneous Essays.Sir Walter Scott [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART80     @%%@2@%   No man lives without jostling and being jostled; in all ways he has to%@EH@%
elbow himself through the world, giving and receiving offense.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Critical and Miscellaneous Essays.Sir Walter Scott [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART90     @%%@2@%   All greatness is unconscious, or it is little and naught.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Critical and Miscellaneous Essays.Sir Walter Scott [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART100    @%%@2@%   The uttered part of a man's life, let us always repeat, bears to the%@EH@%
unuttered, unconscious part a small unknown proportion. He himself never
knows it, much less do others.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Critical and Miscellaneous Essays.Sir Walter Scott [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART110    @%%@2@%   It can be said of him [Scott], when he departed he took a man's life%@EH@%
along with him. No sounder piece of British manhood was put together in that
eighteenth century of time.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Critical and Miscellaneous Essays.Sir Walter Scott [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART120    @%%@2@%   Nothing that was worthy in the past departs; no truth or goodness%@EH@%
realized by man ever dies, or can die.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Critical and Miscellaneous Essays.Sir Walter Scott [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART130    @%%@2@%   Aesop's Fly, sitting on the axle of the chariot, has been much laughed at%@EH@%
for exclaiming: What a dust I do raise!%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%On Boswell's Life of Johnson [1832]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART140    @%%@2@%   Whoso belongs only to his own age, and reverences only its gilt Popinjays%@EH@%
or soot-smeared Mumbojumbos, must needs die with it. 1 %@NL@%
%@NL@%
Thomas Carlyle
%@NL@%On Boswell's Life of Johnson [1832]

%@NL@%%@AI@%1 See Voltaire%@BO:          2af1c6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Hazlitt, Macaulay, and Thackeray  Burke said there were Three Estates in
Parliament; but, in the Reporters' Gallery yonder, there sat a Fourth Estate
more important far than they all.-Carlyle, On Heroes and Hero Worship
[1841], The Hero as Man of Letters  %@EF@%
%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART150    @%%@2@%   The stupendous Fourth Estate, whose wide world-embracing influences what%@EH@%
eye can take in?%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%On Boswell's Life of Johnson [1832]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART160    @%%@2@%   All work is as seed sown; it grows and spreads, and sows itself anew.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%On Boswell's Life of Johnson [1832]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART165    @%%@2@%   The courage we desire and prize is not the courage to die decently, but%@EH@%
to live manfully.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%On Boswell's Life of Johnson [1832]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART170    @%%@2@%   No man who has once heartily and wholly laughed can be altogether%@EH@%
irreclaimably bad. 1 %@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.I, ch.4

%@NL@%%@AI@%1 See W. C. Fields%@BO:          59b049@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART180    @%%@2@%   He who first shortened the labor of copyists by device of movable types%@EH@%
was disbanding hired armies, and cashiering most kings and senates, and
creating a whole new democratic world: he had invented the art of printing.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.I, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART190    @%%@2@%   Man is a tool-using animal. . . . Without tools he is nothing, with tools%@EH@%
he is all.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.I, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART200    @%%@2@%   The Everlasting No.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.I, ch.7 (chapter title)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART210    @%%@2@%   Be not the slave of Words.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.I, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART220    @%%@2@%   The Everlasting Yea.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.I, ch.9 (chapter title)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART230    @%%@2@%   Man's unhappiness, as I construe, comes of his greatness; it is because%@EH@%
there is an Infinite in him, which with all his cunning he cannot quite bury
under the Finite.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.I, ch.9 (chapter title)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART240    @%%@2@%   Close thy Byron; open thy Goethe.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.I, ch.9 (chapter title)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART250    @%%@2@%   Wonder is the basis of worship.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART260    @%%@2@%   What you see, yet can not see over, is as good as infinite.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.II, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART270    @%%@2@%   Sarcasm I now see to be, in general, the language of the Devil; for which%@EH@%
reason I have, long since, as good as renounced it.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART275    @%%@2@%   With stupidity and sound digestion man may front much.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART280    @%%@2@%   Alas! the fearful Unbelief is unbelief in yourself.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.II, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART283    @%%@2@%   Great men are the inspired (speaking and acting) texts of that divine%@EH@%
Book of Revelations, whereof a chapter is completed from epoch to epoch, and
by some named History.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.II, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART286    @%%@2@%   Love not Pleasure; love God.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.II, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART288    @%%@2@%   "Do the Duty which lies nearest thee," which thou knowest to be a Duty!%@EH@%
Thy second Duty will already have become clearer.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.II, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Silence is deep as Eternity; speech is shallow as Time.-Carlyle, Sir Walter
Scott [1838]  [Carlyle] loves silence somewhat platonically.-Giuseppi
Mazzini [1805-1872]; fromJane Welsh Carlyle, Letter to Mrs. Stirling[October
1843]  %@EF@%
%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART290    @%%@2@%   As the Swiss inscription says: Sprechen ist silbern, Schweigen ist%@EH@%
golden-"Speech is silvern, Silence is golden"; or, as I might rather express
it, speech is of time, silence is of eternity.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Sartor Resartus [1833-1834], bk.III, ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART310    @%%@2@%   It is now almost my sole rule of life to clear myself of cants 1  and%@EH@%
formulas, as of poisonous Nessus shirts.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Letter to His Wife [1835]

%@NL@%%@AI@%1 See Johnson%@BO:          2c7a6c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART315    @%%@2@%   France was long a despotism tempered by epigrams.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%History of the French Revolution [1837],pt. I, bk.I, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART320    @%%@2@%   No lie you can speak or act but it will come, after longer or shorter%@EH@%
circulation, like a bill drawn on Nature's Reality, and be presented there
for payment-with the answer, No effects.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%History of the French Revolution [1837],pt. I, bk.III, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART330    @%%@2@%   To a shower of gold most things are penetrable.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%History of the French Revolution [1837],pt. I, bk.III, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Response of Joseph Francois Foullon, Comptroller General of Finance, when
his finance scheme raised the question: What will the people do?  %@EF@%
%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART340    @%%@2@%   "The people may eat grass": hasty words, which fly abroad irrevocable-and%@EH@%
will send back tidings.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%History of the French Revolution [1837],pt. I, bk.III, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART350    @%%@2@%   A whiff of grapeshot.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%History of the French Revolution [1837],pt. I, bk.V, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART360    @%%@2@%   O poor mortals, how ye make this earth bitter for each other.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%History of the French Revolution [1837],pt. I, bk.V, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART370    @%%@2@%   Battles, in these ages, are transacted by mechanism; with the slightest%@EH@%
possible development of human individuality or spontaneity; men now even
die, and kill one another, in an artificial manner.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%History of the French Revolution [1837],pt. I, bk.VII, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART375    @%%@2@%   History a distillation of rumor.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%History of the French Revolution [1837],pt. I, bk.VII, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART380    @%%@2@%   The difference between Orthodoxy or My-doxy and Heterodoxy or Thy-doxy. 1%@EH@%
%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%History of the French Revolution [1837],pt. II, bk.IV, ch. 2

%@NL@%%@AI@%1 See William Warburton%@BO:          2b0a63@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART385    @%%@2@%   The sea-green Incorruptible [Robespierre].%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%History of the French Revolution [1837],pt. II, bk.VI, ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART390    @%%@2@%   Aristocracy of the Moneybag.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%History of the French Revolution [1837],pt. II, bk.VII, ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART400    @%%@2@%   Democracy is, by the nature of it, a self-canceling business; and gives%@EH@%
in the long run a net result of zero.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Chartism [1839], ch. 6, Laissez-Faire

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART410    @%%@2@%   No sadder proof can be given by a man of his own littleness than%@EH@%
disbelief in great men.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Heroes and Hero Worship [1840].The Hero as Divinity

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
History is the essence of innumerable biographies.-Carlyle, On History
[1830]  See Emerson  %@EF@%
%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART420    @%%@2@%   The history of the world is but the biography of great men.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Heroes and Hero Worship [1840].The Hero as Divinity

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART440    @%%@2@%   We must get rid of fear.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Heroes and Hero Worship [1840].The Hero as Divinity

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART450    @%%@2@%   A vein of poetry exists in the hearts of all men.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Heroes and Hero Worship [1840].The Hero as Poet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART460    @%%@2@%   The Age of Miracles is forever here!%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Heroes and Hero Worship [1840].The Hero as Priest

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART470    @%%@2@%   In books lies the soul of the whole Past Time; the articulate audible%@EH@%
voice of the Past, when the body and material substance of it has altogether
vanished like a dream.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Heroes and Hero Worship [1840].The Hero as Man of Letters

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART480    @%%@2@%   All that mankind has done, thought, gained or been: it is lying as in%@EH@%
magic preservation in the pages of books.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Heroes and Hero Worship [1840].The Hero as Man of Letters

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART490    @%%@2@%   The true university of these days is a collection of books.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Heroes and Hero Worship [1840].The Hero as Man of Letters

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Consume your own smoke.-Browning, Pacchiarotto [1876], 25  Would that he
consumed his own smoke.-Melville, Moby-Dick [1858], ch. 96  %@EF@%
%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART500    @%%@2@%   The suffering man ought really to consume his own smoke; there is no good%@EH@%
in emitting smoke till you have made it into fire.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Heroes and Hero Worship [1840].The Hero as Man of Letters

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART510    @%%@2@%   Adversity is sometimes hard upon a man; but for one man who can stand%@EH@%
prosperity, there are a hundred that will stand adversity. 1 %@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Heroes and Hero Worship [1840].The Hero as Man of Letters

%@NL@%%@AI@%1 See Samuel Butler%@BO:          49b437@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART520    @%%@2@%   "A fair day's wages for a fair day's work": it is as just a demand as%@EH@%
governed men ever made of governing. It is the everlasting right of man.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Past and Present [1843], bk.I, ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Mammon is like fire: the usefulest of all servants, if the frightfulest of
all masters!-Carlyle, Ib. IV, 7  %@EF@%
%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART530    @%%@2@%   Fire is the best of servants; but what a master!%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Past and Present [1843], bk.II, ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART550    @%%@2@%   All work, even cotton spinning, is noble; work is alone noble. . . . A%@EH@%
life of ease is not for any man, nor for any god.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Past and Present [1843], bk.III, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART560    @%%@2@%   Every noble crown is, and on earth will forever be, a crown of thorns.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Past and Present [1843], bk.III, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART570    @%%@2@%   Blessed is he who has found his work; let him ask no other blessedness.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Past and Present [1843], bk.III, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART575    @%%@2@%   He who takes not counsel of the Unseen and Silent, from him will never%@EH@%
come real visibility and speech.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Past and Present [1843], bk.III, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART580    @%%@2@%   Captains of Industry.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Past and Present [1843], bk.IV, ch. 4 (chapter title)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART590    @%%@2@%   There is endless merit in a man's knowing when to have done.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Francia [1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART600    @%%@2@%   He that works and does some Poem, not he that merely says one, is worthy%@EH@%
of the name of Poet.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Introduction to Cromwell's Letters and Speeches [1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Referring to political economy and social science, Carlyle also in his
Occasional Discourse on the Negro Question [1849] speaks of: What we might
call, by way of eminence, the Dismal Science.  See Galbraith  %@EF@%
%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART610    @%%@2@%   Respectable Professors of the Dismal Science.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Latter Day Pamphlets, no.1 [1850]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART630    @%%@2@%   A Parliament speaking through reporters to Buncombe and the twenty-seven%@EH@%
millions, mostly fools.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Latter Day Pamphlets, no.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART640    @%%@2@%   A healthy hatred of scoundrels.%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Latter Day Pamphlets, no.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART650    @%%@2@%   "Genius" (which means transcendent capacity of taking trouble, first of%@EH@%
all). 1  2  3 %@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Life of Frederick the Great [1858-1865], bk.IV, ch. 3

%@NL@%%@AI@%1 See Buffon%@BO:          2b7e89@%%@AE@%
%@AI@%2 See Butler%@BO:          49c640@%%@AE@%
%@AI@%3 See Hopkins%@BO:          4b0153@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Carlyle identifies this as "Montesquieu's aphorism."  See George Eliot  %@EF@%
%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART660    @%%@2@%   Happy the people whose annals are blank in history books!%@NL@%%@EH@%
%@NL@%
Thomas Carlyle
%@NL@%Life of Frederick the Great [1858-1865], bk.XVI, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART680    @%%@2@%So here hath been dawning%@NL@%%@EH@%
Another blue day:%@NL@%
Think, wilt thou let it%@NL@%
Slip useless away?%@NL@%

%@NL@%Thomas Carlyle
%@NL@%Today

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Carlyle@%%@QR:Carlyle@%%@CR:N1795CART690    @%%@2@%   Lord Bacon could as easily have created the planets as he could have%@EH@%
written Hamlet.%@NL@%
%@NL@%
Thomas Carlyle
%@NL@%Remark in discussion

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joseph Rodman Drake%@AE@%%@EH@%
%@NL@%
%@AB@%1795-1820%@AE@%
%@NL@%%@NL@%

%@QR:Joseph Rodman Drake@%%@QR:Drake@%%@CR:N1795DRAJ10     @%%@2@%When Freedom from her mountain height,%@NL@%%@EH@%
Unfurled her standard to the air,%@NL@%
She tore the azure robe of night,%@NL@%
And set the stars of glory there;%@NL@%
She mingled with its gorgeous dyes%@NL@%
The milky baldric of the skies,%@NL@%
And striped its pure, celestial white%@NL@%
With streakings of the morning light.%@NL@%
Then from his mansion in the sun%@NL@%
She called her eagle bearer down,%@NL@%
And gave into his mighty hand%@NL@%
The symbol of her chosen land.%@NL@%

%@NL@%Joseph Rodman Drake
%@NL@%The American Flag [1819], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Woodcock Graves%@AE@%%@EH@%
%@NL@%
%@AB@%1795-1886%@AE@%
%@NL@%%@NL@%

%@QR:John Woodcock Graves@%%@QR:Graves@%%@CR:N1795GRAJ10     @%%@2@%D' ye ken John Peel with his coat so gay?%@NL@%%@EH@%
D' ye ken John Peel at the break of day?%@NL@%
D' ye ken John Peel when he's far far away%@NL@%
With his hounds and his horn in the morning?'Twas the sound of his horn
brought me from my bed,%@NL@%
And the cry of his hounds, has me ofttimes led;%@NL@%
For Peel's view-hollo would waken the dead,%@NL@%
Or the fox from his lair in the morning.%@NL@%

%@NL@%John Woodcock Graves
%@NL@%John Peel [1832]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Keats%@AE@%%@EH@%
%@NL@%
%@AB@%1795-1821%@AE@%
%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ10     @%%@2@%I stood tiptoe upon a little hill.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1817].I Stood Tiptoe,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ20     @%%@2@%And then there crept%@NL@%%@EH@%
A little noiseless noise among the leaves,%@NL@%
Born of the very sigh that silence heaves.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].I Stood Tiptoe,l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ30     @%%@2@%Open afresh your round of starry folds,%@NL@%%@EH@%
Ye ardent marigolds!%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].I Stood Tiptoe,l. 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ40     @%%@2@%Where swarms of minnows show their little heads,%@NL@%%@EH@%
Staying their wavy bodies 'gainst the streams.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].I Stood Tiptoe,l. 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ50     @%%@2@%Sometimes goldfinches one by one will drop%@NL@%%@EH@%
From low-hung branches; little space they stop;%@NL@%
But sip, and twitter, and their feathers sleek;%@NL@%
Then off at once, as in a wanton freak:%@NL@%
Or perhaps, to show their black, and golden wings,%@NL@%
Pausing upon their yellow flutterings.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].I Stood Tiptoe,l. 87

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ60     @%%@2@%Woman! when I behold thee flippant, vain,%@NL@%%@EH@%
Inconstant, childish, proud, and full of fancies.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].Woman! When I Behold Thee Flippant, Vain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ70     @%%@2@%To one who has been long in city pent, 1 %@NL@%%@EH@%
'Tis very sweet to look into the fair%@NL@%
And open face of heaven.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].Sonnet. To One Who Has Been Long in City Pent

%@NL@%%@AI@%1 See Milton%@BO:          246459@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ80     @%%@2@%E'en like the passage of an angel's tear%@NL@%%@EH@%
That falls through the clear ether silently.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].Sonnet. To One Who Has Been Long in City Pent

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ90     @%%@2@%Much have I traveled in the realms of gold,%@NL@%%@EH@%
And many goodly states and kingdoms seen;%@NL@%
Round many western islands have I been%@NL@%
Which bards in fealty to Apollo hold.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].On First Looking into Chapman's Homer

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ100    @%%@2@%Then felt I like some watcher of the skies%@NL@%%@EH@%
When a new planet swims into his ken;%@NL@%
Or like stout Cortez when with eagle eyes%@NL@%
He stared at the Pacific-and all his men%@NL@%
Looked at each other with a wild surmise-%@NL@%
Silent, upon a peak in Darien.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].On First Looking into Chapman's Homer

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ110    @%%@2@%And other spirits there are standing apart%@NL@%%@EH@%
Upon the forehead of the age to come;%@NL@%
These, these will give the world another heart,%@NL@%
And other pulses. Hear ye not the hum%@NL@%
Of mighty workings in a distant mart?%@NL@%
Listen awhile, ye nations, and be dumb.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].Sonnet. Addressed to the Same (Benjamin Robert Haydon)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ120    @%%@2@%The poetry of earth is never dead.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1817].Sonnet. On the Grasshopper and the Cricket

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ150    @%%@2@%Life is but a day;%@NL@%%@EH@%
A fragile dewdrop on its perilous way%@NL@%
From a tree's summit.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].Sleep and Poetry,l. 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ160    @%%@2@%O for ten years, that I may overwhelm%@NL@%%@EH@%
Myself in poesy; so I may do the deed%@NL@%
That my own soul has to itself decreed.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].Sleep and Poetry,l. 96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ170    @%%@2@%A drainless shower%@NL@%%@EH@%
Of light is poesy; 'tis the supreme of power;%@NL@%
'Tis might half slumb'ring on its own right arm.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].Sleep and Poetry,l. 235

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ180    @%%@2@%But strength alone though of the Muses born%@NL@%%@EH@%
Is like a fallen angel: trees uptorn,%@NL@%
Darkness, and worms, and shrouds, and sepulchers%@NL@%
Delight it; for it feeds upon the burrs%@NL@%
And thorns of life; forgetting the great end%@NL@%
Of poesy, that it should be a friend%@NL@%
To soothe the cares, and lift the thoughts of man.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1817].Sleep and Poetry,l. 241

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ220    @%%@2@%   There is not a fiercer hell than the failure in a great object.%@NL@%%@EH@%
%@NL@%
John Keats
%@NL@%Endymion [1818],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ230    @%%@2@%   The imagination of a boy is healthy, and the mature imagination of a man%@EH@%
is healthy; but there is a space of life between, in which the soul is in a
ferment, the character undecided, the way of life uncertain, the ambition
thicksighted: thence proceeds mawkishness, and the thousand bitters which
those men I speak of must necessarily taste in going over the following
pages.%@NL@%
%@NL@%
John Keats
%@NL@%Endymion [1818],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ240    @%%@2@%A thing of beauty is a joy forever:%@NL@%%@EH@%
Its loveliness increases; it will never%@NL@%
Pass into nothingness; but still will keep%@NL@%
A bower quiet for us, and a sleep%@NL@%
Full of sweet dreams, and health, and quiet breathing.%@NL@%

%@NL@%John Keats
%@NL@%Endymion [1818],bk.I,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ250    @%%@2@%The grandeur of the dooms%@NL@%%@EH@%
We have imagined for the mighty dead.%@NL@%

%@NL@%John Keats
%@NL@%Endymion [1818],bk.I,l. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ260    @%%@2@%O magic sleep! O comfortable bird,%@NL@%%@EH@%
That broodest o'er the troubled sea of the mind%@NL@%
Till it is hushed and smooth!%@NL@%

%@NL@%John Keats
%@NL@%Endymion [1818],bk.I,l. 453

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ270    @%%@2@%Time, that aged nurse,%@NL@%%@EH@%
Rocked me to patience.%@NL@%

%@NL@%John Keats
%@NL@%Endymion [1818],bk.I,l. 705

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ280    @%%@2@%Wherein lies happiness? In that which becks%@NL@%%@EH@%
Our ready minds to fellowship divine,%@NL@%
A fellowship with essence; till we shine,%@NL@%
Full alchemized, and free of space. Behold%@NL@%
The clear religion of heaven!%@NL@%

%@NL@%John Keats
%@NL@%Endymion [1818],bk.I,l. 777

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ290    @%%@2@%The crown of these%@NL@%%@EH@%
Is made of love and friendship, and sits high%@NL@%
Upon the forehead of humanity.%@NL@%

%@NL@%John Keats
%@NL@%Endymion [1818],bk.I,l. 800

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ300    @%%@2@%A hope beyond the shadow of a dream.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Endymion [1818],bk.I,l. 857

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ310    @%%@2@%Pleasure is oft a visitant; but pain%@NL@%%@EH@%
Clings cruelly to us.%@NL@%

%@NL@%John Keats
%@NL@%Endymion [1818],bk.I,l. 906

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ320    @%%@2@%'Tis the pest%@NL@%%@EH@%
Of love, that fairest joys give most unrest.%@NL@%

%@NL@%John Keats
%@NL@%Endymion [1818],bk.II,l. 365

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ330    @%%@2@%To sorrow,%@NL@%%@EH@%
I bade good-morrow,%@NL@%
And thought to leave her far away behind;%@NL@%
But cheerly, cheerly,%@NL@%
She loves me dearly;%@NL@%
She is so constant to me, and so kind.%@NL@%

%@NL@%John Keats
%@NL@%Endymion [1818],bk.IV, l. 173

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ334    @%%@2@%Love in a hut, with water and a crust,%@NL@%%@EH@%
Is-Love, forgive us!-cinders, ashes, dust.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Lamia, pt.II,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ337    @%%@2@%Philosophy will clip an angel's wings.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].Lamia, pt.II,l. 234

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ340    @%%@2@%"For cruel 'tis," said she,%@NL@%%@EH@%
"To steal my Basil-pot away from me."%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Isabella; or, The Pot of Basil, st. 62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ460    @%%@2@%St. Agnes' Eve-Ah, bitter chill it was!%@NL@%%@EH@%
The owl, for all his feathers, was a-cold.%@NL@%
The hare limped trembling through the frozen grass,%@NL@%
And silent was the flock in wooly fold%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ470    @%%@2@%The silver, snarling trumpets 'gan to chide.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ480    @%%@2@%The music, yearning like a God in pain.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ490    @%%@2@%She sighed for Agnes' dreams, the sweetest of the year.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ500    @%%@2@%Asleep in lap of legends old.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ510    @%%@2@%Sudden a thought came like a full-blown rose,%@NL@%%@EH@%
Flushing his brow, and in his pained heart%@NL@%
Made purple riot.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ520    @%%@2@%A poor, weak, palsy-stricken, churchyard thing.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ530    @%%@2@%As though a tongueless nightingale should swell%@NL@%%@EH@%
Her throat in vain, and die, heart-stifled in her dell.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ540    @%%@2@%Full on this casement shone the wintry moon,%@NL@%%@EH@%
And threw warm gules on Madeline's fair breast.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ550    @%%@2@%Unclasps her warmed jewels one by one;%@NL@%%@EH@%
Loosens her fragrant bodice; by degrees%@NL@%
Her rich attire creeps rustling to her knees.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ560    @%%@2@%And still she slept an azure-lidded sleep.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ570    @%%@2@%And the long carpets rose along the gusty floor.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ580    @%%@2@%And they are gone: aye, ages long ago%@NL@%%@EH@%
These lovers fled away into the storm.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].The Eve of St. Agnes,st. 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ590    @%%@2@%My heart aches, and a drowsy numbness pains%@NL@%%@EH@%
My sense, as though of hemlock I had drunk,%@NL@%
Or emptied some dull opiate to the drains%@NL@%
One minute past, and Lethe-wards had sunk. 1 %@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to a Nightingale,st. 1

%@NL@%%@AI@%1 See Horace%@BO:           d8295@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ600    @%%@2@%That thou, light-winged Dryad of the trees,%@NL@%%@EH@%
In some melodious plot%@NL@%
Of beechen green, and shadows numberless,%@NL@%
Singest of summer in full-throated ease.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to a Nightingale,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ610    @%%@2@%O, for a draught of vintage! that hath been%@NL@%%@EH@%
Cooled a long age in the deep-delved earth,%@NL@%
Tasting of Flora and the country green,%@NL@%
Dance, and Provencal song, and sunburnt mirth!%@NL@%
O, for a beaker full of the warm South,%@NL@%
Full of the true, the blushful Hippocrene,%@NL@%
With beaded bubbles winking at the brim,%@NL@%
And purple-stained mouth.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to a Nightingale,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ620    @%%@2@%Fade far away, dissolve, and quite forget%@NL@%%@EH@%
What thou among the leaves hast never known,%@NL@%
The weariness, the fever, and the fret%@NL@%
Here, where men sit and hear each other groan;%@NL@%
Where palsy shakes a few, sad, last gray hairs,%@NL@%
Where youth grows pale, and specter-thin, and dies;%@NL@%
Where but to think is to be full of sorrow%@NL@%
And leaden-eyed despairs.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to a Nightingale,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ630    @%%@2@%Already with thee! tender is the night.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to a Nightingale,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ640    @%%@2@%I cannot see what flowers are at my feet,%@NL@%%@EH@%
Nor what soft incense hangs upon the boughs,%@NL@%
But, in embalmed darkness, guess each sweet.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to a Nightingale,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ650    @%%@2@%The murmurous haunt of flies on summer eves.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to a Nightingale,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ660    @%%@2@%Darkling I listen; and, for many a time%@NL@%%@EH@%
I have been half in love with easeful Death,%@NL@%
Called him soft names in many a mused rhyme,%@NL@%
To take into the air my quiet breath;%@NL@%
Now more than ever seems it rich to die,%@NL@%
To cease upon the midnight with no pain,%@NL@%
While thou art pouring forth thy soul abroad%@NL@%
In such an ecstasy!%@NL@%
Still wouldst thou sing, and I have ears in vain-%@NL@%
To thy high requiem become a sod.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to a Nightingale,st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ670    @%%@2@%Thou wast not born for death, immortal Bird!%@NL@%%@EH@%
No hungry generations tread thee down;%@NL@%
The voice I hear this passing night was heard%@NL@%
In ancient days by emperor and clown:%@NL@%
Perhaps the self-same song that found a path%@NL@%
Through the sad heart of Ruth, when, sick for home,%@NL@%
She stood in tears amid the alien corn;%@NL@%
The same that oft-times hath%@NL@%
Charmed magic casements, opening on the foam%@NL@%
Of perilous seas, in faery lands forlorn.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to a Nightingale,st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ680    @%%@2@%Forlorn! the very word is like a bell%@NL@%%@EH@%
To toll me back from thee to my sole self!%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to a Nightingale,st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ690    @%%@2@%Was it a vision, or a waking dream?%@NL@%%@EH@%
Fled is that music:-Do I wake or sleep?%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to a Nightingale,st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ700    @%%@2@%Thou still unravished bride of quietness,%@NL@%%@EH@%
Thou foster-child of silence and slow time,%@NL@%
Sylvan historian, who canst thus express%@NL@%
A flowery tale more sweetly than our rhyme:%@NL@%
What leaf-fringed legend haunts about thy shape?%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on a Grecian Urn,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ710    @%%@2@%What men or gods are these? What maidens loth?%@NL@%%@EH@%
What mad pursuit? What struggle to escape?%@NL@%
What pipes and timbrels? What wild ecstasy?%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on a Grecian Urn,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ720    @%%@2@%Heard melodies are sweet, but those unheard%@NL@%%@EH@%
Are sweeter.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on a Grecian Urn,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ730    @%%@2@%Forever wilt thou love, and she be fair!%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on a Grecian Urn,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ740    @%%@2@%Forever piping songs forever new.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on a Grecian Urn,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ750    @%%@2@%Who are these coming to the sacrifice?%@NL@%%@EH@%
To what green altar, O mysterious priest,%@NL@%
Lead'st thou that heifer lowing at the skies,%@NL@%
And all her silken flanks with garlands drest?%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on a Grecian Urn,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ760    @%%@2@%O Attic shape! Fair attitude!%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on a Grecian Urn,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Herbert  If asked who said "Beauty is truth, truth beauty!" a great many
readers would answer "Keats." But Keats said nothing of the sort. It is what
he said the Grecian Urn said, his description and criticism of a certain
kind of work of art, the kind from which the evils and problems of this
life, the "heart high sorrowful and cloyed," are deliberately excluded. The
Urn, for example, depicts, among other beautiful sights, the citadel of a
hill town; it does not depict warfare, the evil which makes the citadel
necessary.-W. H. Auden, The Dyer's Hand [1962], Robert Frost  %@EF@%
%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ770    @%%@2@%"Beauty is truth, truth beauty,"-that is all%@NL@%%@EH@%
Ye know on earth, and all ye need to know.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on a Grecian Urn,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ790    @%%@2@%To make delicious moan%@NL@%%@EH@%
Upon the midnight hours.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to Psyche,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ800    @%%@2@%A bright torch, and a casement ope at night,%@NL@%%@EH@%
To let the warm Love in!%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode to Psyche,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ810    @%%@2@%Ever let the fancy roam,%@NL@%%@EH@%
Pleasure never is at home.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Fancy, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ820    @%%@2@%Bards of Passion and of Mirth,%@NL@%%@EH@%
Ye have left your souls on earth!%@NL@%
Have ye souls in heaven too?%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode written on the blank page beforeBeaumont and Fletcher,
The Fair Maid of the Inn

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ830    @%%@2@%Souls of Poets dead and gone,%@NL@%%@EH@%
What Elysium have ye known,%@NL@%
Happy field or mossy cavern,%@NL@%
Choicer than the Mermaid Tavern?%@NL@%
Have ye tippled drink more fine%@NL@%
Than mine host's Canary wine?%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Lines on the Mermaid Tavern

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ840    @%%@2@%Season of mists and mellow fruitfulness,%@NL@%%@EH@%
Close bosom-friend of the maturing sun.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].To Autumn,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ850    @%%@2@%Who hath not seen thee oft amid thy store?%@NL@%%@EH@%
Sometimes whoever seeks abroad may find%@NL@%
Thee sitting careless on a granary floor,%@NL@%
Thy hair soft-lifted by the winnowing wind;%@NL@%
Or on a half-reaped furrow sound asleep,%@NL@%
Drows'd with the fume of poppies while thy hook%@NL@%
Spares the next swath and all its twined flowers.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].To Autumn,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ860    @%%@2@%Then in a wailful choir the small gnats mourn%@NL@%%@EH@%
Among the river sallows.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].To Autumn,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ870    @%%@2@%No, no, go not to Lethe, neither twist%@NL@%%@EH@%
Wolf's-bane, tight-rooted, for its poisonous wine.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on Melancholy,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ880    @%%@2@%Nor let the beetle, nor the death-moth be%@NL@%%@EH@%
Your mournful Psyche.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on Melancholy,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ890    @%%@2@%Then glut thy sorrow on a morning rose.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on Melancholy,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ900    @%%@2@%She dwells with Beauty-Beauty that must die.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on Melancholy,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ910    @%%@2@%Ay, in the very temple of Delight%@NL@%%@EH@%
Veiled Melancholy has her sovran shrine,%@NL@%
Though seen of none save him whose strenuous tongue%@NL@%
Can burst Joy's grape against his palate fine;%@NL@%
His soul shall taste the sadness of her might,%@NL@%
And be among her cloudy trophies hung.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Ode on Melancholy,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ920    @%%@2@%Deep in the shady sadness of a vale%@NL@%%@EH@%
Far sunken from the healthy breath of morn,%@NL@%
Far from the fiery noon, and eve's one star,%@NL@%
Sat gray-haired Saturn, quiet as a stone.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Hyperion: A Fragment, bk.I,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ930    @%%@2@%That large utterance of the early Gods!%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].Hyperion: A Fragment, bk.I,l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ940    @%%@2@%As when, upon a tranced summer-night,%@NL@%%@EH@%
Those green-robed senators of mighty woods,%@NL@%
Tall oaks, branch-charmed by the earnest stars,%@NL@%
Dream, and so dream all night without a stir.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Hyperion: A Fragment, bk.I,l. 72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ950    @%%@2@%For to bear all naked truths,%@NL@%%@EH@%
And to envisage circumstance, all calm,%@NL@%
That is the top of sovereignty.%@NL@%

%@NL@%John Keats
%@NL@%Poems [1820].Hyperion: A Fragment, bk.II, l. 203

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ960    @%%@2@%Knowledge enormous makes a God of me.%@NL@%%@EH@%

%@NL@%John Keats
%@NL@%Poems [1820].Hyperion: A Fragment, bk.III, l. 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Printed in the Examiner [February 23, 1817].  %@EF@%
%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ970    @%%@2@%My spirit is too weak-mortality%@NL@%%@EH@%
Weighs heavily on me like unwilling sleep,%@NL@%
And each imagined pinnacle and steep%@NL@%
Of godlike hardship, tells me I must die%@NL@%
Like a sick Eagle looking at the sky.%@NL@%

%@NL@%John Keats
%@NL@%Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].On Seeing the Elgin Marbles

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ980    @%%@2@%This living hand, now warm and capable%@NL@%%@EH@%
Of earnest grasping, would, if it were cold%@NL@%
And in the icy silence of the tomb,%@NL@%
So haunt thy days and chill thy dreaming nights%@NL@%
That thou would wish thine own heart dry of blood%@NL@%
So in my veins red life might stream again,%@NL@%
And thou be conscience-calmed-see here it is-%@NL@%
I hold it towards you.%@NL@%

%@NL@%John Keats
%@NL@%Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].Fragment: This Living Hand

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ990    @%%@2@%Shed no tear! O shed no tear!%@NL@%%@EH@%
The flower will bloom another year.%@NL@%
Weep no more! O weep no more!%@NL@%
Young buds sleep in the root's white core.%@NL@%

%@NL@%John Keats
%@NL@%Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].Faery Songs, I [written 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1000   @%%@2@%O, what can ail thee, knight-at-arms,%@NL@%%@EH@%
Alone and palely loitering?%@NL@%
The sedge has withered from the lake,%@NL@%
And no birds sing!%@NL@%

%@NL@%John Keats
%@NL@%%@FN@%
Title of a French poem by Alain Chartier [c. 1385-c. 1433].  First printed
by Leigh Hunt in the Indicator [May 10, 1820].  %@EF@%
Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].La Belle Dame Sans Merci,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1010   @%%@2@%I met a lady in the meads%@NL@%%@EH@%
Full beautiful, a faery's child;%@NL@%
Her hair was long, her foot was light,%@NL@%
And her eyes were wild.%@NL@%

%@NL@%John Keats
%@NL@%Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].La Belle Dame Sans Merci,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1020   @%%@2@%She looked at me as she did love,%@NL@%%@EH@%
And made sweet moan.%@NL@%

%@NL@%John Keats
%@NL@%Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].La Belle Dame Sans Merci,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1030   @%%@2@%"La Belle Dame sans Merci%@NL@%%@EH@%
Hath thee in thrall!"%@NL@%

%@NL@%John Keats
%@NL@%Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].La Belle Dame Sans Merci,st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1040   @%%@2@%In a drear-nighted December%@NL@%%@EH@%
Too happy, happy tree,%@NL@%
Thy branches ne'er remember%@NL@%
Their green felicity.%@NL@%

%@NL@%John Keats
%@NL@%Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].La Belle Dame Sans Merci,Stanzas

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1050   @%%@2@%But were there ever any%@NL@%%@EH@%
Writhed not at passing joy?%@NL@%

%@NL@%John Keats
%@NL@%Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].La Belle Dame Sans Merci,Stanzas

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1060   @%%@2@%It keeps eternal whisperings around%@NL@%%@EH@%
Desolate shores, and with its mighty swell%@NL@%
Gluts twice ten thousand caverns.%@NL@%

%@NL@%John Keats
%@NL@%%@FN@%
From want of regular rests, I have been rather narvus, and the passage in
Lear-"Do you not hear the sea?"-has haunted me intensely.-Keats, Letter to
John Hamilton Reynolds [April 17, 1817]  Edgar: . . .  Hark! do you hear the
sea?-Shakespeare, King Lear, act IV, sc. vi, l. 4  %@EF@%
Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].On the Sea

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1070   @%%@2@%When I have fears that I may cease to be%@NL@%%@EH@%
Before my pen has gleaned my teeming brain.%@NL@%

%@NL@%John Keats
%@NL@%Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].Sonnet. When I Have Fears

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1080   @%%@2@%When I behold, upon the night's starred face,%@NL@%%@EH@%
Huge cloudy symbols of a high romance.%@NL@%

%@NL@%John Keats
%@NL@%Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].Sonnet. When I Have Fears

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1090   @%%@2@%Then on the shore%@NL@%%@EH@%
Of the wide world I stand alone, and think%@NL@%
Till love and fame to nothingness do sink.%@NL@%

%@NL@%John Keats
%@NL@%Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].Sonnet. When I Have Fears

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1100   @%%@2@%Bright star, would I were steadfast as thou art-%@NL@%%@EH@%
Not in lone splendor hung aloft the night%@NL@%
And watching, with eternal lids apart,%@NL@%
Like nature's patient, sleepless Eremite,%@NL@%
The moving waters at their priestlike task%@NL@%
Of pure ablution round earth's human shores.%@NL@%

%@NL@%John Keats
%@NL@%%@FN@%
Written on a blank page in Shakespeare's Poems.  %@EF@%
Life, Letters and Literary Remains of John Keats, edited byRichard Monckton
Milnes
[1848].Sonnet. Bright Star

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1110   @%%@2@%None can usurp this height . . . %@NL@%%@EH@%
But those to whom the miseries of the world%@NL@%
Are misery, and will not let them rest.%@NL@%

%@NL@%John Keats
%@NL@%%@FN@%
From The Letters of John Keats [1867], edited by Richard Monckton Milnes.  %@EF@%
The Fall of Hyperion: A Dream, canto I, l. 147

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1120   @%%@2@%   I am certain of nothing but the holiness of the heart's affections and%@EH@%
the truth of imagination-what the imagination seizes as beauty must be
truth-whether it existed before or not.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to Benjamin Bailey [November 22, 1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1130   @%%@2@%   The imagination may be compared to Adam's dream-he awoke and found it%@EH@%
truth.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to Benjamin Bailey [November 22, 1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1140   @%%@2@%   O for a life of Sensations rather than of Thoughts!%@NL@%%@EH@%
%@NL@%
John Keats
%@NL@%Letter to Benjamin Bailey [November 22, 1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1150   @%%@2@%   I scarcely remember counting upon happiness-I look not for it if it be%@EH@%
not in the present hour-nothing startles me beyond the moment. The setting
sun will always set me to rights-or if a sparrow come before my window I
take part in its existence and pick about the gravel.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to Benjamin Bailey [November 22, 1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1160   @%%@2@%   At once it struck me what quality went to form a man of achievement,%@EH@%
especially in literature, and which Shakespeare possessed so enormously-I
mean negative capability, that is, when a man is capable of being in
uncertainties, mysteries, doubts, without any irritable reaching after fact
and reason.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to George and Thomas Keats [December 22, 1817]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1170   @%%@2@%   We hate poetry that has a palpable design upon us-and if we do not agree,%@EH@%
seems to put its hand in its breeches pocket. Poetry should be great and
unobtrusive, a thing which enters into one's soul, and does not startle or
amaze with itself, but with its subject.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to John Hamilton Reynolds [February 3, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1180   @%%@2@%   Poetry should surprise by a fine excess, and not by singularity. It%@EH@%
should strike the reader as a wording of his own highest thoughts, and
appear almost as a remembrance.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to John Taylor [February 27, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1190   @%%@2@%   If poetry comes not as naturally as leaves to a tree it had better not%@EH@%
come at all.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to John Taylor [February 27, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1200   @%%@2@%   Scenery is fine-but human nature is finer.%@NL@%%@EH@%
%@NL@%
John Keats
%@NL@%Letter to Benjamin Bailey [March 13, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1210   @%%@2@%   Axioms in philosophy are not axioms until they are proved upon our%@EH@%
pulses: we read fine things but never feel them to the full until we have
gone the same steps as the author.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to John Hamilton Reynolds[May 3, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1220   @%%@2@%   I compare human life to a large mansion of many apartments, two of which%@EH@%
I can only describe, the doors of the rest being as yet shut upon me.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to John Hamilton Reynolds[May 3, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1230   @%%@2@%   There is an awful warmth about my heart like a load of immortality.%@NL@%%@EH@%
%@NL@%
John Keats
%@NL@%Letter to John Hamilton Reynolds[September 22, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1240   @%%@2@%   I begin to get a little acquainted with my own strength and weakness.%@EH@%
Praise or blame has but a momentary effect on the man whose love of beauty
in the abstract makes him a severe critic on his own works.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to James Hessey [October 9, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1250   @%%@2@%   The genius of poetry must work out its own salvation in a man; it cannot%@EH@%
be matured by law and precept, but by sensation and watchfulness in itself.
That which is creative must create itself-%@NL@%
In Endymion, I leaped headlong into the sea, and thereby have become better
acquainted with the soundings, the quicksands, and the rocks, than if I had
stayed upon the green shore, and piped a silly pipe, and took tea and
comfortable advice.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to James Hessey [October 9, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1260   @%%@2@%   I would sooner fail than not be among the greatest.%@NL@%%@EH@%
%@NL@%
John Keats
%@NL@%Letter to James Hessey [October 9, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1270   @%%@2@%   I think I shall be among the English Poets after my death.%@NL@%%@EH@%
%@NL@%
John Keats
%@NL@%Letter to George and Georgiana Keats [October 14, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1280   @%%@2@%   The poetical character . . . is not itself-it has no self-it is%@EH@%
everything and nothing. . . . It has as much delight in conceiving an Iago
as an Imogen.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to Richard Woodhouse [October 27, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1290   @%%@2@%   A poet is the most unpoetical of anything in existence; because he has no%@EH@%
identity-he is continually infor[ming]-and filling some other body.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to Richard Woodhouse [October 27, 1818]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1300   @%%@2@%   A man's life of any worth is a continual allegory-and very few eyes can%@EH@%
see the mystery of his life-a life like the Scriptures, figurative. . . .
Lord Byron cuts a figure, but he is not figurative. Shakespeare led a life
of allegory: his works are the comments on it.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to George and Georgiana Keats[February 14-May 3, 1819]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1310   @%%@2@%   Nothing ever becomes real till it is experienced-Even a proverb is no%@EH@%
proverb to you till your Life has illustrated it.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to George and Georgiana Keats[February 14-May 3, 1819]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1320   @%%@2@%   I myself am pursuing the same instinctive course as the veriest human%@EH@%
animal you can think of-I am, however young, writing at random-straining at
particles of light in the midst of a great darkness-without knowing the
bearing of any one assertion, of any one opinion. Yet may I not in this be
free from sin?%@NL@%
%@NL@%
John Keats
%@NL@%Letter to George and Georgiana Keats[March 19, 1819]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1330   @%%@2@%   Call the world if you please "The vale of soul-making."%@NL@%%@EH@%
%@NL@%
John Keats
%@NL@%Letter to George and Georgiana Keats[April 21, 1819]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1340   @%%@2@%   I have two luxuries to brood over in my walks, your loveliness and the%@EH@%
hour of my death. O that I could have possession of them both in the same
minute.%@NL@%
%@NL@%
John Keats
%@NL@%To Fanny Brawne[July 25, 1819]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1350   @%%@2@%   "If I should die," said I to myself, "I have left no immortal work behind%@EH@%
me-nothing to make my friends proud of my memory-but I have loved the
principle of beauty in all things, and if I had had time I would have made
myself remembered."%@NL@%
%@NL@%
John Keats
%@NL@%To Fanny Brawne[c. February 1820]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1360   @%%@2@%   You might curb your magnanimity, and be more of an artist, and load every%@EH@%
rift of your subject with ore.%@NL@%
%@NL@%
John Keats
%@NL@%Letter to Shelley [August 1820]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1370   @%%@2@%   I can scarcely bid you good-bye, even in a letter. I always made an%@EH@%
awkward bow. God bless you!%@NL@%
%@NL@%
John Keats
%@NL@%Letter to Charles Armitage Brown; Keats's last letter
[November 30, 1820]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Among the many things he has requested of me tonight, this is the
principal-that on his gravestone shall be this inscription.-Letter from
Severn, in Richard Monckton Milnes, Life, Letters, and Literary Remains of
John Keats [1848]  See Sophocles, Catullus, More, Bacon, and Shakespeare  %@EF@%
%@QR:John Keats@%%@QR:Keats@%%@CR:N1795KEAJ1380   @%%@2@%   Here lies one whose name was writ in water.%@NL@%%@EH@%
%@NL@%
John Keats
%@NL@%Epitaph for himself [1821]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Leopold von Ranke%@AE@%%@EH@%
%@NL@%
%@AB@%1795-1886%@AE@%
%@NL@%%@NL@%

%@FN@%
Wie es eigentlich gewesen.  See Thucydides  %@EF@%
%@QR:Leopold von Ranke@%%@QR:Ranke@%%@CR:N1795RANL10     @%%@2@%   You have reckoned that history ought to judge the past and to instruct%@EH@%
the contemporary world as to the future. The present attempt does not yield
to that high office. It will merely tell how it really was.%@NL@%
%@NL@%
Leopold von Ranke
%@NL@%Geschichten der Romanischen und Germanischen Volker (History of
the Romanic and Germanic Peoples) von 1492 bis 1535 [1824], preface

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Friedrich Wilhelm IV%@AE@%%@EH@%
%@NL@%
%@AB@%1795-1861%@AE@%
%@NL@%%@NL@%

%@QR:Friedrich Wilhelm IV@%%@CR:N1795WILF10     @%%@2@%   I love an opposition that has convictions.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm IV
%@NL@%Speech [April 11, 1847]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm IV@%%@CR:N1795WILF20     @%%@2@%   Henceforth Prussia goes forward as part of Germany.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm IV
%@NL@%Proclamation: To My People, to the German Nation [March 21, 1848]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alfred Bunn%@AE@%%@EH@%
%@NL@%
%@AB@%1796-1860%@AE@%
%@NL@%%@NL@%

%@QR:Alfred Bunn@%%@QR:Bunn@%%@CR:N1796BUNA10     @%%@2@%I dreamt that I dwelt in marble halls,%@NL@%%@EH@%
With vassals and serfs at my side.%@NL@%

%@NL@%Alfred Bunn
%@NL@%The Bohemian Girl [1843], act II, song

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%David Hartley Coleridge%@AE@%%@EH@%
%@NL@%
%@AB@%1796-1849%@AE@%
%@NL@%%@NL@%

%@QR:David Hartley Coleridge@%%@QR:Coleridge@%%@CR:N1796COLD10     @%%@2@%The soul of man is larger than the sky,%@NL@%%@EH@%
Deeper than ocean, or the abysmal dark%@NL@%
Of the unfathomed center. 1 %@NL@%

%@NL@%David Hartley Coleridge
%@NL@%To Shakespeare

%@NL@%%@AI@%1 See Millay%@BO:          5edd89@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Horace Mann%@AE@%%@EH@%
%@NL@%
%@AB@%1796-1859%@AE@%
%@NL@%%@NL@%

%@QR:Horace Mann@%%@QR:Mann@%%@CR:N1796MANH10     @%%@2@%   Lost, yesterday, somewhere between sunrise and sunset, two golden hours,%@EH@%
each set with sixty diamond minutes. No reward is offered, for they are gone
forever.%@NL@%
%@NL@%
Horace Mann
%@NL@%Aphorism

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace Mann@%%@QR:Mann@%%@CR:N1796MANH20     @%%@2@%   Be ashamed to die until you have won some victory for humanity.%@NL@%%@EH@%
%@NL@%
Horace Mann
%@NL@%Commencement Address, Antioch College [1859]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Robinson Planche%@AE@%%@EH@%
%@NL@%
%@AB@%1796-1880%@AE@%
%@NL@%%@NL@%

%@QR:James Robinson Planche@%%@QR:Planche@%%@CR:N1796PLAJ10     @%%@2@%   It would have made a cat laugh.%@NL@%%@EH@%
%@NL@%
James Robinson Planche
%@NL@%The Queen of the Frogs [1879], act I, sc. iv

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Hickling Prescott%@AE@%%@EH@%
%@NL@%
%@AB@%1796-1859%@AE@%
%@NL@%%@NL@%

%@FN@%
From this summit [Popocatepetl, 17,887 feet] could be seen the great city of
Mexico, and the whole of the lake, and all the towns which were built in
it.-Bernal Diz del Castillo [c. 1492-1581], Historia Verdadera de la
Conquista de la Nueva Espana, pt. IV, ch. 53  %@EF@%
%@QR:William Hickling Prescott@%%@QR:Prescott@%%@CR:N1796PREW10     @%%@2@%   What, then, must have been the emotions of the Spaniards, when, after%@EH@%
working their toilsome way into the upper air, the cloudy tabernacle parted
before their eyes, and they beheld these fair scenes in all their pristine
magnificence and beauty! It was like the spectacle which greeted the eyes of
Moses from the summit of Pisgah, and, in the warm glow of their feelings,
they cried out, "It is the promised land!"%@NL@%
%@NL@%
William Hickling Prescott
%@NL@%The Conquest of Mexico [1843], bk. III, ch. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hickling Prescott@%%@QR:Prescott@%%@CR:N1796PREW20     @%%@2@%   The surest test of the civilization of a people-at least, as sure as%@EH@%
any-afforded by mechanical art is to be found in their architecture, which
presents so noble a field for the display of the grand and the beautiful,
and which, at the same time, is so intimately connected with the essential
comforts of life.%@NL@%
%@NL@%
William Hickling Prescott
%@NL@%The Conquest of Peru [1847], bk.I, ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Hickling Prescott@%%@QR:Prescott@%%@CR:N1796PREW30     @%%@2@%   Drawing his sword he [Pizarro] traced a line with it on the sand from%@EH@%
East to West. Then, turning towards the South, "Friends and comrades!" he
said, "on that side are toil, hunger, nakedness, the drenching storm,
desertion, and death; on this side ease and pleasure. 1  2  There lies Peru
with its riches; here, Panama and its poverty. Choose, each man, what best
becomes a brave Castilian. For my part, I go to the South." So saying, he
stepped across the line.%@NL@%
%@NL@%
William Hickling Prescott
%@NL@%The Conquest of Peru [1847], bk.II, ch. 4

%@NL@%%@AI@%1 See Garibaldi%@BO:          3d8c42@%%@AE@%
%@AI@%2 See Churchill%@BO:          56f765@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Sam Slick%@AE@%%@EH@%
%@NL@%Thomas Chandler Haliburton
%@AB@%1796-1865%@AE@%
%@NL@%%@NL@%

%@QR:Sam Slick@%%@QR:Slick@%%@QR:Thomas Chandler Haliburton@%%@QR:Haliburton@%%@CR:N1796SLIS10     @%%@2@%   I want you to see Peel, Stanley, Graham, Shiel, Russell, Macaulay, Old%@EH@%
Joe, and so on. These men are all upper crust here. 1 %@NL@%
%@NL@%
Sam Slick
%@NL@%%@FN@%
The "Sam Slick" papers first appeared in a weekly paper in Nova Scotia
[1836].  %@EF@%
Sam Slick in England [1843-1844],
ch. 24

%@NL@%%@AI@%1 See James Fenimore Cooper%@BO:          3853b0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sam Slick@%%@QR:Slick@%%@QR:Thomas Chandler Haliburton@%%@QR:Haliburton@%%@CR:N1796SLIS20     @%%@2@%   Circumstances alter cases.%@NL@%%@EH@%
%@NL@%
Sam Slick
%@NL@%The Old Judge [1849], ch. 15

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%T homas H aynes Bayly%@AE@%%@EH@%
%@NL@%
%@AB@%1797-1839%@AE@%
%@NL@%%@NL@%

%@QR:T homas H aynes Bayly@%%@QR:Bayly@%%@CR:N1797BAYT10     @%%@2@%Tell me the tales that to me were so dear,%@NL@%%@EH@%
Long, long ago, long, long ago.%@NL@%

%@NL@%T homas H aynes Bayly
%@NL@%Long, Long Ago

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Heinrich Heine%@AE@%%@EH@%
%@NL@%
%@AB@%1797-1856%@AE@%
%@FN@%
Therefore a secret unrest/Tortured thee, brilliant and bold.-Matthew Arnold,
Heine's Grave [1867]  %@EF@%
%@NL@%%@NL@%

%@FN@%
Translated by Elizabeth Barrett Browning.  %@EF@%
%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH20     @%%@2@%Out of my own great woe%@NL@%%@EH@%
I make my little songs.%@NL@%

%@NL@%Heinrich Heine
%@NL@%Aus Meinen Grossen Schmerzen (Out of My Great Woe), st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ich weiss nicht, was soll es bedeuten,/Dass ich so traurig bin;/Ein M[auml
]rchen aus alten Zeiten,/Das kommt mir nicht aus dem Sinn.  Translated by
Aaron Kramer.  %@EF@%
%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH40     @%%@2@%I cannot explain the sadness%@NL@%%@EH@%
That's fallen on my breast.%@NL@%
An old, old fable haunts me,%@NL@%
And will not let me rest.%@NL@%

%@NL@%Heinrich Heine
%@NL@%Die Lorelei, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Du bist wie eine Blume,/So hold und schon und rein;Ich schau dich an, und
Wehmut/Schleicht mir ins Herz hinein.  Translated by Aaron Kramer.  %@EF@%
%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH60     @%%@2@%You're lovely as a flower,%@NL@%%@EH@%
So pure and fair to see;%@NL@%
I look at you, and sadness%@NL@%
Comes stealing over me.%@NL@%

%@NL@%Heinrich Heine
%@NL@%Du Bist Wie eine Blume, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH80     @%%@2@%   At first I was almost about to despair, I thought I never could bear%@EH@%
it-but I did bear it. The question remains: how?%@NL@%
%@NL@%
Heinrich Heine
%@NL@%An Karl von U.

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH90     @%%@2@%   A knight of the holy spirit.%@NL@%%@EH@%
%@NL@%
Heinrich Heine
%@NL@%Harzreise

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH93     @%%@2@%   Wherever they burn books they will also, in the end, burn human beings.%@NL@%%@EH@%
%@NL@%
Heinrich Heine
%@NL@%Almansor: A Tragedy [1823]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH95     @%%@2@%   Every woman is the gift of a world to me.%@NL@%%@EH@%
%@NL@%
Heinrich Heine
%@NL@%Ideas: The Book Le Grand [1826]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Auf Flugeln des Gesanges.  %@EF@%
%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH97     @%%@2@%On the wings of song.%@NL@%%@EH@%

%@NL@%Heinrich Heine
%@NL@%Lyrisches Intermezzo [1823], no. 9, On the Wings of Song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH100    @%%@2@%   Don't send a poet to London.%@NL@%%@EH@%
%@NL@%
Heinrich Heine
%@NL@%English Fragments [1828], ch. 2, London

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH103    @%%@2@%   Christianity is an idea, and as such is indestructible and immortal, like%@EH@%
every idea.%@NL@%
%@NL@%
Heinrich Heine
%@NL@%History of Religion and Philosophy in Germany [1834], vol.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH105    @%%@2@%   Mark this well, you proud men of action: You are nothing but the%@EH@%
unwitting agents of the men of thought who often, in quiet self-effacement,
mark out most exactly all your doings in advance.%@NL@%
%@NL@%
Heinrich Heine
%@NL@%History of Religion and Philosophy in Germany [1834], vol.III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH107    @%%@2@%   People in those old times had convictions; we moderns only have opinions.%@EH@%
And it needs more than a mere opinion to erect a Gothic cathedral.%@NL@%
%@NL@%
Heinrich Heine
%@NL@%The French Stage (Franzosische Buhne) [1837], ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH110    @%%@2@%   If one has no heart, one cannot write for the masses.%@NL@%%@EH@%
%@NL@%
Heinrich Heine
%@NL@%Letter to Julius Campe [March 18, 1840]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In The Revelation of St. John the Divine.  %@EF@%
%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH113    @%%@2@%   Wild, dark times are rumbling toward us, and the prophet who wishes to%@EH@%
write a new apocalypse will have to invent entirely new beasts, and beasts
so terrible that the ancient animal symbols of St. John will seem like
cooing doves and cupids in comparison. 1 %@NL@%
%@NL@%
Heinrich Heine
%@NL@%Lutetia; or, Paris [1842]. From the Augsberg Gazette, 12, VII

%@NL@%%@AI@%1 See Yeats%@BO:          53f687@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH115    @%%@2@%   The future smells of Russian leather, of blood, of godlessness and of%@EH@%
much whipping. I advise our grandchildren to come into the world with very
thick skin on their backs.%@NL@%
%@NL@%
Heinrich Heine
%@NL@%Lutetia; or, Paris [1842]. From the Augsberg Gazette, 12, VII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH120    @%%@2@%   No talent, but a character.%@NL@%%@EH@%
%@NL@%
Heinrich Heine
%@NL@%Atta Troll [1843], ch. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH130    @%%@2@%   Ordinarily he is insane, but he has lucid moments when he is only stupid.%@EH@%
1  2  3 %@NL@%
%@NL@%
Heinrich Heine
%@NL@%Of Savoye, appointed ambassador to Frankfurt by Lamartine [1848]

%@NL@%%@AI@%1 See Cervantes%@BO:          14fdd4@%%@AE@%
%@AI@%2 See Bacon%@BO:          160dc8@%%@AE@%
%@AI@%3 See Dryden%@BO:          267b00@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH140    @%%@2@%So we keep asking, over and over,%@NL@%%@EH@%
Until a handful of earth%@NL@%
Stops our mouths-%@NL@%
But is that an answer?%@NL@%

%@NL@%Heinrich Heine
%@NL@%Lazarus, I [1854]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Heinrich Heine@%%@QR:Heine@%%@CR:N1797HEIH150    @%%@2@%   Of course he [God] will forgive me; that's his business [Bien s[ucirc ]r,%@EH@%
il me pardonnera; c'est son metier].%@NL@%
%@NL@%
Heinrich Heine
%@NL@%Last words [1856]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Lover%@AE@%%@EH@%
%@NL@%
%@AB@%1797-1868%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Lover@%%@QR:Lover@%%@CR:N1797LOVS10     @%%@2@%Reproof on her lip, but a smile in her eye.%@NL@%%@EH@%

%@NL@%Samuel Lover
%@NL@%Rory O'More [1836],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Lover@%%@QR:Lover@%%@CR:N1797LOVS20     @%%@2@%"For there's luck in odd numbers," says Rory O'More. 1  2 %@NL@%%@EH@%

%@NL@%Samuel Lover
%@NL@%Rory O'More [1836],st. 3

%@NL@%%@AI@%1 See Pliny%@BO:           edb88@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          1cb00c@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Sir Charles Lyell%@AE@%%@EH@%
%@NL@%
%@AB@%1797-1875%@AE@%
%@NL@%%@NL@%

%@QR:Sir Charles Lyell@%%@QR:Lyell@%%@CR:N1797LYEC10     @%%@2@%   Although we are mere sojourners on the surface of the planet, chained to%@EH@%
a mere point in space, enduring but for a moment of time, the human mind is
not only enabled to number worlds beyond the unassisted ken of mortal eye,
but to trace the events of indefinite ages before the creation of our race,
and is not even withheld from penetrating into the dark secrets of the
ocean, or the interior of the solid globe; free, like the spirit which the
poet described as animating the universe.%@NL@%
%@NL@%
Sir Charles Lyell
%@NL@%Principles of Geology, vol. I [1830], ch. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Charles Lyell@%%@QR:Lyell@%%@CR:N1797LYEC20     @%%@2@%   It may be said that, so far from having a materialistic tendency, the%@EH@%
supposed introduction into the earth at successive geological periods of
life-sensation, instinct, the intelligence of the higher mammalia bordering
on reason, and lastly, the improvable reason of Man himself-presents us with
a picture of the ever-increasing dominion of mind over matter.%@NL@%
%@NL@%
Sir Charles Lyell
%@NL@%The Geological Evidences of the Antiquity of Man [1863]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Motherwell%@AE@%%@EH@%
%@NL@%
%@AB@%1797-1835%@AE@%
%@NL@%%@NL@%

%@QR:William Motherwell@%%@QR:Motherwell@%%@CR:N1797MOTW10     @%%@2@%I've wandered east, I've wandered west,%@NL@%%@EH@%
Through many a weary way;%@NL@%
But never, never can forget%@NL@%
The love o' life's young day!%@NL@%

%@NL@%William Motherwell
%@NL@%Jeannie Morrison [1832], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Mary Wollstonecraft Shelley%@AE@%%@EH@%
%@NL@%
%@AB@%1797-1851%@AE@%
%@NL@%%@NL@%

%@QR:Mary Wollstonecraft Shelley@%%@QR:Shelley@%%@CR:N1797SHEM10     @%%@2@%   I beheld the wretch-the miserable monster whom I had created.%@NL@%%@EH@%
%@NL@%
Mary Wollstonecraft Shelley
%@NL@%Frankenstein [1818], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Wollstonecraft Shelley@%%@QR:Shelley@%%@CR:N1797SHEM20     @%%@2@%   Nothing contributes so much to tranquilize the mind as a steady purpose-a%@EH@%
point on which the soul may fix its intellectual eye.%@NL@%
%@NL@%
Mary Wollstonecraft Shelley
%@NL@%Frankenstein [1818], ch. 5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sojourner Truth%@AE@%%@EH@%
%@NL@%Isabella Van Wagener
%@AB@%c. 1797-1883%@AE@%
%@NL@%%@NL@%

%@QR:Sojourner Truth@%%@QR:Truth@%%@QR:Isabella Van Wagener@%%@QR:Wagener@%%@CR:N1797TRUS10     @%%@2@%   Frederick, is God dead?%@NL@%%@EH@%
%@NL@%
Sojourner Truth
%@NL@%%@FN@%
According to Garrison [December 9, 1878], Douglass, "under the tremendous
pressure of the hour, spoke in a somewhat desponding tone."  %@EF@%
Question to speaker Frederick Douglass
[c. 1850]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sojourner Truth@%%@QR:Truth@%%@QR:Isabella Van Wagener@%%@QR:Wagener@%%@CR:N1797TRUS20     @%%@2@%   That man . . . says that women need to be helped into carriages, and%@EH@%
lifted over ditches, and to have the best place everywhere. Nobody ever
helps me into carriages, or over mud puddles, or gives me any best place,
and aren't I a woman? . . . I have plowed, and planted, and gathered into
barns, and no man could head me-and aren't I a woman? I could work as much
and eat as much as a man (when I could get it), and bear the lash as
well-and aren't I a woman? I have borne thirteen children and seen them most
all sold off into slavery, and when I cried out with a mother's grief, none
but Jesus heard-and aren't I a woman?%@NL@%
%@NL@%
Sojourner Truth
%@NL@%Speech at Woman's Rights Convention, Akron, Ohio [1851]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sojourner Truth@%%@QR:Truth@%%@QR:Isabella Van Wagener@%%@QR:Wagener@%%@CR:N1797TRUS30     @%%@2@%   That . . . man . . . says women can't have as much rights as man, cause%@EH@%
Christ wasn't a woman. Where did your Christ come from? . . . From God and a
woman. Man had nothing to do with him.%@NL@%
%@NL@%
Sojourner Truth
%@NL@%Speech at Woman's Rights Convention, Akron, Ohio [1851]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sojourner Truth@%%@QR:Truth@%%@QR:Isabella Van Wagener@%%@QR:Wagener@%%@CR:N1797TRUS40     @%%@2@%   The rich rob the poor and the poor rob one another.%@NL@%%@EH@%
%@NL@%
Sojourner Truth
%@NL@%Saying

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alfred de Vigny%@AE@%%@EH@%
%@NL@%
%@AB@%1797-1863%@AE@%
%@NL@%%@NL@%

%@FN@%
J'aime le son du cor, le soir, au fond des bois.  %@EF@%
%@QR:Alfred de Vigny@%%@QR:Vigny@%%@CR:N1797VIGA10     @%%@2@%   I love the sound of the horn, at night, in the depth of the woods.%@NL@%%@EH@%
%@NL@%
Alfred de Vigny
%@NL@%Le Cor [1826]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dieu! que le son du cor est triste au fond des bois!  %@EF@%
%@QR:Alfred de Vigny@%%@QR:Vigny@%%@CR:N1797VIGA30     @%%@2@%   God! how sad is the sound of the horn deep in the woods!%@NL@%%@EH@%
%@NL@%
Alfred de Vigny
%@NL@%Le Cor [1826]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred de Vigny@%%@QR:Vigny@%%@CR:N1797VIGA50     @%%@2@%   I [Nature] am called a mother, but I am a grave.%@NL@%%@EH@%
%@NL@%
Alfred de Vigny
%@NL@%La Maison du Berger [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred de Vigny@%%@QR:Vigny@%%@CR:N1797VIGA60     @%%@2@%   Love that which will never be seen twice.%@NL@%%@EH@%
%@NL@%
Alfred de Vigny
%@NL@%La Maison du Berger [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred de Vigny@%%@QR:Vigny@%%@CR:N1797VIGA70     @%%@2@%   Silence alone is great; all else is weakness.%@NL@%%@EH@%
%@NL@%
Alfred de Vigny
%@NL@%La Mort du Loup [1864]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Wilhelm I%@AE@%%@EH@%
%@NL@%
%@AB@%1797-1888%@AE@%
%@NL@%%@NL@%

%@QR:Wilhelm I@%%@CR:N1797WILH10     @%%@2@%   In Germany, Prussia must make moral conquests through legislation.%@NL@%%@EH@%
%@NL@%
Wilhelm I
%@NL@%Speech to the Cabinet [November 8, 1858]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wilhelm I@%%@CR:N1797WILH20     @%%@2@%   The Prussian army is the people in arms.%@NL@%%@EH@%
%@NL@%
Wilhelm I
%@NL@%As Prince Regent [1860]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wilhelm I@%%@CR:N1797WILH30     @%%@2@%   I now have no time to be tired.%@NL@%%@EH@%
%@NL@%
Wilhelm I
%@NL@%On his deathbed [March 8, 1888]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Auguste Comte%@AE@%%@EH@%
%@NL@%
%@AB@%1798-1857%@AE@%
%@NL@%%@NL@%

%@QR:Auguste Comte@%%@QR:Comte@%%@CR:N1798COMA10     @%%@2@%   Love our principle, order our foundation, progress our goal.%@NL@%%@EH@%
%@NL@%
Auguste Comte
%@NL@%Systeme de Politique Positive [1851-1854]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il n'y a, au fond, de reel que l'humanite.  %@EF@%
%@QR:Auguste Comte@%%@QR:Comte@%%@CR:N1798COMA20     @%%@2@%   Nothing at bottom is real except humanity.%@NL@%%@EH@%
%@NL@%
Auguste Comte
%@NL@%Systeme de Politique Positive [1851-1854]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Auguste Comte@%%@QR:Comte@%%@CR:N1798COMA40     @%%@2@%   The dead govern the living.%@NL@%%@EH@%
%@NL@%
Auguste Comte
%@NL@%Catechisme Positiviste [1852]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Eugene Delacroix%@AE@%%@EH@%
%@NL@%
%@AB@%1798-1863%@AE@%
%@NL@%%@NL@%

%@QR:Eugene Delacroix@%%@QR:Delacroix@%%@CR:N1798DELE10     @%%@2@%   O young artist, you search for a subject-everything is a subject. Your%@EH@%
subject is yourself, your impressions, your emotions in the presence of
nature.%@NL@%
%@NL@%
Eugene Delacroix
%@NL@%Oeuvres Litteraires

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Eugene Delacroix@%%@QR:Delacroix@%%@CR:N1798DELE20     @%%@2@%   The first virtue of a painting is to be a feast for the eyes.%@NL@%%@EH@%
%@NL@%
Eugene Delacroix
%@NL@%Journal [1893-1895]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Eugene Delacroix@%%@QR:Delacroix@%%@CR:N1798DELE30     @%%@2@%   Painting is only a bridge linking the painter's mind with that of the%@EH@%
viewer.%@NL@%
%@NL@%
Eugene Delacroix
%@NL@%Journal [1893-1895]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%August Heinrich Hoffmann%@AE@%%@EH@%
%@NL@%Hoffmann von Fallersleben
%@AB@%1798-1874%@AE@%
%@NL@%%@NL@%

%@FN@%
Germany before everything.  %@EF@%
%@QR:August Heinrich Hoffmann@%%@QR:Hoffmann@%%@QR:Hoffmann von Fallersleben@%%@QR:Fallersleben@%%@CR:N1798HOFA10     @%%@2@%   Deutschland, Deutschland uber Alles.%@NL@%%@EH@%
%@NL@%
August Heinrich Hoffmann
%@NL@%Title of poem [September 1, 1841]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jules Michelet%@AE@%%@EH@%
%@NL@%
%@AB@%1798-1874%@AE@%
%@NL@%%@NL@%

%@QR:Jules Michelet@%%@QR:Michelet@%%@CR:N1798MICJ10     @%%@2@%   England is an empire, Germany is a nation, a race, France is a person.%@NL@%%@EH@%
%@NL@%
Jules Michelet
%@NL@%Histoire de France [1833-1867]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jules Michelet@%%@QR:Michelet@%%@CR:N1798MICJ20     @%%@2@%   What is the first part of politics? Education. The second? Education. And%@EH@%
the third? Education.%@NL@%
%@NL@%
Jules Michelet
%@NL@%Le Peuple [1846]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%David Macbeth Moir%@AE@%%@EH@%
%@NL@%
%@AB@%1798-1851%@AE@%
%@NL@%%@NL@%

%@FN@%
This poem, entitled Canadian Boat Song, appeared [September 1829]
anonymously in the Noctes Ambrosianae series in Blackwood's Edinburgh
Magazine. It has been attributed to (among others) John Wilson ("Christopher
North"), John Galt, John Lockhart, Scott, and to David Macbeth Moir, who is
now generally accepted as the author.  %@EF@%
%@QR:David Macbeth Moir@%%@QR:Moir@%%@CR:N1798MOID10     @%%@2@%From the lone sheiling of the misty island%@NL@%%@EH@%
Mountains divide us, and the waste of seas-%@NL@%
Yet still the blood is strong, the heart is Highland,%@NL@%
And we in dreams behold the Hebrides.%@NL@%

%@NL@%David Macbeth Moir
%@NL@%The Lone Sheiling [Canadian Boat Song, 1829]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Dionysios Solomos%@AE@%%@EH@%
%@NL@%
%@AB@%1798-1857%@AE@%
%@NL@%%@NL@%

%@QR:Dionysios Solomos@%%@QR:Solomos@%%@CR:N1798SOLD10     @%%@2@%We knew thee of old,%@NL@%%@EH@%
O divinely restored,%@NL@%
By the light of thine eyes%@NL@%
And the light of thy sword.From the graves of our slain%@NL@%
Shall thy valor prevail%@NL@%
As we greet thee again-%@NL@%
Hail, Liberty! Hail!%@NL@%

%@NL@%Dionysios Solomos
%@NL@%%@FN@%
Translated by Rudyard Kipling.  Out of a total of 158 stanzas in the hymn,
the first four have been adopted as the Greek national anthem.  %@EF@%
Hymn to Liberty [1823],
st. 1, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dionysios Solomos@%%@QR:Solomos@%%@CR:N1798SOLD20     @%%@2@%On the blackened spine of Psara,%@NL@%%@EH@%
Glory, pacing alone,%@NL@%
Broods on her shining heroes;%@NL@%
She crowns her hair with a band%@NL@%
Born from the spare, few grasses%@NL@%
That are left in the ruined land.%@NL@%

%@NL@%Dionysios Solomos
%@NL@%%@FN@%
Translated by Cedric Whitman.  %@EF@%
The Destruction of Psara [1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dionysios Solomos@%%@QR:Solomos@%%@CR:N1798SOLD30     @%%@2@%   Enclose in your soul Greece (or something equal) and you shall feel every%@EH@%
kind of grandeur.%@NL@%
%@NL@%
Dionysios Solomos
%@NL@%%@FN@%
Translated by George Savidis.  %@EF@%
Note to "Free Besieged" [c. 1833]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dionysios Solomos@%%@QR:Solomos@%%@CR:N1798SOLD40     @%%@2@%   The nation must learn to consider as national whatever is true.%@NL@%%@EH@%
%@NL@%
Dionysios Solomos
%@NL@%%@FN@%
Translated by George Savidis.  %@EF@%
Table Talk [c. 1850]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Amos Bronson Alcott%@AE@%%@EH@%
%@NL@%
%@AB@%1799-1888%@AE@%
%@NL@%%@NL@%

%@QR:Amos Bronson Alcott@%%@QR:Alcott@%%@CR:N1799ALCA30     @%%@2@%   The true teacher defends his pupils against his own personal influence.%@EH@%
He inspires self-trust. He guides their eyes from himself to the spirit that
quickens him. He will have no disciple.%@NL@%
%@NL@%
Amos Bronson Alcott
%@NL@%Orphic Sayings. From The Dial [July 1840]. The Teacher

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Amos Bronson Alcott@%%@QR:Alcott@%%@CR:N1799ALCA40     @%%@2@%Who loves a garden still his Eden keeps,%@NL@%%@EH@%
Perennial pleasures plants, and wholesome harvests reaps.%@NL@%

%@NL@%Amos Bronson Alcott
%@NL@%Tablets [1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Amos Bronson Alcott@%%@QR:Alcott@%%@CR:N1799ALCA45     @%%@2@%   One must be a wise reader to quote wisely and well.%@NL@%%@EH@%
%@NL@%
Amos Bronson Alcott
%@NL@%Table Talk [1877].Quotation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Amos Bronson Alcott@%%@QR:Alcott@%%@CR:N1799ALCA46     @%%@2@%   To be ignorant of one's ignorance is the malady of the ignorant.%@NL@%%@EH@%
%@NL@%
Amos Bronson Alcott
%@NL@%Table Talk [1877].Discourse

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Amos Bronson Alcott@%%@QR:Alcott@%%@CR:N1799ALCA50     @%%@2@%I press thee to my heart as Duty's faithful child.%@NL@%%@EH@%

%@NL@%Amos Bronson Alcott
%@NL@%Sonnet to Louisa May Alcott [1882]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Honore de Balzac%@AE@%%@EH@%
%@NL@%
%@AB@%1799-1850%@AE@%
%@NL@%%@NL@%

%@QR:Honore de Balzac@%%@QR:Balzac@%%@CR:N1799BALH10     @%%@2@%   It is easier to be a lover than a husband for the simple reason that it%@EH@%
is more difficult to be witty every day than to say pretty things from time
to time.%@NL@%
%@NL@%
Honore de Balzac
%@NL@%Physiologie du Mariage [1829]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Honore de Balzac@%%@QR:Balzac@%%@CR:N1799BALH20     @%%@2@%   I am a galley slave to pen and ink.%@NL@%%@EH@%
%@NL@%
Honore de Balzac
%@NL@%Lettres [1832]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Honore de Balzac@%%@QR:Balzac@%%@CR:N1799BALH30     @%%@2@%   Fame is the sun of the dead.%@NL@%%@EH@%
%@NL@%
Honore de Balzac
%@NL@%La Recherche de l'Absolu [1834]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Honore de Balzac@%%@QR:Balzac@%%@CR:N1799BALH32     @%%@2@%   Our heart is a treasury; if you spend all its wealth at once you are%@EH@%
ruined. We find it as difficult to forgive a person for displaying his
feeling in all its nakedness as we do to forgive a man for being penniless.%@NL@%
%@NL@%
Honore de Balzac
%@NL@%%@FN@%
Translated by Marion Ayton Crawford.  %@EF@%
Le Pere Goriot [1835]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Honore de Balzac@%%@QR:Balzac@%%@CR:N1799BALH34     @%%@2@%   Man is no angel. He is sometimes more of a hypocrite and sometimes less,%@EH@%
and then fools say that he has or has not principles.%@NL@%
%@NL@%
Honore de Balzac
%@NL@%Le Pere Goriot [1835]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Honore de Balzac@%%@QR:Balzac@%%@CR:N1799BALH36     @%%@2@%   "Temptations can be got rid of." "How?" "By yielding to them." 1 %@NL@%%@EH@%
%@NL@%
Honore de Balzac
%@NL@%Le Pere Goriot [1835]

%@NL@%%@AI@%1 See Wilde%@BO:          4fbe13@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Honore de Balzac@%%@QR:Balzac@%%@CR:N1799BALH40     @%%@2@%   I believe in the incomprehensibility of God.%@NL@%%@EH@%
%@NL@%
Honore de Balzac
%@NL@%Letter to Madame de Hanska [1837]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Honore de Balzac@%%@QR:Balzac@%%@CR:N1799BALH50     @%%@2@%   Those sweetly smiling angels with pensive looks, innocent faces, and%@EH@%
cash-boxes for hearts.%@NL@%
%@NL@%
Honore de Balzac
%@NL@%Cousin Bette [1846], ch. 15

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Rufus Choate%@AE@%%@EH@%
%@NL@%
%@AB@%1799-1859%@AE@%
%@NL@%%@NL@%

%@QR:Rufus Choate@%%@QR:Choate@%%@CR:N1799CHOR10     @%%@2@%   The courage of New England was the "courage of conscience." It did not%@EH@%
rise to that insane and awful passion, the love of war for itself.%@NL@%
%@NL@%
Rufus Choate
%@NL@%Address at Ipswich Centennial [1834]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Rufus Choate@%%@QR:Choate@%%@CR:N1799CHOR20     @%%@2@%   The final end of government is not to exert restraint but to do good.%@NL@%%@EH@%
%@NL@%
Rufus Choate
%@NL@%Speech in the Senate [July 2, 1841]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Junius  It [Calvinism] established a religion without a prelate, a
government without a king.-George Bancroft, History of the United States
[1834-1876], vol. III, ch. 6  %@EF@%
%@QR:Rufus Choate@%%@QR:Choate@%%@CR:N1799CHOR30     @%%@2@%   There was a state without king or nobles; there was a church without a%@EH@%
bishop; there was a people governed by grave magistrates which it had
selected, and by equal laws which it had framed.%@NL@%
%@NL@%
Rufus Choate
%@NL@%Speech before the New England Society [December 22, 1843]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Rufus Choate@%%@QR:Choate@%%@CR:N1799CHOR50     @%%@2@%   We join ourselves to no party that does not carry the flag and keep step%@EH@%
to the music of the Union.%@NL@%
%@NL@%
Rufus Choate
%@NL@%Letter to the Whig Convention, Worcester [October 1, 1855]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Rufus Choate@%%@QR:Choate@%%@CR:N1799CHOR60     @%%@2@%   The glittering and sounding generalities 1  of natural right which make%@EH@%
up the Declaration of Independence.%@NL@%
%@NL@%
Rufus Choate
%@NL@%Letter to the Maine Whig Committee [1856]

%@NL@%%@AI@%1 See Dickman%@BO:          477216@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Thomas Hood%@AE@%%@EH@%
%@NL@%
%@AB@%1799-1845%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT10     @%%@2@%They went and told the sexton, and%@NL@%%@EH@%
The sexton tolled the bell.%@NL@%

%@NL@%Thomas Hood
%@NL@%Faithless Sally Brown [1826], st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT20     @%%@2@%I remember, I remember%@NL@%%@EH@%
The house where I was born,%@NL@%
The little window where the sun%@NL@%
Came peeping in at morn.%@NL@%

%@NL@%Thomas Hood
%@NL@%I Remember, I Remember [1827],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT30     @%%@2@%Now 'tis little joy%@NL@%%@EH@%
To know I'm farther off from heaven%@NL@%
Than when I was a boy.%@NL@%

%@NL@%Thomas Hood
%@NL@%I Remember, I Remember [1827],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT40     @%%@2@%And there is even a happiness%@NL@%%@EH@%
That makes the heart afraid.%@NL@%

%@NL@%Thomas Hood
%@NL@%Ode to Melancholy [1827]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT50     @%%@2@%There's not a string attuned to mirth%@NL@%%@EH@%
But has its chord in melancholy.%@NL@%

%@NL@%Thomas Hood
%@NL@%Ode to Melancholy [1827]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT60     @%%@2@%But evil is wrought by want of thought,%@NL@%%@EH@%
As well as want of heart.%@NL@%

%@NL@%Thomas Hood
%@NL@%The Lady's Dream [1827], st. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT70     @%%@2@%I saw old Autumn in the misty morn%@NL@%%@EH@%
Stand shadowless like silence, listening%@NL@%
To silence.%@NL@%

%@NL@%Thomas Hood
%@NL@%Autumn [1827], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT80     @%%@2@%Straight down the Crooked Lane,%@NL@%%@EH@%
And all round the Square.%@NL@%

%@NL@%Thomas Hood
%@NL@%A Plain Direction, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT90     @%%@2@%Never go to France%@NL@%%@EH@%
Unless you know the lingo,%@NL@%
If you do, like me,%@NL@%
You will repent, by jingo.%@NL@%

%@NL@%Thomas Hood
%@NL@%French and English [1839], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT100    @%%@2@%No warmth, no cheerfulness, no healthful ease,%@NL@%%@EH@%
No comfortable feel in any member-%@NL@%
No shade, no shine, no butterflies, no bees,%@NL@%
No fruits, no flowers, no leaves, no birds,%@NL@%
November!%@NL@%

%@NL@%Thomas Hood
%@NL@%No!

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT110    @%%@2@%Seemed washing his hands with invisible soap%@NL@%%@EH@%
In imperceptible water.%@NL@%

%@NL@%Thomas Hood
%@NL@%Miss Kilmansegg and Her Precious Leg [1841-1843].Her Christening, st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT120    @%%@2@%O bed! O bed! delicious bed!%@NL@%%@EH@%
That heaven upon earth to the weary head.%@NL@%

%@NL@%Thomas Hood
%@NL@%Miss Kilmansegg and Her Precious Leg [1841-1843].Her Dream, st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT140    @%%@2@%Another tumble!-that's his precious nose!%@NL@%%@EH@%

%@NL@%Thomas Hood
%@NL@%Parental Ode to My Infant Son, st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT150    @%%@2@%With fingers weary and worn,%@NL@%%@EH@%
With eyelids heavy and red,%@NL@%
A woman sat in unwomanly rags%@NL@%
Plying her needle and thread-%@NL@%
Stitch! stitch! stitch!%@NL@%
In poverty, hunger, and dirt.%@NL@%

%@NL@%Thomas Hood
%@NL@%The Song of the Shirt [1843],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT160    @%%@2@%She sang the Song of the Shirt.%@NL@%%@EH@%

%@NL@%Thomas Hood
%@NL@%The Song of the Shirt [1843],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT170    @%%@2@%Work! work! work!%@NL@%%@EH@%

%@NL@%Thomas Hood
%@NL@%The Song of the Shirt [1843],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT180    @%%@2@%O men, with sisters dear!%@NL@%%@EH@%
O men, with mothers and wives!%@NL@%
It is not linen you're wearing out,%@NL@%
But human creatures' lives! 1 %@NL@%

%@NL@%Thomas Hood
%@NL@%The Song of the Shirt [1843],st. 4

%@NL@%%@AI@%1 See Scott%@BO:          34afb6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT190    @%%@2@%O God! that bread should be so dear,%@NL@%%@EH@%
And flesh and blood so cheap!%@NL@%

%@NL@%Thomas Hood
%@NL@%The Song of the Shirt [1843],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT210    @%%@2@%One more unfortunate,%@NL@%%@EH@%
Weary of breath,%@NL@%
Rashly importunate,%@NL@%
Gone to her death!Take her up tenderly,%@NL@%
Lift her with care;%@NL@%
Fashioned so slenderly,%@NL@%
Young, and so fair!%@NL@%

%@NL@%Thomas Hood
%@NL@%The Bridge of Sighs [1844],st. 1, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hood@%%@QR:Hood@%%@CR:N1799HOOT220    @%%@2@%Alas for the rarity%@NL@%%@EH@%
Of Christian charity%@NL@%
Under the sun! 1  2 %@NL@%

%@NL@%Thomas Hood
%@NL@%The Bridge of Sighs [1844],st. 9

%@NL@%%@AI@%1 See Southey%@BO:          359f71@%%@AE@%
%@AI@%2 See O'Reilly%@BO:          4e15b2@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Mary Howitt%@AE@%%@EH@%
%@NL@%
%@AB@%1799-1888%@AE@%
%@NL@%%@NL@%

%@QR:Mary Howitt@%%@QR:Howitt@%%@CR:N1799HOWM10     @%%@2@%"Will you walk into my parlor?" said the spider to the fly;%@NL@%%@EH@%

%@NL@%Mary Howitt
%@NL@%The Spider and the Fly [1844]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Howitt@%%@QR:Howitt@%%@CR:N1799HOWM20     @%%@2@%Oh! poverty is a weary thing, 'tis full of grief and pain;%@NL@%%@EH@%
It keepeth down the soul of man, as with an iron chain.%@NL@%

%@NL@%Mary Howitt
%@NL@%The Sale of the Pet Lamb [1844], last stanza

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Noel%@AE@%%@EH@%
%@NL@%
%@AB@%1799-1861%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Noel@%%@QR:Noel@%%@CR:N1799NOET10     @%%@2@%Rattle his bones over the stones!%@NL@%%@EH@%
He's only a pauper, whom nobody owns!%@NL@%

%@NL@%Thomas Noel
%@NL@%The Pauper's Drive, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alexander Seergevich Pushkin%@AE@%%@EH@%
%@NL@%
%@AB@%1799-1837%@AE@%
%@FN@%
The great music's unforgotten strain/Ceased . . . and shall not resound on
earth again.-Mikhail Lermontov, The Poet's Death [written January 1837]  %@EF@%
%@NL@%%@NL@%

%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA11     @%%@2@%Reason's icy intimations,%@NL@%%@EH@%
and records of a heart in pain.%@NL@%

%@NL@%Alexander Seergevich Pushkin
%@NL@%%@FN@%
Translated by Charles Johnston.  %@EF@%
Eugene Onegin [1823],dedication

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA21     @%%@2@%Unforced, as conversation passed,%@NL@%%@EH@%
he had the talent of saluting%@NL@%
felicitously every theme,%@NL@%
of listening like a judge supreme%@NL@%
while serious topics were disputing,%@NL@%
or, with an epigram-surprise,%@NL@%
of kindling smiles in ladies' eyes.%@NL@%

%@NL@%Alexander Seergevich Pushkin
%@NL@%Eugene Onegin [1823],ch.1,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA31     @%%@2@%Always contented with his life,%@NL@%%@EH@%
and with his dinner, and his wife.%@NL@%

%@NL@%Alexander Seergevich Pushkin
%@NL@%Eugene Onegin [1823],ch.1,st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA41     @%%@2@%Why fight what's known to be decisive?%@NL@%%@EH@%
Custom is despot of mankind.%@NL@%

%@NL@%Alexander Seergevich Pushkin
%@NL@%Eugene Onegin [1823],ch.1,st. 25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA51     @%%@2@%The illness with which he'd been smitten%@NL@%%@EH@%
should have been analyzed when caught,%@NL@%
something like spleen, that scourge of Britain,%@NL@%
or Russia's chondria, for short.%@NL@%

%@NL@%Alexander Seergevich Pushkin
%@NL@%Eugene Onegin [1823],ch.1,st. 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA60     @%%@2@%Habit is Heaven's own redress:%@NL@%%@EH@%
it takes the place of happiness. 1 %@NL@%

%@NL@%Alexander Seergevich Pushkin
%@NL@%Eugene Onegin [1823],ch.2,st. 31

%@NL@%%@AI@%1 See Burke%@BO:          2e25ee@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA63     @%%@2@%Love passed, the muse appeared, the weather%@NL@%%@EH@%
of mind got clarity newfound;%@NL@%
now free, I once more weave together%@NL@%
emotion, thought, and magic sound.%@NL@%

%@NL@%Alexander Seergevich Pushkin
%@NL@%Eugene Onegin [1823],ch.2,st. 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA65     @%%@2@%Moscow . . . how many strains are fusing%@NL@%%@EH@%
in that one sound, for Russian hearts!%@NL@%
What store of riches it imparts!%@NL@%

%@NL@%Alexander Seergevich Pushkin
%@NL@%Eugene Onegin [1823],ch.7, st. 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA70     @%%@2@%Pimen [writing by lamplight]: One more, the final record, and my annals%@NL@%%@EH@%
Are ended, and fulfilled the duty laid%@NL@%
By God on me, a sinner. Not in vain%@NL@%
Hath God appointed me for many years%@NL@%
A witness, teaching me the art of letters;%@NL@%
A day will  come when some laborious monk%@NL@%
Will bring to light my zealous, nameless toil,%@NL@%
Kindle, as I, his lamp, and from the parchment%@NL@%
Shaking the dust of ages, will transcribe%@NL@%
My chronicles.%@NL@%

%@NL@%Alexander Seergevich Pushkin
%@NL@%%@FN@%
Translated by Alfred Hayes.  %@EF@%
Boris Godunov [written 1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA80     @%%@2@%Like to some magistrate grown gray in office%@NL@%%@EH@%
Calmly he contemplates alike the just%@NL@%
And unjust, with indifference he notes%@NL@%
Evil and good, and knows not wrath nor pity.%@NL@%

%@NL@%Alexander Seergevich Pushkin
%@NL@%Boris Godunov [written 1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA90     @%%@2@%Ah! heavy art thou, crown of Monomakh!%@NL@%%@EH@%

%@NL@%Alexander Seergevich Pushkin
%@NL@%Boris Godunov [written 1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA100    @%%@2@%   Mosalsky: Good folk! Maria Godunov and her son Feodor have poisoned%@EH@%
themselves. We have seen their dead bodies. [The people are silent with
horror.] Why are you silent? Cry, Long live Czar Dimitri Ivanovich! [The
people are speechless.]%@NL@%
%@NL@%
Alexander Seergevich Pushkin
%@NL@%Boris Godunov [written 1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Peter I (the Great) [1672-1725].  %@EF@%
%@FN@%
Algarotti has somewhere said: Petersbourg est la fen[ecirc ]tre, par
laquelle la Russie regarde en Europe.-Author's Note, The Bronze Horseman  I
am at length going to give you some account of this new city, of the great
window lately opened in the North, through which Russia looks into
Europe.-Francesco Algarotti, Letters About Russia[June 30, 1739]  %@EF@%
%@QR:Alexander Seergevich Pushkin@%%@QR:Pushkin@%%@CR:N1799PUSA110    @%%@2@%And thus he mused: "From here, indeed%@NL@%%@EH@%
Shall we strike terror in the Swede;%@NL@%
And here a city, by our labor%@NL@%
Founded, shall gall our haughty neighbor;%@NL@%
"Here cut"-so Nature gives command-%@NL@%
"Your window through on Europe: stand%@NL@%
Firm-footed by the sea, unchanging!"%@NL@%

%@NL@%Alexander Seergevich Pushkin
%@NL@%%@FN@%
Translated by Oliver Elton.  %@EF@%
The Bronze Horseman [written 1833]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Brown%@AE@%%@EH@%
%@NL@%
%@AB@%1800-1859%@AE@%
%@NL@%%@NL@%

%@QR:John Brown@%%@QR:Brown@%%@CR:N1800BROJ10     @%%@2@%   Had I so interfered in behalf of the rich, the powerful, the intelligent,%@EH@%
the so-called great, or in behalf of any of their friends . . . every man in
this court would have deemed it an act worthy of reward rather than
punishment.%@NL@%
%@NL@%
John Brown
%@NL@%Last speech to the court [November 2, 1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Brown@%%@QR:Brown@%%@CR:N1800BROJ20     @%%@2@%   I am yet too young to understand that God is any respecter of persons. 1%@EH@%
2  I believe that to have interfered as I have done . . . in behalf of His
despised poor, was not wrong, but right. Now, if it is deemed necessary that
I should forfeit my life for the furtherance of the ends of justice, and
mingle my blood further with the blood of my children, and with the blood of
millions in this slave country whose rights are disregarded by wicked,
cruel, and unjust enactments, I submit: so let it be done!%@NL@%
%@NL@%
John Brown
%@NL@%Last speech to the court [November 2, 1859]

%@NL@%%@AI@%1 See Acts 10:34%@BO:           65805@%%@AE@%
%@AI@%2 See I Peter 1:17%@BO:           74ea1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Brown@%%@QR:Brown@%%@CR:N1800BROJ30     @%%@2@%   This is a beautiful country.%@NL@%%@EH@%
%@NL@%
John Brown
%@NL@%Remark as he rode to the gallows, seated on his coffin
[December 2, 1859]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Julia Crawford%@AE@%%@EH@%
%@NL@%
%@AB@%1800-1885%@AE@%
%@NL@%%@NL@%

%@QR:Julia Crawford@%%@QR:Crawford@%%@CR:N1800CRAJ10     @%%@2@%Kathleen Mavourneen! the gray dawn is breaking,%@NL@%%@EH@%
The horn of the hunter is heard on the hill.%@NL@%

%@NL@%Julia Crawford
%@NL@%Kathleen Mavourneen [1835], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Julia Crawford@%%@QR:Crawford@%%@CR:N1800CRAJ20     @%%@2@%Oh! hast thou forgotten this day we must part?%@NL@%%@EH@%
It may be for years, and it may be forever;%@NL@%
Then why art thou silent, thou voice of my heart?%@NL@%

%@NL@%Julia Crawford
%@NL@%Kathleen Mavourneen [1835], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Babington , Lord Macaulay%@AE@%%@EH@%
%@NL@%
%@AB@%1800-1859%@AE@%
%@FN@%
I wish I was as cocksure of anything as Tom Macaulay is of
everything.-William Lamb, Viscount Melbourne [1779-1848]; from Melbourne's
Papers, edited by L. C. Sanders [1889], preface by the Earl Cowper  %@EF@%
%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT10     @%%@2@%   That is the best government which desires to make the people happy, and%@EH@%
knows how to make them happy.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%Essay on Mitford's History of Greece [1824]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT20     @%%@2@%   Free trade, one of the greatest blessings which a government can confer%@EH@%
on a people, is in almost every country unpopular.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%Essay on Mitford's History of Greece [1824]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT30     @%%@2@%Press where ye see my white plume shine, amidst the ranks of war,%@NL@%%@EH@%
And be your oriflamme today the helmet of Navarre.%@NL@%

%@NL@%Thomas Babington , Lord Macaulay
%@NL@%Ivry: A Song of the Huguenots [1824], l. 29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT40     @%%@2@%   Nobles by the right of an earlier creation, and priests by the imposition%@EH@%
of a mightier hand.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Milton [1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT50     @%%@2@%   The dust and silence of the upper shelf.%@NL@%%@EH@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Milton [1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT60     @%%@2@%   As civilization advances, poetry almost necessarily declines.%@NL@%%@EH@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Milton [1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT70     @%%@2@%   Perhaps no person can be a poet, or even can enjoy poetry, without a%@EH@%
certain unsoundness of mind.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Milton [1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT75     @%%@2@%   There is only one cure for the evils which newly acquired freedom%@EH@%
produces, and that cure is freedom.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Milton [1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT80     @%%@2@%   Nothing is so useless as a general maxim.%@NL@%%@EH@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Machiavelli [1827]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT85     @%%@2@%   The gallery in which the reporters sit has become a fourth estate of the%@EH@%
realm. 1  2  3 %@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Hallam's Constitutional History [1828]

%@NL@%%@AI@%1 See Hazlitt%@BO:          363a1f@%%@AE@%
%@AI@%2 See Carlyle%@BO:          394bc7@%%@AE@%
%@AI@%3 See Thackeray%@BO:          40e293@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT90     @%%@2@%   The English Bible-a book which if everything else in our language should%@EH@%
perish, would alone suffice to show the whole extent of its beauty and
power.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On John Dryden [1828]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT100    @%%@2@%   His imagination resembled the wings of an ostrich. It enabled him to run,%@EH@%
though not to soar.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On John Dryden [1828]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT130    @%%@2@%   Men are never so likely to settle a question rightly as when they discuss%@EH@%
it freely.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%Southey's Colloquies on Society [1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT140    @%%@2@%   A single breaker may recede; but the tide is evidently coming in. 1 %@NL@%%@EH@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%Southey's Colloquies on Society [1830]

%@NL@%%@AI@%1 See Arthur Hugh Clough%@BO:          43d975@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT145    @%%@2@%   That wonderful book, while it obtains admiration from the most fastidious%@EH@%
critics, is loved by those who are too simple to admire it.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Southey's edition of Bunyan's Pilgrim's Progress [1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT150    @%%@2@%   We know no spectacle so ridiculous as the British public in one of its%@EH@%
periodical fits of morality.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Moore's Life of Lord Byron [1831]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT160    @%%@2@%   From the poetry of Lord Byron they drew a system of ethics compounded of%@EH@%
misanthropy and voluptuousness-a system in which the two great commandments
were to hate your neighbor and to love your neighbor's wife.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Moore's Life of Lord Byron [1831]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT180    @%%@2@%   Reform, that you may preserve.%@NL@%%@EH@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%Debate on the First Reform Bill [March 2, 1831]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The louder he talked of his honor, the faster we counted our
spoons.-Emerson, Conduct of Life [1860], Worship  %@EF@%
%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT185    @%%@2@%Ye diners-out from whom we guard our spoons.%@NL@%%@EH@%

%@NL@%Thomas Babington , Lord Macaulay
%@NL@%%@FN@%
Poem in a letter to his sister Hannah More Macaulay [June 29, 1831];
published earlier [c. 1828] anonymously in The Times.  %@EF@%
Political Georgics

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT190    @%%@2@%   The conformation of his mind was such that whatever was little seemed to%@EH@%
him great, and whatever was great seemed to him little.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Horace Walpole [1833]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT200    @%%@2@%Such night in England ne'er had been, nor ne'er again shall be.%@NL@%%@EH@%

%@NL@%Thomas Babington , Lord Macaulay
%@NL@%The Armada [1833], l. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT205    @%%@2@%   To sum up the whole, we should say that the aim of the Platonic%@EH@%
philosophy was to exalt man into a god.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Lord Bacon [1837]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT210    @%%@2@%   An acre in Middlesex is better than a principality in Utopia.%@NL@%%@EH@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Lord Bacon [1837]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT220    @%%@2@%   Every schoolboy knows who imprisoned Montezuma, and who strangled%@EH@%
Atahualpa.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Lord Clive [1840]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Macaulay used a similar image in his review [1824] of Mitford, Greece, and
in his review [1829] of Mill, Essay on Government.  Who knows but that
hereafter some traveler like myself will sit down upon the banks of the
Seine, the Thames, or the Zuyder Zee, where now, in the tumult of enjoyment,
the heart and the eyes are too slow to take in the multitude of sensations?
Who knows but he will sit down solitary amid silent ruins, and weep a people
inurned and their greatness changed into an empty name?-Constantin de Volney
[1757-1820], Ruins, ch. 11  See Horace Walpole  In the firm expectation that
when London shall be a habitation of bitterns, when St. Paul and Westminster
Abbey shall stand shapeless and nameless ruins in the midst of an unpeopled
marsh, when the piers of Waterloo Bridge shall become the nuclei of islets
of reeds and osiers, and cast the jagged shadows of their broken arches on
the solitary stream, some transatlantic commentator will be weighing in the
scales of some new and now unimagined system of criticism the respective
merits of the Bells and the Fudges and their historians.-Shelley, Peter Bell
the Third [1819], dedication  %@EF@%
%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT230    @%%@2@%   She [the Roman Catholic Church] may still exist in undiminished vigor%@EH@%
when some traveler from New Zealand shall, in the midst of a vast solitude,
take his stand on a broken arch of London Bridge to sketch the ruins of St.
Paul's.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Leopold von Ranke's History of the Popes [1840]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT260    @%%@2@%   She [the Catholic Church] thoroughly understands what no other Church has%@EH@%
ever understood, how to deal with enthusiasts.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Leopold von Ranke's History of the Popes [1840]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT270    @%%@2@%   The Chief Justice was rich, quiet, and infamous.%@NL@%%@EH@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Warren Hastings [1841]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT280    @%%@2@%   I shall not be satisfied unless I produce something which shall for a few%@EH@%
days supersede the last fashionable novel on the tables of young ladies.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%Letter to Macvey Napier [November 5, 1841]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT290    @%%@2@%   In order that he might rob a neighbor whom he had promised to defend,%@EH@%
black men fought on the coast of Coromandel and red men scalped each other
by the great lakes of North America.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Frederick the Great [1842]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT300    @%%@2@%   We hardly know an instance of the strength and weakness of human nature%@EH@%
so striking and so grotesque as the character of this haughty, vigilant,
resolute, sagacious blue-stocking, half Mithridates and half Trissotin,
bearing up against a world in arms, with an ounce of poison in one pocket
and a quire of bad verses in the other.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Frederick the Great [1842]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT310    @%%@2@%Lars Porsena of Clusium%@NL@%%@EH@%
By the Nine Gods he swore%@NL@%
That the great house of Tarquin%@NL@%
Should suffer wrong no more.%@NL@%
By the Nine Gods he swore it,%@NL@%
And named a trysting day,%@NL@%
And bade his messengers ride forth%@NL@%
East and west and south and north,%@NL@%
To summon his array.%@NL@%

%@NL@%Thomas Babington , Lord Macaulay
%@NL@%Lays of Ancient Rome [1842]. Horatius,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT320    @%%@2@%To every man upon this earth%@NL@%%@EH@%
Death cometh soon or late;%@NL@%
And how can man die better%@NL@%
Than facing fearful odds%@NL@%
For the ashes of his fathers,%@NL@%
And the temples of his gods?%@NL@%

%@NL@%Thomas Babington , Lord Macaulay
%@NL@%Lays of Ancient Rome [1842]. Horatius,st. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT330    @%%@2@%But those behind cried "Forward!"%@NL@%%@EH@%
And those before cried "Back!"%@NL@%

%@NL@%Thomas Babington , Lord Macaulay
%@NL@%Lays of Ancient Rome [1842]. Horatius,st. 50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT340    @%%@2@%Oh, Tiber! father Tiber!%@NL@%%@EH@%
To whom the Romans pray,%@NL@%
A Roman's life, a Roman's arms,%@NL@%
Take thou in charge this day.%@NL@%

%@NL@%Thomas Babington , Lord Macaulay
%@NL@%Lays of Ancient Rome [1842]. Horatius,st. 59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT350    @%%@2@%And even the ranks of Tuscany%@NL@%%@EH@%
Could scarce forbear to cheer.%@NL@%

%@NL@%Thomas Babington , Lord Macaulay
%@NL@%Lays of Ancient Rome [1842]. Horatius,st. 60

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT370    @%%@2@%   The highest proof of virtue is to possess boundless power without abusing%@EH@%
it.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%Review of Lucy Aikin's Life and Writings of Addison [1843]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT380    @%%@2@%   He [Richard Steele] was a rake among scholars, and a scholar among rakes.%@NL@%%@EH@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%Review of Lucy Aikin's Life and Writings of Addison [1843]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT386    @%%@2@%   A man who has never looked on Niagara has but a faint idea of a cataract;%@EH@%
and he who has not read Barere's Memoirs may be said not to know what it is
to lie.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%On Memoires de Bertrand Barere [1844]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT390    @%%@2@%   There you [Sir Robert Peel] sit, doing penance for the disingenuousness%@EH@%
of years.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%Speech in the House of Commons [April 14, 1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT400    @%%@2@%Forget all feuds, and shed one English tear%@NL@%%@EH@%
O'er English dust. A broken heart lies here.%@NL@%

%@NL@%Thomas Babington , Lord Macaulay
%@NL@%Epitaph on a Jacobite [1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT410    @%%@2@%   Those who compare the age in which their lot has fallen with a golden age%@EH@%
1  2  which exists only in imagination, may talk of degeneracy and decay;
but no man who is correctly informed as to the past will be disposed to take
a morose or desponding view of the present.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%History of England [1849-1861], vol.I, ch.1

%@NL@%%@AI@%1 See Horace%@BO:           db937@%%@AE@%
%@AI@%2 See Milton%@BO:          233155@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT420    @%%@2@%   I shall cheerfully bear the reproach of having descended below the%@EH@%
dignity of history if I can succeed in placing before the English of the
nineteenth century a true picture of the life of their ancestors.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%History of England [1849-1861], vol.I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Even bear-baiting was esteemed heathenish and unchristian: the sport of it,
not the inhumanity, gave offense.-Hume, History of England [1754-1757], vol.
I, ch. 62  %@EF@%
%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT430    @%%@2@%   The Puritan hated bear-baiting, not because it gave pain to the bear, but%@EH@%
because it gave pleasure to the spectators.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%History of England [1849-1861], vol.I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT450    @%%@2@%   There were gentlemen and there were seamen in the navy of Charles II. But%@EH@%
the seamen were not gentlemen, and the gentlemen were not seamen.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%History of England [1849-1861], vol.I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT460    @%%@2@%   The ambassador [of Russia] and the grandees who accompanied him were so%@EH@%
gorgeous that all London crowded to stare at them, and so filthy that nobody
dared to touch them. They came to the court balls dropping pearls and
vermin.%@NL@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%History of England [1849-1861], vol.V, ch. 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT470    @%%@2@%   Your Constitution is all sail and no anchor.%@NL@%%@EH@%
%@NL@%
Thomas Babington , Lord Macaulay
%@NL@%Letter to H. S. Randall, author of a Life of Thomas Jefferson
[May 23, 1857]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Babington , Lord Macaulay@%%@CR:N1800MACT480    @%%@2@%Soon fades the spell, soon comes the night;%@NL@%%@EH@%
Say will it not be then the same,%@NL@%
Whether we played the black or white,%@NL@%
Whether we lost or won the game?%@NL@%

%@NL@%Thomas Babington , Lord Macaulay
%@NL@%Sermon in a Churchyard, st. 8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Helmuth von Moltke%@AE@%%@EH@%
%@NL@%
%@AB@%1800-1891%@AE@%
%@NL@%%@NL@%

%@FN@%
Erst w[auml  ]gen, dann wagen.  %@EF@%
%@QR:Helmuth von Moltke@%%@QR:Moltke@%%@CR:N1800MOLH10     @%%@2@%   First ponder, then dare.%@NL@%%@EH@%
%@NL@%
Helmuth von Moltke
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Helmuth von Moltke@%%@QR:Moltke@%%@CR:N1800MOLH30     @%%@2@%   The fate of every nation rests in its own power.%@NL@%%@EH@%
%@NL@%
Helmuth von Moltke
%@NL@%To the German Reichstag [March 1, 1880]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Helmuth von Moltke@%%@QR:Moltke@%%@CR:N1800MOLH40     @%%@2@%   A war, even the most victorious, is a national misfortune.%@NL@%%@EH@%
%@NL@%
Helmuth von Moltke
%@NL@%Letter [1880]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Bethell, Lord Westbury%@AE@%%@EH@%
%@NL@%
%@AB@%1800-1873%@AE@%
%@NL@%%@NL@%

%@QR:Richard Bethell, Lord Westbury@%%@QR:Bethell@%%@CR:N1800WESR10     @%%@2@%   Take a note of that; his Lordship says he will turn it over in what he is%@EH@%
pleased to call his mind.%@NL@%
%@NL@%
Richard Bethell, Lord Westbury
%@NL@%%@FN@%
Reportedly an audible aside from the barristers' table in reference to a
presiding judge. According to T. A. Nash, Life of Lord Westbury [1888], vol.
I, p. 158, Westbury disclaimed invention of the mot.  %@EF@%
Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jane Baillie Welsh Carlyle%@AE@%%@EH@%
%@NL@%
%@AB@%1801-1866%@AE@%
%@NL@%%@NL@%

%@QR:Jane Baillie Welsh Carlyle@%%@QR:Carlyle@%%@CR:N1801CARJ10     @%%@2@%   A positive engagement to marry a certain person at a certain time, at all%@EH@%
haps and hazards, I have always considered the most ridiculous thing on
earth.%@NL@%
%@NL@%
Jane Baillie Welsh Carlyle
%@NL@%To Thomas Carlyle [January 1825]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Baillie Welsh Carlyle@%%@QR:Carlyle@%%@CR:N1801CARJ20     @%%@2@%   In spite of the honestest efforts to annihilate my I-ity, or merge it in%@EH@%
what the world doubtless considers my better half, I still find myself a
self-subsisting and alas! self-seeking me.%@NL@%
%@NL@%
Jane Baillie Welsh Carlyle
%@NL@%To John Sterling [June 15, 1835]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Baillie Welsh Carlyle@%%@QR:Carlyle@%%@CR:N1801CARJ30     @%%@2@%   Oh Lord! If you but knew what a brimstone of a creature I am behind all%@EH@%
this beautiful amiability!%@NL@%
%@NL@%
Jane Baillie Welsh Carlyle
%@NL@%To Eliza Stodart [February 29, 1836]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Baillie Welsh Carlyle@%%@QR:Carlyle@%%@CR:N1801CARJ50     @%%@2@%   Instead of boiling up individuals into the species, I would draw a chalk%@EH@%
circle round every individuality, and preach to it to keep within that, and
preserve and cultivate its identity.%@NL@%
%@NL@%
Jane Baillie Welsh Carlyle
%@NL@%To John Sterling [August 5, 1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Baillie Welsh Carlyle@%%@QR:Carlyle@%%@CR:N1801CARJ60     @%%@2@%   I can see that the Lady has a genius for ruling, whilst I have a genius%@EH@%
for not being ruled.%@NL@%
%@NL@%
Jane Baillie Welsh Carlyle
%@NL@%To Thomas Carlyle [September 28, 1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Baillie Welsh Carlyle@%%@QR:Carlyle@%%@CR:N1801CARJ70     @%%@2@%   The surest way to get a thing in this life is to be prepared for doing%@EH@%
without it, to the exclusion even of hope.%@NL@%
%@NL@%
Jane Baillie Welsh Carlyle
%@NL@%Journal,August 1849

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Baillie Welsh Carlyle@%%@QR:Carlyle@%%@CR:N1801CARJ90     @%%@2@%   Not a hundredth part of the thoughts in my head have ever been or ever%@EH@%
will be spoken or written-as long as I keep my senses, at least.%@NL@%
%@NL@%
Jane Baillie Welsh Carlyle
%@NL@%Journal,July 16, 1858

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jane Baillie Welsh Carlyle@%%@QR:Carlyle@%%@CR:N1801CARJ100    @%%@2@%   The triumphal procession air which, in our manners and customs, is given%@EH@%
to marriage at the outset-that singing of Te Deum before the battle has
begun.%@NL@%
%@NL@%
Jane Baillie Welsh Carlyle
%@NL@%To Miss Barnes [August 24, 1859]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Cole%@AE@%%@EH@%
%@NL@%
%@AB@%1801-1848%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Cole@%%@QR:Cole@%%@CR:N1801COLT10     @%%@2@%   Over all, rocks, wood, and water, brooded the spirit of repose, and the%@EH@%
silent energy of nature stirred the soul to its inmost depths.%@NL@%
%@NL@%
Thomas Cole
%@NL@%Essay on American Scenery [1835]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%David Glasgow Farragut%@AE@%%@EH@%
%@NL@%
%@AB@%1801-1870%@AE@%
%@NL@%%@NL@%

%@QR:David Glasgow Farragut@%%@QR:Farragut@%%@CR:N1801FARD10     @%%@2@%   Damn the torpedoes-full speed ahead!%@NL@%%@EH@%
%@NL@%
David Glasgow Farragut
%@NL@%At the battle of Mobile Bay [August 5, 1864]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Henry Cardinal Newman%@AE@%%@EH@%
%@NL@%
%@AB@%1801-1890%@AE@%
%@NL@%%@NL@%

%@QR:John Henry Cardinal Newman@%%@QR:Newman@%%@CR:N1801NEWJ10     @%%@2@%Time hath a taming hand.%@NL@%%@EH@%

%@NL@%John Henry Cardinal Newman
%@NL@%Persecution [1832], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Henry Cardinal Newman@%%@QR:Newman@%%@CR:N1801NEWJ20     @%%@2@%Lead, kindly Light, amid the encircling gloom;%@NL@%%@EH@%
Lead thou me on!%@NL@%
The night is dark, and I am far from home;%@NL@%
Lead thou me on!%@NL@%
Keep thou my feet: I do not ask to see%@NL@%
The distant scene; one step enough for me.%@NL@%

%@NL@%John Henry Cardinal Newman
%@NL@%The Pillar of Cloud [1833]. Lead Kindly Light, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Henry Cardinal Newman@%%@QR:Newman@%%@CR:N1801NEWJ30     @%%@2@%   Growth is the only evidence of life.%@NL@%%@EH@%
%@NL@%
John Henry Cardinal Newman
%@NL@%Apologia pro Vita Sua [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Henry Cardinal Newman@%%@QR:Newman@%%@CR:N1801NEWJ40     @%%@2@%It is thy very energy of thought%@NL@%%@EH@%
Which keeps thee from thy God.%@NL@%

%@NL@%John Henry Cardinal Newman
%@NL@%Dream of Gerontius [1866], pt. III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Henry Cardinal Newman@%%@QR:Newman@%%@CR:N1801NEWJ60     @%%@2@%Living Nature, not dull Art%@NL@%%@EH@%
Shall plan my ways and rule my heart.%@NL@%

%@NL@%John Henry Cardinal Newman
%@NL@%Nature and Art [1868], st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Henry Cardinal Newman@%%@QR:Newman@%%@CR:N1801NEWJ70     @%%@2@%   O Lord, support us all the day long, until the shadows lengthen and the%@EH@%
evening comes, and the busy world is hushed, and the fever of life is over,
and our work is done. Then in thy mercy grant us a safe lodging, and a holy
rest, and peace at the last.%@NL@%
%@NL@%
John Henry Cardinal Newman
%@NL@%Sermon [1834]. Included in the Book of Common Prayer

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Henry Cardinal Newman@%%@QR:Newman@%%@CR:N1801NEWJ73     @%%@2@%   There is a knowledge which is desirable, though nothing come of it, as%@EH@%
being of itself a treasure, and a sufficient remuneration of years of labor.%@NL@%
%@NL@%
John Henry Cardinal Newman
%@NL@%The Idea of a University [1873]. DiscourseV, pt.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Henry Cardinal Newman@%%@QR:Newman@%%@CR:N1801NEWJ76     @%%@2@%   Knowledge is one thing, virtue is another.%@NL@%%@EH@%
%@NL@%
John Henry Cardinal Newman
%@NL@%The Idea of a University [1873]. DiscourseV, pt.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Henry Cardinal Newman@%%@QR:Newman@%%@CR:N1801NEWJ78     @%%@2@%   The world is content with setting right the surface of things.%@NL@%%@EH@%
%@NL@%
John Henry Cardinal Newman
%@NL@%The Idea of a University [1873]. DiscourseVIII, pt.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Henry Cardinal Newman@%%@QR:Newman@%%@CR:N1801NEWJ90     @%%@2@%   A great memory does not make a philosopher, any more than a dictionary%@EH@%
can be called a grammar. 1  2  3  4  5  6 %@NL@%
%@NL@%
John Henry Cardinal Newman
%@NL@%The Idea of a University [1873]. DiscourseVIII, pt.10

%@NL@%%@AI@%1 See Lao-tzu%@BO:           8db29@%%@AE@%
%@AI@%2 See Confucius%@BO:           9288c@%%@AE@%
%@AI@%3 See Heraclitus%@BO:           95aa0@%%@AE@%
%@AI@%4 See Chaucer%@BO:          1233e3@%%@AE@%
%@AI@%5 See Selden%@BO:          219afd@%%@AE@%
%@AI@%6 See Penn%@BO:          27a628@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Henry Cardinal Newman@%%@QR:Newman@%%@CR:N1801NEWJ100    @%%@2@%   Ex umbris et imaginibus in veritatem [From shadows and symbols into the%@EH@%
truth]!%@NL@%
%@NL@%
John Henry Cardinal Newman
%@NL@%His own epitaph at Edgbaston

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Brigham Young%@AE@%%@EH@%
%@NL@%
%@AB@%1801-1877%@AE@%
%@NL@%%@NL@%

%@QR:Brigham Young@%%@QR:Young@%%@CR:N1801YOUB10     @%%@2@%   This is the place!%@NL@%%@EH@%
%@NL@%
Brigham Young
%@NL@%%@FN@%
Brigham Young and 142 men, three women, and two children were the vanguard
of Mormon pioneers who explored westward from Nebraska. Mahonri M. Young,
noted sculptor and grandson of Brigham Young, designed the "This Is the
Place Monument" [dedicated 1947].  %@EF@%
On first seeing the valley of the Great Salt Lake [July 24, 1847]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lydia Maria Child%@AE@%%@EH@%
%@NL@%
%@AB@%1802-1880%@AE@%
%@NL@%%@NL@%

%@QR:Lydia Maria Child@%%@QR:Child@%%@CR:N1802CHIL10     @%%@2@%   We first crush people to the earth, and then claim the right of trampling%@EH@%
on them forever, because they are prostrate.%@NL@%
%@NL@%
Lydia Maria Child
%@NL@%An Appeal on Behalf of That Class of Americans Called Africans [1833]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lydia Maria Child@%%@QR:Child@%%@CR:N1802CHIL20     @%%@2@%   They [the slaves] have stabbed themselves for freedom-jumped into the%@EH@%
waves for freedom-starved for freedom-fought like very tigers for freedom!
But they have been hung, and burned, and shot-and their tyrants have been
their historians!%@NL@%
%@NL@%
Lydia Maria Child
%@NL@%An Appeal on Behalf of That Class of Americans Called Africans [1833]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lydia Maria Child@%%@QR:Child@%%@CR:N1802CHIL30     @%%@2@%   I will work in my own way, according to the light that is in me.%@NL@%%@EH@%
%@NL@%
Lydia Maria Child
%@NL@%Letter to Ellis Gray Loring [1843]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lydia Maria Child@%%@QR:Child@%%@CR:N1802CHIL40     @%%@2@%Over the river and through the wood,%@NL@%%@EH@%
To grandfather's house we go;%@NL@%
The horse knows the way%@NL@%
To carry the sleigh,%@NL@%
Through the white and drifted snow.%@NL@%

%@NL@%Lydia Maria Child
%@NL@%Flowers for Children [1844-1846]. Thanksgiving Day, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lydia Maria Child@%%@QR:Child@%%@CR:N1802CHIL50     @%%@2@%   Woman stock is rising in the market. I shall not live to see women vote,%@EH@%
but I'll come and rap on the ballot box.%@NL@%
%@NL@%
Lydia Maria Child
%@NL@%Letter to Sarah Shaw [1856]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lydia Maria Child@%%@QR:Child@%%@CR:N1802CHIL60     @%%@2@%   The United States is . . . a warning rather than an example to the world.%@NL@%%@EH@%
%@NL@%
Lydia Maria Child
%@NL@%To the twenty-fifth-anniversary meeting of the Massachusetts
Anti-Slavery Society [1857]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lydia Maria Child@%%@QR:Child@%%@CR:N1802CHIL70     @%%@2@%   Yours for the unshackled exercise of every faculty by every human being.%@NL@%%@EH@%
%@NL@%
Lydia Maria Child
%@NL@%Message to woman suffrage supporters [c. 1875]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%David Christy%@AE@%%@EH@%
%@NL@%
%@AB@%1802 - c. 1868%@AE@%
%@NL@%%@NL@%

%@QR:David Christy@%%@QR:Christy@%%@CR:N1802CHRD10     @%%@2@%   Cotton Is King; or, The Economical Relations of Slavery.%@NL@%%@EH@%
%@NL@%
David Christy
%@NL@%%@FN@%
Take away time is money, and what is left of England? take away cotton is
king, and what is left of America?-Victor Hugo, Les Miserables [1862].
Marius, bk. IV, ch. 4  %@EF@%
Title of book [1855]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alexandre Dumasthe Elder%@AE@%%@EH@%
%@NL@%
%@AB@%1802-1870%@AE@%
%@NL@%%@NL@%

%@QR:Alexandre Dumasthe Elder@%%@QR:Dumas@%%@CR:N1802DUMA10     @%%@2@%   All for one, one for all, that is our device. 1 %@NL@%%@EH@%
%@NL@%
Alexandre Dumasthe Elder
%@NL@%The Three Musketeers [1844], ch. 9

%@NL@%%@AI@%1 See Shakespeare%@BO:          176845@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rien ne reussit comme le succes.-French proverb  %@EF@%
%@QR:Alexandre Dumasthe Elder@%%@QR:Dumas@%%@CR:N1802DUMA20     @%%@2@%   Nothing succeeds like success.%@NL@%%@EH@%
%@NL@%
Alexandre Dumasthe Elder
%@NL@%Ange Pitou [1854], vol. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The phrase "Cherchez la femme" is attributed to Joseph Fouche [1763-1820].  %@EF@%
%@QR:Alexandre Dumasthe Elder@%%@QR:Dumas@%%@CR:N1802DUMA40     @%%@2@%   Let us look for the woman.%@NL@%%@EH@%
%@NL@%
Alexandre Dumasthe Elder
%@NL@%The Mohicans of Paris [1854-1855], vol. III, ch. 10, 11

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Victor Hugo%@AE@%%@EH@%
%@NL@%
%@AB@%1802-1885%@AE@%
%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV10     @%%@2@%   These two halves of God, the Pope and the emperor.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Hernani [1830], act IV, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dieu s'est fait homme; soit. Le diable s'est fait femme.  %@EF@%
%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV20     @%%@2@%   God became a man, granted. The devil became a woman.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Ruy Blas [1838], actII, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV40     @%%@2@%   Popularity? It is glory's small change.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Ruy Blas [1838], actIII, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
On resiste a l'invasion des armees; on ne resiste pas a l'invasion des
idees. (Literally, one can resist the invasion of armies, but not the
invasion of ideas.)  See Bellamy and Catt  %@EF@%
%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV50     @%%@2@%   An invasion of armies can be resisted, but not an idea whose time has%@EH@%
come.%@NL@%
%@NL@%
Victor Hugo
%@NL@%Histoire d'un Crime [written 1852], conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Waterloo! Waterloo! Waterloo! Morne plaine!  %@EF@%
%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV70     @%%@2@%   Waterloo! Waterloo! Waterloo! Dismal plain.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Les Ch[acirc ]timents [1853]. L'Expiation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV90     @%%@2@%   The eye was in the tomb and stared at Cain.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%La Conscience [1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Vous creez un frisson nouveau.  %@EF@%
%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV100    @%%@2@%   You have created a new thrill.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Letter to Baudelaire [October 6, 1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV120    @%%@2@%   The supreme happiness of life is the conviction that we are loved.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%%@FN@%
Translated by Charles E. Wilbour.  %@EF@%
Les Miserables [1862].Fantine, bk. V, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV130    @%%@2@%   Great grief is a divine and terrible radiance which transfigures the%@EH@%
wretched.%@NL@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Fantine, bk. V, ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV140    @%%@2@%   Napoleon . . . mighty somnambulist of a vanished dream.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Cosette, bk.I, ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV150    @%%@2@%   Waterloo is a battle of the first rank won by a captain of the second.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Cosette, bk.I, ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV160    @%%@2@%   Would you realize what Revolution is, call it Progress; and would you%@EH@%
realize what Progress is, call it Tomorrow.%@NL@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Cosette, bk.I, ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV170    @%%@2@%   What is that to the Infinite?%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Cosette, bk.I, ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV180    @%%@2@%   Great blunders are often made, like large ropes, of a multitude of%@EH@%
fibers.%@NL@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Cosette, bk.V, ch. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV190    @%%@2@%   Upon the first goblet he read this inscription, monkey wine; upon the%@EH@%
second, lion wine; upon the third, sheep wine; upon the fourth, swine wine.
These four inscriptions expressed the four descending degrees of
drunkenness: the first, that which enlivens; the second, that which
irritates; the third, that which stupefies; finally the last, that which
brutalizes. 1  2  3 %@NL@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Cosette, bk.VI, ch. 9

%@NL@%%@AI@%1 See George Herbert%@BO:          221439@%%@AE@%
%@AI@%2 See Addison%@BO:          28e394@%%@AE@%
%@AI@%3 See Sill%@BO:          4cb440@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV200    @%%@2@%   A man is not idle because he is absorbed in thought. There is a visible%@EH@%
labor and there is an invisible labor.%@NL@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Cosette, bk.VII, ch. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV210    @%%@2@%   No one ever keeps a secret so well as a child.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Cosette, bk.VIII, ch. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV250    @%%@2@%   Social prosperity means man happy, the citizen free, the nation great.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Saint Denis, bk.I, ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV260    @%%@2@%   Nothing is more dangerous than discontinued labor; it is habit lost. A%@EH@%
habit easy to abandon, difficult to resume.%@NL@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Saint Denis, bk.II, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV270    @%%@2@%   Thought is the labor of the intellect, reverie is its pleasure.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Saint Denis, bk.II, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV280    @%%@2@%   Where the telescope ends, the microscope begins. Which of the two has the%@EH@%
grander view?%@NL@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Saint Denis, bk.III, ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV290    @%%@2@%   A compliment is something like a kiss through a veil.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Saint Denis, bk.VIII, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV300    @%%@2@%   Great perils have this beauty, that they bring to light the fraternity of%@EH@%
strangers.%@NL@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Saint Denis, bk.XII, ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV310    @%%@2@%   Philosophy is the microscope of thought.%@NL@%%@EH@%
%@NL@%
Victor Hugo
%@NL@%Les Miserables [1862].Jean Valjean, bk. II, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV330    @%%@2@%To rise at six, to dine at ten,%@NL@%%@EH@%
To sup at six, to sleep at ten,%@NL@%
Makes a man live for ten times ten.%@NL@%

%@NL@%Victor Hugo
%@NL@%Inscription over the door of Hugo's study

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victor Hugo@%%@QR:Hugo@%%@CR:N1802HUGV340    @%%@2@%   I represent a party which does not yet exist: the party of revolution,%@EH@%
civilization.%@NL@%
This party will make the twentieth century.%@NL@%
There will issue from it first the United States of Europe, then the United
States of the World.%@NL@%
%@NL@%
Victor Hugo
%@NL@%On the wall of the room in which Hugo died, Place des Vosges, Paris

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Letitia Elizabeth Landon%@AE@%%@EH@%
%@NL@%
%@AB@%1802-1838%@AE@%
%@NL@%%@NL@%

%@QR:Letitia Elizabeth Landon@%%@QR:Landon@%%@CR:N1802LANL10     @%%@2@%Few, save the poor, feel for the poor.%@NL@%%@EH@%

%@NL@%Letitia Elizabeth Landon
%@NL@%The Poor

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Letitia Elizabeth Landon@%%@QR:Landon@%%@CR:N1802LANL20     @%%@2@%Were it not better to forget%@NL@%%@EH@%
Than but remember and regret? 1 %@NL@%

%@NL@%Letitia Elizabeth Landon
%@NL@%Despondency

%@NL@%%@AI@%1 See Christina Rossetti%@BO:          48750e@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%George Pope Morris%@AE@%%@EH@%
%@NL@%
%@AB@%1802-1864%@AE@%
%@NL@%%@NL@%

%@QR:George Pope Morris@%%@QR:Morris@%%@CR:N1802MORG10     @%%@2@%Woodman, spare that tree!%@NL@%%@EH@%
Touch not a single bough! 1 %@NL@%
In youth it sheltered me,%@NL@%
And I'll protect it now.%@NL@%

%@NL@%George Pope Morris
%@NL@%Woodman, Spare That Tree [1830], st. 1

%@NL@%%@AI@%1 See Campbell%@BO:          361bbb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Pope Morris@%%@QR:Morris@%%@CR:N1802MORG20     @%%@2@%The union of hearts-the union of hands-%@NL@%%@EH@%
And the flag of our Union forever!%@NL@%

%@NL@%George Pope Morris
%@NL@%The Flag of Our Union [1851]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Friedrich Julius Stahl%@AE@%%@EH@%
%@NL@%
%@AB@%1802-1861%@AE@%
%@NL@%%@NL@%

%@QR:Friedrich Julius Stahl@%%@QR:Stahl@%%@CR:N1802STAF10     @%%@2@%   Authority, not majority.%@NL@%%@EH@%
%@NL@%
Friedrich Julius Stahl
%@NL@%Speech before the Erfurt Parliament [April 11, 1850]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Allen%@AE@%%@EH@%
%@NL@%
%@AB@%1803-1879%@AE@%
%@NL@%%@NL@%

%@FN@%
Slogan of expansionist Democrats in the 1844 presidential campaign, in which
the Oregon boundary definition was a pressing issue. The new Democratic
President, James K. Polk, compromised [1846] with Great Britain on the 49th
parallel.  %@EF@%
%@QR:William Allen@%%@QR:Allen@%%@CR:N1803ALLW10     @%%@2@%   Fifty-four forty, or fight!%@NL@%%@EH@%
%@NL@%
William Allen
%@NL@%Speech in the Senate [1844]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Lovell Beddoes%@AE@%%@EH@%
%@NL@%
%@AB@%1803-1849%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Lovell Beddoes@%%@QR:Beddoes@%%@CR:N1803BEDT5      @%%@2@%The anchor heaves, the ship swings free,%@NL@%%@EH@%
The sails swell full. To sea, to sea!%@NL@%

%@NL@%Thomas Lovell Beddoes
%@NL@%Sailor's Song, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Lovell Beddoes@%%@QR:Beddoes@%%@CR:N1803BEDT10     @%%@2@%If there were dreams to sell,%@NL@%%@EH@%
What would you buy?%@NL@%
Some cost a passing-bell;%@NL@%
Some a light sigh.%@NL@%

%@NL@%Thomas Lovell Beddoes
%@NL@%Dream Pedlary

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Borrow%@AE@%%@EH@%
%@NL@%
%@AB@%1803-1881%@AE@%
%@NL@%%@NL@%

%@QR:George Borrow@%%@QR:Borrow@%%@CR:N1803BORG10     @%%@2@%   There's night and day, brother, both sweet things; sun, moon, and stars,%@EH@%
brother, all sweet things; there's likewise a wind on the heath. Life is
very sweet, brother; who would wish to die?%@NL@%
%@NL@%
George Borrow
%@NL@%Lavengro [1851], ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Borrow@%%@QR:Borrow@%%@CR:N1803BORG20     @%%@2@%   I learned . . . to fear God, and to take my own part.%@NL@%%@EH@%
%@NL@%
George Borrow
%@NL@%Lavengro [1851], ch.86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Borrow@%%@QR:Borrow@%%@CR:N1803BORG25     @%%@2@%   Youth will be served, every dog has his day, and mine has been a fine%@EH@%
one. 1  2 %@NL@%
%@NL@%
George Borrow
%@NL@%Lavengro [1851], ch.92

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c87d5@%%@AE@%
%@AI@%2 See Kingsley%@BO:          441794@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Borrow@%%@QR:Borrow@%%@CR:N1803BORG30     @%%@2@%   Youth is the only season for enjoyment, and the first twenty-five years%@EH@%
of one's life are worth all the rest of the longest life of man, even though
those five-and-twenty be spent in penury and contempt, and the rest in the
possession of wealth, honors, respectability.%@NL@%
%@NL@%
George Borrow
%@NL@%The Romany Rye [1857], ch. 30

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Orestes A ugustus Brownson%@AE@%%@EH@%
%@NL@%
%@AB@%1803-1876%@AE@%
%@NL@%%@NL@%

%@QR:Orestes A ugustus Brownson@%%@QR:Brownson@%%@CR:N1803BROO10     @%%@2@%   The English laborer does not find his worst enemy in the nobility, but in%@EH@%
the middling class.%@NL@%
%@NL@%
Orestes A ugustus Brownson
%@NL@%Boston Quarterly Review [1840]

%@NL@%
%@NL@%
%@NL@%
%@1@%%@AB@%Edward George Earle Lytton Bulwer-Lytton, Baron Lytton%@AE@%%@EH@%
%@NL@%
%@AB@%1803-1873%@AE@%
%@NL@%%@NL@%

%@QR:Edward George Earle Lytton Bulwer-Lytton, Baron Lytton@%%@QR:Bulwer-Lytton@%%@CR:N1803BULE10     @%%@2@%   A good heart is better than all the heads in the world.%@NL@%%@EH@%
%@NL@%
Edward George Earle Lytton Bulwer-Lytton, Baron Lytton
%@NL@%The Disowned [1828], ch.33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward George Earle Lytton Bulwer-Lytton, Baron Lytton@%%@QR:Bulwer-Lytton@%%@CR:N1803BULE20     @%%@2@%   The easiest person to deceive is one's own self.%@NL@%%@EH@%
%@NL@%
Edward George Earle Lytton Bulwer-Lytton, Baron Lytton
%@NL@%The Disowned [1828], ch.42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward George Earle Lytton Bulwer-Lytton, Baron Lytton@%%@QR:Bulwer-Lytton@%%@CR:N1803BULE25     @%%@2@%   In other countries poverty is a misfortune-with us it is a crime.%@NL@%%@EH@%
%@NL@%
Edward George Earle Lytton Bulwer-Lytton, Baron Lytton
%@NL@%England and the English [1833]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward George Earle Lytton Bulwer-Lytton, Baron Lytton@%%@QR:Bulwer-Lytton@%%@CR:N1803BULE30     @%%@2@%Rank is a great beautifier.%@NL@%%@EH@%

%@NL@%Edward George Earle Lytton Bulwer-Lytton, Baron Lytton
%@NL@%The Lady of Lyons [1838], actII, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward George Earle Lytton Bulwer-Lytton, Baron Lytton@%%@QR:Bulwer-Lytton@%%@CR:N1803BULE40     @%%@2@%Love, like Death,%@NL@%%@EH@%
Levels all ranks, and lays the shepherd's crook%@NL@%
Beside the scepter.%@NL@%

%@NL@%Edward George Earle Lytton Bulwer-Lytton, Baron Lytton
%@NL@%The Lady of Lyons [1838], actIII, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See The Teaching for Merikare, Cervantes, and Burton  Eloquence a hundred
times has turned the scale of war and peace at will.-Emerson, Progress of
Culture [1867]  %@EF@%
%@QR:Edward George Earle Lytton Bulwer-Lytton, Baron Lytton@%%@QR:Bulwer-Lytton@%%@CR:N1803BULE50     @%%@2@%Beneath the rule of men entirely great,%@NL@%%@EH@%
The pen is mightier than the sword.%@NL@%

%@NL@%Edward George Earle Lytton Bulwer-Lytton, Baron Lytton
%@NL@%Richelieu [1839], act II, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward George Earle Lytton Bulwer-Lytton, Baron Lytton@%%@QR:Bulwer-Lytton@%%@CR:N1803BULE70     @%%@2@%In the lexicon of youth, which fate reserves%@NL@%%@EH@%
For a bright manhood, there is no such word%@NL@%
As-fail.%@NL@%

%@NL@%Edward George Earle Lytton Bulwer-Lytton, Baron Lytton
%@NL@%Richelieu [1839], act II, sc. ii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tennyson.  %@EF@%
%@QR:Edward George Earle Lytton Bulwer-Lytton, Baron Lytton@%%@QR:Bulwer-Lytton@%%@CR:N1803BULE80     @%%@2@%Out-babying Wordsworth and outglittering Keats.%@NL@%%@EH@%

%@NL@%Edward George Earle Lytton Bulwer-Lytton, Baron Lytton
%@NL@%The New Timon [1846], pt. I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward George Earle Lytton Bulwer-Lytton, Baron Lytton@%%@QR:Bulwer-Lytton@%%@CR:N1803BULE90     @%%@2@%   In science, read, by preference, the newest works; in literature, the%@EH@%
oldest. The classic literature is always modern.%@NL@%
%@NL@%
Edward George Earle Lytton Bulwer-Lytton, Baron Lytton
%@NL@%Caxtonia.Hints on Mental Culture

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward George Earle Lytton Bulwer-Lytton, Baron Lytton@%%@QR:Bulwer-Lytton@%%@CR:N1803BULE100    @%%@2@%   In science, address the few, in literature the many. In science, the few%@EH@%
must dictate opinion to the many; in literature, the many, sooner or later,
force their judgment on the few.%@NL@%
%@NL@%
Edward George Earle Lytton Bulwer-Lytton, Baron Lytton
%@NL@%Caxtonia.Readers and Writers

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Driver%@AE@%%@EH@%
%@NL@%
%@AB@%1803-1886%@AE@%
%@NL@%%@NL@%

%@QR:William Driver@%%@QR:Driver@%%@CR:N1803DRIW10     @%%@2@%   I name thee Old Glory.%@NL@%%@EH@%
%@NL@%
William Driver
%@NL@%%@FN@%
On August 10, 1831, a large American flag was presented to Driver, captain
of the Charles Doggett, by a band of women in recognition of his bringing
the British mutineers of the ship Bounty from Tahiti back to their former
home, Pitcairn Island. The flag is now in the Smithsonian Institution,
Washington, D.C.  %@EF@%
As the flag was hoisted to the masthead of his brig

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ralph Waldo Emerson%@AE@%%@EH@%
%@NL@%
%@AB@%1803-1882%@AE@%
%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER10     @%%@2@%Good-bye, proud world! I'm going home;%@NL@%%@EH@%
Thou art not my friend and I'm not thine. 1  2 %@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Good-bye,st. 1

%@NL@%%@AI@%1 See Johnson%@BO:          2c7902@%%@AE@%
%@AI@%2 See Byron%@BO:          3798de@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER20     @%%@2@%For what are they all in their high conceit,%@NL@%%@EH@%
When man in the bush with God may meet?%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Good-bye,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER30     @%%@2@%Nor knowest thou what argument%@NL@%%@EH@%
Thy life to thy neighbor's creed has lent.%@NL@%
All are needed by each one;%@NL@%
Nothing is fair or good alone.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Each and All,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER40     @%%@2@%I wiped away the weeds and foam,%@NL@%%@EH@%
I fetched my sea-born treasures home;%@NL@%
But the poor, unsightly, noisome things%@NL@%
Had left their beauty on the shore,%@NL@%
With the sun and the sand and the wild uproar.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Each and All,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER50     @%%@2@%I like a church; I like a cowl;%@NL@%%@EH@%
I love a prophet of the soul;%@NL@%
And on my heart monastic aisles%@NL@%
Fall like sweet strains or pensive smiles;%@NL@%
Yet not for all his faith can see%@NL@%
Would I that cowled churchman be.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].The Problem,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER60     @%%@2@%Not from a vain or shallow thought%@NL@%%@EH@%
His awful Jove young Phidias brought.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].The Problem,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER70     @%%@2@%The hand that rounded Peter's dome,%@NL@%%@EH@%
And groined the aisles of Christian Rome,%@NL@%
Wrought in a sad sincerity;%@NL@%
Himself from God he could not free;%@NL@%
He builded better than he knew-%@NL@%
The conscious stone to beauty grew.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].The Problem,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER80     @%%@2@%Earth proudly wears the Parthenon%@NL@%%@EH@%
As the best gem upon her zone.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].The Problem,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This couplet is inscribed on the boulder marking Emerson's grave in Sleepy
Hollow Cemetery, Concord, Massachusetts.  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER90     @%%@2@%The passive Master lent his hand%@NL@%%@EH@%
To the vast soul that o'er him planned.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].The Problem,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER100    @%%@2@%Announced by all the trumpets of the sky,%@NL@%%@EH@%
Arrives the snow.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].The Snowstorm

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER110    @%%@2@%Enclosed%@NL@%%@EH@%
In a tumultuous privacy of storm.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].The Snowstorm

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER120    @%%@2@%The frolic architecture of the snow.%@NL@%%@EH@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].The Snowstorm

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER130    @%%@2@%Life is too short to waste%@NL@%%@EH@%
In critic peep or cynic bark,%@NL@%
Quarrel or reprimand:%@NL@%
'Twill soon be dark;%@NL@%
Up! mind thine own aim, and%@NL@%
God speed the mark!%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].To J.W.

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER140    @%%@2@%There's no rood has not a star above it.%@NL@%%@EH@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Musketaquid

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER150    @%%@2@%All sorts of things and weather%@NL@%%@EH@%
Must be taken in together,%@NL@%
To make up a year%@NL@%
And a Sphere.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Fable, The Mountain and the Squirrel

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER160    @%%@2@%In May, when sea winds pierced our solitudes,%@NL@%%@EH@%
I found the fresh Rhodora in the woods.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].The Rhodora

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER170    @%%@2@%Rhodora! if the sages ask thee why%@NL@%%@EH@%
This charm is wasted on the earth and sky,%@NL@%
Tell them, dear, that if eyes were made for seeing,%@NL@%
Then Beauty is its own excuse for being.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].The Rhodora

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER180    @%%@2@%For Nature beats in perfect tune,%@NL@%%@EH@%
And rounds with rhyme her every rune,%@NL@%
Whether she work in land or sea,%@NL@%
Or hide underground her alchemy.%@NL@%
Thou canst not wave thy staff in air,%@NL@%
Or dip thy paddle in the lake,%@NL@%
But it carves the bow of beauty there,%@NL@%
And the ripples in rhymes the oar forsake. 1 %@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Woodnotes II

%@NL@%%@AI@%1 See Muir%@BO:          4bc4c1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER190    @%%@2@%Things are in the saddle,%@NL@%%@EH@%
And ride mankind.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Ode Inscribed to W. H. Channing

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER200    @%%@2@%There are two laws discrete,%@NL@%%@EH@%
Not reconciled-%@NL@%
Law for man, and law for thing.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Ode Inscribed to W. H. Channing

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER210    @%%@2@%Olympian bards who sung%@NL@%%@EH@%
Divine ideas below,%@NL@%
Which always find us young,%@NL@%
And always keep us so.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Ode to Beauty

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER220    @%%@2@%Give all to love;%@NL@%%@EH@%
Obey thy heart;%@NL@%
Friends, kindred, days,%@NL@%
Estate, good fame,%@NL@%
Plans, credit and the Muse,%@NL@%
Nothing refuse.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Give All to Love,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER230    @%%@2@%Heartily know,%@NL@%%@EH@%
When half-gods go,%@NL@%
The gods arrive.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Give All to Love,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER240    @%%@2@%Love not the flower they pluck, and know it not,%@NL@%%@EH@%
And all their botany is Latin names.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Blight

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER250    @%%@2@%By the rude bridge that arched the flood,%@NL@%%@EH@%
Their flag to April's breeze unfurled,%@NL@%
Here once the embattled farmers stood,%@NL@%
And fired the shot heard round the world.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Hymn Sung at the Completion of the Battle Monument, Concord
[July 4, 1837], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Love thou the rose, yet leave it on its stem.-Lytton, The Wanderer [1857],
prologue, pt. I, l. 19  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER260    @%%@2@%Hast thou named all the birds without a gun? 1 %@NL@%%@EH@%
Loved the wood-rose, and left it on its stalk?%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Forbearance

%@NL@%%@AI@%1 See Foss%@BO:          50e824@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER270    @%%@2@%"Pass in, pass in," the angels say,%@NL@%%@EH@%
"In to the upper doors,%@NL@%
Nor count compartments of the floors,%@NL@%
But mount to paradise%@NL@%
By the stairway of surprise."%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%Poems [1847].Merlin I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER280    @%%@2@%God said, I am tired of kings,%@NL@%%@EH@%
I suffer them no more;%@NL@%
Up to my ear the morning brings%@NL@%
The outrage of the poor.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%%@FN@%
Read at a celebration in Boston of Emancipation Day [January 1, 1863].  %@EF@%
May-Day and Other Pieces [1867].Boston Hymn,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER290    @%%@2@%Today unbind the captive,%@NL@%%@EH@%
So only are ye unbound;%@NL@%
Lift up a people from the dust,%@NL@%
Trump of their rescue, sound!%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Boston Hymn,st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER300    @%%@2@%Oh, tenderly the haughty day%@NL@%%@EH@%
Fills his blue urn with fire.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Ode,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER310    @%%@2@%Go put your creed into your deed,%@NL@%%@EH@%
Nor speak with double tongue.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Ode,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER320    @%%@2@%I think no virtue goes with size.%@NL@%%@EH@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].The Titmouse

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER330    @%%@2@%So nigh is grandeur to our dust,%@NL@%%@EH@%
So near is God to man,%@NL@%
When Duty whispers low, Thou must,%@NL@%
The youth replies, I can.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Voluntaries, III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER340    @%%@2@%Nor sequent centuries could hit%@NL@%%@EH@%
Orbit and sum of Shakespeare's wit.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Solution

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER350    @%%@2@%Nor mourn the unalterable Days%@NL@%%@EH@%
That Genius goes and Folly stays.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].In Memoriam E.B.E.

