Subject: Re: [MV] THE LAST KISS (L'ULTIMO BACIO)/ **
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PLEASE STOP SENDING ME THESE REVIEWS! THEY ARE ANNOYING!
gregorys@xmission.com wrote:THE LAST KISS (L'ULTIMO BACIO)/ **
August 30, 2002
Carlo: Stefano Accorsi
Giulia: Giovanna Mezzogiorno
Anna: Stefania Sandrelli
Francesca: Martina Stella
Alberto: Marco Cocci
Marco: Pierfrancesco Favino
Paolo: Claudio Santamaria
Think Films presents a film written and directed by Gabriele Muccino.
Running time: 114 minutes. In Italian with English subtitles. Rated R (for
language, sexuality and some drug use). Opening today at Landmark Century.
BY ROGER EBERT
"The Last Kiss" is a comedy, I guess, about male panic at the spectre of
adult responsibility. If you're a guy and want to figure out what side of
the question you're on, take this test. You're a young single man. Your
girlfriend announces at a family dinner that she is pregnant. You (a) accept
the joys and responsibilities of fatherhood; (b) climb up into a treehouse
at a wedding to begin a passionate affair with an 18-year-old; (c) join
three buddies in discussing their plan to buy a van and trek across Africa.
Carlo (Stefano Accorsi), the hero of the film, is torn between (b) and (c).
Marriage looms like a trap to him, and he complains to Francesca (Martina
Stella), the 18-year-old, that he fears "the passion is going" from his
life. When his girlfriend Giulia (Giovanna Mezzogiorno) takes him along to
look at a house they could buy, he complains that buying a house seems so
"final." Not encouraging words for a pregnant fiancee to hear. "If I catch
him cheating, I'll kill him," she says, in the ancient tradition of Italian
movie comedy.
But the movie isn't all comedy, and has fugitive ambitions, I fear, to say
something significant about romance and even life. Consider some of Carlo's
friends. Paolo (Claudio Santamaria) is expected to take over his father's
clothing store, has no interest in retail, but is wracked with guilt because
his father is dying and this is his last wish. Marco (Pierfrancesco Favino)
is a serial lover. Adriano (Giorgio Pasotti) is depressed because his
girlfriend has lost all interest in sex after giving birth. Their 30s and
indeed their 40s are breathing hot on the necks of these friends, who cling
to golden memories of adolescence.
There is also the case of Anna (Stefania Sandrelli), Carlo's mother, who is
married to a detached and indifferent psychiatrist, and seeks out a former
lover with hopes of, who knows, maybe now taking the path not chosen. The
lover is delighted to see her for a chat over lunch, but reveals that he has
recently married and is the proud father of a one-year-old. How cruelly age
discriminates against women (at least those prepared to consider it
discrimination and not freedom).
"The Last Kiss" specializes in dramatic exits and entrances. Anna bursts
into her husband's office when he is deep in consultation with a patient,
who seems alarmed that his own house is so clearly not in order. Carlo
awakens with dread after a night spent imprudently, and flees. Giulia makes
a dramatic appearance at a death bed after discovering Carlo lied to her.
And so on.
The problem is that the movie has no idea of it is serious or not. It
combines heartfelt self-analysis with scenes like the one where Carlo is
taken by his teenage squeeze to her friend's birthday, and tries to party
with the kids. This is either funny or sad, not both, but the movie doesn't
know which.
The message behind all of this is difficult to nail down. Mars and Venus?
Adults who haven't grown up? The last fling syndrome? Doing what you want
instead of doing what you must? I have just finished Without Stopping, the
autobiography of the novelist and composer Paul Bowles, who as nearly as I
can tell always did exactly what he wanted, and was married to Jane Bowles,
who did the same. The answer, obviously, is not to choose between marriage
and the van trip through Africa, but to dump the buddies and find a wife who
wants to come along.
Copyright ⌐ Chicago Sun-Times Inc.
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<P>PLEASE STOP SENDING ME THESE REVIEWS! THEY ARE ANNOYING!
