yes, there are really some nice recordings with Hutcherson.
My favorite is "firebirds" of Prince Lasha with Sonny Simmons (Sept.1967)
(on Contemporary) where Hutcherson does some of his best jobs IMO. Also the
Eric Dolphy Sessions with Lasha and Simmons (July 1963) features Hutcherson
and are amazing, too.
Greets from Germany,
Lars
- ----- Original Message -----
From: "josephneff" <jneff@visuallink.com>
To: "Zorn-List@Lists.Xmission.Com" <zorn-list@lists.xmission.com>
Sent: Thursday, January 17, 2002 8:34 AM
Subject: Re: Coltrane & Shepp & a call for vibes
> Hello,
> ...."New Thing At Newport" is a blast. I'll stick up for the 'Trane
> stuff, always having dug the velocity/intensity of "One Down, One Up". I
do
> agree that the Shepp group is the real revelation on the disc, though.
These
> recordings feature Bobby Hutcherson on vibes, who is also on Dolphy's "Out
> to Lunch". These two records stick out to me due to the presence of
> Hutcherson, the vibes not being much of a "New Thing" instrument. The
rather
> harried feel of the Newport stuff is punctuated for me by the vibes, which
> possess a level of abstraction and aggression that I've never heard come
> from that source on any other occasion. Any experts out there care to
> mention any free/avant/new thing records that feature good vibes? How
about
> some further Hutcherson recordings?
>
> I remain....
>
> Joseph
>
> NP: Half Japanese- "The Band That Would Be King"
> NR: Alfred Jarry- "Ubu Roi"
>
>
>
> -
>
- -
------------------------------
Date: Thu, 17 Jan 2002 07:12:44 EST
From: Poisonhead@aol.com
Subject: Yearbook Volume 2
Hello Again,
Another question for the list. The various artist compilation on rastacan records "Yearbook Vol.2" contains a piece by John Zorn Ensemble. Has this piece been released before on something else?
Thanks,
Andrew
- -
------------------------------
Date: Thu, 17 Jan 2002 09:01:50 -0500
From: "Sean Westergaard" <seawes@allmusic.com>
Subject: RE: Gilmore/Coltrane
Isn't there a story about Trane checking out one of Sun Ra's gigs in the
> early '60s and upon hearing John Gilmore blow some wild outside solo Dear
> John went running up to the stage screaming "He's got it!!!"?
to further elaborate:
as i recall, it was just after the Arkestra had moved to NY. Pat Patrick
had been there already a couple years and was playing in some latin jazz
combo. To help the newly arrived ARkestra members get established, Gilmore
was invited to sit in. Gilmore said he didn't really know how to play with
latin music, so he played against it. just as almost everyone in the crowd
was scratching their head, wondering if Gilmore could actually play,
Coltrane apparently came running up yelling "JOhn Gilmore, you GET it!" at
least that's my recollection of the story from Szwed's book.
>and, frankly, Gilmore is, for my money, every bit as fantastic as
>Trane, Wayne, Sonny, Joe, or anyone else.
absolutely.
sean
- -----Original Message-----
From: owner-zorn-list@lists.xmission.com
[mailto:owner-zorn-list@lists.xmission.com]On Behalf Of Skip Heller
Sent: Wednesday, January 16, 2002 9:23 PM
To: thomas chatterton; zorn-list@lists.xmission.com
Subject: Re: coltrane/impulse!
>> From: Skip Heller <velaires@earthlink.net>
>
>> the story I got is that Coltrane definitely used his muscle to Shepp a
>> deal,
>> and same with Pharoah, but not Sun Ra, to whom he owed a bit of a debt.
>
> Isn't there a story about Trane checking out one of Sun Ra's gigs in the
> early '60s and upon hearing John Gilmore blow some wild outside solo Dear
> John went running up to the stage screaming "He's got it!!!"?
>
That story has been widely circulated, and never by John Gilmore, so I
believe it to be true. I doubt that it was a fictional or even apocryphal
account, and, frankly, Gilmore is, for my money, every bit as fantastic as
Trane, Wayne, Sonny, Joe, or anyone else.
skip h
- -
- -
------------------------------
Date: Thu, 17 Jan 2002 09:22:59 -0500 (EST)
From: mft4@cornell.edu
Subject: Haneke
La Pianiste is an excellent film, far better than Haneke's earlier
efforts. If you like Funny Games and Code Inconnu, you'll probably like
his earlier stuff like The Seventh Continent or Benny's Video,
characterized by the same virtuosic technique, bitterness, and hatred
towards the audience. With La Pianiste he finally puts some of his ideas
to work instead of stifling them with blind rage/angst.
- -
------------------------------
Date: Thu, 17 Jan 2002 09:15:22 -0600
From: "Ben Axelrad" <soulfrieda@hotmail.com>
Subject: Re: Hal Hartley!
Hartley is pretty well-known in America. "Henry Fool" was sold out when it
opened in Chicago.
I've seen "Henry Fool", "Flirt", and "Amateur", and while I enjoyed them I
never really understood some of the Hartley worship I've encountered. And
even harder to understand was an ex-girlfriend's infatuation with Martin
Donovan...
(and what's with the annoying scores?)
Ben
>From: duncan youngerman <y-man@wanadoo.fr>
>Reply-To: y-man@wanadoo.fr
>To: "Patrice L. Roussel" <proussel@ichips.intel.com>,