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER360    @%%@2@%Fear not, then, thou child infirm,%@NL@%%@EH@%
There's no god dare wrong a worm.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Compensation, I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER370    @%%@2@%He thought it happier to be dead,%@NL@%%@EH@%
To die for Beauty, than live for bread.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Beauty

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER380    @%%@2@%Wilt thou seal up the avenues of ill?%@NL@%%@EH@%
Pay every debt, as if God wrote the bill.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867]."Suum Cuique"

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER390    @%%@2@%Too busied with the crowded hour to fear to live or die.%@NL@%%@EH@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Nature

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER400    @%%@2@%Daughters of Time, the hypocritic Days,%@NL@%%@EH@%
Muffled and dumb like barefoot dervishes,%@NL@%
And marching single in an endless file,%@NL@%
Bring diadems and fagots in their hands.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Days

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER410    @%%@2@%I, too late,%@NL@%%@EH@%
Under her solemn fillet saw the scorn.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Days

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER420    @%%@2@%It is time to be old,%@NL@%%@EH@%
To take in sail.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Terminus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER430    @%%@2@%Obey the voice at eve obeyed at prime.%@NL@%%@EH@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Terminus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER440    @%%@2@%Though love repine, and reason chafe,%@NL@%%@EH@%
There came a voice without reply-%@NL@%
"'Tis man's perdition to be safe,%@NL@%
When for the truth he ought to die."%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Sacrifice

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER450    @%%@2@%For what avail the plow or sail,%@NL@%%@EH@%
Or land or life, if freedom fail?%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Boston, st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER460    @%%@2@%If the red slayer think he slays,%@NL@%%@EH@%
Or if the slain think he is slain,%@NL@%
They know not well the subtle ways%@NL@%
I keep, and pass, and turn again. 1 %@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Brahma

%@NL@%%@AI@%1 See The Upanishads%@BO:           7f341@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER470    @%%@2@%They reckon ill who leave me out;%@NL@%%@EH@%
When me they fly, I am the wings;%@NL@%
I am the doubter and the doubt,%@NL@%
And I the hymn the Brahmin sings.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Brahma

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER480    @%%@2@%That book is good%@NL@%%@EH@%
Which puts me in a working mood.%@NL@%
Unless to Thought is added Will,%@NL@%
Apollo is an imbecile.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Fragments on the Poetic Gift

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nature paints the best part of a picture, carves the best part of the
statue, builds the best part of the house, and speaks the best part of the
oration.-Emerson, Society and Solitude [1870], Art  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER490    @%%@2@%In the vaunted works of Art%@NL@%%@EH@%
The master stroke is Nature's part.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Art

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER510    @%%@2@%I am the owner of the sphere,%@NL@%%@EH@%
Of the seven stars and the solar year,%@NL@%
Of Caesar's hand, and Plato's brain,%@NL@%
Of Lord Christ's heart, and Shakespeare's strain.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].History

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER520    @%%@2@%Ever from one who comes tomorrow%@NL@%%@EH@%
Men wait their good and truth to borrow.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Merlin's Song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER530    @%%@2@%The music that can deepest reach,%@NL@%%@EH@%
And cure all ill, is cordial speech.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Merlin's Song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Let us be of good cheer, however, remembering that the misfortunes hardest
to bear are those which never come.-James Russell Lowell, Democracy and
Addresses [1884]  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER540    @%%@2@%Some of your hurts you have cured,%@NL@%%@EH@%
And the sharpest you still have survived,%@NL@%
But what torments of grief you endured%@NL@%
From evils which never arrived!%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Borrowing [from the French]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER560    @%%@2@%A ruddy drop of manly blood%@NL@%%@EH@%
The surging sea outweighs,%@NL@%
The world uncertain comes and goes,%@NL@%
The lover rooted stays.%@NL@%

%@NL@%Ralph Waldo Emerson
%@NL@%May-Day and Other Pieces [1867].Friendship

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER570    @%%@2@%   To different minds, the same world is a hell, and a heaven.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Journal.December 20, 1822

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER580    @%%@2@%   Four snakes gliding up and down a hollow for no purpose that I could%@EH@%
see-not to eat, not for love, but only gliding.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Journal.April 11, 1834

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER590    @%%@2@%   I wish to write such rhymes as shall not suggest a restraint, but%@EH@%
contrariwise the wildest freedom.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Journal.June 27, 1839

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER600    @%%@2@%   You shall have joy, or you shall have power, said God; you shall not have%@EH@%
both.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Journal.October 1842

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER610    @%%@2@%   The sky is the daily bread of the eyes.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Journal.May 25, 1843

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER620    @%%@2@%   Poetry must be as new as foam, and as old as the rock.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Journal.March 1845

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER630    @%%@2@%   I hate quotations. Tell me what you know.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Journal.May 1849

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER640    @%%@2@%   Blessed are those who have no talent!%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Journal.February 1850

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER650    @%%@2@%   The word liberty in the mouth of Mr. Webster sounds like the word love in%@EH@%
the mouth of a courtesan.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Journal.February 12 (?), 1851

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
If a man can write a better book, preach a better sermon, or make a better
mousetrap than his neighbor, though he builds his house in the woods the
world will make a beaten path to his door.-Attributed to Emerson (in a
lecture) by Sarah S. B. Yule and Mary S. Keene, Borrowings [1889]  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER660    @%%@2@%   I trust a good deal to common fame, as we all must. If a man has good%@EH@%
corn, or wood, or boards, or pigs, to sell, or can make better chairs or
knives, crucibles or church organs, than anybody else, you will find a broad
hard-beaten road to his house, though it be in the woods.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Journal.February 1855

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER690    @%%@2@%   The blazing evidence of immortality is our dissatisfaction with any other%@EH@%
solution.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Journal.July 1855

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER700    @%%@2@%   Undoubtedly we have no questions to ask which are unanswerable. We must%@EH@%
trust the perfection of the creation so far as to believe that whatever
curiosity the order of things has awakened in our minds, the order of things
can satisfy.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Nature [1836],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER710    @%%@2@%   Nature never wears a mean appearance. Neither does the wisest man extort%@EH@%
her secret and lose his curiosity by finding out all her perfection.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Nature [1836],sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER715    @%%@2@%   Standing on the bare ground . . . all mean egotism vanishes. I become a%@EH@%
transparent eyeball; I am nothing; I see all; the currents of the Universal
Being circulate through me; I am part and parcel of God.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Nature [1836],sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER720    @%%@2@%   Give me health and a day and I will make the pomp of emperors ridiculous.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Nature [1836],sec.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER730    @%%@2@%   Every natural fact is a symbol of some spiritual fact.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Nature [1836],sec.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER740    @%%@2@%   We are like Nebuchadnezzar, dethroned, bereft of reason, and eating grass%@EH@%
like an ox.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Nature [1836],sec.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER750    @%%@2@%   A man is a god in ruins. 1 %@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Nature [1836],sec.8

%@NL@%%@AI@%1 See Lamartine%@BO:          3870e8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER760    @%%@2@%   He who has mastered any law in his private thoughts, is master to that%@EH@%
extent of all men whose language he speaks, and of all into whose language
his own can be translated.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The American Scholar [1837], sec. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Often quoted as: Macgregor.  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER770    @%%@2@%   Wherever Macdonald sits, there is the head of the table.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The American Scholar [1837], sec. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER780    @%%@2@%   What would we really know the meaning of? The meal in the firkin; the%@EH@%
milk in the pan; the ballad in the street; the news of the boat.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The American Scholar [1837], sec. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Disraeli and Burroughs  All things come round to him who will but
wait.-Longfellow, Tales of a Wayside Inn, The Student's Tale [1863]  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER790    @%%@2@%   If the single man plant himself indomitably on his instincts, and there%@EH@%
abide, the huge world will come round to him.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The American Scholar [1837], sec. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER810    @%%@2@%   Men grind and grind in the mill of a truism, and nothing comes out but%@EH@%
what was put in. But the moment they desert the tradition for a spontaneous
thought, then poetry, wit, hope, virtue, learning, anecdote, all flock to
their aid.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Literary Ethics [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER815    @%%@2@%   I have no expectation that any man will read history aright who thinks%@EH@%
that what was done in a remote age, by men whose names have resounded far,
has any deeper sense than what he is doing today.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].History

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER820    @%%@2@%   Time dissipates to shining ether the solid angularity of facts.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].History

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER830    @%%@2@%   There is properly no history; only biography. 1 %@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].History

%@NL@%%@AI@%1 See Carlyle%@BO:          3972d7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER840    @%%@2@%   Nature is a mutable cloud, which is always and never the same.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].History

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER850    @%%@2@%   It is the fault of our rhetoric that we cannot strongly state one fact%@EH@%
without seeming to belie some other.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].History

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER860    @%%@2@%   To believe your own thought, to believe that what is true for you in your%@EH@%
private heart is true for all men-that is genius.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER870    @%%@2@%   We but half express ourselves, and are ashamed of that divine idea which%@EH@%
each of us represents. 1  2 %@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%%@AI@%1 See Browne%@BO:          22e306@%%@AE@%
%@AI@%2 See Addison%@BO:          28d0a0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER880    @%%@2@%   Accept the place the divine providence has found for you, the society of%@EH@%
your contemporaries, the connection of events.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER890    @%%@2@%   Society everywhere is in conspiracy against the manhood of every one of%@EH@%
its members. . . . The virtue in most request is conformity. Self-reliance
is its aversion. It loves not realities and creators, but names and customs.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER900    @%%@2@%   Whoso would be a man must be a nonconformist.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER910    @%%@2@%   The doctrine of hatred must be preached, as the counteraction of the%@EH@%
doctrine of love, when that pules and whines. I shun father and mother and
wife and brother when my genius calls me.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER920    @%%@2@%   It is easy in the world to live after the world's opinion; it is easy in%@EH@%
solitude to live after our own; but the great man is he who in the midst of
the crowd keeps with perfect sweetness the independence of solitude.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER930    @%%@2@%   A foolish consistency is the hobgoblin of little minds, adored by little%@EH@%
statesmen and philosophers and divines. With consistency a great soul has
simply nothing to do. . . . Speak what you think today in hard words and
tomorrow speak what tomorrow thinks in hard words again, though it
contradict everything you said today.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER940    @%%@2@%   To be great is to be misunderstood.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER950    @%%@2@%   An institution is the lengthened shadow of one man.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER960    @%%@2@%   I like the silent church before the service begins, better than any%@EH@%
preaching.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER970    @%%@2@%   Discontent is the want of self-reliance: it is infirmity of will.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER980    @%%@2@%   Traveling is a fool's paradise. . . . My giant goes with me wherever I%@EH@%
go.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER990    @%%@2@%   For every Stoic was a Stoic; but in Christendom where is the Christian? 1%@EH@%
%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%%@AI@%1 See Melville%@BO:          447d3c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1000   @%%@2@%   Nothing can bring you peace but yourself.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Self-Reliance

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1010   @%%@2@%   Every sweet has its sour; every evil its good.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Compensation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1020   @%%@2@%   For everything you have missed, you have gained something else; and for%@EH@%
everything you gain, you lose something else.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Compensation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1030   @%%@2@%   Everything in Nature contains all the powers of Nature. Everything is%@EH@%
made of one hidden stuff.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Compensation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1040   @%%@2@%   It is as impossible for a man to be cheated by anyone but himself, as for%@EH@%
a thing to be, and not to be, at the same time.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Compensation

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1050   @%%@2@%   All mankind love a lover.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Love

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1060   @%%@2@%   Thou art to me a delicious torment.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Friendship

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Men descend to meet.-Emerson, Essays. First Series, The Over-Soul  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1070   @%%@2@%   Almost all people descend to meet.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Friendship

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1090   @%%@2@%   Happy is the house that shelters a friend.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Friendship

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1100   @%%@2@%   A friend is a person with whom I may be sincere. Before him, I may think%@EH@%
aloud.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Friendship

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1110   @%%@2@%   A friend may well be reckoned the masterpiece of Nature.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Friendship

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1120   @%%@2@%   Two may talk and one may hear, but three cannot take part in a%@EH@%
conversation of the most sincere and searching sort.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Friendship

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1130   @%%@2@%   The only reward of virtue is virtue; the only way to have a friend is to%@EH@%
be one.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Friendship

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1140   @%%@2@%   I do then with my friends as I do with my books. I would have them where%@EH@%
I can find them, but I seldom use them.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Friendship

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1150   @%%@2@%   In skating over thin ice our safety is in our speed.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Prudence

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1160   @%%@2@%   Heroism feels and never reasons and therefore is always right.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Heroism

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1170   @%%@2@%   Beware when the great God lets loose a thinker on this planet.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Circles

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1180   @%%@2@%   One man's justice is another's injustice; one man's beauty another's%@EH@%
ugliness; one man's wisdom another's folly.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Circles

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Old age is an incurable disease.-Seneca, Epistulae ad Lucilium, no. 108  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1190   @%%@2@%   Nature abhors the old, and old age seems the only disease; all others run%@EH@%
into this one.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Circles

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1210   @%%@2@%   Nothing great was ever achieved without enthusiasm.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Circles

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1220   @%%@2@%   Nothing astonishes men so much as common sense and plain dealing.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Art

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1230   @%%@2@%   Beauty will not come at the call of a legislature, nor will it repeat in%@EH@%
England or America its history in Greece. It will come, as always,
unannounced, and spring up between the feet of brave and earnest men.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: First Series [1841].Art

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1240   @%%@2@%   I fancy I need more than another to speak (rather than write), with such%@EH@%
a formidable tendency to the lapidary style. I build my house of boulders.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Letter to Carlyle [October 30, 1841]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1250   @%%@2@%   A man may love a paradox without either losing his wit or his honesty.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Walter Savage Landor. From The Dial [1841], XII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1260   @%%@2@%   Literature is the effort of man to indemnify himself for the wrongs of%@EH@%
his condition.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Walter Savage Landor. From The Dial [1841], XII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1270   @%%@2@%   There is always a certain meanness in the argument of conservatism,%@EH@%
joined with a certain superiority in its fact.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conservative [1842]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1280   @%%@2@%   For it is not meters, but a metermaking argument that makes a poem-a%@EH@%
thought so passionate and alive that like the spirit of a plant or an animal
it has an architecture of its own, and adorns nature with a new thing.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: Second Series [1844].The Poet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1285   @%%@2@%   We are symbols, and inhabit symbols.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: Second Series [1844].The Poet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1287   @%%@2@%   Language is the archives of history. . . . Language is fossil poetry.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: Second Series [1844].The Poet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1290   @%%@2@%   Nature and books belong to the eyes that see them.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: Second Series [1844].Experience

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1300   @%%@2@%   Of what use is genius, if the organ is too convex or too concave and%@EH@%
cannot find a focal distance within the actual horizon of human life?%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: Second Series [1844].Experience

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1310   @%%@2@%   The only gift is a portion of thyself. 1  2  3 %@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: Second Series [1844].Gifts

%@NL@%%@AI@%1 See Lowell%@BO:          443056@%%@AE@%
%@AI@%2 See Whitman%@BO:          4502d6@%%@AE@%
%@AI@%3 See Gibran%@BO:          5ad272@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1320   @%%@2@%   The less government we have, the better-the fewer laws, and the less%@EH@%
confided power.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: Second Series [1844].Politics

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1330   @%%@2@%   We think our civilization near its meridian, but we are yet only at the%@EH@%
cock-crowing and the morning star. In our barbarous society the influence of
character is in its infancy.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: Second Series [1844].Politics

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1340   @%%@2@%   Money, which represents the prose of life, and which is hardly spoken of%@EH@%
in parlors without an apology, is, in its effects and laws, as beautiful as
roses.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: Second Series [1844].Nominalist and Realist

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1350   @%%@2@%   Every man is wanted, and no man is wanted much.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: Second Series [1844].Nominalist and Realist

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1360   @%%@2@%   The reward of a thing well done, is to have done it.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Essays: Second Series [1844].Nominalist and Realist

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1370   @%%@2@%   He is great who is what he is from Nature, and who never reminds us of%@EH@%
others.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Representative Men [1850].Uses of Great Men

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1380   @%%@2@%   When nature removes a great man, people explore the horizon for a%@EH@%
successor; but none comes, and none will. His class is extinguished with
him. In some other and quite different field, the next man will appear.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Representative Men [1850].Uses of Great Men

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1390   @%%@2@%   Every hero becomes a bore at last.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Representative Men [1850].Uses of Great Men

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1400   @%%@2@%   Great geniuses have the shortest biographies.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Representative Men [1850].Plato; or, The Philosopher

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1410   @%%@2@%   Things added to things, as statistics, civil history, are inventories.%@EH@%
Things used as language are inexhaustibly attractive.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Representative Men [1850].Plato; or, The Philosopher

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
What matters what anybody thinks? "It will be all the same a hundred years
hence." That is the most sensible proverb ever invented.-George du Maurier,
Peter Ibbetson [1891]  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1420   @%%@2@%   Keep cool: it will be all one a hundred years hence.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Representative Men [1850].Montaigne; or, The Skeptic

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1440   @%%@2@%   Is not marriage an open question, when it is alleged, from the beginning%@EH@%
of the world, that such as are in the institution wish to get out, and such
as are out wish to get in? 1 %@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Representative Men [1850].Montaigne; or, The Skeptic

%@NL@%%@AI@%1 See Montaigne%@BO:          145a2f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1450   @%%@2@%   Self-reliance, the height and perfection of man, is reliance on God.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Fugitive Slave Law [1854]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1460   @%%@2@%   Classics which at home are drowsily read have a strange charm in a%@EH@%
country inn, or in the transom of a merchant brig.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%English Traits [1856]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1465   @%%@2@%   Great men, great nations, have not been boasters and buffoons, but%@EH@%
perceivers of the terror of life, and have manned themselves to face it.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Fate

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1470   @%%@2@%   Men are what their mothers made them. 1 %@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Fate

%@NL@%%@AI@%1 See Freud%@BO:          503d72@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1480   @%%@2@%   Coal is a portable climate.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Wealth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1490   @%%@2@%   The world is his, who has money to go over it.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Wealth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1500   @%%@2@%   Art is a jealous mistress. 1 %@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Wealth

%@NL@%%@AI@%1 See Story%@BO:          368230@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1510   @%%@2@%   All educated Americans, first or last, go to Europe.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Culture

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1520   @%%@2@%   Solitude, the safeguard of mediocrity, is to genius the stern friend.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Culture

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1530   @%%@2@%   There is always a best way of doing everything, if it be to boil an egg.%@EH@%
Manners are the happy ways of doing things.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Behavior

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1540   @%%@2@%   Fine manners need the support of fine manners in others.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Behavior

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1550   @%%@2@%   The highest compact we can make with our fellow is-"Let there be truth%@EH@%
between us two forevermore."%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Behavior

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Luck is infatuated with the efficient.-Persian proverb  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1560   @%%@2@%   Shallow men believe in luck.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Worship

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1575   @%%@2@%   I wish that life should not be cheap, but sacred. I wish the days to be%@EH@%
as centuries, loaded, fragrant.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Considerations by the Way

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1580   @%%@2@%   Our chief want in life is somebody who shall make us do what we can.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Considerations by the Way

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1590   @%%@2@%   Make yourself necessary to somebody.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Considerations by the Way

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1600   @%%@2@%   Beauty without grace is the hook without the bait.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].Beauty

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1610   @%%@2@%   Never read any book that is not a year old.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Conduct of Life [1860].In Praise of Books

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1620   @%%@2@%   The key to the period appeared to be that the mind had become aware of%@EH@%
itself. . . . The young men were born with knives in their brain, a tendency
to introversion, self-dissection, anatomizing of motives.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Life and Letters in New England [1867]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1630   @%%@2@%   God may forgive sins, he said, but awkwardness has no forgiveness in%@EH@%
heaven or earth.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Society and Solitude [1870].Society and Solitude

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1640   @%%@2@%   The most advanced nations are always those who navigate the most.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Society and Solitude [1870].Civilization

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1650   @%%@2@%   Hitch your wagon to a star. 1 %@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Society and Solitude [1870].Civilization

%@NL@%%@AI@%1 See Carl Schurz%@BO:          47edbd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1660   @%%@2@%   The true test of civilization is, not the census, nor the size of cities,%@EH@%
nor the crops-no, but the kind of man the country turns out.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Society and Solitude [1870].Civilization

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1670   @%%@2@%   Every genuine work of art has as much reason for being as the earth and%@EH@%
the sun.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Society and Solitude [1870].Art

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1680   @%%@2@%   A masterpiece of art has in the mind a fixed place in the chain of being,%@EH@%
as much as a plant or a crystal.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Society and Solitude [1870].Art

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1690   @%%@2@%   We boil at different degrees.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Society and Solitude [1870].Eloquence

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1700   @%%@2@%   The best university that can be recommended to a man of ideas is the%@EH@%
gauntlet of the mobs.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Society and Solitude [1870].Eloquence

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1710   @%%@2@%   The ornament of a house is the friends who frequent it.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Society and Solitude [1870].Domestic Life

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1720   @%%@2@%   Can anybody remember when the times were not hard and money not scarce?%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Society and Solitude [1870].Works and Days

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1730   @%%@2@%   'Tis the good reader that makes the good book; in every book he finds%@EH@%
passages which seem confidences or asides hidden from all else and
unmistakably meant for his ear; the profit of books is according to the
sensibility of the reader; the profoundest thought or passion sleeps as in a
mine, until it is discovered by an equal mind and heart.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Society and Solitude [1870].Success

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1740   @%%@2@%   We do not count a man's years until he has nothing else to count.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Society and Solitude [1870].Old Age

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1750   @%%@2@%   A mollusk is a cheap edition [of man] with a suppression of the costlier%@EH@%
illustrations, designed for dingy circulation, for shelving in an
oyster-bank or among the seaweed.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Power and Laws of Thought [c. 1870]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1760   @%%@2@%   Poetry teaches the enormous force of a few words, and, in proportion to%@EH@%
the inspiration, checks loquacity.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Parnassus [1874]. Preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1770   @%%@2@%   There are two classes of poets-the poets by education and practice, these%@EH@%
we respect; and poets by nature, these we love.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Parnassus [1874]. Preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1780   @%%@2@%   Life is not so short but that there is always time enough for courtesy.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Letters and Social Aims [1875].Social Aims

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1790   @%%@2@%   I have heard with admiring submission the experience of the lady who%@EH@%
declared that the sense of being perfectly well-dressed gives a feeling of
inward tranquillity which religion is powerless to bestow.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Letters and Social Aims [1875].Social Aims

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1800   @%%@2@%   Do not say things. What you are stands over you the while, and thunders%@EH@%
so that I cannot hear what you say to the contrary.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Letters and Social Aims [1875].Social Aims

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1805   @%%@2@%   Every really able man, in whatever direction he work . . . if you talk%@EH@%
sincerely with him, considers his work, however much admired, as far short
of what it should be.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Letters and Social Aims [1875].Immortality

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1810   @%%@2@%   Great men are they who see that spiritual is stronger than any material%@EH@%
force, that thoughts rule the world.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Letters and Social Aims [1875].Progress and Culture, Phi Beta Kappa Address
[July 18, 1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
There is not less wit nor less invention in applying rightly a thought one
finds in a book, than in being the first author of that thought.-Pierre
Bayle, Dictionnaire Historique et Critique [1697-1702]  See James Russell
Lowell  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1820   @%%@2@%   Next to the originator of a good sentence is the first quoter of it.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Letters and Social Aims [1875].Quotation and Originality

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1850   @%%@2@%   When Shakespeare is charged with debts to his authors, Landor replies,%@EH@%
"Yet he was more original than his originals. He breathed upon dead bodies
and brought them into life."%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Letters and Social Aims [1875].Quotation and Originality

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1860   @%%@2@%   By necessity, by proclivity, and by delight, we all quote.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Letters and Social Aims [1875].Quotation and Originality

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1870   @%%@2@%   A good symbol is the best argument, and is a missionary to persuade%@EH@%
thousands.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Letters and Social Aims [1875].Poetry and Imagination

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1880   @%%@2@%   Wit makes its own welcome, and levels all distinctions.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Letters and Social Aims [1875].The Comic

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1890   @%%@2@%   The perception of the comic is a tie of sympathy with other men.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Letters and Social Aims [1875].The Comic

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A weed is no more than a flower in disguise.-James Russell Lowell, A Fable
for Critics [1848]  A weed is but an unloved flower!-Ella Wheeler Wilcox
[1850-1919], The Weed, st. 1  %@EF@%
%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1900   @%%@2@%   What is a weed? A plant whose virtues have not yet been discovered.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Fortune of the Republic [1878]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1930   @%%@2@%   To live without duties is obscene.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Lectures and Biographical Sketches [1883].Aristocracy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1940   @%%@2@%   Speak the affirmative; emphasize your choice by utter ignoring of all%@EH@%
that you reject.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Lectures and Biographical Sketches [1883].The Preacher

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1950   @%%@2@%   Genius has no taste for weaving sand.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Lectures and Biographical Sketches [1883].The Scholar

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1960   @%%@2@%   A poet in verse or prose must have a sensuous eye, but an intellectual%@EH@%
co-perception.%@NL@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Lectures and Biographical Sketches [1883].Plutarch

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1970   @%%@2@%   All the thoughts of a turtle are turtles, and of a rabbit, rabbits.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%The Natural History of Intellect [1893]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ralph Waldo Emerson@%%@QR:Emerson@%%@CR:N1803EMER1980   @%%@2@%   When you strike at a king, you must kill him.%@NL@%%@EH@%
%@NL@%
Ralph Waldo Emerson
%@NL@%Recollected by Oliver Wendell Holmes, Jr.
From Max Lerner, The Mind and Faith of Justice Holmes [1943]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Stephen Hawker%@AE@%%@EH@%
%@NL@%
%@AB@%1803-1875%@AE@%
%@NL@%%@NL@%

%@QR:Robert Stephen Hawker@%%@QR:Hawker@%%@CR:N1803HAWR10     @%%@2@%And shall Trelawny die?%@NL@%%@EH@%
Here's twenty thousand Cornish men%@NL@%
Will know the reason why.%@NL@%

%@NL@%Robert Stephen Hawker
%@NL@%%@FN@%
"And shall Trelawny die?" has been a popular phrase throughout Cornwall
since the imprisonment in the Tower of London [1688] of Sir Jonathan
Trelawny [16501721] with six other prelates for refusing to recognize the
Declaration of Indulgence issued by James II.  %@EF@%
The Song of the Western Men [1825],
st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Henry Hengist Horne%@AE@%%@EH@%
%@NL@%
%@AB@%1803-1884%@AE@%
%@NL@%%@NL@%

%@QR:Richard Henry Hengist Horne@%%@QR:Horne@%%@CR:N1803HORR10     @%%@2@%'Tis always morning somewhere in the world. 1 %@NL@%%@EH@%

%@NL@%Richard Henry Hengist Horne
%@NL@%Orion [1843], bk. III, canto 2

%@NL@%%@AI@%1 See Longfellow%@BO:          3dfcfd@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Douglas Jerrold%@AE@%%@EH@%
%@NL@%
%@AB@%1803-1857%@AE@%
%@NL@%%@NL@%

%@QR:Douglas Jerrold@%%@QR:Jerrold@%%@CR:N1803JERD10     @%%@2@%   Dogmatism is puppyism come to its full growth.%@NL@%%@EH@%
%@NL@%
Douglas Jerrold
%@NL@%Wit and Opinions of Douglas Jerrold [1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Douglas Jerrold@%%@QR:Jerrold@%%@CR:N1803JERD20     @%%@2@%   That fellow would vulgarize the day of judgment.%@NL@%%@EH@%
%@NL@%
Douglas Jerrold
%@NL@%Wit and Opinions of Douglas Jerrold [1859]A Comic Author

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Douglas Jerrold@%%@QR:Jerrold@%%@CR:N1803JERD30     @%%@2@%   Some people are so fond of ill luck that they run halfway to meet it.%@NL@%%@EH@%
%@NL@%
Douglas Jerrold
%@NL@%Wit and Opinions of Douglas Jerrold [1859]Meeting Troubles Halfway

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Douglas Jerrold@%%@QR:Jerrold@%%@CR:N1803JERD40     @%%@2@%   Talk to him of Jacob's ladder, and he would ask the number of the steps.%@NL@%%@EH@%
%@NL@%
Douglas Jerrold
%@NL@%Wit and Opinions of Douglas Jerrold [1859]A Matter-of-fact Man

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Smith Surtees%@AE@%%@EH@%
%@NL@%
%@AB@%1803-1864%@AE@%
%@NL@%%@NL@%

%@QR:Robert Smith Surtees@%%@QR:Surtees@%%@CR:N1803SURR5      @%%@2@%   Jorrocks' Jaunts and Jollities.%@NL@%%@EH@%
%@NL@%
Robert Smith Surtees
%@NL@%Title of novel [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Smith Surtees@%%@QR:Surtees@%%@CR:N1803SURR10     @%%@2@%   Full o' beans and benevolence.%@NL@%%@EH@%
%@NL@%
Robert Smith Surtees
%@NL@%Handley Cross [1843], ch. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Smith Surtees@%%@QR:Surtees@%%@CR:N1803SURR20     @%%@2@%   Three things I never lends-my 'oss, my wife, and my name.%@NL@%%@EH@%
%@NL@%
Robert Smith Surtees
%@NL@%Hillingdon Hall [1845], ch. 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Smith Surtees@%%@QR:Surtees@%%@CR:N1803SURR30     @%%@2@%   More people are flattered into virtue than bullied out of vice.%@NL@%%@EH@%
%@NL@%
Robert Smith Surtees
%@NL@%The Analysis of the Hunting Field [1846], ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Smith Surtees@%%@QR:Surtees@%%@CR:N1803SURR40     @%%@2@%   Better be killed than frightened to death.%@NL@%%@EH@%
%@NL@%
Robert Smith Surtees
%@NL@%Mr. Facey Romford's Hounds [1864], ch. 32

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Fedor Tiutchev%@AE@%%@EH@%
%@NL@%
%@AB@%1803-1873%@AE@%
%@NL@%%@NL@%

%@QR:Fedor Tiutchev@%%@QR:Tiutchev@%%@CR:N1803TIUF10     @%%@2@%   A thought, once uttered, is a lie.%@NL@%%@EH@%
%@NL@%
Fedor Tiutchev
%@NL@%Silentium [1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Tiutchev@%%@QR:Tiutchev@%%@CR:N1803TIUF20     @%%@2@%   Like first love, the heart of Russia will not forget you.%@NL@%%@EH@%
%@NL@%
Fedor Tiutchev
%@NL@%Tribute to Pushkin [January 29, 1837]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Tiutchev@%%@QR:Tiutchev@%%@CR:N1803TIUF30     @%%@2@%   Homeland of patience, land of the Russian people.%@NL@%%@EH@%
%@NL@%
Fedor Tiutchev
%@NL@%These Poor Villages [1855]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Benjamin Disraeli, Earl of Beaconsfield%@AE@%%@EH@%
%@NL@%
%@AB@%1804-1881%@AE@%
%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB10     @%%@2@%   The microcosm of a public school.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Vivian Grey [1826], bk.I, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB20     @%%@2@%   I hate definitions.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Vivian Grey [1826], bk.II, ch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB30     @%%@2@%   Experience is the child of Thought, and Thought is the child of Action.%@EH@%
We cannot learn men from books.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Vivian Grey [1826], bk.V, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB40     @%%@2@%   Variety is the mother of Enjoyment.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Vivian Grey [1826], bk.V, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB50     @%%@2@%   There is moderation even in excess.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Vivian Grey [1826], bk.VI, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB60     @%%@2@%   I repeat . . . that all power is a trust; that we are accountable for its%@EH@%
exercise; that, from the people, and for the people, all springs, and all
must exist. 1  2  3  4  5 %@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Vivian Grey [1826], bk.VI, ch.7

%@NL@%%@AI@%1 See Wycliffe%@BO:          11bf63@%%@AE@%
%@AI@%2 See Webster%@BO:          36c778@%%@AE@%
%@AI@%3 See Garrison%@BO:          3d267b@%%@AE@%
%@AI@%4 See Lincoln%@BO:          3f11e8@%%@AE@%
%@AI@%5 See Parker%@BO:          40ae74@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB70     @%%@2@%   Man is not the creature of circumstances. Circumstances are the creatures%@EH@%
of men.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Vivian Grey [1826], bk.VI, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB80     @%%@2@%   A dark horse, which had never been thought of, and which the careless St.%@EH@%
James had never even observed in the list, rushed past the grandstand in
sweeping triumph.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%The Young Duke [1831], bk. I, ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The gentleman will please remember that when his half-civilized ancestors
were hunting the wild boar in the forests of Silesia, mine were the princes
of the earth.-Judah P. Benjamin [1811-1884], reply to a senator; from Ben
Perley Poore, Reminiscences of Sixty Years in the National Metropolis [1886]
%@EF@%
%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB90     @%%@2@%   Yes, I am a Jew, and when the ancestors of the right honorable gentleman%@EH@%
were brutal savages in an unknown island, mine were priests in the temple of
Solomon.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Reply to a taunt by Daniel O'Connell

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB110    @%%@2@%   What we anticipate seldom occurs; what we least expected generally%@EH@%
happens.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Henrietta Temple [1837], bk. II, ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB120    @%%@2@%   Though I sit down now, the time will come when you will hear me. 1 %@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Maiden speech in the House of Commons [1837]

%@NL@%%@AI@%1 See Garrison%@BO:          3d1e26@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB130    @%%@2@%   Free trade is not a principle, it is an expedient. 1 %@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech on import duties [April 25, 1843]

%@NL@%%@AI@%1 See Grover Cleveland%@BO:          4b190e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Prince Rupert [1619-1682], nephew of Charles I.  %@EF@%
%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB140    @%%@2@%   The noble lord [Lord Stanley] is the Rupert of Parliamentary discussion.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech [April 1844]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB145    @%%@2@%   A government of statesmen or of clerks? Of Humbug or Humdrum?%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Coningsby [1844], bk.II, ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB150    @%%@2@%   Youth is a blunder; manhood a struggle; old age a regret.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Coningsby [1844], bk.III, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB153    @%%@2@%   Man is only truly great when he acts from the passions.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Coningsby [1844], bk.IV, ch. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB155    @%%@2@%   I rather like bad wine . . . one gets so bored with good wine.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Sybil [1845], bk.I, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB158    @%%@2@%   Two nations, between whom there is no intercourse and no sympathy; who%@EH@%
are as ignorant of each other's habits, thoughts, and feelings as if they
were dwellers in different zones, or inhabitants of different planets; who
are formed by a different breeding, are fed by a different food, are ordered
by different manners, and are not governed by the same laws  . . . the rich
and the poor.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Sybil [1845], bk.II, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Property has its duties as well as its rights.-Captain Thomas Drummond
(inventor of the Drummond light), Letter to the Landlords of Tipperary [May
22, 1838]  %@EF@%
%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB160    @%%@2@%   Property has its duties as well as its rights.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Sybil [1845], bk.II, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB180    @%%@2@%   Little things affect little minds.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Sybil [1845], bk.III, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The life of man is a self-evolving circle.-Emerson, Essays [1st series,
1841], Circles  %@EF@%
%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB190    @%%@2@%   We all of us live too much in a circle.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Sybil [1845], bk.III, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sir Robert Peel.  %@EF@%
%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB220    @%%@2@%   The right honorable gentleman caught the Whigs bathing and walked away%@EH@%
with their clothes.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech in the House of Commons [February 28, 1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB230    @%%@2@%   A conservative government is an organized hypocrisy.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech on Agricultural Interests [March 17, 1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB235    @%%@2@%   Duty cannot exist without faith.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Tancred [1847], bk.II, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB240    @%%@2@%   He was fresh and full of faith that "something would turn up." 1 %@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Tancred [1847], bk.III, ch. 6

%@NL@%%@AI@%1 See Dickens%@BO:          42092d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB250    @%%@2@%   Everything comes if a man will only wait. 1  2 %@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Tancred [1847], bk.IV, ch. 8

%@NL@%%@AI@%1 See Emerson%@BO:          3bf131@%%@AE@%
%@AI@%2 See Burroughs%@BO:          4b0739@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB260    @%%@2@%   A precedent embalms a principle.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech on the expenditures of the country [February 22, 1848]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB270    @%%@2@%   Justice is truth in action.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech [February 11, 1851]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB280    @%%@2@%   How much easier it is to be critical than to be correct.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech [January 24, 1860]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB300    @%%@2@%   Is man an ape or an angel? 1  2  I, my lord, I am on the side of the%@EH@%
angels. I repudiate with indignation and abhorrence those newfangled
theories.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech at Oxford Diocesan Conference [November 25, 1864]

%@NL@%%@AI@%1 See Pascal%@BO:          25ed6b@%%@AE@%
%@AI@%2 See Darwin%@BO:          3e3ceb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB310    @%%@2@%   In the character of the victim [Lincoln], and even in the accessories of%@EH@%
his last moments, there is something so homely and innocent that it takes
the question, as it were, out of all the pomp of history and the ceremonial
of diplomacy-it touches the heart of nations and appeals to the domestic
sentiment of mankind.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech in the House of Commons[May 1, 1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB320    @%%@2@%   Ignorance never settles a question.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech in the House of Commons[May 14, 1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB330    @%%@2@%   Individualities may form communities, but it is institutions alone that%@EH@%
can create a nation.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech at Manchester [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB340    @%%@2@%   However gradual may be the growth of confidence, that of credit requires%@EH@%
still more time to arrive at maturity.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech [November 9, 1867]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB345    @%%@2@%   I have climbed to the top of the greasy pole.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%To friends, on being made prime minister [1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB350    @%%@2@%   When a man fell into his anecdotage, it was a sign for him to retire.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Lothair [1870], ch.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB360    @%%@2@%   Every woman should marry-and no man.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Lothair [1870], ch.30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB370    @%%@2@%   You know who the critics are? The men who have failed in literature and%@EH@%
art. 1  2  3 %@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Lothair [1870], ch.35

%@NL@%%@AI@%1 See Coleridge%@BO:          35505a@%%@AE@%
%@AI@%2 See Lowell%@BO:          44378a@%%@AE@%
%@AI@%3 See Flaubert%@BO:          45ee1f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB380    @%%@2@%   "My idea of an agreeable person," said Hugo Bohun, "is a person who%@EH@%
agrees with me."%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Lothair [1870], ch.35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB390    @%%@2@%   Increased means and increased leisure are the two civilizers of man.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech to the Conservatives of Manchester [April 3, 1872]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB400    @%%@2@%   The secret of success is constancy to purpose.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech [June 24, 1872]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB410    @%%@2@%   A university should be a place of light, of liberty, and of learning.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech in the House of Commons [March 11, 1873]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB430    @%%@2@%   The health of the people is really the foundation upon which all their%@EH@%
happiness and all their powers as a state depend.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech [July 24, 1877]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB440    @%%@2@%   Lord Salisbury and myself have brought you back peace-but a peace I hope%@EH@%
with honor. 1  2 %@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech in the House of Commons [July 16, 1878]

%@NL@%%@AI@%1 See Russell%@BO:          388fd1@%%@AE@%
%@AI@%2 See Chamberlain%@BO:          554d0a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Lord Hartington's Resolution on the Berlin Treaty.  %@EF@%
%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB450    @%%@2@%   A series of congratulatory regrets.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech at Knightsbridge [July 27, 1878]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB460    @%%@2@%   A sophistical rhetorician [Gladstone], inebriated with the exuberance of%@EH@%
his own verbosity, and gifted with an egotistical imagination that can at
all times command an interminable and inconsistent series of arguments to
malign an opponent and to glorify himself.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech at Knightsbridge [July 27, 1878]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB470    @%%@2@%   The harebrained chatter of irresponsible frivolity.%@NL@%%@EH@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech at the Guildhall, London [November 9, 1878]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB480    @%%@2@%   The Athanasian Creed is the most splendid ecclesiastical lyric ever%@EH@%
poured forth by the genius of man.%@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech at the Guildhall, London [November 9, 1878]52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Benjamin Disraeli, Earl of Beaconsfield@%%@QR:Disraeli@%%@CR:N1804DISB490    @%%@2@%   "As for that," said Waldershare, "sensible men are all of the same%@EH@%
religion." "And pray, what is that?" inquired the prince. "Sensible men
never tell." 1 %@NL@%
%@NL@%
Benjamin Disraeli, Earl of Beaconsfield
%@NL@%Speech at the Guildhall, London [November 9, 1878]81

%@NL@%%@AI@%1 See Samuel Johnson%@CF:N1709JOHS840    @%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Gavarni Sulpice Guillaume Chevalier%@AE@%%@EH@%
%@NL@%
%@AB@%1804-1866%@AE@%
%@NL@%%@NL@%

%@QR:Gavarni Sulpice Guillaume Chevalier@%%@CR:N1804GAVA10     @%%@2@%   Les Enfants Terribles [The Terrible Children].%@NL@%%@EH@%
%@NL@%
Gavarni Sulpice Guillaume Chevalier
%@NL@%Title of series of prints [1865]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Nathaniel Hawthorne%@AE@%%@EH@%
%@NL@%
%@AB@%1804-1864%@AE@%
%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN10     @%%@2@%   Amid the seeming confusion of our mysterious world, individuals are so%@EH@%
nicely adjusted to a system, and systems to one another and to a whole,
that, by stepping aside for a moment, a man exposes himself to a fearful
risk of losing his place forever.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%Wakefield [1835]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN20     @%%@2@%   His hour is one of darkness, and adversity, and peril. But should%@EH@%
domestic tyranny oppress us, or the invader's step pollute our soil, still
may the Gray Champion come, for he is the type of New England's hereditary
spirit; and his shadowy march, on the eve of danger, must ever be the
pledge, that New England's sons will vindicate their ancestry.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Gray Champion [1835]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN30     @%%@2@%   By the sympathy of your human hearts for sin ye shall scent out all the%@EH@%
places-whether in church, bedchamber, street, field, or forest-where crime
has been committed, and shall exult to behold the whole earth one stain of
guilt, one mighty blood spot.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%Young Goodman Brown [1835]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN40     @%%@2@%   As the moral gloom of the world overpowers all systematic gaiety, even so%@EH@%
was their home of wild mirth made desolate amid the sad forest.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Maypole of Merrymount [1836]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN50     @%%@2@%   "What is the Unpardonable Sin?" asked the lime-burner. . . . %@NL@%%@EH@%
"It is a sin that grew within my own breast," replied Ethan Brand. . . .
"The sin of an intellect that triumphed over the sense of brotherhood with
man and reverence for God."%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%Ethan Brand [1850]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN60     @%%@2@%   On the breast of her gown, in red cloth, surrounded with an elaborate%@EH@%
embroidery and fantastic flourishes of gold thread, appeared the letter A.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Scarlet Letter [1850], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN65     @%%@2@%   My heart was a habitation large enough for many guests, but lonely and%@EH@%
chill, and without a household fire. I longed to kindle one! It seemed not
so wild a dream.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Scarlet Letter [1850], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN70     @%%@2@%   There is a fatality, a feeling so irresistible and inevitable that it has%@EH@%
the force of doom, which almost invariably compels human beings to linger
around and haunt, ghostlike, the spot where some great and marked event has
given the color to their lifetime; and still the more irresistibly, the
darker the tinge that saddens it.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Scarlet Letter [1850], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN80     @%%@2@%   Wherever there is a heart and an intellect, the diseases of the physical%@EH@%
frame are tinged with the peculiarities of these.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Scarlet Letter [1850], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN85     @%%@2@%   Let the black flower blossom as it may!%@NL@%%@EH@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Scarlet Letter [1850], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN90     @%%@2@%   Let men tremble to win the hand of woman, unless they win along with it%@EH@%
the utmost passion of her heart.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Scarlet Letter [1850], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN100    @%%@2@%   "Never, never!" whispered she. "What we did had a consecration of its%@EH@%
own."%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Scarlet Letter [1850], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN110    @%%@2@%   The scarlet letter was her passport into regions where other women dared%@EH@%
not tread. Shame, Despair, Solitude! These had been her teachers-stern and
wild ones-and they had made her strong, but taught her much amiss.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Scarlet Letter [1850], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN120    @%%@2@%   No man, for any considerable period, can wear one face to himself, and%@EH@%
another to the multitude, without finally getting bewildered as to which may
be the true.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Scarlet Letter [1850], ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN130    @%%@2@%   Among many morals which press upon us from the poor minister's miserable%@EH@%
experience, we put only this into a sentence: "Be true! Be true! Show freely
to the world, if not your worst, yet some trait whereby the worst may be
inferred."%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Scarlet Letter [1850], ch.24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN140    @%%@2@%   The book, if you would see anything in it, requires to be read in the%@EH@%
clear, brown, twilight atmosphere in which it was written; if opened in the
sunshine, it is apt to look exceedingly like a volume of blank pages.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%Twice-Told Tales [1851], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN150    @%%@2@%   Not to be deficient in this particular, the author has provided himself%@EH@%
with a moral-the truth, namely, that the wrongdoing of one generation lives
into the successive ones.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The House of the Seven Gables [1851],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN160    @%%@2@%   God will give him blood to drink!%@NL@%%@EH@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The House of the Seven Gables [1851],ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN170    @%%@2@%   Life is made up of marble and mud.%@NL@%%@EH@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The House of the Seven Gables [1851],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN180    @%%@2@%   What other dungeon is so dark as one's own heart! What jailer so%@EH@%
inexorable as one's self!%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The House of the Seven Gables [1851],ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN190    @%%@2@%   Of all the events which constitute a person's biography, there is%@EH@%
scarcely one . . . to which the world so easily reconciles itself as to his
death.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The House of the Seven Gables [1851],ch.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN200    @%%@2@%   The greatest obstacle to being heroic is the doubt whether one may not be%@EH@%
going to prove one's self a fool; the truest heroism is, to resist the
doubt; and the profoundest wisdom, to know when it ought to be resisted, and
when to be obeyed.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Blithedale Romance [1852], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN210    @%%@2@%   It is because the spirit is inestimable that the lifeless body is so%@EH@%
little valued.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Blithedale Romance [1852], ch.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN220    @%%@2@%   In youth men are apt to write more wisely than they really know or feel;%@EH@%
and the remainder of life may be not idly spent in realizing and convincing
themselves of the wisdom they uttered long ago.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Snow Image [1852], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN230    @%%@2@%   No author, without a trial, can conceive of the difficulty of writing a%@EH@%
romance about a country where there is no shadow, no antiquity, no mystery,
no picturesque and gloomy wrong, nor anything but a commonplace prosperity,
in broad and simple daylight, as is happily the case with my dear native
land. . . . Romance and poetry, ivy, lichens and wallflowers need ruin to
make them grow.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Marble Faun [1860],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Every book is written with a constant secret reference to the few
intelligent persons whom the writer believes to exist in the million. . . .
The artist has always the masters in his eye.-Emerson, Progress of Culture
[1867]  %@EF@%
%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN250    @%%@2@%   Nobody, I think, ought to read poetry, or look at pictures or statues,%@EH@%
who cannot find a great deal more in them than the poet or artist has
actually expressed.%@NL@%
%@NL@%
Nathaniel Hawthorne
%@NL@%The Marble Faun [1860],ch. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nathaniel Hawthorne@%%@QR:Hawthorne@%%@CR:N1804HAWN270    @%%@2@%   Mountains are earth's undecaying monuments.%@NL@%%@EH@%
%@NL@%
Nathaniel Hawthorne
%@NL@%Sketches from Memory [1868]. The Notch of the White Mountains

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Augustin Sainte-Beuve%@AE@%%@EH@%
%@NL@%
%@AB@%1804-1869%@AE@%
%@NL@%%@NL@%

%@FN@%
Vigny, plus secret,/Comme en sa tour d'ivoire, avant midi, rentrait.  The
poet, retired in his Tower of Ivory, isolated, according to his desire, from
the world of man, resembles, whether he so wishes or not, another solitary
figure, the watcher enclosed for months at a time in a lighthouse at the
head of a cliff.-Jules de Gaultier [b. 1858], La Guerre et les Destinees de
l'Art  %@EF@%
%@QR:Charles Augustin Sainte-Beuve@%%@QR:Sainte-Beuve@%%@CR:N1804SAIC10     @%%@2@%Vigny, more secret,%@NL@%%@EH@%
As if in his tower of ivory, retired before noon.%@NL@%

%@NL@%Charles Augustin Sainte-Beuve
%@NL@%Pensees d'Ao[ucirc ]t, a M. Villemain [1837], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le silence seul est le souverain mepris.  %@EF@%
%@QR:Charles Augustin Sainte-Beuve@%%@QR:Sainte-Beuve@%%@CR:N1804SAIC40     @%%@2@%   Silence is the sovereign contempt.%@NL@%%@EH@%
%@NL@%
Charles Augustin Sainte-Beuve
%@NL@%Mes Poisons

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Sand%@AE@%%@EH@%
%@NL@%Amandine Aurore Lucie Dupin , Baronne Dudevant
%@AB@%1804-1876%@AE@%
%@FN@%
See Elizabeth Barrett Browning  She will remain one of the radiant splendors
of France, unequaled in her glory.-Gustave Flaubert [1821-1880], Letter to
Mademoiselle de Chantepie  %@EF@%
%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG10     @%%@2@%   Love, bumping his head blindly against all the obstacles of civilization.%@NL@%%@EH@%
%@NL@%
George Sand
%@NL@%Indiana [1832], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG20     @%%@2@%   No human creature can give orders to love.%@NL@%%@EH@%
%@NL@%
George Sand
%@NL@%Jacques [1834]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG30     @%%@2@%   Deliberately, women are given a deplorable education . . . While man%@EH@%
frees himself from constraining civil and religious bonds, he is only too
glad to have woman hold tightly to the Christian principle of suffering and
keeping her silence. 1 %@NL@%
%@NL@%
George Sand
%@NL@%Letters to Marcie [1837]

%@NL@%%@AI@%1 See Abigail Adams%@BO:          305e4e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG40     @%%@2@%   We cannot tear out a single page of our life, but we can throw the whole%@EH@%
book in the fire.%@NL@%
%@NL@%
George Sand
%@NL@%Mauprat [1837]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG60     @%%@2@%   Charity degrades those who receive it and hardens those who dispense it.%@EH@%
All that is not a true change will disappear in the future society.%@NL@%
%@NL@%
George Sand
%@NL@%Consuelo [1842]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG70     @%%@2@%   They [the peasants] were born kings of the earth far more truly than%@EH@%
those who possess it only from having bought it.%@NL@%
%@NL@%
George Sand
%@NL@%The Haunted Pool [1851]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG80     @%%@2@%   Life in common among people who love each other is the ideal of%@EH@%
happiness.%@NL@%
%@NL@%
George Sand
%@NL@%Histoire de Ma Vie [1856]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG85     @%%@2@%   In our wholly factitious society, to have no cash at all means frightful%@EH@%
want or absolute powerlessness.%@NL@%
%@NL@%
George Sand
%@NL@%Histoire de Ma Vie [1856]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG90     @%%@2@%   There is only one happiness in life, to love and be loved.%@NL@%%@EH@%
%@NL@%
George Sand
%@NL@%Letter to Lina Calamatta [March 31, 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG100    @%%@2@%   Faith is an excitement and an enthusiasm: it is a condition of%@EH@%
intellectual magnificence to which we must cling as to a treasure, and not
squander . . . in the small coin of empty words, or in exact and priggish
argument.%@NL@%
%@NL@%
George Sand
%@NL@%Letter to Des Planches [May 25, 1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG110    @%%@2@%   The whole secret of the study of nature lies in learning how to use one's%@EH@%
eyes.%@NL@%
%@NL@%
George Sand
%@NL@%Nouvelles Lettres d'un Voyageur [1869]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG120    @%%@2@%   Art for art's sake is an empty phrase. Art for the sake of the true, art%@EH@%
for the sake of the good and the beautiful, that is the faith I am searching
for.%@NL@%
%@NL@%
George Sand
%@NL@%Letter to Alexandre Saint-Jean [1872]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Sand@%%@QR:Sand@%%@QR:Amandine Aurore Lucie Dupin , Baronne Dudevant@%%@CR:N1804SANG130    @%%@2@%   I would rather believe that God did not exist than believe that He was%@EH@%
indifferent.%@NL@%
%@NL@%
George Sand
%@NL@%Impressions et Souvenirs [1896]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sarah Flower Adams%@AE@%%@EH@%
%@NL@%
%@AB@%1805-1848%@AE@%
%@NL@%%@NL@%

%@QR:Sarah Flower Adams@%%@QR:Adams@%%@CR:N1805ADAS10     @%%@2@%Yet in my dreams I'd be%@NL@%%@EH@%
Nearer, my God, to Thee,%@NL@%
Nearer to Thee.%@NL@%

%@NL@%Sarah Flower Adams
%@NL@%Nearer, My God, to Thee, st. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Hans Christian Andersen%@AE@%%@EH@%
%@NL@%
%@AB@%1805-1875%@AE@%
%@NL@%%@NL@%

%@QR:Hans Christian Andersen@%%@QR:Andersen@%%@CR:N1805ANDH10     @%%@2@%   They could see she was a real princess and no question about it, now that%@EH@%
she had felt one pea all the way through twenty mattresses and twenty more
feather beds. Nobody but a princess could be so delicate.%@NL@%
%@NL@%
Hans Christian Andersen
%@NL@%%@FN@%
Translated by Jean Hersholt.  %@EF@%
Fairy Tales [1835].The Princess and the Pea

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hans Christian Andersen@%%@QR:Andersen@%%@CR:N1805ANDH20     @%%@2@%   Far out in the ocean the water is as blue as the petals of the loveliest%@EH@%
cornflower, and as clear as the purest glass. But it is very deep too. . . .
Many, many steeples would have to be stacked one on top of another to reach
from the bottom to the surface of the sea. It is down there that the sea
folk live.%@NL@%
%@NL@%
Hans Christian Andersen
%@NL@%Fairy Tales [1835].The Little Mermaid

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hans Christian Andersen@%%@QR:Andersen@%%@CR:N1805ANDH30     @%%@2@%   We [sea folk] can live to be three hundred years old, but when we perish%@EH@%
we turn into mere foam on the sea.%@NL@%
%@NL@%
Hans Christian Andersen
%@NL@%Fairy Tales [1835].The Little Mermaid

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hans Christian Andersen@%%@QR:Andersen@%%@CR:N1805ANDH35     @%%@2@%   The Emperor's New Clothes.%@NL@%%@EH@%
%@NL@%
Hans Christian Andersen
%@NL@%Fairy Tales [1835].Title of story

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hans Christian Andersen@%%@QR:Andersen@%%@CR:N1805ANDH40     @%%@2@%   "But he hasn't got anything on," a little child said.%@NL@%%@EH@%
%@NL@%
Hans Christian Andersen
%@NL@%Fairy Tales [1835].The Emperor's New Clothes

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hans Christian Andersen@%%@QR:Andersen@%%@CR:N1805ANDH50     @%%@2@%   The little live nightingale . . . had come to sing of comfort and hope.%@EH@%
As he sang, the phantoms grew pale, and still more pale, and the blood
flowed quicker and quicker through the Emperor's feeble body. Even Death
listened, and said, "Go on, little nightingale, go on!"%@NL@%
%@NL@%
Hans Christian Andersen
%@NL@%Fairy Tales [1835].The Nightingale

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hans Christian Andersen@%%@QR:Andersen@%%@CR:N1805ANDH60     @%%@2@%   His own image . . . was no longer the reflection of a clumsy, dirty, gray%@EH@%
bird, ugly and offensive. He himself was a swan! Being born in a duck yard
does not matter, if only you are hatched from a swan's egg.%@NL@%
%@NL@%
Hans Christian Andersen
%@NL@%Fairy Tales [1835].The Ugly Duckling

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hans Christian Andersen@%%@QR:Andersen@%%@CR:N1805ANDH70     @%%@2@%   The Little Match Girl.%@NL@%%@EH@%
%@NL@%
Hans Christian Andersen
%@NL@%Fairy Tales [1835].Title of story

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Lloyd Garrison%@AE@%%@EH@%
%@NL@%
%@AB@%1805-1879%@AE@%
%@NL@%%@NL@%

%@QR:William Lloyd Garrison@%%@QR:Garrison@%%@CR:N1805GARW10     @%%@2@%   Our country is the world-our countrymen are all mankind. 1  2  3  4 %@NL@%%@EH@%
%@NL@%
William Lloyd Garrison
%@NL@%Motto of The Liberator [1831]

%@NL@%%@AI@%1 See Socrates%@BO:           a67f6@%%@AE@%
%@AI@%2 See Bacon%@BO:          16294e@%%@AE@%
%@AI@%3 See Paine%@BO:          2f96bd@%%@AE@%
%@AI@%4 See F. D. Roosevelt%@BO:          5aab3a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Lloyd Garrison@%%@QR:Garrison@%%@CR:N1805GARW20     @%%@2@%   Let Southern oppressors tremble-let their secret abettors tremble-let%@EH@%
their Northern apologists tremble-let all the enemies of the persecuted
blacks tremble.%@NL@%
%@NL@%
William Lloyd Garrison
%@NL@%The Liberator, no. 1 [January 1, 1831]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Lloyd Garrison@%%@QR:Garrison@%%@CR:N1805GARW30     @%%@2@%   I will be as harsh as truth and as uncompromising as justice. On this%@EH@%
subject I do not wish to think, or speak, or write, with moderation. No! No!
Tell a man whose house is on fire to give a moderate alarm; tell him to
moderately rescue his wife from the hands of the ravisher; tell the mother
to gradually extricate her babe from the fire into which it has fallen; but
urge me not to use moderation. 1 %@NL@%
%@NL@%
William Lloyd Garrison
%@NL@%The Liberator, no. 1 [January 1, 1831]

%@NL@%%@AI@%1 See Paine%@BO:          2f9a3e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Lloyd Garrison@%%@QR:Garrison@%%@CR:N1805GARW40     @%%@2@%   I am in earnest-I will not equivocate-I will not excuse-I will not%@EH@%
retreat a single inch; and I will be heard! 1 %@NL@%
%@NL@%
William Lloyd Garrison
%@NL@%The Liberator, no. 1 [January 1, 1831]

%@NL@%%@AI@%1 See Disraeli%@BO:          3c98ae@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Lloyd Garrison@%%@QR:Garrison@%%@CR:N1805GARW50     @%%@2@%   The compact which exists between the North and the South is a covenant%@EH@%
with death and an agreement with hell. 1 %@NL@%
%@NL@%
William Lloyd Garrison
%@NL@%Resolution adopted by the Anti-Slavery Society [January 27, 1843]

%@NL@%%@AI@%1 See Isaiah 28:15%@BO:           3d27b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Lloyd Garrison@%%@QR:Garrison@%%@CR:N1805GARW60     @%%@2@%   With reasonable men, I will reason; with humane men I will plead; but to%@EH@%
tyrants I will give no quarter, nor waste arguments where they will
certainly be lost.%@NL@%
%@NL@%
William Lloyd Garrison
%@NL@%W. P.and F. J. T. Garrison,
William Lloyd Garrison [1885-1889], vol.I,p. 188

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Lloyd Garrison@%%@QR:Garrison@%%@CR:N1805GARW70     @%%@2@%   Since the creation of the world there has been no tyrant like%@EH@%
Intemperance, and no slaves so cruelly treated as his.%@NL@%
%@NL@%
William Lloyd Garrison
%@NL@%and F. J. T. Garrison,
William Lloyd Garrison [1885-1889], vol.I,p. 268

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Lloyd Garrison@%%@QR:Garrison@%%@CR:N1805GARW80     @%%@2@%   We may be personally defeated, but our principles never.%@NL@%%@EH@%
%@NL@%
William Lloyd Garrison
%@NL@%and F. J. T. Garrison,
William Lloyd Garrison [1885-1889], vol.I,p. 402

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Lloyd Garrison@%%@QR:Garrison@%%@CR:N1805GARW90     @%%@2@%   Wherever there is a human being, I see God-given rights inherent in that%@EH@%
being, whatever may be the sex or complexion.%@NL@%
%@NL@%
William Lloyd Garrison
%@NL@%and F. J. T. Garrison,
William Lloyd Garrison [1885-1889], vol.III, p. 390

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Lloyd Garrison@%%@QR:Garrison@%%@CR:N1805GARW100    @%%@2@%   You cannot possibly have a broader basis for any government than that%@EH@%
which includes all the people, with all their rights in their hands, and
with an equal power to maintain their rights. 1  2  3  4  5 %@NL@%
%@NL@%
William Lloyd Garrison
%@NL@%and F. J. T. Garrison,
William Lloyd Garrison [1885-1889], vol.IV, p. 224

%@NL@%%@AI@%1 See Wycliffe%@BO:          11bf63@%%@AE@%
%@AI@%2 See Webster%@BO:          36c778@%%@AE@%
%@AI@%3 See Disraeli%@BO:          3c8f7c@%%@AE@%
%@AI@%4 See Lincoln%@BO:          3f11e8@%%@AE@%
%@AI@%5 See Parker%@BO:          40ae74@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Sidney Sherman%@AE@%%@EH@%
%@NL@%
%@AB@%1805-1873%@AE@%
%@NL@%%@NL@%

%@FN@%
On March 6, 1836, five days after Texas declared her independence from
Mexico, President Antonio Lopez de Santa Anna attacked the Alamo, the
fortified mission at San Antonio; captured it after every Texan had been
killed or wounded; and put the wounded to death. He was defeated and
captured at San Jacinto [April 21, 1836] by the Texas army under Commander
in Chief Samuel Houston. Sidney Sherman was a colonel in the army.  %@EF@%
%@QR:Sidney Sherman@%%@QR:Sherman@%%@CR:N1805SHES10     @%%@2@%   Remember the Alamo!%@NL@%%@EH@%
%@NL@%
Sidney Sherman
%@NL@%Battle cry, San Jacinto [April 21, 1836]; attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alexis Charles Henri Maurice Clerel de Tocqueville%@AE@%%@EH@%
%@NL@%
%@AB@%1805-1859%@AE@%
%@NL@%%@NL@%

%@QR:Alexis Charles Henri Maurice Clerel de Tocqueville@%%@QR:Tocqueville@%%@CR:N1805TOCA10     @%%@2@%   I know of no country, indeed, where the love of money has taken stronger%@EH@%
hold on the affections of men and where a profounder contempt is expressed
for the theory of the permanent equality of property.%@NL@%
%@NL@%
Alexis Charles Henri Maurice Clerel de Tocqueville
%@NL@%%@FN@%
The Henry Reeve text, as revised by Francis Bowen, corrected and edited by
Phillips Bradley [1945].  %@EF@%
Democracy in America,pt. I [1835], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexis Charles Henri Maurice Clerel de Tocqueville@%%@QR:Tocqueville@%%@CR:N1805TOCA20     @%%@2@%   Within these limits the power vested in the American courts of justice of%@EH@%
pronouncing a statute to be unconstitutional forms one of the most powerful
barriers that have ever been devised against the tyranny of political
assemblies.%@NL@%
%@NL@%
Alexis Charles Henri Maurice Clerel de Tocqueville
%@NL@%Democracy in America,pt. I [1835], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexis Charles Henri Maurice Clerel de Tocqueville@%%@QR:Tocqueville@%%@CR:N1805TOCA30     @%%@2@%   I have never been more struck by the good sense and the practical%@EH@%
judgment of the Americans than in the manner in which they elude the
numberless difficulties resulting from their Federal Constitution.%@NL@%
%@NL@%
Alexis Charles Henri Maurice Clerel de Tocqueville
%@NL@%Democracy in America,pt. I [1835], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexis Charles Henri Maurice Clerel de Tocqueville@%%@QR:Tocqueville@%%@CR:N1805TOCA40     @%%@2@%   In order to enjoy the inestimable benefits that the liberty of the press%@EH@%
ensures, it is necessary to submit to the inevitable evils that it creates.%@NL@%
%@NL@%
Alexis Charles Henri Maurice Clerel de Tocqueville
%@NL@%Democracy in America,pt. I [1835], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexis Charles Henri Maurice Clerel de Tocqueville@%%@QR:Tocqueville@%%@CR:N1805TOCA50     @%%@2@%   They [the Americans] have all a lively faith in the perfectibility of%@EH@%
man, they judge that the diffusion of knowledge must necessarily be
advantageous, and the consequences of ignorance fatal; they all consider
society as a body in a state of improvement, humanity as a changing scene,
in which nothing is, or ought to be, permanent; and they admit that what
appears to them today to be good, may be superseded by something better
tomorrow.%@NL@%
%@NL@%
Alexis Charles Henri Maurice Clerel de Tocqueville
%@NL@%Democracy in America,pt. I [1835], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexis Charles Henri Maurice Clerel de Tocqueville@%%@QR:Tocqueville@%%@CR:N1805TOCA60     @%%@2@%   America is a land of wonders, in which everything is in constant motion%@EH@%
and every change seems an improvement. The idea of novelty is there
indissolubly connected with the idea of amelioration. No natural boundary
seems to be set to the efforts of man; and in his eyes what is not yet done
is only what he has not yet attempted to do.%@NL@%
%@NL@%
Alexis Charles Henri Maurice Clerel de Tocqueville
%@NL@%Democracy in America,pt. I [1835], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexis Charles Henri Maurice Clerel de Tocqueville@%%@QR:Tocqueville@%%@CR:N1805TOCA70     @%%@2@%   Democratic nations care but little for what has been, but they are%@EH@%
haunted by visions of what will be; in this direction their unbounded
imagination grows and dilates beyond all measure. . . . Democracy, which
shuts the past against the poet, opens the future before him.%@NL@%
%@NL@%
Alexis Charles Henri Maurice Clerel de Tocqueville
%@NL@%Democracy in America,pt. II [1840], bk.I, ch. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexis Charles Henri Maurice Clerel de Tocqueville@%%@QR:Tocqueville@%%@CR:N1805TOCA80     @%%@2@%   Thus not only does democracy make every man forget his ancestors, but it%@EH@%
hides his descendants and separates his contemporaries from him; it throws
him back forever upon himself alone and threatens in the end to confine him
entirely within the solitude of his own heart.%@NL@%
%@NL@%
Alexis Charles Henri Maurice Clerel de Tocqueville
%@NL@%Democracy in America,pt. II [1840], bk.II, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexis Charles Henri Maurice Clerel de Tocqueville@%%@QR:Tocqueville@%%@CR:N1805TOCA90     @%%@2@%   If I were asked . . . to what the singular prosperity and growing%@EH@%
strength of that people [the Americans] ought mainly to be attributed, I
should reply: To the superiority of their women.%@NL@%
%@NL@%
Alexis Charles Henri Maurice Clerel de Tocqueville
%@NL@%Democracy in America,pt. II [1840], bk.III, ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexis Charles Henri Maurice Clerel de Tocqueville@%%@QR:Tocqueville@%%@CR:N1805TOCA100    @%%@2@%   The love of wealth is therefore to be traced, as either a principal or%@EH@%
accessory motive, at the bottom of all that the Americans do; this gives to
all their passions a sort of family likeness. . . . It may be said that it
is the vehemence of their desires that makes the Americans so methodical; it
perturbs their minds, but it disciplines their lives.%@NL@%
%@NL@%
Alexis Charles Henri Maurice Clerel de Tocqueville
%@NL@%Democracy in America,pt. II [1840], bk.III, ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexis Charles Henri Maurice Clerel de Tocqueville@%%@QR:Tocqueville@%%@CR:N1805TOCA110    @%%@2@%   Democracy and socialism have nothing in common but one word: equality.%@EH@%
But notice the difference: while democracy seeks equality in liberty,
socialism seeks equality in restraint and servitude.%@NL@%
%@NL@%
Alexis Charles Henri Maurice Clerel de Tocqueville
%@NL@%Speech in the Constituent Assembly [September 12, 1848]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Elizabeth Barrett Browning%@AE@%%@EH@%
%@NL@%
%@AB@%1806-1861%@AE@%
%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE10     @%%@2@%Thou large-brained woman and large-hearted man.%@NL@%%@EH@%

%@NL@%Elizabeth Barrett Browning
%@NL@%To George Sand, A Desire [1844]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE20     @%%@2@%Or from Browning some "Pomegranate," which, if cut deep down the middle,%@NL@%%@EH@%
Shows a heart within blood-tinctured of a veined humanity.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Lady Geraldine's Courtship [1844], st. 41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE30     @%%@2@%Knowledge by suffering entereth,%@NL@%%@EH@%
And life is perfected by death.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%A Vision of Poets [1844], last lines

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE40     @%%@2@%Do ye hear the children weeping, O my brothers,%@NL@%%@EH@%
Ere the sorrow comes with years?%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%The Cry of the Children [1844], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE50     @%%@2@%I tell you hopeless grief is passionless.%@NL@%%@EH@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Grief [1844], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE60     @%%@2@%Therefore to this dog will I,%@NL@%%@EH@%
Tenderly not scornfully,%@NL@%
Render praise and favor.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%To Flush, My Dog [1844], st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
And if I loved you Wednesday,/Well, what is that to you?/I do not love you
Thursday-/So much is true.-Edna St. Vincent Millay [1892-1950], Thursday  %@EF@%
%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE70     @%%@2@%"Yes," I answered you last night;%@NL@%%@EH@%
"No," this morning, sir, I say:%@NL@%
Colors seen by candlelight%@NL@%
Will not look the same by day.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%The Lady's "Yes" [1844], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE90     @%%@2@%By thunders of white silence overthrown.%@NL@%%@EH@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Hiram Power's Greek Slave [1850], last line

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE100    @%%@2@%Unless you can dream that his faith is fast,%@NL@%%@EH@%
Through behoving and unbehoving;%@NL@%
Unless you can die when the dream is past-%@NL@%
Oh, never call it loving!%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%A Woman's Shortcomings [1850], st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE110    @%%@2@%"Guess now who holds thee?"-"Death," I said. But there%@NL@%%@EH@%
The silver answer rang-"Not Death, but Love."%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Sonnets from the Portuguese [1850], no.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE120    @%%@2@%Go from me. Yet I feel that I shall stand%@NL@%%@EH@%
Henceforward in thy shadow.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Sonnets from the Portuguese [1850], no.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE130    @%%@2@%If thou must love me, let it be for naught%@NL@%%@EH@%
Except for love's sake only.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Sonnets from the Portuguese [1850], no.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE140    @%%@2@%When our two souls stand up erect and strong,%@NL@%%@EH@%
Face to face, silent, drawing nigh and nigher.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Sonnets from the Portuguese [1850], no.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE150    @%%@2@%God only, who made us rich, can make us poor.%@NL@%%@EH@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Sonnets from the Portuguese [1850], no.24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE160    @%%@2@%Because God's gifts put man's best dreams to shame.%@NL@%%@EH@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Sonnets from the Portuguese [1850], no.26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE170    @%%@2@%How do I love thee? Let me count the ways.%@NL@%%@EH@%
I love thee to the depth and breadth and height%@NL@%
My soul can reach, when feeling out of sight%@NL@%
For the ends of Being and ideal Grace.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Sonnets from the Portuguese [1850], no.43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE180    @%%@2@%I love thee with the breath,%@NL@%%@EH@%
Smiles, tears, of all my life!-and, if God choose,%@NL@%
I shall but love thee better after death.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Sonnets from the Portuguese [1850], no.43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE190    @%%@2@%Life, struck sharp on death,%@NL@%%@EH@%
Makes awful lightning.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Aurora Leigh 1  [1857], bk.I, l. 210

%@NL@%%@AI@%1 See Edward FitzGerald%@BO:          3e7dc2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE200    @%%@2@%I should not dare to call my soul my own.%@NL@%%@EH@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Aurora Leigh 1  [1857], bk.II,l. 786

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE210    @%%@2@%God answers sharp and sudden on some prayers,%@NL@%%@EH@%
And thrusts the thing we have prayed for in our face,%@NL@%
A gauntlet with a gift in 't.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Aurora Leigh 1  [1857], bk.II,l. 952

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE220    @%%@2@%A little sunburnt by the glare of life.%@NL@%%@EH@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Aurora Leigh 1  [1857], bk.IV, l. 1140

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE225    @%%@2@%Nay, if there's room for poets in this world%@NL@%%@EH@%
A little overgrown (I think there is),%@NL@%
Their sole work is to represent the age,%@NL@%
Their age, not Charlemagne's.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Aurora Leigh 1  [1857], bk.V, l. 200

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE230    @%%@2@%Since when was genius found respectable?%@NL@%%@EH@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Aurora Leigh 1  [1857], bk.VI, l. 275

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE240    @%%@2@%Earth's crammed with heaven,%@NL@%%@EH@%
And every common bush afire with God.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Aurora Leigh 1  [1857], bk.VII, l. 820

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE250    @%%@2@%What was he doing, the great god Pan,%@NL@%%@EH@%
Down in the reeds by the river?%@NL@%
Spreading ruin and scattering ban,%@NL@%
Splashing and paddling with hoofs of a goat,%@NL@%
And breaking the golden lilies afloat%@NL@%
With the dragonfly on the river.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%A Musical Instrument [1860]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE260    @%%@2@%Grief may be joy misunderstood;%@NL@%%@EH@%
Only the Good discerns the good.%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%De Profundis [1862], st. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Barrett Browning@%%@QR:Browning@%%@CR:N1806BROE270    @%%@2@%The fireflies and the nightingales,%@NL@%%@EH@%
Throbbed each to either, flame and song.%@NL@%
The nightingales, the nightingales!%@NL@%

%@NL@%Elizabeth Barrett Browning
%@NL@%Bianca Among the Nightingales [1862], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Friedrich Halm%@AE@%%@EH@%
%@NL@%Eligius Franz Josef von Munch-Bellinghausen
%@AB@%1806-1871%@AE@%
%@NL@%%@NL@%

%@FN@%
Zwei Sellen und en Gedanke,/Zwei Herzen und ein Schlag!  Translated by Maria
Lovell.  %@EF@%
%@QR:Friedrich Halm@%%@QR:Halm@%%@QR:Eligius Franz Josef von Munch-Bellinghausen@%%@QR:Munch-Bellinghausen@%%@CR:N1806HALF10     @%%@2@%Two souls with but a single thought,%@NL@%%@EH@%
Two hearts that beat as one.%@NL@%

%@NL@%Friedrich Halm
%@NL@%Der Sohn der Wildness [1842], act II

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Stuart Mill%@AE@%%@EH@%
%@NL@%
%@AB@%1806-1873%@AE@%
%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ5      @%%@2@%   Jeremy Bentham and Samuel Taylor Coleridge-the two great seminal minds of%@EH@%
England in their age.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%Bentham [1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ10     @%%@2@%   The sole end for which mankind are warranted, individually or%@EH@%
collectively, in interfering with the liberty of action of any of their
number is self-protection.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ20     @%%@2@%   If all mankind minus one were of one opinion, and only one person were of%@EH@%
the contrary opinion, mankind would be no more justified in silencing that
one person than he, if he had the power, would be justified in silencing
mankind.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ23     @%%@2@%   There is no such thing as absolute certainty, but there is assurance%@EH@%
sufficient for the purposes of human life.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ25     @%%@2@%   He who knows only his own side of the case, knows little of that.%@NL@%%@EH@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ28     @%%@2@%   The fatal tendency of mankind to leave off thinking about a thing when it%@EH@%
is no longer doubtful is the cause of half their errors.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ30     @%%@2@%   We can never be sure that the opinion we are endeavoring to stifle is a%@EH@%
false opinion; and if we were sure, stifling it would be an evil still.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ40     @%%@2@%   The liberty of the individual must be thus far limited; he must not make%@EH@%
himself a nuisance to other people.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ50     @%%@2@%   All good things which exist are the fruits of originality.%@NL@%%@EH@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ53     @%%@2@%   Whatever crushes individuality is despotism, by whatever name it may be%@EH@%
called.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ55     @%%@2@%   Everyone who receives the protection of society owes a return for the%@EH@%
benefit.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ58     @%%@2@%   The individual is not accountable to society for his actions, insofar as%@EH@%
these concern the interests of no person but himself.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ60     @%%@2@%   The worth of a state, in the long run, is the worth of the individuals%@EH@%
composing it.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ70     @%%@2@%   Liberty consists in doing what one desires.%@NL@%%@EH@%
%@NL@%
John Stuart Mill
%@NL@%On Liberty [1859],ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ80     @%%@2@%   Unearned increment.%@NL@%%@EH@%
%@NL@%
John Stuart Mill
%@NL@%Dissertations and Discussions [1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ83     @%%@2@%   Instead of the function of governing, for which it is radically unfit,%@EH@%
the proper office of a representative assembly is to watch and control the
government.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%Dissertations and Discussions [1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ86     @%%@2@%   The creed which accepts as the foundation of morals Utility, or the%@EH@%
Greatest Happiness Principle, holds that actions are right in proportion as
they tend to promote happiness, wrong as they tend to produce the reverse of
happiness.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%Utilitarianism [1863], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ90     @%%@2@%   It is better to be a human being dissatisfied than a pig satisfied;%@EH@%
better to be Socrates dissatisfied than a fool satisfied.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%Utilitarianism [1863], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ92     @%%@2@%   The social state is at once so natural, so necessary, and so habitual to%@EH@%
man, that . . . he never conceives himself otherwise than as a member of a
body.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%Utilitarianism [1863], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ96     @%%@2@%   It is only a man here and there who has any tolerable knowledge of the%@EH@%
character even of the women of his own family.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%The Subjection of Women [1869], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ98     @%%@2@%   The generality of the male sex cannot yet tolerate the idea of living%@EH@%
with an equal.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%The Subjection of Women [1869], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ100    @%%@2@%   Ask yourself whether you are happy, and you cease to be so.%@NL@%%@EH@%
%@NL@%
John Stuart Mill
%@NL@%Autobiography [1873], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ110    @%%@2@%   Human existence is girt round with mystery; the narrow region of our%@EH@%
experiences is a small island in the midst of a boundless sea.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%Utility of Religion [1874]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ120    @%%@2@%   The prose of human life.%@NL@%%@EH@%
%@NL@%
John Stuart Mill
%@NL@%Utility of Religion [1874]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Stuart Mill@%%@QR:Mill@%%@CR:N1806MILJ130    @%%@2@%   The essence of religion is the strong and earnest direction of the%@EH@%
emotions and desires toward an ideal object, recognized as of the highest
excellence and as rightfully paramount over all selfish objects of desire.
This condition is fulfilled by the Religion of Humanity in as eminent a
degree and in as high a sense as by the supernatural religions even in their
best manifestations, and far more so than in any of their others.%@NL@%
%@NL@%
John Stuart Mill
%@NL@%Utility of Religion [1874]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Johann Bernhard , Graf von Rechberg%@AE@%%@EH@%
%@NL@%
%@AB@%1806-1899%@AE@%
%@NL@%%@NL@%

%@QR:Johann Bernhard , Graf von Rechberg@%%@CR:N1806RECJ10     @%%@2@%   Guarantees which are not worth the paper they are written on.%@NL@%%@EH@%
%@NL@%
Johann Bernhard , Graf von Rechberg
%@NL@%In a dispatch concerning the recognition of Italy [1861]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Francis Adams%@AE@%%@EH@%
%@NL@%
%@AB@%1807-1886%@AE@%
%@NL@%%@NL@%

%@QR:Charles Francis Adams@%%@QR:Adams@%%@CR:N1807ADAC10     @%%@2@%   It would be superfluous in me to point out to your Lordship that this is%@EH@%
war.%@NL@%
%@NL@%
Charles Francis Adams
%@NL@%Dispatch to Earl Russell [September 5, 1863]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jean Louis Rodolphe Agassiz%@AE@%%@EH@%
%@NL@%
%@AB@%1807-1873%@AE@%
%@NL@%%@NL@%

%@QR:Jean Louis Rodolphe Agassiz@%%@QR:Agassiz@%%@CR:N1807AGAJ2      @%%@2@%   The time has come when scientific truth must cease to be the property of%@EH@%
the few, when it must be woven into the common life of the world.%@NL@%
%@NL@%
Jean Louis Rodolphe Agassiz
%@NL@%Methods of Study in Natural History [1863], ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Louis Rodolphe Agassiz@%%@QR:Agassiz@%%@CR:N1807AGAJ4      @%%@2@%   The eye of the trilobite tells us that the sun shone on the old beach%@EH@%
where he lived; for there is nothing in nature without a purpose, and when
so complicated an organ was made to receive the light, there must have been
light to enter it.%@NL@%
%@NL@%
Jean Louis Rodolphe Agassiz
%@NL@%Geological Sketches [1870], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Louis Rodolphe Agassiz@%%@QR:Agassiz@%%@CR:N1807AGAJ6      @%%@2@%   The facts will eventually test all our theories, and they form, after%@EH@%
all, the only impartial jury to which we can appeal.%@NL@%
%@NL@%
Jean Louis Rodolphe Agassiz
%@NL@%Geological Sketches [1870], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jean Louis Rodolphe Agassiz@%%@QR:Agassiz@%%@CR:N1807AGAJ10     @%%@2@%   The world has arisen in some way or another. How it originated is the%@EH@%
great question, and Darwin's theory, like all other attempts to explain the
origin of life, is thus far merely conjectural. I believe he has not even
made the best conjecture possible in the present state of our knowledge.%@NL@%
%@NL@%
Jean Louis Rodolphe Agassiz
%@NL@%Evolution and Permanence of Type [1874]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Giuseppe Garibaldi%@AE@%%@EH@%
%@NL@%
%@AB@%1807-1882%@AE@%
%@NL@%%@NL@%

%@QR:Giuseppe Garibaldi@%%@QR:Garibaldi@%%@CR:N1807GARG10     @%%@2@%   I offer neither pay, nor quarters, nor provisions; I offer hunger,%@EH@%
thirst, forced marches, battles and death. Let him who loves his country in
his heart, and not with his lips only, follow me. 1  2 %@NL@%
%@NL@%
Giuseppe Garibaldi
%@NL@%From G. M. Trevelyan, Garibaldi's Defense of the
Roman Republic [1907-1911]

%@NL@%%@AI@%1 See Prescott%@BO:          3a44d9@%%@AE@%
%@AI@%2 See Churchill%@BO:          56f765@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Robert E dward Lee%@AE@%%@EH@%
%@NL@%
%@AB@%1807-1870%@AE@%
%@NL@%%@NL@%

%@QR:Robert E dward Lee@%%@QR:Lee@%%@CR:N1807LEER10     @%%@2@%   It is well that war is so terrible, or we should grow too fond of it. 1 %@NL@%%@EH@%
%@NL@%
Robert E dward Lee
%@NL@%On seeing a Federal charge repulsed at Fredericksburg
[December 1862]

%@NL@%%@AI@%1 See William T. Sherman%@BO:          4572e0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert E dward Lee@%%@QR:Lee@%%@CR:N1807LEER20     @%%@2@%   Duty is the sublimest word in our language. Do your duty in all things.%@EH@%
You cannot do more. You should never wish to do less.%@NL@%
%@NL@%
Robert E dward Lee
%@NL@%Inscribed beneath his bust in the Hall of Fame

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert E dward Lee@%%@QR:Lee@%%@CR:N1807LEER30     @%%@2@%   Strike the tent.%@NL@%%@EH@%
%@NL@%
Robert E dward Lee
%@NL@%Last words [October 12, 1870]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Wadsworth Longfellow%@AE@%%@EH@%
%@NL@%
%@AB@%1807-1882%@AE@%
%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH10     @%%@2@%   Music is the universal language of mankind-poetry their universal pastime%@EH@%
and delight.%@NL@%
%@NL@%
Henry Wadsworth Longfellow
%@NL@%Outre-Mer [1833-1834]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH20     @%%@2@%I heard the trailing garments of the Night%@NL@%%@EH@%
Sweep through her marble halls.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Hymn to Night [1839], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH30     @%%@2@%Tell me not, in mournful numbers,%@NL@%%@EH@%
Life is but an empty dream!%@NL@%
For the soul is dead that slumbers,%@NL@%
And things are not what they seem. 1  2 Life is real! Life is earnest!%@NL@%
And the grave is not its goal;%@NL@%
Dust thou art, to dust returnest,%@NL@%
Was not spoken of the soul.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%A Psalm of Life [1839],st. 1, 2

%@NL@%%@AI@%1 See Phaedrus%@BO:           e7e66@%%@AE@%
%@AI@%2 See Gilbert%@BO:          4aa65d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Our lives are but our marches to the grave.-Beaumont and Fletcher, The
Humorous Lieutenant [1619], act III, sc. v  %@EF@%
%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH40     @%%@2@%Art is long, and Time is fleeting, 1  2  3 %@NL@%%@EH@%
And our hearts, though stout and brave,%@NL@%
Still, like muffled drums, are beating%@NL@%
Funeral marches to the grave.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%A Psalm of Life [1839],st. 4

%@NL@%%@AI@%1 See Hippocrates%@BO:           a8083@%%@AE@%
%@AI@%2 See Chaucer%@BO:          11d01f@%%@AE@%
%@AI@%3 See Goethe%@BO:          309d72@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH60     @%%@2@%Lives of great men all remind us%@NL@%%@EH@%
We can make our lives sublime.%@NL@%
And, departing, leave behind us%@NL@%
Footprints on the sands of time.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%A Psalm of Life [1839],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH70     @%%@2@%Let us, then, be up and doing,%@NL@%%@EH@%
With a heart for any fate; 1 %@NL@%
Still achieving, still pursuing,%@NL@%
Learn to labor and to wait.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%A Psalm of Life [1839],st. 9

%@NL@%%@AI@%1 See Byron%@BO:          37e03a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH80     @%%@2@%There is a Reaper whose name is Death,%@NL@%%@EH@%
And, with his sickle keen,%@NL@%
He reaps the bearded grain at a breath,%@NL@%
And the flowers that grow between.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Reaper and the Flowers [1839], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Blicke nicht trauernd in die Vergangenheit,/Sie kommt nicht wieder, nutze
weise die Gegenwart,/Sie ist dein, der dusteren Zukunft geh ohne/Furcht mit
m[auml  ]nnliche Sinne entgegen.-Inscription, Chapel of St. Gilgen, near
Salzburg  %@EF@%
%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH100    @%%@2@%   Look not mournfully into the Past. It comes not back again. Wisely%@EH@%
improve the Present. It is thine. 1  Go forth to meet the shadowy Future,
without fear, and with a manly heart.%@NL@%
%@NL@%
Henry Wadsworth Longfellow
%@NL@%Hyperion [1839], bk. IV, ch. 8

%@NL@%%@AI@%1 See Whittier%@BO:          3e00e3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH120    @%%@2@%Skoal! to the Northland! skoal!%@NL@%%@EH@%
Thus the tale ended.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Skeleton in Armor [1841], st. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH130    @%%@2@%It was the schooner Hesperus,%@NL@%%@EH@%
That sailed the wintry sea;%@NL@%
And the skipper had taken his little daughter,%@NL@%
To bear him company.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Wreck of the Hesperus [1842],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH140    @%%@2@%But the father answered never a word,%@NL@%%@EH@%
A frozen corpse was he.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Wreck of the Hesperus [1842],st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH150    @%%@2@%Christ save us all from a death like this,%@NL@%%@EH@%
On the reef of Norman's Woe!%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Wreck of the Hesperus [1842],st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH160    @%%@2@%Under the spreading chestnut tree%@NL@%%@EH@%
The village smithy stands;%@NL@%
The smith a mighty man is he%@NL@%
With large and sinewy hands.%@NL@%
And the muscles of his brawny arms%@NL@%
Are strong as iron bands.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Village Blacksmith [1842],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH170    @%%@2@%His brow is wet with honest sweat,%@NL@%%@EH@%
He earns whate'er he can,%@NL@%
And looks the whole world in the face,%@NL@%
For he owes not any man.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Village Blacksmith [1842],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH180    @%%@2@%Something attempted, something done,%@NL@%%@EH@%
Has earned a night's repose.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Village Blacksmith [1842],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH190    @%%@2@%No one is so accursed by fate,%@NL@%%@EH@%
No one so utterly desolate,%@NL@%
But some heart, though unknown,%@NL@%
Responds unto his own.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Endymion [1842], st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH200    @%%@2@%Into each life some rain must fall,%@NL@%%@EH@%
Some days must be dark and dreary.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Rainy Day [1842], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH210    @%%@2@%I like that ancient Saxon phrase, which calls%@NL@%%@EH@%
The burial ground God's Acre!%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%God's Acre [1842], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH220    @%%@2@%Standing with reluctant feet,%@NL@%%@EH@%
Where the brook and river meet,%@NL@%
Womanhood and childhood fleet!%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Maidenhood [1842], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH230    @%%@2@%A banner with the strange device,%@NL@%%@EH@%
Excelsior!%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Excelsior [1842], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH240    @%%@2@%Stars of the summer night!%@NL@%%@EH@%
Far in yon azure deeps.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Spanish Student [1843], act I, sc. iii (serenade)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH250    @%%@2@%I stood on the bridge at midnight,%@NL@%%@EH@%
As the clocks were striking the hour.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Bridge [1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH260    @%%@2@%The day is done, and the darkness%@NL@%%@EH@%
Falls from the wings of Night,%@NL@%
As a feather is wafted downward%@NL@%
From an eagle in his flight.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Day Is Done [1845],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH270    @%%@2@%A feeling of sadness and longing,%@NL@%%@EH@%
That is not akin to pain.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Day Is Done [1845],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH280    @%%@2@%Some simple and heartfelt lay.%@NL@%%@EH@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Day Is Done [1845],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH290    @%%@2@%The bards sublime,%@NL@%%@EH@%
Whose distant footsteps echo%@NL@%
Through the corridors of Time.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Day Is Done [1845],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH295    @%%@2@%Read from some humbler poet.%@NL@%%@EH@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Day Is Done [1845],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH300    @%%@2@%And the night shall be filled with music,%@NL@%%@EH@%
And the cares, that infest the day,%@NL@%
Shall fold their tents, like the Arabs,%@NL@%
And as silently steal away.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Day Is Done [1845],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH310    @%%@2@%The horologe of Eternity%@NL@%%@EH@%
Sayeth this incessantly-%@NL@%
"Forever-never!%@NL@%
Never-forever!"%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Old Clock on the Stairs [1845], st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH320    @%%@2@%I shot an arrow into the air,%@NL@%%@EH@%
It fell to earth, I knew not where.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Arrow and the Song [1845],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH330    @%%@2@%And the song, from beginning to end,%@NL@%%@EH@%
I found in the heart of a friend.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Arrow and the Song [1845],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH340    @%%@2@%This is the forest primeval. The murmuring pines and the hemlocks 1  . . . %@NL@%%@EH@%
Stand like Druids of old.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Evangeline [1847],l. 1

%@NL@%%@AI@%1 See Theocritus%@BO:           bcacb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH350    @%%@2@%Alike were they free from%@NL@%%@EH@%
Fear, that reigns with the tyrant, and envy, the vice of republics.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Evangeline [1847],pt.I, sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH360    @%%@2@%When she had passed, it seemed like the ceasing of exquisite music.%@NL@%%@EH@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Evangeline [1847],pt.I, sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH370    @%%@2@%Silently one by one, in the infinite meadows of heaven%@NL@%%@EH@%
Blossomed the lovely stars, the forget-me-nots of the angels.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Evangeline [1847],pt.I, sec.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH380    @%%@2@%Talk not of wasted affection! affection never was wasted;%@NL@%%@EH@%
If it enrich not the heart of another, its waters, returning%@NL@%
Back to their springs, like the rain, shall fill them full of refreshment:%@NL@%
That which the fountain sends forth returns again to the fountain.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Evangeline [1847],pt.II, sec. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH390    @%%@2@%   Give what you have. To someone, it may be better than you dare to think.%@NL@%%@EH@%
%@NL@%
Henry Wadsworth Longfellow
%@NL@%Kavanagh [1849]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH400    @%%@2@%Build me straight, O worthy Master!%@NL@%%@EH@%
Staunch and strong, a goodly vessel.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Building of the Ship [1849],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH410    @%%@2@%And see! she stirs!%@NL@%%@EH@%
She starts-she moves-she seems to feel%@NL@%
The thrill of life along her keel.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Building of the Ship [1849],l. 349

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH420    @%%@2@%Sail on, O Ship of State!%@NL@%%@EH@%
Sail on, O Union, strong and great!%@NL@%
Humanity with all its fears,%@NL@%
With all the hopes of future years,%@NL@%
Is hanging breathless on thy fate!%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Building of the Ship [1849],l. 378

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH430    @%%@2@%Our hearts, our hopes, our prayers, our tears,%@NL@%%@EH@%
Our faith triumphant o'er our fears,%@NL@%
Are all with thee-are all with thee!%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Building of the Ship [1849],l. 397

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH440    @%%@2@%There is no fireside, howsoe'er defended,%@NL@%%@EH@%
But has one vacant chair!%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Resignation [1849],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH450    @%%@2@%There is no Death! What seems so is transition;%@NL@%%@EH@%
This life of mortal breath%@NL@%
Is but a suburb of the life elysian,%@NL@%
Whose portal we call Death.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Resignation [1849],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH460    @%%@2@%Nothing useless is, or low.%@NL@%%@EH@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Builders [1849], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH470    @%%@2@%God sent his Singers upon earth%@NL@%%@EH@%
With songs of sadness and of mirth.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Singers [1849],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH480    @%%@2@%But the great Master said, "I see%@NL@%%@EH@%
No best in kind, but in degree;%@NL@%
I gave a various gift to each,%@NL@%
To charm, to strengthen, and to teach."%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Singers [1849],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH490    @%%@2@%All your strength is in your union.%@NL@%%@EH@%
All your danger is in discord;%@NL@%
Therefore be at peace henceforward,%@NL@%
And as brothers live together.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Song of Hiawatha [1855], pt.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH500    @%%@2@%By the shores of Gitche Gumee,%@NL@%%@EH@%
By the shining Big-Sea-Water,%@NL@%
Stood the wigwam of Nokomis,%@NL@%
Daughter of the Moon, Nokomis.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Song of Hiawatha [1855], pt.III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH510    @%%@2@%From the waterfall he named her,%@NL@%%@EH@%
Minnehaha, Laughing Water.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Song of Hiawatha [1855], pt.IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH520    @%%@2@%As unto the bow the cord is,%@NL@%%@EH@%
So unto the man is woman,%@NL@%
Though she bends him, she obeys him,%@NL@%
Though she draws him, yet she follows,%@NL@%
Useless each without the other!%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Song of Hiawatha [1855], pt.X

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH530    @%%@2@%   If we could read the secret history of our enemies, we should find in%@EH@%
each man's life sorrow and suffering enough to disarm all hostility.%@NL@%
%@NL@%
Henry Wadsworth Longfellow
%@NL@%Driftwood [1857]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH540    @%%@2@%If I am not worth the wooing, I surely am not worth the winning.%@NL@%%@EH@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Courtship of Miles Standish [1858], pt. III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH550    @%%@2@%"Why don't you speak for yourself, John?" 1 %@NL@%%@EH@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Courtship of Miles Standish [1858], pt. III

%@NL@%%@AI@%1 See Shakespeare%@BO:          1a4c8d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH560    @%%@2@%Saint Augustine! well hast thou said,%@NL@%%@EH@%
That of our vices we can frame%@NL@%
A ladder, if we will but tread%@NL@%
Beneath our feet each deed of shame. 1  2 %@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Ladder of St. Augustine [1858],st. 1

%@NL@%%@AI@%1 See St. Augustine%@BO:          103a9e@%%@AE@%
%@AI@%2 See Tennyson%@BO:          3fffa4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH570    @%%@2@%The heights by great men reached and kept%@NL@%%@EH@%
Were not attained by sudden flight,%@NL@%
But they, while their companions slept,%@NL@%
Were toiling upward in the night.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Ladder of St. Augustine [1858],st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH580    @%%@2@%The long mysterious Exodus of death.%@NL@%%@EH@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Jewish Cemetery at Newport [1858], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH590    @%%@2@%A boy's will is the wind's will,%@NL@%%@EH@%
And the thoughts of youth are long, long thoughts.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%My Lost Youth [1858], refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Florence Nightingale [1820-1910].  %@EF@%
%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH600    @%%@2@%A Lady with a Lamp shall stand%@NL@%%@EH@%
In the great history of the land,%@NL@%
A noble type of good,%@NL@%
Heroic womanhood.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Santa Filomena [1858], st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH610    @%%@2@%Ye are better than all the ballads%@NL@%%@EH@%
That ever were sung or said;%@NL@%
For ye are living poems,%@NL@%
And all the rest are dead.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Children [1858], st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH620    @%%@2@%Between the dark and the daylight,%@NL@%%@EH@%
When the night is beginning to lower,%@NL@%
Comes a pause in the day's occupations,%@NL@%
That is known as the Children's Hour.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Children's Hour [1860],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH630    @%%@2@%I hear in the chamber above me%@NL@%%@EH@%
The patter of little feet.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Children's Hour [1860],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH640    @%%@2@%Grave Alice, and laughing Allegra,%@NL@%%@EH@%
And Edith with golden hair.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Children's Hour [1860],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH650    @%%@2@%Listen, my children, and you shall hear,%@NL@%%@EH@%
Of the midnight ride of Paul Revere,%@NL@%
On the eighteenth of April, in Seventy-five;%@NL@%
Hardly a man is now alive%@NL@%
Who remembers that famous day and year.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Tales of a Wayside Inn [1863-1874], pt.I,The Landlord's Tale: Paul Revere's
Ride,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH660    @%%@2@%One if by land, and two if by sea; 1 %@NL@%%@EH@%
And I on the opposite shore will be,%@NL@%
Ready to ride and spread the alarm%@NL@%
Through every Middlesex village and farm.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Tales of a Wayside Inn [1863-1874], pt.I,The Landlord's Tale: Paul Revere's
Ride,st. 2

%@NL@%%@AI@%1 See Paul Revere%@BO:          2f5643@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH670    @%%@2@%The fate of a nation was riding that night.%@NL@%%@EH@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Tales of a Wayside Inn [1863-1874], pt.I,The Landlord's Tale: Paul Revere's
Ride,st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH680    @%%@2@%He seemed the incarnate "Well, I told you so!"%@NL@%%@EH@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Tales of a Wayside Inn [1863-1874], pt.I,The Poet's Tale: The Birds of
Killingworth, st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Two lives that once part are as ships that divide.-Edward Bulwer-Lytton
[1803-1873], A Lament  As vessels starting from ports thousands of miles
apart pass close to each other in the naked breadths of the ocean, nay,
sometimes even touch in the dark.-Oliver Wendell Holmes, Professor at the
Breakfast Table [1860]  %@EF@%
%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH690    @%%@2@%Ships that pass in the night, and speak each other in passing,%@NL@%%@EH@%
Only a signal shown and a distant voice in the darkness;%@NL@%
So on the ocean of life we pass and speak one another,%@NL@%
Only a look and a voice; then darkness again and a silence.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Tales of a Wayside Inn [1863-1874], pt.III, The Theologian's Tale:
Elizabeth, IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH720    @%%@2@%Time has laid his hand%@NL@%%@EH@%
Upon my heart, gently, not smiting it,%@NL@%
But as a harper lays his open palm%@NL@%
Upon his harp to deaden its vibrations.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Golden Legend [1872], pt.IV, The Cloisters

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Death seems but a covered way/Which opens into light.-Whittier [1807-1892],
My Psalm, st. 14  %@EF@%
%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH730    @%%@2@%The grave itself is but a covered bridge%@NL@%%@EH@%
Leading from light to light, through a brief darkness.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Golden Legend [1872], pt.V, A Covered Bridge at Lucerne

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH750    @%%@2@%Let him not boast who puts his armor on%@NL@%%@EH@%
As he who puts it off, the battle done.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Morituri Salutamus [1875],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH760    @%%@2@%Ye, against whose familiar names not yet%@NL@%%@EH@%
The fatal asterisk of death is set.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Morituri Salutamus [1875],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH770    @%%@2@%The love of learning, the sequestered nooks,%@NL@%%@EH@%
And all the sweet serenity of books.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Morituri Salutamus [1875],st. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH780    @%%@2@%Ah, nothing is too late,%@NL@%%@EH@%
Till the tired heart shall cease to palpitate.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Morituri Salutamus [1875],st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH790    @%%@2@%For age is opportunity no less%@NL@%%@EH@%
Than youth itself.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Morituri Salutamus [1875],st. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH800    @%%@2@%Not in the clamor of the crowded street,%@NL@%%@EH@%
Not in the shouts and plaudits of the throng,%@NL@%
But in ourselves, are triumph and defeat.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Poets

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH810    @%%@2@%Nothing that is can pause or stay;%@NL@%%@EH@%
The moon will wax, the moon will wane,%@NL@%
The mist and cloud will turn to rain,%@NL@%
The rain to mist and cloud again,%@NL@%
Tomorrow be today.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Keramos [1878]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH820    @%%@2@%Three silences there are: the first of speech,%@NL@%%@EH@%
The second of desire, the third of thought;%@NL@%
This is the lore a Spanish monk, distraught%@NL@%
With dreams and visions, was the first to teach.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%%@FN@%
Miguel Molinos [1640-1696], Spanish mystic, one of the early Quietists.  %@EF@%
The Three Silences of Molinos

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH830    @%%@2@%In the long, sleepless watches of the night.%@NL@%%@EH@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%The Cross of Snow [1879]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH840    @%%@2@%The holiest of all holidays are those%@NL@%%@EH@%
Kept by ourselves in silence and apart;%@NL@%
The secret anniversaries of the heart.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Holidays

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH850    @%%@2@%Great is the art of beginning, but greater the art is of ending;%@NL@%%@EH@%
Many a poem is marred by a superfluous verse.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%Elegiac Verse, st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH860    @%%@2@%There was a little girl%@NL@%%@EH@%
Who had a little curl%@NL@%
Right in the middle of her forehead;%@NL@%
And when she was good%@NL@%
She was very, very good,%@NL@%
But when she was bad she was horrid.%@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%%@FN@%
Blanche Roosevelt Tucker, in The Home Life of Henry W. Longfellow [1882],
states that these lines were written by the poet for his children on a day
when Edith did not want to have her hair curled.  %@EF@%
There Was a Little Girl

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Wadsworth Longfellow@%%@QR:Longfellow@%%@CR:N1807LONH870    @%%@2@%Out of the shadows of night%@NL@%%@EH@%
The world rolls into light;%@NL@%
It is daybreak everywhere. 1 %@NL@%

%@NL@%Henry Wadsworth Longfellow
%@NL@%%@FN@%
The last poem written by Longfellow. He died on March 24, 1882.  %@EF@%
The Bells of San Blas [March 15, 1882],
st. 11

%@NL@%%@AI@%1 See Horne%@BO:          3c7cbe@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%John Greenleaf Whittier%@AE@%%@EH@%
%@NL@%
%@AB@%1807-1892%@AE@%
%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ10     @%%@2@%No fetters in the Bay State-no slave upon our land!%@NL@%%@EH@%

%@NL@%John Greenleaf Whittier
%@NL@%Massachusetts to Virginia [1843], st. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ20     @%%@2@%What calls back the past, like the rich pumpkin pie?%@NL@%%@EH@%

%@NL@%John Greenleaf Whittier
%@NL@%The Pumpkin [1844], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ30     @%%@2@%The Present, the Present is all thou hast%@NL@%%@EH@%
For thy sure possessing; 1 %@NL@%
Like the patriarch's angel hold it fast%@NL@%
Till it gives its blessing. 2  3 %@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%My Soul and I [1847], st. 34

%@NL@%%@AI@%1 See Longfellow%@BO:          3d9e74@%%@AE@%
%@AI@%2 See Genesis 32:26%@BO:            a673@%%@AE@%
%@AI@%3 See Cotton%@BO:          2b33ce@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ40     @%%@2@%The Night is mother of the Day,%@NL@%%@EH@%
The Winter of the Spring,%@NL@%
And ever upon old Decay%@NL@%
The greenest mosses cling.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%A Dream of Summer [1847], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ50     @%%@2@%So fallen! so lost! the light withdrawn%@NL@%%@EH@%
Which once he wore!%@NL@%
The glory from his gray hairs gone%@NL@%
Forevermore!%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%%@FN@%
This poem was the outcome of the surprise and grief and forecast of evil
consequences which I felt on reading the seventh of March speech of Daniel
Webster in support of the "compromise," and the Fugitive Slave Law. No
partisan or personal enmity dictated it.-Whittier's Note  See I Samuel 4:21
%@EF@%
Ichabod [1850],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ70     @%%@2@%From those great eyes%@NL@%%@EH@%
The soul has fled:%@NL@%
When faith is lost, when honor dies,%@NL@%
The man is dead!%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%Ichabod [1850],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ80     @%%@2@%Search thine own heart. What paineth thee%@NL@%%@EH@%
In others in thyself may be.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%The Chapel of the Hermits [1853], st. 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ90     @%%@2@%Blessings on thee, little man,%@NL@%%@EH@%
Barefoot boy, with cheek of tan!%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%The Barefoot Boy [1856],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ100    @%%@2@%Health that mocks the doctor's rules,%@NL@%%@EH@%
Knowledge  never learned of schools.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%The Barefoot Boy [1856],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ110    @%%@2@%The age is dull and mean. Men creep,%@NL@%%@EH@%
Not walk.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%Lines Inscribed to Friends under Arrest for Treason Against
the Slave Power [1856], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ120    @%%@2@%Nature speaks in symbols and in signs.%@NL@%%@EH@%

%@NL@%John Greenleaf Whittier
%@NL@%To Charles Sumner

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ130    @%%@2@%For of all sad words of tongue or pen,%@NL@%%@EH@%
The saddest are these: "It might have been!" 1 %@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%Maud Muller [1856], st. 53

%@NL@%%@AI@%1 See Guiterman%@BO:          55d862@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ140    @%%@2@%The windows of my soul I throw%@NL@%%@EH@%
Wide open to the sun.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%My Psalm, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ150    @%%@2@%Up from the meadows rich with corn,%@NL@%%@EH@%
Clear in the cool September morn.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%Barbara Frietchie [1864],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ160    @%%@2@%The clustered spires of Frederick stand%@NL@%%@EH@%
Green-walled by the hills of Maryland.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%Barbara Frietchie [1864],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ170    @%%@2@%"Shoot, if you must, this old gray head,%@NL@%%@EH@%
But spare your country's flag," she said.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%Barbara Frietchie [1864],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ180    @%%@2@%"Who touches a hair of yon gray head%@NL@%%@EH@%
Dies like a dog! March on!" he said.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%Barbara Frietchie [1864],st. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ190    @%%@2@%The sun that brief December day%@NL@%%@EH@%
Rose cheerless over hills of gray,%@NL@%
And, darkly circled, gave at noon%@NL@%
A sadder light than waning moon.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%Snowbound [1866],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ200    @%%@2@%Shut in from all the world without,%@NL@%%@EH@%
We sat the clean-winged hearth about.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%Snowbound [1866],l. 155

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ205    @%%@2@%The low green tent%@NL@%%@EH@%
Whose curtain never outward swings!%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%Snowbound [1866],l. 389

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ210    @%%@2@%Angel of the backward look.%@NL@%%@EH@%

%@NL@%John Greenleaf Whittier
%@NL@%Snowbound [1866],l. 714

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ220    @%%@2@%I know not where His islands lift%@NL@%%@EH@%
Their fronded palms in air;%@NL@%
I only know I cannot drift%@NL@%
Beyond His love and care.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%The Eternal Goodness [1867], st. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ230    @%%@2@%Dear Lord and Father of mankind,%@NL@%%@EH@%
Forgive our foolish ways!%@NL@%
Reclothe us in our rightful mind,%@NL@%
In purer lives Thy service find,%@NL@%
In deeper reverence, praise.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%The Brewing of Soma [1872]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ240    @%%@2@%God is and all is well. 1 %@NL@%%@EH@%

%@NL@%John Greenleaf Whittier
%@NL@%My Birthday, st. 2

%@NL@%%@AI@%1 See Browning%@BO:          40fca1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Far, far away, is a land of woe and darkness, spirits of evil and fire. Day
after day a little bird flies there, bearing in his bill a drop of water to
quench the flame. So near the burning stream does he fly that his feathers
are scorched by it, and hence he is named
"Bron-rhuddyn"-breast-burned.-Carmarthenshire legend of the robin  %@EF@%
%@QR:John Greenleaf Whittier@%%@QR:Whittier@%%@CR:N1807WHIJ250    @%%@2@%He brings cool dew in his little bill,%@NL@%%@EH@%
And lets it fall on the souls of sin:%@NL@%
You can see the mark on his red breast still%@NL@%
Of fires that scorch as he drops it in.%@NL@%

%@NL@%John Greenleaf Whittier
%@NL@%The Robin, st. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Salmon P ortland Chase%@AE@%%@EH@%
%@NL@%
%@AB@%1808-1873%@AE@%
%@NL@%%@NL@%

%@QR:Salmon P ortland Chase@%%@QR:Chase@%%@CR:N1808CHAS10     @%%@2@%   The Constitution, in all its provisions, looks to an indestructible Union%@EH@%
composed of indestructible States.%@NL@%
%@NL@%
Salmon P ortland Chase
%@NL@%Decision in Texas v. White, 7 Wallace 725 [1868]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alphonse Karr%@AE@%%@EH@%
%@NL@%
%@AB@%1808-1890%@AE@%
%@NL@%%@NL@%

%@FN@%
Plus ca change, plus c'est la m[ecirc ]me chose.  %@EF@%
%@QR:Alphonse Karr@%%@QR:Karr@%%@CR:N1808KARA10     @%%@2@%   The more things change, the more they remain the same.%@NL@%%@EH@%
%@NL@%
Alphonse Karr
%@NL@%Les Gu[ecirc ]pes [Janvier 1849]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Maurice de MacMahon, Comte Marie Edme Patrice%@AE@%%@EH@%
%@NL@%
%@AB@%1808-1893%@AE@%
%@NL@%%@NL@%

%@FN@%
J'y suis, j'y reste.  Reply to the commander in chief, from the trenches
before Malakoff, in the siege of Sevastopol, when warned to beware of an
explosion which might follow the retreat of the Russians.  %@EF@%
%@QR:Maurice de MacMahon, Comte Marie Edme Patrice@%%@QR:MacMahon@%%@CR:N1808MACM10     @%%@2@%Here I am, and here I stay.%@NL@%%@EH@%

%@NL@%Maurice de MacMahon, Comte Marie Edme Patrice
%@NL@%At Sevastopol [September 1855]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gerard de Nerval%@AE@%%@EH@%
%@NL@%Gerard Labrunie
%@AB@%1808-1855%@AE@%
%@NL@%%@NL@%

%@QR:Gerard de Nerval@%%@QR:Nerval@%%@QR:Gerard Labrunie@%%@QR:Labrunie@%%@CR:N1808NERG10     @%%@2@%   Despair and suicide are the result of certain fatal situations for those%@EH@%
who have no faith in immortality, its joys and sorrows.%@NL@%
%@NL@%
Gerard de Nerval
%@NL@%Le R[ecirc ]ve et la Vie, II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard de Nerval@%%@QR:Nerval@%%@QR:Gerard Labrunie@%%@QR:Labrunie@%%@CR:N1808NERG20     @%%@2@%   The jailer is another kind of captive-is the jailer envious of his%@EH@%
prisoner's dreams?%@NL@%
%@NL@%
Gerard de Nerval
%@NL@%Fragments de Faust

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Je suis le tenebreux, le veuf, l'inconsole,/Le Prince d'Aquitaine a la tour
abolie.  T. S. Eliot quotes the second line in The Waste Land [1922], line
429.  %@EF@%
%@QR:Gerard de Nerval@%%@QR:Nerval@%%@QR:Gerard Labrunie@%%@QR:Labrunie@%%@CR:N1808NERG30     @%%@2@%I am the somber one, the unconsoled widower,%@NL@%%@EH@%
The Prince of Aquitaine whose tower was destroyed.%@NL@%
My only star is dead, and my star-studded lute%@NL@%
Wears the black sun of Melancholy.%@NL@%

%@NL@%Gerard de Nerval
%@NL@%Les Chimeres [1854]. El Desdichado

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Caroline Sheridan Norton%@AE@%%@EH@%
%@NL@%
%@AB@%1808-1877%@AE@%
%@NL@%%@NL@%

%@QR:Caroline Sheridan Norton@%%@QR:Norton@%%@CR:N1808NORC20     @%%@2@%A soldier of the Legion lay dying in Algiers.%@NL@%%@EH@%

%@NL@%Caroline Sheridan Norton
%@NL@%Bingen on the Rhine, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Washington Patten%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1808-1882%@AE@%
%@NL@%%@NL@%

%@QR:George Washington Patten@%%@QR:Patten@%%@CR:N1808PATG10     @%%@2@%If we must perish in the fight,%@NL@%%@EH@%
Oh! let us die like men.%@NL@%

%@NL@%George Washington Patten
%@NL@%Oh! Let Us Die Like Men, st. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Francis Smith%@AE@%%@EH@%
%@NL@%
%@AB@%1808-1895%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Francis Smith@%%@QR:Smith@%%@CR:N1808SMIS10     @%%@2@%My country, 'tis of thee,%@NL@%%@EH@%
Sweet land of liberty,%@NL@%
Of thee I sing:%@NL@%
Land where my fathers died,%@NL@%
Land of the pilgrims' pride,%@NL@%
From every mountainside%@NL@%
Let freedom ring.%@NL@%

%@NL@%Samuel Francis Smith
%@NL@%America [1831],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Francis Smith@%%@QR:Smith@%%@CR:N1808SMIS20     @%%@2@%Long may our land be bright%@NL@%%@EH@%
With freedom's holy light;%@NL@%
Protect us by thy might,%@NL@%
Great God, our King!%@NL@%

%@NL@%Samuel Francis Smith
%@NL@%America [1831],st. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Robert Darwin%@AE@%%@EH@%
%@NL@%
%@AB@%1809-1882%@AE@%
%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC10     @%%@2@%   I have called this principle, by which each slight variation, if useful,%@EH@%
is preserved, by the term Natural Selection.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%The Origin of Species [1859], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC20     @%%@2@%   The expression often used by Mr. Herbert Spencer, of the Survival of the%@EH@%
Fittest, is more accurate, and is sometimes equally convenient. 1 %@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%The Origin of Species [1859], ch.3

%@NL@%%@AI@%1 See Spencer%@BO:          458892@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The perpetual struggle for room and food.-Malthus, On Population [1798], ch.
3  %@EF@%
%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC30     @%%@2@%   We will now discuss in a little more detail the Struggle for Existence.%@NL@%%@EH@%
%@NL@%
Charles Robert Darwin
%@NL@%The Origin of Species [1859], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC50     @%%@2@%   It is interesting to contemplate an entangled bank, clothed with many%@EH@%
plants of many kinds, with birds singing on the bushes, with various insects
flitting about, and with worms crawling through the damp earth, and to
reflect that these elaborately constructed forms, so different from each
other, and dependent on each other in so complex a manner, have all been
produced by laws acting around us.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%The Origin of Species [1859], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC53     @%%@2@%   Each organic being is striving to increase in a geometrical ratio . . .%@EH@%
each at some period of its life, during some season of the year, during each
generation or at intervals, has to struggle for life and to suffer great
destruction . . . The vigorous, the healthy, and the happy survive and
multiply.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%The Origin of Species [1859], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC56     @%%@2@%   From the war of nature, from famine and death, the most exalted object%@EH@%
which we are capable of conceiving, namely, the production of the higher
animals, directly follows. There is grandeur in this view of life, with its
several powers, having been originally breathed by the Creator into a few
forms or into one, and that . . . from so simple a beginning endless forms
most beautiful and most wonderful have been and are being evolved.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%The Origin of Species [1859], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC60     @%%@2@%   The highest possible stage in moral culture is when we recognize that we%@EH@%
ought to control our thoughts.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%The Descent of Man [1871], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC70     @%%@2@%   The presence of a body of well-instructed men, who have not to labor for%@EH@%
their daily bread, is important to a degree which cannot be overestimated;
as all high intellectual work is carried on by them, and on such work
material progress of all kinds mainly depends, not to mention other and
higher advantages.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%The Descent of Man [1871], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC80     @%%@2@%   Progress has been much more general than retrogression.%@NL@%%@EH@%
%@NL@%
Charles Robert Darwin
%@NL@%The Descent of Man [1871], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I confess freely to you, I could never look long upon a monkey, without very
mortifying reflections.-Congreve, Letter to Dennis [1695]  See Pascal and
Disraeli  %@EF@%
%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC90     @%%@2@%   The Simiadae then branched off into two great stems, the New World and%@EH@%
Old World monkeys; and from the latter at a remote period, Man, the wonder
and the glory of the universe, proceeded.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%The Descent of Man [1871], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC110    @%%@2@%   A hairy quadruped, furnished with a tail and pointed ears, probably%@EH@%
arboreal in its habits.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%The Descent of Man,ch. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC120    @%%@2@%   For my own part I would as soon be descended from that heroic little%@EH@%
monkey, who braved his dreaded enemy in order to save the life of his
keeper; or from that old baboon, who, descending from the mountains, carried
away in triumph his young comrade from a crowd of astonished dogs-as from a
savage who delights to torture his enemies, offers up bloody sacrifices,
practices infanticide without remorse, treats his wives like slaves, knows
no decency, and is haunted by the grossest superstitions.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%The Descent of Man,ch. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC125    @%%@2@%   Man with all his noble qualities . . . with his godlike intellect which%@EH@%
has penetrated into the movements and constitution of the solar system . . .
still bears in his bodily frame the indelible stamp of his lowly origin.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%The Descent of Man,Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC130    @%%@2@%   The plow is one of the most ancient and most valuable of man's%@EH@%
inventions; but long before he existed the land was in fact regularly
plowed, and still continues to be thus plowed by earthworms. It may be
doubted whether there are many other animals which have played so important
a part in the history of the world, as have these lowly organized creatures.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%The Formation of Vegetable Mold Through the Action of Worms
[1881], ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC140    @%%@2@%   Physiological experiment on animals is justifiable for real%@EH@%
investigation, but not for mere damnable and detestable curiosity.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%Letter to E. Ray Lankester

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC150    @%%@2@%   As for a future life, every man must judge for himself between%@EH@%
conflicting vague probabilities.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%From Life and Letters of Charles Darwin [1887],
edited by Francis Darwin

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC160    @%%@2@%   I love fools' experiments. I am always making them.%@NL@%%@EH@%
%@NL@%
Charles Robert Darwin
%@NL@%From Life and Letters of Charles Darwin [1887],
edited by Francis Darwin

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Robert Darwin@%%@QR:Darwin@%%@CR:N1809DARC170    @%%@2@%   Believing as I do that man in the distant future will be a far more%@EH@%
perfect creature than he now is, it is an intolerable thought that he and
all other sentient beings are doomed to complete annihilation after such
long-continued slow progress. To those who fully admit the immortality of
the human soul, the destruction of our world will not appear so dreadful.%@NL@%
%@NL@%
Charles Robert Darwin
%@NL@%From Life and Letters of Charles Darwin [1887],
edited by Francis Darwin

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward FitzGerald%@AE@%%@EH@%
%@NL@%
%@AB@%1809-1883%@AE@%
%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE10     @%%@2@%Wake! For the Sun who scattered into flight%@NL@%%@EH@%
The Stars before him from the Field of night,%@NL@%
Drives Night along with them from Heaven and strikes%@NL@%
The Sultan's Turret with a Shaft of Light.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%%@FN@%
Translated from the Persian of Omar KhayyaA [died c. 1123] in four editions,
1859, 1868, 1872, and 1879. The fourth edition is used here, unless
otherwise stated.  %@EF@%
The RubaAiyaAt of Omar KhayyaAm,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE20     @%%@2@%Awake! for Morning in the Bowl of Night%@NL@%%@EH@%
Has flung the Stone that puts the Stars to flight:%@NL@%
And Lo! the Hunter of the East has caught%@NL@%
The Sultan's Turret in a Noose of Light.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 1[first edition]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE30     @%%@2@%Now the New Year reviving old Desires,%@NL@%%@EH@%
The thoughtful Soul to Solitude retires.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE40     @%%@2@%Iram indeed is gone with all his Rose.%@NL@%%@EH@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE50     @%%@2@%Come, fill the Cup, and in the fire of Spring%@NL@%%@EH@%
The Winter garment of Repentance fling:%@NL@%
The Bird of Time has but a little way%@NL@%
To fly-and Lo! the Bird is on the Wing.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 7 [first edition]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE60     @%%@2@%The Leaves of Life keep falling one by one.%@NL@%%@EH@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE70     @%%@2@%Each Morn a thousand Roses brings, you say:%@NL@%%@EH@%
Yes, but where leaves the Rose of Yesterday?%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE80     @%%@2@%A Book of Verses underneath the Bough,%@NL@%%@EH@%
A Jug of Wine, a Loaf of Bread-and Thou%@NL@%
Beside me singing in the Wilderness-%@NL@%
Oh, Wilderness were Paradise enow!%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE90     @%%@2@%Ah, take the Cash, and let the Credit go,%@NL@%%@EH@%
Nor heed the rumble of a distant Drum!%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE100    @%%@2@%The Worldly Hope men set their Hearts upon%@NL@%%@EH@%
Turns Ashes-or it prospers; and anon,%@NL@%
Like Snow upon the Desert's dusty Face,%@NL@%
Lighting a little hour or two-is gone.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE110    @%%@2@%Think, in this battered Caravanserai%@NL@%%@EH@%
Whose Portals are alternate Night and Day,%@NL@%
How Sultan after Sultan with his Pomp%@NL@%
Abode his destined Hour, and went his way.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE120    @%%@2@%They say the Lion and the Lizard keep%@NL@%%@EH@%
The Courts where Jamshyd gloried and drank deep:%@NL@%
And Bahram, that great Hunter-the Wild Ass%@NL@%
Stamps o'er his Head, but cannot break his sleep.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE130    @%%@2@%I sometimes think that never blows so red%@NL@%%@EH@%
The Rose as where some buried Caesar bled;%@NL@%
That every Hyacinth the Garden wears%@NL@%
Dropt in her Lap from some once lovely Head. 1  2 %@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 19

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c7fc4@%%@AE@%
%@AI@%2 See Tennyson%@BO:          4003e1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE140    @%%@2@%Ah, my Beloved, fill the Cup that clears%@NL@%%@EH@%
Today of past Regrets and future Fears:%@NL@%
Tomorrow!-Why, Tomorrow I may be%@NL@%
Myself with Yesterday's Seven thousand Years. 1 %@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 21

%@NL@%%@AI@%1 See Euripides%@BO:           a0e54@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE150    @%%@2@%For some we loved, the loveliest and the best%@NL@%%@EH@%
That from his Vintage rolling Time hath prest.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE160    @%%@2@%Ah, make the most of what we yet may spend,%@NL@%%@EH@%
Before we too into the Dust descend;%@NL@%
Dust into Dust, and under Dust, to lie,%@NL@%
Sans Wine, sans Song, sans Singer, and-sans End!%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE170    @%%@2@%Myself when young did eagerly frequent%@NL@%%@EH@%
Doctor and Saint, and heard great argument%@NL@%
About it and about: but evermore%@NL@%
Came out by the same door wherein I went.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE180    @%%@2@%And this was all the Harvest that I reaped-%@NL@%%@EH@%
"I came like Water, and like Wind I go."%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE190    @%%@2@%There was the Door to which I found no Key;%@NL@%%@EH@%
There was the Veil through which I might not see.%@NL@%
Some little talk awhile of Me and Thee%@NL@%
There was-and then no more of Thee and Me.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE200    @%%@2@%"While you live,%@NL@%%@EH@%
Drink!-for, once dead, you never shall return."%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE205    @%%@2@%For I remember stopping by the way%@NL@%%@EH@%
To watch a Potter thumping his wet Clay:%@NL@%
And with its all-obliterated Tongue%@NL@%
It murmured-"Gently, Brother, gently, pray!"%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE210    @%%@2@%And fear not lest Existence closing your%@NL@%%@EH@%
Account, and mine, should know the like no more;%@NL@%
The Eternal Saki from that Bowl has poured%@NL@%
Millions of Bubbles like us, and will pour. 1 %@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 46

%@NL@%%@AI@%1 See Tennyson%@BO:          3f8918@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE220    @%%@2@%'Tis all a Checkerboard of Nights and Days%@NL@%%@EH@%
Where Destiny with Men for Pieces plays:%@NL@%
Hither and thither moves, and mates, and slays,%@NL@%
And one by one back in the Closet lays.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 49 [first edition]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE230    @%%@2@%Striking from the Calendar%@NL@%%@EH@%
Unborn Tomorrow and dead Yesterday.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE240    @%%@2@%The Moving Finger writes; and, having writ,%@NL@%%@EH@%
Moves on: nor all your Piety nor Wit%@NL@%
Shall lure it back to cancel half a Line,%@NL@%
Nor all your Tears wash out a Word of it.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE250    @%%@2@%That inverted Bowl we call The Sky,%@NL@%%@EH@%
Whereunder crawling cooped we live and die.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 72 [first edition]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE260    @%%@2@%Ah, Moon of my Delight who know'st no wane.%@NL@%%@EH@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 74 [first edition]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE270    @%%@2@%One Flash of it within the Tavern caught%@NL@%%@EH@%
Better than in the Temple lost outright.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE275    @%%@2@%What! out of senseless Nothing to provoke%@NL@%%@EH@%
A conscious Something to resent the yoke. 1 %@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 78

%@NL@%%@AI@%1 See Poe%@BO:          3f72cf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE280    @%%@2@%And He that with his hand the Vessel made%@NL@%%@EH@%
Will surely not in after Wrath destroy.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 85

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE290    @%%@2@%After a momentary silence spake%@NL@%%@EH@%
Some Vessel of a more ungainly Make;%@NL@%
"They sneer at me for leaning all awry:%@NL@%
What! did the Hand then of the Potter shake?"%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 86

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE300    @%%@2@%Who is the Potter, pray, and who the Pot?%@NL@%%@EH@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 87

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE310    @%%@2@%Indeed the Idols I have loved so long%@NL@%%@EH@%
Have done my credit in this World much wrong:%@NL@%
Have drowned my Glory in a shallow Cup,%@NL@%
And sold my Reputation for a Song.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 93

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE320    @%%@2@%I wonder often what the Vintners buy%@NL@%%@EH@%
One half so precious as the stuff they sell.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE330    @%%@2@%Yet Ah, that Spring should vanish with the Rose!%@NL@%%@EH@%
That Youth's sweet-scented manuscript should close!%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE340    @%%@2@%Ah Love! could you and I with Him conspire%@NL@%%@EH@%
To grasp this Sorry Scheme of Things entire,%@NL@%
Would not we shatter it to bits-and then%@NL@%
Remold it nearer to the Heart's Desire!%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE350    @%%@2@%And when like her, O Saki, you shall pass%@NL@%%@EH@%
Among the Guests Star-scattered on the Grass,%@NL@%
And in your joyous errand reach the spot%@NL@%
Where I made One-turn down an empty Glass!%@NL@%

%@NL@%Edward FitzGerald
%@NL@%The RubaAiyaAt of Omar KhayyaAm,st. 101

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE360    @%%@2@%The King in a carriage may ride,%@NL@%%@EH@%
And the Beggar may crawl at his side;%@NL@%
But in the general race,%@NL@%
They are traveling all the same pace.%@NL@%

%@NL@%Edward FitzGerald
%@NL@%Chronomoros

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward FitzGerald@%%@QR:FitzGerald@%%@CR:N1809FITE370    @%%@2@%   Mrs. Browning's death was rather a relief to me, I must say; no more%@EH@%
Aurora Leighs, thank God!%@NL@%
%@NL@%
Edward FitzGerald
%@NL@%Letter [July 15, 1861]
 1

%@NL@%%@AI@%1 See E. B. Browning%@BO:          3d57c0@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%William Ewart Gladstone%@AE@%%@EH@%
%@NL@%
%@AB@%1809-1898%@AE@%
%@NL@%%@NL@%

%@QR:William Ewart Gladstone@%%@QR:Gladstone@%%@CR:N1809GLAW10     @%%@2@%   Decision by majorities is as much an expedient as lighting by gas.%@NL@%%@EH@%
%@NL@%
William Ewart Gladstone
%@NL@%Speech in the House of Commons [1858]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ewart Gladstone@%%@QR:Gladstone@%%@CR:N1809GLAW20     @%%@2@%   You cannot fight against the future. Time is on our side.%@NL@%%@EH@%
%@NL@%
William Ewart Gladstone
%@NL@%Speech on the Reform Bill [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ewart Gladstone@%%@QR:Gladstone@%%@CR:N1809GLAW40     @%%@2@%   The disease of an evil conscience is beyond the practice of all the%@EH@%
physicians of all the countries in the world.%@NL@%
%@NL@%
William Ewart Gladstone
%@NL@%Speech at Plumstead [1878]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ewart Gladstone@%%@QR:Gladstone@%%@CR:N1809GLAW50     @%%@2@%   National injustice is the surest road to national downfall.%@NL@%%@EH@%
%@NL@%
William Ewart Gladstone
%@NL@%Speech at Plumstead [1878]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ewart Gladstone@%%@QR:Gladstone@%%@CR:N1809GLAW60     @%%@2@%   Out of the range of practical politics.%@NL@%%@EH@%
%@NL@%
William Ewart Gladstone
%@NL@%Speech at Dalkeith [November 26, 1879]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ewart Gladstone@%%@QR:Gladstone@%%@CR:N1809GLAW70     @%%@2@%   The resources of civilization are not yet exhausted.%@NL@%%@EH@%
%@NL@%
William Ewart Gladstone
%@NL@%Speech at Leeds [October 7, 1881]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ewart Gladstone@%%@QR:Gladstone@%%@CR:N1809GLAW80     @%%@2@%   All the world over, I will back the masses against the classes.%@NL@%%@EH@%
%@NL@%
William Ewart Gladstone
%@NL@%Speech at Liverpool [June 28, 1886]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
As the British Constitution is the most subtle organism which has proceeded
from progressive history, so the American Constitution is the most wonderful
work ever struck off at a given time by the brain and purpose of
man.-Gladstone, Kin Beyond the Sea; from the North American Review
[September 1878]  %@EF@%
%@QR:William Ewart Gladstone@%%@QR:Gladstone@%%@CR:N1809GLAW90     @%%@2@%   I have always regarded that Constitution as the most remarkable work%@EH@%
known to me in modern times to have been produced by the human intellect, at
a single stroke (so to speak), in its application to political affairs.%@NL@%
%@NL@%
William Ewart Gladstone
%@NL@%Letter to the committee in charge of the celebration of the
centennial of the American Constitution [July 20, 1887]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ewart Gladstone@%%@QR:Gladstone@%%@CR:N1809GLAW110    @%%@2@%   Selfishness is the greatest curse of the human race.%@NL@%%@EH@%
%@NL@%
William Ewart Gladstone
%@NL@%Speech at Hawarden [May 28, 1890]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Nikolai Vasilievich Gogol%@AE@%%@EH@%
%@NL@%
%@AB@%1809-1852%@AE@%
%@NL@%%@NL@%

%@QR:Nikolai Vasilievich Gogol@%%@QR:Gogol@%%@CR:N1809GOGN20     @%%@2@%   It is no use to blame the looking glass if your face is awry.%@NL@%%@EH@%
%@NL@%
Nikolai Vasilievich Gogol
%@NL@%The Inspector-General [1836],epigraph

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nikolai Vasilievich Gogol@%%@QR:Gogol@%%@CR:N1809GOGN30     @%%@2@%   Of course, Alexander the Great was a hero, but why smash the chairs?%@NL@%%@EH@%
%@NL@%
Nikolai Vasilievich Gogol
%@NL@%The Inspector-General [1836],epigraph

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nikolai Vasilievich Gogol@%%@QR:Gogol@%%@CR:N1809GOGN40     @%%@2@%   The more destruction there is everywhere, the more it shows the activity%@EH@%
of town authorities.%@NL@%
%@NL@%
Nikolai Vasilievich Gogol
%@NL@%The Inspector-General [1836],actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nikolai Vasilievich Gogol@%%@QR:Gogol@%%@CR:N1809GOGN50     @%%@2@%   I tell everyone very plainly that I take bribes, but what kind of bribes?%@EH@%
Why, greyhound puppies. That's a totally different matter.%@NL@%
%@NL@%
Nikolai Vasilievich Gogol
%@NL@%The Inspector-General [1836],actI, sc. i

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nikolai Vasilievich Gogol@%%@QR:Gogol@%%@CR:N1809GOGN60     @%%@2@%   The sergeant's widow told you a lie when she said I flogged her. I never%@EH@%
flogged her. She flogged herself.%@NL@%
%@NL@%
Nikolai Vasilievich Gogol
%@NL@%The Inspector-General [1836],actIV, sc. xv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nikolai Vasilievich Gogol@%%@QR:Gogol@%%@CR:N1809GOGN70     @%%@2@%   What are you laughing at? You are laughing at yourselves!%@NL@%%@EH@%
%@NL@%
Nikolai Vasilievich Gogol
%@NL@%The Inspector-General [1836],actV, sc. viii

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nikolai Vasilievich Gogol@%%@QR:Gogol@%%@CR:N1809GOGN80     @%%@2@%   And for a long time yet, led by some wondrous power, I am fated to%@EH@%
journey hand in hand with my strange heroes and to survey the surging
immensity of life, to survey it through the laughter that all can see and
through the tears unseen and unknown by anyone.%@NL@%
%@NL@%
Nikolai Vasilievich Gogol
%@NL@%Dead Souls [1842], vol.I, ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Vladimir Nabokov.  %@EF@%
%@QR:Nikolai Vasilievich Gogol@%%@QR:Gogol@%%@CR:N1809GOGN90     @%%@2@%   Rus! Rus! I see you, from my lovely enchanted remoteness I see you: a%@EH@%
country of dinginess, and bleakness and dispersal; no arrogant wonders of
nature crowned by the arrogant wonders of art appear within you to delight
or terrify the eyes. . . . So what is the incomprehensible secret force
driving me towards you? Why do I constantly hear the echo of your mournful
song as it is carried from sea to sea through your entire expanse? . . . And
since you are without end yourself, is it not within you that a boundless
thought will be born?%@NL@%
%@NL@%
Nikolai Vasilievich Gogol
%@NL@%Dead Souls [1842], vol.II, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Vladimir Nabokov.  %@EF@%
%@QR:Nikolai Vasilievich Gogol@%%@QR:Gogol@%%@CR:N1809GOGN100    @%%@2@%   Oh troika, winged troika, tell me who invented you? Surely, nowhere but%@EH@%
among a nimble nation could you have been born: in a country which has taken
itself in earnest and has evenly spread far and wide over half of the globe,
so that once you start counting the milestones you may count on till a
speckled haze dances before your eyes. . . . %@NL@%
Rus, are you not similar in your headlong motion to one of those nimble
troikas that none can overtake? The flying road turns into smoke under you,
bridges thunder and pass, all falls back and is left behind! . . . And what
does this awesome motion mean? What is the passing strange force contained
in these passing strange steeds? Steeds, steeds, what steeds! Has the
whirlwind a home in your manes? . . . Rus, whither are you speeding so?
Answer me. No answer. The middle bell trills out in a dream its liquid
soliloquy; the roaring air is torn to pieces and becomes wind; all things on
earth fly by and other nations and states gaze askance as they step aside
and give her the right of way.%@NL@%
%@NL@%
Nikolai Vasilievich Gogol
%@NL@%Dead Souls [1842], vol.II, ch.concluding paragraphs

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nikolai Vasilievich Gogol@%%@QR:Gogol@%%@CR:N1809GOGN110    @%%@2@%   In the course of the reading he [Pushkin] became more and more melancholy%@EH@%
and finally became completely gloomy. When the reading was over he uttered
in a voice full of sorrow: "Goodness, how sad is our Russia!"%@NL@%
%@NL@%
Nikolai Vasilievich Gogol
%@NL@%Four Letters Concerning Dead Souls [1843]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nikolai Vasilievich Gogol@%%@QR:Gogol@%%@CR:N1809GOGN120    @%%@2@%   I shall laugh my bitter laugh.%@NL@%%@EH@%
%@NL@%
Nikolai Vasilievich Gogol
%@NL@%Epitaph on Gogol's tombstone

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Oliver Wendell HolmesJr.%@AE@%%@EH@%
%@NL@%
%@AB@%1809-1894%@AE@%
%@FN@%
The most successful combination the world has ever seen, of physician and
man of letters.-Sir William Osler; from Harvey Cushing, Life of Sir William
Osler [1925], vol. I, ch. 15  %@EF@%
%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO15     @%%@2@%Ay, tear her tattered ensign down!%@NL@%%@EH@%
Long has it waved on high,%@NL@%
And many an eye has danced to see%@NL@%
That banner in the sky;%@NL@%
Beneath it rung the battle shout,%@NL@%
And burst the cannon's roar-%@NL@%
The meteor of the ocean air%@NL@%
Shall sweep the clouds no more.%@NL@%

%@NL@%Oliver Wendell HolmesJr.
%@NL@%%@FN@%
This poem roused such popular feeling that it is generally credited with
saving the frigate Constitution from being destroyed as unfit for service.  %@EF@%
Old Ironsides [1830], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO20     @%%@2@%And silence, like a poultice, comes%@NL@%%@EH@%
To heal the blows of sound.%@NL@%

%@NL@%Oliver Wendell HolmesJr.
%@NL@%The Music Grinders, st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO30     @%%@2@%When the last reader reads no more.%@NL@%%@EH@%

%@NL@%Oliver Wendell HolmesJr.
%@NL@%The Last Reader

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO40     @%%@2@%One flag, one land, one heart, one hand,%@NL@%%@EH@%
One Nation, evermore!%@NL@%

%@NL@%Oliver Wendell HolmesJr.
%@NL@%Voyage of the Good Ship Union, st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO50     @%%@2@%Where we love is home,%@NL@%%@EH@%
Home that our feet may leave, but not our hearts.%@NL@%

%@NL@%Oliver Wendell HolmesJr.
%@NL@%Homesick in Heaven, st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The good old times, the grand old times, the great old times!-Dickens, The
Chimes [1844], First Quarter  There are no days like the good old days,/The
days when we were youthful!-Eugene Field [1850-1895], Old Times, Old
Friends, Old Love  %@EF@%
%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO60     @%%@2@%There is no time like the old time, when you and I were young.%@NL@%%@EH@%

%@NL@%Oliver Wendell HolmesJr.
%@NL@%No Time Like the Old Time, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO90     @%%@2@%   A thought is often original, though you have uttered it a hundred times.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO100    @%%@2@%   Insanity is often the logic of an accurate mind overtaxed.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO110    @%%@2@%   Man has his will-but woman has her way!%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO120    @%%@2@%   Put not your trust in money, but put your money in trust.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO130    @%%@2@%   I find the great thing in this world is not so much where we stand, as in%@EH@%
what direction we are moving: To reach the port of heaven, we must sail
sometimes with the wind and sometimes against it-but we must sail, and not
drift, nor lie at anchor.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO140    @%%@2@%Build thee more stately mansions, O my soul,%@NL@%%@EH@%
As the swift seasons roll!%@NL@%
Leave thy low-vaulted past!%@NL@%

%@NL@%Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],[The Chambered Nautilus, st. 5]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO145    @%%@2@%Leaving thine outgrown shell by life's unresting sea!%@NL@%%@EH@%

%@NL@%Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],[The Chambered Nautilus, st. 5]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO150    @%%@2@%   Sin has many tools, but a lie is the handle which fits them all.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
John Lothrop Motley [1814-1877].  %@EF@%
%@FN@%
Said Scopas of Thessaly, "We rich men count our felicity and happiness to
lie in these superfluities, and not in those necessary things."-Plutarch [
A.D.  46-120], On the Love of Wealth  %@EF@%
%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO160    @%%@2@%   There is that glorious Epicurean paradox uttered by my friend the%@EH@%
Historian, in one of his flashing moments: "Give us the luxuries of life,
and we will dispense with its necessaries."%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO180    @%%@2@%   Boston State-House is the hub of the solar system. You couldn't pry that%@EH@%
out of a Boston man, if you had the tire of all creation straightened out
for a crowbar.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO190    @%%@2@%   The axis of the earth sticks out visibly through the center of each and%@EH@%
every town or city.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO200    @%%@2@%   The world's great men have not commonly been great scholars, nor its%@EH@%
great scholars great men.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO210    @%%@2@%   Knowledge and timber shouldn't be much used till they are seasoned.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO220    @%%@2@%Have you heard of the wonderful one-hoss shay,%@NL@%%@EH@%
That was built in such a logical way%@NL@%
It ran a hundred years to a day?%@NL@%

%@NL@%Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.11[The Deacon's Masterpiece,
st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO230    @%%@2@%End of the wonderful one-hoss shay.%@NL@%%@EH@%
Logic is logic. That's all I say.%@NL@%

%@NL@%Oliver Wendell HolmesJr.
%@NL@%The Autocrat of the Breakfast Table [1858],ch.11[The Deacon's Masterpiece,
st. 12]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO250    @%%@2@%   He comes of the Brahmin caste of New England. This is the harmless,%@EH@%
inoffensive, untitled aristocracy.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Brahmin Caste of New England [1860]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO260    @%%@2@%   Science is a first-rate piece of furniture for a man's upper chamber, if%@EH@%
he has common sense on the ground floor.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Poet at the Breakfast Table [1872], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1809HOLO270    @%%@2@%And if I should live to be%@NL@%%@EH@%
The last leaf upon the tree%@NL@%
In the spring,%@NL@%
Let them smile, as I do now,%@NL@%
At the old forsaken bough%@NL@%
Where I cling.%@NL@%

%@NL@%Oliver Wendell HolmesJr.
%@NL@%The Last Leaf [1831], st. 8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Abraham Lincoln%@AE@%%@EH@%
%@NL@%
%@AB@%1809-1865%@AE@%
%@FN@%
Old Abe Lincoln came out of the wilderness/Down in Illinois.-Anonymous [c.
1860]  %@EF@%
%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA10     @%%@2@%   If the good people, in their wisdom, shall see fit to keep me in the%@EH@%
background, I have been too familiar with disappointments to be very much
chagrined.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Address at New Salem, Illinois [March 9, 1832]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA20     @%%@2@%   I go for all sharing the privileges of the government who assist in%@EH@%
bearing its burdens.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Letter to the Editor, Sangamon Journal, New Salem, Illinois
[June 13, 1836]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA30     @%%@2@%   If destruction be our lot we must ourselves be its author and finisher.%@EH@%
As a nation of freemen we must live through all time, or die by suicide.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Address at the Young Men's Lyceum, Springfield, Illinois
[January 27, 1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA40     @%%@2@%   There is no grievance that is a fit object of redress by mob law.%@NL@%%@EH@%
%@NL@%
Abraham Lincoln
%@NL@%Address at the Young Men's Lyceum, Springfield, Illinois
[January 27, 1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA50     @%%@2@%   Towering genius disdains a beaten path. It seeks regions hitherto%@EH@%
unexplored.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Address at the Young Men's Lyceum, Springfield, Illinois
[January 27, 1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA60     @%%@2@%   No man is good enough to govern another man without that other's consent.%@NL@%%@EH@%
%@NL@%
Abraham Lincoln
%@NL@%Speech at Peoria, Illinois [October 16, 1854]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA70     @%%@2@%   I am not a Know-Nothing . . . How could I be? How can anyone who abhors%@EH@%
the oppression of Negroes be in favor of degrading classes of white people?
Our progress in degeneracy appears to me to be pretty rapid. As a nation we
began by declaring that "all men are created equal." We now practically read
it "all men are created equal, except Negroes." When the Know-Nothings get
control, it will read "all men are created equal, except Negroes and
foreigners and Catholics." When it comes to this, I shall prefer emigrating
to some country where they make no pretense of loving liberty-to Russia, for
instance, where despotism can be taken pure, and without the base alloy of
hypocrisy. 1 %@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Letter to Joshua F. Speed [August 24, 1855]

%@NL@%%@AI@%1 See Niemoeller%@BO:          5f0570@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA80     @%%@2@%   The ballot is stronger than the bullet.%@NL@%%@EH@%
%@NL@%
Abraham Lincoln
%@NL@%Speech at Bloomington, Illinois [May 19, 1856]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA90     @%%@2@%   "A house divided against itself cannot stand." 1  I believe this%@EH@%
government cannot endure permanently half slave and half free. I do not
expect the Union to be dissolved-I do not expect the house to fall-but I do
expect it will cease to be divided. It will become all one thing, or all the
other. Either the opponents of slavery will arrest the further spread of it,
and place  it where the public mind shall rest in the belief that it is in
the course of ultimate extinction; or its advocates will push it forward
till it shall become alike lawful in all the states, old as well as new,
North as well as South.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Speech at the Republican State Convention, Springfield, Illinois
[June 16, 1858]

%@NL@%%@AI@%1 See Mark 3:25%@BO:           5a11e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
They have seen in his [Douglas's] round, jolly, fruitful face, post offices,
land offices, marshalships and cabinet appointments, chargeships and foreign
missions, bursting and sprouting out in wonderful exuberance, ready to be
laid hold of by their greedy hands.-Lincoln, ib.  %@EF@%
%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA100    @%%@2@%   Nobody has ever expected me to be President. In my poor, lean, lank face%@EH@%
nobody has ever seen that any cabbages were sprouting out.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Second campaign speech against Douglas, Springfield, Illinois
[July 17, 1858]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA120    @%%@2@%   As I would not be a slave, so I would not be a master. This expresses my%@EH@%
idea of democ-racy. Whatever differs from this, to the extent of the
difference, is no democracy. 1 %@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Fragment [August 1, 1858?]. From Roy P. Basler,
The Collected Works of Abraham Lincoln [1953], vol. II, p. 532

%@NL@%%@AI@%1 See Address to Indiana Regiment%@BO:          3f33cf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA130    @%%@2@%   When . . . you have succeeded in dehumanizing the Negro; when you have%@EH@%
put him down and made it impossible for him to be but as the beasts of the
field; when you have extinguished his soul in this world and placed him
where the ray of hope is blown out as in the darkness of the damned, are you
quite sure that the demon you have roused will not turn and rend you? What
constitutes the bulwark of our own liberty and independence? It is not our
frowning battlements, our bristling sea coasts, our army and our navy. These
are not our reliance against tyranny. All of those may be turned against us
without making us weaker for the struggle. Our reliance is in the love of
liberty which God has planted in us. Our defense is in the spirit which
prized liberty as the heritage of all men, in all lands everywhere. Destroy
this spirit and you have planted the seeds of despotism at your own doors.
Familiarize yourselves with the chains of bondage and you prepare your own
limbs to wear them. Accustomed to trample on the rights of others, you have
lost the genius of your own independence and become the fit subjects of the
first cunning tyrant who rises among you. 1 %@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Speech at Edwardsville, Illinois [September 11, 1858]

%@NL@%%@AI@%1 See Einstein%@BO:          58f69c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA140    @%%@2@%   That is the issue that will continue in this country when these poor%@EH@%
tongues of Judge Douglas and myself shall be silent. It is the eternal
struggle between these two principles-right and wrong-throughout the world.
They are the two principles that have stood face to face from the beginning
of time; and will ever continue to struggle. The one is the common right of
humanity, and the other the divine right of kings. It is the same principle
in whatever shape it develops itself. It is the same spirit that says, "You
toil and work and earn bread, and I'll eat it." No matter in what shape it
comes, whether from the mouth of a king who seeks to bestride the people of
his own nation and live by the fruit of their labor, or from one race of men
as an apology for enslaving another race, it is the same tyrannical
principle.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Reply, seventh and last joint debate, Alton, Illinois
[October 15, 1858]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA150    @%%@2@%   This is a world of compensation; and he who would be no slave must%@EH@%
consent to have no slave. Those who deny freedom to others deserve it not
for themselves, and, under a just God, cannot long retain it.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Letter to H. L. Pierce and others [April 6, 1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA155    @%%@2@%   Public opinion in this country is everything.%@NL@%%@EH@%
%@NL@%
Abraham Lincoln
%@NL@%Speech at Columbus, Ohio [September 16, 1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA160    @%%@2@%   It is said an Eastern monarch once charged his wise men to invent him a%@EH@%
sentence to be ever in view, and which should be true and appropriate in all
times and situations. They presented him the words: "And this, too, shall
pass away." How much it expresses! How chastening in the hour of pride! How
consoling in the depths of affliction!%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Address to the Wisconsin State Agricultural Society, Milwaukee
[September 30, 1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA170    @%%@2@%   What is conservatism? Is it not adherence to the old and tried, against%@EH@%
the new and untried?%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Address at Cooper Union, New York [February 27, 1860]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA180    @%%@2@%   Let us have faith that right makes might, and in that faith let us to the%@EH@%
end dare to do our duty as we understand it.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Address at Cooper Union, New York [February 27, 1860]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA190    @%%@2@%   No one, not in my situation, can appreciate my feeling of sadness at this%@EH@%
parting. To this place, and the kindness of these people, I owe everything.
Here I have lived a quarter of a century, and have passed from a young to an
old man. Here my children have been born, and one is buried. I now leave,
not knowing when or whether ever I may return, with a task before me greater
than that which rested upon Washington. Without the assistance of that
Divine Being who ever attended him, I cannot succeed. With that assistance I
cannot fail. Trusting in Him who can go with me, and remain with you, and be
everywhere for good, let us confidently hope that all will yet be well.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Farewell Address, Springfield, Illinois [February 11, 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA200    @%%@2@%   If we do not make common cause to save the good old ship of the Union on%@EH@%
this voyage, nobody will have a chance to pilot her on another voyage.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Address at Cleveland, Ohio [February 15, 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA210    @%%@2@%   I have never had a feeling, politically, that did not spring from the%@EH@%
sentiments embodied in the Declaration of Independence. . . . I have often
inquired of myself what great principle or idea it was that kept this
Confederacy so long together. It was not the mere matter of separation of
the colonies from the motherland, but that sentiment in the Declaration of
Independence which gave liberty not alone to the people of this country, but
hope to all the world, for all future time. It was that which gave promise
that in due time the weights would be lifted from the shoulders of all men,
and that all should have an equal chance. This is the sentiment embodied in
the Declaration of Independence. . . . I would rather be assassinated on
this spot than surrender it.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Speech at Independence Hall, Philadelphia [February 22, 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA220    @%%@2@%   It is safe to assert that no government proper ever had a provision in%@EH@%
its organic law for its own termination.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%First Inaugural Address [March 4, 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA230    @%%@2@%   If by the mere force of numbers a majority should deprive a minority of%@EH@%
any clearly written constitutional right, it might, in a moral point of
view, justify revolution-certainly would if such a right were a vital one.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%First Inaugural Address [March 4, 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA240    @%%@2@%   This country, with its institutions, belongs to the people who inhabit%@EH@%
it. Whenever they shall grow weary of the existing government, they can
exercise their constitutional right of amending it, or their revolutionary
right to dismember or overthrow it.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%First Inaugural Address [March 4, 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA250    @%%@2@%   Why should there not be a patient confidence in the ultimate justice of%@EH@%
the people? Is there any better or equal hope in the world?%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%First Inaugural Address [March 4, 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA260    @%%@2@%   While the people retain their virtue and vigilance, no administration, by%@EH@%
any extreme of wickedness or folly, can very seriously injure the government
in the short space of four years.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%First Inaugural Address [March 4, 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA270    @%%@2@%   We are not enemies, but friends. We must not be enemies. Though passion%@EH@%
may have strained, it must not break, our bonds of affection. The mystic
chords of memory, stretching from every battlefield and patriot grave to
every living heart and hearthstone all over this broad land, will yet swell
the chorus of the Union when again touched, as surely they will be, by the
better angels of our nature.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%First Inaugural Address [March 4, 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA280    @%%@2@%   I think the necessity of being ready increases. Look to it.%@NL@%%@EH@%
%@NL@%
Abraham Lincoln
%@NL@%Letter (this is the whole message) to Governor Andrew G. Curtin
of Pennsylvania [April 8, 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA285    @%%@2@%   This is essentially a people's contest . . . It is a struggle for%@EH@%
maintaining in the world that form and substance of government whose leading
object is to elevate the condition of men-to lift artificial weights from
all shoulders-to clear the paths of laudable pursuit for all-to afford all
an unfettered start, and a fair chance, in the race of life.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Message to Congress in Special Session [July 4, 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA290    @%%@2@%   Labor is prior to, and independent of, capital. Capital is only the fruit%@EH@%
of labor, and could never have existed if labor had not first existed. Labor
is the superior of capital, and deserves much the higher consideration.
Capital has its rights, which are as worthy of protection as any other
rights. 1 %@NL@%
%@NL@%
Abraham Lincoln
%@NL@%First Annual Message to Congress [December 3, 1861]

%@NL@%%@AI@%1 See Webster%@BO:          36b676@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA295    @%%@2@%   It is called the Army of the Potomac but it is only McClellan's bodyguard%@EH@%
. . . If McClellan is not using the army, I should like to borrow it for a
while.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Washington, D.C. [April 9, 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA300    @%%@2@%   It is difficult to make a man miserable while he feels he is worthy of%@EH@%
himself and claims kindred to the great God who made him.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Address on colonization to a Negro deputation at Washington
[August 14, 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA310    @%%@2@%   My paramount object in this struggle is to save the Union, and is not%@EH@%
either to save or to destroy slavery. If I could save the Union without
freeing any slave, I would do it; and if I could save it by freeing all the
slaves, I would do it; and if I could do it by freeing some and leaving
others alone, I would also do that.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Letter to Horace Greeley [August 22, 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA320    @%%@2@%   I shall try to correct errors when shown to be errors; and I shall adopt%@EH@%
new views so fast as they shall appear to be true views. . . . I intend no
modification of my oft-expressed personal wish that all men, everywhere,
could be free.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Letter to Horace Greeley [August 22, 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA330    @%%@2@%   On the first day of January in the year of our Lord, one thousand eight%@EH@%
hundred and sixty-three, all persons held as slaves within any state, or
designated part of a state, the people whereof shall then  be in rebellion
against the United States shall be then, thenceforward, and forever free.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%%@FN@%
The Emancipation Proclamation was issued one hundred days later [January 1,
1863].  %@EF@%
Preliminary Emancipation Proclamation [September 22, 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA340    @%%@2@%   [I feel] somewhat like the boy in Kentucky who stubbed his toe while%@EH@%
running to see his sweetheart. The boy said he was too big to cry, and far
too badly hurt to laugh.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%%@FN@%
The election was a victory for Horatio Seymour, Democratic candidate for
governor of New York. Moreover, throughout the North the Democrats picked up
a number of congressional seats and won a number of state elections.  %@EF@%
Reply as to how he felt about the New York elections.
From Frank Leslie's
Illustrated Weekly [November 22, 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA350    @%%@2@%   A nation may be said to consist of its territory, its people, and its%@EH@%
laws. The territory is the only part which is of certain durability.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Second Annual Message to Congress [December 1, 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA360    @%%@2@%   If there ever could be a proper time for mere catch arguments, that time%@EH@%
surely is not now. In times like the present, men should utter nothing for
which they would not willingly be responsible through time and in eternity.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Second Annual Message to Congress [December 1, 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA370    @%%@2@%   The dogmas of the quiet past are inadequate to the stormy present. The%@EH@%
occasion is piled high with difficulty, and we must rise with the occasion.
As our case is new, so we must think anew and act anew. We must disenthrall
ourselves, and then we shall save our country.%@NL@%
Fellow citizens, we cannot escape history. We of this Congress and this
administration will be remembered in spite of ourselves. No personal
significance or insignificance can spare one or another of us. The fiery
trial through which we pass will light us down in honor or dishonor to the
last generation. We say we are for the Union. The world will not forget that
we say this. We know how to save the Union. The world knows we do know how
to save it. We, even we here, hold the power and bear the responsibility. In
giving freedom to the slave, we assure freedom to the free-honorable alike
in what we give and what we preserve. We shall nobly save or meanly lose the
last, best hope of earth. Other means may succeed; this could not fail. The
way is plain, peaceful, generous, just-a way which if followed the world
will forever applaud and God must forever bless.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Second Annual Message to Congress [December 1, 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA380    @%%@2@%   Beware of rashness, but with energy and sleepless vigilance go forward%@EH@%
and give us victories.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Letter to Major General Joseph Hooker [January 26, 1863]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA390    @%%@2@%   The Father of Waters again goes unvexed to the sea.%@NL@%%@EH@%
%@NL@%
Abraham Lincoln
%@NL@%Letter to James C. Conkling [August 26, 1863]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA400    @%%@2@%   I have endured a great deal of ridicule without much malice; and have%@EH@%
received a great deal of kindness, not quite free from ridicule. I am used
to it.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Letter to James H. Hackett [November 2, 1863]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA410    @%%@2@%   Fourscore and seven years ago our fathers brought forth on this%@EH@%
continent, a new nation, conceived in Liberty, and dedicated to the
proposition that all men are created equal.%@NL@%
Now we are engaged in a great civil war, testing whether that nation or any
nation so conceived and so dedicated can long endure. We are met on a great
battlefield of that war. We have come to dedicate a portion of that field,
as a final resting place for those who here gave their lives that that
nation might live. It is altogether fitting and proper that we should do
this.%@NL@%
But, in a larger sense, we cannot dedicate-we cannot consecrate-we cannot
hallow-this ground. The brave men, living and dead, who struggled here, have
consecrated it far above our poor power to add or detract. The world will
little note nor long remember what we say here, but it can never forget what
they did here. It is for us, the living, rather to be dedicated here to the
unfinished work which they who fought here have thus far so nobly advanced.
It is rather for us to be here dedicated to the great task remaining before
us-that from these honored dead we take increased devotion to that cause for
which they gave the last full measure of devotion; that we here highly
resolve that these dead shall not have died in vain; that this nation, under
God, shall have a new birth of freedom; and that government of the people,
by the people, for the people, shall not perish from the earth. 1  2  3  4
5 %@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Address at Gettysburg [November 19, 1863]

%@NL@%%@AI@%1 See Wycliffe%@BO:          11bf63@%%@AE@%
%@AI@%2 See Webster%@BO:          36c778@%%@AE@%
%@AI@%3 See Disraeli%@BO:          3c8f7c@%%@AE@%
%@AI@%4 See Garrison%@BO:          3d267b@%%@AE@%
%@AI@%5 See Parker%@BO:          40ae74@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA420    @%%@2@%   The President last night had a dream. He was in a party of plain people%@EH@%
and as it became known who he was they began to comment on his appearance.
One of them said, "He is a common-looking man." The President replied,
"Common-looking people are the best in the world: that is the reason the
Lord makes so many of them."%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%From Letters of John Hay and Extracts from His Diary,
edited byC. L. Hay [December 23, 1863]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA430    @%%@2@%   I claim not to have  controlled events, but confess plainly that events%@EH@%
have controlled me.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Letter to A. G. Hodges [April 4, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA440    @%%@2@%   The world has never had a good definition of the word liberty. And the%@EH@%
American people just now are much in want of one. We all declare for
liberty; but in using the same word we do not mean the same thing. With
some, the word liberty may mean for each man to do as he pleases with
himself and the product of his labor; while with others the same word may
mean for some men to do as they please with other men and the product of
other men's labor. Here are two, not only different, but incompatible
things, called by the same name, liberty. And it follows that each of the
things is by the respective parties called by two different and incompatible
names, liberty and tyranny.%@NL@%
The shepherd drives the wolf from the sheep's throat, for which the sheep
thanks the shepherd as his liberator, while the wolf denounces him for the
same act. . . . Plainly the sheep and the wolf are not agreed upon a
definition of liberty.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Address at the Sanitary Fair, Baltimore [April 18, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA450    @%%@2@%   I do not allow myself to suppose that either the convention or the League%@EH@%
have concluded to decide that I am either the greatest or best man in
America, but rather they have concluded that it is not best to swap horses
while crossing the river, and have further concluded that I am not so poor a
horse that they might not make a botch of it in trying to swap.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Reply to the National Union League [June 9, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA460    @%%@2@%   Truth is generally the best vindication against slander.%@NL@%%@EH@%
%@NL@%
Abraham Lincoln
%@NL@%Letter to Secretary Stanton, refusing to dismiss
Postmaster-General Montgomery Blair [July 18, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA470    @%%@2@%   It has long been a grave question whether any government, not too strong%@EH@%
for the liberties of its people, can be strong enough to maintain its
existence in great emergencies.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Response to a serenade [November 10, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA480    @%%@2@%   Human nature will not change. In any future great national trial,%@EH@%
compared with the men of this, we shall have as weak and as strong, as silly
and as wise, as bad and as good.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Response to a serenade [November 10, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA490    @%%@2@%   I desire so to conduct the affairs of this administration that if at the%@EH@%
end, when I come to lay down the reins of power, I have lost every other
friend on earth, I shall at least have one friend left, and that friend
shall be down inside me.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Reply to the Missouri Committee of Seventy [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Later, the records were revised; the correct number was two.  %@EF@%
%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA500    @%%@2@%   Dear Madam, I have been shown in the files of the War Department a%@EH@%
statement of the Adjutant-General of Massachusetts that you are the mother
of five sons who have died gloriously on the field of battle. I feel how
weak and fruitless must be any words of mine which should attempt to beguile
you from the grief of a loss so overwhelming. But I cannot refrain from
tendering to you the consolation that may be found in the thanks of the
Republic they died to save. I pray that our heavenly Father may assuage the
anguish of your bereavement, and leave you only the cherished memory of the
loved and lost, and the solemn pride that must be yours to have laid so
costly a sacrifice upon the altar of freedom.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Letter to Mrs. Bixby [November 21, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA510    @%%@2@%   It may seem strange that any men should dare to ask a just God's%@EH@%
assistance in wringing their bread from the sweat of other men's faces, 1
but let us judge not, that we be not judged. 2 %@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Second Inaugural Address [March 4, 1865]

%@NL@%%@AI@%1 See Genesis 3:19%@BO:            72c3@%%@AE@%
%@AI@%2 See Matthew 7:1%@BO:           50602@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA520    @%%@2@%   The Almighty has His own purposes.%@NL@%%@EH@%
%@NL@%
Abraham Lincoln
%@NL@%Second Inaugural Address [March 4, 1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA530    @%%@2@%   Fondly do we hope, fervently do we pray, that this mighty scourge of war%@EH@%
may speedily pass away. Yet, if God wills that it continue until all the
wealth piled by the bondsman's two hundred and fifty years of unrequited
toil shall be sunk, and until every drop of blood drawn with the lash shall
be paid by another drawn with the sword, as was said three thousand years
ago, so still it must be said, "The judgments of the Lord are true and
righteous altogether." 1 %@NL@%
With malice toward none, with charity for all, with firmness in the right as
God gives us to see the right, 2  let us strive on to finish the work we are
in, to bind up the nation's wounds, to care for him who shall have borne the
battle and for his widow and his orphan, to do all which may achieve and
cherish a just and lasting peace among ourselves and with all nations.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Second Inaugural Address [March 4, 1865]

%@NL@%%@AI@%1 See Psalms 19:9%@BO:           218ff@%%@AE@%
%@AI@%2 See John Quincy Adams%@BO:          332f6c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA540    @%%@2@%   I have always thought that all men should be free; but if any should be%@EH@%
slaves, it should be first those who desire it for themselves, and secondly
those who desire it for others. Whenever I hear anyone arguing for slavery,
I feel a strong impulse to see it tried on him personally. 1 %@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Address to an Indiana Regiment [March 17, 1865]

%@NL@%%@AI@%1 See Fragment%@BO:          3ed125@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA550    @%%@2@%   Important principles may and must be inflexible.%@NL@%%@EH@%
%@NL@%
Abraham Lincoln
%@NL@%Last public address, Washington, D.C. [April 11, 1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA560    @%%@2@%   If you once forfeit the confidence of your fellow citizens, you can never%@EH@%
regain their respect and esteem. It is true that you may fool all the people
some of the time; you can even fool some of the people all the time; but you
can't fool all of the people all the time.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%To a caller at the White House.
From Alexander K. McClure, Lincoln's Yarns and Stories [1904]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA570    @%%@2@%   If I were to try to read, much less answer, all the attacks made on me,%@EH@%
this shop might as well be closed for any other business. I do the very best
I know how-the very best I can; and I mean to keep doing so until the end.
If the end brings me out all right, what is said against me won't amount to
anything. If the end brings me out wrong, ten angels swearing I was right
would make no difference.%@NL@%
%@NL@%
Abraham Lincoln
%@NL@%Conversation at the White House.From Francis B.
Carpenter, Six Months at the White House with Abraham Lincoln [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Abraham Lincoln@%%@QR:Lincoln@%%@CR:N1809LINA590    @%%@2@%   Love is the chain whereby to bind a child to his parents.%@NL@%%@EH@%
%@NL@%
Abraham Lincoln
%@NL@%Conversation at the White House.Washington, D.C. [c. 1860]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Benjamin Peirce%@AE@%%@EH@%
%@NL@%
%@AB@%1809-1880%@AE@%
%@NL@%%@NL@%

%@QR:Benjamin Peirce@%%@QR:Peirce@%%@CR:N1809PEIB10     @%%@2@%   Mathematics is the science which draws necessary conclusions.%@NL@%%@EH@%
%@NL@%
Benjamin Peirce
%@NL@%Linear Associative Algebra [1870], first sentence

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edgar Allan Poe%@AE@%%@EH@%
%@NL@%
%@AB@%1809-1849%@AE@%
%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE10     @%%@2@%O, human love! thou spirit given,%@NL@%%@EH@%
On Earth, of all we hope in Heaven!%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Tamerlane [1827], l. 177

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE20     @%%@2@%All that we see or seem%@NL@%%@EH@%
Is but a dream within a dream.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%%@FN@%
Actually a late poem (written 1849), A Dream Within a Dream is a completely
revised descendant of the 1827 poem Imitation.  %@EF@%
A Dream Within a Dream [1827],
l. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE30     @%%@2@%The happiest day-the happiest hour%@NL@%%@EH@%
My seared and blighted heart hath known,%@NL@%
The highest hope of pride and power,%@NL@%
I feel hath flown.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Happiest Day [1827], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE40     @%%@2@%From childhood's hour I have not been%@NL@%%@EH@%
As others were-I have not seen%@NL@%
As others saw.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Alone [written 1829, published 1875],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE50     @%%@2@%And the cloud that took the form%@NL@%%@EH@%
When the rest of Heaven was blue%@NL@%
Of a demon in my view.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Alone [written 1829, published 1875],l. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE60     @%%@2@%Hast thou not torn the Naiad from her flood,%@NL@%%@EH@%
The Elfin from the green grass, and from me%@NL@%
The summer dream beneath the tamarind tree?%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Sonnet. To Science [1829], l. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE70     @%%@2@%   It is with literature as with law or empire-an established name is an%@EH@%
estate in tenure, or a throne in possession.%@NL@%
%@NL@%
Edgar Allan Poe
%@NL@%Poems [1831]. Preface, Letter to Mr. B--

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE80     @%%@2@%Helen, thy beauty is to me%@NL@%%@EH@%
Like those Nicean barks of yore,%@NL@%
That gently, o'er a perfumed sea,%@NL@%
The weary, wayworn wanderer bore%@NL@%
To his own native shore.On desperate seas long wont to roam,%@NL@%
Thy hyacinth hair, thy classic face,%@NL@%
Thy Naiad airs have brought me home%@NL@%
To the glory that was Greece,%@NL@%
And the grandeur that was Rome.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%To Helen [1831], st. 1, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Poe's epigraph for the poem:And the angel Israfel, whose heartstrings are a
lute, and who has the sweetest voice of all God's creatures.-Koran  %@EF@%
%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE90     @%%@2@%If I could dwell%@NL@%%@EH@%
Where Israfel%@NL@%
Hath dwelt, and he where I,%@NL@%
He might not sing so wildly well%@NL@%
A mortal melody,%@NL@%
While a bolder note than this might swell%@NL@%
From my lyre within the sky.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Israfel [1831], st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE110    @%%@2@%Lo! Death has reared himself a throne%@NL@%%@EH@%
In a strange city, lying alone%@NL@%
Far down among the dim West,%@NL@%
Where the good and the bad and the worst and the best%@NL@%
Have gone to their eternal rest.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The City in the Sea [1831],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE120    @%%@2@%The viol, the violet, and the vine.%@NL@%%@EH@%

