> By the way, the source for the Greek text failed to include aspiration
> marks---the text would better be transliterated as
>
> hexakosioi hexEkonta hex
What's your source for this? I looked at the greekbible.com entry, which
matches your earlier email. I don't know ancient or 'old' Greek, but I'm
familiar enough with modern Greek to know that it's pretty darn close to the
modern Greek for the number 666, spelled
exakosies exointa exi
(pronounced: eksakosee-es ekseenda eksy)
I'm unaware of the aspirated 'h' (chi: x) being in front of the 6 root.
Though, heck, maybe those outdated accent marks did indicate some kind of
aspiration. That transliterated 'h' appears in several English-from-Greek
words that don't have it in Greek, e.g. ydra/hydra, ygro/hygro-, etc).
- --
Vincent Kargatis
np: Mark Dresser - "Sonomatopoeia" (Aquifer)
- -
------------------------------
Date: Mon, 29 Apr 2002 06:31:46 -0700 (PDT)
From: Theo Klaase <river_of_dogs@yahoo.com>
Subject: Masada-Live, Favorites?
For those who have all (or nearly all) of Masada's
Live releases - which one is your favorite?
I like Live in Middleheim
and, of course, the 2001 Tonic CD...
=====
- -That which is Theo
Insofar as the coercive powers of government are to be used to insure that particular people get particular things, it requires a kind of discrimination between, and an unequal treatment of, different people which is irreconcilable with a free society.
For those who have all (or nearly all) of Masada's
Live releases - which one is your favorite?
I like Live in Middleheim
and, of course, the 2001 Tonic CD...
=====
- -That which is Theo
Insofar as the coercive powers of government are to be used to insure that particular people get particular things, it requires a kind of discrimination between, and an unequal treatment of, different people which is irreconcilable with a free society.
>This is my first wilco purchase, honestly I was put off with the genre
>title altcountry, I should know that like most lumping of music the
>only way to judge is to listen and form personal parallels. I have been
>drawn to playing this album repeatedly and finding myself humming the
>songs, I guess this means that its really catchy and popy. The sound is
>really amazing, jim orourke left his mark, some of the electronic
>sounds are very fascinating and really push the edge on some songs.
>There are a lot of nice songs on this, a great listen.
in fairness to the band, they ditched the "altcountry" tag after their 2nd
album, Being There. Summerteeth wasn't altcountry in the least, and was a
clear step in the direction on Yankee Hotel foxtrot. the production on
both albums has some amazing moments.
sean
- -
- -
------------------------------
Date: Mon, 29 Apr 2002 10:50:52 -0400
From: "patbor" <patbor@buzzle.com>
Subject: RE: Masada-Live, Favorites?
Well,
there's a track on LIVE IN TAIPEI that
(I may be wrong) doesn't appear in any of the
studio recordings: Gevurah
Here there's a brilliant sax solo that launches
one of (I think) Douglas' most astonishing solos.
And the interplay with Baron in this solo is brilliant.
I'd really like to listen to another version of Gevurah
(live or studio) but can't find it.
The main theme of Gevurah appears also at the end
of Karaim in LIVE AT TONIC, the mix is real genius!
Ciao
PatB
- ---------- Original Message ----------------------------------
From: Theo Klaase <river_of_dogs@yahoo.com>
Date: Mon, 29 Apr 2002 06:31:51 -0700 (PDT)
>For those who have all (or nearly all) of Masada's
>Live releases - which one is your favorite?
>
>I like Live in Middleheim
>and, of course, the 2001 Tonic CD...
>
>=====
>-That which is Theo
>
> Insofar as the coercive powers of government are to be used to insure that particular people get particular things, it requires a kind of discrimination between, and an unequal treatment of, different people which is irreconcilable with a free society.