<P> <B><I>gregorys@xmission.com</I></B> wrote:
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">THE LAST KISS (L'ULTIMO BACIO)/ ** <BR><BR>August 30, 2002<BR><BR>Carlo: Stefano Accorsi <BR>Giulia: Giovanna Mezzogiorno <BR>Anna: Stefania Sandrelli <BR>Francesca: Martina Stella <BR>Alberto: Marco Cocci <BR>Marco: Pierfrancesco Favino <BR>Paolo: Claudio Santamaria<BR>Think Films presents a film written and directed by Gabriele Muccino.<BR>Running time: 114 minutes. In Italian with English subtitles. Rated R (for<BR>language, sexuality and some drug use). Opening today at Landmark Century.<BR><BR>BY ROGER EBERT<BR><BR>"The Last Kiss" is a comedy, I guess, about male panic at the spectre of<BR>adult responsibility. If you're a guy and want to figure out what side of<BR>the question you're on, take this test. You're a young single man. Your<BR>girlfriend announces at a family dinner that she is pregnant. You (a) accept<BR>the joys and responsibilities of fatherhood; (b) climb up into a treehouse<BR>at a wedding to begin a passionate affair with an 18-year-old; (c) join<BR>three buddies in discussing their plan to buy a van and trek across Africa.<BR><BR>Carlo (Stefano Accorsi), the hero of the film, is torn between (b) and (c).<BR>Marriage looms like a trap to him, and he complains to Francesca (Martina<BR>Stella), the 18-year-old, that he fears "the passion is going" from his<BR>life. When his girlfriend Giulia (Giovanna Mezzogiorno) takes him along to<BR>look at a house they could buy, he complains that buying a house seems so<BR>"final." Not encouraging words for a pregnant fiancee to hear. "If I catch<BR>him cheating, I'll kill him," she says, in the ancient tradition of Italian<BR>movie comedy.<BR><BR>But the movie isn't all comedy, and has fugitive ambitions, I fear, to say<BR>something significant about romance and even life. Consider some of Carlo's<BR>friends. Paolo (Claudio Santamaria) is expected to take over his father's<BR>clothing store, has no interest in retail, but is wracked with guilt because<BR>his father is dying and this is his last wish. Marco (Pierfrancesco Favino)<BR>is a serial lover. Adriano (Giorgio Pasotti) is depressed because his<BR>girlfriend has lost all interest in sex after giving birth. Their 30s and<BR>indeed their 40s are breathing hot on the necks of these friends, who cling<BR>to golden memories of adolescence.<BR><BR>There is also the case of Anna (Stefania Sandrelli), Carlo's mother, who is<BR>married to a detached and indifferent psychiatrist, and seeks out a former<BR>lover with hopes of, who knows, maybe now taking the path not chosen. The<BR>lover is delighted to see her for a chat over lunch, but reveals that he has<BR>recently married and is the proud father of a one-year-old. How cruelly age<BR>discriminates against women (at least those prepared to consider it<BR>discrimination and not freedom).<BR><BR>"The Last Kiss" specializes in dramatic exits and entrances. Anna bursts<BR>into her husband's office when he is deep in consultation with a patient,<BR>who seems alarmed that his own house is so clearly not in order. Carlo<BR>awakens with dread after a night spent imprudently, and flees. Giulia makes<BR>a dramatic appearance at a death bed after discovering Carlo lied to her.<BR>And so on.<BR><BR>The problem is that the movie has no idea of it is serious or not. It<BR>combines heartfelt self-analysis with scenes like the one where Carlo is<BR>taken by his teenage squeeze to her friend's birthday, and tries to party<BR>with the kids. This is either funny or sad, not both, but the movie doesn't<BR>know which.<BR><BR>The message behind all of this is difficult to nail down. Mars and Venus?<BR>Adults who haven't grown up? The last fling syndrome? Doing what you want<BR>instead of doing what you must? I have just finished Without Stopping, the<BR>autobiography of the novelist and composer Paul Bowles, who as nearly as I<BR>can tell always did exactly what he wanted, and was married to Jane Bowles,<BR>who did the same. The answer, obviously, is not to choose between marriage<BR>and the van trip through Africa, but to dump the buddies and find a wife who<BR>wants to come along.<BR><BR>Copyright ⌐ Chicago Sun-Times Inc.<BR><BR>[ To leave the movies mailing list, send the message "unsubscribe ]<BR>[ movies" (without the quotes) to majordomo@xmission.com ]</BLOCKQUOTE><p><p><br><hr size=1><a href="http://uk.yahoo.com/mail/tagline_xtra/?http://uk.docs.yahoo.com/mail_storage.html"><b><font face="Arial" size="2">Get a bigger mailbox -- choose a size that fits your needs.</font></b></a><br>
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------------------------------
Date: Mon, 4 Nov 2002 07:54:41 -0600
From: "Wade Snider" <wsnider@brazoselectric.com>
Subject: RE: [MV] THE LAST KISS (L'ULTIMO BACIO)/ **
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I agree. Do we really need somebody to copy and paste Ebert's reviews =
and send them in masse like that??? If we want to read those, which seem =
to be sent over and over, we can go to Ebert's site. I mean some of =
those are like weeks old, and then there are times when we get duplicate =
or triplicate emails! I know there is not much activity on this list as =
it is, but this kind of crap is obnoxious and wasted. Does anybody =
really need 75 emails like this in their inbox?????=20
- -----Original Message-----
From: Julie Ogwayo [mailto:jogwayo@yahoo.com]
Sent: Saturday, November 02, 2002 4:28 PM
To: movies@lists.xmission.com
Subject: Re: [MV] THE LAST KISS (L'ULTIMO BACIO)/ **
PLEASE STOP SENDING ME THESE REVIEWS! THEY ARE ANNOYING!=20
gregorys@xmission.com wrote:=20
THE LAST KISS (L'ULTIMO BACIO)/ **=20
August 30, 2002
Carlo: Stefano Accorsi=20
Giulia: Giovanna Mezzogiorno=20
Anna: Stefania Sandrelli=20
Francesca: Martina Stella=20
Alberto: Marco Cocci=20
Marco: Pierfrancesco Favino=20
Paolo: Claudio Santamaria
Think Films presents a film written and directed by Gabriele Muccino.