%@NL@%Edgar Allan Poe
%@NL@%The City in the Sea [1831],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE130    @%%@2@%While from a proud tower in the town%@NL@%%@EH@%
Death looks gigantically down. 1 %@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The City in the Sea [1831],st. 2

%@NL@%%@AI@%1 See Hart Crane%@BO:          60fd6c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE135    @%%@2@%And when, amid no earthly moans,%@NL@%%@EH@%
Down, down that town shall settle hence,%@NL@%
Hell, rising from a thousand thrones,%@NL@%
Shall do it reverence.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The City in the Sea [1831],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE137    @%%@2@%A dirge for the most lovely dead%@NL@%%@EH@%
That ever died so young!%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%%@FN@%
First published in 1843, Lenore descends from A Paean [1831].  A dirge for
her the doubly dead in that she died so young.-Poe, Lenore [1849 version],
st. 1  %@EF@%
Lenore [1831], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE150    @%%@2@%Vastness! and Age! and Memories of Eld!%@NL@%%@EH@%
Silence! and Desolation! and dim Night!%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Coliseum [1833], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE160    @%%@2@%Thou wast that all to me, love,%@NL@%%@EH@%
For which my soul did pine-%@NL@%
A green isle in the sea, love,%@NL@%
A fountain and a shrine,%@NL@%
All wreathed with fairy fruits and flowers,%@NL@%
And all the flowers were mine.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%To One in Paradise [1834],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE170    @%%@2@%And all my days are trances,%@NL@%%@EH@%
And all my nightly dreams%@NL@%
Are where thy gray eye glances,%@NL@%
And where thy footstep gleams-%@NL@%
In what ethereal dances,%@NL@%
By what eternal streams.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%To One in Paradise [1834],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE180    @%%@2@%   During the whole of a dull, dark, and soundless day in the autumn of the%@EH@%
year, when the clouds hung oppressively low in the heavens, I had been
passing alone, on horseback, through a singularly dreary tract of country,
and at length found myself, as the shades of the evening drew on, within
view of the melancholy House of  Usher.%@NL@%
%@NL@%
Edgar Allan Poe
%@NL@%The Fall of the House of Usher [1839]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE183    @%%@2@%In the greenest of our valleys%@NL@%%@EH@%
By good angels tenanted,%@NL@%
Once a fair and stately palace-%@NL@%
Radiant palace-reared its head.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Haunted Palace [1839],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE185    @%%@2@%While, like a ghastly rapid river,%@NL@%%@EH@%
Through the pale door,%@NL@%
A hideous throng rush out forever%@NL@%
And laugh-but smile no more.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Haunted Palace [1839],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE190    @%%@2@%   They who dream by day are cognizant of many things which escape those who%@EH@%
dream only by night.%@NL@%
%@NL@%
Edgar Allan Poe
%@NL@%Eleonora [1841]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE200    @%%@2@%And much of Madness, and more of Sin,%@NL@%%@EH@%
And Horror the soul of the plot.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Conqueror Worm [1843],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE210    @%%@2@%While the angels, all pallid and wan,%@NL@%%@EH@%
Uprising, unveiling, affirm%@NL@%
That the play is the tragedy, "Man,"%@NL@%
And its hero the Conqueror Worm.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Conqueror Worm [1843],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE220    @%%@2@%   There is something in the unselfish and self-sacrificing love of a brute,%@EH@%
which goes directly to the heart of him who has had frequent occasion to
test the paltry friendship and gossamer fidelity of mere Man.%@NL@%
%@NL@%
Edgar Allan Poe
%@NL@%The Black Cat [1843]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE230    @%%@2@%   The boundaries which divide Life from Death are at best shadowy and%@EH@%
vague. Who shall say where the one ends, and where the other begins?%@NL@%
%@NL@%
Edgar Allan Poe
%@NL@%The Premature Burial [1844]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE235    @%%@2@%From a wild weird clime that lieth, sublime,%@NL@%%@EH@%
Out of Space-out of Time.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Dreamland [1845], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE240    @%%@2@%   With me poetry has been not a purpose, but a passion; and the passions%@EH@%
should be held in reverence: they must not-they cannot at will be excited,
with an eye to the paltry compensations, or the more paltry commendations,
of mankind.%@NL@%
%@NL@%
Edgar Allan Poe
%@NL@%The Raven and Other Poems [1845], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE250    @%%@2@%Once upon a midnight dreary, while I pondered, weak and weary,%@NL@%%@EH@%
Over many a quaint and curious volume of forgotten lore-%@NL@%
While I nodded, nearly napping, suddenly there came a tapping,%@NL@%
As of someone gently rapping, rapping at my chamber door.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Raven [1845],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE260    @%%@2@%Ah, distinctly I remember it was in the bleak December;%@NL@%%@EH@%
And each separate dying ember wrought its ghost upon the floor.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Raven [1845],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE265    @%%@2@%Sorrow for the lost Lenore-%@NL@%%@EH@%
For the rare and radiant maiden whom the angels name Lenore-%@NL@%
Nameless here for evermore.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Raven [1845],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE270    @%%@2@%The silken, sad, uncertain rustling of each purple curtain.%@NL@%%@EH@%

%@NL@%Edgar Allan Poe
%@NL@%The Raven [1845],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE280    @%%@2@%Deep into that darkness peering, long I stood there wondering, fearing,%@NL@%%@EH@%
Doubting, dreaming dreams no mortal ever dared to dream before.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Raven [1845],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE290    @%%@2@%"Ghastly grim and ancient Raven wandering from the Nightly shore-%@NL@%%@EH@%
Tell me what thy lordly name is on the Night's Plutonian shore!"%@NL@%
Quoth the Raven, "Nevermore."%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Raven [1845],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE300    @%%@2@%Whom unmerciful Disaster%@NL@%%@EH@%
Followed fast and followed faster.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Raven [1845],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE310    @%%@2@%"Prophet!" said I, "thing of evil!-prophet still, if bird or devil!"%@NL@%%@EH@%

%@NL@%Edgar Allan Poe
%@NL@%The Raven [1845],st. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE320    @%%@2@%"Take thy beak from out my heart, and take thy form from off my door!"%@NL@%%@EH@%
Quoth the Raven, "Nevermore."%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Raven [1845],st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE330    @%%@2@%And the Raven, never flitting, still is sitting, still is sitting%@NL@%%@EH@%
On the pallid bust of Pallas just above my chamber door.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Raven [1845],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE340    @%%@2@%And my soul from out that shadow that lies floating on the floor%@NL@%%@EH@%
Shall be lifted-nevermore!%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Raven [1845],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Perverseness is one of the primitive impulses of the human heart.-Poe, The
Black Cat [1843]  %@EF@%
%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE360    @%%@2@%   The Imp of the Perverse.%@NL@%%@EH@%
%@NL@%
Edgar Allan Poe
%@NL@%Title of story [1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE370    @%%@2@%The skies they were ashen and sober;%@NL@%%@EH@%
The leaves they were crisped and sere-%@NL@%
The leaves they were withering and sere:%@NL@%
It was night in the lonesome October%@NL@%
Of my most immemorial year.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Ulalume [1847],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE380    @%%@2@%It was down by the dank tarn of Auber,%@NL@%%@EH@%
In the ghoul-haunted woodland of Weir.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Ulalume [1847],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE390    @%%@2@%Here once, through an alley Titanic,%@NL@%%@EH@%
Of cypress, I roamed with my Soul-%@NL@%
Of cypress, with Psyche, my Soul.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Ulalume [1847],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE400    @%%@2@%Thus I pacified Psyche and kissed her,%@NL@%%@EH@%
And tempted her out of her gloom.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Ulalume [1847],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE410    @%%@2@%Can it be fancied that Deity ever vindictively%@NL@%%@EH@%
Made in his image a mannikin merely to madden it? 1 %@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Rationale of Verse [1848], III

%@NL@%%@AI@%1 See FitzGerald%@BO:          3e715a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE420    @%%@2@%   A Quixotic sense of the honorable-of the chivalrous.%@NL@%%@EH@%
%@NL@%
Edgar Allan Poe
%@NL@%Letter to Mrs. Whitman [October 18, 1848]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE430    @%%@2@%"Over the Mountains%@NL@%%@EH@%
Of the Moon,%@NL@%
Down the Valley of the Shadow,%@NL@%
Ride, boldly ride,"%@NL@%
The shade replied-%@NL@%
"If you seek for Eldorado!"%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Eldorado [1849], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE440    @%%@2@%And the fever called "Living"%@NL@%%@EH@%
Is conquered at last.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%For Annie [1849], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE450    @%%@2@%And this maiden she lived with no other thought%@NL@%%@EH@%
Than to love and be loved by me.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Annabel Lee [1849],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Poe's latest manuscript version [September 1849] reads: She was a child and
I was a child.  %@EF@%
%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE453    @%%@2@%I was a child and she was a child,%@NL@%%@EH@%
In this kingdom by the sea,%@NL@%
But we loved with a love that was more than love-%@NL@%
I and my Annabel Lee-%@NL@%
With a love that the winged seraphs of Heaven%@NL@%
Coveted her and me.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Annabel Lee [1849],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE460    @%%@2@%And neither the angels in Heaven above%@NL@%%@EH@%
Nor the demons down under the sea,%@NL@%
Can ever dissever my soul from the soul%@NL@%
Of the beautiful Annabel Lee.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Annabel Lee [1849],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Poe's latest manuscript version [September 1849] reads: In her tomb by the
side of the sea.  %@EF@%
%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE470    @%%@2@%In her sepulcher there by the sea-%@NL@%%@EH@%
In her tomb by the sounding sea.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%Annabel Lee [1849],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE480    @%%@2@%Keeping time, time, time,%@NL@%%@EH@%
In a sort of Runic rhyme,%@NL@%
To the tintinnabulation that so musically wells%@NL@%
From the bells, bells, bells, bells,%@NL@%
Bells, bells, bells.%@NL@%

%@NL@%Edgar Allan Poe
%@NL@%The Bells [1849], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE485    @%%@2@%   I hold that a long poem does not exist. I maintain that the phrase "a%@EH@%
long poem" is simply a flat contradiction in terms.%@NL@%
%@NL@%
Edgar Allan Poe
%@NL@%The Poetic Principle [1850]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE487    @%%@2@%   There neither exists nor can exist any work more thoroughly%@EH@%
dignified-more supremely noble than this very poem-this poem per se-this
poem which is a poem and nothing more-this poem written solely for the
poem's sake.%@NL@%
%@NL@%
Edgar Allan Poe
%@NL@%The Poetic Principle [1850]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Allan Poe@%%@QR:Poe@%%@CR:N1809POEE490    @%%@2@%   I would define, in brief, the poetry of words as the rhythmical creation%@EH@%
of Beauty. Its sole arbiter is taste. With the intellect or with the
conscience, it has only collateral relations. Unless incidentally, it has no
concern whatever either with duty or with truth.%@NL@%
%@NL@%
Edgar Allan Poe
%@NL@%The Poetic Principle [1850]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pierre Joseph Proudhon%@AE@%%@EH@%
%@NL@%
%@AB@%1809-1865%@AE@%
%@NL@%%@NL@%

%@QR:Pierre Joseph Proudhon@%%@QR:Proudhon@%%@CR:N1809PROP10     @%%@2@%   Property is theft [La propriete c'est le vol]!%@NL@%%@EH@%
%@NL@%
Pierre Joseph Proudhon
%@NL@%Qu'est-ce que la Propriete? [1840], ch. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alfred , Lord Tennyson%@AE@%%@EH@%
%@NL@%
%@AB@%1809-1892%@AE@%
%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA5      @%%@2@%O damned vacillating state!%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Supposed Confessions [1830], last line

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA25     @%%@2@%Weeded and worn the ancient thatch%@NL@%%@EH@%
Upon the lonely moated grange.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Mariana
 1  [1830],st. 1

%@NL@%%@AI@%1 See Shakespeare%@BO:          1d253b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA30     @%%@2@%She said, "I am aweary, aweary,%@NL@%%@EH@%
I would that I were dead!"%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Mariana
 1  [1830],refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA40     @%%@2@%A still small voice 1  spake unto me,%@NL@%%@EH@%
"Thou art so full of misery,%@NL@%
Were it not better not to be?"%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Two Voices [1832],st. 1

%@NL@%%@AI@%1 See I Kings 19:12%@BO:           185ae@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA50     @%%@2@%This truth within thy mind rehearse,%@NL@%%@EH@%
That in a boundless universe%@NL@%
Is boundless better, boundless worse.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Two Voices [1832],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA60     @%%@2@%Though thou wert scattered to the wind,%@NL@%%@EH@%
Yet is there plenty of the kind. 1 %@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Two Voices [1832],st. 11

%@NL@%%@AI@%1 See FitzGerald%@BO:          3e6888@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA70     @%%@2@%I know that age to age succeeds,%@NL@%%@EH@%
Blowing a noise of tongues and deeds,%@NL@%
A dust of systems and of creeds.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Two Voices [1832],st. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA80     @%%@2@%Like glimpses  of forgotten dreams.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Two Voices [1832],st. 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA90     @%%@2@%No life that breathes with human breath  %@NL@%%@EH@%
Has ever truly longed for death.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Two Voices [1832],st. 132

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA100    @%%@2@%In after-dinner talk,%@NL@%%@EH@%
Across the walnuts and the wine.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Miller's Daughter [1832], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA110    @%%@2@%O mother Ida, many-fountained Ida,%@NL@%%@EH@%
Dear mother Ida, hearken ere I die.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Oenone [1832],l. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA120    @%%@2@%Self-reverence, self-knowledge, self-control,%@NL@%%@EH@%
These three alone lead life to sovereign power.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Oenone [1832],l. 142

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA130    @%%@2@%I built my soul a lordly pleasure-house,%@NL@%%@EH@%
Wherein at ease for aye to dwell.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Palace of Art [1832], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA140    @%%@2@%The daughter of a hundred Earls,%@NL@%%@EH@%
You are not one to be desired.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Lady Clara Vere de Vere [1832],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA150    @%%@2@%A simple maiden in her flower%@NL@%%@EH@%
Is worth a hundred coats-of-arms.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Lady Clara Vere de Vere [1832],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA160    @%%@2@%The lion on your old stone gates%@NL@%%@EH@%
Is not more cold to you than I.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Lady Clara Vere de Vere [1832],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA170    @%%@2@%The gardener Adam 1  2  3  4  and his wife%@NL@%%@EH@%
Smile at the claims of long descent.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Lady Clara Vere de Vere [1832],st. 7

%@NL@%%@AI@%1 See Genesis 2:8%@BO:            6076@%%@AE@%
%@AI@%2 See Bacon%@BO:          1646e1@%%@AE@%
%@AI@%3 See Shakespeare%@BO:          1c6f91@%%@AE@%
%@AI@%4 See Kipling%@BO:          538f86@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA180    @%%@2@%'Tis only noble to be good.%@NL@%%@EH@%
Kind hearts are more than coronets,%@NL@%
And simple faith than Norman blood.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Lady Clara Vere de Vere [1832],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA200    @%%@2@%You must wake and call me early, call me early, mother dear;%@NL@%%@EH@%
Tomorrow 'ill be the happiest time of all the glad New Year;%@NL@%
Of all the glad New Year, mother, the maddest, merriest day;%@NL@%
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The May Queen [1832], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA205    @%%@2@%In the afternoon they came unto a land%@NL@%%@EH@%
In which it seemed always afternoon.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lotos-Eaters [1832],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA210    @%%@2@%Music that gentlier on the spirit lies,%@NL@%%@EH@%
Than tired eyelids upon tired eyes.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lotos-Eaters [1832],Choric Song, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA220    @%%@2@%There is no joy but calm!%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lotos-Eaters [1832],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA230    @%%@2@%Ah, why%@NL@%%@EH@%
Should life all labor be?%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lotos-Eaters [1832],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA240    @%%@2@%Let us alone. Time driveth onward fast,%@NL@%%@EH@%
And in a little while our lips are dumb.%@NL@%
Let us alone. What is it that will last?%@NL@%
All things are taken from us, and become%@NL@%
Portions and parcels of the dreadful Past.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lotos-Eaters [1832],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA250    @%%@2@%Give us long rest or death, dark death or dreamful ease.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lotos-Eaters [1832],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA260    @%%@2@%Live and lie reclined%@NL@%%@EH@%
On the hills like Gods together, careless of mankind.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lotos-Eaters [1832],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA265    @%%@2@%Surely, surely, slumber is more sweet than toil, the shore%@NL@%%@EH@%
Than labor in the deep mid-ocean, wind and wave and oar;%@NL@%
Oh rest ye, brother mariners, we will not wander more.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lotos-Eaters [1832],last lines

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA270    @%%@2@%Dan Chaucer, the first warbler, whose sweet breath%@NL@%%@EH@%
Preluded those melodious bursts that fill%@NL@%
The spacious times of great Elizabeth%@NL@%
With sounds that echo still.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%A Dream of Fair Women [1832]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA280    @%%@2@%A daughter of the gods, divinely tall,%@NL@%%@EH@%
And most divinely fair.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%A Dream of Fair Women [1832]st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA285    @%%@2@%Many-towered Camelot.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lady of Shalott [1832], pt.I,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA290    @%%@2@%Willows whiten, aspens quiver,%@NL@%%@EH@%
Little breezes dusk and shiver.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lady of Shalott [1832], pt.I,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA310    @%%@2@%All in the blue unclouded weather.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lady of Shalott [1832], pt.III,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA320    @%%@2@%"Tirra lirra," by the river%@NL@%%@EH@%
Sang Sir Lancelot.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lady of Shalott [1832], pt.III,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA330    @%%@2@%She left the web, she left the loom,%@NL@%%@EH@%
She made three paces thro' the room,%@NL@%
She saw the water lily bloom,%@NL@%
She saw the helmet and the plume,%@NL@%
She looked down to Camelot.%@NL@%
Out flew the web and floated wide;%@NL@%
The mirror cracked from side to side.%@NL@%
"The curse has come upon me," cried%@NL@%
The Lady of Shalott.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lady of Shalott [1832], pt.III,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA340    @%%@2@%But Lancelot mused a little space;%@NL@%%@EH@%
He said, "She has a lovely face;%@NL@%
God in his mercy lend her grace,%@NL@%
The Lady of Shalott."%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Lady of Shalott [1832], pt.IV, st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA356    @%%@2@%The great brand%@NL@%%@EH@%
Made lightnings in the splendor of the moon,%@NL@%
And flashing round and round, and whirled in an arch,%@NL@%
Shot like a streamer of the northern morn,%@NL@%
Seen where the moving isles of winter shock%@NL@%
By night, with noises of the northern sea,%@NL@%
So flashed and fell the brand Excalibur.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Morte d'Arthur [1842],l. 133

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA358    @%%@2@%Lo! the level lake%@NL@%%@EH@%
And the long glories of the winter moon.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Morte d'Arthur [1842],l. 184

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA360    @%%@2@%Half light, half shade,%@NL@%%@EH@%
She stood, a sight to make an old man young.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Gardener's Daughter [1842], l. 139

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA370    @%%@2@%The long mechanic pacings to and fro,%@NL@%%@EH@%
The set gray life, and apathetic end.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Love and Duty [1842], l. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA375    @%%@2@%Meet is it changes should control%@NL@%%@EH@%
Our being, lest we rest in ease.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Love Thou Thy Land [1842], st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA380    @%%@2@%Ah! when shall all men's good%@NL@%%@EH@%
Be each man's rule, and universal peace%@NL@%
Lie like a shaft of light across the land,%@NL@%
And like a lane of beams athwart the sea,%@NL@%
Through all the circle of the golden year?%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Golden Year [1842], l. 47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA390    @%%@2@%It little profits that an idle king,%@NL@%%@EH@%
By this still hearth, among these barren crags,%@NL@%
Matched with an aged wife, I mete and dole%@NL@%
Unequal laws unto a savage race.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ulysses [1842],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA400    @%%@2@%I will drink%@NL@%%@EH@%
Life to the lees.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ulysses [1842],l. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA410    @%%@2@%Much have I seen and known; cities of men%@NL@%%@EH@%
And manners, climates, councils, governments,%@NL@%
Myself not least, but honored of them all;%@NL@%
And drunk delight of battle with my peers,%@NL@%
Far on the ringing plains of windy Troy.%@NL@%
I am a part of all that I have met;%@NL@%
Yet all experience is an arch wherethrough%@NL@%
Gleams that untraveled world. 1 %@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ulysses [1842],l. 13

%@NL@%%@AI@%1 See Henry Adams%@BO:          4b7595@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA420    @%%@2@%How dull it is to pause, to make an end,%@NL@%%@EH@%
To rust unburnished, not to shine in use,%@NL@%
As though to breathe were life!%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ulysses [1842],l. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA430    @%%@2@%And this gray spirit yearning in desire%@NL@%%@EH@%
To follow knowledge like a sinking star,%@NL@%
Beyond the utmost bound of human thought.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ulysses [1842],l. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA440    @%%@2@%This is my son, mine own Telemachus.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ulysses [1842],l. 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA450    @%%@2@%Death closes all: but something ere the end,%@NL@%%@EH@%
Some work of noble note, may yet be done,%@NL@%
Not unbecoming men that strove with gods.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ulysses [1842],l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA460    @%%@2@%The deep%@NL@%%@EH@%
Moans round with many voices. 1  2  Come, my friends,%@NL@%
'Tis not too late to seek a newer world.%@NL@%
Push off, and sitting well in order smite%@NL@%
The sounding furrows, for my purpose holds%@NL@%
To sail beyond the sunset, and the baths%@NL@%
Of all the western stars, until I die.%@NL@%
It may be that the gulfs will wash us down;%@NL@%
It may be we shall touch the Happy Isles,%@NL@%
And see the great Achilles, whom we knew.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ulysses [1842],l. 55

%@NL@%%@AI@%1 See Revelation 14:2%@BO:           785a5@%%@AE@%
%@AI@%2 See Eliot%@BO:          5d6d29@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Inscribed on the cross erected to the memory of Captain Robert Falcon Scott
[1868-1912] and his men at Hut Point in the Antarctic.  %@EF@%
%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA470    @%%@2@%To strive, to seek, to find, and not to yield.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ulysses [1842],l. 70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA480    @%%@2@%Comrades, leave me here a little, while as yet 'tis early morn:%@NL@%%@EH@%
Leave me here, and when you want me, sound upon the bugle horn.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA490    @%%@2@%In the spring a young man's fancy lightly turns to thoughts of love.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA500    @%%@2@%He will hold thee, when his passion shall have spent its novel force,%@NL@%%@EH@%
Something better than his dog, a little dearer than his horse.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA510    @%%@2@%The many-wintered crow that leads the clanging rookery home.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA520    @%%@2@%Such a one do I remember, whom to look at was to love. 1  2 %@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 72

%@NL@%%@AI@%1 See Burns%@BO:          323dd0@%%@AE@%
%@AI@%2 See Halleck%@BO:          3868d6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA530    @%%@2@%This is the truth the poet sings,%@NL@%%@EH@%
That a sorrow's crown of sorrow is remembering happier things. 1  2  3  4 %@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 75

%@NL@%%@AI@%1 See Pindar%@BO:           996e4@%%@AE@%
%@AI@%2 See Boethius%@BO:          104990@%%@AE@%
%@AI@%3 See Dante%@BO:          116a64@%%@AE@%
%@AI@%4 See Chaucer%@BO:          11e3ef@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA540    @%%@2@%Like a dog, he hunts in dreams.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA550    @%%@2@%With a little hoard of maxims preaching down a daughter's heart.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 94

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA560    @%%@2@%But the jingling of the guinea helps the hurt that Honor feels.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 105

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA570    @%%@2@%For I dipped into the future, far as human eye could see,%@NL@%%@EH@%
Saw the Vision of the world, and all the wonder that would be;%@NL@%
Saw the heavens fill with commerce, argosies of magic sails,%@NL@%
Pilots of the purple twilight, dropping down with costly bales;%@NL@%
Heard the heavens fill with shouting, and there rained a ghastly dew%@NL@%
From the nations' airy navies grappling in the central blue.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 119

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA580    @%%@2@%Till the war drum throbbed no longer and the battle flags were furled%@NL@%%@EH@%
In the Parliament of man, the Federation of the world.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 127

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA590    @%%@2@%And the kindly earth shall slumber, lapped in universal law.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 130

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA600    @%%@2@%Yet I doubt not through the ages one increasing purpose runs,%@NL@%%@EH@%
And the thoughts of men are widened with the process of the suns.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 137

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA610    @%%@2@%Knowledge comes, but wisdom lingers.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 141

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA620    @%%@2@%Woman is the lesser man, and all thy passions, matched with mine,%@NL@%%@EH@%
Are as moonlight unto sunlight, and as water unto wine.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 151

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA630    @%%@2@%I will take some savage woman, she shall rear my dusky race.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 168

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA640    @%%@2@%I the heir of all the ages, in the foremost files of time.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 178

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA650    @%%@2@%Let the great world spin forever down the ringing grooves of change.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 182

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA660    @%%@2@%Better fifty years of Europe than a cycle of Cathay.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Locksley Hall [1842],l. 184

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA670    @%%@2@%This proverb flashes through his head,%@NL@%%@EH@%
"The many fail, the one succeeds."%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Day Dream [1842].The Arrival, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA680    @%%@2@%And on her lover's arm she leant,%@NL@%%@EH@%
And round her waist she felt it fold,%@NL@%
And far across the hills they went%@NL@%
In that new world which is the old.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Day Dream [1842].The Departure,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA685    @%%@2@%O love, thy kiss would wake the dead!%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Day Dream [1842].The Departure,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA687    @%%@2@%And o'er the hills and far away 1  2 %@NL@%%@EH@%
Beyond their utmost purple rim,%@NL@%
Beyond the night, across the day,%@NL@%
Through all the world she followed him.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Day Dream [1842].The Departure,st. 4

%@NL@%%@AI@%1 See Gay%@BO:          29729a@%%@AE@%
%@AI@%2 See Nursery Rhymes%@BO:          69870e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA690    @%%@2@%And is there any moral shut%@NL@%%@EH@%
Within the bosom of the rose?%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Day Dream [1842].Moral, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA700    @%%@2@%My strength is as the strength of ten,%@NL@%%@EH@%
Because my heart is pure.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Sir Galahad [1842], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA710    @%%@2@%Or that eternal lack of pence,%@NL@%%@EH@%
Which vexes public men.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Will Waterproof's Lyrical Monologue [1842], st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA720    @%%@2@%Cophetua sware a royal oath;%@NL@%%@EH@%
"This beggar maid shall be my queen!" 1  2 %@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Beggar Maid [1842], st. 2

%@NL@%%@AI@%1 See Shakespeare%@BO:          17c517@%%@AE@%
%@AI@%2 See Anonymous%@BO:          682ae6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA725    @%%@2@%A little grain of conscience made him sour.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Vision of Sin [1842], sec. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA730    @%%@2@%Break, break, break,%@NL@%%@EH@%
On thy cold gray stones, O Sea!%@NL@%
And I would that my tongue could utter%@NL@%
The thoughts that arise in me.Oh well for the fisherman's boy,%@NL@%
That he shouts with his sister at play!%@NL@%
Oh well for the sailor lad,%@NL@%
That he sings in his boat on the bay!And the stately ships go on%@NL@%
To their haven under the hill;%@NL@%
But Oh for the touch of a vanished hand,%@NL@%
And the sound of a voice that is still!%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Break, Break, Break [1842],st. 1-3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA740    @%%@2@%But the tender grace of a day that is dead%@NL@%%@EH@%
Will never come back to me.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Break, Break, Break [1842],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA750    @%%@2@%Sweet girl graduates 1  in their golden hair.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].Prologue,l. 141

%@NL@%%@AI@%1 See Huxley%@BO:          471fc2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA760    @%%@2@%A rosebud set with little willful thorns,%@NL@%%@EH@%
And sweet as English air could make her, she.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].Prologue,l. 153

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA770    @%%@2@%We fell out, my wife and I,%@NL@%%@EH@%
Oh we fell out I know not why%@NL@%
And kissed again with tears.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.II[song, As Through the Land, l. 4]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA775    @%%@2@%And quoted odes, and jewels five-words-long%@NL@%%@EH@%
That on the stretched forefinger of all Time%@NL@%
Sparkle forever.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.II[song, As Through the Land, l. 355]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA780    @%%@2@%Sweet and low, sweet and low,%@NL@%%@EH@%
Wind of the western sea,%@NL@%
Low, low, breathe and blow,%@NL@%
Wind of the western sea!%@NL@%
Over the rolling waters go,%@NL@%
Come from the dying moon, and blow,%@NL@%
Blow him again to me;%@NL@%
While my little one, while my pretty one, sleeps.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.III [song, Sweet and Low, st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA790    @%%@2@%The splendor falls on castle walls%@NL@%%@EH@%
And snowy summits old  in story:%@NL@%
The long light shakes across the lakes,%@NL@%
And the wild cataract leaps in glory.%@NL@%
Blow, bugle, blow, set the wild echoes flying,%@NL@%
Blow, bugle; answer, echoes, dying, dying, dying.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.IV[song, The Splendor Falls, st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA800    @%%@2@%The horns of Elfland faintly blowing.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.IV[song, The Splendor Falls, st. 2]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA810    @%%@2@%Our echoes roll from soul to soul,%@NL@%%@EH@%
And grow forever and forever.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.IV[song, The Splendor Falls, st. 3]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA820    @%%@2@%Tears, idle tears, I know not what they mean,%@NL@%%@EH@%
Tears from the depth of some divine despair%@NL@%
Rise in the heart, and gather to the eyes,%@NL@%
In looking on the happy autumn fields,%@NL@%
And thinking of the days that are no more.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.IV[song, Tears, Idle Tears, st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA830    @%%@2@%Dear as remembered kisses after death,%@NL@%%@EH@%
And sweet as those by hopeless fancy feigned%@NL@%
On lips that are for others; deep as love,%@NL@%
Deep as first love, and wild with all regret;%@NL@%
O Death in Life, the days that are no more.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.IV[song, Tears, Idle Tears, st. 4]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA840    @%%@2@%O Swallow, Swallow, flying, flying South,%@NL@%%@EH@%
Fly to her, and fall upon her gilded eaves,%@NL@%
And tell her, tell her, what I tell to thee.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.IV[song, O Swallow, st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA850    @%%@2@%Man is the hunter; woman is his game.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.V,l. 147

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA860    @%%@2@%Man for the field and woman for the hearth:%@NL@%%@EH@%
Man for the sword and for the needle she:%@NL@%
Man with the head and woman with the heart:%@NL@%
Man to command and woman to obey;%@NL@%
All else confusion.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.V,l. 427

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA870    @%%@2@%Home they brought her warrior dead.%@NL@%%@EH@%
She nor swooned nor uttered cry:%@NL@%
All her maidens, watching, said,%@NL@%
"She must weep or she will die."%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.VI[song, Home They Brought Her Warrior, st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA880    @%%@2@%The woman is so hard%@NL@%%@EH@%
Upon the woman.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.VIl. 205

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA890    @%%@2@%Ask me no more: thy fate and mine are sealed:%@NL@%%@EH@%
I strove against the stream and all in vain:%@NL@%
Let the great river take me to the main:%@NL@%
No more, dear love, for at a touch I yield;%@NL@%
Ask me no more.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.VII[song, Ask Me No More, st. 3]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA900    @%%@2@%Now sleeps the crimson petal, now the white;%@NL@%%@EH@%
Nor waves the cypress in the palace walk;%@NL@%
Nor winks the gold fin in the porphyry font:%@NL@%
The firefly wakens: waken thou with me.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.VII[song, Now Sleeps the Crimson Petal, st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA910    @%%@2@%Now lies the Earth all Danae to the stars,%@NL@%%@EH@%
And all thy heart lies open unto me.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.VII[song, Now Sleeps the Crimson Petal, st. 3]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA920    @%%@2@%Sweet is every sound,%@NL@%%@EH@%
Sweeter thy voice, but every sound is sweet;%@NL@%
Myriads of rivulets hurrying through the lawn,%@NL@%
The moan of doves in immemorial elms,%@NL@%
And murmuring of innumerable bees.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.VIIl. 203

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA930    @%%@2@%Happy he%@NL@%%@EH@%
With such a mother! faith in womankind%@NL@%
Beats with his blood.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].pt.VIIl. 308

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA940    @%%@2@%Some sense of duty, something of a faith,%@NL@%%@EH@%
Some reverence for the laws ourselves have made,%@NL@%
Some patient force to change them when we will,%@NL@%
Some civic manhood firm against the crowd.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Princess [1847].Conclusion, l. 54

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA950    @%%@2@%Believing where we cannot prove.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%%@FN@%
In memory of Arthur Henry Hallam [1811-1833].  %@EF@%
In Memoriam [1850].Prologue,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA960    @%%@2@%Our little systems have their day.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].Prologue,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA970    @%%@2@%Let knowledge grow from more to more,%@NL@%%@EH@%
But more of reverence in us dwell;%@NL@%
That mind and soul, according well,%@NL@%
May make one music as before.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].Prologue,st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Goethe.  %@EF@%
%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA980    @%%@2@%I held it truth, with him who sings%@NL@%%@EH@%
To one clear harp in divers tones%@NL@%
That men may rise on stepping-stones%@NL@%
Of their dead selves to higher things. 1  2 %@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].1, st. 1

%@NL@%%@AI@%1 See St. Augustine%@BO:          103a9e@%%@AE@%
%@AI@%2 See Longfellow%@BO:          3dd570@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA990    @%%@2@%I sometimes hold it half a sin%@NL@%%@EH@%
To put in words the grief I feel;%@NL@%
For words, like Nature, half reveal%@NL@%
And half conceal the Soul within.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].5, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1000   @%%@2@%But, for the unquiet heart and brain%@NL@%%@EH@%
A use in measured language lies;%@NL@%
The sad mechanic exercise,  %@NL@%
Like dull narcotics numbing pain.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].5, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1010   @%%@2@%And from his ashes may be made%@NL@%%@EH@%
The violet of his native land. 1  2 %@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].18, st. 1

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c7fc4@%%@AE@%
%@AI@%2 See FitzGerald%@BO:          3e5c0f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1020   @%%@2@%I do but sing because I must,%@NL@%%@EH@%
And pipe but as the linnets sing. 1 %@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].21, st. 6

%@NL@%%@AI@%1 See Goethe%@BO:          309353@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1040   @%%@2@%And Thought leaped out to wed with Thought%@NL@%%@EH@%
Ere Thought could wed itself with Speech.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].23, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Say what you will, 'tis better to be left than never to have been
loved.-Congreve, The Way of the World [1700], act II, sc. vi  Better to love
amiss than nothing to have loved.-Crabbe, Tales [1812], XIV, The Struggles
of Conscience  'Tis better to have fought and lost/Than never to have fought
at all.-Arthur Hugh Clough [1819-1861], Peschiera  %@EF@%
%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1050   @%%@2@%'Tis better to have loved and lost%@NL@%%@EH@%
Than never to have loved at all.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].27, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1085   @%%@2@%How fares it with the happy dead?%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].44, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1090   @%%@2@%Be near me when my light is low.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].50,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1100   @%%@2@%And Time, a maniac scattering dust,%@NL@%%@EH@%
And Life, a Fury slinging flame.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].50,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1110   @%%@2@%Do we indeed desire the dead%@NL@%%@EH@%
Should still be near us at our side?%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].51, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1120   @%%@2@%Hold thou the good; define it well;%@NL@%%@EH@%
For fear divine Philosophy%@NL@%
Should push beyond her mark, and be%@NL@%
Procuress to the Lords of Hell.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].53, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1130   @%%@2@%Oh yet we trust that somehow good%@NL@%%@EH@%
Will be the final goal of ill.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].54,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1140   @%%@2@%But what am I?%@NL@%%@EH@%
An infant crying in the night:%@NL@%
An infant crying for the light:%@NL@%
And with no language but a cry. 1 %@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].54,st. 5

%@NL@%%@AI@%1 See Pliny%@BO:           ec443@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1150   @%%@2@%So careful of the type she seems,%@NL@%%@EH@%
So careless of the single life. 1 %@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].55,st. 2

%@NL@%%@AI@%1 See Wollstonecraft%@BO:          32d50a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1160   @%%@2@%The great world's altar stairs,%@NL@%%@EH@%
That slope through darkness up to God.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].55,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1170   @%%@2@%Nature, red in tooth and claw.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].56, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1175   @%%@2@%O Sorrow, wilt Thou live with me%@NL@%%@EH@%
No casual mistress, but a wife.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].59, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
How little I have gained,/How vast the unattained.-Whittier [1807-1892], My
Triumph, st. 7  See Rhodes  %@EF@%
%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1190   @%%@2@%So many worlds, so much to do,%@NL@%%@EH@%
So little done, such things to be.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].73, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1210   @%%@2@%O last regret, regret can die!%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].78, st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1220   @%%@2@%God's finger touched him, and he slept.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].85, st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1230   @%%@2@%Fresh from brawling courts%@NL@%%@EH@%
And dusty purlieus of the law.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].89, st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Who never doubted never half believed./Where doubt there truth is-'tis her
shadow.-P. J. Bailey [1816-1902], Festus: A Country Town  %@EF@%
%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1240   @%%@2@%There lives more faith in honest doubt,%@NL@%%@EH@%
Believe me, than in half the creeds.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].96, st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1260   @%%@2@%He seems so near, and yet so far.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].97, st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1270   @%%@2@%Ring out, wild bells, to the wild sky!%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].106,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1280   @%%@2@%Ring out the old, ring in the new,%@NL@%%@EH@%
Ring, happy bells, across the snow:%@NL@%
The year is going, let him go;%@NL@%
Ring out the false, ring in the true. 1 %@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].106,st. 2

%@NL@%%@AI@%1 See Dryden%@BO:          26be0e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1290   @%%@2@%Ring out old shapes of foul disease,%@NL@%%@EH@%
Ring out the narrowing lust of gold;%@NL@%
Ring out the thousand wars of old,%@NL@%
Ring in the thousand years of peace.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].106,st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1293   @%%@2@%There rolls the deep where grew the tree.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].123, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1296   @%%@2@%Love is and was my lord and king.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].126, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1300   @%%@2@%Wearing all that weight%@NL@%%@EH@%
Of learning lightly like a flower.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].Conclusion,st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1310   @%%@2@%One God, one law, one element,%@NL@%%@EH@%
And one far-off divine event,%@NL@%
To which the whole creation moves.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%In Memoriam [1850].Conclusion,st. 36

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1320   @%%@2@%He clasps the crag with crooked hands;%@NL@%%@EH@%
Close to the sun in lonely lands,%@NL@%
Ringed with the azure world he stands.The wrinkled sea beneath him crawls;%@NL@%
He watches from his mountain walls,%@NL@%
And like a thunderbolt he falls.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Eagle [1851]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1330   @%%@2@%Bury the Great Duke%@NL@%%@EH@%
With an empire's lamentation.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ode on the Death of the Duke of Wellington [1852],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1340   @%%@2@%The last great Englishman is low.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ode on the Death of the Duke of Wellington [1852],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1350   @%%@2@%Rich in saving common sense,%@NL@%%@EH@%
And, as the greatest only are,%@NL@%
In his simplicity sublime.%@NL@%
O good gray head which all men knew!%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ode on the Death of the Duke of Wellington [1852],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1360   @%%@2@%O iron nerve to true occasion true,%@NL@%%@EH@%
O fallen at length, that tower of strength%@NL@%
Which stood four-square to all the winds that blew.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ode on the Death of the Duke of Wellington [1852],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1370   @%%@2@%Not once or twice in our rough island story%@NL@%%@EH@%
The path of duty was the way to glory.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ode on the Death of the Duke of Wellington [1852],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1380   @%%@2@%Speak no more of his renown.%@NL@%%@EH@%
Lay your earthly fancies down,%@NL@%
And in the vast cathedral leave him.%@NL@%
God accept him, Christ receive him.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Ode on the Death of the Duke of Wellington [1852],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1390   @%%@2@%And yet, my Lords, not well: there is a higher law.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Third of February, 1852,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1400   @%%@2@%We are not cotton-spinners all.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Third of February, 1852,st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1410   @%%@2@%Half a league, half a league,%@NL@%%@EH@%
Half a league onward,%@NL@%
All in the valley of death%@NL@%
Rode the six hundred.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Charge of the Light Brigade [1854],
 1 st. 1

%@NL@%%@AI@%1 See Bosquet%@BO:          408af2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1420   @%%@2@%"Forward, the Light Brigade!"%@NL@%%@EH@%
Was there a man dismayed?%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Charge of the Light Brigade [1854],
 1 st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1430   @%%@2@%Someone had blundered.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Charge of the Light Brigade [1854],
 1 st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1435   @%%@2@%Theirs not to make reply,%@NL@%%@EH@%
Theirs not to reason why,%@NL@%
Theirs but to do and die.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Charge of the Light Brigade [1854],
 1 st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1440   @%%@2@%Cannon to right of them,%@NL@%%@EH@%
Cannon to left of them,%@NL@%
Cannon in front of them%@NL@%
Volleyed and thundered.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Charge of the Light Brigade [1854],
 1 st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1450   @%%@2@%Into the jaws of death,%@NL@%%@EH@%
Into the mouth of hell%@NL@%
Rode the six hundred.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Charge of the Light Brigade [1854],
 1 st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1460   @%%@2@%I come from haunts of coot and hern,%@NL@%%@EH@%
I make a sudden sally%@NL@%
And sparkle out among the fern,%@NL@%
To bicker down a valley.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Brook [1855], song,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1470   @%%@2@%For men may come and men may go,%@NL@%%@EH@%
But I go on forever.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Brook [1855], song,st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1480   @%%@2@%Faultily faultless, 1  2  icily regular, splendidly null,%@NL@%%@EH@%
Dead perfection, no more.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Maud [1855], pt.I, sec.ii

%@NL@%%@AI@%1 See Tennyson%@BO:          40514d@%%@AE@%
%@AI@%2 See Browning%@BO:          418c36@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1490   @%%@2@%And ah for a man to arise in me,%@NL@%%@EH@%
That the man I am may cease to be!%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Maud [1855], pt.I, sec.iist. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1500   @%%@2@%Gorgonized me from head to foot,%@NL@%%@EH@%
With a stony British stare.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Maud [1855], pt.I, sec.xiii, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1510   @%%@2@%Come into the garden, Maud,%@NL@%%@EH@%
For the black bat, night, has flown,%@NL@%
Come into the garden, Maud,%@NL@%
I am here at the gate alone.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Maud [1855], pt.I, sec.xxii,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1520   @%%@2@%For a breeze of morning moves,%@NL@%%@EH@%
And the planet of Love is on high,%@NL@%
Beginning to faint in the light that she loves%@NL@%
On a bed of daffodil sky.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Maud [1855], pt.I, sec.xxii,st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1530   @%%@2@%All night have the roses heard%@NL@%%@EH@%
The flute, violin, bassoon;%@NL@%
All night has the casement jessamine stirred%@NL@%
To the dancers dancing in tune;%@NL@%
Till a silence fell with the waking bird,%@NL@%
And a hush with the setting moon.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Maud [1855], pt.I, sec.xxii,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1540   @%%@2@%Queen rose of the rosebud garden of girls.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Maud [1855], pt.I, sec.xxii,st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1550   @%%@2@%There has fallen a splendid tear%@NL@%%@EH@%
From the passion flower at the gate.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Maud [1855], pt.I, sec.xxii,st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1560   @%%@2@%She is coming, my own, my sweet;%@NL@%%@EH@%
Were it ever so airy a tread,%@NL@%
My heart would hear her and beat,%@NL@%
Were it earth in an earthy bed;%@NL@%
My dust would hear her and beat,%@NL@%
Had I lain for a century dead;%@NL@%
Would start and tremble under her feet,%@NL@%
And blossom in purple and red.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Maud [1855], pt.I, sec.xxii,st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1570   @%%@2@%Ah Christ, that it were possible%@NL@%%@EH@%
For one short hour to see%@NL@%
The souls we loved, that they might tell us%@NL@%
What and where they be.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Maud [1855], pt.II, sec. iv, st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1580   @%%@2@%The woods decay, the woods decay and fall,%@NL@%%@EH@%
The vapors weep their burthen to the ground,%@NL@%
Man comes and tills the field and lies beneath,%@NL@%
And after many a summer dies the swan.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Tithonus [1860],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1590   @%%@2@%Here at the quiet limit of the world.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Tithonus [1860],l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1600   @%%@2@%Wearing the white flower of a blameless life,%@NL@%%@EH@%
Before a thousand peering littlenesses,%@NL@%
In that fierce light which beats upon a throne, 1  2 %@NL@%
And blackens every blot.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],dedication, l. 24

%@NL@%%@AI@%1 See Montaigne%@BO:          145c5e@%%@AE@%
%@AI@%2 See Shakespeare%@BO:          1c699a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1610   @%%@2@%Man's word is God in man.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Coming of Arthur,l. 132

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Hear what comfortable words our Saviour Christ saith unto all who truly turn
to him.-Book of Common Prayer, Holy Communion  %@EF@%
%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1620   @%%@2@%Large, divine, and comfortable words.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Coming of Arthur,l. 267

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also The Passing of Arthur, l. 199.  %@EF@%
%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1640   @%%@2@%Clothed in white samite, mystic, wonderful.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Coming of Arthur,l. 284

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1650   @%%@2@%Live pure, speak true, right wrong, follow the King-%@NL@%%@EH@%
Else, wherefore born?%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Gareth and Lynette, l. 117

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1660   @%%@2@%Our hoard is little, but our hearts are great.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Marriage of Geraint,l. 352

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1670   @%%@2@%For man is man and master of his fate. 1  2  3  4  5 %@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Marriage of Geraint,l. 355

%@NL@%%@AI@%1 See Sallust%@BO:           d0745@%%@AE@%
%@AI@%2 See Bacon%@BO:          164135@%%@AE@%
%@AI@%3 See Shakespeare%@BO:          1b2bbe@%%@AE@%
%@AI@%4 See Henley%@BO:          4e7df6@%%@AE@%
%@AI@%5 See Nehru%@BO:          5e15d4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1675   @%%@2@%The useful trouble of the rain.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Geraint and Enid, l. 770

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1680   @%%@2@%It is the little rift within the lute,%@NL@%%@EH@%
That by and by will make the music mute,%@NL@%
And ever widening slowly silence all.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Merlin and Vivien,l. 386

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1690   @%%@2@%Blind and naked Ignorance%@NL@%%@EH@%
Delivers brawling judgments, unashamed,%@NL@%
On all things all day long.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Merlin and Vivien,l. 662

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1700   @%%@2@%Elaine the fair, Elaine the lovable,%@NL@%%@EH@%
Elaine, the lily maid of Astolat.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Lancelot and Elaine,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1710   @%%@2@%But, friend, to me%@NL@%%@EH@%
He is all fault who hath no fault at all:%@NL@%
For who loves me must have a touch of earth. 1  2 %@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Lancelot and Elaine,l. 131

%@NL@%%@AI@%1 See Tennyson%@BO:          4034f8@%%@AE@%
%@AI@%2 See Browning%@BO:          418c36@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1720   @%%@2@%In me there dwells%@NL@%%@EH@%
No greatness, save it be some far-off touch%@NL@%
Of greatness to know well I am not great.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Lancelot and Elaine,l. 447

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1730   @%%@2@%The shackles of an old love straitened him,%@NL@%%@EH@%
His honor rooted in dishonor stood,%@NL@%
And faith unfaithful kept him falsely true.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Lancelot and Elaine,l. 870

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1740   @%%@2@%Sweet is true love though given in vain, in vain;%@NL@%%@EH@%
And sweet is death who puts an end to pain.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Lancelot and Elaine,l. 1000

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1750   @%%@2@%He makes no friend who never made a foe.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Lancelot and Elaine,l. 1082

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1760   @%%@2@%Figs out of thistles. 1 %@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Last Tournament,l. 356

%@NL@%%@AI@%1 See Matthew 7:16%@BO:           51170@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1770   @%%@2@%The greater man the greater courtesy.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Last Tournament,l. 628

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1780   @%%@2@%The vow that binds too strictly snaps itself.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Last Tournament,l. 652

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1790   @%%@2@%For courtesy wins woman all as well%@NL@%%@EH@%
As valor may.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Last Tournament,l. 702

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1800   @%%@2@%For manners are not idle, but the fruit%@NL@%%@EH@%
Of loyal nature and of noble mind.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Guinevere,l. 333

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1810   @%%@2@%To love one maiden only, cleave to her,%@NL@%%@EH@%
And worship her by years of golden deeds.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Guinevere,l. 472

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1820   @%%@2@%No more subtle master under Heaven%@NL@%%@EH@%
Than is the maiden passion for a maid,%@NL@%
Not only to keep down the base in man,%@NL@%
But teach high thought, and amiable words%@NL@%
And courtliness, and the desire of fame,%@NL@%
And love of truth, and all that makes a man.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Guinevere,l. 475

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1830   @%%@2@%Let no man dream but that I love thee still.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Guinevere,l. 557

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1840   @%%@2@%The days will grow to weeks, the weeks to months,%@NL@%%@EH@%
The months will add themselves and make the years,%@NL@%
The years will roll into the centuries,%@NL@%
And mine will ever be a name of scorn.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Guinevere,l. 619

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1850   @%%@2@%To where beyond these voices there is peace.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],Guinevere,l. 692

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1860   @%%@2@%I found Him in the shining of the stars,%@NL@%%@EH@%
I marked Him in the flowering of His fields,%@NL@%
But in His ways with men I find Him not.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Passing of Arthur,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1870   @%%@2@%For why is all around us here%@NL@%%@EH@%
As if some lesser god had made the  world,%@NL@%
But had not force to shape it as he would?%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Passing of Arthur,l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1873   @%%@2@%So all day long the noise of battle rolled%@NL@%%@EH@%
Among the mountains by the winter sea.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Passing of Arthur,l. 170

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1876   @%%@2@%Authority forgets a dying king.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Passing of Arthur,l. 289

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Morte d'Arthur [1842].  See Herrick  %@EF@%
%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1880   @%%@2@%And slowly answered Arthur from the barge:%@NL@%%@EH@%
The old order changeth, yielding place to new;%@NL@%
And God fulfills himself in many ways,%@NL@%
Lest one good custom should corrupt the world.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Passing of Arthur,l. 407

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Morte d'Arthur [1842].  %@EF@%
%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1890   @%%@2@%More things are wrought by prayer%@NL@%%@EH@%
Than this world dreams of. Wherefore, let thy voice%@NL@%
Rise like a fountain for me night and day.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Passing of Arthur,l. 414

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1900   @%%@2@%From the great deep to the great deep he goes.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Idylls of the King [1859-1885],The Passing of Arthur,l. 445

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1910   @%%@2@%Cast all your cares on God; that anchor holds.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Enoch Arden [1864], l. 222

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1920   @%%@2@%Insipid as the queen upon a card.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Aylmer's Field [1864], l. 28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1930   @%%@2@%The worst is yet to come.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Sea Dreams [1864], l. 301

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1940   @%%@2@%He said likewise%@NL@%%@EH@%
That a lie which is half a truth is ever the blackest of lies,%@NL@%
That a lie which is all a lie may be met and fought with outright,%@NL@%
But a lie which is part a truth is a harder matter to fight.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Grandmother [1864], st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1950   @%%@2@%Dosn't thou 'ear my 'erse's legs, as they canters awa[auml  ]y?%@NL@%%@EH@%
Proputty, proputty, proputty-that's what I 'ears 'em sa[auml  ]y.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Northern Farmer: New Style [1869],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1960   @%%@2@%Do[auml  ]nt thou marry for munny, but go[auml  ] wheer munny is!%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Northern Farmer: New Style [1869],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1970   @%%@2@%Speak to Him thou for He hears, and Spirit with Spirit can meet-%@NL@%%@EH@%
Closer is He than breathing, and nearer than hands and feet.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Higher Pantheism [1869], st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1980   @%%@2@%Flower in the crannied wall,%@NL@%%@EH@%
I pluck you out of the crannies,%@NL@%
I hold you here, root and all, in my hand,%@NL@%
Little flower-but if I could understand%@NL@%
What you are, root and all, and all in all,%@NL@%
I should know what God and man is. 1 %@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Flower in the Crannied Wall [1869]

%@NL@%%@AI@%1 See Blount%@BO:          27d7b1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA1990   @%%@2@%At Flores in the Azores Sir Richard Grenville lay,%@NL@%%@EH@%
And a pinnace, like a fluttered bird, came flying from far away;%@NL@%
"Spanish ships of war at sea! we have sighted fifty-three!"%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Revenge [1878],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA2000   @%%@2@%I should count myself the coward if I left them, my Lord Howard,%@NL@%%@EH@%
To these Inquisition dogs and the devildoms of Spain.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Revenge [1878],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA2005   @%%@2@%Let us bang these dogs of Seville, the children of the devil,%@NL@%%@EH@%
For I never turned my back upon Don or devil yet.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Revenge [1878],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA2010   @%%@2@%The little Revenge ran on sheer into the heart of the foe.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Revenge [1878],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA2020   @%%@2@%All the charm of all the Muses often flowering in a lonely word.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%To Virgil [1882], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA2030   @%%@2@%Cleave ever to the sunnier side of doubt.%@NL@%%@EH@%

%@NL@%Alfred , Lord Tennyson
%@NL@%The Ancient Sage [1885], l. 68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA2040   @%%@2@%That man's the best Cosmopolite%@NL@%%@EH@%
Who loves his native country best.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Hands All Round [1885], l. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Gleam . . . signifies . . . the higher poetic imagination.-Tennyson;
from Hallam Tennyson, Alfred, Lord Tennyson, A Memoir [1897], vol. II, p.
366  Follow, follow, follow the gleam,/Banners unfurled o'er all the
world./Follow, follow, follow the gleam/Of the chalice that is the
Grail.-Sallie Hume Douglas, Follow the Gleam [1923], refrain  %@EF@%
%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA2050   @%%@2@%I am Merlin%@NL@%%@EH@%
Who follow the Gleam.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Merlin and the Gleam [1889], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA2080   @%%@2@%Sunset and evening star,%@NL@%%@EH@%
And one clear call for me!%@NL@%
And may there be no moaning of the bar,%@NL@%
When I put out to sea, 1 But such a tide as moving seems asleep,%@NL@%
Too full for sound and foam,%@NL@%
When that which drew from out the boundless deep%@NL@%
Turns again home.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Crossing the Bar [1889],st. 1, 2

%@NL@%%@AI@%1 See Ennius%@BO:           c0408@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA2090   @%%@2@%Twilight and evening bell,%@NL@%%@EH@%
And after that the dark.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Crossing the Bar [1889],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred , Lord Tennyson@%%@CR:N1809TENA2100   @%%@2@%I hope to see my Pilot face to face%@NL@%%@EH@%
When I have crossed the bar.%@NL@%

%@NL@%Alfred , Lord Tennyson
%@NL@%Crossing the Bar [1889],st. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Charles Winthrop%@AE@%%@EH@%
%@NL@%
%@AB@%1809-1894%@AE@%
%@NL@%%@NL@%

%@FN@%
The United States-bounded on the north by the Aurora Borealis, on the south
by the precession of the equinoxes, on the east by the primeval chaos, and
on the west by the Day of Judgment.-John Fiske [1842-1901], Bounding the
United States  %@EF@%
%@QR:Robert Charles Winthrop@%%@QR:Winthrop@%%@CR:N1809WINR10     @%%@2@%   Our Country-whether bounded by the St. John's and the Sabine, or however%@EH@%
otherwise bounded or described, and be the measurements more or less-still
our Country, to be cherished in all our hearts, to be defended by all our
hands.%@NL@%
%@NL@%
Robert Charles Winthrop
%@NL@%Toast at Faneuil Hall [Fourth of July, 1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Charles Winthrop@%%@QR:Winthrop@%%@CR:N1809WINR30     @%%@2@%   A star for every State, and a State for every star.%@NL@%%@EH@%
%@NL@%
Robert Charles Winthrop
%@NL@%Address on Boston Common [1862]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Alford%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1871%@AE@%
%@NL@%%@NL@%

%@QR:Henry Alford@%%@QR:Alford@%%@CR:N1810ALFH10     @%%@2@%Come, ye thankful people, come,%@NL@%%@EH@%
Raise the song of Harvest-home;%@NL@%
All is safely gathered in,%@NL@%
Ere the winter storms begin.%@NL@%

%@NL@%Henry Alford
%@NL@%Come, Ye Thankful People, Come [1844]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Alford@%%@QR:Alford@%%@CR:N1810ALFH20     @%%@2@%Ten thousand times ten thousand%@NL@%%@EH@%
In sparkling raiment bright,%@NL@%
The armies of the ransomed saints%@NL@%
Throng up the steeps of light:%@NL@%
'Tis finished! all is finished,%@NL@%
Their fight with death and sin:%@NL@%
Fling open wide the golden gates,%@NL@%
And let the victors in.%@NL@%

%@NL@%Henry Alford
%@NL@%Hymn [1867], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%P hineas T aylor Barnum%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1891%@AE@%
%@NL@%%@NL@%

%@QR:P hineas T aylor Barnum@%%@QR:Barnum@%%@CR:N1810BARP10     @%%@2@%   There's a sucker born every minute.%@NL@%%@EH@%
%@NL@%
P hineas T aylor Barnum
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pierre Jean Francois Joseph Bosquet%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1861%@AE@%
%@NL@%%@NL@%

%@FN@%
C'est magnifique, mais ce n'est pas la guerre.  See Tennyson  %@EF@%
%@QR:Pierre Jean Francois Joseph Bosquet@%%@QR:Bosquet@%%@CR:N1810BOSP10     @%%@2@%   It is magnificent, but it is not war.%@NL@%%@EH@%
%@NL@%
Pierre Jean Francois Joseph Bosquet
%@NL@%On the charge of the Light Brigade at Balaklava [October 25, 1854]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Henry Channing%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1884%@AE@%
%@NL@%%@NL@%

%@QR:William Henry Channing@%%@QR:Channing@%%@CR:N1810CHAW10     @%%@2@%   To live content with small means; to seek elegance rather than luxury,%@EH@%
and refinement rather than fashion; to be worthy, not respectable, and
wealthy, not rich; to study hard, think quietly, talk gently, act frankly;
to listen to stars and birds, to babes and sages, with open heart; to bear
all cheerfully, do all bravely, await occasions, hurry never. In a word, to
let the spiritual, unbidden and unconscious, grow up through the common.
This is to be my symphony.%@NL@%
%@NL@%
William Henry Channing
%@NL@%My Symphony

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Francis Hastings Doyle%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1888%@AE@%
%@NL@%%@NL@%

%@QR:Sir Francis Hastings Doyle@%%@QR:Doyle@%%@CR:N1810DOYF10     @%%@2@%Last night, among his fellow roughs,%@NL@%%@EH@%
He jested, quaffed, and swore;%@NL@%
A drunken private of the Buffs,%@NL@%
Who never looked before.%@NL@%
Today, beneath the foeman's frown,%@NL@%
He stands in Elgin's place,%@NL@%
Ambassador from Britain's crown,%@NL@%
And type of all her race.%@NL@%

%@NL@%Sir Francis Hastings Doyle
%@NL@%The Private of the Buffs, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ferdinand Freiligrath%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1876%@AE@%
%@NL@%%@NL@%

%@QR:Ferdinand Freiligrath@%%@QR:Freiligrath@%%@CR:N1810FREF10     @%%@2@%Oh love, as long as you can love. 1  2 %@NL@%%@EH@%

%@NL@%Ferdinand Freiligrath
%@NL@%Der Liebe Dauer [1830]

%@NL@%%@AI@%1 See Anonymous Latin%@BO:          10a6dd@%%@AE@%
%@AI@%2 See Parnell%@BO:          2931c8@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Margaret Fuller%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1850%@AE@%
%@NL@%%@NL@%

%@QR:Margaret Fuller@%%@QR:Fuller@%%@CR:N1810FULM10     @%%@2@%   I myself am more divine than any I see.%@NL@%%@EH@%
%@NL@%
Margaret Fuller
%@NL@%Letter to Emerson [March 1, 1838]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Margaret Fuller@%%@QR:Fuller@%%@CR:N1810FULM20     @%%@2@%   It does not follow because many books are written by persons born in%@EH@%
America that there exists an American literature. Books which imitate or
represent the thoughts and life of Europe do not constitute an American
literature. Before such can exist, an original idea must animate this nation
and fresh currents of life must call into life fresh thoughts along its
shores.%@NL@%
%@NL@%
Margaret Fuller
%@NL@%In the New York Tribune [1846]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Margaret Fuller@%%@QR:Fuller@%%@CR:N1810FULM30     @%%@2@%   For precocity some great price is always demanded sooner or later in%@EH@%
life.%@NL@%
%@NL@%
Margaret Fuller
%@NL@%Diary. From Thomas Wentworth Higginson,
Life of Margaret Fuller Ossoli [1884], ch. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Margaret Fuller@%%@QR:Fuller@%%@CR:N1810FULM40     @%%@2@%   Genius will live and thrive without training, but it does not the less%@EH@%
reward the watering pot and pruning knife.%@NL@%
%@NL@%
Margaret Fuller
%@NL@%Diary. From Thomas Wentworth Higginson,
Life of Margaret Fuller Ossoli [1884], ch. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
By God! she'd better.-Carlyle's reported comment  %@EF@%
%@QR:Margaret Fuller@%%@QR:Fuller@%%@CR:N1810FULM50     @%%@2@%   I accept the universe.%@NL@%%@EH@%
%@NL@%
Margaret Fuller
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Elizabeth Cleghorn Gaskell%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1865%@AE@%
%@NL@%%@NL@%

%@QR:Elizabeth Cleghorn Gaskell@%%@QR:Gaskell@%%@CR:N1810GASE10     @%%@2@%   A man is so in the way in the house.%@NL@%%@EH@%
%@NL@%
Elizabeth Cleghorn Gaskell
%@NL@%Cranford [1851-1853], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Cleghorn Gaskell@%%@QR:Gaskell@%%@CR:N1810GASE20     @%%@2@%   A little credulity helps one on through life very smoothly.%@NL@%%@EH@%
%@NL@%
Elizabeth Cleghorn Gaskell
%@NL@%Cranford [1851-1853], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Cleghorn Gaskell@%%@QR:Gaskell@%%@CR:N1810GASE30     @%%@2@%   I'll not listen to reason. . . . Reason always means what someone else%@EH@%
has got to say.%@NL@%
%@NL@%
Elizabeth Cleghorn Gaskell
%@NL@%Cranford [1851-1853], ch.14

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Sloan Gibbons%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1892%@AE@%
%@NL@%%@NL@%

%@QR:James Sloan Gibbons@%%@QR:Gibbons@%%@CR:N1810GIBJ10     @%%@2@%We are coming, Father Abraham, three hundred thousand more.%@NL@%%@EH@%

%@NL@%James Sloan Gibbons
%@NL@%%@FN@%
Song to help raise volunteers for the Union Army.  %@EF@%
Three Hundred Thousand More [1862],
st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pope Leo XII%@AE@%%@EH@%
%@NL@%Gioacchino Pecci
%@AB@%1810-1903%@AE@%
%@NL@%%@NL@%

%@QR:Pope Leo XII@%%@QR:Gioacchino Pecci@%%@CR:N1810LEOX10     @%%@2@%   Every man has by nature the right to possess property as his own.%@NL@%%@EH@%
%@NL@%
Pope Leo XII
%@NL@%Rerum Novarum [encyclical on the condition of labor, May 15, 1891]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pope Leo XII@%%@QR:Gioacchino Pecci@%%@CR:N1810LEOX20     @%%@2@%   It is impossible to reduce human society to one level.%@NL@%%@EH@%
%@NL@%
Pope Leo XII
%@NL@%Rerum Novarum [encyclical on the condition of labor, May 15, 1891]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pope Leo XII@%%@QR:Gioacchino Pecci@%%@CR:N1810LEOX30     @%%@2@%   It is one thing to have a right to the possession of money, and another%@EH@%
to have a right to use money as one pleases.%@NL@%
%@NL@%
Pope Leo XII
%@NL@%Rerum Novarum [encyclical on the condition of labor, May 15, 1891]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Miller%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1872%@AE@%
%@NL@%%@NL@%

%@QR:William Miller@%%@QR:Miller@%%@CR:N1810MILW10     @%%@2@%Wee Willie Winkie rins through the town,%@NL@%%@EH@%
Upstairs and downstairs, in his nichtgown,%@NL@%
Tirlin' at the window, cryin' at the lock,%@NL@%
"Are the weans in their bed? for it's now ten o'clock."%@NL@%

%@NL@%William Miller
%@NL@%Willie Winkie

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alfred de Musset%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1857%@AE@%
%@NL@%%@NL@%

%@FN@%
Je suis venu trop tard dans un monde trop vieux.  %@EF@%
%@QR:Alfred de Musset@%%@QR:Musset@%%@CR:N1810MUSA10     @%%@2@%I have come too late into a world too old.%@NL@%%@EH@%

%@NL@%Alfred de Musset
%@NL@%Rolla [1833]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
On Ne Badine Pas avec l'Amour.  %@EF@%
%@QR:Alfred de Musset@%%@QR:Musset@%%@CR:N1810MUSA15     @%%@2@%   Do Not Trifle with Love.%@NL@%%@EH@%
%@NL@%
Alfred de Musset
%@NL@%Title of a comedy [1834]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred de Musset@%%@QR:Musset@%%@CR:N1810MUSA20     @%%@2@%The most despairing songs are the loveliest of all,%@NL@%%@EH@%
I know immortal ones composed only of tears.%@NL@%

%@NL@%Alfred de Musset
%@NL@%Poesies Nouvelles. La Nuit de Mai [1835]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred de Musset@%%@QR:Musset@%%@CR:N1810MUSA31     @%%@2@%   How glorious it is, but how painful it is also, to be exceptional in this%@EH@%
world!%@NL@%
%@NL@%
Alfred de Musset
%@NL@%La Merle Blanc [1842]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Theodore Parker%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1860%@AE@%
%@NL@%%@NL@%

%@QR:Theodore Parker@%%@QR:Parker@%%@CR:N1810PART10     @%%@2@%   Truth never yet fell dead in the streets; it has such affinity with the%@EH@%
soul of man, the seed however broadcast will catch somewhere and produce its
hundredfold.%@NL@%
%@NL@%
Theodore Parker
%@NL@%A Discourse of Matters Pertaining to Religion [1842]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theodore Parker@%%@QR:Parker@%%@CR:N1810PART20     @%%@2@%   Truth stood on one side and Ease on the other; it has often been so.%@NL@%%@EH@%
%@NL@%
Theodore Parker
%@NL@%A Discourse of Matters Pertaining to Religion [1842]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theodore Parker@%%@QR:Parker@%%@CR:N1810PART30     @%%@2@%   Man never falls so low that he can see nothing higher than himself.%@NL@%%@EH@%
%@NL@%
Theodore Parker
%@NL@%Essay, A Lesson for the Day

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Theodore Parker@%%@QR:Parker@%%@CR:N1810PART40     @%%@2@%   All men desire to be immortal.%@NL@%%@EH@%
%@NL@%
Theodore Parker
%@NL@%A Sermon on the Immortal Life [September 20, 1846]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Wycliffe, Webster, Disraeli, Garrison, and Lincoln  Parker used the same
phrase in a speech delivered in Boston [May 31, 1854] and in a sermon in the
Music Hall, Boston [July 4, 1858]. William H. Herndon visited Boston and on
his return to Springfield, Illinois, took with him some of Parker's sermons
and addresses. In his Abraham Lincoln, vol. II, p. 65, Herndon says that
Lincoln marked with pencil the portion of the Music Hall address, "Democracy
is direct self-government, over all the people, by all the people, for all
the people."  %@EF@%
%@QR:Theodore Parker@%%@QR:Parker@%%@CR:N1810PART50     @%%@2@%   A democracy-that is a government of all the people, by all the people,%@EH@%
for all the people; of course, a government of the principles of eternal
justice, the unchanging law of God; for shortness' sake I will call it the
idea of Freedom.%@NL@%
%@NL@%
Theodore Parker
%@NL@%%@FN@%
Speech at the New England Anti-Slavery Convention, Boston.  %@EF@%
The American Idea [May 29, 1850]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edmund Hamilton Sears%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1876%@AE@%
%@NL@%%@NL@%

%@QR:Edmund Hamilton Sears@%%@QR:Sears@%%@CR:N1810SEAE10     @%%@2@%It came upon the midnight clear,%@NL@%%@EH@%
That glorious song of old,%@NL@%
From Angels bending near the earth%@NL@%
To touch their harps of gold:%@NL@%
"Peace on the earth, good will to men%@NL@%
From heav'n's all-gracious King."%@NL@%
The world in solemn stillness lay%@NL@%
To hear the angels sing.%@NL@%

%@NL@%Edmund Hamilton Sears
%@NL@%The Angel's Song [1850], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Martin Farquhar Tupper%@AE@%%@EH@%
%@NL@%
%@AB@%1810-1889%@AE@%
%@NL@%%@NL@%

%@QR:Martin Farquhar Tupper@%%@QR:Tupper@%%@CR:N1810TUPM10     @%%@2@%Error is a hardy plant: it flourisheth in every soil.%@NL@%%@EH@%

%@NL@%Martin Farquhar Tupper
%@NL@%Proverbial Philosophy [1838-1842].Of Truth in Things False

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Farquhar Tupper@%%@QR:Tupper@%%@CR:N1810TUPM20     @%%@2@%Well-timed silence hath more eloquence than speech.%@NL@%%@EH@%

%@NL@%Martin Farquhar Tupper
%@NL@%Proverbial Philosophy [1838-1842].Of Discretion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Farquhar Tupper@%%@QR:Tupper@%%@CR:N1810TUPM30     @%%@2@%A good book is the best of friends, the same today and forever.%@NL@%%@EH@%

%@NL@%Martin Farquhar Tupper
%@NL@%Proverbial Philosophy [1838-1842].Of Reading

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Martin Farquhar Tupper@%%@QR:Tupper@%%@CR:N1810TUPM40     @%%@2@%Nature's own Nobleman, friendly and frank,%@NL@%%@EH@%
Is a man with his heart in his hand!%@NL@%

%@NL@%Martin Farquhar Tupper
%@NL@%Nature's Nobleman [1844], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Bright%@AE@%%@EH@%
%@NL@%
%@AB@%1811-1889%@AE@%
%@NL@%%@NL@%

%@QR:John Bright@%%@QR:Bright@%%@CR:N1811BRIJ10     @%%@2@%   Force is not a remedy.%@NL@%%@EH@%
%@NL@%
John Bright
%@NL@%Speech at Birmingham [November 16, 1880]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Bright@%%@QR:Bright@%%@CR:N1811BRIJ20     @%%@2@%   My opinion is that the Northern States will manage somehow to muddle%@EH@%
through.%@NL@%
%@NL@%
John Bright
%@NL@%Said during the American Civil War.
From Justin McCarthy, Reminiscences [1899]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Fanny Fern%@AE@%%@EH@%
%@NL@%Sara Payson Parton
%@AB@%1811-1872%@AE@%
%@NL@%%@NL@%

%@QR:Fanny Fern@%%@QR:Fern@%%@QR:Sara Payson Parton@%%@QR:Parton@%%@CR:N1811FERF10     @%%@2@%   The way to a man's heart is through his stomach. 1 %@NL@%%@EH@%
%@NL@%
Fanny Fern
%@NL@%Willis Parton

%@NL@%%@AI@%1 See Byron%@BO:          3821cc@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Theophile Gautier%@AE@%%@EH@%
%@NL@%
%@AB@%1811-1872%@AE@%
%@NL@%%@NL@%

%@FN@%
Tout passe-L'art robuste/Seul a l'eternite;/Le buste/Survit a la cite.  See
Dobson and Anonymous: French  %@EF@%
%@QR:Theophile Gautier@%%@QR:Gautier@%%@CR:N1811GAUT10     @%%@2@%Everything passes-Robust art%@NL@%%@EH@%
Alone is eternal.%@NL@%
The bust%@NL@%
Survives the city.%@NL@%

%@NL@%Theophile Gautier
%@NL@%L'Art [1832]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Horace Greeley%@AE@%%@EH@%
%@NL@%
%@AB@%1811-1872%@AE@%
%@NL@%%@NL@%

%@QR:Horace Greeley@%%@QR:Greeley@%%@CR:N1811GREH20     @%%@2@%   The best business you can go into you will find on your father's farm or%@EH@%
in his workshop. If you have no family or friends to aid you, and no
prospect opened to you there, turn your face to the great West, 1  and there
build up a home and fortune.%@NL@%
%@NL@%
Horace Greeley
%@NL@%From James Parton, Life of Horace Greeley [1855].
To Aspiring Young Men

%@NL@%%@AI@%1 See J. B. L. Soule%@BO:          42a860@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace Greeley@%%@QR:Greeley@%%@CR:N1811GREH30     @%%@2@%   The illusion that times that were are better than those that are, has%@EH@%
probably pervaded all ages.%@NL@%
%@NL@%
Horace Greeley
%@NL@%The American Conflict [1864-1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Horace Greeley@%%@QR:Greeley@%%@CR:N1811GREH40     @%%@2@%   Wisdom is never dear, provided the article be genuine.%@NL@%%@EH@%
%@NL@%
Horace Greeley
%@NL@%Address on Agriculture, Houston, Texas [May 23, 1871]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Wendell Phillips%@AE@%%@EH@%
%@NL@%
%@AB@%1811-1884%@AE@%
%@NL@%%@NL@%

%@QR:Wendell Phillips@%%@QR:Phillips@%%@CR:N1811PHIW20     @%%@2@%   Revolutions are not made; they come. A revolution is as natural a growth%@EH@%
as an oak. It comes out of the past. Its foundations are laid far back.%@NL@%
%@NL@%
Wendell Phillips
%@NL@%Speech [January 8, 1852]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wendell Phillips@%%@QR:Phillips@%%@CR:N1811PHIW30     @%%@2@%   The best use of laws is to teach men to trample bad laws under their%@EH@%
feet.%@NL@%
%@NL@%
Wendell Phillips
%@NL@%Speech [April 12, 1852]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wendell Phillips@%%@QR:Phillips@%%@CR:N1811PHIW40     @%%@2@%   What the Puritans gave the world was not thought, but action.%@NL@%%@EH@%
%@NL@%
Wendell Phillips
%@NL@%Speech [December 21, 1855]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wendell Phillips@%%@QR:Phillips@%%@CR:N1811PHIW60     @%%@2@%   One on God's side is a majority. 1 %@NL@%%@EH@%
%@NL@%
Wendell Phillips
%@NL@%Speech [November 1, 1859]

%@NL@%%@AI@%1 See Knox%@BO:          13efd8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wendell Phillips@%%@QR:Phillips@%%@CR:N1811PHIW70     @%%@2@%   Every man meets his Waterloo at last.%@NL@%%@EH@%
%@NL@%
Wendell Phillips
%@NL@%Speech [November 1, 1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wendell Phillips@%%@QR:Phillips@%%@CR:N1811PHIW75     @%%@2@%   Whether in chains or in laurels, Liberty knows nothing but victories.%@NL@%%@EH@%
%@NL@%
Wendell Phillips
%@NL@%Speech [November 1, 1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wendell Phillips@%%@QR:Phillips@%%@CR:N1811PHIW80     @%%@2@%   Truth is one forever absolute, but opinion is truth filtered through the%@EH@%
moods, the blood, the disposition of the spectator.%@NL@%
%@NL@%
Wendell Phillips
%@NL@%Idols [October 4, 1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wendell Phillips@%%@QR:Phillips@%%@CR:N1811PHIW90     @%%@2@%   Difference of religion breeds more quarrels than difference of politics.%@NL@%%@EH@%
%@NL@%
Wendell Phillips
%@NL@%Speech [November 7, 1860]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I know, and all the world knows, that revolutions never go backward.-William
Henry Seward, Speech at Rochester on the Irrepressible Conflict [October
1858]  %@EF@%
%@QR:Wendell Phillips@%%@QR:Phillips@%%@CR:N1811PHIW100    @%%@2@%   Revolutions never go backward.%@NL@%%@EH@%
%@NL@%
Wendell Phillips
%@NL@%Speech [February 17, 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Wendell Phillips@%%@QR:Phillips@%%@CR:N1811PHIW120    @%%@2@%   Aristocracy is always cruel.%@NL@%%@EH@%
%@NL@%
Wendell Phillips
%@NL@%Address on Toussaint L'Ouverture [1861]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Harriet Beecher Stowe%@AE@%%@EH@%
%@NL@%
%@AB@%1811-1896%@AE@%
%@FN@%
We have seen an American woman write a novel of which a million copies were
sold in all languages, and which had one merit, of speaking to the universal
heart, and was read with equal interest to three audiences, namely, in the
parlor, in the kitchen, and in the nursery of every house.-Emerson, Society
and Solitude [1870], Success  %@EF@%
%@NL@%%@NL@%

%@QR:Harriet Beecher Stowe@%%@QR:Stowe@%%@CR:N1811STOH20     @%%@2@%   Eliza made her desperate retreat across the river just in the dusk of%@EH@%
twilight. The gray mist of evening, rising slowly from the river, enveloped
her as she disappeared up the bank, and the swollen current and floundering
masses of ice presented a hopeless barrier between her and her pursuer.%@NL@%
%@NL@%
Harriet Beecher Stowe
%@NL@%Uncle Tom's Cabin [1852], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Harriet Beecher Stowe@%%@QR:Stowe@%%@CR:N1811STOH30     @%%@2@%   I [Topsy] 'spect I growed. Don't think nobody never made me.%@NL@%%@EH@%
%@NL@%
Harriet Beecher Stowe
%@NL@%Uncle Tom's Cabin [1852], ch.20

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Sumner%@AE@%%@EH@%
%@NL@%
%@AB@%1811-1874%@AE@%
%@NL@%%@NL@%

%@QR:Charles Sumner@%%@QR:Sumner@%%@CR:N1811SUMC5      @%%@2@%   Where Slavery is, there Liberty cannot be; and where Liberty is, there%@EH@%
Slavery cannot be.%@NL@%
%@NL@%
Charles Sumner
%@NL@%Slavery and the Rebellion; speech at Cooper Institute
[November 5, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Sumner@%%@QR:Sumner@%%@CR:N1811SUMC10     @%%@2@%   There is the National flag. He must be cold, indeed, who can look upon%@EH@%
its folds rippling in the breeze without pride of country. If in a foreign
land, the flag is companionship, and country itself, with all its
endearments.%@NL@%
%@NL@%
Charles Sumner
%@NL@%Are We a Nation? [November 19, 1867]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Sumner@%%@QR:Sumner@%%@CR:N1811SUMC20     @%%@2@%   The phrase, "public office is a public trust," has of late become common%@EH@%
property. 1  2  3  4  5 %@NL@%
%@NL@%
Charles Sumner
%@NL@%Speech in the Senate [May 31, 1872]

%@NL@%%@AI@%1 See Matthew Henry%@BO:          2823d8@%%@AE@%
%@AI@%2 See Burke%@BO:          2e6a4b@%%@AE@%
%@AI@%3 See Clay%@BO:          3621f3@%%@AE@%
%@AI@%4 See Calhoun%@BO:          36a5e2@%%@AE@%
%@AI@%5 See Cleveland%@BO:          4b1519@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%William Makepeace Thackeray%@AE@%%@EH@%
%@NL@%
%@AB@%1811-1863%@AE@%
%@NL@%%@NL@%

%@FN@%
I should like to see any kind of a man, distinguishable from a gorilla, that
some good and even pretty woman could not shape a husband out of.-Oliver
Wendell Holmes, The Professor at the Breakfast-Table [1860]  The whole world
is strewn with snares, traps, gins and pitfalls for the capture of men by
women.-George Bernard Shaw, Man and Superman [1903], Epistle Dedicatory  %@EF@%
%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW10     @%%@2@%   This I set down as a positive truth. A woman with fair opportunities, and%@EH@%
without a positive hump, may marry whom she likes.%@NL@%
%@NL@%
William Makepeace Thackeray
%@NL@%Vanity Fair [1847-1848], vol.I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW40     @%%@2@%   Them's my sentiments.%@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%Vanity Fair [1847-1848], vol.I, ch.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW50     @%%@2@%   Everybody in Vanity Fair must have remarked how well those live who are%@EH@%
comfortably and thoroughly in debt; how they deny themselves nothing; how
jolly and easy they are in their minds.%@NL@%
%@NL@%
William Makepeace Thackeray
%@NL@%Vanity Fair [1847-1848], vol.I, ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW60     @%%@2@%   How to Live Well on Nothing a Year.%@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%Vanity Fair [1847-1848], vol.I, ch.36 (title)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW70     @%%@2@%   I think I could be a good woman if I had five thousand a year. 1 %@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%Vanity Fair [1847-1848], vol.II, ch.1

%@NL@%%@AI@%1 See Huxley%@BO:          472f22@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW80     @%%@2@%   Ah! Vanitas vanitatum! 1  Which of us is happy in this world? Which of us%@EH@%
has his desire? or, having it, is satisfied?-Come, children, let us shut up
the box and the puppets, for our play is played out.%@NL@%
%@NL@%
William Makepeace Thackeray
%@NL@%Vanity Fair [1847-1848], vol.II, ch.27

%@NL@%%@AI@%1 See Ecclesiastes 1:2%@BO:           34040@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW90     @%%@2@%   He who meanly admires mean things is a Snob.%@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%The Book of Snobs [1848], ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Rake's Progress.-William Hogarth, title of series of paintings and
engravings [1735]  %@EF@%
%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW100    @%%@2@%   Rake's Progress.%@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%Pendennis [1848-1850], ch.19 (title)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW110    @%%@2@%   Yes, I am a fatal man, Madame Fribsbi. To inspire hopeless passion is my%@EH@%
destiny.%@NL@%
%@NL@%
William Makepeace Thackeray
%@NL@%Pendennis [1848-1850], ch.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW120    @%%@2@%   Remember, it's as easy to marry a rich woman as a poor woman.%@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%Pendennis [1848-1850], ch.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW130    @%%@2@%   Of the Corporation of the Goosequill-of the Press . . . of the fourth%@EH@%
estate. 1  2  3  . . . There she is-the great engine-she never sleeps. She
has her ambassadors in every quarter of the world-her courtiers upon every
road. Her officers march along with armies, and her envoys walk into
statesmen's cabinets. They are ubiquitous.%@NL@%
%@NL@%
William Makepeace Thackeray
%@NL@%Pendennis [1848-1850], ch.30

%@NL@%%@AI@%1 See Hazlitt%@BO:          363a1f@%%@AE@%
%@AI@%2 See Carlyle%@BO:          394bc7@%%@AE@%
%@AI@%3 See Macaulay%@BO:          3aea95@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW140    @%%@2@%   'Tis not the dying for a faith that's so hard, Master Harry-every man of%@EH@%
every nation has done that-'tis the living up to it that's difficult.%@NL@%
%@NL@%
William Makepeace Thackeray
%@NL@%Henry Esmond [1852], bk. I, ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW150    @%%@2@%   'Tis strange what a man may do, and a woman yet think him an angel.%@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%Henry Esmond [1852], bk. I, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW160    @%%@2@%   The wicked are wicked, no doubt, and they go astray and they fall, and%@EH@%
they come by their deserts; but who can tell the mischief which the very
virtuous do?%@NL@%
%@NL@%
William Makepeace Thackeray
%@NL@%The Newcomes [1853-1855], ch. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW170    @%%@2@%This Bouillabaisse a noble dish is-%@NL@%%@EH@%
A sort of soup, or broth, or brew.%@NL@%

%@NL@%William Makepeace Thackeray
%@NL@%Ballads [1855]. The Ballad of Bouillabaisse, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW180    @%%@2@%   A pedigree reaching as far back as the Deluge.%@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%The Rose and the Ring [1855], ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW190    @%%@2@%   The book of female logic is blotted all over with tears, and Justice in%@EH@%
their courts is forever in a passion.%@NL@%
%@NL@%
William Makepeace Thackeray
%@NL@%The Virginians [1857-1859], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW200    @%%@2@%   Women like not only to conquer, but to be conquered.%@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%The Virginians [1857-1859], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW210    @%%@2@%   Next to the very young, I suppose the very old are the most selfish.%@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%The Virginians [1857-1859], ch.61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW220    @%%@2@%   To endure is greater than to dare; to tire out hostile fortune; to be%@EH@%
daunted by no difficulty; to keep heart when all have lost it; to go through
intrigue spotless; to forgo even ambition when the end is gained-who can say
this is not greatness?%@NL@%
%@NL@%
William Makepeace Thackeray
%@NL@%The Virginians [1857-1859], ch.92

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW230    @%%@2@%   Bravery never goes out of fashion.%@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%The Four Georges [1860].George II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW240    @%%@2@%   It is to the middle class we must look for the safety of England.%@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%The Four Georges [1860].George III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Makepeace Thackeray@%%@QR:Thackeray@%%@CR:N1811THAW250    @%%@2@%   George, be a King!%@NL@%%@EH@%
%@NL@%
William Makepeace Thackeray
%@NL@%The Four Georges [1860].Princess Augusta to her son George III

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Browning%@AE@%%@EH@%
%@NL@%
%@AB@%1812-1889%@AE@%
%@NL@%%@NL@%

%@FN@%
Shelley.  %@EF@%
%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR10     @%%@2@%Sun-treader, life and light be thine forever!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Pauline [1833]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR20     @%%@2@%I go to prove my soul!%@NL@%%@EH@%
I see my way as birds their trackless way.%@NL@%

%@NL@%Robert Browning
%@NL@%Paracelsus [1835], pt.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR30     @%%@2@%He guides me and the bird. In His good time!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Paracelsus [1835], pt.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR40     @%%@2@%Measure your mind's height by the shade it casts!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Paracelsus [1835], pt.III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR50     @%%@2@%Every joy is gain%@NL@%%@EH@%
And gain is gain, however small.%@NL@%

%@NL@%Robert Browning
%@NL@%Paracelsus [1835], pt.IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR60     @%%@2@%I give the fight up: let there be an end,%@NL@%%@EH@%
A privacy, an obscure nook for me.%@NL@%
I want to be forgotten even by God.%@NL@%

%@NL@%Robert Browning
%@NL@%Paracelsus [1835], pt.V

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR70     @%%@2@%Sidney's self, the starry paladin.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Sordello
 1  [1840], pt.I

%@NL@%%@AI@%1 See Lombroso%@CF:N1836LOMC7      @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR80     @%%@2@%Would you have your songs endure?%@NL@%%@EH@%
Build on the human heart.%@NL@%

%@NL@%Robert Browning
%@NL@%Sordello
 1  [1840], pt.II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR90     @%%@2@%Any nose%@NL@%%@EH@%
May ravage with impunity a rose.%@NL@%

%@NL@%Robert Browning
%@NL@%Sordello
 1  [1840], pt.VI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR100    @%%@2@%Day!%@NL@%%@EH@%
Faster and more fast,%@NL@%
O'er night's brim, day boils at last.%@NL@%

%@NL@%Robert Browning
%@NL@%Pippa Passes [1841],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR110    @%%@2@%The year's at the spring%@NL@%%@EH@%
And day's at the morn;%@NL@%
Morning's at seven;%@NL@%
The hillside's dew-pearled;%@NL@%
The lark's on the wing;%@NL@%
The snail's on the thorn:%@NL@%
God's in his heaven-%@NL@%
All's right with the world. 1 %@NL@%

%@NL@%Robert Browning
%@NL@%Pippa Passes [1841],pt.I

%@NL@%%@AI@%1 See Whittier%@BO:          3e19f0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR115    @%%@2@%Speak to me-not of me!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Pippa Passes [1841],pt.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR120    @%%@2@%Some unsuspected isle in far-off seas.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Pippa Passes [1841],pt.II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR130    @%%@2@%In the morning of the world,%@NL@%%@EH@%
When earth was nigher heaven than now.%@NL@%

%@NL@%Robert Browning
%@NL@%Pippa Passes [1841],pt.III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR140    @%%@2@%All service ranks the same with God:%@NL@%%@EH@%
With God, whose puppets, best and worst,%@NL@%
Are we; there is no last nor first.%@NL@%

%@NL@%Robert Browning
%@NL@%Pippa Passes [1841],pt.IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR150    @%%@2@%You know, we French stormed Ratisbon.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Incident of the French Camp [1842],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR160    @%%@2@%"You're wounded!" "Nay," the soldier's pride%@NL@%%@EH@%
Touched to the quick, he said:%@NL@%
"I'm killed, Sire!" And his chief beside,%@NL@%
Smiling the boy fell dead.%@NL@%

%@NL@%Robert Browning
%@NL@%Incident of the French Camp [1842],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR170    @%%@2@%That's my last Duchess painted on the wall,%@NL@%%@EH@%
Looking as if she were alive.%@NL@%

%@NL@%Robert Browning
%@NL@%My Last Duchess [1842],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR180    @%%@2@%She had%@NL@%%@EH@%
A heart-how shall I say?-too soon made glad.%@NL@%

%@NL@%Robert Browning
%@NL@%My Last Duchess [1842],l. 21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR185    @%%@2@%I gave commands;%@NL@%%@EH@%
Then all smiles stopped together.%@NL@%

%@NL@%Robert Browning
%@NL@%My Last Duchess [1842],l. 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR190    @%%@2@%Marching along, fifty-score strong,%@NL@%%@EH@%
Great-hearted gentlemen, singing this song.%@NL@%

%@NL@%Robert Browning
%@NL@%Cavalier Tunes [1842].Marching Along, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR200    @%%@2@%Boot, saddle, to horse, and away!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Cavalier Tunes [1842].Boot and Saddle, refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR202    @%%@2@%She never should have looked at me%@NL@%%@EH@%
If she meant I should not love her!%@NL@%

%@NL@%Robert Browning
%@NL@%Cristina [1842], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR204    @%%@2@%The moth's kiss, first!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%In a Gondola [1842],l. 49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR206    @%%@2@%The bee's kiss, now!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%In a Gondola [1842],l. 56

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR208    @%%@2@%O world, as God has made it! All is beauty.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%The Guardian Angel [1842], l. 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR210    @%%@2@%Just my vengeance complete,%@NL@%%@EH@%
The man sprang to his feet,%@NL@%
Stood erect, caught at God's skirts, and prayed!%@NL@%
-So, I was afraid!%@NL@%

%@NL@%Robert Browning
%@NL@%Instans Tyrannus [1845], st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR220    @%%@2@%Hamelin Town's in Brunswick,%@NL@%%@EH@%
By famous Hanover city.%@NL@%

%@NL@%Robert Browning
%@NL@%The Pied Piper of Hamelin [1845],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR230    @%%@2@%Rats!%@NL@%%@EH@%
They fought the dogs and killed the cats,%@NL@%
And bit the babies in the cradles,%@NL@%
And ate the cheeses out of the vats,%@NL@%
And licked the soup from the cooks' own ladles.%@NL@%

%@NL@%Robert Browning
%@NL@%The Pied Piper of Hamelin [1845],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR240    @%%@2@%And out of the houses the rats came tumbling.%@NL@%%@EH@%
Great rats, small rats, lean rats, brawny rats,%@NL@%
Brown rats, black rats, gray rats, tawny rats.%@NL@%
Grave old plodders, gay young friskers,%@NL@%
Fathers, mothers, uncles, cousins,%@NL@%
Cocking tails and pricking whiskers,%@NL@%
Families by tens and dozens,%@NL@%
Brothers, sisters, husbands, wives-%@NL@%
Followed the Piper for their lives.%@NL@%

%@NL@%Robert Browning
%@NL@%The Pied Piper of Hamelin [1845],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR250    @%%@2@%When the liquor's out, why clink the cannikin?%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%The Flight of the Duchess [1845],st. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR260    @%%@2@%It's a long lane that knows no turnings.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%The Flight of the Duchess [1845],st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR270    @%%@2@%Just for a handful of silver he left us,%@NL@%%@EH@%
Just for a riband to stick in his coat.%@NL@%

%@NL@%Robert Browning
%@NL@%%@FN@%
Often assumed to refer to Wordsworth.  %@EF@%
The Lost Leader
[1845],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR280    @%%@2@%We that had loved him so, followed him, honored him,%@NL@%%@EH@%
Lived in his mild and magnificent eye,%@NL@%
Learned his great language, caught his clear accents,%@NL@%
Made him our pattern to live and to die!%@NL@%

%@NL@%Robert Browning
%@NL@%The Lost Leader
[1845],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR290    @%%@2@%Shakespeare was of us, Milton was for us,%@NL@%%@EH@%
Burns, Shelley, were with us-they watch from their graves!%@NL@%

%@NL@%Robert Browning
%@NL@%The Lost Leader
[1845],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR300    @%%@2@%One more devils'-triumph and sorrow for angels,%@NL@%%@EH@%
One more wrong to man, one more insult to God!%@NL@%

%@NL@%Robert Browning
%@NL@%The Lost Leader
[1845],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR310    @%%@2@%Let him never come back to us!%@NL@%%@EH@%
There would be doubt, hesitation and pain,%@NL@%
Forced praise on our part-the glimmer of twilight,%@NL@%
Never glad confident morning again!%@NL@%

%@NL@%Robert Browning
%@NL@%The Lost Leader
[1845],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR320    @%%@2@%It was roses, roses all the way.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%The Patriot [1845], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR330    @%%@2@%I sprang to the stirrup, and Joris, and he; %@NL@%%@EH@%
I galloped, Dirck galloped, we galloped all three.%@NL@%

%@NL@%Robert Browning
%@NL@%How They Brought the Good News from Ghent to Aix [1845], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR340    @%%@2@%And into the midnight we galloped abreast.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%How They Brought the Good News from Ghent to Aix [1845], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR350    @%%@2@%The gray sea and the long black land;%@NL@%%@EH@%
And the yellow half-moon large and low.%@NL@%

%@NL@%Robert Browning
%@NL@%Meeting at Night [1845],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR360    @%%@2@%Then a mile of warm, sea-scented beach.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Meeting at Night [1845],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR370    @%%@2@%Round the cape of a sudden came the sea,%@NL@%%@EH@%
And the sun looked over the mountain's rim:%@NL@%
And straight was a path of gold for him,%@NL@%
And the need of a world of men for me.%@NL@%

%@NL@%Robert Browning
%@NL@%Parting at Morning [1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR380    @%%@2@%Oh, to be in England now that April's there,%@NL@%%@EH@%
And whoever wakes in England sees, some morning, unaware,%@NL@%
That the lowest boughs and the brushwood sheaf%@NL@%
Round the elm tree bole are in tiny leaf,%@NL@%
While the chaffinch sings on the orchard bough%@NL@%
In England-now!%@NL@%

%@NL@%Robert Browning
%@NL@%Home Thoughts, from Abroad [1845],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR390    @%%@2@%That's the wise thrush; he sings each song twice over,%@NL@%%@EH@%
Lest you should think he never could recapture%@NL@%
The first fine careless rapture!%@NL@%

%@NL@%Robert Browning
%@NL@%Home Thoughts, from Abroad [1845],l. 12

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR400    @%%@2@%Nobly, nobly Cape St. Vincent to the northwest died away;%@NL@%%@EH@%
Sunset ran, one glorious blood-red, reeking into Cadiz Bay.%@NL@%

%@NL@%Robert Browning
%@NL@%Home Thoughts, from the Sea [1845], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR403    @%%@2@%The Savior at his sermon on the mount,%@NL@%%@EH@%
St. Praxed in a glory, and one Pan%@NL@%
Ready to twitch the Nymph's last garment off.%@NL@%

%@NL@%Robert Browning
%@NL@%The Bishop Orders His Tomb at St. Praxed's Church [1845],l. 59

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR406    @%%@2@%How I shall lie through centuries,%@NL@%%@EH@%
And hear the blessed mutter of the mass,%@NL@%
And see God made and eaten all day long,%@NL@%
And feel the steady candle flame, and taste%@NL@%
Good strong thick stupefying incense smoke!%@NL@%

%@NL@%Robert Browning
%@NL@%The Bishop Orders His Tomb at St. Praxed's Church [1845],l. 80

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR410    @%%@2@%Let's contend no more, Love,%@NL@%%@EH@%
Strive nor weep:%@NL@%
All be as before, Love,%@NL@%
-Only sleep!%@NL@%

%@NL@%Robert Browning
%@NL@%A Woman's Last Word [1855],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR420    @%%@2@%Where the apple reddens%@NL@%%@EH@%
Never pry-%@NL@%
Lest we lose our Edens,%@NL@%
Eve and I.%@NL@%

%@NL@%Robert Browning
%@NL@%A Woman's Last Word [1855],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR430    @%%@2@%Beautiful Evelyn Hope is dead!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Evelyn Hope [1855],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR440    @%%@2@%You will wake, and remember, and understand.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Evelyn Hope [1855],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR450    @%%@2@%Where the quiet-colored end of evening smiles.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Love Among the Ruins [1855],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR460    @%%@2@%Oh heart! oh blood that freezes, blood that burns!%@NL@%%@EH@%
Earth's returns%@NL@%
For whole centuries of folly, noise and sin!%@NL@%
Shut them in,%@NL@%
With their triumphs and their glories and the rest!%@NL@%
Love is best!%@NL@%

%@NL@%Robert Browning
%@NL@%Love Among the Ruins [1855],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR470    @%%@2@%'Tis a lifelong toil till our lump be leaven- 1 %@NL@%%@EH@%
The better! What's come to perfection perishes.%@NL@%
Things learned on earth, we shall practice in heaven:%@NL@%
Works done least rapidly, Art most cherishes.%@NL@%

%@NL@%Robert Browning
%@NL@%Old Pictures in Florence [1855], st. 17

%@NL@%%@AI@%1 See I Corinthians 5:6%@BO:           6ab0b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR480    @%%@2@%Your ghost will walk, you lover of trees,%@NL@%%@EH@%
(If our loves remain)%@NL@%
In an English lane.%@NL@%

%@NL@%Robert Browning
%@NL@%De Gustibus [1855],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR490    @%%@2@%Open my heart, and you will see%@NL@%%@EH@%
Graved inside of it, "Italy." 1 %@NL@%

%@NL@%Robert Browning
%@NL@%De Gustibus [1855],st. 2

%@NL@%%@AI@%1 See Mary Tudor%@BO:          13fa8d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR510    @%%@2@%Oh, the little more, and how much it is!%@NL@%%@EH@%
And the little less, and what worlds away!%@NL@%

%@NL@%Robert Browning
%@NL@%By the Fireside [1855],st. 39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR520    @%%@2@%If two lives join, there is oft a scar.%@NL@%%@EH@%
They are one and one, with a shadowy third;%@NL@%
One near one is too far.%@NL@%

%@NL@%Robert Browning
%@NL@%By the Fireside [1855],st. 46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR530    @%%@2@%Only I discern%@NL@%%@EH@%
Infinite passion, and the pain%@NL@%
Of finite hearts that yearn.%@NL@%

%@NL@%Robert Browning
%@NL@%Two in the Campagna [1855], st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR540    @%%@2@%Escape me?%@NL@%%@EH@%
Never-%@NL@%
Beloved!%@NL@%
While I am I, and you are you.%@NL@%

%@NL@%Robert Browning
%@NL@%Life in a Love [1855],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR550    @%%@2@%To dry one's eyes and laugh at a fall,%@NL@%%@EH@%
And baffled, get up and begin again.%@NL@%

%@NL@%Robert Browning
%@NL@%Life in a Love [1855],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
And did you once find Browning plain?/And did he really seem quite
clear?/And did you read the book again?/How strange it seems, and
queer.-Charles William Stubbs [1845-1912], Parody  %@EF@%
%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR560    @%%@2@%Ah, did you once see Shelley plain,%@NL@%%@EH@%
And did he stop and speak to you,%@NL@%
And did you speak to him again?%@NL@%
How strange it seems, and new!%@NL@%

%@NL@%Robert Browning
%@NL@%Memorabilia [1855], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR580    @%%@2@%Who knows but the world may end tonight?%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%The Last Ride Together [1855],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR590    @%%@2@%Sing, riding's a joy! For me I ride.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%The Last Ride Together [1855],st. 7

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR600    @%%@2@%The instant made eternity-%@NL@%%@EH@%
And heaven just prove that I and she%@NL@%
Ride, ride together, forever ride?%@NL@%

%@NL@%Robert Browning
%@NL@%The Last Ride Together [1855],st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR603    @%%@2@%He said, "What's time? Leave Now for dogs and apes!%@NL@%%@EH@%
Man has Forever."%@NL@%

%@NL@%Robert Browning
%@NL@%A Grammarian's Funeral [1855],l. 81

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR606    @%%@2@%He ventured neck or nothing-heaven's success%@NL@%%@EH@%
Found, or earth's failure.%@NL@%

%@NL@%Robert Browning
%@NL@%A Grammarian's Funeral [1855],l. 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR610    @%%@2@%That low man seeks a little thing to do,%@NL@%%@EH@%
Sees it and does it;%@NL@%
This high man, with a great thing to pursue,%@NL@%
Dies ere he knows it.%@NL@%
That low man goes on adding one to one,%@NL@%
His hundred's soon hit;%@NL@%
This high man, aiming at a million,%@NL@%
Misses an unit.%@NL@%
That, has the world here-should he need the next,%@NL@%
Let the world mind him!%@NL@%
This, throws himself on God, and unperplexed%@NL@%
Seeking shall find Him.%@NL@%

%@NL@%Robert Browning
%@NL@%A Grammarian's Funeral [1855],l. 113

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR620    @%%@2@%Feeling, the East's gift,%@NL@%%@EH@%
Is quick and transient-comes, and lo, is gone-%@NL@%
While Northern thought is slow and durable.%@NL@%

%@NL@%Robert Browning
%@NL@%Luria [1855], act V

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR623    @%%@2@%A common grayness silvers everything.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Andrea del Sarto [1855],l. 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR625    @%%@2@%Days decrease,%@NL@%%@EH@%
And autumn grows, autumn in everything.%@NL@%

%@NL@%Robert Browning
%@NL@%Andrea del Sarto [1855],l. 44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR628    @%%@2@%So free we seem, so fettered fast we are.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Andrea del Sarto [1855],l. 51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Hesiod  Not so honest would be more honest.-G. E. Lessing, Emilia
Galotti [1722], act I, sc. iv  A popular aphorism with the architect Ludwig
Mies van der Rohe.  %@EF@%
%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR630    @%%@2@%Less is more.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Andrea del Sarto [1855],l. 78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR650    @%%@2@%Ah, but a man's reach should exceed his grasp,%@NL@%%@EH@%
Or what's a heaven for?%@NL@%

%@NL@%Robert Browning
%@NL@%Andrea del Sarto [1855],l. 97

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR660    @%%@2@%I am grown peaceful as old age tonight.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Andrea del Sarto [1855],l. 244

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR670    @%%@2@%Truth that peeps%@NL@%%@EH@%
Over the glass's edge when dinner's done.%@NL@%

%@NL@%Robert Browning
%@NL@%Bishop Blougram's Apology [1855],l. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR675    @%%@2@%The common problem, yours, mine, everyone's,%@NL@%%@EH@%
Is-not to fancy what were fair in life%@NL@%
Provided it could be-but, finding first%@NL@%
What may be, then find how to make it fair%@NL@%
Up to our means.%@NL@%

%@NL@%Robert Browning
%@NL@%Bishop Blougram's Apology [1855],l. 87

%@NL@%
%@NL@%
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%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR680    @%%@2@%Just when we are safest, there's a sunset touch,%@NL@%%@EH@%
A fancy from a flower bell, someone's death,%@NL@%
A chorus ending from Euripides.%@NL@%

%@NL@%Robert Browning
%@NL@%Bishop Blougram's Apology [1855],l. 183

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR690    @%%@2@%One wise man's verdict outweighs all the fools'.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Bishop Blougram's Apology [1855],l. 373

%@NL@%
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%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR700    @%%@2@%Our interest's on the dangerous edge of things.%@NL@%%@EH@%
The honest thief, the tender murderer,%@NL@%
The superstitious atheist, demirep%@NL@%
That loves and saves her soul in new French books.%@NL@%

%@NL@%Robert Browning
%@NL@%Bishop Blougram's Apology [1855],l. 396

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR710    @%%@2@%You call for faith:%@NL@%%@EH@%
I show you doubt, to prove that faith exists.%@NL@%
The more of doubt, the stronger faith, I say,%@NL@%
If faith o'ercomes doubt.%@NL@%

%@NL@%Robert Browning
%@NL@%Bishop Blougram's Apology [1855],l. 601

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR720    @%%@2@%When the fight begins within himself,%@NL@%%@EH@%
A man's worth something.%@NL@%

%@NL@%Robert Browning
%@NL@%Bishop Blougram's Apology [1855],l. 793

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR725    @%%@2@%While you sat and played toccatas, stately at the clavichord.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%A Toccata of Galuppi's [1855],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR730    @%%@2@%What of soul was left, I wonder, when the kissing had to stop?%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%A Toccata of Galuppi's [1855],st. 14

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR740    @%%@2@%Dear dead women, with such hair, too-what's become of all the gold%@NL@%%@EH@%
Used to hang and brush their bosoms? I feel chilly and grown old.%@NL@%

%@NL@%Robert Browning
%@NL@%A Toccata of Galuppi's [1855],st. 15

%@NL@%
%@NL@%
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%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR743    @%%@2@%'Tis an awkward thing to play with souls.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%A Light Woman [1855], st. 12

%@NL@%
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%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR746    @%%@2@%Stake your counter as boldly every whit,%@NL@%%@EH@%
Venture as warily, use the same skill,%@NL@%
Do your best, whether winning or losing it,%@NL@%
If you choose to play!%@NL@%

%@NL@%Robert Browning
%@NL@%The Statue and the Bust [1855],l. 238

%@NL@%
%@NL@%
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%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR750    @%%@2@%The sin I impute to each frustrate ghost%@NL@%%@EH@%
Is-the unlit lamp and the ungirt loin.%@NL@%

%@NL@%Robert Browning
%@NL@%The Statue and the Bust [1855],l. 246

%@NL@%
%@NL@%
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%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR760    @%%@2@%How good is man's life, the mere living! how fit to employ%@NL@%%@EH@%
All the heart and the soul and the senses forever in joy!%@NL@%

%@NL@%Robert Browning
%@NL@%Saul [1855],st. 9

%@NL@%
%@NL@%
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%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR765    @%%@2@%Death was past, life not come: so he waited.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Saul [1855],st. 10

%@NL@%
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%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR770    @%%@2@%All's love, yet all's law.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Saul [1855],st. 17

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR773    @%%@2@%God is seen God%@NL@%%@EH@%
In the star, in the stone, in the flesh, in the soul and the clod.%@NL@%

%@NL@%Robert Browning
%@NL@%Saul [1855],st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR776    @%%@2@%Do I find love so full in my nature, God's ultimate gift,%@NL@%%@EH@%
That I doubt his own love can compete with it? Here, the parts shift?%@NL@%

%@NL@%Robert Browning
%@NL@%Saul [1855],st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR778    @%%@2@%In the first is the last, in thy will is my power to believe.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Saul [1855],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR780    @%%@2@%'Tis not what man does which exalts him, but what man would do!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Saul [1855],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR785    @%%@2@%Thou shalt love and be loved by, forever: a Hand like this hand%@NL@%%@EH@%
Shall throw open the gates of new life to thee! See the Christ stand!%@NL@%

%@NL@%Robert Browning
%@NL@%Saul [1855],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR790    @%%@2@%The sprinkled isles,%@NL@%%@EH@%
Lily on lily, that o'erlace the sea.%@NL@%

%@NL@%Robert Browning
%@NL@%Cleon [1855],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR800    @%%@2@%And I have written three books on the soul,%@NL@%%@EH@%
Proving absurd all written hitherto,%@NL@%
And putting us to ignorance again.%@NL@%

%@NL@%Robert Browning
%@NL@%Cleon [1855],l. 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR802    @%%@2@%Why stay we on the earth except to grow?%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Cleon [1855],l. 114

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR804    @%%@2@%Most progress is most failure.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Cleon [1855],l. 271

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR806    @%%@2@%So, the All-Great, were the All-loving too.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%An Epistle of Karshish [1855], l. 305

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR808    @%%@2@%We're made so that we love%@NL@%%@EH@%
First when we see them painted, things we have passed%@NL@%
Perhaps a hundred times nor cared to see;%@NL@%
And so they are better, painted-better to us,%@NL@%
Which is the same thing. Art was given for that.%@NL@%

%@NL@%Robert Browning
%@NL@%Fra Lippo Lippi [1855], l. 300

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR810    @%%@2@%Rafael made a century of sonnets.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%One Word More [1855],2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR820    @%%@2@%Does he paint? he fain would write a poem-%@NL@%%@EH@%
Does he write? he fain would paint a picture.%@NL@%

%@NL@%Robert Browning
%@NL@%One Word More [1855],8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR830    @%%@2@%Where my heart lies, let my brain lie also.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%One Word More [1855],14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR840    @%%@2@%Oh, their Rafael of the dear Madonnas,%@NL@%%@EH@%
Oh, their Dante of the dread Inferno,%@NL@%
Wrote one song-and in my brain I sing it,%@NL@%
Drew one angel-borne, see, on my bosom!%@NL@%

%@NL@%Robert Browning
%@NL@%One Word More [1855],19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR850    @%%@2@%That out of three sounds he frame, not a fourth sound, but a star.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%%@FN@%
The Abt or Abbe George Joseph Vogler [1749-1824] was a composer, professor,
Kapellmeister, and writer on music.  %@EF@%
Abt Vogler [1864],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR860    @%%@2@%On the earth the broken arcs; in the heaven, a perfect round.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Abt Vogler [1864],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR870    @%%@2@%The high that proved too high, the heroic for earth too hard,%@NL@%%@EH@%
The passion that left the ground to lose itself in the sky,%@NL@%
Are music sent up to God by the lover and the bard.%@NL@%

%@NL@%Robert Browning
%@NL@%Abt Vogler [1864],st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR880    @%%@2@%Each sufferer says his say, his scheme of the weal and woe.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Abt Vogler [1864],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR890    @%%@2@%The C Major of this life.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Abt Vogler [1864],st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR900    @%%@2@%Grow old along with me!%@NL@%%@EH@%
The best is yet to be,%@NL@%
The last of life, for which the first was made.%@NL@%
Our times are in his hand.%@NL@%

%@NL@%Robert Browning
%@NL@%Rabbi Ben Ezra [1864],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR910    @%%@2@%Irks care the crop-full bird? Frets doubt the maw-crammed beast?%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Rabbi Ben Ezra [1864],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR920    @%%@2@%Then welcome each rebuff%@NL@%%@EH@%
That turns earth's smoothness rough,%@NL@%
Each sting that bids nor sit nor stand, but go!%@NL@%
Be our joys three parts pain!%@NL@%
Strive, and hold cheap the strain;%@NL@%
Learn, nor account the pang; dare, never grudge the throe!%@NL@%

%@NL@%Robert Browning
%@NL@%Rabbi Ben Ezra [1864],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR930    @%%@2@%What I aspired to be,%@NL@%%@EH@%
And was not, comforts me.%@NL@%

%@NL@%Robert Browning
%@NL@%Rabbi Ben Ezra [1864],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR940    @%%@2@%Therefore I summon age%@NL@%%@EH@%
To grant youth's heritage.%@NL@%

%@NL@%Robert Browning
%@NL@%Rabbi Ben Ezra [1864],st. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR950    @%%@2@%Look not thou down but up!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Rabbi Ben Ezra [1864],st. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR960    @%%@2@%Such ever was love's way: to rise, it stoops.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%A Death in the Desert [1864],l. 134

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR965    @%%@2@%To test man, the proofs shift.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%A Death in the Desert [1864],l. 420

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR970    @%%@2@%Progress, man's distinctive mark alone,%@NL@%%@EH@%
Not God's, and not the beasts': God is, they are;%@NL@%
Man partly is, and wholly hopes to be.%@NL@%

%@NL@%Robert Browning
%@NL@%A Death in the Desert [1864],l. 586

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR975    @%%@2@%Setebos, Setebos, and Setebos!%@NL@%%@EH@%
'Thinketh, He dwelleth i' the cold o' the moon.%@NL@%

%@NL@%Robert Browning
%@NL@%Caliban upon Setebos [1864],l. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR980    @%%@2@%Believeth with the life, the pain shall stop.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Caliban upon Setebos [1864],l. 250

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR985    @%%@2@%The best way to escape His ire%@NL@%%@EH@%
Is, not to seem too happy.%@NL@%

%@NL@%Robert Browning
%@NL@%Caliban upon Setebos [1864],l. 256

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR990    @%%@2@%How sad and bad and mad it was 1 -%@NL@%%@EH@%
But then, how it was sweet!%@NL@%

%@NL@%Robert Browning
%@NL@%Confessions [1864], st. 9

%@NL@%%@AI@%1 See Swinburne%@BO:          4b6c51@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1000   @%%@2@%Fear death?-to feel the fog in my throat,%@NL@%%@EH@%
The mist in my face.%@NL@%

%@NL@%Robert Browning
%@NL@%Prospice [1864],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1010   @%%@2@%No! let me taste the whole of it, fare like my peers,%@NL@%%@EH@%
The heroes of old,%@NL@%
Bear the brunt, in a minute pay glad life's arrears%@NL@%
Of pain, darkness, and cold.%@NL@%

%@NL@%Robert Browning
%@NL@%Prospice [1864],l. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1020   @%%@2@%Hold me but safe again within the bond%@NL@%%@EH@%
Of one immortal look.%@NL@%

%@NL@%Robert Browning
%@NL@%Eurydice to Orpheus [1864], l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1030   @%%@2@%This could but have happened once-%@NL@%%@EH@%
And we missed it, lost it forever.%@NL@%

%@NL@%Robert Browning
%@NL@%Youth and Art [1864], st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1040   @%%@2@%All that I own is a print,%@NL@%%@EH@%
An etching, a mezzotint.%@NL@%

%@NL@%Robert Browning
%@NL@%A Likeness [1864],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A face that a man might die for.-Sir Arthur Conan Doyle, The Adventures of
Sherlock Holmes: A Scandal in Bohemia [1892]  %@EF@%
%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1050   @%%@2@%A face to lose youth for, to occupy age%@NL@%%@EH@%
With the dream of, meet death with.%@NL@%

%@NL@%Robert Browning
%@NL@%A Likeness [1864],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1070   @%%@2@%We find great things are made of little things,%@NL@%%@EH@%
And little things go lessening till at last%@NL@%
Comes God behind them.%@NL@%

%@NL@%Robert Browning
%@NL@%Mr. Sludge, "The Medium" [1864],l. 1112

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1080   @%%@2@%'Tis because stiffish cock-tail, taken in time,%@NL@%%@EH@%
Is better for a bruise than arnica.%@NL@%

%@NL@%Robert Browning
%@NL@%Mr. Sludge, "The Medium" [1864],l. 1478

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1090   @%%@2@%It's wiser being good than bad;%@NL@%%@EH@%
It's safer being meek than fierce;%@NL@%
It's fitter being sane than mad.%@NL@%
My own hope is, a sun will pierce%@NL@%
The thickest cloud earth ever stretched;%@NL@%
That, after Last, returns the First,%@NL@%
Though a wide compass round be fetched;%@NL@%
That what began best can't end worst,%@NL@%
Nor what God blessed once, prove accursed.%@NL@%

%@NL@%Robert Browning
%@NL@%Apparent Failure [1864], st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1100   @%%@2@%O Lyric Love, half angel and half bird,%@NL@%%@EH@%
And all a wonder and a wild desire.%@NL@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.I, l. 1391

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1105   @%%@2@%That's all we may expect of man, this side%@NL@%%@EH@%
The grave: his good is-knowing he is bad.%@NL@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.VI, Giuseppe Caponsacchi,l. 142

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1110   @%%@2@%'Twas a thief said the last kind word to Christ:%@NL@%%@EH@%
Christ took the kindness and forgave the theft.%@NL@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.VI, Giuseppe Caponsacchi,l. 869

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1120   @%%@2@%All poetry is difficult to read,%@NL@%%@EH@%
-The sense of it is, anyhow.%@NL@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.VII, Pompilia,l. 1144

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1130   @%%@2@%No work begun shall ever pause for death!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.VII, Pompilia,l. 1770

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1133   @%%@2@%Let him wait God's instant men call years.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.VII, Pompilia,l. 1824

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1136   @%%@2@%Through such souls alone%@NL@%%@EH@%
God stooping shows sufficient of His light%@NL@%
For us i' the dark to rise by. And I rise.%@NL@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.VII, Pompilia,l. 1827

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1140   @%%@2@%Faultless to a fault. 1 %@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.IX, Juris Doctor JohannesBaptista
Bottinius, l. 1170

%@NL@%%@AI@%1 See Tennyson%@BO:          40514d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1150   @%%@2@%The curious crime, the fine%@NL@%%@EH@%
Felicity and flower of wickedness.%@NL@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.X, The Pope,l. 590

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Some call it Evolution,/And others call it God. . . . /Some of us call it
Autumn,/And others call it God.-W. H. Carruth [1859-1924], Each in His Own
Tongue  %@EF@%
%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1160   @%%@2@%What I call God,%@NL@%%@EH@%
And fools call Nature.%@NL@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.X, The Pope,l. 1073

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1175   @%%@2@%Why comes temptation, but for man to meet%@NL@%%@EH@%
And master and make crouch beneath his foot,%@NL@%
And so be pedestaled in triumph?%@NL@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.X, The Pope,l. 1185

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1180   @%%@2@%White shall not neutralize the black, nor good%@NL@%%@EH@%
Compensate bad in man, absolve him so:%@NL@%
Life's business being just the terrible choice.%@NL@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.X, The Pope,l. 1236

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1185   @%%@2@%Waived all reward, loved but for loving's sake,%@NL@%%@EH@%
And what my heart taught me, I taught the world.%@NL@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.X, The Pope,l. 1706

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1190   @%%@2@%You never know what life means till you die:%@NL@%%@EH@%
Even throughout life, 'tis death that makes life live,%@NL@%
Gives it whatever the significance.%@NL@%

%@NL@%Robert Browning
%@NL@%The Ring and the Book [1868-1869], bk.XI, Guido, l. 2375

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1200   @%%@2@%Save the squadron, honor France, love thy wife the Belle Aurore!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Herve Riel [1871], st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1210   @%%@2@%A man in armor is his armor's slave.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Herakles [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The old Tuscan proverb: Iddio non paga sabato [God does not pay
Saturdays].-Life in Letters of William Dean Howells [1928], vol. II, p. 169,
letter to Mrs. James T. Fields [February 23, 1903]  %@EF@%
%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1220   @%%@2@%In God's good time,%@NL@%%@EH@%
Which does not always fall on Saturday%@NL@%
When the world looks for wages.%@NL@%

%@NL@%Robert Browning
%@NL@%Herakles [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1240   @%%@2@%So absolutely good is truth, truth never hurts%@NL@%%@EH@%
The teller.%@NL@%

%@NL@%Robert Browning
%@NL@%Fifine at the Fair [1872], st. 32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1250   @%%@2@%That far land we dream about,%@NL@%%@EH@%
Where every man is his own architect.%@NL@%

%@NL@%Robert Browning
%@NL@%Red Cotton Nightcap Country [1873], II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1260   @%%@2@%A secret's safe%@NL@%%@EH@%
'Twixt you, me, and the gatepost!%@NL@%

%@NL@%Robert Browning
%@NL@%The Inn Album [1875],II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1270   @%%@2@%Ignorance is not innocence but sin.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%The Inn Album [1875],V

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1280   @%%@2@%Have you found your life distasteful?%@NL@%%@EH@%
My life did and does smack sweet.%@NL@%
Was your youth of pleasure wasteful?%@NL@%
Mine I saved and hold complete.%@NL@%
Do your joys with age diminish?%@NL@%
When mine fail me, I'll complain.%@NL@%
Must in death your daylight finish?%@NL@%
My sun sets to rise again.%@NL@%

%@NL@%Robert Browning
%@NL@%At the "Mermaid" [1876],st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1290   @%%@2@%I find earth not gray but rosy,%@NL@%%@EH@%
Heaven not grim but fair of hue.%@NL@%
Do I stoop? I pluck a posy.%@NL@%
Do I stand and stare? 1  All's blue.%@NL@%

%@NL@%Robert Browning
%@NL@%At the "Mermaid" [1876],st. 12

%@NL@%%@AI@%1 See Davies%@BO:          55d090@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1300   @%%@2@%Good, to forgive;%@NL@%%@EH@%
Best, to forget!%@NL@%
Living, we fret;%@NL@%
Dying, we live.%@NL@%

%@NL@%Robert Browning
%@NL@%La Saisiaz [1877]. Introduction, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1310   @%%@2@%Sky-what a scowl of cloud%@NL@%%@EH@%
Till, near and far,%@NL@%
Ray on ray split the shroud:%@NL@%
Splendid, a star!%@NL@%

%@NL@%Robert Browning
%@NL@%The Two Poets of Croisic [1878]. Introduction, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1320   @%%@2@%As if true pride%@NL@%%@EH@%
Were not also humble!%@NL@%

%@NL@%Robert Browning
%@NL@%Lines written in an album [1882]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1330   @%%@2@%Wanting is-what?%@NL@%%@EH@%
Summer redundant,%@NL@%
Blueness abundant,%@NL@%
-Where is the blot?%@NL@%

%@NL@%Robert Browning
%@NL@%%@FN@%
Browning is-what?/Riddle redundant,/Baldness abundant,/Sense, who can
spot?-Anonymous, in Punch [April 21, 1883]  %@EF@%
Wanting Is-What? [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1350   @%%@2@%Out of the wreck I rise.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Ixion [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1360   @%%@2@%Never the time and the place%@NL@%%@EH@%
And the loved one all together!%@NL@%

%@NL@%Robert Browning
%@NL@%Never the Time and the Place [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1370   @%%@2@%Help me with knowledge-for Life's Old-Death's New!%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Epitaph on Levi Lincoln Thaxter, 1824-1884

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1375   @%%@2@%But little do or can the best of us:%@NL@%%@EH@%
That little is achieved through Liberty.%@NL@%

%@NL@%Robert Browning
%@NL@%Why I Am a Liberal [1885], l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1380   @%%@2@%A minute's success pays the failure of years.%@NL@%%@EH@%

%@NL@%Robert Browning
%@NL@%Apollo and the Fates [1886], st. 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Browning@%%@QR:Browning@%%@CR:N1812BROR1390   @%%@2@%One who never turned his back but marched breast forward,%@NL@%%@EH@%
Never doubted clouds would break,%@NL@%
Never dreamed though right were worsted, wrong would triumph,%@NL@%
Held we fall to rise, are baffled to fight better,%@NL@%
Sleep to wake.%@NL@%

%@NL@%Robert Browning
%@NL@%Asolando [1889]. Epilogue, st. 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Dickinson Burchard%@AE@%%@EH@%
%@NL@%
%@AB@%1812-1891%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Dickinson Burchard@%%@QR:Burchard@%%@CR:N1812BURS10     @%%@2@%   We are Republicans, and don't propose to leave our party and identify%@EH@%
ourselves with the party whose antecedents have been Rum, Romanism, and
Rebellion.%@NL@%
%@NL@%
Samuel Dickinson Burchard
%@NL@%Speaking for a deputation of clergymen calling upon James G.
Blaine, the Republican presidential candidate, in New York
[October 29, 1884]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Dickens%@AE@%%@EH@%
%@NL@%John Huffam
%@AB@%1812-1870%@AE@%
%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC10     @%%@2@%   A smattering of everything, and a knowledge of nothing.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Sketches by Boz [1836-1837]. Tales, ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC20     @%%@2@%   He had used the word [humbug] in its Pickwickian sense.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC30     @%%@2@%   "An observer of human nature, sir," said Mr. Pickwick.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC40     @%%@2@%   "It wasn't the wine," murmured Mr. Snodgrass, in a broken voice. "It was%@EH@%
the salmon."%@NL@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC50     @%%@2@%   I wants to make your flesh creep.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC60     @%%@2@%Can I unmoved see thee dying%@NL@%%@EH@%
On a log%@NL@%
Expiring frog!%@NL@%

%@NL@%Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC70     @%%@2@%   Tongue; well that's a wery good thing when it an't a woman's.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC80     @%%@2@%   Mr. Weller's knowledge of London was extensive and peculiar.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC85     @%%@2@%   I took a good deal o' pains with his eddication, sir; let him run in the%@EH@%
streets when he was very young, and shift for hisself. It's the only way to
make a boy sharp, sir.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC90     @%%@2@%   Be wery careful o' vidders all your life.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC100    @%%@2@%   The wictim o' connubiality, as Blue Beard's domestic chaplain said, with%@EH@%
a tear of pity, ven he buried him.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC110    @%%@2@%   Dumb as a drum vith a hole in it, sir.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC120    @%%@2@%   Eccentricities of genius.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC130    @%%@2@%   Keep yourself to yourself.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC140    @%%@2@%   Poetry's unnat'ral; no man ever talked poetry 'cept a beadle on Boxin'%@EH@%
Day.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC143    @%%@2@%   She'll wish there was more, and that's the great art o' letter-writin'.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC146    @%%@2@%   Never mind the character, stick to the alleybi.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC150    @%%@2@%   She knows wot's wot, she does.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Life is with such all beer and skittles;/They are not difficult to
please/About their victuals.-Charles Stuart Calverley [1831-1884],
Contentment  Life ain't all beer and skittles, and more's the pity.-George
du Maurier, Trilby [1894], pt. I  See Hughes  %@EF@%
%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC160    @%%@2@%   They don't mind it; it's a regular holiday to them-all porter and%@EH@%
skittles.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC180    @%%@2@%   Anythin' for a quiet life, as the man said wen he took the sitivation at%@EH@%
the lighthouse.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC185    @%%@2@%   Right as a trivet.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Pickwick Papers [1836-1837], ch.50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC190    @%%@2@%   Oliver Twist has asked for more!%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Oliver Twist [1837-1838], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC200    @%%@2@%   "The artful Dodger."%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Oliver Twist [1837-1838], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC210    @%%@2@%   "Hard," replied the Dodger. "As nails," added Charley Bates.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Oliver Twist [1837-1838], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC220    @%%@2@%   There is a passion for hunting something deeply implanted in the human%@EH@%
breast.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Oliver Twist [1837-1838], ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC230    @%%@2@%   I'll eat my head.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Oliver Twist [1837-1838], ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC240    @%%@2@%   I only know two sorts of boys. Mealy boys, and beef-faced boys.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Oliver Twist [1837-1838], ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC250    @%%@2@%   There's light enough for wot I've got to do.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Oliver Twist [1837-1838], ch.47

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC260    @%%@2@%   "If the law supposes that," said Mr. Bumble . . . "the law is a ass, a%@EH@%
idiot."%@NL@%
%@NL@%
Charles Dickens
%@NL@%Oliver Twist [1837-1838], ch.51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC270    @%%@2@%   He had but one eye, and the popular prejudice runs in favor of two.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC280    @%%@2@%   Subdue your appetites, my dears, and you've conquered human natur.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC290    @%%@2@%   There are only two styles of portrait painting; the serious and the%@EH@%
smirk.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC300    @%%@2@%   Oh! they're too beautiful to live, much too beautiful!%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC310    @%%@2@%   I pity his ignorance and despise him.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC315    @%%@2@%   The infant phenomenon.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC320    @%%@2@%   The unities, sir . . . are a completeness-a kind of universal%@EH@%
dove-tailedness with regard to place and time.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC330    @%%@2@%   The two countesses had no outlines at all, and the dowager's was a demd%@EH@%
outline.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC340    @%%@2@%   A demd, damp, moist, unpleasant body!%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC350    @%%@2@%   Bring in the bottled lightning, a clean tumbler, and a corkscrew.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC360    @%%@2@%   All is gas and gaiters.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC370    @%%@2@%   My life is one demd horrid grind.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC380    @%%@2@%   He has gone to the demnition bowwows.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Nicholas Nickleby [1838-1839], ch.64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC390    @%%@2@%   What is the odds so long as the fire of soul is kindled at the taper of%@EH@%
conwiviality, and the wing of friendship never moults a feather!%@NL@%
%@NL@%
Charles Dickens
%@NL@%The Old Curiosity Shop [1841], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC400    @%%@2@%   She's the ornament of her sex.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%The Old Curiosity Shop [1841], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC410    @%%@2@%   In love of home, the love of country has its rise.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%The Old Curiosity Shop [1841], ch.38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC420    @%%@2@%   That vague kind of penitence which holidays awaken next morning. 1  2 %@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%The Old Curiosity Shop [1841], ch.40

%@NL@%%@AI@%1 See Byron%@BO:          37f8a7@%%@AE@%
%@AI@%2 See Ade%@BO:          5469f3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC430    @%%@2@%   "Did you ever taste beer?" "I had a sip of it once," said the small%@EH@%
servant. "Here's a state of things!" cried Mr. Swiveller. . . . "She never
tasted it-it can't be tasted in a sip!"%@NL@%
%@NL@%
Charles Dickens
%@NL@%The Old Curiosity Shop [1841], ch.57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC440    @%%@2@%   It was a maxim with Foxey-our revered father, gentlemen-"Always suspect%@EH@%
everybody."%@NL@%
%@NL@%
Charles Dickens
%@NL@%The Old Curiosity Shop [1841], ch.66

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC450    @%%@2@%   Rather a tough customer in argyment.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Barnaby Rudge [1841], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC460    @%%@2@%   "There are strings," said Mr. Tappertit, " . . . in the human heart that%@EH@%
had better not be wibrated."%@NL@%
%@NL@%
Charles Dickens
%@NL@%Barnaby Rudge [1841], ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC470    @%%@2@%   Oh gracious, why wasn't I born old and ugly?%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Barnaby Rudge [1841], ch.70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC480    @%%@2@%   Any man may be in good spirits and good temper when he's well dressed.%@EH@%
There ain't much credit in that.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC490    @%%@2@%   With affection beaming in one eye, and calculation shining out of the%@EH@%
other.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC500    @%%@2@%   "Do not repine, my friends," said Mr. Pecksniff, tenderly. "Do not weep%@EH@%
for me. It is chronic."%@NL@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC510    @%%@2@%   Keep up appearances whatever you do.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC520    @%%@2@%   "Do other men for they would do you." That's the true business precept.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC530    @%%@2@%   Buy an annuity cheap, and make your life interesting to yourself and%@EH@%
everybody else that watches the speculation.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC540    @%%@2@%   Leave the bottle on the chimleypiece, and don't ask me to take none, but%@EH@%
let me put my lips to it when I am so dispoged.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC545    @%%@2@%   Rich folks may ride on camels, but it ain't so easy for 'em to see out of%@EH@%
a needle's eye [Sairey Gamp].%@NL@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC550    @%%@2@%   "She's the sort of woman now," said Mould . . . "one would almost feel%@EH@%
disposed to bury for nothing: and do it neatly, too!"%@NL@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC560    @%%@2@%   He'd make a lovely corpse.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC565    @%%@2@%   Gamp is my name, and Gamp my nater.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC570    @%%@2@%   Our fellow-countryman is a model of a man, quite fresh from Natur's mold!%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC580    @%%@2@%   Oh Sairey, Sairey, little do we know wot lays afore us!%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC590    @%%@2@%   I don't believe there's no sich a person!%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC600    @%%@2@%   The words she spoke of Mrs. Harris, lambs could not forgive . . . nor%@EH@%
worms forget.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Martin Chuzzlewit [1843-1844], ch.49

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC610    @%%@2@%   Oh, but he was a tightfisted hand at the grindstone. Scrooge! a%@EH@%
squeezing, wrenching, grasping, scraping, clutching, covetous old sinner!
Hard and sharp as flint, from which no steel had ever struck out generous
fire; secret, and self-contained, and solitary as an oyster.%@NL@%
%@NL@%
Charles Dickens
%@NL@%A Christmas Carol [1843], stave1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC615    @%%@2@%   "Bah," said Scrooge. "Humbug!"%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%A Christmas Carol [1843], stave1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC620    @%%@2@%   I wear the chain I forged in life [Marley's Ghost].%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%A Christmas Carol [1843], stave1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC625    @%%@2@%   "I am the Ghost of Christmas Past." "Long past?" inquired Scrooge . . .%@EH@%
"No. Your past."%@NL@%
%@NL@%
Charles Dickens
%@NL@%A Christmas Carol [1843], stave2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC630    @%%@2@%   In came a fiddler-and tuned like fifty stomachaches. In came Mrs.%@EH@%
Fezziwig, one vast substantial smile.%@NL@%
%@NL@%
Charles Dickens
%@NL@%A Christmas Carol [1843], stave2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC635    @%%@2@%   I am the Ghost of Christmas Present.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%A Christmas Carol [1843], stave3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC640    @%%@2@%   As good as gold [Tiny Tim].%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%A Christmas Carol [1843], stave3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC650    @%%@2@%   "God bless us every one!" said Tiny Tim, the last of all.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%A Christmas Carol [1843], stave3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC655    @%%@2@%   "I am in the presence of the Ghost of Christmas Yet to Come?" said%@EH@%
Scrooge.%@NL@%
%@NL@%
Charles Dickens
%@NL@%A Christmas Carol [1843], stave4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC657    @%%@2@%   I will honor Christmas in my heart, and try to keep it all the year.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%A Christmas Carol [1843], stave4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC660    @%%@2@%   It was a turkey! He could never have stood upon his legs, that bird! He%@EH@%
would have snapped 'em off short in a minute, like sticks of sealing wax.%@NL@%
%@NL@%
Charles Dickens
%@NL@%A Christmas Carol [1843], stave5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC670    @%%@2@%Oh let us love our occupations,%@NL@%%@EH@%
Bless the squire and his relations,%@NL@%
Live upon our daily rations,%@NL@%
And always know our proper stations.%@NL@%

%@NL@%Charles Dickens
%@NL@%The Chimes [1844], second quarter

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC680    @%%@2@%   He's tough, ma'am, tough, is J.B. Tough and devilish sly!%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Dombey and Son [1848], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
What are the wild waves saying,/Sister, the whole day long?-Joseph Edwards
Carpenter [1813-1885], What Are the Wild Waves Saying? st. 1  %@EF@%
%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC690    @%%@2@%   I want to know what it says. . . . The sea, Floy, what it is that it%@EH@%
keeps on saying.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Dombey and Son [1848], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC700    @%%@2@%   "Wal'r, my boy," replied the Captain, "in the Proverbs of Solomon you%@EH@%
will find the following words, "May we never want a friend in need, nor a
bottle to give him!' When found, make a note of."%@NL@%
%@NL@%
Charles Dickens
%@NL@%Dombey and Son [1848], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC710    @%%@2@%   Cows are my passion.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Dombey and Son [1848], ch.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC720    @%%@2@%   The bearings of this observation lays in the application on it.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Dombey and Son [1848], ch.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC730    @%%@2@%   You'll find us rough, sir, but you'll find us ready.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC740    @%%@2@%   I am a lone lorn creetur . . . and everythink goes contrairy with me.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC750    @%%@2@%   Barkis is willin'.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Experientia docet [Experience teaches].-Tacitus [c. 55 - c. 117], History,
bk. V, ch. 6  %@EF@%
%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC760    @%%@2@%   Experientia does it-as Papa used to say.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC780    @%%@2@%   "In case anything turned up," which was his [Mr. Micawber's] favorite%@EH@%
expression. 1 %@NL@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.11

%@NL@%%@AI@%1 See Disraeli%@BO:          3cab3b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC790    @%%@2@%   I never will desert Mr. Micawber.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC800    @%%@2@%   Annual income twenty pounds, annual expenditure nineteen nineteen six,%@EH@%
result happiness. Annual income twenty pounds, annual expenditure twenty
pounds ought and six, result misery.%@NL@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC810    @%%@2@%   It's a mad world. Mad as Bedlam.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC815    @%%@2@%   Never . . . be mean in anything; never be false; never be cruel.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Not only humble but umble, which I look upon to be the comparative, or,
indeed, superlative degree.-Anthony Trollope, Doctor Thorne [1858], ch. 4  %@EF@%
%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC820    @%%@2@%   I'm a very umble person.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"King Charles's head" has passed into common use in the English language as
a phrase meaning some whimsical obsession.-G. B. Stern, Monogram [1936]  %@EF@%
%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC840    @%%@2@%   The mistake was made of putting some of the trouble out of King Charles's%@EH@%
head into my head.%@NL@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC860    @%%@2@%   It was as true . . . as turnips is. It was as true . . . as taxes is. And%@EH@%
nothing's truer than them.%@NL@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC870    @%%@2@%   What a world of gammon and spinach it is, though, ain't it!%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC880    @%%@2@%   Nobody's enemy but his own.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC890    @%%@2@%   Accidents will occur in the best-regulated families.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC900    @%%@2@%   Ride on! Rough-shod if need be, smooth-shod if that will do, but ride on!%@EH@%
Ride on over all obstacles, and win the race!%@NL@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC910    @%%@2@%   A long pull, and a strong pull, and a pull all together.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC920    @%%@2@%   He's a-going out with the tide. 1  2 %@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.30

%@NL@%%@AI@%1 See Shakespeare%@BO:          1a0d46@%%@AE@%
%@AI@%2 See Frazer%@BO:          4f7ed8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC940    @%%@2@%   I ate umble pie with an appetite.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC950    @%%@2@%   Let sleeping dogs lie-who wants to rouse 'em? 1 %@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.39

%@NL@%%@AI@%1 See Chaucer%@BO:          11e0de@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC960    @%%@2@%   Skewered through and through with office pens, and bound hand and foot%@EH@%
with red tape.%@NL@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC970    @%%@2@%   It's only my child-wife.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC975    @%%@2@%   There can be no disparity in marriage like unsuitability of mind and%@EH@%
purpose.%@NL@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC980    @%%@2@%   A man must take the fat with the lean.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC990    @%%@2@%   Trifles make the sum of life.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1000   @%%@2@%   The seamen said it blew great guns.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%David Copperfield [1849-1850], ch.55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1005   @%%@2@%   He is an honorable, obstinate, truthful, high-spirited, intensely%@EH@%
prejudiced, perfectly reasonable man.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Bleak House [1852-1858], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1010   @%%@2@%   This is a London particular. . . . A fog, miss.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Bleak House [1852-1858], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1020   @%%@2@%   Not to put too fine a point upon it.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Bleak House [1852-1858], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1022   @%%@2@%   [Old Mr. Turveydrop] was not like anything in the world but a model of%@EH@%
Deportment.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Bleak House [1852-1858], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1024   @%%@2@%   What I want is Facts. Teach these boys and girls nothing but Facts. Facts%@EH@%
alone are wanted in life. Plant nothing else, and root out everything else.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Hard Times [1854], bk.I, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1026   @%%@2@%   There is a wisdom of the head, and . . . a wisdom of the heart.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Hard Times [1854], bk.III, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1028   @%%@2@%   I am the only child of parents who weighed, measured, and priced%@EH@%
everything; for whom what could not be weighed, measured, and priced had no
existence.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Little Dorrit [1857-1858], bk.I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1030   @%%@2@%   Whatever was required to be done, the Circumlocution Office was%@EH@%
beforehand with all the public departments in the art of perceiving-how not
to do it.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Little Dorrit [1857-1858], bk.I, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1040   @%%@2@%   Papa, potatoes, poultry, prunes, and prism, are all very good words for%@EH@%
the lips: especially prunes and prism.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Little Dorrit [1857-1858], bk.II, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1050   @%%@2@%   Once a gentleman, and always a gentleman.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Little Dorrit [1857-1858], bk.II, ch.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1060   @%%@2@%   It was the best of times, it was the worst of times.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%A Tale of Two Cities [1859], bk.I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1070   @%%@2@%   A wonderful fact to reflect upon, that every human creature is%@EH@%
constituted to be that profound secret and mystery to every other.%@NL@%
%@NL@%
Charles Dickens
%@NL@%A Tale of Two Cities [1859], bk.I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1080   @%%@2@%   It is a far, far better thing that I do, than I have ever done; it is a%@EH@%
far, far better rest that I go to, than I have ever known.%@NL@%
%@NL@%
Charles Dickens
%@NL@%A Tale of Two Cities [1859], bk.III, ch. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1090   @%%@2@%   In the little world in which children have their existence, whosoever%@EH@%
brings them up, there is nothing so finely perceived and so finely felt, as
injustice.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Great Expectations [1860-1861], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1092   @%%@2@%   Ever the best of friends!%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Great Expectations [1860-1861], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1094   @%%@2@%   My guiding star always is, Get hold of portable property.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Great Expectations [1860-1861], ch.24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1096   @%%@2@%   Take nothing on its looks; take everything on evidence. There's no better%@EH@%
rule.%@NL@%
%@NL@%
Charles Dickens
%@NL@%Great Expectations [1860-1861], ch.40

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1098   @%%@2@%   Money and goods are certainly the best of references.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Our Mutual Friend [1864-1865], bk.I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1100   @%%@2@%   Professionally he declines and falls, and as a friend he drops into%@EH@%
poetry [Mr. Boffin on Silas Wegg].%@NL@%
%@NL@%
Charles Dickens
%@NL@%Our Mutual Friend [1864-1865], bk.I, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1110   @%%@2@%   People now call him the Golden Dustman [Mr. Boffin].%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Our Mutual Friend [1864-1865], bk.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1120   @%%@2@%   The gay, the gay and festive scene.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Our Mutual Friend [1864-1865], bk.I, ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1125   @%%@2@%   I want to be something so much worthier than the doll in the doll's%@EH@%
house. 1 %@NL@%
%@NL@%
Charles Dickens
%@NL@%Our Mutual Friend [1864-1865], bk.I, ch.55

%@NL@%%@AI@%1 See Ibsen%@BO:          47836b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1130   @%%@2@%   I don't care whether I am a Minx or a Sphinx [Lavvy].%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Our Mutual Friend [1864-1865], bk.II, ch. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1140   @%%@2@%   That's the state to live and die in! . . . R-r-rich!%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Our Mutual Friend [1864-1865], bk.III, ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dickens@%%@QR:Dickens@%%@QR:John Huffam@%%@CR:N1812DICC1150   @%%@2@%   We must scrunch or be scrunched.%@NL@%%@EH@%
%@NL@%
Charles Dickens
%@NL@%Our Mutual Friend [1864-1865], bk.III, ch. 5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ivan Aleksandrovich Goncharov%@AE@%%@EH@%
%@NL@%
%@AB@%1812-1891%@AE@%
%@NL@%%@NL@%

%@FN@%
That word is Oblomovism.  Now, when I hear a country squire talking about
the rights of man and urging the necessity of developing personality, I know
from the first word he utters that he is an Oblomov.  When I hear a
government official complaining that the system of administration is too
complicated and cumbersome, I know that he is an Oblomov.-Nikolai
Dobroliubov, What Is Oblomovism? [1859]  %@EF@%
%@QR:Ivan Aleksandrovich Goncharov@%%@QR:Goncharov@%%@CR:N1812GONI10     @%%@2@%   "And he was as intelligent as other people, his soul was pure and clear%@EH@%
as crystal; he was noble and affectionate-and yet he did nothing!"%@NL@%
"But why? What was the reason?"%@NL@%
"The reason . . . what reason was there? Oblomovism!"%@NL@%
%@NL@%
Ivan Aleksandrovich Goncharov
%@NL@%Oblomov [1859], pt. IV, ch. 12

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alexander Ivanovich Herzen%@AE@%%@EH@%
%@NL@%
%@AB@%1812-1870%@AE@%
%@NL@%%@NL@%

%@QR:Alexander Ivanovich Herzen@%%@QR:Herzen@%%@CR:N1812HERA10     @%%@2@%   Communism is a Russian autocracy turned upside down.%@NL@%%@EH@%
%@NL@%
Alexander Ivanovich Herzen
%@NL@%The Development of Revolutionary Ideas in Russia [1851]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Ivanovich Herzen@%%@QR:Herzen@%%@CR:N1812HERA20     @%%@2@%   Russia's future will be a great danger for Europe and a great misfortune%@EH@%
for Russia if there is no emancipation of the individual. One more century
of present despotism will destroy all the good qualities of the Russian
people.%@NL@%
%@NL@%
Alexander Ivanovich Herzen
%@NL@%The Development of Revolutionary Ideas in Russia [1851]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Lear%@AE@%%@EH@%
%@NL@%
%@AB@%1812-1888%@AE@%
%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE10     @%%@2@%There was an Old Man with a beard,%@NL@%%@EH@%
Who said: "It is just as I feared!%@NL@%
Two owls and a hen,%@NL@%
Four larks and a wren%@NL@%
Have all built their nests in my beard."%@NL@%

%@NL@%Edward Lear
%@NL@%Book of Nonsense [1846]. Limerick

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE20     @%%@2@%How pleasant to know Mr. Lear! 1 %@NL@%%@EH@%
Who has written such volumes of stuff!%@NL@%
Some think him ill-tempered and queer,%@NL@%
But a few think him pleasant enough.%@NL@%

%@NL@%Edward Lear
%@NL@%Nonsense Songs [1871]. Preface,st. 1

%@NL@%%@AI@%1 See T. S. Eliot%@BO:          5d41d6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE30     @%%@2@%His body is perfectly spherical,%@NL@%%@EH@%
He weareth a runcible hat.%@NL@%

%@NL@%Edward Lear
%@NL@%Nonsense Songs [1871]. Preface,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE40     @%%@2@%The Owl and the Pussycat went to sea%@NL@%%@EH@%
In a beautiful pea-green boat,%@NL@%
They took some honey, and plenty of money,%@NL@%
Wrapped up in a five-pound note.%@NL@%
The Owl looked up to the stars above,%@NL@%
And sang to a small guitar,%@NL@%
"O lovely Pussy! O Pussy, my love,%@NL@%
What a beautiful Pussy you are."%@NL@%

%@NL@%Edward Lear
%@NL@%The Owl and the Pussycat [1871],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE50     @%%@2@%Pussy said to the Owl, "You elegant fowl!%@NL@%%@EH@%
How charmingly sweet you sing!%@NL@%
O let us be married! too long we have tarried:%@NL@%
But what shall we do for a ring?"%@NL@%
They sailed away, for a year and a day,%@NL@%
To the land where the Bong-tree grows%@NL@%
And there in a wood a Piggy-wig stood%@NL@%
With a ring at the end of his nose.%@NL@%

%@NL@%Edward Lear
%@NL@%The Owl and the Pussycat [1871],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE60     @%%@2@%"Dear Pig, are you willing to sell for one shilling%@NL@%%@EH@%
Your ring?" Said the Piggy, "I will."%@NL@%

%@NL@%Edward Lear
%@NL@%The Owl and the Pussycat [1871],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE70     @%%@2@%They dined on mince, and slices of quince,%@NL@%%@EH@%
Which they ate with a runcible spoon;%@NL@%
And hand in hand, on the edge of the sand,%@NL@%
They danced by the light of the moon.%@NL@%

%@NL@%Edward Lear
%@NL@%The Owl and the Pussycat [1871],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE80     @%%@2@%Far and few, far and few,%@NL@%%@EH@%
Are the lands where the Jumblies live;%@NL@%
Their heads are green, and their hands are blue,%@NL@%
And they went to sea in a sieve.%@NL@%

%@NL@%Edward Lear
%@NL@%The Jumblies [1871], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE90     @%%@2@%Calico Pie,%@NL@%%@EH@%
The little Birds fly%@NL@%
Down to the calico tree,%@NL@%
Their wings were blue,%@NL@%
And they sang "Tilly-loo!"%@NL@%
Till away they flew-%@NL@%
And they never came back to me!%@NL@%

%@NL@%Edward Lear
%@NL@%Calico Pie [1871],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE100    @%%@2@%Calico Jam,%@NL@%%@EH@%
The little Fish swam,%@NL@%
Over the syllabub sea.%@NL@%

%@NL@%Edward Lear
%@NL@%Calico Pie [1871],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE110    @%%@2@%Who, or why, or which, or what,%@NL@%%@EH@%
Is the Akond of Swat?%@NL@%

%@NL@%Edward Lear
%@NL@%%@FN@%
Pray tell me, good reader, if tell me you can,/What's the Ahkoond of Swat to
you folks or to me?-Eugene Field, The Ahkoond of Swat [1884]  %@EF@%
The Akond of Swat [1877], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE130    @%%@2@%On the top of the Crumpetty Tree%@NL@%%@EH@%
The Quangle Wangle sat,%@NL@%
But his face you could not see,%@NL@%
On account of his Beaver Hat.%@NL@%

%@NL@%Edward Lear
%@NL@%The Quangle Wangle's Hat [1877], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE140    @%%@2@%On the coast of Coromandel%@NL@%%@EH@%
Where the early pumpkins blow,%@NL@%
In the middle of the woods%@NL@%
Lived the Yonghy-Bonghy-B[.%@NL@%
Two old chairs, and half a candle,%@NL@%
One old jug without a handle-%@NL@%
These were all his worldly goods.%@NL@%

%@NL@%Edward Lear
%@NL@%The Courtship of the Yonghy-Bongy-Bo [1877],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE150    @%%@2@%There he heard a Lady talking,%@NL@%%@EH@%
To some milk-white Hens of Dorking-%@NL@%
'Tis the Lady Jingly Jones!%@NL@%

%@NL@%Edward Lear
%@NL@%The Courtship of the Yonghy-Bongy-Bo [1877],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE160    @%%@2@%"I would be your wife most gladly!"%@NL@%%@EH@%
(Here she twirled her fingers madly),%@NL@%
"But in England I've a mate!"%@NL@%

%@NL@%Edward Lear
%@NL@%The Courtship of the Yonghy-Bongy-Bo [1877],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE170    @%%@2@%When awful darkness and silence reign%@NL@%%@EH@%
Over the great Gromboolian plain,%@NL@%
Through the long, long wintry nights.%@NL@%

%@NL@%Edward Lear
%@NL@%The Dong with the Luminous Nose [1877], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE180    @%%@2@%When storm-clouds brood on the towering heights%@NL@%%@EH@%
Of the hills of the Chankly Bore.%@NL@%

%@NL@%Edward Lear
%@NL@%The Dong with the Luminous Nose [1877], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE190    @%%@2@%The Pobble who has no toes%@NL@%%@EH@%
Had once as many as we;%@NL@%
When they said, "Some day you may lose them all"-%@NL@%
He replied, "Fish fiddle de-dee!"%@NL@%

%@NL@%Edward Lear
%@NL@%The Pobble Who Has No Toes [1877],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE197    @%%@2@%It's a fact the whole world knows,%@NL@%%@EH@%
That Pobbles are happier without their toes.%@NL@%

%@NL@%Edward Lear
%@NL@%The Pobble Who Has No Toes [1877],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Lear@%%@QR:Lear@%%@CR:N1812LEAE200    @%%@2@%Ploffskin, Pluffskin, Pelican jee!%@NL@%%@EH@%
We think no Birds so happy as we!%@NL@%
Plumpskin, Ploshkin, Pelican jill!%@NL@%
We think so then, and we thought so still.%@NL@%

%@NL@%Edward Lear
%@NL@%The Pelican Chorus [1877], chorus

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Smiles%@AE@%%@EH@%
%@NL@%
%@AB@%1812-1904%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Smiles@%%@QR:Smiles@%%@CR:N1812SMIS10     @%%@2@%   The spirit of self-help is the root of all genuine growth in the%@EH@%
individual; and, exhibited in the lives of many, it constitutes the true
source of national vigor and strength. Help from without is often enfeebling
in its effects, but help from within invariably invigorates.%@NL@%
%@NL@%
Samuel Smiles
%@NL@%Self-Help [1859]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Edmondstoune Aytoun%@AE@%%@EH@%
%@NL@%
%@AB@%1813-1865%@AE@%
%@NL@%%@NL@%

%@QR:William Edmondstoune Aytoun@%%@QR:Aytoun@%%@CR:N1813AYTW10     @%%@2@%Nowhere beats the heart so kindly%@NL@%%@EH@%
As beneath the tartan plaid!%@NL@%

%@NL@%William Edmondstoune Aytoun
%@NL@%Charles Edward at Versailles [1849], l. 219

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Edmondstoune Aytoun@%%@QR:Aytoun@%%@CR:N1813AYTW20     @%%@2@%The deep, unutterable woe%@NL@%%@EH@%
Which none save exiles feel.%@NL@%

%@NL@%William Edmondstoune Aytoun
%@NL@%The Island of the Scots [1849], st. 12

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Ward Beecher%@AE@%%@EH@%
%@NL@%
%@AB@%1813-1887%@AE@%
%@NL@%%@NL@%

%@QR:Henry Ward Beecher@%%@QR:Beecher@%%@CR:N1813BEEH10     @%%@2@%   A thoughtful mind, when it sees a nation's flag, sees not the flag only,%@EH@%
but the nation itself; and whatever may be its symbols, its insignia, he
reads chiefly in the flag the government, the principles, the truths, the
history which belongs to the nation that sets it forth.%@NL@%
%@NL@%
Henry Ward Beecher
%@NL@%The American Flag

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Ward Beecher@%%@QR:Beecher@%%@CR:N1813BEEH20     @%%@2@%   Where is human nature so weak as in the bookstore!%@NL@%%@EH@%
%@NL@%
Henry Ward Beecher
%@NL@%Star Papers [1855]. Subtleties of Book Buyers

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Ward Beecher@%%@QR:Beecher@%%@CR:N1813BEEH30     @%%@2@%   Now comes the mystery.%@NL@%%@EH@%
%@NL@%
Henry Ward Beecher
%@NL@%Last words [March 8, 1887]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Claude Bernard%@AE@%%@EH@%
%@NL@%
%@AB@%1813-1878%@AE@%
%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC20     @%%@2@%   Observation is a passive science, experimentation an active science.%@NL@%%@EH@%
%@NL@%
Claude Bernard
%@NL@%%@FN@%
An Introduction to the Study of Experimental Medicine, translated by Henry
Copley Greene.  %@EF@%
Introduction a l'Etude de la Medecine
Experimentale [1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC30     @%%@2@%   The science of life is a superb and dazzlingly lighted hall which may be%@EH@%
reached only by passing through a long and ghastly kitchen.%@NL@%
%@NL@%
Claude Bernard
%@NL@%Introduction a l'Etude de la Medecine
Experimentale [1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC40     @%%@2@%   Science repulses the indefinite.%@NL@%%@EH@%
%@NL@%
Claude Bernard
%@NL@%Introduction a l'Etude de la Medecine
Experimentale [1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC45     @%%@2@%   Science admits no exceptions; otherwise there would be no determinism in%@EH@%
science, or rather, there would be no science.%@NL@%
%@NL@%
Claude Bernard
%@NL@%Lecons de Pathologie Experimentale [1872]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC50     @%%@2@%   The stability of the internal medium is a primary condition for the%@EH@%
freedom and independence of certain living bodies in relation to the
environment surrounding them.%@NL@%
%@NL@%
Claude Bernard
%@NL@%%@FN@%
Lessons on Reactions Common to Animals and Plants, translated by J. M. D.
Olmstead.  %@EF@%
Lecons sur les Phenomenes de la Vie
Communs aux Animaux et aux Vegetaux [1878-1879]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC60     @%%@2@%   All the vital mechanisms, varied as they are, have only one object, that%@EH@%
of preserving constant the conditions of life in the internal environment.%@NL@%
%@NL@%
Claude Bernard
%@NL@%Lecons sur les Phenomenes de la Vie
Communs aux Animaux et aux Vegetaux [1878-1879]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC70     @%%@2@%   True science teaches us to doubt and to abstain from ignorance.%@NL@%%@EH@%
%@NL@%
Claude Bernard
%@NL@%From Bulletin of New York Academy of Medicine, vol. IV [1928], p. 997

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC80     @%%@2@%   Science increases our power in proportion as it lowers our pride.%@NL@%%@EH@%
%@NL@%
Claude Bernard
%@NL@%From Bulletin of New York Academy of Medicine, vol. IV [1928], p. 997

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC90     @%%@2@%   If I had to define life in a word, it would be: Life is creation.%@NL@%%@EH@%
%@NL@%
Claude Bernard
%@NL@%From Bulletin of New York Academy of Medicine, vol. IV [1928], p. 997

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC100    @%%@2@%   A modern poet has characterized the personality of art and the%@EH@%
impersonality of science as follows: Art is I: Science is We.%@NL@%
%@NL@%
Claude Bernard
%@NL@%From Bulletin of New York Academy of Medicine, vol. IV [1928], p. 997

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC110    @%%@2@%   Man can learn nothing unless he proceeds from the known to the unknown.%@NL@%%@EH@%
%@NL@%
Claude Bernard
%@NL@%From Bulletin of New York Academy of Medicine, vol. IV [1928], p. 997

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC120    @%%@2@%   We must never make experiments to confirm our ideas, but simply to%@EH@%
control them.%@NL@%
%@NL@%
Claude Bernard
%@NL@%From Bulletin of New York Academy of Medicine, vol. IV [1928], p. 997

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Claude Bernard@%%@QR:Bernard@%%@CR:N1813BERC130    @%%@2@%   The mental never influences the physical. It is always the physical that%@EH@%
modifies the mental, and when we think that the mind is diseased, it is
always an illusion.%@NL@%
%@NL@%
Claude Bernard
%@NL@%Pensees [1937]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Georg Buchner%@AE@%%@EH@%
%@NL@%
%@AB@%1813-1837%@AE@%
%@NL@%%@NL@%

%@QR:Georg Buchner@%%@QR:Buchner@%%@CR:N1813BUCG10     @%%@2@%   The Revolution is like Saturn-it eats its own children.%@NL@%%@EH@%
%@NL@%
Georg Buchner
%@NL@%Danton's Death [1835]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John William Burgon%@AE@%%@EH@%
%@NL@%
%@AB@%1813-1888%@AE@%
%@NL@%%@NL@%

%@QR:John William Burgon@%%@QR:Burgon@%%@CR:N1813BURJ10     @%%@2@%A rose-red city half as old as time. 1 %@NL@%%@EH@%

%@NL@%John William Burgon
%@NL@%Petra [1845]

%@NL@%%@AI@%1 See Samuel Rogers%@BO:          32f5d6@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Soren Kierkegaard%@AE@%%@EH@%
%@NL@%
%@AB@%1813-1855%@AE@%
%@NL@%%@NL@%

%@QR:Soren Kierkegaard@%%@QR:Kierkegaard@%%@CR:N1813KIES10     @%%@2@%   Life can only be understood backwards; but it must be lived forwards.%@NL@%%@EH@%
%@NL@%
Soren Kierkegaard
%@NL@%Life

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Soren Kierkegaard@%%@QR:Kierkegaard@%%@CR:N1813KIES20     @%%@2@%   All essential knowledge relates to existence, or only such knowledge as%@EH@%
has an essential relationship to existence is essential knowledge.%@NL@%
%@NL@%
Soren Kierkegaard
%@NL@%Concluding Unscientific Postscript

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Soren Kierkegaard@%%@QR:Kierkegaard@%%@CR:N1813KIES30     @%%@2@%   The absurd . . . the fact that with God all things are possible. The%@EH@%
absurd is not one of the factors which can be discriminated within the
proper compass of the understanding: it is not identical with the
improbable, the unexpected, the unforeseen.%@NL@%
%@NL@%
Soren Kierkegaard
%@NL@%Fear and Trembling [1843]. Problemata: Preliminary Expectoration

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Louis O'Sullivan%@AE@%%@EH@%
%@NL@%
%@AB@%1813-1895%@AE@%
%@NL@%%@NL@%

%@QR:John Louis O'Sullivan@%%@QR:O'Sullivan@%%@CR:N1813OSUJ10     @%%@2@%   Our manifest destiny is to overspread the continent allotted by%@EH@%
Providence for the free development of our yearly multiplying millions.%@NL@%
%@NL@%
John Louis O'Sullivan
%@NL@%United States Magazine and Demo-cratic Review [July-August 1845]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Wagner%@AE@%%@EH@%
%@NL@%
%@AB@%1813-1883%@AE@%
%@NL@%%@NL@%

%@QR:Richard Wagner@%%@QR:Wagner@%%@CR:N1813WAGR10     @%%@2@%O thou, my gracious evening star.%@NL@%%@EH@%

%@NL@%Richard Wagner
%@NL@%Tannh[auml ]user [1845]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Wagner@%%@QR:Wagner@%%@CR:N1813WAGR20     @%%@2@%   To be German means to carry on a matter for its own sake.%@NL@%%@EH@%
%@NL@%
Richard Wagner
%@NL@%%@FN@%
German Art and German Politics.  %@EF@%
Deutsche Kunst und Deutsche Politik
[1867]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Wagner@%%@QR:Wagner@%%@CR:N1813WAGR30     @%%@2@%Ride of the Valkyries.%@NL@%%@EH@%

%@NL@%Richard Wagner
%@NL@%Die Walkure [1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Wagner@%%@QR:Wagner@%%@CR:N1813WAGR40     @%%@2@%The pure fool.%@NL@%%@EH@%

%@NL@%Richard Wagner
%@NL@%Parsifal [1882]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Stevenson Washburn%@AE@%%@EH@%
%@NL@%
%@AB@%1813-1903%@AE@%
%@NL@%%@NL@%

%@QR:Henry Stevenson Washburn@%%@QR:Washburn@%%@CR:N1813WASH10     @%%@2@%We shall meet, but we shall miss him,%@NL@%%@EH@%
There will be one vacant chair.%@NL@%

%@NL@%Henry Stevenson Washburn
%@NL@%The Vacant Chair, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Osborne Davis%@AE@%%@EH@%
%@NL@%
%@AB@%1814-1845%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Osborne Davis@%%@QR:Davis@%%@CR:N1814DAVT10     @%%@2@%Come in the evening, or come in the morning,%@NL@%%@EH@%
Come when you're looked for, or come without warning.%@NL@%

%@NL@%Thomas Osborne Davis
%@NL@%The Welcome, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Osborne Davis@%%@QR:Davis@%%@CR:N1814DAVT20     @%%@2@%Sheep without a Shepherd,%@NL@%%@EH@%
When the snow shuts out the sky-%@NL@%
Oh, why did you leave us, Owen?%@NL@%
Why did you die?%@NL@%

%@NL@%Thomas Osborne Davis
%@NL@%Lament for the Death of Eoghan Ruadh O'Neill, st. 7

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Frederick William Faber%@AE@%%@EH@%
%@NL@%
%@AB@%1814-1863%@AE@%
%@NL@%%@NL@%

%@QR:Frederick William Faber@%%@QR:Faber@%%@CR:N1814FABF5      @%%@2@%Faith of our fathers! holy faith!%@NL@%%@EH@%
We will be true to thee till death.%@NL@%

%@NL@%Frederick William Faber
%@NL@%A Pledge of Faithfulness [1849]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Mikhail Yurievich Lermontov%@AE@%%@EH@%
%@NL@%
%@AB@%1814-1841%@AE@%
%@NL@%%@NL@%

%@QR:Mikhail Yurievich Lermontov@%%@QR:Lermontov@%%@CR:N1814LERM10     @%%@2@%   A Hero of Our Time, gentlemen, is indeed a portrait, but not of a single%@EH@%
individual; it is a portrait composed of all the vices of our generation in
the fullness of their development.%@NL@%
%@NL@%
Mikhail Yurievich Lermontov
%@NL@%A Hero of Our Time [1840]. Author's Introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mikhail Yurievich Lermontov@%%@QR:Lermontov@%%@CR:N1814LERM20     @%%@2@%A solitary sail that rises%@NL@%%@EH@%
White in the blue mist on the foam-%@NL@%
What is it in far lands it prizes?%@NL@%
What does it leave behind at home?%@NL@%

%@NL@%Mikhail Yurievich Lermontov
%@NL@%%@FN@%
Translated by C. M. Bowra.  %@EF@%
A Sail [1841],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mikhail Yurievich Lermontov@%%@QR:Lermontov@%%@CR:N1814LERM30     @%%@2@%Beneath, the azure current floweth,%@NL@%%@EH@%
Above, the golden sunlight glows.%@NL@%
Rebellious, the storms it wooeth,%@NL@%
As if the storms could give repose.%@NL@%

%@NL@%Mikhail Yurievich Lermontov
%@NL@%A Sail [1841],st. 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Mackay%@AE@%%@EH@%
%@NL@%
%@AB@%1814-1889%@AE@%
%@NL@%%@NL@%

%@QR:Charles Mackay@%%@QR:Mackay@%%@CR:N1814MACC10     @%%@2@%There's a good time coming, boys!%@NL@%%@EH@%
A good time coming.%@NL@%

%@NL@%Charles Mackay
%@NL@%The Good Time Coming, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edwin McMasters Stanton%@AE@%%@EH@%
%@NL@%
%@AB@%1814-1869%@AE@%
%@NL@%%@NL@%

%@QR:Edwin McMasters Stanton@%%@QR:Stanton@%%@CR:N1814STAE10     @%%@2@%   Now he [Lincoln] belongs to the ages.%@NL@%%@EH@%
%@NL@%
Edwin McMasters Stanton
%@NL@%On the death of Lincoln [April 15, 1865]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Otto von Bismarck%@AE@%%@EH@%
%@NL@%
%@AB@%1815-1898%@AE@%
%@NL@%%@NL@%

%@FN@%
Eisen und Blut.  %@EF@%
%@QR:Otto von Bismarck@%%@QR:Bismarck@%%@CR:N1815BISO10     @%%@2@%   The great questions of the time are not decided by speeches and majority%@EH@%
decisions-that was the error of 1848 and 1849-but by iron and blood.%@NL@%
%@NL@%
Otto von Bismarck
%@NL@%Speech to the Prussian Diet [September 30, 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Politics is not a science . . . but an art.-Bismarck, speech [March 15,
1884]  Politics is the art of the possible.-Attributed to Bismarck  %@EF@%
%@QR:Otto von Bismarck@%%@QR:Bismarck@%%@CR:N1815BISO30     @%%@2@%   Politics is not an exact science.%@NL@%%@EH@%
%@NL@%
Otto von Bismarck
%@NL@%Speech to the Herrenhaus [December 13, 1863]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Otto von Bismarck@%%@QR:Bismarck@%%@CR:N1815BISO50     @%%@2@%   The glass house of German statecraft.%@NL@%%@EH@%
%@NL@%
Otto von Bismarck
%@NL@%Concerning Austro-German power, to a commission of the
Prussian Landtag [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Otto von Bismarck@%%@QR:Bismarck@%%@CR:N1815BISO60     @%%@2@%   Only a completely ready state can permit the luxury of a liberal%@EH@%
government.%@NL@%
%@NL@%
Otto von Bismarck
%@NL@%Speech [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Otto von Bismarck@%%@QR:Bismarck@%%@CR:N1815BISO70     @%%@2@%   Let us put Germany in the saddle, so to speak-it already knows how to%@EH@%
ride.%@NL@%
%@NL@%
Otto von Bismarck
%@NL@%Speech to the North German Reichstag[March 11, 1867]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Otto von Bismarck@%%@QR:Bismarck@%%@CR:N1815BISO80     @%%@2@%   A conquering army on the border will not be halted by the power of%@EH@%
eloquence.%@NL@%
%@NL@%
Otto von Bismarck
%@NL@%Speech to the North German Reichstag[September 24, 1867]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Otto von Bismarck@%%@QR:Bismarck@%%@CR:N1815BISO90     @%%@2@%   He who has his thumb on the purse has the power.%@NL@%%@EH@%
%@NL@%
Otto von Bismarck
%@NL@%Speech to the North German Reichstag[May 21, 1869]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Otto von Bismarck@%%@QR:Bismarck@%%@CR:N1815BISO100    @%%@2@%   The luxury of one's own opinion.%@NL@%%@EH@%
%@NL@%
Otto von Bismarck
%@NL@%Speech to the Prussian Diet [December 17, 1873]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Otto von Bismarck@%%@QR:Bismarck@%%@CR:N1815BISO110    @%%@2@%   The right people in the right jobs.%@NL@%%@EH@%
%@NL@%
Otto von Bismarck
%@NL@%Speech to the North German Reichstag [1875]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Otto von Bismarck@%%@QR:Bismarck@%%@CR:N1815BISO120    @%%@2@%   Politics ruins the character.%@NL@%%@EH@%
%@NL@%
Otto von Bismarck
%@NL@%Reported by Bernhard Brigl in the Berlin T[auml ]gliche
Rundschau [1881]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Otto von Bismarck@%%@QR:Bismarck@%%@CR:N1815BISO130    @%%@2@%   We Germans fear God, but nothing else in the world.%@NL@%%@EH@%
%@NL@%
Otto von Bismarck
%@NL@%Speech to the Reichstag [February 6, 1888]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Henry Dana%@AE@%%@EH@%
%@NL@%
%@AB@%1815-1882%@AE@%
%@NL@%%@NL@%

%@QR:Richard Henry Dana@%%@QR:Dana@%%@CR:N1815DANR10     @%%@2@%Six days shalt thou labor and do all thou art able,%@NL@%%@EH@%
And on the seventh-holystone the decks and scrape the cable.%@NL@%

%@NL@%Richard Henry Dana
%@NL@%Two Years Before the Mast [1840], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Old Wax and Bristles is about three sheets in the wind.-Pierce Egan, Life in
London [1821]  %@EF@%
%@QR:Richard Henry Dana@%%@QR:Dana@%%@CR:N1815DANR20     @%%@2@%   He seldom went up to town without coming down "three sheets in the wind."%@NL@%%@EH@%
%@NL@%
Richard Henry Dana
%@NL@%Two Years Before the Mast [1840], ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Henry Dana@%%@QR:Dana@%%@CR:N1815DANR30     @%%@2@%   Everything was "shipshape and Bristol fashion."%@NL@%%@EH@%
%@NL@%
Richard Henry Dana
%@NL@%Two Years Before the Mast [1840], ch.22

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%David Davis%@AE@%%@EH@%
%@NL@%
%@AB@%1815-1886%@AE@%
%@NL@%%@NL@%

%@QR:David Davis@%%@QR:Davis@%%@CR:N1815DAVD10     @%%@2@%   The Constitution of the United States is a law for rulers and people,%@EH@%
equally in war and in peace, and covers with the shield of its protection
all classes of men, at all times, and under all circumstances. No doctrine,
involving more pernicious consequences, was ever invented by the wit of man
than that any of its provisions can be suspended during any of the great
exigencies of government.%@NL@%
%@NL@%
David Davis
%@NL@%Ex Parte Milligan, 4 Wallace 2, 120-121 [1866]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Daniel Decatur Emmett%@AE@%%@EH@%
%@NL@%
%@AB@%1815-1904%@AE@%
%@NL@%%@NL@%

%@FN@%
Originally this word [Dixie] applied only to New Orleans; not until the
Civil War, when D. D. Emmett's famous song . . . became the favorite battle
song of the Confederacy, was it in general use to designate the entire
South. It came about in this fashion:  A few years after Louisiana became a
part of the United States . . . one of the New Orleans banks began issuing
ten-dollar notes, one side of which was printed in English and the other in
French. On the latter, in large letters, was the French word for ten, dix. .
. .  One of these notes was known simply as a dix; collectively they were
dixies, a name which was soon applied to the city of issue as well.-Herbert
Asbury, The French Quarter [1936], ch. 3  %@EF@%
%@QR:Daniel Decatur Emmett@%%@QR:Emmett@%%@CR:N1815EMMD10     @%%@2@%I wish I was in de land ob cotton,%@NL@%%@EH@%
Old times dar am not forgotten.%@NL@%
Look away, look away,%@NL@%
Look away, Dixie Land.%@NL@%

%@NL@%Daniel Decatur Emmett
%@NL@%Dixie [1859],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Daniel Decatur Emmett@%%@QR:Emmett@%%@CR:N1815EMMD30     @%%@2@%In Dixie's land, we'll took our stand,%@NL@%%@EH@%
To lib an' die in Dixie!%@NL@%

%@NL@%Daniel Decatur Emmett
%@NL@%Dixie [1859],st. 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Babsone Lane Soule%@AE@%%@EH@%
%@NL@%
%@AB@%1815-1891%@AE@%
%@NL@%%@NL@%

%@FN@%
Horace Greeley [1811-1872] used the expression in an editorial in the New
York Tribune. As the saying "Go west, young man, and grow up with the
country" gained popularity, Greeley printed Soule's article, to show the
source of his inspiration.  Many men have stated that the advice was given
to them by Greeley, among them William S. Verity [1837-1930], who said
Greeley had given it to him in 1859.  See Greeley  %@EF@%
%@QR:John Babsone Lane Soule@%%@QR:Soule@%%@CR:N1815SOUJ10     @%%@2@%   Go west, young man.%@NL@%%@EH@%
%@NL@%
John Babsone Lane Soule
%@NL@%Article in the Terre Haute (Indiana) Express [1851]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Elizabeth Cady Stanton%@AE@%%@EH@%
%@NL@%
%@AB@%1815-1902%@AE@%
%@NL@%%@NL@%

%@QR:Elizabeth Cady Stanton@%%@QR:Stanton@%%@CR:N1815STAE5      @%%@2@%   We hold these truths to be self-evident, that all men and women are%@EH@%
created equal.%@NL@%
%@NL@%
Elizabeth Cady Stanton
%@NL@%First Woman's Rights Convention, Seneca Falls, New York
[July 19-20, 1848].Declaration of Sentiments

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Cady Stanton@%%@QR:Stanton@%%@CR:N1815STAE7      @%%@2@%   Resolved, That it is the duty of the women of this country to secure to%@EH@%
themselves their sacred right to the elective franchise.%@NL@%
%@NL@%
Elizabeth Cady Stanton
%@NL@%First Woman's Rights Convention, Seneca Falls, New York
[July 19-20, 1848].Resolution IX

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Cady Stanton@%%@QR:Stanton@%%@CR:N1815STAE10     @%%@2@%   The prejudice against color, of which we hear so much, is no stronger%@EH@%
than that against sex. It is produced by the same cause, and manifested very
much in the same way. The Negro's skin and the woman's sex are both prima
facie evidence that they were intended to be in subjection to the white
Saxon man.%@NL@%
%@NL@%
Elizabeth Cady Stanton
%@NL@%Speech before the New York Legislature [February 18, 1860]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Referring to resolutions she had introduced at the tenth National Woman's
Rights Convention [May 10, 1860], declaring that under certain circumstances
divorce was justifiable.  %@EF@%
%@QR:Elizabeth Cady Stanton@%%@QR:Stanton@%%@CR:N1815STAE20     @%%@2@%   Woman's degradation is in man's idea of his sexual rights. Our religion,%@EH@%
laws, customs, are all founded on the belief that woman was made for man.
Come what will, my whole soul rejoices in the truth that I have uttered.%@NL@%
%@NL@%
Elizabeth Cady Stanton
%@NL@%Letter to Susan B. Anthony [June 14, 1860]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Elizabeth Cady Stanton@%%@QR:Stanton@%%@CR:N1815STAE30     @%%@2@%   Our "pathway" is straight to the ballot box, with no variableness nor%@EH@%
shadow of turning. . . . We demand in the Reconstruction suffrage for all
the citizens of the Republic. I would not talk of Negroes or women, but of
citizens.%@NL@%
%@NL@%
Elizabeth Cady Stanton
%@NL@%Letter to Thomas Wentworth Higginson [January 13, 1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Victoria Woodhull.  %@EF@%
%@QR:Elizabeth Cady Stanton@%%@QR:Stanton@%%@CR:N1815STAE40     @%%@2@%   Women have crucified the Mary Wollstonecrafts, the Fanny Wrights, and the%@EH@%
George Sands of all ages. Men mock us with the fact and say we are ever
cruel to each other. . . . If this present woman must be crucified, let men
drive the spikes.%@NL@%
%@NL@%
Elizabeth Cady Stanton
%@NL@%Letter to Lucretia Mott [April 1, 1872]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anthony Trollope%@AE@%%@EH@%
%@NL@%
%@AB@%1815-1882%@AE@%
%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA10     @%%@2@%   The tenth Muse who now governs the periodical press.%@NL@%%@EH@%
%@NL@%
Anthony Trollope
%@NL@%The Warden [1855], ch. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA13     @%%@2@%   One of her instructors in fashion had given her to understand that curls%@EH@%
were not the thing. "They'll always pass muster," Miss Dunstable had
replied, "when they are done up with bank notes."%@NL@%
%@NL@%
Anthony Trollope
%@NL@%Doctor Thorne [1858], ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA17     @%%@2@%   There is no road to wealth so easy and respectable as that of matrimony.%@NL@%%@EH@%
%@NL@%
Anthony Trollope
%@NL@%Doctor Thorne [1858], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA25     @%%@2@%   I cannot hold with those who wish to put down the insignificant chatter%@EH@%
of the world.%@NL@%
%@NL@%
Anthony Trollope
%@NL@%Framley Parsonage [1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA40     @%%@2@%   She understood how much louder a cock can crow in its own farmyard than%@EH@%
elsewhere.%@NL@%
%@NL@%
Anthony Trollope
%@NL@%The Last Chronicle of Barset [1867], vol.I, ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA50     @%%@2@%   Always remember that when you go into an attorney's office door, you will%@EH@%
have to pay for it, first or last.%@NL@%
%@NL@%
Anthony Trollope
%@NL@%The Last Chronicle of Barset [1867], vol.I, ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA60     @%%@2@%   It is a comfortable feeling to know that you stand on your own ground.%@EH@%
Land is about the only thing that can't fly away. 1 %@NL@%
%@NL@%
Anthony Trollope
%@NL@%The Last Chronicle of Barset [1867], vol.II, ch.58

%@NL@%%@AI@%1 See John Adams%@BO:          2f461f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA70     @%%@2@%   It's dogged as does it. It ain't thinking about it.%@NL@%%@EH@%
%@NL@%
Anthony Trollope
%@NL@%The Last Chronicle of Barset [1867], vol.II, ch.61

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA80     @%%@2@%   Nothing reopens the springs of love so fully as absence, and no absence%@EH@%
so thoroughly as that which must needs be endless.%@NL@%
%@NL@%
Anthony Trollope
%@NL@%The Last Chronicle of Barset [1867], vol.II, ch.67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA85     @%%@2@%   She knew how to allure by denying, and to make the gift rich by delaying%@EH@%
it.%@NL@%
%@NL@%
Anthony Trollope
%@NL@%Phineas Finn [1869], ch. 57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA90     @%%@2@%   There are worse things than a lie . . . I have found . . . that it may be%@EH@%
well to choose one sin in order that another may be shunned.%@NL@%
%@NL@%
Anthony Trollope
%@NL@%Doctor Wortle's School [1879], ch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA100    @%%@2@%   Barchester Towers has become one of those novels which do not die quite%@EH@%
at once, which live and are read for perhaps a quarter of a century.%@NL@%
%@NL@%
Anthony Trollope
%@NL@%An Autobiography [1883], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nulla dies sine linea [No day without a line]. Let that be their motto. . .
. No gigantic efforts will then be necessary.-Trollope, An Autobiography
[1883], ch. 20, advice to young writers  See Apelles  %@EF@%
%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA110    @%%@2@%   A small daily task, if it be really daily, will beat the labors of a%@EH@%
spasmodic Hercules.%@NL@%
%@NL@%
Anthony Trollope
%@NL@%An Autobiography [1883], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anthony Trollope@%%@QR:Trollope@%%@CR:N1815TROA130    @%%@2@%   Of all the needs a book has, the chief need is that it be readable. 1 %@NL@%%@EH@%
%@NL@%
Anthony Trollope
%@NL@%An Autobiography [1883], ch.19

%@NL@%%@AI@%1 See Henry James%@BO:          4d541a@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Philip James Bailey%@AE@%%@EH@%
%@NL@%
%@AB@%1816-1902%@AE@%
%@NL@%%@NL@%

%@QR:Philip James Bailey@%%@QR:Bailey@%%@CR:N1816BAIP10     @%%@2@%Let each man think himself an act of God,%@NL@%%@EH@%
His mind a thought, his life a breath of God.%@NL@%

%@NL@%Philip James Bailey
%@NL@%Festus [1839].Proem

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip James Bailey@%%@QR:Bailey@%%@CR:N1816BAIP20     @%%@2@%We live in deeds, not years; in thoughts, not breaths;%@NL@%%@EH@%
In feelings, not in figures on a dial.%@NL@%

%@NL@%Philip James Bailey
%@NL@%Festus [1839].A Country Town

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip James Bailey@%%@QR:Bailey@%%@CR:N1816BAIP30     @%%@2@%Envy's a coal comes hissing hot from hell.%@NL@%%@EH@%

%@NL@%Philip James Bailey
%@NL@%Festus [1839].A Country Town

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Philip James Bailey@%%@QR:Bailey@%%@CR:N1816BAIP40     @%%@2@%America, thou half-brother of the world;%@NL@%%@EH@%
With something good and bad of every land.%@NL@%

%@NL@%Philip James Bailey
%@NL@%Festus [1839].The Surface

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charlotte Bronte%@AE@%%@EH@%
%@NL@%
%@AB@%1816-1855%@AE@%
%@NL@%%@NL@%

%@QR:Charlotte Bronte@%%@QR:Bronte@%%@CR:N1816BROC5      @%%@2@%We wove a web in childhood,%@NL@%%@EH@%
A web of sunny air.%@NL@%

%@NL@%Charlotte Bronte
%@NL@%Retrospection [1846], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charlotte Bronte@%%@QR:Bronte@%%@CR:N1816BROC10     @%%@2@%The human heart has hidden treasures,%@NL@%%@EH@%
In secret kept, in silence sealed.%@NL@%

%@NL@%Charlotte Bronte
%@NL@%Evening Solace [1846], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charlotte Bronte@%%@QR:Bronte@%%@CR:N1816BROC15     @%%@2@%   Conventionality is not morality. Self-righteousness is not religion. To%@EH@%
attack the first is not to assail the last.%@NL@%
%@NL@%
Charlotte Bronte
%@NL@%Jane Eyre [1847],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charlotte Bronte@%%@QR:Bronte@%%@CR:N1816BROC20     @%%@2@%   Reader, I married him.%@NL@%%@EH@%
%@NL@%
Charlotte Bronte
%@NL@%Jane Eyre [1847],ch. 38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charlotte Bronte@%%@QR:Bronte@%%@CR:N1816BROC30     @%%@2@%   An abundant shower of curates has fallen upon the north of England.%@NL@%%@EH@%
%@NL@%
Charlotte Bronte
%@NL@%Shirley [1849], ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charlotte Bronte@%%@QR:Bronte@%%@CR:N1816BROC40     @%%@2@%   Unromantic as Monday morning.%@NL@%%@EH@%
%@NL@%
Charlotte Bronte
%@NL@%Shirley [1849], ch. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gustav Freytag%@AE@%%@EH@%
%@NL@%
%@AB@%1816-1895%@AE@%
%@NL@%%@NL@%

%@FN@%
Concerning the proposition that power is intrinsically evil.  %@EF@%
%@QR:Gustav Freytag@%%@QR:Freytag@%%@CR:N1816FREG10     @%%@2@%   Madness of the Caesars.%@NL@%%@EH@%
%@NL@%
Gustav Freytag
%@NL@%Die Verlorene Handschrift [1864]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ellen Sturgis Hooper%@AE@%%@EH@%
%@NL@%
%@AB@%1816-1841%@AE@%
%@NL@%%@NL@%

%@QR:Ellen Sturgis Hooper@%%@QR:Hooper@%%@CR:N1816HOOE10     @%%@2@%I slept and dreamed that life was beauty.%@NL@%%@EH@%
I woke-and found that life was duty.%@NL@%

%@NL@%Ellen Sturgis Hooper
%@NL@%Beauty and Duty

%@NL@%
%@NL@%
%@NL@%
%@1@%%@AB@%Eugene Pottier%@AE@%%@EH@%
%@NL@%
%@AB@%1816-1887%@AE@%
%@NL@%%@NL@%

%@QR:Eugene Pottier@%%@QR:Pottier@%%@CR:N1816POTE10     @%%@2@%Arise, ye prisoners of starvation,%@NL@%%@EH@%
Arise, ye wretched of the earth,%@NL@%
For justice thunders condemnation-%@NL@%
A better world's in birth.%@NL@%

%@NL@%Eugene Pottier
%@NL@%%@FN@%
Adolphe Degeyter wrote the music for "The International," which was adopted
as the rallying song of Communism.  %@EF@%
L'Internationale [1871]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Godfrey Saxe%@AE@%%@EH@%
%@NL@%
%@AB@%1816-1887%@AE@%
%@NL@%%@NL@%

%@FN@%
He travels the fastest who travels alone.-Kipling [1865-1936], The Winners  %@EF@%
%@QR:John Godfrey Saxe@%%@QR:Saxe@%%@CR:N1816SAXJ10     @%%@2@%In battle or business, whatever the game,%@NL@%%@EH@%
In law or in love, it is ever the same;%@NL@%
In the struggle for power, or the scramble for pelf,%@NL@%
Let this be your motto-Rely on yourself!%@NL@%
For, whether the prize be a ribbon or throne,%@NL@%
The victor is he who can go it alone!%@NL@%

%@NL@%John Godfrey Saxe
%@NL@%The Game of Life, st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Godfrey Saxe@%%@QR:Saxe@%%@CR:N1816SAXJ30     @%%@2@%"God bless the man who first invented sleep!" 1 %@NL@%%@EH@%
So Sancho Panza said, and so say I. 2 %@NL@%

%@NL@%John Godfrey Saxe
%@NL@%Early Rising, st. 1

%@NL@%%@AI@%1 See Cervantes%@BO:          151b9e@%%@AE@%
%@AI@%2 See F. P. Adams%@BO:          59f649@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Frederick Douglass%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1817-1895%@AE@%
%@FN@%
This man, this Douglass . . . superb in love and logic.-Robert Hayden
[1913-1980], A Ballad of Remembrance [1962], Frederick Douglass  %@EF@%
%@NL@%%@NL@%

%@QR:Frederick Douglass@%%@QR:Douglass@%%@CR:N1817DOUF20     @%%@2@%   Every tone [of the songs of the slaves] was a testimony against slavery,%@EH@%
and a prayer to God for deliverance from chains.%@NL@%
%@NL@%
Frederick Douglass
%@NL@%Narrative of the Life of Frederick Douglass [1845], ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Douglass@%%@QR:Douglass@%%@CR:N1817DOUF30     @%%@2@%   The whole history of the progress of human liberty shows that all%@EH@%
concessions yet made to her august claims have been born of earnest
struggle. . . . If there is no struggle, there is no progress. Those who
profess to favor freedom, and yet deprecate agitation, are men who want
crops without plowing up the ground, they want rain without thunder and
lightning. They want the ocean without the awful roar of its many waters. 1 %@NL@%
%@NL@%
Frederick Douglass
%@NL@%From John W. Blassingame,
Frederick Douglass: The Clarion Voice [1976]

%@NL@%%@AI@%1 See Psalm 93:4%@BO:           27bf5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Douglass@%%@QR:Douglass@%%@CR:N1817DOUF50     @%%@2@%   What, to the American slave, is your Fourth of July? I answer: A day that%@EH@%
reveals to him, more than all other days of the year, the gross injustices
and cruelty to which he is the constant victim. To him your celebration is a
sham.%@NL@%
%@NL@%
Frederick Douglass
%@NL@%What to the Slave Is the Fourth of July?
Speech at Rochester, New York [July 4, 1852]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Douglass@%%@QR:Douglass@%%@CR:N1817DOUF60     @%%@2@%   You profess to believe that "of one blood God made all nations of men to%@EH@%
dwell on the face of all the earth"-and hath commanded all men, everywhere,
to love one another-yet you notoriously hate (and glory in your hatred!) all
men whose skins are not colored like your own!%@NL@%
%@NL@%
Frederick Douglass
%@NL@%What to the Slave Is the Fourth of July?
Speech at Rochester, New York [July 4, 1852]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Douglass@%%@QR:Douglass@%%@CR:N1817DOUF70     @%%@2@%   The ground which a colored man occupies in this country is, every inch of%@EH@%
it, sternly disputed.%@NL@%
%@NL@%
Frederick Douglass
%@NL@%Speech at the American and Foreign Anti-Slavery Society
annual meeting, New York City [May 1853]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Douglass@%%@QR:Douglass@%%@CR:N1817DOUF90     @%%@2@%   The destiny of the colored American . . . is the destiny of America. 1 %@NL@%%@EH@%
%@NL@%
Frederick Douglass
%@NL@%Speech at the Emancipation League, Boston [February 12, 1862]

%@NL@%%@AI@%1 See Du Bois%@BO:          550e3a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Douglass@%%@QR:Douglass@%%@CR:N1817DOUF100    @%%@2@%   The relation between the white and colored people of this country is the%@EH@%
great, paramount, imperative, and all-commanding question for this age and
nation to solve. 1 %@NL@%
%@NL@%
Frederick Douglass
%@NL@%Speech at the Church of the Puritans, New York City [May 1863]

%@NL@%%@AI@%1 See Du Bois%@BO:          550e3a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Douglass@%%@QR:Douglass@%%@CR:N1817DOUF110    @%%@2@%   Despite of it all, the Negro remains . . . cool, strong, imperturbable,%@EH@%
and cheerful.%@NL@%
%@NL@%
Frederick Douglass
%@NL@%Speech on the twenty-first anniversary of Emancipation
in the District of Columbia, Washington, D.C. [April 1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Douglass@%%@QR:Douglass@%%@CR:N1817DOUF120    @%%@2@%   In all the relations of life and death, we are met by the color line.%@NL@%%@EH@%
%@NL@%
Frederick Douglass
%@NL@%Speech at the Convention of Colored Men, Louisville, Kentucky
[September 24, 1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Douglass@%%@QR:Douglass@%%@CR:N1817DOUF130    @%%@2@%   No man can put a chain about the ankle of his fellow man without at last%@EH@%
finding the other end fastened about his own neck.%@NL@%
%@NL@%
Frederick Douglass
%@NL@%Speech at Civil Rights Mass Meeting, Washington, D.C.
[October 22, 1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Douglass@%%@QR:Douglass@%%@CR:N1817DOUF140    @%%@2@%   The life of the nation is secure only while the nation is honest,%@EH@%
truthful, and virtuous.%@NL@%
%@NL@%
Frederick Douglass
%@NL@%Speech on the twenty-third anniversary of Emancipation
in the District of Columbia, Washington, D.C. [April 1885]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frederick Douglass@%%@QR:Douglass@%%@CR:N1817DOUF150    @%%@2@%   Where justice is denied, where poverty is enforced, where ignorance%@EH@%
prevails, and where any one class is made to feel that society is in an
organized conspiracy to oppress, rob, and degrade them, neither persons nor
property will be safe.%@NL@%
%@NL@%
Frederick Douglass
%@NL@%Speech on the twenty-fourth anniversary of Emancipation
in the District of Columbia, Washington, D.C. [April 1886]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James T homas Fields%@AE@%%@EH@%
%@NL@%
%@AB@%1817-1881%@AE@%
%@NL@%%@NL@%

%@QR:James T homas Fields@%%@QR:Fields@%%@CR:N1817FIEJ10     @%%@2@%But his little daughter whispered,%@NL@%%@EH@%
As she took his icy hand,%@NL@%
"Isn't God upon the ocean,%@NL@%
Just the same as on the land?" 1  2 %@NL@%

%@NL@%James T homas Fields
%@NL@%The Captain's Daughter; or, The Ballad of the Tempest [1858], st. 5

%@NL@%%@AI@%1 See Sir Humphrey Gilbert%@BO:          147575@%%@AE@%
%@AI@%2 See Robert Burton%@BO:          2119b5@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Georg Herwegh%@AE@%%@EH@%
%@NL@%
%@AB@%1817-1875%@AE@%
%@NL@%%@NL@%

%@QR:Georg Herwegh@%%@QR:Herwegh@%%@CR:N1817HERG10     @%%@2@%The poor human heart must break piecemeal.%@NL@%%@EH@%

%@NL@%Georg Herwegh
%@NL@%Strophen aus der Fremde [1840]. From Ruckert's Musenalmanach

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry David Thoreau%@AE@%%@EH@%
%@NL@%
%@AB@%1817-1862%@AE@%
%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH10     @%%@2@%I am a parcel of vain strivings tied%@NL@%%@EH@%
By a chance bond together.%@NL@%

%@NL@%Henry David Thoreau
%@NL@%Sic Vita [1841], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH12     @%%@2@%   We are as much as we see. Faith is sight and knowledge. The hands only%@EH@%
serve the eyes.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].April 9, 1841

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH14     @%%@2@%   The Indian . . . stands free and unconstrained in Nature, is her%@EH@%
inhabitant and not her guest, and wears her easily and gracefully. But the
civilized man has the habits of the house. His house is a prison.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].April 26, 1841

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sauntering, which word is beautifully derived "from idle people who roved
about the country, in the Middle Ages, and asked charity, under pretense of
going a la Sainte Terre," to the Holy Land, till the children exclaimed,
"There goes a Sainte-Terrer."-Thoreau, Walking [1862]  %@EF@%
%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH16     @%%@2@%   It is a great art to saunter.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].April 26, 1841

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH18     @%%@2@%   A slight sound at evening lifts me up by the ears, and makes life seem%@EH@%
inexpressibly serene and grand. It may be in Uranus, or it may be in the
shutter.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].July 10-12, 1841

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH21     @%%@2@%   For many years I was self-appointed inspector of snowstorms and%@EH@%
rainstorms, and did my duty faithfully, though I never received one cent for
it.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%%@FN@%
No year in Thoreau's dateline.  %@EF@%
Journal [1906].February 22, 1845-1847

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH23     @%%@2@%   And now, at half-past ten o'clock, I hear the cockerels crow in Hubbard's%@EH@%
barns, and morning is already anticipated. It is the feathered, wakeful
thought in us that anticipates the following day.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].July 11, 1851

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH25     @%%@2@%   Nothing is so much to be feared as fear. 1  2  3  4  5 %@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].September 7, 1851

%@NL@%%@AI@%1 See Proverbs 3:25%@BO:           2c78e@%%@AE@%
%@AI@%2 See Montaigne%@BO:          142864@%%@AE@%
%@AI@%3 See Bacon%@BO:          160f0f@%%@AE@%
%@AI@%4 See Wellington%@BO:          337d57@%%@AE@%
%@AI@%5 See Roosevelt%@BO:          5a796c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH27     @%%@2@%   The bluebird carries the sky on his back.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].April 3, 1852

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH31     @%%@2@%   The perception of beauty is a moral test.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].June 21, 1852

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH35     @%%@2@%   The youth gets together his materials to build a bridge to the moon, or,%@EH@%
perchance, a palace or temple on the earth, and, at length, the middle-aged
man concludes to build a woodshed with them.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].July 14, 1852

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH41     @%%@2@%   Fire is the most tolerable third party.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].January 2, 1853

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH45     @%%@2@%   Some circumstantial evidence is very strong, as when you find a trout in%@EH@%
the milk.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].November 11, 1854

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH47     @%%@2@%   Nature is full of genius, full of the divinity; so that not a snowflake%@EH@%
escapes its fashioning hand.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].January 5, 1856

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH49     @%%@2@%   The same law that shapes the earth-star shapes the snow-star. As surely%@EH@%
as the petals of a flower are fixed, each of these countless snow-stars
comes whirling to earth . . . these glorious spangles, the sweeping of
heaven's floor.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].January 5, 1856

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH51     @%%@2@%   That man is the richest whose pleasures are the cheapest.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].March 11, 1856

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH53     @%%@2@%   This bird [the crow] sees the white man come and the Indian withdraw, but%@EH@%
it withdraws not. Its untamed voice is still heard above the tinkling of the
forge. . . . It remains to remind us of aboriginal nature.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].March 23, 1856

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH55     @%%@2@%   The savage in man is never quite eradicated.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Journal [1906].September 26, 1859

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH61     @%%@2@%Great God, I ask thee for no meaner pelf%@NL@%%@EH@%
Than that I may not disappoint myself,%@NL@%
That in my action I may soar as high%@NL@%
As I can now discern with this clear eye.%@NL@%

%@NL@%Henry David Thoreau
%@NL@%A Prayer [1842], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH65     @%%@2@%   Talk of mysteries! Think of our life in nature-daily to be shown matter,%@EH@%
to come in contact with it-rocks, trees, wind on our cheeks! the solid
earth! the actual world! the common sense! Contact! Contact! Who are we?
where are we?%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%The Maine Woods, Ktaadn [1848]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH71     @%%@2@%   I think that we should be men first, and subjects afterward. It is not%@EH@%
desirable to cultivate a respect for the law, so much as for the right.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Civil Disobedience [1849]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH75     @%%@2@%   How does it become a man to behave toward this American government today?%@EH@%
I answered that he cannot without disgrace be associated with it.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Civil Disobedience [1849]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH81     @%%@2@%   When a sixth of the population of a nation which has undertaken to be the%@EH@%
refuge of liberty are slaves, and a whole country [Mexico] is unjustly
overrun and conquered by a foreign army, and subjected to military law, I
think that it is not too soon for honest men to rebel and revolutionize.
What makes this duty the more urgent is the fact that the country so overrun
is not our own, but ours is the invading army.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Civil Disobedience [1849]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH85     @%%@2@%   A wise man will not leave the right to the mercy of chance, nor wish it%@EH@%
to prevail through the power of the majority. There is but little virtue in
the action of masses of men.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Civil Disobedience [1849]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH91     @%%@2@%   I came into this world, not chiefly to make this a good place to live in,%@EH@%
but to live in it, be it good or bad.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Civil Disobedience [1849]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH95     @%%@2@%   Any man more right than his neighbors constitutes a majority of one.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Civil Disobedience [1849]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH100    @%%@2@%   Under a government which imprisons any unjustly, the true place for a%@EH@%
just man is also a prison . . . the only house in a slave State in which a
free man can abide with honor.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Civil Disobedience [1849]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH110    @%%@2@%   I saw that the State was half-witted, that it was timid as a lone woman%@EH@%
with her silver spoons, and that it did not know its friends from its foes,
and I lost all my remaining respect for it, and pitied it.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Civil Disobedience [1849]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH120    @%%@2@%My life is like a stroll upon the beach,%@NL@%%@EH@%
As near the ocean's edge as I can go.%@NL@%

%@NL@%Henry David Thoreau
%@NL@%My Life Is Like a Stroll upon the Beach [1849], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH125    @%%@2@%The vessel, though her masts be firm,%@NL@%%@EH@%
Beneath her copper bears a worm.%@NL@%

%@NL@%Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Monday [Though All the
Fates Should Prove Unkind, st. 2]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH127    @%%@2@%Far from New England's blustering shore,%@NL@%%@EH@%
New England's worm her hulk shall bore,%@NL@%
And sink her in the Indian seas,%@NL@%
Twine, wine, and hides, and China teas.%@NL@%

%@NL@%Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Monday [Though All the
Fates Should Prove Unkind, st. 2]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH130    @%%@2@%   Methinks my own soul must be a bright invisible green.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Wednesday

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH140    @%%@2@%   It takes two to speak the truth-one to speak, and another to hear.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Wednesday

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH145    @%%@2@%   Even the death of friends will inspire us as much as their lives. . . .%@EH@%
Their memories will be encrusted over with sublime and pleasing thoughts, as
monuments of other men are overgrown with moss; for our friends have no
place in the graveyard.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Wednesday

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH150    @%%@2@%   This world is but canvas to our imaginations.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Wednesday

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH160    @%%@2@%   Dreams are the touchstones of our characters.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Wednesday

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH170    @%%@2@%   Go where we will on the surface of things, men have been there before us.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Thursday

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH180    @%%@2@%   The frontiers are not east or west, north or south, but wherever a man%@EH@%
fronts a fact.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Thursday

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH190    @%%@2@%   A true account of the actual is the rarest poetry, for common sense%@EH@%
always takes a hasty and superficial view.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Thursday

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH195    @%%@2@%Here while I lie beneath this walnut bough,%@NL@%%@EH@%
What care I for the Greeks or for Troy town,%@NL@%
If juster battles are enacted now%@NL@%
Beneath the ants upon this hummock's crown?%@NL@%

%@NL@%Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].ThursdayMy Books I'd Fain
Cast Off, st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH200    @%%@2@%   As if our birth had at first sundered things, and we had been thrust up%@EH@%
through into nature like a wedge, and not till the wound heals and the scar
disappears, do we begin to discover where we are, and that nature is one and
continuous everywhere.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Friday

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH210    @%%@2@%   What are the earth and all its interests beside the deep surmise which%@EH@%
pierces and scatters them?%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Friday

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH220    @%%@2@%   It is so rare to meet with a man outdoors who cherishes a worthy thought%@EH@%
in his mind, which is independent of the labor of his hands.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Friday

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH230    @%%@2@%   The eye may see for the hand, but not for the mind.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].Friday

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH235    @%%@2@%My life has been the poem I would have writ,%@NL@%%@EH@%
But I could not both live and utter it.%@NL@%

%@NL@%Henry David Thoreau
%@NL@%A Week on the Concord and Merrimack Rivers [1849].FridayMy Life Has Been the
Poem I Would Have Writ

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH320    @%%@2@%   The fate of the country . . . does not depend on what kind of paper you%@EH@%
drop into the ballot box once a year, but on what kind of man you drop from
your chamber into the street every morning.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Slavery in Massachusetts [1854]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH330    @%%@2@%   I should not talk so much about myself if there were anybody else whom I%@EH@%
knew as well.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%%@FN@%
Walden is the only book I own, although there are some others unclaimed on
my shelves. Every man, I think, reads one book in his life, and this one is
mine. It is not the best book I ever encountered, perhaps, but it is for me
the handiest, and I keep it about me in much the same way one carries a
handkerchief-for relief in moments of defluxion or despair.-E. B. White, The
New Yorker [May 23, 1953]  See E. B. White  %@EF@%
Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH350    @%%@2@%   I have traveled a good deal in Concord.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH360    @%%@2@%   Public opinion is a weak tyrant compared with our own private opinion.%@EH@%
What a man thinks of himself, that is which determines, or rather,
indicates, his fate.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH370    @%%@2@%   As if you could kill time without injuring eternity.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH380    @%%@2@%   The mass of men lead lives of quiet desperation.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH390    @%%@2@%   It is characteristic of wisdom not to do desperate things.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH395    @%%@2@%   It is never too late to give up our prejudices.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH400    @%%@2@%   Age is no better, hardly so well, qualified for an instructor as youth,%@EH@%
for it has not profited so much as it has lost.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH410    @%%@2@%   Most of the luxuries, and many of the so-called comforts, of life are not%@EH@%
only not indispensable, but positive hindrances to the elevation of mankind.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH420    @%%@2@%   To be a philosopher is not merely to have subtle thoughts, nor even to%@EH@%
found a school, but so to love wisdom as to live accordingly to its
dictates, a life of simplicity, independence, magnanimity, and trust.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH430    @%%@2@%   Beware of all enterprises that require new clothes.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH440    @%%@2@%   Our moulting season, like that of the fowls, must be a crisis in our%@EH@%
lives.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH450    @%%@2@%   In the long run men hit only what they aim at.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH460    @%%@2@%   The swiftest traveler is he that goes afoot.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH470    @%%@2@%   It is not necessary that a man should earn his living by the sweat of his%@EH@%
brow 1  unless he sweats easier than I do.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%%@AI@%1 See Genesis 3:19%@BO:            72c3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH480    @%%@2@%   The man who goes alone can start today; but he who travels with another%@EH@%
must wait till that other is ready.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH490    @%%@2@%   When a man dies he kicks the dust.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH500    @%%@2@%   As for doing good, that is one of the professions which are full.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH510    @%%@2@%   There is no odor so bad as that which arises from goodness tainted. 1 %@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%%@AI@%1 See Shakespeare%@BO:          1f6d49@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH520    @%%@2@%   There are a thousand hacking at the branches of evil to one who is%@EH@%
striking at the root.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH530    @%%@2@%   Philanthropy is almost the only virtue which is sufficiently appreciated%@EH@%
by mankind.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],1, Economy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH540    @%%@2@%   A man is rich in proportion to the number of things which he can afford%@EH@%
to let alone.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],2, Where I Lived, and What I Lived For

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH550    @%%@2@%   To him whose elastic and vigorous thought keeps pace with the sun, the%@EH@%
day is a perpetual morning.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],2, Where I Lived, and What I Lived For

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH560    @%%@2@%   To be awake is to be alive.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],2, Where I Lived, and What I Lived For

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH570    @%%@2@%   I know of no more encouraging fact than the unquestionable ability of man%@EH@%
to elevate his life by a conscious endeavor.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],2, Where I Lived, and What I Lived For

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH580    @%%@2@%   I went to the woods because I wished to live deliberately, to front only%@EH@%
the essential facts of life, and see if I could not learn what it had to
teach, and not, when I came to die, discover that I had not lived.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],2, Where I Lived, and What I Lived For

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH590    @%%@2@%   Our life is frittered away by detail . . . Simplify, simplify.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],2, Where I Lived, and What I Lived For

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH600    @%%@2@%   We do not ride on the railroad; it rides upon us.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],2, Where I Lived, and What I Lived For

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH610    @%%@2@%   Time is but the stream I go a-fishing in.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],2, Where I Lived, and What I Lived For

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH620    @%%@2@%   Books must be read as deliberately and reservedly as they are written.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],3, Reading

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH630    @%%@2@%   What is called eloquence in the forum is commonly found to be rhetoric in%@EH@%
the study.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],3, Reading

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH635    @%%@2@%   Books are the treasured wealth of the world and the fit inheritance of%@EH@%
generations and nations. . . . Their authors are a natural and irresistible
aristocracy in every society, and, more than kings or emperors, exert an
influence on mankind.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],3, Reading

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH640    @%%@2@%   The works of the great poets have never yet been read by mankind, for%@EH@%
only great poets can read them.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],3, Reading

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH650    @%%@2@%   It is not all books that are as dull as their readers.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],3, Reading

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH660    @%%@2@%   How many a man has dated a new era in his life from the reading of a%@EH@%
book.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],3, Reading

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH670    @%%@2@%   I love a broad margin to my life.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],4, Sounds

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH680    @%%@2@%   Our horizon is never quite at our elbows.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],5, Solitude

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH690    @%%@2@%   I never found the companion that was so companionable as solitude. We are%@EH@%
for the most part more lonely when we go abroad among men than when we stay
in our chambers. A man thinking or working is always alone, let him be where
he will. 1  2 %@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],5, Solitude

%@NL@%%@AI@%1 See Cicero%@BO:           c7879@%%@AE@%
%@AI@%2 See Samuel Rogers%@BO:          32f4b4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH700    @%%@2@%   I had three chairs in my house: one for solitude, two for friendship,%@EH@%
three for society.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],6, Visitors

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH710    @%%@2@%   Ministers who spoke of God as if they enjoyed a monopoly of the subject.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],6, Visitors

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH720    @%%@2@%   I was determined to know beans.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],7, The Beanfield

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH730    @%%@2@%   Through want of enterprise and faith men are where they are, buying and%@EH@%
selling, and spending their lives like serfs.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],10, Baker Farm

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH740    @%%@2@%   There is never an instant's truce between virtue and vice. Goodness is%@EH@%
the only investment that never fails.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],11, Higher Laws

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Who splits his own wood warms himself twice.-Saying  %@EF@%
%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH745    @%%@2@%   They [wood stumps] warmed me twice-once while I was splitting them, and%@EH@%
again when they were on the fire.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],13, Housewarming

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH750    @%%@2@%   Heaven is under our feet as well as over our heads.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],16, The Pond in Winter

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH760    @%%@2@%   While men believe in the infinite, some ponds will be thought to be%@EH@%
bottomless.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],16, The Pond in Winter

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH770    @%%@2@%   What is man but a mass of thawing clay?%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],17, Spring

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH780    @%%@2@%   Through our own recovered innocence we discern the innocence of our%@EH@%
neighbors.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],17, Spring

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH785    @%%@2@%   We need the tonic of wildness . . . We can never have enough of nature.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],17, Spring

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH790    @%%@2@%   As if there were safety in stupidity alone.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],18, Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH800    @%%@2@%   If one advances confidently in the direction of his dreams, and endeavors%@EH@%
to live the life which he has imagined, he will meet with a success
unexpected in common hours.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],18, Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH810    @%%@2@%   If a man does not keep pace with his companions, perhaps it is because he%@EH@%
hears a different drummer. Let him step to the music which he hears, however
measured or far away.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],18, Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH820    @%%@2@%   Love your life, poor as it is. You may perhaps have some pleasant,%@EH@%
thrilling, glorious hours, even in a poorhouse. The setting sun is reflected
from the windows of the almshouse as brightly as from the rich man's abode.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],18, Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH830    @%%@2@%   It is life near the bone where it is sweetest.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],18, Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH840    @%%@2@%   Rather than love, than money, than fame, give me truth.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walden [1854],18, Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH850    @%%@2@%   He would have left a Greek accent slanting the wrong way, and righted up%@EH@%
a falling man.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%A Plea for Captain John Brown [1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH860    @%%@2@%   I hear many condemn these men because they were so few. When were the%@EH@%
good and the brave ever in a majority?%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%A Plea for Captain John Brown [1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH870    @%%@2@%   It was his peculiar doctrine that a man has a perfect right to interfere%@EH@%
by force with the slaveholder, in order to rescue the slave. I agree with
him. They who are continually shocked by slavery have some right to be
shocked by the violent death of the slaveholder, but no others.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%A Plea for Captain John Brown [1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH880    @%%@2@%   I speak for the slave when I say that I prefer the philanthropy of%@EH@%
Captain Brown to that philanthropy which neither shoots me nor liberates me.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%A Plea for Captain John Brown [1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH890    @%%@2@%   So we defend ourselves and our henroosts, and maintain slavery.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%A Plea for Captain John Brown [1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH900    @%%@2@%   He is not Old Brown any longer; he is an angel of light.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%A Plea for Captain John Brown [1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Motto of the Wilderness Society.  See Muir  %@EF@%
%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH903    @%%@2@%   In wildness is the preservation of the world.%@NL@%%@EH@%
%@NL@%
Henry David Thoreau
%@NL@%Walking [1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH905    @%%@2@%   Life consists with wildness. The most alive is the wildest. Not yet%@EH@%
subdued to man, its presence refreshes him.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Walking [1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH910    @%%@2@%   Men will lie on their backs, talking about the fall of man, and never%@EH@%
make an effort to get up.%@NL@%
%@NL@%
Henry David Thoreau
%@NL@%Life Without Principle [1863]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH920    @%%@2@%I'm contented you should stay%@NL@%%@EH@%
For ever and aye%@NL@%
If you can take yourself away%@NL@%
Any day.%@NL@%

%@NL@%Henry David Thoreau
%@NL@%I'm Contented You Should Stay [1943]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
What sought they thus afar? Bright jewels of the mine?/The wealth of seas,
the spoils of war?-/They sought a faith's pure shrine!-Felicia Dorothea
Hemans, The Landing of the Pilgrim Fathers, st. 9  %@EF@%
%@QR:Henry David Thoreau@%%@QR:Thoreau@%%@CR:N1817THOH930    @%%@2@%What sought they thus afar%@NL@%%@EH@%
They sought a faith's pure shrine.Seek! shall I seek! The Gods above should
give,%@NL@%
They have enough and we do poorly live.%@NL@%

%@NL@%Henry David Thoreau
%@NL@%What Sought They Thus Afar [1943], st. 1, 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alexei Konstantinovich Tolstoi%@AE@%%@EH@%
%@NL@%
%@AB@%1817-1875%@AE@%
%@NL@%%@NL@%

%@QR:Alexei Konstantinovich Tolstoi@%%@QR:Tolstoi@%%@CR:N1817TOLA10     @%%@2@%   His pen is breathing revenge.%@NL@%%@EH@%
%@NL@%
Alexei Konstantinovich Tolstoi
%@NL@%Vaska Shibanov [1855-1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexei Konstantinovich Tolstoi@%%@QR:Tolstoi@%%@CR:N1817TOLA20     @%%@2@%   No one can encompass the unencompassable.%@NL@%%@EH@%
%@NL@%
Alexei Konstantinovich Tolstoi
%@NL@%%@FN@%
Kosma Prutkov, a pompous and platitudinous clerk who dabbled in the muses,
was invented by Tolstoi and the brothers Zhemchuzhnikov, who supplied him
with a biography, a portrait, and Collected Works, published in 1884.
Individual satirical pieces had been appearing under his name since 1851. He
became a classic of Russian satirical humor.  Translated by B. G. Gurney.  %@EF@%
Collected Works of Kosma Prutkov [1884]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexei Konstantinovich Tolstoi@%%@QR:Tolstoi@%%@CR:N1817TOLA30     @%%@2@%   If thou hast a fountain, shut it up: let even a fountain have a rest.%@NL@%%@EH@%
%@NL@%
Alexei Konstantinovich Tolstoi
%@NL@%Collected Works of Kosma Prutkov [1884]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexei Konstantinovich Tolstoi@%%@QR:Tolstoi@%%@CR:N1817TOLA40     @%%@2@%   Many men are like unto sausages: whatever you stuff them with, that they%@EH@%
will bear in them.%@NL@%
%@NL@%
Alexei Konstantinovich Tolstoi
%@NL@%Collected Works of Kosma Prutkov [1884]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexei Konstantinovich Tolstoi@%%@QR:Tolstoi@%%@CR:N1817TOLA60     @%%@2@%   If you want to be happy, be.%@NL@%%@EH@%
%@NL@%
Alexei Konstantinovich Tolstoi
%@NL@%Collected Works of Kosma Prutkov [1884]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alexander II%@AE@%%@EH@%
%@NL@%
%@AB@%1818-1881%@AE@%
%@NL@%%@NL@%

%@QR:Alexander II@%%@CR:N1818ALEA10     @%%@2@%   Better to abolish serfdom from above than to wait till it begins to%@EH@%
abolish itself from below.%@NL@%
%@NL@%
Alexander II
%@NL@%Speech in Moscow [March 30, 1856]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Cecil Frances Alexander%@AE@%%@EH@%
%@NL@%
%@AB@%1818-1895%@AE@%
%@NL@%%@NL@%

%@QR:Cecil Frances Alexander@%%@QR:Alexander@%%@CR:N1818ALEC10     @%%@2@%All things bright and beautiful,%@NL@%%@EH@%
All creatures great and small,%@NL@%
All things wise and wonderful,%@NL@%
The Lord God made them all. 1 %@NL@%

%@NL@%Cecil Frances Alexander
%@NL@%All Things Bright and Beautiful [1848], st. 1

%@NL@%%@AI@%1 See Coleridge%@BO:          352842@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cecil Frances Alexander@%%@QR:Alexander@%%@CR:N1818ALEC20     @%%@2@%There is a green hill far away,%@NL@%%@EH@%
Without a city wall,%@NL@%
Where the dear Lord was crucified,%@NL@%
Who died to save us all.%@NL@%

%@NL@%Cecil Frances Alexander
%@NL@%There Is a Green Hill [1848], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cecil Frances Alexander@%%@QR:Alexander@%%@CR:N1818ALEC30     @%%@2@%Once in royal David's city%@NL@%%@EH@%
Stood a lowly cattle shed,%@NL@%
Where a Mother laid her Baby%@NL@%
In a manger for his bed:%@NL@%
Mary was that Mother mild,%@NL@%
Jesus Christ her little Child.%@NL@%

%@NL@%Cecil Frances Alexander
%@NL@%Once in Royal David's City [1848], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Josh Billings%@AE@%%@EH@%
%@NL@%Henry Wheeler Shaw
%@AB@%1818-1885%@AE@%
%@NL@%%@NL@%

%@QR:Josh Billings@%%@QR:Billings@%%@QR:Henry Wheeler Shaw@%%@QR:Shaw@%%@CR:N1818BILJ10     @%%@2@%   A sekret ceases tew be a sekret if it iz once confided-it iz like a%@EH@%
dollar bill, once broken, it iz never a dollar agin.%@NL@%
%@NL@%
Josh Billings
%@NL@%Affurisms [1865]. From Josh Billings: His Sayings

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Josh Billings@%%@QR:Billings@%%@QR:Henry Wheeler Shaw@%%@QR:Shaw@%%@CR:N1818BILJ20     @%%@2@%   Love iz like the meazles; we kant have it bad but onst, and the later in%@EH@%
life we have it the tuffer it goes with us.%@NL@%
%@NL@%
Josh Billings
%@NL@%Affurisms [1865]. From Josh Billings: His Sayings

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Josh Billings@%%@QR:Billings@%%@QR:Henry Wheeler Shaw@%%@QR:Shaw@%%@CR:N1818BILJ30     @%%@2@%   Put an Englishman into the garden of Eden, and he would find fault with%@EH@%
the whole blarsted consarn; put a Yankee in, and he would see where he could
alter it to advantage; put an Irishman in, and he would want tew boss the
thing; put a Dutchman in, and he would proceed tew plant it.%@NL@%
%@NL@%
Josh Billings
%@NL@%Affurisms [1865]. From Josh Billings: His Sayings

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Josh Billings@%%@QR:Billings@%%@QR:Henry Wheeler Shaw@%%@QR:Shaw@%%@CR:N1818BILJ40     @%%@2@%   Better make a weak man your enemy than your friend.%@NL@%%@EH@%
%@NL@%
Josh Billings
%@NL@%Affurisms [1865]. From Josh Billings: His Sayings

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Josh Billings@%%@QR:Billings@%%@QR:Henry Wheeler Shaw@%%@QR:Shaw@%%@CR:N1818BILJ50     @%%@2@%   Nature never makes any blunders; when she makes a fool she means it.%@NL@%%@EH@%
%@NL@%
Josh Billings
%@NL@%Affurisms [1865]. From Josh Billings: His Sayings

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Josh Billings@%%@QR:Billings@%%@QR:Henry Wheeler Shaw@%%@QR:Shaw@%%@CR:N1818BILJ60     @%%@2@%   I don't care how much a man talks, if he only says it in a few words.%@NL@%%@EH@%
%@NL@%
Josh Billings
%@NL@%Affurisms [1865]. From Josh Billings: His Sayings

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Josh Billings@%%@QR:Billings@%%@QR:Henry Wheeler Shaw@%%@QR:Shaw@%%@CR:N1818BILJ70     @%%@2@%   As scarce as truth is, the supply has always been in excess of the%@EH@%
demand.%@NL@%
%@NL@%
Josh Billings
%@NL@%Affurisms [1865]. From Josh Billings: His Sayings

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Josh Billings@%%@QR:Billings@%%@QR:Henry Wheeler Shaw@%%@QR:Shaw@%%@CR:N1818BILJ80     @%%@2@%   Poverty iz the stepmother ov genius.%@NL@%%@EH@%
%@NL@%
Josh Billings
%@NL@%Affurisms [1865]. From Josh Billings: His Sayings

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Josh Billings@%%@QR:Billings@%%@QR:Henry Wheeler Shaw@%%@QR:Shaw@%%@CR:N1818BILJ100    @%%@2@%The wheel that squeaks the loudest%@NL@%%@EH@%
Is the one that gets the grease.%@NL@%

%@NL@%Josh Billings
%@NL@%The Kicker

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Better know nothing than half-know many things.-Nietzsche, Thus Spake
Zarathustra [1883-1891], pt. IV, 64  %@EF@%
%@QR:Josh Billings@%%@QR:Billings@%%@QR:Henry Wheeler Shaw@%%@QR:Shaw@%%@CR:N1818BILJ110    @%%@2@%   It is better to know nothing than to know what ain't so.%@NL@%%@EH@%
%@NL@%
Josh Billings
%@NL@%Proverb [1874]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Emily Bronte%@AE@%%@EH@%
%@NL@%
%@AB@%1818-1848%@AE@%
%@NL@%%@NL@%

%@QR:Emily Bronte@%%@QR:Bronte@%%@CR:N1818BROE10     @%%@2@%Sleep not, dream not; this bright day%@NL@%%@EH@%
Will not, cannot last for aye;%@NL@%
Bliss like thine is bought by years%@NL@%
Dark with torment and with tears.%@NL@%

%@NL@%Emily Bronte
%@NL@%Sleep Not [1846], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Bronte@%%@QR:Bronte@%%@CR:N1818BROE20     @%%@2@%Cold in the earth-and fifteen wild Decembers%@NL@%%@EH@%
From those brown hills have melted into spring.%@NL@%

%@NL@%Emily Bronte
%@NL@%Remembrance [1846],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Bronte@%%@QR:Bronte@%%@CR:N1818BROE30     @%%@2@%Once drinking deep of that divinest anguish,%@NL@%%@EH@%
How could I seek the empty world again?%@NL@%

%@NL@%Emily Bronte
%@NL@%Remembrance [1846],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Bronte@%%@QR:Bronte@%%@CR:N1818BROE35     @%%@2@%Yes, as my swift days near their goal,%@NL@%%@EH@%
'Tis all that I implore:%@NL@%
In life and death a chainless soul,%@NL@%
With courage to endure.%@NL@%

%@NL@%Emily Bronte
%@NL@%The Old Stoic [1846], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Bronte@%%@QR:Bronte@%%@CR:N1818BROE40     @%%@2@%No coward soul is mine,%@NL@%%@EH@%
No trembler in the world's storm-troubled sphere:%@NL@%
I see Heaven's glories shine,%@NL@%
And faith shines equal, arming me from fear.%@NL@%

%@NL@%Emily Bronte
%@NL@%Last Lines [1846],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Bronte@%%@QR:Bronte@%%@CR:N1818BROE50     @%%@2@%There is not room for Death.%@NL@%%@EH@%

%@NL@%Emily Bronte
%@NL@%Last Lines [1846],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Bronte@%%@QR:Bronte@%%@CR:N1818BROE55     @%%@2@%   I am Heathcliff.%@NL@%%@EH@%
%@NL@%
Emily Bronte
%@NL@%Wuthering Heights [1847],ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Bronte@%%@QR:Bronte@%%@CR:N1818BROE60     @%%@2@%   I lingered round them, under that benign sky: watched the moths%@EH@%
fluttering among the heath and harebells; listened to the soft wind
breathing through the grass; and wondered how anyone could ever imagine
unquiet slumbers for the sleepers in that quiet earth.%@NL@%
%@NL@%
Emily Bronte
%@NL@%Wuthering Heights [1847],last words

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Ellery Channing%@AE@%%@EH@%
%@NL@%
%@AB@%1818-1901%@AE@%
%@NL@%%@NL@%

%@QR:William Ellery Channing@%%@QR:Channing@%%@CR:N1818CHAW10     @%%@2@%Habitant of castle gray,%@NL@%%@EH@%
Creeping thing in sober way,%@NL@%
Visible sage mechanician,%@NL@%
Skillfulest arithmetician.%@NL@%

%@NL@%William Ellery Channing
%@NL@%The Spider

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ellery Channing@%%@QR:Channing@%%@CR:N1818CHAW20     @%%@2@%I laugh, for hope hath happy place with me-%@NL@%%@EH@%
If my bark sinks, 'tis to another sea.%@NL@%

%@NL@%William Ellery Channing
%@NL@%A Poet's Hope

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ellery Channing@%%@QR:Channing@%%@CR:N1818CHAW30     @%%@2@%The hills are reared, the seas are scooped in vain%@NL@%%@EH@%
If learning's altar vanish from the plain.%@NL@%

%@NL@%William Ellery Channing
%@NL@%%@FN@%
This couplet is painted over the mantel of the Alcott house, Concord,
Massachusetts.  %@EF@%
Inscription for the Alcott house

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Eliza Cook%@AE@%%@EH@%
%@NL@%
%@AB@%1818-1889%@AE@%
%@NL@%%@NL@%

%@QR:Eliza Cook@%%@QR:Cook@%%@CR:N1818COOE10     @%%@2@%I love it, I love it; and who shall dare%@NL@%%@EH@%
To chide me for loving that old armchair?%@NL@%

%@NL@%Eliza Cook
%@NL@%The Old Armchair

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Give them a chance-if you stint them now, tomorrow you'll have to pay/A
larger bill for a darker ill.-Denis A. McCarthy [1870-1931], Give Them a
Place to Play, st. 4  %@EF@%
%@QR:Eliza Cook@%%@QR:Cook@%%@CR:N1818COOE20     @%%@2@%Better build schoolrooms for "the boy"%@NL@%%@EH@%
Than cells and gibbets for "the man."%@NL@%

%@NL@%Eliza Cook
%@NL@%A Song for the Ragged Schools, st. 12

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Duffield%@AE@%%@EH@%
%@NL@%
%@AB@%1818-1888%@AE@%
%@NL@%%@NL@%

%@QR:George Duffield@%%@QR:Duffield@%%@CR:N1818DUFG10     @%%@2@%Stand up!-stand up for Jesus!%@NL@%%@EH@%

%@NL@%George Duffield
%@NL@%Hymn

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Maxwell Evarts%@AE@%%@EH@%
%@NL@%
%@AB@%1818-1901%@AE@%
%@NL@%%@NL@%

%@FN@%
This pun has also been attributed to Oliver Wendell Holmes, Bill Nye, and
George Frisbie Hoar.  See William Bradford  %@EF@%
%@QR:William Maxwell Evarts@%%@QR:Evarts@%%@CR:N1818EVAW10     @%%@2@%   The pious ones of Plymouth, who, reaching the Rock, first fell upon their%@EH@%
own knees and then upon the aborigines.%@NL@%
%@NL@%
William Maxwell Evarts
%@NL@%From Henry Watterson in the Louisville Courier-Journal
[July 4, 1913]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Karl Marx%@AE@%%@EH@%
%@NL@%
%@AB@%1818-1883%@AE@%
%@NL@%%@NL@%

%@QR:Karl Marx@%%@QR:Marx@%%@CR:N1818MARK10     @%%@2@%   Religion . . . is the opium of the people. 1 %@NL@%%@EH@%
%@NL@%
Karl Marx
%@NL@%Critique of the Hegelian Philosophy of Right [1844], introduction

%@NL@%%@AI@%1 See Unamuno%@BO:          5309c2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Karl Marx@%%@QR:Marx@%%@CR:N1818MARK20     @%%@2@%   It is not the consciousness of men that determines their existence, but%@EH@%
on the contrary it is their social existence that determines their
consciousness.%@NL@%
%@NL@%
Karl Marx
%@NL@%Critique of Political Economy [1859], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Karl Marx@%%@QR:Marx@%%@CR:N1818MARK60     @%%@2@%   Nothing can have value without being an object of utility. If it be%@EH@%
useless, the labor contained in it is useless, cannot be reckoned as labor,
and cannot therefore create value.%@NL@%
%@NL@%
Karl Marx
%@NL@%%@FN@%
Abridged edition prepared by Julian Borchardt, translated by Stephen L.
Trask.  %@EF@%
Capital
[1867-1883], pt. II, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Karl Marx@%%@QR:Marx@%%@CR:N1818MARK70     @%%@2@%   The intellectual desolation, artificially produced by converting immature%@EH@%
human beings into mere machines.%@NL@%
%@NL@%
Karl Marx
%@NL@%Capital
[1867-1883], pt. II, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Karl Marx@%%@QR:Marx@%%@CR:N1818MARK80     @%%@2@%   Capitalist production begets, with the inexorability of a law of nature,%@EH@%
its own negation.%@NL@%
%@NL@%
Karl Marx
%@NL@%Capital
[1867-1883], pt. II, ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Karl Marx@%%@QR:Marx@%%@CR:N1818MARK90     @%%@2@%   When commercial capital occupies a position of unquestioned ascendancy,%@EH@%
it everywhere constitutes a system of plunder.%@NL@%
%@NL@%
Karl Marx
%@NL@%Capital
[1867-1883], pt. II, ch.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Karl Marx@%%@QR:Marx@%%@CR:N1818MARK100    @%%@2@%   From each according to his abilities, to each according to his needs.%@NL@%%@EH@%
%@NL@%
Karl Marx
%@NL@%%@FN@%
This phrase is in quotation marks, and it is believed that Marx is quoting
or paraphrasing either Louis Blanc or Morelly:  Let each produce according
to his aptitudes and his force; let each consume according to his
need.-Louis Blanc, Organisation du Travail [1840]  Nothing in society will
belong to anyone, either as a personal possession or as capital goods,
except the things for which the person has immediate use, for either his
needs, his pleasures, or his daily work. Every citizen will make his
particular contribution to the activities of the community according to his
capacity, his talent and his age; it is on this basis that his duties will
be determined, in conformity with the distributive laws.-Morelly, Le Code de
la Nature [1755]  See Acts 4:35  %@EF@%
Critique of the Gotha Program
[1875]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Karl Marx%@AE@%%@EH@%
%@NL@%
%@AB@%1818-1883%@AE@%
%@1@%%@AB@%Friedrich Engels%@AE@%%@EH@%
%@NL@%
%@AB@%1820-1895%@AE@%
%@NL@%%@NL@%

%@QR:Friedrich Engels@%%@QR:Engels@%%@CR:N1818MKEF5      @%%@2@%   A specter is haunting Europe-the specter of Communism. All the powers of%@EH@%
old Europe have entered into a holy alliance to exorcise this specter: Pope
and Czar, Meternich and Guizot, French Radicals and German police spies.%@NL@%
%@NL@%
Friedrich Engels
%@NL@%%@FN@%
Translated by Samuel Moore.  %@EF@%
The Communist Manifesto [1848],opening lines

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Engels@%%@QR:Engels@%%@CR:N1818MKEF10     @%%@2@%   The history of all hitherto existing society is the history of class%@EH@%
struggles. Freeman and slave, patrician and plebian, lord and serf, guild
master and journeyman, in a word, oppressor and oppressed, stood in constant
opposition to each other, carried on an uninterrupted, now hidden, now open
fight, a fight that each time ended, either in a revolutionary
reconstitution of society at large, or in the common ruin of the contending
classes.%@NL@%
%@NL@%
Friedrich Engels
%@NL@%The Communist Manifesto [1848],sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
By bourgeoisie is meant the class of modern capitalists, owners of the means
of social production and employers of wage labor.-Engels, notes to The
Communist Manifesto [1888 edition]  %@EF@%
%@QR:Friedrich Engels@%%@QR:Engels@%%@CR:N1818MKEF15     @%%@2@%   The executive of the modern state is but a committee for managing the%@EH@%
common affairs of the whole bourgeoisie. The bourgeoisie has, historically,
played a most revolutionary role.%@NL@%
%@NL@%
Friedrich Engels
%@NL@%The Communist Manifesto [1848],sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Engels@%%@QR:Engels@%%@CR:N1818MKEF18     @%%@2@%   The bourgeoisie, by the rapid improvement of all instruments of%@EH@%
production, by the immensely facilitated means of communication, draws all,
even the most barbarian, nations into civilization.%@NL@%
%@NL@%
Friedrich Engels
%@NL@%The Communist Manifesto [1848],sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
By proletariat [is meant] the class of modern wage laborers who, having no
means of production of their own, are reduced to selling their labor power
in order to live.-Engels, notes to The Communist Manifesto [1888 edition]  %@EF@%
%@QR:Friedrich Engels@%%@QR:Engels@%%@CR:N1818MKEF20     @%%@2@%   Of all the classes that stand face to face with the bourgeoisie today,%@EH@%
the proletariat alone is a really revolutionary class. The other classes
decay and finally disappear in the race of modern industry; the proletariat
is its special and essential product.%@NL@%
%@NL@%
Friedrich Engels
%@NL@%The Communist Manifesto [1848],sec.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Engels@%%@QR:Engels@%%@CR:N1818MKEF35     @%%@2@%   In this sense, the theory of the Communists may be summed up in the%@EH@%
single sentence: Abolition of private property.%@NL@%
%@NL@%
Friedrich Engels
%@NL@%The Communist Manifesto [1848],sec.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Engels@%%@QR:Engels@%%@CR:N1818MKEF40     @%%@2@%   In proportion as the antagonism between classes within the nation%@EH@%
vanishes, the hostility of one nation to another will come to an end.%@NL@%
%@NL@%
Friedrich Engels
%@NL@%The Communist Manifesto [1848],sec.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Engels@%%@QR:Engels@%%@CR:N1818MKEF50     @%%@2@%   The ruling ideas of each age have ever been the ideas of its ruling%@EH@%
class.%@NL@%
%@NL@%
Friedrich Engels
%@NL@%The Communist Manifesto [1848],sec.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
More familiar as: Workers of the world, unite!  %@EF@%
%@QR:Friedrich Engels@%%@QR:Engels@%%@CR:N1818MKEF60     @%%@2@%   The communists disdain to conceal their views and aims. They openly%@EH@%
declare that their ends can be obtained only by forcible overthrow of all
existing social conditions. Let the ruling classes tremble at a communist
revolution. The proletarians have nothing to lose but their chains. They
have a world to win. Working men of all countries, unite!%@NL@%
%@NL@%
Friedrich Engels
%@NL@%The Communist Manifesto [1848],sec.4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Mason Neale%@AE@%%@EH@%
%@NL@%
%@AB@%1818-1866%@AE@%
%@NL@%%@NL@%

%@QR:John Mason Neale@%%@QR:Neale@%%@CR:N1818NEAJ10     @%%@2@%Good King Wenceslas looked out%@NL@%%@EH@%
On the feast of Stephen,%@NL@%
When the snow lay round about,%@NL@%
Deep and crisp and even.%@NL@%

%@NL@%John Mason Neale
%@NL@%Good King Wenceslas, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Mason Neale@%%@QR:Neale@%%@CR:N1818NEAJ25     @%%@2@%Brief life is here our portion.%@NL@%%@EH@%

%@NL@%John Mason Neale
%@NL@%Hymn from the Latin of St. Bernard of Cluny
[c. 1145], pt.II, Hic Breve Vivitur [translated 1851], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Mason Neale@%%@QR:Neale@%%@CR:N1818NEAJ30     @%%@2@%Jerusalem the golden, with milk and honey blest,%@NL@%%@EH@%
Beneath thy contemplation sink heart and voice oppressed.%@NL@%

%@NL@%John Mason Neale
%@NL@%Hymn from the Latin of St. Bernard of Cluny
[c. 1145], pt.III, Urbs Syon Aurea [translated 1858], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Mason Neale@%%@QR:Neale@%%@CR:N1818NEAJ40     @%%@2@%O come, O come, Emmanuel,%@NL@%%@EH@%
And ransom captive Israel.%@NL@%

%@NL@%John Mason Neale
%@NL@%Hymn from the Latin, Veni, Veni, Emmanuel [twelfth century],
st. 1 [translated 1861]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francis Edward Smedley%@AE@%%@EH@%
%@NL@%
%@AB@%1818-1864%@AE@%
%@NL@%%@NL@%

%@QR:Francis Edward Smedley@%%@QR:Smedley@%%@CR:N1818SMEF10     @%%@2@%   You are looking as fresh as paint.%@NL@%%@EH@%
%@NL@%
Francis Edward Smedley
%@NL@%Frank Fairlegh [1850], ch.41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
All policy's allowed in war and love.-Susannah Centlivre, Love at a Venture
[1706], act I  %@EF@%
%@QR:Francis Edward Smedley@%%@QR:Smedley@%%@CR:N1818SMEF20     @%%@2@%   All's fair in love and war.%@NL@%%@EH@%
%@NL@%
Francis Edward Smedley
%@NL@%Frank Fairlegh [1850], ch.50

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ivan Sergeyevich Turgenev%@AE@%%@EH@%
%@NL@%
%@AB@%1818-1883%@AE@%
%@NL@%%@NL@%

%@QR:Ivan Sergeyevich Turgenev@%%@QR:Turgenev@%%@CR:N1818TURI10     @%%@2@%   A nihilist is a man who does not bow to any authorities, who does not%@EH@%
take any principle on trust, no matter with what respect that principle is
surrounded.%@NL@%
%@NL@%
Ivan Sergeyevich Turgenev
%@NL@%%@FN@%
Translated by Harry Stevens.  %@EF@%
Fathers and Sons [1862],
ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ivan Sergeyevich Turgenev@%%@QR:Turgenev@%%@CR:N1818TURI20     @%%@2@%   That vague, crepuscular time, the time of regrets that resemble hopes, of%@EH@%
hopes that resemble regrets, when youth has passed, but old age has not yet
arrived.%@NL@%
%@NL@%
Ivan Sergeyevich Turgenev
%@NL@%Fathers and Sons [1862],
ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ivan Sergeyevich Turgenev@%%@QR:Turgenev@%%@CR:N1818TURI30     @%%@2@%   I share no man's opinions; I have my own.%@NL@%%@EH@%
%@NL@%
Ivan Sergeyevich Turgenev
%@NL@%Fathers and Sons [1862],
ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ivan Sergeyevich Turgenev@%%@QR:Turgenev@%%@CR:N1818TURI40     @%%@2@%   The courage not to believe in anything.%@NL@%%@EH@%
%@NL@%
Ivan Sergeyevich Turgenev
%@NL@%Fathers and Sons [1862],
ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ivan Sergeyevich Turgenev@%%@QR:Turgenev@%%@CR:N1818TURI50     @%%@2@%   A picture shows me at a glance what it takes dozens of pages of a book to%@EH@%
expound. 1 %@NL@%
%@NL@%
Ivan Sergeyevich Turgenev
%@NL@%Fathers and Sons [1862],
ch.16

%@NL@%%@AI@%1 See Anonymous (Early)%@BO:          1094ab@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ivan Sergeyevich Turgenev@%%@QR:Turgenev@%%@CR:N1818TURI60     @%%@2@%   Whatever a man prays for, he prays for a miracle. Every prayer reduces%@EH@%
itself to this: "Great God, grant that twice two be not four."%@NL@%
%@NL@%
Ivan Sergeyevich Turgenev
%@NL@%Prayer

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ivan Sergeyevich Turgenev@%%@QR:Turgenev@%%@CR:N1818TURI70     @%%@2@%   In days of doubt, in days of sad brooding on my country's fate, thou%@EH@%
alone art my rod and my staff-mighty, true, free Russian speech! But for
thee, how not to fall into despair, seeing all that happens at home? Yet who
can think that such a tongue is not given to a great people?%@NL@%
%@NL@%
Ivan Sergeyevich Turgenev
%@NL@%Senilia [1882]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Arthur Hugh Clough%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1861%@AE@%
%@NL@%%@NL@%

%@QR:Arthur Hugh Clough@%%@QR:Clough@%%@CR:N1819CLOA10     @%%@2@%Grace is given of God, but knowledge is bought in the market.%@NL@%%@EH@%

%@NL@%Arthur Hugh Clough
%@NL@%The Bothie of Tober-na-Vuolich [1848], pt.IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Hugh Clough@%%@QR:Clough@%%@CR:N1819CLOA20     @%%@2@%A world where nothing is had for nothing.%@NL@%%@EH@%

%@NL@%Arthur Hugh Clough
%@NL@%The Bothie of Tober-na-Vuolich [1848], pt.VIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Hugh Clough@%%@QR:Clough@%%@CR:N1819CLOA23     @%%@2@%Hope conquers cowardice, joy grief;%@NL@%%@EH@%
Or at least, faith unbelief.%@NL@%

%@NL@%Arthur Hugh Clough
%@NL@%Easter Day II [1849], l. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Hugh Clough@%%@QR:Clough@%%@CR:N1819CLOA26     @%%@2@%Where lies the land to which the ships would go?%@NL@%%@EH@%
Far, far ahead, is all her seamen know.%@NL@%
And where the land she travels from? Away,%@NL@%
Far, far behind, is all that they can say. 1 %@NL@%

%@NL@%Arthur Hugh Clough
%@NL@%Where Lies the Land to Which the Ship Would Go? [1852], st. 1

%@NL@%%@AI@%1 See Wordsworth%@BO:          344265@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Hugh Clough@%%@QR:Clough@%%@CR:N1819CLOA30     @%%@2@%And almost everyone when age,%@NL@%%@EH@%
Disease, or sorrows strike him,%@NL@%
Inclines to think there is a God,%@NL@%
Or something very like Him.%@NL@%

%@NL@%Arthur Hugh Clough
%@NL@%Dipsychus [1862], pt. I, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Hugh Clough@%%@QR:Clough@%%@CR:N1819CLOA40     @%%@2@%How pleasant it is to have money!%@NL@%%@EH@%

%@NL@%Arthur Hugh Clough
%@NL@%Dipsychus [1862], pt. I, sc. v

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Hugh Clough@%%@QR:Clough@%%@CR:N1819CLOA50     @%%@2@%Say not the struggle naught availeth,%@NL@%%@EH@%
The labor and the wounds are vain,%@NL@%
The enemy faints not, nor faileth,%@NL@%
And as things have been they remain.%@NL@%

%@NL@%Arthur Hugh Clough
%@NL@%Say Not the Struggle Naught Availeth [1862],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Both Sir Winston Churchill and John F. Kennedy liked to quote this line.  %@EF@%
%@QR:Arthur Hugh Clough@%%@QR:Clough@%%@CR:N1819CLOA60     @%%@2@%For while the tired waves, vainly breaking,%@NL@%%@EH@%
Seem here no painful inch to gain,%@NL@%
Far back, through creeks and inlets making,%@NL@%
Comes silent flooding in, the main. 1   In front, the sun climbs slow, how
slowly,%@NL@%
But westward, look, the land is bright.%@NL@%

%@NL@%Arthur Hugh Clough
%@NL@%Say Not the Struggle Naught Availeth [1862],st. 3, 4

%@NL@%%@AI@%1 See Macaulay%@BO:          3aefd6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Hugh Clough@%%@QR:Clough@%%@CR:N1819CLOA65     @%%@2@%No graven images may be%@NL@%%@EH@%
Worshipped, except the currency.%@NL@%

%@NL@%Arthur Hugh Clough
%@NL@%The Latest Decalogue [1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Hugh Clough@%%@QR:Clough@%%@CR:N1819CLOA70     @%%@2@%Honor thy parents; that is, all%@NL@%%@EH@%
From whom advancement may befall.%@NL@%
Thou shalt not kill; but needst not strive%@NL@%
Officiously to keep alive.%@NL@%

%@NL@%Arthur Hugh Clough
%@NL@%The Latest Decalogue [1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Hugh Clough@%%@QR:Clough@%%@CR:N1819CLOA80     @%%@2@%Thou shalt not covet, but tradition%@NL@%%@EH@%
Approves all forms of competition.%@NL@%

%@NL@%Arthur Hugh Clough
%@NL@%The Latest Decalogue [1862]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Eliot%@AE@%%@EH@%
%@NL@%Marian Evans Cross
%@AB@%1819-1880%@AE@%
%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG10     @%%@2@%'Tis God gives skill,%@NL@%%@EH@%
But not without men's hands: He could not make%@NL@%
Antonio Stradivari's violins%@NL@%
Without Antonio.%@NL@%

%@NL@%George Eliot
%@NL@%Stradivarius

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG20     @%%@2@%O may I join the choir invisible%@NL@%%@EH@%
Of those immortal dead who live again%@NL@%
In minds made better by their presence.%@NL@%

%@NL@%George Eliot
%@NL@%O May I Join the Choir Invisible

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG30     @%%@2@%   Any coward can fight a battle when he's sure of winning; but give me the%@EH@%
man who has pluck to fight when he's sure of losing. That's my way, sir; and
there are many victories worse than a defeat.%@NL@%
%@NL@%
George Eliot
%@NL@%Janet's Repentance [1857], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG40     @%%@2@%   Opposition may become sweet to a man when he has christened it%@EH@%
persecution.%@NL@%
%@NL@%
George Eliot
%@NL@%Janet's Repentance [1857], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG43     @%%@2@%   These fellow mortals, every one, must be accepted as they are.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%Adam Bede [1859], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG46     @%%@2@%   There's no real making amends in this world, any more nor you can mend a%@EH@%
wrong subtraction by doing your addition right.%@NL@%
%@NL@%
George Eliot
%@NL@%Adam Bede [1859], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG50     @%%@2@%   It's but little good you'll do a-watering the last year's crops.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%Adam Bede [1859], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG60     @%%@2@%   It was a pity he couldna be hatched o'er again, an' hatched different.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%Adam Bede [1859], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG70     @%%@2@%   A patronizing disposition always has its meaner side.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%Adam Bede [1859], ch.27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG80     @%%@2@%   It's them that take advantage that get advantage i' this world.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%Adam Bede [1859], ch.32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG90     @%%@2@%   He was like a cock who thought the sun had risen to hear him crow.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%Adam Bede [1859], ch.33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG95     @%%@2@%   Deep, unspeakable suffering may well be called a baptism, a regeneration,%@EH@%
the initiation into a new state.%@NL@%
%@NL@%
George Eliot
%@NL@%Adam Bede [1859], ch.42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG100    @%%@2@%   We hand folks over to God's mercy, and show none ourselves.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%Adam Bede [1859], ch.42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG110    @%%@2@%   I'm not denyin' the women are foolish; God Almighty made 'em to match the%@EH@%
men.%@NL@%
%@NL@%
George Eliot
%@NL@%Adam Bede [1859], ch.53

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG120    @%%@2@%   The law's made to take care o' raskills.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%The Mill on the Floss [1860], bk.III, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG125    @%%@2@%   There is no hopelessness so sad as that of early youth, when the soul is%@EH@%
made up of wants, and has no long memories, no superadded life in the life
of others.%@NL@%
%@NL@%
George Eliot
%@NL@%The Mill on the Floss [1860], bk.III, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG130    @%%@2@%   In natural science, I have understood, there is nothing petty to the mind%@EH@%
that has a large vision of relations, and to which every single object
suggests a vast sum of conditions. It is surely the same with the
observation of human life.%@NL@%
%@NL@%
George Eliot
%@NL@%The Mill on the Floss [1860], bk.IV, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG135    @%%@2@%   Not let them want bread, but only require them to eat it with bitter%@EH@%
herbs. 1 %@NL@%
%@NL@%
George Eliot
%@NL@%The Mill on the Floss [1860], bk.IV, ch. 1

%@NL@%%@AI@%1 See Exodus 12:8%@BO:            ce2f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
There is not enough of love and goodness in the world to throw any of it
away on conceited people.-Nietzsche [1844-1900], Human, All Too Human, 129  %@EF@%
%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG140    @%%@2@%   I've never any pity for conceited people, because I think they carry%@EH@%
their comfort about with them.%@NL@%
%@NL@%
George Eliot
%@NL@%The Mill on the Floss [1860], bk.V, ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG160    @%%@2@%   The happiest women, like the happiest nations, have no history. 1 %@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%The Mill on the Floss [1860], bk.VI, ch. 3

%@NL@%%@AI@%1 See Carlyle%@BO:          398cc3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG170    @%%@2@%   Nothing is so good as it seems beforehand.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%Silas Marner [1861], ch. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG180    @%%@2@%   In our springtime every day has its hidden growth in the mind, as it has%@EH@%
in the earth when the little folded blades are getting ready to pierce the
ground.%@NL@%
%@NL@%
George Eliot
%@NL@%Felix Holt, the Radical [1866], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG190    @%%@2@%   One way of getting an idea of our fellow-countrymen's miseries is to go%@EH@%
and look at their pleasures.%@NL@%
%@NL@%
George Eliot
%@NL@%Felix Holt, the Radical [1866], ch.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG200    @%%@2@%   Prophecy is the most gratuitous form of error.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%Middlemarch [1871-1872],ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG210    @%%@2@%   If we had a keen vision of all that is ordinary in human life, it would%@EH@%
be like hearing the grass grow or the squirrel's heart beat, and we should
die of that roar which is the other side of silence.%@NL@%
%@NL@%
George Eliot
%@NL@%Middlemarch [1871-1872],ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG215    @%%@2@%   If youth is the season of hope, it is often so only in the sense that our%@EH@%
elders are hopeful about us.%@NL@%
%@NL@%
George Eliot
%@NL@%Middlemarch [1871-1872],ch.55

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG217    @%%@2@%   There is no creature whose inward being is so strong that it is not%@EH@%
greatly determined by what lies outside it.%@NL@%
%@NL@%
George Eliot
%@NL@%Middlemarch [1871-1872],Finale

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG220    @%%@2@%   Hostesses who entertain much must make up their parties as ministers make%@EH@%
up their cabinets, on grounds other than personal liking.%@NL@%
%@NL@%
George Eliot
%@NL@%Daniel Deronda [1876], bk.I, ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG230    @%%@2@%   A difference of taste in jokes is a great strain on the affections.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%Daniel Deronda [1876], bk.II, ch. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG240    @%%@2@%   Men's men: gentle or simple, they're much of a muchness.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%Daniel Deronda [1876], bk.IV, ch. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG245    @%%@2@%   A new Judea, poised between East and West-a covenant of reconciliation.%@NL@%%@EH@%
%@NL@%
George Eliot
%@NL@%Daniel Deronda [1876], bk.VI, ch. 42

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Eliot@%%@QR:Eliot@%%@QR:Marian Evans Cross@%%@QR:Cross@%%@CR:N1819ELIG250    @%%@2@%   Blessed is the man who, having nothing to say, abstains from giving in%@EH@%
words evidence of the fact.%@NL@%
%@NL@%
George Eliot
%@NL@%Impressions of Theophrastus Such [1879]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Dunn English%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1902%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Dunn English@%%@QR:English@%%@CR:N1819ENGT10     @%%@2@%Oh! don't you remember sweet Alice, Ben Bolt?%@NL@%%@EH@%
Sweet Alice, whose hair was so brown.%@NL@%

%@NL@%Thomas Dunn English
%@NL@%Ben Bolt [1843]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Josiah Gilbert Holland%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1881%@AE@%
%@NL@%%@NL@%

%@QR:Josiah Gilbert Holland@%%@QR:Holland@%%@CR:N1819HOLJ10     @%%@2@%Heaven is not reached at a single bound.%@NL@%%@EH@%

%@NL@%Josiah Gilbert Holland
%@NL@%Gradatim [1872], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Josiah Gilbert Holland@%%@QR:Holland@%%@CR:N1819HOLJ20     @%%@2@%God give us men! A time like this demands%@NL@%%@EH@%
Strong minds, great hearts, true faith, and ready hands;%@NL@%
Men whom the lust of office does not kill;%@NL@%
Men whom the spoils of office cannot buy;%@NL@%
Men who possess opinions and a will;%@NL@%
Men who have honor; men who will not lie.%@NL@%

%@NL@%Josiah Gilbert Holland
%@NL@%Wanted [1872], l. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Julia Ward Howe%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1910%@AE@%
%@NL@%%@NL@%

%@QR:Julia Ward Howe@%%@QR:Howe@%%@CR:N1819HOWJ10     @%%@2@%Mine eyes have seen the glory of the coming of the Lord;%@NL@%%@EH@%
He is trampling out the vintage where the grapes of wrath are stored; 1  2 %@NL@%
He hath loosed the fateful lightning of His terrible, swift sword;%@NL@%
His truth is marching on.%@NL@%

%@NL@%Julia Ward Howe
%@NL@%Battle Hymn of the Republic [1862],st. 1

%@NL@%%@AI@%1 See Isaiah 63:3%@BO:           40897@%%@AE@%
%@AI@%2 See Revelation 19:15%@BO:           78b71@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Julia Ward Howe@%%@QR:Howe@%%@CR:N1819HOWJ20     @%%@2@%In the beauty of the lilies Christ was born across the sea,%@NL@%%@EH@%
With a glory in His bosom that transfigures you and me;%@NL@%
As He died to make men holy, let us die to make men free.%@NL@%

%@NL@%Julia Ward Howe
%@NL@%Battle Hymn of the Republic [1862],st. 5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Kingsley%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1875%@AE@%
%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC3      @%%@2@%   Give me the political economist, the sanitary reformer, the engineer; and%@EH@%
take your saints and virgins, relics and miracles. The spinning-jenny and
the railroad, Cunard's liners and the electric telegraph, are to me . . .
signs that we are, on some points at least, in harmony with the universe.%@NL@%
%@NL@%
Charles Kingsley
%@NL@%Yeast [1848], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC10     @%%@2@%Oh Mary, go and call the cattle home . . . %@NL@%%@EH@%
Across the sands of Dee.%@NL@%

%@NL@%Charles Kingsley
%@NL@%The Sands of Dee [1849],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC20     @%%@2@%The cruel crawling foam. 1 %@NL@%%@EH@%

%@NL@%Charles Kingsley
%@NL@%The Sands of Dee [1849],st. 4

%@NL@%%@AI@%1 See Ruskin%@BO:          44bd9a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC30     @%%@2@%For men must work, and women must weep,%@NL@%%@EH@%
And there's little to earn and many to keep,%@NL@%
Though the harbor bar be moaning.%@NL@%

%@NL@%Charles Kingsley
%@NL@%The Three Fishers [1851],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC40     @%%@2@%And the sooner it's over, the sooner to sleep;%@NL@%%@EH@%
And good-bye to the bar and it's moaning.%@NL@%

%@NL@%Charles Kingsley
%@NL@%The Three Fishers [1851],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC45     @%%@2@%In the light of fuller day,%@NL@%%@EH@%
Of purer science, holier laws.%@NL@%

%@NL@%Charles Kingsley
%@NL@%%@FN@%
The Christian Socialist.  %@EF@%
On the Death of a Certain Journal
[1852], st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC50     @%%@2@%Be good, sweet maid, and let who will be clever;%@NL@%%@EH@%
Do noble things, not dream them, all day long;%@NL@%
And so make Life, and Death, and that For Ever%@NL@%
One grand sweet song.%@NL@%

%@NL@%Charles Kingsley
%@NL@%A Farewell [1856], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC70     @%%@2@%Clear and cool, clear and cool,%@NL@%%@EH@%
By laughing shallow, and dreaming pool.%@NL@%

%@NL@%Charles Kingsley
%@NL@%Water Babies [1863].Song I, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC80     @%%@2@%When all the world is young, lad,%@NL@%%@EH@%
And all the trees are green;%@NL@%
And every goose a swan, lad,%@NL@%
And every lass a queen;%@NL@%
Then hey for boot and horse, lad,%@NL@%
And round the world away:%@NL@%
Young blood must have its course, lad,%@NL@%
And every dog his day. 1  2 %@NL@%

%@NL@%Charles Kingsley
%@NL@%Water Babies [1863].Song II,st. 1

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c87d5@%%@AE@%
%@AI@%2 See Borrow%@BO:          3b7fb5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC90     @%%@2@%God grant you find one face there%@NL@%%@EH@%
You loved when all was young!%@NL@%

%@NL@%Charles Kingsley
%@NL@%Water Babies [1863].Song II,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC100    @%%@2@%   The loveliest fairy in the world; and her name is Mrs.%@EH@%
Doasyouwouldbedoneby. 1  2  3  4 %@NL@%
%@NL@%
Charles Kingsley
%@NL@%Water Babies [1863].ch. 5

%@NL@%%@AI@%1 See Matthew 7:12%@BO:           50d16@%%@AE@%
%@AI@%2 See Confucius%@BO:           94a5c@%%@AE@%
%@AI@%3 See Aristotle%@BO:           b3526@%%@AE@%
%@AI@%4 See Chesterfield%@BO:          2aa119@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC103    @%%@2@%   Science frees us in many ways . . . from the bodily terror which the%@EH@%
savage feels. But she replaces that, in the minds of many, by a moral terror
which is far more overwhelming.%@NL@%
%@NL@%
Charles Kingsley
%@NL@%Sermon, The Meteor Shower [November 26, 1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC105    @%%@2@%   Tell us not that the world is governed by universal law; the news is not%@EH@%
comfortable, but simply horrible, unless you can tell us . . . that there is
a loving giver, and a just administrator of that law.%@NL@%
%@NL@%
Charles Kingsley
%@NL@%Sermon, The Meteor Shower [November 26, 1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Kingsley@%%@QR:Kingsley@%%@CR:N1819KINC110    @%%@2@%   To be discontented with the divine discontent, and to be ashamed with the%@EH@%
noble shame, is the very germ and first upgrowth of all virtue.%@NL@%
%@NL@%
Charles Kingsley
%@NL@%Health and Education [1874]. The Science of Health

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Russell Lowell%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1891%@AE@%
%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ10     @%%@2@%Blessed are the horny hands of toil!%@NL@%%@EH@%

%@NL@%James Russell Lowell
%@NL@%A Glance Behind the Curtain [1843]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ20     @%%@2@%They are slaves who fear to speak%@NL@%%@EH@%
For the fallen and the weak.%@NL@%

%@NL@%James Russell Lowell
%@NL@%Stanzas on Freedom [1843], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ30     @%%@2@%They are slaves who dare not be%@NL@%%@EH@%
In the right with two or three.%@NL@%

%@NL@%James Russell Lowell
%@NL@%Stanzas on Freedom [1843], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ40     @%%@2@%The nurse of full-grown souls is solitude.%@NL@%%@EH@%

%@NL@%James Russell Lowell
%@NL@%Columbus [1844]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ50     @%%@2@%Once to every man and nation comes the moment to decide,%@NL@%%@EH@%
In the strife of Truth with Falsehood, for the good or evil side.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Present Crisis [1844],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Worth on foot, and rascals in the coach.-Dryden, Art of Poetry [1685], l.
376  Wrong rules the land, and waiting Justice sleeps!-J. G. Holland
[1819-1881], Wanted  %@EF@%
%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ60     @%%@2@%Truth forever on the scaffold, Wrong forever on the throne-%@NL@%%@EH@%
Yet that scaffold sways the future, and, behind the dim unknown,%@NL@%
Standeth God within the shadow, keeping watch above his own.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Present Crisis [1844],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ90     @%%@2@%New occasions teach new duties; time makes ancient good uncouth;%@NL@%%@EH@%
They must upward still, and onward, who would keep abreast of Truth.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Present Crisis [1844],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ100    @%%@2@%I first drew in New England's air, and from her hardy breast%@NL@%%@EH@%
Sucked in the tyrant-hating milk that will not let me rest;%@NL@%

%@NL@%James Russell Lowell
%@NL@%On the Capture of Fugitive Slaves Near Washington [1845], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ110    @%%@2@%The birch, most shy and ladylike of trees.%@NL@%%@EH@%

%@NL@%James Russell Lowell
%@NL@%An Indian Summer Reverie [1846], st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ120    @%%@2@%Not only around our infancy%@NL@%%@EH@%
Doth heaven with all its splendors lie;%@NL@%
Daily, with souls that cringe and plot,%@NL@%
We Sinais climb and know it not. 1  2  3 %@NL@%

%@NL@%James Russell Lowell
%@NL@%The Vision of Sir Launfal [1848], prelude topt. I,st. 2

%@NL@%%@AI@%1 See Vaughn%@BO:          25d80d@%%@AE@%
%@AI@%2 See Traherne%@BO:          275154@%%@AE@%
%@AI@%3 See Wordsworth%@BO:          34103f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ130    @%%@2@%For a cap and bells our lives we pay,%@NL@%%@EH@%
Bubbles we buy with a whole soul's tasking:%@NL@%
'Tis heaven alone that is given away,%@NL@%
'Tis only God may be had for the asking.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Vision of Sir Launfal [1848], prelude topt. I,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ140    @%%@2@%And what is so rare as a day in June?%@NL@%%@EH@%
Then, if ever, come perfect days.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Vision of Sir Launfal [1848], prelude topt. I,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ150    @%%@2@%Not what we give, but what we share-%@NL@%%@EH@%
For the gift without the giver is bare; 1  2  3 %@NL@%
Who gives himself with his alms feeds three-%@NL@%
Himself, his hungering neighbor, and me.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Vision of Sir Launfal [1848], prelude topt. II, st. 8

%@NL@%%@AI@%1 See Emerson%@BO:          3c2d80@%%@AE@%
%@AI@%2 See Whitman%@BO:          4502d6@%%@AE@%
%@AI@%3 See Gibran%@BO:          5ad272@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ160    @%%@2@%In creating, the only hard thing's to begin;%@NL@%%@EH@%
A grass-blade's no easier to make than an oak.%@NL@%

%@NL@%James Russell Lowell
%@NL@%A Fable for Critics [1848]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Emerson.  %@EF@%
%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ170    @%%@2@%For though he builds glorious temples, 'tis odd%@NL@%%@EH@%
He leaves never a doorway to get in a god.%@NL@%

%@NL@%James Russell Lowell
%@NL@%A Fable for Critics [1848]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ180    @%%@2@%And I honor the man who is willing to sink%@NL@%%@EH@%
Half his present repute for the freedom to think,%@NL@%
And, when he has thought, be his cause strong or weak,%@NL@%
Will risk t' other half for the freedom to speak.%@NL@%

%@NL@%James Russell Lowell
%@NL@%A Fable for Critics [1848]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ190    @%%@2@%There comes Poe, with his raven, like Barnaby Rudge,%@NL@%%@EH@%
Three fifths of him genius and two fifths sheer fudge. 1 %@NL@%

%@NL@%James Russell Lowell
%@NL@%A Fable for Critics [1848]

%@NL@%%@AI@%1 See Poe%@CF:N1809POEE       @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ200    @%%@2@%Nature fits all her children with something to do,%@NL@%%@EH@%
He who would write and can't write, can surely review. 1  2  3 %@NL@%

%@NL@%James Russell Lowell
%@NL@%A Fable for Critics [1848]

%@NL@%%@AI@%1 See Coleridge%@BO:          35505a@%%@AE@%
%@AI@%2 See Disraeli%@BO:          3cbc06@%%@AE@%
%@AI@%3 See Flaubert%@BO:          45ee1f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ210    @%%@2@%Ez fer war, I call it murder 1  2  3 -%@NL@%%@EH@%
There you hev it plain an' flat;%@NL@%
I don't want to go no furder%@NL@%
Than my Testyment fer that.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.Series I [1848], no.1, st. 5

%@NL@%%@AI@%1 See Seneca%@BO:           e9480@%%@AE@%
%@AI@%2 See Young%@BO:          293b0f@%%@AE@%
%@AI@%3 See Porteus%@BO:          2ee3cb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ220    @%%@2@%You've gut to git up airly%@NL@%%@EH@%
Ef you want to take in God.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.Series I [1848], no.1, st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ230    @%%@2@%This goin' ware glory waits ye haint one agreeable feetur. 1 %@NL@%%@EH@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.Series I [1848], no.2, st. 6

%@NL@%%@AI@%1 See Thomas Moore%@BO:          365e3f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ240    @%%@2@%A marciful Providunce fashioned us holler%@NL@%%@EH@%
O' purpose thet we might our principles swaller.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.Series I [1848], no.4, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ250    @%%@2@%I du believe with all my soul%@NL@%%@EH@%
In the gret Press's freedom,%@NL@%
To pint the people to the goal%@NL@%
An' in the traces lead 'em.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.Series I [1848], no.6,st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ260    @%%@2@%I don't believe in princerple,%@NL@%%@EH@%
But oh I du in interest.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.Series I [1848], no.6,st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ270    @%%@2@%It ain't by princerples nor men%@NL@%%@EH@%
My preudunt course is steadied-%@NL@%
I scent wich pays the best, an' then%@NL@%
Go into it baldheaded.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.Series I [1848], no.6,st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ280    @%%@2@%God makes sech nights, all white an' still,%@NL@%%@EH@%
Fur'z you can look or listen,%@NL@%
Moonshine an' snow on field an' hill,%@NL@%
All silence an' all glisten.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.Series II [1866]. The Courtin',st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ290    @%%@2@%His heart kep' goin' pity-pat,%@NL@%%@EH@%
But hern went pity-Zekle.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.Series II [1866]. The Courtin',st. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ300    @%%@2@%My gran'ther's rule was safer 'n 'tis to crow:%@NL@%%@EH@%
Don't never prophesy-onless ye know.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.No.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ310    @%%@2@%It's 'most enough to make a deacon swear.%@NL@%%@EH@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.No.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ320    @%%@2@%Folks never understand the folks they hate.%@NL@%%@EH@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.No.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ330    @%%@2@%Ef you want peace, the thing you've gut tu du%@NL@%%@EH@%
Is jes' to show you're up to fightin', tu. 1  2  3  4  5 %@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.No.2

%@NL@%%@AI@%1 See Aristotle%@BO:           b4bd2@%%@AE@%
%@AI@%2 See Vegetius%@BO:          102d2b@%%@AE@%
%@AI@%3 See Robert Burton%@BO:          211b0d@%%@AE@%
%@AI@%4 See Fenelon%@BO:          27ddfc@%%@AE@%
%@AI@%5 See Washington%@BO:          2f0578@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ340    @%%@2@%Bad work follers ye ez long's ye live.%@NL@%%@EH@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.No.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ350    @%%@2@%The surest plan to make a Man%@NL@%%@EH@%
Is, think him so.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.No.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ360    @%%@2@%Our papers don't purtend to print on'y wut Guv'ment choose,%@NL@%%@EH@%
An' thet insures us all to git the very best o' noose.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.No.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ370    @%%@2@%No, never say nothin' without you're compelled tu,%@NL@%%@EH@%
An' then don't say nothin' thet you can be held tu.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The Biglow Papers.No.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Inscribed on the memorial to the two British soldiers, Concord,
Massachusetts.  %@EF@%
%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ380    @%%@2@%They came three thousand miles, and died,%@NL@%%@EH@%
To keep the Past upon its throne;%@NL@%
Unheard, beyond the ocean tide,%@NL@%
Their English mother made her moan.%@NL@%

%@NL@%James Russell Lowell
%@NL@%Graves of Two English Soldiers on Concord Battleground [1849], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ390    @%%@2@%The snow had begun in the gloaming,%@NL@%%@EH@%
And busily all the night%@NL@%
Had been heaping field and highway%@NL@%
With a silence deep and white.%@NL@%

%@NL@%James Russell Lowell
%@NL@%The First Snowfall [1849], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ400    @%%@2@%   There is nothing so desperately monotonous as the sea, and I no longer%@EH@%
wonder at the cruelty of pirates.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Fireside Travels [1864]. At Sea

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ410    @%%@2@%   It is by presence of mind in untried emergencies that the native metal of%@EH@%
a man is tested.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Abraham Lincoln [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ420    @%%@2@%What men call treasure and the gods call dross.%@NL@%%@EH@%

%@NL@%James Russell Lowell
%@NL@%Ode Recited at the Harvard Commemoration [1865],4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ430    @%%@2@%They come transfigured back,%@NL@%%@EH@%
Secure from change in their high-hearted ways,%@NL@%
Beautiful evermore, and with the rays%@NL@%
Of morn on their white Shields of Expectation! 1 %@NL@%

%@NL@%James Russell Lowell
%@NL@%Ode Recited at the Harvard Commemoration [1865],8

%@NL@%%@AI@%1 See %@BO:          58ab8f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ440    @%%@2@%When I was a beggarly boy,%@NL@%%@EH@%
And lived in a cellar damp,%@NL@%
I had not a friend nor a toy,%@NL@%
But I had Aladdin's lamp.%@NL@%

%@NL@%James Russell Lowell
%@NL@%Aladdin [1868], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ445    @%%@2@%Though old the thought and oft expressed,%@NL@%%@EH@%
'Tis his at last who says it best. 1 %@NL@%

%@NL@%James Russell Lowell
%@NL@%For an Autograph [1868]

%@NL@%%@AI@%1 See Emerson%@BO:          3c6b29@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ450    @%%@2@%Safe in the hallowed quiets of the past.%@NL@%%@EH@%

%@NL@%James Russell Lowell
%@NL@%%@FN@%
Chartres.  %@EF@%
The Cathedral [1869], st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ460    @%%@2@%The wisest man could ask no more of Fate%@NL@%%@EH@%
Than to be simple, modest, manly, true,%@NL@%
Safe from the many, honored by the few;%@NL@%
To count as naught in world, or church, or state;%@NL@%
But inwardly in secret to be great.%@NL@%

%@NL@%James Russell Lowell
%@NL@%Sonnet, Jeffries Wyman [1874]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ470    @%%@2@%For me Fate gave, whate'er she else denied,%@NL@%%@EH@%
A nature sloping to the southern side.%@NL@%

%@NL@%James Russell Lowell
%@NL@%Epistle to George William Curtis [1874]. Postscript

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ480    @%%@2@%The maple puts her corals on in May.%@NL@%%@EH@%

%@NL@%James Russell Lowell
%@NL@%The Maple [1875]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ490    @%%@2@%   The soil out of which such men as he are made is good to be born on, good%@EH@%
to live on, good to die for and to be buried in.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Garfield [September 24, 1881]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ500    @%%@2@%   There is no good in arguing with the inevitable. The only argument%@EH@%
available with an east wind is to put on your overcoat.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Democracy [October 6, 1884]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Motto of the American Copyright League.  %@EF@%
%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ510    @%%@2@%In vain we call old notions fudge,%@NL@%%@EH@%
And bend our conscience to our dealing;%@NL@%
The Ten Commandments will not budge,%@NL@%
And stealing will continue stealing.%@NL@%

%@NL@%James Russell Lowell
%@NL@%International Copyright [November 20, 1885]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ520    @%%@2@%These pearls of thought in Persian gulfs were bred,%@NL@%%@EH@%
Each softly lucent as a rounded moon;%@NL@%
The diver Omar plucked them from their bed,%@NL@%
Fitzgerald strung them on an English thread.%@NL@%

%@NL@%James Russell Lowell
%@NL@%In a Copy of Omar KhayyaAm [1888], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ530    @%%@2@%As life runs on, the road grows strange%@NL@%%@EH@%
With faces new, and near the end%@NL@%
The milestones into headstones change,%@NL@%
'Neath every one a friend.%@NL@%

%@NL@%James Russell Lowell
%@NL@%Sixty-eighth Birthday [1889]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ540    @%%@2@%   Things always seem fairer when we look back at them, and it is out of%@EH@%
that inaccessible tower of the past that Longing leans and beckons.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Literary Essays, vol.I [1864-1890].A Few Bits of Roman Mosaic

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ550    @%%@2@%   Mishaps are like knives, that either serve us or cut us, as we grasp them%@EH@%
by the blade or the handle.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Literary Essays, vol.I [1864-1890].Cambridge Thirty Years Ago

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ560    @%%@2@%   What a sense of security in an old book which Time has criticized for us!%@NL@%%@EH@%
%@NL@%
James Russell Lowell
%@NL@%Literary Essays, vol.I [1864-1890].A Library of Old Authors

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ570    @%%@2@%   It is curious how tyrannical the habit of reading is, and what shifts we%@EH@%
make to escape thinking. 1  2  There is no bore we dread being left alone
with so much as our own minds.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Literary Essays, vol.I [1864-1890].A Moosehead Journal

%@NL@%%@AI@%1 See Sheridan%@BO:          312134@%%@AE@%
%@AI@%2 See Bryce%@BO:          4b9b66@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ580    @%%@2@%   There is no better ballast for keeping the mind steady on its keel, and%@EH@%
saving it from all risk of crankiness, than business.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Literary Essays, vol.II [1870-1890],New England Two Centuries Ago

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ590    @%%@2@%   Puritanism, believing itself quick with the seed of religious liberty,%@EH@%
laid, without knowing it, the egg of democracy.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Literary Essays, vol.II [1870-1890],New England Two Centuries Ago

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ600    @%%@2@%   It was in making education not only common to all, but in some sense%@EH@%
compulsory on all, that the destiny of the free republics of America was
practically settled.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Literary Essays, vol.II [1870-1890],New England Two Centuries Ago

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ610    @%%@2@%   Talent is that which is in a man's power; genius is that in whose power a%@EH@%
man is.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Literary Essays, vol.II [1870-1890],Rousseau and the Sentimentalists

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ620    @%%@2@%   Every man feels instinctively that all the beautiful sentiments in the%@EH@%
world weigh less than a single lovely action.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Literary Essays, vol.II [1870-1890],Rousseau and the Sentimentalists

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ630    @%%@2@%   An umbrella is of no avail against a Scotch mist.%@NL@%%@EH@%
%@NL@%
James Russell Lowell
%@NL@%Literary Essays, vol.III [1870-1890],On a Certain Condescension in
Foreigners

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ640    @%%@2@%   Solitude is as needful to the imagination as society is wholesome for the%@EH@%
character.%@NL@%
%@NL@%
James Russell Lowell
%@NL@%Literary Essays, vol.III [1870-1890],Dryden

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Russell Lowell@%%@QR:Lowell@%%@CR:N1819LOWJ650    @%%@2@%   A wise skepticism is the first attribute of a good critic.%@NL@%%@EH@%
%@NL@%
James Russell Lowell
%@NL@%Literary Essays, vol.III [1870-1890],Shakespeare Once More

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Herman Melville%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1891%@AE@%
%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH8      @%%@2@%   This great power of blackness in him [Hawthorne] derives its force from%@EH@%
its appeals to that Calvinistic sense of innate depravity and original sin
from whose visitations, in some shape or other, no deeply thinking mind is
always and wholly free.%@NL@%
%@NL@%
Herman Melville
%@NL@%Hawthorne and His Mosses [1850]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH10     @%%@2@%   You must have plenty of sea-room to tell the truth in.%@NL@%%@EH@%
%@NL@%
Herman Melville
%@NL@%Hawthorne and His Mosses [1850]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH20     @%%@2@%   Genius all over the world stands hand in hand, and one shock of%@EH@%
recognition runs the whole circle round.%@NL@%
%@NL@%
Herman Melville
%@NL@%Hawthorne and His Mosses [1850]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH30     @%%@2@%   Many sensible things banished from high life find an asylum among the%@EH@%
mob.%@NL@%
%@NL@%
Herman Melville
%@NL@%White Jacket [1850], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Wife of Neptune.  %@EF@%
%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH40     @%%@2@%   Oh, give me again the rover's life-the joy, the thrill, the whirl! Let me%@EH@%
feel thee again, old sea! let me leap into thy saddle once more. I am sick
of these terra-firma toils and cares; sick of the dust and reek of towns.
Let me hear the clatter of hailstones on icebergs, and not the dull tramp of
these plodders, plodding their dull way from their cradles to their graves.
Let me snuff thee up, sea breeze! and whinny in thy spray. Forbid it, sea
gods! intercede for me with Neptune, O sweet Amphitrite, that no dull clod
may fall on my coffin! Be mine the tomb that swallowed up Pharaoh and all
his hosts; let me lie down with Drake where he sleeps in the sea.%@NL@%
%@NL@%
Herman Melville
%@NL@%White Jacket [1850], ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH50     @%%@2@%   Familiarity with danger makes a brave man braver, but less daring. Thus%@EH@%
with seamen: he who goes the oftenest round Cape Horn goes the most
circumspectly.%@NL@%
%@NL@%
Herman Melville
%@NL@%White Jacket [1850], ch.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH60     @%%@2@%   In time of peril, like the needle to the lodestone, obedience,%@EH@%
irrespective of rank, generally flies to him who is best fitted to command.%@NL@%
%@NL@%
Herman Melville
%@NL@%White Jacket [1850], ch.27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH70     @%%@2@%   Are there no Moravians in the Moon, that not a missionary has yet visited%@EH@%
this poor pagan planet of ours, to civilize civilization and christianize
Christendom? 1 %@NL@%
%@NL@%
Herman Melville
%@NL@%White Jacket [1850], ch.64

%@NL@%%@AI@%1 See Emerson%@BO:          3c0a53@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH80     @%%@2@%   Call me Ishmael.%@NL@%%@EH@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH90     @%%@2@%   Yes, as everyone knows, meditation and water are wedded forever . . . Why%@EH@%
did the old Persians hold the sea holy? Why did the Greeks give it a
separate deity, and own brother of Jove? Surely all this is not without
meaning. And still deeper the meaning of that story of Narcissus, who
because he could not grasp the tormenting, mild image he saw in the
fountain, plunged into it and was drowned. But that same image, we ourselves
see in all rivers and oceans. It is the image of the ungraspable phantom of
life; and this is the key to it all.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH100    @%%@2@%   But oh! shipmates! on the starboard hand of every woe, there is a sure%@EH@%
delight; and higher the top of that delight, than the bottom of the woe is
deep. Is not the main-truck higher than the kelson is low? Delight is to
him-a far, far upward, and inward delight-who against the proud gods and
commodores of this earth, ever stands forth his own inexorable self.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH110    @%%@2@%   And eternal delight and deliciousness will be his, who coming to lay him%@EH@%
down, can say with his final breath-O Father!-chiefly known to me by Thy
rod-mortal or immortal, here I die. I have striven to be Thine, more than to
be this world's, or mine own. Yet this is nothing; I leave eternity to Thee;
for what is man that he should live out the lifetime of his God?%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH120    @%%@2@%   With the landless gull, that at sunset folds her wings and is rocked to%@EH@%
sleep between billows; so at nightfall, the Nantucketer, out of sight of
land, furls his sails, and lays him to his rest, while under his very pillow
rush herds of walruses and whales.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH130    @%%@2@%   But when a man's religion becomes really frantic; when it is a positive%@EH@%
torment to him; and, in fine, makes this earth of ours an uncomfortable inn
to lodge in; then I think it high time to take that individual aside and
argue the point with him.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH140    @%%@2@%   In one word, Queequeg, said I, rather digressively; hell is an idea first%@EH@%
born on an undigested apple dumpling; and since then perpetuated through the
hereditary dyspepsias nurtured by Ramadans.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH150    @%%@2@%   If, at my death, my executors, or more properly my creditors, find any%@EH@%
precious MSS. in my desk, then here I prospectively ascribe all the honor
and the glory to whaling; for a whaleship was my Yale College and my
Harvard.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH170    @%%@2@%   Thou great democratic God! who didst not refuse to the swart convict,%@EH@%
Bunyan, the pale poetic pearl; Thou who didst clothe with doubly hammered
leaves of finest gold, the stumped and paupered arm of old Cervantes; Thou
who didst pick up Andrew Jackson from the pebbles; who didst hurl him upon a
warhorse; who didst thunder him higher than a throne! Thou who, in all Thy
mighty, earthly marchings, ever cullest thy selectest champions from the
kingly commons!%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH180    @%%@2@%   This it is, that forever keeps God's true princes of the Empire from the%@EH@%
world's hustings; and leaves the highest honors that this air can give, to
those men who become famous more through their infinite inferiority to the
choice hidden handful of the Divine Inert, than through their undoubted
superiority over the dead level of the mass.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH190    @%%@2@%   All that most maddens and torments; all that stirs up the lees of things;%@EH@%
all truth with malice in it; all that cracks the sinews and cakes the brain;
all the subtle demonisms of life and thought; all evil, to crazy Ahab, were
visibly personified, and made practically assailable in Moby Dick. He piled
upon the whale's white hump the sum of all the general rage and hate felt by
his whole race from Adam down; and then, as if his chest had been a mortar,
he burst his hot heart's shell upon it.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH200    @%%@2@%   For as this appalling ocean surrounds the verdant land, so in the soul of%@EH@%
man there lies one insular Tahiti, full of peace and joy, but encompassed by
all the horrors of the half known life.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.58

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH210    @%%@2@%   O Nature, and O soul of man! how far beyond all utterance are your linked%@EH@%
analogies! not the smallest atom stirs or lives on matter, but has its
cunning duplicate in mind.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.70

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH220    @%%@2@%   So, therefore, that mortal man who hath more of joy than sorrow in him,%@EH@%
that mortal man cannot be true-not true, or undeveloped. With books the
same. The truest of all men was the Man of Sorrows, and the truest of all
books is Solomon's and Ecclesiastes is the fine hammered steel of woe.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH230    @%%@2@%   Give me a condor's quill! Give me Vesuvius' crater for an inkstand! . . .%@EH@%
To produce a mighty book, you must choose a mighty theme.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.104

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH240    @%%@2@%   Seat thyself sultanically among the moons of Saturn, and take high%@EH@%
abstracted man alone; and he seems a wonder, a grandeur, and a woe. But from
the same point, take mankind in mass, and for the most part, they seem a mob
of unnecessary duplicates, both contemporary and hereditary.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.107

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH250    @%%@2@%   There is, one knows not what sweet mystery about this sea, whose gently%@EH@%
awful stirrings seem to speak of some hidden soul beneath; like those fabled
undulations of the Ephesian sod over the buried Evangelist St. John. And
meet it is, that over these sea pastures, wide-rolling watery prairies and
Potters' Fields of all four continents, the waves should rise and fall, and
ebb and flow unceasingly; for here, millions of mixed shades and shadows,
drowned dreams, somnambulisms, reveries; all that we call lives and souls,
lie dreaming, dreaming, still; tossing like slumberers in their beds; the
ever-rolling waves but made so by their restlessness.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.111

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH260    @%%@2@%   There is no steady unretracing progress in this life; we do not advance%@EH@%
through fixed gradations, and at the last one pause: through infancy's
unconscious spell, boyhood's thoughtless faith, adolescence' doubt (the
common doom), then skepticism, then disbelief, resting at last in manhood's
pondering repose of If. But once gone through, we trace the round again; and
are infants, boys, and men, and Ifs eternally. Where lies the final harbor,
whence we unmoor no more?%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.114

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH270    @%%@2@%   But if the great sun move not of himself; but is as an errand boy in%@EH@%
heaven; nor one single star can revolve, but by some invisible power; how
then can this one small heart beat; this one small brain think thoughts;
unless God does that beating, does that thinking, does that living, and not
I. By heaven, man, we are turned round and round in this world, like yonder
windlass, and Fate is the handspike.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.132

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH273    @%%@2@%   Who's to doom, when the judge himself is dragged to the bar?%@NL@%%@EH@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.132

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH276    @%%@2@%   It is a mild, mild wind, and a mild-looking sky; and the air smells now%@EH@%
as if it blew from a faraway meadow; they have been making hay somewhere
under the slopes of the Andes, Starbuck, and the mowers are sleeping among
the new-mown hay.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.132

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH280    @%%@2@%   An old, old sight, and yet somehow so young; aye, and not changed a wink%@EH@%
since I first saw it, a boy, from the sandhills of Nantucket! The same!-the
same!-the same to Noah as to me. There's a soft shower to leeward. Such
lovely leewardings! They must lead somewhere-to something else than common
land, more palmy than the palms.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH290    @%%@2@%   A sky-hawk that tauntingly had followed the main-truck downwards from its%@EH@%
natural home among the stars, pecking at the flag, and incommoding Tashtego
there; this bird now chanced to intercept its broad fluttering wings between
the hammer and the wood; and simultaneously feeling that ethereal thrill,
the submerged savage beneath, in his death grasp, kept his hammer frozen
there; and so the bird of heaven, with archangelic shrieks, and his imperial
beak thrust upwards, and his whole captive form folded in the flag of Ahab,
went down with his ship, which, like Satan, would not sink to hell till she
had dragged a living part of heaven along with her, and helmeted herself
with it.%@NL@%
Now small fowls flew screaming over the yet yawning gulf; a sullen white
surf beat against its steep sides; then all collapsed, and the great shroud
of the sea rolled on as it rolled five thousand years ago.%@NL@%
%@NL@%
Herman Melville
%@NL@%Moby-Dick [1851], ch.135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH300    @%%@2@%   What we take to be our strongest tower of delight, only stands at the%@EH@%
caprice of the minutest event-the falling of a leaf, the hearing of a voice,
or the receipt of one little bit of paper scratched over with a few small
characters by a sharpened feather.%@NL@%
%@NL@%
Herman Melville
%@NL@%Pierre [1852], bk.IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH310    @%%@2@%   One trembles to think of that mysterious thing in the soul, which seems%@EH@%
to acknowledge no human jurisdiction, but in spite of the individual's own
innocent self, will still dream horrid dreams, and mutter unmentionable
thoughts.%@NL@%
%@NL@%
Herman Melville
%@NL@%Pierre [1852], bk.IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH320    @%%@2@%   A smile is the chosen vehicle for all ambiguities.%@NL@%%@EH@%
%@NL@%
Herman Melville
%@NL@%Pierre [1852], bk.IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH330    @%%@2@%   Say what some poets will, Nature is not so much her own ever-sweet%@EH@%
interpreter, as the mere supplier of that cunning alphabet, whereby
selecting and combining as he pleases, each man reads his own peculiar
lesson according to his own peculiar mind and mood.%@NL@%
%@NL@%
Herman Melville
%@NL@%Pierre [1852], bk.XXV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH340    @%%@2@%With shouts the torrents down the gorges go,%@NL@%%@EH@%
And storms are formed behind the storm we feel:%@NL@%
The hemlock shakes in the rafter, the oak in the driving keel.%@NL@%

%@NL@%Herman Melville
%@NL@%Battle-Pieces [1860],Misgivings, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH350    @%%@2@%The poor old Past,%@NL@%%@EH@%
The Future's slave.%@NL@%

%@NL@%Herman Melville
%@NL@%Battle-Pieces [1860],The Conflict of Convictions, st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH360    @%%@2@%At the height of their madness%@NL@%%@EH@%
The night winds pause,%@NL@%
Recollecting themselves;%@NL@%
But no lull in these wars.%@NL@%

%@NL@%Herman Melville
%@NL@%Battle-Pieces [1860],The Armies of the Wilderness, pt. II, st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH370    @%%@2@%What troops%@NL@%%@EH@%
Of generous boys in happiness thus bred-%@NL@%
Saturnians through life's Tempe led,%@NL@%
Went from the North and came from the South,%@NL@%
With golden mottoes in the mouth,%@NL@%
To lie down midway on a bloody bed.%@NL@%

%@NL@%Herman Melville
%@NL@%Battle-Pieces [1860],On the Slain Collegians, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH380    @%%@2@%Instinct and study; love and hate;%@NL@%%@EH@%
Audacity-reverence. These must mate,%@NL@%
And fuse with Jacob's mystic heart,%@NL@%
To wrestle with the angel-Art.%@NL@%

%@NL@%Herman Melville
%@NL@%Timoleon [1891].Art

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH390    @%%@2@%Indolence is heaven's ally here,%@NL@%%@EH@%
And energy the child of hell:%@NL@%
The Good Man pouring from his pitcher clear,%@NL@%
But brims the poisoned well.%@NL@%

%@NL@%Herman Melville
%@NL@%Timoleon [1891].Fragments of a Lost Gnostic Poem of the Twelfth Century,
fragment 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Manacles.  %@EF@%
%@QR:Herman Melville@%%@QR:Melville@%%@CR:N1819MELH400    @%%@2@%But me they'll lash in hammock, drop me deep.%@NL@%%@EH@%
Fathoms down, fathoms down, how I'll dream fast asleep.%@NL@%
I feel it stealing now. Sentry, are you there?%@NL@%
Just ease these darbies at the wrist,%@NL@%
And roll me over fair.%@NL@%
I am sleepy, and the oozy weeds about me twist.%@NL@%

%@NL@%Herman Melville
%@NL@%Billy Budd, Foretopman [1924]. Billy in the Darbies

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Ruskin%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1900%@AE@%
%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ10     @%%@2@%   He is the greatest artist who has embodied, in the sum of his works, the%@EH@%
greatest number of the greatest ideas.%@NL@%
%@NL@%
John Ruskin
%@NL@%Modern Painters, vol.I [1843], pt. I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ15     @%%@2@%   To know anything well involves a profound sensation of ignorance.%@NL@%%@EH@%
%@NL@%
John Ruskin
%@NL@%Modern Painters, vol.I [1843], pt. I, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ20     @%%@2@%   The foam is not cruel. 1  The state of mind which attributes to it these%@EH@%
characteristics of a living creature is one in which the reason is unhinged
by grief. All violent feelings . . . produce in us a falseness in all our
impressions of external things, which I would generally characterize as the
"Pathetic Fallacy."%@NL@%
%@NL@%
John Ruskin
%@NL@%Modern Painters, vol.III [1856], pt. IV, ch.12

%@NL@%%@AI@%1 See Kingsley%@BO:          4410d7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ23     @%%@2@%   To see clearly is poetry, prophecy, and religion-all in one.%@NL@%%@EH@%
%@NL@%
John Ruskin
%@NL@%Modern Painters, vol.III [1856], pt. IV, ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ26     @%%@2@%   The essence of lying is in deception, not in words.%@NL@%%@EH@%
%@NL@%
John Ruskin
%@NL@%Modern Painters, vol.V, pt. IX, ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ30     @%%@2@%   In order that people may be happy in their work, these three things are%@EH@%
needed: They must be fit for it. They must not do too much of it. And they
must have a sense of success in it.%@NL@%
%@NL@%
John Ruskin
%@NL@%Pre-Raphaelitism [1851]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ40     @%%@2@%   Remember that the most beautiful things in the world are the most%@EH@%
useless; peacocks and lilies for instance.%@NL@%
%@NL@%
John Ruskin
%@NL@%The Stones of Venice [1851-1853], vol. I, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ45     @%%@2@%   All great art is the work of the whole living creature, body and soul,%@EH@%
and chiefly of the soul.%@NL@%
%@NL@%
John Ruskin
%@NL@%The Stones of Venice [1851-1853], vol. I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ50     @%%@2@%   Blue color is everlastingly appointed by the Deity to be a source of%@EH@%
delight.%@NL@%
%@NL@%
John Ruskin
%@NL@%Lectures on Architecture and Painting [1853], I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ60     @%%@2@%   There is no wealth but life.%@NL@%%@EH@%
%@NL@%
John Ruskin
%@NL@%Unto This Last [1862],sec. 77

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ65     @%%@2@%   Let us reform our schools, and we shall find little reform needed in our%@EH@%
prisons.%@NL@%
%@NL@%
John Ruskin
%@NL@%Unto This Last [1862],essay 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ70     @%%@2@%   That country is the richest which nourishes the greatest number of noble%@EH@%
and happy human beings.%@NL@%
%@NL@%
John Ruskin
%@NL@%Unto This Last [1862],essay 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ73     @%%@2@%   Value is the life-giving power of anything; cost, the quantity of labor%@EH@%
required to produce it; price, the quantity of labor which its possessor
will take in exchange for it.%@NL@%
%@NL@%
John Ruskin
%@NL@%Munera Pulveris [1862], ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ76     @%%@2@%   There is no law of history any more than of a kaleidoscope.%@NL@%%@EH@%
%@NL@%
John Ruskin
%@NL@%Letter to James Anthony Froude [February 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ80     @%%@2@%   Life being very short, and the quiet hours of it few, we ought to waste%@EH@%
none of them in reading valueless books.%@NL@%
%@NL@%
John Ruskin
%@NL@%Sesame and Lilies [1865],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ90     @%%@2@%   All books are divisible into two classes: the books of the hour, and the%@EH@%
books of all time.%@NL@%
%@NL@%
John Ruskin
%@NL@%Sesame and Lilies [1865],Of Kings' Treasuries, sec. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ100    @%%@2@%   Borrowers are nearly always ill-spenders, and it is with lent money that%@EH@%
all evil is mainly done and all unjust war protracted.%@NL@%
%@NL@%
John Ruskin
%@NL@%The Crown of Wild Olive [1866], lecture1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ110    @%%@2@%   Give a little love to a child, and you get a great deal back.%@NL@%%@EH@%
%@NL@%
John Ruskin
%@NL@%The Crown of Wild Olive [1866], lecture1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ115    @%%@2@%   Taste is the only morality. . . . Tell me what you like, and I'll tell%@EH@%
you what you are. 1 %@NL@%
%@NL@%
John Ruskin
%@NL@%The Crown of Wild Olive [1866], lecture2

%@NL@%%@AI@%1 See Brillat-Savarin%@BO:          31558a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ120    @%%@2@%   There's no music in a "rest," Katie, that I know of: but there's the%@EH@%
making  of music in it. And people are always missing that part of the
life-melody.%@NL@%
%@NL@%
John Ruskin
%@NL@%Ethics of the Dust [1866]. Lecture 4, The Crystal Orders

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ130    @%%@2@%   Life without industry is guilt, industry without art is brutality.%@NL@%%@EH@%
%@NL@%
John Ruskin
%@NL@%Lectures on Art [1870]. III, The Relation of Art to Morals

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ140    @%%@2@%   Every increased possession loads us with a new weariness.%@NL@%%@EH@%
%@NL@%
John Ruskin
%@NL@%The Eagle's Nest [1872], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ150    @%%@2@%   Architecture . . . the adaptation of form to resist force.%@NL@%%@EH@%
%@NL@%
John Ruskin
%@NL@%Val d'Arno [1874], ch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ160    @%%@2@%   The first duty of government is to see that people have food, fuel, and%@EH@%
clothes. The second, that they have means of moral and intellectual
education.%@NL@%
%@NL@%
John Ruskin
%@NL@%Fors Clavigera [1876], letter 67

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ruskin@%%@QR:Ruskin@%%@CR:N1819RUSJ170    @%%@2@%   Great nations write their autobiographies in three manuscripts-the book%@EH@%
of their deeds, the book of their words, and the book of their art.%@NL@%
%@NL@%
John Ruskin
%@NL@%St. Mark's Rest [1877], preface

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Max Schneckenburger%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1849%@AE@%
%@NL@%%@NL@%

%@FN@%
Lieb Vaterland, magst ruhig sein,/Fest steht und treu die Wacht am Rhein.  %@EF@%
%@QR:Max Schneckenburger@%%@QR:Schneckenburger@%%@CR:N1819SCHM10     @%%@2@%Dear Fatherland, no danger thine:%@NL@%%@EH@%
Firm stands thy watch along the Rhine.%@NL@%

%@NL@%Max Schneckenburger
%@NL@%The Watch on the Rhine (Die Wacht am Rhein) [1840], chorus

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Wetmore Story%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1895%@AE@%
%@NL@%%@NL@%

%@QR:William Wetmore Story@%%@QR:Story@%%@CR:N1819STOW10     @%%@2@%Of every noble work the silent part is best,%@NL@%%@EH@%
Of all expression that which cannot be expressed.%@NL@%

%@NL@%William Wetmore Story
%@NL@%The Unexpressed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Victoria%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1901%@AE@%
%@NL@%%@NL@%

%@QR:Victoria@%%@CR:N1819VICT3      @%%@2@%   I will be good.%@NL@%%@EH@%
%@NL@%
Victoria
%@NL@%On first seeing a chart of the line of succession to the throne
[March 11, 1830]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victoria@%%@CR:N1819VICT7      @%%@2@%   Great events make me quiet and calm; it is only trifles that irritate my%@EH@%
nerves.%@NL@%
%@NL@%
Victoria
%@NL@%Letter to King Leopold of Belgium [April 4, 1848]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victoria@%%@CR:N1819VICT10     @%%@2@%   We are not interested in the possibilities of defeat.%@NL@%%@EH@%
%@NL@%
Victoria
%@NL@%To A. J. Balfour [December 1899]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Victoria@%%@CR:N1819VICT20     @%%@2@%   We are not amused.%@NL@%%@EH@%
%@NL@%
Victoria
%@NL@%Upon seeing an imitation of herself by the Honorable Alexander
Grantham Yorke, groom-in-waiting to the Queen.
From Notebooks of a Spinster Lady [January 2, 1900]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Ross Wallace%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1881%@AE@%
%@NL@%%@NL@%

%@QR:William Ross Wallace@%%@QR:Wallace@%%@CR:N1819WALW10     @%%@2@%The hand that rocks the cradle is the hand that rules the world.%@NL@%%@EH@%

%@NL@%William Ross Wallace
%@NL@%The Hand That Rules the World, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Walt Whitman%@AE@%%@EH@%
%@NL@%
%@AB@%1819-1892%@AE@%
%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW10     @%%@2@%   The United States themselves are essentially the greatest poem. . . .%@EH@%
Here at last is something in the doings of man that corresponds with the
broadcast doings of the day and night.%@NL@%
%@NL@%
Walt Whitman
%@NL@%Preface to the first edition of Leaves of Grass [1855]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW20     @%%@2@%   The proof of a poet is that his country absorbs him as affectionately as%@EH@%
he has absorbed it.%@NL@%
%@NL@%
Walt Whitman
%@NL@%Preface to the first edition of Leaves of Grass [1855]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW30     @%%@2@%Me imperturbe, standing at ease in nature.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%%@FN@%
The first edition of Leaves of Grass consisted of 94 quarto pages and
included the preface which set forth Whitman's faith and his poetic theory.
Enlarged and revised editions followed. The tenth edition (from which the
text used here is taken) was the last edition supervised by Whitman himself,
literally from his deathbed, and hence it is sometimes called the "Deathbed
Edition." Whitman wrote of it: "As there are now several editions of Leaves
of Grass, different texts and dates, I wish to say that I prefer and
recommend this present one."  %@EF@%
Leaves of Grass [1855-1892].Me Imperturbe

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW45     @%%@2@%O to be self-balanced for contingencies,%@NL@%%@EH@%
To confront night, storms, hunger, ridicule, accidents, rebuffs, as the
trees and animals do.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Me Imperturbe

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW50     @%%@2@%I hear America singing, the varied carols I hear.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].I Hear America Singing

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW52     @%%@2@%Starting from fish-shape Paumanok where I was born,%@NL@%%@EH@%
Well-begotten, and raised by a perfect mother,%@NL@%
After roaming many lands, lover of populous pavements,%@NL@%
Dweller in Mannahatta my city, or on southern savannas.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Starting from Paumanok,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW54     @%%@2@%Solitary, singing in the West, I strike up for a New World.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Starting from Paumanok,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW56     @%%@2@%Americanos! conquerors! marches humanitarian!%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Starting from Paumanok,3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW60     @%%@2@%I will put in my poems that with you is heroism upon land and sea,%@NL@%%@EH@%
And I will report all heroism from an American point of view.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Starting from Paumanok,6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW70     @%%@2@%I say the whole earth and all the stars in the sky are for religion's sake.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Starting from Paumanok,7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW80     @%%@2@%I say that the real and permanent grandeur of these States must be their%@EH@%
religion.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Starting from Paumanok,7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW85     @%%@2@%And I will show of male and female that either is but the equal of the%@EH@%
other.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Starting from Paumanok,12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Why fear death? Death is only a beautiful adventure.-Charles Frohman
[1860-1915], last words to a group of friends as the Lusitania was sinking
[May 7, 1915]  %@EF@%
%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW90     @%%@2@%Nothing can happen more beautiful than death.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Starting from Paumanok,12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW110    @%%@2@%I celebrate myself, and sing myself,%@NL@%%@EH@%
And what I assume you shall assume.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW120    @%%@2@%I loafe and invite my soul.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW130    @%%@2@%Urge and urge and urge,%@NL@%%@EH@%
Always the procreant urge of the world.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW140    @%%@2@%A kelson of the creation is love.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW150    @%%@2@%A child said What is the grass? fetching it to me with full hands.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW160    @%%@2@%Or I guess it is the handkerchief of the Lord.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW170    @%%@2@%And now it seems to me the beautiful uncut hair of graves.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW180    @%%@2@%Has anyone supposed it lucky to be born?%@NL@%%@EH@%
I hasten to inform him or her, it is just as lucky to die, and I know it.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW190    @%%@2@%I am he that walks with the tender and growing night,%@NL@%%@EH@%
I call to the earth and sea half-held by the night.%@NL@%
Press close bare-bosomed night-press close magnetic nourishing night!%@NL@%
Night of south winds-night of the large few stars! 1 %@NL@%
Still nodding night-mad naked summer night.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,21

%@NL@%%@AI@%1 See Flecker%@BO:          5b3401@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW200    @%%@2@%Walt Whitman, a kosmos, of Manhattan the son,%@NL@%%@EH@%
Turbulent, fleshy, sensual, eating, drinking and breeding,%@NL@%
No sentimentalist, no stander above men and women or apart from them,%@NL@%
No more modest than immodest.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW210    @%%@2@%I dote on myself, there is that lot of me and all so luscious.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW220    @%%@2@%I hear the violoncello ('tis the young man's heart's complaint).%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW230    @%%@2@%I believe a leaf of grass is no less than the journey-work of the stars.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW240    @%%@2@%I think I could turn and live with animals, they are so placid and%@EH@%
self-contained,%@NL@%
I stand and look at them long and long.%@NL@%
They do not sweat and whine about their condition,%@NL@%
They do not lie awake in the dark and weep for their sins,%@NL@%
They do not make me sick discussing their duty to God,%@NL@%
Not one is dissatisfied, not one is demented with the mania of owning
things,%@NL@%
Not one kneels to another, nor to his kind that lived thousands of years
ago,%@NL@%
Not one is respectable or unhappy over the whole earth.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,32

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW245    @%%@2@%I am the man, I suffered, I was there.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW250    @%%@2@%Behold, I do not give lectures or a little charity,%@NL@%%@EH@%
When I give I give myself. 1  2  3 %@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,40

%@NL@%%@AI@%1 See Emerson%@BO:          3c2d80@%%@AE@%
%@AI@%2 See Lowell%@BO:          443056@%%@AE@%
%@AI@%3 See Gibran%@BO:          5ad272@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW260    @%%@2@%I have said that the soul is not more than the body,%@NL@%%@EH@%
And I have said that the body is not more than the soul,%@NL@%
And nothing, not God, is greater to one than one's self is.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW270    @%%@2@%In the faces of men and women I see God.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW280    @%%@2@%Do I contradict myself?%@NL@%%@EH@%
Very well then I contradict myself,%@NL@%
(I am large, I contain multitudes.)%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW290    @%%@2@%I sound my barbaric yawp over the roofs of the world.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW300    @%%@2@%I bequeath myself to the dirt to grow from the grass I love,%@NL@%%@EH@%
If you want me again look for me under your boot-soles.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of Myself,52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW310    @%%@2@%If any thing is sacred the human body is sacred.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].I Sing the Body Electric, 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW320    @%%@2@%A woman waits for me, she contains all, nothing is lacking.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].A Woman Waits for Me

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW330    @%%@2@%I hear it was charged against me that I sought to destroy institutions,%@NL@%%@EH@%
But really I am neither for nor against institutions.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].I Hear It Was Charged Against Me

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW340    @%%@2@%When I peruse the conquered fame of heroes and the victories of mighty%@EH@%
generals, I do not envy the generals.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].When I Peruse the Conquered Fame

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW350    @%%@2@%Afoot and light-hearted I take to the open road,%@NL@%%@EH@%
Healthy, free, the world before me,%@NL@%
The long brown path before me leading wherever I choose.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of the Open Road, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW360    @%%@2@%Henceforth I ask not good fortune, I myself am good fortune.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of the Open Road, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW370    @%%@2@%The earth, that is sufficient,%@NL@%%@EH@%
I do not want the constellations any nearer,%@NL@%
I know they are very well where they are,%@NL@%
I know they suffice for those who belong to them.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of the Open Road, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW380    @%%@2@%A great city is that which has the greatest men and women.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song of the Broad-Axe, 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW390    @%%@2@%Youth, large, lusty, loving-youth full of grace, force, fascination,%@NL@%%@EH@%
Do you know that Old Age may come after you with equal grace, force,
fascination?%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Youth, Day, Old Age and Night

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW400    @%%@2@%Come my tan-faced children,%@NL@%%@EH@%
Follow well in order, get your weapons ready,%@NL@%
Have you your pistols? have you your sharp-edged axes?%@NL@%
Pioneers! O Pioneers!%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Pioneers! O Pioneers!1

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW405    @%%@2@%For we cannot tarry here,%@NL@%%@EH@%
We must march my darlings, we must bear the brunt of danger,%@NL@%
We the youthful sinewy races, all the rest on us depend.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Pioneers! O Pioneers!2

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%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW410    @%%@2@%Through the battle, through defeat, moving yet and never stopping.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Pioneers! O Pioneers!13

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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW420    @%%@2@%Out of the cradle endlessly rocking,%@NL@%%@EH@%
Out of the mockingbird's throat, the musical shuttle,%@NL@%
Out of the Ninth-month midnight.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Out of the Cradle Endlessly Rocking

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW430    @%%@2@%Whereto answering, the sea,%@NL@%%@EH@%
Delaying not, hurrying not,%@NL@%
Whispered me through the night, and very plainly before daybreak,%@NL@%
Lisped to me the low and delicious word death.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Out of the Cradle Endlessly Rocking

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW440    @%%@2@%Aboard at a ship's helm,%@NL@%%@EH@%
A young steersman steering with care.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Aboard at a Ship's Helm

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW450    @%%@2@%But O the ship, the immortal ship! O ship aboard the ship!%@NL@%%@EH@%
Ship of the body, ship of the soul, voyaging, voyaging, voyaging.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Aboard at a Ship's Helm

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW455    @%%@2@%Today a rude brief recitative,%@NL@%%@EH@%
Of ships sailing the seas, each with its special flag or ship-signal.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song for All Seas, All Ships, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW457    @%%@2@%Of sea captains young or old, and the mates, and of all intrepid sailors . .%@EH@%
. %@NL@%
Picked sparingly without noise by thee old ocean, chosen by thee,%@NL@%
Thou sea that pickest and cullest the race in time, and unitest nations,%@NL@%
Suckled by thee, old husky nurse, embodying thee,%@NL@%
Indomitable, untamed as thee.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Song for All Seas, All Ships, 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW460    @%%@2@%Silent and amazed even when a little boy,%@NL@%%@EH@%
I remember I heard the preacher every Sunday put God in his statements,%@NL@%
As contending against some being or influence.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].A Child's Amaze

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW470    @%%@2@%Give me the splendid silent sun with all his beams full-dazzling.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Give Me the Splendid Silent Sun, 1

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%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW480    @%%@2@%Word over all, beautiful as the sky,%@NL@%%@EH@%
Beautiful that war and all its deeds of carnage must in time be utterly
lost,%@NL@%
That the hands of the sisters Death and Night incessantly softly wash again,
and ever again, this soiled world;%@NL@%
For my enemy is dead, a man divine as myself is dead.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Reconciliation

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%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW485    @%%@2@%When lilacs last in the dooryard bloomed,%@NL@%%@EH@%
And the great star early drooped in the western sky in the night,%@NL@%
I mourned, and yet shall mourn with ever-returning spring.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].When Lilacs Last in the Dooryard Bloomed,1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW490    @%%@2@%O sane and sacred death.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].When Lilacs Last in the Dooryard Bloomed,7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW500    @%%@2@%Come lovely and soothing death, 1 %@NL@%%@EH@%
Undulate round the world, serenely arriving, arriving,%@NL@%
In the day, in the night, to all, to each,%@NL@%
Sooner or later delicate death.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].When Lilacs Last in the Dooryard Bloomed,14

%@NL@%%@AI@%1 See Shakespeare%@BO:          192e30@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW510    @%%@2@%Praised be the fathomless universe,%@NL@%%@EH@%
For life and joy, and for objects and knowledge curious,%@NL@%
And for love, sweet love-but praise! praise! praise!%@NL@%
For the sure-enwinding arms of cool-enfolding death.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].When Lilacs Last in the Dooryard Bloomed,14

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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW520    @%%@2@%O Captain! my Captain! our fearful trip is done,%@NL@%%@EH@%
The ship has weathered every rack, the prize we sought is won,%@NL@%
The port is near, the bells I hear, the people all exulting.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].O Captain! My Captain!1

%@NL@%
%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW530    @%%@2@%Exult O shores, and ring O bells!%@NL@%%@EH@%
But I with mournful tread,%@NL@%
Walk the deck my Captain lies,%@NL@%
Fallen cold and dead.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].O Captain! My Captain!3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW540    @%%@2@%This dust was once the man,%@NL@%%@EH@%
Gentle, plain, just and resolute, under whose cautious hand,%@NL@%
Against the foulest crime in history known in any land or age,%@NL@%
Was saved the Union of these States.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].This Dust Was Once the Man

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW545    @%%@2@%Underneath all, individuals,%@NL@%%@EH@%
I swear nothing is good to me now that ignores individuals.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].By Blue Ontario's Shore, 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW550    @%%@2@%The whole theory of the universe is directed unerringly to one single%@EH@%
individual-namely to You.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].By Blue Ontario's Shore, 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW560    @%%@2@%Liberty is to be subserved whatever occurs.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].To a Foiled European Revolutionaire

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW570    @%%@2@%What do you suppose will satisfy the soul, except to walk free and own no%@EH@%
superior?%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Laws for Creations

%@NL@%
%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW580    @%%@2@%Not till the sun excludes you do I exclude you.%@NL@%%@EH@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].To a Common Prostitute

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW585    @%%@2@%To me every hour of the light and dark is a miracle,%@NL@%%@EH@%
Every cubic inch of space is a miracle.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Miracles

%@NL@%
%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW590    @%%@2@%O we can wait no longer,%@NL@%%@EH@%
We too take ship O soul,%@NL@%
Joyous we too launch out on trackless seas,%@NL@%
Fearless for unknown shores.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Passage to India,8

%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW600    @%%@2@%Passage, immediate passage! the blood burns in my veins!%@NL@%%@EH@%
Away O soul! hoist instantly the anchor!%@NL@%
Cut the hawsers-haul out-shake out every sail!%@NL@%
Have we not stood here like trees in the ground long enough?%@NL@%
Have we not groveled here long enough, eating and drinking like mere brutes?%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Passage to India,9

%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW610    @%%@2@%Darest thou now O soul,%@NL@%%@EH@%
Walk out with me toward the unknown region,%@NL@%
Where neither ground is for the feet nor any path to follow?%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Darest Thou Now O Soul

%@NL@%
%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW630    @%%@2@%At the last, tenderly,%@NL@%%@EH@%
From the walls of the powerful fortressed house,%@NL@%
From the clasp of the knitted locks, from the keep of the well-closed doors,%@NL@%
Let me be wafted.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].The Last Invocation

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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW640    @%%@2@%Tenderly-be not impatient,%@NL@%%@EH@%
(Strong is your hold O mortal flesh,%@NL@%
Strong is your hold O love.)%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].The Last Invocation

%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW650    @%%@2@%Our life is closed, our life begins,%@NL@%%@EH@%
The long, long anchorage we leave,%@NL@%
The ship is clear at last, she leaps!%@NL@%
She swiftly courses from the shore,%@NL@%
Joy, shipmate, joy.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].Joy, Shipmate, Joy!

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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW660    @%%@2@%Camerado, this is no book,%@NL@%%@EH@%
Who touches this touches a man.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892].So Long!