Running time: 114 minutes. In Italian with English subtitles. Rated R =
(for
language, sexuality and some drug use). Opening today at Landmark =
Century.
BY ROGER EBERT
"The Last Kiss" is a comedy, I guess, about male panic at the spectre of
adult responsibility. If you're a guy and want to figure out what side =
of
the question you're on, take this test. You're a young single man. Your
girlfriend announces at a family dinner that she is pregnant. You (a) =
accept
the joys and responsibilities of fatherhood; (b) climb up into a =
treehouse
at a wedding to begin a passionate affair with an 18-year-old; (c) join
three buddies in discussing their plan to buy a van and trek across =
Africa.
Carlo (Stefano Accorsi), the hero of the film, is torn between (b) and =
(c).
Marriage looms like a trap to him, and he complains to Francesca =
(Martina
Stella), the 18-year-old, that he fears "the passion is going" from his
life. When his girlfriend Giulia (Giovanna Mezzogiorno) takes him along =
to
look at a house they could buy, he complains that buying a house seems =
so
"final." Not encouraging words for a pregnant fiancee to hear. "If I =
catch
him cheating, I'll kill him," she says, in the ancient tradition of =
Italian
movie comedy.
But the movie isn't all comedy, and has fugitive ambitions, I fear, to =
say
something significant about romance and even life. Consider some of =
Carlo's
friends. Paolo (Claudio Santamaria) is expected to take over his =
father's
clothing store, has no interest in retail, but is wracked with guilt =
because
his father is dying and this is his last wish. Marco (Pierfrancesco =
Favino)
is a serial lover. Adriano (Giorgio Pasotti) is depressed because his
girlfriend has lost all interest in sex after giving birth. Their 30s =
and
indeed their 40s are breathing hot on the necks of these friends, who =
cling
to golden memories of adolescence.
There is also the case of Anna (Stefania Sandrelli), Carlo's mother, who =
is
married to a detached and indifferent psychiatrist, and seeks out a =
former
lover with hopes of, who knows, maybe now taking the path not chosen. =
The
lover is delighted to see her for a chat over lunch, but reveals that he =
has
recently married and is the proud father of a one-year-old. How cruelly =
age
discriminates against women (at least those prepared to consider it
discrimination and not freedom).
"The Last Kiss" specializes in dramatic exits and entrances. Anna bursts
into her husband's office when he is deep in consultation with a =
patient,
who seems alarmed that his own house is so clearly not in order. Carlo
awakens with dread after a night spent imprudently, and flees. Giulia =
makes
a dramatic appearance at a death bed after discovering Carlo lied to =
her.
And so on.
The problem is that the movie has no idea of it is serious or not. It
combines heartfelt self-analysis with scenes like the one where Carlo is
taken by his teenage squeeze to her friend's birthday, and tries to =
party
with the kids. This is either funny or sad, not both, but the movie =
doesn't
know which.
The message behind all of this is difficult to nail down. Mars and =
Venus?
Adults who haven't grown up? The last fling syndrome? Doing what you =
want
instead of doing what you must? I have just finished Without Stopping, =
the
autobiography of the novelist and composer Paul Bowles, who as nearly as =
I
can tell always did exactly what he wanted, and was married to Jane =
Bowles,
who did the same. The answer, obviously, is not to choose between =
marriage
and the van trip through Africa, but to dump the buddies and find a wife =
who
wants to come along.
Copyright =A9 Chicago Sun-Times Inc.
[ To leave the movies mailing list, send the message "unsubscribe ]
[ movies" (without the quotes) to majordomo@xmission.com ]