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW670    @%%@2@%The world, the race, the soul-in space and time the universes,%@NL@%%@EH@%
All bound as is befitting each-all surely going somewhere.%@NL@%

%@NL@%Walt Whitman
%@NL@%Leaves of Grass [1855-1892]."Going Somewhere"

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW680    @%%@2@%   Political democracy, as it exists and practically works in America, with%@EH@%
all its threatening evils, supplies a training school for making first-class
men. It is life's gymnasium, not of good only, but of all.%@NL@%
%@NL@%
Walt Whitman
%@NL@%Democratic Vistas [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW690    @%%@2@%   It is native personality, and that alone, that endows a man to stand%@EH@%
before presidents or generals, or in any distinguished collection, with
aplomb-and not culture, or any knowledge or intellect whatever.%@NL@%
%@NL@%
Walt Whitman
%@NL@%Democratic Vistas [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW700    @%%@2@%   I never see that man [Lincoln] without feeling that he is one to become%@EH@%
personally attached to, for his combination of purest, heartiest tenderness,
and native western form of manliness.%@NL@%
%@NL@%
Walt Whitman
%@NL@%Specimen Days [1882].The Inauguration [March 4, 1865]

%@NL@%
%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW710    @%%@2@%   He leaves for America's history and biography, so far, not only its most%@EH@%
dramatic reminiscence-he leaves, in my opinion, the greatest, best, most
characteristic, artistic, moral personality.%@NL@%
%@NL@%
Walt Whitman
%@NL@%Specimen Days [1882].Death of President Lincoln [April 16, 1865]

%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW720    @%%@2@%   The real war will never get in the books.%@NL@%%@EH@%
%@NL@%
Walt Whitman
%@NL@%Specimen Days [1882].The Real War

%@NL@%
%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW730    @%%@2@%   After you have exhausted what there is in business, politics,%@EH@%
conviviality, and so on-have found that none of these finally satisfy, or
permanently wear-what remains? Nature remains.%@NL@%
%@NL@%
Walt Whitman
%@NL@%Specimen Days [1882].New Themes Entered Upon

%@NL@%
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%@NL@%%@NL@%%@NL@%

%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW740    @%%@2@%   Hast Thou, pellucid, in Thy azure depths, medicine for case like mine?%@NL@%%@EH@%
%@NL@%
Walt Whitman
%@NL@%Specimen Days [1882].The Sky [October 20, 1876]

%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW750    @%%@2@%   You must not know too much, or be too precise or scientific about birds%@EH@%
and trees and flowers and watercraft; a certain free margin, and even
vagueness-perhaps ignorance, credulity-helps your enjoyment of these things.%@NL@%
%@NL@%
Walt Whitman
%@NL@%Specimen Days [1882].Birds [May 14, 1881]

%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW760    @%%@2@%   To have great poets, there must be great audiences, too.%@NL@%%@EH@%
%@NL@%
Walt Whitman
%@NL@%Notes Left Over. Ventures on an Old Theme

%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW765    @%%@2@%   A Backward Glance o'er Traveled Roads. 1 %@NL@%%@EH@%
%@NL@%
Walt Whitman
%@NL@%November Boughs [1888],title of preface

%@NL@%%@AI@%1 See Wharton%@BO:          528620@%%@AE@%

%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW775    @%%@2@%   Leaves of Grass . . . has mainly been . . . an attempt, from first to%@EH@%
last, to put a Person, a human being (myself, in the latter half of the
nineteenth century, in America) freely, fully and truly on record.%@NL@%
%@NL@%
Walt Whitman
%@NL@%November Boughs [1888],title of preface

%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW780    @%%@2@%   No one will get at my verses who insists upon viewing them as a literary%@EH@%
performance, or attempt at such performance, or as aiming mainly toward art
or aestheticism.%@NL@%
%@NL@%
Walt Whitman
%@NL@%November Boughs [1888],title of preface

%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW790    @%%@2@%   Concluding with two items for the imaginative genius of the West, when it%@EH@%
worthily rises-First, what Herder taught to the young Goethe, that really
great poetry is always (like the Homeric or Biblical canticles) the result
of a national spirit, and not the privilege of a polished and select few;
Second, that the strongest and sweetest songs yet remain to be sung.%@NL@%
%@NL@%
Walt Whitman
%@NL@%November Boughs [1888],title of preface

%@NL@%
%@NL@%
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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW795    @%%@2@%   No really great song can ever attain full purport till long after the%@EH@%
death of its singer-till it has accrued and incorporated the many passions,
many joys and sorrows, it has itself aroused.%@NL@%
%@NL@%
Walt Whitman
%@NL@%November Boughs [1888],The Bible as Poetry

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%@QR:Walt Whitman@%%@QR:Whitman@%%@CR:N1819WHIW800    @%%@2@%   There is no week nor day nor hour, when tyranny may not enter upon this%@EH@%
country, if the people lose their supreme confidence in themselves-and lose
their roughness and spirit of defiance-Tyranny may always enter-there is no
charm,  no bar against it-the only bar against it is a large resolute breed
of men.%@NL@%
%@NL@%
Walt Whitman
%@NL@%From C. J. Furness, Walt Whitman's Workshop [1928]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Susan B rownell Anthony%@AE@%%@EH@%
%@NL@%
%@AB@%1820-1906%@AE@%
%@NL@%%@NL@%

%@QR:Susan B rownell Anthony@%%@QR:Anthony@%%@CR:N1820ANTS10     @%%@2@%   The men and women of the North are slaveholders, those of the South%@EH@%
slaveowners. The guilt rests on the North equally with the South.%@NL@%
%@NL@%
Susan B rownell Anthony
%@NL@%Speech on No Union with Slaveholders [1857]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Susan B rownell Anthony@%%@QR:Anthony@%%@CR:N1820ANTS20     @%%@2@%   Cautious, careful people, always casting about to preserve their%@EH@%
reputation and social standing, never can bring about a reform. Those who
are really in earnest must be willing to be anything or nothing in the
world's estimation.%@NL@%
%@NL@%
Susan B rownell Anthony
%@NL@%On the campaign for divorce law reform [1860]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Susan B rownell Anthony@%%@QR:Anthony@%%@CR:N1820ANTS30     @%%@2@%   Many Abolitionists have yet to learn the ABC of woman's rights.%@NL@%%@EH@%
%@NL@%
Susan B rownell Anthony
%@NL@%Journal, June 1860

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%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Susan B rownell Anthony@%%@QR:Anthony@%%@CR:N1820ANTS40     @%%@2@%   Make [your employers] understand that you are in their service as%@EH@%
workers, not as women. 1 %@NL@%
%@NL@%
Susan B rownell Anthony
%@NL@%The Revolution (woman suffrage newspaper),October 8, 1868

%@NL@%%@AI@%1 See Friedan%@BO:          66669d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Susan B rownell Anthony@%%@QR:Anthony@%%@CR:N1820ANTS50     @%%@2@%   Join the union, girls, and together say Equal Pay for Equal Work. 1 %@NL@%%@EH@%
%@NL@%
Susan B rownell Anthony
%@NL@%The Revolution (woman suffrage newspaper),March 18, 1869

%@NL@%%@AI@%1 See Friedan%@BO:          66669d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Susan B rownell Anthony@%%@QR:Anthony@%%@CR:N1820ANTS60     @%%@2@%   Woman must not depend upon the protection of man, but must be taught to%@EH@%
protect herself.%@NL@%
%@NL@%
Susan B rownell Anthony
%@NL@%Speech in San Francisco [July 1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Susan B rownell Anthony@%%@QR:Anthony@%%@CR:N1820ANTS70     @%%@2@%   I shall work for the Republican party and call on all women to join me,%@EH@%
precisely . . . for what that party has done and promises to do for women,
nothing more, nothing less.%@NL@%
%@NL@%
Susan B rownell Anthony
%@NL@%Letter to Elizabeth Cady Stanton [autumn 1872]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Susan B rownell Anthony@%%@QR:Anthony@%%@CR:N1820ANTS80     @%%@2@%   Here, in the first paragraph of the Declaration [of Independence], is the%@EH@%
assertion of the natural right of all to the ballot; for how can "the
consent of the governed" be given, if the right to vote be denied?%@NL@%
%@NL@%
Susan B rownell Anthony
%@NL@%Is It a Crime for a Citizen of the United States to Vote?
Speech [1873] before her trial for voting

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Susan B rownell Anthony@%%@QR:Anthony@%%@CR:N1820ANTS90     @%%@2@%   Marriage, to women as to men, must be a luxury, not a necessity; an%@EH@%
incident of life, not all of it. And the only possible way to accomplish
this great change is to accord to women equal power in the making, shaping
and controlling of the circumstances of life.%@NL@%
%@NL@%
Susan B rownell Anthony
%@NL@%Speech on Social Purity [spring 1875]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Susan B rownell Anthony@%%@QR:Anthony@%%@CR:N1820ANTS100    @%%@2@%   Failure is impossible.%@NL@%%@EH@%
%@NL@%
Susan B rownell Anthony
%@NL@%At her eighty-sixth birthday celebration [February 15, 1906]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lucretia Peabody Hale%@AE@%%@EH@%
%@NL@%
%@AB@%1820-1900%@AE@%
%@NL@%%@NL@%

%@QR:Lucretia Peabody Hale@%%@QR:Hale@%%@CR:N1820HALL10     @%%@2@%   At last Elizabeth Eliza said, "They say that the lady from Philadelphia,%@EH@%
who is staying in town, is very wise. Suppose I go and ask her what is best
to be done."%@NL@%
%@NL@%
Lucretia Peabody Hale
%@NL@%The Peterkin Papers [1880]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jean Ingelow%@AE@%%@EH@%
%@NL@%
%@AB@%1820-1897%@AE@%
%@NL@%%@NL@%

%@QR:Jean Ingelow@%%@QR:Ingelow@%%@CR:N1820INGJ10     @%%@2@%There's no dew left on the daisies and clover,%@NL@%%@EH@%
There's no rain left in heaven:%@NL@%
I've said my "seven times" over and over,%@NL@%
Seven times one are seven.%@NL@%

%@NL@%Jean Ingelow
%@NL@%Songs of Seven. Seven Times One, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Theodore O'Hara%@AE@%%@EH@%
%@NL@%
%@AB@%1820-1867%@AE@%
%@NL@%%@NL@%

%@QR:Theodore O'Hara@%%@QR:O'Hara@%%@CR:N1820OHAT10     @%%@2@%On Fame's eternal camping ground%@NL@%%@EH@%
Their silent tents are spread,%@NL@%
And Glory guards, with solemn round,%@NL@%
The bivouac of the dead.%@NL@%

%@NL@%Theodore O'Hara
%@NL@%%@FN@%
Written to commemorate Americans slain in the battle of Buena Vista
[February 22-23, 1847].  %@EF@%
The Bivouac of the Dead
[1847],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translation of the Indian name Kentucky.  %@EF@%
%@QR:Theodore O'Hara@%%@QR:O'Hara@%%@CR:N1820OHAT20     @%%@2@%Sons of the dark and bloody ground.%@NL@%%@EH@%

%@NL@%Theodore O'Hara
%@NL@%The Bivouac of the Dead
[1847],st. 9

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Frederick Root%@AE@%%@EH@%
%@NL@%
%@AB@%1820-1895%@AE@%
%@NL@%%@NL@%

%@QR:George Frederick Root@%%@QR:Root@%%@CR:N1820ROOG10     @%%@2@%Tramp! Tramp! Tramp! the boys are marching,%@NL@%%@EH@%
Cheer up, comrades, they will come,%@NL@%
And beneath the starry flag%@NL@%
We shall breathe the air again%@NL@%
Of the free land in our own beloved home.%@NL@%

%@NL@%George Frederick Root
%@NL@%Tramp! Tramp! Tramp! [1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Frederick Root@%%@QR:Root@%%@CR:N1820ROOG20     @%%@2@%Yes, we'll rally round the flag, boys, we'll rally once again,%@NL@%%@EH@%
Shouting the battle cry of Freedom.%@NL@%

%@NL@%George Frederick Root
%@NL@%The Battle Cry of Freedom [1863]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir William Howard Russell%@AE@%%@EH@%
%@NL@%
%@AB@%1820-1907%@AE@%
%@NL@%%@NL@%

%@FN@%
Soon the men of the column began to see that though the scarlet line was
slender, it was very rigid and exact.-A. W. Kinglake [1809-1891], Invasion
of the Crimea, vol. III, p. 455  It's "Thin red line of 'eroes" when the
drums begin to roll.-Kipling [1865-1936], Tommy, st. 3  See Kipling  %@EF@%
%@QR:Sir William Howard Russell@%%@QR:Russell@%%@CR:N1820RUSW10     @%%@2@%   The Russians dashed on towards that thin red-line streak tipped with a%@EH@%
line of steel.%@NL@%
%@NL@%
Sir William Howard Russell
%@NL@%To The Times of London from the Crimea, describing the British
infantry at Balaklava [October 25, 1854]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Tecumseh Sherman%@AE@%%@EH@%
%@NL@%
%@AB@%1820-1891%@AE@%
%@NL@%%@NL@%

%@QR:William Tecumseh Sherman@%%@QR:Sherman@%%@CR:N1820SHEW10     @%%@2@%   You cannot qualify war in harsher terms than I will. War is cruelty, and%@EH@%
you cannot refine it.%@NL@%
%@NL@%
William Tecumseh Sherman
%@NL@%Letter to James M. Calhoun, mayor of Atlanta, and others
[September 12, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
He actually said: "Hold out. Relief is coming." General Corse replied: "I am
short a cheekbone and an ear, but am able to whip all hell yet."  See Philip
Bliss  %@EF@%
%@QR:William Tecumseh Sherman@%%@QR:Sherman@%%@CR:N1820SHEW20     @%%@2@%   Hold the fort! I am coming!%@NL@%%@EH@%
%@NL@%
William Tecumseh Sherman
%@NL@%Signal from Kenesaw Mountain to General John Murray Corse
at Allatoona Pass [October 5, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Tecumseh Sherman@%%@QR:Sherman@%%@CR:N1820SHEW50     @%%@2@%   The legitimate object of war is a more perfect peace.%@NL@%%@EH@%
%@NL@%
William Tecumseh Sherman
%@NL@%Speech at St. Louis [July 20, 1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Tecumseh Sherman@%%@QR:Sherman@%%@CR:N1820SHEW60     @%%@2@%   War is at best barbarism. . . . Its glory is all moonshine. It is only%@EH@%
those who have neither fired a shot nor heard the shrieks and groans of the
wounded who cry aloud for blood, more vengeance, more desolation. War is
hell. 1 %@NL@%
%@NL@%
William Tecumseh Sherman
%@NL@%Attributed to a graduation address at Michigan Military Academy
[June 19, 1879]

%@NL@%%@AI@%1 See Robert E. Lee%@BO:          3d8e98@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The familiar version is: If nominated I will not run; if elected I will not
serve.  %@EF@%
%@QR:William Tecumseh Sherman@%%@QR:Sherman@%%@CR:N1820SHEW70     @%%@2@%   I will not accept if nominated and will not serve if elected.%@NL@%%@EH@%
%@NL@%
William Tecumseh Sherman
%@NL@%Message to Republican National Convention [June 5, 1884]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Herbert Spencer%@AE@%%@EH@%
%@NL@%
%@AB@%1820-1903%@AE@%
%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH10     @%%@2@%   Progress, therefore, is not an accident, but a necessity. . . . It is a%@EH@%
part of nature.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%Social Statics [1851], pt.I, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH20     @%%@2@%   Education has for its object the formation of character.%@NL@%%@EH@%
%@NL@%
Herbert Spencer
%@NL@%Social Statics [1851], pt.II, ch. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH25     @%%@2@%   The poverty of the incapable, the distresses that come upon the%@EH@%
imprudent, the starvation of the idle, and those shoulderings aside of the
weak by the strong, which leave so many "in shallows and in miseries," 1
are the decrees of a large, farseeing benevolence.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%Social Statics [1851], pt.III, ch. 25

%@NL@%%@AI@%1 See Shakespeare%@BO:          1b746a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH30     @%%@2@%   Opinion is ultimately determined by the feelings, and not by the%@EH@%
intellect.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%Social Statics [1851], pt.IV, ch. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH40     @%%@2@%   Morality knows nothing of geographical boundaries or distinctions of%@EH@%
race.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%Social Statics [1851], pt.IV, ch. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH50     @%%@2@%   No one can be perfectly free till all are free; no one can be perfectly%@EH@%
moral till all are moral; no one can be perfectly happy till all are happy.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%Social Statics [1851], pt.IV, ch. 30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH60     @%%@2@%   Architecture, sculpture, painting, music, and poetry, may truly be called%@EH@%
the efflorescence of civilized life.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%Essays on Education [1861].Education: What Knowledge Is of Most Worth?

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH70     @%%@2@%   Every cause produces more than one effect.%@NL@%%@EH@%
%@NL@%
Herbert Spencer
%@NL@%Essays on Education [1861].On Progress: Its Law and Cause

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH80     @%%@2@%   The tyranny of Mrs. Grundy 1  is worse than any other tyranny we suffer%@EH@%
under.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%Essays on Education [1861].On Manners and Fashion

%@NL@%%@AI@%1 See Thomas Morton%@BO:          32fe5f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH90     @%%@2@%   Old forms of government finally grow so oppressive that they must be%@EH@%
thrown off even at the risk of reigns of terror.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%Essays on Education [1861].On Manners and Fashion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH100    @%%@2@%   Music must take rank as the highest of the fine arts-as the one which,%@EH@%
more than any other, ministers to human welfare.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%Essays on Education [1861].On the Origin and Function of Music

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH110    @%%@2@%   We too often forget that not only is there "a soul of goodness in things%@EH@%
evil," 1  but very generally a soul of truth in things erroneous.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%First Principles [1861]

%@NL@%%@AI@%1 See Shakespeare%@BO:          1a23c2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH120    @%%@2@%   The fact disclosed by a survey of the past that majorities have been%@EH@%
wrong must not blind us to the complementary fact that majorities have
usually not been entirely wrong.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%First Principles [1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH130    @%%@2@%   Volumes might be written upon the impiety of the pious.%@NL@%%@EH@%
%@NL@%
Herbert Spencer
%@NL@%First Principles [1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH140    @%%@2@%   We have unmistakable proof that throughout all past time, there has been%@EH@%
a ceaseless devouring of the weak by the strong.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%First Principles [1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH150    @%%@2@%   This survival of the fittest which I have here sought to express in%@EH@%
mechanical terms, is that which Mr. Darwin has called "natural selection, or
the preservation of favored races in the struggle for life." 1 %@NL@%
%@NL@%
Herbert Spencer
%@NL@%Principles of Biology [1864-1867], pt. III, ch. 12

%@NL@%%@AI@%1 See Darwin%@BO:          3e2eb2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH160    @%%@2@%   The Republican form of government is the highest form of government: but%@EH@%
because of this it requires the highest type of human nature-a type nowhere
at present existing.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%Essays [1891].The Americans

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH170    @%%@2@%   The ultimate result of shielding men from the effects of folly is to fill%@EH@%
the world with fools.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%Essays [1891].State Tamperings with Money Banks

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Herbert Spencer@%%@QR:Spencer@%%@CR:N1820SPEH180    @%%@2@%   Time: That which man is always trying to kill, but which ends in killing%@EH@%
him.%@NL@%
%@NL@%
Herbert Spencer
%@NL@%Definitions

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Tyndall%@AE@%%@EH@%
%@NL@%
%@AB@%1820-1893%@AE@%
%@NL@%%@NL@%

%@QR:John Tyndall@%%@QR:Tyndall@%%@CR:N1820TYNJ10     @%%@2@%   Heat Considered as a Mode of Motion.%@NL@%%@EH@%
%@NL@%
John Tyndall
%@NL@%Title of treatise [1863]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Tyndall@%%@QR:Tyndall@%%@CR:N1820TYNJ20     @%%@2@%   Life is a wave, which in no two consecutive moments of its existence is%@EH@%
composed of the same particles. 1 %@NL@%
%@NL@%
John Tyndall
%@NL@%Fragments of Science, vol. II,Vitality

%@NL@%%@AI@%1 See Heraclitus%@BO:           955d0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Tyndall@%%@QR:Tyndall@%%@CR:N1820TYNJ30     @%%@2@%   The mind of man may be compared to a musical instrument with a certain%@EH@%
range of notes, beyond which in both directions we have an infinitude of
silence.%@NL@%
%@NL@%
John Tyndall
%@NL@%Fragments of Science, vol. II,Matter and Force

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Tyndall@%%@QR:Tyndall@%%@CR:N1820TYNJ40     @%%@2@%   The brightest flashes in the world of thought are incomplete until they%@EH@%
have been proved to have their counterparts in the world of fact.%@NL@%
%@NL@%
John Tyndall
%@NL@%Fragments of Science, vol. II,Scientific Materialism

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Tyndall@%%@QR:Tyndall@%%@CR:N1820TYNJ50     @%%@2@%   It is as fatal as it is cowardly to blink facts because they are not to%@EH@%
our taste.%@NL@%
%@NL@%
John Tyndall
%@NL@%Fragments of Science, vol. II,Science and Man

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Tyndall@%%@QR:Tyndall@%%@CR:N1820TYNJ60     @%%@2@%   Charles Darwin, the Abraham of scientific men-a searcher as obedient to%@EH@%
the command of truth as was the patriarch to the command of God.%@NL@%
%@NL@%
John Tyndall
%@NL@%Fragments of Science, vol. II,Science and Man

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Tyndall@%%@QR:Tyndall@%%@CR:N1820TYNJ70     @%%@2@%   Superstition may be defined as constructive religion which has grown%@EH@%
incongruous with intelligence.%@NL@%
%@NL@%
John Tyndall
%@NL@%Fragments of Science, vol. II,Science and Man

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Tyndall@%%@QR:Tyndall@%%@CR:N1820TYNJ80     @%%@2@%   Religious feeling is as much a verity as any other part of human%@EH@%
consciousness; and against it, on the subjective side, the waves of science
beat in vain.%@NL@%
%@NL@%
John Tyndall
%@NL@%Fragments of Science, vol. II,Professor Virchow and Evolution

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henri-Frederic Amiel%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1881%@AE@%
%@NL@%%@NL@%

%@QR:Henri-Frederic Amiel@%%@QR:Amiel@%%@CR:N1821AMIH5      @%%@2@%   To know how to grow old is the masterwork of wisdom, and one of the most%@EH@%
difficult chapters in the great art of living.%@NL@%
%@NL@%
Henri-Frederic Amiel
%@NL@%Journal Intime [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henri-Frederic Amiel@%%@QR:Amiel@%%@CR:N1821AMIH7      @%%@2@%   An error is the more dangerous the more truth it contains.%@NL@%%@EH@%
%@NL@%
Henri-Frederic Amiel
%@NL@%Journal Intime [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henri-Frederic Amiel@%%@QR:Amiel@%%@CR:N1821AMIH10     @%%@2@%   Truth is the secret of eloquence and of virtue, the basis of moral%@EH@%
authority; it is the highest summit of art and of life.%@NL@%
%@NL@%
Henri-Frederic Amiel
%@NL@%Journal Intime [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henri-Frederic Amiel@%%@QR:Amiel@%%@CR:N1821AMIH25     @%%@2@%   Charm: the quality in others that makes us more satisfied with ourselves.%@NL@%%@EH@%
%@NL@%
Henri-Frederic Amiel
%@NL@%Journal Intime [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henri-Frederic Amiel@%%@QR:Amiel@%%@CR:N1821AMIH30     @%%@2@%   If ignorance and passion are the foes of popular morality, it must be%@EH@%
confessed that moral indifference is the malady of the cultivated classes.%@NL@%
%@NL@%
Henri-Frederic Amiel
%@NL@%Journal Intime [1883]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Henry Williams Baker%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1877%@AE@%
%@NL@%%@NL@%

%@QR:Sir Henry Williams Baker@%%@QR:Baker@%%@CR:N1821BAKH10     @%%@2@%The King of love my shepherd is,%@NL@%%@EH@%
Whose goodness faileth never;%@NL@%
I nothing lack if I am his,%@NL@%
And he is mine forever.%@NL@%

%@NL@%Sir Henry Williams Baker
%@NL@%%@FN@%
Based on the first verse of Psalm 23.  %@EF@%
Hymn [1868]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Baudelaire%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1867%@AE@%
%@FN@%
Baudelaire is the foremost seer, king of poets, a true God. Even so, he
lived in too artistic a milieu; his so highly praised form is meager.
Ventures into the unknown demand new forms.-Arthur Rimbaud, Lettre a Paul
Demeny [May 15, 1871]  %@EF@%
%@NL@%%@NL@%

%@FN@%
You! hypocrite lecteur!-mon semblable-mon frere!-T. S. Eliot, The Waste Land
[1922], l. 76  %@EF@%
%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC20     @%%@2@%Hypocrite lecteur-mon semblable-mon frere [Hypocrite reader-my double-my%@EH@%
brother]!%@NL@%

%@NL@%Charles Baudelaire
%@NL@%Les Fleurs du Mal [1861].Au Lecteur

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Le Poete est semblable au prince des nuees/Qui hante la temp[ecirc ]te et se
rit de l'archer;/Exile sur le sol au milieu des huees,/Ses ailes de geant
l'emp[ecirc ]chent de marcher.  %@EF@%
%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC40     @%%@2@%The poet is like the prince of the clouds%@NL@%%@EH@%
Who haunts the tempest and laughs at the archer;%@NL@%
Exiled on the ground in the midst of jeers,%@NL@%
His giant wings prevent him from walking.%@NL@%

%@NL@%Charles Baudelaire
%@NL@%Les Fleurs du Mal [1861].L'Albatros, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Les parfums, les couleurs, les sons se repondent.  %@EF@%
%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC60     @%%@2@%Perfumes, colors and sounds echo one another.%@NL@%%@EH@%

%@NL@%Charles Baudelaire
%@NL@%Les Fleurs du Mal [1861].Correspondances

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Mere des souvenirs, ma[icirc ]tresse des ma[icirc ]tresses.  %@EF@%
%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC70     @%%@2@%Mother of memories, mistress of mistresses.%@NL@%%@EH@%

%@NL@%Charles Baudelaire
%@NL@%Les Fleurs du Mal [1861].Le Balcon, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
La, tout n'est qu'ordre et beaute,/Luxe, calme et volupte.  Translated by
Richard Wilbur.  %@EF@%
%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC90     @%%@2@%There, there is nothing else but grace and measure,%@NL@%%@EH@%
Richness, quietness and pleasure.%@NL@%

%@NL@%Charles Baudelaire
%@NL@%Les Fleurs du Mal [1861].L'Invitation au Voyage, refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
J'ai plus de souvenirs que si j'avais mille ans.  %@EF@%
%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC110    @%%@2@%I have more memories than if I were a thousand years old.%@NL@%%@EH@%

%@NL@%Charles Baudelaire
%@NL@%Les Fleurs du Mal [1861].Spleen, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Je suis la plaie et le couteau!/Je suis le soufflet et la joue!/Je suis les
membres et la roue,/Et la victime et le bourreau!  %@EF@%
%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC130    @%%@2@%I am the wound and the knife!%@NL@%%@EH@%
I am the blow and the cheek!%@NL@%
I am the limbs and the wheel-%@NL@%
The victim and the executioner!%@NL@%

%@NL@%Charles Baudelaire
%@NL@%Les Fleurs du Mal [1861].L'Heautontimoroumenos

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Voici le soir charmant, ami du criminel;/Il vient comme un complice, a pas
de loup.  %@EF@%
%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC144    @%%@2@%Here is the charming evening, the criminal's friend;%@NL@%%@EH@%
It comes like an accomplice, with stealthy tread.%@NL@%

%@NL@%Charles Baudelaire
%@NL@%Les Fleurs du Mal [1861].Le Crepuscule du Soir

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quelle est cette [icirc ]le triste et noire?-C'est Cythere,/Nous dit-on, un
pays fameux dans les chansons,/Eldorado banal de tous les vieux
garcons./Regardez! apres tout c'est un pauvre terre.  %@EF@%
%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC147    @%%@2@%What is that sad, dark island?-It is Cythera,%@NL@%%@EH@%
They tell us, a country famous in song,%@NL@%
Banal Eldorado of all the old bachelors.%@NL@%
Look! after all, it is a poor land!%@NL@%

%@NL@%Charles Baudelaire
%@NL@%Les Fleurs du Mal [1861].Un Voyage a Cythere

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC150    @%%@2@%O Death, old captain, it is time! raise the anchor!%@NL@%%@EH@%

%@NL@%Charles Baudelaire
%@NL@%Les Fleurs du Mal [1861].Le Voyage, VIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Que m'importe que tu sois sage?/Sois belle! et sois triste!  %@EF@%
%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC160    @%%@2@%What do I care that you are good?%@NL@%%@EH@%
Be beautiful! and be sad!%@NL@%

%@NL@%Charles Baudelaire
%@NL@%Nouvelles Fleurs du Mal [1866-1868]. Madrigal Triste, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC180    @%%@2@%   There can be no progress (real, that is, moral) except in the individual%@EH@%
and by the individual himself.%@NL@%
%@NL@%
Charles Baudelaire
%@NL@%Mon Coeur Mis a Nu [1887],XV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC190    @%%@2@%   There are in every man, at every hour, two simultaneous postulations, one%@EH@%
towards God, the other towards Satan.%@NL@%
%@NL@%
Charles Baudelaire
%@NL@%Mon Coeur Mis a Nu [1887],XIX

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il n'existe que trois [ecirc ]tres respectables: le pr[ecirc ]tre, le
guerrier, le poete. Savoir, tuer, et creer.  %@EF@%
%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC200    @%%@2@%   There exist only three beings worthy of respect: the priest, the soldier,%@EH@%
the poet. To know, to kill, to create.%@NL@%
%@NL@%
Charles Baudelaire
%@NL@%Mon Coeur Mis a Nu [1887],XXII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC210    @%%@2@%   To be a great man and a saint for oneself, that is the one important%@EH@%
thing.%@NL@%
%@NL@%
Charles Baudelaire
%@NL@%Mon Coeur Mis a Nu [1887],LII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC220    @%%@2@%   Theory of the true civilization. It is not to be found in gas or steam or%@EH@%
table turning. It consists in the diminution of the traces of original sin.%@NL@%
%@NL@%
Charles Baudelaire
%@NL@%Mon Coeur Mis a Nu [1887],LIX

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il faut epater le bourgeois.  %@EF@%
%@QR:Charles Baudelaire@%%@QR:Baudelaire@%%@CR:N1821BAUC230    @%%@2@%   You must shock the bourgeois.%@NL@%%@EH@%
%@NL@%
Charles Baudelaire
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Richard Francis Burton%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1890%@AE@%
%@NL@%%@NL@%

%@QR:Sir Richard Francis Burton@%%@QR:Burton@%%@CR:N1821BURR10     @%%@2@%Why meet we on the bridge of Time to 'change one greeting and to part?%@NL@%%@EH@%

%@NL@%Sir Richard Francis Burton
%@NL@%The Kasidah of Haji Abdu El-Yazdi,I, 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Richard Francis Burton@%%@QR:Burton@%%@CR:N1821BURR20     @%%@2@%Indeed he knows not how to know who knows not also how to un-know.%@NL@%%@EH@%

%@NL@%Sir Richard Francis Burton
%@NL@%The Kasidah of Haji Abdu El-Yazdi,VI, 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Richard Francis Burton@%%@QR:Burton@%%@CR:N1821BURR30     @%%@2@%Do what thy manhood bids thee do, from none but self expect applause;%@NL@%%@EH@%
He noblest lives and noblest dies who makes and keeps his self-made laws.%@NL@%

%@NL@%Sir Richard Francis Burton
%@NL@%The Kasidah of Haji Abdu El-Yazdi,VIII, 37

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Crowfoot%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1890%@AE@%
%@FN@%
Blackfoot warrior and orator.  %@EF@%
%@NL@%%@NL@%

%@QR:Crowfoot@%%@CR:N1821CROW10     @%%@2@%   What is life? It is the flash of a firefly in the night. It is the breath%@EH@%
of a buffalo in the wintertime. It is the little shadow which runs across
the grass and loses itself in the sunset.%@NL@%
%@NL@%
Crowfoot
%@NL@%Last words [1890]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Fedor Mikhailovich Dostoevski%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1881%@AE@%
%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF5      @%%@2@%   Petersburg, the most theoretical and intentional town on the whole%@EH@%
terrestrial globe.%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%%@FN@%
Translated by Constance Garnett.  %@EF@%
Notes from the Underground [1864],
ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF11     @%%@2@%   Man is sometimes extraordinarily, passionately, in love with suffering.%@NL@%%@EH@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%Notes from the Underground [1864],
ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF15     @%%@2@%   Man grows used to everything, the scoundrel!%@NL@%%@EH@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%%@FN@%
Translated by Constance Garnett.  %@EF@%
Crime and Punishment [1866],
book I, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF25     @%%@2@%   If you were to destroy in mankind the belief in immortality, not only%@EH@%
love but every living force maintaining the life of the world would at once
be dried up.%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%%@FN@%
Translated by Constance Garnett.  %@EF@%
The Brothers Karamazov [1879-1880],
bk.II, ch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF30     @%%@2@%   I want to tell you now about the insects to whom God gave "sensual lust."%@EH@%
. . . I am that insect, brother, and it is said of me especially. All we
Karamazovs are such insects, and, angel as you are, that insect lives in you
too, and will stir a tempest in your blood. Tempests, because sensual lust
is a tempest-worse than a tempest! Beauty is a terrible and awful thing! It
is terrible because it has not been fathomed, for God sets us nothing but
riddles. 1  Here the boundaries meet and all contradictions exist side by
side.%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.III, ch. 3

%@NL@%%@AI@%1 See Einstein%@BO:          58f0cc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF40     @%%@2@%   What to the mind is shameful is beauty and nothing else to the heart. Is%@EH@%
there beauty in Sodom? Believe me, that for the immense mass of mankind
beauty is found in Sodom. Did you know that secret? The awful thing is that
beauty is mysterious as well as terrible. God and devil are fighting there,
and the battlefield is the heart of man.%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.III, ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF43     @%%@2@%   I want to travel in Europe . . . I know that I am only going to a%@EH@%
graveyard, but it's a most precious graveyard.%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.V, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF45     @%%@2@%   If the devil doesn't exist, but man has created him, he has created him%@EH@%
in his own image and likeness.%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.V, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF50     @%%@2@%   Is there in the whole world a being who would have the right to forgive%@EH@%
and could forgive? I don't want harmony. From love of humanity I don't want
it. . . . I would rather remain with my unavenged suffering and unsatisfied
indignation, even if I were wrong. Besides, too high a price is asked for
harmony; it's beyond our means to pay so much to enter on it. And so I
hasten to give back my entrance ticket . . . It's not God that I don't
accept, Alyosha, only I most respectfully return Him the ticket.%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.V, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"Do you remember the passage where he [Rousseau] asks the reader what he
would do if he could make a fortune by killing an old mandarin in China by
simply exerting his will, without stirring from Paris?" "Yes." "Well?" "Bah!
I'm at my thirty-third mandarin." "Don't play the fool. Look here, if it
were proved to you that the thing was possible and you only needed to nod
your head, would you do it?" "Is your mandarin well stricken in years? But,
bless you, young or old, paralytic or healthy, upon my word-The devil take
it! Well, no."-Balzac, Le Pere Goriot [1835]  %@EF@%
%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF55     @%%@2@%   Imagine that you are creating a fabric of human destiny with the object%@EH@%
of making men happy in the end, giving them peace and rest at last, but that
it was essential and inevitable to torture to death only one tiny creature .
. . and to found that edifice on its unavenged tears, would you consent to
be the architect on those conditions? Tell me, and tell the truth.%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.V, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF58     @%%@2@%   So long as man remains free he strives for nothing so incessantly and so%@EH@%
painfully as to find someone to worship.%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.V, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF60     @%%@2@%   We have corrected Thy work and have founded it upon miracle, mystery and%@EH@%
authority. And men rejoiced that they were again led like sheep, and that
the terrible gift that brought them such suffering, was, at last, lifted
from their hearts.%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.V, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF70     @%%@2@%   "How will you escape it? By what will you escape it? That's impossible%@EH@%
with your ideas."%@NL@%
"In the Karamazov way, again."%@NL@%
""Everything is lawful,' you mean?"%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.V, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF80     @%%@2@%   Men reject their prophets and slay them, but they love their martyrs and%@EH@%
honor those whom they have slain.%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.VI, ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF95     @%%@2@%   The jealous are the readiest of all to forgive, and all women know it.%@NL@%%@EH@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.VIII, ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF100    @%%@2@%   Who doesn't desire his father's death?%@NL@%%@EH@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.XII, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF110    @%%@2@%   Our fatal troika dashes on in her headlong flight perhaps to destruction,%@EH@%
and in all Russia for long past men have stretched out imploring hands and
called a halt to its furious reckless course. And if other nations stand
aside from that troika that may be not from respect, as the poet would fain
believe, but simply from horror. And well it is that they stand aside, but
maybe they will cease one day to do so and will form a firm wall confronting
the hurrying apparition and will check the frenzied rush of our lawlessness,
for the sake of their own safety, enlightenment and civilization.%@NL@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.XII, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF120    @%%@2@%   They have their Hamlets, but we still have our Karamazovs!%@NL@%%@EH@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.XII, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF130    @%%@2@%   But profound as psychology is, it's a knife that cuts both ways.%@NL@%%@EH@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.XII, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF140    @%%@2@%   For a moment the lie becomes truth.%@NL@%%@EH@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%The Brothers Karamazov [1879-1880],
bk.Epilogue, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This statement, traditionally attributed to Dostoevski and quoted by most
writers on Dostoevski and on Russian realism, appears in Eugene Melchior,
vicomte de Vogue [1848-1910], Le Roman Russe [1886], ch. 3: The more I read
the Russians, the more I understand the observation one of them made to me .
. . "We have all come out of Gogol's Overcoat." We see further how evident
the connection is with Dostoevski: the formidable novelist is all in his
first book, Poor People, and Poor People has its origin in the Overcoat.  De
Vogue reiterated this statement in the speech he made on the occasion of
unveiling a centennial monument to Gogol in Moscow in 1909.  %@EF@%
%@QR:Fedor Mikhailovich Dostoevski@%%@QR:Dostoevski@%%@CR:N1821DOSF150    @%%@2@%   We have all come out of Gogol's Overcoat.%@NL@%%@EH@%
%@NL@%
Fedor Mikhailovich Dostoevski
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Mary Baker Eddy%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1910%@AE@%
%@NL@%%@NL@%

%@QR:Mary Baker Eddy@%%@QR:Eddy@%%@CR:N1821EDDM5      @%%@2@%   Our Father-Mother God, all-harmonious. 1  2  3 %@NL@%%@EH@%
%@NL@%
Mary Baker Eddy
%@NL@%Science and Health with Key to the Scriptures [1875],p. 16

%@NL@%%@AI@%1 See Suti and Hor%@BO:            349a@%%@AE@%
%@AI@%2 See O'Neill%@BO:          5db3ce@%%@AE@%
%@AI@%3 See John Paul I%@BO:          64aeb3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Baker Eddy@%%@QR:Eddy@%%@CR:N1821EDDM10     @%%@2@%   Jesus of Nazareth was the most scientific man that ever trod the globe.%@EH@%
He plunged beneath the material surface of things, and found the spiritual
cause.%@NL@%
%@NL@%
Mary Baker Eddy
%@NL@%Science and Health with Key to the Scriptures [1875],p. 313

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Baker Eddy@%%@QR:Eddy@%%@CR:N1821EDDM20     @%%@2@%   Spirit is the real and eternal; matter is the unreal and temporal.%@NL@%%@EH@%
%@NL@%
Mary Baker Eddy
%@NL@%Science and Health with Key to the Scriptures [1875],p. 468

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Baker Eddy@%%@QR:Eddy@%%@CR:N1821EDDM30     @%%@2@%   Sickness, sin and death, being inharmonious, do not originate in God nor%@EH@%
belong to His government.%@NL@%
%@NL@%
Mary Baker Eddy
%@NL@%Science and Health with Key to the Scriptures [1875],p. 472

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mary Baker Eddy@%%@QR:Eddy@%%@CR:N1821EDDM40     @%%@2@%   How would you define Christian Science?%@NL@%%@EH@%
As the law of God, the law of good, interpreting and demonstrating the
divine Principle and rule of universal harmony.%@NL@%
%@NL@%
Mary Baker Eddy
%@NL@%Rudimental Divine Science [1891], p. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gustave Flaubert%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1880%@AE@%
%@NL@%%@NL@%

%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG10     @%%@2@%   One must not always think that feeling is everything. Art is nothing%@EH@%
without form.%@NL@%
%@NL@%
Gustave Flaubert
%@NL@%Letter to Madame Louise Colet[August 12, 1846]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Quelle atroce invention que celle du bourgeois, n'est-ce pas?  %@EF@%
%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG20     @%%@2@%   What a horrible invention, the bourgeois, don't you think?%@NL@%%@EH@%
%@NL@%
Gustave Flaubert
%@NL@%Letter to Madame Louise Colet[September 22, 1846]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG40     @%%@2@%   One becomes a critic when one cannot be an artist, just as a man becomes%@EH@%
a stool pigeon when he cannot be a soldier. 1  2  3 %@NL@%
%@NL@%
Gustave Flaubert
%@NL@%Letter to Madame Louise Colet[October 22, 1846]

%@NL@%%@AI@%1 See Coleridge%@BO:          35505a@%%@AE@%
%@AI@%2 See Disraeli%@BO:          3cbc06@%%@AE@%
%@AI@%3 See Lowell%@BO:          44378a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG42     @%%@2@%   There was an air of indifference about them [the male guests], a calm%@EH@%
produced by the gratification of every passion . . . that special brutality
which comes from the habit of breaking down half-hearted resistances that
keep one fit and tickle one's vanity-the handling of blooded horses, the
pursuit of loose women.%@NL@%
%@NL@%
Gustave Flaubert
%@NL@%%@FN@%
Translated by Francis Steegmuller.  %@EF@%
Madame Bovary [1857],
pt.I, ch. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG43     @%%@2@%   It never occurred to her that if the drainpipes of a house are clogged,%@EH@%
the rain may collect in pools on the roof; and she suspected no danger until
suddenly she discovered a crack in the wall.%@NL@%
%@NL@%
Gustave Flaubert
%@NL@%Madame Bovary [1857],
pt.II, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
La parole humaine est comme un chaudron f[ecirc ]le o[ugrave] nous battons
des melodies a faire danser les ours, quand on voudrait attendrir les
etoiles.  %@EF@%
%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG44     @%%@2@%   Human speech is like a cracked kettle on which we tap crude rhythms for%@EH@%
bears to dance to, while we long to make music that will melt the stars.%@NL@%
%@NL@%
Gustave Flaubert
%@NL@%Madame Bovary [1857],
pt.II, ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG46     @%%@2@%   She [Madame Bovary] had that indefinable beauty that comes from%@EH@%
happiness, enthusiasm, success-a beauty that is nothing more or less than a
harmony of temperament and circumstances.%@NL@%
%@NL@%
Gustave Flaubert
%@NL@%Madame Bovary [1857],
pt.II, ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il ne faut pas toucher aux idoles: la dorure en reste aux mains.  %@EF@%
%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG47     @%%@2@%   We shouldn't maltreat our idols: the gilt comes off on our hands.%@NL@%%@EH@%
%@NL@%
Gustave Flaubert
%@NL@%Madame Bovary [1857],
pt.III, ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG49     @%%@2@%   There isn't a bourgeois alive who in the ferment of his youth, if only%@EH@%
for a day or for a minute, hasn't thought himself capable of boundless
passions and noble exploits. The sorriest little woman-chaser has dreamed of
Oriental queens; in a corner of every notary's heart lie the moldy remains
of a poet.%@NL@%
%@NL@%
Gustave Flaubert
%@NL@%Madame Bovary [1857],
pt.III, ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG50     @%%@2@%   Of all the icy blasts that blow on love, a request for money is the most%@EH@%
chilling and havoc-wreaking.%@NL@%
%@NL@%
Gustave Flaubert
%@NL@%Madame Bovary [1857],
pt.III, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG51     @%%@2@%   Anyone's death always releases something like an aura of stupefaction, so%@EH@%
difficult is it to grasp this irruption of nothingness and to believe that
it has actually taken place.%@NL@%
%@NL@%
Gustave Flaubert
%@NL@%Madame Bovary [1857],
pt.III, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG52     @%%@2@%   Axiom: hatred of the bourgeois is the beginning of wisdom.%@NL@%%@EH@%
%@NL@%
Gustave Flaubert
%@NL@%Letter to George Sand [May 10, 1867]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG60     @%%@2@%   I call a bourgeois anyone whose thinking is vulgar.%@NL@%%@EH@%
%@NL@%
Gustave Flaubert
%@NL@%Quoted by Maupassant

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gustave Flaubert@%%@QR:Flaubert@%%@CR:N1821FLAG70     @%%@2@%   What is beautiful is moral, that is all there is to it.%@NL@%%@EH@%
%@NL@%
Gustave Flaubert
%@NL@%Letter to Maupassant [October 26, 1880]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Nathan Bedford Forrest%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1877%@AE@%
%@NL@%%@NL@%

%@FN@%
Erroneous version usually rendered: Git thar fustest with the mostest.  %@EF@%
%@QR:Nathan Bedford Forrest@%%@QR:Forrest@%%@CR:N1821FORN10     @%%@2@%Get there first with the most men.%@NL@%%@EH@%

%@NL@%Nathan Bedford Forrest
%@NL@%Reported by General Basil Duke and General Richard Taylor

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Hermann Ludwig Ferdinand von Helmholtz%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1894%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by E. Atkinson.  Helmholtz's "force" is equivalent to the modern
physicist's "energy."  %@EF@%
%@QR:Hermann Ludwig Ferdinand von Helmholtz@%%@QR:Helmholtz@%%@CR:N1821HELH10     @%%@2@%   Nature as a whole possesses a store of force which cannot in any way be%@EH@%
either increased or diminished . . . therefore, the quantity of force in
Nature is just as eternal and unalterable as the quantity of matter. . . . I
have named [this] general law "The Principle of the Conservation of Force."%@NL@%
%@NL@%
Hermann Ludwig Ferdinand von Helmholtz
%@NL@%[Uuml ]ber die Erhaltung der Kraft [1847]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hermann Ludwig Ferdinand von Helmholtz@%%@QR:Helmholtz@%%@CR:N1821HELH20     @%%@2@%   Whoever, in the pursuit of science, seeks after immediate practical%@EH@%
utility, may generally rest assured that he will seek in vain. All that
science can achieve is a perfect knowledge and a perfect understanding of
the action of natural and moral forces.%@NL@%
%@NL@%
Hermann Ludwig Ferdinand von Helmholtz
%@NL@%Academic discourse, Heidelberg [1862]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Nikolai Nekrasov%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1877%@AE@%
%@NL@%%@NL@%

%@QR:Nikolai Nekrasov@%%@QR:Nekrasov@%%@CR:N1821NEKN10     @%%@2@%   You do not have to be a poet, but you are obliged to be a citizen.%@NL@%%@EH@%
%@NL@%
Nikolai Nekrasov
%@NL@%Poet and Citizen

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Nikolai Nekrasov@%%@QR:Nekrasov@%%@CR:N1821NEKN20     @%%@2@%Wretched and abundant,%@NL@%%@EH@%
Oppressed and powerful,%@NL@%
Weak and mighty,%@NL@%
Mother Russia!%@NL@%

%@NL@%Nikolai Nekrasov
%@NL@%Who Is Happy in Russia? [1873-1876]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William H enry Vanderbilt%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1885%@AE@%
%@NL@%%@NL@%

%@QR:William H enry Vanderbilt@%%@QR:Vanderbilt@%%@CR:N1821VANW10     @%%@2@%   The public be damned.%@NL@%%@EH@%
%@NL@%
William H enry Vanderbilt
%@NL@%Reply to a newspaper reporter [October 2, 1882]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Rudolf Virchow%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1902%@AE@%
%@NL@%%@NL@%

%@FN@%
All cells come from [pre-existing] cells.  %@EF@%
%@QR:Rudolf Virchow@%%@QR:Virchow@%%@CR:N1821VIRR10     @%%@2@%   I formulate the doctrine of pathological generation . . . in simple%@EH@%
terms: omnis cellula a cellula.%@NL@%
%@NL@%
Rudolf Virchow
%@NL@%%@FN@%
Essays translated by Lelland J. Rather.  %@EF@%
Cellular Pathology [1858].
Disease, Life and Man

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George John Whyte-Melville%@AE@%%@EH@%
%@NL@%
%@AB@%1821-1878%@AE@%
%@NL@%%@NL@%

%@QR:George John Whyte-Melville@%%@QR:Whyte-Melville@%%@CR:N1821WHYG10     @%%@2@%   In the choice of a horse and a wife, a man must please himself, ignoring%@EH@%
the opinion and advice of friends.%@NL@%
%@NL@%
George John Whyte-Melville
%@NL@%Riding Recollections [1878]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Matthew Arnold%@AE@%%@EH@%
%@NL@%
%@AB@%1822-1888%@AE@%
%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM5      @%%@2@%Who prop, thou askst, in these bad days, my mind?%@NL@%%@EH@%

%@NL@%Matthew Arnold
%@NL@%To a Friend [1849],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Sophocles.  %@EF@%
%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM10     @%%@2@%Be his%@NL@%%@EH@%
My special thanks, whose even-balanced soul,%@NL@%
From first youth tested up to extreme old age,%@NL@%
Business could not make dull, nor passion wild:%@NL@%
Who saw life steadily and saw it whole.%@NL@%

%@NL@%Matthew Arnold
%@NL@%To a Friend [1849],l. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM20     @%%@2@%Others abide our question. Thou art free.%@NL@%%@EH@%
We ask and ask: Thou smilest and art still,%@NL@%
Out-topping knowledge.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Shakespeare [1849], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM25     @%%@2@%Strong is the soul, and wise, and beautiful:%@NL@%%@EH@%
The seeds of godlike power are in us still:%@NL@%
Gods are we, bards, saints, heroes, if we will.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Written in Emerson's Essays [1849]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM30     @%%@2@%Come, dear children, let us away;%@NL@%%@EH@%
Down and away below!%@NL@%
Now my brothers call from the bay,%@NL@%
Now the great winds shorewards blow,%@NL@%
Now the salt tides seawards flow;%@NL@%
Now the wild white horses play,%@NL@%
Champ and chafe and toss in the spray.%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Forsaken Merman [1849],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM40     @%%@2@%Sand-strewn caverns, cool and deep,%@NL@%%@EH@%
Where the winds are all asleep.%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Forsaken Merman [1849],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM50     @%%@2@%Where great whales come sailing by,%@NL@%%@EH@%
Sail and sail, with unshut eye,%@NL@%
Round the world forever and aye.%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Forsaken Merman [1849],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM55     @%%@2@%Singing, "Here came a mortal,%@NL@%%@EH@%
But faithless was she.%@NL@%
And alone dwell forever%@NL@%
The kings of the sea."%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Forsaken Merman [1849],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM60     @%%@2@%Fate gave, what Chance shall not control,%@NL@%%@EH@%
His sad lucidity of soul.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Resignation [1849],l. 197

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM63     @%%@2@%The world in which we live and move%@NL@%%@EH@%
Outlasts aversion, outlasts love:%@NL@%
Outlasts each effort, interest, hope,%@NL@%
Remorse, grief, joy.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Resignation [1849],l. 215

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM66     @%%@2@%Yet they, believe me, who await%@NL@%%@EH@%
No gifts from Chance, have conquered Fate.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Resignation [1849],l. 248

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM70     @%%@2@%We cannot kindle when we will%@NL@%%@EH@%
The fire that in the heart resides,%@NL@%
The spirit bloweth and is still,%@NL@%
In mystery our soul abides.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Morality [1852], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM80     @%%@2@%Calm Soul of all things! make it mine%@NL@%%@EH@%
To feel, amid the city's jar,%@NL@%
That there abides a peace of thine,%@NL@%
Man did not make, and can not mar.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Lines Written in Kensington Gardens [1852], st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM90     @%%@2@%Goethe in Weimar sleeps, and Greece,%@NL@%%@EH@%
Long since, saw Byron's struggle cease.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Memorial Verses, April 1850 [1852],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM100    @%%@2@%Physician of the Iron Age,%@NL@%%@EH@%
Goethe has done his pilgrimage.%@NL@%
He took the suffering human race,%@NL@%
He read each wound, each weakness clear;%@NL@%
And struck his finger on the place,%@NL@%
And said: Thou ailest here, and here!%@NL@%

%@NL@%Matthew Arnold
%@NL@%Memorial Verses, April 1850 [1852],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM105    @%%@2@%This iron time%@NL@%%@EH@%
Of doubt, disputes, distractions, fears.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Memorial Verses, April 1850 [1852],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM110    @%%@2@%Hither and thither spins%@NL@%%@EH@%
The windborne, mirroring soul;%@NL@%
A thousand glimpses wins,%@NL@%
And never sees a whole.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Empedocles on Etna [1852], actI, sc. ii,l. 82

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM120    @%%@2@%Be neither saint- nor sophist-led, but be a man!%@NL@%%@EH@%

%@NL@%Matthew Arnold
%@NL@%Empedocles on Etna [1852], actI, sc. ii,l. 136

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM125    @%%@2@%Thou hast no right to bliss.%@NL@%%@EH@%

%@NL@%Matthew Arnold
%@NL@%Empedocles on Etna [1852], actI, sc. ii,l. 160

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM130    @%%@2@%We do not what we ought;%@NL@%%@EH@%
What we ought not, we do; 1 %@NL@%
And lean upon the thought%@NL@%
That chance will bring us through.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Empedocles on Etna [1852], actI, sc. ii,l. 237

%@NL@%%@AI@%1 See Book of Common Prayer%@BO:           7b06b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM140    @%%@2@%Nature, with equal mind,%@NL@%%@EH@%
Sees all her sons at play;%@NL@%
Sees man control the wind,%@NL@%
The wind sweep man away.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Empedocles on Etna [1852], actI, sc. ii,l. 257

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM145    @%%@2@%So, loath to suffer mute,%@NL@%%@EH@%
We, peopling the void air,%@NL@%
Make Gods to whom to impute%@NL@%
The ills we ought to bear.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Empedocles on Etna [1852], actI, sc. ii,l. 277

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM150    @%%@2@%Is it so small a thing%@NL@%%@EH@%
To have enjoyed the sun,%@NL@%
To have lived light in the spring,%@NL@%
To have loved, to have thought, to have done;%@NL@%
To have advanced true friends, and beat down baffling foes?%@NL@%

%@NL@%Matthew Arnold
%@NL@%Empedocles on Etna [1852], actII,l. 397

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM160    @%%@2@%The day in its hotness,%@NL@%%@EH@%
The strife with the palm;%@NL@%
The night in her silence,%@NL@%
The stars in their calm.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Empedocles on Etna [1852], actII,l. 465

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM163    @%%@2@%Yes, in the sea of life enisled,%@NL@%%@EH@%
With echoing straits between us thrown,%@NL@%
Dotting the shoreless watery wild,%@NL@%
We mortal millions live alone.%@NL@%

%@NL@%Matthew Arnold
%@NL@%To Marguerite. Continued [1852],l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM166    @%%@2@%The unplumbed, salt, estranging sea.%@NL@%%@EH@%

%@NL@%Matthew Arnold
%@NL@%To Marguerite. Continued [1852],l. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM170    @%%@2@%But often in the world's most crowded streets,%@NL@%%@EH@%
But often, in the din of strife,%@NL@%
There rises an unspeakable desire%@NL@%
After the knowledge of our buried life.%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Buried Life [1852],l. 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM173    @%%@2@%And long we try in vain to speak and act%@NL@%%@EH@%
Our hidden self, and what we say and do%@NL@%
Is eloquent, is well-but 'tis not true!%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Buried Life [1852],l. 64

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM175    @%%@2@%What shelter to grow ripe is ours?%@NL@%%@EH@%
What leisure to grow wise?%@NL@%

%@NL@%Matthew Arnold
%@NL@%%@FN@%
Etienne Pivert de Senancour [1770-1846]. His most notable work was Obermann
[1804].  %@EF@%
Stanzas in Memory of the Author of "Obermann"
[1852],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM178    @%%@2@%Ah! two desires toss about%@NL@%%@EH@%
The poet's feverish blood;%@NL@%
One drives him to the world without,%@NL@%
And one to solitude.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Stanzas in Memory of the Author of "Obermann"
[1852],st. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM180    @%%@2@%   What actions are the most excellent? Those, certainly, which most%@EH@%
powerfully appeal to the great primary human affections: to those elementary
feelings which subsist permanently in the race, and which are independent of
time. These feelings are permanent and the same; that which interests them
is permanent and the same also.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Preface to Poems [1853]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM190    @%%@2@%Go, for they call you, Shepherd, from the hill.%@NL@%%@EH@%

%@NL@%Matthew Arnold
%@NL@%The Scholar Gypsy [1853],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM200    @%%@2@%Crossing the stripling Thames at Bablock-hithe,%@NL@%%@EH@%
Trailing in the cool stream thy fingers wet,%@NL@%
As the slow punt swings round.%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Scholar Gypsy [1853],st. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM210    @%%@2@%Thou waitest for the spark from heaven: and we,%@NL@%%@EH@%
Light half-believers of our casual creeds,%@NL@%
Who never deeply felt, nor clearly willed . . . %@NL@%
Who hesitate and falter life away,%@NL@%
And lose tomorrow the ground won today-%@NL@%
Ah! do not we, wanderer! await it too?%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Scholar Gypsy [1853],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM220    @%%@2@%And amongst us one,%@NL@%%@EH@%
Who most has suffered, takes dejectedly%@NL@%
His seat upon the intellectual throne.%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Scholar Gypsy [1853],st. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM230    @%%@2@%Oh, born in days when wits were fresh and clear,%@NL@%%@EH@%
And life ran gaily as the sparkling Thames;%@NL@%
Before this strange disease of modern life, 1  2 %@NL@%
With its sick hurry, its divided aims,%@NL@%
Its heads o'ertaxed, its palsied hearts, was rife.%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Scholar Gypsy [1853],st. 21

%@NL@%%@AI@%1 See Cowley%@BO:          2567b6@%%@AE@%
%@AI@%2 See Pope%@BO:          2a319a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM240    @%%@2@%Still nursing the unconquerable hope,%@NL@%%@EH@%
Still clutching the inviolable shade.%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Scholar Gypsy [1853],st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM250    @%%@2@%Strew on her roses, roses,%@NL@%%@EH@%
And never a spray of yew!%@NL@%
In quiet she reposes;%@NL@%
Ah, would that I did too!%@NL@%

%@NL@%Matthew Arnold
%@NL@%Requiescat [1853],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM260    @%%@2@%The vasty hall of death.%@NL@%%@EH@%

%@NL@%Matthew Arnold
%@NL@%Requiescat [1853],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM270    @%%@2@%Hark! ah, the nightingale-%@NL@%%@EH@%
The tawny-throated!%@NL@%

%@NL@%Matthew Arnold
%@NL@%Philomela [1853],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM280    @%%@2@%Eternal passion!%@NL@%%@EH@%
Eternal pain!%@NL@%

%@NL@%Matthew Arnold
%@NL@%Philomela [1853],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM300    @%%@2@%Truth sits upon the lips of dying men.%@NL@%%@EH@%

%@NL@%Matthew Arnold
%@NL@%Sohrab and Rustum, l. 656

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM310    @%%@2@%   Sanity-that is the great virtue of the ancient literature; the want of%@EH@%
that is the great defect of the modern, in spite of its variety and power.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Preface to Poems [1854]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM315    @%%@2@%For rigorous teachers seized my youth,%@NL@%%@EH@%
And purged its faith, and trimmed its fire,%@NL@%
Showed me the high, white star of Truth,%@NL@%
There bade me gaze, and there aspire.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Stanzas from the Grande Chartreuse [1855],st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM320    @%%@2@%Wandering between two worlds, one dead,%@NL@%%@EH@%
The other powerless to be born. 1 %@NL@%

%@NL@%Matthew Arnold
%@NL@%Stanzas from the Grande Chartreuse [1855],st. 15

%@NL@%%@AI@%1 See T. S. Eliot%@BO:          5d1cff@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM330    @%%@2@%And we forget because we must%@NL@%%@EH@%
And not because we will.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Absence [1857], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM340    @%%@2@%Peace, peace is what I seek, and public calm;%@NL@%%@EH@%
Endless extinction of unhappy hates.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Merope [1858],l. 100

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM350    @%%@2@%With women the heart argues, not the mind.%@NL@%%@EH@%

%@NL@%Matthew Arnold
%@NL@%Merope [1858],l. 341

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM360    @%%@2@%   The translator of Homer should above all be penetrated by a sense of four%@EH@%
qualities of his author: that he is eminently rapid; that he is eminently
plain and direct, both in the evolution of his thought and in the expression
of it, that is, both in his syntax and in his words; that he is eminently
plain and direct in the substance of his thought, that is, in his matter and
ideas; and, finally, that he is eminently noble.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%On Translating Homer [1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM370    @%%@2@%   Of these two literatures [French and German], as of the intellect of%@EH@%
Europe in general, the main effort, for now many years, has been a critical
effort; the endeavor, in all branches of knowledge-theology, philosophy,
history, art, science-to see the object as in itself it really is.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%On Translating Homer [1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM380    @%%@2@%   The grand style arises in poetry, when a noble nature, poetically gifted,%@EH@%
treats with simplicity or with severity a serious subject.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%On Translating Homer [1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM390    @%%@2@%   Nations are not truly great solely because the individuals composing them%@EH@%
are numerous, free, and active; but they are great when these numbers, this
freedom, and this activity are employed in the service of an ideal higher
than that of an ordinary man, taken by himself.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Democracy [1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM400    @%%@2@%   It is a very great thing to be able to think as you like; but, after all,%@EH@%
an important question remains: what you think.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Democracy [1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM405    @%%@2@%   For the creation of a masterwork of literature two powers must concur,%@EH@%
the power of the man and the power of the moment, and the man is not enough
without the moment.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%The Function of Criticism at the Present Time [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM410    @%%@2@%   The critical power . . . tends to make an intellectual situation of which%@EH@%
the creative power can profitably avail itself . . . to make the best ideas
prevail.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%The Function of Criticism at the Present Time [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM420    @%%@2@%   There is the world of ideas and the world of practice; the French are%@EH@%
often for suppressing the one and the English the other; but neither is to
be suppressed.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%The Function of Criticism at the Present Time [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM430    @%%@2@%   Burke is so great because, almost alone in England, he brings thought to%@EH@%
bear upon politics, he saturates politics with thought.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%The Function of Criticism at the Present Time [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM440    @%%@2@%   The notion of the free play of the mind upon all subjects being a%@EH@%
pleasure in itself, being an object of desire, being an essential provider
of elements without which a nation's spirit, whatever compensations it may
have for them, must, in the long run, die of inanition, hardly enters into
an Englishman's thoughts.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%The Function of Criticism at the Present Time [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM450    @%%@2@%   I am bound by my own definition of criticism: a disinterested endeavor to%@EH@%
learn and propagate the best that is known and thought in the world.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%The Function of Criticism at the Present Time [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM460    @%%@2@%   Whispering from her towers [Oxford] the last enchantments of the Middle%@EH@%
Age . . . Home of lost causes, and forsaken beliefs, and unpopular names,
and impossible loyalties!%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Essays in Criticism,first series [1865], preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM470    @%%@2@%   Poetry is simply the most beautiful, impressive and wisely effective mode%@EH@%
of saying things, and hence its importance.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Essays in Criticism,Heinrich Heine

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM480    @%%@2@%   Philistine must have originally meant, in the mind of those who invented%@EH@%
the nickname, a strong, dogged, unenlightened opponent of the children of
the light. 1 %@NL@%
%@NL@%
Matthew Arnold
%@NL@%Essays in Criticism,Heinrich Heine

%@NL@%%@AI@%1 See Schopenhauer%@BO:          384b68@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This passage appeared only in the first appearance of the essay in Cornhill
Magazine [August 1864].  History never embraces more than a small part of
reality.-La Rochefoucauld [1613-1680], Paul Sabatier  History is nothing
more than the belief in the senses, the belief in falsehood.-Nietzsche
[1844-1900], The Twilight of the Idols, "Reason" in Philosophy, I  History
is more or less bunk.-Henry Ford [1863-1947], interview with Charles N.
Wheeler, Chicago Tribune [May 25, 1916]  %@EF@%
%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM490    @%%@2@%   On the breast of that huge Mississippi of falsehood called History, a%@EH@%
foam-bell more or less is no consequence.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Essays in Criticism,Literary Influence of Academies [1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM530    @%%@2@%   The great apostle of the Philistines, Lord Macaulay.%@NL@%%@EH@%
%@NL@%
Matthew Arnold
%@NL@%Essays in Criticism,Joubert

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Arthur Hugh Clough [1819-1861].  %@EF@%
%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM540    @%%@2@%Are ye too changed, ye hills?%@NL@%%@EH@%
See, 'tis no foot of unfamiliar men%@NL@%
Tonight from Oxford up your pathway strays!%@NL@%
Here came I often, often, in old days-%@NL@%
Thyrsis and I; we still had Thyrsis then.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Thyrsis [1866],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Oxford.  %@EF@%
%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM550    @%%@2@%That sweet city with her dreaming spires.%@NL@%%@EH@%

%@NL@%Matthew Arnold
%@NL@%Thyrsis [1866],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM560    @%%@2@%He went; his piping took a troubled sound%@NL@%%@EH@%
Of storms that rage outside our happy ground;%@NL@%
He could not wait their passing; he is dead.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Thyrsis [1866],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM570    @%%@2@%The bloom is gone, and with the bloom go I.%@NL@%%@EH@%

%@NL@%Matthew Arnold
%@NL@%Thyrsis [1866],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM580    @%%@2@%Yes, thou art gone! and round me too the night%@NL@%%@EH@%
In ever-nearing circle weaves her shade.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Thyrsis [1866],st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM590    @%%@2@%Hear it, O Thyrsis, still our tree is there!-%@NL@%%@EH@%
Ah, vain! These English fields, this upland dim,%@NL@%
These brambles pale with mist engarlanded,%@NL@%
That lone, sky-pointing tree, are not for him;%@NL@%
To a boon southern country he is fled,%@NL@%
And now in happier air,%@NL@%
Wandering with the great Mother's train divine . . . %@NL@%
Within a folding of the Apennine.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Thyrsis [1866],st. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM600    @%%@2@%Why faintest thou? I wandered till I died.%@NL@%%@EH@%
Roam on! The light we sought is shining still,%@NL@%
Dost thou ask proof? Our tree yet crowns the hill,%@NL@%
Our Scholar travels yet the loved hillside.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Thyrsis [1866],st. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM610    @%%@2@%The sea is calm tonight.%@NL@%%@EH@%
The tide is full, the moon lies fair%@NL@%
Upon the straits; on the French coast, the light%@NL@%
Gleams, and is gone; the cliffs of England stand,%@NL@%
Glimmering and vast, out in the tranquil bay.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Dover Beach [1867],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM620    @%%@2@%Listen! you hear the grating roar%@NL@%%@EH@%
Of pebbles which the waves draw back, and fling,%@NL@%
At their return, up the high strand,%@NL@%
Begin, and cease, and then again begin,%@NL@%
With tremulous cadence slow, and bring%@NL@%
The eternal note of sadness in.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Dover Beach [1867],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM630    @%%@2@%Sophocles long ago%@NL@%%@EH@%
Heard it on the Aegean.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Dover Beach [1867],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM640    @%%@2@%The sea of faith%@NL@%%@EH@%
Was once, too, at the full, and round earth's shore%@NL@%
Lay like the folds of a bright girdle furled;%@NL@%
But now I only hear%@NL@%
Its melancholy, long, withdrawing roar,%@NL@%
Retreating, to the breath%@NL@%
Of the night wind down the vast edges drear%@NL@%
And naked shingles of the world.Ah, love, let us be true%@NL@%
To one another! for the world, which seems%@NL@%
To lie before us like a land of dreams,%@NL@%
So various, so beautiful, so new,%@NL@%
Hath really neither joy, nor love, nor light,%@NL@%
Nor certitude, nor peace, nor help for pain;%@NL@%
And we are here as on a darkling plain%@NL@%
Swept with confused alarms of struggle and flight,%@NL@%
Where ignorant armies clash by night.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Dover Beach [1867],st. 3, 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM650    @%%@2@%It is-last stage of all-%@NL@%%@EH@%
When we are frozen up within, and quite%@NL@%
The phantom of ourselves,%@NL@%
To hear the world applaud the hollow ghost%@NL@%
Which blamed the living man.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Growing Old [1867], st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM660    @%%@2@%Creep into thy narrow bed,%@NL@%%@EH@%
Creep, and let no more be said!%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Last Word [1867],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM670    @%%@2@%Let the long contention cease!%@NL@%%@EH@%
Geese are swans, and swans are geese. 1 %@NL@%

%@NL@%Matthew Arnold
%@NL@%The Last Word [1867],st. 2

%@NL@%%@AI@%1 See Burton%@BO:          210926@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM680    @%%@2@%Charge once more, then, and be dumb!%@NL@%%@EH@%
Let the victors, when they come,%@NL@%
When the forts of folly fall,%@NL@%
Find thy body by the wall.%@NL@%

%@NL@%Matthew Arnold
%@NL@%The Last Word [1867],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM690    @%%@2@%Cruel, but composed and bland,%@NL@%%@EH@%
Dumb, inscrutable and grand,%@NL@%
So Tiberius might have sat,%@NL@%
Had Tiberius been a cat.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Poor Matthias [1867]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM700    @%%@2@%Coldly, sadly descends%@NL@%%@EH@%
The autumn evening. The field%@NL@%
Strewn with its dank yellow drifts%@NL@%
Of withered leaves, and the elms,%@NL@%
Fade into dimness apace,%@NL@%
Silent; hardly a shout%@NL@%
From a few boys late at their play!%@NL@%

%@NL@%Matthew Arnold
%@NL@%%@FN@%
Arnold's father. Thomas Arnold [1795-1842], the great headmaster of Rugby,
is buried in Rugby Chapel.  %@EF@%
Rugby Chapel [1867],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM710    @%%@2@%O strong soul, by what shore%@NL@%%@EH@%
Tarriest thou now? For that force,%@NL@%
Surely, has not been left vain!%@NL@%

%@NL@%Matthew Arnold
%@NL@%Rugby Chapel [1867],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM720    @%%@2@%Most men eddy about%@NL@%%@EH@%
Here and there, eat and drink,%@NL@%
Chatter and love and hate,%@NL@%
Gather and squander.%@NL@%

%@NL@%Matthew Arnold
%@NL@%Rugby Chapel [1867],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM730    @%%@2@%Therefore to thee it was given%@NL@%%@EH@%
Many to save with thyself;%@NL@%
And, at the end of thy day,%@NL@%
O faithful shepherd, to come,%@NL@%
Bringing thy sheep in thy hand. 1 %@NL@%

%@NL@%Matthew Arnold
%@NL@%Rugby Chapel [1867],st. 9

%@NL@%%@AI@%1 See Psalm 95:7%@BO:           27d12@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM740    @%%@2@%   Style . . . is a peculiar recasting and heightening, under a certain%@EH@%
condition of spiritual excitement, of what a man has to say, in such a
manner as to add dignity and distinction to it.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%On the Study of Celtic Literature [1867], sec. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM745    @%%@2@%   The Celts certainly have it [style] in a wonderful measure.%@NL@%%@EH@%
%@NL@%
Matthew Arnold
%@NL@%On the Study of Celtic Literature [1867], sec. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM750    @%%@2@%   The power of the Latin classic is in character, that of the Greek is in%@EH@%
beauty. Now character is capable of being taught, learnt, and assimilated:
beauty hardly.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Schools and Universities on the Continent [1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM755    @%%@2@%   The whole scope of the essay is to recommend culture as the great help%@EH@%
out of our present difficulties; culture being a pursuit of our total
perfection by means of getting to know, on all the matters which most
concern us, the best which has been thought and said in the world.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Culture and Anarchy [1869],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM760    @%%@2@%   Our society distributes itself into Barbarians, Philistines, and%@EH@%
Populace; and America is just ourselves, with the Barbarians quite left out,
and the Populace nearly.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Culture and Anarchy [1869],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM780    @%%@2@%   I am a Liberal, yet I am a Liberal tempered by experience, reflection,%@EH@%
and renouncement, and I am, above all, a believer in culture.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Culture and Anarchy [1869],Introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM790    @%%@2@%   Culture is then properly described not as having its origin in curiosity,%@EH@%
but as having its origin in the love of perfection; it is a study of
perfection.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Culture and Anarchy [1869],Sweetness and Light

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM795    @%%@2@%   Greatness is a spiritual condition worthy to excite love, interest, and%@EH@%
admiration.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Culture and Anarchy [1869],Sweetness and Light

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM800    @%%@2@%   Not a having and a resting, but a growing and a becoming is the character%@EH@%
of perfection as culture conceives it.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Culture and Anarchy [1869],Sweetness and Light

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM810    @%%@2@%   He who works for sweetness and light 1  united, works to make reason and%@EH@%
the will of God prevail.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Culture and Anarchy [1869],Sweetness and Light

%@NL@%%@AI@%1 See Swift%@BO:          284a9d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM820    @%%@2@%   The men of culture are the true apostles of equality.%@NL@%%@EH@%
%@NL@%
Matthew Arnold
%@NL@%Culture and Anarchy [1869],Sweetness and Light

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM825    @%%@2@%   Everything in our political life tends to hide from us that there is%@EH@%
anything wiser than our ordinary selves.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Culture and Anarchy [1869],Barbarians, Philistines, Populace

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM830    @%%@2@%   The governing idea of Hellenism is spirit of consciousness, that of%@EH@%
Hebraism, strictness of conscience.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Culture and Anarchy [1869],Hebraism and Hellenism

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM840    @%%@2@%Below the surface stream, shallow and light,%@NL@%%@EH@%
Of what we say and feel-below the stream,%@NL@%
As light, of what we think we feel, there flows%@NL@%
With noiseless current, strong, obscure and deep,%@NL@%
The central stream of what we feel indeed.%@NL@%

%@NL@%Matthew Arnold
%@NL@%St. Paul and Protestantism [1870]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM850    @%%@2@%   Conduct is three-fourths of our life and its largest concern.%@NL@%%@EH@%
%@NL@%
Matthew Arnold
%@NL@%Literature and Dogma [1873], ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM855    @%%@2@%   The freethinking of one age is the common sense of the next.%@NL@%%@EH@%
%@NL@%
Matthew Arnold
%@NL@%God and the Bible [1875]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM860    @%%@2@%   Choose equality.%@NL@%%@EH@%
%@NL@%
Matthew Arnold
%@NL@%Mixed Essays [1879]. Equality

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM870    @%%@2@%   We have the religion of inequality.%@NL@%%@EH@%
%@NL@%
Matthew Arnold
%@NL@%Mixed Essays [1879]. Equality

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM890    @%%@2@%   Inequality has the natural and necessary effect, under the present%@EH@%
circumstances, of materializing our upper class, vulgarizing our middle
class, and brutalizing our lower class.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Mixed Essays [1879]. Equality

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM900    @%%@2@%   For poetry the idea is everything; the rest is a world of illusion, of%@EH@%
divine illusion. Poetry attaches its emotion to the idea; the idea is the
fact. The strongest part of our religion today is its unconscious poetry.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Introduction to Ward, English Poets [1880]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM910    @%%@2@%   Eutrapelia. "A happy and gracious flexibility," Pericles calls this%@EH@%
quality of the Athenians . . . lucidity of thought, clearness and propriety
of language, freedom from prejudice and freedom from stiffness, openness of
mind, amiability of manners.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Irish Essays [1882].A Speech at Eton

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM920    @%%@2@%   English civilization-the humanizing, the bringing into one harmonious and%@EH@%
truly humane life, of the whole body of English society-that is what
interests me.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Irish Essays [1882].Ecce, Convertimur ad Gentes

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM930    @%%@2@%   That which in England we call the middle class is in America virtually%@EH@%
the nation.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%A Word About America [1882]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM940    @%%@2@%   The American Philistine was a livelier sort of Philistine than ours.%@NL@%%@EH@%
%@NL@%
Matthew Arnold
%@NL@%A Word More About America [1885]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM950    @%%@2@%   What really dissatisfies in American civilization is the want of the%@EH@%
interesting, a want due chiefly to the want of those two great elements of
the interesting, which are elevation and beauty.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Civilization in the United States [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM955    @%%@2@%   The best poetry will be found to have a power of forming, sustaining, and%@EH@%
delighting us, as nothing else can.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Essays in Criticism, second series [1888].The Study of Poetry

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM960    @%%@2@%   Coleridge, poet and philosopher wrecked in a mist of opium.%@NL@%%@EH@%
%@NL@%
Matthew Arnold
%@NL@%Essays in Criticism, second series [1888].Byron

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Matthew Arnold@%%@QR:Arnold@%%@CR:N1822ARNM970    @%%@2@%   A beautiful and ineffectual angel [Shelley], beating in the void his%@EH@%
luminous wings in vain.%@NL@%
%@NL@%
Matthew Arnold
%@NL@%Essays in Criticism, second series [1888].Byron

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Rudolf Julius Emanuel Clausius%@AE@%%@EH@%
%@NL@%
%@AB@%1822-1888%@AE@%
%@NL@%%@NL@%

%@QR:Rudolf Julius Emanuel Clausius@%%@QR:Clausius@%%@CR:N1822CLAR10     @%%@2@%   Heat cannot of itself pass from a colder to a hotter body.%@NL@%%@EH@%
%@NL@%
Rudolf Julius Emanuel Clausius
%@NL@%%@FN@%
Translated by Walter D. Brown.  Heat will of its own accord flow only from a
hot object to a cold object.-Josiah Willard Gibbs, Scientific Papers [1906],
The Second Law of Thermodynamics  %@EF@%
The Second Law of Thermodynamics [1850]. From Die Mechanische
W[auml ]rmetheorie [1865-1867; On the Mechanical Theory of Heat, 1879]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ulysses S impson Grant%@AE@%%@EH@%
%@NL@%
%@AB@%1822-1885%@AE@%
%@NL@%%@NL@%

%@QR:Ulysses S impson Grant@%%@QR:Grant@%%@CR:N1822GRAU10     @%%@2@%   The art of war is simple enough. Find out where your enemy is. Get at him%@EH@%
as soon as you can. Strike at him as hard as you can and as often as you
can, and keep moving on. 1 %@NL@%
%@NL@%
Ulysses S impson Grant
%@NL@%On the art of war

%@NL@%%@AI@%1 See Halsey%@BO:          5a4cdb@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ulysses S impson Grant@%%@QR:Grant@%%@CR:N1822GRAU20     @%%@2@%   No terms except an unconditional and immediate surrender can be accepted.%@EH@%
I propose to move immediately upon your works.%@NL@%
%@NL@%
Ulysses S impson Grant
%@NL@%To General S. B. Buckner, Fort Donelson [February 16, 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ulysses S impson Grant@%%@QR:Grant@%%@CR:N1822GRAU30     @%%@2@%   I propose to fight it out on this line, if it takes all summer.%@NL@%%@EH@%
%@NL@%
Ulysses S impson Grant
%@NL@%Dispatch to Washington, before Spottsylvania Court House
[May 11, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ulysses S impson Grant@%%@QR:Grant@%%@CR:N1822GRAU40     @%%@2@%   Wherever the enemy goes let our troops go also.%@NL@%%@EH@%
%@NL@%
Ulysses S impson Grant
%@NL@%Dispatch to General Henry W. Halleck from City Point, Virginia
[August 1, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ulysses S impson Grant@%%@QR:Grant@%%@CR:N1822GRAU50     @%%@2@%   The war is over-the rebels are our countrymen again.%@NL@%%@EH@%
%@NL@%
Ulysses S impson Grant
%@NL@%Upon stopping his men from cheering after Lee's surrender at
Appomattox Court House [April 9, 1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ulysses S impson Grant@%%@QR:Grant@%%@CR:N1822GRAU60     @%%@2@%   Let us have peace.%@NL@%%@EH@%
%@NL@%
Ulysses S impson Grant
%@NL@%Accepting nomination for the presidency [May 29, 1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ulysses S impson Grant@%%@QR:Grant@%%@CR:N1822GRAU70     @%%@2@%   I know no method to secure the repeal of bad or obnoxious laws so%@EH@%
effective as their stringent execution.%@NL@%
%@NL@%
Ulysses S impson Grant
%@NL@%Inaugural Address [March 4, 1869]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ulysses S impson Grant@%%@QR:Grant@%%@CR:N1822GRAU80     @%%@2@%   Let no guilty man escape, if it can be avoided. No personal%@EH@%
considerations should stand in the way of performing a public duty.%@NL@%
%@NL@%
Ulysses S impson Grant
%@NL@%Indorsement of a letter relating to the Whiskey Ring
[July 29, 1875]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ulysses S impson Grant@%%@QR:Grant@%%@CR:N1822GRAU90     @%%@2@%   Leave the matter of religion to the family altar, the church, and the%@EH@%
private school, supported entirely by private contributions. Keep the church
and the State forever separate.%@NL@%
%@NL@%
Ulysses S impson Grant
%@NL@%Speech at Des Moines, Iowa [1875]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ulysses S impson Grant@%%@QR:Grant@%%@CR:N1822GRAU100    @%%@2@%   Labor disgraces no man; unfortunately you occasionally find men disgrace%@EH@%
labor.%@NL@%
%@NL@%
Ulysses S impson Grant
%@NL@%Speech at Midland International Arbitration Union, Birmingham,
England [1877]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ulysses S impson Grant@%%@QR:Grant@%%@CR:N1822GRAU110    @%%@2@%   They [the Pilgrim Fathers] fell upon an ungenial climate, where there%@EH@%
were nine months of winter and three months of cold weather, and that called
out the best energies of the men, and of the women too, to get a mere
subsistence out of the soil, with such a climate. In their efforts to do
that they cultivated industry and frugality at the same time-which is the
real foundation of the greatness of the Pilgrims.%@NL@%
%@NL@%
Ulysses S impson Grant
%@NL@%Speech at New England Society Dinner [December 22, 1880]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Everett Hale%@AE@%%@EH@%
%@NL@%
%@AB@%1822-1909%@AE@%
%@NL@%%@NL@%

%@QR:Edward Everett Hale@%%@QR:Hale@%%@CR:N1822HALE10     @%%@2@%I am only one,%@NL@%%@EH@%
But still I am one.%@NL@%
I cannot do everything,%@NL@%
But still I can do something;%@NL@%
And because I cannot do everything%@NL@%
I will not refuse to do the something that I can do.%@NL@%

%@NL@%Edward Everett Hale
%@NL@%For the Lend-a-Hand Society

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Everett Hale@%%@QR:Hale@%%@CR:N1822HALE20     @%%@2@%   Behind all these men you have to do with, behind officers, and%@EH@%
government, and people even, there is the country herself, your country, and
. . . you belong to her as you belong to your own mother. Stand by her, boy,
as you would stand by your mother.%@NL@%
%@NL@%
Edward Everett Hale
%@NL@%The Man Without a Country [1863]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Everett Hale@%%@QR:Hale@%%@CR:N1822HALE30     @%%@2@%   He loved his country as no other man has loved her, but no man deserved%@EH@%
less at her hands.%@NL@%
%@NL@%
Edward Everett Hale
%@NL@%The Man Without a Country [1863]Epitaph of Philip Nolan

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Rule of the Harry Wadsworth Club.  %@EF@%
%@QR:Edward Everett Hale@%%@QR:Hale@%%@CR:N1822HALE40     @%%@2@%To look up and not down,%@NL@%%@EH@%
To look forward and not back,%@NL@%
To look out and not in, and%@NL@%
To lend a hand.%@NL@%

%@NL@%Edward Everett Hale
%@NL@%Ten Times One Is Ten [1870]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Rutherford B irchard Hayes%@AE@%%@EH@%
%@NL@%
%@AB@%1822-1893%@AE@%
%@NL@%%@NL@%

%@QR:Rutherford B irchard Hayes@%%@QR:Hayes@%%@CR:N1822HAYR10     @%%@2@%   He serves his party best who serves the country best.%@NL@%%@EH@%
%@NL@%
Rutherford B irchard Hayes
%@NL@%Inaugural Address [March 5, 1877]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Hughes%@AE@%%@EH@%
%@NL@%
%@AB@%1822-1896%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Hughes@%%@QR:Hughes@%%@CR:N1822HUGT10     @%%@2@%   Life isn't all beer and skittles; 1  but beer and skittles, or something%@EH@%
better of the same sort, must form a good part of every Englishman's
education.%@NL@%
%@NL@%
Thomas Hughes
%@NL@%Tom Brown's Schooldays [1857], pt.I, ch. 2

%@NL@%%@AI@%1 See Dickens%@BO:          41bfe5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hughes@%%@QR:Hughes@%%@CR:N1822HUGT20     @%%@2@%   He never wants anything but what's right and fair; only when you come to%@EH@%
settle what's right and fair, it's everything that he wants and nothing that
you want.%@NL@%
%@NL@%
Thomas Hughes
%@NL@%Tom Brown's Schooldays [1857], pt.II, ch. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Porcher Miles%@AE@%%@EH@%
%@NL@%
%@AB@%1822-1899%@AE@%
%@NL@%%@NL@%

%@QR:William Porcher Miles@%%@QR:Miles@%%@CR:N1822MILW10     @%%@2@%   "Vote early and vote often," the advice openly displayed on the election%@EH@%
banners in one of our northern cities.%@NL@%
%@NL@%
William Porcher Miles
%@NL@%Speech in the House of Representatives [March 31, 1858]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Frederick Law Olmsted%@AE@%%@EH@%
%@NL@%
%@AB@%1822-1903%@AE@%
%@1@%%@AB@%Calvert Vaux%@AE@%%@EH@%
%@NL@%
%@AB@%1824-1895%@AE@%
%@NL@%%@NL@%

%@QR:Calvert Vaux@%%@QR:Vaux@%%@CR:N1822OFVC10     @%%@2@%   The Park [Central Park, New York City] throughout is a single work of%@EH@%
art, and as such subject to the primary law of every work of art, namely,
that it shall be framed upon a single, noble motive, to which the design of
all its parts, in some more or less subtle way, shall be confluent and
helpful.%@NL@%
%@NL@%
Calvert Vaux
%@NL@%%@FN@%
Pseudonym of Olmsted and Vaux in submitting their plan.  %@EF@%
Report submitted with "Greensward"
Plan, awarded first prize by
the Board of Commissioners of the Central Park [April 28, 1858]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Calvert Vaux@%%@QR:Vaux@%%@CR:N1822OFVC20     @%%@2@%   It is one great purpose of the Park to supply to the hundreds of%@EH@%
thousands of tired workers, who have no opportunity to spend their summers
in the country, a specimen of God's handiwork that shall be to them,
inexpensively, what a month or two in the White Mountains or the Adirondacks
is, at great cost, to those in easier circumstances.%@NL@%
%@NL@%
Calvert Vaux
%@NL@%Report submitted with "Greensward"
Plan, awarded first prize by
the Board of Commissioners of the Central Park [April 28, 1858]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Louis Pasteur%@AE@%%@EH@%
%@NL@%
%@AB@%1822-1895%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by I. Bernard Cohen.  %@EF@%
%@QR:Louis Pasteur@%%@QR:Pasteur@%%@CR:N1822PASL10     @%%@2@%   No, a thousand times no; there does not exist a category of science to%@EH@%
which one can give the name applied science. There are science and the
applications of science, bound together as the fruit to the tree which bears
it.%@NL@%
%@NL@%
Louis Pasteur
%@NL@%Pourquoi la France n'a pas trouve des hommes
superieurs au moment du peril. From Revue Scientifique [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Louis Pasteur@%%@QR:Pasteur@%%@CR:N1822PASL20     @%%@2@%   In the fields of observation, chance favors only the mind that is%@EH@%
prepared.%@NL@%
%@NL@%
Louis Pasteur
%@NL@%Quoted by Rene Vallery-Radot
in The Life of Pasteur [1927]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Buchanan Read%@AE@%%@EH@%
%@NL@%
%@AB@%1822-1872%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Buchanan Read@%%@QR:Read@%%@CR:N1822REAT10     @%%@2@%The terrible grumble, and rumble, and roar,%@NL@%%@EH@%
Telling the battle was on once more,%@NL@%
And Sheridan twenty miles away.%@NL@%

%@NL@%Thomas Buchanan Read
%@NL@%Sheridan's Ride [1865], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Red Cloud%@AE@%%@EH@%
%@NL@%
%@AB@%1822-1909%@AE@%
%@FN@%
Mahpiua Luta, Oglala Sioux chief.  %@EF@%
%@NL@%%@NL@%

%@QR:Red Cloud@%%@CR:N1822REDC10     @%%@2@%   We were told that they [federal troops] wished merely to pass through our%@EH@%
country . . . to seek for gold in the far west . . . Yet before the ashes of
the council fire are cold, the Great Father is building his forts among us.
You have heard the sound of the white soldier's axe upon the Little Piney.
His presence here is . . . an insult to the spirits of our ancestors. Are we
then to give up their sacred graves to be plowed for corn? Dakotas, I am for
war.%@NL@%
%@NL@%
Red Cloud
%@NL@%Speech at council at Fort Laramie, Wyoming [1866]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Heinrich Schliemann%@AE@%%@EH@%
%@NL@%
%@AB@%1822-1890%@AE@%
%@NL@%%@NL@%

%@QR:Heinrich Schliemann@%%@QR:Schliemann@%%@CR:N1822SCHH10     @%%@2@%   I have gazed  on the face of Agamemnon.%@NL@%%@EH@%
%@NL@%
Heinrich Schliemann
%@NL@%Telegram to the king of Greece, upon excavating the fifth
and last grave at Mycenae [August 1876]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Theodore de Banville%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1891%@AE@%
%@NL@%%@NL@%

%@FN@%
Nous n'irons plus aux bois,/Les lauriers sont coupes.  From an old nursery
rhyme.  Translated by A. E. Housman.  %@EF@%
%@QR:Theodore de Banville@%%@QR:Banville@%%@CR:N1823BANT10     @%%@2@%We'll to the woods no more,%@NL@%%@EH@%
The laurels all are cut.%@NL@%

%@NL@%Theodore de Banville
%@NL@%Nous n'Irons Plus aux Bois

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Julia A. Fletcher Carney%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1908%@AE@%
%@NL@%%@NL@%

%@QR:Julia A. Fletcher Carney@%%@QR:Carney@%%@CR:N1823CARJ10     @%%@2@%Little drops of water%@NL@%%@EH@%
Little grains of sand,%@NL@%
Make the mighty ocean%@NL@%
And the pleasant land.%@NL@%

%@NL@%Julia A. Fletcher Carney
%@NL@%Little Things [1845],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Julia A. Fletcher Carney@%%@QR:Carney@%%@CR:N1823CARJ20     @%%@2@%Little deeds of kindness,%@NL@%%@EH@%
Little words of love,%@NL@%
Help to make earth happy%@NL@%
Like the heaven above.%@NL@%

%@NL@%Julia A. Fletcher Carney
%@NL@%Little Things [1845],st. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Johnson Cory%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1892%@AE@%
%@NL@%%@NL@%

%@QR:William Johnson Cory@%%@QR:Cory@%%@CR:N1823CORW10     @%%@2@%They told me, Heraclitus, they told me you were dead;%@NL@%%@EH@%
They brought me bitter news to hear and bitter tears to shed.%@NL@%
I wept as I remembered how often you and I%@NL@%
Had tired the sun with talking and sent him down the sky.%@NL@%
And now that thou art lying, my dear old Carian guest,%@NL@%
A handful of gray ashes, long, long ago at rest,%@NL@%
Still are thy pleasant voices, thy Nightingales, awake,%@NL@%
For Death, he taketh all away, but them he cannot take.%@NL@%

%@NL@%William Johnson Cory
%@NL@%Heraclitus. Translated from Callimachus
 1

%@NL@%%@AI@%1 See Callimachus%@BO:           bd339@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Thomas Wentworth Higginson%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1911%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Wentworth Higginson@%%@QR:Higginson@%%@CR:N1823HIGT10     @%%@2@%   When a thought takes one's breath away, a lesson on grammar seems an%@EH@%
impertinence.%@NL@%
%@NL@%
Thomas Wentworth Higginson
%@NL@%Preface to Emily Dickinson's Poems, first series [1890]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Benjamin Harvey Hill%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1882%@AE@%
%@NL@%%@NL@%

%@QR:Benjamin Harvey Hill@%%@QR:Hill@%%@CR:N1823HILB10     @%%@2@%   He [Lee] was a foe without hate, a friend without treachery, a soldier%@EH@%
without cruelty, and a victim without murmuring. He was a public officer
without vices, a private citizen without wrong, a neighbor without reproach,
a Christian without hypocrisy, and a man without guile. He was a Caesar
without his ambition, a Frederick without his tyranny, a Napoleon without
his selfishness, and a Washington without his reward.%@NL@%
%@NL@%
Benjamin Harvey Hill
%@NL@%Tribute to Robert E. Lee; from Thomas Nelson Page,
Robert E. Lee [1911]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Walsham How%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1897%@AE@%
%@NL@%%@NL@%

%@QR:William Walsham How@%%@QR:How@%%@CR:N1823HOWW10     @%%@2@%For all the saints, who from their labors rest.%@NL@%%@EH@%

%@NL@%William Walsham How
%@NL@%Hymn [1864], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Kells Ingram%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1907%@AE@%
%@NL@%%@NL@%

%@FN@%
Struggle for Irish independence led by Wolfe Tone, Napper Tandy, and others.
%@EF@%
%@QR:John Kells Ingram@%%@QR:Ingram@%%@CR:N1823INGJ10     @%%@2@%Who fears to speak of Ninety-eight?%@NL@%%@EH@%
Who blushes at the name?%@NL@%
When cowards mock the patriot's fate,%@NL@%
Who hangs his head for shame?%@NL@%

%@NL@%John Kells Ingram
%@NL@%%@FN@%
First published anonymously in the Dublin Nation [April 1, 1843].  %@EF@%
The Memory of the Dead, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Leopold Kronecker%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1891%@AE@%
%@NL@%%@NL@%

%@QR:Leopold Kronecker@%%@QR:Kronecker@%%@CR:N1823KROL10     @%%@2@%   God made integers, all else is the work of man.%@NL@%%@EH@%
%@NL@%
Leopold Kronecker
%@NL@%Jahresberichte der Deutschen Mathematiker Vereinigung, bk. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Martin Lane%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1897%@AE@%
%@NL@%%@NL@%

%@QR:George Martin Lane@%%@QR:Lane@%%@CR:N1823LANG10     @%%@2@%The waiter roars it through the hall:%@NL@%%@EH@%
"We don't give bread with one fish ball!"%@NL@%

%@NL@%George Martin Lane
%@NL@%%@FN@%
Lane was professor of Latin at Harvard; the embarrassment of the "lone fish
ball" was an actual experience.  %@EF@%
Lay of the Lone Fish Ball
[1855], st. 10

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francis Parkman%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1893%@AE@%
%@NL@%%@NL@%

%@QR:Francis Parkman@%%@QR:Parkman@%%@CR:N1823PARF10     @%%@2@%   The growth of New England was a result of the aggregate efforts of a busy%@EH@%
multitude, each in his narrow circle toiling for himself, to gather
competence or wealth. The expansion of New France was the achievement of a
gigantic ambition striving to grasp a continent. It was a vain attempt.%@NL@%
%@NL@%
Francis Parkman
%@NL@%Pioneers of France in the New World [1865], introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Parkman@%%@QR:Parkman@%%@CR:N1823PARF20     @%%@2@%   A boundless vision grows upon us; an untamed continent; vast wastes of%@EH@%
forest verdure; mountains silent in primeval sleep; river, lake, and
glimmering pool; wilderness oceans mingling with the sky. Such was the
domain which France conquered for civilization. Plumed helmets gleamed in
the shade of its forests, priestly vestments in its dens and fastnesses of
ancient barbarism. Men steeped in antique learning, pale with the close
breath of the cloister, here spent the noon and evening of their lives,
ruled savage hordes with a mild, parental sway, and stood serene before the
direst shapes of death. Men of courtly nurture, heirs to the polish of a
far-reaching ancestry, here, with their dauntless hardihood, put to shame
the boldest sons of toil.%@NL@%
%@NL@%
Francis Parkman
%@NL@%Pioneers of France in the New World [1865], introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Parkman@%%@QR:Parkman@%%@CR:N1823PARF30     @%%@2@%   Faithfulness to the truth of history involves far more than a research,%@EH@%
however patient and scrupulous, into special facts. Such facts may be
detailed with the most minute exactness, and yet the narrative, taken as a
whole, may be unmeaning or untrue. The narrator must seek to imbue himself
with the life and spirit of the time. He must study events in their bearings
near and remote; in the character, habits, and manners of those who took
part in them. 1  He must himself be, as it were, a sharer or a spectator of
the action he describes.%@NL@%
%@NL@%
Francis Parkman
%@NL@%Pioneers of France in the New World [1865], introduction

%@NL@%%@AI@%1 See Tolstoi%@BO:          47de2f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Parkman@%%@QR:Parkman@%%@CR:N1823PARF40     @%%@2@%   If any pale student, glued to his desk, here seek an apology for a way of%@EH@%
life whose natural fruit is that pallid and emasculate scholarship of which
New England has had too many examples, it will be far better that this
sketch had not been written. For the student there is, in its season, no
better place than the saddle, and no better companion than the rifle or the
oar.%@NL@%
%@NL@%
Francis Parkman
%@NL@%%@FN@%
Published in Proceedings of the Massachusetts Historical Society, vol. VIII,
p. 353.  %@EF@%
Autobiography [1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Parkman@%%@QR:Parkman@%%@CR:N1823PARF50     @%%@2@%   The most momentous and far-reaching question ever brought to issue on%@EH@%
this continent was: Shall France remain here or shall she not?%@NL@%
%@NL@%
Francis Parkman
%@NL@%Montcalm and Wolfe [1884],introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Parkman@%%@QR:Parkman@%%@CR:N1823PARF60     @%%@2@%   Versailles was a gulf into which the labor of France poured its earnings,%@EH@%
and it was never full.%@NL@%
%@NL@%
Francis Parkman
%@NL@%Montcalm and Wolfe [1884],ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Parkman@%%@QR:Parkman@%%@CR:N1823PARF70     @%%@2@%   The [French] Revolution began at the top-in the world of fashion, birth,%@EH@%
and intellect-and propagated itself downwards.%@NL@%
%@NL@%
Francis Parkman
%@NL@%Montcalm and Wolfe [1884],ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Francis Parkman@%%@QR:Parkman@%%@CR:N1823PARF80     @%%@2@%   France built its best colony on a principle of exclusion, and failed:%@EH@%
England reversed the system, and succeeded.%@NL@%
%@NL@%
Francis Parkman
%@NL@%Montcalm and Wolfe [1884],ch. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Coventry Patmore%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1896%@AE@%
%@NL@%%@NL@%

%@QR:Coventry Patmore@%%@QR:Patmore@%%@CR:N1823PATC10     @%%@2@%A Woman is a foreign land,%@NL@%%@EH@%
Of which, though there he settle young,%@NL@%
A man will ne'er quite understand%@NL@%
The customs, politics, and tongue.%@NL@%

%@NL@%Coventry Patmore
%@NL@%The Angel in the House [1854-1856], bk. I, canto 9.
Prelude 2, Woman

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Coventry Patmore@%%@QR:Patmore@%%@CR:N1823PATC20     @%%@2@%It was not like your great and gracious ways!%@NL@%%@EH@%
Do you, that have naught other to lament,%@NL@%
Never, my Love, repent%@NL@%
Of how, that July afternoon,%@NL@%
You went,%@NL@%
With sudden, unintelligible phrase,%@NL@%
And frightened eye,%@NL@%
Upon your journey of so many days%@NL@%
Without a single kiss, or a good-bye?%@NL@%

%@NL@%Coventry Patmore
%@NL@%The Unknown Eros [1877], bk. I, 8, The Departure, l. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Pollock%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1858%@AE@%
%@NL@%%@NL@%

%@QR:Edward Pollock@%%@QR:Pollock@%%@CR:N1823POLE10     @%%@2@%The one who goes is happier%@NL@%%@EH@%
Than those he leaves behind.%@NL@%

%@NL@%Edward Pollock
%@NL@%The Parting Hour

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Brighty Rands%@AE@%%@EH@%
%@NL@%Matthew Browne
%@AB@%1823-1882%@AE@%
%@NL@%%@NL@%

%@FN@%
No idleness, no laziness, no procrastination; never put off till tomorrow
what you can do today.-Lord Chesterfield, Letters [December 26, 1749]  %@EF@%
%@QR:William Brighty Rands@%%@QR:Rands@%%@QR:Matthew Browne@%%@QR:Browne@%%@CR:N1823RANW10     @%%@2@%Never do today what you can%@NL@%%@EH@%
Put off till tomorrow.%@NL@%

%@NL@%William Brighty Rands
%@NL@%Lilliput Levee

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Brighty Rands@%%@QR:Rands@%%@QR:Matthew Browne@%%@QR:Browne@%%@CR:N1823RANW30     @%%@2@%Great wide, beautiful, wonderful world,%@NL@%%@EH@%
With the wonderful waters round you curled,%@NL@%
And the wonderful grass upon your breast,%@NL@%
World, you are beautifully dressed.%@NL@%

%@NL@%William Brighty Rands
%@NL@%The Child's World, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ernest Joseph Renan%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1892%@AE@%
%@NL@%%@NL@%

%@QR:Ernest Joseph Renan@%%@QR:Renan@%%@CR:N1823RENJ10     @%%@2@%   The whole of history is incomprehensible without him [Jesus].%@NL@%%@EH@%
%@NL@%
Ernest Joseph Renan
%@NL@%La Vie de Jesus [1863], introduction

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ernest Joseph Renan@%%@QR:Renan@%%@CR:N1823RENJ20     @%%@2@%   O Lord, if there is a Lord, save my soul, if I have a soul.%@NL@%%@EH@%
%@NL@%
Ernest Joseph Renan
%@NL@%Priere d'un Sceptique

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ernest Joseph Renan@%%@QR:Renan@%%@CR:N1823RENJ30     @%%@2@%   Religion is not a popular error; it is a great instinctive truth, sensed%@EH@%
by the people, expressed by the people.%@NL@%
%@NL@%
Ernest Joseph Renan
%@NL@%Les Ap[ocirc ]tres [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ernest Joseph Renan@%%@QR:Renan@%%@CR:N1823RENJ40     @%%@2@%   An immense river of oblivion is sweeping us away into a nameless abyss.%@NL@%%@EH@%
%@NL@%
Ernest Joseph Renan
%@NL@%Souvenirs d'Enfance et de Jeunesse [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ernest Joseph Renan@%%@QR:Renan@%%@CR:N1823RENJ50     @%%@2@%   Immortality is to labor at an eternal task.%@NL@%%@EH@%
%@NL@%
Ernest Joseph Renan
%@NL@%L'Avenir de la Science [1890],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ernest Joseph Renan@%%@QR:Renan@%%@CR:N1823RENJ60     @%%@2@%   Nothing great is achieved without chimeras.%@NL@%%@EH@%
%@NL@%
Ernest Joseph Renan
%@NL@%L'Avenir de la Science [1890],ch. 19

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Sherman%@AE@%%@EH@%
%@NL@%
%@AB@%1823-1900%@AE@%
%@NL@%%@NL@%

%@FN@%
Senator Sherman referred to the fences around his farm. Said to be the
origin of the political phrase often rendered: to mend fences.  %@EF@%
%@QR:John Sherman@%%@QR:Sherman@%%@CR:N1823SHEJ10     @%%@2@%   I have come home to look after my fences.%@NL@%%@EH@%
%@NL@%
John Sherman
%@NL@%Speech to his neighbors, Mansfield, Ohio

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Harriet Tubman%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1823-1913%@AE@%
%@FN@%
Well has she been called "Moses," for she has been a leader and deliverer
unto hundreds of her people.-Sarah H. Bradford [b. 1818], Scenes in the Life
of Harriet Tubman [1869]  Excepting John Brown-of sacred memory-I know of no
one who has willingly encountered more perils and hardships to serve our
enslaved people than you have.-Frederick Douglass, Letter to Harriet Tubman
[August 29, 1868]  %@EF@%
%@NL@%%@NL@%

%@FN@%
On her first escape from slavery [1845].  %@EF@%
%@QR:Harriet Tubman@%%@QR:Tubman@%%@CR:N1823TUBH30     @%%@2@%   When I found I had crossed that line, I looked at my hands to see if I%@EH@%
was the same person. There was such a glory over everything.%@NL@%
%@NL@%
Harriet Tubman
%@NL@%To her biographer Sarah H. Bradford [c. 1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Harriet Tubman@%%@QR:Tubman@%%@CR:N1823TUBH40     @%%@2@%   I started with this idea in my head, "There's two things I've got a right%@EH@%
to . . . death or liberty."%@NL@%
%@NL@%
Harriet Tubman
%@NL@%To her biographer Sarah H. Bradford [c. 1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Harriet Tubman@%%@QR:Tubman@%%@CR:N1823TUBH50     @%%@2@%   'Twant me, 'twas the Lord. I always told him, "I trust to you. I don't%@EH@%
know where to go or what to do, but I expect you to lead me," and he always
did.%@NL@%
%@NL@%
Harriet Tubman
%@NL@%To her biographer Sarah H. Bradford [c. 1868]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Marcy Tweed%@AE@%%@EH@%
%@NL@%Boss Tweed
%@AB@%1823-1878%@AE@%
%@NL@%%@NL@%

%@QR:William Marcy Tweed@%%@QR:Tweed@%%@QR:Boss Tweed@%%@CR:N1823TWEW10     @%%@2@%   As long as I count the votes, what are you going to do about it?%@NL@%%@EH@%
%@NL@%
William Marcy Tweed
%@NL@%Statement by the "Boss" of Tammany Hall on the
ballot in New York City [November 1871]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Allingham%@AE@%%@EH@%
%@NL@%
%@AB@%1824-1889%@AE@%
%@NL@%%@NL@%

%@QR:William Allingham@%%@QR:Allingham@%%@CR:N1824ALLW10     @%%@2@%Up the airy mountain,%@NL@%%@EH@%
Down the rushy glen,%@NL@%
We daren't go a-hunting%@NL@%
For fear of little men.%@NL@%

%@NL@%William Allingham
%@NL@%The Fairies, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Allingham@%%@QR:Allingham@%%@CR:N1824ALLW20     @%%@2@%Four ducks on a pond,%@NL@%%@EH@%
A grass bank beyond,%@NL@%
A blue sky of spring,%@NL@%
White clouds on the wing;%@NL@%
What a little thing%@NL@%
To remember for years-%@NL@%
To remember with tears!%@NL@%

%@NL@%William Allingham
%@NL@%Four Ducks on a Pond

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Bernard Elliott Bee%@AE@%%@EH@%
%@NL@%
%@AB@%1824-1861%@AE@%
%@NL@%%@NL@%

%@QR:Bernard Elliott Bee@%%@QR:Bee@%%@CR:N1824BEEB10     @%%@2@%   There is Jackson, standing like a stone wall!%@NL@%%@EH@%
%@NL@%
Bernard Elliott Bee
%@NL@%%@FN@%
Bee was killed in this battle.  %@EF@%
Of General T. J. Jackson at the battle of Bull Run
[July 21, 1861]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Phoebe Cary%@AE@%%@EH@%
%@NL@%
%@AB@%1824-1871%@AE@%
%@NL@%%@NL@%

%@QR:Phoebe Cary@%%@QR:Cary@%%@CR:N1824CARP10     @%%@2@%And though hard be the task,%@NL@%%@EH@%
"Keep a stiff upper lip."%@NL@%

%@NL@%Phoebe Cary
%@NL@%Keep a Stiff Upper Lip

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Phoebe Cary@%%@QR:Cary@%%@CR:N1824CARP20     @%%@2@%One sweetly solemn thought%@NL@%%@EH@%
Comes to me o'er and o'er;%@NL@%
I am nearer home today%@NL@%
Than I ever have been before.%@NL@%

%@NL@%Phoebe Cary
%@NL@%Nearer Home, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Wilkie Collins%@AE@%%@EH@%
%@NL@%
%@AB@%1824-1889%@AE@%
%@NL@%%@NL@%

%@QR:William Wilkie Collins@%%@QR:Collins@%%@CR:N1824COLW10     @%%@2@%   "I haven't much time to be fond of anything," says Sergeant Cuff. "But%@EH@%
when I have a moment's fondness to bestow, most times . . . the roses get
it."%@NL@%
%@NL@%
William Wilkie Collins
%@NL@%The Moonstone [1868]. First Period, ch. 12

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alexandre Dumasthe Younger%@AE@%%@EH@%
%@NL@%
%@AB@%1824-1895%@AE@%
%@NL@%%@NL@%

%@FN@%
Les affaires, c'est bien simple, c'est l'argent des autres.  %@EF@%
%@QR:Alexandre Dumasthe Younger@%%@QR:Dumas@%%@CR:N1824DUMA10     @%%@2@%   Business? It's quite simple. It's other people's money.%@NL@%%@EH@%
%@NL@%
Alexandre Dumasthe Younger
%@NL@%La Question d'Argent [1857], act II, sc. vii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Jonathan Jackson%@AE@%%@EH@%
%@NL@%Stonewall Jackson
%@AB@%1824-1863%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Jonathan Jackson@%%@QR:Jackson@%%@QR:Stonewall Jackson@%%@QR:Jackson@%%@CR:N1824JACT10     @%%@2@%   My duty is to obey orders.%@NL@%%@EH@%
%@NL@%
Thomas Jonathan Jackson
%@NL@%A favorite aphorism

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Jonathan Jackson@%%@QR:Jackson@%%@QR:Stonewall Jackson@%%@QR:Jackson@%%@CR:N1824JACT20     @%%@2@%   Let us cross over the river, and rest under the trees.%@NL@%%@EH@%
%@NL@%
Thomas Jonathan Jackson
%@NL@%Last words [May 10, 1863]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Thomson, Lord Kelvin%@AE@%%@EH@%
%@NL@%
%@AB@%1824-1907%@AE@%
%@NL@%%@NL@%

%@QR:William Thomson, Lord Kelvin@%%@QR:Thomson@%%@CR:N1824KELW10     @%%@2@%   When you can measure what you are speaking about, and express it in%@EH@%
numbers, you know something about it; but when you cannot measure it, when
you cannot express it in numbers, your knowledge is of a meager and
unsatisfactory kind: it may be the beginning of knowledge, but you have
scarcely, in your thoughts, advanced to the stage of science.%@NL@%
%@NL@%
William Thomson, Lord Kelvin
%@NL@%Popular Lectures and Addresses [1891-1894]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gustav Robert Kirchhoff%@AE@%%@EH@%
%@NL@%
%@AB@%1824-1887%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by J. B. Stallo.  %@EF@%
%@QR:Gustav Robert Kirchhoff@%%@QR:Kirchhoff@%%@CR:N1824KIRG10     @%%@2@%   The highest object at which the natural sciences are constrained to aim,%@EH@%
but which they will never reach, is the determination of the forces which
are present in nature, and of the state of matter at any given moment-in one
word, the reduction of all the phenomena of nature to mechanics.%@NL@%
%@NL@%
Gustav Robert Kirchhoff
%@NL@%[Uuml ]ber das Ziel der Naturwissenschaften [1865]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Macdonald%@AE@%%@EH@%
%@NL@%
%@AB@%1824-1905%@AE@%
%@NL@%%@NL@%

%@QR:George Macdonald@%%@QR:Macdonald@%%@CR:N1824MACG10     @%%@2@%Said the Wind to the Moon, "I will blow you out!"%@NL@%%@EH@%

%@NL@%George Macdonald
%@NL@%The Wind and the Moon, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Macdonald@%%@QR:Macdonald@%%@CR:N1824MACG15     @%%@2@%Here lie I, Martin Elginbrodde:%@NL@%%@EH@%
Hae mercy o' my soul, Lord God;%@NL@%
As I wad do, were I Lord God,%@NL@%
And ye were Martin Elginbrodde.%@NL@%

%@NL@%George Macdonald
%@NL@%David Elginbrod [1863], bk. I, ch. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Macdonald@%%@QR:Macdonald@%%@CR:N1824MACG20     @%%@2@%   There is no feeling in a human heart which exists in that heart%@EH@%
alone-which is not, in some form or degree, in every heart.%@NL@%
%@NL@%
George Macdonald
%@NL@%Unspoken Sermons, second series [1885]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Macdonald@%%@QR:Macdonald@%%@CR:N1824MACG30     @%%@2@%   You will be dead so long as you refuse to die.%@NL@%%@EH@%
%@NL@%
George Macdonald
%@NL@%What's Mine's Mine [1886], ch. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Macdonald@%%@QR:Macdonald@%%@CR:N1824MACG40     @%%@2@%   The world and my being, its life and mine, were one. The microcosm and%@EH@%
macrocosm were at length atoned, at length in harmony. I lived in
everything; everything entered and lived in me.%@NL@%
%@NL@%
George Macdonald
%@NL@%Lilith [1895], ch. 45

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Allen Butler%@AE@%%@EH@%
%@NL@%
%@AB@%1825-1902%@AE@%
%@NL@%%@NL@%

%@QR:William Allen Butler@%%@QR:Butler@%%@CR:N1825BUTW10     @%%@2@%This same Miss McFlimsey of Madison Square,%@NL@%%@EH@%
The last time we met was in utter despair,%@NL@%
Because she had nothing whatever to wear!%@NL@%

%@NL@%William Allen Butler
%@NL@%Nothing to Wear [1857], st. 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%T homas H enry Huxley%@AE@%%@EH@%
%@NL@%
%@AB@%1825-1895%@AE@%
%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT10     @%%@2@%   I cannot but think that he who finds a certain proportion of pain and%@EH@%
evil inseparably woven up in the life of the very worms, will bear his own
share with more courage and submission.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%On the Educational Value of the Natural History Sciences [1854]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT20     @%%@2@%   To a person uninstructed in natural history, his country or seaside%@EH@%
stroll is a walk through a gallery filled with wonderful works of art,
nine-tenths of which have their faces turned to the wall.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%On the Educational Value of the Natural History Sciences [1854]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT30     @%%@2@%   Extinguished theologians lie about the cradle of every science as the%@EH@%
strangled snakes beside that of Hercules.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%Darwiniana. The Origin of Species [1860]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT40     @%%@2@%   The method of scientific investigation is nothing but the expression of%@EH@%
the necessary mode of working of the human mind.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%Our Knowledge of the Causes of the Phenomena of Organic Nature [1863]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT50     @%%@2@%   Let us have "sweet girl graduates" 1  by all means. They will be none the%@EH@%
less sweet for a little wisdom; and the "golden hair" will not curl less
gracefully outside the head by reason of there being brains within.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%Emancipation-Black and White [1865]

%@NL@%%@AI@%1 See Tennyson%@BO:          3fe095@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT55     @%%@2@%   The improver of natural knowledge absolutely refuses to acknowledge%@EH@%
authority, as such. For him, skepticism is the highest of duties, blind
faith the one unpardonable sin.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%On the Advisableness of ImprovingNatural Knowledge [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT60     @%%@2@%   For every man the world is as fresh as it was at the first day, and as%@EH@%
full of untold novelties for him who has the eyes to see them.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%A Liberal Education [1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT70     @%%@2@%   The chess board is the world, the pieces are the phenomena of the%@EH@%
universe, the rules of the game are what we call the laws of Nature. The
player on the other side is hidden from us. We know that his play is always
fair, just, and patient. But also we know, to our cost, that he never
overlooks a mistake, or makes the smallest allowance for ignorance.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%A Liberal Education [1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT80     @%%@2@%   M. Comte's philosophy in practice might be compendiously described as%@EH@%
Catholicism minus Christianity.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%On the Physical Basis of Life [1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT83     @%%@2@%   Education is the instruction of the intellect in the laws of Nature,%@EH@%
under which name I include not merely things and their forces but men and
their ways, and the fashioning of the affections and of the will into an
earnest and loving desire to move in harmony with these laws.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%Science and Education [1868], ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT86     @%%@2@%   The only medicine for suffering, crime, and all the other woes of%@EH@%
mankind, is wisdom.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%Science and Education [1868], ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT90     @%%@2@%   If some great Power would agree to make me always think what is true and%@EH@%
do what is right, on condition of being turned into a sort of clock and
wound up every morning before I got out of   bed, I should instantly close
with the offer.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%On Descartes' Discourse on Method [1870]. Method and Results

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT100    @%%@2@%   There is the greatest practical benefit in making a few failures early in%@EH@%
life.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%On Medical Education [1870]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT110    @%%@2@%   That mysterious independent variable of political calculation, Public%@EH@%
Opinion.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%Universities, Actual and Ideal [1874]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT120    @%%@2@%   Veracity is the heart of morality.%@NL@%%@EH@%
%@NL@%
T homas H enry Huxley
%@NL@%Universities, Actual and Ideal [1874]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT130    @%%@2@%   Becky Sharp's acute remark that it is not difficult to be virtuous on ten%@EH@%
thousand a year 1  has its application to nations; and it is futile to
expect a hungry and squalid population to be anything but violent and gross.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%Joseph Priestley [1874]

%@NL@%%@AI@%1 See Thackeray%@BO:          40db24@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT140    @%%@2@%   Logical consequences are the scarecrows of fools and the beacons of wise%@EH@%
men.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%Animal Automatism [1874]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT150    @%%@2@%   Size is not grandeur, and territory does not make a nation.%@NL@%%@EH@%
%@NL@%
T homas H enry Huxley
%@NL@%On University Education [1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT160    @%%@2@%   Perhaps the most valuable result of all education is the ability to make%@EH@%
yourself do the thing you have to do, when it ought to be done, whether you
like it or not; 1  2  it is the first lesson that ought to be learned; and
however early a man's training begins, it is probably the last lesson that
he learns thoroughly.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%Technical Education [1877]

%@NL@%%@AI@%1 See William James%@BO:          4ce196@%%@AE@%
%@AI@%2 See Maugham%@BO:          57c08d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT170    @%%@2@%   The great end of life is not knowledge but action.%@NL@%%@EH@%
%@NL@%
T homas H enry Huxley
%@NL@%Technical Education [1877]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT180    @%%@2@%   If a little knowledge is dangerous, where is the man who has so much as%@EH@%
to be out of danger?%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%On Elemental Instruction in Physiology [1877]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT190    @%%@2@%   Irrationally held truths may be more harmful than reasoned errors.%@NL@%%@EH@%
%@NL@%
T homas H enry Huxley
%@NL@%The Coming of Age of The Origin of Species [1880]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT200    @%%@2@%   It is the customary fate of new truths to begin as heresies and to end as%@EH@%
superstitions.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%The Coming of Age of The Origin of Species [1880]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT205    @%%@2@%   Social progress means a checking of the cosmic process at every step and%@EH@%
the substitution for it of another, which may be called the ethical process.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%Evolution and Ethics [1893]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:T homas H enry Huxley@%%@QR:Huxley@%%@CR:N1825HUXT210    @%%@2@%   I asserted-and I repeat-that a man has no reason to be ashamed of having%@EH@%
an ape for his grandfather. If there were an ancestor whom I should feel
shame in recalling it would rather be a man-a man of restless and versatile
intellect-who, not content with an equivocal success in his own sphere of
activity, plunges into scientific questions with which he has no real
acquaintance, only to obscure them by an aimless rhetoric, and distract the
attention of his hearers from the real point at issue by eloquent
digressions and skilled appeals to religious prejudice.%@NL@%
%@NL@%
T homas H enry Huxley
%@NL@%%@FN@%
If anyone were to be willing to trace his descent through an ape as his
grandfather, would he be willing to trace his descent similarly on the side
of his grandmother?-Bishop Samuel Wilberforce, at the British Association
for the Advancement of Science [1860]  %@EF@%
Reply to Wilberforce's question.
From Leonard Huxley,
Life and Letters of Thomas Henry Huxley [1900], vol. I

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Edward Pickett%@AE@%%@EH@%
%@NL@%
%@AB@%1825-1875%@AE@%
%@NL@%%@NL@%

%@QR:George Edward Pickett@%%@QR:Pickett@%%@CR:N1825PICG10     @%%@2@%   Up, men, and to your posts! Don't forget today that you are from Old%@EH@%
Virginia.%@NL@%
%@NL@%
George Edward Pickett
%@NL@%Command at the beginning of his division's charge at Gettysburg
[July 3, 1863]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Adelaide Anne Procter%@AE@%%@EH@%
%@NL@%
%@AB@%1825-1864%@AE@%
%@NL@%%@NL@%

%@QR:Adelaide Anne Procter@%%@QR:Procter@%%@CR:N1825PROA10     @%%@2@%Seated one day at the organ,%@NL@%%@EH@%
I was weary and ill at ease,%@NL@%
And my fingers wandered idly%@NL@%
Over the noisy keys.%@NL@%

%@NL@%Adelaide Anne Procter
%@NL@%A Lost Chord,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Adelaide Anne Procter@%%@QR:Procter@%%@CR:N1825PROA20     @%%@2@%But I struck one chord of music%@NL@%%@EH@%
Like the sound of a great Amen.%@NL@%

%@NL@%Adelaide Anne Procter
%@NL@%A Lost Chord,st. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Bayard Taylor%@AE@%%@EH@%
%@NL@%
%@AB@%1825-1878%@AE@%
%@NL@%%@NL@%

%@QR:Bayard Taylor@%%@QR:Taylor@%%@CR:N1825TAYB5      @%%@2@%From the desert I come to thee%@NL@%%@EH@%
On a stallion shod with fire,%@NL@%
And the winds are left behind%@NL@%
In the speed of my desire.%@NL@%

%@NL@%Bayard Taylor
%@NL@%Bedouin Song,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bayard Taylor@%%@QR:Taylor@%%@CR:N1825TAYB10     @%%@2@%Till the sun grows cold,%@NL@%%@EH@%
And the stars are old,%@NL@%
And the leaves of the Judgment Book unfold.%@NL@%

%@NL@%Bayard Taylor
%@NL@%Bedouin Song,refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bayard Taylor@%%@QR:Taylor@%%@CR:N1825TAYB20     @%%@2@%They sang of love, and not of fame;%@NL@%%@EH@%
Forgot was Britain's glory;%@NL@%
Each heart recalled a different name,%@NL@%
But all sang "Annie Laurie."%@NL@%

%@NL@%Bayard Taylor
%@NL@%The Song of the Camp, st. 5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Whiting%@AE@%%@EH@%
%@NL@%
%@AB@%1825-1878%@AE@%
%@NL@%%@NL@%

%@QR:William Whiting@%%@QR:Whiting@%%@CR:N1825WHIW10     @%%@2@%Eternal Father, strong to save,%@NL@%%@EH@%
Whose arm doth bind the restless wave,%@NL@%
Who bidd'st the mighty ocean deep%@NL@%
Its own appointed limits keep,%@NL@%
O, hear us when we cry to Thee%@NL@%
For those in peril on the sea!%@NL@%

%@NL@%William Whiting
%@NL@%The Hymn of the U.S. Navy [1860]. Eternal Father,
Strong to Save, st. 1

%@NL@%
%@NL@%
%@NL@%
%@1@%%@AB@%Charles Hamilton Aide%@AE@%%@EH@%
%@NL@%
%@AB@%1826-1906%@AE@%
%@NL@%%@NL@%

%@QR:Charles Hamilton Aide@%%@QR:Aide@%%@CR:N1826AIDC10     @%%@2@%I sit beside my lonely fire%@NL@%%@EH@%
And pray for wisdom yet:%@NL@%
For calmness to remember%@NL@%
Or courage to forget.%@NL@%

%@NL@%Charles Hamilton Aide
%@NL@%Remember or Forget

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Grand Duke Friedrich von Baden%@AE@%%@EH@%
%@NL@%
%@AB@%1826-1907%@AE@%
%@NL@%%@NL@%

%@QR:Grand Duke Friedrich von Baden@%%@QR:Baden@%%@CR:N1826BADF10     @%%@2@%   Unity makes strength, and, since we must be strong, we must also be one.%@NL@%%@EH@%
%@NL@%
Grand Duke Friedrich von Baden
%@NL@%On German unity under Prussian hegemony, Versailles
[January 18, 1871]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Walter Bagehot%@AE@%%@EH@%
%@NL@%
%@AB@%1826-1877%@AE@%
%@NL@%%@NL@%

%@QR:Walter Bagehot@%%@QR:Bagehot@%%@CR:N1826BAGW2      @%%@2@%   One of the greatest pains to human nature is the pain of a new idea.%@NL@%%@EH@%
%@NL@%
Walter Bagehot
%@NL@%Physics and Politics [1869], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
See Pascal; quoted by Bagehot in the same chapter.  %@EF@%
%@QR:Walter Bagehot@%%@QR:Bagehot@%%@CR:N1826BAGW4      @%%@2@%   An inability to stay quiet . . . is one of the most conspicuous failings%@EH@%
of mankind.%@NL@%
%@NL@%
Walter Bagehot
%@NL@%Physics and Politics [1869], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Bagehot@%%@QR:Bagehot@%%@CR:N1826BAGW6      @%%@2@%   The most melancholy of human reflections, perhaps, is that on the whole%@EH@%
it is a question whether the benevolence of mankind does most good or harm.%@NL@%
%@NL@%
Walter Bagehot
%@NL@%Physics and Politics [1869], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Bagehot@%%@QR:Bagehot@%%@CR:N1826BAGW10     @%%@2@%   To a great experience one thing is essential-an experiencing nature.%@NL@%%@EH@%
%@NL@%
Walter Bagehot
%@NL@%Literary Studies [1879].Shakespeare

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Bagehot@%%@QR:Bagehot@%%@CR:N1826BAGW20     @%%@2@%   The reason why so few good books are written is, that so few people that%@EH@%
can write know anything. In general an author has always lived in a room,
has read books, has cultivated science, is acquainted with the style and
sentiments of the best authors, but he is out of the way of employing his
own eyes and ears. He has nothing to hear and nothing to see. His life is a
vacuum.%@NL@%
%@NL@%
Walter Bagehot
%@NL@%Literary Studies [1879].Shakespeare

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Bagehot@%%@QR:Bagehot@%%@CR:N1826BAGW25     @%%@2@%   A highly developed moral nature joined to an undeveloped intellectual%@EH@%
nature, an undeveloped artistic nature, and a very limited religious nature,
is of necessity repulsive. It represents a bit of human nature-a good bit,
of course, but a bit only-in disproportionate, unnatural and revolting
prominence.%@NL@%
%@NL@%
Walter Bagehot
%@NL@%Literary Studies [1879].Wordsworth, Tennyson and Browning

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Bagehot@%%@QR:Bagehot@%%@CR:N1826BAGW30     @%%@2@%   A constitutional statesman is in general a man of common opinions and%@EH@%
uncommon abilities.%@NL@%
%@NL@%
Walter Bagehot
%@NL@%Biographical Studies [1907].Sir Robert Peel

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Bagehot@%%@QR:Bagehot@%%@CR:N1826BAGW35     @%%@2@%   You may talk of the tyranny of Nero and Tiberius; but the real tyranny is%@EH@%
the tyranny of your next-door neighbor. . . . Public opinion is a permeating
influence, and it exacts obedience to itself; it requires us to think other
men's thoughts, to speak other men's words, to follow other men's habits.%@NL@%
%@NL@%
Walter Bagehot
%@NL@%Biographical Studies [1907].Sir Robert Peel

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Bagehot@%%@QR:Bagehot@%%@CR:N1826BAGW40     @%%@2@%   It is good to be without vices, but it is not good to be without%@EH@%
temptations.%@NL@%
%@NL@%
Walter Bagehot
%@NL@%Biographical Studies [1907].Sir George Cornewall Lewis

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Bagehot@%%@QR:Bagehot@%%@CR:N1826BAGW50     @%%@2@%   [Of Guizot] A Puritan born in France by mistake.%@NL@%%@EH@%
%@NL@%
Walter Bagehot
%@NL@%Biographical Studies [1907].Guizot

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Dinah Maria Mulock Craik%@AE@%%@EH@%
%@NL@%
%@AB@%1826-1887%@AE@%
%@NL@%%@NL@%

%@QR:Dinah Maria Mulock Craik@%%@QR:Craik@%%@CR:N1826CRAD10     @%%@2@%Douglas, Douglas, tender and true!%@NL@%%@EH@%

%@NL@%Dinah Maria Mulock Craik
%@NL@%%@FN@%
O Douglas, O Douglas!/Tendir and trewe.-Sir Richard Holland, The Buke of the
Howlat [c. 1450], st. 31  %@EF@%
Douglas, Tender and True,
refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dinah Maria Mulock Craik@%%@QR:Craik@%%@CR:N1826CRAD30     @%%@2@%Oh, my son's my son till he gets him a wife,%@NL@%%@EH@%
But my daughter's my daughter all her life.%@NL@%

%@NL@%Dinah Maria Mulock Craik
%@NL@%Young and Old

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Ellerton%@AE@%%@EH@%
%@NL@%
%@AB@%1826-1893%@AE@%
%@NL@%%@NL@%

%@QR:John Ellerton@%%@QR:Ellerton@%%@CR:N1826ELLJ10     @%%@2@%Now the laborer's task is o'er;%@NL@%%@EH@%
Now the battle day is past;%@NL@%
Now upon the farther shore%@NL@%
Lands the voyager at last.%@NL@%

%@NL@%John Ellerton
%@NL@%Hymn [1870],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ellerton@%%@QR:Ellerton@%%@CR:N1826ELLJ20     @%%@2@%Father, in thy gracious keeping%@NL@%%@EH@%
Leave we now thy servant sleeping.%@NL@%

%@NL@%John Ellerton
%@NL@%Hymn [1870],refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ellerton@%%@QR:Ellerton@%%@CR:N1826ELLJ30     @%%@2@%The day thou gavest, Lord, is ended,%@NL@%%@EH@%
The darkness falls at thy behest;%@NL@%
To thee our morning hymns ascended,%@NL@%
Thy praise shall sanctify our rest.%@NL@%

%@NL@%John Ellerton
%@NL@%Hymn [1870],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Ellerton@%%@QR:Ellerton@%%@CR:N1826ELLJ40     @%%@2@%So be it, Lord; thy throne shall never,%@NL@%%@EH@%
Like earth's proud empires, pass away:%@NL@%
Thy kingdom stands, and grows forever,%@NL@%
Till all thy creatures own thy sway.%@NL@%

%@NL@%John Ellerton
%@NL@%Hymn [1870],st. 5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Stephen Collins Foster%@AE@%%@EH@%
%@NL@%
%@AB@%1826-1864%@AE@%
%@NL@%%@NL@%

%@QR:Stephen Collins Foster@%%@QR:Foster@%%@CR:N1826FOSS8      @%%@2@%O, Susanna! O, don't you cry for me,%@NL@%%@EH@%
I've come from Alabama, with my banjo on my knee.%@NL@%

%@NL@%Stephen Collins Foster
%@NL@%%@FN@%
Sung for the first time by Nelson Kneass in Andrews' Eagle Ice Cream Saloon,
Pittsburgh, Pennsylvania [September 11, 1847]. It shortly became a worldwide
hit.  %@EF@%
O, Susanna [1848], chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stephen Collins Foster@%%@QR:Foster@%%@CR:N1826FOSS15     @%%@2@%Gwine to run all night!%@NL@%%@EH@%
Gwine to run all day!%@NL@%
I'll bet my money on de bobtail nag-%@NL@%
Somebody bet on de bay.%@NL@%

%@NL@%Stephen Collins Foster
%@NL@%Camptown Races [1850], chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stephen Collins Foster@%%@QR:Foster@%%@CR:N1826FOSS20     @%%@2@%Way down upon the Swanee River,%@NL@%%@EH@%
Far, far away,%@NL@%
There's where my heart is turning ever;%@NL@%
There's where the old folks stay.%@NL@%

%@NL@%Stephen Collins Foster
%@NL@%The Old Folks at Home [1851],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stephen Collins Foster@%%@QR:Foster@%%@CR:N1826FOSS30     @%%@2@%All the world is sad and dreary%@NL@%%@EH@%
Everywhere I roam,%@NL@%
Oh! darkies, how my heart grows weary,%@NL@%
Far from the old folks at home.%@NL@%

%@NL@%Stephen Collins Foster
%@NL@%The Old Folks at Home [1851],chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stephen Collins Foster@%%@QR:Foster@%%@CR:N1826FOSS33     @%%@2@%Weep no more, my lady,%@NL@%%@EH@%
Oh! weep no more today!%@NL@%
We will sing one song for the old Kentucky home,%@NL@%
For the old Kentucky home far away.%@NL@%

%@NL@%Stephen Collins Foster
%@NL@%My Old Kentucky Home [1853], chorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stephen Collins Foster@%%@QR:Foster@%%@CR:N1826FOSS35     @%%@2@%I dream of Jeanie with the light brown hair,%@NL@%%@EH@%
Floating, like a vapor, on the soft summer air.%@NL@%

%@NL@%Stephen Collins Foster
%@NL@%Jeanie with the Light Brown Hair [1854], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stephen Collins Foster@%%@QR:Foster@%%@CR:N1826FOSS40     @%%@2@%I'm coming, I'm coming, for my head is bending low;%@NL@%%@EH@%
I hear those gentle voices calling, "Old Black Joe."%@NL@%

%@NL@%Stephen Collins Foster
%@NL@%Old Black Joe [1860], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Stephen Collins Foster@%%@QR:Foster@%%@CR:N1826FOSS80     @%%@2@%Beautiful dreamer, wake unto me,%@NL@%%@EH@%
Starlight and dewdrop are waiting for thee.%@NL@%

%@NL@%Stephen Collins Foster
%@NL@%Beautiful Dreamer [1864], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%G eorge W illiam Hunt%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1829-1904%@AE@%
%@NL@%%@NL@%

%@QR:G eorge W illiam Hunt@%%@QR:Hunt@%%@CR:N1826HUNG10     @%%@2@%We don't want to fight, but, by jingo, if we do,%@NL@%%@EH@%
We've got the ships, we've got the men, we've got the money, too.%@NL@%

%@NL@%G eorge W illiam Hunt
%@NL@%%@FN@%
Sung by Gilbert Hastings Macdermott (Farrell) [1845-1901], "the Great
Macdermott." The song gave the terms "jingo" and "jingoism" to the political
vocabulary, though the phrase "by jingo" had been used earlier by Goldsmith
and Thomas Hood.  %@EF@%
Song [1878]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George B rinton McClellan%@AE@%%@EH@%
%@NL@%
%@AB@%1826-1885%@AE@%
%@NL@%%@NL@%

%@FN@%
All quiet along the Potomac tonight,/No sound save the rush of the
river,/While soft falls the dew on the face of the dead-/The picket's off
duty forever.-Ethel Lynn Beers [1827-1879], The Picket Guard [1861], st. 6  %@EF@%
%@QR:George B rinton McClellan@%%@QR:McClellan@%%@CR:N1826MCCG10     @%%@2@%All quiet along the Potomac.%@NL@%%@EH@%

%@NL@%George B rinton McClellan
%@NL@%Frequent report from his Union headquarters [1861]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Stuyvesant Bragg%@AE@%%@EH@%
%@NL@%
%@AB@%1827-1912%@AE@%
%@NL@%%@NL@%

%@FN@%
An adaptation of Governor Bragg's expression became a Cleveland campaign
slogan: We love him for the enemies he has made.  %@EF@%
%@QR:Edward Stuyvesant Bragg@%%@QR:Bragg@%%@CR:N1827BRAE10     @%%@2@%   They love him most for the enemies he has made.%@NL@%%@EH@%
%@NL@%
Edward Stuyvesant Bragg
%@NL@%Speech seconding the presidential nomination of Grover Cleveland
[July 9, 1884]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Franklin J ackson Dickman%@AE@%%@EH@%
%@NL@%
%@AB@%1827-1908%@AE@%
%@NL@%%@NL@%

%@QR:Franklin J ackson Dickman@%%@QR:Dickman@%%@CR:N1827DICF10     @%%@2@%   Glittering generalities.%@NL@%%@EH@%
%@NL@%
Franklin J ackson Dickman
%@NL@%Letter reviewing a speech by Rufus Choate,
Providence Journal [December 14, 1849]
 1

%@NL@%%@AI@%1 See Choate%@BO:          3aa758@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Charles Eliot Norton%@AE@%%@EH@%
%@NL@%
%@AB@%1827-1908%@AE@%
%@NL@%%@NL@%

%@QR:Charles Eliot Norton@%%@QR:Norton@%%@CR:N1827NORC10     @%%@2@%   A knowledge of Greek thought and life, and of the arts in which the%@EH@%
Greeks expressed their thought and sentiment, is essential to high culture.
A man may know everything else, but without this knowledge he remains
ignorant of the best intellectual and moral achievements of his own race.%@NL@%
%@NL@%
Charles Eliot Norton
%@NL@%Letter to F. A. Tupper [1885]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Eliot Norton@%%@QR:Norton@%%@CR:N1827NORC20     @%%@2@%   Whatever your occupation may be and however crowded your hours with%@EH@%
affairs, do not fail to secure at least a few minutes every day for
refreshment of your inner life with a bit of poetry. 1 %@NL@%
%@NL@%
Charles Eliot Norton
%@NL@%Used by a Boston newspaper as a heading for a
column of reprinted poems

%@NL@%%@AI@%1 See Goethe%@BO:          309a38@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Eliot Norton@%%@QR:Norton@%%@CR:N1827NORC30     @%%@2@%   The voice of protest, of warning, of appeal is never more needed than%@EH@%
when the clamor of fife and drum, echoed by the press and too often by the
pulpit, is bidding all men fall in and keep step and obey in silence the
tyran-nous word of command. Then, more than ever, it is the duty of the good
citizen not to be silent.%@NL@%
%@NL@%
Charles Eliot Norton
%@NL@%True Patriotism [1898]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Eliot Norton@%%@QR:Norton@%%@CR:N1827NORC40     @%%@2@%   The old America, the America of our hopes and our dreams, has come to an%@EH@%
end, and a new America is entering on the false course which has been tried
so often and which has often led to calamity. This war will in the long run
result in far more evil to the United States than to Spain. We shall
nominally win, but at the cost of what infinite loss!%@NL@%
%@NL@%
Charles Eliot Norton
%@NL@%Letter to Edward Lee-Childe [1898]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lew Lewis Wallace%@AE@%%@EH@%
%@NL@%
%@AB@%1827-1905%@AE@%
%@NL@%%@NL@%

%@QR:Lew Lewis Wallace@%%@QR:Wallace@%%@CR:N1827WALL10     @%%@2@%   A man is never so on trial as in the moment of excessive good fortune.%@NL@%%@EH@%
%@NL@%
Lew Lewis Wallace
%@NL@%Ben Hur: A Tale of the Christ [1880], bk.V, ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lew Lewis Wallace@%%@QR:Wallace@%%@CR:N1827WALL20     @%%@2@%   Would you hurt a man keenest, strike at his self-love.%@NL@%%@EH@%
%@NL@%
Lew Lewis Wallace
%@NL@%Ben Hur: A Tale of the Christ [1880], bk.VI, ch. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anna Bartlett Warner%@AE@%%@EH@%
%@NL@%
%@AB@%1827-1915%@AE@%
%@NL@%%@NL@%

%@QR:Anna Bartlett Warner@%%@QR:Warner@%%@CR:N1827WARA10     @%%@2@%Jesus loves me-this I know,%@NL@%%@EH@%
For the Bible tells me so.%@NL@%

%@NL@%Anna Bartlett Warner
%@NL@%The Love of Jesus [1858]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Septimus Winner%@AE@%%@EH@%
%@NL@%Alice Hawthorne
%@AB@%1827-1902%@AE@%
%@NL@%%@NL@%

%@QR:Septimus Winner@%%@QR:Winner@%%@QR:Alice Hawthorne@%%@QR:Hawthorne@%%@CR:N1827WINS10     @%%@2@%Listen to the mockingbird, listen to the mockingbird,%@NL@%%@EH@%
Still singing where the weeping willows wave.%@NL@%

%@NL@%Septimus Winner
%@NL@%Listen to the Mockingbird [1855]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henrik Ibsen%@AE@%%@EH@%
%@NL@%
%@AB@%1828-1906%@AE@%
%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH10     @%%@2@%   All or nothing.%@NL@%%@EH@%
%@NL@%
Henrik Ibsen
%@NL@%Brand [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH20     @%%@2@%   Look into any man's heart you please, and you will always find, in every%@EH@%
one, at least one black spot which he has to keep concealed.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%Pillars of Society [1877], actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH30     @%%@2@%   The spirit of truth and the spirit of freedom-they are the pillars of%@EH@%
society.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%Pillars of Society [1877], actIV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH40     @%%@2@%   There can be no freedom or beauty about a home life that depends on%@EH@%
borrowing and debt.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%A Doll's House [1879],
 1  actI

%@NL@%%@AI@%1 See Dickens%@BO:          4238e9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH42     @%%@2@%   Our house has never been anything but a playroom. I have been your doll%@EH@%
wife, just as at home I was Daddy's doll child. And the children in turn
have been my dolls. I thought it was fun when you came and played with me,
just as they thought it was fun when I went and played with them. That's
been our marriage, Torvald.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%A Doll's House [1879],
 1  actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH44     @%%@2@%   If I'm ever to reach any understanding of myself and the things around%@EH@%
me, I must learn to stand alone. That's why I can't stay here with you any
longer.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%A Doll's House [1879],
 1  actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH46     @%%@2@%   I have another duty equally sacred . . . My duty to myself.%@NL@%%@EH@%
%@NL@%
Henrik Ibsen
%@NL@%A Doll's House [1879],
 1  actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH48     @%%@2@%   Helmer: First and foremost, you are a wife and mother.%@NL@%%@EH@%
Nora: That I don't believe any more. I believe that first and foremost I am
an individual, just as much as you are.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%A Doll's House [1879],
 1  actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH50     @%%@2@%   To crave for happiness in this world is simply to be possessed by a%@EH@%
spirit of revolt. What right have we to happiness?%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%Ghosts [1881], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH60     @%%@2@%   I am half inclined to think we are all ghosts, Mr. Manders. It is not%@EH@%
only what we have inherited from our fathers that exists again in us, but
all sorts of old dead ideas and all kinds of old dead beliefs and things of
that kind. They are not actually alive in us; but there they are dormant,
all the same, and we can never be rid of them. Whenever I take up a
newspaper and read it, I fancy I see ghosts creeping between the lines.
There must be ghosts all over the world. They must be as countless as grains
of the sands, it seems to me. And we are so miserably afraid of the light,
all of us.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%Ghosts [1881], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH70     @%%@2@%   Mother, give me the sun.%@NL@%%@EH@%
%@NL@%
Henrik Ibsen
%@NL@%Ghosts [1881], actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH80     @%%@2@%   I hold that man is in the right who is most closely in league with the%@EH@%
future.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%Letter to Georg Brandes [January 3, 1882]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH90     @%%@2@%   A community is like a ship; everyone ought to be prepared to take the%@EH@%
helm.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%An Enemy of the People [1882], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH100    @%%@2@%   The minority is always right.%@NL@%%@EH@%
%@NL@%
Henrik Ibsen
%@NL@%An Enemy of the People [1882], actIV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH110    @%%@2@%   You should never wear your best trousers when you go out to fight for%@EH@%
freedom and truth.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%An Enemy of the People [1882], actV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH120    @%%@2@%   The strongest man in the world is he who stands most alone. 1 %@NL@%%@EH@%
%@NL@%
Henrik Ibsen
%@NL@%An Enemy of the People [1882], actV

%@NL@%%@AI@%1 See Montaigne%@BO:          1438d2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH125    @%%@2@%   Always do that, wild ducks do. Go plunging right to the bottom . . . as%@EH@%
deep as they can get . . . hold on with their beaks to the weeds and
stuff-and all the other mess you find down there. Then they never come up
again.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%The Wild Duck [1884], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH130    @%%@2@%   Take the life-lie away from the average man and straightaway you take%@EH@%
away his happiness.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%The Wild Duck [1884], actV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH133    @%%@2@%   Our common lust for life.%@NL@%%@EH@%
%@NL@%
Henrik Ibsen
%@NL@%Hedda Gabler [1890], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH136    @%%@2@%   Oh courage . . . oh yes! If only one had that . . . Then life might be%@EH@%
livable, in spite of everything.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%Hedda Gabler [1890], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH140    @%%@2@%   Back he'll come . . . With vine leaves in his hair. Flushed and%@EH@%
confident.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%Hedda Gabler [1890], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH145    @%%@2@%   Everything I touch seems destined to turn into something mean and%@EH@%
farcical.%@NL@%
%@NL@%
Henrik Ibsen
%@NL@%Hedda Gabler [1890], actIV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henrik Ibsen@%%@QR:Ibsen@%%@CR:N1828IBSH150    @%%@2@%   The younger generation will come knocking at my door.%@NL@%%@EH@%
%@NL@%
Henrik Ibsen
%@NL@%The Master Builder [1892], act I

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Meredith%@AE@%%@EH@%
%@NL@%
%@AB@%1828-1909%@AE@%
%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG10     @%%@2@%   I expect that Woman will be the last thing civilized by Man.%@NL@%%@EH@%
%@NL@%
George Meredith
%@NL@%The Ordeal of Richard Feverel [1859], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG20     @%%@2@%   Who rises from prayer a better man, his prayer is answered.%@NL@%%@EH@%
%@NL@%
George Meredith
%@NL@%The Ordeal of Richard Feverel [1859], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG30     @%%@2@%   The sun is coming down to earth, and the fields and the waters shout to%@EH@%
him golden shouts.%@NL@%
%@NL@%
George Meredith
%@NL@%The Ordeal of Richard Feverel [1859], ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG40     @%%@2@%   Kissing don't last; cookery do!%@NL@%%@EH@%
%@NL@%
George Meredith
%@NL@%The Ordeal of Richard Feverel [1859], ch.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG45     @%%@2@%   Speech is the small change of Silence.%@NL@%%@EH@%
%@NL@%
George Meredith
%@NL@%The Ordeal of Richard Feverel [1859], ch.34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG50     @%%@2@%See ye not, courtesy%@NL@%%@EH@%
Is the true alchemy,%@NL@%
Turning to gold all it touches and tries?%@NL@%

%@NL@%George Meredith
%@NL@%The Song of Courtesy [1859], IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG70     @%%@2@%Two of a trade, lass, never agree. 1  2 %@NL@%%@EH@%

%@NL@%George Meredith
%@NL@%Juggling Jerry [1859], IX

%@NL@%%@AI@%1 See Hesiod%@BO:           87885@%%@AE@%
%@AI@%2 See Gay%@BO:          296ec0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG80     @%%@2@%Not till the fire is dying in the grate,%@NL@%%@EH@%
Look we for any kinship with the stars.%@NL@%
Oh, wisdom never comes when it is gold,%@NL@%
And the great price we pay for it full worth;%@NL@%
We have it only when we are half earth.%@NL@%

%@NL@%George Meredith
%@NL@%Modern Love [1862],4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG90     @%%@2@%And if I drink oblivion of a day,%@NL@%%@EH@%
So shorten I the stature of my soul.%@NL@%

%@NL@%George Meredith
%@NL@%Modern Love [1862],12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG100    @%%@2@%What are we first? First, animals; and next%@NL@%%@EH@%
Intelligences at a leap; on whom%@NL@%
Pale lies the distant shadow of the tomb.%@NL@%

%@NL@%George Meredith
%@NL@%Modern Love [1862],30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG110    @%%@2@%In tragic life, God wot,%@NL@%%@EH@%
No villain need be! Passions spin the plot:%@NL@%
We are betrayed by what is false within.%@NL@%

%@NL@%George Meredith
%@NL@%Modern Love [1862],43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG115    @%%@2@%More brain, O Lord, more brain! Or we shall mar%@NL@%%@EH@%
Utterly this fair garden we might win.%@NL@%

%@NL@%George Meredith
%@NL@%Modern Love [1862],48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG120    @%%@2@%Ah, what a dusty answer gets the soul%@NL@%%@EH@%
When hot for certainties in this our life!%@NL@%

%@NL@%George Meredith
%@NL@%Modern Love [1862],50

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG125    @%%@2@%Into the breast that gives the rose%@NL@%%@EH@%
Shall I with shuddering fall!%@NL@%

%@NL@%George Meredith
%@NL@%The Spirit of Earth in Autumn [1862] st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG128    @%%@2@%   [Comedy] it is who proposes the correcting of pretentiousness, of%@EH@%
inflation, of dullness, and of the vestiges of rawness and grossness yet to
be found among us. She is the ultimate civilizer, the polisher.%@NL@%
%@NL@%
George Meredith
%@NL@%The Egoist [1879].Prelude

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG130    @%%@2@%Cynicism is intellectual dandyism.%@NL@%%@EH@%

%@NL@%George Meredith
%@NL@%The Egoist [1879].ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG140    @%%@2@%   In . . . the book of Egoism, it is written, possession without obligation%@EH@%
to the object possessed approaches felicity.%@NL@%
%@NL@%
George Meredith
%@NL@%The Egoist [1879].ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG143    @%%@2@%For singing till his heaven fills,%@NL@%%@EH@%
'Tis love of earth that he instills,%@NL@%
And ever winging up and up,%@NL@%
Our valley is his golden cup,%@NL@%
And he the wine which over flows%@NL@%
To lift us with him as he goes.%@NL@%

%@NL@%George Meredith
%@NL@%The Lark Ascending [1881],l. 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG146    @%%@2@%The song seraphically free%@NL@%%@EH@%
Of taint of personality.%@NL@%

%@NL@%George Meredith
%@NL@%The Lark Ascending [1881],l. 95

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG150    @%%@2@%On a starred night Prince Lucifer uprose.%@NL@%%@EH@%
Tired of his dark dominion swung the fiend.%@NL@%

%@NL@%George Meredith
%@NL@%Lucifer in Starlight [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG160    @%%@2@%Around the ancient track marched, rank on rank,%@NL@%%@EH@%
The army of unalterable law. 1 %@NL@%

%@NL@%George Meredith
%@NL@%Lucifer in Starlight [1883]

%@NL@%%@AI@%1 See T. S. Eliot%@BO:          5cfcd1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG170    @%%@2@%Enter these enchanted woods,%@NL@%%@EH@%
You who dare.%@NL@%

%@NL@%George Meredith
%@NL@%The Woods of Westermain [1883], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG180    @%%@2@%She whom I love is hard to catch and conquer,%@NL@%%@EH@%
Hard, but O the glory of the winning were she won!%@NL@%

%@NL@%George Meredith
%@NL@%Love in the Valley [1883],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG190    @%%@2@%Darker grows the valley, more and more forgetting:%@NL@%%@EH@%
So were it with me if forgetting could be willed.%@NL@%
Tell the grassy hollow that holds the bubbling well-spring,%@NL@%
Tell it to forget the source that keeps it filled.%@NL@%

%@NL@%George Meredith
%@NL@%Love in the Valley [1883],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG210    @%%@2@%Civil limitation daunts%@NL@%%@EH@%
His utterance never; the nymphs blush, not he.%@NL@%

%@NL@%George Meredith
%@NL@%An Orson of the Muse (Walt Whitman) [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG220    @%%@2@%   A witty woman is a treasure; a witty beauty is a power.%@NL@%%@EH@%
%@NL@%
George Meredith
%@NL@%Diana of the Crossways [1885], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG225    @%%@2@%   What a woman thinks of women is the test of her nature.%@NL@%%@EH@%
%@NL@%
George Meredith
%@NL@%Diana of the Crossways [1885], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG230    @%%@2@%   The well of true wit is truth itself.%@NL@%%@EH@%
%@NL@%
George Meredith
%@NL@%Diana of the Crossways [1885], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG240    @%%@2@%   Ireland gives England her soldiers, her generals too.%@NL@%%@EH@%
%@NL@%
George Meredith
%@NL@%Diana of the Crossways [1885], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG245    @%%@2@%   How divine is utterance! . . . As we to the brutes, poets are to us.%@NL@%%@EH@%
%@NL@%
George Meredith
%@NL@%Diana of the Crossways [1885], ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG250    @%%@2@%With patient inattention hear him prate.%@NL@%%@EH@%

%@NL@%George Meredith
%@NL@%Bellerophon [1887], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG260    @%%@2@%Full lasting is the song, though he,%@NL@%%@EH@%
The singer, passes.%@NL@%

%@NL@%George Meredith
%@NL@%The Thrush in February [1888], st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG265    @%%@2@%Behold the life at ease; it drifts,%@NL@%%@EH@%
The sharpened life commands its course.%@NL@%

%@NL@%George Meredith
%@NL@%Hard Weather [1888], l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Meredith@%%@QR:Meredith@%%@CR:N1828MERG270    @%%@2@%Cannon his name,%@NL@%%@EH@%
Cannon his voice, he came.%@NL@%

%@NL@%George Meredith
%@NL@%Napoleon [1898], I

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Dante Gabriel Rossetti%@AE@%%@EH@%
%@NL@%
%@AB@%1828-1882%@AE@%
%@NL@%%@NL@%

%@QR:Dante Gabriel Rossetti@%%@QR:Rossetti@%%@CR:N1828ROSD10     @%%@2@%The blessed damozel leaned out%@NL@%%@EH@%
From the gold bar of Heaven;%@NL@%
Her eyes were deeper than the depth%@NL@%
Of waters stilled at even;%@NL@%
She had three lilies in her hand,%@NL@%
And the stars in her hair were seven.%@NL@%

%@NL@%Dante Gabriel Rossetti
%@NL@%The Blessed Damozel [1850],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Gabriel Rossetti@%%@QR:Rossetti@%%@CR:N1828ROSD20     @%%@2@%And the souls mounting up to God%@NL@%%@EH@%
Went by her like thin flames.%@NL@%

%@NL@%Dante Gabriel Rossetti
%@NL@%The Blessed Damozel [1850],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Gabriel Rossetti@%%@QR:Rossetti@%%@CR:N1828ROSD30     @%%@2@%One thing then learned remains to me-%@NL@%%@EH@%
The woodspurge has a cup of three.%@NL@%

%@NL@%Dante Gabriel Rossetti
%@NL@%The Woodspurge [1870], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Gabriel Rossetti@%%@QR:Rossetti@%%@CR:N1828ROSD40     @%%@2@%Tell me now in what hidden way is%@NL@%%@EH@%
Lady Flora the lovely Roman?%@NL@%
Where's Hipparchia, and where is Thais,%@NL@%
Neither of them the fairer woman.%@NL@%
Where is Echo, beheld of no man%@NL@%
Only heard on river and mere-%@NL@%
She whose beauty was more than human? . . . %@NL@%
But where are the snows of yesteryear?%@NL@%

%@NL@%Dante Gabriel Rossetti
%@NL@%The Ballad of Dead Ladies (After Francois Villon)
[1870], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Gabriel Rossetti@%%@QR:Rossetti@%%@CR:N1828ROSD45     @%%@2@%A sonnet is a moment's monument-%@NL@%%@EH@%
Memorial from the soul's eternity%@NL@%
To one dead deathless hour.%@NL@%

%@NL@%Dante Gabriel Rossetti
%@NL@%Sonnets from the House of Life [1870-1881].
 1 Proem

%@NL@%%@AI@%1 See Buchanan%@BO:          4c5bea@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Gabriel Rossetti@%%@QR:Rossetti@%%@CR:N1828ROSD47     @%%@2@%Beauty like hers is genius.%@NL@%%@EH@%

%@NL@%Dante Gabriel Rossetti
%@NL@%Sonnets from the House of Life [1870-1881].
 1 no. 18, Genius in Beauty

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Gabriel Rossetti@%%@QR:Rossetti@%%@CR:N1828ROSD50     @%%@2@%And though thy soul sail leagues and leagues beyond-%@NL@%%@EH@%
Still, leagues beyond those leagues, there is more sea.%@NL@%

%@NL@%Dante Gabriel Rossetti
%@NL@%Sonnets from the House of Life [1870-1881].
 1 no. 73, The Choice-III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Gabriel Rossetti@%%@QR:Rossetti@%%@CR:N1828ROSD60     @%%@2@%My name is Might-have-been;%@NL@%%@EH@%
I am also called No-more, Too-late, Farewell.%@NL@%

%@NL@%Dante Gabriel Rossetti
%@NL@%Sonnets from the House of Life [1870-1881].
 1 no. 97, A Superscription

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Gabriel Rossetti@%%@QR:Rossetti@%%@CR:N1828ROSD65     @%%@2@%When vain desire at last, and vain regret%@NL@%%@EH@%
Go hand in hand to death, and all is vain,%@NL@%
What shall assuage the unforgotten pain%@NL@%
And teach the unforgetful to forget?%@NL@%

%@NL@%Dante Gabriel Rossetti
%@NL@%Sonnets from the House of Life [1870-1881].
 1 no. 101, The One Hope

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Reply to Buchanan's attack.  %@EF@%
%@QR:Dante Gabriel Rossetti@%%@QR:Rossetti@%%@CR:N1828ROSD70     @%%@2@%   The Stealthy School of Criticism.%@NL@%%@EH@%
%@NL@%
Dante Gabriel Rossetti
%@NL@%Letter to the Athenaeum [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Dante Gabriel Rossetti@%%@QR:Rossetti@%%@CR:N1828ROSD80     @%%@2@%I have been here before,%@NL@%%@EH@%
But when or how I cannot tell;%@NL@%
I know the grass beyond the door,%@NL@%
The sweet keen smell,%@NL@%
The sighing sound, the lights around the shore.%@NL@%

%@NL@%Dante Gabriel Rossetti
%@NL@%Sudden Light [1881], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Leo Nikolaevich Tolstoi%@AE@%%@EH@%
%@NL@%
%@AB@%1828-1910%@AE@%
%@FN@%
Of course you have read Tolstoi's War and Peace and Anna Karenina. I never
had that exquisite felicity before the summer, and now I feel as if I knew
the perfection in the representation of human life. Life indeed seems less
real than his tale of it. Such infallible veracity! The impression haunts me
as nothing literary ever haunted me before.-William James, letter to Henry
James [1872], in Letters of William James, vol. II[1896], p. 48  Tolstoi
stands unshaken; his authority is tremendous, and while he lives, bad taste
in literature, all sorts of vulgarity, insolence and sentimentality, all
kinds of shoddy irascible vanities will remain deep in the shadow.-Chekhov,
Letter to M. O. Menshikov [January 28, 1900]  %@EF@%
%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL15     @%%@2@%   The hero of my tale, whom I love with all the power of my soul, whom I%@EH@%
have tried toportray in all his beauty, who has been, is, and will be
beautiful, is Truth.%@NL@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%Sevastopol in May 1855 [1855]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL20     @%%@2@%   "What's this? am I falling? my legs are giving way under me," he thought,%@EH@%
and fell on his back. He opened his eyes, hoping to see how the struggle of
the French soldiers with the artilleryman was ending, and eager to know
whether the red-haired artilleryman was killed or not, whether the cannons
had been taken or saved. But he saw nothing of all that. Above him there was
nothing but the sky-the lofty sky, not clear, but still immeasurably lofty,
with gray clouds creeping quietly over it.%@NL@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%%@FN@%
Translated by Constance Garnett.  %@EF@%
War and Peace [1865-1869],
bk.III, ch. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL30     @%%@2@%   Three days afterwards the little princess was buried, and Prince Andrey%@EH@%
went to the steps of the tomb to take his last farewell of her. Even in the
coffin the face was the same, though the eyes were closed. "Ah, what have
you done to me?" it still seemed to say.%@NL@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%War and Peace [1865-1869],
bk.IV, ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL40     @%%@2@%   In historical events great men-so called-are but the labels that serve to%@EH@%
give a name to an event, and like labels, they have the least possible
connection with the event itself. Every action of theirs, that seems to them
an act of their own free will, is in an historical sense not free at all,
but in bondage to the whole course of previous history, and predestined from
all eternity.%@NL@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%War and Peace [1865-1869],
bk.IX, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL45     @%%@2@%   The strongest of all warriors are these two-Time and Patience.%@NL@%%@EH@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%War and Peace [1865-1869],
bk.X, ch. 16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL50     @%%@2@%   He [Platon Karataev] did not understand, and could not grasp the%@EH@%
significance of words taken apart from the sentence. Every word and every
action of his was the expression of a force uncomprehended by him, which was
his life.%@NL@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%War and Peace [1865-1869],
bk.XII, ch. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL60     @%%@2@%   For us, with the rule of right and wrong given us by Christ, there is%@EH@%
nothing for which we have no standard. And there is no greatness where there
is not simplicity, goodness, and truth.%@NL@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%War and Peace [1865-1869],
bk.XIV, ch. 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL65     @%%@2@%   Pure and complete sorrow is as impossible as pure and complete joy.%@NL@%%@EH@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%War and Peace [1865-1869],
bk.XV, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL70     @%%@2@%   The subject of history is the life of peoples and of humanity. To catch%@EH@%
and pin down in words-that is, to describe directly the life, not only of
humanity, but even of a single people, appears to be impossible. 1 %@NL@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%War and Peace [1865-1869],
bk.epilogue, pt. II, ch. 1

%@NL@%%@AI@%1 See Francis Parkman%@BO:          46dfa9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL80     @%%@2@%   Happy families are all alike; every unhappy family is unhappy in its own%@EH@%
way.%@NL@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%Anna Karenina [1875-1877], pt. I, ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL90     @%%@2@%   Ivan Ilych's life had been most simple and most ordinary and therefore%@EH@%
most terrible.%@NL@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%%@FN@%
Translated by Aylmer Maude.  %@EF@%
The Death of Ivan Ilych [1886]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL100    @%%@2@%   Ivan Ilych saw that he was dying, and he was in continuous despair.%@NL@%%@EH@%
In the depth of his heart he knew he was dying, but not only was he not
accustomed to the thought, he simply did not and could not grasp it.%@NL@%
The syllogism he had learned from Kiezewetter's Logic: "Caius is a man, men
are mortal, therefore Caius is mortal," had always seemed to him correct as
applied to Caius, but certainly not as applied to himself. That Caius-man in
the abstract-was mortal, was perfectly correct, but he was not Caius, not an
abstract man, but a creature quite, quite separate from all others.%@NL@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%The Death of Ivan Ilych [1886]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL110    @%%@2@%   Six feet of land was all that he needed.%@NL@%%@EH@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%How Much Land Does a Man Need? [1886]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
If you stop supporting that crowd, it will support itself.-Seneca [4  B.C. -
A.D.  65], Epistle 20, 7  %@EF@%
%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL120    @%%@2@%   The more is given the less the people will work for themselves, and the%@EH@%
less they work the more their poverty will increase.%@NL@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%Help for the Starving, pt. III [January 1892]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leo Nikolaevich Tolstoi@%%@QR:Tolstoi@%%@CR:N1828TOLL140    @%%@2@%   Art is a human activity having for its purpose the transmission to others%@EH@%
of the highest and best feelings to which men have risen.%@NL@%
%@NL@%
Leo Nikolaevich Tolstoi
%@NL@%What Is Art? [1898], ch. 8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Roscoe Conkling%@AE@%%@EH@%
%@NL@%
%@AB@%1829-1888%@AE@%
%@NL@%%@NL@%

%@QR:Roscoe Conkling@%%@QR:Conkling@%%@CR:N1829CONR10     @%%@2@%   He [President Grant] will hew to the line of right, let the chips fall%@EH@%
where they may. 1 %@NL@%
%@NL@%
Roscoe Conkling
%@NL@%Speech [June 5, 1880]

%@NL@%%@AI@%1 See Anonymous%@BO:          6819ce@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Geronimo%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1829-1909%@AE@%
%@FN@%
Goyathlay, Apache chief.  %@EF@%
%@NL@%%@NL@%

%@QR:Geronimo@%%@CR:N1829GERO10     @%%@2@%   It [Arizona] is my land, my home, my father's land, to which I now ask to%@EH@%
be allowed to return. I want to spend my last days there, and be buried
among those mountains. If this could be I might die in peace, feeling that
my people, placed in their native homes, would increase in numbers, rather
than diminish as at present, and that our name would not become extinct.%@NL@%
%@NL@%
Geronimo
%@NL@%To President Grant from the reservation at Fort Sill,
Oklahoma, after surrender [1877]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Carl Schurz%@AE@%%@EH@%
%@NL@%
%@AB@%1829-1906%@AE@%
%@NL@%%@NL@%

%@QR:Carl Schurz@%%@QR:Schurz@%%@CR:N1829SCHC10     @%%@2@%   Ideals are like stars; you will not succeed in touching them with your%@EH@%
hands. But like the seafaring man on the desert of waters, you choose them
as your guides, and following them you will reach your destiny. 1 %@NL@%
%@NL@%
Carl Schurz
%@NL@%Address, Faneuil Hall, Boston [April 18, 1859]

%@NL@%%@AI@%1 See Emerson%@BO:          3c545e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Carl Schurz@%%@QR:Schurz@%%@CR:N1829SCHC20     @%%@2@%   I will make a prophecy that may now sound peculiar. In fifty years%@EH@%
Lincoln's name will be inscribed close to Washington's on this Republic's
roll of honor.%@NL@%
%@NL@%
Carl Schurz
%@NL@%Letter to Theodore Petrasch [October 12, 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Carl Schurz@%%@QR:Schurz@%%@CR:N1829SCHC30     @%%@2@%   Our country, right or wrong. 1  2  3  When right, to be kept right; when%@EH@%
wrong, to be put right.%@NL@%
%@NL@%
Carl Schurz
%@NL@%Address, Anti-Imperialistic Conference, Chicago [October 17, 1899]

%@NL@%%@AI@%1 See Charles Churchill%@BO:          2e9227@%%@AE@%
%@AI@%2 See John Quincy Adams%@BO:          33230f@%%@AE@%
%@AI@%3 See Decatur%@BO:          3650df@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Ivan Mikhailovich Sechenov%@AE@%%@EH@%
%@NL@%
%@AB@%1829-1905%@AE@%
%@NL@%%@NL@%

%@QR:Ivan Mikhailovich Sechenov@%%@QR:Sechenov@%%@CR:N1829SECI10     @%%@2@%   All psychical acts without exception, if they are not complicated by%@EH@%
elements of emotion . . . develop by way of reflex. Hence, all conscious
movements resulting from these acts and usually described as voluntary, are
reflex movements in the strict sense of the term.%@NL@%
%@NL@%
Ivan Mikhailovich Sechenov
%@NL@%%@FN@%
Translated by S. Belsky.  %@EF@%
Reflexes of the Brain [1863],
ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ivan Mikhailovich Sechenov@%%@QR:Sechenov@%%@CR:N1829SECI20     @%%@2@%   The initial cause of any action always lies in external sensory%@EH@%
stimulation, because without this thought is inconceivable.%@NL@%
%@NL@%
Ivan Mikhailovich Sechenov
%@NL@%Reflexes of the Brain [1863],
ch. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Dudley Warner%@AE@%%@EH@%
%@NL@%
%@AB@%1829-1900%@AE@%
%@FN@%
Warner collaborated with Mark Twain on The Gilded Age. See Twain  %@EF@%
%@NL@%%@NL@%

%@QR:Charles Dudley Warner@%%@QR:Warner@%%@CR:N1829WARC10     @%%@2@%   To own a bit of ground, to scratch it with a hoe, to plant seeds, and%@EH@%
watch the renewal of life-this is the commonest delight of the race, the
most satisfactory thing a man can do.%@NL@%
%@NL@%
Charles Dudley Warner
%@NL@%My Summer in a Garden [1870].Preliminary

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dudley Warner@%%@QR:Warner@%%@CR:N1829WARC20     @%%@2@%   No man but feels more of a man in the world if he have a bit of ground%@EH@%
that he can call his own. However small it is on the surface, it is four
thousand miles deep; and that is a very handsome property.%@NL@%
%@NL@%
Charles Dudley Warner
%@NL@%My Summer in a Garden [1870].Preliminary

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dudley Warner@%%@QR:Warner@%%@CR:N1829WARC30     @%%@2@%   What a man needs in gardening is a cast-iron back, with a hinge in it.%@NL@%%@EH@%
%@NL@%
Charles Dudley Warner
%@NL@%My Summer in a Garden [1870].Third Week

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dudley Warner@%%@QR:Warner@%%@CR:N1829WARC40     @%%@2@%   The toad, without which no garden would be complete.%@NL@%%@EH@%
%@NL@%
Charles Dudley Warner
%@NL@%My Summer in a Garden [1870].Thirteenth Week

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dudley Warner@%%@QR:Warner@%%@CR:N1829WARC50     @%%@2@%   Politics makes strange bedfellows.%@NL@%%@EH@%
%@NL@%
Charles Dudley Warner
%@NL@%My Summer in a Garden [1870].Fifteenth Week

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dudley Warner@%%@QR:Warner@%%@CR:N1829WARC60     @%%@2@%   What small potatoes we all are, compared with what we might be!%@NL@%%@EH@%
%@NL@%
Charles Dudley Warner
%@NL@%My Summer in a Garden [1870].Fifteenth Week

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dudley Warner@%%@QR:Warner@%%@CR:N1829WARC70     @%%@2@%   Public opinion is stronger than the legislature, and nearly as strong as%@EH@%
the Ten Commandments.%@NL@%
%@NL@%
Charles Dudley Warner
%@NL@%My Summer in a Garden [1870].Sixteenth Week

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Dudley Warner@%%@QR:Warner@%%@CR:N1829WARC80     @%%@2@%   The thing generally raised on city land is taxes.%@NL@%%@EH@%
%@NL@%
Charles Dudley Warner
%@NL@%My Summer in a Garden [1870].Sixteenth Week

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The phrase is commonly attributed to Mark Twain, but the Hartford Courant
has the exact statement in the aforementioned editorial, which is of course
unsigned. Warner was associate editor of the paper [1867-1900].  See Mark
Twain  %@EF@%
%@QR:Charles Dudley Warner@%%@QR:Warner@%%@CR:N1829WARC90     @%%@2@%   Everybody talks about the weather, but nobody does anything about it.%@NL@%%@EH@%
%@NL@%
Charles Dudley Warner
%@NL@%Editorial, Hartford Courant [August 24, 1897]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charlotte Alington Barnard%@AE@%%@EH@%
%@NL@%Claribel
%@AB@%1830-1869%@AE@%
%@NL@%%@NL@%

%@QR:Charlotte Alington Barnard@%%@QR:Barnard@%%@QR:Claribel@%%@CR:N1830BARC10     @%%@2@%I cannot sing the old songs I sang long years ago.%@NL@%%@EH@%

%@NL@%Charlotte Alington Barnard
%@NL@%%@FN@%
I cannot sing the old songs now!/It is not that I deem them low:/'Tis that I
can't remember how/They go.-C. S. Calverley [1831-1884], Changed  %@EF@%
I Cannot Sing the Old Songs

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Edward Brown%@AE@%%@EH@%
%@NL@%
%@AB@%1830-1897%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Edward Brown@%%@QR:Brown@%%@CR:N1830BROT10     @%%@2@%A Garden is a lovesome thing, God wot!%@NL@%%@EH@%

%@NL@%Thomas Edward Brown
%@NL@%My Garden

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Edward Brown@%%@QR:Brown@%%@CR:N1830BROT20     @%%@2@%Not God! in Gardens! when the eve is cool?%@NL@%%@EH@%
Nay, but I have a sign:%@NL@%
'Tis very sure God walks in mine.%@NL@%

%@NL@%Thomas Edward Brown
%@NL@%My Garden

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Porfirio Diaz%@AE@%%@EH@%
%@NL@%
%@AB@%1830-1915%@AE@%
%@NL@%%@NL@%

%@QR:Porfirio Diaz@%%@QR:Diaz@%%@CR:N1830DIAP10     @%%@2@%   Poor Mexico, so far from God and so close to the United States.%@NL@%%@EH@%
%@NL@%
Porfirio Diaz
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Emily Dickinson%@AE@%%@EH@%
%@NL@%
%@AB@%1830-1886%@AE@%
%@FN@%
The Complete Poems of Emily Dickinson [1960], edited by Thomas H. Johnson.
Dates are of composition, not publication.  %@EF@%
%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE10     @%%@2@%I never lost as much but twice,%@NL@%%@EH@%
And that was in the sod.%@NL@%
Twice have I stood a beggar%@NL@%
Before the door of God!Angels-twice descending%@NL@%
Reimbursed my store-%@NL@%
Burglar! Banker!-Father!%@NL@%
I am poor once more!%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 49 [c. 1858]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE20     @%%@2@%Surgeons must be very careful%@NL@%%@EH@%
When they take the knife!%@NL@%
Underneath their fine incisions%@NL@%
Stirs the Culprit-Life!%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 108 [c. 1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE30     @%%@2@%Our share of night to bear-%@NL@%%@EH@%
Our share of morning-%@NL@%
Our blank in bliss to fill%@NL@%
Our blank in scorning-Here a star, and there a star,%@NL@%
Some lose their way!%@NL@%
Here a mist, and there a mist,%@NL@%
Afterwards-Day!%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 113 [c. 1859]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE40     @%%@2@%For each ecstatic instant%@NL@%%@EH@%
We must an anguish pay%@NL@%
In keen and quivering ratio%@NL@%
To the ecstasy.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 125 [c. 1859], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE50     @%%@2@%To fight aloud, is very brave-%@NL@%%@EH@%
But gallanter, I know%@NL@%
Who charge within the bosom%@NL@%
The Cavalry of Woe-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 126 [c. 1859], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE60     @%%@2@%Who counts the wampum of the night%@NL@%%@EH@%
To see that none is due?%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 128 [c. 1859], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE70     @%%@2@%These are the days when Birds come back-%@NL@%%@EH@%
A very few-a Bird or two-%@NL@%
To take a backward look.These are the days when skies resume%@NL@%
The old-old sophistries of June-%@NL@%
A blue and gold mistake.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 130 [c. 1859],st. 1, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE80     @%%@2@%Oh Sacrament of summer days,%@NL@%%@EH@%
Oh Last Communion in the Haze-%@NL@%
Permit a child to join.Thy sacred emblems to partake-%@NL@%
Thy consecrated bread to take%@NL@%
And thine immortal wine!%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 130 [c. 1859],st. 5, 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE90     @%%@2@%Just lost when I was saved!%@NL@%%@EH@%
Just felt the world go by!%@NL@%
Just girt me for the onset with Eternity,%@NL@%
When breath blew back,%@NL@%
And on the other side%@NL@%
I heard recede the disappointed tide!%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 160 [c. 1860], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE100    @%%@2@%The thought beneath so slight a film-%@NL@%%@EH@%
Is more distinctly seen-%@NL@%
As laces just reveal the surge-%@NL@%
Or Mists-the Apennine-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 210 [c. 1860]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE110    @%%@2@%I taste a liquor never brewed,%@NL@%%@EH@%
From Tankards scooped in Pearl-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 214 [c. 1860],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE120    @%%@2@%Inebriate of Air-am I-%@NL@%%@EH@%
And Debauchee of Dew-%@NL@%
Reeling-through endless summer days-%@NL@%
From inns of Molten Blue-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 214 [c. 1860],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE130    @%%@2@%Till Seraphs swing their snowy Hats-%@NL@%%@EH@%
And Saints-to windows run-%@NL@%
To see the little Tippler%@NL@%
Leaning against the-Sun-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 214 [c. 1860],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE135    @%%@2@%Blazing in Gold and quenching in Purple%@NL@%%@EH@%
Leaping like Leopards to the Sky . . . %@NL@%
And the Juggler of Day is gone.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 228 [c. 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE140    @%%@2@%"Hope" is the thing with feathers-%@NL@%%@EH@%
That perches in the soul-%@NL@%
And sings the tune without the words-%@NL@%
And never stops-at all-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 254 [c. 1861], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE150    @%%@2@%There's a certain Slant of light,%@NL@%%@EH@%
Winter Afternoons-%@NL@%
That oppresses, like the Heft%@NL@%
Of Cathedral Tunes-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 258 [c. 1861], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE160    @%%@2@%I'm Nobody! Who are you?%@NL@%%@EH@%
Are you-Nobody-too?%@NL@%
Then there's a pair of us!%@NL@%
Don't tell! they'd advertise-you know!How dreary-to be-Somebody!%@NL@%
How public-like a Frog-%@NL@%
To tell one's name-the livelong June-%@NL@%
To an admiring Bog!%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 288 [c. 1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE170    @%%@2@%I tasted-careless-then-%@NL@%%@EH@%
I did not know the Wine%@NL@%
Came once a World-Did you?%@NL@%
Oh, had you told me so-%@NL@%
This Thirst would blister-easier-now-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 296 [c. 1861], st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE180    @%%@2@%The Soul selects her own Society-%@NL@%%@EH@%
Then-shuts the Door-%@NL@%
To her divine Majority-%@NL@%
Present no more-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 303 [c. 1862], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE190    @%%@2@%I'll tell you how the Sun rose-%@NL@%%@EH@%
A Ribbon at a time-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 318 [1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE200    @%%@2@%Some keep the Sabbath going to Church-%@NL@%%@EH@%
I keep it, staying at Home-%@NL@%
With a bobolink for a Chorister-%@NL@%
And an Orchard, for a Dome-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 324 [1862],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE210    @%%@2@%So instead of getting to Heaven, at last-%@NL@%%@EH@%
I'm going, all along.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 324 [1862],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE220    @%%@2@%After great pain, a formal feeling comes.%@NL@%%@EH@%

%@NL@%Emily Dickinson
%@NL@%No. 341 [c. 1862], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE230    @%%@2@%Of Course-I prayed-%@NL@%%@EH@%
And did God Care?%@NL@%
He cared as much as on the Air%@NL@%
A Bird-had stamped her foot-%@NL@%
And cried "Give Me"-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 376 [c. 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE240    @%%@2@%No Rack can torture me-%@NL@%%@EH@%
My Soul-at Liberty-%@NL@%
Behind this mortal Bone%@NL@%
There knits a bolder One-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 384 [c. 1862],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE250    @%%@2@%Except Thyself may be%@NL@%%@EH@%
Thine Enemy-%@NL@%
Captivity is Consciousness-%@NL@%
So's Liberty.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 384 [c. 1862],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE255    @%%@2@%Good Morning-Midnight-%@NL@%%@EH@%
I'm coming Home-%@NL@%
Day-got tired of Me-%@NL@%
How could I-of Him?%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 425 [c. 1862], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE260    @%%@2@%Much Madness is divinest Sense-%@NL@%%@EH@%
To a discerning Eye-%@NL@%
Much Sense-the starkest Madness-%@NL@%
'Tis the Majority%@NL@%
In this, as All, prevail-%@NL@%
Assent-and you are sane-%@NL@%
Demur-you're straightway dangerous-%@NL@%
And handled with a Chain.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 435 [c. 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE270    @%%@2@%This is my letter to the World%@NL@%%@EH@%
That never wrote to Me-%@NL@%
The simple News that Nature told-%@NL@%
With tender Majesty.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 441 [c. 1862], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE280    @%%@2@%I died for Beauty-but was scarce%@NL@%%@EH@%
Adjusted in the Tomb%@NL@%
When One who died for Truth, was lain%@NL@%
In an adjoining Room-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 449 [c. 1862],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE290    @%%@2@%And so, as Kinsmen, met a Night-%@NL@%%@EH@%
We talked between the Rooms-%@NL@%
Until the Moss had reached our lips-%@NL@%
And covered up-our names-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 449 [c. 1862],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE300    @%%@2@%It was not Death, for I stood up,%@NL@%%@EH@%
And all the Dead, lie down-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 510 [c. 1862],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE310    @%%@2@%It was not Frost, for on my Flesh%@NL@%%@EH@%
I felt Siroccos-crawl-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 510 [c. 1862],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE320    @%%@2@%I reckon-when I count at all-%@NL@%%@EH@%
First-Poets-Then the Sun-%@NL@%
Then Summer-Then the Heaven of God-%@NL@%
And then-the List is done-But, looking back-the First so seems%@NL@%
To Comprehend the Whole-%@NL@%
The Others look a needless Show-%@NL@%
So I write-Poets-All-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 569 [c. 1862], st. 1, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE330    @%%@2@%I like to see it lap the Miles-%@NL@%%@EH@%
And lick the Valleys up-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 585 [c. 1862],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE340    @%%@2@%And neigh like Boanerges-%@NL@%%@EH@%
Then punctual as a Star%@NL@%
Stop-docile and omnipotent%@NL@%
At its own stable door-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 585 [c. 1862],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE350    @%%@2@%I asked no other thing-%@NL@%%@EH@%
No other-was denied-%@NL@%
I offered Being-for it-%@NL@%
The Mighty Merchant sneered-Brazil? He twirled a Button-%@NL@%
Without a glance my way-%@NL@%
"But-Madam-is there nothing else-%@NL@%
That We can show-Today?"%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 621 [c. 1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE360    @%%@2@%The Brain-is wider than the Sky-%@NL@%%@EH@%
For-put them side by side-%@NL@%
The one the other will contain%@NL@%
With ease-and You-beside.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 632 [1862], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE370    @%%@2@%I cannot live with You-%@NL@%%@EH@%
It would be Life-%@NL@%
And Life is over there-%@NL@%
Behind the Shelf.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 640 [c. 1862],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE380    @%%@2@%And that White Sustenance-%@NL@%%@EH@%
Despair-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 640 [c. 1862],st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE390    @%%@2@%Pain-has an Element of Blank-%@NL@%%@EH@%
It cannot recollect%@NL@%
When it begun-or if there were%@NL@%
A time when it was not-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 650 [c. 1862], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE400    @%%@2@%The Soul unto itself%@NL@%%@EH@%
Is an imperial friend-%@NL@%
Or the most agonizing Spy-%@NL@%
An Enemy-could send-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 683 [c. 1862], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE410    @%%@2@%Because I could not stop for Death,%@NL@%%@EH@%
He kindly stopped for me-%@NL@%
The Carriage held but just Ourselves%@NL@%
And Immortality.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 712 [c. 1863], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE420    @%%@2@%Alter! When the Hills do-%@NL@%%@EH@%
Falter! When the Sun%@NL@%
Question if His Glory%@NL@%
Be the Perfect One-Surfeit! When the Daffodil%@NL@%
Doth of the Dew-%@NL@%
Even as Herself-Sir-%@NL@%
I will-of You-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 729 [c. 1863]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE430    @%%@2@%God gave a Loaf to every Bird-%@NL@%%@EH@%
But just a Crumb-to Me-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 791 [c. 1863], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE440    @%%@2@%This quiet Dust was Gentlemen and Ladies%@NL@%%@EH@%
And Lads and Girls- 1 %@NL@%
Was laughter and ability and Sighing,%@NL@%
And Frocks and Curls.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 813 [c. 1864], st. 1

%@NL@%%@AI@%1 See Shakespeare%@BO:          1f3ea6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE450    @%%@2@%Adventure most unto itself%@NL@%%@EH@%
The Soul condemned to be-%@NL@%
Attended by a single Hound%@NL@%
Its own identity.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 822 [c. 1864], st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE460    @%%@2@%Dying! To be afraid of thee%@NL@%%@EH@%
One must to thine Artillery%@NL@%
Have left exposed a Friend-%@NL@%
Than thine old Arrow is a Shot%@NL@%
Delivered straighter to the Heart%@NL@%
The leaving Love behind.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 831 [c. 1864], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE470    @%%@2@%The Poets light but Lamps-%@NL@%%@EH@%
Themselves-go out-%@NL@%
The Wicks they stimulate-%@NL@%
If vital LightInhere as do the Suns-%@NL@%
Each Age a Lens%@NL@%
Disseminating their%@NL@%
Circumference-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 883 [c. 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE480    @%%@2@%Love-is anterior to Life-%@NL@%%@EH@%
Posterior-to Death-%@NL@%
Initial of Creation, and%@NL@%
The Exponent of Earth.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 917 [c. 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE490    @%%@2@%If I can stop one Heart from breaking%@NL@%%@EH@%
I shall not live in vain%@NL@%
If I can ease one Life the Aching%@NL@%
Or cool one PainOr help one fainting Robin%@NL@%
Unto his Nest again%@NL@%
I shall not live in Vain.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 919 [c. 1864]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE495    @%%@2@%A narrow Fellow in the Grass%@NL@%%@EH@%
Occasionally rides-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 986 [c. 1865],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE497    @%%@2@%But never met this Fellow%@NL@%%@EH@%
Attended or alone%@NL@%
Without a tighter breathing%@NL@%
And Zero at the Bone-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 986 [c. 1865],last stanza

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE500    @%%@2@%The Dying, is a trifle, past%@NL@%%@EH@%
But living, this include%@NL@%
The dying multifold-without%@NL@%
The Respite to be dead.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1013 [c. 1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE510    @%%@2@%'Twas my one Glory-%@NL@%%@EH@%
Let it be%@NL@%
Remembered%@NL@%
I was owned of Thee-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1028 [c. 1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE520    @%%@2@%I never saw a Moor-%@NL@%%@EH@%
I never saw the Sea-%@NL@%
Yet know I how the Heather looks%@NL@%
And what a Billow be.I never spoke with God%@NL@%
Nor visited in Heaven-%@NL@%
Yet certain am I of the spot%@NL@%
As if the Checks were given-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1052 [c. 1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE530    @%%@2@%Experiment to me%@NL@%%@EH@%
Is every one I meet%@NL@%
If it contain a Kernel?%@NL@%
The Figure of a NutPresents upon a Tree%@NL@%
Equally plausibly,%@NL@%
But Meat within, is requisite%@NL@%
To Squirrels, and to Me.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1073 [c. 1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE540    @%%@2@%Nature, like Us is sometimes caught%@NL@%%@EH@%
Without her Diadem.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1075 [c. 1866], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE550    @%%@2@%The Sweeping up the Heart,%@NL@%%@EH@%
And putting Love away%@NL@%
We shall not want to use again%@NL@%
Until Eternity.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1078 [c. 1866], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE560    @%%@2@%We never know how high we are%@NL@%%@EH@%
Till we are called to rise%@NL@%
And then, if we are true to plan%@NL@%
Our statures touch the skies. 1 %@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1176 [c. 1870], st. 1

%@NL@%%@AI@%1 See William James%@BO:          4cd8d2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE570    @%%@2@%A word is dead%@NL@%%@EH@%
When it is said,%@NL@%
Some say.%@NL@%
I say it just%@NL@%
Begins to live%@NL@%
That day.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1212 [c. 1872]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE580    @%%@2@%There is no Frigate like a Book%@NL@%%@EH@%
To take us Lands away%@NL@%
Nor any Coursers like a Page%@NL@%
Of prancing Poetry-%@NL@%
This Traverse may the poorest take%@NL@%
Without oppress of Toll-%@NL@%
How frugal is the Chariot%@NL@%
That bears the Human Soul!%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1263 [c. 1873]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE590    @%%@2@%I thought that nature was enough%@NL@%%@EH@%
Till Human nature came%@NL@%
But that the other did absorb%@NL@%
As Parallax a Flame-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1286 [c. 1873], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE600    @%%@2@%Until the Desert knows%@NL@%%@EH@%
That Water grows%@NL@%
His Sands suffice%@NL@%
But let him once suspect%@NL@%
That Caspian Fact%@NL@%
Sahara dies.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1291 [c. 1873], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE610    @%%@2@%Not with a Club, the Heart is broken%@NL@%%@EH@%
Nor with a Stone-%@NL@%
A Whip so small you could not see it%@NL@%
I've known%@NL@%
To lash the Magic Creature%@NL@%
Till it fell.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1304 [c. 1874], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE620    @%%@2@%That short-potential stir%@NL@%%@EH@%
That each can make but once-%@NL@%
That Bustle so illustrious%@NL@%
'Tis almost Consequence-Is the eclat of Death.%@NL@%
Oh, thou unknown Renown%@NL@%
That not a Beggar would accept%@NL@%
Had he the power to spurn-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1307 [c. 1874]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE630    @%%@2@%A little Madness in the Spring%@NL@%%@EH@%
Is wholesome even for the King.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1333 [c. 1875]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE640    @%%@2@%Love's stricken "why"%@NL@%%@EH@%
Is all that love can speak-%@NL@%
Built of but just a syllable%@NL@%
The hugest hearts that break.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1368 [c. 1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE650    @%%@2@%Bees are Black, with Gilt Surcingles-%@NL@%%@EH@%
Buccaneers of Buzz.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1405 [c. 1877], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE660    @%%@2@%A Route of Evanescence%@NL@%%@EH@%
With a revolving Wheel-%@NL@%
A Resonance of Emerald-%@NL@%
A Rush of Cochineal-%@NL@%
And every Blossom on the Bush%@NL@%
Adjusts its tumbled Head-%@NL@%
The mail from Tunis, probably,%@NL@%
An easy Morning's ride.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1463 [c. 1879]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE670    @%%@2@%The Pedigree of Honey%@NL@%%@EH@%
Does not concern the Bee-%@NL@%
A Clover, any time, to him,%@NL@%
Is Aristocracy.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1627 [c. 1884], version II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE680    @%%@2@%A Drunkard cannot meet a Cork%@NL@%%@EH@%
Without a Revery-%@NL@%
And so encountering a Fly%@NL@%
This January Day%@NL@%
Jamaicas of Remembrance stir%@NL@%
That send me reeling in.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1628 [c. 1884]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE690    @%%@2@%Beauty crowds me till I die%@NL@%%@EH@%
Beauty mercy have on me%@NL@%
But if I expire today%@NL@%
Let it be in sight of thee-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1654 [n.d.]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE700    @%%@2@%Eden is that old-fashioned House%@NL@%%@EH@%
We dwell in every day%@NL@%
Without suspecting our abode%@NL@%
Until we drive away.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1657 [n.d.], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE710    @%%@2@%I took one Draught of Life-%@NL@%%@EH@%
I'll tell you what I paid-%@NL@%
Precisely an existence-%@NL@%
The market price, they said.They weighed me, Dust by Dust-%@NL@%
They balanced Film with Film,%@NL@%
Then handed me my Being's worth-%@NL@%
A single Dram of Heaven!%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1725 [n.d.]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE720    @%%@2@%My life closed twice before its close-%@NL@%%@EH@%
It yet remains to see%@NL@%
If Immortality unveil%@NL@%
A third event to meSo huge, so hopeless to conceive%@NL@%
As these that twice befell.%@NL@%
Parting is all we know of heaven,%@NL@%
And all we need of hell.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1732 [n.d.]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE730    @%%@2@%That it will never come again%@NL@%%@EH@%
Is what makes life so sweet.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1741 [n.d.], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE735    @%%@2@%The only secret people keep%@NL@%%@EH@%
Is Immortality.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1748 [n.d.]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE740    @%%@2@%To make a prairie it takes a clover and one bee,%@NL@%%@EH@%
One clover, and a bee,%@NL@%
And revery.%@NL@%
The revery alone will do,%@NL@%
If bees are few.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1755 [n.d.]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE750    @%%@2@%Elysium is as far as to%@NL@%%@EH@%
The very nearest Room%@NL@%
If in that Room a Friend await%@NL@%
Felicity or Doom-What Fortitude the Soul contains,%@NL@%
That it can so endure%@NL@%
The accent of a coming Foot-%@NL@%
The opening of a Door-%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1760 [n.d.]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE760    @%%@2@%That Love is all there is,%@NL@%%@EH@%
Is all we know of Love;%@NL@%
It is enough, the freight should be%@NL@%
Proportioned to the groove.%@NL@%

%@NL@%Emily Dickinson
%@NL@%No. 1765 [n.d.]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE770    @%%@2@%   If I read a book and it makes my whole body so cold no fire can ever warm%@EH@%
me, I know that is poetry. If I feel physically as if the top of my head
were taken off, I know that is poetry. These are the only ways I know it. Is
there any other way? 1  2 %@NL@%
%@NL@%
Emily Dickinson
%@NL@%From Martha Gilbert Dickinson Bianchi,
Life and Letters of Emily Dickinson [1924]

%@NL@%%@AI@%1 See Housman%@BO:          51abbe@%%@AE@%
%@AI@%2 See Graves%@BO:          5fecf6@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE790    @%%@2@%   Little Cousins-Called back. Emily.%@NL@%%@EH@%
%@NL@%
Emily Dickinson
%@NL@%Last message to cousins. From William Luce,
The Belle of Amherst [1976],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emily Dickinson@%%@QR:Dickinson@%%@CR:N1830DICE800    @%%@2@%   Phosphorescence. Now, there's a word to lift your hat to. . . . To find%@EH@%
that phosphorescence, that light within, that's the genius behind poetry.%@NL@%
%@NL@%
Emily Dickinson
%@NL@%Last message to cousins. From William Luce,
The Belle of Amherst [1976],act I

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alexander Muir%@AE@%%@EH@%
%@NL@%
%@AB@%1830-1906%@AE@%
%@NL@%%@NL@%

%@QR:Alexander Muir@%%@QR:Muir@%%@CR:N1830MUIA10     @%%@2@%And joined in love together,%@NL@%%@EH@%
The Thistle, Shamrock, Rose entwine%@NL@%
The Maple Leaf forever!%@NL@%

%@NL@%Alexander Muir
%@NL@%The Maple Leaf Forever [1867]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Christina Georgina Rossetti%@AE@%%@EH@%
%@NL@%
%@AB@%1830-1894%@AE@%
%@NL@%%@NL@%

%@QR:Christina Georgina Rossetti@%%@QR:Rossetti@%%@CR:N1830ROSC20     @%%@2@%Does the road wind uphill all the way?%@NL@%%@EH@%
Yes, to the very end.%@NL@%
Will the day's journey take the whole long day?%@NL@%
From morn to night, my friend.%@NL@%

%@NL@%Christina Georgina Rossetti
%@NL@%Up-Hill [1861], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christina Georgina Rossetti@%%@QR:Rossetti@%%@CR:N1830ROSC30     @%%@2@%My heart is like a singing bird.%@NL@%%@EH@%

%@NL@%Christina Georgina Rossetti
%@NL@%A Birthday [1861],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christina Georgina Rossetti@%%@QR:Rossetti@%%@CR:N1830ROSC40     @%%@2@%The birthday of my life%@NL@%%@EH@%
Is come, my love is come to me.%@NL@%

%@NL@%Christina Georgina Rossetti
%@NL@%A Birthday [1861],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christina Georgina Rossetti@%%@QR:Rossetti@%%@CR:N1830ROSC50     @%%@2@%When I am dead, my dearest,%@NL@%%@EH@%
Sing no sad songs for me;%@NL@%
Plant thou no roses at my head,%@NL@%
Nor shady cypress tree.%@NL@%
Be the green grass above me%@NL@%
With showers and dewdrops wet;%@NL@%
And if thou wilt, remember%@NL@%
And if thou wilt, forget.%@NL@%

%@NL@%Christina Georgina Rossetti
%@NL@%Song [1862], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christina Georgina Rossetti@%%@QR:Rossetti@%%@CR:N1830ROSC55     @%%@2@%Remember me when I am gone away,%@NL@%%@EH@%
Gone far away into the silent land.%@NL@%

%@NL@%Christina Georgina Rossetti
%@NL@%Remember [1862], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christina Georgina Rossetti@%%@QR:Rossetti@%%@CR:N1830ROSC60     @%%@2@%Better by far you should forget and smile%@NL@%%@EH@%
Than that you should remember and be sad. 1 %@NL@%

%@NL@%Christina Georgina Rossetti
%@NL@%Remember [1862], l. 13

%@NL@%%@AI@%1 See Landon%@BO:          3b73d4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christina Georgina Rossetti@%%@QR:Rossetti@%%@CR:N1830ROSC65     @%%@2@%For there is no friend like a sister%@NL@%%@EH@%
In calm or stormy weather.%@NL@%

%@NL@%Christina Georgina Rossetti
%@NL@%Goblin Market [1862], last lines

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christina Georgina Rossetti@%%@QR:Rossetti@%%@CR:N1830ROSC70     @%%@2@%In the bleak midwinter%@NL@%%@EH@%
Frosty wind made moan,%@NL@%
Earth stood hard as iron,%@NL@%
Water like a stone;%@NL@%
Snow had fallen, snow on snow,%@NL@%
Snow on snow,%@NL@%
In the bleak midwinter,%@NL@%
Long ago.%@NL@%

%@NL@%Christina Georgina Rossetti
%@NL@%Mid-Winter

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christina Georgina Rossetti@%%@QR:Rossetti@%%@CR:N1830ROSC80     @%%@2@%Oh roses for the flush of youth,%@NL@%%@EH@%
And laurel for the perfect prime;%@NL@%
But pluck an ivy branch for me%@NL@%
Grown old before my time.%@NL@%

%@NL@%Christina Georgina Rossetti
%@NL@%Song [1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christina Georgina Rossetti@%%@QR:Rossetti@%%@CR:N1830ROSC90     @%%@2@%Who has seen the wind?%@NL@%%@EH@%
Neither you nor I:%@NL@%
But when the trees bow down their heads,%@NL@%
The wind is passing by.%@NL@%

%@NL@%Christina Georgina Rossetti
%@NL@%Who Has Seen the Wind? [1872], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Christina Georgina Rossetti@%%@QR:Rossetti@%%@CR:N1830ROSC100    @%%@2@%Sleeping at last, the trouble and turmoil over,%@NL@%%@EH@%
Sleeping at last, the struggle and horror past,%@NL@%
Cold and white, out of sight of friend and of lover,%@NL@%
Sleeping at last.%@NL@%

%@NL@%Christina Georgina Rossetti
%@NL@%Sleeping at Last [1893], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Arthur Talbot Gascoyne- Cecil, Marquess of Salisbury%@AE@%%@EH@%
%@NL@%
%@AB@%1830-1903%@AE@%
%@NL@%%@NL@%

%@QR:Robert Arthur Talbot Gascoyne- Cecil, Marquess of Salisbury@%%@QR:Cecil@%%@CR:N1830SALC10     @%%@2@%   If you believe the doctors, nothing is wholesome; if you believe the%@EH@%
theologians, nothing is innocent; if you believe the soldiers, nothing is
safe.%@NL@%
%@NL@%
Robert Arthur Talbot Gascoyne- Cecil, Marquess of Salisbury
%@NL@%Letter to Lord Lytton, Viceroy of India [June 15, 1877]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alexander Smith%@AE@%%@EH@%
%@NL@%
%@AB@%1830-1867%@AE@%
%@NL@%%@NL@%

%@QR:Alexander Smith@%%@QR:Smith@%%@CR:N1830SMIA10     @%%@2@%   It is not of so much consequence what you say, as how you say it.%@EH@%
Memorable sentences are memorable on account of some single irradiating
word.%@NL@%
%@NL@%
Alexander Smith
%@NL@%Dreamthorp [1863].On the Writing of Essays

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alexander Smith@%%@QR:Smith@%%@CR:N1830SMIA20     @%%@2@%   Death is the ugly fact which Nature has to hide, and she hides it well.%@NL@%%@EH@%
%@NL@%
Alexander Smith
%@NL@%Dreamthorp [1863].Of Death and the Fear of Dying

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Graham Vest%@AE@%%@EH@%
%@NL@%
%@AB@%1830-1904%@AE@%
%@NL@%%@NL@%

%@FN@%
A man's best friend is his dog.-Saying  See Byron  %@EF@%
%@QR:George Graham Vest@%%@QR:Vest@%%@CR:N1830VESG10     @%%@2@%   The one absolutely unselfish friend that man can have in this selfish%@EH@%
world, the one that never deserts him, the one that never proves ungrateful
or treacherous, is his dog. . . . When all other friends desert, he remains.%@NL@%
%@NL@%
George Graham Vest
%@NL@%Speech in the Senate [1884]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Shoin Yoshida%@AE@%%@EH@%
%@NL@%
%@AB@%1830-1859%@AE@%
%@FN@%
From Sources of Japanese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
%@NL@%%@NL@%

%@QR:Shoin Yoshida@%%@QR:Yoshida@%%@CR:N1830YOSS10     @%%@2@%   To consider oneself different from ordinary men is wrong, but it is right%@EH@%
to hope that one will not remain like ordinary men.%@NL@%
%@NL@%
Shoin Yoshida
%@NL@%Yoshida Shoin Zenshu, vol.II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Shoin Yoshida@%%@QR:Yoshida@%%@CR:N1830YOSS20     @%%@2@%   The mind of the superior man is like Heaven. When it is resentful or%@EH@%
angry, it thunders forth its indignation. But once having loosed its
feelings, it is like a sunny day with a clear sky: within the heart there
remains not the trace of a cloud. Such is the beauty of true manliness.%@NL@%
%@NL@%
Shoin Yoshida
%@NL@%Yoshida Shoin Zenshu, vol.III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Shoin Yoshida@%%@QR:Yoshida@%%@CR:N1830YOSS30     @%%@2@%   Neither the lords nor the shogun can be depended upon [to save the%@EH@%
country], and so our only hope lies in grass-roots heroes.%@NL@%
%@NL@%
Shoin Yoshida
%@NL@%Yoshida Shoin Zenshu, vol.V

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James A bram Garfield%@AE@%%@EH@%
%@NL@%
%@AB@%1831-1881%@AE@%
%@NL@%%@NL@%

%@QR:James A bram Garfield@%%@QR:Garfield@%%@CR:N1831GARJ10     @%%@2@%   Fellow citizens! God reigns, and the Government at Washington still%@EH@%
lives!%@NL@%
%@NL@%
James A bram Garfield
%@NL@%Speech on the assassination of Lincoln, New York [April 15, 1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James A bram Garfield@%%@QR:Garfield@%%@CR:N1831GARJ20     @%%@2@%   For mere vengeance I would do nothing. This nation is too great to look%@EH@%
for mere revenge. But for the security of the future I would do everything.%@NL@%
%@NL@%
James A bram Garfield
%@NL@%Speech on the assassination of Lincoln, New York [April 15, 1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Mark Hopkins [1802-1887], president of Williams College [1836-1872] and
president of the American Board of Commissioners for Foreign Missions
[1857-1881].  For Education is Making Men;/So is it now, so was it when/Mark
Hopkins sat on one end of a log/And James Garfield sat on the other.-Arthur
Guiterman [1871-1943], Education  %@EF@%
%@QR:James A bram Garfield@%%@QR:Garfield@%%@CR:N1831GARJ30     @%%@2@%   I am not willing that this discussion should close without mention of the%@EH@%
value of a true teacher. Give me a log hut, with only a simple bench, Mark
Hopkins on one end and I on the other, and you may have all the buildings,
apparatus and libraries without him.%@NL@%
%@NL@%
James A bram Garfield
%@NL@%%@FN@%
In Burke A. Hinsdale, President Garfield and Education [1882], p. 43.  %@EF@%
Address to Williams College Alumni, New York [December 28, 1871]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Helen Hunt Jackson%@AE@%%@EH@%
%@NL@%
%@AB@%1831-1885%@AE@%
%@NL@%%@NL@%

%@QR:Helen Hunt Jackson@%%@QR:Jackson@%%@CR:N1831JACH10     @%%@2@%O suns and skies and clouds of June,%@NL@%%@EH@%
And flowers of June together,%@NL@%
Ye cannot rival for one hour%@NL@%
October's bright blue weather.%@NL@%

%@NL@%Helen Hunt Jackson
%@NL@%October's Bright Blue Weather, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Helen Hunt Jackson@%%@QR:Jackson@%%@CR:N1831JACH20     @%%@2@%Oh, write of me, not "Died in bitter pains,"%@NL@%%@EH@%
But "Emigrated to another star!"%@NL@%

%@NL@%Helen Hunt Jackson
%@NL@%Emigravit

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Robert Bulwer-Lytton, Earl of Lytton%@AE@%%@EH@%
%@NL@%Owen Meredith
%@AB@%1831-1891%@AE@%
%@NL@%%@NL@%

%@QR:Edward Robert Bulwer-Lytton, Earl of Lytton@%%@QR:Bulwer-Lytton@%%@QR:Owen Meredith@%%@QR:Meredith@%%@CR:N1831LYTE10     @%%@2@%We may live without poetry, music and art;%@NL@%%@EH@%
We may live without conscience, and live without heart;%@NL@%
We may live without friends; we may live without books;%@NL@%
But civilized man cannot live without cooks.%@NL@%

%@NL@%Edward Robert Bulwer-Lytton, Earl of Lytton
%@NL@%Lucile [1860], pt. I, canto 2, st. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Robert Bulwer-Lytton, Earl of Lytton@%%@QR:Bulwer-Lytton@%%@QR:Owen Meredith@%%@QR:Meredith@%%@CR:N1831LYTE20     @%%@2@%Genius does what it must, and talent does what it can.%@NL@%%@EH@%

%@NL@%Edward Robert Bulwer-Lytton, Earl of Lytton
%@NL@%Last Words of a Sensitive Second-Rate Poet

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Clerk Maxwell%@AE@%%@EH@%
%@NL@%
%@AB@%1831-1879%@AE@%
%@NL@%%@NL@%

%@QR:James Clerk Maxwell@%%@QR:Maxwell@%%@CR:N1831MAXJ5      @%%@2@%   All the mathematical sciences are founded on relations between physical%@EH@%
laws and laws of numbers, so that the aim of exact science is to reduce the
problems of nature to the determination of quantities by operations with
numbers.%@NL@%
%@NL@%
James Clerk Maxwell
%@NL@%On Faraday's Lines of Force [1856]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Clerk Maxwell@%%@QR:Maxwell@%%@CR:N1831MAXJ10     @%%@2@%   For the sake of persons of . . . different types, scientific truth should%@EH@%
be presented in different forms, and should be regarded as equally
scientific, whether it appears in the robust form and the vivid coloring of
a physical illustration, or in the tenuity and paleness of a symbolic
expression.%@NL@%
%@NL@%
James Clerk Maxwell
%@NL@%Address to the Mathematics and Physics Section,
British Association for the Advancement of Science [1870]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Clerk Maxwell@%%@QR:Maxwell@%%@CR:N1831MAXJ20     @%%@2@%   When at last this little instrument appeared, consisting, as it does, of%@EH@%
parts every one of which is familiar to us, and capable of being put
together by an amateur, the disappointment arising from its humble
appearance was only partially relieved on finding that it was really able to
talk.%@NL@%
%@NL@%
James Clerk Maxwell
%@NL@%The Telephone [1878]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Philip Henry Sheridan%@AE@%%@EH@%
%@NL@%
%@AB@%1831-1888%@AE@%
%@NL@%%@NL@%

%@FN@%
Edward Sylvester Ellis [1840-1916] reported that after Custer's fight with
Black Kettle's band of Cheyenne Indians, the Comanche Chief Toch-a-way
(Turtle Dove) was presented to General Sheridan. The Indian said: "Me
Toch-a-way, me good Indian." The general's reply, as reported by Ellis, is
given in the text; the phrase is more often heard in the version: The only
good Indian is a dead Indian.  %@EF@%
%@QR:Philip Henry Sheridan@%%@QR:Sheridan@%%@CR:N1831SHEP10     @%%@2@%   The only good Indians I ever saw were dead.%@NL@%%@EH@%
%@NL@%
Philip Henry Sheridan
%@NL@%Remark at Fort Cobb, Indian Territory [January 1869]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sitting Bull%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1831-1890%@AE@%
%@FN@%
Tatanka Yotanka, Sioux warrior.  %@EF@%
%@NL@%%@NL@%

%@QR:Sitting Bull@%%@CR:N1831SITB10     @%%@2@%   What treaty that the white man ever made with us have they kept? Not one.%@EH@%
When I was a boy the Sioux owned the world; the sun rose and set on their
land; they sent ten thousand men to battle. Where are the warriors today?
Who slew them? Where are our lands? Who owns them? . . . . What law have I
broken? Is it wrong for me to love my own? Is it wicked for me because my
skin is red? Because I am a Sioux; because I was born where my father lived;
because I would die for my people and my country?%@NL@%
%@NL@%
Sitting Bull
%@NL@%Statement

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Louisa May Alcott%@AE@%%@EH@%
%@NL@%
%@AB@%1832-1888%@AE@%
%@NL@%%@NL@%

%@QR:Louisa May Alcott@%%@QR:Alcott@%%@CR:N1832ALCL10     @%%@2@%   Christmas won't be Christmas without any presents.%@NL@%%@EH@%
%@NL@%
Louisa May Alcott
%@NL@%Little Women [1868], ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Louisa May Alcott@%%@QR:Alcott@%%@CR:N1832ALCL20     @%%@2@%   Resolved to take Fate by the throat and shake a living out of her.%@NL@%%@EH@%
%@NL@%
Louisa May Alcott
%@NL@%From Ednah D. Cheney, Louisa May Alcott,
Her Life, Letters, and Journals [1889], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The word "tuned" is frequently misprinted as "turned."  %@EF@%
%@QR:Louisa May Alcott@%%@QR:Alcott@%%@CR:N1832ALCL30     @%%@2@%Above man's aims his nature rose.%@NL@%%@EH@%
The wisdom of a just content%@NL@%
Made one small spot a continent,%@NL@%
And tuned to poetry Life's prose.%@NL@%

%@NL@%Louisa May Alcott
%@NL@%%@FN@%
In the Atlantic Monthly [September 1863].  %@EF@%
From Ednah D. Cheney, Louisa May Alcott,
Her Life, Letters, and Journals [1889], ch.7 [Thoreau's Flute,
st. 2]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Louisa May Alcott@%%@QR:Alcott@%%@CR:N1832ALCL40     @%%@2@%   My definition [of a philosopher] is of a man up in a balloon, with his%@EH@%
family and friends holding the ropes which confine him to earth and trying
to haul him down.%@NL@%
%@NL@%
Louisa May Alcott
%@NL@%From Ednah D. Cheney, Louisa May Alcott,
Her Life, Letters, and Journals [1889], ch.10

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Elizabeth Akers Allen%@AE@%%@EH@%
%@NL@%
%@AB@%1832-1911%@AE@%
%@NL@%%@NL@%

%@QR:Elizabeth Akers Allen@%%@QR:Allen@%%@CR:N1832ALLE10     @%%@2@%Backward, turn backward, O Time, in your flight,%@NL@%%@EH@%
Make me a child again just for tonight!%@NL@%

%@NL@%Elizabeth Akers Allen
%@NL@%Rock Me to Sleep [1860], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Edwin Arnold%@AE@%%@EH@%
%@NL@%
%@AB@%1832-1904%@AE@%
%@NL@%%@NL@%

%@QR:Sir Edwin Arnold@%%@QR:Arnold@%%@CR:N1832ARNE10     @%%@2@%Nor ever once ashamed%@NL@%%@EH@%
So we be named%@NL@%
Pressmen; Slaves of the Lamp; Servants of Light.%@NL@%

%@NL@%Sir Edwin Arnold
%@NL@%The Tenth Muse, st. 18

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Wilhelm Busch%@AE@%%@EH@%
%@NL@%
%@AB@%1832-1908%@AE@%
%@NL@%%@NL@%

%@FN@%
Vater werden ist nicht schwer,/Vater sein dagegen sehr.  Translated by
Richard Hanser.  %@EF@%
%@QR:Wilhelm Busch@%%@QR:Busch@%%@CR:N1832BUSW10     @%%@2@%Becoming a father is easy enough,%@NL@%%@EH@%
But being one can be rough.%@NL@%

%@NL@%Wilhelm Busch
%@NL@%Julchen [1877]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lewis Carroll%@AE@%%@EH@%
%@NL@%Charles Lutwidge Dodgson
%@AB@%1832-1898%@AE@%
%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL10     @%%@2@%All in the golden afternoon%@NL@%%@EH@%
Full leisurely we glide,%@NL@%
For both our oars with little skill%@NL@%
By little arms are plied%@NL@%
While little hands make vain pretense%@NL@%
Our wanderings to guide.%@NL@%

%@NL@%Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],introduction, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL20     @%%@2@%   "What is the use of a book," thought Alice, "without pictures or%@EH@%
conversations?"%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL30     @%%@2@%   Do cats eat bats? . . . Do bats eat cats?%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL40     @%%@2@%   Curiouser and curiouser!%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL50     @%%@2@%How doth the little crocodile%@NL@%%@EH@%
Improve his shining tail,%@NL@%
And pour the waters of the Nile%@NL@%
On every golden scale! 1 How cheerfully he seems to grin,%@NL@%
How neatly spreads his claws,%@NL@%
And welcomes little fishes in%@NL@%
With gently smiling jaws!%@NL@%

%@NL@%Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.2

%@NL@%%@AI@%1 See Isaac Watts%@BO:          290a6b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL60     @%%@2@%   "I'll be judge, I'll be jury," said cunning old Fury; "I'll try the whole%@EH@%
cause, and condemn you to death."%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL70     @%%@2@%   Oh my fur and whiskers!%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL80     @%%@2@%   "I can't explain myself, I'm afraid, sir," said Alice, "because I'm not%@EH@%
myself, you see."%@NL@%
"I don't see," said the Caterpillar.%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL90     @%%@2@%"You are old, Father William," the young man said,%@NL@%%@EH@%
"And your hair has become very white;%@NL@%
And yet you incessantly stand on your head-%@NL@%
Do you think, at your age, it is right?" 1 %@NL@%

%@NL@%Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.5You are old, Father William,[st.
1]

%@NL@%%@AI@%1 See Southey%@BO:          35a68f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL100    @%%@2@%"In my youth," said his father, "I took to the law,%@NL@%%@EH@%
And argued each case with my wife;%@NL@%
And the muscular strength, which it gave to my jaw,%@NL@%
Has lasted the rest of my life."%@NL@%

%@NL@%Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.5You are old, Father William,[st.
6]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL110    @%%@2@%"I have answered three questions, and that is enough,"%@NL@%%@EH@%
Said his father. "Don't give yourself airs!%@NL@%
Do you think I can listen all day to such stuff?%@NL@%
Be off, or I'll kick you downstairs!"%@NL@%

%@NL@%Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.5You are old, Father William,[st.
8]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL115    @%%@2@%   Those serpents! There's no pleasing them!%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.5You are old, Father William,[st.
8]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL130    @%%@2@%   "If everybody minded their own business," said the Duchess in a hoarse%@EH@%
growl, "the world would go round a deal faster than it does."%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.5You are old, Father William,[st.
8]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL140    @%%@2@%   "Talking of axes," said the Duchess, "chop off her head!"%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.5You are old, Father William,[st.
8]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL150    @%%@2@%Speak roughly to your little boy,%@NL@%%@EH@%
And beat him when he sneezes:%@NL@%
He only does it to annoy,%@NL@%
Because he knows it teases.%@NL@%

%@NL@%Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.5You are old, Father William,[st.
8]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL155    @%%@2@%   "If it had grown up," she said to herself, "it would have made a%@EH@%
dreadfully ugly child; but it makes rather a handsome pig, I think."%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.5You are old, Father William,[st.
8]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL160    @%%@2@%   "All right," said the [Cheshire] Cat; and this time it vanished quite%@EH@%
slowly, beginning with the end of the tail, and ending with the grin, which
remained some time after the rest of it had gone.%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.5You are old, Father William,[st.
8]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL170    @%%@2@%   "Then you should say what you mean," the March Hare went on.%@NL@%%@EH@%
"I do," Alice hastily replied; "at least-at least I mean what I say-that's
the same thing, you know."%@NL@%
"Not the same thing a bit!" said the Hatter. "Why, you might just as well
say that "I see what I eat' is the same thing as "I eat what I see'!"%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL180    @%%@2@%   "It was the best butter," the March Hare meekly replied.%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL190    @%%@2@%Twinkle, twinkle, little bat!%@NL@%%@EH@%
How I wonder what you're at!%@NL@%
Up above the world you fly,%@NL@%
Like a teatray in the sky. 1 %@NL@%

%@NL@%Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.7

%@NL@%%@AI@%1 See Ann and Jane Taylor%@BO:          36ae4a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL200    @%%@2@%   "Take some more tea," the March Hare said to Alice, very earnestly.%@NL@%%@EH@%
"I've had nothing yet," Alice replied in an offended tone: "so I can't take
more."%@NL@%
"You mean you can't take less," said the Hatter: "it's very easy to take
more than nothing."%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL210    @%%@2@%   They drew all manner of things-everything that begins with an M . . .%@EH@%
such as mousetraps, and the moon, and memory, and muchness-you know you say
things are "much of a muchness."%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL220    @%%@2@%   The Queen turned crimson with fury, and after glaring at her for a moment%@EH@%
like a wild beast, began screaming, "Off with her head! 1  2  Off with-"%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.8

%@NL@%%@AI@%1 See Shakespeare%@BO:          171063@%%@AE@%
%@AI@%2 See Cibber%@BO:          28aebe@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL230    @%%@2@%   "Tut, tut, child," said the Duchess. "Everything's got a moral if only%@EH@%
you can find it."%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL240    @%%@2@%   Take care of the sense and the sounds will take care of themselves. 1 %@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.9

%@NL@%%@AI@%1 See Chesterfield%@BO:          2aa4dc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL250    @%%@2@%   "We called him Tortoise because he taught us," said the Mock Turtle%@EH@%
angrily. "Really you are very dull!"%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL260    @%%@2@%   "Reeling and Writhing, of course, to begin with," the Mock Turtle%@EH@%
replied, "and the different branches of Arithmetic-Ambition, Distraction,
Uglification, and Derision."%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Familiar version: Change lobsters and dance.  %@EF@%
%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL265    @%%@2@%   Advance twice, set to partners . . . change lobsters, and retire in same%@EH@%
order.%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL270    @%%@2@%"Will you walk a little faster?" said a whiting to a snail,%@NL@%%@EH@%
"There's a porpoise close behind us, and he's treading on my tail."%@NL@%

%@NL@%Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.10The Lobster-Quadrille,[st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL280    @%%@2@%Will you, won't you, will you, won't you, will you join the dance?%@NL@%%@EH@%

%@NL@%Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.10The Lobster-Quadrille,[st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL290    @%%@2@%The further off from England the nearer is to France-%@NL@%%@EH@%
Then turn not pale, beloved snail, but come and join the dance.%@NL@%

%@NL@%Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.10The Lobster-Quadrille,[st. 3]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL300    @%%@2@%'Tis the voice of the Lobster: I heard him declare%@NL@%%@EH@%
"You have baked me too brown, I must sugar my hair." 1 %@NL@%

%@NL@%Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.10['Tis the Voice of the Lobster]

%@NL@%%@AI@%1 See Isaac Watts%@BO:          290f17@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL310    @%%@2@%Soup of the evening, beautiful soup!%@NL@%%@EH@%

%@NL@%Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.10[Turtle Soup]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL320    @%%@2@%   Sentence first-verdict afterwards.%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL323    @%%@2@%   Begin at the beginning . . . and go on till you come to the end: then%@EH@%
stop.%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL325    @%%@2@%   You're nothing but a pack of cards!%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Alice's Adventures in Wonderland [1865],ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL330    @%%@2@%Child of the pure, unclouded brow%@NL@%%@EH@%
And dreaming eyes of wonder!%@NL@%
Though time be fleet and I and thou%@NL@%
Are half a life asunder,%@NL@%
Thy loving smile will surely hail%@NL@%
The love-gift of a fairy tale.%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],introduction, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL340    @%%@2@%   "The horror of that moment," the King went on, "I shall never, never%@EH@%
forget!"%@NL@%
"You will, though," the Queen said, "if you don't make a memorandum of it."%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL350    @%%@2@%'Twas brillig, and the slithy toves%@NL@%%@EH@%
Did gyre and gimble in the wabe;%@NL@%
All mimsy were the borogoves,%@NL@%
And the mome raths outgrabe.Beware the Jabberwock, my son!%@NL@%
The jaws that bite, the claws that catch!%@NL@%
Beware the Jubjub bird, and shun%@NL@%
The frumious Bandersnatch!%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.1Jabberwocky,[st. 1, 2]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL360    @%%@2@%And, as in uffish thought he stood,%@NL@%%@EH@%
The Jabberwock, with eyes of flame,%@NL@%
Came whiffling through the tulgey wood,%@NL@%
And burbled as it came!One, two! One, two! And through and through%@NL@%
The vorpal blade went snicker-snack!%@NL@%
He left it dead, and with its head%@NL@%
He went galumphing back."And hast thou slain the Jabberwock?%@NL@%
Come to my arms, my beamish boy!%@NL@%
O frabjous day! Callooh! Callay!"%@NL@%
He chortled in his joy.%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.1Jabberwocky,[st. 4-6]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL370    @%%@2@%   Curtsy while you're thinking what to say. It saves time.%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL380    @%%@2@%   "Now! Now!" cried the Queen. "Faster! Faster!"%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL390    @%%@2@%   "A slow sort of country!" said the Queen. "Now, here, you see, it takes%@EH@%
all the running you can do, to keep in the same place. If you want to get
somewhere else, you must run at least twice as fast as that!"%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL400    @%%@2@%   Speak in French when you can't think of the English for a thing-turn out%@EH@%
your toes when you walk-and remember who you are!%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL410    @%%@2@%   "If you think we're waxworks," he said, "you ought to pay, you know.%@EH@%
Waxworks weren't made to be looked at for nothing. Nohow!"%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL420    @%%@2@%   "Contrariwise," continued Tweedledee, "if it was so, it might be; and if%@EH@%
it were so, it would be; but as it isn't, it ain't. That's logic."%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL430    @%%@2@%The sun was shining on the sea,%@NL@%%@EH@%
Shining with all his might:%@NL@%
He did his very best to make%@NL@%
The billows smooth and bright-%@NL@%
And this was odd, because it was%@NL@%
The middle of the night.%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.4The Walrus and the Carpenter,[st. 1]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL440    @%%@2@%The Walrus and the Carpenter%@NL@%%@EH@%
Were walking close at hand:%@NL@%
They wept like anything to see%@NL@%
Such quantities of sand:%@NL@%
"If this were only cleared away,"%@NL@%
They said, "it would be grand!""If seven maids with seven mops%@NL@%
Swept it for half a year,%@NL@%
Do you suppose," the Walrus said,%@NL@%
"That they could get it clear?"%@NL@%
"I doubt it," said the Carpenter,%@NL@%
And shed a bitter tear.%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.4The Walrus and the Carpenter,[st. 4, 5]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL450    @%%@2@%"O Oysters, come and walk with us!"%@NL@%%@EH@%
The Walrus did beseech.%@NL@%
"A pleasant walk, a pleasant talk,%@NL@%
Along the briny beach."%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.4The Walrus and the Carpenter,[st. 6]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL460    @%%@2@%And thick and fast they came at last,%@NL@%%@EH@%
And more, and more, and more-%@NL@%
All hopping through the frothy waves,%@NL@%
And scrambling to the shore.%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.4The Walrus and the Carpenter,[st. 9]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL470    @%%@2@%"The time has come," the Walrus said,%@NL@%%@EH@%
"To talk of many things:%@NL@%
Of shoes-and ships-and sealing wax-%@NL@%
Of cabbages-and kings-%@NL@%
And why the sea is boiling hot-%@NL@%
And whether pigs have wings."%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.4The Walrus and the Carpenter,[st. 11]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL480    @%%@2@%"But wait a bit," the Oysters cried,%@NL@%%@EH@%
"Before we have our chat;%@NL@%
For some of us are out of breath,%@NL@%
And all of us are fat!"%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.4The Walrus and the Carpenter,[st. 12]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL490    @%%@2@%The Carpenter said nothing but%@NL@%%@EH@%
"The butter's spread too thick!"%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.4The Walrus and the Carpenter,[st. 16]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL500    @%%@2@%"I weep for you," the Walrus said:%@NL@%%@EH@%
"I deeply sympathize."%@NL@%
With sobs and tears he sorted out%@NL@%
Those of the largest size,%@NL@%
Holding his pocket-handkerchief%@NL@%
Before his streaming eyes.%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.4The Walrus and the Carpenter,[st. 17]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
But answer came there none.-Scott, The Bridal of Triermain [1813], canto
III, st. 10  %@EF@%
%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL510    @%%@2@%But answer came there none-%@NL@%%@EH@%
And this was scarcely odd, because%@NL@%
They'd eaten every one.%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.4The Walrus and the Carpenter,[st. 18]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL520    @%%@2@%   Twopence a week, and jam every other day.%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL530    @%%@2@%   "The rule is, jam tomorrow, and jam yesterday-but never jam today."%@NL@%%@EH@%
"It must come sometimes to "jam today,'" Alice objected.%@NL@%
"No, it can't," said the Queen. "It's jam every other day: today isn't any
other day, you know."%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL540    @%%@2@%   "It's a poor sort of memory that only works backwards," the Queen%@EH@%
remarked.%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL550    @%%@2@%   Consider anything, only don't cry!%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL560    @%%@2@%   "There's no use trying," she said: "one can't believe impossible things."%@NL@%%@EH@%
"I daresay you haven't had much practice," said the Queen. "When I was your
age, I always did it for half-an-hour a day. Why, sometimes I've believed as
many as six impossible things before breakfast."%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL570    @%%@2@%   They gave it me-for an unbirthday present.%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL580    @%%@2@%   "But "glory' doesn't mean "a nice knockdown argument,'" Alice objected.%@NL@%%@EH@%
"When I use a word," Humpty Dumpty said, in rather a scornful tone, "it
means just what I choose it to mean-neither more nor less."%@NL@%
"The question is," said Alice, "whether you can make words mean so many
different things."%@NL@%
"The question is," said Humpty Dumpty, "which is to be master-that's all."%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL590    @%%@2@%   It's as large as life and twice as natural.%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL600    @%%@2@%His answer trickled through my head,%@NL@%%@EH@%
Like water through a sieve.%@NL@%

%@NL@%Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL610    @%%@2@%   What's the French for fiddle-de-dee?%@NL@%%@EH@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL620    @%%@2@%   It isn't etiquette to cut anyone you've been introduced to. Remove the%@EH@%
joint!%@NL@%
%@NL@%
Lewis Carroll
%@NL@%Through the Looking-Glass [1872],ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL630    @%%@2@%He would answer to "Hi!" or to any loud cry%@NL@%%@EH@%
Such as "Fry me!" or "Fritter my wig!"%@NL@%
To "What-you-may-call-um!" or "What-was-his-name!"%@NL@%
But especially "Thing-um-a-jig!"%@NL@%

%@NL@%Lewis Carroll
%@NL@%The Hunting of the Snark [1876].Fit I, st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL640    @%%@2@%"What's the good of Mercator's North Poles and Equators,%@NL@%%@EH@%
Tropics, Zones and Meridian Lines?"%@NL@%
So the Bellman would cry: and the crew would reply,%@NL@%
"They are merely conventional signs!"%@NL@%

%@NL@%Lewis Carroll
%@NL@%The Hunting of the Snark [1876].Fit II,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL650    @%%@2@%It frequently breakfasts at five-o'clock tea,%@NL@%%@EH@%
And dines on the following day.%@NL@%

%@NL@%Lewis Carroll
%@NL@%The Hunting of the Snark [1876].Fit II,st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL660    @%%@2@%There was silence supreme! Not a shriek, not a scream,%@NL@%%@EH@%
Scarcely even a howl or a groan,%@NL@%
As the man they called "Ho!" told his story of woe%@NL@%
In an antediluvian tone.%@NL@%

%@NL@%Lewis Carroll
%@NL@%The Hunting of the Snark [1876].Fit III,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL670    @%%@2@%It is this, it is this that oppresses my soul.%@NL@%%@EH@%

%@NL@%Lewis Carroll
%@NL@%The Hunting of the Snark [1876].Fit III,st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL680    @%%@2@%They sought it with thimbles, they sought it with care;%@NL@%%@EH@%
They pursued it with forks and hope;%@NL@%
They threatened its life with a railway share;%@NL@%
They charmed it with smiles and soap.%@NL@%

%@NL@%Lewis Carroll
%@NL@%The Hunting of the Snark [1876].Fit V, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL690    @%%@2@%For the Snark was a Boojum, you see.%@NL@%%@EH@%

%@NL@%Lewis Carroll
%@NL@%The Hunting of the Snark [1876].Fit VIII, st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL700    @%%@2@%He thought he saw an Elephant,%@NL@%%@EH@%
That practiced on a fife:%@NL@%
He looked again, and found it was%@NL@%
A letter from his wife.%@NL@%
"At length I realize," he said,%@NL@%
"The bitterness of Life!"%@NL@%

%@NL@%Lewis Carroll
%@NL@%Sylvie and Bruno [1889], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL710    @%%@2@%He thought he saw a Buffalo%@NL@%%@EH@%
Upon the chimneypiece:%@NL@%
He looked again, and found it was%@NL@%
His sister's husband's niece.%@NL@%

%@NL@%Lewis Carroll
%@NL@%Sylvie and Bruno [1889], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Lewis Carroll@%%@QR:Carroll@%%@QR:Charles Lutwidge Dodgson@%%@QR:Dodgson@%%@CR:N1832CARL720    @%%@2@%He thought he saw an Albatross%@NL@%%@EH@%
That fluttered round the lamp:%@NL@%
He looked again, and found it was%@NL@%
A penny postage stamp.%@NL@%
"You'd best be getting home," he said,%@NL@%
"The nights are very damp."%@NL@%

%@NL@%Lewis Carroll
%@NL@%Sylvie and Bruno [1889], ch.12

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Croswell Doane%@AE@%%@EH@%
%@NL@%
%@AB@%1832-1913%@AE@%
%@NL@%%@NL@%

%@QR:William Croswell Doane@%%@QR:Doane@%%@CR:N1832DOAW10     @%%@2@%Ancient of Days, who sittest throned in glory,%@NL@%%@EH@%
To thee all knees are bent, all voices pray.%@NL@%

%@NL@%William Croswell Doane
%@NL@%Hymn [1886], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Juan Montalvo%@AE@%%@EH@%
%@NL@%
%@AB@%1832-1889%@AE@%
%@NL@%%@NL@%

%@QR:Juan Montalvo@%%@QR:Montalvo@%%@CR:N1832MONJ10     @%%@2@%   Old age is an island surrounded by death.%@NL@%%@EH@%
%@NL@%
Juan Montalvo
%@NL@%On Beauty

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Juan Montalvo@%%@QR:Montalvo@%%@CR:N1832MONJ20     @%%@2@%   There is nothing harder than the softness of indifference.%@NL@%%@EH@%
%@NL@%
Juan Montalvo
%@NL@%Chapters Forgotten by Cervantes [1895]. Epilogue

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%H enry C lay Work%@AE@%%@EH@%
%@NL@%
%@AB@%1832-1884%@AE@%
%@NL@%%@NL@%

%@QR:H enry C lay Work@%%@QR:Work@%%@CR:N1832WORH10     @%%@2@%Father, dear father, come home with me now,%@NL@%%@EH@%
The clock in the belfry strikes one;%@NL@%
You said you were coming right home from the shop%@NL@%
As soon as your day's work was done.%@NL@%

%@NL@%H enry C lay Work
%@NL@%Come Home, Father [1864], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:H enry C lay Work@%%@QR:Work@%%@CR:N1832WORH20     @%%@2@%Bring the good old bugle, boys, we'll sing another song.%@NL@%%@EH@%

%@NL@%H enry C lay Work
%@NL@%Marching Through Georgia [1865],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:H enry C lay Work@%%@QR:Work@%%@CR:N1832WORH30     @%%@2@%"Hurrah! hurrah! we bring the Jubilee!%@NL@%%@EH@%
Hurrah! Hurrah! the flag that makes you free!"%@NL@%
So we sang the chorus from Atlanta to the sea,%@NL@%
While we were marching through Georgia.%@NL@%

%@NL@%H enry C lay Work
%@NL@%Marching Through Georgia [1865],chorus

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Wilhelm Max Wundt%@AE@%%@EH@%
%@NL@%
%@AB@%1832-1920%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by Edward Titchener.  %@EF@%
%@QR:Wilhelm Max Wundt@%%@QR:Wundt@%%@CR:N1832WUNW10     @%%@2@%   We take issue . . . with every treatment of psychology that is based on%@EH@%
simple self-observation or on philosophical presuppositions.%@NL@%
%@NL@%
Wilhelm Max Wundt
%@NL@%Grundzuge der Physiologischen Psychologie
(Principles of Physiological Psychology) [1874]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Isaac Hill Bromley%@AE@%%@EH@%
%@NL@%
%@AB@%1833-1898%@AE@%
%@NL@%%@NL@%

%@QR:Isaac Hill Bromley@%%@QR:Bromley@%%@CR:N1833BROI10     @%%@2@%Conductor, when you receive a fare,%@NL@%%@EH@%
Punch in the presence of the passenjare! . . . %@NL@%
Punch, brothers! Punch with care!%@NL@%
Punch in the presence of the passenjare!%@NL@%

%@NL@%Isaac Hill Bromley
%@NL@%%@FN@%
Based on a New York streetcar sign. Erroneously attributed to Mark Twain,
who wrote about the verse in A Literary Nightmare [1876].  %@EF@%
Punch, Brother, Punch [1875]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Adam Lindsay Gordon%@AE@%%@EH@%
%@NL@%
%@AB@%1833-1870%@AE@%
%@NL@%%@NL@%

%@FN@%
See Du Maurier  A little time for laughter,/A little time to sing,/A little
time to kiss and cling,/And no more kissing after.-Philip Bourke Marston
[1850-1887], After, st. 1  %@EF@%
%@QR:Adam Lindsay Gordon@%%@QR:Gordon@%%@CR:N1833GORA10     @%%@2@%A little season of love and laughter,%@NL@%%@EH@%
Of light and life, and pleasure and pain,%@NL@%
And a horror of outer darkness after,%@NL@%
And dust returneth to dust again.%@NL@%

%@NL@%Adam Lindsay Gordon
%@NL@%The Swimmer

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Marshall Harlan%@AE@%%@EH@%
%@NL@%
%@AB@%1833-1911%@AE@%
%@NL@%%@NL@%

%@QR:John Marshall Harlan@%%@QR:Harlan@%%@CR:N1833HARJ10     @%%@2@%   In view of the Constitution, in the eye of the law, there is in this%@EH@%
country no superior, dominant, ruling class of citizens. There is no caste
here. Our Constitution is color-blind, and neither knows nor tolerates
classes among citizens. In respect of civil rights, all citizens are equal
before the law. The humblest is the peer of the most powerful.%@NL@%
%@NL@%
John Marshall Harlan
%@NL@%Dissenting opinion, Plessy v. Ferguson 163 U.S. 537, 559 [1896]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John James Ingalls%@AE@%%@EH@%
%@NL@%
%@AB@%1833-1900%@AE@%
%@NL@%%@NL@%

%@QR:John James Ingalls@%%@QR:Ingalls@%%@CR:N1833INGJ10     @%%@2@%   Every man is the center of a circle, whose fatal circumference he cannot%@EH@%
pass.%@NL@%
%@NL@%
John James Ingalls
%@NL@%Eulogy on Benjamin Hill given in the Senate [January 23, 1882]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John James Ingalls@%%@QR:Ingalls@%%@CR:N1833INGJ20     @%%@2@%   The purification of politics is an iridescent dream. Government is force.%@NL@%%@EH@%
%@NL@%
John James Ingalls
%@NL@%Article in the New York World [1890]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Green Ingersoll%@AE@%%@EH@%
%@NL@%
%@AB@%1833-1899%@AE@%
%@NL@%%@NL@%

%@QR:Robert Green Ingersoll@%%@QR:Ingersoll@%%@CR:N1833INGR10     @%%@2@%   Like an armed warrior, like a plumed knight, James G. Blaine marched down%@EH@%
the halls of the American Congress and threw his shining lance full and fair
against the brazen forehead of every traitor to his country and every
maligner of his fair reputation.%@NL@%
%@NL@%
Robert Green Ingersoll
%@NL@%Speech nominating Blaine for President,
National Republican Convention [June 15, 1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Green Ingersoll@%%@QR:Ingersoll@%%@CR:N1833INGR20     @%%@2@%   I am the inferior of any man whose rights I trample under foot. Men are%@EH@%
not superior by reason of the accidents of race or color. They are superior
who have the best heart-the best brain.%@NL@%
%@NL@%
Robert Green Ingersoll
%@NL@%Liberty

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Green Ingersoll@%%@QR:Ingersoll@%%@CR:N1833INGR30     @%%@2@%   The superior man is the providence of the inferior. He is eyes for the%@EH@%
blind, strength for the weak, and a shield for the defenseless. He stands
erect by bending above the fallen. He rises by lifting others.%@NL@%
%@NL@%
Robert Green Ingersoll
%@NL@%Liberty

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Green Ingersoll@%%@QR:Ingersoll@%%@CR:N1833INGR40     @%%@2@%   Every cradle asks us, "Whence?" and every coffin, "Whither?" The poor%@EH@%
barbarian, weeping above his dead, can answer these questions as
intelligently as the robed priest of the most authentic creed.%@NL@%
%@NL@%
Robert Green Ingersoll
%@NL@%Address at a child's grave

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Green Ingersoll@%%@QR:Ingersoll@%%@CR:N1833INGR50     @%%@2@%   We, too, have our religion, and it is this: Help for the living, hope for%@EH@%
the dead.%@NL@%
%@NL@%
Robert Green Ingersoll
%@NL@%Address at a child's grave

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Green Ingersoll@%%@QR:Ingersoll@%%@CR:N1833INGR60     @%%@2@%   Few rich men own their own property. The property owns them. 1  2 %@NL@%%@EH@%
%@NL@%
Robert Green Ingersoll
%@NL@%Address to the McKinley League, New York [October 29, 1896]

%@NL@%%@AI@%1 See Bion%@BO:           bc415@%%@AE@%
%@AI@%2 See Robert Burton%@BO:          210314@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Green Ingersoll@%%@QR:Ingersoll@%%@CR:N1833INGR70     @%%@2@%   An honest God is the noblest work of man.%@NL@%%@EH@%
%@NL@%
Robert Green Ingersoll
%@NL@%The Gods [1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Green Ingersoll@%%@QR:Ingersoll@%%@CR:N1833INGR80     @%%@2@%   In nature there are neither rewards nor punishments-there are%@EH@%
consequences.%@NL@%
%@NL@%
Robert Green Ingersoll
%@NL@%Some Reasons Why [1896]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Green Ingersoll@%%@QR:Ingersoll@%%@CR:N1833INGR90     @%%@2@%Justice is the only worship.%@NL@%%@EH@%
Love is the only priest.%@NL@%
Ignorance is the only slavery.%@NL@%
Happiness is the only good.%@NL@%
The time to be happy is now,%@NL@%
The place to be happy is here,%@NL@%
The way to be happy is to make others so.%@NL@%

%@NL@%Robert Green Ingersoll
%@NL@%Creed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Petroleum V. Nasby%@AE@%%@EH@%
%@NL@%David Ross Locke
%@AB@%1833-1888%@AE@%
%@NL@%%@NL@%

%@QR:Petroleum V. Nasby@%%@QR:Nasby@%%@QR:David Ross Locke@%%@QR:Locke@%%@CR:N1833LOCD10     @%%@2@%The contract 'twixt Hannah, God and me,%@NL@%%@EH@%
Was not for one or twenty years, but for eternity.%@NL@%

%@NL@%Petroleum V. Nasby
%@NL@%Hannah Jane [1871], st. 29

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Emerich Edward Dalberg-Acton, Lord Acton%@AE@%%@EH@%
%@NL@%
%@AB@%1834-1902%@AE@%
%@NL@%%@NL@%

%@QR:John Emerich Edward Dalberg-Acton,Lord Acton@%%@CR:N1834ACTJ10     @%%@2@%   There is no error so monstrous that it fails to find defenders among the%@EH@%
ablest men. Imagine a congress of eminent celebrities such as More, Bacon,
Grotius, Pascal, Cromwell, Bossuet, Montesquieu, Jefferson, Napoleon, Pitt,
etc. The result would be an Encyclopedia of Error.%@NL@%
%@NL@%
John Emerich Edward Dalberg-Acton, Lord Acton
%@NL@%Letter to Mary Gladstone [April 24, 1881]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Emerich Edward Dalberg-Acton, Lord Acton@%%@CR:N1834ACTJ20     @%%@2@%   Power tends to corrupt and absolute power corrupts absolutely. 1  2 %@NL@%%@EH@%
%@NL@%
John Emerich Edward Dalberg-Acton, Lord Acton
%@NL@%Letter to Bishop Mandell Creighton [April 5, 1887]

%@NL@%%@AI@%1 See Pitt%@BO:          2bb5b9@%%@AE@%
%@AI@%2 See Shelley%@BO:          389621@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Emerich Edward Dalberg-Acton, Lord Acton@%%@CR:N1834ACTJ30     @%%@2@%   Advice to Persons About to Write History-Don't. 1 %@NL@%%@EH@%
%@NL@%
John Emerich Edward Dalberg-Acton, Lord Acton
%@NL@%Letter to Bishop Mandell Creighton [April 5, 1887]postscript

%@NL@%%@AI@%1 See Punch%@BO:          4e3675@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Emerich Edward Dalberg-Acton, Lord Acton@%%@CR:N1834ACTJ40     @%%@2@%   Liberty is not a means to a higher political end. It is itself the%@EH@%
highest political end.%@NL@%
%@NL@%
John Emerich Edward Dalberg-Acton, Lord Acton
%@NL@%The History of Freedom and Other Essays [1907], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Emerich Edward Dalberg-Acton, Lord Acton@%%@CR:N1834ACTJ50     @%%@2@%   It was from America that the plain ideas that men ought to mind their%@EH@%
business, and that the nation is responsible to Heaven for the acts of the
State-ideas long locked in the breast of solitary thinkers, and hidden among
Latin folios-burst forth like  a conqueror upon the world they were destined
to transform, under the title of the Rights of Man . . . and the principle
gained ground, that a nation can never abandon its fate to an authority it
cannot control.%@NL@%
%@NL@%
John Emerich Edward Dalberg-Acton, Lord Acton
%@NL@%The History of Freedom and Other Essays [1907], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Emerich Edward Dalberg-Acton, Lord Acton@%%@CR:N1834ACTJ60     @%%@2@%   The one pervading evil of democracy is the tyranny of the majority, or%@EH@%
rather of that party,  not always the majority, that succeeds, by force or
fraud, in carrying elections.%@NL@%
%@NL@%
John Emerich Edward Dalberg-Acton, Lord Acton
%@NL@%The History of Freedom and Other Essays [1907], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Emerich Edward Dalberg-Acton, Lord Acton@%%@CR:N1834ACTJ70     @%%@2@%   Truth is the only merit that gives dignity and worth to history.%@NL@%%@EH@%
%@NL@%
John Emerich Edward Dalberg-Acton, Lord Acton
%@NL@%The History of Freedom and Other Essays [1907], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Emerich Edward Dalberg-Acton, Lord Acton@%%@CR:N1834ACTJ80     @%%@2@%   Writers the most learned, the most accurate in details, and the soundest%@EH@%
in tendency, frequently fall into a habit which can neither be cured nor
pardoned-the habit of making history into the proof of their theories.%@NL@%
%@NL@%
John Emerich Edward Dalberg-Acton, Lord Acton
%@NL@%The History of Freedom and Other Essays [1907], ch.8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Arnold%@AE@%%@EH@%
%@NL@%
%@AB@%1834-1865%@AE@%
%@NL@%%@NL@%

%@QR:George Arnold@%%@QR:Arnold@%%@CR:N1834ARNG10     @%%@2@%Life for the living, and rest for the dead!%@NL@%%@EH@%

%@NL@%George Arnold
%@NL@%The Jolly Old Pedagogue, st. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sabine Baring-Gould%@AE@%%@EH@%
%@NL@%
%@AB@%1834-1924%@AE@%
%@NL@%%@NL@%

%@QR:Sabine Baring-Gould@%%@QR:Baring-Gould@%%@CR:N1834BARS10     @%%@2@%Onward, Christian soldiers,%@NL@%%@EH@%
Marching as to war,%@NL@%
With the Cross of Jesus%@NL@%
Going on before!%@NL@%

%@NL@%Sabine Baring-Gould
%@NL@%Onward, Christian Soldiers [1864], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sabine Baring-Gould@%%@QR:Baring-Gould@%%@CR:N1834BARS20     @%%@2@%Now the day is over,%@NL@%%@EH@%
Night is drawing nigh;%@NL@%
Shadows of the evening%@NL@%
Steal across the sky.%@NL@%

%@NL@%Sabine Baring-Gould
%@NL@%Now the Day Is Over [1865], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sabine Baring-Gould@%%@QR:Baring-Gould@%%@CR:N1834BARS30     @%%@2@%Through the night of doubt and sorrow%@NL@%%@EH@%
Onward goes the pilgrim band,%@NL@%
Singing songs of expectation,%@NL@%
Marching to the promised land.%@NL@%

%@NL@%Sabine Baring-Gould
%@NL@%%@FN@%
Translated from the Danish of B. S. Ingemann [1825].  %@EF@%
Through the Night of Doubt and Sorrow [1867], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Farrar Browne%@AE@%%@EH@%
%@NL@%Artemus Ward
%@AB@%1834-1867%@AE@%
%@NL@%%@NL@%

%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC10     @%%@2@%   I now bid you a welcome adoo.%@NL@%%@EH@%
%@NL@%
Charles Farrar Browne
%@NL@%Artemus Ward, His Book [1862]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC20     @%%@2@%   My pollertics, like my religion, being of an exceedin' accommodatin'%@EH@%
character.%@NL@%
%@NL@%
Charles Farrar Browne
%@NL@%Artemus Ward, His Book [1862]The Crisis

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC30     @%%@2@%   N.B. This is rote sarcastikul.%@NL@%%@EH@%
%@NL@%
Charles Farrar Browne
%@NL@%Artemus Ward, His Book [1862]A Visit to Brigham Young

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC40     @%%@2@%   The female woman is one of the greatest institooshuns of which this land%@EH@%
can boste.%@NL@%
%@NL@%
Charles Farrar Browne
%@NL@%Artemus Ward, His Book [1862]Woman's Rights

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A favorite quotation of John F. Kennedy.  %@EF@%
%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC50     @%%@2@%   I am not a politician, and my other habits are good, also.%@NL@%%@EH@%
%@NL@%
Charles Farrar Browne
%@NL@%Fourth of July Oration

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC60     @%%@2@%   The prevailin' weakness of most public men is to Slop over. G. Washington%@EH@%
never slopt over.%@NL@%
%@NL@%
Charles Farrar Browne
%@NL@%Fourth of July Oration

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
I'm Saddest When I Sing.-T. H. Bayly [1797-1839], title of poem  %@EF@%
%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC70     @%%@2@%   I can't sing. As a singist I am not a success. I am saddest when I sing.%@EH@%
So are those who hear me. They are sadder even than I am.%@NL@%
%@NL@%
Charles Farrar Browne
%@NL@%Artemus Ward, His Travels [1865].Lecture

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC80     @%%@2@%   Did you ever have the measels, and if so, how many?%@NL@%%@EH@%
%@NL@%
Charles Farrar Browne
%@NL@%Artemus Ward, His Travels [1865].The Census

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Puritan's idea of Hell is a place where everybody has to mind his own
business.-Attributed to Wendell Phillips [1811-1884]  %@EF@%
%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC90     @%%@2@%   The Puritans nobly fled from a land of despotism to a land of freedim,%@EH@%
where they could not only enjoy their own religion, but could prevent
everybody else from enjoyin his.%@NL@%
%@NL@%
Charles Farrar Browne
%@NL@%London Punch Letters, no. 5 [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC110    @%%@2@%   Why is this thus? What is the reason of this thusness?%@NL@%%@EH@%
%@NL@%
Charles Farrar Browne
%@NL@%Moses, the Sassy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC120    @%%@2@%   He [Brigham Young] is dreadfully married. He's the most married man I%@EH@%
ever saw in my life.%@NL@%
%@NL@%
Charles Farrar Browne
%@NL@%Moses, the Sassy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC130    @%%@2@%   Let us all be happy and live within our means, even if we have to borrow%@EH@%
the money to do it with.%@NL@%
%@NL@%
Charles Farrar Browne
%@NL@%Natural History

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC140    @%%@2@%   The sun has a right to "set" where it wants to, and so, I may add, has a%@EH@%
hen.%@NL@%
%@NL@%
Charles Farrar Browne
%@NL@%A Mormon Romance, ch. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Farrar Browne@%%@QR:Browne@%%@QR:Artemus Ward@%%@QR:Ward@%%@CR:N1834BROC150    @%%@2@%   They cherish his mem'ry, and them as sell picturs of his birthplace,%@EH@%
etc., make it prof'tible cherishin' it.%@NL@%
%@NL@%
Charles Farrar Browne
%@NL@%At the Tomb of Shakespeare

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Louis Palmella Busson du Maurier%@AE@%%@EH@%
%@NL@%
%@AB@%1834-1896%@AE@%
%@NL@%%@NL@%

%@QR:George Louis Palmella Busson du Maurier@%%@QR:du Maurier@%%@CR:N1834DUMG10     @%%@2@%   The wretcheder one is, the more one smokes; and the more one smokes, the%@EH@%
wretcheder one gets-a vicious circle!%@NL@%
%@NL@%
George Louis Palmella Busson du Maurier
%@NL@%Peter Ibbetson [1891]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Louis Palmella Busson du Maurier@%%@QR:du Maurier@%%@CR:N1834DUMG20     @%%@2@%   Songs without words are best.%@NL@%%@EH@%
%@NL@%
George Louis Palmella Busson du Maurier
%@NL@%Peter Ibbetson [1891]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
La vie est vaine:/Un peu d'amour,/Un peu de haine . . . /Et
puis-bonjour!/vie est breve:/Un peu d'espoir,/Un peu de r[ecirc ]ve/Et
puis-bonsoir!-Leon Montenaeken [b. 1859], Peu de Chose  See A. L. Gordon  %@EF@%
%@QR:George Louis Palmella Busson du Maurier@%%@QR:du Maurier@%%@CR:N1834DUMG30     @%%@2@%A little work, a little play,%@NL@%%@EH@%
To keep us going-and so, good day!A little warmth, a little light,%@NL@%
Of love's bestowing-and so, good night!A little fun, to match the sorrow%@NL@%
Of each day's growing-and so, good morrow!A little trust that when we die%@NL@%
We reap our sowing! and so-good-bye!%@NL@%

%@NL@%George Louis Palmella Busson du Maurier
%@NL@%Trilby [1894], pt. VIII

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles William Eliot%@AE@%%@EH@%
%@NL@%
%@AB@%1834-1926%@AE@%
%@NL@%%@NL@%

%@QR:Charles William Eliot@%%@QR:Eliot@%%@CR:N1834ELIC10     @%%@2@%   In the modern world the intelligence of public opinion is the one%@EH@%
indispensable condition of social progress.%@NL@%
%@NL@%
Charles William Eliot
%@NL@%Inaugural address as president of Harvard [1869]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles William Eliot@%%@QR:Eliot@%%@CR:N1834ELIC20     @%%@2@%   Enter to grow in wisdom.%@NL@%%@EH@%
Depart to serve better thy country and mankind.%@NL@%
%@NL@%
Charles William Eliot
%@NL@%Inscriptions on the 1890 Gate to Harvard Yard

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles William Eliot@%%@QR:Eliot@%%@CR:N1834ELIC30     @%%@2@%   To the Fifty-fourth Regiment of Massachusetts Infantry:%@NL@%%@EH@%
The white officers, taking life and honor in their hands, cast in their lot
with men of a despised race unproved in war, and risked death as inciters of
servile insurrection if taken prisoners, besides encountering all the common
perils of camp march and battle.%@NL@%
The black rank and file volunteered when disaster clouded the Union cause,
served without pay for eighteen months till given that of white troops,
faced threatened enslavement if captured, were brave in action, patient
under heavy and dangerous labors, and cheerful amid hardships and
privations.%@NL@%
Together they gave to the nation and the world undying proof that Americans
of African descent possess the pride, courage, and devotion of the patriot
soldier. One hundred and eighty thousand such Americans enlisted under the
Union flag in 1863-1865.%@NL@%
%@NL@%
Charles William Eliot
%@NL@%Inscription on the Robert Gould Shaw Monument, Boston Common [1897]
 1  2  3

%@NL@%%@AI@%1 See William James%@BO:          4d1f78@%%@AE@%
%@AI@%2 See Paul Laurence Dunbar%@BO:          564624@%%@AE@%
%@AI@%3 See Robert Lowell%@BO:          65ebaa@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles William Eliot@%%@QR:Eliot@%%@CR:N1834ELIC40     @%%@2@%   Carrier of news and knowledge, instrument of trade and commerce, promoter%@EH@%
of mutual acquaintance among men and nations and hence of peace and
goodwill.%@NL@%
Carrier of love and sympathy, messenger of friendship, consoler of the
lonely, servant of the scattered family, enlarger of the public life.%@NL@%
%@NL@%
Charles William Eliot
%@NL@%%@FN@%
These inscriptions were edited by Woodrow Wilson to read:  Carrier of news
and knowledge, instrument of trade and promoter of mutual acquaintance, of
peace and good will among men and nations.  Messenger of sympathy and love,
servant of parted friends, consoler of the lonely, bond of the scattered
family, enlarger of the common life.  %@EF@%
Inscriptions for the East and West Pavilions, Post Office,
Washington, D.C.

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Yukichi Fukuzawa%@AE@%%@EH@%
%@NL@%
%@AB@%1834-1901%@AE@%
%@FN@%
From Sources of Japanese Tradition [1960], edited by William Theodore de
Bary.  %@EF@%
%@NL@%%@NL@%

%@QR:Yukichi Fukuzawa@%%@QR:Fukuzawa@%%@CR:N1834FUKU10     @%%@2@%   The final purpose of all my work was to create in Japan a civilized%@EH@%
nation as well equipped in both the arts of war and peace as those of the
Western world.%@NL@%
%@NL@%
Yukichi Fukuzawa
%@NL@%Autobiography [1898]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Yukichi Fukuzawa@%%@QR:Fukuzawa@%%@CR:N1834FUKU20     @%%@2@%   As long as I remain in private life, I can watch and laugh. But joining%@EH@%
the government would draw me into the practice of those ridiculous
pretensions which I cannot allow myself to do.%@NL@%
%@NL@%
Yukichi Fukuzawa
%@NL@%Autobiography [1898]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ernst Heinrich Haeckel%@AE@%%@EH@%
%@NL@%
%@AB@%1834-1919%@AE@%
%@NL@%%@NL@%

%@FN@%
Frequently quoted: Ontogeny recapitulates phylogeny.  See Freud  %@EF@%
%@QR:Ernst Heinrich Haeckel@%%@QR:Haeckel@%%@CR:N1834HAEE10     @%%@2@%   Ontogenesis, or the development of the individual, is a short and quick%@EH@%
recapitulation of phylogenesis, or the development of the tribe to which it
belongs, determined by the laws of inheritance and adaptation.%@NL@%
%@NL@%
Ernst Heinrich Haeckel
%@NL@%%@FN@%
Translated by E. R. Lankester.  %@EF@%
The History of Creation [1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ernst Heinrich Haeckel@%%@QR:Haeckel@%%@CR:N1834HAEE30     @%%@2@%   The general theory of evolution . . . assumes that in nature there is a%@EH@%
great, unital, continuous and everlasting process of development, and that
all natural phenomena without exception, from the motion of the celestial
bodies and the fall of the rolling stone up to the growth of the plant and
the consciousness of man, are subject to the same great law of
causation-that they are ultimately to be reduced to atomic mechanics.%@NL@%
%@NL@%
Ernst Heinrich Haeckel
%@NL@%%@FN@%
Translated by J. B. Stallo.  %@EF@%
Freie Wissenschaft und Freie Lehre [1878]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Walter Kittredge%@AE@%%@EH@%
%@NL@%
%@AB@%1834-1905%@AE@%
%@NL@%%@NL@%

%@QR:Walter Kittredge@%%@QR:Kittredge@%%@CR:N1834KITW10     @%%@2@%We're tenting tonight on the old campground,%@NL@%%@EH@%
Give us a song to cheer%@NL@%
Our weary hearts, a song of home%@NL@%
And friends we love so dear.%@NL@%

%@NL@%Walter Kittredge
%@NL@%Tenting on the Old Campground [1864], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Morris%@AE@%%@EH@%
%@NL@%
%@AB@%1834-1896%@AE@%
%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW2      @%%@2@%   Well, if this is poetry, it is very easy to write.%@NL@%%@EH@%
%@NL@%
William Morris
%@NL@%Remark [1854]. From J. W. Mackail,
Life of William Morris [1899]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW4      @%%@2@%I went half mad with beauty on that day.%@NL@%%@EH@%

%@NL@%William Morris
%@NL@%The Defense of Guinevere [1858], l. 109

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW6      @%%@2@%Had she come all the way for this,%@NL@%%@EH@%
To part at last without a kiss?%@NL@%
Yea, had she borne the dirt and rain%@NL@%
That her own eyes might see him slain%@NL@%
Beside the haystack in the floods?%@NL@%

%@NL@%William Morris
%@NL@%The Haystack in the Floods [1858], l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW8      @%%@2@%I know a little garden close,%@NL@%%@EH@%
Set thick with lily and red rose,%@NL@%
Where I would wander if I might%@NL@%
From dewy morn to dewy night.%@NL@%

%@NL@%William Morris
%@NL@%The Life and Death of Jason [1867]. A Garden by the Sea, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW10     @%%@2@%The idle singer of an empty day.%@NL@%%@EH@%

%@NL@%William Morris
%@NL@%The Earthly Paradise [1868-1870]. An Apology,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW20     @%%@2@%Dreamer of dreams, 1  born out of my due time,%@NL@%%@EH@%
Why should I strive to set the crooked straight? 2  3 %@NL@%

%@NL@%William Morris
%@NL@%The Earthly Paradise [1868-1870]. An Apology,st. 4

%@NL@%%@AI@%1 See O'Shaughnessy%@BO:          4e1774@%%@AE@%
%@AI@%2 See Ecclesiastes 1:15%@BO:           346ce@%%@AE@%
%@AI@%3 See Isaiah 40:4%@BO:           3e59e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW30     @%%@2@%Love is enough, though the world be awaning.%@NL@%%@EH@%

%@NL@%William Morris
%@NL@%Love Is Enough [1872]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW40     @%%@2@%   If you want a golden rule that will fit everybody, this is it: Have%@EH@%
nothing in your houses that you do not know to be useful, or believe to be
beautiful.%@NL@%
%@NL@%
William Morris
%@NL@%The Beauty of Life [1880]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW50     @%%@2@%   What I mean by Socialism is a condition of society in which there should%@EH@%
be neither rich nor poor, neither master nor master's man, neither idle nor
overworked, neither brain-sick brain workers nor heart-sick hand workers, in
a word, in which all men would be living in equality of condition, and would
manage their affairs unwastefully, and with the full consciousness that harm
to one would mean harm to all-the realization at last of the meaning of the
word commonwealth.%@NL@%
%@NL@%
William Morris
%@NL@%Written for "Justice" [1884]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW60     @%%@2@%Wonderful days a-coming, when all shall be better than well.%@NL@%%@EH@%

%@NL@%William Morris
%@NL@%The Day Is Coming [1884],l. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW70     @%%@2@%Then more than one in a thousand in the days that are yet to come,%@NL@%%@EH@%
Shall have some hope of the morrow, some joy of the ancient home.%@NL@%

%@NL@%William Morris
%@NL@%The Day Is Coming [1884],l. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW80     @%%@2@%Come, shoulder to shoulder ere earth grows older!%@NL@%%@EH@%
The Cause spreads over land and sea!%@NL@%
Now the world shaketh, and fear awaketh,%@NL@%
And joy at last for thee and me.%@NL@%

%@NL@%William Morris
%@NL@%The Voice of Toil [1884], l. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Morris@%%@QR:Morris@%%@CR:N1834MORW90     @%%@2@%   The reward of labor is life.%@NL@%%@EH@%
%@NL@%
William Morris
%@NL@%News from Nowhere [1891], ch. 15

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Frank Richard Stockton%@AE@%%@EH@%
%@NL@%
%@AB@%1834-1902%@AE@%
%@NL@%%@NL@%

%@QR:Frank Richard Stockton@%%@QR:Stockton@%%@CR:N1834STOF10     @%%@2@%   Which came out of the opened door-the lady or the tiger?%@NL@%%@EH@%
%@NL@%
Frank Richard Stockton
%@NL@%The Lady or the Tiger? [1884]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Frank Richard Stockton@%%@QR:Stockton@%%@CR:N1834STOF20     @%%@2@%   The board money is in the ginger jar and our conscience is clear.%@NL@%%@EH@%
%@NL@%
Frank Richard Stockton
%@NL@%The Casting Away of Mrs. Lecks and Mrs. Aleshine [1886]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Thomson%@AE@%%@EH@%
%@NL@%
%@AB@%1834-1882%@AE@%
%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1834THOJ7      @%%@2@%Statues and pictures and verse may be grand,%@NL@%%@EH@%
But they are not the Life for which they stand.%@NL@%

%@NL@%James Thomson
%@NL@%Art [1865], st. 3, l. 19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1834THOJ10     @%%@2@%The City is of Night; perchance of Death,%@NL@%%@EH@%
But certainly of Night.%@NL@%

%@NL@%James Thomson
%@NL@%The City of Dreadful Night [1874].st. 1, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1834THOJ20     @%%@2@%That positive eternity of pain,%@NL@%%@EH@%
Instead of this insufferable inane.%@NL@%

%@NL@%James Thomson
%@NL@%The City of Dreadful Night [1874].st. 6, l. 23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Thomson@%%@QR:Thomson@%%@CR:N1834THOJ30     @%%@2@%What never has been, yet may have its when;%@NL@%%@EH@%
The thing which has been, never is again.%@NL@%

%@NL@%James Thomson
%@NL@%The City of Dreadful Night [1874].st. 18, l. 77

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James McNeill Whistler%@AE@%%@EH@%
%@NL@%
%@AB@%1834-1903%@AE@%
%@NL@%%@NL@%

%@QR:James McNeill Whistler@%%@QR:Whistler@%%@CR:N1834WHIJ10     @%%@2@%   Two and two continue to make four, in spite of the whine of the amateur%@EH@%
for three, or the cry of the critic for five.%@NL@%
%@NL@%
James McNeill Whistler
%@NL@%%@FN@%
Whistler's lawsuit for libel. Ruskin had written of Whistler's Nocturne in
Black and Gold, "I have seen, and heard, much of Cockney impudence before
now; but never expected to hear a coxcomb ask two hundred guineas for
flinging a pot of paint in the public's face."-John Ruskin, Fors Clavigera,
Letter 79 [1877]  %@EF@%
Whistler v. Ruskin [1878]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James McNeill Whistler@%%@QR:Whistler@%%@CR:N1834WHIJ30     @%%@2@%   The rare few, who, early in life, have rid themselves of the friendship%@EH@%
of the many.%@NL@%
%@NL@%
James McNeill Whistler
%@NL@%The Gentle Art of Making Enemies [1890],dedication

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James McNeill Whistler@%%@QR:Whistler@%%@CR:N1834WHIJ40     @%%@2@%   To say of a picture, as is often said in its praise, that it shows great%@EH@%
and earnest labor, is to say that it is incomplete and unfit for view.%@NL@%
%@NL@%
James McNeill Whistler
%@NL@%The Gentle Art of Making Enemies [1890],Propositions, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ars est celare artem [Art lies in concealing art].-Latin proverb  %@EF@%
%@QR:James McNeill Whistler@%%@QR:Whistler@%%@CR:N1834WHIJ50     @%%@2@%   Industry in art is a necessity-not a virtue-and any evidence of the same,%@EH@%
in the production, is a blemish, not a quality; a proof, not of achievement,
but of absolutely insufficient work, for work alone will efface the
footsteps of work.%@NL@%
%@NL@%
James McNeill Whistler
%@NL@%The Gentle Art of Making Enemies [1890],Propositions, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James McNeill Whistler@%%@QR:Whistler@%%@CR:N1834WHIJ70     @%%@2@%   The masterpiece should appear as the flower to the painter-perfect in its%@EH@%
bud as in its bloom-with no reason to explain its presence-no mission to
fulfill-a joy to the artist, a delusion to the philanthropist-a puzzle to
the botanist-an accident of sentiment and alliteration to the literary man.%@NL@%
%@NL@%
James McNeill Whistler
%@NL@%The Gentle Art of Making Enemies [1890],Propositions, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James McNeill Whistler@%%@QR:Whistler@%%@CR:N1834WHIJ80     @%%@2@%   Art should be independent of all claptrap-should stand alone, and appeal%@EH@%
to the artistic sense of eye and ear, without confounding this with emotions
entirely foreign to it, as devotion, pity, love, patriotism, and the like.
All these have no kind of concern with it.%@NL@%
%@NL@%
James McNeill Whistler
%@NL@%The Gentle Art of Making Enemies [1890],Propositions, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James McNeill Whistler@%%@QR:Whistler@%%@CR:N1834WHIJ90     @%%@2@%   It is for the artist . . . in portrait painting to put on canvas%@EH@%
something more than the face the model wears for that one day; to paint the
man, in short, as well as his features.%@NL@%
%@NL@%
James McNeill Whistler
%@NL@%The Gentle Art of Making Enemies [1890],Propositions, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Referring to a contemplated visit to the United States.  %@EF@%
%@QR:James McNeill Whistler@%%@QR:Whistler@%%@CR:N1834WHIJ100    @%%@2@%   One cannot continually disappoint a Continent.%@NL@%%@EH@%
%@NL@%
James McNeill Whistler
%@NL@%The Gentle Art of Making Enemies [1890],Propositions, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James McNeill Whistler@%%@QR:Whistler@%%@CR:N1834WHIJ110    @%%@2@%   I am not arguing with you-I am telling you.%@NL@%%@EH@%
%@NL@%
James McNeill Whistler
%@NL@%The Gentle Art of Making Enemies [1890],Propositions, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James McNeill Whistler@%%@QR:Whistler@%%@CR:N1834WHIJ120    @%%@2@%   Wilde: I wish I'd said that.%@NL@%%@EH@%
Whistler: You will, Oscar, you will.%@NL@%
%@NL@%
James McNeill Whistler
%@NL@%From L. C. Ingleby, Oscar Wilde [1907]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James McNeill Whistler@%%@QR:Whistler@%%@CR:N1834WHIJ130    @%%@2@%   "I only know of two painters in the world," said a newly introduced%@EH@%
feminine enthusiast to Whistler, "yourself and Velasquez." "Why," answered
Whistler in dulcet tones, "why drag in Velasquez?"%@NL@%
%@NL@%
James McNeill Whistler
%@NL@%From D. C. Seitz, Whistler Stories [1913]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Brigham Bishop%@AE@%%@EH@%
%@NL@%
%@AB@%1835-1905%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Brigham Bishop@%%@QR:Bishop@%%@CR:N1835BIST10     @%%@2@%John Brown's body lies a-moldering in the grave,%@NL@%%@EH@%
His soul is marching on.%@NL@%

%@NL@%Thomas Brigham Bishop
%@NL@%John Brown's Body, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Brigham Bishop@%%@QR:Bishop@%%@CR:N1835BIST20     @%%@2@%Shoo, fly! don't bodder me! I belong to Company G,%@NL@%%@EH@%
I feel like a morning star.%@NL@%

%@NL@%Thomas Brigham Bishop
%@NL@%Shoo, Fly. Refrain

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Phillips Brooks%@AE@%%@EH@%
%@NL@%
%@AB@%1835-1893%@AE@%
%@NL@%%@NL@%

%@QR:Phillips Brooks@%%@QR:Brooks@%%@CR:N1835BROP10     @%%@2@%O little town of Bethlehem!%@NL@%%@EH@%
How still we see thee lie;%@NL@%
Above thy deep and dreamless sleep%@NL@%
The silent stars go by;%@NL@%
Yet in thy dark streets shineth%@NL@%
The everlasting Light;%@NL@%
The hopes and fears of all the years%@NL@%
Are met in thee tonight.%@NL@%

%@NL@%Phillips Brooks
%@NL@%O Little Town of Bethlehem [1867], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Phillips Brooks@%%@QR:Brooks@%%@CR:N1835BROP20     @%%@2@%   Life comes before literature, as the material always comes before the%@EH@%
work. The hills are full of marble before the world blooms with statues.%@NL@%
%@NL@%
Phillips Brooks
%@NL@%Literature and Life

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Phillips Brooks@%%@QR:Brooks@%%@CR:N1835BROP30     @%%@2@%   Do not pray for easy lives. Pray to be stronger men! Do not pray for%@EH@%
tasks equal to your powers. Pray for powers equal to your tasks.%@NL@%
%@NL@%
Phillips Brooks
%@NL@%Sermons.Going Up to Jerusalem

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Phillips Brooks@%%@QR:Brooks@%%@CR:N1835BROP40     @%%@2@%   Greatness after all, in spite of its name, appears to be not so much a%@EH@%
certain size as a certain quality in human lives. It may be present in lives
whose range is very small.%@NL@%
%@NL@%
Phillips Brooks
%@NL@%Sermons.Purpose and Use of Comfort

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Butler%@AE@%%@EH@%
%@NL@%
%@AB@%1835-1902%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS10     @%%@2@%   The man who lets himself be bored is even more contemptible than the%@EH@%
bore.%@NL@%
%@NL@%
Samuel Butler
%@NL@%The Fair Haven [1873]. Memoir, ch. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS20     @%%@2@%   A hen is only an egg's way of making another egg.%@NL@%%@EH@%
%@NL@%
Samuel Butler
%@NL@%Life and Habit [1877], ch. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS30     @%%@2@%Stowed away in a Montreal lumber room%@NL@%%@EH@%
The Discobolus standeth and turneth his face to the wall;%@NL@%
Dusty, cobweb-covered, maimed and set at naught,%@NL@%
Beauty crieth in an attic and no man regardeth.%@NL@%
O God! O Montreal!%@NL@%

%@NL@%Samuel Butler
%@NL@%A Psalm of Montreal [1884],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS40     @%%@2@%The Discobolus is put here because he is vulgar-%@NL@%%@EH@%
He has neither vest nor pants with which to cover his limbs.%@NL@%

%@NL@%Samuel Butler
%@NL@%A Psalm of Montreal [1884],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS50     @%%@2@%   It is far safer to know too little than too much. People will condemn the%@EH@%
one, though they will resent being called upon to exert themselves to follow
the other.%@NL@%
%@NL@%
Samuel Butler
%@NL@%The Way of All Flesh [1903], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS60     @%%@2@%   Adversity, if a man is set down to it by degrees, is more supportable%@EH@%
with equanimity by most people than any great prosperity arrived at in a
single lifetime. 1 %@NL@%
%@NL@%
Samuel Butler
%@NL@%The Way of All Flesh [1903], ch.5

%@NL@%%@AI@%1 See Carlyle%@BO:          397c03@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS70     @%%@2@%   It is our less conscious thoughts and our less conscious actions which%@EH@%
mainly mold our lives and the lives of those who spring from us.%@NL@%
%@NL@%
Samuel Butler
%@NL@%The Way of All Flesh [1903], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS80     @%%@2@%   Youth is like spring, an overpraised season.%@NL@%%@EH@%
%@NL@%
Samuel Butler
%@NL@%The Way of All Flesh [1903], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS90     @%%@2@%   Taking numbers into account, I should think more mental suffering had%@EH@%
been undergone in the streets leading from St. George's, Hanover Square,
than in the condemned cells of Newgate.%@NL@%
%@NL@%
Samuel Butler
%@NL@%The Way of All Flesh [1903], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS100    @%%@2@%   Every man's work, whether it be literature or music or pictures or%@EH@%
architecture or anything else, is always a portrait of himself.%@NL@%
%@NL@%
Samuel Butler
%@NL@%The Way of All Flesh [1903], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS110    @%%@2@%   One great reason why clergymen's households are generally unhappy is%@EH@%
because the clergyman is so much at home and close about the house.%@NL@%
%@NL@%
Samuel Butler
%@NL@%The Way of All Flesh [1903], ch.24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS120    @%%@2@%   The advantage of doing one's praising for oneself is that one can lay it%@EH@%
on so thick and exactly in the right places.%@NL@%
%@NL@%
Samuel Butler
%@NL@%The Way of All Flesh [1903], ch.34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS130    @%%@2@%   The best liar is he who makes the smallest amount of lying go the longest%@EH@%
way.%@NL@%
%@NL@%
Samuel Butler
%@NL@%The Way of All Flesh [1903], ch.39

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The tragic house, the house with nobody in it.-Joyce Kilmer [1886-1918], The
House with Nobody in It  %@EF@%
%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS140    @%%@2@%   An empty house is like a stray dog or a body from which life has%@EH@%
departed.%@NL@%
%@NL@%
Samuel Butler
%@NL@%The Way of All Flesh [1903], ch.72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS160    @%%@2@%   A man's friendships are, like his will, invalidated by marriage-but they%@EH@%
are also no less invalidated by the marriage of his friends.%@NL@%
%@NL@%
Samuel Butler
%@NL@%The Way of All Flesh [1903], ch.75

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS170    @%%@2@%   Life is the art of drawing sufficient conclusions from insufficient%@EH@%
premises.%@NL@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].Life

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS180    @%%@2@%   All progress is based upon a universal innate desire on the part of every%@EH@%
organism to live beyond its income.%@NL@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].Life

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS190    @%%@2@%   Though analogy is often misleading, it is the least misleading thing we%@EH@%
have.%@NL@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].Music, Pictures, and Books

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS200    @%%@2@%   The phrase "unconscious humor" is the one contribution I have made to the%@EH@%
current literature of the day.%@NL@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].Homo Unius Libri

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS210    @%%@2@%   Ideas and opinions, like living organisms, have a normal rate of growth%@EH@%
which cannot be either checked or forced beyond a certain point. The more
unpopular an opinion is, the more necessary is it that the holder should be
somewhat punctilious in his observance of conventionalities generally.%@NL@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].The Art of Propagating Opinion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS220    @%%@2@%   Genius . . . has been defined as a supreme capacity for taking trouble. 1%@EH@%
2  3  . . . It might be more fitly described as a supreme capacity for
getting its possessors into trouble of all kinds and keeping them therein so
long as the genius remains.%@NL@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].Genius

%@NL@%%@AI@%1 See Buffon%@BO:          2b7e89@%%@AE@%
%@AI@%2 See Carlyle%@BO:          398ac2@%%@AE@%
%@AI@%3 See Hopkins%@BO:          4b0153@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS230    @%%@2@%   I am the enfant terrible of literature and science.%@NL@%%@EH@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].Enfant Terrible: Myself

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS240    @%%@2@%   An apology for the Devil: It must be remembered that we have only heard%@EH@%
one side of the case. God has written all the books.%@NL@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].Higgledy-Piggledy: An Apology for the Devil

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS250    @%%@2@%   God is Love-I dare say. But what a mischievous devil Love is!%@NL@%%@EH@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].God Is Love

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS260    @%%@2@%   To live is like to love-all reason is against it, and all healthy%@EH@%
instinct for it.%@NL@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].Life and Love

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS270    @%%@2@%   The Ancient Mariner would not have taken so well if it had been called%@EH@%
The Old Sailor.%@NL@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].Titles and Subjects

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS280    @%%@2@%   The public buys its opinions as it buys its meat, or takes in its milk,%@EH@%
on the principle that it is cheaper to do this than to keep a cow. So it is,
but the milk is more likely to be watered.%@NL@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].Sequel to "Alps and Sanctuaries"

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Samuel Butler@%%@QR:Butler@%%@CR:N1835BUTS290    @%%@2@%   I do not mind lying, but I hate inaccuracy.%@NL@%%@EH@%
%@NL@%
Samuel Butler
%@NL@%Notebooks [1912].Truth and Convenience: Falsehood

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Andrew Carnegie%@AE@%%@EH@%
%@NL@%
%@AB@%1835-1919%@AE@%
%@NL@%%@NL@%

%@QR:Andrew Carnegie@%%@QR:Carnegie@%%@CR:N1835CARA10     @%%@2@%   The problem of our age is the proper administration of wealth, so that%@EH@%
the ties of brotherhood may still bind together the rich and poor in
harmonious relationship.%@NL@%
%@NL@%
Andrew Carnegie
%@NL@%Wealth. From the North American Review [June 1889]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Carnegie@%%@QR:Carnegie@%%@CR:N1835CARA20     @%%@2@%   While the law [of competition] may be sometimes hard for the individual,%@EH@%
it is best for the race, because it insures the survival of the fittest in
every department. We accept and welcome, therefore, as conditions to which
we must accommodate ourselves, great inequality of environment, the
concentration of business, industrial and commercial, in the hands of a few,
and the law of competition between these, as being not only beneficial, but
essential for the future progress of the race.%@NL@%
%@NL@%
Andrew Carnegie
%@NL@%Wealth. From the North American Review [June 1889]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Carnegie@%%@QR:Carnegie@%%@CR:N1835CARA30     @%%@2@%   Upon the sacredness of property civilization itself depends-the right of%@EH@%
the laborer to his hundred dollars in the savings bank, and equally the
legal right of the millionaire to his millions.%@NL@%
%@NL@%
Andrew Carnegie
%@NL@%Wealth. From the North American Review [June 1889]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Carnegie@%%@QR:Carnegie@%%@CR:N1835CARA40     @%%@2@%   Surplus wealth is a sacred trust which its possessor is bound to%@EH@%
administer in his lifetime for the good of the community.%@NL@%
%@NL@%
Andrew Carnegie
%@NL@%Wealth. From the North American Review [June 1889]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Carnegie@%%@QR:Carnegie@%%@CR:N1835CARA50     @%%@2@%   Those who would administer wisely must, indeed, be wise, for one of the%@EH@%
serious obstacles to the improvement of our race is indiscriminate charity.%@NL@%
%@NL@%
Andrew Carnegie
%@NL@%Wealth. From the North American Review [June 1889]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Carnegie@%%@QR:Carnegie@%%@CR:N1835CARA60     @%%@2@%   Thus is the problem of Rich and Poor to be solved. The law of%@EH@%
accumulation will be left free; the laws of distribution free. Individualism
will continue, but the millionaire will be but a trustee of the poor;
entrusted for a season with a great part of the increased wealth of the
community, but administering it for the community far better than it could
or would have done for itself. 1  2  3 %@NL@%
%@NL@%
Andrew Carnegie
%@NL@%Wealth. From the North American Review [June 1889]

%@NL@%%@AI@%1 See Maimonides%@BO:          110b06@%%@AE@%
%@AI@%2 See Spinoza%@BO:          26fc8c@%%@AE@%
%@AI@%3 See Johnson%@BO:          2c3029@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Carnegie@%%@QR:Carnegie@%%@CR:N1835CARA70     @%%@2@%   The man who dies . . . rich dies disgraced.%@NL@%%@EH@%
%@NL@%
Andrew Carnegie
%@NL@%Wealth. From the North American Review [June 1889]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Carnegie@%%@QR:Carnegie@%%@CR:N1835CARA80     @%%@2@%   Such, in my opinion, is the true Gospel concerning Wealth, obedience to%@EH@%
which is destined some day to solve the problem of the Rich and the Poor,
and to bring "Peace on earth, among men Good Will."%@NL@%
%@NL@%
Andrew Carnegie
%@NL@%Wealth. From the North American Review [June 1889]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
There's nobbut three generations atween clog and clog.-Lancashire proverb,
which Carnegie liked to quote  %@EF@%
%@QR:Andrew Carnegie@%%@QR:Carnegie@%%@CR:N1835CARA90     @%%@2@%   Three generations from shirtsleeves to shirtsleeves.%@NL@%%@EH@%
%@NL@%
Andrew Carnegie
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Garnett%@AE@%%@EH@%
%@NL@%
%@AB@%1835-1906%@AE@%
%@NL@%%@NL@%

%@QR:Richard Garnett@%%@QR:Garnett@%%@CR:N1835GARR10     @%%@2@%   When Silence speaks for Love she has much to say.%@NL@%%@EH@%
%@NL@%
Richard Garnett
%@NL@%De Flagello Myrteo [1905],99

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Richard Garnett@%%@QR:Garnett@%%@CR:N1835GARR20     @%%@2@%   Ascend above the restrictions and conventions of the world, but not so%@EH@%
high as to lose sight of them.%@NL@%
%@NL@%
Richard Garnett
%@NL@%De Flagello Myrteo [1905],333

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Harriet Prescott Spofford%@AE@%%@EH@%
%@NL@%
%@AB@%1835-1921%@AE@%
%@NL@%%@NL@%

%@QR:Harriet Prescott Spofford@%%@QR:Spofford@%%@CR:N1835SPOH10     @%%@2@%The awful phantom of the hungry poor.%@NL@%%@EH@%

%@NL@%Harriet Prescott Spofford
%@NL@%A Winter's Night

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Celia Laighton Thaxter%@AE@%%@EH@%
%@NL@%
%@AB@%1835-1894%@AE@%
%@NL@%%@NL@%

%@QR:Celia Laighton Thaxter@%%@QR:Thaxter@%%@CR:N1835THAC10     @%%@2@%Across the narrow beach we flit,%@NL@%%@EH@%
One little sandpiper and I;%@NL@%
And fast I gather, bit by bit,%@NL@%
The scattered driftwood, bleached and dry.%@NL@%

%@NL@%Celia Laighton Thaxter
%@NL@%The Sandpiper, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Mark Twain%@AE@%%@EH@%
%@NL@%Samuel Langhorne Clemens
%@AB@%1835-1910%@AE@%
%@FN@%
I was a fresh, new journalist, and needed a nom de guerre; so I confiscated
the ancient mariner's discarded one ["Mark Twain"], and have done my best to
make it remain what it was in his hands-a sign and symbol and warrant that
whatever is found in its company may be gambled on as being the petrified
truth.-Twain, Life on the Mississippi [1883], ch. 50  The earlier use of the
pen name was by Captain Isaiah Sellers, in theNew Orleans Picayune.  The
phrase "mark twain," meaning "two fathoms deep," was employed in making
soundings on the Mississippi riverboats.  %@EF@%
%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM20     @%%@2@%   I'll resk forty dollars that he can outjump any frog in Calaveras county.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%The Celebrated Jumping Frog [1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM30     @%%@2@%   I don't see no p'ints about that frog that's any better'n any other frog.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%The Celebrated Jumping Frog [1865]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM40     @%%@2@%   Soap and education are not as sudden as a massacre, but they are more%@EH@%
deadly in the long run.%@NL@%
%@NL@%
Mark Twain
%@NL@%The Facts Concerning the Recent Resignation [1867]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM50     @%%@2@%   Tomorrow night I appear for the first time before a Boston audience-4000%@EH@%
critics.%@NL@%
%@NL@%
Mark Twain
%@NL@%Letter to Pamela Clemens Moffet [November 9, 1869]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM60     @%%@2@%   They spell it Vinci and pronounce it Vinchy; foreigners always spell%@EH@%
better than they pronounce.%@NL@%
%@NL@%
Mark Twain
%@NL@%The Innocents Abroad [1869], ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM70     @%%@2@%   I do not want Michael Angelo for breakfast-for luncheon-for dinner-for%@EH@%
tea-for supper-for between meals.%@NL@%
%@NL@%
Mark Twain
%@NL@%The Innocents Abroad [1869], ch.27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM80     @%%@2@%   Lump the whole thing! say that the Creator made Italy from designs by%@EH@%
Michael Angelo!%@NL@%
%@NL@%
Mark Twain
%@NL@%The Innocents Abroad [1869], ch.27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM90     @%%@2@%   Guides cannot master the subtleties of the American joke.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%The Innocents Abroad [1869], ch.27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM100    @%%@2@%   There's millions in it!%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%%@FN@%
Written in collaboration with Charles Dudley Warner.  See Warner  %@EF@%
The Gilded Age [1873]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM110    @%%@2@%   Barring that natural expression of villainy which we all have, the man%@EH@%
looked honest enough.%@NL@%
%@NL@%
Mark Twain
%@NL@%A Mysterious Visit [1875]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM120    @%%@2@%   This poor little one-horse town.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%The Undertaker's Chat [1875]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM130    @%%@2@%   Tom appeared on the sidewalk with a bucket of whitewash and a%@EH@%
long-handled brush. He surveyed the fence, and all gladness left him and a
deep melancholy settled down upon his spirit. Thirty yards of board fence
nine feet high. Life to him seemed hollow, and existence but a burden.%@NL@%
%@NL@%
Mark Twain
%@NL@%The Adventures of Tom Sawyer [1876], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM140    @%%@2@%   Work consists of whatever a body is obliged to do . . . Play consists of%@EH@%
whatever a body is not obliged to do.%@NL@%
%@NL@%
Mark Twain
%@NL@%The Adventures of Tom Sawyer [1876], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM150    @%%@2@%   The minister gave out his text and droned along monotonously through an%@EH@%
argument that was so prosy that many a head by and by began to nod-and yet
it was an argument that dealt in limitless fire and brimstone and thinned
the predestined elect 1  2  down to a company so small as to be hardly worth
the saving.%@NL@%
%@NL@%
Mark Twain
%@NL@%The Adventures of Tom Sawyer [1876], ch.5

%@NL@%%@AI@%1 See Romans 8:29-0%@BO:           6831b@%%@AE@%
%@AI@%2 See Romans 8:33%@BO:           68618@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM160    @%%@2@%   There was no getting around the stubborn fact that taking sweetmeats was%@EH@%
only "hooking," while taking bacon and hams and such valuables was plain
simple stealing-and there was a command against that in the Bible. So they
inwardly resolved that so long as they remained in the business, their
piracies should not again be sullied with the crime of stealing.%@NL@%
%@NL@%
Mark Twain
%@NL@%The Adventures of Tom Sawyer [1876], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM170    @%%@2@%   To promise not to do a thing is the surest way in the world to make a%@EH@%
body want to go and do that very thing.%@NL@%
%@NL@%
Mark Twain
%@NL@%The Adventures of Tom Sawyer [1876], ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM180    @%%@2@%   She makes me wash, they comb me all to thunder . . . The widder eats by a%@EH@%
bell; she goes to bed by a bell; she gits up by a bell-everything's so awful
reg'lar a body can't stand it.%@NL@%
%@NL@%
Mark Twain
%@NL@%The Adventures of Tom Sawyer [1876], ch.35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM190    @%%@2@%   A baby is an inestimable blessing and bother.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Letter to Annie Webster [September 1, 1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM200    @%%@2@%   There is a sumptuous variety about the New England weather that compels%@EH@%
the stranger's admiration-and regret. The weather is always doing something
there; always attending strictly to business; always getting up new designs
and trying them on people to see how they will go. But it gets through more
business in spring than in any other season. In the spring I have counted
one hundred and thirty-six different kinds of weather inside of twenty-four
hours. 1 %@NL@%
%@NL@%
Mark Twain
%@NL@%New England Weather. Speech to the New England Society
[December 22, 1876]

%@NL@%%@AI@%1 See Warner%@BO:          4800d3@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM210    @%%@2@%   Probable nor'east to sou'west winds, varying to the southard and westard%@EH@%
and eastard and points between; high and low barometer, sweeping round from
place to place; probable areas of rain, snow, hail, and drought, succeeded
or preceded by earthquakes with thunder and lightning.%@NL@%
%@NL@%
Mark Twain
%@NL@%New England Weather. Speech to the New England Society
[December 22, 1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM215    @%%@2@%   One of the brightest gems in the New England weather is the dazzling%@EH@%
uncertainty of it.%@NL@%
%@NL@%
Mark Twain
%@NL@%New England Weather. Speech to the New England Society
[December 22, 1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM220    @%%@2@%   We haven't all had the good fortune to be ladies; we haven't all been%@EH@%
generals, or poets, or statesmen; but when the toast works down to the
babies, we stand on common ground.%@NL@%
%@NL@%
Mark Twain
%@NL@%Answering a toast, "To the babies," at a banquet
in honor of General U. S. Grant [November 14, 1879]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM230    @%%@2@%   Among the three or four million cradles now rocking in the land are some%@EH@%
which this nation would preserve for ages as sacred things, if we could know
which ones they are.%@NL@%
%@NL@%
Mark Twain
%@NL@%Answering a toast, "To the babies," at a banquet
in honor of General U. S. Grant [November 14, 1879]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Mississippi: big river (in Ojibwa, misi sibi).  %@EF@%
%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM240    @%%@2@%   It is the longest river in the world-four thousand three hundred miles. .%@EH@%
. . It is also the crookedest river in the world, since in one part of its
journey it uses up one thousand three hundred miles to cover the same ground
that the crow would fly over in six hundred and seventy-five.%@NL@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM250    @%%@2@%   The world and the books are so accustomed to use, and over-use, the word%@EH@%
"new" in connection with our country, that we early get and permanently
retain the impression that there is nothing old about it.%@NL@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM260    @%%@2@%   Sired by a hurricane, dam'd by an earthquake.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM270    @%%@2@%   When I'm playful I use the meridians of longitude and parallels of%@EH@%
latitude for a seine, and drag the Atlantic Ocean for whales. I scratch my
head with the lightning and purr myself to sleep with the thunder.%@NL@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM280    @%%@2@%   The Child of Calamity.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM290    @%%@2@%   I was gratified to be able to answer promptly, and I did. I said I didn't%@EH@%
know.%@NL@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM300    @%%@2@%   Your true pilot cares nothing about anything on earth but the river, and%@EH@%
his pride in his occupation surpasses the pride of kings.%@NL@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM310    @%%@2@%   By the Shadow of Death, but he's a lightning pilot!%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in The Prince and the Pauper,ch. 13.  %@EF@%
%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM320    @%%@2@%   A limb of Satan.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM330    @%%@2@%   I'll learn him or kill him.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM340    @%%@2@%   Give an Irishman lager for a month, and he's a dead man. An Irishman is%@EH@%
lined with copper, and the beer corrodes it. But whiskey polishes the copper
and is the saving of him.%@NL@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM350    @%%@2@%   All the modern inconveniences.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM360    @%%@2@%   The educated Southerner has no use for an r, except at the beginning of a%@EH@%
word.%@NL@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM370    @%%@2@%   In the South the war is what a.d. is elsewhere; they date from it.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM380    @%%@2@%   War talk by men who have been in a war is always interesting; whereas%@EH@%
moon talk by a poet who has not been in the moon is likely to be dull.%@NL@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM390    @%%@2@%   Sir Walter [Scott] had so large a hand in making Southern character as it%@EH@%
existed before the war that he is in great measure responsible for the war.%@NL@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.46

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM400    @%%@2@%   It was without a compeer among swindles. It was perfect, it was rounded,%@EH@%
symmetrical, complete, colossal.%@NL@%
%@NL@%
Mark Twain
%@NL@%Life on the Mississippi [1883], ch.52

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM410    @%%@2@%   Persons attempting to find a motive in this narrative will be prosecuted;%@EH@%
persons attempting to find a moral in it will be banished; persons
attempting to find a plot in it will be shot.%@NL@%
{ce}By Order of the Author.%@NL@%
%@NL@%
Mark Twain
%@NL@%Adventures of Huckleberry Finn [1884].Notice

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM420    @%%@2@%   You don't know about me without you have read a book by the name of   The%@EH@%
Adventures of Tom Sawyer; but that ain't no matter. That book was made by
Mr. Mark Twain, and he told the truth, mainly. There was things which he
stretched, but mainly he told the truth.%@NL@%
%@NL@%
Mark Twain
%@NL@%Adventures of Huckleberry Finn [1884].ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM430    @%%@2@%   Jim was most ruined for a servant, because he got stuck up on account of%@EH@%
having seen the devil and been rode by witches.%@NL@%
%@NL@%
Mark Twain
%@NL@%Adventures of Huckleberry Finn [1884].ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM440    @%%@2@%   We catched fish and talked, and we took a swim now and then to keep off%@EH@%
sleepiness. It was kind of solemn, drifting down the big, still river,
laying on our backs looking up at the stars, and we didn't ever feel like
talking loud, and it warn't often that we laughed-only a little kind of a
low chuckle. We had mighty good weather as a general thing, and nothing ever
happened to us at all.%@NL@%
%@NL@%
Mark Twain
%@NL@%Adventures of Huckleberry Finn [1884].ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM450    @%%@2@%   It most froze me to hear such talk. . . . Thinks I, this is what comes of%@EH@%
my not thinking. Here was this nigger, which I had as good as helped to run
away, coming right out flat-footed and saying he would steal his
children-children that belonged to a man I didn't even know, a man that
hadn't ever done me no harm.%@NL@%
%@NL@%
Mark Twain
%@NL@%Adventures of Huckleberry Finn [1884].ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM460    @%%@2@%   Pilgrim's Progress, about a man that left his family, it didn't say why.%@EH@%
I read considerable in it now and then. The statements was interesting but
tough.%@NL@%
%@NL@%
Mark Twain
%@NL@%Adventures of Huckleberry Finn [1884].ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM470    @%%@2@%   There warn't anybody at the church, except maybe a hog or two, for there%@EH@%
warn't any lock on the door, and hogs likes a puncheon floor in summertime
because it's cool. If you notice, most folks don't go to church only when
they've got to; but a hog is different.%@NL@%
%@NL@%
Mark Twain
%@NL@%Adventures of Huckleberry Finn [1884].ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM480    @%%@2@%   We said there warn't no home like a raft, after all. Other places do seem%@EH@%
so cramped up and smothery, but a raft don't. You feel mighty free and easy
and comfortable on a raft.%@NL@%
%@NL@%
Mark Twain
%@NL@%Adventures of Huckleberry Finn [1884].ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM490    @%%@2@%   A monstrous big river.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Adventures of Huckleberry Finn [1884].ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM500    @%%@2@%   Hain't we got all the fools in town on our side? And ain't that a big%@EH@%
enough majority in any town? 1 %@NL@%
%@NL@%
Mark Twain
%@NL@%Adventures of Huckleberry Finn [1884].ch.26

%@NL@%%@AI@%1 See Pudd'nhead Wilson's New Calendar%@BO:          4a5f27@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM510    @%%@2@%   I was trying to make my mouth say I would do the right thing and the%@EH@%
clean thing, and go and write to that nigger's owner and tell where he was;
but deep down in me I knowed it was a lie, and He knowed it. You can't pray
a lie-I found that out.%@NL@%
%@NL@%
Mark Twain
%@NL@%Adventures of Huckleberry Finn [1884].ch.31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM520    @%%@2@%   I was a-trembling because I'd got to decide forever betwixt two things,%@EH@%
and I knowed it. I studied for a minute, sort of holding my breath, and then
says to myself, "All right, then, I'll go to hell."%@NL@%
%@NL@%
Mark Twain
%@NL@%Adventures of Huckleberry Finn [1884].ch.31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM530    @%%@2@%   An experienced, industrious, ambitious, and often quite picturesque liar.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%The Private History of a Campaign That Failed [1885]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM540    @%%@2@%   He is now fast rising from affluence to poverty.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Henry Ward Beecher's Farm [1885]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM550    @%%@2@%   He [George Washington Cable] has taught me to abhor and detest the%@EH@%
Sabbath day and hunt up new and troublesome ways to dishonor it.%@NL@%
%@NL@%
Mark Twain
%@NL@%Letter to William Dean Howells [February 27, 1885]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM560    @%%@2@%   Whenever the literary German dives into a sentence, that is the last you%@EH@%
are going to see of him till he emerges on the other side of his Atlantic
with his verb in his mouth.%@NL@%
%@NL@%
Mark Twain
%@NL@%A Connecticut Yankee at King Arthur's Court [1889], ch. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM570    @%%@2@%   Weather is a literary speciality, and no untrained hand can turn out a%@EH@%
good article on it.%@NL@%
%@NL@%
Mark Twain
%@NL@%The American Claimant [1892], foreword

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM580    @%%@2@%   Tell the truth or trump-but get the trick.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM590    @%%@2@%   Adam was but human-this explains it all. He did not want the apple for%@EH@%
the apple's sake, he wanted it only because it was forbidden.%@NL@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM600    @%%@2@%   Whoever has lived long enough to find out what life is, knows how deep a%@EH@%
debt of gratitude we owe to Adam, the first great benefactor of our race. He
brought death into the world.%@NL@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM610    @%%@2@%   Training is everything. The peach was once a bitter almond; cauliflower%@EH@%
is nothing but cabbage with a college education.%@NL@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM620    @%%@2@%   Habit is habit, and not to be flung out of the window by any man, but%@EH@%
coaxed downstairs a step at a time.%@NL@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM630    @%%@2@%   One of the most striking differences between a cat and a lie is that a%@EH@%
cat has only nine lives.%@NL@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM640    @%%@2@%   The holy passion of Friendship is of so sweet and steady and loyal and%@EH@%
enduring a nature that it will last through a whole lifetime, if not asked
to lend money.%@NL@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM650    @%%@2@%   Why is it that we rejoice at a birth and grieve at a funeral? It is%@EH@%
because we are not the person involved.%@NL@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM660    @%%@2@%   All say, "How hard it is that we have to die"-a strange complaint to come%@EH@%
from the mouths of people who have had to live.%@NL@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM670    @%%@2@%   When angry, count four; when very angry, swear. 1 %@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.10

%@NL@%%@AI@%1 See Jefferson%@BO:          301d77@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM680    @%%@2@%   Courage is resistance to fear, mastery of fear-not absence of fear.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM690    @%%@2@%   Nothing so needs reforming as other people's habits.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM700    @%%@2@%   Put all your eggs in the one basket and-watch that basket.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM710    @%%@2@%   If you pick up a starving dog and make him prosperous, he will not bite%@EH@%
you. This is the principal difference between a dog and a man.%@NL@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM720    @%%@2@%   Few things are harder to put up with than the annoyance of a good%@EH@%
example.%@NL@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM730    @%%@2@%   It were not best that we should all think alike; it is difference of%@EH@%
opinion that makes horse races.%@NL@%
%@NL@%
Mark Twain
%@NL@%Pudd'nhead Wilson [1894]. Pudd'nhead Wilson's Calendar, ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM740    @%%@2@%   Be good and you will be lonesome.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].Caption for author's photograph
on shipboard, frontispiece of first edition

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM750    @%%@2@%   When in doubt tell the truth.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM760    @%%@2@%   Truth is the most valuable thing we have. Let us economize it.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM770    @%%@2@%   It could probably be shown by facts and figures that there is no%@EH@%
distinctly native American criminal class except Congress.%@NL@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM780    @%%@2@%   Everything human is pathetic. The secret source of Humor itself is not%@EH@%
joy but sorrow. There is no humor in heaven.%@NL@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM790    @%%@2@%   We should be careful to get out of an experience only the wisdom that is%@EH@%
in it-and stop there; lest we be like the cat that sits down on a hot stove
lid. She will never sit down on a hot stove lid again-and that is well; but
also she will never sit down on a cold one any more.%@NL@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM800    @%%@2@%   We can secure other people's approval, if we do right and try hard; but%@EH@%
our own is worth a hundred of it, and no way has been found out of securing
that.%@NL@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM810    @%%@2@%   It is easier to stay out than get out.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM820    @%%@2@%   Pity is for the living, envy is for the dead.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM830    @%%@2@%   It is by the goodness of God that in our country we have those three%@EH@%
unspeakably precious things: freedom of speech, freedom of conscience, and
the prudence never to practice either of them.%@NL@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM840    @%%@2@%   "Classic." A book which people praise and don't read.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM850    @%%@2@%   Man is the only animal that blushes. Or needs to.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM860    @%%@2@%   Let us be thankful for the fools. But for them the rest of us could not%@EH@%
succeed. 1 %@NL@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.28

%@NL@%%@AI@%1 See Huckleberry Finn%@BO:          4a2de5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM870    @%%@2@%   There are several good protections against temptations, but the surest is%@EH@%
cowardice. 1 %@NL@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.I, Pudd'nhead Wilson's New Calendar, ch.36

%@NL@%%@AI@%1 See Wilde%@BO:          4fbb7e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM880    @%%@2@%   There is an old-time toast which is golden for its beauty. "When you%@EH@%
ascend the hill of prosperity may you not meet a friend."%@NL@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.II, ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM890    @%%@2@%   Each person is born to one possession which outvalues all his others-his%@EH@%
last breath.%@NL@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.II, ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM900    @%%@2@%   It takes your enemy and your friend, working together, to hurt you to the%@EH@%
heart; the one to slander you and the other to get the news to you.%@NL@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.II, ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM910    @%%@2@%   Grief can take care of itself, but to get the full value of a joy you%@EH@%
must have somebody to divide it with.%@NL@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.II, ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM920    @%%@2@%   In statesmanship get the formalities right, never mind about the%@EH@%
moralities.%@NL@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.II, ch.29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM930    @%%@2@%   Everyone is a moon, and has a dark side which he never shows to anybody.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Following the Equator [1897].vol.II, ch.30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Adapted from:  Warm summer sun, shine friendly here;/Warm western wind, blow
kindly here;/Green sod above, rest light, rest light-/Good-night, Annette!
Sweetheart, good-night.-Robert Richardson [1850-1901], To Annette  See
Euripides, Anonymous Latin, and Beaumont and Fletcher  %@EF@%
%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM935    @%%@2@%Warm summer sun, shine kindly here;%@NL@%%@EH@%
Warm southern wind, blow softly here;%@NL@%
Green sod above, lie light, lie light-%@NL@%
Good-night, dear heart, good-night, good-night.%@NL@%

%@NL@%Mark Twain
%@NL@%%@FN@%
Olivia Susan Clemens, who died August 18, 1896, aged twenty-four.  %@EF@%
Epitaph for his daughter [1896]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM940    @%%@2@%   The reports of my death are greatly exaggerated.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Cable from London to the Associated Press [1897]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM950    @%%@2@%   A round man cannot be expected to fit in a square hole right away. He%@EH@%
must have time to modify his shape. 1 %@NL@%
%@NL@%
Mark Twain
%@NL@%More Tramps Abroad [1897]

%@NL@%%@AI@%1 See Sydney Smith%@BO:          34c8e5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM960    @%%@2@%   In Boston they ask, How much does he know? In New York, How much is he%@EH@%
worth? In Philadelphia, Who were his parents?%@NL@%
%@NL@%
Mark Twain
%@NL@%What Paul Bourget Thinks of Us [1899]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM970    @%%@2@%   The silent colossal National Lie that is the support and confederate of%@EH@%
all the tyrannies and shams and inequalities and unfairnesses that afflict
the peoples-that is the one to throw bricks and sermons at.%@NL@%
%@NL@%
Mark Twain
%@NL@%My First Lie, and How I Got Out of It [1900]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM980    @%%@2@%   The blessings-of-civilization trust, wisely and cautiously administered,%@EH@%
is a daisy. There is more money in it, more territory, more sovereignty, and
other kinds of emolument, than there is in any other game that is played.
But Christendom . . . has been so eager to get every stake that appeared on
the green cloth, that the people who sit in darkness 1  2  have noticed it .
. . and have become suspicious of the blessings of civilization.%@NL@%
%@NL@%
Mark Twain
%@NL@%To the Person Sitting in Darkness [1901]

%@NL@%%@AI@%1 See Psalm 107:10%@BO:           292b8@%%@AE@%
%@AI@%2 See Matthew 4:16%@BO:           4e04e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
President Truman kept this saying on his desk in the White House.  %@EF@%
%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM990    @%%@2@%   Always do right. This will gratify some people, and astonish the rest.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%To the Young People's Society, Greenpoint Presbyterian Church,
Brooklyn [February 16, 1901]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1000   @%%@2@%   A powerful agent is the right word. Whenever we come upon one of those%@EH@%
intensely right words  in a book or a newspaper the resulting effect is
physical as well as spiritual, and electrically prompt.%@NL@%
%@NL@%
Mark Twain
%@NL@%Essay on William Dean Howells [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1010   @%%@2@%   It may be called the Master Passion, the hunger for self-approval.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%What Is Man? [1906], ch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1020   @%%@2@%   The fact that man knows right from wrong proves his intellectual%@EH@%
superiority to the other creatures; but the fact that he can do wrong proves
his moral inferiority to any creature that cannot.%@NL@%
%@NL@%
Mark Twain
%@NL@%What Is Man? [1906], ch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1023   @%%@2@%   Customs do not concern themselves with right or wrong or reason. But they%@EH@%
have to be obeyed; one reasons all around them until he is tired, but he
must not transgress them, it is sternly forbidden.%@NL@%
%@NL@%
Mark Twain
%@NL@%The Gorky Incident [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1025   @%%@2@%   Laws are sand, customs are rock. Laws can be evaded and punishment%@EH@%
escaped, but an openly transgressed custom brings sure punishment.%@NL@%
%@NL@%
Mark Twain
%@NL@%The Gorky Incident [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1030   @%%@2@%   Thunder is good, thunder is impressive; but it is lightning that does the%@EH@%
work.%@NL@%
%@NL@%
Mark Twain
%@NL@%Letter to an Unidentified Person [1908]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1040   @%%@2@%   As out of place as a Presbyterian in Hell.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%From Albert Bigelow Paine, Mark Twain [1912]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1070   @%%@2@%   Biographies are but the clothes and buttons of the man-the biography of%@EH@%
the man himself cannot be written.%@NL@%
%@NL@%
Mark Twain
%@NL@%Autobiography [1924], vol.I, p. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1080   @%%@2@%   Of all the creatures that were made he [man] is the most detestable. Of%@EH@%
the entire brood he is the only one-the solitary one-that possesses malice.
That is the basest of all instincts, passions, vices-the most hateful. . . .
He is the only creature that inflicts pain for sport, knowing it to be pain.
. . . Also-in all the list he is the only creature that has a nasty mind.%@NL@%
%@NL@%
Mark Twain
%@NL@%Autobiography [1924], vol.II,p. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1090   @%%@2@%   The trade of critic, in literature, music, and the drama, is the most%@EH@%
degraded of all trades.%@NL@%
%@NL@%
Mark Twain
%@NL@%Autobiography [1924], vol.II,p. 69

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1095   @%%@2@%   You tell me whar a man gits his corn pone, en I'll tell you what his%@EH@%
'pinions is.%@NL@%
%@NL@%
Mark Twain
%@NL@%Europe and Elsewhere [1925]. Corn Pone Opinions

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1100   @%%@2@%   Its name is Public Opinion. It is held in reverence. It settles%@EH@%
everything. Some think it is the voice of God.%@NL@%
%@NL@%
Mark Twain
%@NL@%Europe and Elsewhere [1925]. Corn Pone Opinions

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1110   @%%@2@%   Familiarity breeds contempt-and children. 1 %@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Notebooks [1935]

%@NL@%%@AI@%1 See Aesop%@BO:           8ed1b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1120   @%%@2@%   Good breeding consists in concealing how much we think of ourselves and%@EH@%
how little we think of the other person.%@NL@%
%@NL@%
Mark Twain
%@NL@%Notebooks [1935]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1130   @%%@2@%   Death, the only immortal who treats us all alike, whose pity and whose%@EH@%
peace and whose refuge are for all-the soiled and the pure, the rich and the
poor, the loved and the unloved.%@NL@%
%@NL@%
Mark Twain
%@NL@%Notebooks [1935]Memorandum written on his deathbed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1135   @%%@2@%   I believe that our Heavenly Father invented man because he was%@EH@%
disappointed in the monkey.%@NL@%
%@NL@%
Mark Twain
%@NL@%From Bernard De Voto, Mark Twain in Eruption [1940]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1137   @%%@2@%   Man seems to be a rickety poor sort of a thing, any way you take him; a%@EH@%
kind of British Museum of infirmities and inferiorities. He is always
undergoing repairs. A machine that was as unreliable as he is would have no
market.%@NL@%
%@NL@%
Mark Twain
%@NL@%%@FN@%
Edited by Bernard De Voto from unpublished manuscripts.  %@EF@%
Letters from the Earth [1962].
The Damned Human Race

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1140   @%%@2@%   Loyalty to petrified opinion never yet broke a chain or freed a human%@EH@%
soul.%@NL@%
%@NL@%
Mark Twain
%@NL@%Inscription beneath his bust in the Hall of Fame.

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Mark Twain@%%@QR:Twain@%%@QR:Samuel Langhorne Clemens@%%@QR:Clemens@%%@CR:N1835TWAM1150   @%%@2@%   The calm confidence of a Christian with four aces.%@NL@%%@EH@%
%@NL@%
Mark Twain
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Bailey Aldrich%@AE@%%@EH@%
%@NL@%
%@AB@%1836-1907%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Bailey Aldrich@%%@QR:Aldrich@%%@CR:N1836ALDT10     @%%@2@%Somewhere-in desolate windswept space-%@NL@%%@EH@%
In Twilight land-in No-man's land-%@NL@%
Two hurrying Shapes met face to face,%@NL@%
And bade each other stand."And who are you?" cried one agape,%@NL@%
Shuddering in the gloaming light.%@NL@%
"I know not," said the second Shape,%@NL@%
"I only died last night!"%@NL@%

%@NL@%Thomas Bailey Aldrich
%@NL@%Identity [1877]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Bailey Aldrich@%%@QR:Aldrich@%%@CR:N1836ALDT20     @%%@2@%We knew it would rain, for the poplars showed%@NL@%%@EH@%
The white of their leaves.%@NL@%

%@NL@%Thomas Bailey Aldrich
%@NL@%Before the Rain, st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Bailey Aldrich@%%@QR:Aldrich@%%@CR:N1836ALDT30     @%%@2@%My mind lets go a thousand things,%@NL@%%@EH@%
Like dates of wars and deaths of kings.%@NL@%

%@NL@%Thomas Bailey Aldrich
%@NL@%Memory

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Isabella Mary Beeton%@AE@%%@EH@%
%@NL@%
%@AB@%1836-1865%@AE@%
%@NL@%%@NL@%

%@QR:Isabella Mary Beeton@%%@QR:Beeton@%%@CR:N1836BEEI10     @%%@2@%   A place for everything and everything in its place.%@NL@%%@EH@%
%@NL@%
Isabella Mary Beeton
%@NL@%The Book of Household Management [1861]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Isabella Mary Beeton@%%@QR:Beeton@%%@CR:N1836BEEI20     @%%@2@%   Clear as you go.%@NL@%%@EH@%
%@NL@%
Isabella Mary Beeton
%@NL@%The Book of Household Management [1861]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Ernest Bowen%@AE@%%@EH@%
%@NL@%
%@AB@%1836-1901%@AE@%
%@NL@%%@NL@%

%@QR:Edward Ernest Bowen@%%@QR:Bowen@%%@CR:N1836BOWE10     @%%@2@%Forty years on, when afar and asunder%@NL@%%@EH@%
Parted are those who are singing today.%@NL@%

%@NL@%Edward Ernest Bowen
%@NL@%%@FN@%
Harrow school song.  %@EF@%
Forty Years On [1872]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joseph Chamberlain%@AE@%%@EH@%
%@NL@%
%@AB@%1836-1914%@AE@%
%@NL@%%@NL@%

%@QR:Joseph Chamberlain@%%@QR:Chamberlain@%%@CR:N1836CHAJ10     @%%@2@%   The day of small nations has long passed away. The day of Empires has%@EH@%
come.%@NL@%
%@NL@%
Joseph Chamberlain
%@NL@%Speech, Birmingham [May 12, 1904]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir William Schwenck Gilbert%@AE@%%@EH@%
%@NL@%
%@AB@%1836-1911%@AE@%
%@FN@%
Collaborator with composer  Sir Arthur Sullivan [1842-1900] in the "Savoy"
operas produced in London by Richard D'Oyly Carte [1844-1901].  His foe was
folly and his weapon wit.-Sir Anthony Hope Hawkins [Anthony Hope,
1863-1933], inscription on Gilbert Memorial, Victoria Embankment, London  %@EF@%
%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW20     @%%@2@%Oh, I am a cook and a captain bold%@NL@%%@EH@%
And the mate of the Nancy brig,%@NL@%
And a bo'sun tight, and a midshipmite,%@NL@%
And the crew of the captain's gig.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The "Bab" Ballads [1866-1871].
The Yarn of the "Nancy Bell," st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW30     @%%@2@%As innocent as a new-laid egg.%@NL@%%@EH@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Engaged [1877], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW40     @%%@2@%I'm called Little Buttercup-dear little Buttercup,%@NL@%%@EH@%
Though I could never tell why.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%H.M.S. Pinafore [1878], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW50     @%%@2@%I am the Captain of the Pinafore;%@NL@%%@EH@%
And a right good captain too!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%H.M.S. Pinafore [1878], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW60     @%%@2@%And I'm never, never sick at sea!%@NL@%%@EH@%
What, never?%@NL@%
No, never!%@NL@%
What, never?%@NL@%
Hardly ever!%@NL@%
He's hardly ever sick at sea!%@NL@%
Then give three cheers, and one cheer more%@NL@%
For the hardy Captain of the Pinafore!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%H.M.S. Pinafore [1878], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW70     @%%@2@%I never use a big, big D.%@NL@%%@EH@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%H.M.S. Pinafore [1878], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW80     @%%@2@%And so do his sisters, and his cousins, and his aunts!%@NL@%%@EH@%
His sisters and his cousins,%@NL@%
Whom he reckons up by dozens,%@NL@%
And his aunts!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%H.M.S. Pinafore [1878], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW90     @%%@2@%When I was a lad I served a term%@NL@%%@EH@%
As office boy to an Attorney's firm.%@NL@%
I cleaned the windows and I swept the floor%@NL@%
And I polished up the handle of the big front door.%@NL@%
I polished up that handle so carefullee%@NL@%
That now I am the Ruler of the Queen's Navee!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%H.M.S. Pinafore [1878], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW100    @%%@2@%Stick close to your desks and never go to sea,%@NL@%%@EH@%
And you all may be Rulers of the Queen's Navee!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%H.M.S. Pinafore [1878], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW110    @%%@2@%Things are seldom what they seem,%@NL@%%@EH@%
Skim milk masquerades as cream. 1  2 %@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%H.M.S. Pinafore [1878], actII

%@NL@%%@AI@%1 See Phaedrus%@BO:           e7e66@%%@AE@%
%@AI@%2 See Longfellow%@BO:          3d9468@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW120    @%%@2@%He is an Englishman!%@NL@%%@EH@%
For he himself has said it, 1 %@NL@%
And it's greatly to his credit,%@NL@%
That he is an Englishman!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%H.M.S. Pinafore [1878], actII

%@NL@%%@AI@%1 See Anonymous Latin%@BO:          10bae7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW130    @%%@2@%For he might have been a Roosian,%@NL@%%@EH@%
A French or Turk or Proosian,%@NL@%
Or perhaps Itali-an.%@NL@%
But in spite of all temptations%@NL@%
To belong to other nations,%@NL@%
He remains an Englishman.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%H.M.S. Pinafore [1878], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW140    @%%@2@%It is, it is a glorious thing%@NL@%%@EH@%
To be a Pirate King.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Pirates of Penzance [1879], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW150    @%%@2@%I am the very model of a modern Major-General.%@NL@%%@EH@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Pirates of Penzance [1879], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW160    @%%@2@%I know the Kings of England, and I quote the fights historical,%@NL@%%@EH@%
From Marathon to Waterloo, in order categorical.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Pirates of Penzance [1879], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW170    @%%@2@%When the foeman bares his steel,%@NL@%%@EH@%
Tarantara, tarantara!%@NL@%
We uncomfortable feel,%@NL@%
Tarantara.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Pirates of Penzance [1879], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW180    @%%@2@%When constabulary duty's to be done,%@NL@%%@EH@%
The policeman's lot is not a happy one.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Pirates of Penzance [1879], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The roistering chorus "Hail, hail, the gang's all here" is sung to Sir
Arthur Sullivan's music for these lines.  %@EF@%
%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW190    @%%@2@%Come, friends, who plow the sea,%@NL@%%@EH@%
Truce to navigation,%@NL@%
Take another station;%@NL@%
Let's vary piracee%@NL@%
With a little burglaree.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Pirates of Penzance [1879], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW210    @%%@2@%Twenty love-sick maidens we,%@NL@%%@EH@%
Love-sick all against our will.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Patience [1881], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW220    @%%@2@%You must lie upon the daisies and discourse in novel phrases of your%@EH@%
complicated state of mind,%@NL@%
The meaning doesn't matter if it's only idle chatter of a transcendental
kind.%@NL@%
And everyone will say,%@NL@%
As you walk your mystic way,%@NL@%
"If this young man expresses himself in terms too deep for me,%@NL@%
Why, what a very singularly deep young man this deep young man must be!"%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Patience [1881], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW230    @%%@2@%If you walk down Piccadilly with a poppy or a lily in your medieval hand.%@NL@%%@EH@%
And everyone will say,%@NL@%
As you walk your flowery way,%@NL@%
"If he's content with a vegetable love, which would certainly not suit me,%@NL@%
Why, what a most particularly pure young man this pure young man must be!"%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Patience [1881], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW240    @%%@2@%Prithee, pretty maiden, will you marry me?%@NL@%%@EH@%
(Hey, but I'm hopeful, willow, willow, waly!)%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Patience [1881], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW250    @%%@2@%While this magnetic,%@NL@%%@EH@%
Peripatetic%@NL@%
Lover, he lived to learn,%@NL@%
By no endeavor,%@NL@%
Can magnet ever%@NL@%
Attract a silver churn!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Patience [1881], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW260    @%%@2@%Sing "Hey to you-good day to you"-%@NL@%%@EH@%
Sing "Bah to you-ha! ha! to you"-%@NL@%
Sing "Booh to you-pooh, pooh to you."%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Patience [1881], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW270    @%%@2@%Francesca di Rimini, miminy, piminy,%@NL@%%@EH@%
Je-ne-sais-quoi young man!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Patience [1881], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW280    @%%@2@%A greenery-yallery, Grosvenor Gallery,%@NL@%%@EH@%
Foot-in-the-grave young man!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Patience [1881], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW290    @%%@2@%I see no objection to stoutness, in moderation.%@NL@%%@EH@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW300    @%%@2@%None shall part us from each other,%@NL@%%@EH@%
One in life and death are we:%@NL@%
All in all to one another-%@NL@%
I to thee and thou to me!%@NL@%
Thou the tree and I the flower-%@NL@%
Thou the idol; I the throng-%@NL@%
Thou the day and I the hour-%@NL@%
Thou the singer; I the song!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW310    @%%@2@%Bow, bow, ye lower middle classes!%@NL@%%@EH@%
Bow, bow, ye tradesmen, bow, ye masses.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW320    @%%@2@%The Law is the true embodiment%@NL@%%@EH@%
Of everything that's excellent.%@NL@%
It has no kind of fault or flaw,%@NL@%
And I, my Lords, embody the Law.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW330    @%%@2@%Pretty young wards in Chancery.%@NL@%%@EH@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW340    @%%@2@%A pleasant occupation for%@NL@%%@EH@%
A rather susceptible Chancellor!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW350    @%%@2@%For I'm not so old, and not so plain,%@NL@%%@EH@%
And I'm quite prepared to marry again.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW360    @%%@2@%Hearts just as pure and fair%@NL@%%@EH@%
May beat in Belgrave Square%@NL@%
As in the lowly air%@NL@%
Of Seven Dials.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW370    @%%@2@%Here's a pretty kettle of fish!%@NL@%%@EH@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW380    @%%@2@%When I went to the Bar as a very young man%@NL@%%@EH@%
(Said I to myself, said I).%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW390    @%%@2@%I am an intellectual chap,%@NL@%%@EH@%
And think of things that would astonish you.%@NL@%
I often think it's comical%@NL@%
How nature always does contrive%@NL@%
That every boy and every gal,%@NL@%
That's born into the world alive,%@NL@%
Is either a little Liberal,%@NL@%
Or else a little Conservative!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW400    @%%@2@%The House of Peers, throughout the war,%@NL@%%@EH@%
Did nothing in particular,%@NL@%
And did it very well.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW410    @%%@2@%Oh, Captain Shaw!%@NL@%%@EH@%
Type of true love kept under!%@NL@%
Could thy Brigade%@NL@%
With cold cascade%@NL@%
Quench my great love, I wonder!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW420    @%%@2@%When you're lying awake with a dismal headache, and repose is tabooed by%@EH@%
anxiety,%@NL@%
I conceive you may use any language you choose to indulge in, without
impropriety.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW430    @%%@2@%For you dream you are crossing the Channel, and tossing about in a steamer%@EH@%
from Harwich-%@NL@%
Which is something between a large bathing machine and a very small second
class carriage.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW440    @%%@2@%Faint heart never won fair lady!%@NL@%%@EH@%
Nothing venture, nothing win 1  2 -%@NL@%
Blood is thick, but water's thin-%@NL@%
In for a penny, in for a pound-%@NL@%
It's Love that makes the world go round! 3 %@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Iolanthe [1882], actII

%@NL@%%@AI@%1 See Chaucer%@BO:          11eb3b@%%@AE@%
%@AI@%2 See Heywood%@BO:          13b7f3@%%@AE@%
%@AI@%3 See Anonymous: French%@BO:          6931e5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW450    @%%@2@%I love my fellow creatures-I do all the good I can-%@NL@%%@EH@%
Yet everybody says I'm such a disagreeable man!%@NL@%
And I can't think why!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Princess Ida [1884], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW460    @%%@2@%A wandering minstrel I-%@NL@%%@EH@%
A thing of shreds and patches, 1 %@NL@%
Of ballads, songs and snatches,%@NL@%
And dreamy lullaby!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actI

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c4ecd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW470    @%%@2@%I can't help it. I was born sneering.%@NL@%%@EH@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW480    @%%@2@%As some day it may happen that a victim must be found,%@NL@%%@EH@%
I've got a little list-I've got a little list.%@NL@%
Of society offenders who might well be underground,%@NL@%
And who never would be missed-who never would be missed.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW490    @%%@2@%The idiot who praises, with enthusiastic tone,%@NL@%%@EH@%
All centuries but this, and every country but his own. 1  2  3 %@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actI

%@NL@%%@AI@%1 See Shakespeare%@BO:          1aca20@%%@AE@%
%@AI@%2 See Overbury%@BO:          217977@%%@AE@%
%@AI@%3 See Canning%@BO:          3391fc@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW500    @%%@2@%Three little maids from school are we,%@NL@%%@EH@%
Pert as a schoolgirl well can be,%@NL@%
Filled to the brim with girlish glee.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW510    @%%@2@%Ah, pray make no mistake,%@NL@%%@EH@%
We are not shy;%@NL@%
We're very wide awake,%@NL@%
The moon and I!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW520    @%%@2@%Here's a pretty state of things!%@NL@%%@EH@%
Here's a pretty how-de-do.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW530    @%%@2@%My object all sublime%@NL@%%@EH@%
I shall achieve in time-%@NL@%
To make the punishment fit the crime. 1 %@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actII

%@NL@%%@AI@%1 See Cicero%@BO:           c7da9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW540    @%%@2@%A source of innocent merriment!%@NL@%%@EH@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW550    @%%@2@%On a cloth untrue%@NL@%%@EH@%
With a twisted cue%@NL@%
And elliptical billiard balls.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW560    @%%@2@%I drew my snickersnee!%@NL@%%@EH@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW570    @%%@2@%The flowers that bloom in the spring, tra la,%@NL@%%@EH@%
Have nothing to do with the case.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW580    @%%@2@%On a tree by a river a little tomtit%@NL@%%@EH@%
Sang "Willow, titwillow, titwillow!"%@NL@%
And I said to him, "Dicky-bird, why do you sit%@NL@%
Singing "Willow, titwillow, titwillow!'%@NL@%
"Is it weakness of intellect, birdie?" I cried,%@NL@%
"Or a rather tough worm in your little inside?"%@NL@%
With a shake of his poor little head he replied,%@NL@%
"Oh, willow, titwillow, titwillow!"%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW590    @%%@2@%There's a fascination frantic%@NL@%%@EH@%
In a ruin that's romantic;%@NL@%
Do you think you are sufficiently decayed?%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Mikado [1885], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW600    @%%@2@%   He uses language that would make your hair curl.%@NL@%%@EH@%
%@NL@%
Sir William Schwenck Gilbert
%@NL@%Ruddigore [1887], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW610    @%%@2@%For you are such a smart little craft-%@NL@%%@EH@%
Such a neat little, sweet little craft,%@NL@%
Such a bright little, tight little,%@NL@%
Slight little, light little%@NL@%
Trim little, prim little craft!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Ruddigore [1887], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW615    @%%@2@%When the footpads quail at the night bird's wail, and black dogs bay the%@EH@%
moon,%@NL@%
Then is the specters' holiday-then is the ghosts' high noon!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%Ruddigore [1887], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW620    @%%@2@%I have a song to sing O!%@NL@%%@EH@%
Sing me your song. O!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Yeomen of the Guard [1888], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW630    @%%@2@%It's a song of a merryman, moping mum,%@NL@%%@EH@%
Whose soul was sad, and whose glance was glum,%@NL@%
Who sipped no sup, and who craved no crumb,%@NL@%
As he sighed for the love of a lady.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Yeomen of the Guard [1888], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW635    @%%@2@%Is life a boon?%@NL@%%@EH@%
If so, it must befall%@NL@%
That Death, whene'er he call,%@NL@%
Must call too soon.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Yeomen of the Guard [1888], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW637    @%%@2@%Is life a thorn?%@NL@%%@EH@%
Then count it not a whit!%@NL@%
Man is well done with it.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Yeomen of the Guard [1888], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW640    @%%@2@%He led his regiment from behind-%@NL@%%@EH@%
He found it less exciting.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Gondoliers [1889], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW650    @%%@2@%That celebrated,%@NL@%%@EH@%
Cultivated,%@NL@%
Underrated nobleman,%@NL@%
The Duke of Plaza Toro!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Gondoliers [1889], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW660    @%%@2@%No soldier in that gallant band%@NL@%%@EH@%
Hid half as well as he did.%@NL@%
He lay concealed throughout the war,%@NL@%
And this preserved his gore, O!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Gondoliers [1889], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW670    @%%@2@%Of that there is no manner of doubt-%@NL@%%@EH@%
No probable, possible shadow of doubt-%@NL@%
No possible doubt whatever.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Gondoliers [1889], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW680    @%%@2@%Life's a pudding full of plums;%@NL@%%@EH@%
Care's a canker that benumbs,%@NL@%
Wherefore waste our elocution%@NL@%
On impossible solution?%@NL@%
Life's a pleasant institution,%@NL@%
Let us take it as it comes!%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Gondoliers [1889], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW690    @%%@2@%Life's perhaps the only riddle%@NL@%%@EH@%
That we shrink from giving up.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Gondoliers [1889], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW700    @%%@2@%The gratifying feeling that our duty has been done.%@NL@%%@EH@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Gondoliers [1889], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW710    @%%@2@%Take a pair of sparkling eyes.%@NL@%%@EH@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Gondoliers [1889], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW720    @%%@2@%When everyone is somebodee,%@NL@%%@EH@%
Then no one's anybody.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%The Gondoliers [1889], act I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW730    @%%@2@%The world has joked incessantly for over fifty centuries.%@NL@%%@EH@%
And every joke that's possible has long ago been made.%@NL@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%His Excellency: The Played-Out Humorist [1894]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Schwenck Gilbert@%%@QR:Gilbert@%%@CR:N1836GILW740    @%%@2@%Humor is a drug which it's the fashion to abuse.%@NL@%%@EH@%

%@NL@%Sir William Schwenck Gilbert
%@NL@%His Excellency: The Played-Out Humorist [1894]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Bret Harte%@AE@%%@EH@%
%@NL@%Francis Brett Harte
%@AB@%1836-1902%@AE@%
%@NL@%%@NL@%

%@QR:Bret Harte@%%@QR:Harte@%%@QR:Francis Brett Harte@%%@QR:Harte@%%@CR:N1836HARB10     @%%@2@%   Tell the boys I've got the Luck with me now.%@NL@%%@EH@%
%@NL@%
Bret Harte
%@NL@%The Luck of Roaring Camp [1868]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bret Harte@%%@QR:Harte@%%@QR:Francis Brett Harte@%%@QR:Harte@%%@CR:N1836HARB20     @%%@2@%   Beneath this tree lies the body of john oakhurst, who struck a streak of%@EH@%
bad luck on the 23rd of November, 1850, and handed in his checks on the 7th
of December, 1850.%@NL@%
%@NL@%
Bret Harte
%@NL@%The Outcasts of Poker Flat [1869]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bret Harte@%%@QR:Harte@%%@QR:Francis Brett Harte@%%@QR:Harte@%%@CR:N1836HARB30     @%%@2@%I reside at Table Mountain, and my name is Truthful James;%@NL@%%@EH@%
I am not up to small deceit, or any sinful games.%@NL@%

%@NL@%Bret Harte
%@NL@%The Society upon the Stanislaus,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bret Harte@%%@QR:Harte@%%@QR:Francis Brett Harte@%%@QR:Harte@%%@CR:N1836HARB40     @%%@2@%And he smiled a kind of sickly smile, and curled up on the floor,%@NL@%%@EH@%
And the subsequent proceedings interested him no more.%@NL@%

%@NL@%Bret Harte
%@NL@%The Society upon the Stanislaus,st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bret Harte@%%@QR:Harte@%%@QR:Francis Brett Harte@%%@QR:Harte@%%@CR:N1836HARB50     @%%@2@%Oh, yer's yer good old whiskey,%@NL@%%@EH@%
Drink it down.%@NL@%

%@NL@%Bret Harte
%@NL@%Two Men of Sandy Bar [1876], act IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bret Harte@%%@QR:Harte@%%@QR:Francis Brett Harte@%%@QR:Harte@%%@CR:N1836HARB60     @%%@2@%   Give me a man that is capable of a devotion to anything, rather than a%@EH@%
cold, calculating average of all the virtues!%@NL@%
%@NL@%
Bret Harte
%@NL@%Two Men of Sandy Bar [1876], act IV

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jane Ellice Hopkins%@AE@%%@EH@%
%@NL@%
%@AB@%1836-1904%@AE@%
%@NL@%%@NL@%

%@QR:Jane Ellice Hopkins@%%@QR:Hopkins@%%@CR:N1836HOPJ10     @%%@2@%   Genius is an infinite capacity for taking pains. 1  2  3 %@NL@%%@EH@%
%@NL@%
Jane Ellice Hopkins
%@NL@%Work Amongst Working Men [1870]

%@NL@%%@AI@%1 See Buffon%@BO:          2b7e89@%%@AE@%
%@AI@%2 See Carlyle%@BO:          398ac2@%%@AE@%
%@AI@%3 See Butler%@BO:          49c640@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Cesare Lombroso%@AE@%%@EH@%
%@NL@%
%@AB@%1836-1909%@AE@%
%@NL@%%@NL@%

%@FN@%
Also attributed to Browning, apropos of his Sordello.  %@EF@%
%@QR:Cesare Lombroso@%%@QR:Lombroso@%%@CR:N1836LOMC5      @%%@2@%   Klopstock was questioned regarding the meaning of a passage in his poem.%@EH@%
He replied, "God and I both knew what it meant once; now God alone knows."%@NL@%
%@NL@%
Cesare Lombroso
%@NL@%The Man of Genius [1891], pt.I, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cesare Lombroso@%%@QR:Lombroso@%%@CR:N1836LOMC10     @%%@2@%   The appearance of a single great genius is more than equivalent to the%@EH@%
birth of a hundred mediocrities.%@NL@%
%@NL@%
Cesare Lombroso
%@NL@%The Man of Genius [1891], pt.II, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cesare Lombroso@%%@QR:Lombroso@%%@CR:N1836LOMC20     @%%@2@%   "Lawsuit mania" . . . a continual craving to go to law against others,%@EH@%
while considering themselves the injured party.%@NL@%
%@NL@%
Cesare Lombroso
%@NL@%The Man of Genius [1891], pt.III, ch. 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Burroughs%@AE@%%@EH@%
%@NL@%
%@AB@%1837-1921%@AE@%
%@NL@%%@NL@%

%@QR:John Burroughs@%%@QR:Burroughs@%%@CR:N1837BURJ10     @%%@2@%Serene, I fold my hands and wait,%@NL@%%@EH@%
Nor care for wind, nor tide, nor sea;%@NL@%
I rave no more 'gainst time or fate,%@NL@%
For lo! my own shall come to me. 1  2 %@NL@%

%@NL@%John Burroughs
%@NL@%Waiting [1876] st. 1

%@NL@%%@AI@%1 See Emerson%@BO:          3bf131@%%@AE@%
%@AI@%2 See Disraeli%@BO:          3cac8c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Burroughs@%%@QR:Burroughs@%%@CR:N1837BURJ20     @%%@2@%   I was born with a chronic anxiety about the weather.%@NL@%%@EH@%
%@NL@%
John Burroughs
%@NL@%Is It Going to Rain? [1877]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Burroughs@%%@QR:Burroughs@%%@CR:N1837BURJ30     @%%@2@%   Literature is an investment of genius which pays dividends to all%@EH@%
subsequent times.%@NL@%
%@NL@%
John Burroughs
%@NL@%Literary Fame

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Burroughs@%%@QR:Burroughs@%%@CR:N1837BURJ35     @%%@2@%   One goes to Nature only for hints and half-truths. Her facts are crude%@EH@%
until you have absorbed them or translated them. . . . It is not so much
what we see as what the thing seen suggests.%@NL@%
%@NL@%
John Burroughs
%@NL@%Signs and Seasons [1886]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Burroughs@%%@QR:Burroughs@%%@CR:N1837BURJ40     @%%@2@%   It is always easier to believe than to deny. Our minds are naturally%@EH@%
affirmative.%@NL@%
%@NL@%
John Burroughs
%@NL@%The Light of Day [1900]. The Modern Skeptic

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Burroughs@%%@QR:Burroughs@%%@CR:N1837BURJ50     @%%@2@%   Time does not become sacred to us until we have lived it.%@NL@%%@EH@%
%@NL@%
John Burroughs
%@NL@%The Spell of the Past [1904]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Burroughs@%%@QR:Burroughs@%%@CR:N1837BURJ60     @%%@2@%   Nature teaches more than she preaches. There are no sermons in stones. It%@EH@%
is easier to get a spark out of a stone than a moral.%@NL@%
%@NL@%
John Burroughs
%@NL@%Time and Change [1912]. The Gospel of Nature

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Burroughs@%%@QR:Burroughs@%%@CR:N1837BURJ70     @%%@2@%   Life is a struggle, but not a warfare.%@NL@%%@EH@%
%@NL@%
John Burroughs
%@NL@%The Summit of the Years [1913]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Burroughs@%%@QR:Burroughs@%%@CR:N1837BURJ80     @%%@2@%   I see on an immense scale, and as clearly as in a demonstration in a%@EH@%
laboratory, that good comes out of evil; that the impartiality of the Nature
Providence is best; that we are made strong by what we overcome; that man is
man because he is as free to do evil as to do good; that life is as free to
develop hostile forms as to develop friendly; that power waits upon him who
earns it; that disease, wars, the unloosened, devastating elemental forces
have each and all played their part in developing and hardening man and
giving him the heroic fiber.%@NL@%
%@NL@%
John Burroughs
%@NL@%Accepting the Universe [1922]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Grover Cleveland%@AE@%%@EH@%
%@NL@%
%@AB@%1837-1908%@AE@%
%@NL@%%@NL@%

%@QR:Grover Cleveland@%%@QR:Cleveland@%%@CR:N1837CLEG10     @%%@2@%   Public officers are the servants and agents of the people, to execute the%@EH@%
laws which the people have made.%@NL@%
%@NL@%
Grover Cleveland
%@NL@%Letter accepting the nomination for governor of New York
[October 1882]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
"Public office is a public trust" was used by the Cleveland administration
as its motto.  See Matthew Henry, Burke, Clay, Calhoun, and Sumner  %@EF@%
%@QR:Grover Cleveland@%%@QR:Cleveland@%%@CR:N1837CLEG20     @%%@2@%   Your every voter, as surely as your chief magistrate, exercises a public%@EH@%
trust.%@NL@%
%@NL@%
Grover Cleveland
%@NL@%Inaugural Address [March 4, 1885]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Grover Cleveland@%%@QR:Cleveland@%%@CR:N1837CLEG40     @%%@2@%   After an existence of nearly twenty years of almost innocuous desuetude%@EH@%
these laws are brought forth.%@NL@%
%@NL@%
Grover Cleveland
%@NL@%Message [March 1, 1886]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Grover Cleveland@%%@QR:Cleveland@%%@CR:N1837CLEG50     @%%@2@%   When more of the people's sustenance is exacted through the form of%@EH@%
taxation than is necessary to meet the just obligations of government and
expenses of its economical administration, such exaction becomes ruthless
extortion and a violation of the fundamental principles of a free
government.%@NL@%
%@NL@%
Grover Cleveland
%@NL@%Second Annual Message [December 1886]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Grover Cleveland@%%@QR:Cleveland@%%@CR:N1837CLEG60     @%%@2@%   It is a condition which confronts us-not a theory. 1 %@NL@%%@EH@%
%@NL@%
Grover Cleveland
%@NL@%Third Annual Message [December 6, 1887]

%@NL@%%@AI@%1 See Disraeli%@BO:          3c9a11@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Grover Cleveland@%%@QR:Cleveland@%%@CR:N1837CLEG70     @%%@2@%   The lessons of paternalism ought to be unlearned and the better lesson%@EH@%
taught that while the people should patriotically and cheerfully support
their government, its functions do not include the support of the people.%@NL@%
%@NL@%
Grover Cleveland
%@NL@%Inaugural Address [March 4, 1893]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Grover Cleveland@%%@QR:Cleveland@%%@CR:N1837CLEG80     @%%@2@%   I have tried so hard to do the right.%@NL@%%@EH@%
%@NL@%
Grover Cleveland
%@NL@%Last words

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Dewey%@AE@%%@EH@%
%@NL@%
%@AB@%1837-1917%@AE@%
%@NL@%%@NL@%

%@QR:George Dewey@%%@QR:Dewey@%%@CR:N1837DEWA10     @%%@2@%   You may fire when you are ready, Gridley.%@NL@%%@EH@%
%@NL@%
George Dewey
%@NL@%To the captain of Admiral Dewey's flagship at the
battle of Manila Bay [May 1, 1898]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Dean Howells%@AE@%%@EH@%
%@NL@%
%@AB@%1837-1920%@AE@%
%@NL@%%@NL@%

%@QR:William Dean Howells@%%@QR:Howells@%%@CR:N1837HOWW10     @%%@2@%We live, but a world has passed away%@NL@%%@EH@%
With the years that perished to make us men.%@NL@%

%@NL@%William Dean Howells
%@NL@%The Mulberries [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Dean Howells@%%@QR:Howells@%%@CR:N1837HOWW20     @%%@2@%Lord, for the erring thought%@NL@%%@EH@%
Not into evil wrought:%@NL@%
Lord, for the wicked will%@NL@%
Betrayed and baffled still:%@NL@%
For the heart from itself kept,%@NL@%
Our thanksgiving accept.%@NL@%

%@NL@%William Dean Howells
%@NL@%A Thanksgiving

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Dean Howells@%%@QR:Howells@%%@CR:N1837HOWW30     @%%@2@%And before you know me gone%@NL@%%@EH@%
Eternity and I are one.%@NL@%

%@NL@%William Dean Howells
%@NL@%Time

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Dean Howells@%%@QR:Howells@%%@CR:N1837HOWW40     @%%@2@%He who sleeps in continual noise is wakened by silence.%@NL@%%@EH@%

%@NL@%William Dean Howells
%@NL@%Pordenone, IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Dean Howells@%%@QR:Howells@%%@CR:N1837HOWW50     @%%@2@%See how today's achievement is only tomorrow's confusion;%@NL@%%@EH@%
See how possession always cheapens the thing that was precious.%@NL@%

%@NL@%William Dean Howells
%@NL@%Pordenone, IV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Dean Howells@%%@QR:Howells@%%@CR:N1837HOWW60     @%%@2@%   The wrecks of slavery are fast growing a fungus crop of sentiment.%@NL@%%@EH@%
%@NL@%
William Dean Howells
%@NL@%Their Wedding Journey [1872]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Dean Howells@%%@QR:Howells@%%@CR:N1837HOWW70     @%%@2@%   The mortality of all inanimate things is terrible to me, but that of%@EH@%
books most of all.%@NL@%
%@NL@%
William Dean Howells
%@NL@%Letter to Charles Eliot Norton[April 6, 1903]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Dean Howells@%%@QR:Howells@%%@CR:N1837HOWW80     @%%@2@%   I am not sorry for having wrought in common, crude material so much; that%@EH@%
is the right American stuff; and perhaps hereafter, when my din is done, if
anyone is curious to know what that noise was, it will be found to have
proceeded from a small insect which was scraping about on the surface of our
life and trying to get into its meaning for the sake of the other insects
larger or smaller. That is, such has been my unconscious work; consciously,
I was always, as I still am, trying to fashion a piece of literature out of
the life next at hand.%@NL@%
%@NL@%
William Dean Howells
%@NL@%Letter to Charles Eliot Norton[April 26, 1903]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Dean Howells@%%@QR:Howells@%%@CR:N1837HOWW90     @%%@2@%   Clemens was sole, incomparable, the Lincoln of our literature.%@NL@%%@EH@%
%@NL@%
William Dean Howells
%@NL@%My Mark Twain [1910]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Dean Howells@%%@QR:Howells@%%@CR:N1837HOWW100    @%%@2@%   Some people can stay longer in an hour than others can in a week.%@NL@%%@EH@%
%@NL@%
William Dean Howells
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Horace Porter%@AE@%%@EH@%
%@NL@%
%@AB@%1837-1921%@AE@%
%@NL@%%@NL@%

%@QR:Horace Porter@%%@QR:Porter@%%@CR:N1837PORH10     @%%@2@%   A mugwump is a person educated beyond his intellect.%@NL@%%@EH@%
%@NL@%
Horace Porter
%@NL@%A slogan of the Cleveland-Blaine campaign [1884]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Innes Randolph%@AE@%%@EH@%
%@NL@%
%@AB@%1837-1887%@AE@%
%@NL@%%@NL@%

%@QR:Innes Randolph@%%@QR:Randolph@%%@CR:N1837RANI10     @%%@2@%Oh, I'm a good old rebel, that's what I am.%@NL@%%@EH@%

%@NL@%Innes Randolph
%@NL@%A Good Old Rebel [c. 1870],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Innes Randolph@%%@QR:Randolph@%%@CR:N1837RANI20     @%%@2@%I won't be reconstructed, and I don't give a damn.%@NL@%%@EH@%

%@NL@%Innes Randolph
%@NL@%A Good Old Rebel [c. 1870],st. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Algernon Charles Swinburne%@AE@%%@EH@%
%@NL@%
%@AB@%1837-1909%@AE@%
%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA10     @%%@2@%When the hounds of spring are on winter's traces,%@NL@%%@EH@%
The mother of months in meadow or plain%@NL@%
Fills the shadows and windy places%@NL@%
With lisp of leaves and ripple of rain;%@NL@%
And the brown bright nightingale amorous%@NL@%
Is half assuaged for Itylus,%@NL@%
For the Thracian ships and the foreign faces,%@NL@%
The tongueless vigil, and all the pain.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Atalanta in Calydon [1865],chorus,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA20     @%%@2@%For winter's rains and ruins are over,%@NL@%%@EH@%
And all the season of snows and sins;%@NL@%
The days dividing lover and lover,%@NL@%
The light that loses, the night that wins;%@NL@%
And time remembered is grief forgotten,%@NL@%
And frosts are slain and flowers begotten,%@NL@%
And in green underwood and cover%@NL@%
Blossom by blossom the spring begins.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Atalanta in Calydon [1865],chorus,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA30     @%%@2@%Before the beginning of years%@NL@%%@EH@%
There came to the making of man%@NL@%
Time, with a gift of tears;%@NL@%
Grief, with a glass that ran;%@NL@%
Pleasure, with pain for leaven;%@NL@%
Summer, with flowers that fell;%@NL@%
Remembrance fallen from heaven,%@NL@%
And madness risen from hell;%@NL@%
Strength without hands to smite;%@NL@%
Love that endures for a breath;%@NL@%
Night, the shadow of light,%@NL@%
And life, the shadow of death.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Atalanta in Calydon [1865],chorus, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA40     @%%@2@%For words divide and rend;%@NL@%%@EH@%
But silence is most noble till the end.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Atalanta in Calydon [1865],chorus, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA50     @%%@2@%Change in a trice%@NL@%%@EH@%
The lilies and languors of virtue%@NL@%
For the raptures and roses of vice.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Dolores [1866],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA60     @%%@2@%O splendid and sterile Dolores,%@NL@%%@EH@%
Our Lady of Pain.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Dolores [1866],st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA70     @%%@2@%Ah beautiful passionate body%@NL@%%@EH@%
That never has ached with a heart!%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Dolores [1866],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA80     @%%@2@%The delight that consumes the desire,%@NL@%%@EH@%
The desire that outruns the delight.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Dolores [1866],st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA90     @%%@2@%For the crown of our life as it closes%@NL@%%@EH@%
Is darkness, the fruit there of dust.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Dolores [1866],st. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA100    @%%@2@%What ailed us, O gods, to desert you%@NL@%%@EH@%
For creeds that refuse and restrain?%@NL@%
Come down and redeem us from virtue,%@NL@%
Our Lady of Pain.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Dolores [1866],st. 35

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA110    @%%@2@%Lo, this is she that was the world's delight.%@NL@%%@EH@%

%@NL@%Algernon Charles Swinburne
%@NL@%Laus Veneris [1866],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA120    @%%@2@%Ah, yet would God this flesh of mine might be%@NL@%%@EH@%
Where air might wash and long leaves cover me;%@NL@%
Where tides of grass break into foam of flowers,%@NL@%
Or where the wind's feet shine along the sea.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Laus Veneris [1866],st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA130    @%%@2@%O sad kissed mouth, how sorrowful it is!%@NL@%%@EH@%

%@NL@%Algernon Charles Swinburne
%@NL@%Laus Veneris [1866],st. 79

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA140    @%%@2@%To have known love, how bitter a thing it is.%@NL@%%@EH@%

%@NL@%Algernon Charles Swinburne
%@NL@%Laus Veneris [1866],st. 103

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA145    @%%@2@%There will no man do for your sake, I think,%@NL@%%@EH@%
What I would have done for the least word said.%@NL@%
I had wrung life dry for your lips to drink,%@NL@%
Broken it up for your daily bread.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%The Triumph of Time [1866],st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA150    @%%@2@%At the door of life, by the gate of breath,%@NL@%%@EH@%
There are worse things waiting for men than death.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%The Triumph of Time [1866],st. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA160    @%%@2@%I will go back to the great sweet mother,%@NL@%%@EH@%
Mother and lover of men, the sea.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%The Triumph of Time [1866],st. 33

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA170    @%%@2@%I shall never be friends again with roses;%@NL@%%@EH@%
I shall loathe sweet tunes.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%The Triumph of Time [1866],st. 45

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA180    @%%@2@%Marvelous mercies and infinite love.%@NL@%%@EH@%

%@NL@%Algernon Charles Swinburne
%@NL@%Les Noyades [1866], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA185    @%%@2@%I have lived long enough, having seen one thing, that love hath an end.%@NL@%%@EH@%

%@NL@%Algernon Charles Swinburne
%@NL@%Hymn to Proserpine [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA190    @%%@2@%Thou hast conquered, O pale Galilean; 1  the world has grown gray from thy%@EH@%
breath;%@NL@%
We have drunken of things Lethean, and fed on the fullness of death.%@NL@%
Laurel is green for a season, and love is sweet for a day;%@NL@%
But love grows bitter with treason, and laurel outlives not May.%@NL@%
Sleep, shall we sleep after all? for the world is not sweet in the end;%@NL@%
For the old faiths loosen and fall, the new years ruin and rend.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Hymn to Proserpine [1866]

%@NL@%%@AI@%1 See Julian%@BO:          100056@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA200    @%%@2@%I shall die as my fathers died, and sleep as they sleep; even so.%@NL@%%@EH@%
For the glass of the years is brittle wherein we gaze for a span.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Hymn to Proserpine [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA210    @%%@2@%For there is no God found stronger than death; and death is a sleep.%@NL@%%@EH@%

%@NL@%Algernon Charles Swinburne
%@NL@%Hymn to Proserpine [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA220    @%%@2@%If you loved me ever so little,%@NL@%%@EH@%
I could bear the bonds that gall,%@NL@%
I could dream the bonds were brittle;%@NL@%
You do not love me at all.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Satia Te Sanguine [1866], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA230    @%%@2@%While he lives let a man be glad,%@NL@%%@EH@%
For none hath joy of his death.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%A Lamentation [1866]. I, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA240    @%%@2@%If love were what the rose is,%@NL@%%@EH@%
And I were like the leaf,%@NL@%
Our lives would grow together%@NL@%
In sad or singing weather.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%A Match [1866],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA250    @%%@2@%If you were April's lady,%@NL@%%@EH@%
And I were lord in May.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%A Match [1866],st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA260    @%%@2@%If you were queen of pleasure,%@NL@%%@EH@%
And I were king of pain,%@NL@%
We'd hunt down love together,%@NL@%
Pluck out his flying feather,%@NL@%
And teach his feet a measure,%@NL@%
And find his mouth a rein.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%A Match [1866],st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA270    @%%@2@%For in the time we know not of%@NL@%%@EH@%
Did fate begin%@NL@%
Weaving the web of days that wove%@NL@%
Your doom, Faustine.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Faustine [1866], st. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA280    @%%@2@%Take hand and part with laughter;%@NL@%%@EH@%
Touch lips and part with tears;%@NL@%
Once more and no more after,%@NL@%
Whatever comes with years.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Rococo [1866], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA290    @%%@2@%Forget that I remember,%@NL@%%@EH@%
And dream that I forget.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Rococo [1866], st. 1st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA300    @%%@2@%The burden of long living. Thou shalt fear%@NL@%%@EH@%
Waking, and sleeping mourn upon thy bed;%@NL@%
And say at night "Would God the day were here,"%@NL@%
And say at dawn "Would God the day were dead." 1 %@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%A Ballad of Burdens [1866],st. 4

%@NL@%%@AI@%1 See Deuteronomy 28:67%@BO:           11899@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA310    @%%@2@%For life is sweet, but after life is death.%@NL@%%@EH@%
This is the end of every man's desire.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%A Ballad of Burdens [1866],L'Envoy

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA320    @%%@2@%Here, where the world is quiet;%@NL@%%@EH@%
Here, where all trouble seems%@NL@%
Dead winds' and spent waves' riot%@NL@%
In doubtful dreams of dreams.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%The Garden of Proserpine [1866],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA330    @%%@2@%I am tired of tears and laughter,%@NL@%%@EH@%
And men that laugh and weep;%@NL@%
Of what may come hereafter%@NL@%
For men that sow and reap:%@NL@%
I am weary of days and hours,%@NL@%
Blown buds of barren flowers,%@NL@%
Desires and dreams and powers%@NL@%
And everything but sleep.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%The Garden of Proserpine [1866],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA340    @%%@2@%We are not sure of sorrow,%@NL@%%@EH@%
And joy was never sure.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%The Garden of Proserpine [1866],st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
No matter how long the river, the river will reach the sea.-Ironquill
(Eugene Fitch Ware) [1841-1911], The Blizzard  %@EF@%
%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA350    @%%@2@%From too much love of living,%@NL@%%@EH@%
From hope and fear set free,%@NL@%
We thank with brief thanksgiving%@NL@%
Whatever gods may be%@NL@%
That no life lives forever;%@NL@%
That dead men rise up never;%@NL@%
That even the weariest river%@NL@%
Winds somewhere safe to sea.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%The Garden of Proserpine [1866],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA370    @%%@2@%Ah that such sweet things should be fleet,%@NL@%%@EH@%
Such fleet things sweet!%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Felise [1866], st. 22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA380    @%%@2@%I remember the way we parted,%@NL@%%@EH@%
The day and the way we met;%@NL@%
You hoped we were both broken-hearted%@NL@%
And knew we should both forget.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%An Interlude [1866],st. 11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA390    @%%@2@%And the best and the worst of this is%@NL@%%@EH@%
That neither is most to blame,%@NL@%
If you have forgotten my kisses%@NL@%
And I have forgotten your name.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%An Interlude [1866],st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA400    @%%@2@%I am that which began;%@NL@%%@EH@%
Out of me the years roll;%@NL@%
Out of me God and man;%@NL@%
I am equal and whole;%@NL@%
God changes, and man, and the form of them bodily; I am the soul.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Hertha [1871],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA410    @%%@2@%Before ever land was,%@NL@%%@EH@%
Before ever the sea,%@NL@%
Or soft hair of the grass,%@NL@%
Or fair limbs of the tree,%@NL@%
Or the flesh-colored fruit of my branches, I was, and thy soul was in me.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Hertha [1871],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA420    @%%@2@%A creed is a rod,%@NL@%%@EH@%
And a crown is of night;%@NL@%
But this thing is God,%@NL@%
To be man with thy might,%@NL@%
To grow straight in the strength of thy spirit, and to live out thy life as
the light.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Hertha [1871],st. 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA430    @%%@2@%In the gray beginning of years, in the twilight of things that began,%@NL@%%@EH@%
The word of the earth in the ears of the world, was it God? was it man?%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Hymn of Man [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA435    @%%@2@%Glory to Man in the highest! for Man is the master of things.%@NL@%%@EH@%

%@NL@%Algernon Charles Swinburne
%@NL@%Hymn of Man [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Harriet Beecher Stowe, whose accusations against Byron in "The True Story of
Lady Byron's Life" [Atlantic Monthly, September 1869] and in Lady Byron
Vindicated [1870] aroused strong protests in England.  %@EF@%
%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA440    @%%@2@%   A blatant Bassarid of Boston, a rampant Maenad of Massachusetts.%@NL@%%@EH@%
%@NL@%
Algernon Charles Swinburne
%@NL@%Under the Microscope [1872]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA450    @%%@2@%Poor splendid wings so frayed and soiled and torn!%@NL@%%@EH@%

%@NL@%Algernon Charles Swinburne
%@NL@%A Ballad of Francois Villon [1878],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA460    @%%@2@%Villon, our sad bad glad mad brother's name. 1 %@NL@%%@EH@%

%@NL@%Algernon Charles Swinburne
%@NL@%A Ballad of Francois Villon [1878],refrain

%@NL@%%@AI@%1 See Browning%@BO:          417881@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA470    @%%@2@%In a coign of the cliff between lowland and highland,%@NL@%%@EH@%
At the sea-down's edge between windward and lee,%@NL@%
Walled round with rocks as an inland island,%@NL@%
The ghost of a garden fronts the sea.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%A Forsaken Garden [1878], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA480    @%%@2@%Sleep; and if life was bitter to thee, pardon,%@NL@%%@EH@%
If sweet, give thanks; thou hast no more to live;%@NL@%
And to give thanks is good, and to forgive.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%Ave Atque Vale: In Memory of Charles Baudelaire [1878], st. 17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA490    @%%@2@%Body and spirit are twins: God only knows which is which.%@NL@%%@EH@%

%@NL@%Algernon Charles Swinburne
%@NL@%The Higher Pantheism in a Nutshell [1880],st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Algernon Charles Swinburne@%%@QR:Swinburne@%%@CR:N1837SWIA500    @%%@2@%God, whom we see not, is: and God, who is not, we see:%@NL@%%@EH@%
Fiddle, we know, is diddle: and diddle, we take it, is dee.%@NL@%

%@NL@%Algernon Charles Swinburne
%@NL@%The Higher Pantheism in a Nutshell [1880],st. 12

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Brooks Adams%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1918%@AE@%
%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH10     @%%@2@%   Accident counts for much in companionship as in marriage.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH20     @%%@2@%   Women have, commonly, a very positive moral sense; that which they will,%@EH@%
is right; that which they reject, is wrong; and their will, in most cases,
ends by settling the moral.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH30     @%%@2@%   All experience is an arch, to build upon. 1 %@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.6

%@NL@%%@AI@%1 See Tennyson%@BO:          3fb38c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH40     @%%@2@%   Only on the edge of the grave can man conclude anything.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH50     @%%@2@%   Although the Senate is much given to admiring in its members a%@EH@%
superiority less obvious or quite invisible to outsiders, one Senator seldom
proclaims his own inferiority to another, and still more seldom likes to be
told of it.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH60     @%%@2@%   Friends are born, not made.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH70     @%%@2@%   A friend in power is a friend lost. 1 %@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.7

%@NL@%%@AI@%1 See below%@BO:          4b8ea9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH80     @%%@2@%   The effect of power and publicity on all men is the aggravation of self,%@EH@%
a sort of tumor that ends by killing the victim's sympathies.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH90     @%%@2@%   Young men have a passion for regarding their elders as senile.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH100    @%%@2@%   Knowledge of human nature is the beginning and end of political%@EH@%
education.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH110    @%%@2@%   These questions of taste, of feeling, of inheritance, need no settlement.%@EH@%
Everyone carries his own inch-rule of taste, and amuses himself by applying
it, triumphantly, wherever he travels.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH120    @%%@2@%   Intimates are predestined.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH130    @%%@2@%   Chaos often breeds life, when order breeds habit.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH140    @%%@2@%   At best, the renewal of broken relations is a nervous matter.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Charles Sumner [1811-1874].  %@EF@%
%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH150    @%%@2@%   Sumner's mind had reached the calm of water which receives and reflects%@EH@%
images without absorbing them; it contained nothing but itself.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH160    @%%@2@%   The difference is slight, to the influence of an author, whether he is%@EH@%
read by five hundred readers, or by five hundred thousand; if he can select
the five hundred, he reaches the five hundred thousand.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.17

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH170    @%%@2@%   A teacher affects eternity; he can never tell where his influence stops.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH180    @%%@2@%   One friend in a lifetime is much; two are many; three are hardly%@EH@%
possible. Friendship needs a certain parallelism of life, a community of
thought, a rivalry of aim.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH190    @%%@2@%   What one knows is, in youth, of little moment; they know enough who know%@EH@%
how to learn.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH200    @%%@2@%   He had often noticed that six months' oblivion amounts to newspaper%@EH@%
death, and that resurrection is rare. Nothing is easier, if a man wants it,
than rest, profound as the grave.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH210    @%%@2@%   Morality is a private and costly luxury.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH220    @%%@2@%   Practical politics consists in ignoring facts.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH230    @%%@2@%   Nothing in education is so astonishing as the amount of ignorance it%@EH@%
accumulates in the form of inert facts.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH240    @%%@2@%   Power when wielded by abnormal energy is the most serious of facts.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH250    @%%@2@%   Those who seek education in the paths of duty are always deceived by the%@EH@%
illusion that power in the hands of friends is an advantage to them. 1 %@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.28

%@NL@%%@AI@%1 See above%@BO:          4b7a21@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH260    @%%@2@%   Modern politics is, at bottom, a struggle not of men but of forces.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.28

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH270    @%%@2@%   We combat obstacles in order to get repose, and, when got, the repose is%@EH@%
insupportable.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH280    @%%@2@%   Simplicity is the most deceitful mistress that ever betrayed man.%@NL@%%@EH@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH290    @%%@2@%   No one means all he says, and yet very few say all they mean, for words%@EH@%
are slippery and thought is viscous.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Brooks Adams@%%@QR:Adams@%%@CR:N1838ADAH300    @%%@2@%   Even in America, the Indian summer of life should be a little sunny and a%@EH@%
little sad, like the season, and infinite in wealth and depth of tone-but
never hustled.%@NL@%
%@NL@%
Henry Brooks Adams
%@NL@%The Education of Henry Adams [1907], ch.35

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Philip Paul Bliss%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1876%@AE@%
%@NL@%%@NL@%

%@FN@%
Popular version of what General William Tecumseh Sherman signaled to General
John Murray Corse from Kenesaw Mountain when Corse was attacked at Allatoona
Pass [October 5, 1864]: "Hold out; relief is coming."  See Sherman  %@EF@%
%@QR:Philip Paul Bliss@%%@QR:Bliss@%%@CR:N1838BLIP10     @%%@2@%Hold the fort, for I am coming!%@NL@%%@EH@%

%@NL@%Philip Paul Bliss
%@NL@%Gospel Songs [1874]. Hold the Fort, refrain

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Wilkes Booth%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1865%@AE@%
%@NL@%%@NL@%

%@FN@%
Thus always to tyrants.-Motto of Virginia  %@EF@%
%@QR:John Wilkes Booth@%%@QR:Booth@%%@CR:N1838BOOJ10     @%%@2@%   Sic semper tyrannis! The South is avenged!%@NL@%%@EH@%
%@NL@%
John Wilkes Booth
%@NL@%After shooting President Lincoln [April 14, 1865]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Bryce%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1922%@AE@%
%@NL@%%@NL@%

%@QR:James Bryce@%%@QR:Bryce@%%@CR:N1838BRYJ10     @%%@2@%   Law will never be strong or respected unless it has the sentiment of the%@EH@%
people behind it. If the people of a state make bad laws, they will suffer
for it. They will be the first to suffer. Suffering, and nothing else, will
implant that sentiment of responsibility which is the first step to reform.%@NL@%
%@NL@%
James Bryce
%@NL@%The American Commonwealth [1888], vol. I, p. 352

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Bryce@%%@QR:Bryce@%%@CR:N1838BRYJ20     @%%@2@%   To most people nothing is more troublesome than the effort of thinking. 1%@EH@%
2 %@NL@%
%@NL@%
James Bryce
%@NL@%Studies in History and Jurisprudence [1901]. Obedience

%@NL@%%@AI@%1 See R. B. Sheridan%@BO:          312134@%%@AE@%
%@AI@%2 See J. R. Lowell%@BO:          4466b5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
The Panama Canal.  %@EF@%
%@QR:James Bryce@%%@QR:Bryce@%%@CR:N1838BRYJ30     @%%@2@%   The greatest liberty that man has taken with Nature.%@NL@%%@EH@%
%@NL@%
James Bryce
%@NL@%South America [1912]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Cooper%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1927%@AE@%
%@NL@%%@NL@%

%@QR:George Cooper@%%@QR:Cooper@%%@CR:N1838COOG10     @%%@2@%Sweet Genevieve,%@NL@%%@EH@%
The days may come, the days may go,%@NL@%
But still the hands of memory weave%@NL@%
The blissful dreams of long ago.%@NL@%

%@NL@%George Cooper
%@NL@%Sweet Genevieve [c. 1877]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Milton Hay%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1905%@AE@%
%@NL@%%@NL@%

%@QR:John Milton Hay@%%@QR:Hay@%%@CR:N1838HAYJ10     @%%@2@%I'll hold her nozzle agin the bank%@NL@%%@EH@%
Till the last galoot's ashore.%@NL@%

%@NL@%John Milton Hay
%@NL@%Pike County Ballads [1871].Jim Bludso,st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton Hay@%%@QR:Hay@%%@CR:N1838HAYJ20     @%%@2@%And Christ ain't a-going to be too hard%@NL@%%@EH@%
On a man that died for men.%@NL@%

%@NL@%John Milton Hay
%@NL@%Pike County Ballads [1871].Jim Bludso,st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton Hay@%%@QR:Hay@%%@CR:N1838HAYJ30     @%%@2@%And I think that saving a little child,%@NL@%%@EH@%
And fotching him to his own,%@NL@%
Is a derned sight better business%@NL@%
Than loafing around The Throne.%@NL@%

%@NL@%John Milton Hay
%@NL@%Pike County Ballads [1871].Little Breeches, last stanza

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton Hay@%%@QR:Hay@%%@CR:N1838HAYJ40     @%%@2@%Who would succeed in the world should be wise in the use of his pronouns.%@NL@%%@EH@%
Utter the You twenty times, where you once utter the I.%@NL@%

%@NL@%John Milton Hay
%@NL@%Distichs, no.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton Hay@%%@QR:Hay@%%@CR:N1838HAYJ50     @%%@2@%True luck consists not in holding the best of the cards at the table:%@NL@%%@EH@%
Luckiest he who knows just when to rise and go home.%@NL@%

%@NL@%John Milton Hay
%@NL@%Distichs, no.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Milton Hay@%%@QR:Hay@%%@CR:N1838HAYJ60     @%%@2@%   The open door.%@NL@%%@EH@%
%@NL@%
John Milton Hay
%@NL@%To the Cabinet regarding completion of negotiations
for the "open door" in China [January 2, 1900]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Washington Johnson%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1917%@AE@%
%@NL@%%@NL@%

%@QR:George Washington Johnson@%%@QR:Johnson@%%@CR:N1838JOHG10     @%%@2@%Let us sing of the days that are gone, Maggie,%@NL@%%@EH@%
When you and I were young.%@NL@%

%@NL@%George Washington Johnson
%@NL@%When You and I Were Young, Maggie [1866], refrain

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Edward Hartpole Lecky%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1903%@AE@%
%@NL@%%@NL@%

%@QR:William Edward Hartpole Lecky@%%@QR:Lecky@%%@CR:N1838LECW10     @%%@2@%Offspring of an idle hour,%@NL@%%@EH@%
Whence has come thy lasting power?%@NL@%

%@NL@%William Edward Hartpole Lecky
%@NL@%On an old song

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Edward Hartpole Lecky@%%@QR:Lecky@%%@CR:N1838LECW20     @%%@2@%And while the great and wise decay,%@NL@%%@EH@%
And all their trophies pass away,%@NL@%
Some sudden thought, some careless rhyme,%@NL@%
Still floats above the wrecks of Time.%@NL@%

%@NL@%William Edward Hartpole Lecky
%@NL@%On an old song

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Leybourne%@AE@%%@EH@%
%@NL@%
%@AB@%d. 1884%@AE@%
%@NL@%%@NL@%

%@QR:George Leybourne@%%@QR:Leybourne@%%@CR:N1838LEYG10     @%%@2@%He flies through the air with the greatest of ease,%@NL@%%@EH@%
This daring young man on the flying trapeze;%@NL@%
His figure is handsome, all girls he can please,%@NL@%
And my love he purloined her away!%@NL@%

%@NL@%George Leybourne
%@NL@%The Man on the Flying Trapeze [1860]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lydia Kamekeha Liliuokalani%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1917%@AE@%
%@NL@%%@NL@%

%@FN@%
Aloha oe.  %@EF@%
%@QR:Lydia Kamekeha Liliuokalani@%%@QR:Liliuokalani@%%@CR:N1838LILL10     @%%@2@%Farewell to thee, farewell to thee . . . %@NL@%%@EH@%
Until we meet again.%@NL@%

%@NL@%Lydia Kamekeha Liliuokalani
%@NL@%Aloha Oe (Farewell to Thee) [1878]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ernst Mach%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1916%@AE@%
%@NL@%%@NL@%

%@QR:Ernst Mach@%%@QR:Mach@%%@CR:N1838MACE10     @%%@2@%   Physics is experience, arranged in economical order.%@NL@%%@EH@%
%@NL@%
Ernst Mach
%@NL@%The Economical Nature of Physical Inquiry [1882]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ernst Mach@%%@QR:Mach@%%@CR:N1838MACE15     @%%@2@%   Science throws her treasures, not like a capricious fairy into the lap of%@EH@%
a favored few, but into the laps of all humanity, with a lavish extravagance
that no legend ever dreamed of.%@NL@%
%@NL@%
Ernst Mach
%@NL@%The Economical Nature of Physical Inquiry [1882]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ernst Mach@%%@QR:Mach@%%@CR:N1838MACE20     @%%@2@%   Intelligible as it is . . . that the efforts of thinkers have always been%@EH@%
bent upon the "reduction of all physical processes to the motions of atoms,"
it must yet be affirmed that this is a chimerical ideal. This ideal has
often played an effective part in popular lectures, but in the workshop of
the serious inquirer it has discharged scarcely the least function.%@NL@%
%@NL@%
Ernst Mach
%@NL@%On the Principle of the Conservationof Energy [1894]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ernst Mach@%%@QR:Mach@%%@CR:N1838MACE30     @%%@2@%   [If we suppose that physical events can be reduced to spatial motions of%@EH@%
material particles] we impose on the creations of thought the limitations of
the visible and tangible.%@NL@%
%@NL@%
Ernst Mach
%@NL@%On the Principle of the Conservationof Energy [1894]

%@NL@%
%@NL@%
%@NL@%
%@1@%%@AB@%John Morley, Viscount Morley of Blackburn%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1923%@AE@%
%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ10     @%%@2@%   Evolution is not a force but a process; not a cause but a law.%@NL@%%@EH@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%On Compromise [1874]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ20     @%%@2@%   Those who would treat politics and morality apart will never understand%@EH@%
the one or the other.%@NL@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Rousseau [1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ30     @%%@2@%   You cannot demonstrate an emotion or prove an aspiration.%@NL@%%@EH@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Rousseau [1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ40     @%%@2@%   It is not enough to do good; one must do it the right way.%@NL@%%@EH@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Rousseau [1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ50     @%%@2@%   You have not converted a man because you have silenced him.%@NL@%%@EH@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Rousseau [1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ60     @%%@2@%   A great interpreter of life ought not himself to need interpretation.%@NL@%%@EH@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Emerson [1884]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ70     @%%@2@%   The great business of life is to be, to do, to do without, and to depart.%@NL@%%@EH@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Address on Aphorisms [1887]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ80     @%%@2@%   Simplicity of character is no hindrance to subtlety of intellect.%@NL@%%@EH@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Life of Gladstone [1903]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ90     @%%@2@%   No man can climb out beyond the limitations of his own character.%@NL@%%@EH@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Critical Miscellanies [1908]. Robespierre

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ100    @%%@2@%   There are some books which cannot be adequately reviewed for twenty or%@EH@%
thirty years after they come out.%@NL@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Recollections [1917], vol.I, bk. 2, ch. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ110    @%%@2@%   The proper memory for a politician is one that knows what to remember and%@EH@%
what to forget.%@NL@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Recollections [1917], vol.II, bk.4, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ120    @%%@2@%   In my creed, waste of public money is like the sin against the Holy%@EH@%
Ghost.%@NL@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Recollections [1917], vol.II, bk.5, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ130    @%%@2@%   Success depends on three things: who says it, what he says, how he says%@EH@%
it; and of these three things, what he says is the least important.%@NL@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Recollections [1917], vol.II, bk.5, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Morley, Viscount Morley of Blackburn@%%@QR:Morley@%%@CR:N1838MORJ140    @%%@2@%   Excess of severity is not the path to order. On the contrary, it is the%@EH@%
path to the bomb.%@NL@%
%@NL@%
John Morley, Viscount Morley of Blackburn
%@NL@%Recollections [1917], vol.II, bk.5, ch.4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Muir%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1914%@AE@%
%@NL@%%@NL@%

%@FN@%
See Emerson, last line.  %@EF@%
%@QR:John Muir@%%@QR:Muir@%%@CR:N1838MUIJ10     @%%@2@%   "The water in music the oar forsakes." The air in music the wing%@EH@%
forsakes. All things move in music and write it. The mouse, liz-ard, and
grasshopper sing together on the Turlock sands, sing with the morning stars.%@NL@%
%@NL@%
John Muir
%@NL@%Letter to Jeanne C. Carr, Yosemite [1874]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Muir@%%@QR:Muir@%%@CR:N1838MUIJ15     @%%@2@%   In God's wildness lies the hope of the world-the great fresh unblighted,%@EH@%
unredeemed wilderness. 1 %@NL@%
%@NL@%
John Muir
%@NL@%Alaska Fragment [1890]

%@NL@%%@AI@%1 See Thoreau%@BO:          437090@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Muir@%%@QR:Muir@%%@CR:N1838MUIJ20     @%%@2@%   On no subject are our ideas more warped and pitiable than on death. . . .%@EH@%
Let children walk with nature, let them see the beautiful blendings and
communions of death and life, their joyous inseparable unity, as taught in
woods and meadows, plains and mountains and streams of our blessed star, and
they will learn that death is stingless indeed, and as beautiful as life,
and that the grave has no victory, 1  for it never fights. All is divine
harmony.%@NL@%
%@NL@%
John Muir
%@NL@%A Thousand-Mile Walk to the Gulf [1916]

%@NL@%%@AI@%1 See I Corinthians 15:55%@BO:           6d196@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Muir@%%@QR:Muir@%%@CR:N1838MUIJ30     @%%@2@%   The clearest way into the Universe is through a forest wilderness.%@NL@%%@EH@%
%@NL@%
John Muir
%@NL@%John of the Mountains [1938]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Muir@%%@QR:Muir@%%@CR:N1838MUIJ40     @%%@2@%   The mountains are fountains of men as well as of rivers, of glaciers, of%@EH@%
fertile soil. The great poets, philosophers, prophets, able men whose
thought and deeds have moved the world, have come down from the
mountains-mountain-dwellers who have grown strong there with the forest
trees in Nature's workshops.%@NL@%
%@NL@%
John Muir
%@NL@%John of the Mountains [1938]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Muir@%%@QR:Muir@%%@CR:N1838MUIJ50     @%%@2@%   Most people are on the world, not in it-have no conscious sympathy or%@EH@%
relationship to anything about them-undiffused, separate, and rigidly alone
like marbles of polished stone, touching but separate.%@NL@%
%@NL@%
John Muir
%@NL@%John of the Mountains [1938]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Written while camping in Alaska [July 18, 1890].  %@EF@%
%@QR:John Muir@%%@QR:Muir@%%@CR:N1838MUIJ60     @%%@2@%   How hard to realize that every camp of men or beast has this glorious%@EH@%
starry firmament for a roof! In such places standing alone on the
mountaintop it is easy to realize that whatever special nests we make-leaves
and moss like the marmots and birds, or tents or piled stone-we all dwell in
a house of one room-the world with the firmament for its roof-and are
sailing the celestial spaces without leaving any track.%@NL@%
%@NL@%
John Muir
%@NL@%John of the Mountains [1938]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Margaret Elizabeth Sangster%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1912%@AE@%
%@NL@%%@NL@%

%@QR:Margaret Elizabeth Sangster@%%@QR:Sangster@%%@CR:N1838SANM10     @%%@2@%Never yet was a springtime%@NL@%%@EH@%
When the buds forgot to blow.%@NL@%

%@NL@%Margaret Elizabeth Sangster
%@NL@%Awakening

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Philippe Auguste Villiers de L'Isle-Adam%@AE@%%@EH@%
%@NL@%
%@AB@%1838-1889%@AE@%
%@NL@%%@NL@%

%@FN@%
Vivre? Les serviteurs feront cela pour nous.  %@EF@%
%@QR:Philippe Auguste Villiers de L'Isle-Adam@%%@QR:Villiers de L'Isle-Adam@%%@CR:N1838VILP10     @%%@2@%   Living? We'll leave that to the servants.%@NL@%%@EH@%
%@NL@%
Philippe Auguste Villiers de L'Isle-Adam
%@NL@%Axel [1890]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
J'ai trop pense pour daigner agir!  %@EF@%
%@QR:Philippe Auguste Villiers de L'Isle-Adam@%%@QR:Villiers de L'Isle-Adam@%%@CR:N1838VILP30     @%%@2@%   I have thought too much to stoop to action!%@NL@%%@EH@%
%@NL@%
Philippe Auguste Villiers de L'Isle-Adam
%@NL@%Axel [1890]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Paul Cezanne%@AE@%%@EH@%
%@NL@%
%@AB@%1839-1906%@AE@%
%@NL@%%@NL@%

%@QR:Paul Cezanne@%%@QR:Cezanne@%%@CR:N1839CEZP10     @%%@2@%   Treat nature in terms of the cylinder, the sphere, the cone, all in%@EH@%
perspective.%@NL@%
%@NL@%
Paul Cezanne
%@NL@%From Emile Bernard, Paul Cezanne [1925]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Paul Cezanne@%%@QR:Cezanne@%%@CR:N1839CEZP20     @%%@2@%   Right now a moment of time is fleeting by! Capture its reality in paint!%@EH@%
To do that we must put all else out of our minds. We must become that
moment, make ourselves a sensitive recording plate . . . give the image of
what we actually see, forgetting everything that has been seen before our
time.%@NL@%
%@NL@%
Paul Cezanne
%@NL@%%@FN@%
Translated by Norbert Guterman.  %@EF@%
From Joachim Gasquet, Paul Cezanne [1926]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Paul Cezanne@%%@QR:Cezanne@%%@CR:N1839CEZP30     @%%@2@%   The day is coming when a single carrot, freshly observed [in a painting],%@EH@%
will set off a revolution.%@NL@%
%@NL@%
Paul Cezanne
%@NL@%From Joachim Gasquet, Paul Cezanne [1926]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francis Pharcellus Church%@AE@%%@EH@%
%@NL@%
%@AB@%1839-1906%@AE@%
%@NL@%%@NL@%

%@QR:Francis Pharcellus Church@%%@QR:Church@%%@CR:N1839CHUF10     @%%@2@%   No Santa Claus! Thank God, he lives, and he lives forever. A thousand%@EH@%
years from now, Virginia, nay, ten times ten thousand years from now, he
will continue to make glad the heart of childhood.%@NL@%
%@NL@%
Francis Pharcellus Church
%@NL@%%@FN@%
Usually quoted: Yes, Virginia, there is a Santa Claus.  Editorial first
published in the New York Sun [September 21, 1897] in reply to an inquiry
from Virginia O'Hanlon.  %@EF@%
Is There a Santa Claus? [1897]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry George%@AE@%%@EH@%
%@NL@%
%@AB@%1839-1897%@AE@%
%@NL@%%@NL@%

%@QR:Henry George@%%@QR:George@%%@CR:N1839GEOH10     @%%@2@%   So long as all the increased wealth which modern progress brings goes but%@EH@%
to build up great fortunes, to increase luxury and make sharper the contrast
between the House of Have and the House of Want, progress is not real and
cannot be permanent.%@NL@%
%@NL@%
Henry George
%@NL@%Progress and Poverty [1879]. Introductory: The Problem

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Chipman Gray%@AE@%%@EH@%
%@NL@%
%@AB@%1839-1915%@AE@%
%@NL@%%@NL@%

%@FN@%
The reference is to "spendthrift trusts," which Gray believed had "no place
in the system of the Common Law."  %@EF@%
%@QR:John Chipman Gray@%%@QR:Gray@%%@CR:N1839GRAJ10     @%%@2@%   Dirt is only matter out of place; and what is a blot on the escutcheon of%@EH@%
the Common Law may be a jewel in the crown of the Social Republic.%@NL@%
%@NL@%
John Chipman Gray
%@NL@%Restraints on the Alienation of Property, second edition [1895],
preface

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Walter Pater%@AE@%%@EH@%
%@NL@%
%@AB@%1839-1894%@AE@%
%@NL@%%@NL@%

%@QR:Walter Pater@%%@QR:Pater@%%@CR:N1839PATW10     @%%@2@%   Every intellectual product must be judged from the point of view of the%@EH@%
age and the people in which it was produced.%@NL@%
%@NL@%
Walter Pater
%@NL@%The Renaissance [1873].Mirandola

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Pater@%%@QR:Pater@%%@CR:N1839PATW30     @%%@2@%   Hers is the head upon which all "the ends of the world are come," and the%@EH@%
eyelids are a little weary. It is a beauty wrought out from within upon the
flesh, the deposit, little cell by cell, of strange thoughts and fantastic
reveries and exquisite passions. Set it for a moment beside one of those
white Greek goddesses or beautiful women of antiquity, and how would they be
troubled by this beauty, into which the soul with all its maladies has
passed?%@NL@%
%@NL@%
Walter Pater
%@NL@%The Renaissance [1873].Leonardo da Vinci [Mona Lisa]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Pater@%%@QR:Pater@%%@CR:N1839PATW40     @%%@2@%   She is older than the rocks among which she sits; like the vampire, she%@EH@%
has been dead many times, and learned the secrets of the grave; and has been
a diver in deep seas, and keeps their fallen day about her; and trafficked
for strange webs with Eastern merchants: and as Leda, was the mother of
Helen of Troy, and, as Saint Anne, the mother of Mary; and all this has been
to her but as the sound of lyres and flutes, and lives only in the delicacy
with which it has molded the changing lineaments, and tinged the eyelids and
the hands.%@NL@%
%@NL@%
Walter Pater
%@NL@%The Renaissance [1873].Leonardo da Vinci [Mona Lisa]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Pater@%%@QR:Pater@%%@CR:N1839PATW45     @%%@2@%   Not the fruit of experience, but experience itself, is the end.%@NL@%%@EH@%
%@NL@%
Walter Pater
%@NL@%The Renaissance [1873].Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Pater@%%@QR:Pater@%%@CR:N1839PATW50     @%%@2@%   To burn always with this hard, gemlike flame, to maintain this ecstasy,%@EH@%
is success in life.%@NL@%
%@NL@%
Walter Pater
%@NL@%The Renaissance [1873].Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Pater@%%@QR:Pater@%%@CR:N1839PATW60     @%%@2@%   What we have to do is to be forever curiously testing new opinions and%@EH@%
courting new impressions.%@NL@%
%@NL@%
Walter Pater
%@NL@%The Renaissance [1873].Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Pater@%%@QR:Pater@%%@CR:N1839PATW70     @%%@2@%   Art comes to you proposing frankly to give nothing but the highest%@EH@%
quality to your moments as they pass.%@NL@%
%@NL@%
Walter Pater
%@NL@%The Renaissance [1873].Conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Pater@%%@QR:Pater@%%@CR:N1839PATW80     @%%@2@%   A book, like a person, has its fortunes with one; is lucky or unlucky in%@EH@%
the precise moment of its falling in our way, and often by some happy
accident counts with us for something more than its independent value.%@NL@%
%@NL@%
Walter Pater
%@NL@%Marius the Epicurean [1885], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Pater@%%@QR:Pater@%%@CR:N1839PATW90     @%%@2@%   To know when one's self is interested, is the first condition of%@EH@%
interesting other people.%@NL@%
%@NL@%
Walter Pater
%@NL@%Marius the Epicurean [1885], ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Pater@%%@QR:Pater@%%@CR:N1839PATW100    @%%@2@%   We need some imaginative stimulus, some not impossible ideal such as may%@EH@%
shape vague hope, and transform it into effective desire, to carry us year
after year, without disgust, through the routine work which is so large a
part of life.%@NL@%
%@NL@%
Walter Pater
%@NL@%Marius the Epicurean [1885], ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Walter Pater@%%@QR:Pater@%%@CR:N1839PATW110    @%%@2@%   It is the addition of strangeness to beauty that constitutes the romantic%@EH@%
character in art.%@NL@%
%@NL@%
Walter Pater
%@NL@%Appreciation [1889]. Postscript

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Sanders Peirce%@AE@%%@EH@%
%@NL@%
%@AB@%1839-1914%@AE@%
%@NL@%%@NL@%

%@QR:Charles Sanders Peirce@%%@QR:Peirce@%%@CR:N1839PEIC10     @%%@2@%   Do not block the way of inquiry.%@NL@%%@EH@%
%@NL@%
Charles Sanders Peirce
%@NL@%Collected Papers [1931-1958], vol.I, par.135

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Sanders Peirce@%%@QR:Peirce@%%@CR:N1839PEIC20     @%%@2@%   The idea does not belong to the soul; it is the soul that belongs to the%@EH@%
idea.%@NL@%
%@NL@%
Charles Sanders Peirce
%@NL@%Collected Papers [1931-1958], vol.I, par.216

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Sanders Peirce@%%@QR:Peirce@%%@CR:N1839PEIC30     @%%@2@%   Effort supposes resistance.%@NL@%%@EH@%
%@NL@%
Charles Sanders Peirce
%@NL@%Collected Papers [1931-1958], vol.I, par.320

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Sanders Peirce@%%@QR:Peirce@%%@CR:N1839PEIC40     @%%@2@%   Every man is fully satisfied that there is such a thing as truth, or he%@EH@%
would not ask any question.%@NL@%
%@NL@%
Charles Sanders Peirce
%@NL@%Collected Papers [1931-1958], vol.V, par.211

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Sanders Peirce@%%@QR:Peirce@%%@CR:N1839PEIC50     @%%@2@%   Let us not pretend to doubt in philosophy what we do not doubt in our%@EH@%
hearts.%@NL@%
%@NL@%
Charles Sanders Peirce
%@NL@%Collected Papers [1931-1958], vol.V, par.265

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Sanders Peirce@%%@QR:Peirce@%%@CR:N1839PEIC60     @%%@2@%   All the evolution we know of proceeds from the vague to the definite.%@NL@%%@EH@%
%@NL@%
Charles Sanders Peirce
%@NL@%Collected Papers [1931-1958], vol.VI, par.191

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Sanders Peirce@%%@QR:Peirce@%%@CR:N1839PEIC70     @%%@2@%   Mere imagination would indeed be mere trifling; only no imagination is%@EH@%
mere.%@NL@%
%@NL@%
Charles Sanders Peirce
%@NL@%Collected Papers [1931-1958], vol.VI, par.286

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Sanders Peirce@%%@QR:Peirce@%%@CR:N1839PEIC80     @%%@2@%   Our whole past experience is continually in our consciousness, though%@EH@%
most of it sunk to a great depth of dimness. I think of consciousness as a
bottomless lake, whose waters seem transparent, yet into which we can
clearly see but a little way. 1  2 %@NL@%
%@NL@%
Charles Sanders Peirce
%@NL@%Collected Papers [1931-1958], vol.VII, par. 547

%@NL@%%@AI@%1 See Freud%@BO:          50278d@%%@AE@%
%@AI@%2 See Bergson%@BO:          513095@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Sanders Peirce@%%@QR:Peirce@%%@CR:N1839PEIC90     @%%@2@%   Unless man have a natural bent in accordance with nature's, he has no%@EH@%
chance of understanding nature at all.%@NL@%
%@NL@%
Charles Sanders Peirce
%@NL@%A Neglected Argument for the Reality of God [Hibbert Journal VII:90]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Charles Sanders Peirce@%%@QR:Peirce@%%@CR:N1839PEIC100    @%%@2@%   It is the man of science, eager to have his every opinion regenerated,%@EH@%
his every idea rationalized, by drinking at the fountain of fact, and
devoting all the energies of his life to the cult of truth, not as he
understands it, but as he does not yet understand it, that ought properly to
be called a philosopher.%@NL@%
%@NL@%
Charles Sanders Peirce
%@NL@%Review of the Nineteenth Century [1900]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Ryder Randall%@AE@%%@EH@%
%@NL@%
%@AB@%1839-1908%@AE@%
%@NL@%%@NL@%

%@QR:James Ryder Randall@%%@QR:Randall@%%@CR:N1839RANJ10     @%%@2@%Hark to an exiled son's appeal,%@NL@%%@EH@%
Maryland, my Maryland!%@NL@%
My Mother State to thee I kneel.%@NL@%

%@NL@%James Ryder Randall
%@NL@%Maryland, My Maryland [1861], st. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Wilfrid Scawen Blunt%@AE@%%@EH@%
%@NL@%
%@AB@%1840-1922%@AE@%
%@NL@%%@NL@%

%@QR:Wilfrid Scawen Blunt@%%@QR:Blunt@%%@CR:N1840BLUW10     @%%@2@%Ay, this is the famed rock, which Hercules%@NL@%%@EH@%
And Goth and Moor bequeathed us. At this door%@NL@%
England stands sentry.%@NL@%

%@NL@%Wilfrid Scawen Blunt
%@NL@%Gibraltar

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Burton%@AE@%%@EH@%
%@NL@%
%@AB@%1840-1930%@AE@%
%@NL@%%@NL@%

%@QR:Henry Burton@%%@QR:Burton@%%@CR:N1840BURH10     @%%@2@%Have you had a kindness shown?%@NL@%%@EH@%
Pass it on.%@NL@%

%@NL@%Henry Burton
%@NL@%Pass It On, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Timothy J. Campbell%@AE@%%@EH@%
%@NL@%
%@AB@%1840-1904%@AE@%
%@NL@%%@NL@%

%@FN@%
Reported comment to President Cleveland, who refused to support a bill on
the grounds that it was unconstitutional.  %@EF@%
%@QR:Timothy J. Campbell@%%@QR:Campbell@%%@CR:N1840CAMT10     @%%@2@%   What's the Constitution between friends?%@NL@%%@EH@%
%@NL@%
Timothy J. Campbell
%@NL@%Attributed [c. 1885]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Austin Dobson%@AE@%%@EH@%
%@NL@%
%@AB@%1840-1921%@AE@%
%@NL@%%@NL@%

%@QR:Henry Austin Dobson@%%@QR:Dobson@%%@CR:N1840DOBH10     @%%@2@%Time goes, you say? Ah no!%@NL@%%@EH@%
Alas, Time stays, we go.%@NL@%

%@NL@%Henry Austin Dobson
%@NL@%The Paradox of Time [1875], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Austin Dobson@%%@QR:Dobson@%%@CR:N1840DOBH20     @%%@2@%I intended an ode,%@NL@%%@EH@%
And it turned to a sonnet.%@NL@%
It began a la mode,%@NL@%
I intended an ode;%@NL@%
But Rose crossed the road%@NL@%
In her latest new bonnet;%@NL@%
I intended an ode;%@NL@%
And it turned to a sonnet.%@NL@%

%@NL@%Henry Austin Dobson
%@NL@%Rose Leaves [1874]. Urceus Exit

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Austin Dobson@%%@QR:Dobson@%%@CR:N1840DOBH30     @%%@2@%All passes. Art alone%@NL@%%@EH@%
Enduring stays to us;%@NL@%
The bust outlasts the throne-%@NL@%
The coin, Tiberius. 1 %@NL@%

%@NL@%Henry Austin Dobson
%@NL@%Ars Victrix [1876], st. 8

%@NL@%%@AI@%1 See Theophile Gautier%@BO:          40bb3a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Austin Dobson@%%@QR:Dobson@%%@CR:N1840DOBH40     @%%@2@%The ladies of St. James's!%@NL@%%@EH@%
They're painted to the eyes;%@NL@%
Their white it stays forever,%@NL@%
Their red it never dies:%@NL@%
But Phyllida, my Phyllida!%@NL@%
Her color comes and goes;%@NL@%
It trembles to a lily-%@NL@%
It wavers to a rose.%@NL@%

%@NL@%Henry Austin Dobson
%@NL@%The Ladies of St. James's [1883], st. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Hardy%@AE@%%@EH@%
%@NL@%
%@AB@%1840-1928%@AE@%
%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART10     @%%@2@%These purblind Doomsters had as readily strown%@NL@%%@EH@%
Blisses about my pilgrimage as pain.%@NL@%

%@NL@%Thomas Hardy
%@NL@%Hap [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART20     @%%@2@%When I set out for Lyonnesse,%@NL@%%@EH@%
A hundred miles away,%@NL@%
The rime was on the spray,%@NL@%
And starlight lit my lonesomeness.%@NL@%

%@NL@%Thomas Hardy
%@NL@%When I Set Out for Lyonnesse [1870], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART30     @%%@2@%   Good, but not religious-good.%@NL@%%@EH@%
%@NL@%
Thomas Hardy
%@NL@%Under the Greenwood Tree [1872], ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART40     @%%@2@%   The kingly brilliance of Sirius pierced the eye with a steely glitter,%@EH@%
the star called Capella was yellow, Aldebaran and Betelgueux shone with a
fiery red. To persons standing alone on a hill during a clear midnight such
as this, the roll of the world eastward is almost a palpable movement.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%Far from the Madding Crowd [1874], ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART50     @%%@2@%   Like the British Constitution, she owes her success in practice to her%@EH@%
inconsistencies in principle.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%The Hand of Ethelberta [1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART60     @%%@2@%   A lover without indiscretion is no lover at all.%@NL@%%@EH@%
%@NL@%
Thomas Hardy
%@NL@%The Hand of Ethelberta [1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART70     @%%@2@%   In fact, precisely at this transitional point of its nightly roll into%@EH@%
darkness the great and particular glory of the Egdon waste began, and nobody
could be said to understand the heath who had not been there at such a time.
It could best be felt when it could not clearly be seen.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%The Return of the Native [1878], ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART80     @%%@2@%   The place became full of a watchful intentness now; for when other things%@EH@%
sank brooding to sleep the heath appeared slowly to awake and listen.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%The Return of the Native [1878], ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART90     @%%@2@%   The great inviolate place had an ancient permanence which the sea cannot%@EH@%
claim. Who can say of a particular sea that it is old? Distilled by the sun,
kneaded by the moon, it is renewed in a year, in a day, or in an hour. The
sea changed, the fields changed, the rivers, the villages, and the people
changed, yet Egdon remained.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%The Return of the Native [1878], ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART91     @%%@2@%   The hard, half-apathetic expression of one who deems anything possible at%@EH@%
the hands of Time and Chance, except, perhaps, fair play.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%The Mayor of Casterbridge [1886], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART92     @%%@2@%   And all her shining keys will be took from her, and her cupboards opened,%@EH@%
and little things 'a didn't wish seen, anybody will see; and her wishes and
ways will be as nothing!%@NL@%
%@NL@%
Thomas Hardy
%@NL@%The Mayor of Casterbridge [1886], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART93     @%%@2@%   Who is such a reprobate as I [Michael Henchard]! And yet it seems that%@EH@%
even I be in Somebody's hand!%@NL@%
%@NL@%
Thomas Hardy
%@NL@%The Mayor of Casterbridge [1886], ch.41

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART94     @%%@2@%   The ingenious machinery contrived by the gods for reducing human%@EH@%
possibilities of amelioration to a minimum.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%The Mayor of Casterbridge [1886], ch.44

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART95     @%%@2@%   That Elizabeth-Jane Farfrae be not told of my death, or be made to grieve%@EH@%
on account of me. And that I be not buried in consecrated ground. And that
no sexton be asked to toll the bell. And that nobody is wished to see my
dead body. And that no murners walk behind me at my funeral. And that no
flours be planted on my grave. And that no man remember me.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%The Mayor of Casterbridge [1886], ch.45 [Henchard's will]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART97     @%%@2@%   She [Elizabeth-Jane Farfrae] did not cease to wonder at the persistence%@EH@%
of the unforeseen, when the one to whom such unbroken tranquility had been
accorded in the adult stage was she whose youth had seemed to teach that
happiness was but the occasional episode in a general drama of pain.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%The Mayor of Casterbridge [1886], ch.Last sentence

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART100    @%%@2@%   That cold accretion called the world, which, so terrible in the mass, is%@EH@%
so unformidable, even pitiable, in its units.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%Tess of the D'Urbervilles [1891], ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART110    @%%@2@%   That shabby corner of God's allotment where He lets the nettles grow, and%@EH@%
where all unbaptized infants, notorious drunkards, suicides, and others of
the conjecturally damned are laid.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%Tess of the D'Urbervilles [1891], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART120    @%%@2@%   The chronic melancholy which is taking hold of the civilized races with%@EH@%
the decline of belief in a beneficent power.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%Tess of the D'Urbervilles [1891], ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART130    @%%@2@%   The debatable land between predilection and love.%@NL@%%@EH@%
%@NL@%
Thomas Hardy
%@NL@%Tess of the D'Urbervilles [1891], ch.20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART140    @%%@2@%   Patience, that blending of moral courage with physical timidity.%@NL@%%@EH@%
%@NL@%
Thomas Hardy
%@NL@%Tess of the D'Urbervilles [1891], ch.43

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART150    @%%@2@%   "Justice" was done, and the President of the Immortals (in Aeschylean%@EH@%
phrase) had ended his sport with Tess.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%Tess of the D'Urbervilles [1891], ch.59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART151    @%%@2@%   But nobody did come, because nobody does.%@NL@%%@EH@%
%@NL@%
Thomas Hardy
%@NL@%Jude the Obscure [1895], pt.I, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART153    @%%@2@%   The fundamental error of their matrimonial union; that of having based a%@EH@%
permanent contract on a temporary feeling.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%Jude the Obscure [1895], pt.I, ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART155    @%%@2@%   But sometimes a woman's love of being loved gets the better of her%@EH@%
conscience.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%Jude the Obscure [1895], pt.IV, ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART157    @%%@2@%   Done because we are too menny.%@NL@%%@EH@%
%@NL@%
Thomas Hardy
%@NL@%Jude the Obscure [1895], pt.VI, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART159    @%%@2@%   Do not do an immoral thing for moral reasons.%@NL@%%@EH@%
%@NL@%
Thomas Hardy
%@NL@%Jude the Obscure [1895], pt.VI, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART160    @%%@2@%William Dewy, Tranter Reuben, Farmer Ledlow late at plow,%@NL@%%@EH@%
Robert's kin, and John's and Ned's,%@NL@%
And the Squire, and Lady Susan, lie in Mellstock churchyard now!%@NL@%

%@NL@%Thomas Hardy
%@NL@%Friends Beyond [1898], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART170    @%%@2@%I leant upon a coppice gate%@NL@%%@EH@%
When Frost was specter-gray,%@NL@%
And Winter's dregs made desolate%@NL@%
The weakening eye of day.%@NL@%

%@NL@%Thomas Hardy
%@NL@%The Darkling Thrush [1900],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART180    @%%@2@%An aged thrush, frail, gaunt, and small,%@NL@%%@EH@%
In blast-beruffled plume.%@NL@%

%@NL@%Thomas Hardy
%@NL@%The Darkling Thrush [1900],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART190    @%%@2@%So little cause for carolings%@NL@%%@EH@%
Of such ecstatic sound%@NL@%
Was written on terrestrial things%@NL@%
Afar or nigh around,%@NL@%
That I could think there trembled through%@NL@%
His happy good-night air%@NL@%
Some blessed hope, whereof he knew%@NL@%
And I was unaware.%@NL@%

%@NL@%Thomas Hardy
%@NL@%The Darkling Thrush [1900],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART195    @%%@2@%Here by the baring bough%@NL@%%@EH@%
Raking up leaves,%@NL@%
Often I ponder how%@NL@%
Springtime deceives-%@NL@%
I, an old woman now,%@NL@%
Raking up leaves.%@NL@%

%@NL@%Thomas Hardy
%@NL@%Autumn in King's Hintock Park [1901], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART200    @%%@2@%Yes; quaint and curious war is!%@NL@%%@EH@%
You shoot a fellow down%@NL@%
You'd treat if met where any bar is,%@NL@%
Or help to half-a-crown.%@NL@%

%@NL@%Thomas Hardy
%@NL@%The Man He Killed [1902], st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART205    @%%@2@%The Earth, sayest thou? The Human race?%@NL@%%@EH@%
By Me created? Sad its lot?%@NL@%
Nay; I have no remembrance of such place-%@NL@%
Such world I fashioned not.%@NL@%

%@NL@%Thomas Hardy
%@NL@%God-Forgotten [1902], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART210    @%%@2@%What of the Immanent Will and its designs?%@NL@%%@EH@%
It works unconsciously as heretofore,%@NL@%
External artistries in circumstance.%@NL@%

%@NL@%Thomas Hardy
%@NL@%The Dynasts [1904-1908], pt.I,forescene

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART220    @%%@2@%A local cult called Christianity.%@NL@%%@EH@%

%@NL@%Thomas Hardy
%@NL@%The Dynasts [1904-1908], pt.I,Spirit of the Years, sc. vi

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART230    @%%@2@%Ere systemed suns were globed and lit%@NL@%%@EH@%
The slaughters of the race were writ.%@NL@%

%@NL@%Thomas Hardy
%@NL@%The Dynasts [1904-1908], pt.II, sc. v,semichorus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART240    @%%@2@%   My argument is that War makes rattling good history; but Peace is poor%@EH@%
reading.%@NL@%
%@NL@%
Thomas Hardy
%@NL@%The Dynasts [1904-1908], pt.II, sc. v,Spirit Sinister

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART250    @%%@2@%A star looks down at me,%@NL@%%@EH@%
And says: "Here I and you%@NL@%
Stand, each in our degree:%@NL@%
What do you mean to do?"%@NL@%

%@NL@%Thomas Hardy
%@NL@%Waiting Both, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART260    @%%@2@%We two kept house, the Past and I,%@NL@%%@EH@%
The Past and I;%@NL@%
I tended while it hovered nigh,%@NL@%
Leaving me never alone.%@NL@%

%@NL@%Thomas Hardy
%@NL@%The Ghost of the Past, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART270    @%%@2@%I seem but a dead man held on end%@NL@%%@EH@%
To sink down soon. . . . O you could not know%@NL@%
That such swift fleeing%@NL@%
No soul foreseeing-%@NL@%
Not even I-would undo me so!%@NL@%

%@NL@%Thomas Hardy
%@NL@%The Going [1912], st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART280    @%%@2@%Woman much missed, how you call to me, call to me,%@NL@%%@EH@%
Saying that now you are not as you were%@NL@%
When you had changed from the one who was all to me,%@NL@%
But as at first, when our day was fair.%@NL@%

%@NL@%Thomas Hardy
%@NL@%The Voice [1912], st 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART290    @%%@2@%What of the faith and fire within us%@NL@%%@EH@%
Men who march away%@NL@%
Ere the barn cocks say%@NL@%
Night is growing gray,%@NL@%
Leaving all that here can win us?%@NL@%

%@NL@%Thomas Hardy
%@NL@%Men Who March Away [1914], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART300    @%%@2@%That night your great guns, unawares,%@NL@%%@EH@%
Shook all our coffins as we lay,%@NL@%
And broke the chancel window-squares,%@NL@%
We thought it was the Judgment Day.%@NL@%

%@NL@%Thomas Hardy
%@NL@%Channel Firing [1914], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART310    @%%@2@%Only a man harrowing clods%@NL@%%@EH@%
In a slow silent walk%@NL@%
With an old horse that stumbles and nods%@NL@%
Half asleep as they stalk.Only thin smoke without flame%@NL@%
From the heaps of couch grass:%@NL@%
Yet this will go onward the same%@NL@%
Though dynasties pass.Yonder a maid and her wight%@NL@%
Come whispering by;%@NL@%
War's annals will cloud into night%@NL@%
Ere their story die.%@NL@%

%@NL@%Thomas Hardy
%@NL@%In Time of "The Breaking of Nations" [1915]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART320    @%%@2@%When the Present has latched its postern behind my tremulous stay,%@NL@%%@EH@%
And the May month flaps its glad green leaves like wings,%@NL@%
Delicate-filmed as new-spun silk, will the neighbors say,%@NL@%
"He was a man who used to notice such things"?%@NL@%

%@NL@%Thomas Hardy
%@NL@%Afterwards, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART330    @%%@2@%Ah, no; the years O!%@NL@%%@EH@%
Down their chiseled names the raindrop plows.%@NL@%

%@NL@%Thomas Hardy
%@NL@%During Wind and Rain, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART340    @%%@2@%This is the weather the shepherd shuns,%@NL@%%@EH@%
And so do I.%@NL@%

%@NL@%Thomas Hardy
%@NL@%Weathers [1922], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas Hardy@%%@QR:Hardy@%%@CR:N1840HART350    @%%@2@%And meadow rivulets overflow,%@NL@%%@EH@%
And drops on gate bars hang in a row,%@NL@%
And rooks in families homeward go,%@NL@%
And so do I.%@NL@%

%@NL@%Thomas Hardy
%@NL@%Weathers [1922], st. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Chief Joseph%@AE@%%@EH@%
%@NL@%
%@AB@%c. 1840-1904%@AE@%
%@FN@%
Hinmaton-Yalaktit: Thunder Rolling in the Mountains.  %@EF@%
%@NL@%%@NL@%

%@QR:Chief Joseph@%%@CR:N1840JOSC10     @%%@2@%   Our chiefs are killed. . . . The old men are all dead. . . . The little%@EH@%
children are freezing to death. My people, some of them have run away to the
hills and have no blankets, no food. No one knows where they are, perhaps
freezing to death. I want to have time to look for my children and see how
many of them I can find. Maybe I can find them among the dead. Hear me, my
chiefs. My heart is sick and sad. From where the sun now stands I will fight
no more forever.%@NL@%
%@NL@%
Chief Joseph
%@NL@%To the Nez Perce tribe after surrender to General Nelson A.
Miles [battle of Bear Paw Mountains, Montana, September 30-October 5, 1877]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alfred Thayer Mahan%@AE@%%@EH@%
%@NL@%
%@AB@%1840-1914%@AE@%
%@NL@%%@NL@%

%@FN@%
Apart from the accidents of weather and the tides and currents, about which
he admits he could not obtain trustworthy information, Julius Caesar saw no
difficulty in invading the Island. There was not then that far-off line of
storm-beaten ships which about two thousand years later stood between the
great Corsican conqueror and the dominion of the world.-Winston Churchill, A
History of the English-Speaking Peoples. The Birth of Britain [1956], p. 5
Also quoted by Churchill in the same work under The Age of Revolution,p.
300.  See Themistocles, Bacon, Waller, Washington, and Morison  %@EF@%
%@QR:Alfred Thayer Mahan@%%@QR:Mahan@%%@CR:N1840MAHA10     @%%@2@%   The world has never seen a more impressive demonstration of the influence%@EH@%
of sea power upon its history. Those far distant, storm-beaten ships, upon
which the Grand Army never looked, stood between it and the dominion of the
world.%@NL@%
%@NL@%
Alfred Thayer Mahan
%@NL@%The Influence of Sea Power upon the French Revolution and Empire,
1793-1812 [1892], vol. II, p. 118

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred Thayer Mahan@%%@QR:Mahan@%%@CR:N1840MAHA30     @%%@2@%   Whether they will or no, Americans must begin to look outward.%@NL@%%@EH@%
%@NL@%
Alfred Thayer Mahan
%@NL@%The Interest of America in Sea Power [1897]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Rossiter Worthington Raymond%@AE@%%@EH@%
%@NL@%
%@AB@%1840-1918%@AE@%
%@NL@%%@NL@%

%@QR:Rossiter Worthington Raymond@%%@QR:Raymond@%%@CR:N1840RAYR10     @%%@2@%   Life is eternal; and love is immortal; and death is only a horizon; and a%@EH@%
horizon is nothing save the limit of our sight.%@NL@%
%@NL@%
Rossiter Worthington Raymond
%@NL@%A Commendatory Prayer

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Graham Sumner%@AE@%%@EH@%
%@NL@%
%@AB@%1840-1910%@AE@%
%@NL@%%@NL@%

%@QR:William Graham Sumner@%%@QR:Sumner@%%@CR:N1840SUMW10     @%%@2@%   The Forgotten Man 1  . . . delving away in patient industry, supporting%@EH@%
his family, paying his taxes, casting his vote, supporting the church and
the school . . . but he is the only one for whom there is no provision in
the great scramble and the big divide. Such is the Forgotten Man. He works,
he votes, generally he prays-but his chief business in life is to pay. . . .
Who and where is the Forgotten Man in this case, who will have to pay for it
all?%@NL@%
%@NL@%
William Graham Sumner
%@NL@%Speech, The Forgotten Man [1883]

%@NL@%%@AI@%1 See Franklin D. Roosevelt%@BO:          5a738f@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%John Addington Symonds%@AE@%%@EH@%
%@NL@%
%@AB@%1840-1893%@AE@%
%@NL@%%@NL@%

%@QR:John Addington Symonds@%%@QR:Symonds@%%@CR:N1840SYMJ10     @%%@2@%These things shall be-a loftier race%@NL@%%@EH@%
Than e'er the world hath known shall rise%@NL@%
With flame of freedom in their souls,%@NL@%
And light of knowledge in their eyes.%@NL@%

%@NL@%John Addington Symonds
%@NL@%The Days That Are to Be

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Addington Symonds@%%@QR:Symonds@%%@CR:N1840SYMJ20     @%%@2@%They shall be gentle, brave and strong%@NL@%%@EH@%
To spill no drop of blood, but dare%@NL@%
All that may plant man's lordship firm%@NL@%
On earth and fire and sea and air.%@NL@%

%@NL@%John Addington Symonds
%@NL@%The Days That Are to Be

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Wilson%@AE@%%@EH@%
%@NL@%Christopher North
%@AB@%d. 1889%@AE@%
%@FN@%
A London bookseller, friend of Austin Dobson.  %@EF@%
%@NL@%%@NL@%

%@QR:John Wilson@%%@QR:Wilson@%%@QR:Christopher North@%%@QR:North@%%@CR:N1840WILJ10     @%%@2@%Oh for a book and a shady nook, either in door or out.%@NL@%%@EH@%

%@NL@%John Wilson
%@NL@%Poem for a catalogue of secondhand books

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Elizabeth Wordsworth%@AE@%%@EH@%
%@NL@%
%@AB@%1840-1932%@AE@%
%@NL@%%@NL@%

%@QR:Elizabeth Wordsworth@%%@QR:Wordsworth@%%@CR:N1840WORE10     @%%@2@%If all the good people were clever,%@NL@%%@EH@%
And all clever people were good,%@NL@%
The world would be nicer than ever%@NL@%
We thought that it possibly could.%@NL@%

%@NL@%Elizabeth Wordsworth
%@NL@%The Clever and the Good [1890]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Emile Zola%@AE@%%@EH@%
%@NL@%
%@AB@%1840-1902%@AE@%
%@NL@%%@NL@%

%@QR:Emile Zola@%%@QR:Zola@%%@CR:N1840ZOLE10     @%%@2@%   I am little concerned with beauty or perfection. I don't care for the%@EH@%
great centuries. All I care about is life, struggle, intensity. I am at ease
in my generation.%@NL@%
%@NL@%
Emile Zola
%@NL@%Mes Haines (My Hates) [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emile Zola@%%@QR:Zola@%%@CR:N1840ZOLE15     @%%@2@%   A work of art is a corner of creation seen through a temperament.%@NL@%%@EH@%
%@NL@%
Emile Zola
%@NL@%Mes Haines (My Hates) [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emile Zola@%%@QR:Zola@%%@CR:N1840ZOLE20     @%%@2@%   My own art is a negation of society, an affirmation of the individual,%@EH@%
outside all rules and demands of society.%@NL@%
%@NL@%
Emile Zola
%@NL@%Mes Haines (My Hates) [1866]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emile Zola@%%@QR:Zola@%%@CR:N1840ZOLE30     @%%@2@%   Truth is on the march and nothing can stop it.%@NL@%%@EH@%
%@NL@%
Emile Zola
%@NL@%Article in Le Figaro [November 25, 1897]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Emile Zola@%%@QR:Zola@%%@CR:N1840ZOLE40     @%%@2@%   J'accuse.%@NL@%%@EH@%
%@NL@%
Emile Zola
%@NL@%Title of letter to the president of the Republique,
L'Aurore [January 13, 1898]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Buchanan%@AE@%%@EH@%
%@NL@%
%@AB@%1841-1901%@AE@%
%@NL@%%@NL@%

%@QR:Robert Buchanan@%%@QR:Buchanan@%%@CR:N1841BUCR10     @%%@2@%   The Fleshly School of Poetry.%@NL@%%@EH@%
%@NL@%
Robert Buchanan
%@NL@%%@FN@%
Attack on the Pre-Raphaelites occasioned by some sonnets in Rossetti's The
House of Life.  See D. G. Rossetti  %@EF@%
Title of article [1871]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Georges Clemenceau%@AE@%%@EH@%
%@NL@%
%@AB@%1841-1929%@AE@%
%@NL@%%@NL@%

%@QR:Georges Clemenceau@%%@QR:Clemenceau@%%@CR:N1841CLEG10     @%%@2@%   The good Lord had only ten.%@NL@%%@EH@%
%@NL@%
Georges Clemenceau
%@NL@%In reference to Wilson's Fourteen Points

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georges Clemenceau@%%@QR:Clemenceau@%%@CR:N1841CLEG20     @%%@2@%   America is the only nation in history which miraculously has gone%@EH@%
directly from barbarism to degeneration without the usual interval of
civilization.%@NL@%
%@NL@%
Georges Clemenceau
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Georges Clemenceau@%%@QR:Clemenceau@%%@CR:N1841CLEG30     @%%@2@%   There is nothing harder for the human spirit to bear than being%@EH@%
cold-shouldered.%@NL@%
%@NL@%
Georges Clemenceau
%@NL@%Quoted by Charles de Gaulle,
Le Fil de l'Epee [1932], ch. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Oliver Wendell HolmesJr.%@AE@%%@EH@%
%@NL@%
%@AB@%1841-1935%@AE@%
%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO10     @%%@2@%   The life of the law has not been logic: it has been experience.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Common Law [1881]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO20     @%%@2@%   The law embodies the story of a nation's development through many%@EH@%
centuries, and it cannot be dealt with as if it contained only the axioms
and corollaries of a book of mathematics.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Common Law [1881]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO30     @%%@2@%   I think that, as life is action and passion, it is required of a man that%@EH@%
he should share the passion and action of his time at peril of being judged
not to have lived.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Memorial Day Address [1884]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO40     @%%@2@%   Through our great good fortune, in our youth our hearts were touched with%@EH@%
fire.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Memorial Day Address [1884]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO50     @%%@2@%   The Law, wherein, as in a magic mirror, we see reflected not only our own%@EH@%
lives, but the lives of all men that have been! When I think on this
majestic theme, my eyes dazzle. 1 %@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%To the Suffolk Bar Association [1885]

%@NL@%%@AI@%1 See John Webster%@BO:          21751a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO60     @%%@2@%   I say to you in all sadness of conviction, that to think great thoughts%@EH@%
you must be heroes as well as idealists.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Profession of the Law [1886]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO70     @%%@2@%   Thus only can you gain the secret isolated joy of the thinker, who knows%@EH@%
that, a hundred years after he is dead and forgotten, men who never heard of
him will be moving to the measure of his thought-the subtle rapture of a
postponed power, which the world knows not because it has no external
trappings, but which to his prophetic vision is more real than that which
commands an army.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Profession of the Law [1886]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO80     @%%@2@%   The prophecies of what the courts will do in fact, and nothing more%@EH@%
pretentious, are what I mean by the law.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Path of the Law [1897]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO90     @%%@2@%   Certainty generally is illusion, and repose is not the destiny of man.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Path of the Law [1897]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO100    @%%@2@%   The remoter and more general aspects of the law are those which give it%@EH@%
universal interest. It is through them that you not only become a great
master in your calling, but connect your subject with the universe and catch
an echo of the infinite, a glimpse of its unfathomable process, a hint of
the universal law.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Path of the Law [1897]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO110    @%%@2@%   The rule of joy and the law of duty seem to me all one.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Speech at Bar Association Dinner, Boston [1900]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO120    @%%@2@%   Life is an end in itself, and the only question as to whether it is worth%@EH@%
living is whether you have enough of it. 1  2 %@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Speech at Bar Association Dinner, Boston [1900]

%@NL@%%@AI@%1 See William James%@BO:          4d00af@%%@AE@%
%@AI@%2 See Santayana%@BO:          52c11c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO130    @%%@2@%   A great man represents a great ganglion in the nerves of society, or, to%@EH@%
vary the figure, a strategic point in the campaign of history, and part of
his greatness consists in his being there.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%John Marshall [1901]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO140    @%%@2@%   Taxes are what we pay for civilized society.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Compania de Tabacos v. Collector,
275 U.S. 87, 100 [1904]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO150    @%%@2@%   Great cases like hard cases make bad law.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Northern Securities Co. v. United States, 193 U.S. 197, 400 [1904]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO160    @%%@2@%   The Fourteenth Amendment does not enact Mr. Herbert Spencer's Social%@EH@%
Statics.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Lochner v. New York, 198 U.S. 45,75 [1905]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO170    @%%@2@%   General propositions do not decide concrete cases. The decision will%@EH@%
depend on a judgment or intuition more subtle than any articulate major
premise.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Lochner v. New York, 198 U.S. 45,78

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO180    @%%@2@%   The great act of faith is when man decides that he is not God.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Letter to William James [1907]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO190    @%%@2@%   Life is painting a picture, not doing a sum.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Class of '61. From Speeches [1913]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO200    @%%@2@%   I learned in the regiment and in the class the conclusion, at least, of%@EH@%
what I think the best service that we can do for our country and for
ourselves: To see so far as one may, and to feel the great forces that are
behind every detail . . . to hammer out as compact and solid a piece of work
as one can, to try to make it first rate, and to leave it unadvertised.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%The Class of '61. From Speeches [1913]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO210    @%%@2@%   The only prize much cared for by the powerful is power. The prize of the%@EH@%
general is not a bigger tent, but command.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Law and the Court [1913]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO220    @%%@2@%   Judges are apt to be naif, simple-minded men, and they need something of%@EH@%
Mephistopheles. We too need education in the obvious-to learn to transcend
our own convictions and to leave room for much that we hold dear to be done
away with short of revolution by the orderly change of law.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Law and the Court [1913]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO230    @%%@2@%   I do not think the United States would come to an end if we lost our%@EH@%
power to declare an Act of Congress void. I do think the Union would be
imperiled if we could not make that declaration as to the laws of the
several states.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Law and the Court [1913]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO240    @%%@2@%   The attacks upon the Court are merely an expression of the unrest that%@EH@%
seems to wonder vaguely whether law and order pay. When the ignorant are
taught to doubt, they do not know what they safely may believe.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Law and the Court [1913]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO250    @%%@2@%   I do not think we need trouble ourselves with the thought that my view%@EH@%
depends upon differences of degree. The whole law does so as soon as it is
civilized.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%LeRoy Fibre Co. v. C., M. [amp ] St. P. Ry., 232 U.S. 340,
354 [1914]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO260    @%%@2@%   I recognize without hesitation that judges do and must legislate, but%@EH@%
they can do so only interstitially; they are confined from molar to
molecular motions.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Southern Pacific Co. v. Jensen, 244 U.S. 205,221 [1917]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO270    @%%@2@%   The common law is not a brooding omnipresence in the sky but the%@EH@%
articulate voice of some sovereign or quasi sovereign that can be
identified.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Southern Pacific Co. v. Jensen, 244 U.S. 205,222

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO280    @%%@2@%   Certitude is not the test of certainty.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Natural Law [1918]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO290    @%%@2@%   The most stringent protection of free speech would not protect a man in%@EH@%
falsely shouting fire in a theater and causing a panic. . . . The question
in every case is whether the words used are used in such circumstances and
are of such a nature as to create a clear and present danger that they will
bring about the substantive evils that Congress has a right to prevent.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Schenck v. United States, 249 U.S. 47 [1919]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO300    @%%@2@%   When men have realized that time has upset many fighting faiths, they may%@EH@%
come to believe even more than they believe the very foundations of their
own conduct that the ultimate good desired is better reached by free trade
in ideas-that the best test of truth is the power of the thought to get
itself accepted in the competition of the market, and that truth is the only
ground upon which their wishes safely can be carried out. 1  That at any
rate is the theory of our Constitution. It is an experiment, as all life is
an experiment.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Abrams v. United States, 250 U.S. 616, 630 [1919]

%@NL@%%@AI@%1 See Milton%@BO:          23be31@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO310    @%%@2@%   I dare say that I have worked off my fundamental formula on you that the%@EH@%
chief end of man is to frame general propositions and that no general
proposition is worth a damn.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Letter to Sir Frederick Pollock [1920]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO315    @%%@2@%   Have faith and pursue the unknown end.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Letter to John C. H. Wu [1924]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO320    @%%@2@%   Upon this point a page of history is worth a volume of logic.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%New York Trust Co. v. Eisner, 256 U.S. 345, 349 [1921]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO330    @%%@2@%   It is said that this manifesto is more than a theory, that it was an%@EH@%
incitement. Every idea is an incitement.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Gitlow v. New York, 268 U.S. 652, 673 [1925]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO335    @%%@2@%   We learn how to behave as lawyers, soldiers, merchants, or whatnot by%@EH@%
being them. Life, not the parson, teaches conduct.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Letter to Sir Frederick Pollock [1926]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO340    @%%@2@%   Three generations of imbeciles are enough.%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Buck v. Bell, 274 U.S. 200, 207 [1927]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO350    @%%@2@%   But if we are to yield to fashionable conventions, it seems to me that%@EH@%
theaters are as much devoted to public use as anything well can be. We have
not that respect for art that is one of the glories of France. But to many
the superfluous is the necessary, 1  and it seems to me that Government does
not go beyond its sphere in attempting to make life livable for them.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Tyson [amp ] Bro. v. Banton, 273 U.S. 418, 447 [1927]

%@NL@%%@AI@%1 See Voltaire%@BO:          2aca27@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO360    @%%@2@%   The power to tax is not the power to destroy while this Court sits. 1 %@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Panhandle Oil Co. v. Knox, 277 U.S. 223 [1928]

%@NL@%%@AI@%1 See John Marshall%@BO:          31720a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO370    @%%@2@%   For my part I think it a less evil that some criminals should escape than%@EH@%
that the government should play an ignoble part. . . . If the existing code
does not permit district attorneys to have a hand in such dirty business
[wiretapping], it does not permit the judge to allow such iniquities to
succeed.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Olmstead v. United States, 277 U.S. 438, 470 [1928]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO380    @%%@2@%   If there is any principle of the Constitution that more imperatively%@EH@%
calls for attachment than any other it is the principle of free thought-not
free thought for those who agree with us but freedom for the thought that we
hate.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%United States v. Schwimmer, 279 U.S. 644, 653 [1928]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO390    @%%@2@%   The riders in a race do not stop short when they reach the goal. There is%@EH@%
a little finishing canter before coming to a standstill. There is time to
hear the kind voice of friends and to say to one's self: "The work is done."
But just as one says that, the answer comes: "The race is over, but the work
never is done while the power to work remains." The canter that brings you
to a standstill need not be only coming to rest. It cannot be, while you
still live. For to live is to function. That is all there is in living.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Radio address on his ninetieth birthday [March 8, 1931]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO395    @%%@2@%   Young man, the secret of my success is that at an early age I discovered%@EH@%
I was not God.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Reply to a reporter's question on his ninetieth
birthday [March 8, 1931]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
If only one were eighty!-Field Marshal Count Friedrich von Wrangel
[1784-1877];attributed  %@EF@%
%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO397    @%%@2@%   Oh, to be seventy again!%@NL@%%@EH@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%At ninety, upon seeing a beautiful young woman. Attributed

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oliver Wendell HolmesJr.@%%@QR:Holmes@%%@CR:N1841HOLO400    @%%@2@%   Life seems to me like a Japanese picture which our imagination does not%@EH@%
allow to end with the margin. We aim at the infinite and when our arrow
falls to earth it is in flames.%@NL@%
%@NL@%
Oliver Wendell HolmesJr.
%@NL@%Message to the Federal Bar Association [February 29, 1932]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%W illiam H enry Hudson%@AE@%%@EH@%
%@NL@%
%@AB@%1841-1922%@AE@%
%@NL@%%@NL@%

%@QR:W illiam H enry Hudson@%%@QR:Hudson@%%@CR:N1841HUDW10     @%%@2@%   I . . . thanked the Author of my being for the gift of that wild forest,%@EH@%
those green mansions where I had found so great a happiness!%@NL@%
%@NL@%
W illiam H enry Hudson
%@NL@%Green Mansions [1904], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:W illiam H enry Hudson@%%@QR:Hudson@%%@CR:N1841HUDW20     @%%@2@%   In this wild solitary girl [Rima] I had at length discovered the%@EH@%
mysterious warbler that so often followed me in the wood.%@NL@%
%@NL@%
W illiam H enry Hudson
%@NL@%Green Mansions [1904], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:W illiam H enry Hudson@%%@QR:Hudson@%%@CR:N1841HUDW30     @%%@2@%   You cannot fly like an eagle with the wings of a wren.%@NL@%%@EH@%
%@NL@%
W illiam H enry Hudson
%@NL@%Afoot in England [1909], ch. 6

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joaquin Miller%@AE@%%@EH@%
%@NL@%Cincinnatus Hiner or Heine Miller
%@AB@%c. 1841-1913%@AE@%
%@NL@%%@NL@%

%@QR:Joaquin Miller@%%@QR:Miller@%%@QR:Cincinnatus Hiner or Heine Miller@%%@QR:Miller@%%@CR:N1841MILJ10     @%%@2@%I only know that creeds to me%@NL@%%@EH@%
Are but new names for mystery,%@NL@%
That good is good from east to east,%@NL@%
And more I do not know nor need%@NL@%
To know, to love my neighbor well.%@NL@%

%@NL@%Joaquin Miller
%@NL@%The Tale of the Tall Alcalde

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
There is so much good in the worst of us,/And so much bad in the best of
us,/That it hardly behooves any of us/To talk about the rest of us.-First
printed in the Marion (Kansas) Record, owned by Governor Edward Wallis Hoch
[1849-1925]; assumed to have been written by him  %@EF@%
%@QR:Joaquin Miller@%%@QR:Miller@%%@QR:Cincinnatus Hiner or Heine Miller@%%@QR:Miller@%%@CR:N1841MILJ20     @%%@2@%In men whom men condemn as ill%@NL@%%@EH@%
I find so much of goodness still, 1 %@NL@%
In men whom men pronounce divine%@NL@%
I find so much of sin and blot,%@NL@%
I do not dare to draw a line%@NL@%
Between the two, where God has not.%@NL@%

%@NL@%Joaquin Miller
%@NL@%Byron

%@NL@%%@AI@%1 See Shakespeare%@BO:          1a23c2@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joaquin Miller@%%@QR:Miller@%%@QR:Cincinnatus Hiner or Heine Miller@%%@QR:Miller@%%@CR:N1841MILJ40     @%%@2@%Behind him lay the gray Azores,%@NL@%%@EH@%
Behind the Gates of Hercules;%@NL@%
Before him not the ghost of shores,%@NL@%
Before him only shoreless seas.%@NL@%

%@NL@%Joaquin Miller
%@NL@%Columbus,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Actually, it was Marti Alonso Pinzo who said, "Adelante, adelante, I can't
hold with turning back without sighting land."  %@EF@%
%@QR:Joaquin Miller@%%@QR:Miller@%%@QR:Cincinnatus Hiner or Heine Miller@%%@QR:Miller@%%@CR:N1841MILJ50     @%%@2@%He gained a world; he gave that world%@NL@%%@EH@%
Its grandest lesson: "On! sail on!"%@NL@%

%@NL@%Joaquin Miller
%@NL@%Columbus,st. 5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Pierre Auguste Renoir%@AE@%%@EH@%
%@NL@%
%@AB@%1841-1919%@AE@%
%@NL@%%@NL@%

%@QR:Pierre Auguste Renoir@%%@QR:Renoir@%%@CR:N1841RENP10     @%%@2@%   I have a predilection for painting that lends joyousness to a wall.%@NL@%%@EH@%
%@NL@%
Pierre Auguste Renoir
%@NL@%From Ambroise Vollard, Renoir [1919]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Pierre Auguste Renoir@%%@QR:Renoir@%%@CR:N1841RENP20     @%%@2@%   In a few generations you can breed a racehorse. The recipe for making a%@EH@%
man like Delacroix is less well known.%@NL@%
%@NL@%
Pierre Auguste Renoir
%@NL@%From Jean Renoir, Renoir My Father [1958]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Minot Judson Savage%@AE@%%@EH@%
%@NL@%
%@AB@%1841-1918%@AE@%
%@NL@%%@NL@%

%@QR:Minot Judson Savage@%%@QR:Savage@%%@CR:N1841SAVM10     @%%@2@%A man's truest monument must be a man.%@NL@%%@EH@%

%@NL@%Minot Judson Savage
%@NL@%%@FN@%
Phillips Brooks.  %@EF@%
The Song of a Man, st. 8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Clement William Scott%@AE@%%@EH@%
%@NL@%
%@AB@%1841-1904%@AE@%
%@NL@%%@NL@%

%@QR:Clement William Scott@%%@QR:Scott@%%@CR:N1841SCOC10     @%%@2@%Oh, promise me that some day you and I%@NL@%%@EH@%
Will take our love together to some sky%@NL@%
Where we can be alone and faith renew,%@NL@%
And find the hollows where those flowers grew.%@NL@%

%@NL@%Clement William Scott
%@NL@%%@FN@%
Reginald De Koven wrote the music for Scott's ballad, which was first sung
in Chicago at the second performance of his opera Robin Hood [June 10, 1890]
by the famous contralto Jessie Bartlett Davis.  %@EF@%
Oh, Promise Me [1888]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Rowland Sill%@AE@%%@EH@%
%@NL@%
%@AB@%1841-1887%@AE@%
%@NL@%%@NL@%

%@QR:Edward Rowland Sill@%%@QR:Sill@%%@CR:N1841SILE10     @%%@2@%At the punch bowl's brink%@NL@%%@EH@%
Let the thirsty think%@NL@%
What they say in Japan:%@NL@%
"First the man takes a drink,%@NL@%
Then the drink takes a drink,%@NL@%
Then the drink takes the man!" 1  2  3 %@NL@%

%@NL@%Edward Rowland Sill
%@NL@%An Adage from the Orient

%@NL@%%@AI@%1 See Herbert%@BO:          221439@%%@AE@%
%@AI@%2 See Addison%@BO:          28e394@%%@AE@%
%@AI@%3 See Hugo%@BO:          3b6435@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Rowland Sill@%%@QR:Sill@%%@CR:N1841SILE20     @%%@2@%But Lord,%@NL@%%@EH@%
Be merciful to me, a fool!%@NL@%

%@NL@%Edward Rowland Sill
%@NL@%The Fool's Prayer

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Rowland Sill@%%@QR:Sill@%%@CR:N1841SILE30     @%%@2@%The ill-timed truth we might have kept-%@NL@%%@EH@%
Who knows how sharp it pierced and stung?  %@NL@%
The word we had not sense to say-%@NL@%
Who knows how grandly it had rung?%@NL@%

%@NL@%Edward Rowland Sill
%@NL@%The Fool's Prayer

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Henry Morton Stanley%@AE@%%@EH@%
%@NL@%
%@AB@%1841-1904%@AE@%
%@NL@%%@NL@%

%@QR:Sir Henry Morton Stanley@%%@QR:Stanley@%%@CR:N1841STAH10     @%%@2@%   Doctor Livingstone, I presume?%@NL@%%@EH@%
%@NL@%
Sir Henry Morton Stanley
%@NL@%On meeting David Livingstone in Ujiji, Central Africa
[November 10, 1871]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ironquill%@AE@%%@EH@%
%@NL@%Eugene Fitch Ware
%@AB@%1841-1911%@AE@%
%@NL@%%@NL@%

%@QR:Ironquill@%%@QR:Eugene Fitch Ware@%%@QR:Ware@%%@CR:N1841WARE10     @%%@2@%Human hopes and human creeds%@NL@%%@EH@%
Have their root in human needs.%@NL@%

%@NL@%Ironquill
%@NL@%The Rhymes of Ironquill, preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ironquill@%%@QR:Eugene Fitch Ware@%%@QR:Ware@%%@CR:N1841WARE20     @%%@2@%O Dewey 1  was the morning%@NL@%%@EH@%
Upon the first of May,%@NL@%
And Dewey was the Admiral%@NL@%
Down in Manila Bay;%@NL@%
And Dewey were the Regent's eyes,%@NL@%
"Them" orbs of royal blue!%@NL@%
And Dewey feel discouraged?%@NL@%
I Dew not think we Dew.%@NL@%

%@NL@%Ironquill
%@NL@%In the Topeka (Kansas) Daily Capital [May 3, 1898]

%@NL@%%@AI@%1 See Dewey%@BO:          4b1cc5@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ironquill@%%@QR:Eugene Fitch Ware@%%@QR:Ware@%%@CR:N1841WARE30     @%%@2@%No evil deed live oN.%@NL@%%@EH@%

%@NL@%Ironquill
%@NL@%The Palindrome

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ambrose Bierce%@AE@%%@EH@%
%@NL@%
%@AB@%1842 - c. 1914%@AE@%
%@FN@%
In 1913 Bierce wearied of American civilization and disappeared into Mexico,
to seek "the good, kind darkness."  %@EF@%
%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA20     @%%@2@%Mark how my fame rings out from zone to zone:%@NL@%%@EH@%
A thousand critics shouting: "He's unknown!"%@NL@%

%@NL@%Ambrose Bierce
%@NL@%Couplet

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA30     @%%@2@%   Peyton Farquhar was dead; his body, with a broken neck, swung gently from%@EH@%
side to side beneath the timbers of the Owl Creek bridge.%@NL@%
%@NL@%
Ambrose Bierce
%@NL@%%@FN@%
First published as Tales of Soldiers and Civilians, retitled in 1892.  %@EF@%
In the Midst of Life [1891].
An Occurrence at Owl Creek Bridge

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA40     @%%@2@%To men a man is but a mind. Who cares%@NL@%%@EH@%
What face he carries or what form he wears?%@NL@%
But woman's body is the woman. O%@NL@%
Stay thou, my sweetheart, and do never go.%@NL@%

%@NL@%Ambrose Bierce
%@NL@%%@FN@%
First published as The Cynic's Word Book, retitled in 1911.  %@EF@%
The Devil's Dictionary [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA50     @%%@2@%   Achievement, n. the death of endeavor and the birth of disgust.%@NL@%%@EH@%
%@NL@%
Ambrose Bierce
%@NL@%The Devil's Dictionary [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA60     @%%@2@%   Advice, n. the smallest current coin.%@NL@%%@EH@%
%@NL@%
Ambrose Bierce
%@NL@%The Devil's Dictionary [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA70     @%%@2@%   Bore, n. a person who talks when you wish him to listen.%@NL@%%@EH@%
%@NL@%
Ambrose Bierce
%@NL@%The Devil's Dictionary [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA80     @%%@2@%   Cynic, n. a blackguard whose faulty vision sees things as they are, not%@EH@%
as they ought to be.%@NL@%
%@NL@%
Ambrose Bierce
%@NL@%The Devil's Dictionary [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA90     @%%@2@%   Edible, adj. good to eat, and wholesome to digest, as a worm to a toad, a%@EH@%
toad to a snake, a snake to a pig, a pig to a man, and a man to a worm. 1 %@NL@%
%@NL@%
Ambrose Bierce
%@NL@%The Devil's Dictionary [1906]

%@NL@%%@AI@%1 See Wallace Stevens%@BO:          5948cd@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA100    @%%@2@%   Habit, n. a shackle for the free.%@NL@%%@EH@%
%@NL@%
Ambrose Bierce
%@NL@%The Devil's Dictionary [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA110    @%%@2@%   Labor, n. one of the processes by which A acquires property for B.%@NL@%%@EH@%
%@NL@%
Ambrose Bierce
%@NL@%The Devil's Dictionary [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA120    @%%@2@%   Lawsuit, n. a machine which you go into as a pig and come out as a%@EH@%
sausage.%@NL@%
%@NL@%
Ambrose Bierce
%@NL@%The Devil's Dictionary [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA130    @%%@2@%   Marriage, n. a community consisting of a master, a mistress, and two%@EH@%
slaves, making in all, two.%@NL@%
%@NL@%
Ambrose Bierce
%@NL@%The Devil's Dictionary [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA140    @%%@2@%   Prejudice, n. a vagrant opinion without visible means of support.%@NL@%%@EH@%
%@NL@%
Ambrose Bierce
%@NL@%The Devil's Dictionary [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA150    @%%@2@%   Saint, n. a dead sinner revised and edited.%@NL@%%@EH@%
%@NL@%
Ambrose Bierce
%@NL@%The Devil's Dictionary [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA160    @%%@2@%   Woman would be more charming if one could fall into her arms without%@EH@%
falling into her hands.%@NL@%
%@NL@%
Ambrose Bierce
%@NL@%Epigrams

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA170    @%%@2@%   You are not permitted to kill a woman who has wronged you, but nothing%@EH@%
forbids you to reflect that she is growing older every minute. You are
avenged 1440 times a day.%@NL@%
%@NL@%
Ambrose Bierce
%@NL@%Epigrams

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ambrose Bierce@%%@QR:Bierce@%%@CR:N1842BIEA180    @%%@2@%   Self-denial is indulgence of a propensity to forego.%@NL@%%@EH@%
%@NL@%
Ambrose Bierce
%@NL@%Epigrams

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Edward Carryl%@AE@%%@EH@%
%@NL@%
%@AB@%1842-1920%@AE@%
%@NL@%%@NL@%

%@QR:Charles Edward Carryl@%%@QR:Carryl@%%@CR:N1842CARC10     @%%@2@%A capital ship for an ocean trip%@NL@%%@EH@%
Was the Walloping Window Blind-%@NL@%
No gale that blew dismayed her crew%@NL@%
Or troubled the captain's mind.%@NL@%
The man at the wheel was taught to feel%@NL@%
Contempt for the wildest blow.%@NL@%
And it often appeared, when the weather had cleared,%@NL@%
That he'd been in his bunk below.%@NL@%

%@NL@%Charles Edward Carryl
%@NL@%Davy and the Goblin: A Nautical Ballad [1886], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir James Dewar%@AE@%%@EH@%
%@NL@%
%@AB@%1842-1923%@AE@%
%@NL@%%@NL@%

%@QR:Sir James Dewar@%%@QR:Dewar@%%@CR:N1842DEWJ10     @%%@2@%   Minds are like parachutes. They only function when they are open.%@NL@%%@EH@%
%@NL@%
Sir James Dewar
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William James%@AE@%%@EH@%
%@NL@%
%@AB@%1842-1910%@AE@%
%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW10     @%%@2@%   I have often thought that the best way to define a man's character would%@EH@%
be to seek out the particular mental or moral attitude in which, when it
came upon him, he felt himself most deeply and intensely active and alive.
At such moments there is a voice inside which speaks and says: "This is the
real me!"%@NL@%
%@NL@%
William James
%@NL@%The Letters of William James [1920].To his wife, Alice Gibbons James, 1878

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW20     @%%@2@%   Nothing so fatiguing as the eternal hanging on of an uncompleted task.%@NL@%%@EH@%
%@NL@%
William James
%@NL@%The Letters of William James [1920].To Carl Stumpf, January 1, 1886

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW30     @%%@2@%   The difference between the first- and second-best things in art%@EH@%
absolutely seems to escape verbal definition-it is a matter of a hair, a
shade, an inward quiver of some kind-yet what miles away in the point of
preciousness!%@NL@%
%@NL@%
William James
%@NL@%The Letters of William James [1920].To Henry Rutgers Marshall, February 7,
1899

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW40     @%%@2@%   Most people live, whether physically, intellectually or morally, in a%@EH@%
very restricted circle of their potential being. They make use of a very
small portion of their possible consciousness, and of their soul's resources
in general, much like a man who, out of his whole bodily organism, should
get into a habit of using and moving only his little finger. Great
emergencies and crises show us how much greater our vital resources are than
we had supposed. 1 %@NL@%
%@NL@%
William James
%@NL@%The Letters of William James [1920].To W. Lutoslawski, May 6, 1906

%@NL@%%@AI@%1 See Emily Dickinson%@BO:          484d58@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW50     @%%@2@%   The moral flabbiness born of the exclusive worship of the bitch-goddess%@EH@%
success. That-with the squalid cash interpretation put on the word
success-is our national disease.%@NL@%
%@NL@%
William James
%@NL@%The Letters of William James [1920].To H. G. Wells, September 11, 1906

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW53     @%%@2@%   The concrete man has but one interest-to be right. That to him is the art%@EH@%
of all arts, and all means are fair which help him to it.%@NL@%
%@NL@%
William James
%@NL@%The Sentiment of Rationality [1882]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW55     @%%@2@%   All our scientific and philosophic ideals are altars to unknown gods.%@NL@%%@EH@%
%@NL@%
William James
%@NL@%The Dilemma of Determinism [1884]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW60     @%%@2@%   Habit is . . . the enormous flywheel of society, its most precious%@EH@%
conservative agent. It alone is what keeps us all within the bounds of
ordinance.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW70     @%%@2@%   There is no more miserable human being than one in whom nothing is%@EH@%
habitual but indecision.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW80     @%%@2@%   Keep the faculty of effort alive in you by a little gratuitous exercise%@EH@%
every day. That is, be systematically ascetic or heroic in little
unnecessary points, do every day or two something for no other reason than
that you would rather not do it, 1  2  so that when the hour of dire need
draws nigh, it may find you not unnerved and untrained to stand the test.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.4

%@NL@%%@AI@%1 See Huxley%@BO:          4732db@%%@AE@%
%@AI@%2 See Maugham%@BO:          57c08d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW90     @%%@2@%   The hell to be endured hereafter, of which theology tells, is no worse%@EH@%
than the hell we make for ourselves in this world by habitually fashioning
our characters in the wrong way.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW100    @%%@2@%   We are spinning our own fates, good or evil, and never to be undone.%@EH@%
Every smallest stroke of virtue or of vice leaves its never so little scar .
. . Nothing we ever do is, in strict scientific literalness, wiped out.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW110    @%%@2@%   Consciousness . . . does not appear to itself chopped up in bits. . . . A%@EH@%
"river" or a "stream" are the metaphors by which it is most naturally
described. In talking of it hereafter, let us call it the stream of thought,
of consciousness, or of subjective life.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW120    @%%@2@%   As we take, in fact, a general view of the wonderful stream of our%@EH@%
consciousness, what strikes us first is this different pace of its parts.
Like a bird's life, it seems to be made of an alternation of flights and
perchings.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW130    @%%@2@%   As the brain changes are continuous, so do all these consciousnesses melt%@EH@%
into each other like dissolving views. Properly they are but one protracted
consciousness, one unbroken stream.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW140    @%%@2@%   The last peculiarity of consciousness to which attention is to be drawn%@EH@%
in this first rough description of its stream is that . . . it is always
interested more in one part of its object [thought] than in another, and
welcomes and rejects, or chooses, all the while it thinks.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW150    @%%@2@%   An act has no ethical quality whatever unless it be chosen out of several%@EH@%
all equally possible.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW160    @%%@2@%   In its widest possible sense, however, a man's Self is the sum total of%@EH@%
all that he can call his, not only his body and his psychic powers, but his
clothes and his house, his wife and children, his ancestors and friends, his
reputation and works, his lands and horses, and yacht and bank account. All
these things give him the same emotions. If they wax and prosper, he feels
triumphant; if they dwindle and die away, he feels cast down.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW170    @%%@2@%   So our self-feeling in this world depends entirely on what we back%@EH@%
ourselves to be and do.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW180    @%%@2@%   Creatures extremely low in the intellectual scale may have conception.%@EH@%
All that is required is that they should recognize the same experience
again. A polyp would be a conceptual thinker if a feeling of "Hello!
thingumbob again!" ever flitted through its mind.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW190    @%%@2@%   Let anyone try, I will not say to arrest, but to notice or attend to, the%@EH@%
present moment of time. One of the most baffling experiences occurs. Where
is it, this present? It has melted in our grasp, fled ere we could touch it,
gone in the instant of becoming.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW200    @%%@2@%   Genius . . . means little more than the faculty of perceiving in an%@EH@%
unhabitual way.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW210    @%%@2@%   The impulse to take life strivingly is indestructible in the race.%@NL@%%@EH@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.21

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW220    @%%@2@%   The art of being wise is the art of knowing what to overlook.%@NL@%%@EH@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW230    @%%@2@%   The more rational statement is that we feel sorry because we cry, angry%@EH@%
because we strike, afraid because we tremble, and not that we cry, strike,
or tremble because we are sorry, angry, or fearful, as the case may be.
Without the bodily states following on the perception, the latter would be
purely cognitive in form, pale, colorless, destitute of emotional warmth.%@NL@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW240    @%%@2@%   A purely disembodied human emotion is a nonentity.%@NL@%%@EH@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.25

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW250    @%%@2@%   A thing is important if anyone think it important.%@NL@%%@EH@%
%@NL@%
William James
%@NL@%The Principles of Psychology [1890], ch.28, note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW260    @%%@2@%   In the deepest heart of all of us there is a corner in which the ultimate%@EH@%
mystery of things works sadly.%@NL@%
%@NL@%
William James
%@NL@%The Will to Believe [1897].Is Life Worth Living?

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW270    @%%@2@%   Need and struggle are what excite and inspire us; our hour of triumph is%@EH@%
what brings the void. Not the Jews of the captivity, but those of the days
of Solomon's glory are those from whom the pessimistic utterances in our
Bible come.%@NL@%
%@NL@%
William James
%@NL@%The Will to Believe [1897].Is Life Worth Living?

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW280    @%%@2@%   It is only by risking our persons from one hour to another that we live%@EH@%
at all. And often enough our faith beforehand in an uncertified result is
the only thing that makes the result come true.%@NL@%
%@NL@%
William James
%@NL@%The Will to Believe [1897].Is Life Worth Living?

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW290    @%%@2@%   This life is worth living, we can say, since it is what we make it, from%@EH@%
the moral point of view. 1  2 %@NL@%
%@NL@%
William James
%@NL@%The Will to Believe [1897].Is Life Worth Living?

%@NL@%%@AI@%1 See Oliver Wendell Holmes, Jr.%@BO:          4c7018@%%@AE@%
%@AI@%2 See Santayana%@BO:          52c11c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW300    @%%@2@%   If this life be not a real fight, in which something is eternally gained%@EH@%
for the universe by success, it is no better than a game of private
theatricals from which one may withdraw at will. But it feels like a real
fight.%@NL@%
%@NL@%
William James
%@NL@%The Will to Believe [1897].Is Life Worth Living?

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW310    @%%@2@%   Be not afraid of life. Believe that life is worth living, and your belief%@EH@%
will help create the fact.%@NL@%
%@NL@%
William James
%@NL@%The Will to Believe [1897].Is Life Worth Living?

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW320    @%%@2@%   Man's chief difference from the brutes lies in the exuberant excess of%@EH@%
his subjective propensities-his preeminence over them simply and solely in
the number and in the fantastic and unnecessary character of his wants,
physical, moral, aesthetic, and intellectual. Had his whole life not been a
quest for the superfluous, he would never have established himself as
inexpugnably as he has done in the necessary.%@NL@%
%@NL@%
William James
%@NL@%The Will to Believe [1897].Reflex Action and Theism

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW330    @%%@2@%   All the higher, more penetrating ideals are revolutionary. They present%@EH@%
themselves far less in the guise of effects of past experience than in that
of probable causes of future experience.%@NL@%
%@NL@%
William James
%@NL@%The Will to Believe [1897].The Moral Philosopher and the Moral Life

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW340    @%%@2@%   There is but one unconditional commandment, which is that we should seek%@EH@%
incessantly, with fear and trembling, so to vote and to act as to bring
about the very largest total universe of good which we can see.%@NL@%
%@NL@%
William James
%@NL@%The Will to Believe [1897].The Moral Philosopher and the Moral Life

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW350    @%%@2@%   An unlearned carpenter of my acquaintance once said in my hearing: "There%@EH@%
is very little difference between one man and another; but what little there
is, is very important." This distinction seems to me to go to the root of
the matter.%@NL@%
%@NL@%
William James
%@NL@%The Will to Believe [1897].The Importance of Individuals

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW360    @%%@2@%   Wherever you are it is your own friends who make your world.%@NL@%%@EH@%
%@NL@%
William James
%@NL@%From Ralph Barton Perry, The Thought and Character
of William James [1935], vol. II [1899], ch. 91, conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW370    @%%@2@%   Tell him to live by yes and no-yes to everything good, no to everything%@EH@%
bad.%@NL@%
%@NL@%
William James
%@NL@%From Ralph Barton Perry, The Thought and Character
of William James [1935], vol. II [1899], ch. 91, conclusion

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW380    @%%@2@%   Religion . . . shall mean for us the feelings, acts, and experiences of%@EH@%
individual men in their solitude.%@NL@%
%@NL@%
William James
%@NL@%The Varieties of Religious Experience [1902]. Lecture2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW390    @%%@2@%   Religion . . . is a man's total reaction upon life.%@NL@%%@EH@%
%@NL@%
William James
%@NL@%The Varieties of Religious Experience [1902]. Lecture2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW400    @%%@2@%   We can act as if there were a God; feel as if we were free; consider%@EH@%
Nature as if she were full of special designs; lay plans as if we were to be
immortal; and we find then that these words do make a genuine difference in
our moral life.%@NL@%
%@NL@%
William James
%@NL@%The Varieties of Religious Experience [1902]. Lecture3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW410    @%%@2@%   There is no worse lie than a truth misunderstood by those who hear it.%@NL@%%@EH@%
%@NL@%
William James
%@NL@%The Varieties of Religious Experience [1902]. Lecture14 and 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW415    @%%@2@%   The God whom science recognizes must be a God of universal laws%@EH@%
exclusively, a God who does a wholesale, not a retail business. He cannot
accommodate his processes to the convenience of individuals.%@NL@%
%@NL@%
William James
%@NL@%The Varieties of Religious Experience [1902]. Lecture20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW420    @%%@2@%   The philosophy which is so important in each of us is not a technical%@EH@%
matter; it is our more or less dumb sense of what life honestly and deeply
means. It is only partly got from books; it is our individual way of just
seeing and feeling the total push and pressure of the cosmos.%@NL@%
%@NL@%
William James
%@NL@%%@FN@%
The term [pragmatism] . . . was first introduced into philosophy by Mr.
Charles Peirce in 1878 [in] an article entitled "How to Make Our Ideas
Clear" in the Popular Science Monthly for January of that year.-William
James, Pragmatism [1907], Lecture 1  See Charles Sanders Peirce  %@EF@%
Pragmatism [1907].
Lecture1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW425    @%%@2@%   No particular results then, so far, but only an attitude of orientation,%@EH@%
is what the pragmatic method means. The attitude of looking away from first
things, principles, "categories," supposed necessities; and of looking
toward last things, fruits, consequences, facts.%@NL@%
%@NL@%
William James
%@NL@%Pragmatism [1907].
Lecture2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW430    @%%@2@%   I myself believe that the evidence for God lies primarily in inner%@EH@%
personal experiences.%@NL@%
%@NL@%
William James
%@NL@%Pragmatism [1907].
Lecture3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW440    @%%@2@%   Our minds thus grow in spots; and like grease spots, the spots spread.%@EH@%
But we let them spread as little as possible: we keep unaltered as much of
our old knowledge, as many of our old prejudices and beliefs, as we can. We
patch and tinker more than we renew. The novelty soaks in; it stains the
ancient mass; but it is also tinged by what absorbs it.%@NL@%
%@NL@%
William James
%@NL@%Pragmatism [1907].
Lecture5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW450    @%%@2@%   Truth happens to an idea. It becomes true, is made true by events. Its%@EH@%
verity is in fact an event, a process: the process namely of its verifying
itself, its veri-fication. Its validity is the process of its valid-ation.%@NL@%
%@NL@%
William James
%@NL@%Pragmatism [1907].
Lecture6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW460    @%%@2@%   Pluralism lets things really exist in the each-form or distributively.%@EH@%
Monism thinks that the all-form or collective-unit form is the only form
that is rational.%@NL@%
%@NL@%
William James
%@NL@%A Pluralistic Universe [1909]. Lecture 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW470    @%%@2@%   What we really need the poet's and orator's help to keep alive in us is%@EH@%
not . . . the common and gregarious courage which Robert Shaw showed when he
marched with you, men of the Seventh Regiment. It is that more lonely
courage which he showed when he dropped his warm commission in the glorious
Second to head your dubious fortunes, Negroes of the Fifty-fourth. That
lonely kind of courage (civic courage, as we call it in times of peace) is
the kind of valor to which the monuments of nations should most of all be
reared. 1  2  3 %@NL@%
%@NL@%
William James
%@NL@%Memories and Studies [1911].Robert Gould Shaw:
Oration upon the Unveiling of the Shaw Monument [May 31, 1897]

%@NL@%%@AI@%1 See C. W. Eliot%@BO:          496afb@%%@AE@%
%@AI@%2 See Paul Laurence Dunbar%@BO:          564624@%%@AE@%
%@AI@%3 See Robert Lowell%@BO:          65ebaa@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW480    @%%@2@%   The deadliest enemies of nations are not their foreign foes; they always%@EH@%
dwell within their borders. And from these internal enemies civilization is
always in need of being saved. The nation blessed above all nations is she
in whom the civic genius of the people does the saving day by day, by acts
without external picturesqueness; by speaking, writing, voting reasonably;
by smiting corruption swiftly; by good temper between parties; by the people
knowing true men when they see them, and preferring them as leaders to rabid
partisans or empty quacks.%@NL@%
%@NL@%
William James
%@NL@%Memories and Studies [1911].Robert Gould Shaw:
Oration upon the Unveiling of the Shaw Monument [May 31, 1897]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW490    @%%@2@%   Democracy is still upon its trial. The civic genius of our people is its%@EH@%
only bulwark.%@NL@%
%@NL@%
William James
%@NL@%Memories and Studies [1911].Robert Gould Shaw:
Oration upon the Unveiling of the Shaw Monument [May 31, 1897]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW500    @%%@2@%   So long as antimilitarists propose no substitute for war's disciplinary%@EH@%
function, no moral equivalent of war, analogous, as one might say, to the
mechanical equivalent of heat, so long they fail to realize the full
inwardness of the situation.%@NL@%
%@NL@%
William James
%@NL@%Memories and Studies [1911].The Moral Equivalent of War

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW510    @%%@2@%   Our colleges ought to have lit up in us a lasting relish for the better%@EH@%
kind of man, a loss of appetite for mediocrities.%@NL@%
%@NL@%
William James
%@NL@%Memories and Studies [1911].The Social Value of the College-Bred

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW520    @%%@2@%   Real culture lives by sympathies and admirations, not by dislikes and%@EH@%
disdains; under all misleading wrappings it pounces unerringly upon the
human core.%@NL@%
%@NL@%
William James
%@NL@%Memories and Studies [1911].The Social Value of the College-Bred

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW530    @%%@2@%   The "through-and-through" universe seems to suffocate me with its%@EH@%
infallible impeccable all-pervasiveness. . . . It seems too buttoned-up and
white-chokered and clean-shaven a thing to speak for the vast slow-breathing
unconscious Kosmos with its dread abysses and its unknown tides.%@NL@%
%@NL@%
William James
%@NL@%Essays in Radical Empiricism [1912], ch. 12,
Absolutism and Empiricism

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW540    @%%@2@%   The union of the mathematician with the poet, fervor with measure,%@EH@%
passion with correctness, this surely is the ideal.%@NL@%
%@NL@%
William James
%@NL@%Collected Essays and Reviews [1920],ch. 11,
Clifford's "Lectures and Essays" [1879]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William James@%%@QR:James@%%@CR:N1842JAMW550    @%%@2@%   I wished, by treating Psychology like a natural science, to help her to%@EH@%
become one.%@NL@%
%@NL@%
William James
%@NL@%Collected Essays and Reviews [1920],A Plea for Psychology as a Natural
Science [1892]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Alexander Joyce%@AE@%%@EH@%
%@NL@%
%@AB@%1842-1915%@AE@%
%@NL@%%@NL@%

%@FN@%
Will you love me in December as you do in May?-James J. Walker; set to music
by Ernest R. Ball [1905]  %@EF@%
%@QR:John Alexander Joyce@%%@QR:Joyce@%%@CR:N1842JOYJ10     @%%@2@%I shall love you in December%@NL@%%@EH@%
With the love I gave in May!%@NL@%

%@NL@%John Alexander Joyce
%@NL@%Question and Answer, st. 8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Prince Petr Alekseevich Kropotkin%@AE@%%@EH@%
%@NL@%
%@AB@%1842-1921%@AE@%
%@NL@%%@NL@%

%@QR:Prince Petr Alekseevich Kropotkin@%%@QR:Kropotkin@%%@CR:N1842KROP10     @%%@2@%   Sociability is as much a law of nature as mutual struggle . . . mutual%@EH@%
aid is as much a law of animal life as mutual struggle.%@NL@%
%@NL@%
Prince Petr Alekseevich Kropotkin
%@NL@%Mutual Aid [1902]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sidney Lanier%@AE@%%@EH@%
%@NL@%
%@AB@%1842-1881%@AE@%
%@NL@%%@NL@%

%@QR:Sidney Lanier@%%@QR:Lanier@%%@CR:N1842LANS10     @%%@2@%Ye marshes, how candid and simple and nothing-withholding and free%@NL@%%@EH@%
Ye publish yourselves to the sky and offer yourselves to the sea!%@NL@%

%@NL@%Sidney Lanier
%@NL@%The Marshes of Glynn [1877],l. 65

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sidney Lanier@%%@QR:Lanier@%%@CR:N1842LANS20     @%%@2@%As the marsh hen secretly builds on the watery sod,%@NL@%%@EH@%
Behold I will build me a nest on the greatness of God:%@NL@%
I will fly in the greatness of God as the marsh hen flies%@NL@%
In the freedom that fills all the space 'twixt the marsh and the skies:%@NL@%
By so many roots as the marsh grass sends in the sod%@NL@%
I will heartily lay me a-hold on the greatness of God:%@NL@%
Oh, like to the greatness of God is the greatness within%@NL@%
The range of the marshes, the liberal marshes of Glynn.%@NL@%

%@NL@%Sidney Lanier
%@NL@%The Marshes of Glynn [1877],l. 71

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sidney Lanier@%%@QR:Lanier@%%@CR:N1842LANS30     @%%@2@%Out of the hills of Habersham,%@NL@%%@EH@%
Down the valleys of Hall.%@NL@%

%@NL@%Sidney Lanier
%@NL@%Song of the Chattahoochee [1877], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sidney Lanier@%%@QR:Lanier@%%@CR:N1842LANS40     @%%@2@%Into the woods my Master went,%@NL@%%@EH@%
Clean forspent, forspent.%@NL@%
Into the woods my Master came,%@NL@%
Forspent with love and shame.%@NL@%

%@NL@%Sidney Lanier
%@NL@%A Ballad of Trees and the Master [1877],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sidney Lanier@%%@QR:Lanier@%%@CR:N1842LANS50     @%%@2@%'Twas on a tree they slew Him-last%@NL@%%@EH@%
When out of the woods He came.%@NL@%

%@NL@%Sidney Lanier
%@NL@%A Ballad of Trees and the Master [1877],st. 2

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Stephane Mallarme%@AE@%%@EH@%
%@NL@%
%@AB@%1842-1898%@AE@%
%@NL@%%@NL@%

%@FN@%
La chair est triste, helas! et j'ai lu tous les livres.  %@EF@%
%@QR:Stephane Mallarme@%%@QR:Mallarme@%%@CR:N1842MALS10     @%%@2@%   The flesh is sad, alas, and I have read all the books.%@NL@%%@EH@%
%@NL@%
Stephane Mallarme
%@NL@%Poesies.Brise Marine

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Tel qu'en Lui-M[ecirc ]me enfin l'eternite le change.  %@EF@%
%@QR:Stephane Mallarme@%%@QR:Mallarme@%%@CR:N1842MALS30     @%%@2@%   Such as into himself at last Eternity has changed him.%@NL@%%@EH@%
%@NL@%
Stephane Mallarme
%@NL@%Poesies.Le Tombeau d'Edgar Poe

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Un coup de des n'abolira jamais le hasard.  %@EF@%
%@QR:Stephane Mallarme@%%@QR:Mallarme@%%@CR:N1842MALS50     @%%@2@%   A Throw of the Dice Will Never Abolish Chance.%@NL@%%@EH@%
%@NL@%
Stephane Mallarme
%@NL@%Poesies.Title of poem

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Nommer un objet, c'est supprimer les trois-quarts de la jouissance du poeme
qui est fait peu a peu: le suggerer.  %@EF@%
%@QR:Stephane Mallarme@%%@QR:Mallarme@%%@CR:N1842MALS70     @%%@2@%   To name an object is to take away three-fourths of the pleasure given by%@EH@%
a poem. This pleasure consists in guessing little by little: to suggest it,
that is the ideal.%@NL@%
%@NL@%
Stephane Mallarme
%@NL@%Reponse a une Enqu[ecirc ]te sur
l'Evolution Litteraire [1891]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ce n'est point avec des idees que l'on fait des vers, c'est avec des mots.  %@EF@%
%@QR:Stephane Mallarme@%%@QR:Mallarme@%%@CR:N1842MALS80     @%%@2@%   You don't make a poem with ideas, but with words.%@NL@%%@EH@%
%@NL@%
Stephane Mallarme
%@NL@%From Paul Valery, Degas, Danse, Dessin

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alfred Marshall%@AE@%%@EH@%
%@NL@%
%@AB@%1842-1924%@AE@%
%@NL@%%@NL@%

%@FN@%
Nature does not make a leap.  %@EF@%
%@QR:Alfred Marshall@%%@QR:Marshall@%%@CR:N1842MARA10     @%%@2@%   Thus progress itself increases the urgency of the warning that in the%@EH@%
economic world, Natura non facit saltum. Progress must be slow.%@NL@%
%@NL@%
Alfred Marshall
%@NL@%Principles of Economics [1890]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Alfred Marshall@%%@QR:Marshall@%%@CR:N1842MARA20     @%%@2@%   We might as reasonably dispute whether it is the upper or the under blade%@EH@%
of a pair of scissors that cuts a piece of paper, as whether value is
governed by utility or cost of production.%@NL@%
%@NL@%
Alfred Marshall
%@NL@%Principles of Economics [1890]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Hugh Antoine D'Arcy%@AE@%%@EH@%
%@NL@%
%@AB@%1843-1925%@AE@%
%@NL@%%@NL@%

%@QR:Hugh Antoine D'Arcy@%%@QR:D'Arcy@%%@CR:N1843DARH10     @%%@2@%"Say, boys! if you give me just another whiskey I'll be glad,%@NL@%%@EH@%
And I'll draw right here a picture of the face that drove me mad.%@NL@%
Give me that piece of chalk with which you mark the baseball score,%@NL@%
You shall see the lovely Madeleine upon the bar-room floor."%@NL@%

%@NL@%Hugh Antoine D'Arcy
%@NL@%%@FN@%
Often called "The Face on the Barroom Floor."  %@EF@%
The Face upon the Floor [1887]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry James%@AE@%%@EH@%
%@NL@%
%@AB@%1843-1916%@AE@%
%@FN@%
You know how opposed your whole "third manner" of execution is to the
literary ideals which animate my crude and Orson-like breast, mine being to
say a thing in one sentence as straight and explicit as it can be made, and
then to drop it forever; yours being to avoid naming it straight, but by
dint of breathing and sighing all round and round it, to arouse in the
reader who may have had a similar perception already . . . the illusion of a
solid object, made . . . wholly out of impalpable materials, air, and the
prismatic interference of light, ingeniously focused by mirrors upon empty
space. But you do it, that's the queerness!-William James, letter to his
brother Henry James [1907]  See Vidal, Wharton, and Guedalla  %@EF@%
%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH20     @%%@2@%   The face of nature and civilization in this our country is to a certain%@EH@%
point a very sufficient literary field. But it will yield its secrets only
to a really grasping imagination. . . . To write well and worthily of
American things one need even more than elsewhere to be a master.%@NL@%
%@NL@%
Henry James
%@NL@%Letter to Charles Eliot Norton [January 16, 1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH30     @%%@2@%   It's a complex fate, being an American, and one of the responsibilities%@EH@%
it entails is fighting against a superstitious valuation of Europe.%@NL@%
%@NL@%
Henry James
%@NL@%Letter [1872] quoted in Percy Lubbock,
Letters of Henry James [1920], vol. I, Biographical note

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH40     @%%@2@%   It takes a great deal of history to produce a little literature.%@NL@%%@EH@%
%@NL@%
Henry James
%@NL@%Hawthorne [1879], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH50     @%%@2@%   Whatever question there may be of his [Thoreau's] talent, there can be%@EH@%
none, I think, of his genius. It was a slim and crooked one, but it was
eminently personal. He was unperfect, unfinished, inartistic; he was worse
than provincial-he was parochial.%@NL@%
%@NL@%
Henry James
%@NL@%Hawthorne [1879], ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH60     @%%@2@%   Cats and monkeys, monkeys and cats-all human life is there.%@NL@%%@EH@%
%@NL@%
Henry James
%@NL@%The Madonna of the Future [1879]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH70     @%%@2@%   The real offense, as she ultimately perceived, was her having a mind of%@EH@%
her own at all. Her mind was to be his-attached to his own like a small
garden plot to a deer park.%@NL@%
%@NL@%
Henry James
%@NL@%The Portrait of a Lady [1881]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH80     @%%@2@%   You were ground in the very mill of the conventional!%@NL@%%@EH@%
%@NL@%
Henry James
%@NL@%The Portrait of a Lady [1881]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH90     @%%@2@%   The only reason for the existence of a novel is that it does attempt to%@EH@%
represent life.%@NL@%
%@NL@%
Henry James
%@NL@%The Art of Fiction [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH100    @%%@2@%   The only obligation to which in advance we may hold a novel, without%@EH@%
incurring the accusation of being arbitrary, is that it be interesting. 1 %@NL@%
%@NL@%
Henry James
%@NL@%The Art of Fiction [1888]

%@NL@%%@AI@%1 See Trollope%@BO:          42c432@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH110    @%%@2@%   The advantage, the luxury, as well as the torment and responsibility of%@EH@%
the novelist, is that there is no limit to what he may attempt as an
executant-no limit to his possible experiments, efforts, discoveries,
successes.%@NL@%
%@NL@%
Henry James
%@NL@%The Art of Fiction [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH120    @%%@2@%   The power to guess the unseen from the seen, to trace the implications of%@EH@%
things, to judge the whole piece by the pattern, the condition of feeling
life in general so completely that you are well on your way to knowing any
particular corner of it-this cluster of gifts may almost be said to
constitute experience. . . . If experience consists of impressions, it may
be said that impressions are experience. . . . Therefore, if I should
certainly say to a novice, "Write from experience and experience only," I
should feel that this was rather a tantalizing monition if I were not
careful immediately to add, "Try to be one of the people on whom nothing is
lost."%@NL@%
%@NL@%
Henry James
%@NL@%The Art of Fiction [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH130    @%%@2@%   We must grant the artist his subject, his idea, his donnee: our criticism%@EH@%
is applied only to what he makes of it. . . . If we pretend to respect the
artist at all, we must allow him his freedom of choice, in the face, in
particular cases, of innumerable presumptions that the choice will not
fructify. Art derives a con-siderable part of its beneficial exercise from
flying in the face of presumptions.%@NL@%
%@NL@%
Henry James
%@NL@%The Art of Fiction [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH140    @%%@2@%   There are few things more exciting to me . . . than a psychological%@EH@%
reason.%@NL@%
%@NL@%
Henry James
%@NL@%The Art of Fiction [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH150    @%%@2@%   The practice of "reviewing" . . . in general has nothing in common with%@EH@%
the art of criticism.%@NL@%
%@NL@%
Henry James
%@NL@%Criticism [1893]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH160    @%%@2@%   The critical sense is so far from frequent that it is absolutely rare,%@EH@%
and the possession of the cluster of qualities that minister to it is one of
the highest distinctions. . . . In this light one sees the critic as the
real helper of the artist, a torchbearing outrider, the interpreter, the
brother. . . . Just in proportion as he is sentient and restless, just in
proportion as he reacts and reciprocates and penetrates, is the critic a
valuable instrument.%@NL@%
%@NL@%
Henry James
%@NL@%Criticism [1893]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH170    @%%@2@%   However incumbent it may be on most of us to do our duty, there is, in%@EH@%
spite of a thousand narrow dogmatisms, nothing in the world that anyone is
under the least obligation to like-not even (one braces one's self to risk
the declaration) a particular kind of writing.%@NL@%
%@NL@%
Henry James
%@NL@%Flaubert [1893]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH175    @%%@2@%   We work in the dark-we do what we can-we give what we have. Our doubt is%@EH@%
our passion, and our passion is our task. The rest is the madness of art.%@NL@%
%@NL@%
Henry James
%@NL@%The Middle Years [1893]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH180    @%%@2@%   The time-honored bread sauce of the happy ending.%@NL@%%@EH@%
%@NL@%
Henry James
%@NL@%Theatricals: Second Series [1895]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH185    @%%@2@%   Vereker's secret . . . the general intention of his books: the string the%@EH@%
pearls were strung on, the buried treasure, the figure in the carpet.%@NL@%
%@NL@%
Henry James
%@NL@%The Figure in the Carpet [1896]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH190    @%%@2@%   I caught him, yes, I held him-it may be imagined with what passion; but%@EH@%
at the end of a minute I began to feel what it truly was that I held. We
were alone with the quiet day, and his little heart, dispossessed, had
stopped.%@NL@%
%@NL@%
Henry James
%@NL@%The Turn of the Screw [1898], ending

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH200    @%%@2@%   Live all you can; it's a mistake not to. It doesn't so much matter what%@EH@%
you do in particular, so long as you have had your life. If you haven't had
that what have you had? . . . What one loses one loses; make no mistake
about that. . . . The right time is any time that one is still so lucky as
to have. . . . Live!%@NL@%
%@NL@%
Henry James
%@NL@%The Ambassadors [1903], bk. V, ch. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH210    @%%@2@%   Really, universally, relations stop nowhere, and the exquisite problem of%@EH@%
the artist is eternally but to draw, by a geometry of his own, the circle
within which they shall happily appear to do so.%@NL@%
%@NL@%
Henry James
%@NL@%Prefaces [1907-1909].Roderick Hudson

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH220    @%%@2@%   There is, I think, no more nutritive or suggestive truth . . . than that%@EH@%
of the perfect dependence of the "moral" sense of a work of art on the
amount of felt life concerned in producing it. The question comes back thus,
obviously, to the kind and the degree of the artist's prime sensibility,
which is the soil out of which his subject springs.%@NL@%
%@NL@%
Henry James
%@NL@%Prefaces [1907-1909].The Portrait of a Lady

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH230    @%%@2@%   To see deep difficulty braved is at any time, for the really addicted%@EH@%
artist, to feel almost even as a pang the beautiful incentive, and to feel
it verily in such sort as to wish the danger intensified. The difficulty
most worth tackling can only be for him, in these conditions, the greatest
the case permits of.%@NL@%
%@NL@%
Henry James
%@NL@%Prefaces [1907-1909].The Portrait of a Lady

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH240    @%%@2@%   Life being all inclusion and confusion, and art being all discrimination%@EH@%
and selection, the latter, in search of the hard latent value with which it
alone is concerned, sniffs round the mass as instinctively and unerringly as
a dog suspicious of some buried bone.%@NL@%
%@NL@%
Henry James
%@NL@%Prefaces [1907-1909].The Spoils of Poynton

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH250    @%%@2@%   The fatal futility of Fact.%@NL@%%@EH@%
%@NL@%
Henry James
%@NL@%Prefaces [1907-1909].The Spoils of Poynton

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH260    @%%@2@%   No themes are so human as those that reflect for us, out of the confusion%@EH@%
of life, the close connection of bliss and bale, of the things that help
with the things that hurt, so dangling before us forever that bright hard
medal, of so strange an alloy, one face of which is somebody's right and
ease and the other somebody's pain and wrong.%@NL@%
%@NL@%
Henry James
%@NL@%Prefaces [1907-1909].What Maisie Knew

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH270    @%%@2@%   The effort really to see and really to represent is no idle business in%@EH@%
face of the constant force that makes for muddlement. The great thing is
indeed that the muddled state too is one of the very sharpest of the
realities, that it also has color and form and character, has often in fact
a broad and rich comicality.%@NL@%
%@NL@%
Henry James
%@NL@%Prefaces [1907-1909].What Maisie Knew

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH280    @%%@2@%   To criticize is to appreciate, to appropriate, to take intellectual%@EH@%
possession, to establish in fine a relation with the criticized thing and to
make it one's own.%@NL@%
%@NL@%
Henry James
%@NL@%Prefaces [1907-1909].What Maisie Knew

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH290    @%%@2@%   The historian, essentially, wants more documents than he can really use;%@EH@%
the dramatist only wants more liberties than he can really take.%@NL@%
%@NL@%
Henry James
%@NL@%Prefaces [1907-1909].The Aspern Papers

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH300    @%%@2@%   The ever importunate murmur, "Dramatize it, dramatize it!"%@NL@%%@EH@%
%@NL@%
Henry James
%@NL@%Prefaces [1907-1909].The Altar of the Dead

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH310    @%%@2@%   In art economy is always beauty.%@NL@%%@EH@%
%@NL@%
Henry James
%@NL@%Prefaces [1907-1909].The Altar of the Dead

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH320    @%%@2@%   The terrible fluidity of self-revelation.%@NL@%%@EH@%
%@NL@%
Henry James
%@NL@%Prefaces [1907-1909].The Ambassadors

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH330    @%%@2@%   The anomalous fact is that the theater, so called, can flourish in%@EH@%
barbarism, but that any drama worth speaking of can develop but in the air
of civilization.%@NL@%
%@NL@%
Henry James
%@NL@%Letter to C. E. Wheeler [April 9, 1911]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH340    @%%@2@%   I'm glad you like adverbs-I adore them; they are the only qualifications%@EH@%
I really much respect.%@NL@%
%@NL@%
Henry James
%@NL@%Letter to Miss M. Betham Edwards [January 5, 1912]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH350    @%%@2@%   We must know, as much as possible, in our beautiful art . . . what we are%@EH@%
talking about-and the only way to know is to have lived and loved and cursed
and floundered and enjoyed and suffered. I think I don't regret a single
"excess" of my responsive youth-I only regret, in my chilled age, certain
occasions and possibilities I didn't embrace.%@NL@%
%@NL@%
Henry James
%@NL@%Letter to Hugh Walpole [August 21, 1913]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH360    @%%@2@%   I still, in presence of life . . . have reactions-as many as possible. .%@EH@%
. . It's, I suppose, because I am that queer monster, the artist, an
obstinate finality, an inexhaustible sensibility. Hence the
reactions-appearances, memories, many things, go on playing upon it with
consequences that I note and "enjoy" (grim word!) noting. It all takes
doing-and I do. I believe I shall do yet again-it is still an act of life.%@NL@%
%@NL@%
Henry James
%@NL@%Letter to Henry Adams [March 21, 1914]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH370    @%%@2@%   The effect, if not the prime office, of criticism is to make our%@EH@%
absorption and our enjoyment of the things that feed the mind as aware of
itself as possible, since that awareness quickens the mental demand, which
thus in turn wanders further and further for pasture. This action on the
part of the mind practically amounts to a reaching out for the reasons of
its interest, as only by its ascertaining them can the interest grow more
various. This is the very education of our imaginative life.%@NL@%
%@NL@%
Henry James
%@NL@%The New Novel [1914]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH380    @%%@2@%   It is art that makes life, makes interest, makes importance, for our%@EH@%
consideration and application of these things, and I know of no substitute
whatever for the force and beauty of its process.%@NL@%
%@NL@%
Henry James
%@NL@%Letter to H. G. Wells [July 10, 1915]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH390    @%%@2@%   The full, the monstrous demonstration that Tennyson was not Tennysonian.%@NL@%%@EH@%
%@NL@%
Henry James
%@NL@%The Middle Years (autobiography) [1917], ch. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH400    @%%@2@%   Summer afternoon-summer afternoon; to me those have always been the two%@EH@%
most beautiful words in the English language.%@NL@%
%@NL@%
Henry James
%@NL@%Quoted by Edith Wharton, A Backward Glance [1934],
ch. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry James@%%@QR:James@%%@CR:N1843JAMH410    @%%@2@%   To take what there is, and use it, without waiting forever in vain for%@EH@%
the preconceived-to dig deep into the actual and get something out of
that-this doubtless is the right way to live.%@NL@%
%@NL@%
Henry James
%@NL@%Notebooks [1948]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Bridges%@AE@%%@EH@%
%@NL@%
%@AB@%1844-1930%@AE@%
%@NL@%%@NL@%

%@QR:Robert Bridges@%%@QR:Bridges@%%@CR:N1844BRIR10     @%%@2@%For beauty being the best of all we know%@NL@%%@EH@%
Sums up the unsearchable and secret aims%@NL@%
Of nature.%@NL@%

%@NL@%Robert Bridges
%@NL@%The Growth of Love [1876]. Sonnet 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Bridges@%%@QR:Bridges@%%@CR:N1844BRIR20     @%%@2@%Whither, O splendid ship, thy white sails crowding,%@NL@%%@EH@%
Leaning across the bosom of the urgent West,%@NL@%
That fearest nor sea rising, nor sky clouding,%@NL@%
Whither away, fair rover, and what thy quest?%@NL@%

%@NL@%Robert Bridges
%@NL@%Shorter Poems, bk.II [1879],no. 2 (A Passer-By), st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Bridges@%%@QR:Bridges@%%@CR:N1844BRIR30     @%%@2@%I have loved flowers that fade,%@NL@%%@EH@%
Within whose magic tents%@NL@%
Rich hues have marriage made%@NL@%
With sweet unmemoried scents.%@NL@%

%@NL@%Robert Bridges
%@NL@%Shorter Poems, bk.II [1879],no. 13, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Bridges@%%@QR:Bridges@%%@CR:N1844BRIR40     @%%@2@%So sweet love seemed that April morn,%@NL@%%@EH@%
When first we kissed beside the thorn,%@NL@%
So strangely sweet, it was not strange%@NL@%
We thought that love could never change.%@NL@%

%@NL@%Robert Bridges
%@NL@%Shorter Poems, bk.V [1893], no. 5, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Bridges@%%@QR:Bridges@%%@CR:N1844BRIR50     @%%@2@%My delight and thy delight%@NL@%%@EH@%
Walking, like two angels white,%@NL@%
In the gardens of the night.%@NL@%

%@NL@%Robert Bridges
%@NL@%New Poems [1899], no. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Bridges@%%@QR:Bridges@%%@CR:N1844BRIR60     @%%@2@%Man, in the unsearchable darkness, knoweth one thing%@NL@%%@EH@%
That as he is, so was he made.%@NL@%

%@NL@%Robert Bridges
%@NL@%The Testament of Beauty [1929]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Jones Burdette%@AE@%%@EH@%
%@NL@%
%@AB@%1844-1914%@AE@%
%@NL@%%@NL@%

%@QR:Robert Jones Burdette@%%@QR:Burdette@%%@CR:N1844BURR10     @%%@2@%   There are two days in the week about which and upon which I never worry.%@EH@%
Two carefree days, kept sacredly free from fear and apprehension. One of
these days is Yesterday. . . . And the other day I do not worry about is
Tomorrow.%@NL@%
%@NL@%
Robert Jones Burdette
%@NL@%The Golden Day

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Anatole France%@AE@%%@EH@%
%@NL@%Jacques Anatole Francois Thibault
%@AB@%1844-1924%@AE@%
%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA10     @%%@2@%   I do not know any reading more easy, more fascinating, more delightful%@EH@%
than a catalogue.%@NL@%
%@NL@%
Anatole France
%@NL@%%@FN@%
Translated by Lafcadio Hearn.  %@EF@%
The Crime of Sylvestre Bonnard [1881].The Log,December 24, 1849

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA20     @%%@2@%   All the historical books which contain no lies are extremely tedious.%@NL@%%@EH@%
%@NL@%
Anatole France
%@NL@%The Crime of Sylvestre Bonnard [1881].The Log,December 24, 1849

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA30     @%%@2@%   Lovers who love truly do not write down their happiness.%@NL@%%@EH@%
%@NL@%
Anatole France
%@NL@%The Crime of Sylvestre Bonnard [1881].The Log,November 30, 1859

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA40     @%%@2@%   To know is nothing at all; to imagine is everything.%@NL@%%@EH@%
%@NL@%
Anatole France
%@NL@%The Crime of Sylvestre Bonnard [1881].pt. II, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA50     @%%@2@%   He flattered himself on being a man without any prejudices; and this%@EH@%
pretension itself is a very great prejudice.%@NL@%
%@NL@%
Anatole France
%@NL@%The Crime of Sylvestre Bonnard [1881].pt. II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA60     @%%@2@%   Those who have given themselves the most concern about the happiness of%@EH@%
peoples have made their neighbors very miserable.%@NL@%
%@NL@%
Anatole France
%@NL@%The Crime of Sylvestre Bonnard [1881].pt. II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA70     @%%@2@%   Man is so made that he can only find relaxation from one kind of labor by%@EH@%
taking up another.%@NL@%
%@NL@%
Anatole France
%@NL@%The Crime of Sylvestre Bonnard [1881].pt. II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA80     @%%@2@%   People who have no weaknesses are terrible; there is no way of taking%@EH@%
advantage of them.%@NL@%
%@NL@%
Anatole France
%@NL@%The Crime of Sylvestre Bonnard [1881].pt. II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA90     @%%@2@%   The whole art of teaching is only the art of awakening the natural%@EH@%
curiosity of young minds for the purpose of satisfying it afterwards.%@NL@%
%@NL@%
Anatole France
%@NL@%The Crime of Sylvestre Bonnard [1881].pt. II, ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA100    @%%@2@%   The good critic is one who tells of his mind's adventures among%@EH@%
masterpieces.%@NL@%
%@NL@%
Anatole France
%@NL@%La Vie Litteraire [1888],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA110    @%%@2@%   We reproach people for talking about themselves; but it is the subject%@EH@%
they treat best.%@NL@%
%@NL@%
Anatole France
%@NL@%La Vie Litteraire [1888],Journal des Goncourt

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA120    @%%@2@%   Chance is perhaps the pseudonym of God when He did not want to sign. 1 %@NL@%%@EH@%
%@NL@%
Anatole France
%@NL@%Le Jardin d'Epicure [1894]

%@NL@%%@AI@%1 See Einstein%@BO:          58ef37@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA130    @%%@2@%   The law, in its majestic equality, forbids the rich as well as the poor%@EH@%
to sleep under bridges, to beg in the streets, and to steal bread.%@NL@%
%@NL@%
Anatole France
%@NL@%Le Lys Rouge [1894], ch. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA140    @%%@2@%   We have medicines to make women speak; we have none to make them keep%@EH@%
silence.%@NL@%
%@NL@%
Anatole France
%@NL@%%@FN@%
Translated by Curtis Hidden Page.  %@EF@%
The Man Who Married a Dumb Wife [1912],
act II, sc. iv

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Anatole France@%%@QR:France@%%@QR:Jacques Anatole Francois Thibault@%%@QR:Thibault@%%@CR:N1844FRAA150    @%%@2@%   A tale without love is like beef without mustard: insipid.%@NL@%%@EH@%
%@NL@%
Anatole France
%@NL@%La Revolte des Anges [1914], ch. 8

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Gerard Manley Hopkins%@AE@%%@EH@%
%@NL@%
%@AB@%1844-1889%@AE@%
%@FN@%
He has left us only ninety poems-but so essential that they will color and
convert the development of English poetry for many decades to come.-Herbert
Read, in The Criterion [April 1931]  %@EF@%
%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG20     @%%@2@%And I have asked to be%@NL@%%@EH@%
Where no storms come,%@NL@%
Where the green swell is in the havens dumb,%@NL@%
And out of the swing of the sea.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%%@FN@%
First published in 1918, edited by Robert Bridges. Poem numbers are from the
third edition [1948], edited by W. H. Gardner.  %@EF@%
Poems [1918].
No. 20, Heaven-Haven, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG30     @%%@2@%Elected Silence, sing to me%@NL@%%@EH@%
And beat upon my whorled ear,%@NL@%
Pipe me to pastures still and be%@NL@%
The music that I care to hear.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 24, The Habit of Perfection, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG40     @%%@2@%Thou mastering me%@NL@%%@EH@%
God! giver of breath and bread;%@NL@%
World's strand, sway of the sea;%@NL@%
Lord of living and dead;%@NL@%
Thou hast bound bones and veins in me, fastened me flesh,%@NL@%
And after it almost unmade, what with dread,%@NL@%
Thy doing: and dost thou touch me afresh?%@NL@%
Over again I feel thy finger and find thee.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 28, The Wreck of the Deutschland, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG50     @%%@2@%The world is charged with the grandeur of God.%@NL@%%@EH@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 31, God's Grandeur, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG60     @%%@2@%Look at the stars! look, look up at the skies!%@NL@%%@EH@%
O look at all the fire-folk sitting in the air!%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 32, The Starlight Night, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG70     @%%@2@%I caught this morning morning's minion, king-%@NL@%%@EH@%
dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding%@NL@%
Of the rolling level underneath him steady air, and striding%@NL@%
High there, how he rung upon the rein of a wimpling wing%@NL@%
In his ecstasy!%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 36, The Windhover,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG80     @%%@2@%The achieve of, the mastery of the thing!%@NL@%%@EH@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 36, The Windhover,l. 8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG90     @%%@2@%Brute beauty and valor and act, oh, air, pride, plume, here%@NL@%%@EH@%
Buckle!%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 36, The Windhover,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG100    @%%@2@%Glory be to God for dappled things.%@NL@%%@EH@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 37, Pied Beauty,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG110    @%%@2@%All things counter, original, spare, strange;%@NL@%%@EH@%
Whatever is fickle, freckled (who knows how?)%@NL@%
With swift, slow; sweet, sour; adazzle, dim;%@NL@%
He fathers-forth whose beauty is past change:%@NL@%
Praise him.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 37, Pied Beauty,l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG120    @%%@2@%Summer ends now; now, barbarous in beauty, the stooks arise%@NL@%%@EH@%
Around; up above, what wind-walks! what lovely behavior%@NL@%
Of silk-sack clouds! Has wilder, willful-wavier%@NL@%
Meal-drift molded ever and melted across skies?%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 38, Hurrahing in Harvest, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG130    @%%@2@%Felix Randal the farrier, O is he dead then? My duty all ended,%@NL@%%@EH@%
Who have watched his mold of man, big-boned and hardy-handsome,%@NL@%
Pining, pining.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 53, Felix Randal,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG140    @%%@2@%When thou at the random grim forge, powerful amidst peers,%@NL@%%@EH@%
Didst fettle for the great gray drayhorse his bright and battering sandal!%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 53, Felix Randal,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG150    @%%@2@%Margaret, are you grieving%@NL@%%@EH@%
Over Goldengrove unleaving?%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 55, Spring and Fall,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG160    @%%@2@%Nor mouth had, no nor mind, expressed%@NL@%%@EH@%
What heart heard of, ghost guessed:%@NL@%
It is the blight man was born for,%@NL@%
It is Margaret you mourn for.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 55, Spring and Fall,l. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG170    @%%@2@%As kingfishers catch fire, dragonflies draw flame.%@NL@%%@EH@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 57, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG180    @%%@2@%How to keep-is there any any, is there none such, nowhere known some, bow or%@EH@%
brooch or braid or brace, lace, latch or catch or key to keep%@NL@%
Back beauty, keep it, beauty, beauty, beauty . . . from vanishing away?%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 59, The Leaden Echo and the Golden Echo, l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG190    @%%@2@%I say that we are wound%@NL@%%@EH@%
With mercy round and round%@NL@%
As if with air.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 60, The Blessed Virgin Compared to the Air We Breathe,l. 34

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG200    @%%@2@%World-mothering air, air wild,%@NL@%%@EH@%
Wound with thee, in thee isled,%@NL@%
Fold home, fast fold thy child.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 60, The Blessed Virgin Compared to the Air We Breathe,l. 124

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG210    @%%@2@%Not, I'll not, carrion comfort, Despair, not feast on thee;%@NL@%%@EH@%
Not untwist-slack they may be-these last strands of man%@NL@%
In me or, most weary, cry I can no more. I can;%@NL@%
Can something, hope, wish day come, not choose not to be.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 64, Carrion Comfort,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG220    @%%@2@%That night, that year%@NL@%%@EH@%
Of now done darkness I wretch lay wrestling with (my God!) my God.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 64, Carrion Comfort,l. 13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG230    @%%@2@%No worst, there is none. Pitched past pitch of grief,%@NL@%%@EH@%
More pangs will, schooled at forepangs, wilder wring.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 65,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG240    @%%@2@%O the mind, mind has mountains; cliffs of fall%@NL@%%@EH@%
Frightful, sheer, no-man-fathomed.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 65,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG250    @%%@2@%I wake and feel the fell of dark, not day.%@NL@%%@EH@%
What hours, O what black hours we have spent%@NL@%
This night.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 69,l. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG260    @%%@2@%I am gall, I am heartburn.%@NL@%%@EH@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 69,l. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG270    @%%@2@%I am all at once what Christ is, since he was what I am, and%@NL@%%@EH@%
This Jack, joke, poor potsherd, patch, matchwood, immortal diamond, %@NL@%
Is immortal diamond.%@NL@%

%@NL@%Gerard Manley Hopkins
%@NL@%No. 72, That Nature Is a Heraclitean Fire and of the Comfort
of the Resurrection, last lines

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG280    @%%@2@%   No doubt my poetry errs on the side of oddness. I hope in time to have a%@EH@%
more balanced and Miltonic style. But as air, melody, is what strikes me
most of all in music, and design in painting, so design, pattern, or what I
am in the habit of calling inscape is what I above all aim at in poetry. Now
it is the virtue of design, pattern, or inscape to be distinctive, and it is
the vice of distinctiveness to become queer. This vice I cannot have
escaped.%@NL@%
%@NL@%
Gerard Manley Hopkins
%@NL@%Letter to Robert Bridges[February 15, 1879]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Gerard Manley Hopkins@%%@QR:Hopkins@%%@CR:N1844HOPG290    @%%@2@%   The poetical language of an age should be the current language%@EH@%
heightened, to any degree heightened and unlike itself, but not . . . an
obsolete one.%@NL@%
%@NL@%
Gerard Manley Hopkins
%@NL@%Letter to Robert Bridges[August 14, 1879]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Andrew Lang%@AE@%%@EH@%
%@NL@%
%@AB@%1844-1912%@AE@%
%@NL@%%@NL@%

%@QR:Andrew Lang@%%@QR:Lang@%%@CR:N1844LANA10     @%%@2@%You can cover a great deal of country in books.%@NL@%%@EH@%

%@NL@%Andrew Lang
%@NL@%To the Gentle Reader, st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Lang@%%@QR:Lang@%%@CR:N1844LANA20     @%%@2@%Why, why are rhymes so rare to love?%@NL@%%@EH@%

%@NL@%Andrew Lang
%@NL@%Ballade of Difficult Rhymes

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Lang@%%@QR:Lang@%%@CR:N1844LANA30     @%%@2@%The surge and thunder of the Odyssey.%@NL@%%@EH@%

%@NL@%Andrew Lang
%@NL@%Sonnet, The Odyssey

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Andrew Lang@%%@QR:Lang@%%@CR:N1844LANA40     @%%@2@%Behind all creeds the Spirit that is One.%@NL@%%@EH@%

%@NL@%Andrew Lang
%@NL@%%@FN@%
Dedicatory poem in Euterpe: Being the Second Book of the Famous History of
Herodotus[1888], edited by Andrew Lang.  %@EF@%
Herodotus in Egypt [1888]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Hilary Mulligan%@AE@%%@EH@%
%@NL@%
%@AB@%1844-1916%@AE@%
%@NL@%%@NL@%

%@QR:James Hilary Mulligan@%%@QR:Mulligan@%%@CR:N1844MULJ10     @%%@2@%The moonlight is the softest, in Kentucky,%@NL@%%@EH@%
Summer days come oftest, in Kentucky,%@NL@%
Friendship is the strongest,%@NL@%
Love's fires glow the longest,%@NL@%
Yet a wrong is always wrongest,%@NL@%
In Kentucky.%@NL@%

%@NL@%James Hilary Mulligan
%@NL@%In Kentucky, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Friedrich Wilhelm Nietzsche%@AE@%%@EH@%
%@NL@%
%@AB@%1844-1900%@AE@%
%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF10     @%%@2@%   Our destiny exercises its influence over us even when, as yet, we have%@EH@%
not learned its nature: it is our future that lays down the law of our
today.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%%@FN@%
Translated by Alexander Harvey.  %@EF@%
Human, All Too Human [1878],7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF20     @%%@2@%   One must have a good memory to be able to keep the promises one makes.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Human, All Too Human [1878],59

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF30     @%%@2@%   One will rarely err if extreme actions be ascribed to vanity, ordinary%@EH@%
actions to habit, and mean actions to fear.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Human, All Too Human [1878],74

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF40     @%%@2@%   Every tradition grows ever more venerable-the more remote is its origin,%@EH@%
the more confused that origin is. The reverence due to it increases from
generation to generation. The tradition finally becomes holy and inspires
awe.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Human, All Too Human [1878],96

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
God is dead. God remains dead. And we have killed him.-Nietzsche, The Gay
Science (Die Frohliche Wissenschaft) [1882], ch. 125  %@EF@%
%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF50     @%%@2@%   When Zarathustra was alone . . . he said to his heart: "Could it be%@EH@%
possible! This old saint in the forest hath not yet heard of it, that God is
dead!"%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%%@FN@%
Translated by Thomas Common.  %@EF@%
Thus Spake Zarathustra [1883-1891],prologue, ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF60     @%%@2@%   Man is a rope stretched between the animal and the Superman-a rope over%@EH@%
an abyss.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Thus Spake Zarathustra [1883-1891],prologue, ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF70     @%%@2@%   I want to teach men the sense of their existence, which is the Superman,%@EH@%
the lightning out of the dark cloud man.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Thus Spake Zarathustra [1883-1891],prologue, ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF80     @%%@2@%   This is the hardest of all: to close the open hand out of love, and keep%@EH@%
modest as a giver.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Thus Spake Zarathustra [1883-1891],pt.II, ch.23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF90     @%%@2@%   Distrust all in whom the impulse to punish is powerful.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Thus Spake Zarathustra [1883-1891],pt.II, ch.29

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF100    @%%@2@%   We ought to learn from the kine one thing: ruminating.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Thus Spake Zarathustra [1883-1891],pt.IV, ch.68

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF110    @%%@2@%   If ye would go up high, then use your own legs! Do not get yourselves%@EH@%
carried aloft; do not seat yourselves on other people's backs and heads!%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Thus Spake Zarathustra [1883-1891],pt.IV, ch.73

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF120    @%%@2@%   It is certainly not the least charm of a theory that it is refutable.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%%@FN@%
Translated by Helen Zimmern.  %@EF@%
Beyond Good and Evil [1885-1886],I, 18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF130    @%%@2@%   No one is such a liar as the indignant man.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Beyond Good and Evil [1885-1886],II, 26

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF140    @%%@2@%   It is not the strength but the duration of great sentiments that makes%@EH@%
great men.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Beyond Good and Evil [1885-1886],IV,72

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF150    @%%@2@%   In revenge and in love woman is more barbarous than man. 1  2 %@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Beyond Good and Evil [1885-1886],IV,139

%@NL@%%@AI@%1 See Aristophanes%@BO:           abaa2@%%@AE@%
%@AI@%2 See Congreve%@BO:          28a387@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF155    @%%@2@%   Whoever fights monsters should see to it that in the process he does not%@EH@%
become a monster. And when you look long into an abyss, the abyss also looks
into you.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Beyond Good and Evil [1885-1886],IV,146

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
We are in the power of no calamity while death is in our own.-Sir Thomas
Browne, Religio Medici [1642], p. 50 (Everyman ed.)  %@EF@%
%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF160    @%%@2@%   The thought of suicide is a great consolation: by means of it one gets%@EH@%
successfully through many a bad night.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Beyond Good and Evil [1885-1886],IV,157

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF180    @%%@2@%   Blessed are the forgetful: for they get the better even of their%@EH@%
blunders.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Beyond Good and Evil [1885-1886],IV,217

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF190    @%%@2@%   Is not life a hundred times too short for us to bore ourselves?%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Beyond Good and Evil [1885-1886],IV,227

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF195    @%%@2@%   Mozart, the last chord of a centuries-old great European taste.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Beyond Good and Evil [1885-1886],IV,245

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF200    @%%@2@%   One does not know-cannot know-the best that is in one.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Beyond Good and Evil [1885-1886],IV,240

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF210    @%%@2@%   The melancholia of everything completed!%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Beyond Good and Evil [1885-1886],IX, 277

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF220    @%%@2@%   The masters have been done away with; the morality of the common man has%@EH@%
triumphed.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Genealogy of Morals [1887], essay1, aphorism9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF230    @%%@2@%   At the core of all these aristocratic races the beast of prey is not to%@EH@%
be mistaken, the magnificent blond beast, avidly rampant for spoil and
victory.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Genealogy of Morals [1887], essay1, aphorism11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF240    @%%@2@%   The broad effects which can be obtained by punishment in man and beast%@EH@%
are the increase of fear, the sharpening of the sense of cunning, the
mastery of the desires; so it is that punishment tames man, but does not
make him "better."%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Genealogy of Morals [1887], essay2, aphorism 15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF250    @%%@2@%   The sick are the greatest danger for the healthy; it is not from the%@EH@%
strongest that harm comes to the strong, but from the weakest.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Genealogy of Morals [1887], essay3, aphorism14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF260    @%%@2@%   A strong and well-constituted man digests his experiences (deeds and%@EH@%
misdeeds all included) just as he digests his meats, even when he has some
tough morsels to swallow.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Genealogy of Morals [1887], essay3, aphorism16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF270    @%%@2@%   Two great European narcotics, alcohol and Christianity.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%The Twilight of the Idols [1888]. Things the Germans Lack,2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF280    @%%@2@%   What is it: is man only a blunder of God, or God only a blunder of man?%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%The Twilight of the Idols [1888]. Things the Germans Lack,2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF290    @%%@2@%   If a man have a strong faith he can indulge in the luxury of skepticism.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%The Twilight of the Idols [1888]. Things the Germans Lack,12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF300    @%%@2@%   Liberal institutions straightway cease from being liberal the moment they%@EH@%
are soundly established: once this is attained no more grievous and more
thorough enemies of freedom exist than liberal institutions.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%The Twilight of the Idols [1888]. Things the Germans Lack,38

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF310    @%%@2@%   It is my ambition to say in ten sentences what everyone else says in a%@EH@%
whole book-what everyone else does not say in a whole book.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%The Twilight of the Idols [1888]. Things the Germans Lack,51

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF320    @%%@2@%   Love is the state in which man sees things most widely different from%@EH@%
what they are. The force of illusion reaches its zenith here, as likewise
the sweetening and transfiguring power. When a man is in love he endures
more than at other times; he submits to everything.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%%@FN@%
Translated by Anthony M. Ludovici.  %@EF@%
The Antichrist [1888],
aphorism23

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF330    @%%@2@%   God created woman. And boredom did indeed cease from that moment-but many%@EH@%
other things ceased as well! Woman was God's second mistake.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%The Antichrist [1888],
aphorism48

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF340    @%%@2@%   Life always gets harder toward the summit-the cold increases,%@EH@%
responsibility increases.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%The Antichrist [1888],
aphorism57

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF350    @%%@2@%   I call Christianity the one great curse, the one enormous and innermost%@EH@%
perversion, the one great instinct of revenge, for which no means are too
venomous, too underhand, too underground and too petty-I call it the one
immortal blemish of mankind.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%The Antichrist [1888],
aphorism62

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF360    @%%@2@%   My doctrine is: Live that thou mayest desire to live again-that is thy%@EH@%
duty-for in any case thou wilt live again!%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%%@FN@%
Translated by Anthony M. Ludovici.  %@EF@%
Eternal Recurrence,27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF370    @%%@2@%   Even a thought, even a possibility, can shatter us and transform us.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Eternal Recurrence,30

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF380    @%%@2@%   Nothing on earth consumes a man more quickly than the passion of%@EH@%
resentment.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%%@FN@%
Translated by Anthony M. Ludovici.  %@EF@%
Ecce Homo [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF390    @%%@2@%   I believe only in French culture, and regard everything else in Europe%@EH@%
which calls itself "culture" as a misunderstanding. I do not even take the
German kind into consideration.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Ecce Homo [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF400    @%%@2@%   Wherever Germany extends her sway, she ruins culture.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Ecce Homo [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF410    @%%@2@%   As an artist, a man has no home in Europe save in Paris.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Ecce Homo [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF420    @%%@2@%   Simply by being compelled to keep constantly on his guard, a man may grow%@EH@%
so weak as to be unable any longer to defend himself.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Ecce Homo [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF430    @%%@2@%   My time has not yet come either; some are born posthumously.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Ecce Homo [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF440    @%%@2@%   No one can draw more out of things, books included, than he already%@EH@%
knows. A man has no ears for that to which experience has given him no
access.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Ecce Homo [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Man thinks woman profound-why? Because he can never fathom her depths. Woman
is not even shallow.-Nietzsche, The Twilight of the Idols, Maxims and
Missiles, 27  %@EF@%
%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF450    @%%@2@%   The Germans are like women, you can scarcely ever fathom their%@EH@%
depths-they haven't any.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Ecce Homo [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Translated by Clifton P. Fadiman.  %@EF@%
%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF470    @%%@2@%   All prejudices may be traced back to the intestines. A sedentary life is%@EH@%
the real sin against the Holy Ghost.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Ecce Homo [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF480    @%%@2@%   One must separate from anything that forces one to repeat No again and%@EH@%
again.%@NL@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Ecce Homo [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Der Wille zur Macht.  %@EF@%
%@QR:Friedrich Wilhelm Nietzsche@%%@QR:Nietzsche@%%@CR:N1844NIEF490    @%%@2@%   The Will to Power.%@NL@%%@EH@%
%@NL@%
Friedrich Wilhelm Nietzsche
%@NL@%Title of book [1888]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Boyle O'Reilly%@AE@%%@EH@%
%@NL@%
%@AB@%1844-1890%@AE@%
%@NL@%%@NL@%

%@QR:John Boyle O'Reilly@%%@QR:O'Reilly@%%@CR:N1844OREJ10     @%%@2@%They who see the Flying Dutchman never, never reach the shore.%@NL@%%@EH@%

%@NL@%John Boyle O'Reilly
%@NL@%The Flying Dutchman

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Boyle O'Reilly@%%@QR:O'Reilly@%%@CR:N1844OREJ20     @%%@2@%Doubt is brother-devil to Despair.%@NL@%%@EH@%

%@NL@%John Boyle O'Reilly
%@NL@%Prometheus

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Boyle O'Reilly@%%@QR:O'Reilly@%%@CR:N1844OREJ30     @%%@2@%The red rose whispers of passion%@NL@%%@EH@%
And the white rose breathes of love;  %@NL@%
O, the red rose is a falcon,%@NL@%
And the white rose is a dove.%@NL@%

%@NL@%John Boyle O'Reilly
%@NL@%A White Rose, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Boyle O'Reilly@%%@QR:O'Reilly@%%@CR:N1844OREJ40     @%%@2@%This truth keep in sight-every man on the planet%@NL@%%@EH@%
Has just as much right as yourself to the road.%@NL@%

%@NL@%John Boyle O'Reilly
%@NL@%A White Rose, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Boyle O'Reilly@%%@QR:O'Reilly@%%@CR:N1844OREJ50     @%%@2@%The organized charity, scrimped and iced,%@NL@%%@EH@%
In the name of a cautious, statistical Christ. 1  2 %@NL@%

%@NL@%John Boyle O'Reilly
%@NL@%In Bohemia, st. 5

%@NL@%%@AI@%1 See Southey%@BO:          359f71@%%@AE@%
%@AI@%2 See Hood%@BO:          3abc6d@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Arthur William Edgar O'Shaughnessy%@AE@%%@EH@%
%@NL@%
%@AB@%1844-1881%@AE@%
%@NL@%%@NL@%

%@QR:Arthur William Edgar O'Shaughnessy@%%@QR:O'Shaughnessy@%%@CR:N1844OSHA10     @%%@2@%We are the music-makers,%@NL@%%@EH@%
And we are the dreamers of dreams, 1 %@NL@%
Wandering by lone sea breakers,%@NL@%
And sitting by desolate streams;%@NL@%
World-losers and world-forsakers,%@NL@%
On whom the pale moon gleams:%@NL@%
Yet we are the movers and shakers%@NL@%
Of the world forever, it seems.%@NL@%

%@NL@%Arthur William Edgar O'Shaughnessy
%@NL@%Ode, st. 1

%@NL@%%@AI@%1 See William Morris%@BO:          498312@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%William Archibald Spooner%@AE@%%@EH@%
%@NL@%
%@AB@%1844-1930%@AE@%
%@FN@%
Canon Spooner, for many years warden of New College, Oxford, was famous for
unintentional transposition of (usually initial) word sounds, giving rise to
the term "spoonerism."  %@EF@%
%@NL@%%@NL@%

%@QR:William Archibald Spooner@%%@QR:Spooner@%%@CR:N1844SPOW10     @%%@2@%   Kinquering Congs their titles take.%@NL@%%@EH@%
%@NL@%
William Archibald Spooner
%@NL@%Announcing the hymn in college chapel

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Archibald Spooner@%%@QR:Spooner@%%@CR:N1844SPOW20     @%%@2@%   You have deliberately tasted two worms and you can leave Oxford by the%@EH@%
next town drain.%@NL@%
%@NL@%
William Archibald Spooner
%@NL@%Dismissing a student. Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Paul Verlaine%@AE@%%@EH@%
%@NL@%
%@AB@%1844-1896%@AE@%
%@NL@%%@NL@%

%@FN@%
Les sanglots longs/Des violons/De l'automne/Blessent mon coeur/D'une
langueur/Monotone.  %@EF@%
%@QR:Paul Verlaine@%%@QR:Verlaine@%%@CR:N1844VERP10     @%%@2@%The long sobs%@NL@%%@EH@%
Of the violins%@NL@%
Of autumn%@NL@%
Pierce my heart%@NL@%
With monotonous languor.%@NL@%

%@NL@%Paul Verlaine
%@NL@%Poemes Saturniens [1866]. Chanson d'Automne

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il pleure dans mon coeur/Comme il pleut sur la ville.  See Rimbaud  %@EF@%
%@QR:Paul Verlaine@%%@QR:Verlaine@%%@CR:N1844VERP30     @%%@2@%There is weeping in my heart%@NL@%%@EH@%
Like the rain falling on the city.%@NL@%

%@NL@%Paul Verlaine
%@NL@%Romances sans Paroles [1874],III

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Voici des fruits, des fleurs, des feuilles et des branches,/Et puis voici
mon coeur qui ne bat que pour vous.  %@EF@%
%@QR:Paul Verlaine@%%@QR:Verlaine@%%@CR:N1844VERP50     @%%@2@%Here are fruits, flowers, leaves and branches,%@NL@%%@EH@%
And here is my heart which beats only for you.%@NL@%

%@NL@%Paul Verlaine
%@NL@%Romances sans Paroles [1874],Green

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Qu'as-tu fait, O toi que voila/Pleurant sans cesse,/Dis, qu'as-tu fait, toi
que voila/De ta jeunesse?  %@EF@%
%@QR:Paul Verlaine@%%@QR:Verlaine@%%@CR:N1844VERP70     @%%@2@%What have you done, you there%@NL@%%@EH@%
Weeping without cease,%@NL@%
Tell me, yes you, what have you done%@NL@%
With all your youth?%@NL@%

%@NL@%Paul Verlaine
%@NL@%Sagesse [1881], III, st. 6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
De la musique avant toute chose,/Et pour cela prefere l'Impair.  %@EF@%
%@QR:Paul Verlaine@%%@QR:Verlaine@%%@CR:N1844VERP90     @%%@2@%Music above all, and for this%@NL@%%@EH@%
Choose the irregular.%@NL@%

%@NL@%Paul Verlaine
%@NL@%Jadis et Naguere [1884]. L'Art Poetique

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Prends l'eloquence et tords-lui son cou!  %@EF@%
%@QR:Paul Verlaine@%%@QR:Verlaine@%%@CR:N1844VERP110    @%%@2@%Take eloquence and wring its neck!%@NL@%%@EH@%

%@NL@%Paul Verlaine
%@NL@%Jadis et Naguere [1884]. L'Art Poetique

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Et tout le reste est litterature.  %@EF@%
%@QR:Paul Verlaine@%%@QR:Verlaine@%%@CR:N1844VERP120    @%%@2@%And all else is literature.%@NL@%%@EH@%

%@NL@%Paul Verlaine
%@NL@%Jadis et Naguere [1884]. L'Art Poetique

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John B. Bogart%@AE@%%@EH@%
%@NL@%
%@AB@%1845-1921%@AE@%
%@FN@%
City editor [1873-1890] of The Sun, New York.  %@EF@%
%@NL@%%@NL@%

%@QR:John B. Bogart@%%@QR:Bogart@%%@CR:N1845BOGJ10     @%%@2@%   When a dog bites a man, that is not news, because it happens so often.%@EH@%
But if a man bites a dog, that is news.%@NL@%
%@NL@%
John B. Bogart
%@NL@%From Frank M. O'Brien, The Story of The (New York) Sun
[1918]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William McKendree Will Carleton%@AE@%%@EH@%
%@NL@%
%@AB@%1845-1912%@AE@%
%@NL@%%@NL@%

%@QR:William McKendree Will Carleton@%%@QR:Carleton@%%@CR:N1845CARW10     @%%@2@%Worm or beetle-drought or tempest-on a farmer's land may fall,%@NL@%%@EH@%
Each is loaded full o' ruin, but a mortgage beats 'em all.%@NL@%

%@NL@%William McKendree Will Carleton
%@NL@%The Tramp's Story

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William McKendree Will Carleton@%%@QR:Carleton@%%@CR:N1845CARW20     @%%@2@%Draw up the papers, lawyer, and make 'em good and stout,%@NL@%%@EH@%
For things at home are crossways, and Betsey and I are out.%@NL@%

%@NL@%William McKendree Will Carleton
%@NL@%Betsey and I Are Out,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William McKendree Will Carleton@%%@QR:Carleton@%%@CR:N1845CARW30     @%%@2@%And so we've agreed together that we can't never agree.%@NL@%%@EH@%

%@NL@%William McKendree Will Carleton
%@NL@%Betsey and I Are Out,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William McKendree Will Carleton@%%@QR:Carleton@%%@CR:N1845CARW40     @%%@2@%To appreciate heaven well%@NL@%%@EH@%
'Tis good for a man to have some fifteen minutes of hell.%@NL@%

%@NL@%William McKendree Will Carleton
%@NL@%Gone with a Handsomer Man, st. 20

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William McKendree Will Carleton@%%@QR:Carleton@%%@CR:N1845CARW50     @%%@2@%Over the hill to the poorhouse I'm trudgin' my weary way.%@NL@%%@EH@%

%@NL@%William McKendree Will Carleton
%@NL@%Over the Hill to the Poorhouse, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Kingdon Clifford%@AE@%%@EH@%
%@NL@%
%@AB@%1845-1879%@AE@%
%@NL@%%@NL@%

%@QR:William Kingdon Clifford@%%@QR:Clifford@%%@CR:N1845CLIW10     @%%@2@%   Remember, then, that it [science] is the guide of action; that the truth%@EH@%
which it arrives at is not that which we can ideally contemplate without
error, but that which we may act upon without fear; and you cannot fail to
see that scientific thought is not an accompaniment or condition of human
progress, but human progress itself.%@NL@%
%@NL@%
William Kingdon Clifford
%@NL@%Aims and Instruments of Scientific Thought [1872]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Daniel Webster Hoyt%@AE@%%@EH@%
%@NL@%
%@AB@%1845-1936%@AE@%
%@NL@%%@NL@%

%@QR:Daniel Webster Hoyt@%%@QR:Hoyt@%%@CR:N1845HOYD10     @%%@2@%Why should good words ne'er be said%@NL@%%@EH@%
Of a friend till he is dead?%@NL@%

%@NL@%Daniel Webster Hoyt
%@NL@%A Sermon in Rhyme [1878], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George F rost Kennan%@AE@%%@EH@%
%@NL@%
%@AB@%1845-1924%@AE@%
%@NL@%%@NL@%

%@QR:George F rost Kennan@%%@QR:Kennan@%%@CR:N1845KENG10     @%%@2@%   Heroism, the Caucasian mountaineers say, is endurance for one moment%@EH@%
more.%@NL@%
%@NL@%
George F rost Kennan
%@NL@%Letter to Henry Munroe Rogers [July 25, 1921]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles William Stubbs%@AE@%%@EH@%
%@NL@%
%@AB@%1845-1912%@AE@%
%@NL@%%@NL@%

%@QR:Charles William Stubbs@%%@QR:Stubbs@%%@CR:N1845STUC10     @%%@2@%To sit alone with my conscience%@NL@%%@EH@%
Will be judgment enough for me. 1  2 %@NL@%

%@NL@%Charles William Stubbs
%@NL@%Conscience and Future Judgment [1876]

%@NL@%%@AI@%1 See Polybius%@BO:           c1d82@%%@AE@%
%@AI@%2 See Stevenson%@BO:          4f1697@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%John Banister Tabb%@AE@%%@EH@%
%@NL@%
%@AB@%1845-1909%@AE@%
%@NL@%%@NL@%

%@QR:John Banister Tabb@%%@QR:Tabb@%%@CR:N1845TABJ10     @%%@2@%Out of the dusk a shadow,%@NL@%%@EH@%
Then a spark;%@NL@%
Out of the clouds a silence,%@NL@%
Then a lark;%@NL@%
Out of the heart a rapture,%@NL@%
Then a pain;%@NL@%
Out of the dead, cold ashes,%@NL@%
Life again.%@NL@%

%@NL@%John Banister Tabb
%@NL@%Evolution

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Punch%@AE@%%@EH@%%@NL@%%@NL@%

%@QR:Punch@%%@CR:N1845XXXY10     @%%@2@%   Advice to persons about to marry.-"Don't." 1 %@NL@%%@EH@%
%@NL@%
Punch
%@NL@%Vol. VIII, p. 1 [1845]

%@NL@%%@AI@%1 See Acton%@BO:          4941cf@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Punch@%%@CR:N1845XXXY20     @%%@2@%   You pays your money and you takes your choice.%@NL@%%@EH@%
%@NL@%
Punch
%@NL@%Vol. X, p. 16 [1846]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Punch@%%@CR:N1845XXXY30     @%%@2@%   What is Matter?-Never mind.%@NL@%%@EH@%
What is Mind?-No matter.%@NL@%
%@NL@%
Punch
%@NL@%Vol. XXIX, p. 19 [1855]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Punch@%%@CR:N1845XXXY40     @%%@2@%   It ain't the 'unting as 'urts 'un, it's the 'ammer, 'ammer, 'ammer along%@EH@%
the 'ard 'igh road.%@NL@%
%@NL@%
Punch
%@NL@%Vol. XXX, p. 218 [1856]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Punch@%%@CR:N1845XXXY50     @%%@2@%There was an old owl lived in an oak,%@NL@%%@EH@%
The more he heard, the less he spoke;%@NL@%
The less he spoke, the more he heard,%@NL@%
O, if men were all like that wise bird!%@NL@%

%@NL@%Punch
%@NL@%Vol. LXVIII, p. 155 [1875]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Punch@%%@CR:N1845XXXY60     @%%@2@%   It's worse than wicked, my dear, it's vulgar.%@NL@%%@EH@%
%@NL@%
Punch
%@NL@%Almanac [1876]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Punch@%%@CR:N1845XXXY70     @%%@2@%   Don't look at me, sir, with-ah-in that tone of voice.%@NL@%%@EH@%
%@NL@%
Punch
%@NL@%Vol. XCVII, p. 38 [1884]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Punch@%%@CR:N1845XXXY80     @%%@2@%   I'm afraid you've got a bad egg, Mr. Jones.%@NL@%%@EH@%
Oh no, my Lord, I assure you! Parts of it are excellent!%@NL@%
%@NL@%
Punch
%@NL@%Vol. CIX, p. 222 [1895]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Dupee Blake%@AE@%%@EH@%
%@NL@%
%@AB@%1846-1903%@AE@%
%@NL@%%@NL@%

%@QR:Charles Dupee Blake@%%@QR:Blake@%%@CR:N1846BLAC10     @%%@2@%Rock-a-bye-baby on the tree top,%@NL@%%@EH@%
When the wind blows the cradle will rock,%@NL@%
When the bough breaks the cradle will fall,%@NL@%
And down will come baby, cradle and all.%@NL@%

%@NL@%Charles Dupee Blake
%@NL@%Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Leon Bloy%@AE@%%@EH@%
%@NL@%
%@AB@%1846-1917%@AE@%
%@NL@%%@NL@%

%@QR:Leon Bloy@%%@QR:Bloy@%%@CR:N1846BLOL10     @%%@2@%   Suffering is an auxiliary of creation.%@NL@%%@EH@%
%@NL@%
Leon Bloy
%@NL@%Pages de Leon Bloy, Choisies par Raissa Maritain [1951]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Leon Bloy@%%@QR:Bloy@%%@CR:N1846BLOL20     @%%@2@%   When you ask God to send you trials, you may be sure your prayer will be%@EH@%
granted.%@NL@%
%@NL@%
Leon Bloy
%@NL@%Pages de Leon Bloy, Choisies par Raissa Maritain [1951]Pensees Detachees

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Daniel Hudson Burnham%@AE@%%@EH@%
%@NL@%
%@AB@%1846-1912%@AE@%
%@NL@%%@NL@%

%@QR:Daniel Hudson Burnham@%%@QR:Burnham@%%@CR:N1846BURD10     @%%@2@%   Make no little plans; they have no magic to stir men's blood.%@NL@%%@EH@%
%@NL@%
Daniel Hudson Burnham
%@NL@%%@FN@%
This quotation is now doubted. See Henry M. Saylor, ""Make No Little Plans':
Daniel Burnham Thought It but Did He Say It?," Journal of the American
Institute of Architects, 27 [1957]: 3.  %@EF@%
Attributed

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joseph Ignatius Constantine Clarke%@AE@%%@EH@%
%@NL@%
%@AB@%1846-1925%@AE@%
%@NL@%%@NL@%

%@QR:Joseph Ignatius Constantine Clarke@%%@QR:Clarke@%%@CR:N1846CLAJ10     @%%@2@%"Well, here's to good honest fighting blood!"%@NL@%%@EH@%
Said Kelly and Burke and Shea.%@NL@%

%@NL@%Joseph Ignatius Constantine Clarke
%@NL@%The Fighting Race, st. 4

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Prestwick Scott%@AE@%%@EH@%
%@NL@%
%@AB@%1846-1932%@AE@%
%@NL@%%@NL@%

%@QR:Charles Prestwick Scott@%%@QR:Scott@%%@CR:N1846SCOC10     @%%@2@%   The primary office of a newspaper is the gathering of news . . . comment%@EH@%
is free, but facts are sacred.%@NL@%
%@NL@%
Charles Prestwick Scott
%@NL@%%@FN@%
Its one hundredth anniversary.  %@EF@%
In the Manchester Guardian [May 6, 1926]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Noyes Westcott%@AE@%%@EH@%
%@NL@%
%@AB@%1846-1898%@AE@%
%@NL@%%@NL@%

%@QR:Edward Noyes Westcott@%%@QR:Westcott@%%@CR:N1846WESE10     @%%@2@%   The' ain't nothin' truer in the Bible 'n that sayin' thet them that has%@EH@%
gits.%@NL@%
%@NL@%
Edward Noyes Westcott
%@NL@%David Harum [1898], ch. 35

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alexander Graham Bell%@AE@%%@EH@%
%@NL@%
%@AB@%1847-1922%@AE@%
%@NL@%%@NL@%

%@FN@%
The first intelligible words transmitted by telephone.  %@EF@%
%@QR:Alexander Graham Bell@%%@QR:Bell@%%@CR:N1847BELA10     @%%@2@%   Mr. Watson, come here, I want you.%@NL@%%@EH@%
%@NL@%
Alexander Graham Bell
%@NL@%To his assistant [March 10, 1876]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas A lva Edison%@AE@%%@EH@%
%@NL@%
%@AB@%1847-1931%@AE@%
%@NL@%%@NL@%

%@QR:Thomas A lva Edison@%%@QR:Edison@%%@CR:N1847EDIT10     @%%@2@%   There is no substitute for hard work.%@NL@%%@EH@%
%@NL@%
Thomas A lva Edison
%@NL@%Life [1932], ch. 24

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Thomas A lva Edison@%%@QR:Edison@%%@CR:N1847EDIT20     @%%@2@%   Genius is one percent inspiration and ninety-nine percent perspiration.%@NL@%%@EH@%
%@NL@%
Thomas A lva Edison
%@NL@%Life [1932], ch. 24

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Locke%@AE@%%@EH@%
%@NL@%
%@AB@%1847-1889%@AE@%
%@NL@%%@NL@%

%@QR:John Locke@%%@QR:Locke@%%@CR:N1847LOCJ10     @%%@2@%O Ireland, isn't it grand you look-%@NL@%%@EH@%
Like a bride in her rich adornin'?%@NL@%
And with all the pent-up love of my heart%@NL@%
I bid you the top o' the mornin'!%@NL@%

%@NL@%John Locke
%@NL@%The Exile's Return (Th' an'am an Dhia: My Soul to God), st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Alice Meynell%@AE@%%@EH@%
%@NL@%
%@AB@%1847-1922%@AE@%
%@NL@%%@NL@%

%@QR:Alice Meynell@%%@QR:Meynell@%%@CR:N1847MEYA10     @%%@2@%She walks-the lady of my delight-%@NL@%%@EH@%
A shepherdess of sheep.%@NL@%

%@NL@%Alice Meynell
%@NL@%The Shepherdess, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Julia A. Moore%@AE@%%@EH@%
%@NL@%
%@AB@%1847-1920%@AE@%
%@FN@%
"The Sweet Singer of Michigan."  %@EF@%
%@NL@%%@NL@%

%@QR:Julia A. Moore@%%@QR:Moore@%%@CR:N1847MORJ20     @%%@2@%Leave off the agony, leave off style,%@NL@%%@EH@%
Unless you've got money by you all the while.%@NL@%

%@NL@%Julia A. Moore
%@NL@%Leave Off the Agony in Style

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Milton Nobles%@AE@%%@EH@%
%@NL@%
%@AB@%1847-1924%@AE@%
%@NL@%%@NL@%

%@QR:Milton Nobles@%%@QR:Nobles@%%@CR:N1847NOBM10     @%%@2@%The villain still pursued her.%@NL@%%@EH@%

%@NL@%Milton Nobles
%@NL@%The Phoenix [1875], act I, sc. iii

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Robert Sims%@AE@%%@EH@%
%@NL@%
%@AB@%1847-1922%@AE@%
%@NL@%%@NL@%

%@QR:George Robert Sims@%%@QR:Sims@%%@CR:N1847SIMG10     @%%@2@%It was Christmas Day in the workhouse.%@NL@%%@EH@%

%@NL@%George Robert Sims
%@NL@%Christmas Day in the Workhouse, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Arthur James Balfour, Earl of Balfour%@AE@%%@EH@%
%@NL@%
%@AB@%1848-1930%@AE@%
%@NL@%%@NL@%

%@QR:Arthur James Balfour, Earl of Balfour@%%@QR:Balfour@%%@CR:N1848BALA10     @%%@2@%   Biography should be written by an acute enemy.%@NL@%%@EH@%
%@NL@%
Arthur James Balfour, Earl of Balfour
%@NL@%Quoted by S. K. Ratcliffe
in the London Observer [January 30, 1927]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Vance Cheney%@AE@%%@EH@%
%@NL@%
%@AB@%1848-1922%@AE@%
%@NL@%%@NL@%

%@QR:John Vance Cheney@%%@QR:Cheney@%%@CR:N1848CHEJ10     @%%@2@%Who drives the horses of the sun%@NL@%%@EH@%
Shall lord it but a day.%@NL@%

%@NL@%John Vance Cheney
%@NL@%The Happiest Heart, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%John Churton Collins%@AE@%%@EH@%
%@NL@%
%@AB@%1848-1908%@AE@%
%@NL@%%@NL@%

%@QR:John Churton Collins@%%@QR:Collins@%%@CR:N1848COLJ10     @%%@2@%   Truth is the object of philosophy, but not always of philosophers.%@NL@%%@EH@%
%@NL@%
John Churton Collins
%@NL@%From Logan Pearsall Smith,
A Treasury of English Aphorisms [1928]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:John Churton Collins@%%@QR:Collins@%%@CR:N1848COLJ20     @%%@2@%   Mistrust a subordinate who never finds fault with his superior.%@NL@%%@EH@%
%@NL@%
John Churton Collins
%@NL@%From Logan Pearsall Smith,
A Treasury of English Aphorisms [1928]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Francis Darwin%@AE@%%@EH@%
%@NL@%
%@AB@%1848-1925%@AE@%
%@NL@%%@NL@%

%@QR:Sir Francis Darwin@%%@QR:Darwin@%%@CR:N1848DARF10     @%%@2@%   But in science the credit goes to the man who convinces the world, not to%@EH@%
the man to whom the idea first occurs. 1  2 %@NL@%
%@NL@%
Sir Francis Darwin
%@NL@%First Galton Lecture before the Eugenics Society [1914]

%@NL@%%@AI@%1 See Zinsser%@BO:          58c8cc@%%@AE@%
%@AI@%2 See Fleming%@BO:          59fc4e@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%Ludwig Max Goldberger%@AE@%%@EH@%
%@NL@%
%@AB@%1848-1913%@AE@%
%@NL@%%@NL@%

%@QR:Ludwig Max Goldberger@%%@QR:Goldberger@%%@CR:N1848GOLL10     @%%@2@%   America, the land of unlimited possibilities.%@NL@%%@EH@%
%@NL@%
Ludwig Max Goldberger
%@NL@%Land of Unlimited Possibilities: Observations on
Economic Life in the United States of America [1903]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joel Chandler Harris%@AE@%%@EH@%
%@NL@%
%@AB@%1848-1908%@AE@%
%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ10     @%%@2@%   Hit look lak sparrer-grass, hit feel lak sparrer-grass, hit tas'e lak%@EH@%
sparrer-grass, en I bless ef 'taint sparrer-grass.%@NL@%
%@NL@%
Joel Chandler Harris
%@NL@%Nights with Uncle Remus [1883], ch. 27

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ20     @%%@2@%   Tar-baby ain't sayin' nuthin', en Brer Fox, he lay low.%@NL@%%@EH@%
%@NL@%
Joel Chandler Harris
%@NL@%Uncle Remus and His Friends [1892]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ30     @%%@2@%   Ez soshubble ez a baskit er kittens.%@NL@%%@EH@%
%@NL@%
Joel Chandler Harris
%@NL@%Uncle Remus and His Friends [1892]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ40     @%%@2@%   Bred en bawn in a brier-patch, Brer Fox.%@NL@%%@EH@%
%@NL@%
Joel Chandler Harris
%@NL@%Uncle Remus and His Friends [1892]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ50     @%%@2@%   You do de pullin', Sis Cow, en I'll do de gruntin'.%@NL@%%@EH@%
%@NL@%
Joel Chandler Harris
%@NL@%Uncle Remus and His Friends [1892]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ60     @%%@2@%   W'en ole man Rabbit say "scoot," dey scooted, en w'en old Miss Rabbit say%@EH@%
"scat," dey scatted.%@NL@%
%@NL@%
Joel Chandler Harris
%@NL@%Uncle Remus and His Friends [1892]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ70     @%%@2@%   Lazy fokes' stummucks don't git tired.%@NL@%%@EH@%
%@NL@%
Joel Chandler Harris
%@NL@%Uncle Remus: Plantation Proverbs

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ80     @%%@2@%   Jaybird don't rob his own nes'.%@NL@%%@EH@%
%@NL@%
Joel Chandler Harris
%@NL@%Uncle Remus: Plantation Proverbs

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ90     @%%@2@%   Licker talks mighty loud w'en it gits loose fum de jug.%@NL@%%@EH@%
%@NL@%
Joel Chandler Harris
%@NL@%Uncle Remus: Plantation Proverbs

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ100    @%%@2@%   Hongry rooster don't cackle w'en he fine a wum.%@NL@%%@EH@%
%@NL@%
Joel Chandler Harris
%@NL@%Uncle Remus: Plantation Proverbs

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ110    @%%@2@%   Youk'n hide de fier, but w'at you gwine do wid de smoke?%@NL@%%@EH@%
%@NL@%
Joel Chandler Harris
%@NL@%Uncle Remus: Plantation Proverbs

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ120    @%%@2@%   Watch out w'en youer gittin' all you want. Fattenin' hogs ain't in luck.%@NL@%%@EH@%
%@NL@%
Joel Chandler Harris
%@NL@%Uncle Remus: Plantation Proverbs

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joel Chandler Harris@%%@QR:Harris@%%@CR:N1848HARJ130    @%%@2@%Hop light, ladies,%@NL@%%@EH@%
Oh, Miss Loo!%@NL@%
Oh, swing dat yaller gal!%@NL@%
Do, boys, do!%@NL@%

%@NL@%Joel Chandler Harris
%@NL@%Plantation Play Song

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Joris Karl Huysmans%@AE@%%@EH@%
%@NL@%
%@AB@%1848-1907%@AE@%
%@NL@%%@NL@%

%@QR:Joris Karl Huysmans@%%@QR:Huysmans@%%@CR:N1848HUYJ10     @%%@2@%   The loveliest tune imaginable becomes vulgar and insupportable as soon as%@EH@%
the public begins to hum it and the hurdygurdies make it their own.%@NL@%
%@NL@%
Joris Karl Huysmans
%@NL@%%@FN@%
Translated by John Howard.  %@EF@%
[Agrave] Rebours (Against the Grain) [1884],
ch. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Joris Karl Huysmans@%%@QR:Huysmans@%%@CR:N1848HUYJ20     @%%@2@%   Art is the only clean thing on earth, except holiness.%@NL@%%@EH@%
%@NL@%
Joris Karl Huysmans
%@NL@%Les Foules de Lourdes [1906]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Richard Jefferies%@AE@%%@EH@%
%@NL@%
%@AB@%1848-1887%@AE@%
%@NL@%%@NL@%

%@QR:Richard Jefferies@%%@QR:Jefferies@%%@CR:N1848JEFR10     @%%@2@%   It is eternity now. I am in the midst of it. It is about me in the%@EH@%
sunshine; I am in it, as the butterfly in the light-laden air. Nothing has
to come; it is now. Now is eternity; now is the immortal life.%@NL@%
%@NL@%
Richard Jefferies
%@NL@%The Story of My Heart [1883]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Vilfredo Pareto%@AE@%%@EH@%
%@NL@%
%@AB@%1848-1923%@AE@%
%@NL@%%@NL@%

%@QR:Vilfredo Pareto@%%@QR:Pareto@%%@CR:N1848PARV10     @%%@2@%   Give me a fruitful error any time, full of seeds, bursting with its own%@EH@%
corrections. You can keep your sterile truth for yourself.%@NL@%
%@NL@%
Vilfredo Pareto
%@NL@%Comment on Kepler

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Eben Eugene Rexford%@AE@%%@EH@%
%@NL@%
%@AB@%1848-1916%@AE@%
%@NL@%%@NL@%

%@QR:Eben Eugene Rexford@%%@QR:Rexford@%%@CR:N1848REXE10     @%%@2@%Darling, I am growing old,%@NL@%%@EH@%
Silver threads among the gold%@NL@%
Shine upon my brow today;%@NL@%
Life is fading fast away.%@NL@%

%@NL@%Eben Eugene Rexford
%@NL@%Silver Threads Among the Gold [1873], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Frederic Edward Weatherly%@AE@%%@EH@%
%@NL@%
%@AB@%1848-1929%@AE@%
%@NL@%%@NL@%

%@QR:Frederic Edward Weatherly@%%@QR:Weatherly@%%@CR:N1848WEAF10     @%%@2@%Always the same, Darby, my own,%@NL@%%@EH@%
Always the same to your old wife Joan.%@NL@%

%@NL@%Frederic Edward Weatherly
%@NL@%%@FN@%
Old Darby with Joan by his side,/You've often regarded with wonder;/He's
dropsical, she is sore-eyed,/Yet they're ever uneasy asunder.-Henry
Woodfall, The Gentleman's Magazine [March 1735]  %@EF@%
Darby and Joan, refrain

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Bernhard von Bulow%@AE@%%@EH@%
%@NL@%
%@AB@%1849-1929%@AE@%
%@NL@%%@NL@%

%@QR:Bernhard von Bulow@%%@QR:Bulow@%%@CR:N1849BULB10     @%%@2@%   A place in the sun.%@NL@%%@EH@%
%@NL@%
Bernhard von Bulow
%@NL@%A Promise for Germany.
Speech before the Reichstag [December 6, 1897]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Bernhard von Bulow@%%@QR:Bulow@%%@CR:N1849BULB20     @%%@2@%   The king in Prussia-forward; Prussia in Germany-forward; Germany in the%@EH@%
world-forward!%@NL@%
%@NL@%
Bernhard von Bulow
%@NL@%A Promise for Germany.
Speech before the Reichstag [December 6, 1897]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Lord Randolph Spencer Churchill%@AE@%%@EH@%
%@NL@%
%@AB@%1849-1895%@AE@%
%@NL@%%@NL@%

%@QR:Lord Randolph Spencer Churchill@%%@QR:Churchill@%%@CR:N1849CHUR10     @%%@2@%   The old gang [members of the Conservative government].%@NL@%%@EH@%
%@NL@%
Lord Randolph Spencer Churchill
%@NL@%Speech in the House of Commons [March 7, 1878]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir Edmund William Gosse%@AE@%%@EH@%
%@NL@%
%@AB@%1849-1928%@AE@%
%@NL@%%@NL@%

%@FN@%
British naturalist Philip Henry Gosse [1810-1888], who opposed the
uniformitarian geological theory of Sir Charles Lyell [1797-1875].  See
Lyell  %@EF@%
%@QR:Sir Edmund William Gosse@%%@QR:Gosse@%%@CR:N1849GOSE10     @%%@2@%   My father's theory . . . was defined by a hasty press as being this-that%@EH@%
God hid the fossils in the rocks in order to tempt geologists into
infidelity.%@NL@%
%@NL@%
Sir Edmund William Gosse
%@NL@%Father and Son [1907], ch. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir Edmund William Gosse@%%@QR:Gosse@%%@CR:N1849GOSE20     @%%@2@%   The Victorians . . . carried admiration to the highest pitch. . . . They%@EH@%
turned it from a virtue into a religion, and called it Hero Worship.%@NL@%
%@NL@%
Sir Edmund William Gosse
%@NL@%The Agony of the Victorian Age [1918]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Ernest Henley%@AE@%%@EH@%
%@NL@%
%@AB@%1849-1903%@AE@%
%@NL@%%@NL@%

%@QR:William Ernest Henley@%%@QR:Henley@%%@CR:N1849HENW10     @%%@2@%Bland as a Jesuit, sober as a hymn.%@NL@%%@EH@%

%@NL@%William Ernest Henley
%@NL@%In Hospital [1888]. No.16, House Surgeon

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ernest Henley@%%@QR:Henley@%%@CR:N1849HENW20     @%%@2@%Valiant in velvet, light in ragged luck,%@NL@%%@EH@%
Most vain, most generous, sternly critical,%@NL@%
Buffoon and poet, lover and sensualist:%@NL@%
A deal of Ariel, just a streak of Puck,%@NL@%
Much Antony, of Hamlet most of all,%@NL@%
And something of the Shorter-Catechist.%@NL@%

%@NL@%William Ernest Henley
%@NL@%In Hospital [1888]. No.25, Apparition (Robert Louis Stevenson)
 1

%@NL@%%@AI@%1 See R. L. Stevenson%@CF:N1850STER       @%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ernest Henley@%%@QR:Henley@%%@CR:N1849HENW30     @%%@2@%As dust that drives, as straws that blow,%@NL@%%@EH@%
Into the night go one and all.%@NL@%

%@NL@%William Ernest Henley
%@NL@%Ballade of Dead Actors [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ernest Henley@%%@QR:Henley@%%@CR:N1849HENW40     @%%@2@%Out of the night that covers me,%@NL@%%@EH@%
Black as the Pit from pole to pole,%@NL@%
I thank whatever gods may be%@NL@%
For my unconquerable soul.In the fell clutch of circumstance,%@NL@%
I have not winced nor cried aloud;%@NL@%
Under the bludgeonings of chance%@NL@%
My head is bloody, but unbowed.%@NL@%

%@NL@%William Ernest Henley
%@NL@%Echoes [1888]. No.4, In Memoriam R. T. Hamilton Bruce
("Invictus"),st. 1, 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ernest Henley@%%@QR:Henley@%%@CR:N1849HENW50     @%%@2@%I am the master of my fate;%@NL@%%@EH@%
I am the captain of my soul. 1  2  3  4  5 %@NL@%

%@NL@%William Ernest Henley
%@NL@%Echoes [1888]. No.4, In Memoriam R. T. Hamilton Bruce
("Invictus"),st. 4

%@NL@%%@AI@%1 See Sallust%@BO:           d0745@%%@AE@%
%@AI@%2 See Bacon%@BO:          164135@%%@AE@%
%@AI@%3 See Shakespeare%@BO:          1b2bbe@%%@AE@%
%@AI@%4 See Tennyson%@BO:          404af0@%%@AE@%
%@AI@%5 See Nehru%@BO:          5e15d4@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ernest Henley@%%@QR:Henley@%%@CR:N1849HENW60     @%%@2@%Night with her train of stars%@NL@%%@EH@%
And her great gift of sleep.%@NL@%

%@NL@%William Ernest Henley
%@NL@%Echoes [1888]. No.35, In Memoriam Margaritae Sororis, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ernest Henley@%%@QR:Henley@%%@CR:N1849HENW70     @%%@2@%Or ever the knightly years were gone%@NL@%%@EH@%
With the old world to the grave,%@NL@%
I was a King in Babylon%@NL@%
And you were a Christian Slave.%@NL@%

%@NL@%William Ernest Henley
%@NL@%Echoes [1888]. No.37, To W. A., st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:William Ernest Henley@%%@QR:Henley@%%@CR:N1849HENW80     @%%@2@%What have I done for you,%@NL@%%@EH@%
England, my England?%@NL@%
What is there I would not do,%@NL@%
England, my own?%@NL@%

%@NL@%William Ernest Henley
%@NL@%For England's Sake. Pro Rege Nostro [1892], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sarah Orne Jewett%@AE@%%@EH@%
%@NL@%
%@AB@%1849-1909%@AE@%
%@NL@%%@NL@%

%@QR:Sarah Orne Jewett@%%@QR:Jewett@%%@CR:N1849JEWS10     @%%@2@%   A harbor, even if it is a little harbor, is a good thing, since%@EH@%
adventures come into it as well as go out, and the life in it grows strong,
because it takes something from the world and has something to give in
return.%@NL@%
%@NL@%
Sarah Orne Jewett
%@NL@%Country Byways. River Driftwood

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sarah Orne Jewett@%%@QR:Jewett@%%@CR:N1849JEWS20     @%%@2@%   Captain Littlepage had overset his mind with too much reading.%@NL@%%@EH@%
%@NL@%
Sarah Orne Jewett
%@NL@%The Country of the Pointed Firs [1896], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sarah Orne Jewett@%%@QR:Jewett@%%@CR:N1849JEWS30     @%%@2@%   The old poets little knew what comfort they could be to man.%@NL@%%@EH@%
%@NL@%
Sarah Orne Jewett
%@NL@%The Country of the Pointed Firs [1896], ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sarah Orne Jewett@%%@QR:Jewett@%%@CR:N1849JEWS40     @%%@2@%   Wrecked on the lee shore of age.%@NL@%%@EH@%
%@NL@%
Sarah Orne Jewett
%@NL@%The Country of the Pointed Firs [1896], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sarah Orne Jewett@%%@QR:Jewett@%%@CR:N1849JEWS50     @%%@2@%   We were standing where there was a fine view of the harbor and its long%@EH@%
stretches of shore all covered by the great army of the pointed firs, darkly
cloaked and standing as if they waited to embark. As we looked far seaward
among the outer islands, the trees seemed to march seaward still, going
steadily over the heights and down to the water's edge.%@NL@%
%@NL@%
Sarah Orne Jewett
%@NL@%The Country of the Pointed Firs [1896], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sarah Orne Jewett@%%@QR:Jewett@%%@CR:N1849JEWS60     @%%@2@%   Tact is after all a kind of mind-reading.%@NL@%%@EH@%
%@NL@%
Sarah Orne Jewett
%@NL@%The Country of the Pointed Firs [1896], ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sarah Orne Jewett@%%@QR:Jewett@%%@CR:N1849JEWS70     @%%@2@%   Yes'm, old friends is always best, 'less you can catch a new one that's%@EH@%
fit to make an old one out of.%@NL@%
%@NL@%
Sarah Orne Jewett
%@NL@%The Country of the Pointed Firs [1896], ch.12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sarah Orne Jewett@%%@QR:Jewett@%%@CR:N1849JEWS80     @%%@2@%   In the life of each of us, I said to myself, there is a place remote and%@EH@%
islanded, and given to endless regret or secret happiness.%@NL@%
%@NL@%
Sarah Orne Jewett
%@NL@%The Country of the Pointed Firs [1896], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sarah Orne Jewett@%%@QR:Jewett@%%@CR:N1849JEWS90     @%%@2@%   'Tain't worthwhile to wear a day all out before it comes.%@NL@%%@EH@%
%@NL@%
Sarah Orne Jewett
%@NL@%The Country of the Pointed Firs [1896], ch.16

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sarah Orne Jewett@%%@QR:Jewett@%%@CR:N1849JEWS100    @%%@2@%   The road was new to me, as roads always are, going back.%@NL@%%@EH@%
%@NL@%
Sarah Orne Jewett
%@NL@%The Country of the Pointed Firs [1896], ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sarah Orne Jewett@%%@QR:Jewett@%%@CR:N1849JEWS110    @%%@2@%   So we die before our own eyes; so we see some chapters of our lives come%@EH@%
to their natural end.%@NL@%
%@NL@%
Sarah Orne Jewett
%@NL@%The Country of the Pointed Firs [1896], ch.19

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sarah Orne Jewett@%%@QR:Jewett@%%@CR:N1849JEWS120    @%%@2@%   The thing that teases the mind over and over for years, and at last gets%@EH@%
itself put down rightly on paper-whether little or great, it belongs to
Literature.%@NL@%
%@NL@%
Sarah Orne Jewett
%@NL@%Letter to Willa Cather. Quoted in preface to The Country of the
Pointed Firs and Other Stories [1925]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Emma Lazarus%@AE@%%@EH@%
%@NL@%
%@AB@%1849-1887%@AE@%
%@NL@%%@NL@%

%@QR:Emma Lazarus@%%@QR:Lazarus@%%@CR:N1849LAZE10     @%%@2@%Give me your tired, your poor,%@NL@%%@EH@%
Your huddled masses yearning to breathe free,%@NL@%
The wretched refuse of your teeming shore,%@NL@%
Send these, the homeless, tempest-tossed, to me:%@NL@%
I lift my lamp beside the golden door.%@NL@%

%@NL@%Emma Lazarus
%@NL@%The New Colossus:
Inscription for the Statue of Liberty, New York Harbor

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir William Osler%@AE@%%@EH@%
%@NL@%
%@AB@%1849-1919%@AE@%
%@NL@%%@NL@%

%@QR:Sir William Osler@%%@QR:Osler@%%@CR:N1849OSLW10     @%%@2@%   The greater the ignorance the greater the dogmatism.%@NL@%%@EH@%
%@NL@%
Sir William Osler
%@NL@%Montreal Medical Journal [1902]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Osler@%%@QR:Osler@%%@CR:N1849OSLW20     @%%@2@%   The philosophies of one age have become the absurdities of the next, and%@EH@%
the foolishness of yesterday has become the wisdom of tomorrow.%@NL@%
%@NL@%
Sir William Osler
%@NL@%Montreal Medical Journal [1902]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Osler@%%@QR:Osler@%%@CR:N1849OSLW30     @%%@2@%   The natural man has only two primal passions, to get and to beget.%@NL@%%@EH@%
%@NL@%
Sir William Osler
%@NL@%Science and Immortality [1904], ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Osler@%%@QR:Osler@%%@CR:N1849OSLW40     @%%@2@%   The desire to take medicine is perhaps the greatest feature which%@EH@%
distinguishes man from animals.%@NL@%
%@NL@%
Sir William Osler
%@NL@%Science and Immortality [1904], ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Also in Doctor and Nurse, in Aequanimitas and Other Addresses [1904].  %@EF@%
%@QR:Sir William Osler@%%@QR:Osler@%%@CR:N1849OSLW50     @%%@2@%   We are here to add what we can to, not to get what we can from, Life.%@NL@%%@EH@%
%@NL@%
Sir William Osler
%@NL@%From Harvey Cushing, The Life of Sir William Osler
[1925], vol.I, ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Osler@%%@QR:Osler@%%@CR:N1849OSLW60     @%%@2@%   Humanity has but three great enemies: fever, famine and war; of these by%@EH@%
far the greatest, by far the most terrible, is fever.%@NL@%
%@NL@%
Sir William Osler
%@NL@%From Harvey Cushing, The Life of Sir William Osler
[1925], vol.I, ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Lecture, The Master Word in Medicine, Toronto [October 1, 1903]; also in
Aequanimitas.  %@EF@%
%@QR:Sir William Osler@%%@QR:Osler@%%@CR:N1849OSLW70     @%%@2@%   The master word [work] . . . is the open sesame to every portal, the%@EH@%
great equalizer in the world, the true philosopher's stone which transmutes
all the base metal of humanity into gold.%@NL@%
%@NL@%
Sir William Osler
%@NL@%From Harvey Cushing, The Life of Sir William Osler
[1925], vol.I, ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Osler@%%@QR:Osler@%%@CR:N1849OSLW80     @%%@2@%   Things cannot always go your way. Learn to accept in silence the minor%@EH@%
aggravations, cultivate the gift of taciturnity and consume your own smoke
with an extra draught of hard work, so that those about you may not be
annoyed with the dust and soot of your complaints.%@NL@%
%@NL@%
Sir William Osler
%@NL@%From Harvey Cushing, The Life of Sir William Osler
[1925], vol.I, ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Address at Johns Hopkins University, Baltimore [February 22, 1905].  %@EF@%
%@QR:Sir William Osler@%%@QR:Osler@%%@CR:N1849OSLW90     @%%@2@%   Take the sum of human achievement in action, in science, in art, in%@EH@%
literature-subtract the work of the men above forty, and while we should
miss great treasures, even priceless treasures, we would practically be
where we are today. . . . The effective, moving, vitalizing work of the
world is done between the ages of twenty-five and forty.%@NL@%
%@NL@%
Sir William Osler
%@NL@%From Harvey Cushing, The Life of Sir William Osler
[1925], vol.I, ch.24[The Fixed Period]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
This valedictory address caused much discussion and misquotation. It was
headlined in the press: osler recommends chloroform at sixty, and occasioned
many columns of letters, caustic cartoons, and the like, until to "Oslerize"
became a byword.  %@EF@%
%@QR:Sir William Osler@%%@QR:Osler@%%@CR:N1849OSLW100    @%%@2@%   My second fixed idea is the uselessness of men above sixty years of age,%@EH@%
and the incalculable benefit it would be in commercial, political, and in
professional life, if as a matter of course, men stopped work at this age.%@NL@%
%@NL@%
Sir William Osler
%@NL@%From Harvey Cushing, The Life of Sir William Osler
[1925], vol.I, ch.24[The Fixed Period]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Osler@%%@QR:Osler@%%@CR:N1849OSLW120    @%%@2@%   I have three personal ideals. One, to do the day's work well and not to%@EH@%
bother about tomorrow. . . . The second ideal has been to act the Golden
Rule, as far as in me lay, toward my professional brethren and toward the
patients committed to my care. And the third has been to cultivate such a
measure of equanimity as would enable me to bear success with humility, the
affection of my friends without pride, and to be ready when the day of
sorrow and grief came to meet it with the courage befitting a man.%@NL@%
%@NL@%
Sir William Osler
%@NL@%From Harvey Cushing, The Life of Sir William Osler
[1925], vol.I, ch.24[Farewell Dinner, May 2, 1905]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir William Osler@%%@QR:Osler@%%@CR:N1849OSLW130    @%%@2@%   Nothing in life is more wonderful than faith-the one great moving force%@EH@%
which we can neither weigh in the balance nor test in the crucible.%@NL@%
%@NL@%
Sir William Osler
%@NL@%From Harvey Cushing, The Life of Sir William Osler
[1925], vol.II, ch. 30

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ivan Petrovich Pavlov%@AE@%%@EH@%
%@NL@%
%@AB@%1849-1936%@AE@%
%@NL@%%@NL@%

%@QR:Ivan Petrovich Pavlov@%%@QR:Pavlov@%%@CR:N1849PAVI3      @%%@2@%   The naturalist must consider only one thing: what is the relation of this%@EH@%
or that external reaction of the animal to the phenomena of the external
world?%@NL@%
%@NL@%
Ivan Petrovich Pavlov
%@NL@%Scientific Study of So-Called Psychical Processes
in the Higher Animals [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ivan Petrovich Pavlov@%%@QR:Pavlov@%%@CR:N1849PAVI5      @%%@2@%   Mankind will possess incalculable advantages and extraordinary control%@EH@%
over human behavior when the scientific investigator will be able to subject
his fellow men to the same external analysis he would employ for any natural
object, and when the human mind will contemplate itself not from within but
from without.%@NL@%
%@NL@%
Ivan Petrovich Pavlov
%@NL@%Scientific Study of So-Called Psychical Processes
in the Higher Animals [1906]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ivan Petrovich Pavlov@%%@QR:Pavlov@%%@CR:N1849PAVI10     @%%@2@%   Learn the ABC of science before you try to ascend to its summit.%@NL@%%@EH@%
%@NL@%
Ivan Petrovich Pavlov
%@NL@%Bequest to the Academic Youth of Soviet Russia [1936]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ivan Petrovich Pavlov@%%@QR:Pavlov@%%@CR:N1849PAVI20     @%%@2@%   Learn, compare, collect the facts!%@NL@%%@EH@%
%@NL@%
Ivan Petrovich Pavlov
%@NL@%Bequest to the Academic Youth of Soviet Russia [1936]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%James Whitcomb Riley%@AE@%%@EH@%
%@NL@%
%@AB@%1849-1916%@AE@%
%@NL@%%@NL@%

%@QR:James Whitcomb Riley@%%@QR:Riley@%%@CR:N1849RILJ10     @%%@2@%O'er folded blooms%@NL@%%@EH@%
On swirls of musk,%@NL@%
The beetle booms adown the glooms%@NL@%
And bumps along the dusk.%@NL@%

%@NL@%James Whitcomb Riley
%@NL@%The Beetle, st. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Whitcomb Riley@%%@QR:Riley@%%@CR:N1849RILJ20     @%%@2@%The ripest peach is highest on the tree.%@NL@%%@EH@%

%@NL@%James Whitcomb Riley
%@NL@%The Ripest Peach, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Whitcomb Riley@%%@QR:Riley@%%@CR:N1849RILJ40     @%%@2@%There! little girl; don't cry!%@NL@%%@EH@%

%@NL@%James Whitcomb Riley
%@NL@%A Life Lesson, st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Whitcomb Riley@%%@QR:Riley@%%@CR:N1849RILJ50     @%%@2@%That old sweetheart of mine.%@NL@%%@EH@%

%@NL@%James Whitcomb Riley
%@NL@%An Old Sweetheart of Mine, st. 12

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Whitcomb Riley@%%@QR:Riley@%%@CR:N1849RILJ55     @%%@2@%An' all us other children, when the supper things is done,%@NL@%%@EH@%
We set around the kitchen fire an' has the mostest fun%@NL@%
A-list'nin' to the witch-tales 'at Annie tells about,%@NL@%
An' the Gobble-uns 'at gits you Ef you don't watch out!%@NL@%

%@NL@%James Whitcomb Riley
%@NL@%Little Orphant Annie [1883], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Whitcomb Riley@%%@QR:Riley@%%@CR:N1849RILJ60     @%%@2@%'Long about knee-deep in June,%@NL@%%@EH@%
'Bout the time strawberries melts%@NL@%
On the vine.%@NL@%

%@NL@%James Whitcomb Riley
%@NL@%Knee-Deep in June [1883], st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Whitcomb Riley@%%@QR:Riley@%%@CR:N1849RILJ70     @%%@2@%Oh! the old swimmin' hole! When I last saw the place,%@NL@%%@EH@%
The scenes was all changed, like the change in my face.%@NL@%

%@NL@%James Whitcomb Riley
%@NL@%The Old Swimmin' Hole [1883], st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:James Whitcomb Riley@%%@QR:Riley@%%@CR:N1849RILJ80     @%%@2@%O, it sets my heart a-clickin' like the tickin' of a clock,%@NL@%%@EH@%
When the frost is on the punkin and the fodder's in the shock.%@NL@%

%@NL@%James Whitcomb Riley
%@NL@%When the Frost Is on the Punkin [1883], st. 3

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Bellamy%@AE@%%@EH@%
%@NL@%
%@AB@%1850-1898%@AE@%
%@FN@%
There is at least a fair chance that another fifty years will confirm Edward
Bellamy's position as one of the most authentic prophets of our age.-Heywood
Broun [1931]  %@EF@%
%@NL@%%@NL@%

%@QR:Edward Bellamy@%%@QR:Bellamy@%%@CR:N1850BELE20     @%%@2@%   We hold the period of youth sacred to education, and the period of%@EH@%
maturity, when the physical forces begin to flag, equally sacred to ease and
agreeable relaxation.%@NL@%
%@NL@%
Edward Bellamy
%@NL@%%@FN@%
Looking back at 1887 from the year 2000.  %@EF@%
Looking Backward, 2000-1887
[1888],ch.6

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Bellamy@%%@QR:Bellamy@%%@CR:N1850BELE30     @%%@2@%   Buying and selling is essentially antisocial.%@NL@%%@EH@%
%@NL@%
Edward Bellamy
%@NL@%Looking Backward, 2000-1887
[1888],ch.9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Bellamy@%%@QR:Bellamy@%%@CR:N1850BELE40     @%%@2@%   The nation guarantees the nurture, education, and comfortable maintenance%@EH@%
of every citizen from the cradle to the grave. 1  2  3 %@NL@%
%@NL@%
Edward Bellamy
%@NL@%Looking Backward, 2000-1887
[1888],ch.9

%@NL@%%@AI@%1 See Dyer%@BO:          2b0bac@%%@AE@%
%@AI@%2 See Shelley%@BO:          38b186@%%@AE@%
%@AI@%3 See Hoffenstein%@BO:          5e4588@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Bellamy@%%@QR:Bellamy@%%@CR:N1850BELE50     @%%@2@%   Love of money 1  2  . . . was the general impulse to effort in your day.%@NL@%%@EH@%
%@NL@%
Edward Bellamy
%@NL@%Looking Backward, 2000-1887
[1888],ch.9

%@NL@%%@AI@%1 See I Timothy 6:10%@BO:           72121@%%@AE@%
%@AI@%2 See Keynes%@BO:          5aeb18@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Bellamy@%%@QR:Bellamy@%%@CR:N1850BELE60     @%%@2@%   Badly off as the men . . . were in your day, they were more fortunate%@EH@%
than their mothers and wives.%@NL@%
%@NL@%
Edward Bellamy
%@NL@%Looking Backward, 2000-1887
[1888],ch.11

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Bellamy@%%@QR:Bellamy@%%@CR:N1850BELE70     @%%@2@%   An American credit card . . . is just as good in Europe as American gold%@EH@%
used to be.%@NL@%
%@NL@%
Edward Bellamy
%@NL@%Looking Backward, 2000-1887
[1888],ch.13

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Bellamy@%%@QR:Bellamy@%%@CR:N1850BELE80     @%%@2@%   Equal wealth and equal opportunities of culture . . . have simply made us%@EH@%
all members of one class.%@NL@%
%@NL@%
Edward Bellamy
%@NL@%Looking Backward, 2000-1887
[1888],ch.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Bellamy@%%@QR:Bellamy@%%@CR:N1850BELE90     @%%@2@%   If bread is the first necessity of life, recreation is a close second. 1 %@NL@%%@EH@%
%@NL@%
Edward Bellamy
%@NL@%Looking Backward, 2000-1887
[1888],ch.18

%@NL@%%@AI@%1 See Juvenal%@BO:           f7549@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Bellamy@%%@QR:Bellamy@%%@CR:N1850BELE100    @%%@2@%   Your system was liable to periodical convulsions . . . business crises at%@EH@%
intervals of five to ten years, which wrecked the industries of the nation.%@NL@%
%@NL@%
Edward Bellamy
%@NL@%Looking Backward, 2000-1887
[1888],ch.22

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Bellamy@%%@QR:Bellamy@%%@CR:N1850BELE110    @%%@2@%   On no other stage are the scenes shifted with a swiftness so like magic%@EH@%
as on the great stage of history when once the hour strikes. 1 %@NL@%
%@NL@%
Edward Bellamy
%@NL@%Looking Backward, 2000-1887
[1888],Author's postscript

%@NL@%%@AI@%1 See Hugo%@BO:          3b597c@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edward Bellamy@%%@QR:Bellamy@%%@CR:N1850BELE120    @%%@2@%   Looking Backward was written in the belief that the Golden Age lies%@EH@%
before us and not behind us.%@NL@%
%@NL@%
Edward Bellamy
%@NL@%Looking Backward, 2000-1887
[1888],Author's postscript

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Augustine Birrell%@AE@%%@EH@%
%@NL@%
%@AB@%1850-1933%@AE@%
%@NL@%%@NL@%

%@QR:Augustine Birrell@%%@QR:Birrell@%%@CR:N1850BIRA10     @%%@2@%   Libraries are not made; they grow.%@NL@%%@EH@%
%@NL@%
Augustine Birrell
%@NL@%Obiter Dicta.Book Buying

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Augustine Birrell@%%@QR:Birrell@%%@CR:N1850BIRA20     @%%@2@%   That great dust heap called "history."%@NL@%%@EH@%
%@NL@%
Augustine Birrell
%@NL@%Obiter Dicta.Carlyle

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Hermann Ebbinghaus%@AE@%%@EH@%
%@NL@%
%@AB@%1850-1909%@AE@%
%@NL@%%@NL@%

%@FN@%
De subjecto vetustissimo novissimam promovemus scientiam.  %@EF@%
%@QR:Hermann Ebbinghaus@%%@QR:Ebbinghaus@%%@CR:N1850EBBH10     @%%@2@%   From the most ancient subject we shall produce the newest science.%@NL@%%@EH@%
%@NL@%
Hermann Ebbinghaus
%@NL@%Inscription on the title page of [Uuml ]ber das Gedachtnis
(Memory) [1885]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Hermann Ebbinghaus@%%@QR:Ebbinghaus@%%@CR:N1850EBBH20     @%%@2@%   Psychology has a long past, but only a short history.%@NL@%%@EH@%
%@NL@%
Hermann Ebbinghaus
%@NL@%Abriss der Psychologie (Summary of Psychology) [1908],
opening sentence

%@NL@%
%@NL@%
%@NL@%
%@1@%%@AB@%Eugene Field%@AE@%%@EH@%
%@NL@%
%@AB@%1850-1895%@AE@%
%@NL@%%@NL@%

%@QR:Eugene Field@%%@QR:Field@%%@CR:N1850FIEE10     @%%@2@%I feel a sort of yearnin' 'nd a chokin' in my throat%@NL@%%@EH@%
When I think of Red Hoss Mountain 'nd of Casey's tabble dote!%@NL@%

%@NL@%Eugene Field
%@NL@%Casey's Table d'H[ocirc ]te, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Eugene Field@%%@QR:Field@%%@CR:N1850FIEE20     @%%@2@%He could whip his weight in wildcats.%@NL@%%@EH@%

%@NL@%Eugene Field
%@NL@%Modjesky as Cameel, st. 10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Eugene Field@%%@QR:Field@%%@CR:N1850FIEE30     @%%@2@%The best of all physicians%@NL@%%@EH@%
Is apple pie and cheese!%@NL@%

%@NL@%Eugene Field
%@NL@%Apple Pie and Cheese, st. 5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Eugene Field@%%@QR:Field@%%@CR:N1850FIEE40     @%%@2@%It always was the biggest fish I caught that got away.%@NL@%%@EH@%

%@NL@%Eugene Field
%@NL@%Our Biggest Fish, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Eugene Field@%%@QR:Field@%%@CR:N1850FIEE50     @%%@2@%When I demanded of my friend what viands he preferred,%@NL@%%@EH@%
He quoth: "A large cold bottle, and a small hot bird!"%@NL@%

%@NL@%Eugene Field
%@NL@%The Bottle and the Bird, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Eugene Field@%%@QR:Field@%%@CR:N1850FIEE60     @%%@2@%Wynken, Blynken, and Nod 1  one night%@NL@%%@EH@%
Sailed off in a wooden shoe-%@NL@%
Sailed on a river of crystal light%@NL@%
Into a sea of dew.%@NL@%

%@NL@%Eugene Field
%@NL@%Wynken, Blynken, and Nod, st. 1

%@NL@%%@AI@%1 See Braley%@BO:          5a2738@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Eugene Field@%%@QR:Field@%%@CR:N1850FIEE70     @%%@2@%The little toy dog is covered with dust,%@NL@%%@EH@%
But sturdy and staunch he stands;%@NL@%
And the little toy soldier is red with rust,%@NL@%
And his musket molds in his hands;%@NL@%
Time was when the little toy dog was new,%@NL@%
And the soldier was passing fair;%@NL@%
And that was the time when our Little Boy Blue%@NL@%
Kissed them and put them there.%@NL@%

%@NL@%Eugene Field
%@NL@%Little Boy Blue, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Eugene Field@%%@QR:Field@%%@CR:N1850FIEE80     @%%@2@%The gingham dog went "Bow-wow-wow!"%@NL@%%@EH@%
And the calico cat replied "Mee-ow!"%@NL@%
The air was littered, an hour or so,%@NL@%
With bits of gingham and calico.%@NL@%

%@NL@%Eugene Field
%@NL@%The Duel, st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Eugene Field@%%@QR:Field@%%@CR:N1850FIEE90     @%%@2@%Father calls me William, sister calls me Will,%@NL@%%@EH@%
Mother calls me Willie, but the fellers call me Bill!%@NL@%

%@NL@%Eugene Field
%@NL@%Jest 'Fore Christmas, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Eugene Field@%%@QR:Field@%%@CR:N1850FIEE100    @%%@2@%'Most all the time, the whole year round, there ain't no flies on me,%@NL@%%@EH@%
But jest 'fore Christmas I'm as good as I kin be!%@NL@%

%@NL@%Eugene Field
%@NL@%Jest 'Fore Christmas, st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Fred Gilbert%@AE@%%@EH@%
%@NL@%
%@AB@%1850-1903%@AE@%
%@NL@%%@NL@%

%@QR:Fred Gilbert@%%@QR:Gilbert@%%@CR:N1850GILF10     @%%@2@%   The Man Who Broke the Bank at Monte Carlo.%@NL@%%@EH@%
%@NL@%
Fred Gilbert
%@NL@%Title of song [1892]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Samuel Gompers%@AE@%%@EH@%
%@NL@%
%@AB@%1850-1924%@AE@%
%@NL@%%@NL@%

%@QR:Samuel Gompers@%%@QR:Gompers@%%@CR:N1850GOMS10     @%%@2@%   To protect the workers in their inalienable rights to a higher and better%@EH@%
life; to protect them, not only as equals before the law, but also in their
health, their homes, their firesides, their liberties as men, as workers,
and as citizens; to overcome and conquer prejudices and antagonism; to
secure to them the right to life, and the opportunity to maintain that life;
the right to be full sharers in the abundance which is the result of their
brain and brawn, and the civilization of which they are the founders and the
mainstay. . . . The attainment of these is the glorious mission of the trade
unions.%@NL@%
%@NL@%
Samuel Gompers
%@NL@%Speech [1898]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Cabot Lodge%@AE@%%@EH@%
%@NL@%
%@AB@%1850-1924%@AE@%
%@NL@%%@NL@%

%@QR:Henry Cabot Lodge@%%@QR:Lodge@%%@CR:N1850LODH10     @%%@2@%   Let every man honor and love the land of his birth and the race from%@EH@%
which he springs and keep their memory green. It is a pious and honorable
duty. But let us have done with British-Americans and Irish-Americans and
German-Americans, and so on, and all be Americans. . . . If a man is going
to be an American at all let him be so without any qualifying adjectives;
and if he is going to be something else, let him drop the word American from
his personal description.%@NL@%
%@NL@%
Henry Cabot Lodge
%@NL@%The Day We Celebrate (Forefathers' Day).
Address, New England Society of Brooklyn [December 21, 1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Cabot Lodge@%%@QR:Lodge@%%@CR:N1850LODH20     @%%@2@%   It is the flag just as much of the man who was naturalized yesterday as%@EH@%
of the man whose people have been here many generations.%@NL@%
%@NL@%
Henry Cabot Lodge
%@NL@%Address [1915]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Cabot Lodge@%%@QR:Lodge@%%@CR:N1850LODH30     @%%@2@%   He was a great patriot, a great man; above all, a great American. His%@EH@%
country was the ruling, mastering passion of his life from the beginning
even unto the end.%@NL@%
%@NL@%
Henry Cabot Lodge
%@NL@%Theodore Roosevelt. Address Before Congress [February 9, 1919]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henri Rene Albert Guy de Maupassant%@AE@%%@EH@%
%@NL@%
%@AB@%1850-1893%@AE@%
%@NL@%%@NL@%

%@FN@%
Quand on a le physique d'un emploi, on en a l'[acirc ]me.  %@EF@%
%@QR:Henri Rene Albert Guy de Maupassant@%%@QR:Maupassant@%%@CR:N1850MAUG10     @%%@2@%   A man who looks a part has the soul of that part.%@NL@%%@EH@%
%@NL@%
Henri Rene Albert Guy de Maupassant
%@NL@%Mont-Oriol [1887]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henri Rene Albert Guy de Maupassant@%%@QR:Maupassant@%%@CR:N1850MAUG20     @%%@2@%   Conversation . . . is the art of never appearing a bore, of knowing how%@EH@%
to say everything interestingly, to entertain with no matter what, to be
charming with nothing at all.%@NL@%
%@NL@%
Henri Rene Albert Guy de Maupassant
%@NL@%Sur l'Eau (On the Water) [1888]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
L'histoire, cette vieille dame exaltee et menteuse.  %@EF@%
%@QR:Henri Rene Albert Guy de Maupassant@%%@QR:Maupassant@%%@CR:N1850MAUG30     @%%@2@%   History, that excitable and lying old lady.%@NL@%%@EH@%
%@NL@%
Henri Rene Albert Guy de Maupassant
%@NL@%Sur l'Eau (On the Water) [1888]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Laura E lizabeth Richards%@AE@%%@EH@%
%@NL@%
%@AB@%1850-1943%@AE@%
%@NL@%%@NL@%

%@QR:Laura E lizabeth Richards@%%@QR:Richards@%%@CR:N1850RICL10     @%%@2@%Be you clown or be you king,%@NL@%%@EH@%
Still your singing is the thing.%@NL@%

%@NL@%Laura E lizabeth Richards
%@NL@%Tirra Lirra [1930], dedication, l. 7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laura E lizabeth Richards@%%@QR:Richards@%%@CR:N1850RICL20     @%%@2@%Every little wave had its nightcap on.%@NL@%%@EH@%

%@NL@%Laura E lizabeth Richards
%@NL@%Song for Hal, refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Laura E lizabeth Richards@%%@QR:Richards@%%@CR:N1850RICL30     @%%@2@%Once there was an elephant%@NL@%%@EH@%
Who tried to use the telephant-%@NL@%
No! No! I mean an elephone%@NL@%
Who tried to use the telephone.%@NL@%

%@NL@%Laura E lizabeth Richards
%@NL@%Eletelephony, l. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Louis Stevenson%@AE@%%@EH@%
%@NL@%
%@AB@%1850-1894%@AE@%
%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER10     @%%@2@%   Mankind was never so happily inspired as when it made a cathedral.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%An Inland Voyage [1878]. Noyon

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER20     @%%@2@%   Every man is his own doctor of divinity, in the last resort.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%An Inland Voyage [1878]. Noyon

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER30     @%%@2@%   For my part, I travel not to go anywhere, but to go. I travel for%@EH@%
travel's sake. The great affair is to move.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%Travels with a Donkey [1878]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER40     @%%@2@%   Marriage is like life in this-that it is a field of battle, and not a bed%@EH@%
of roses.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%Virginibus Puerisque [1881],I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER50     @%%@2@%   Times are changed with him who marries; there are no more bypath meadows,%@EH@%
where you may innocently linger, but the road lies long and straight and
dusty to the grave.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%Virginibus Puerisque [1881],I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER60     @%%@2@%   Man is a creature who lives not upon bread alone but principally by%@EH@%
catchwords.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%Virginibus Puerisque [1881],I, ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER70     @%%@2@%   The cruelest lies are often told in silence.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Virginibus Puerisque [1881],I, ch.4, Truth of Intercourse

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER80     @%%@2@%   Old and young, we are all on our last cruise.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Virginibus Puerisque [1881],II,Crabbed Age and Youth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER90     @%%@2@%   It is better to be a fool than to be dead.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Virginibus Puerisque [1881],II,Crabbed Age and Youth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER100    @%%@2@%   Give me the young man who has brains enough to make a fool of himself!%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Virginibus Puerisque [1881],II,Crabbed Age and Youth

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER105    @%%@2@%   Every heart that has beat strong and cheerfully has left a hopeful%@EH@%
impulse behind it in the world, and bettered the tradition of mankind.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%Virginibus Puerisque [1881],II,Aes Triplex

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER110    @%%@2@%   Books are good enough in their own way, but they are a mighty bloodless%@EH@%
substitute for life.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%Virginibus Puerisque [1881],III, An Apology for Idlers

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER120    @%%@2@%   Perpetual devotion to what a man calls his business, is only to be%@EH@%
sustained by perpetual neglect of many other things.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%Virginibus Puerisque [1881],III, An Apology for Idlers

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER130    @%%@2@%   There is no duty we so much underrate as the duty of being happy.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Virginibus Puerisque [1881],III, An Apology for Idlers

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER140    @%%@2@%   To travel hopefully is a better thing than to arrive.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Virginibus Puerisque [1881],VI, El Dorado

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER150    @%%@2@%   To be what we are, and to become what we are capable of becoming, is the%@EH@%
only end of life.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%Familiar Studies of Men and Books [1882]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER160    @%%@2@%   I am in the habit of looking not so much to the nature of a gift as to%@EH@%
the spirit in which it is offered.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%New Arabian Nights [1882]. The Suicide Club

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Treasure Island came out of Kingsley's At Last, where I got the Dead Man's
Chest-and that was the seed.-R. L. Stevenson, Letter to Sidney Colvin  We
were crawling slowly along, looking out for Virgin Gorda; the first of those
numberless isles which Columbus, so goes the tale, discovered on St.
Ursula's day, and named them after the saint and her eleven thousand
mythical virgins. Unfortunately, English buccaneers have since given to most
of them less poetic names. The Dutchman's Cap, Broken Jerusalem, The Dead
Man's Chest, Rum Island, and so forth, mark a time and race more
prosaic.-Charles Kingsley, At Last [1870], ch. 1  %@EF@%
%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER170    @%%@2@%Fifteen men on the Dead Man's Chest-%@NL@%%@EH@%
Yo-ho-ho, and a bottle of rum!%@NL@%
Drink and the devil had done for the rest-%@NL@%
Yo-ho-ho, and a bottle of rum!%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Treasure Island [1883], ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER200    @%%@2@%   Doctors is all swabs.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Treasure Island [1883], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER203    @%%@2@%   "What is the Black Spot, Captain?" "That's a summons, mate."%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Treasure Island [1883], ch.3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER206    @%%@2@%   Pieces of eight, pieces of eight, pieces of eight!%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Treasure Island [1883], ch.10

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER210    @%%@2@%   Many's the long night I've dreamed of cheese-toasted, mostly.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Treasure Island [1883], ch.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER220    @%%@2@%In winter I get up at night%@NL@%%@EH@%
And dress by yellow candlelight.%@NL@%
In summer, quite the other way,%@NL@%
I have to go to bed by day.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%A Child's Garden of Verses [1885].Bed in Summer, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER230    @%%@2@%A child should always say what's true%@NL@%%@EH@%
And speak when he is spoken to,%@NL@%
And behave mannerly at table;%@NL@%
At least as far as he is able.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%A Child's Garden of Verses [1885].Whole Duty of Children

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER240    @%%@2@%Whenever the moon and stars are set,%@NL@%%@EH@%
Whenever the wind is high,%@NL@%
All night long in the dark and wet,%@NL@%
A man goes riding by.%@NL@%
Late in the night when the fires are out,%@NL@%
Why does he gallop and gallop about?%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%A Child's Garden of Verses [1885].Windy Nights, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER250    @%%@2@%I have a little shadow that goes in and out with me,%@NL@%%@EH@%
And what can be the use of him is more than I can see.%@NL@%
He is very, very like me from the heels up to the head;%@NL@%
And I see him jump before me, when I jump into my bed.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%A Child's Garden of Verses [1885].My Shadow, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER260    @%%@2@%The friendly cow all red and white,%@NL@%%@EH@%
I love with all my heart:%@NL@%
She gives me cream with all her might,%@NL@%
To eat with apple tart.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%A Child's Garden of Verses [1885].The Cow, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER270    @%%@2@%The world is so full of a number of things,%@NL@%%@EH@%
I'm sure we should all be as happy as kings.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%A Child's Garden of Verses [1885].Happy Thought

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER275    @%%@2@%   Dr. Jekyll and Mr. Hyde.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Title of novel [1886]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER280    @%%@2@%   Am I no a bonny fighter?%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Kidnapped [1886], ch. 10 (Alan Breck)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Ben Jonson.  %@EF@%
%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER290    @%%@2@%Of all my verse, like not a single line;%@NL@%%@EH@%
But like my title, for it is not mine.%@NL@%
That title from a better man I stole:%@NL@%
Ah, how much better, had I stol'n the whole!%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Underwoods [1887],title page poem

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER295    @%%@2@%Let first the onion flourish there,%@NL@%%@EH@%
Rose among roots, the maiden-fair,%@NL@%
Wine-scented and poetic soul%@NL@%
Of the capacious salad bowl. 1 %@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Underwoods [1887],bk.I, In English.To a Gardener

%@NL@%%@AI@%1 See Sydney Smith%@BO:          34df2d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Dear Louis of the awful cheek!/Who told you it was right to speak,/Where all
the world might hear and stare,/Of other fellows' "brindled hair"?-Andrew
Lang [1844-1912], To R.L.S.  %@EF@%
%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER300    @%%@2@%Dear Andrew, with the brindled hair.%@NL@%%@EH@%

%@NL@%Robert Louis Stevenson
%@NL@%Underwoods [1887],bk.I, In English.To Andrew Lang

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER320    @%%@2@%Under the wide and starry sky,%@NL@%%@EH@%
Dig the grave and let me lie.%@NL@%
Glad did I live and gladly die,%@NL@%
And I laid me down with a will.This be the verse you grave for me:%@NL@%
Here he lies where he longed to be;%@NL@%
Home is the sailor, home from sea,%@NL@%
And the hunter home from the hill.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Underwoods [1887],Requiem

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER340    @%%@2@%My body which my dungeon is,%@NL@%%@EH@%
And yet my parks and palaces.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Underwoods [1887],My Body Which My Dungeon Is

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER345    @%%@2@%There's just ae thing I cannae bear,%@NL@%%@EH@%
An' that's my conscience. 1  2 %@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Underwoods [1887],II, In Scots. My Conscience

%@NL@%%@AI@%1 See Polybius%@BO:           c1d82@%%@AE@%
%@AI@%2 See Stubbs%@BO:          4e333b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER350    @%%@2@%   I have thus played the sedulous ape to Hazlitt, to Lamb, to Wordsworth,%@EH@%
to Sir Thomas Browne, to Defoe, to Hawthorne, to Montaigne, to Baudelaire
and to Obermann.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%Memories and Portraits [1887].A College Magazine

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER360    @%%@2@%   A Penny Plain and Twopence Colored.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Memories and Portraits [1887].Essay About Skelt's Juvenile Drama

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER370    @%%@2@%Wealth I ask not, hope nor love,%@NL@%%@EH@%
Nor a friend to know me;%@NL@%
All I ask, the heaven above%@NL@%
And the road below me.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Songs of Travel.The Vagabond, st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER380    @%%@2@%The untented Kosmos my abode,%@NL@%%@EH@%
I pass, a willful stranger;%@NL@%
My mistress still the open road%@NL@%
And the bright eyes of danger.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Songs of Travel.Youth and Love

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER390    @%%@2@%I will make you brooches and toys for your delight%@NL@%%@EH@%
Of birdsong at morning and starshine at night.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Songs of Travel.Romance, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER400    @%%@2@%God, if this were enough,%@NL@%%@EH@%
That I see things bare to the buff.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Songs of Travel.If This Were Faith

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER410    @%%@2@%Bright is the ring of words%@NL@%%@EH@%
When the right man rings them.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Songs of Travel.no.14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER420    @%%@2@%In the highlands, in the country places,%@NL@%%@EH@%
Where the old plain men have rosy faces,%@NL@%
And the young fair maidens%@NL@%
Quiet eyes.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Songs of Travel.no.15

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER430    @%%@2@%Trusty, dusky, vivid, true,%@NL@%%@EH@%
With eyes of gold and bramble dew,%@NL@%
Steel-true and blade-straight%@NL@%
The great artificer%@NL@%
Made my mate.%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Songs of Travel.no.25, To My Wife, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER440    @%%@2@%Be it granted me to behold you again in dying,%@NL@%%@EH@%
Hills of home!%@NL@%

%@NL@%Robert Louis Stevenson
%@NL@%Songs of Travel.no.45, To S. R. Crockett

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER450    @%%@2@%   Not every man is so great a coward as he thinks he is-nor yet so good a%@EH@%
Christian.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%The Master of Ballantrae [1889]. Mr. Mackellar's Journey

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER460    @%%@2@%   Nothing like a little judicious levity.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%The Wrong Box [1889], ch.7

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Of the several traditions relating to the origin of this remark, the most
reasonable one traces it to John Motley Morehead [1796-1866], who was
Governor of North Carolina 1841-1845. He was visited by James H. Hammond
[1807-1864], who was Governor of South Carolina 1842-1844. They engaged in
discussion and argument, and when the latter waxed hot, Governor Morehead
was reported by a servant to have exclaimed: "It's a long time between
drinks."-John Motley Morehead, letter [November 21, 1934]  %@EF@%
%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER470    @%%@2@%   Do you know what the Governor of South Carolina said to the Governor of%@EH@%
North Carolina? It's a long time between drinks, observed that powerful
thinker.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%The Wrong Box [1889], ch.8

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER490    @%%@2@%   So long as we love we serve; so long as we are loved by others, I would%@EH@%
almost say that we are indispensable; and no man is useless while he has a
friend.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%Across the Plains [1892]. Lay Morals

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER500    @%%@2@%   If your morals make you dreary, depend upon it, they are wrong. I do not%@EH@%
say give them up, for they may be all you have, but conceal them like a vice
lest they should spoil the lives of better and simpler people.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%Across the Plains [1892]. Lay Morals

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER510    @%%@2@%   Here lies one who meant well, tried a little, failed much:-surely that%@EH@%
may be his epitaph of which he need not be ashamed.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%Across the Plains [1892]. Lay Morals

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER520    @%%@2@%   Ice and iron cannot be welded.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Weir of Hermiston [1896]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER530    @%%@2@%   Give us grace and strength to forbear and to persevere. Give us courage%@EH@%
and gaiety and the quiet mind, spare to us our friends, soften to us our
enemies.%@NL@%
%@NL@%
Robert Louis Stevenson
%@NL@%%@FN@%
On the bronze memorial to Stevenson in St. Giles Cathedral, Edinburgh,
Scotland.  %@EF@%
Prayer

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Louis Stevenson@%%@QR:Stevenson@%%@CR:N1850STER540    @%%@2@%   Youth is wholly experimental.%@NL@%%@EH@%
%@NL@%
Robert Louis Stevenson
%@NL@%Letter to a Young Gentleman

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Rose Hartwick Thorpe%@AE@%%@EH@%
%@NL@%
%@AB@%1850-1939%@AE@%
%@NL@%%@NL@%

%@QR:Rose Hartwick Thorpe@%%@QR:Thorpe@%%@CR:N1850THOR10     @%%@2@%She breathed the husky whisper-%@NL@%%@EH@%
"Curfew must not ring tonight."%@NL@%

%@NL@%Rose Hartwick Thorpe
%@NL@%Curfew Must Not Ring Tonight [1882],st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Rose Hartwick Thorpe@%%@QR:Thorpe@%%@CR:N1850THOR20     @%%@2@%Out she swung-far out; the city seemed a speck of light below,%@NL@%%@EH@%
There 'twixt heaven and earth suspended as the bell swung to and fro.%@NL@%

%@NL@%Rose Hartwick Thorpe
%@NL@%Curfew Must Not Ring Tonight [1882],st. 7

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ella Wheeler Wilcox%@AE@%%@EH@%
%@NL@%
%@AB@%1850-1919%@AE@%
%@NL@%%@NL@%

%@QR:Ella Wheeler Wilcox@%%@QR:Wilcox@%%@CR:N1850WILE10     @%%@2@%One ship drives east and another drives west%@NL@%%@EH@%
With the selfsame winds that blow.%@NL@%
'Tis the set of sails and not the gales%@NL@%
Which tells us the way to go.%@NL@%

%@NL@%Ella Wheeler Wilcox
%@NL@%Winds of Fate

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ella Wheeler Wilcox@%%@QR:Wilcox@%%@CR:N1850WILE20     @%%@2@%No! the two kinds of people on earth that I mean%@NL@%%@EH@%
Are the people who lift and the people who lean.%@NL@%

%@NL@%Ella Wheeler Wilcox
%@NL@%To Lift or to Lean

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ella Wheeler Wilcox@%%@QR:Wilcox@%%@CR:N1850WILE30     @%%@2@%Love is a mood-no more-to man,%@NL@%%@EH@%
And love to woman is life or death. 1 %@NL@%

%@NL@%Ella Wheeler Wilcox
%@NL@%Blind, st. 1

%@NL@%%@AI@%1 See Byron%@BO:          37f41d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ella Wheeler Wilcox@%%@QR:Wilcox@%%@CR:N1850WILE40     @%%@2@%Laugh, and the world laughs with you;%@NL@%%@EH@%
Weep, and you weep alone.%@NL@%

%@NL@%Ella Wheeler Wilcox
%@NL@%Solitude, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ella Wheeler Wilcox@%%@QR:Wilcox@%%@CR:N1850WILE50     @%%@2@%So many gods, so many creeds,%@NL@%%@EH@%
So many paths that wind and wind,%@NL@%
When just the art of being kind%@NL@%
Is all this sad world needs.%@NL@%

%@NL@%Ella Wheeler Wilcox
%@NL@%The World's Need

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Ella Wheeler Wilcox@%%@QR:Wilcox@%%@CR:N1850WILE60     @%%@2@%No question is ever settled%@NL@%%@EH@%
Until it is settled right.%@NL@%

%@NL@%Ella Wheeler Wilcox
%@NL@%Settle the Question Right

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Ferdinand Foch%@AE@%%@EH@%
%@NL@%
%@AB@%1851-1929%@AE@%
%@NL@%%@NL@%

%@FN@%
Mon centre cede, ma droite recule, situation excellente, j'attaque.  %@EF@%
%@QR:Ferdinand Foch@%%@QR:Foch@%%@CR:N1851FOCF10     @%%@2@%   My center is giving way, my right is pushed back, situation excellent, I%@EH@%
am attacking.%@NL@%
%@NL@%
Ferdinand Foch
%@NL@%At the second battle of the Marne [1918].
From B. H. Liddell Hart, Reputations Ten Years After [1928]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edward Smith Ufford%@AE@%%@EH@%
%@NL@%
%@AB@%1851-1929%@AE@%
%@NL@%%@NL@%

%@QR:Edward Smith Ufford@%%@QR:Ufford@%%@CR:N1851UFFE10     @%%@2@%Throw out the lifeline, throw out the lifeline,%@NL@%%@EH@%
Someone is sinking today.%@NL@%

%@NL@%Edward Smith Ufford
%@NL@%Throw Out the Lifeline [1884], refrain

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Francis William Bourdillon%@AE@%%@EH@%
%@NL@%
%@AB@%1852-1921%@AE@%
%@NL@%%@NL@%

%@FN@%
On the stars thou gazest, my star; would I were heaven to look at thee with
many eyes.-Greek Anthology, pt. VIII, no. 7; translated by J. W. Mackail
See Lyly  %@EF@%
%@QR:Francis William Bourdillon@%%@QR:Bourdillon@%%@CR:N1852BOUF10     @%%@2@%The night has a thousand eyes,%@NL@%%@EH@%
And the day but one;%@NL@%
Yet the light of the bright world dies%@NL@%
With the dying sun.%@NL@%
The mind has a thousand eyes,%@NL@%
And the heart but one;%@NL@%
Yet the light of a whole life dies%@NL@%
When love is done.%@NL@%

%@NL@%Francis William Bourdillon
%@NL@%Among the Flowers [1878]. The Night Has a Thousand Eyes

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Charles Joseph Paul Bourget%@AE@%%@EH@%
%@NL@%
%@AB@%1852-1935%@AE@%
%@NL@%%@NL@%

%@FN@%
La pensee est a la litterature ce que la lumiere est a la peinture.  %@EF@%
%@QR:Charles Joseph Paul Bourget@%%@QR:Bourget@%%@CR:N1852BOUP10     @%%@2@%   Ideas are to literature what light is to painting.%@NL@%%@EH@%
%@NL@%
Charles Joseph Paul Bourget
%@NL@%La Physiologie de l'Amour Moderne [1890]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il faut vivre comme on pense, sans quoi l'on finira par penser comme on a
vecu.  %@EF@%
%@QR:Charles Joseph Paul Bourget@%%@QR:Bourget@%%@CR:N1852BOUP20     @%%@2@%   We must live as we think, otherwise we shall end up by thinking as we%@EH@%
have lived.%@NL@%
%@NL@%
Charles Joseph Paul Bourget
%@NL@%Le Demon de Midi [1914], conclusion

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Robert Bontine Cunninghame-Graham%@AE@%%@EH@%
%@NL@%
%@AB@%1852-1936%@AE@%
%@NL@%%@NL@%

%@QR:Robert Bontine Cunninghame-Graham@%%@QR:Cunninghame-Graham@%%@CR:N1852CUNR10     @%%@2@%   Success, which touches nothing that it does not vulgarize, should be its%@EH@%
own reward . . . the odium of success is hard enough to bear, without the
added ignominy of popular applause. 1 %@NL@%
%@NL@%
Robert Bontine Cunninghame-Graham
%@NL@%Success [1902]

%@NL@%%@AI@%1 See Lowry%@BO:          643480@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Robert Bontine Cunninghame-Graham@%%@QR:Cunninghame-Graham@%%@CR:N1852CUNR20     @%%@2@%   God forbid that I should go to any heaven in which there are no horses.%@NL@%%@EH@%
%@NL@%
Robert Bontine Cunninghame-Graham
%@NL@%Letter to Theodore Roosevelt [1917]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Flying Hawk%@AE@%%@EH@%
%@NL@%
%@AB@%1852-1931%@AE@%
%@FN@%
Oglala Sioux chief.  %@EF@%
%@NL@%%@NL@%

%@QR:Flying Hawk@%%@CR:N1852FLYH10     @%%@2@%   The tepee is much better to live in: always clean, warm in winter, cool%@EH@%
in summer; easy to move . . . Indians and animals know better how to live
than white man; nobody can be in good health if he does not have all the
time fresh air, sunshine, and good water.%@NL@%
%@NL@%
Flying Hawk
%@NL@%Statement in old age

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edwin Markham%@AE@%%@EH@%
%@NL@%
%@AB@%1852-1940%@AE@%
%@NL@%%@NL@%

%@QR:Edwin Markham@%%@QR:Markham@%%@CR:N1852MARE10     @%%@2@%Bowed by the weight of centuries he leans%@NL@%%@EH@%
Upon his hoe and gazes on the ground,%@NL@%
The emptiness of ages in his face,%@NL@%
And on his back the burden of the world.%@NL@%

%@NL@%Edwin Markham
%@NL@%%@FN@%
Inspired by Millet's painting.  %@EF@%
The Man with the Hoe [1899],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edwin Markham@%%@QR:Markham@%%@CR:N1852MARE20     @%%@2@%O masters, lords and rulers in all lands,%@NL@%%@EH@%
Is this the handiwork you give to God?%@NL@%

%@NL@%Edwin Markham
%@NL@%The Man with the Hoe [1899],st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A man to match his mountains, not to creep/Dwarfed and abased below
them.-Whittier, Among the Hills [1869], prelude  Bring me men to match my
mountains.-Sam Walter Foss [1858-1911], The Coming American  %@EF@%
%@QR:Edwin Markham@%%@QR:Markham@%%@CR:N1852MARE30     @%%@2@%A man to match the mountains and the sea.%@NL@%%@EH@%

%@NL@%Edwin Markham
%@NL@%Lincoln, The Man of the People [1901],st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edwin Markham@%%@QR:Markham@%%@CR:N1852MARE55     @%%@2@%The color of the ground was in him, the red earth,%@NL@%%@EH@%
The smack and tang of elemental things. 1 %@NL@%

%@NL@%Edwin Markham
%@NL@%Lincoln, The Man of the People [1901],st. 2

%@NL@%%@AI@%1 See Beston%@BO:          5cd680@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edwin Markham@%%@QR:Markham@%%@CR:N1852MARE60     @%%@2@%He went down%@NL@%%@EH@%
As when a lordly cedar, green with boughs,%@NL@%
Goes down with a great shout upon the hills,%@NL@%
And leaves a lonesome place against the sky.%@NL@%

%@NL@%Edwin Markham
%@NL@%Lincoln, The Man of the People [1901],st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edwin Markham@%%@QR:Markham@%%@CR:N1852MARE70     @%%@2@%He drew a circle that shut me out-%@NL@%%@EH@%
Heretic, rebel, a thing to flout.%@NL@%
But Love and I had the wit to win:%@NL@%
We drew a circle that took him in.%@NL@%

%@NL@%Edwin Markham
%@NL@%Outwitted

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%George Moore%@AE@%%@EH@%
%@NL@%
%@AB@%1852-1933%@AE@%
%@NL@%%@NL@%

%@QR:George Moore@%%@QR:Moore@%%@CR:N1852MOOG10     @%%@2@%   After all there is but one race-humanity.%@NL@%%@EH@%
%@NL@%
George Moore
%@NL@%The Bending of the Bough [1900], actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Moore@%%@QR:Moore@%%@CR:N1852MOOG20     @%%@2@%   The difficulty in life is the choice.%@NL@%%@EH@%
%@NL@%
George Moore
%@NL@%The Bending of the Bough [1900], actIV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Moore@%%@QR:Moore@%%@CR:N1852MOOG30     @%%@2@%   The wrong way always seems the more reasonable.%@NL@%%@EH@%
%@NL@%
George Moore
%@NL@%The Bending of the Bough [1900], actIV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:George Moore@%%@QR:Moore@%%@CR:N1852MOOG40     @%%@2@%   A man travels the world over in search of what he needs and returns home%@EH@%
to find it.%@NL@%
%@NL@%
George Moore
%@NL@%The Brook Kerith [1916], ch. 11

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Van Dyke%@AE@%%@EH@%
%@NL@%
%@AB@%1852-1933%@AE@%
%@NL@%%@NL@%

%@FN@%
See The Sayings of Jesus  Raise ye the stone or cleave the wood to make a
path more fair or flat;/Lo, it is black already with blood some Son of
Martha spilled for that.-Rudyard Kipling, The Sons of Martha [1907]  %@EF@%
%@QR:Henry Van Dyke@%%@QR:Van Dyke@%%@CR:N1852VANH10     @%%@2@%Raise the stone, and thou shalt find me; cleave the wood and there am I.%@NL@%%@EH@%

%@NL@%Henry Van Dyke
%@NL@%The Toiling of Felix [1900], pt. I, prelude

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Van Dyke@%%@QR:Van Dyke@%%@CR:N1852VANH30     @%%@2@%So it's home again, and home again, America for me.%@NL@%%@EH@%
My heart is turning home again, and there I long to be.%@NL@%

%@NL@%Henry Van Dyke
%@NL@%America for Me [1909], st. 2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Van Dyke@%%@QR:Van Dyke@%%@CR:N1852VANH40     @%%@2@%Not to the swift, the race:%@NL@%%@EH@%
Not to the strong, the fight: 1  2 %@NL@%
Not to the righteous, perfect grace:%@NL@%
Not to the wise, the light.%@NL@%

%@NL@%Henry Van Dyke
%@NL@%Reliance, st. 1

%@NL@%%@AI@%1 See Ecclesiastes 9:11%@BO:           3699e@%%@AE@%
%@AI@%2 See John Davidson%@BO:          50d368@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Van Dyke@%%@QR:Van Dyke@%%@CR:N1852VANH50     @%%@2@%The lintel low enough to keep out pomp and pride:%@NL@%%@EH@%
The threshold high enough to turn deceit aside.%@NL@%

%@NL@%Henry Van Dyke
%@NL@%For the Friends at Hurstmont. The Door

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Van Dyke@%%@QR:Van Dyke@%%@CR:N1852VANH60     @%%@2@%Self is the only prison that can ever bind the soul.%@NL@%%@EH@%

%@NL@%Henry Van Dyke
%@NL@%The Prison and the Angel

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Henry Van Dyke@%%@QR:Van Dyke@%%@CR:N1852VANH70     @%%@2@%   The first day of spring is one thing, and the first spring day is%@EH@%
another. The difference between them is sometimes as great as a month.%@NL@%
%@NL@%
Henry Van Dyke
%@NL@%Fisherman's Luck [1899], ch. 5

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Edgar Watson Howe%@AE@%%@EH@%
%@NL@%
%@AB@%1853-1937%@AE@%
%@NL@%%@NL@%

%@QR:Edgar Watson Howe@%%@QR:Howe@%%@CR:N1853HOWE10     @%%@2@%   What people say behind your back is your standing in the community.%@NL@%%@EH@%
%@NL@%
Edgar Watson Howe
%@NL@%Country Town Sayings [1911]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Edgar Watson Howe@%%@QR:Howe@%%@CR:N1853HOWE20     @%%@2@%   There is nothing so well known as that we should not expect something for%@EH@%
nothing-but we all do and call it Hope.%@NL@%
%@NL@%
Edgar Watson Howe
%@NL@%Country Town Sayings [1911]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jose Julian Marti [y Perez]%@AE@%%@EH@%
%@NL@%
%@AB@%1853-1895%@AE@%
%@NL@%%@NL@%

%@FN@%
Translated by James Nelson Goodsell.  %@EF@%
%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ3      @%%@2@%   Life on earth is a hand-to-hand mortal combat . . . between the law of%@EH@%
love and the law of hate.%@NL@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Letter [1881]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ6      @%%@2@%   Love is . . . born with the pleasure of looking at each other, it is fed%@EH@%
with the necessity of seeing each other, it is concluded with the
impossibility of separation!%@NL@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Amor [1881]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ8      @%%@2@%   Oh, what company good poets are! 1 %@NL@%%@EH@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Longfellow [1882]

%@NL@%%@AI@%1 See John Adams%@BO:          2f4125@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ10     @%%@2@%   A knowledge of different literatures is the best way to free one's self%@EH@%
from the tyranny of any of them.%@NL@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%On Oscar Wilde [1882]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ20     @%%@2@%   To beautify life is to give it an object.%@NL@%%@EH@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%On Oscar Wilde [1882]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ25     @%%@2@%   Man needs to suffer. When he does not have real griefs he creates them.%@EH@%
Griefs purify and prepare him.%@NL@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Ad[uacute]ltera (Adulterous Thoughts) [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ30     @%%@2@%   Terrible times in which priests no longer merit the praise of poets and%@EH@%
in which poets have not yet begun to be priests.%@NL@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%On "El Poema de NiaAgara"
of Perez Bonalde [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ50     @%%@2@%   A nation is not a complex of wheels, nor a wild horse race, but a stride%@EH@%
upward concerted by real men.%@NL@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%A Glance at the North American's Soul Today [1886]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ60     @%%@2@%   Men are products, expressions, reflections; they live to the extent that%@EH@%
they coincide with their epoch, or to the extent that they differ markedly
from it.%@NL@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Henry Ward Beecher [1887]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ70     @%%@2@%   A grain of poetry suffices to season a century.%@NL@%%@EH@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Dedication of the Statue of Liberty [1887]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ80     @%%@2@%   Hatred, slavery's inevitable aftermath.%@NL@%%@EH@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Woman Suffrage [1887]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ90     @%%@2@%   Others go to bed with their mistresses; I with my ideas.%@NL@%%@EH@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Letter [1890]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ100    @%%@2@%   Man needs to go outside himself in order to find repose and reveal%@EH@%
himself.%@NL@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Vivir en Si (To Live in Oneself) [1891]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ120    @%%@2@%   Poetry is the work of the bard and of the people who inspire him.%@NL@%%@EH@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Poesia [1891]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ130    @%%@2@%   Mankind is composed of two sorts of men-those who love and create, and%@EH@%
those who hate and destroy.%@NL@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Letter to a Cuban farmer [1893]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ140    @%%@2@%   Men have no special right because they belong to one race or another: the%@EH@%
word man defines all rights.%@NL@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Mi Raza (My Race) [1893]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ150    @%%@2@%I wish to leave the world%@NL@%%@EH@%
By its natural door;%@NL@%
In my tomb of green leaves%@NL@%
They are to carry me to die.%@NL@%
Do not put me in the dark%@NL@%
To die like a traitor;%@NL@%
I am good, and like a good thing%@NL@%
I will die with my face to the sun.%@NL@%

%@NL@%Jose Julian Marti [y Perez]
%@NL@%A Morir (To Die) [1894]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ160    @%%@2@%   This is the age in which hills can look down upon the mountains.%@NL@%%@EH@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%A Morir (To Die) [1894]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ170    @%%@2@%   Only those who hate the Negro see hatred in the Negro.%@NL@%%@EH@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Manifesto of Montecristi [1895]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ180    @%%@2@%   The spirit of a government must be that of the country. The form of a%@EH@%
government must come from the makeup of the country. Government is nothing
but the balance of the natural elements of a country.%@NL@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Our America [1891]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jose Julian Marti [y Perez]@%%@QR:Marti [y Perez]@%%@CR:N1853MARJ190    @%%@2@%   I have lived in the monster [the United States] and I know its insides;%@EH@%
and my sling is the sling of David.%@NL@%
%@NL@%
Jose Julian Marti [y Perez]
%@NL@%Letter to Manuel Mercado [1895]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Cecil John Rhodes%@AE@%%@EH@%
%@NL@%
%@AB@%1853-1902%@AE@%
%@NL@%%@NL@%

%@QR:Cecil John Rhodes@%%@QR:Rhodes@%%@CR:N1853RHOC10     @%%@2@%   I desire to encourage and foster an appreciation of the advantages which%@EH@%
will result from the union of the English-speaking peoples throughout the
world, and to encourage in the students from the United States of America an
attachment to the country from which they have sprung without I hope
withdrawing them or their sympathies from the land of their adoption or
birth.%@NL@%
%@NL@%
Cecil John Rhodes
%@NL@%His will, establishing the Rhodes Scholarships

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cecil John Rhodes@%%@QR:Rhodes@%%@CR:N1853RHOC20     @%%@2@%   Educational relations make the strongest tie.%@NL@%%@EH@%
%@NL@%
Cecil John Rhodes
%@NL@%His will, establishing the Rhodes Scholarships

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Cecil John Rhodes@%%@QR:Rhodes@%%@CR:N1853RHOC30     @%%@2@%   So little done-so much to do. 1 %@NL@%%@EH@%
%@NL@%
Cecil John Rhodes
%@NL@%Last words

%@NL@%%@AI@%1 See Tennyson%@BO:          40150b@%%@AE@%

%@NL@%
%@NL@%%@1@%%@AB@%James A. Bland%@AE@%%@EH@%
%@NL@%
%@AB@%1854-1911%@AE@%
%@NL@%%@NL@%

%@QR:James A. Bland@%%@QR:Bland@%%@CR:N1854BLAJ10     @%%@2@%Carry me back to old Virginny,%@NL@%%@EH@%
There's where the cotton and the corn and taters grow;%@NL@%
There's where the birds warble sweet in the springtime,%@NL@%
There's where this old darky's heart am longed to go.%@NL@%

%@NL@%James A. Bland
%@NL@%Carry Me Back to Old Virginny [1875], st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Sir James George Frazer%@AE@%%@EH@%
%@NL@%
%@AB@%1854-1941%@AE@%
%@NL@%%@NL@%

%@QR:Sir James George Frazer@%%@QR:Frazer@%%@CR:N1854FRAJ10     @%%@2@%   Dwellers by the sea cannot fail to be impressed by the sight of its%@EH@%
ceaseless ebb and flow, and are apt, on the principles of that rude
philosophy of sympathy and resemblance . . . to trace a subtle relation, a
secret harmony, between its tides and the life of man. . . . The belief that
most deaths happen at ebb tide is said to be held along the east coast of
England from Northumberland to Kent. 1  2 %@NL@%
%@NL@%
Sir James George Frazer
%@NL@%%@FN@%
Abridged one-volume edition. The original appeared in twelve volumes
[1890-1915].  %@EF@%
The Golden Bough [1922],
ch.3

%@NL@%%@AI@%1 See Shakespeare%@BO:          1a0d46@%%@AE@%
%@AI@%2 See Dickens%@BO:          421858@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir James George Frazer@%%@QR:Frazer@%%@CR:N1854FRAJ20     @%%@2@%   The heaviest calamity in English history, the breach with America, might%@EH@%
never have occurred if George the Third had not been an honest dullard. 1 %@NL@%
%@NL@%
Sir James George Frazer
%@NL@%The Golden Bough [1922],
ch.3

%@NL@%%@AI@%1 See Bentley%@BO:          57eb7b@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir James George Frazer@%%@QR:Frazer@%%@CR:N1854FRAJ30     @%%@2@%   By religion, then, I understand a propitiation or conciliation of powers%@EH@%
superior to man which are believed to direct and control the course of
nature and of human life.%@NL@%
%@NL@%
Sir James George Frazer
%@NL@%The Golden Bough [1922],
ch.4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir James George Frazer@%%@QR:Frazer@%%@CR:N1854FRAJ40     @%%@2@%   It is a common rule with primitive people not to waken a sleeper, because%@EH@%
his soul is away and might not have time to get back.%@NL@%
%@NL@%
Sir James George Frazer
%@NL@%The Golden Bough [1922],
ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir James George Frazer@%%@QR:Frazer@%%@CR:N1854FRAJ50     @%%@2@%   The awe and dread with which the untutored savage contemplates his%@EH@%
mother-in-law are amongst the most familiar facts of anthropology.%@NL@%
%@NL@%
Sir James George Frazer
%@NL@%The Golden Bough [1922],
ch.18

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Sir James George Frazer@%%@QR:Frazer@%%@CR:N1854FRAJ60     @%%@2@%   The world cannot live at the level of its great men.%@NL@%%@EH@%
%@NL@%
Sir James George Frazer
%@NL@%The Golden Bough [1922],
ch.37

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Thomas Riley Marshall%@AE@%%@EH@%
%@NL@%
%@AB@%1854-1925%@AE@%
%@NL@%%@NL@%

%@FN@%
What this country needs is a good five-cent nickel.-Franklin P. Adams [1932]
%@EF@%
%@QR:Thomas Riley Marshall@%%@QR:Marshall@%%@CR:N1854MART10     @%%@2@%   What this country needs is a good five-cent cigar.%@NL@%%@EH@%
%@NL@%
Thomas Riley Marshall
%@NL@%Remark to John Crockett, chief clerk of the Senate

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Jules Henri Poincare%@AE@%%@EH@%
%@NL@%
%@AB@%1854-1912%@AE@%
%@NL@%%@NL@%

%@QR:Jules Henri Poincare@%%@QR:Poincare@%%@CR:N1854POIJ15     @%%@2@%   To doubt everything or to believe everything are two equally convenient%@EH@%
solutions; both dispense with the necessity of reflection.%@NL@%
%@NL@%
Jules Henri Poincare
%@NL@%%@FN@%
Translated by G. B. Halsted.  %@EF@%
Quoted by Bertrand Russell in preface to Science and
Method [1913] (La Science et l'Hypothese, 1903)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jules Henri Poincare@%%@QR:Poincare@%%@CR:N1854POIJ20     @%%@2@%   Science is built up with facts, as a house is with stones. But a%@EH@%
collection of facts is no more a science than a heap of stones is a house.%@NL@%
%@NL@%
Jules Henri Poincare
%@NL@%Quoted by Bertrand Russell in preface to Science and
Method [1913] (La Science et l'Hypothese, 1903)

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jules Henri Poincare@%%@QR:Poincare@%%@CR:N1854POIJ22     @%%@2@%   Sociology is the science with the greatest number of methods and the%@EH@%
least results.%@NL@%
%@NL@%
Jules Henri Poincare
%@NL@%Quoted by Bertrand Russell in preface to Science and
Method [1913] (La Science et l'Hypothese, 1903)ch. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Jules Henri Poincare@%%@QR:Poincare@%%@CR:N1854POIJ30     @%%@2@%   The advance of science is not comparable to the changes of a city, where%@EH@%
old edifices are pitilessly torn down to give place to new, but to the
continuous evolution of zoologic types which develop ceaselessly and end by
becoming unrecognizable to the common sight, but where an expert eye finds
always traces of the prior work of the past centuries.%@NL@%
%@NL@%
Jules Henri Poincare
%@NL@%%@FN@%
Translated by G. B. Halsted.  %@EF@%
Valeur de la Science [1904]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Arthur Rimbaud%@AE@%%@EH@%
%@NL@%
%@AB@%1854-1891%@AE@%
%@NL@%%@NL@%

%@FN@%
J'allais sous le ciel, Muse! et j'etais ton feal.  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA10     @%%@2@%I went out under the sky, Muse! and I was your vassal.%@NL@%%@EH@%

%@NL@%Arthur Rimbaud
%@NL@%Ma Boheme. Fantaisie

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Mon auberge etait a la Grande Ourse./Mes etoiles au ciel avaient un doux
frou-frou.  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA20     @%%@2@%My tavern was the Big Bear.%@NL@%%@EH@%
My stars in the sky rustled softly.%@NL@%

%@NL@%Arthur Rimbaud
%@NL@%Ma Boheme. Fantaisie

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Mon triste coeur bave a la poupe.  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA30     @%%@2@%My sad heart foams at the stern.%@NL@%%@EH@%

%@NL@%Arthur Rimbaud
%@NL@%Le Coeur Vole

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Plus leger qu'un bouchon j'ai danse sur les flots.  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA40     @%%@2@%Lighter than a cork I danced on the waves.%@NL@%%@EH@%

%@NL@%Arthur Rimbaud
%@NL@%Le Bateau Ivre [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Plus douce qu'aux enfants la chair des pommes sures,/L'eau verte penetra ma
coque de sapin.  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA50     @%%@2@%Sweeter than apples to children%@NL@%%@EH@%
The green water spurted through my wooden hull.%@NL@%

%@NL@%Arthur Rimbaud
%@NL@%Le Bateau Ivre [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Je me suis baigne dans le Poeme/De la Mer . . . /Devorant les azurs verts.  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA60     @%%@2@%I have bathed in the Poem %@NL@%%@EH@%
Of the Sea . . . %@NL@%
Devouring the green azures.%@NL@%

%@NL@%Arthur Rimbaud
%@NL@%Le Bateau Ivre [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
J'ai vu le soleil bas, tache d'horreurs mystiques,/Illuminant de longs
figements violets,/Pareils a des acteurs des drames tres antiques.  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA80     @%%@2@%I have seen the sunset, stained with mystic horrors,%@NL@%%@EH@%
Illumine the rolling waves with long purple forms,%@NL@%
Like actors in ancient plays.%@NL@%

%@NL@%Arthur Rimbaud
%@NL@%Le Bateau Ivre [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Je regrette l'Europe aux anciens parapets!  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA90     @%%@2@%I long for Europe of the ancient parapets.%@NL@%%@EH@%

%@NL@%Arthur Rimbaud
%@NL@%Le Bateau Ivre [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
J'ai vu des archipels sideraux! et des [icirc ]les/Dont les cieux delirants
sont ouverts au voyageur:/Est-ce en ces nuits sans fonds que tu dors et
t'exiles,/Million d'oiseaux d'or, [ocirc ] future Vigueur?  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA100    @%%@2@%I have seen starry archipelagoes! and islands%@NL@%%@EH@%
Whose raving skies are opened to the voyager:%@NL@%
Is it in these bottomless nights that you sleep, in exile,%@NL@%
A million golden birds, O future Vigor?%@NL@%

%@NL@%Arthur Rimbaud
%@NL@%Le Bateau Ivre [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
A noir, E blanc, I rouge, U vert, O bleu: voyelles,/Je dirai quelque jour
vos naissances latantes!  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA110    @%%@2@%Black A, white E, red I, green U, blue O: vowels,%@NL@%%@EH@%
Someday I shall recount your latent births.%@NL@%

%@NL@%Arthur Rimbaud
%@NL@%Voyelles [1871]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Elle est retrouvee,/Quoi?-L'Eternite./C'est la mer allee/Avec le soleil.  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA130    @%%@2@%It is found again.%@NL@%%@EH@%
What? Eternity.%@NL@%
It is the sea%@NL@%
Gone with the sun.%@NL@%

%@NL@%Arthur Rimbaud
%@NL@%L'Eternite [1872]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
O saisons, O ch[acirc ]teaux/Quelle [acirc ]me est sans defauts?  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA140    @%%@2@%O seasons, O ch[acirc ]teaux,%@NL@%%@EH@%
What soul is without flaws?%@NL@%

%@NL@%Arthur Rimbaud
%@NL@%Bonheur, refrain

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA160    @%%@2@%   One evening, I sat Beauty in my lap.-And I found her bitter.-And I cursed%@EH@%
her.%@NL@%
%@NL@%
Arthur Rimbaud
%@NL@%Une Saison en Enfer [1873]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA170    @%%@2@%   I found I could extinguish all human hope from my soul.%@NL@%%@EH@%
%@NL@%
Arthur Rimbaud
%@NL@%Une Saison en Enfer [1873]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA180    @%%@2@%   Baptism enslaved me.%@NL@%%@EH@%
%@NL@%
Arthur Rimbaud
%@NL@%Une Saison en Enfer [1873]Nuit de l'Enfer

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA190    @%%@2@%   I am the master of fantasy.%@NL@%%@EH@%
%@NL@%
Arthur Rimbaud
%@NL@%Une Saison en Enfer [1873]Nuit de l'Enfer

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA200    @%%@2@%   Old poetics played a large part in my alchemy of the word.%@NL@%%@EH@%
%@NL@%
Arthur Rimbaud
%@NL@%Une Saison en Enfer [1873]Delires

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA210    @%%@2@%   I! I who fashioned myself a sorcerer or an angel, who dispensed with all%@EH@%
morality, I have come back to the earth.%@NL@%
%@NL@%
Arthur Rimbaud
%@NL@%Une Saison en Enfer [1873]Adieu

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA220    @%%@2@%   One must be absolutely modern.%@NL@%%@EH@%
%@NL@%
Arthur Rimbaud
%@NL@%Une Saison en Enfer [1873]Adieu

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA230    @%%@2@%   I have embraced the summer dawn.%@NL@%%@EH@%
%@NL@%
Arthur Rimbaud
%@NL@%Illuminations [1874]. Aube

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Il pleut doucement sur la ville.  Verlaine used this as an epigraph for his
Ariettes Oubliees, III.  See Verlaine  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA240    @%%@2@%   It rains softly on the town.%@NL@%%@EH@%
%@NL@%
Arthur Rimbaud
%@NL@%From a lost poem

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Je dis qu'il faut [ecirc ]tre voyant, se faire voyant. Le poete se fait
voyant par un long, immense et raisonne dereglement de tous les sens.  See
Baudelaire  %@EF@%
%@QR:Arthur Rimbaud@%%@QR:Rimbaud@%%@CR:N1854RIMA260    @%%@2@%   I say one must be a seer, make oneself a seer. The poet makes himself a%@EH@%
seer by an immense, long, deliberate derangement of all the senses.%@NL@%
%@NL@%
Arthur Rimbaud
%@NL@%Lettre a Paul Demeny [May 15, 1871]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Willard Duncan Vandiver%@AE@%%@EH@%
%@NL@%
%@AB@%1854-1932%@AE@%
%@NL@%%@NL@%

%@QR:Willard Duncan Vandiver@%%@QR:Vandiver@%%@CR:N1854VANW10     @%%@2@%   I come from a state that raises corn and cotton and cockleburs and%@EH@%
Democrats, and frothy eloquence neither convinces nor satisfies me. I am
from Missouri. You have got to show me.%@NL@%
%@NL@%
Willard Duncan Vandiver
%@NL@%Speech at a naval banquet in Philadelphia [1899]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Oscar Fingal O'Flahertie Wills Wilde%@AE@%%@EH@%
%@NL@%
%@AB@%1854-1900%@AE@%
%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO10     @%%@2@%Tread lightly, she is near%@NL@%%@EH@%
Under the snow,%@NL@%
Speak gently, she can hear%@NL@%
The daisies grow.%@NL@%

%@NL@%Oscar Fingal O'Flahertie Wills Wilde
%@NL@%Requiescat, st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO20     @%%@2@%And down the long and silent street,%@NL@%%@EH@%
The dawn, with silver-sandaled feet,%@NL@%
Crept like a frightened girl.%@NL@%

%@NL@%Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Harlot's House

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO30     @%%@2@%Lo! with a little rod%@NL@%%@EH@%
I did but touch the honey 1  of romance-%@NL@%
And must I lose a soul's inheritance?%@NL@%

%@NL@%Oscar Fingal O'Flahertie Wills Wilde
%@NL@%Helas [1881], l. 12

%@NL@%%@AI@%1 See I Samuel 14:27%@BO:           1500d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO40     @%%@2@%   A poet can survive everything but a misprint.%@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Children of the Poets

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO50     @%%@2@%   Meredith is a prose Browning, and so is Browning. He used poetry as a%@EH@%
medium for writing in prose.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Critic as Artist [1891], pt.I

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO60     @%%@2@%   It is through art, and through art only, that we can realize our%@EH@%
perfection; through art and art only that we can shield ourselves from the
sordid perils of actual existence.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Critic as Artist [1891], pt.II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO70     @%%@2@%   As long as war is regarded as wicked, it will always have its%@EH@%
fascination. When it is looked upon as vulgar, it will cease to be popular.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Critic as Artist [1891], pt.II

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO80     @%%@2@%   There is no sin except stupidity. 1 %@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Critic as Artist [1891], pt.II

%@NL@%%@AI@%1 See Marlowe%@BO:          16846a@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO90     @%%@2@%   There is no such thing as a moral or an immoral book. Books are well%@EH@%
written, or badly written. That is all.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Picture of Dorian Gray [1891],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO100    @%%@2@%   All art is quite useless.%@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Picture of Dorian Gray [1891],preface

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO110    @%%@2@%   There is only one thing in the world worse than being talked about, and%@EH@%
that is not being talked about.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Picture of Dorian Gray [1891],ch.1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO120    @%%@2@%   Conscience and cowardice are really the same things. 1 %@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Picture of Dorian Gray [1891],ch.1

%@NL@%%@AI@%1 See Mark Twain%@BO:          4a60b1@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO130    @%%@2@%   A man cannot be too careful in the choice of his enemies. 1 %@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Picture of Dorian Gray [1891],ch.1

%@NL@%%@AI@%1 See Conrad%@BO:          50b25e@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO140    @%%@2@%   The only way to get rid of a temptation is to yield to it. 1 %@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Picture of Dorian Gray [1891],ch.2

%@NL@%%@AI@%1 See Balzac%@BO:          3a9e8d@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
In all considerations the psychological momentum or factor must be allowed
to play a prominent part, for without its cooperation there is little to be
hoped from the work of the artillery.-Neue Preussische Kreuzzeitung
[December 16, 1870], commenting upon the siege of Paris  An error in
translation gave us "psychological moment" (i.e., the critical moment). The
Parisians ridiculed the phrase as an example of German pedantry, but it
speedily became universal.  %@EF@%
%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO150    @%%@2@%   He knew the precise psychological moment when to say nothing.%@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Picture of Dorian Gray [1891],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO170    @%%@2@%   The only difference between a caprice and a lifelong passion is that the%@EH@%
caprice lasts a little longer.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Picture of Dorian Gray [1891],ch.2

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO180    @%%@2@%   Children begin by loving their parents; as they grow older they judge%@EH@%
them; sometimes they forgive them.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Picture of Dorian Gray [1891],ch.5

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO190    @%%@2@%   Conscience makes egotists of us all. 1 %@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Picture of Dorian Gray [1891],ch.8

%@NL@%%@AI@%1 See Shakespeare%@BO:          1c0f39@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO200    @%%@2@%   When a woman marries again it is because she detested her first husband.%@EH@%
When a man marries again, it is because he adored his first wife. 1  Women
try their luck; men risk theirs.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Picture of Dorian Gray [1891],ch.15

%@NL@%%@AI@%1 See Samuel Johnson%@BO:          2c2ea9@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO210    @%%@2@%   Over the piano was printed a notice: Please do not shoot the pianist. He%@EH@%
is doing his best.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%Personal Impressions of America (Leadville) [1883]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO220    @%%@2@%   Nowadays we are all of us so hard up that the only pleasant things to pay%@EH@%
are compliments. They're the only things we can pay.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%Lady Windermere's Fan [1892], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO230    @%%@2@%   I can resist everything except temptation.%@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%Lady Windermere's Fan [1892], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO240    @%%@2@%   We are all in the gutter, but some of us are looking at the stars.%@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%Lady Windermere's Fan [1892], actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO250    @%%@2@%   In this world there are only two tragedies. One is not getting what one%@EH@%
wants, and the other is getting it. 1 %@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%Lady Windermere's Fan [1892], actIII

%@NL@%%@AI@%1 See Shaw%@BO:          5062c7@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO260    @%%@2@%   What is a cynic? A man who knows the price of everything, and the value%@EH@%
of nothing.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%Lady Windermere's Fan [1892], actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO270    @%%@2@%   Experience is the name everyone gives to their mistakes.%@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%Lady Windermere's Fan [1892], actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
When you come to write my epitaph, Charles, let it be in these delicious
words, "She had a long twenty-nine."-James M. Barrie [1860-1937], Rosalind  %@EF@%
%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO280    @%%@2@%   I have never admitted that I am more than twenty-nine, or thirty at the%@EH@%
most. Twenty-nine when there are pink shades, thirty when there are not.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%Lady Windermere's Fan [1892], actIV

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@FN@%
Good Americans, when they die, go to Paris.-Thomas Gold Appleton
[1812-1884]; from Oliver Wendell Holmes, The Autocrat of the Breakfast Table
[1858]  %@EF@%
%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO300    @%%@2@%   Mrs. Allonby: They say, Lady Hunstanton, that when good Americans die%@EH@%
they go to Paris.%@NL@%
Lady Hunstanton: Indeed? And when bad Americans die, where do they go to?%@NL@%
Lord Illingworth: Oh, they go to America.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%A Woman of No Importance [1893], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO320    @%%@2@%   The youth of America is their oldest tradition. It has been going on now%@EH@%
for three hundred years.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%A Woman of No Importance [1893], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO330    @%%@2@%   Lord Illingworth: The Book of Life begins with a man and a woman in a%@EH@%
garden.%@NL@%
Mrs. Allonby: It ends with Revelations.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%A Woman of No Importance [1893], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO340    @%%@2@%   I suppose society is wonderfully delightful. To be in it is merely a%@EH@%
bore. But to be out of it simply a tragedy.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%A Woman of No Importance [1893], actIII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO350    @%%@2@%   Really, if the lower orders don't set us a good example, what on earth is%@EH@%
the use of them?%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Importance of Being Earnest [1895], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO360    @%%@2@%   I have invented an invaluable permanent invalid called Bunbury, in order%@EH@%
that I may be able to go down into the country whenever I choose.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Importance of Being Earnest [1895], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO370    @%%@2@%   Of course the music is a great difficulty. You see, if one plays good%@EH@%
music, people don't listen, and if one plays bad music people don't talk.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Importance of Being Earnest [1895], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO380    @%%@2@%   To lose one parent . . . may be regarded as a misfortune; to lose both%@EH@%
looks like carelessness.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Importance of Being Earnest [1895], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO390    @%%@2@%   Relations are simply a tedious pack of people, who haven't got the%@EH@%
remotest knowledge of how to live, nor the smallest instinct about when to
die.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Importance of Being Earnest [1895], actI

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO400    @%%@2@%   I never travel without my diary. One should always have something%@EH@%
sensational to read in the train.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Importance of Being Earnest [1895], actII

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO410    @%%@2@%   Democracy means simply the bludgeoning of the people by the people for%@EH@%
the people. 1 %@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Soul of Man Under Socialism [1895]

%@NL@%%@AI@%1 See Lincoln%@BO:          3f11e8@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO420    @%%@2@%   The fact is, that civilization requires slaves. The Greeks were quite%@EH@%
right there. Unless there are slaves to do the ugly, horrible, uninteresting
work, culture and contemplation become almost impossible. Human slavery is
wrong, insecure, and demoralizing. On mechanical slavery, on the slavery of
the machine, the future of the world depends. 1 %@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Soul of Man Under Socialism [1895]

%@NL@%%@AI@%1 See Havelock Ellis%@BO:          515ac0@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO430    @%%@2@%   Charity creates a multitude of sins.%@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Soul of Man Under Socialism [1895]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO440    @%%@2@%   Art is the most intense mode of individualism that the world has known.%@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Soul of Man Under Socialism [1895]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO450    @%%@2@%   Now art should never try to be popular. The public should try to make%@EH@%
itself artistic.%@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Soul of Man Under Socialism [1895]

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO460    @%%@2@%   The only thing that one really knows about human nature is that it%@EH@%
changes. Change is the one quality we can predicate on it. 1  2  3  4 %@NL@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Soul of Man Under Socialism [1895]

%@NL@%%@AI@%1 See Heraclitus%@BO:           956fe@%%@AE@%
%@AI@%2 See Racan%@BO:          21c045@%%@AE@%
%@AI@%3 See Swift%@BO:          284dc4@%%@AE@%
%@AI@%4 See Shelley%@BO:          389c5f@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO470    @%%@2@%   Anybody can make history. Only a great man can write it.%@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%Aphorisms

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO480    @%%@2@%I never saw a man who looked%@NL@%%@EH@%
With such a wistful eye%@NL@%
Upon that little tent of blue%@NL@%
Which prisoners call the sky.%@NL@%

%@NL@%Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Ballad of Reading Gaol [1898], pt.I,st. 3

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO490    @%%@2@%When a voice behind me whispered low,%@NL@%%@EH@%
"That fellow's got to swing."%@NL@%

%@NL@%Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Ballad of Reading Gaol [1898], pt.I,st. 4

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO500    @%%@2@%Yet each man kills the thing he loves, 1 %@NL@%%@EH@%
By each let this be heard,%@NL@%
Some do it with a bitter look,%@NL@%
Some with a flattering word.%@NL@%
The coward does it with a kiss,%@NL@%
The brave man with a sword!%@NL@%

%@NL@%Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Ballad of Reading Gaol [1898], pt.I,st. 7

%@NL@%%@AI@%1 See Shakespeare%@BO:          18f266@%%@AE@%

%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO510    @%%@2@%It is sweet to dance to violins%@NL@%%@EH@%
When Love and Life are fair:%@NL@%
To dance to flutes, to dance to lutes%@NL@%
Is delicate and rare:%@NL@%
But it is not sweet with nimble feet%@NL@%
To dance upon the air!%@NL@%

%@NL@%Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Ballad of Reading Gaol [1898], pt.II,st. 9

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO520    @%%@2@%Something was dead in each of us,%@NL@%%@EH@%
And what was dead was Hope.%@NL@%

%@NL@%Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Ballad of Reading Gaol [1898], pt.II,st. 31

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO530    @%%@2@%And the wild regrets, and the bloody sweats,%@NL@%%@EH@%
None knew so well as I:%@NL@%
For he who lives more lives than one%@NL@%
More deaths than one must die.%@NL@%

%@NL@%Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Ballad of Reading Gaol [1898], pt.II,st. 37

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO540    @%%@2@%I know not whether laws be right,%@NL@%%@EH@%
Or whether laws be wrong;%@NL@%
All that we know who lie in gaol%@NL@%
Is that the wall is strong;%@NL@%
And that each day is like a year,%@NL@%
A year whose days are long.%@NL@%

%@NL@%Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Ballad of Reading Gaol [1898], pt.V,st. 1

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO550    @%%@2@%The vilest deeds like poison weeds%@NL@%%@EH@%
Bloom well in prison air:%@NL@%
It is only what is good in man%@NL@%
That wastes and withers there:%@NL@%
Pale Anguish keeps the heavy gate%@NL@%
And the Warder is Despair.%@NL@%

%@NL@%Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Ballad of Reading Gaol [1898], pt.V,st. 5

%@NL@%
%@NL@%
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%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO560    @%%@2@%How else but through a broken heart%@NL@%%@EH@%
May Lord Christ enter in?%@NL@%

%@NL@%Oscar Fingal O'Flahertie Wills Wilde
%@NL@%The Ballad of Reading Gaol [1898], pt.V,st. 14

%@NL@%
%@NL@%
%@NL@%%@NL@%%@NL@%

%@QR:Oscar Fingal O'Flahertie Wills Wilde@%%@QR:Wilde@%%@CR:N1854WILO570    @%%@2@%   Where there is sorrow there is holy ground.%@NL@%%@EH@%
%@NL@%
Oscar Fingal O'Flahertie Wills Wilde
%@NL@%De Profundis [1905]

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%William Cowper Brann%@AE@%%@EH@%
%@NL@%
%@AB@%1855-1898%@AE@%
%@FN@%
Known as "The Iconoclast" from the name of his paper, first published in
Austin, Texas, and later in Waco.  %@EF@%
%@NL@%%@NL@%

%@QR:William Cowper Brann@%%@QR:Brann@%%@CR:N1855BRAW10     @%%@2@%   Boston runs to brains as well as to beans and brown bread. But she is%@EH@%
cursed with an army of cranks whom nothing short of a straitjacket or a
swamp elm club will ever control.%@NL@%
%@NL@%
William Cowper Brann
%@NL@%From The Iconoclast. Beans and Blood

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Henry Cuyler Bunner%@AE@%%@EH@%
%@NL@%
%@AB@%1855-1896%@AE@%
%@NL@%%@NL@%

%@FN@%
Hats off!/Along the street there comes/A blare of bugles, a ruffle of
drums,/A flash of color beneath the sky:/Hats off!/The flag is passing
by.-Henry Holcomb Bennett [1863-1924], The Flag Goes By, st. 1  %@EF@%
%@QR:Henry Cuyler Bunner@%%@QR:Bunner@%%@CR:N1855BUNH10     @%%@2@%Off with your hat as the flag goes by!%@NL@%%@EH@%

%@NL@%Henry Cuyler Bunner
%@NL@%%@FN@%
Written on Evacuation Day [March 17], 1883.  %@EF@%
Airs from Arcady [1888]. The Old Flag,
st. 1

%@NL@%
%@NL@%
%@NL@%%@1@%%@AB@%Eugene V ictor Debs%@AE@%%@EH@%
%@NL@%
%@AB@%1855-1926%@AE@%
%@NL@%%@NL@%

%@QR:Eugene V ictor Debs@%%@QR:Debs@%%@CR:N1855DEBE10     @%%@2@%   While there is a lower class I am in it, while there is a criminal%@EH@%
element I am of it; while there is a soul in prison, I am not free.%@NL@%
%@NL@%
Eugene V ictor Debs
%@NL@%On labor and freedom

%@NL@%
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%@QR:Eugene V ictor Debs@%%@QR:Debs@%%@CR:N1855DEBE20     @%%@2@%   The savings of many in the hands of one.%@NL@%%@EH@%
%@NL@%